WEBVTT - Bram Stoker

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<v Speaker 1>Welcome to Stuff You Missed in History Class, a production

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<v Speaker 1>of I Heart Radio. Hello, and welcome to the podcast.

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<v Speaker 1>I'm Holly Fry, and I'm Tracy V. Wilson. So Tracy.

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<v Speaker 1>The story that begins with Jonathan Harker's travels to Transylvania

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<v Speaker 1>on a business trip to complete a real estate deal

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<v Speaker 1>is one almost everybody knows. If I tell you that phrase,

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<v Speaker 1>you would say, I would say Dracula, right, because Dracula

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<v Speaker 1>is iconic. And we have talked about Dracula on several

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<v Speaker 1>episodes of this podcast, when we talked about the lives

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<v Speaker 1>of Christopher Lee and f. W. Murnow and Bella Lugosi

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<v Speaker 1>and Dwight Fry, And it seems like we must have

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<v Speaker 1>talked about the life of Bram Stoker before. Yeah, we

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<v Speaker 1>have not. No, we had a whole conversation where you

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<v Speaker 1>were like, I can't believe we haven't done this, and

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<v Speaker 1>I was like, but we did, though, No, it has

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<v Speaker 1>come up. I feel like what's come up more than

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<v Speaker 1>Bram Stoker himself is his estate and his widow not

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<v Speaker 1>giving people permission to adapt his work. But really we

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<v Speaker 1>have not talked about him at all. Uh It this

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<v Speaker 1>is a case where once I started getting into the research.

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<v Speaker 1>After you and I had that discussion, I knew we

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<v Speaker 1>had not talked about it at all, because there's part

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<v Speaker 1>of his story I would have remembered and have been

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<v Speaker 1>texting all of my friends about for the last several

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<v Speaker 1>days leading up to this recording. So today we are

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<v Speaker 1>going to talk about Bram Stoker. Abraham Stoker was born

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<v Speaker 1>on November eight eight His parents lived in the Clontarf

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<v Speaker 1>suburb of Dublin, Ireland. His father was also named Abraham Stoker.

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<v Speaker 1>His mother was Charlotte Matilda Blake Thornley Stoker, and this

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<v Speaker 1>was a large family. Braham had two siblings when he

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<v Speaker 1>was born, and the Stokers had another four more children

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<v Speaker 1>after him. And as a child, Bram, who was still

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<v Speaker 1>going by Abraham at that age but to separate from

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<v Speaker 1>his dad go ahead and go to his adopted name

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<v Speaker 1>of Brann, was not healthy. He was confined to his

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<v Speaker 1>bed or wherever an adult would carry him for the

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<v Speaker 1>first seven years of his life. And we don't actually

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<v Speaker 1>know what the nature of this illness was, and there

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<v Speaker 1>have been all kinds of theories, from it possibly having

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<v Speaker 1>been some sort of a fever, to a psychological element

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<v Speaker 1>being part of it, possibly a trauma of some kind,

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<v Speaker 1>but this is absolutely all speculation. We do not know

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<v Speaker 1>what was up here. Most biographers make the case that

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<v Speaker 1>this early phase of Stoker's life definitely influenced everything that

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<v Speaker 1>came afterward. Braham's mother told him about the cholera epidemic

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<v Speaker 1>that she had lived through, and specifically people being buried alive.

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<v Speaker 1>His father would tell him family stories, including military battles,

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<v Speaker 1>and also described plays that he had seen. All of

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<v Speaker 1>this seated Stoker's imagination, and he had a lot of

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<v Speaker 1>time alone with his thoughts since he couldn't really get

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<v Speaker 1>up and go with his siblings and his peers. But

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<v Speaker 1>despite this early start in this mystery ailment, Stoker made

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<v Speaker 1>a full recovery. Biographer Barbara Belford, who was one of

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<v Speaker 1>several biographers that wrote about him, mentions how very odd

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<v Speaker 1>it is that Stoker never gave any detail of his

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<v Speaker 1>illness in his writing about himself. This was not a

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<v Speaker 1>family that was ignorant of medical matters. His uncle, William

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<v Speaker 1>Stoker was the family doctor. He also had three brothers

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<v Speaker 1>who became doctors. But the truth of those early years

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<v Speaker 1>seems to have been obscured and lost to time. Although

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<v Speaker 1>a lot of scholars of Stoker's work have scoured his

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<v Speaker 1>writing for clues like any time he mentions a child

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<v Speaker 1>being ill, or they like is this a reference to

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<v Speaker 1>his youth? But details regarding the end of his illness

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<v Speaker 1>are as murky as the illnesses itself. He would later write, quote,

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<v Speaker 1>this early weakness passed away, and I grew into a

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<v Speaker 1>strong boy in time, in large to the biggest member

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<v Speaker 1>of my family. In eighteen sixty four, when Stoker was seventeen,

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<v Speaker 1>he enrolled at Trinity College at the University of Dublin,

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<v Speaker 1>And while he may have started life in pretty poor

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<v Speaker 1>health as a college student, he was actually really athletic.

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<v Speaker 1>He was an accomplished gymnast and a rugby player. He

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<v Speaker 1>also participated in endurance racewalking. He won prizes in five

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<v Speaker 1>and seven mile walks. He also cut a pretty striking figure.

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<v Speaker 1>He was six ft two with red hair, and he

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<v Speaker 1>was popular. Invited to join both the Historical Society and

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<v Speaker 1>the Philosophical Society, and he was elected to positions of

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<v Speaker 1>responsibility in each of them. His time at Trinity overlapped

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<v Speaker 1>with that of Oscar Wilde, who was younger than Stoker.

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<v Speaker 1>The two of them knew each other, and Bram had

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<v Speaker 1>actually nominated Wild for membership of the Philosophical Society. Yeah,

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<v Speaker 1>that's an interesting overlap. It will come up again in

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<v Speaker 1>just a bit. So here's the thing. Stoker's performance in

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<v Speaker 1>school did not really hint at his future legacy. While

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<v Speaker 1>he excelled at sports, was kind of an average student academically,

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<v Speaker 1>but he was writing essays and papers about things that

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<v Speaker 1>sparked his interest in his societal participations, including one's titled

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<v Speaker 1>Sensationalism in Fiction and Society and the Necessity for Political Honesty.

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<v Speaker 1>In eighteen seventy, he graduated from Trinity. He would later

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<v Speaker 1>say he graduated with honors in mathematics. This is untrue.

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<v Speaker 1>Trinity College actually has a biography of him, and they're like,

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<v Speaker 1>we don't know where he got this. If you're wondering

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<v Speaker 1>about it taking six years for him to earn a

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<v Speaker 1>bachelor's degree, that's because he was also working for all

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<v Speaker 1>but the first two years of that schooling. Stoker took

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<v Speaker 1>a civil service job at Dublin Castle thanks to an

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<v Speaker 1>assist from his father, who had also worked there as

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<v Speaker 1>a civil servant until his retirement in eighteen sixty five.

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<v Speaker 1>So he was working six and a half days a

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<v Speaker 1>week while also taking classes. So at that point six

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<v Speaker 1>years is past to me. Yes, me as well. And

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<v Speaker 1>it's one of those things where it's almost like this

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<v Speaker 1>sets the stage for his whole life of just being

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<v Speaker 1>constantly working on a lot of things and making time

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<v Speaker 1>for more things than anyone humans should fit in a day.

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<v Speaker 1>But after he finished school, he continued in his civil

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<v Speaker 1>service position, although he also continued to be interested in literature.

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<v Speaker 1>In his last years of school, Stoker became somewhat obsessed

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<v Speaker 1>with Walt Whitman, and that deep interest in the man

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<v Speaker 1>and his work continued long after graduation from Trinity. In

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<v Speaker 1>February seventy two, Stoker wrote Whitman a two thousand word

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<v Speaker 1>letter in which he said, among other things, quote, you

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<v Speaker 1>have shaken off the shackles and your wings are free.

