WEBVTT - Conversations About Tubi Movies

0:00:01.760 --> 0:00:02.400
<v Speaker 1>What's up?

0:00:02.600 --> 0:00:05.359
<v Speaker 2>And welcome back to another episode of No Sealer's podcast

0:00:05.400 --> 0:00:08.640
<v Speaker 2>with your host. Now, fuck that with your low glasses alone.

0:00:14.520 --> 0:00:17.119
<v Speaker 2>All right, you all ready to go? Now, it's a

0:00:17.200 --> 0:00:20.440
<v Speaker 2>lot of people on this podcast. Okay, you can't touch

0:00:20.480 --> 0:00:22.240
<v Speaker 2>the head of the mic because it's gonna make a

0:00:22.280 --> 0:00:23.080
<v Speaker 2>bunch of noise.

0:00:23.280 --> 0:00:28.480
<v Speaker 3>Me. Yes, oh no, I was just moving it kind

0:00:28.480 --> 0:00:29.640
<v Speaker 3>of like bobbly.

0:00:31.080 --> 0:00:36.960
<v Speaker 1>Okay, so remember whenever, remember, whenever you move the mic,

0:00:37.159 --> 0:00:37.760
<v Speaker 1>that's going to.

0:00:38.560 --> 0:00:39.040
<v Speaker 4>Are we good?

0:00:39.080 --> 0:00:41.360
<v Speaker 3>Now? Yes, I don't need to touch you at all.

0:00:41.440 --> 0:00:44.360
<v Speaker 3>I just try to get trying to get the standard.

0:00:44.040 --> 0:00:45.479
<v Speaker 5>You are recording this f y.

0:00:45.560 --> 0:00:48.479
<v Speaker 2>I just so y'all know people can hear y'all fumbling

0:00:48.479 --> 0:00:48.760
<v Speaker 2>through this.

0:00:48.960 --> 0:00:50.599
<v Speaker 4>Oh now, okay, so let's go.

0:00:53.600 --> 0:00:54.520
<v Speaker 5>Safety is off.

0:00:55.040 --> 0:01:00.280
<v Speaker 2>Excuse me, it's not me this time for you feel

0:01:00.320 --> 0:01:04.200
<v Speaker 2>like a podcast pronouns.

0:01:02.920 --> 0:01:05.520
<v Speaker 1>Do its over there bumbling his mic?

0:01:06.920 --> 0:01:08.960
<v Speaker 6>You checked my mics real fast. It's like, you know,

0:01:09.080 --> 0:01:11.679
<v Speaker 6>I didn't even know we had started recording. I wouldn't

0:01:11.680 --> 0:01:14.720
<v Speaker 6>have even been talking. You wouldn't have been But that's

0:01:14.760 --> 0:01:15.399
<v Speaker 6>the point of the.

0:01:15.640 --> 0:01:17.720
<v Speaker 3>Well no, I mean I would have talked in accordance,

0:01:18.080 --> 0:01:21.080
<v Speaker 3>is what I'm saying. In accordance of what of whatever

0:01:21.120 --> 0:01:23.440
<v Speaker 3>the topic is, but we are we're talking about sneakers.

0:01:23.520 --> 0:01:25.040
<v Speaker 4>Yeah, that's all night.

0:01:27.120 --> 0:01:31.640
<v Speaker 3>It's like a we just start talking. She don't like singers,

0:01:31.640 --> 0:01:34.160
<v Speaker 3>but he got a shiploader. It's not I don't.

0:01:34.200 --> 0:01:37.880
<v Speaker 7>He'll break out a cold pair off the blue, but

0:01:37.920 --> 0:01:39.240
<v Speaker 7>he doesn't like the twiter guy.

0:01:39.560 --> 0:01:41.679
<v Speaker 3>I mean, you get it. We're getting into you know,

0:01:42.280 --> 0:01:43.720
<v Speaker 3>he thinks that ship is so corny.

0:01:44.440 --> 0:01:46.120
<v Speaker 1>It's not I don't like sneakers.

0:01:46.800 --> 0:01:52.280
<v Speaker 2>I just think it been compromised, Like it was compromised exactly.

0:01:52.360 --> 0:01:55.200
<v Speaker 2>Like so, but like when something becomes like mainstream America,

0:01:55.840 --> 0:01:57.400
<v Speaker 2>like I kind of turned off from it.

0:01:58.440 --> 0:02:01.320
<v Speaker 3>Yeah, but just like hip hop, you can go underground.

0:02:01.440 --> 0:02:03.760
<v Speaker 3>So there's gonna be things that we talk about that

0:02:04.200 --> 0:02:08.160
<v Speaker 3>the average commercial person or casual is not going to

0:02:08.240 --> 0:02:11.040
<v Speaker 3>really know. Like he just showed me some Bo Jackson's

0:02:11.040 --> 0:02:15.840
<v Speaker 3>that came out like what ninety two. Yeah, and the

0:02:16.040 --> 0:02:17.880
<v Speaker 3>people wouldn't even be able to look at those and

0:02:17.960 --> 0:02:20.840
<v Speaker 3>know that orange ones from that long.

0:02:22.560 --> 0:02:24.000
<v Speaker 1>He said, the white orange ones.

0:02:24.720 --> 0:02:28.720
<v Speaker 3>Huh he said, what the white orange one? Yeah, yellow,

0:02:28.960 --> 0:02:31.079
<v Speaker 3>he probably thinking he's saying the same thing.

0:02:31.160 --> 0:02:35.359
<v Speaker 7>Yeah, No, no, min is gray and mustard.

0:02:35.600 --> 0:02:38.840
<v Speaker 3>Yeah. In the ninety two is the great Mustard. But

0:02:38.840 --> 0:02:40.240
<v Speaker 3>I think the way he's talking about was what we

0:02:40.240 --> 0:02:43.960
<v Speaker 3>were pre release, the sc trainers, the auburn color exact

0:02:45.960 --> 0:02:46.600
<v Speaker 3>sneaker head.

0:02:47.160 --> 0:02:49.280
<v Speaker 5>I used to live with him when I was a kid.

0:02:49.320 --> 0:02:52.240
<v Speaker 5>So it's like all the all the stuff from the nineties,

0:02:52.560 --> 0:02:55.400
<v Speaker 5>and then like because of the running track, like you

0:02:55.440 --> 0:02:57.840
<v Speaker 5>get it, like you have nothing to do but shoes

0:02:58.240 --> 0:02:58.880
<v Speaker 5>when you're running.

0:02:59.600 --> 0:03:02.360
<v Speaker 3>You guys talk about running shoes earlier, wasn't you. Yeah,

0:03:02.360 --> 0:03:05.840
<v Speaker 3>well you're saying that they came back with like a six.

0:03:05.520 --> 0:03:06.480
<v Speaker 4>And new balance.

0:03:07.360 --> 0:03:10.680
<v Speaker 3>Yeah, Tony, all the running shoes came back. They're kind

0:03:10.680 --> 0:03:12.079
<v Speaker 3>of getting really stylish now.

0:03:12.760 --> 0:03:16.240
<v Speaker 5>I tried to bring back Theodaria single handedly.

0:03:17.760 --> 0:03:18.240
<v Speaker 3>A bro.

0:03:18.280 --> 0:03:19.919
<v Speaker 7>I got me to a pair of ray Quan I

0:03:20.000 --> 0:03:23.160
<v Speaker 7>used to Yeah, all.

0:03:23.040 --> 0:03:27.920
<v Speaker 3>I wear is ewings and questions, But you got every color.

0:03:28.000 --> 0:03:30.480
<v Speaker 3>Motherfuckers don't even have you know what I want.

0:03:31.080 --> 0:03:34.040
<v Speaker 5>Those kj's from like ninety five. They need to bring

0:03:34.080 --> 0:03:38.080
<v Speaker 5>those back with the react in the in the Yeah,

0:03:38.240 --> 0:03:40.160
<v Speaker 5>with the reacts, no.

0:03:40.240 --> 0:03:44.880
<v Speaker 7>Converse, no converse, all the converse converse.

0:03:44.960 --> 0:03:46.960
<v Speaker 4>Yeah, I got that little jelling in it that didn't

0:03:47.080 --> 0:03:47.720
<v Speaker 4>didn't do it.

0:03:48.360 --> 0:03:52.480
<v Speaker 1>Little king kings over there, like.

0:03:56.720 --> 0:04:00.920
<v Speaker 3>I got sketches on. I can't get tribute ship. You

0:04:00.960 --> 0:04:06.280
<v Speaker 3>know Snoop doggs U shoe deal is with sketcher right Listen,

0:04:06.320 --> 0:04:09.640
<v Speaker 3>I'm gonna tell you something, real sneaker heads is not

0:04:09.680 --> 0:04:12.720
<v Speaker 3>gonna diss any shoe for the most part. They'll just say, hey,

0:04:12.720 --> 0:04:14.920
<v Speaker 3>that's not my cup of tea. But they're not gonna

0:04:14.920 --> 0:04:18.279
<v Speaker 3>shoot on it. Really, yes at all, okay, because you

0:04:18.360 --> 0:04:22.719
<v Speaker 3>understand what everything like, everything has something at some point.

0:04:23.800 --> 0:04:26.480
<v Speaker 3>Were just talking about how like l A Gears when

0:04:26.480 --> 0:04:29.200
<v Speaker 3>they got popular when we were kids, those were payless

0:04:29.200 --> 0:04:30.880
<v Speaker 3>shoes at one time.

0:04:31.440 --> 0:04:36.840
<v Speaker 2>Really, yeah, the ones with the lights right, Yeah, that's crazy.

0:04:36.880 --> 0:04:39.320
<v Speaker 3>That's when they got popping. But la years were we

0:04:39.400 --> 0:04:41.840
<v Speaker 3>are before the lights in the age they.

0:04:41.960 --> 0:04:42.680
<v Speaker 5>A pump shoe.

0:04:43.400 --> 0:04:44.240
<v Speaker 3>That's crazy.

0:04:45.320 --> 0:04:48.719
<v Speaker 2>Yes, I just know he right, they did have a

0:04:48.720 --> 0:04:53.760
<v Speaker 2>pump shoe. Still they had a pump too, Like I

0:04:53.920 --> 0:04:56.040
<v Speaker 2>just know you wings and questions. If I don't keep

0:04:56.040 --> 0:05:00.480
<v Speaker 2>it classic with with Quartels or Chucks or advanced redboy,

0:05:00.640 --> 0:05:03.640
<v Speaker 2>I got like so many questions and ewings.

0:05:03.680 --> 0:05:04.760
<v Speaker 1>I ain't even ward him.

0:05:04.839 --> 0:05:07.520
<v Speaker 2>But like I won't like when I see everybody start

0:05:07.560 --> 0:05:09.520
<v Speaker 2>being way into in love with shoes, I just won't

0:05:09.520 --> 0:05:11.640
<v Speaker 2>get them like that kind of steals the luster from me,

0:05:13.040 --> 0:05:15.600
<v Speaker 2>Like I'm not looking for a unique. Well, actually, I've

0:05:15.640 --> 0:05:20.039
<v Speaker 2>been working with a dude right now that's on Instagram.

0:05:20.120 --> 0:05:22.120
<v Speaker 2>I think I showed him to you trash. He makes

0:05:22.200 --> 0:05:25.760
<v Speaker 2>shoes like I want if I got to spend the

0:05:25.760 --> 0:05:27.600
<v Speaker 2>money that we be talking about spending for shoes, they

0:05:27.600 --> 0:05:29.320
<v Speaker 2>need to be I'm the only one with these shoes.

0:05:29.520 --> 0:05:39.120
<v Speaker 3>That's like, what's his name? No, no, no, dude, It's

0:05:39.160 --> 0:05:43.680
<v Speaker 3>called SIA Collective somewhere in America. Oh wow, Oh it

0:05:43.800 --> 0:05:49.039
<v Speaker 3>is fire. He makes like in shoes and clothing, jeans

0:05:49.360 --> 0:05:51.039
<v Speaker 3>like that dude, that dude ship is fire.

0:05:51.320 --> 0:05:54.320
<v Speaker 2>Now this dude comes he's from Mexico. He comes out here.

0:05:54.760 --> 0:05:59.119
<v Speaker 2>He measures your foot like with lent he to your foot.

0:05:59.320 --> 0:06:01.200
<v Speaker 2>He's a real Exactly.

0:06:01.480 --> 0:06:02.960
<v Speaker 3>That's how they do my boots when I go to

0:06:03.000 --> 0:06:05.240
<v Speaker 3>the branch, right.

0:06:06.279 --> 0:06:08.520
<v Speaker 1>So yeah, that's what I did. Like that's it.

0:06:08.600 --> 0:06:10.720
<v Speaker 2>Other than that, I don't want to like I had

0:06:10.760 --> 0:06:13.480
<v Speaker 2>all the Jordan's multiple times, like the first time they

0:06:13.520 --> 0:06:15.680
<v Speaker 2>came out and the second time and the third time,

0:06:15.720 --> 0:06:16.159
<v Speaker 2>and it's.