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<v Speaker 1>I have the shackles on my shoulder still, but I

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<v Speaker 1>have no wings. Stoker's letter continues on to describe himself

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<v Speaker 1>and detail including the sorts of things that a person

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<v Speaker 1>today might normally share, maybe with a therapist, including how

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<v Speaker 1>he chose to interact with people, as well as the

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<v Speaker 1>sort of things he might tell pen pal, and then

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<v Speaker 1>it concluded with quote, now I have told you all

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<v Speaker 1>I know about myself. So couldn't actually mail this letter

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<v Speaker 1>to Whitman, though instead he left it in his desk

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<v Speaker 1>for the next four years, intending to make a clean

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<v Speaker 1>copy to send. This is a level of procrastination I

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<v Speaker 1>feel like I can experience in my life. I think

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<v Speaker 1>we all can. There's also the possibility, and again this

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<v Speaker 1>is a matter of speculation that some people have theorized

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<v Speaker 1>that he recognized how sort of raw and familiar this

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<v Speaker 1>letter was, and like, while that may have been his

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<v Speaker 1>truest feelings, he was also a little trepidacious about actually

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<v Speaker 1>sharing it, Like maybe I shouldn't send this to someone.

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<v Speaker 1>Maybe I don't even want to acknowledge that I just

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<v Speaker 1>wrote all of these things to my literary hero, because

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<v Speaker 1>that's weird. We'll talk more about this whole thing on Friday.

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<v Speaker 1>But after a gathering at which Whitman's work was criticized

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<v Speaker 1>and rebutted in eighteen seven six, and we should point

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<v Speaker 1>out that, you know, Whitman was controversial in his time.

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<v Speaker 1>There were poems, for example, that were part of Leaves

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<v Speaker 1>of Grass that were left out of some publications of

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<v Speaker 1>that work, particularly in Britain. There was a lot of

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<v Speaker 1>discussion about whether his work was appropriate in some cases,

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<v Speaker 1>but at that gathering Stoker provided the defense position of

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<v Speaker 1>the poet, And afterwards he wrote another letter to Walt Whitman,

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<v Speaker 1>similarly familiar and kind of intimate. He talked about having

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<v Speaker 1>defended him because he thinks he is such a great man.

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<v Speaker 1>And this time he actually mailed it, as well as

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<v Speaker 1>that one that had sat in his destroyer all of

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<v Speaker 1>the intervening time. And Whitman got these letters and replied

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<v Speaker 1>that he hoped that the two of them would one

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<v Speaker 1>day meet, and he commented on the unconventional, manly and

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<v Speaker 1>affectionate way in which Stoker had addressed him. Those are

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<v Speaker 1>all adjectives that I am quoting from Whitman regarding Bram

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<v Speaker 1>Stoker's writing. If if you want to know more about

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<v Speaker 1>Walt Whitman and his writing, we have a previous episode

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<v Speaker 1>on him that I feel has been a Saturday classic,

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<v Speaker 1>not that long ago, but it has been long ago

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<v Speaker 1>enough ago since we recorded it that I have no recollection.

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<v Speaker 1>If it mentions Bram Stoker in any way, I don't

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<v Speaker 1>think so, because I think I would have remembered. Uh

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<v Speaker 1>so anyway, Whitman had been particularly delighted in all this

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<v Speaker 1>by a passage in which Stoker called him the quote father, brother,

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<v Speaker 1>and wife to his soul. Whitman later told a friend

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<v Speaker 1>that he felt that Stoker had actually been writing to

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<v Speaker 1>himself and kind of working through his own thoughts, and

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<v Speaker 1>that he felt compelled to respond to the young man.

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<v Speaker 1>Although Stoker had hoped that Whitman might one day travel

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<v Speaker 1>to Ireland and they could meet, Whitman's health at the

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<v Speaker 1>time kept that from ever happening. Yeah, he was not

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<v Speaker 1>able to travel, um, but don't give up on that thought.

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<v Speaker 1>This writing, these letters to Walt Whitman are the only

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<v Speaker 1>instances of writing from Stoker's youth where he speaks so

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<v Speaker 1>openly about himself and his inner world. He tends to

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<v Speaker 1>kind of keep his private thoughts private for most of

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<v Speaker 1>the rest of his writing, so they have become a

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<v Speaker 1>really important part of his history. In eighteen seventy six,

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<v Speaker 1>Stoker was promoted into the newly created position of Inspector

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<v Speaker 1>of Courts of Petty Sessions, and this money had to

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<v Speaker 1>travel to various municipalities and audit their small claims courts.

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<v Speaker 1>Three years into the job, he published a book on

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<v Speaker 1>this subject called The Duties of Clerks of Petty Sessions

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<v Speaker 1>in Ireland. Bless him. This sounds dull as dirt. I

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<v Speaker 1>mean it's literally like going to a court and hearing

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<v Speaker 1>people talk about things. Uh. In one biography they mentioned

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<v Speaker 1>like him him sitting in on hearings about things like

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<v Speaker 1>dog licenses. Uh, you know, neighbors complaining against one another.

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<v Speaker 1>But meanwhile, while working in his civil service job by

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<v Speaker 1>day and probably finding it a little less than intellectually stimulating,

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<v Speaker 1>Stoker started a side hustle in the evenings as a

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<v Speaker 1>writer on more interesting topic. He first wrote theater reviews.

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<v Speaker 1>He did not get paid for these, but he did

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<v Speaker 1>create a significant change at the Dublin Evening Mail in

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<v Speaker 1>working on them. Up to that point, theater reviews normally

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<v Speaker 1>published two days after the show that was being reviewed,

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<v Speaker 1>so if you went to a show on Friday night,

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<v Speaker 1>the review of it would appear Sunday. But Stoker, who

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<v Speaker 1>again was a very busy bee and would pack a

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<v Speaker 1>lot of work into any day, instigated a shift so

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<v Speaker 1>that next day reviews would run at the paper. So

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<v Speaker 1>if you saw that Friday show, the review would run

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<v Speaker 1>on the Saturday morning and learning the discipline of writing

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<v Speaker 1>and doing this on a deadline enabled him to turn

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<v Speaker 1>his pen to more creative efforts, and he started writing

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<v Speaker 1>short stories as well. In eighteen seventy two, he had

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<v Speaker 1>actually already published the first of his short stories, that

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<v Speaker 1>was one called The Crystal Cup. But in the late

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<v Speaker 1>eighteen seventies he also started editing a fiction magazine. In

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<v Speaker 1>eighteen seventy five, he published a novella over several installments

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<v Speaker 1>in the periodical The Shamrock. That story is called The

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<v Speaker 1>Primrose Path was published under the name A Stoker Esquire

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<v Speaker 1>that unfolds over ten chapters. This is a morality tale

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<v Speaker 1>about the dangers of alcohol, and it tells the story

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<v Speaker 1>of a carpenter from Dublin who moves to London and

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<v Speaker 1>becomes an alcoholic, which ultimately leads to misery, so much misery.

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<v Speaker 1>It's a very dark, dark story in many ways. In

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<v Speaker 1>late eighteen seventy six, bram Stoker wrote a theater review

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<v Speaker 1>that changed the course of his life. And we're going

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<v Speaker 1>to talk about that. After we first paused for a

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<v Speaker 1>sponsor break, as we said before the break. In eighteen

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<v Speaker 1>seventy six, bram Stoker wrote a review this review was

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<v Speaker 1>of Henry Irving's performance as Hamlet, and it was glowing.

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<v Speaker 1>Bram was already something of a Henry Irving fan. He

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<v Speaker 1>had seen the famous actor on stage for the first

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<v Speaker 1>time in eighteen sixty seven, when he had attended a

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<v Speaker 1>performance of The Rivals in Dublin, and he had, when

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<v Speaker 1>he saw that first performance, been thinking about a career

0:13:01.800 --> 0:13:05.960
<v Speaker 1>in acting himself, and Irving asked Stoker out to dinner

0:13:06.160 --> 0:13:08.080
<v Speaker 1>as a thank you for this. This was a start

0:13:08.120 --> 0:13:11.320
<v Speaker 1>of a long and very close friendship. Henry Irving became

0:13:11.559 --> 0:13:14.480
<v Speaker 1>a pivotal figure in Bram Stoker's life, so it's worth

0:13:14.520 --> 0:13:17.800
<v Speaker 1>giving his biography a little attention, just for context. So

0:13:17.960 --> 0:13:21.760
<v Speaker 1>Irving was born John Henry broad Rib in Somerset, England,

0:13:21.800 --> 0:13:25.840
<v Speaker 1>on February and when he was six his parents moved

0:13:25.840 --> 0:13:27.920
<v Speaker 1>to Bristol, where his father had found a new job,

0:13:28.240 --> 0:13:30.400
<v Speaker 1>but they left John Henry with an aunt and uncle

0:13:30.480 --> 0:13:33.600
<v Speaker 1>in Cornwall rather than moving him to a city. He