0:06:16.040 --> 0:06:17.840
<v Speaker 1>Like everybody messed it up.

0:06:17.880 --> 0:06:21.039
<v Speaker 2>And then like I was big growing up into the Hirachis,

0:06:21.600 --> 0:06:25.520
<v Speaker 2>I was big into the Dion's, the cross Trainers.

0:06:25.240 --> 0:06:26.640
<v Speaker 3>Which is all coming back right now.

0:06:26.800 --> 0:06:29.040
<v Speaker 1>And I'm cool, like they didn't messed it up for me,

0:06:29.080 --> 0:06:29.800
<v Speaker 1>because now.

0:06:29.720 --> 0:06:31.360
<v Speaker 3>Who messed it up for you?

0:06:31.440 --> 0:06:33.200
<v Speaker 1>Well, the first time I went to the store and

0:06:33.240 --> 0:06:37.240
<v Speaker 1>they tried to make me have a lottery drap a ticket.

0:06:37.360 --> 0:06:38.400
<v Speaker 1>You're paying my money?

0:06:38.560 --> 0:06:41.159
<v Speaker 4>Got a joke? For real? It was like that.

0:06:41.320 --> 0:06:43.799
<v Speaker 3>But we're sure that's because that's what she said. Okay,

0:06:43.839 --> 0:06:46.360
<v Speaker 3>now I get it. It definitely ruins it because you

0:06:46.440 --> 0:06:48.440
<v Speaker 3>got to be trying to compete with these little nerds

0:06:48.480 --> 0:06:49.040
<v Speaker 3>and ship.

0:06:49.680 --> 0:06:51.719
<v Speaker 7>Who didn't grow up with them. You know, they didn't

0:06:51.720 --> 0:06:52.960
<v Speaker 7>know about them, you know what I'm saying.

0:06:53.040 --> 0:06:55.520
<v Speaker 3>And the only reason they buy them king is because

0:06:55.600 --> 0:06:58.040
<v Speaker 3>what And it's not even that big right now. So

0:06:58.160 --> 0:07:01.000
<v Speaker 3>during the pandemic, this is when it happened at the height,

0:07:01.360 --> 0:07:04.359
<v Speaker 3>when everybody was getting them edd checks and PBP loves

0:07:04.400 --> 0:07:07.960
<v Speaker 3>and stimulus checks. It was money floating, right. So it

0:07:08.080 --> 0:07:11.480
<v Speaker 3>happened during the sneaker game for those like two three

0:07:11.560 --> 0:07:14.000
<v Speaker 3>years that we were in that you could get it

0:07:14.000 --> 0:07:16.440
<v Speaker 3>saying five by like a pair of dunks, which became

0:07:16.520 --> 0:07:20.160
<v Speaker 3>really popular for one hundred and twenty motherfuckers was reselling

0:07:20.200 --> 0:07:23.960
<v Speaker 3>them for like two three, four hundred dollars. So it

0:07:24.040 --> 0:07:27.040
<v Speaker 3>became that. So that's what G's talking about. Like now

0:07:27.080 --> 0:07:28.920
<v Speaker 3>they're to try to buy the brand new shoes se

0:07:28.920 --> 0:07:31.080
<v Speaker 3>can resell them. Well, they try to get whatever they

0:07:31.120 --> 0:07:33.680
<v Speaker 3>think is going to be popular and then resell it.

0:07:33.760 --> 0:07:36.720
<v Speaker 3>But I'm telling you it's not People don't have money

0:07:36.760 --> 0:07:39.160
<v Speaker 3>like that right now. The economy's fucked up. So now

0:07:39.320 --> 0:07:41.720
<v Speaker 3>like all them shoes he's talking about, it's not even

0:07:41.800 --> 0:07:43.840
<v Speaker 3>like that anymore. You can actually just go online and

0:07:43.880 --> 0:07:44.880
<v Speaker 3>get them for the most.

0:07:44.720 --> 0:07:45.800
<v Speaker 4>Part cheap and stuff here.

0:07:45.840 --> 0:07:47.280
<v Speaker 3>Well, just the retail price.

0:07:47.120 --> 0:07:48.080
<v Speaker 1>They ruined it for me.

0:07:48.320 --> 0:07:50.000
<v Speaker 2>So that's why I just went ahead and went to

0:07:50.040 --> 0:07:53.320
<v Speaker 2>a whole nother shoe that ain't like Ewings. Don't nobody

0:07:53.360 --> 0:07:56.880
<v Speaker 2>be rocking Ewings. Don't nobody really get into the questions

0:07:56.920 --> 0:07:57.640
<v Speaker 2>like you could.

0:07:57.480 --> 0:07:58.760
<v Speaker 3>Get it get out of here.

0:07:58.840 --> 0:08:03.240
<v Speaker 2>I mean, you gotta really be into like and why

0:08:03.280 --> 0:08:05.920
<v Speaker 2>can't you like me? I just see a shoe, I like,

0:08:05.960 --> 0:08:06.640
<v Speaker 2>I don't care.

0:08:07.000 --> 0:08:10.800
<v Speaker 3>Who makes it. It's a shoe, it's a shoehead. I

0:08:10.960 --> 0:08:11.360
<v Speaker 3>just buy it.

0:08:11.440 --> 0:08:13.800
<v Speaker 6>It's not about you know who makes it with brand

0:08:13.800 --> 0:08:15.280
<v Speaker 6>it is. I see a shoe and the shoes st

0:08:15.520 --> 0:08:16.360
<v Speaker 6>be like, oh god.

0:08:16.320 --> 0:08:18.000
<v Speaker 3>What should never be about the brand?

0:08:18.000 --> 0:08:20.400
<v Speaker 6>It's yeah, you know, like there's no none of these names.

0:08:20.440 --> 0:08:21.960
<v Speaker 6>But I got shoes, you know, shoes.

0:08:22.520 --> 0:08:24.400
<v Speaker 3>Well, that's where it comes in a little bit different

0:08:24.400 --> 0:08:26.880
<v Speaker 3>because sometimes you start to like me and him were

0:08:26.920 --> 0:08:31.480
<v Speaker 3>just talking right right now, we're saying that you talk about, Hey,

0:08:31.760 --> 0:08:34.280
<v Speaker 3>was the toe box mesh? Was it leather?

0:08:34.480 --> 0:08:34.599
<v Speaker 4>Was it?

0:08:35.280 --> 0:08:37.440
<v Speaker 3>You appreciate the shoe is just a little bit different.

0:08:37.559 --> 0:08:38.040
<v Speaker 4>That's it.

0:08:38.160 --> 0:08:39.120
<v Speaker 3>But I get shoes.

0:08:39.160 --> 0:08:41.040
<v Speaker 6>People like, oh, those are nice shoes, and I'd be like,

0:08:41.080 --> 0:08:43.880
<v Speaker 6>they'd be like what cop be like, I guess indeed

0:08:43.920 --> 0:08:44.319
<v Speaker 6>it's Nike.

0:08:44.400 --> 0:08:47.680
<v Speaker 3>Y'all don't know whatever what version is.

0:08:47.720 --> 0:08:49.679
<v Speaker 1>But my love for Vans has grown.

0:08:49.920 --> 0:08:54.320
<v Speaker 3>Listen, g could tell you every car probably every car

0:08:54.520 --> 0:08:57.840
<v Speaker 3>park it goes in. He could tell you when somen's

0:08:57.880 --> 0:09:00.360
<v Speaker 3>going on. So some people are just into certain things.

0:09:00.400 --> 0:09:00.760
<v Speaker 4>That's it.

0:09:00.800 --> 0:09:03.040
<v Speaker 2>I mean, I was in the shoes, like, I like shoes,

0:09:03.040 --> 0:09:06.360
<v Speaker 2>but they ruined it. Like once mainstream America get get

0:09:06.400 --> 0:09:07.959
<v Speaker 2>his hand on something, I'll be done with it. I'll

0:09:07.960 --> 0:09:11.360
<v Speaker 2>be like I never mind cause it's just like like

0:09:11.440 --> 0:09:14.840
<v Speaker 2>everybody is trying to buy cool points like and I'm cool,

0:09:14.920 --> 0:09:17.120
<v Speaker 2>Like if you not cool already if you're trying to

0:09:17.160 --> 0:09:19.760
<v Speaker 2>buy this for cool points. And that's what I feel

0:09:19.760 --> 0:09:22.360
<v Speaker 2>like is happening with hip hop, like everybody is trying

0:09:22.400 --> 0:09:27.360
<v Speaker 2>to rap or use slang to be cool. No silings Jail,

0:09:27.520 --> 0:09:30.120
<v Speaker 2>got my brother Peter Boston the House, Got a couple

0:09:30.160 --> 0:09:34.480
<v Speaker 2>of homies, my boy Trash, Tony Nadio, hip Hop Extraordinary,

0:09:34.760 --> 0:09:39.840
<v Speaker 2>Inglewood's Finest. I got my homeboy jing Gbody jing Hold

0:09:39.880 --> 0:09:42.680
<v Speaker 2>this guy's car part of the one ten Click. Got

0:09:42.679 --> 0:09:45.120
<v Speaker 2>my big brother King. Y'all know, King is all the

0:09:45.160 --> 0:09:48.240
<v Speaker 2>time on the stream. We do those no silly streams Monday,

0:09:48.280 --> 0:09:49.160
<v Speaker 2>Wednesday and Friday.

0:09:50.040 --> 0:09:50.760
<v Speaker 1>King is there.

0:09:51.120 --> 0:09:51.320
<v Speaker 3>You know.

0:09:51.440 --> 0:09:52.920
<v Speaker 1>King wants a greater intro.

0:09:52.760 --> 0:09:53.760
<v Speaker 3>But like.

0:09:55.640 --> 0:10:01.800
<v Speaker 4>America, he want me to there.

0:10:08.960 --> 0:10:11.200
<v Speaker 3>He so g knows about cars to then he just

0:10:11.760 --> 0:10:17.480
<v Speaker 3>got that big hard That's that's just what I got

0:10:17.520 --> 0:10:21.400
<v Speaker 3>one for for for for for King King. You could

0:10:21.480 --> 0:10:25.200
<v Speaker 3>talk about different strands of marijuana all today.

0:10:26.160 --> 0:10:30.200
<v Speaker 8>Movies we're gonna talk about today. But I'm saying there's

0:10:30.200 --> 0:10:34.800
<v Speaker 8>an injury that's almost scientific.

0:10:35.120 --> 0:10:38.079
<v Speaker 6>But but well, you're the only one that's gonna talk

0:10:38.120 --> 0:10:39.440
<v Speaker 6>about it in the group of people.

0:10:39.600 --> 0:10:42.079
<v Speaker 3>It doesn't fit the time. You know what means you're

0:10:42.120 --> 0:10:45.920
<v Speaker 3>a specialist. Yes, but we're not talking about right now.

0:10:45.920 --> 0:10:48.520
<v Speaker 3>But if we had someone here though I think I

0:10:48.559 --> 0:10:50.720
<v Speaker 3>agree with you would be but you have a knowledge

0:10:50.720 --> 0:10:52.240
<v Speaker 3>for it. That's how we look at shoes.

0:10:52.320 --> 0:10:55.120
<v Speaker 6>That's the second of conversations with my sketchers and talk

0:10:55.160 --> 0:10:55.760
<v Speaker 6>about stuff.

0:10:56.000 --> 0:10:58.559
<v Speaker 3>Do you know I went, That's what I'm saying.

0:10:58.600 --> 0:11:04.679
<v Speaker 9>See, I don't the conversation with my supermroom.

0:11:06.480 --> 0:11:08.960
<v Speaker 3>I can't get shot out. Don't want to jump here

0:11:09.080 --> 0:11:09.880
<v Speaker 3>with me?

0:11:10.600 --> 0:11:14.760
<v Speaker 2>We can make it fast, want Well, this was my idea. So, oh,

0:11:14.760 --> 0:11:18.360
<v Speaker 2>my supermroom, something crazy with you need? So I got

0:11:18.440 --> 0:11:21.720
<v Speaker 2>offered an opportunity to act from John Single to recipes,

0:11:21.800 --> 0:11:26.120
<v Speaker 2>I got opportunity to act from Aaron McGruder to play

0:11:26.280 --> 0:11:28.720
<v Speaker 2>in what ended up becoming Black Jesus, and I kind

0:11:28.720 --> 0:11:30.079
<v Speaker 2>of didn't take it serious, Like.

0:11:30.080 --> 0:11:33.720
<v Speaker 1>I just I really have a high respect for actors.

0:11:34.000 --> 0:11:38.240
<v Speaker 2>Like acting films to me is serious, Like like I

0:11:38.240 --> 0:11:42.320
<v Speaker 2>have watched entirely too many people be bad movies for

0:11:42.440 --> 0:11:44.360
<v Speaker 2>me to like just think that I could jump up

0:11:44.400 --> 0:11:47.400
<v Speaker 2>and do it, and you know everybody.