0:13:33.640 --> 0:13:35.960
<v Speaker 1>did rejoin his parents a few years later in London

0:13:36.080 --> 0:13:38.560
<v Speaker 1>at the age of ten. He started work as a

0:13:38.559 --> 0:13:41.120
<v Speaker 1>clerk as a young man, but really always wanted a

0:13:41.160 --> 0:13:45.400
<v Speaker 1>life in the theater, so with financial assistance from a relative,

0:13:45.480 --> 0:13:48.880
<v Speaker 1>he started purchasing costumes and wigs, and then he bought

0:13:48.880 --> 0:13:51.559
<v Speaker 1>a role for himself in a local production of Romeo

0:13:51.720 --> 0:13:55.880
<v Speaker 1>and Juliet. He appeared in that as Henry Irving. From

0:13:55.920 --> 0:13:58.520
<v Speaker 1>there he started working with stock companies. This a bit

0:13:58.600 --> 0:14:02.440
<v Speaker 1>performer and was an hund of shows touring Great Britain. Yeah,

0:14:02.480 --> 0:14:04.640
<v Speaker 1>I read one statistics that said something like over the

0:14:04.640 --> 0:14:07.560
<v Speaker 1>course of three years he was in four hundred different roles,

0:14:08.360 --> 0:14:11.120
<v Speaker 1>so he was doing a lot of very small bit

0:14:11.200 --> 0:14:16.200
<v Speaker 1>players kind of acting. Irving really started gating recognition in

0:14:16.240 --> 0:14:19.200
<v Speaker 1>the mid eighteen sixties, and in eighteen seventy one he

0:14:19.240 --> 0:14:21.960
<v Speaker 1>became very famous for his appearance in The Bells at

0:14:21.960 --> 0:14:25.440
<v Speaker 1>the Lyceum Theater. He appeared at the Lyceum as the

0:14:25.480 --> 0:14:27.760
<v Speaker 1>star of the company for the next several years, and

0:14:27.800 --> 0:14:30.280
<v Speaker 1>it was in late eighteen seventy six that he starred

0:14:30.320 --> 0:14:33.360
<v Speaker 1>in Hamlet, which was of course reviewed by Bram Stoker

0:14:33.440 --> 0:14:36.720
<v Speaker 1>for the Dublin Evening Mail, and after reading that review

0:14:36.760 --> 0:14:39.440
<v Speaker 1>in the morning, Irving wanted to have dinner with Stoker

0:14:39.640 --> 0:14:43.200
<v Speaker 1>that very evening. The two men wrote letters to one

0:14:43.200 --> 0:14:46.400
<v Speaker 1>another for several years, and in eighteen seventies seven, Irving

0:14:46.560 --> 0:14:50.520
<v Speaker 1>made a move that really changed Stoker's life. He purchased

0:14:50.560 --> 0:14:53.440
<v Speaker 1>the Lyceum Theater in London and asked Stoker to be

0:14:53.480 --> 0:14:57.040
<v Speaker 1>its manager. Irving would work as the director of the

0:14:57.040 --> 0:14:59.920
<v Speaker 1>productions and of course also star in them, and then

0:15:00.040 --> 0:15:03.360
<v Speaker 1>Stoker would handle the business, from tickets to press releases

0:15:03.400 --> 0:15:06.920
<v Speaker 1>and managing the staff. This was a really big ask.

0:15:07.120 --> 0:15:10.960
<v Speaker 1>Henry Irving was the most famous actor in late nineteenth

0:15:10.960 --> 0:15:13.800
<v Speaker 1>century England, and he was also known to be intense

0:15:14.080 --> 0:15:18.920
<v Speaker 1>and demanding and uncompromising. And Bram Stoker, who adored Irving,

0:15:19.200 --> 0:15:21.200
<v Speaker 1>didn't think twice about it. He bid a jew to

0:15:21.280 --> 0:15:24.200
<v Speaker 1>Ireland and his civil service job to start a new

0:15:24.760 --> 0:15:28.320
<v Speaker 1>as Henry Irving's business manager, essentially in eighteen seventy eight,

0:15:28.960 --> 0:15:31.960
<v Speaker 1>and this job was not a hobby job, so the

0:15:31.960 --> 0:15:34.880
<v Speaker 1>two of them could hang out. The Lyceum was large,

0:15:34.920 --> 0:15:38.080
<v Speaker 1>with a seating capacity of two thousand, and it was

0:15:38.120 --> 0:15:41.440
<v Speaker 1>a social hub for London society in addition to all

0:15:41.480 --> 0:15:46.080
<v Speaker 1>the regular business of his position, entertaining the illustrious patrons

0:15:46.120 --> 0:15:50.080
<v Speaker 1>of the theater after shows with luxurious dinners that also

0:15:50.160 --> 0:15:53.560
<v Speaker 1>fell under Stoker's job description. This is a gigantic job

0:15:53.600 --> 0:15:57.680
<v Speaker 1>for one person. Yes, it is in doing this though

0:15:57.760 --> 0:16:02.960
<v Speaker 1>he met numerous luminaries, including Mark Twain, Sir Arthur Conan Doyle,

0:16:03.160 --> 0:16:06.720
<v Speaker 1>and Prime Minister Gladstone. This is so much work, and

0:16:06.760 --> 0:16:10.800
<v Speaker 1>despite these long hours demanded of this job, Stoker still

0:16:10.920 --> 0:16:13.480
<v Speaker 1>found time to write, and this was on top of

0:16:13.520 --> 0:16:16.680
<v Speaker 1>the fact that he was writing several dozen letters a

0:16:16.760 --> 0:16:20.120
<v Speaker 1>day on behalf of Henry Irving, so handling both his

0:16:20.200 --> 0:16:25.240
<v Speaker 1>business correspondents and his personal correspondents and things like fan mail. Somehow,

0:16:25.280 --> 0:16:28.880
<v Speaker 1>while doing all of this, Stoker also got married in

0:16:28.920 --> 0:16:33.720
<v Speaker 1>eighteen seventy eight to Florence Malcolm. Florence was eleven years

0:16:33.840 --> 0:16:37.680
<v Speaker 1>younger than he was and was pretty outgoing, whereas he

0:16:37.720 --> 0:16:41.160
<v Speaker 1>was more shy and reserved. Her claim to historical fame

0:16:41.360 --> 0:16:45.120
<v Speaker 1>is being the exquisitely pretty girl that Oscar Wilde fell

0:16:45.160 --> 0:16:49.000
<v Speaker 1>in love with, and she didn't apparently tell wild that

0:16:49.040 --> 0:16:51.840
<v Speaker 1>she had married his friend from Trinity. While he was

0:16:51.920 --> 0:16:55.800
<v Speaker 1>off traveling. Oscar Wilde wrote her a letter that he

0:16:55.960 --> 0:16:58.320
<v Speaker 1>wished to have a gold cross back that he had

0:16:58.360 --> 0:17:01.040
<v Speaker 1>given to her because it represents the sweetest time of

0:17:01.120 --> 0:17:03.640
<v Speaker 1>his youth. She told him that he could come to

0:17:03.680 --> 0:17:05.600
<v Speaker 1>their home and get it, but he thought that would

0:17:05.600 --> 0:17:08.600
<v Speaker 1>be inappropriate and asked that they meet at her parents

0:17:08.640 --> 0:17:12.800
<v Speaker 1>home instead, and Florence, for her part, also wanted something back.

0:17:13.119 --> 0:17:15.320
<v Speaker 1>She wanted all of the letters that she had sent

0:17:15.320 --> 0:17:18.760
<v Speaker 1>Oscar Wilde when they were corresponding and courting. It is

0:17:18.840 --> 0:17:21.800
<v Speaker 1>unclear if these things were ever exchanged and given back

0:17:21.840 --> 0:17:26.520
<v Speaker 1>to each other. Uh This whole interaction, and this sort

0:17:26.520 --> 0:17:31.000
<v Speaker 1>of triangle of relationships is often summarized as Florence having

0:17:31.000 --> 0:17:34.240
<v Speaker 1>the choice to marry either Bram Stoker or Oscar Wilde.

0:17:34.280 --> 0:17:36.720
<v Speaker 1>But while Oscar Wilde, in his writing to her, does

0:17:36.760 --> 0:17:40.639
<v Speaker 1>seem to have really been hurt by Florence marrying his friend,

0:17:40.880 --> 0:17:43.320
<v Speaker 1>there's no evidence that he was ever suggesting that he

0:17:43.359 --> 0:17:45.399
<v Speaker 1>should be her husband or that they should get married,

0:17:46.200 --> 0:17:49.600
<v Speaker 1>and wild An Stoker did remain friends despite this whole thing.

0:17:50.440 --> 0:17:53.480
<v Speaker 1>Bram and Florence had one child, a son named Noel.

0:17:54.119 --> 0:17:56.639
<v Speaker 1>That was the first year after they were married, maybe

0:17:56.680 --> 0:17:59.520
<v Speaker 1>in response to finding himself a father. In eighty one,

0:17:59.560 --> 0:18:03.200
<v Speaker 1>Stoker published a book of children's stories called Under the Sunset.

0:18:03.720 --> 0:18:06.040
<v Speaker 1>There didn't seem to be a lot of discord in

0:18:06.040 --> 0:18:08.800
<v Speaker 1>the Stoker marriage, but there also didn't seem to be

0:18:08.920 --> 0:18:12.760
<v Speaker 1>that much closeness or devotion between them either. No, they

0:18:12.800 --> 0:18:16.399
<v Speaker 1>did a lot of stuff separately. Um Stoker was a

0:18:16.440 --> 0:18:20.320
<v Speaker 1>man who valued efficiency and organization, and he was absolutely

0:18:20.400 --> 0:18:24.600
<v Speaker 1>excellent at managing Irving's every need at the theater, and

0:18:24.640 --> 0:18:27.360
<v Speaker 1>he seemed to put his job and Irving ahead of

0:18:27.480 --> 0:18:31.840
<v Speaker 1>everything else in his life, including his own family. For example,

0:18:31.880 --> 0:18:35.679
<v Speaker 1>the newlywed Stoker's even skipped a honeymoon instead, Bram and

0:18:35.720 --> 0:18:39.600
<v Speaker 1>Florence had traveled to Birmingham so Bram could work. Stoker

0:18:39.680 --> 0:18:42.520
<v Speaker 1>had not even told his boss that he was getting married.

0:18:43.240 --> 0:18:46.240
<v Speaker 1>In eighteen eighty three, the Lyceum Theater mounted a tour

0:18:46.320 --> 0:18:50.719
<v Speaker 1>in North America. Stoker managed all of the logistics, so

0:18:50.800 --> 0:18:53.960
<v Speaker 1>the first of many such tours, and Stoker collected his

0:18:54.040 --> 0:18:57.919
<v Speaker 1>experiences into a travelog called A Glimpse of America that

0:18:57.960 --> 0:19:01.320
<v Speaker 1>came out in eighteen eighties six. On these travels to

0:19:01.359 --> 0:19:05.119
<v Speaker 1>the U S, Stoker met two presidents, McKinley and Teddy Roosevelt,

0:19:05.640 --> 0:19:09.520
<v Speaker 1>and more importantly, he was finally able to meet Walt Whitman.

0:19:10.000 --> 0:19:12.359
<v Speaker 1>And at this point these two writers had been trading

0:19:12.440 --> 0:19:15.280
<v Speaker 1>letters for years, so there was a pretty easy friendship

0:19:15.320 --> 0:19:18.520
<v Speaker 1>to their meeting. Although descriptions kind of make it sound

0:19:18.560 --> 0:19:21.680
<v Speaker 1>like Stoker was initially a little nervous there was one

0:19:21.720 --> 0:19:25.919
<v Speaker 1>blemish to mar this beautiful occasion, though Henry Irving had

0:19:25.960 --> 0:19:28.520
<v Speaker 1>insisted on going to meet Walt Whitman as well, so

0:19:28.560 --> 0:19:31.520
<v Speaker 1>Stoker felt a little bit cheated of the intimate conversation

0:19:31.560 --> 0:19:34.760
<v Speaker 1>that he had dreamed of having with his idol. Woman

0:19:34.880 --> 0:19:38.240
<v Speaker 1>noted also that Stoker had switched from going by Abraham

0:19:38.320 --> 0:19:41.560
<v Speaker 1>Stoker to Bram Stoker, and he did not particularly like

0:19:41.680 --> 0:19:43.639
<v Speaker 1>that shift in name. He just didn't think it was

0:19:43.720 --> 0:19:47.320
<v Speaker 1>very dignified. But overall it was a really, really good meeting,

0:19:47.440 --> 0:19:50.399
<v Speaker 1>and Stoker declared Walt Whitman to be quote, a man

0:19:50.440 --> 0:19:55.560
<v Speaker 1>amongst men. During the eighteen nineties, Stoker was still publishing novels,

0:19:55.640 --> 0:19:59.520
<v Speaker 1>including The Waters Moo and that feature star crossed lovers

0:19:59.640 --> 0:20:02.880
<v Speaker 1>as part of the story. There's also The Shoulder of Shasta,

0:20:03.040 --> 0:20:06.639
<v Speaker 1>which is a romance set in northern California. Even as

0:20:06.720 --> 0:20:09.080
<v Speaker 1>these books were being published, he was also working on

0:20:09.119 --> 0:20:13.359
<v Speaker 1>what would become his masterpiece, Dracula. While Bram Stoker was

0:20:13.400 --> 0:20:17.359
<v Speaker 1>normally a very fast writer, Dracula took him far longer

0:20:17.400 --> 0:20:20.160
<v Speaker 1>than his previous novels. He wrote it over the course

0:20:20.160 --> 0:20:23.160
<v Speaker 1>of seven years, and perhaps even longer, but that's how

0:20:23.200 --> 0:20:25.280
<v Speaker 1>long we know he was working on it while he

0:20:25.320 --> 0:20:28.600
<v Speaker 1>was touring with Irving and working on other writing projects.

0:20:29.119 --> 0:20:31.240
<v Speaker 1>We'll talk a little more about some of the research

0:20:31.320 --> 0:20:34.760
<v Speaker 1>that went into the most famous of Stoker's books after

0:20:34.800 --> 0:20:36.480
<v Speaker 1>we first take a break for a word from the

0:20:36.520 --> 0:20:46.640
<v Speaker 1>sponsors that keep stuff UMIs in history class going. If

0:20:46.640 --> 0:20:49.080
<v Speaker 1>you look at the notes that Stoker compiled as he

0:20:49.119 --> 0:20:52.720
<v Speaker 1>was assembling his Vampiric Tail, it becomes really apparent that

0:20:52.760 --> 0:20:56.720
<v Speaker 1>he was, as we mentioned earlier, meticulous. He had carefully

0:20:56.760 --> 0:21:00.840
<v Speaker 1>plotted out Jonathan Harker's journey to Transylvania by train, using

0:21:00.880 --> 0:21:04.919
<v Speaker 1>actual train schedules and only using connections that he believed

0:21:04.920 --> 0:21:07.960
<v Speaker 1>would have actually worked, and he created a table of

0:21:08.000 --> 0:21:10.280
<v Speaker 1>all of the correspondents that would appear in the book

0:21:10.320 --> 0:21:12.679
<v Speaker 1>to ensure that the dates that they posted in the

0:21:12.760 --> 0:21:15.920
<v Speaker 1>dates that they would arrive in the recipient's hands was realistic.

0:21:16.840 --> 0:21:19.119
<v Speaker 1>It also seems as though all of his work running

0:21:19.119 --> 0:21:21.520
<v Speaker 1>at theater and tours kind of informed the way he

0:21:21.560 --> 0:21:25.680
<v Speaker 1>constructed narrative. He also was a writer who really believed

0:21:25.800 --> 0:21:29.520
<v Speaker 1>in research, and his work researching what would become the

0:21:29.600 --> 0:21:33.560
<v Speaker 1>novel Dracula is really deeply associated with the town of Whitby, England,

0:21:33.960 --> 0:21:36.639
<v Speaker 1>on the country's east coast. He is said to have

0:21:36.720 --> 0:21:39.960
<v Speaker 1>visited a library in Whitby to look at a specific

0:21:40.200 --> 0:21:44.320
<v Speaker 1>selection of the Special Collections title by William Wilkinson, which

0:21:44.359 --> 0:21:48.080
<v Speaker 1>is an account of the principalities of Wallachia and Moldavia

0:21:48.160 --> 0:21:52.400
<v Speaker 1>with various political observations relating to them. It is from

0:21:52.440 --> 0:21:54.399
<v Speaker 1>this book that he is said to have learned of

0:21:54.440 --> 0:21:58.640
<v Speaker 1>the name Dracula in relation to lad Tepeesh. Prior to this,

0:21:59.000 --> 0:22:03.200
<v Speaker 1>Stoker was planning to name his villainous character Count vomp Here.