0:11:47.000 --> 0:11:49.679
<v Speaker 5>Else is just can do it because there's no standard.

0:11:50.800 --> 0:11:53.840
<v Speaker 2>No, But it don't make me feel like I can

0:11:54.000 --> 0:11:57.079
<v Speaker 2>do it. It makes me feel like I wouldn't do

0:11:57.120 --> 0:11:58.400
<v Speaker 2>that because I don't want to look bad.

0:11:58.840 --> 0:12:00.080
<v Speaker 3>Gotcha.

0:12:00.200 --> 0:12:03.800
<v Speaker 2>Like it's a talent like Denzel Washington, to me is

0:12:03.840 --> 0:12:06.240
<v Speaker 2>the same character every time, but it's such a good character,

0:12:06.320 --> 0:12:09.839
<v Speaker 2>like Samuel Jackson, so you know you got that kind

0:12:09.880 --> 0:12:12.080
<v Speaker 2>of actor, then you got like the Don Cheatles Don

0:12:12.120 --> 0:12:17.480
<v Speaker 2>Cheato can become somebody else, sure, Daniel Daniel day Lewis,

0:12:17.520 --> 0:12:19.640
<v Speaker 2>I think his name is, he could become somebody else.

0:12:20.080 --> 0:12:22.600
<v Speaker 2>It's a couple actors who could become somebody else. And

0:12:22.640 --> 0:12:27.120
<v Speaker 2>then there's these really to me well pronounced personalities Will Smith,

0:12:27.960 --> 0:12:34.760
<v Speaker 2>Denzel Washington, Samuel Jackson, Robert de Niro, Al Pacino that

0:12:34.840 --> 0:12:37.520
<v Speaker 2>could be themselves, and then they morphed into the character.

0:12:37.800 --> 0:12:42.440
<v Speaker 2>The character becomes them Like every movie, Denzel Washington finds

0:12:42.480 --> 0:12:43.400
<v Speaker 2>a reason to yell.

0:12:44.960 --> 0:12:46.440
<v Speaker 1>You know what I mean, and it works same with

0:12:46.520 --> 0:12:48.160
<v Speaker 1>Samuel Jackson. It don't matter.

0:12:48.240 --> 0:12:50.920
<v Speaker 2>So I say all that to say is I accepted

0:12:51.040 --> 0:12:56.640
<v Speaker 2>a role in a movie and it's like my first role,

0:12:56.640 --> 0:12:59.840
<v Speaker 2>and I accepted the role. Don't clap you. I accepted

0:12:59.880 --> 0:13:02.640
<v Speaker 2>the role because I'm on the verge of shooting and

0:13:02.720 --> 0:13:05.600
<v Speaker 2>producing my first film and I'm like I need to

0:13:05.640 --> 0:13:08.880
<v Speaker 2>go be on this set right so I can see

0:13:10.320 --> 0:13:12.880
<v Speaker 2>you know what it's like. So shout out to Themie

0:13:12.920 --> 0:13:18.199
<v Speaker 2>Bounce trashhome boy from where the West La Santa Monica area,

0:13:19.200 --> 0:13:21.640
<v Speaker 2>I mean grave Yard. And he wanted me to do

0:13:21.720 --> 0:13:25.000
<v Speaker 2>this film and it's a short part. It's not a

0:13:25.320 --> 0:13:29.040
<v Speaker 2>huge part, but there's only five people in the damn movie.

0:13:29.640 --> 0:13:31.240
<v Speaker 3>Script is so intense though.

0:13:31.400 --> 0:13:35.000
<v Speaker 2>That shit is dope, right, So it was like, this

0:13:35.160 --> 0:13:38.240
<v Speaker 2>is like everybody gonna see it. So I'm thinking, like,

0:13:38.320 --> 0:13:40.679
<v Speaker 2>right now, MAYU, this is like two weeks away. If

0:13:40.679 --> 0:13:42.560
<v Speaker 2>it's that far it, I'm like, I need to give

0:13:42.600 --> 0:13:45.319
<v Speaker 2>me some online acting because I do not want to

0:13:45.360 --> 0:13:48.040
<v Speaker 2>go out here Pete and make a Jackie answer myself?

0:13:48.920 --> 0:13:53.520
<v Speaker 5>Sure, and what is the roles character supposed to and

0:13:53.559 --> 0:13:56.880
<v Speaker 5>you're not playing like something very similar to yourself. It's

0:13:56.920 --> 0:13:58.959
<v Speaker 5>like an actual character that's not like, oh he'd be

0:13:59.040 --> 0:13:59.559
<v Speaker 5>perfect for this.

0:14:00.800 --> 0:14:05.400
<v Speaker 2>It's a little bit more professional than I would be. Gotcha, Like,

0:14:05.480 --> 0:14:10.000
<v Speaker 2>I'm a pro, but I'm not professional. I'm a professional lob.

0:14:10.640 --> 0:14:10.880
<v Speaker 3>Sure.

0:14:11.360 --> 0:14:13.960
<v Speaker 2>That's what I have been really working on, being a

0:14:14.000 --> 0:14:18.960
<v Speaker 2>professional cryp. I a professional. Anything else is different. I mean,

0:14:19.000 --> 0:14:20.600
<v Speaker 2>like I know how to work all the equipment in

0:14:20.600 --> 0:14:22.920
<v Speaker 2>the studio. I know how to hook it all up.

0:14:22.960 --> 0:14:24.560
<v Speaker 2>I know I to take it all apart. I know

0:14:24.560 --> 0:14:26.480
<v Speaker 2>how to work cameras, lights, I know how to works

0:14:26.480 --> 0:14:29.480
<v Speaker 2>and stuff. But I wouldn't call myself a professional. The

0:14:29.560 --> 0:14:32.160
<v Speaker 2>only thing I would call myself is a professional hip

0:14:32.160 --> 0:14:37.480
<v Speaker 2>hop artist and a professional cryp. Those are things that

0:14:37.720 --> 0:14:40.200
<v Speaker 2>I do businessing, and business is good.

0:14:42.120 --> 0:14:44.440
<v Speaker 3>So it's just odd to do that.

0:14:44.560 --> 0:14:47.680
<v Speaker 2>And the film most likely is gonna end up on

0:14:47.760 --> 0:14:50.640
<v Speaker 2>tub or Hulu or one of those things. But it's

0:14:50.640 --> 0:14:53.480
<v Speaker 2>still so serious to me, Like I'm like, I need

0:14:53.480 --> 0:14:56.040
<v Speaker 2>to kneilis. I don't want to just make myself look stupid,

0:14:56.560 --> 0:14:58.880
<v Speaker 2>like you know. To me, it's like everybody else is

0:14:58.960 --> 0:15:01.960
<v Speaker 2>jumping front of a camera. I remember watching Chuck a

0:15:02.120 --> 0:15:05.480
<v Speaker 2>game in the film Waists Deep, and.

0:15:05.400 --> 0:15:10.200
<v Speaker 1>I was like, this is horrible. Chuck, don't talk shit.

0:15:10.240 --> 0:15:11.840
<v Speaker 1>I'm sicking because Chuck probably so I was like, this

0:15:11.920 --> 0:15:15.280
<v Speaker 1>is horrible. And then Chuck did Billionaire Boys Club, which

0:15:15.360 --> 0:15:18.240
<v Speaker 1>ended up becoming Belly Too, and everybody talks so much

0:15:18.240 --> 0:15:19.000
<v Speaker 1>shit about it.

0:15:19.400 --> 0:15:21.640
<v Speaker 3>M like you know what I mean?

0:15:21.760 --> 0:15:24.600
<v Speaker 2>And and like I've seen some of the movie Snoop

0:15:24.640 --> 0:15:27.800
<v Speaker 2>and different people and I'm like the worst movie. Yeah,

0:15:27.960 --> 0:15:31.880
<v Speaker 2>so it's like I don't want to make myself look dumb.

0:15:32.720 --> 0:15:36.320
<v Speaker 2>Trash did a couple of movies. Trash does good. Like

0:15:38.200 --> 0:15:39.160
<v Speaker 2>Trash do good Like I.

0:15:39.200 --> 0:15:41.920
<v Speaker 1>Seen Trapp, Like he's cool in the movies than you,

0:15:41.960 --> 0:15:43.160
<v Speaker 1>But like, what movies you do?

0:15:43.920 --> 0:15:47.480
<v Speaker 3>Dirty Cops in La with My Boy Joey Black, Slink

0:15:47.560 --> 0:15:51.520
<v Speaker 3>Johnson was in that. Who else ge a couple of people.

0:15:51.560 --> 0:15:55.280
<v Speaker 3>It's a couple of comedians. Watch Homie Kwan was in

0:15:55.360 --> 0:15:59.080
<v Speaker 3>there when it come on. Uh, shit about year two

0:15:59.160 --> 0:16:01.400
<v Speaker 3>because now the series is he now he got a

0:16:01.400 --> 0:16:04.960
<v Speaker 3>little thing where he's putting the series. Uh, it's on Hulu,

0:16:05.200 --> 0:16:08.320
<v Speaker 3>Amazon to be And what's the name of the movie

0:16:08.680 --> 0:16:09.760
<v Speaker 3>Dirty Cops l A.

0:16:10.480 --> 0:16:11.560
<v Speaker 1>What's the other one was in?

0:16:12.040 --> 0:16:17.400
<v Speaker 3>Uh it's a little smaller film. And then where you

0:16:17.520 --> 0:16:20.640
<v Speaker 3>get to where I know that right there where she's

0:16:20.680 --> 0:16:24.120
<v Speaker 3>been pumping me up. It's gonna be when they put

0:16:24.120 --> 0:16:26.480
<v Speaker 3>off the Southern material that I did some stuff for him,

0:16:26.600 --> 0:16:28.760
<v Speaker 3>some acting for some stuff he put together.

0:16:29.080 --> 0:16:32.240
<v Speaker 2>Yeah, but Trash is like a natural. I don't know

0:16:32.240 --> 0:16:35.000
<v Speaker 2>if it means because he fake or something, but just

0:16:35.040 --> 0:16:37.360
<v Speaker 2>good at it. Like he's not bad. Like, but I'm

0:16:37.400 --> 0:16:39.640
<v Speaker 2>like man, I don't know how to be nobody else

0:16:39.680 --> 0:16:42.720
<v Speaker 2>but me, So I'm looking forward to it, you know,

0:16:42.800 --> 0:16:45.840
<v Speaker 2>I mean, it's it's different. I started writing a movie

0:16:45.840 --> 0:16:50.920
<v Speaker 2>for King about this old jail house lawyer. Why old

0:16:51.040 --> 0:16:53.560
<v Speaker 2>jail house lawyer because he was an old jail house lawyer.

0:16:53.680 --> 0:16:56.320
<v Speaker 2>Jail house lawyer. God damn, man, I mean, you.

0:16:57.000 --> 0:17:00.480
<v Speaker 6>Got about forty five more extraordinary jail house lawyer gonna

0:17:00.520 --> 0:17:00.720
<v Speaker 6>be like.

0:17:01.120 --> 0:17:03.880
<v Speaker 1>Because the character is not about being extraordinar there.

0:17:04.240 --> 0:17:07.280
<v Speaker 2>It's about this jail house lawyer who got this big

0:17:07.359 --> 0:17:11.000
<v Speaker 2>civil case and he's fucking up, you know what I mean,

0:17:11.320 --> 0:17:14.080
<v Speaker 2>But he ended up winning this really important case like

0:17:14.119 --> 0:17:14.800
<v Speaker 2>my real life.

0:17:16.480 --> 0:17:28.080
<v Speaker 3>Yeah, I picked these up in jail, So I was thinking.

0:17:28.119 --> 0:17:31.080
<v Speaker 2>So even though the film is a too B movie, like,

0:17:31.680 --> 0:17:33.360
<v Speaker 2>I still want to do the best I can.

0:17:34.280 --> 0:17:36.280
<v Speaker 3>What's wrong with tob though, it's like to be the

0:17:36.359 --> 0:17:39.240
<v Speaker 3>lowest place to play a movie for. I told Terrence

0:17:39.320 --> 0:17:42.040
<v Speaker 3>to you know where because his name is Bounced, but

0:17:42.240 --> 0:17:44.199
<v Speaker 3>you know, I went to school with him. His real

0:17:44.280 --> 0:17:46.960
<v Speaker 3>name is Terrence Brown, and we call him Bounce obviously,

0:17:47.520 --> 0:17:49.240
<v Speaker 3>but I told him to man when he showed use

0:17:49.280 --> 0:17:51.960
<v Speaker 3>so gez part is. The guy's name is Keith he

0:17:52.040 --> 0:17:56.520
<v Speaker 3>basically plays the best friend of the guy. It's it's

0:17:56.560 --> 0:17:59.240
<v Speaker 3>a lot of twists and turns. Main here watching it,

0:17:59.000 --> 0:18:02.880
<v Speaker 3>it's really really do like it's kind of a suspense

0:18:03.040 --> 0:18:08.800
<v Speaker 3>almost horror. Actually it's gonna be a full length movie future. Yeah,

0:18:09.080 --> 0:18:10.960
<v Speaker 3>from the script, would you say about an hour?