0:22:03.880 --> 0:22:05.919
<v Speaker 1>This was a rare book. It's an odd thing for

0:22:06.000 --> 0:22:08.359
<v Speaker 1>Stoker to have just known about. But a friend he

0:22:08.440 --> 0:22:12.800
<v Speaker 1>knew from his theater circle, Arminius van Berry, had told

0:22:12.920 --> 0:22:15.639
<v Speaker 1>him about the story of the locking a count and

0:22:15.960 --> 0:22:20.280
<v Speaker 1>the book that he could find it in. Yeah, piece

0:22:20.320 --> 0:22:23.480
<v Speaker 1>of knowledge. It's a very strange thing, right. I can

0:22:23.520 --> 0:22:27.520
<v Speaker 1>only imagine as a librarian having someone walk in and

0:22:27.560 --> 0:22:29.520
<v Speaker 1>be like, hey, you know that rare book that you

0:22:29.520 --> 0:22:31.280
<v Speaker 1>don't even tell people you have. I would like to

0:22:31.320 --> 0:22:35.800
<v Speaker 1>see it please. I mean, it's literally that strange um.

0:22:37.119 --> 0:22:40.160
<v Speaker 1>Stoker then visited the Whippy Museum to work on that

0:22:40.240 --> 0:22:43.160
<v Speaker 1>route that we mentioned a moment ago for Harker to take,

0:22:43.200 --> 0:22:47.640
<v Speaker 1>including making notes about latitude and longitude, and next Stoker

0:22:47.680 --> 0:22:50.639
<v Speaker 1>consulted with the Royal Coast Guard at the nearby harbor

0:22:51.000 --> 0:22:53.760
<v Speaker 1>and discussed the topic that would figure prominently in the

0:22:53.800 --> 0:22:57.800
<v Speaker 1>story of Dracula. In five, the ship Dmitri had left

0:22:57.800 --> 0:23:00.240
<v Speaker 1>the port of Narva in Estonia and had on the

0:23:00.280 --> 0:23:03.600
<v Speaker 1>ground near Whitby. According to the locals, only a few

0:23:03.640 --> 0:23:06.040
<v Speaker 1>members of the crew survived, and there was a black

0:23:06.119 --> 0:23:08.440
<v Speaker 1>dog that emerged from the ship and ran off while

0:23:08.480 --> 0:23:12.280
<v Speaker 1>rescue efforts were under way. The Dmitri had been carrying

0:23:12.320 --> 0:23:16.439
<v Speaker 1>crates of silver sand. That may sound mysterious, but silver

0:23:16.520 --> 0:23:19.840
<v Speaker 1>sand is actually a fine white sand that is commonly

0:23:19.960 --> 0:23:23.919
<v Speaker 1>used in construction mortar. But if you've read Dracula, that

0:23:24.000 --> 0:23:27.320
<v Speaker 1>might sound familiar, but not exactly the way you remember it.

0:23:27.960 --> 0:23:31.080
<v Speaker 1>Stoker borrowed the story of the Dimitri for the novel,

0:23:31.280 --> 0:23:34.399
<v Speaker 1>making the ship the conveyance of Count Dracula from his

0:23:34.440 --> 0:23:37.919
<v Speaker 1>home country to London, but in the fictional version the

0:23:38.000 --> 0:23:41.040
<v Speaker 1>name is changed to the Demeter, which also invokes the

0:23:41.080 --> 0:23:44.119
<v Speaker 1>Greek goddess and its associations with the cycle of life

0:23:44.119 --> 0:23:48.199
<v Speaker 1>and death, and Narva changes to Varna, Bulgaria as the

0:23:48.240 --> 0:23:52.240
<v Speaker 1>departure point for the ship, and Stoker's fictionalized version the

0:23:52.280 --> 0:23:55.560
<v Speaker 1>silver sand remains, but the ship is also filled with

0:23:55.640 --> 0:23:58.959
<v Speaker 1>crates of earth from Count Dracula's homeland, and then, of

0:23:59.000 --> 0:24:03.160
<v Speaker 1>course the black Dog becomes an embodiment of the vampire himself.

0:24:03.520 --> 0:24:07.440
<v Speaker 1>Stoker's research wasn't confined to Whitby. He continued to consult

0:24:07.440 --> 0:24:10.520
<v Speaker 1>the library regularly to make notes that would contribute to

0:24:10.600 --> 0:24:12.920
<v Speaker 1>Dracula once he was back in London, but would be

0:24:13.119 --> 0:24:15.480
<v Speaker 1>is very closely associated with the book at this point.

0:24:16.200 --> 0:24:20.320
<v Speaker 1>Vampire stories long predated Dracula, and like there are a

0:24:20.400 --> 0:24:25.120
<v Speaker 1>vampire like entities like all over the world in various

0:24:25.119 --> 0:24:30.000
<v Speaker 1>mythology and folklore and fiction. But Stoker's version of vampireism

0:24:30.160 --> 0:24:31.679
<v Speaker 1>is really what we've come to know as like the

0:24:31.760 --> 0:24:36.080
<v Speaker 1>classic vampire tropes, the vampire being able to shape shift

0:24:36.119 --> 0:24:40.399
<v Speaker 1>into animals, the Count suddenly becoming almost crazed with thirst

0:24:40.440 --> 0:24:43.800
<v Speaker 1>when Harker cuts himself shaving, and the vampire needing to

0:24:43.840 --> 0:24:47.280
<v Speaker 1>be invited into a home. All that's present here in

0:24:47.320 --> 0:24:51.000
<v Speaker 1>the nineteen o one Icelandic edition of Dracula titled Mocked

0:24:51.080 --> 0:24:54.960
<v Speaker 1>Meer Crana which translates to powers of darkness. The preface

0:24:55.160 --> 0:24:58.760
<v Speaker 1>that Stoker wrote includes insistence that the events relate in

0:24:58.800 --> 0:25:02.200
<v Speaker 1>the Dracula story are true, writing quote, I am quite

0:25:02.240 --> 0:25:05.040
<v Speaker 1>convinced that there is no doubt whatever that the events

0:25:05.080 --> 0:25:09.840
<v Speaker 1>here described really took place, however unbelievable and incomprehensible they

0:25:09.920 --> 0:25:13.560
<v Speaker 1>might appear at first sight, and I am further convinced

0:25:13.560 --> 0:25:17.560
<v Speaker 1>that they must always remain, to some extent incomprehensible, although

0:25:17.600 --> 0:25:21.840
<v Speaker 1>continuing research in psychology and natural sciences may in years

0:25:21.880 --> 0:25:25.920
<v Speaker 1>to come give logical explanation of such strange happenings, which

0:25:26.000 --> 0:25:30.160
<v Speaker 1>at present neither scientists nor the secret police can understand.

0:25:31.080 --> 0:25:34.080
<v Speaker 1>I state again that this mysterious tragedy which is here

0:25:34.119 --> 0:25:38.400
<v Speaker 1>described is completely true in all its external respects, though

0:25:38.480 --> 0:25:41.760
<v Speaker 1>naturally I have reached a different conclusion on certain points

0:25:41.960 --> 0:25:45.840
<v Speaker 1>than those involved in the story. But the events are incontrovertible,

0:25:45.920 --> 0:25:48.240
<v Speaker 1>and so many people know of them that they cannot

0:25:48.320 --> 0:25:52.840
<v Speaker 1>be denied. So this has led to all kinds of

0:25:52.880 --> 0:25:57.680
<v Speaker 1>speculation since it came out about whether Stoker was referencing

0:25:57.800 --> 0:26:00.840
<v Speaker 1>Jack the Ripper here. The Icelandic version of the book

0:26:01.040 --> 0:26:04.720
<v Speaker 1>is different from the originally published version though having been

0:26:04.760 --> 0:26:08.840
<v Speaker 1>abridged quite a bit when it was translated back into English,

0:26:08.840 --> 0:26:13.040
<v Speaker 1>and it became really apparent that the original translator of

0:26:13.040 --> 0:26:17.280
<v Speaker 1>Stoker's work into Icelandic Vladimar Asmondson, had reworked the plot

0:26:17.440 --> 0:26:21.120
<v Speaker 1>significantly and created a very different story. I remember when

0:26:21.119 --> 0:26:27.359
<v Speaker 1>the English speaking world found out about this and was like, what, Yeah,

0:26:27.400 --> 0:26:32.639
<v Speaker 1>it's actually really good. Um. If anybody wants to seek

0:26:32.680 --> 0:26:35.000
<v Speaker 1>it out, I think right now as we record this

0:26:35.040 --> 0:26:39.560
<v Speaker 1>in October, Uh, if you have an Amazon Prime account,

0:26:39.640 --> 0:26:42.040
<v Speaker 1>I think you can download the Kindle version for free,

0:26:42.080 --> 0:26:46.960
<v Speaker 1>and Audible has the audio version available as a freebee. Um.