0:18:11.520 --> 0:18:11.959
<v Speaker 4>Are you right?

0:18:12.000 --> 0:18:12.879
<v Speaker 1>At sixty minutes?

0:18:13.160 --> 0:18:13.360
<v Speaker 7>Yeah?

0:18:13.680 --> 0:18:17.120
<v Speaker 3>Between forty so movies that shut down at sixty minutes. Now,

0:18:17.640 --> 0:18:20.080
<v Speaker 3>I mean you can, you know, especially when you're working

0:18:20.119 --> 0:18:21.800
<v Speaker 3>on a budget. But what I was gonna just get

0:18:21.800 --> 0:18:23.640
<v Speaker 3>ready to say is like, I think this film has

0:18:23.680 --> 0:18:26.240
<v Speaker 3>the potential not toad glasses that I'm like, which is

0:18:26.240 --> 0:18:28.840
<v Speaker 3>even worse. You know, it has the potential to ripen.

0:18:29.119 --> 0:18:31.680
<v Speaker 2>I mean it could be something more more like Lord

0:18:31.760 --> 0:18:34.440
<v Speaker 2>knows you have a horrible job and you're on fucking Netflix.

0:18:34.520 --> 0:18:37.359
<v Speaker 1>Everybody see you look like shit. The toob is okay

0:18:37.359 --> 0:18:40.240
<v Speaker 1>to look like ship. That's true because Toob is like Tob.

0:18:40.520 --> 0:18:44.399
<v Speaker 4>No, because like the what the g league and fucking movies?

0:18:44.560 --> 0:18:50.080
<v Speaker 3>Yeah, I guess it's short because I guess it's because anyone.

0:18:49.880 --> 0:18:56.720
<v Speaker 2>Good movies on Yeah. No, we're not talking about those films.

0:18:56.800 --> 0:18:58.879
<v Speaker 2>We're talking about the films that come.

0:18:59.080 --> 0:18:59.920
<v Speaker 5>To be original.

0:19:00.560 --> 0:19:03.440
<v Speaker 3>Yes, to f Oh, so I need to go look

0:19:03.440 --> 0:19:05.480
<v Speaker 3>at the ones where you're looking at a character and

0:19:05.520 --> 0:19:07.119
<v Speaker 3>he gets shot, and then when they go back to

0:19:07.200 --> 0:19:08.639
<v Speaker 3>the character, it's a different person.

0:19:09.680 --> 0:19:12.600
<v Speaker 5>The ones where you think.

0:19:14.400 --> 0:19:15.160
<v Speaker 4>I don't watch.

0:19:18.240 --> 0:19:21.160
<v Speaker 10>Is that it's not like Lifetime used to be. No,

0:19:21.840 --> 0:19:29.240
<v Speaker 10>think there's better productions. Ye, Lifetime is just like bad acting.

0:19:30.040 --> 0:19:30.640
<v Speaker 3>You know what I'm saying.

0:19:30.800 --> 0:19:33.479
<v Speaker 2>I like Lifetime films though, because but I'm gonna tell

0:19:33.520 --> 0:19:34.720
<v Speaker 2>you what I liked about Lifetime.

0:19:35.040 --> 0:19:38.959
<v Speaker 1>They cater to their specific demographic to just do whatever.

0:19:39.760 --> 0:19:39.840
<v Speaker 7>No.

0:19:40.000 --> 0:19:43.240
<v Speaker 2>To Be got his own kind of pocket too, Like

0:19:43.359 --> 0:19:45.199
<v Speaker 2>I would like to put films on too, Like I

0:19:45.240 --> 0:19:46.320
<v Speaker 2>think it could be cool.

0:19:46.440 --> 0:19:46.720
<v Speaker 1>I'm not.

0:19:46.800 --> 0:19:49.400
<v Speaker 2>I'm not one of those people that's down on to Be's.

0:19:49.480 --> 0:19:52.359
<v Speaker 2>I actually I like to just over the last watch

0:19:52.440 --> 0:19:55.080
<v Speaker 2>to Be. No, no, not how you watch to you

0:19:55.080 --> 0:19:57.200
<v Speaker 2>watch to Be? Like tob is Amazon, I'm talking about

0:19:57.200 --> 0:20:00.800
<v Speaker 2>we talking about moving black just to be like I

0:20:00.880 --> 0:20:01.359
<v Speaker 2>watched to Be.

0:20:01.720 --> 0:20:04.440
<v Speaker 5>Yeah, yeah, you looking back from nineteen seventy eight movie

0:20:04.480 --> 0:20:05.359
<v Speaker 5>I never heard of before.

0:20:05.800 --> 0:20:06.600
<v Speaker 3>Yeah, that's what I do.

0:20:06.760 --> 0:20:12.160
<v Speaker 2>Pete were talking about blaxxploitation to Be. We're talking about

0:20:12.160 --> 0:20:14.560
<v Speaker 2>to Be where it's like crazy.

0:20:15.400 --> 0:20:16.240
<v Speaker 3>Yeah, I said there's.

0:20:16.440 --> 0:20:17.879
<v Speaker 5>Like Hot Boys thirteen.

0:20:18.600 --> 0:20:19.760
<v Speaker 1>You know, there you go?

0:20:19.880 --> 0:20:22.639
<v Speaker 3>He said, what, Pete, Yeah, like the movie Hot Boys

0:20:22.680 --> 0:20:27.840
<v Speaker 3>thirteen or something. Oh yeah, yeah, I forgot about that

0:20:27.920 --> 0:20:30.520
<v Speaker 3>cop like that on two passed it though.

0:20:30.960 --> 0:20:36.000
<v Speaker 11>Every action stick as Hell, Somebody from the Hood, every

0:20:36.040 --> 0:20:40.159
<v Speaker 11>action so hey, but you really hated What was the

0:20:40.200 --> 0:20:40.960
<v Speaker 11>movie you just said?

0:20:41.480 --> 0:20:43.040
<v Speaker 3>Was it Waist deep? There? She said?

0:20:43.280 --> 0:20:47.880
<v Speaker 2>I did, Hey Waist because Tyresee is an outstanding okay making,

0:20:48.080 --> 0:20:52.760
<v Speaker 2>but the story, but the story wasn't great a game

0:20:52.880 --> 0:20:55.360
<v Speaker 2>and Chuck was just not like you could tell he's

0:20:55.400 --> 0:20:58.280
<v Speaker 2>not an actor. And I'm telling you, I know what

0:20:58.320 --> 0:20:59.840
<v Speaker 2>it's like to have people in your ears, like, man,

0:20:59.840 --> 0:21:02.960
<v Speaker 2>it ain't now you're gonna just knock it out.

0:21:04.119 --> 0:21:06.200
<v Speaker 3>What rapper you think knocked it down in a movie?

0:21:06.840 --> 0:21:08.600
<v Speaker 3>The coldest one? Can I answer this?

0:21:08.680 --> 0:21:11.639
<v Speaker 1>Cheek lell cool J was ob in the first movie?

0:21:12.440 --> 0:21:16.080
<v Speaker 3>It's one. It's one rapper that did the coldest acting ever.

0:21:16.880 --> 0:21:20.000
<v Speaker 3>It's called something the Lord Made and it was no,

0:21:20.200 --> 0:21:23.159
<v Speaker 3>it was some movies called something the Lord made and

0:21:23.200 --> 0:21:26.879
<v Speaker 3>it was most death a k A. I seen bay.

0:21:27.760 --> 0:21:32.760
<v Speaker 2>Oh yeah, yes, yes, I think the dude that made

0:21:32.760 --> 0:21:34.200
<v Speaker 2>the dude that started Heart service.

0:21:34.280 --> 0:21:35.840
<v Speaker 4>Yeah, the first heart bro.

0:21:35.920 --> 0:21:39.320
<v Speaker 3>I forgot. I forgot it was was That's how cold

0:21:39.320 --> 0:21:39.760
<v Speaker 3>he was.

0:21:40.200 --> 0:21:42.960
<v Speaker 2>Most deafit is, most deaf is fired. But like Lell

0:21:43.040 --> 0:21:45.920
<v Speaker 2>cool j was good in his first movie. Yeah yeah,

0:21:46.000 --> 0:21:48.960
<v Speaker 2>Ice ta ice t first film is New Jack City, right, yep,

0:21:49.160 --> 0:21:49.520
<v Speaker 2>I don't know.

0:21:50.520 --> 0:21:56.760
<v Speaker 3>Yeah, yeah that's funny. Well wait no, yes, his well

0:21:56.760 --> 0:21:58.560
<v Speaker 3>that was his first probably lead role because he had

0:21:58.560 --> 0:22:01.880
<v Speaker 3>already was a break ls and break you wasn't doing

0:22:02.440 --> 0:22:04.040
<v Speaker 3>doing nothing but rapping. He was being a rapp It

0:22:04.240 --> 0:22:08.000
<v Speaker 3>wasn't he in Colors? Also, no, no, just the song.

0:22:09.760 --> 0:22:13.080
<v Speaker 11>I'm he just did the title track.

0:22:13.200 --> 0:22:17.680
<v Speaker 12>Yeah yeah, Ice cuban Boys in the Hood. You thought

0:22:17.680 --> 0:22:20.119
<v Speaker 12>Ice Cube was good Boys in the Head. Yeah, Cub's

0:22:20.119 --> 0:22:22.400
<v Speaker 12>a good actor. He just doesn't have a lot of range.

0:22:22.640 --> 0:22:24.480
<v Speaker 12>That's what they've been talking about late.

0:22:24.600 --> 0:22:28.679
<v Speaker 2>I think range is overrated. I think I know that

0:22:28.760 --> 0:22:30.920
<v Speaker 2>sounds crazy, but I think range is over range.

0:22:30.920 --> 0:22:33.240
<v Speaker 4>Samuel Jackson got no damn range the same.

0:22:33.240 --> 0:22:35.640
<v Speaker 1>He my favorite active Yeah.

0:22:36.680 --> 0:22:39.240
<v Speaker 3>You know it's now you guys.

0:22:38.520 --> 0:22:43.960
<v Speaker 5>Some of you, like you don't think about how do

0:22:44.000 --> 0:22:46.800
<v Speaker 5>I become this character? You just think about what would

0:22:47.560 --> 0:22:50.679
<v Speaker 5>I be if I was an electricians? You know, you know,

0:22:50.720 --> 0:22:51.160
<v Speaker 5>you know what I mean.

0:22:51.240 --> 0:22:52.960
<v Speaker 1>Like how you want to say that again, Pete?

0:22:53.600 --> 0:22:56.119
<v Speaker 5>Like, not how can I be Bob the Electrician? But

0:22:56.160 --> 0:22:58.000
<v Speaker 5>what would it be like if I was a Glasses

0:22:58.040 --> 0:22:58.680
<v Speaker 5>the electrician?

0:22:59.200 --> 0:23:02.120
<v Speaker 1>Oh, acting behavior, Well, it's just.

0:23:02.080 --> 0:23:04.960
<v Speaker 5>Your perspective, not becoming somebody else, But just how would

0:23:05.000 --> 0:23:08.600
<v Speaker 5>you be that yourself? A little bit like that's kind

0:23:08.640 --> 0:23:11.920
<v Speaker 5>of how I feel like Samuel L. Jackson approaches it, like, well,

0:23:11.960 --> 0:23:13.639
<v Speaker 5>how would I be if I was that guy? Not

0:23:13.680 --> 0:23:15.800
<v Speaker 5>how do I become this other person that I'm not?

0:23:16.400 --> 0:23:18.880
<v Speaker 3>You know what? That makes sense, Pete, because that's how

0:23:19.160 --> 0:23:21.480
<v Speaker 3>even though I've only done it like two times or

0:23:21.480 --> 0:23:24.119
<v Speaker 3>three times, that's how I've attacked it. How would I

0:23:24.160 --> 0:23:28.200
<v Speaker 3>do the best version of whatever this role is as myself?

0:23:28.240 --> 0:23:29.040
<v Speaker 3>That makes sense?

0:23:29.880 --> 0:23:31.960
<v Speaker 5>I did my figure is why most people get cast,

0:23:31.960 --> 0:23:34.119
<v Speaker 5>because somebody has a vision and goes, you know who

0:23:34.240 --> 0:23:34.960
<v Speaker 5>actually look cool?

0:23:35.000 --> 0:23:35.760
<v Speaker 3>Like that that guy?

0:23:36.359 --> 0:23:39.800
<v Speaker 1>Call him my first. So the name of the film

0:23:39.800 --> 0:23:41.280
<v Speaker 1>that I'm doing is called The Man You Are.

0:23:42.560 --> 0:23:46.119
<v Speaker 2>And like when I started to read, I started to

0:23:46.160 --> 0:23:49.080
<v Speaker 2>read the way I would talk like the same idea

0:23:49.760 --> 0:23:53.600
<v Speaker 2>and shout out to Bounce because Bounce was like he

0:23:53.720 --> 0:23:55.480
<v Speaker 2>was really cool, but you could tell you like this

0:23:55.600 --> 0:23:58.800
<v Speaker 2>nigga putting way too much sauce on it, and I'm like, well,

0:23:58.800 --> 0:24:01.960
<v Speaker 2>if he using the N word and you know what

0:24:02.000 --> 0:24:04.399
<v Speaker 2>I mean, he asking questions like this is how you

0:24:04.440 --> 0:24:07.960
<v Speaker 2>would say it? So you know it's it's it's.

0:24:09.960 --> 0:24:12.240
<v Speaker 3>Oh when you did the reading, yeah, got you.

0:24:13.119 --> 0:24:15.240
<v Speaker 2>Like And I was like, damn, so I gotta read

0:24:15.280 --> 0:24:18.199
<v Speaker 2>with the girl. And I'm just interested, like how is

0:24:18.200 --> 0:24:18.800
<v Speaker 2>this going to go?

0:24:19.160 --> 0:24:19.240
<v Speaker 6>Like?

0:24:19.280 --> 0:24:20.840
<v Speaker 1>Am I going to make a fool out my dad?

0:24:21.119 --> 0:24:24.040
<v Speaker 3>You're gonna do good. You just have to play the

0:24:24.080 --> 0:24:24.600
<v Speaker 3>home boy.

0:24:24.760 --> 0:24:25.240
<v Speaker 4>That's it.

0:24:25.560 --> 0:24:28.920
<v Speaker 3>And and those lines that you have are dough You'll

0:24:28.960 --> 0:24:31.919
<v Speaker 3>be able to deliver them. Yeah, you'll be able to

0:24:31.920 --> 0:24:35.560
<v Speaker 3>deliver them, saying the script is good too. It's not

0:24:35.680 --> 0:24:38.359
<v Speaker 3>like it's like you'll be able to improvise off of

0:24:38.400 --> 0:24:41.240
<v Speaker 3>what he has. But pretty much for what what what what?

0:24:41.320 --> 0:24:44.240
<v Speaker 3>I was able to read, Well, I read the whole script,

0:24:44.240 --> 0:24:46.880
<v Speaker 3>but from what I read, it's just like really well

0:24:46.880 --> 0:24:47.520
<v Speaker 3>written too.

0:24:47.840 --> 0:24:50.240
<v Speaker 2>When they did a good job, I think the idea

0:24:50.280 --> 0:24:53.159
<v Speaker 2>is sound like that's the the scariest party is this

0:24:53.200 --> 0:24:55.919
<v Speaker 2>ship actually ended up being a really good idea and

0:24:55.960 --> 0:24:58.000
<v Speaker 2>I make a fool out of myself on the fucking

0:24:58.840 --> 0:25:04.359
<v Speaker 2>that's a netflix to be because because to get great.

0:25:04.720 --> 0:25:07.560
<v Speaker 3>Look he's okay, you know what I'm saying, trash, but

0:25:07.680 --> 0:25:13.440
<v Speaker 3>anything above to be this mess b T or something.

0:25:14.320 --> 0:25:15.400
<v Speaker 3>Are you okay with Amazon?

0:25:15.520 --> 0:25:18.280
<v Speaker 4>You got faith in the script? Are you okay with a.

0:25:20.560 --> 0:25:21.200
<v Speaker 3>Look at this way?

0:25:21.240 --> 0:25:23.000
<v Speaker 5>If you do bad enough, it will never get big

0:25:23.040 --> 0:25:25.439
<v Speaker 5>because the people will look at the movie this, this

0:25:25.520 --> 0:25:26.119
<v Speaker 5>guy sucks.

0:25:28.000 --> 0:25:30.679
<v Speaker 1>What the problem is? I'm not a main character.

0:25:30.760 --> 0:25:33.560
<v Speaker 2>So if he nails it with the lead character and

0:25:33.600 --> 0:25:37.199
<v Speaker 2>then the co star, like that should be big and

0:25:37.240 --> 0:25:39.359
<v Speaker 2>you'll just be that sore thumb sticking out like what

0:25:39.400 --> 0:25:40.400
<v Speaker 2>the fuck is he doing?

0:25:41.720 --> 0:25:46.720
<v Speaker 3>All sorts of movies you with the WAYD where you

0:25:46.760 --> 0:25:49.479
<v Speaker 3>have Tyree's and making good and they're carrying it, and

0:25:49.480 --> 0:25:52.480
<v Speaker 3>then you have check in there you know who that was?

0:25:52.800 --> 0:25:55.280
<v Speaker 2>That was Tianna Taylor in that movie that came out

0:25:55.320 --> 0:26:00.600
<v Speaker 2>the other day with Sherry Shephard and and to Harry,

0:26:00.720 --> 0:26:09.920
<v Speaker 2>I mean, what's your name? HARGI like Toagi p Henson, like,

0:26:10.080 --> 0:26:13.600
<v Speaker 2>guess Cherry did such a good job with Taragi, and

0:26:13.640 --> 0:26:17.040
<v Speaker 2>then Tiana is like and Tiana is talented, so but

0:26:17.080 --> 0:26:19.200
<v Speaker 2>you could just see real fast like she has no

0:26:19.400 --> 0:26:24.160
<v Speaker 2>business being with Rogie up here with Toagi or even Sherry.

0:26:24.640 --> 0:26:27.320
<v Speaker 1>It's just they're like way too good.

0:26:27.320 --> 0:26:27.560
<v Speaker 4>Okay.

0:26:27.560 --> 0:26:29.040
<v Speaker 6>I got a question, what you think about the new

0:26:29.080 --> 0:26:31.600
<v Speaker 6>movie with Denzel who is a a sap.

0:26:33.280 --> 0:26:37.000
<v Speaker 3>That new movie that's a Spike Lee movie. Cool, it's

0:26:37.040 --> 0:26:40.000
<v Speaker 3>a Spike Lee movie that I don't know it's coming out.

0:26:40.680 --> 0:26:43.560
<v Speaker 5>I was saying that he almost went out to New York,

0:26:43.600 --> 0:26:45.960
<v Speaker 5>had to cancel, but to go to do a premiere

0:26:46.000 --> 0:26:47.960
<v Speaker 5>for the new Denzel and Spike Lee movie.

0:26:48.240 --> 0:26:50.720
<v Speaker 3>Yeah, that's the more asap rocky. I think it's okay.

0:26:51.680 --> 0:26:53.159
<v Speaker 5>Yeah, I don't know who was in it was.

0:26:56.119 --> 0:27:00.679
<v Speaker 3>Holding his own against Denzel. Really, I'm interested because they

0:27:01.280 --> 0:27:04.479
<v Speaker 3>it's true. I ain't think the movie yet because it's

0:27:04.480 --> 0:27:04.880
<v Speaker 3>coming out.

0:27:04.880 --> 0:27:07.240
<v Speaker 4>I've got the movie.

0:27:07.320 --> 0:27:09.800
<v Speaker 3>I enjoyed that. People said she was horrible in and

0:27:09.840 --> 0:27:13.160
<v Speaker 3>I thought she was actually great in. It was obsession

0:27:13.520 --> 0:27:20.159
<v Speaker 3>with Beyonce and uh Idris alba Man. I remember when

0:27:20.200 --> 0:27:22.439
<v Speaker 3>that movie came, people were really saying like she was

0:27:22.480 --> 0:27:26.240
<v Speaker 3>such a horrible actor something, and I thought she did

0:27:26.280 --> 0:27:27.240
<v Speaker 3>great in that movie.

0:27:27.680 --> 0:27:33.439
<v Speaker 1>Beyonce wasn't great, she wasn't horrible. She wasn't great, but

0:27:33.520 --> 0:27:34.280
<v Speaker 1>she wasn't horrible.

0:27:34.760 --> 0:27:36.639
<v Speaker 2>I mean she didn't have the lead role either, so

0:27:37.160 --> 0:27:39.639
<v Speaker 2>you saw a lot of her, Yeah, you saw a

0:27:39.720 --> 0:27:40.520
<v Speaker 2>lot of her.

0:27:40.560 --> 0:27:43.560
<v Speaker 3>But I never watched it and thought that it was like, oh, man,

0:27:43.720 --> 0:27:46.399
<v Speaker 3>like this is terrible acting. Like I thought her acting

0:27:46.480 --> 0:27:46.840
<v Speaker 3>was good.

0:27:47.480 --> 0:27:51.560
<v Speaker 2>I mean, I think she's sitting next to Yeah, yeah,

0:27:52.600 --> 0:27:55.840
<v Speaker 2>she's sitting next to Idris album. And then whoever that

0:27:56.080 --> 0:27:58.320
<v Speaker 2>white psycho lady was, she was really good.

0:27:58.320 --> 0:27:59.440
<v Speaker 4>You won't no more.

0:27:59.760 --> 0:28:03.879
<v Speaker 2>You know of y'all talking like sorry talking, I'm like

0:28:03.960 --> 0:28:08.800
<v Speaker 2>the night cut off. You're just talking over a nigga.

0:28:09.160 --> 0:28:09.360
<v Speaker 4>King.

0:28:09.480 --> 0:28:11.880
<v Speaker 1>This ain't King first time, so the podcast a kid,

0:28:12.720 --> 0:28:13.440
<v Speaker 1>I'm trying.

0:28:13.200 --> 0:28:17.120
<v Speaker 3>To to your guests, the new guests, but.

0:28:17.119 --> 0:28:18.440
<v Speaker 1>Don't you have to kind.

0:28:18.200 --> 0:28:21.840
<v Speaker 3>Of no, you got we got a dial in when

0:28:21.840 --> 0:28:22.439
<v Speaker 3>they're talking.

0:28:22.960 --> 0:28:23.639
<v Speaker 1>The problem that.

0:28:25.160 --> 0:28:28.880
<v Speaker 5>King transitioned from the engineer to the talent exactly.

0:28:29.000 --> 0:28:31.280
<v Speaker 3>He won't let me be the engineer no more because

0:28:31.280 --> 0:28:33.679
<v Speaker 3>you's got too much talent. Yeah I have to be

0:28:33.720 --> 0:28:34.159
<v Speaker 3>the engineer.

0:28:34.240 --> 0:28:35.479
<v Speaker 4>Said no, man, you don't know how to do this

0:28:35.560 --> 0:28:35.920
<v Speaker 4>no more.

0:28:36.480 --> 0:28:40.240
<v Speaker 1>What she was way better than talent because your engineers sucked.

0:28:43.240 --> 0:28:47.680
<v Speaker 3>All right, we'll finish with you. You said that she was,

0:28:47.800 --> 0:28:49.600
<v Speaker 3>You said that she was next to Idris, So it

0:28:49.680 --> 0:28:51.640
<v Speaker 3>helped her to because.

0:28:52.080 --> 0:28:54.560
<v Speaker 2>And then whoever that Psycho White Lady was, and she

0:28:54.680 --> 0:28:58.680
<v Speaker 2>was pretty cool. But likes is such a great actor,

0:28:58.800 --> 0:29:02.600
<v Speaker 2>like he could carry you. Beyonce wasn't horrible, Like I

0:29:02.720 --> 0:29:06.600
<v Speaker 2>liked her better in the movie with the with Michael Myers.

0:29:07.280 --> 0:29:11.000
<v Speaker 3>Huh that power she came out.

0:29:12.560 --> 0:29:17.320
<v Speaker 7>No, no, no, no no.

0:29:18.280 --> 0:29:21.160
<v Speaker 3>I thought she was way more unpolished in that movie

0:29:21.200 --> 0:29:22.200
<v Speaker 3>than in the Obsession.

0:29:22.200 --> 0:29:23.880
<v Speaker 1>But it worked for her because it's not to be

0:29:23.960 --> 0:29:24.720
<v Speaker 1>tooken serious.

0:29:24.800 --> 0:29:29.360
<v Speaker 4>I like the world when they were singing.

0:29:30.720 --> 0:29:33.040
<v Speaker 1>Oh, she was fired with that choir movie.

0:29:33.320 --> 0:29:37.880
<v Speaker 3>Yeah, okay, yeah, yeah, the records callak records.

0:29:37.880 --> 0:29:41.680
<v Speaker 1>She was really good. Yeah, but that's because she's singing.

0:29:42.040 --> 0:29:44.080
<v Speaker 2>So like if I was wrapped it in this movie,

0:29:44.480 --> 0:29:47.720
<v Speaker 2>it'd be different. Yeah, that's one thing I promised I

0:29:47.800 --> 0:29:50.040
<v Speaker 2>was gonna bring back. I'm like, man, all the movies

0:29:50.080 --> 0:29:52.280
<v Speaker 2>we're doing over the next four movies, I'm rapping in

0:29:52.400 --> 0:29:55.080
<v Speaker 2>every movie and everybody think I'm crazy. But I was

0:29:55.120 --> 0:29:59.600
<v Speaker 2>looking at that John Wayne film, Uh real, bravo. So

0:29:59.640 --> 0:30:02.240
<v Speaker 2>when I was writing Cold Blue, I was like, man,

0:30:02.240 --> 0:30:04.560
<v Speaker 2>we need to make a place where we rap. Like

0:30:04.720 --> 0:30:06.360
<v Speaker 2>I forgot re member. It used to just be in

0:30:06.360 --> 0:30:08.280
<v Speaker 2>a movie and they just break into songs. Not like

0:30:08.320 --> 0:30:09.120
<v Speaker 2>a music would be a.