0:26:47.000 --> 0:26:49.560
<v Speaker 1>And it's really quite delightful. And if you are a

0:26:49.600 --> 0:26:52.520
<v Speaker 1>person who loves Dracula, it's very interesting because there are

0:26:52.600 --> 0:26:55.800
<v Speaker 1>characters you have never seen before in the story are

0:26:56.160 --> 0:26:58.840
<v Speaker 1>events play out very differently. Some things are condensed, some

0:26:58.880 --> 0:27:02.280
<v Speaker 1>things are gone completely. Uh. And it's just a new

0:27:02.320 --> 0:27:06.000
<v Speaker 1>way to experience this piece of lore. Yeah. I also

0:27:06.080 --> 0:27:08.520
<v Speaker 1>feel like I should just clarify that most people in

0:27:08.560 --> 0:27:12.600
<v Speaker 1>Iceland also speak English. When I say the English speaking world,

0:27:12.720 --> 0:27:18.359
<v Speaker 1>I mean like places like the United States in Britain. Yes. Uh.

0:27:18.480 --> 0:27:21.880
<v Speaker 1>When Dracula was originally published in seven it was really

0:27:21.880 --> 0:27:24.960
<v Speaker 1>well received, but it really didn't hit the global long

0:27:25.000 --> 0:27:28.520
<v Speaker 1>reaching popularity it would eventually achieve. It was kind of like,

0:27:28.600 --> 0:27:30.119
<v Speaker 1>you know, if you see a movie and it's like

0:27:30.160 --> 0:27:33.000
<v Speaker 1>a great movie that year, but you don't think, like, oh,

0:27:33.040 --> 0:27:37.160
<v Speaker 1>this is going to launch a kajillion things. Uh. Stoker's mother, Charlotte,

0:27:37.200 --> 0:27:39.639
<v Speaker 1>is said to have quite liked it and actually believed

0:27:39.640 --> 0:27:42.200
<v Speaker 1>it would be a huge success and and be one

0:27:42.240 --> 0:27:44.320
<v Speaker 1>of the things for which her son would be remembered.

0:27:44.960 --> 0:27:47.919
<v Speaker 1>Publishers in the United States were not initially interested in

0:27:47.920 --> 0:27:51.040
<v Speaker 1>this story, so Stoker actually purchased the U S copyright

0:27:51.080 --> 0:27:54.399
<v Speaker 1>for himself. The first American edition of the book appeared

0:27:54.400 --> 0:27:59.760
<v Speaker 1>in eight Analysis of the text alongside Stoker's life story

0:28:00.320 --> 0:28:03.520
<v Speaker 1>has sometimes led people to believe that Dracula as a

0:28:03.600 --> 0:28:07.199
<v Speaker 1>character is based at least partially on Henry Irving and

0:28:07.280 --> 0:28:11.680
<v Speaker 1>his demanding nature. It's also possible that rather than modeling

0:28:11.720 --> 0:28:14.320
<v Speaker 1>it on Irving, Stoker was kind of thinking about how

0:28:14.440 --> 0:28:17.480
<v Speaker 1>Irving could play the count in a stage version of

0:28:17.480 --> 0:28:20.439
<v Speaker 1>the story that actually did not work out. Stoker had

0:28:20.520 --> 0:28:24.320
<v Speaker 1>arranged a reading of the Dracula story in play form

0:28:24.320 --> 0:28:28.560
<v Speaker 1>at the theater before the novel came out, Irving declared

0:28:28.560 --> 0:28:32.920
<v Speaker 1>it dreadful the fool Um. At this point in time,

0:28:33.040 --> 0:28:36.320
<v Speaker 1>the Lyceum was faltering. The plays that they staged were

0:28:36.359 --> 0:28:39.320
<v Speaker 1>not doing as well as they once had, and Stoker

0:28:39.360 --> 0:28:42.240
<v Speaker 1>had thought that Dracula might be an opportunity to regain

0:28:42.360 --> 0:28:45.120
<v Speaker 1>some interest in financial footing for the business, but Irving

0:28:45.200 --> 0:28:48.320
<v Speaker 1>would not have it, and then the theater had a fire.

0:28:49.000 --> 0:28:51.320
<v Speaker 1>The building was not destroyed, but they lost a lot

0:28:51.320 --> 0:28:54.120
<v Speaker 1>of their stock, props, and scenery. It was expensive and

0:28:54.160 --> 0:28:57.520
<v Speaker 1>messy as all of these problems piled up, and the

0:28:57.640 --> 0:29:00.480
<v Speaker 1>Lyceum had to enter into a receivership so that its

0:29:00.520 --> 0:29:05.480
<v Speaker 1>assets could be liquidated to cover its debts. The productions continued,

0:29:05.600 --> 0:29:09.680
<v Speaker 1>although in less grand stagings than the theater had once seen.

0:29:10.400 --> 0:29:14.320
<v Speaker 1>Henry Irving gave his last performance in October nineteen o five.

0:29:14.480 --> 0:29:17.480
<v Speaker 1>He died that night, just after returning to his hotel.

0:29:18.200 --> 0:29:21.200
<v Speaker 1>Stoker got there soon after his friend had collapsed, but

0:29:21.320 --> 0:29:24.720
<v Speaker 1>it was too late to save his life. After Irving's death,

0:29:24.920 --> 0:29:27.600
<v Speaker 1>Bram Stoker wrote about his own life and his long

0:29:27.640 --> 0:29:30.880
<v Speaker 1>business partnership and friendship with Irving in a two volume

0:29:30.920 --> 0:29:35.640
<v Speaker 1>book titled Personal Reminiscences of Henry Irving. This was Stoker's

0:29:35.720 --> 0:29:39.160
<v Speaker 1>most popular work in his lifetime. Although this was not

0:29:39.360 --> 0:29:42.360
<v Speaker 1>some scandalous reveal of the man behind the public face.

0:29:42.800 --> 0:29:47.120
<v Speaker 1>Bram Stoker wrote of Irving in the most positive, agilation

0:29:47.240 --> 0:29:51.280
<v Speaker 1>soaked way imaginable. At this point, Stoker was without the

0:29:51.440 --> 0:29:54.680
<v Speaker 1>job that had required all of his attention for so

0:29:54.720 --> 0:29:57.440
<v Speaker 1>many years, and so he turned to writing full time.

0:29:57.840 --> 0:30:00.720
<v Speaker 1>From nineteen o five to nineteen eleven, he published several

0:30:00.760 --> 0:30:04.080
<v Speaker 1>short stories and novels in addition to his Irving memoir.

0:30:04.520 --> 0:30:07.240
<v Speaker 1>The last of these was The Layer of the White Worm.

0:30:07.280 --> 0:30:09.600
<v Speaker 1>It's a very strange horror tale with a lot going

0:30:09.600 --> 0:30:13.120
<v Speaker 1>on in terms of plot threads, including a story about

0:30:13.160 --> 0:30:16.000
<v Speaker 1>Mongoose's Yeah, there's a whole lot going on in that.

0:30:16.200 --> 0:30:19.640
<v Speaker 1>Some of it is um very outdated in terms of

0:30:19.640 --> 0:30:23.680
<v Speaker 1>how different people so the worlds are perceived. In his

0:30:23.800 --> 0:30:27.800
<v Speaker 1>last year, Stoker found himself financially strapped. He did some

0:30:27.840 --> 0:30:31.000
<v Speaker 1>more theater management to make ends meet, but primarily he

0:30:31.160 --> 0:30:35.480
<v Speaker 1>continued to focus on writing. Dracula continued to be popular

0:30:35.600 --> 0:30:38.640
<v Speaker 1>enough to earn some royalties, and Stoker also wrote a

0:30:38.680 --> 0:30:41.920
<v Speaker 1>bit as a journalist for the Daily Chronicle, profiling notable

0:30:41.960 --> 0:30:45.240
<v Speaker 1>figures of the day. He also did something that seems

0:30:45.280 --> 0:30:46.959
<v Speaker 1>a little bit odd, which is that he took up

0:30:47.000 --> 0:30:50.200
<v Speaker 1>the flag of censorship, as in he was pro censorship.