0:30:09.120 --> 0:30:13.360
<v Speaker 1>Regular movie a group of people they just start singing.

0:30:18.040 --> 0:30:18.400
<v Speaker 4>Yeah.

0:30:18.600 --> 0:30:20.959
<v Speaker 2>No, but this is like in the fifties, like Rio Bravo.

0:30:21.080 --> 0:30:23.480
<v Speaker 2>Like they were sitting in the jail cell and Nigga

0:30:23.560 --> 0:30:24.960
<v Speaker 2>just put out start.

0:30:24.760 --> 0:30:25.640
<v Speaker 3>Saying that got you.

0:30:27.200 --> 0:30:29.239
<v Speaker 2>They sang two songs, ain't the one song. So I

0:30:29.280 --> 0:30:30.760
<v Speaker 2>was like me and the giants from to be in

0:30:30.800 --> 0:30:33.880
<v Speaker 2>a movie and we all in jail. I'm like, we

0:30:33.920 --> 0:30:35.440
<v Speaker 2>need to bust out of rap that Nigga needs to

0:30:35.440 --> 0:30:38.280
<v Speaker 2>be beating on the table and were just rapping.

0:30:39.480 --> 0:30:42.040
<v Speaker 3>Like that ship used to be cool, you.

0:30:42.000 --> 0:30:44.360
<v Speaker 4>Know, to bring that back. That actually is a good idea.

0:30:45.200 --> 0:30:47.080
<v Speaker 3>You know, you know who you just all you have

0:30:47.160 --> 0:30:49.400
<v Speaker 3>to do. I'm trying to think, like like give your

0:30:49.440 --> 0:30:53.160
<v Speaker 3>best example. You remember the conversation Cube had with with

0:30:53.560 --> 0:30:56.040
<v Speaker 3>Cuba Goodding Jr. At the end of Boys in the

0:30:56.040 --> 0:30:59.000
<v Speaker 3>Hood that you have to be you have to be

0:30:59.120 --> 0:31:01.960
<v Speaker 3>do boy in that scene where he was just having

0:31:02.000 --> 0:31:05.320
<v Speaker 3>a heart to heart with his homeboy, that's all you

0:31:05.360 --> 0:31:06.240
<v Speaker 3>have to do in the movie.

0:31:06.320 --> 0:31:08.440
<v Speaker 1>Yeah, but that wasn't his homeboy and he wasn't having

0:31:08.440 --> 0:31:09.080
<v Speaker 1>a heart to heart.

0:31:09.720 --> 0:31:11.760
<v Speaker 3>What you mean that was his homeboy? I mean it

0:31:11.880 --> 0:31:14.640
<v Speaker 3>was his brother's Homeboy, but it was his Homeboy too.

0:31:15.240 --> 0:31:17.800
<v Speaker 1>No, it's a movie, so he's acting.

0:31:19.720 --> 0:31:21.040
<v Speaker 5>You have to comest Homeboy.

0:31:21.680 --> 0:31:25.240
<v Speaker 3>Yeah, you know what I'm saying. I'm talking about the

0:31:25.320 --> 0:31:26.800
<v Speaker 3>storyline acting in a movie.

0:31:27.960 --> 0:31:30.280
<v Speaker 2>I'm saying you said, all you have to do is

0:31:30.360 --> 0:31:32.440
<v Speaker 2>be good at acting like that.

0:31:32.520 --> 0:31:35.200
<v Speaker 1>Even that little thing with was cool. I remember first seeing.

0:31:35.000 --> 0:31:37.600
<v Speaker 2>That being young and they don't know, I don't show

0:31:37.840 --> 0:31:39.640
<v Speaker 2>I don't care about what's happening in the hood.

0:31:39.720 --> 0:31:42.520
<v Speaker 1>Like that was a cool little thing that I don't

0:31:42.560 --> 0:31:43.320
<v Speaker 1>know if I could do that.

0:31:44.120 --> 0:31:44.960
<v Speaker 3>You know what's just.

0:31:46.520 --> 0:31:46.720
<v Speaker 4>Here?

0:31:46.760 --> 0:31:49.360
<v Speaker 3>Here's the thing too, I think Gee's not taking an account.

0:31:49.880 --> 0:31:51.960
<v Speaker 3>I think you know how when you know how when

0:31:52.000 --> 0:31:55.600
<v Speaker 3>I do music and as I've gotten better as a rapper.

0:31:55.640 --> 0:31:57.959
<v Speaker 3>But how long it took for you to pull that

0:31:58.000 --> 0:32:03.080
<v Speaker 3>out of me? Boss? Right? I think Terrence Bounce is

0:32:03.120 --> 0:32:04.840
<v Speaker 3>going to be able to pull that out of you

0:32:04.920 --> 0:32:08.520
<v Speaker 3>once you're there acting, because I'm pretty sure, even though

0:32:08.560 --> 0:32:13.240
<v Speaker 3>you might have had something, it took John Singleton, John Singleton,

0:32:13.680 --> 0:32:17.400
<v Speaker 3>So what so maybe Bounces the next John Singleton, he's directed,

0:32:17.440 --> 0:32:19.000
<v Speaker 3>He's rest in peace.

0:32:19.520 --> 0:32:20.800
<v Speaker 1>I don't think Bounces directed.

0:32:21.880 --> 0:32:25.240
<v Speaker 2>I mean he wrote the script, writing the screenplay, and

0:32:25.320 --> 0:32:26.800
<v Speaker 2>directing two different things.

0:32:26.960 --> 0:32:28.480
<v Speaker 3>Well, he's going to be part of it. I know

0:32:28.560 --> 0:32:31.160
<v Speaker 3>that because he shot the movie. Did you end up

0:32:31.160 --> 0:32:32.200
<v Speaker 3>watching the movie product?

0:32:32.360 --> 0:32:35.160
<v Speaker 2>I watched the first part finish it. That's like a

0:32:35.200 --> 0:32:37.560
<v Speaker 2>two B movie. Yeah, I liked it too.

0:32:37.600 --> 0:32:40.960
<v Speaker 1>He has this product you know, it's product of you

0:32:40.960 --> 0:32:42.640
<v Speaker 1>gotta say, Santa Monica. It's a couple.

0:32:42.720 --> 0:32:45.920
<v Speaker 3>Oh yeah, okay, link I sent it to you.

0:32:46.320 --> 0:32:49.320
<v Speaker 2>But it's like I was just thinking, like like because

0:32:49.520 --> 0:32:51.920
<v Speaker 2>like I played, like when we do these film, these

0:32:51.960 --> 0:32:55.360
<v Speaker 2>next four or five films, like using the same cast, right,

0:32:55.440 --> 0:32:58.280
<v Speaker 2>so having peaked somehow and having king and it's something

0:32:58.480 --> 0:33:01.880
<v Speaker 2>havn't trash in his right and it's like you just

0:33:02.000 --> 0:33:05.120
<v Speaker 2>keep making it. But it's just such an intimidating task

0:33:05.200 --> 0:33:08.160
<v Speaker 2>to just walk somewhere into a whole other craft. And

0:33:08.840 --> 0:33:11.000
<v Speaker 2>I don't know how other people had that arrogance, Like

0:33:11.120 --> 0:33:13.080
<v Speaker 2>that's shit serious what you do music.

0:33:13.120 --> 0:33:14.880
<v Speaker 3>About foss and that's some type of acting.

0:33:17.040 --> 0:33:19.320
<v Speaker 5>Yes, and no, that's what I was gonna say, Like

0:33:19.360 --> 0:33:24.880
<v Speaker 5>there's a reason why actors struggle transitioning into comedy and

0:33:24.880 --> 0:33:28.560
<v Speaker 5>comedic roles, but comedians have a much easier time transitioning

0:33:28.600 --> 0:33:32.800
<v Speaker 5>into acting. But you just have to understand. Like, also,

0:33:32.840 --> 0:33:34.960
<v Speaker 5>the way you wrap is different than the way you

0:33:35.080 --> 0:33:38.280
<v Speaker 5>just talk, so you assume an understanding of how to

0:33:38.280 --> 0:33:40.760
<v Speaker 5>deliver a line for that. You just have to apply

0:33:40.840 --> 0:33:43.080
<v Speaker 5>that same innate knowledge on how to deliver a line

0:33:43.080 --> 0:33:46.680
<v Speaker 5>with a purpose to doing it in that regard, because

0:33:46.720 --> 0:33:48.200
<v Speaker 5>the skill set's already demonstrated.

0:33:49.080 --> 0:33:51.160
<v Speaker 3>He know what your ma mistake? You know what my

0:33:51.280 --> 0:33:54.560
<v Speaker 3>ma mistay? Yeah, I mean a piece. Sound like a

0:33:54.600 --> 0:33:56.360
<v Speaker 3>fucking acting coach, and she.

0:33:56.400 --> 0:33:57.640
<v Speaker 1>Probably could help somebody.

0:33:58.080 --> 0:34:01.080
<v Speaker 3>He sound like an acting get it coach.

0:34:02.160 --> 0:34:04.680
<v Speaker 5>Did do a pilot once some Malcolms in Atlanta once.

0:34:04.800 --> 0:34:06.920
<v Speaker 5>That was hard, man. I'd never acted before, and they

0:34:06.960 --> 0:34:08.080
<v Speaker 5>gave me an accent piece.

0:34:10.120 --> 0:34:11.520
<v Speaker 3>What was the accent pete?

0:34:11.800 --> 0:34:14.839
<v Speaker 5>I was supposed to be playing some like backwoods hillbilly

0:34:15.000 --> 0:34:18.319
<v Speaker 5>like assistant manager of a strip club in Atlanta. So yeah,

0:34:18.520 --> 0:34:21.160
<v Speaker 5>turn it on there, and yeah, you know what I

0:34:21.200 --> 0:34:23.919
<v Speaker 5>was doing before each line, I was listening to Bill

0:34:23.960 --> 0:34:27.480
<v Speaker 5>Engvall's stand up comedian There's a stand up comedy special,

0:34:27.719 --> 0:34:30.280
<v Speaker 5>so I can try to pick up the Bill engvall accent,

0:34:31.239 --> 0:34:35.520
<v Speaker 5>like here's your sign and then start talking trass.

0:34:35.840 --> 0:34:39.200
<v Speaker 2>Trans got a good a good Korean or a good Japanese,

0:34:39.320 --> 0:34:39.799
<v Speaker 2>I got a.

0:34:39.840 --> 0:34:43.000
<v Speaker 3>Good everything you do, you can be a good Korean. Hey,

0:34:43.080 --> 0:34:45.120
<v Speaker 3>mother buckle, when I'm talking to you, you look at

0:34:45.120 --> 0:34:45.439
<v Speaker 3>my Dutch.

0:34:45.440 --> 0:34:46.200
<v Speaker 4>When I'm talking to.

0:34:46.160 --> 0:34:54.840
<v Speaker 1>You, you gotta do your judo Bracy give me to

0:34:54.880 --> 0:34:59.959
<v Speaker 1>all my listeners. Isactly Japanese do not take a listen.

0:35:00.080 --> 0:35:02.440
<v Speaker 3>And this he thinks is being prejudiced and race. I

0:35:02.520 --> 0:35:06.120
<v Speaker 3>tell him, if you now, I'm not talking about Koreans

0:35:06.239 --> 0:35:08.640
<v Speaker 3>or Japanese Chinese people that were born here. None of

0:35:08.680 --> 0:35:11.640
<v Speaker 3>the kids that speak really good English. But if you

0:35:11.840 --> 0:35:14.560
<v Speaker 3>catch people that come from over there before they started

0:35:14.600 --> 0:35:17.239
<v Speaker 3>a sentence and they're talking to you, if they don't

0:35:17.239 --> 0:35:23.640
<v Speaker 3>know English, they'd be like, oh you you you know

0:35:23.719 --> 0:35:27.520
<v Speaker 3>you talk to to my son, Oh you want to buy?

0:35:27.560 --> 0:35:28.840
<v Speaker 3>Oh you want to be in there.

0:35:31.360 --> 0:35:35.520
<v Speaker 5>That's how I would I would have the interacted with.

0:35:37.760 --> 0:35:39.760
<v Speaker 3>And I went to school with a couple of Homans

0:35:39.800 --> 0:35:42.759
<v Speaker 3>that were still not even like their parents had just

0:35:42.800 --> 0:35:45.759
<v Speaker 3>moved here. So that's how I kind of picked that up.