0:30:50.520 --> 0:30:54.840
<v Speaker 1>He advocated for banning inappropriate books and writing that quote.

0:30:54.880 --> 0:30:57.920
<v Speaker 1>A close analysis will show that the only emotions which

0:30:57.960 --> 0:31:01.760
<v Speaker 1>in the long run harm are those arising from sex impulses.

0:31:02.520 --> 0:31:05.320
<v Speaker 1>During that time, his health also declined. He had a

0:31:05.360 --> 0:31:08.120
<v Speaker 1>series of strokes starting in nineteen o six, and in

0:31:08.240 --> 0:31:11.680
<v Speaker 1>nineteen ten he had what he described as a breakdown

0:31:11.760 --> 0:31:15.200
<v Speaker 1>from overwork. That was on a petition for a grant

0:31:15.240 --> 0:31:20.200
<v Speaker 1>from the Royal Literary Fund in nineteen eleven. Continually, dwindling

0:31:20.320 --> 0:31:23.280
<v Speaker 1>finances led Bram and Florence to move into a more

0:31:23.400 --> 0:31:25.640
<v Speaker 1>modest apartment. They left the one that had been their

0:31:25.680 --> 0:31:29.120
<v Speaker 1>home in London for more than three decades. Bram Stoker

0:31:29.200 --> 0:31:31.840
<v Speaker 1>died at the age of sixty four in nineteen twelve.

0:31:32.200 --> 0:31:35.520
<v Speaker 1>That was the same week that the Titanic sank. In

0:31:35.560 --> 0:31:37.800
<v Speaker 1>the days leading up to his passing, he had, like

0:31:37.880 --> 0:31:40.520
<v Speaker 1>all of London, been transfixed by the story of the

0:31:40.520 --> 0:31:43.760
<v Speaker 1>ship's demise and the investigation that was soon to begin.

0:31:44.640 --> 0:31:47.760
<v Speaker 1>Even in death, Stoker left something of a mystery. There

0:31:47.760 --> 0:31:52.680
<v Speaker 1>are three causes of death listed they are kidney disease, exhaustion,

0:31:53.240 --> 0:31:58.200
<v Speaker 1>and locomotor ataxia, So that last one, locomotor ataxia, was

0:31:58.280 --> 0:32:02.920
<v Speaker 1>generally used as a synonym for tertiary syphilis, and that,

0:32:03.040 --> 0:32:07.320
<v Speaker 1>of course has led to all kinds of speculation about various,

0:32:07.520 --> 0:32:11.160
<v Speaker 1>usually salacious ways that he could have contracted syphilis. But

0:32:11.760 --> 0:32:14.280
<v Speaker 1>looking at all of his symptoms and his behavior leading

0:32:14.360 --> 0:32:16.920
<v Speaker 1>up to his death, that doesn't really add up. It's

0:32:17.000 --> 0:32:20.240
<v Speaker 1>possible that he was misdiagnosed due to some of the

0:32:20.360 --> 0:32:23.120
<v Speaker 1>lingering effects of the strokes he had had, but we

0:32:23.200 --> 0:32:26.440
<v Speaker 1>will not ever really know. Yeah, I have read. Uh

0:32:26.520 --> 0:32:30.200
<v Speaker 1>some biographers are like, We're not even sure why the

0:32:30.320 --> 0:32:34.120
<v Speaker 1>corner put multiple causes of death when just saying kidney

0:32:34.120 --> 0:32:38.680
<v Speaker 1>disease would have covered it. Um. But this fascination with

0:32:38.720 --> 0:32:41.880
<v Speaker 1>the possibility that Stoker could have had syphilis is really

0:32:41.920 --> 0:32:44.440
<v Speaker 1>part of a much bigger speculation that has gone on

0:32:44.520 --> 0:32:48.200
<v Speaker 1>for over a century about the author's sexuality, and he

0:32:48.240 --> 0:32:50.560
<v Speaker 1>seems in so many ways to be a tangle of

0:32:50.600 --> 0:32:54.760
<v Speaker 1>repression and confusion regarding sexuality and desire in his writing,

0:32:55.200 --> 0:32:57.800
<v Speaker 1>with so much erotic content that it sometimes seems he

0:32:57.840 --> 0:33:02.320
<v Speaker 1>doesn't even realize he is, including There are multitudes of

0:33:02.360 --> 0:33:06.400
<v Speaker 1>papers analyzing the sexuality of Dracula and the disdain for

0:33:06.440 --> 0:33:08.840
<v Speaker 1>the Victorian new woman that is present in a lot

0:33:08.840 --> 0:33:12.960
<v Speaker 1>of Stoker's work. His obsession with figures like Whitman and Irving,

0:33:13.000 --> 0:33:15.800
<v Speaker 1>and his friendship with Oscar Wilde, who he saw goes

0:33:15.840 --> 0:33:18.680
<v Speaker 1>through the trial that ultimately, you know, kind of ruined

0:33:18.720 --> 0:33:22.400
<v Speaker 1>Oscar Wild's life, have naturally led to speculation about an

0:33:22.400 --> 0:33:25.320
<v Speaker 1>attraction to men that he may never have truly recognized.

0:33:25.360 --> 0:33:28.400
<v Speaker 1>But this, like his childhood infirmity and his cause of death,

0:33:28.800 --> 0:33:32.000
<v Speaker 1>can never be conclusively known. What we do know, though,

0:33:32.120 --> 0:33:35.080
<v Speaker 1>is that Dracula has never been out of print. It

0:33:35.120 --> 0:33:38.680
<v Speaker 1>has been adapted into films and musicals and ballet, and

0:33:38.720 --> 0:33:42.880
<v Speaker 1>has inspired innumerable other vampire stories, and it also just

0:33:42.960 --> 0:33:48.360
<v Speaker 1>continues to do so. Oh Bram Stoker's Dracula. Um, we

0:33:48.480 --> 0:33:51.480
<v Speaker 1>can talk more about it in the behind the scenes. Yes,

0:33:52.280 --> 0:33:56.760
<v Speaker 1>he's so um fascinating and complex. And I really did

0:33:56.760 --> 0:33:59.000
<v Speaker 1>not know all of that while Whitman stuff to the

0:33:59.040 --> 0:34:03.480
<v Speaker 1>degree that laid well and I took a second while

0:34:03.560 --> 0:34:06.040
<v Speaker 1>we were kind of in our in in a sponsor

0:34:06.080 --> 0:34:10.120
<v Speaker 1>break movements um to see, I don't think we mentioned

0:34:10.160 --> 0:34:13.160
<v Speaker 1>any connection to bram Stoker in the Walt Whitman episode. Yeah,

0:34:13.160 --> 0:34:17.239
<v Speaker 1>I don't think so. Um I yeah, I want to

0:34:17.239 --> 0:34:22.520
<v Speaker 1>rewatch all of the Dracula now and think about him

0:34:22.560 --> 0:34:27.640
<v Speaker 1>in this way. Um. I don't have regular listener mail,

0:34:28.400 --> 0:34:34.200
<v Speaker 1>I have an illustrative tale. I'm eager for this. Well,

0:34:34.239 --> 0:34:36.319
<v Speaker 1>it's just one of those things where it's kind of

0:34:36.320 --> 0:34:39.399
<v Speaker 1>a peek behind how this works. And you mentioning that

0:34:39.440 --> 0:34:41.520
<v Speaker 1>you looked up in the Walt Whitman episode whether we

0:34:41.560 --> 0:34:44.480
<v Speaker 1>mentioned bram Stoker kind of plays into it. Um. This

0:34:44.560 --> 0:34:49.000
<v Speaker 1>is uh. I got a Facebook message from our listener

0:34:49.040 --> 0:34:52.680
<v Speaker 1>and our friend Mariam, who I met through the podcast

0:34:52.760 --> 0:34:56.279
<v Speaker 1>and and have you know, exchanged notes with back and forth.