0:35:46.080 --> 0:35:48.440
<v Speaker 3>But I promise you if you if you pay attention,

0:35:48.600 --> 0:35:50.839
<v Speaker 3>Jesus thinks I'll be a racist. I said, no, bro,

0:35:51.480 --> 0:35:53.240
<v Speaker 3>if you pay attention, they really.

0:35:55.800 --> 0:35:59.640
<v Speaker 4>I'll give you wants.

0:36:00.160 --> 0:36:06.120
<v Speaker 3>No specially special price for you, special price for you.

0:36:06.120 --> 0:36:07.000
<v Speaker 4>You know.

0:36:08.400 --> 0:36:11.920
<v Speaker 1>We love man, that's do you do your many?

0:36:12.000 --> 0:36:14.319
<v Speaker 3>I want to I wanted to do to do say

0:36:14.400 --> 0:36:18.440
<v Speaker 3>you know, I came here today and you know I

0:36:18.480 --> 0:36:22.000
<v Speaker 3>don't feel I feel good and I just wanted to fight.

0:36:22.239 --> 0:36:26.400
<v Speaker 3>And I do this with the Philippin people. You know,

0:36:26.480 --> 0:36:30.000
<v Speaker 3>many will always fight and you know, thank you to

0:36:30.080 --> 0:36:39.359
<v Speaker 3>all the pending people. People people, what chans chance.

0:36:41.600 --> 0:36:42.080
<v Speaker 4>He stays?

0:36:43.120 --> 0:36:45.480
<v Speaker 5>Do you know whoever?

0:36:45.640 --> 0:36:46.720
<v Speaker 4>Watch interview?

0:36:47.000 --> 0:36:47.040
<v Speaker 7>No?

0:36:47.719 --> 0:36:50.760
<v Speaker 3>Man, you know who nails him? And that's really cold

0:36:50.840 --> 0:36:54.480
<v Speaker 3>at the impersonations A f on Crockett. Oh man, he's

0:36:54.480 --> 0:36:55.080
<v Speaker 3>so cold.

0:36:55.920 --> 0:37:00.200
<v Speaker 4>You heard that he always doing drink you heard? Yeah,

0:37:01.280 --> 0:37:03.520
<v Speaker 4>definitely he does Chris rock too, really good.

0:37:03.560 --> 0:37:04.440
<v Speaker 3>He doesn't have.

0:37:08.239 --> 0:37:11.520
<v Speaker 2>Man, So yeah, I ain't gonna lie. It's very it's

0:37:11.680 --> 0:37:14.160
<v Speaker 2>very intimidating. And this is in two weeks.

0:37:14.160 --> 0:37:17.400
<v Speaker 1>In two weeks, I almost told him no, but it's trash, homeboy.

0:37:17.520 --> 0:37:20.680
<v Speaker 2>And honestly, he told me a story from back in

0:37:20.680 --> 0:37:22.799
<v Speaker 2>the day where he bought some product that I used

0:37:22.800 --> 0:37:25.799
<v Speaker 2>to sell at a different time in my life, and

0:37:26.160 --> 0:37:28.319
<v Speaker 2>what god to He bought a serum stick from me,

0:37:28.840 --> 0:37:30.960
<v Speaker 2>and it reminded me that he was with one of

0:37:31.000 --> 0:37:34.400
<v Speaker 2>my homeboys and to watch somebody change their life, like

0:37:34.600 --> 0:37:37.560
<v Speaker 2>I changed my life from being a person selling Sharman.

0:37:37.640 --> 0:37:39.480
<v Speaker 2>He changed his life from being somebody that used to

0:37:39.480 --> 0:37:42.279
<v Speaker 2>party with it, and like here we are now it's like,

0:37:42.800 --> 0:37:45.280
<v Speaker 2>you know what I mean. This is twenty five years later,

0:37:45.760 --> 0:37:47.800
<v Speaker 2>you know what I mean. Now he's making a film

0:37:47.880 --> 0:37:50.560
<v Speaker 2>and I'm like a hip hop artist that you know

0:37:50.600 --> 0:37:53.440
<v Speaker 2>could take care of himself from music, and it's like, yo,

0:37:53.680 --> 0:37:56.000
<v Speaker 2>could you do my film? I almost felt like when

0:37:56.040 --> 0:37:58.759
<v Speaker 2>he told me he bought a stick from me, it

0:37:58.760 --> 0:38:01.120
<v Speaker 2>almost made me feel like I need to do something

0:38:02.000 --> 0:38:03.480
<v Speaker 2>for you, you know what I mean, Because at that

0:38:03.600 --> 0:38:06.600
<v Speaker 2>time I was on some whole other ship and there

0:38:06.640 --> 0:38:08.560
<v Speaker 2>you go, you know what I mean, and put myself

0:38:08.560 --> 0:38:10.960
<v Speaker 2>into because it's like again John Singleton, I wouldn't do

0:38:10.960 --> 0:38:11.439
<v Speaker 2>it for John.

0:38:11.640 --> 0:38:13.400
<v Speaker 1>I didn't do it for Aaron.

0:38:14.080 --> 0:38:16.040
<v Speaker 3>Like he said the stick and he was like okay,

0:38:17.120 --> 0:38:19.680
<v Speaker 3>but it wasn't like look on that ship, it was just.

0:38:19.680 --> 0:38:24.120
<v Speaker 2>Nobody hooked on. Nobody's hooked on. It's not that kind

0:38:24.120 --> 0:38:24.439
<v Speaker 2>of thing.

0:38:25.040 --> 0:38:27.840
<v Speaker 1>It's a gang member. It's a gang member.

0:38:28.239 --> 0:38:31.680
<v Speaker 2>Go kill everybody off of this type of thing, like.

0:38:35.080 --> 0:38:38.239
<v Speaker 3>A real low for sure. His section because I went

0:38:38.239 --> 0:38:39.520
<v Speaker 3>to school with him in Santa Monica.

0:38:40.960 --> 0:38:42.120
<v Speaker 1>Go ahead, people, what you say, No.

0:38:42.120 --> 0:38:43.719
<v Speaker 5>I don't want to get into the don't We've already

0:38:43.760 --> 0:38:46.160
<v Speaker 5>done that episode which what we're gonna stay on.

0:38:46.120 --> 0:38:49.279
<v Speaker 3>Track episode Pete episode of what.

0:38:50.560 --> 0:38:54.400
<v Speaker 5>Glasses got out of the out of the Industry.

0:38:57.080 --> 0:38:58.720
<v Speaker 4>Oh oh oh gotcha?

0:38:58.880 --> 0:39:01.040
<v Speaker 3>Gotcha? Yeah, so famous trapper.

0:39:01.960 --> 0:39:05.120
<v Speaker 1>So that's not what happened. So what happened? So that

0:39:05.239 --> 0:39:07.960
<v Speaker 1>made me feel like y'all needed to do this, like this.

0:39:07.920 --> 0:39:10.279
<v Speaker 2>Was the right thing to do for somebody, because I

0:39:10.320 --> 0:39:13.080
<v Speaker 2>could agree I was doing the wrong thing. I mean, yeah,

0:39:13.239 --> 0:39:16.040
<v Speaker 2>it's growth too though, to come back to grow, it's

0:39:16.080 --> 0:39:16.760
<v Speaker 2>a good feeling.

0:39:16.920 --> 0:39:18.520
<v Speaker 1>And it was like he's like, man, I really want

0:39:18.520 --> 0:39:20.120
<v Speaker 1>you to do it. And it was like, damn for

0:39:20.200 --> 0:39:20.640
<v Speaker 1>real life.

0:39:20.640 --> 0:39:22.799
<v Speaker 2>You can go get somebody that really is into this shit,

0:39:23.280 --> 0:39:25.719
<v Speaker 2>Like you know what I mean, I ain't into that shit,

0:39:26.080 --> 0:39:28.400
<v Speaker 2>but you know, it was like that, and he was

0:39:28.480 --> 0:39:29.120
<v Speaker 2>trash man.

0:39:29.200 --> 0:39:30.560
<v Speaker 1>He was tony man.

0:39:30.680 --> 0:39:31.440
<v Speaker 3>Ask your question.

0:39:31.920 --> 0:39:35.560
<v Speaker 6>Sure, I know, just lately, though, you are expanding on

0:39:35.680 --> 0:39:38.480
<v Speaker 6>things that you haven't done before, you try and now, why.

0:39:38.400 --> 0:39:41.560
<v Speaker 1>Is that I'm not really expanding or trying nothing?

0:39:42.400 --> 0:39:44.879
<v Speaker 2>I think I think, Okay, just take that back let's

0:39:44.880 --> 0:39:48.640
<v Speaker 2>back it up so as I start to understand that,

0:39:49.200 --> 0:39:52.239
<v Speaker 2>like people just come to you with bad ideas. On

0:39:52.280 --> 0:39:55.360
<v Speaker 2>top of bad idea, you know, everybody do anything. You

0:39:55.360 --> 0:39:57.000
<v Speaker 2>could tell some niggas said a dig and he'd be

0:39:57.000 --> 0:40:00.120
<v Speaker 2>sucking a dick because no, no, no, paulse I'm it

0:40:00.320 --> 0:40:03.600
<v Speaker 2>that way I'm saying, because people listen to other people

0:40:03.640 --> 0:40:05.480
<v Speaker 2>and they let him push him into anything.

0:40:06.120 --> 0:40:07.879
<v Speaker 1>You just can't push me in anything.

0:40:07.600 --> 0:40:09.719
<v Speaker 2>If you don't have you know, if you don't know

0:40:09.719 --> 0:40:11.200
<v Speaker 2>what they are you're talking about, or if it don't

0:40:11.200 --> 0:40:12.080
<v Speaker 2>make sense, I don't care.

0:40:12.120 --> 0:40:13.080
<v Speaker 1>I'm just not gonna do it.

0:40:13.680 --> 0:40:16.040
<v Speaker 2>So when people will push me, like let's say we're

0:40:16.040 --> 0:40:18.799
<v Speaker 2>talking about marketing, like I watched people lie about how

0:40:18.880 --> 0:40:21.600
<v Speaker 2>much money they made, and that became how they market themselves.

0:40:21.640 --> 0:40:24.440
<v Speaker 1>They drove around a rented card like and maybe.

0:40:24.200 --> 0:40:26.279
<v Speaker 2>Like everybody got to think you got it, or like

0:40:26.480 --> 0:40:29.359
<v Speaker 2>the favorite expression in the business is you gotta fake

0:40:29.400 --> 0:40:30.200
<v Speaker 2>it till you make it.

0:40:30.719 --> 0:40:32.359
<v Speaker 1>I ain't faking nothing, that.

0:40:32.400 --> 0:40:36.239
<v Speaker 3>Little kid they tell you that. I remember a few

0:40:36.280 --> 0:40:40.239
<v Speaker 3>years back, just to piggyback on that, I forgot who

0:40:40.360 --> 0:40:42.600
<v Speaker 3>was the pr that he was working with or marketing

0:40:42.600 --> 0:40:45.359
<v Speaker 3>and they were trying to get into where chains and shit,

0:40:45.520 --> 0:40:48.279
<v Speaker 3>ge and Gee, I remember he put it on and

0:40:48.320 --> 0:40:50.600
<v Speaker 3>you could tell he just was not comfortable with that shit.

0:40:50.840 --> 0:40:53.279
<v Speaker 3>And it looked it didn't look bad, just you could

0:40:53.320 --> 0:40:55.560
<v Speaker 3>tell us, not him, you know what I mean. He's

0:40:55.640 --> 0:40:59.480
<v Speaker 3>got that clean it's still clean look. But it's like

0:40:59.480 --> 0:41:01.239
<v Speaker 3>like cue, you know what I mean? QBA never really

0:41:01.280 --> 0:41:03.319
<v Speaker 3>seen him with chains like that, or if they do,

0:41:03.360 --> 0:41:06.040
<v Speaker 3>they might break out a little small one for a

0:41:06.120 --> 0:41:09.160
<v Speaker 3>special occasion, you know what I mean. But I remember

0:41:09.160 --> 0:41:10.800
<v Speaker 3>they were trying to get you to do that. I

0:41:10.800 --> 0:41:12.360
<v Speaker 3>remember that, Ge. They was trying to get you to

0:41:12.400 --> 0:41:14.640
<v Speaker 3>wear some tight jeans and shit like what.