0:34:56.320 --> 0:34:58.000
<v Speaker 1>We met her also at one of our live shows

0:34:58.480 --> 0:35:01.600
<v Speaker 1>and she mentioned that she was doing paper on pandemics

0:35:01.680 --> 0:35:04.880
<v Speaker 1>and she had found an older episode of Stuff You

0:35:04.920 --> 0:35:07.320
<v Speaker 1>Missed in History class that talked about the Black Plague

0:35:07.560 --> 0:35:09.600
<v Speaker 1>and she thought there had been a more recent one

0:35:09.600 --> 0:35:11.719
<v Speaker 1>with the two of us, but couldn't find it. And

0:35:11.800 --> 0:35:13.600
<v Speaker 1>it gave me a moment where I was like, I

0:35:13.680 --> 0:35:17.200
<v Speaker 1>have to look this up because I don't remember. Um.

0:35:17.239 --> 0:35:18.959
<v Speaker 1>And it is one of those things that I feel

0:35:19.000 --> 0:35:21.400
<v Speaker 1>like comes up often and We've talked about it a

0:35:21.440 --> 0:35:24.160
<v Speaker 1>little before, but I I always like to illustrate it.

0:35:24.160 --> 0:35:26.560
<v Speaker 1>It literally just the same as we were, like, did

0:35:26.560 --> 0:35:30.440
<v Speaker 1>we do a bram Stoker episode? Um, there are moments

0:35:30.520 --> 0:35:34.640
<v Speaker 1>where the Black Death and things like plague in particular,

0:35:34.719 --> 0:35:37.080
<v Speaker 1>and bram Stoker is another good example, and Walt Woman

0:35:37.160 --> 0:35:40.440
<v Speaker 1>because he comes up in many things where it's really

0:35:40.560 --> 0:35:43.960
<v Speaker 1>hard to remember what we haven't haven't not done as

0:35:44.000 --> 0:35:48.640
<v Speaker 1>a full episode, particularly when that topic comes up in

0:35:48.760 --> 0:35:51.600
<v Speaker 1>many other episodes as sort of a secondary piece of

0:35:51.640 --> 0:35:55.520
<v Speaker 1>the story. So it it always cracks me up a

0:35:55.520 --> 0:35:58.200
<v Speaker 1>little bit because people will often be like, you did

0:35:58.200 --> 0:36:00.719
<v Speaker 1>an episode on this, and we're like, no, we'd and

0:36:00.760 --> 0:36:03.839
<v Speaker 1>sometimes we will realize that what has happened is that

0:36:04.480 --> 0:36:07.000
<v Speaker 1>they have stitched together what they thought was a longer

0:36:07.040 --> 0:36:12.320
<v Speaker 1>episode in their head. Uh. Sometimes it is people confusing

0:36:12.320 --> 0:36:16.520
<v Speaker 1>our show for other shows. Yeah, and I'm not making

0:36:16.600 --> 0:36:19.640
<v Speaker 1>fun of anybody, because I have absolutely done this before

0:36:19.680 --> 0:36:21.920
<v Speaker 1>where I've been like I remember hearing this on an

0:36:21.920 --> 0:36:24.640
<v Speaker 1>episode of n Invisible and it was like actually on

0:36:24.719 --> 0:36:28.080
<v Speaker 1>Criminal or something like it was those shows are very dissimilar.

0:36:28.080 --> 0:36:29.919
<v Speaker 1>I don't know how. I don't think that's a real

0:36:29.960 --> 0:36:32.320
<v Speaker 1>example from my actual life. But we have for sure

0:36:32.960 --> 0:36:35.520
<v Speaker 1>had people email us and say, hey, I just I'm

0:36:35.520 --> 0:36:38.040
<v Speaker 1>trying to find this episode you all did and I

0:36:38.080 --> 0:36:41.319
<v Speaker 1>can't find it anywhere, and I'm like, that was not us.

0:36:41.320 --> 0:36:45.399
<v Speaker 1>I'm really sorry. Yeah, it's just uh an interesting illustratous

0:36:45.440 --> 0:36:48.640
<v Speaker 1>example of how and sometimes we don't even know for sure.

0:36:48.680 --> 0:36:50.759
<v Speaker 1>We literally have to go back to an index that

0:36:50.840 --> 0:36:54.160
<v Speaker 1>Tracy put together a while back when we were changing

0:36:54.880 --> 0:36:58.160
<v Speaker 1>um over the way our website worked, and she just

0:36:58.200 --> 0:37:02.120
<v Speaker 1>gathered all of our metadata into a big document, especially

0:37:02.120 --> 0:37:03.920
<v Speaker 1>when you go back to shows that were before you

0:37:03.960 --> 0:37:06.960
<v Speaker 1>and I hosted. I I have a lot of gaps

0:37:06.960 --> 0:37:09.319
<v Speaker 1>in my knowledge of that, even though we try to

0:37:09.400 --> 0:37:11.680
<v Speaker 1>keep track of it and look at it periodically. But

0:37:11.800 --> 0:37:15.080
<v Speaker 1>it is an interesting thing and I feel like it's

0:37:15.080 --> 0:37:20.080
<v Speaker 1>a good illustrative example of what has often come up

0:37:20.080 --> 0:37:21.440
<v Speaker 1>in the show. I feel like it's come up a

0:37:21.440 --> 0:37:26.360
<v Speaker 1>lot lately of cases like Bram Stoker where he misremembers

0:37:26.400 --> 0:37:29.839
<v Speaker 1>things about his past, and there are oftentimes it came

0:37:29.920 --> 0:37:35.000
<v Speaker 1>up to in the Elena Blovotsky episode. People will report

0:37:35.120 --> 0:37:39.920
<v Speaker 1>even their own biographies incorrectly, and sometimes in some cases

0:37:39.960 --> 0:37:44.319
<v Speaker 1>the initial response is to presume a sort of nefarious

0:37:44.400 --> 0:37:47.640
<v Speaker 1>level that they're lying or covering something up. But it's

0:37:47.640 --> 0:37:55.240
<v Speaker 1>also worth noting that people have faulty memories. Is often

0:37:55.280 --> 0:37:59.680
<v Speaker 1>also what occludes historical records is that even when you're

0:37:59.680 --> 0:38:03.840
<v Speaker 1>talking is someone fairly recently after an event has taken place,

0:38:03.880 --> 0:38:08.719
<v Speaker 1>they will relate the events incorrectly. Um. Just just a

0:38:08.760 --> 0:38:11.359
<v Speaker 1>little point of reference for everyone as we all talk

0:38:11.440 --> 0:38:16.600
<v Speaker 1>about history all the time, to remember personal personal accounts

0:38:16.760 --> 0:38:21.360
<v Speaker 1>are great, uh and sometimes like the most primary source

0:38:21.400 --> 0:38:24.879
<v Speaker 1>you can get. But also to remember that they are

0:38:24.920 --> 0:38:32.360
<v Speaker 1>not remembering necessarily right. And one day someone will um

0:38:32.400 --> 0:38:35.239
<v Speaker 1>be like, Holly and Tracy remembered stuff incorrectly, and we'll

0:38:35.280 --> 0:38:37.799
<v Speaker 1>be like, that is correct. Yeah, I definitely remembered it

0:38:37.840 --> 0:38:44.320
<v Speaker 1>incorrectly all the time. Anyway, that was my little trip down.

0:38:44.760 --> 0:38:47.279
<v Speaker 1>I wonder if people realize how tricky it is to

0:38:47.360 --> 0:38:52.120
<v Speaker 1>keep dragon what we've actually done episodes. If you would

0:38:52.120 --> 0:38:54.479
<v Speaker 1>like to write to us and ask us questions about

0:38:54.480 --> 0:38:56.640
<v Speaker 1>episodes we may or may not remember doing, you can

0:38:56.680 --> 0:39:00.000
<v Speaker 1>do so at History Podcast at iHeart radio dot com.

0:39:00.080 --> 0:39:02.160
<v Speaker 1>You can also find us on social media as missed

0:39:02.160 --> 0:39:05.439
<v Speaker 1>in History, and you can subscribe to the show them.

0:39:05.760 --> 0:39:07.360
<v Speaker 1>Just remember to do that you only have to remember

0:39:07.360 --> 0:39:08.880
<v Speaker 1>for a second. You can do that on the I

0:39:08.960 --> 0:39:11.400
<v Speaker 1>heart Radio app, at Apple Podcasts, or wherever it is

0:39:11.440 --> 0:39:18.560
<v Speaker 1>you listen. Stuff you missed in History Class is a

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<v Speaker 1>production of I heart Radio. For more podcasts from I

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<v Speaker 1>heart Radio, visit the i heart Radio app, Apple Podcasts,

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<v Speaker 1>or wherever you listen to your favorite shows.