0:41:15.080 --> 0:41:19.080
<v Speaker 2>And the problem is, Wow, people don't customize an idea

0:41:19.640 --> 0:41:22.400
<v Speaker 2>like Mac. Shout out to Mac ten, Mac ten ideas

0:41:22.400 --> 0:41:24.839
<v Speaker 2>for me to get the ben My idea before that

0:41:24.880 --> 0:41:26.960
<v Speaker 2>was gonna get a RAG fifty seven. This is when

0:41:27.120 --> 0:41:30.120
<v Speaker 2>lswats was really the new thing. I was gonna swap

0:41:30.160 --> 0:41:34.000
<v Speaker 2>over LS puts some twenty twos. It still felt like

0:41:34.040 --> 0:41:37.720
<v Speaker 2>a superstar car. But Mac convinced me to get the Bentley,

0:41:37.800 --> 0:41:40.360
<v Speaker 2>and I listened, and don't get me wrong, the Bentley

0:41:40.520 --> 0:41:44.400
<v Speaker 2>was fantastic. And as somebody like me, that's Hella hood

0:41:44.520 --> 0:41:47.239
<v Speaker 2>like I'm going to Wats, I'm parking on people front

0:41:47.280 --> 0:41:50.040
<v Speaker 2>line and compting like you know, it's the you know,

0:41:50.560 --> 0:41:52.160
<v Speaker 2>like a ben each ye like your car it's a

0:41:52.200 --> 0:41:55.279
<v Speaker 2>cutlass me because it's only a car. So it was

0:41:55.440 --> 0:42:01.040
<v Speaker 2>everything until you cross Peico and rap on, you know,

0:42:01.080 --> 0:42:02.920
<v Speaker 2>when you cross Peico just turned to a regular car.

0:42:03.080 --> 0:42:09.879
<v Speaker 2>Okay where we're from, Like now, from in Inglewood, it's like, yeah,

0:42:09.920 --> 0:42:12.799
<v Speaker 2>that's glasses, that navy blue Bentley. Oh, that's glasses coming

0:42:12.800 --> 0:42:15.399
<v Speaker 2>down figging at Billy or coming down Hoover, like I'm

0:42:15.400 --> 0:42:18.680
<v Speaker 2>the only thing slack sagging at Hoover or Normandy or

0:42:18.800 --> 0:42:21.640
<v Speaker 2>Chris Shaw, like I'm the only thing doing that because

0:42:22.320 --> 0:42:24.200
<v Speaker 2>you gotta be different to do that. But this is

0:42:24.200 --> 0:42:27.719
<v Speaker 2>what I've been doing my whole life. But it got

0:42:27.760 --> 0:42:31.480
<v Speaker 2>to a place to where like as soon as you

0:42:31.520 --> 0:42:34.000
<v Speaker 2>cross Pico, Like if I'm going up Lebrea and I

0:42:34.040 --> 0:42:36.839
<v Speaker 2>cross Pico, that shit just a blue car. You go

0:42:36.920 --> 0:42:40.320
<v Speaker 2>to Beverly Hills, that shit just a car. Ain't nobody looking,

0:42:40.600 --> 0:42:43.600
<v Speaker 2>don't nobody give a fuck. That's a g Wagon too.

0:42:43.640 --> 0:42:45.520
<v Speaker 2>I left here convinced me to get the g Wagon

0:42:46.040 --> 0:42:49.000
<v Speaker 2>and Beverly Hills the g wagon is a soccer mon corps.

0:42:50.880 --> 0:42:53.200
<v Speaker 2>And so I listened to them, and they were right,

0:42:53.640 --> 0:42:57.920
<v Speaker 2>if we was only marketing to other poor people. Yeah,

0:42:57.960 --> 0:43:01.520
<v Speaker 2>but when when you cross Pico, it was different. But

0:43:01.560 --> 0:43:03.880
<v Speaker 2>when I had my rider, my low rider, if I

0:43:03.880 --> 0:43:07.239
<v Speaker 2>would cross Peico, same thing I'm gonna get coming down

0:43:07.239 --> 0:43:09.160
<v Speaker 2>the bread thumbs up and all the people like, damn,

0:43:09.200 --> 0:43:09.680
<v Speaker 2>look at that.

0:43:10.239 --> 0:43:10.960
<v Speaker 3>You cross Peico.

0:43:11.120 --> 0:43:12.279
<v Speaker 1>Like you go to the Stinker.

0:43:12.040 --> 0:43:14.600
<v Speaker 2>Rolls and a low rider man, that valet man be

0:43:14.680 --> 0:43:17.000
<v Speaker 2>looking and everybody that's coming there at the Stinker.

0:43:16.719 --> 0:43:18.719
<v Speaker 1>Rolls looking at you like, oh, look at this thing.

0:43:19.560 --> 0:43:22.640
<v Speaker 2>So to me, that's where to me, I was right, Like,

0:43:22.680 --> 0:43:26.480
<v Speaker 2>you don't need to project success in this very mainstream

0:43:26.520 --> 0:43:31.160
<v Speaker 2>traditional sense. It's better to project it in like this cultural,

0:43:31.239 --> 0:43:35.319
<v Speaker 2>the street urban cultural sense. Like success like a like

0:43:35.360 --> 0:43:37.839
<v Speaker 2>a RAG fifty seven on twenty two inch wheels that's

0:43:37.840 --> 0:43:40.040
<v Speaker 2>sitting nice, that got good interior, that got ls and

0:43:40.040 --> 0:43:41.239
<v Speaker 2>it felt like a brand new car.

0:43:41.680 --> 0:43:42.160
<v Speaker 3>That car.

0:43:42.760 --> 0:43:44.759
<v Speaker 2>You go to Beverly Hills, you go to a bell Air,

0:43:44.880 --> 0:43:47.680
<v Speaker 2>you go to any of these places, all of those

0:43:47.719 --> 0:43:48.600
<v Speaker 2>white folks about to.

0:43:48.520 --> 0:43:51.080
<v Speaker 3>Look and just hey, hey, just gonna say the old

0:43:51.080 --> 0:43:54.680
<v Speaker 3>white guy, come talk to him. Yes, that's a nice

0:43:55.600 --> 0:43:57.760
<v Speaker 3>it's a nice ride. You got there? Yeah?

0:43:57.920 --> 0:44:00.520
<v Speaker 2>Hey what you got in there? So Nlet's said, oh

0:44:00.640 --> 0:44:03.560
<v Speaker 2>is that that street? Oh yeah, that's one of those

0:44:03.600 --> 0:44:04.320
<v Speaker 2>in Michael Merrill.

0:44:04.480 --> 0:44:04.680
<v Speaker 3>You know.

0:44:05.000 --> 0:44:08.120
<v Speaker 2>And I believe and I believe in us bro, that's

0:44:08.160 --> 0:44:10.839
<v Speaker 2>the thing, King. I believe in us. So I didn't

0:44:10.840 --> 0:44:13.640
<v Speaker 2>really change. I just start being able to rationalize some

0:44:13.680 --> 0:44:15.520
<v Speaker 2>of this old crazy shit people have been telling me.

0:44:16.040 --> 0:44:18.799
<v Speaker 2>So like a film, for example, it really came to

0:44:18.880 --> 0:44:21.319
<v Speaker 2>my heart because we were about to shoot a film, right,

0:44:21.360 --> 0:44:23.480
<v Speaker 2>and it was like, okay, maybe when trash hit me,

0:44:23.520 --> 0:44:25.960
<v Speaker 2>it was like, oh this this is Tony Ladio hit

0:44:26.000 --> 0:44:27.600
<v Speaker 2>me about doing this movie. This trash hit me, so

0:44:27.719 --> 0:44:30.520
<v Speaker 2>let me see alcatrash is hitting me about a film.

0:44:30.760 --> 0:44:32.920
<v Speaker 2>And then he's like, man, you know this dude. And

0:44:32.960 --> 0:44:34.360
<v Speaker 2>then I talked to the dude and I kind of

0:44:34.400 --> 0:44:36.719
<v Speaker 2>remembered him. I'm like, damn, he used to fuck with

0:44:36.760 --> 0:44:38.799
<v Speaker 2>the homie, you know what I mean. And it just

0:44:38.960 --> 0:44:42.399
<v Speaker 2>locked in. So it became like, okay, cool, and God

0:44:42.440 --> 0:44:45.480
<v Speaker 2>worked it to where it wasn't a bunch of rigorous

0:44:45.560 --> 0:44:48.000
<v Speaker 2>acting and you know, it's not a ton of stuff.

0:44:48.040 --> 0:44:51.560
<v Speaker 6>But going back to you know this here, but before

0:44:51.719 --> 0:44:55.200
<v Speaker 6>that even said you know what, King, let's go do

0:44:55.360 --> 0:44:58.719
<v Speaker 6>something in Memphis because of the situation opened up and

0:44:58.840 --> 0:45:02.360
<v Speaker 6>before you might not that. Well you're like, you know

0:45:02.400 --> 0:45:04.640
<v Speaker 6>what that situation of, but fuck it, let's go take

0:45:04.680 --> 0:45:07.680
<v Speaker 6>advantage of it and utilize it. As before you might

0:45:07.719 --> 0:45:11.280
<v Speaker 6>not win over across the country to do a project

0:45:11.320 --> 0:45:12.200
<v Speaker 6>like that, well.

0:45:12.120 --> 0:45:14.200
<v Speaker 1>I mean I have should I one shot east Side

0:45:14.239 --> 0:45:14.839
<v Speaker 1>in New York.

0:45:15.239 --> 0:45:16.400
<v Speaker 4>That was a video though.

0:45:16.719 --> 0:45:19.279
<v Speaker 2>I mean, but either way, this is my first film,

0:45:19.360 --> 0:45:21.680
<v Speaker 2>the one we shooting in Memphis. It's all the first,

0:45:22.000 --> 0:45:24.880
<v Speaker 2>but it's not because of that is because to me,

0:45:25.080 --> 0:45:27.600
<v Speaker 2>like God prepares the way for me to walk. Like

0:45:27.680 --> 0:45:29.600
<v Speaker 2>when God don't prepare away for me to walk, I

0:45:29.600 --> 0:45:32.800
<v Speaker 2>ain't finna go. I mean, so like when the idea

0:45:32.920 --> 0:45:36.760
<v Speaker 2>presents itself, it's like, okay, maybe this might be time

0:45:37.200 --> 0:45:39.600
<v Speaker 2>because I've been focused on hip hop and I mean

0:45:39.600 --> 0:45:40.160
<v Speaker 2>in music.

0:45:40.880 --> 0:45:43.360
<v Speaker 6>So it's like that's why I said expanding out to

0:45:43.440 --> 0:45:45.200
<v Speaker 6>other things now besides just.

0:45:45.560 --> 0:45:48.360
<v Speaker 2>Well it's also a different time now you kind of

0:45:48.440 --> 0:45:52.640
<v Speaker 2>need other things, okay, Like now you can't like it's

0:45:52.640 --> 0:45:54.799
<v Speaker 2>hard to market one song, you know what I mean?

0:45:54.840 --> 0:45:58.760
<v Speaker 2>Because how we consume is everything we see very rarely

0:45:58.800 --> 0:45:59.319
<v Speaker 2>what we hear.

0:46:00.400 --> 0:46:02.000
<v Speaker 1>I think we talked about this. My dad made a

0:46:02.000 --> 0:46:04.360
<v Speaker 1>good point to me. And when he was younger. My

0:46:04.440 --> 0:46:06.919
<v Speaker 1>dad was born in forty seven. When he was around ten,

0:46:07.080 --> 0:46:08.080
<v Speaker 1>they was the only.

0:46:07.840 --> 0:46:12.040
<v Speaker 2>People that had a TV in the neighborhood, like his house,

0:46:12.080 --> 0:46:13.759
<v Speaker 2>the only TV that had a house or that he's

0:46:13.760 --> 0:46:16.399
<v Speaker 2>from the low bottoms. His house is the only house

0:46:16.440 --> 0:46:18.040
<v Speaker 2>had a TV. People used to come watch TV at

0:46:18.040 --> 0:46:22.920
<v Speaker 2>this house. Everybody had radios. They the only ones had TVs.

0:46:23.160 --> 0:46:25.319
<v Speaker 2>So remember they used to watch the biggest They used

0:46:25.320 --> 0:46:27.759
<v Speaker 2>to be entertained by the biggest boxing matches through the radio,

0:46:28.160 --> 0:46:31.280
<v Speaker 2>the basketball games through the radio, football games through the radio,

0:46:32.840 --> 0:46:35.400
<v Speaker 2>you know what I mean. So everything was perfecting the

0:46:35.480 --> 0:46:38.280
<v Speaker 2>things that people heard versus today.

0:46:38.600 --> 0:46:39.759
<v Speaker 3>Don't nobody got a radio.

0:46:39.800 --> 0:46:42.200
<v Speaker 2>Everybody got a TV in they hand, it's in their

0:46:42.280 --> 0:46:45.240
<v Speaker 2>pocket or in their hand. They cell phone. Don't nobody

0:46:45.320 --> 0:46:48.680
<v Speaker 2>got no goddamn radio. People don't know what sound or

0:46:48.760 --> 0:46:50.719
<v Speaker 2>what it is supposed to sound like. They looking at

0:46:50.719 --> 0:46:52.680
<v Speaker 2>it and they like this sound good based off what

0:46:52.719 --> 0:46:56.600
<v Speaker 2>they looking at. So you can't ignore the fact too,

0:46:56.640 --> 0:46:58.760
<v Speaker 2>that the game has changed at this point to where

0:46:59.280 --> 0:47:02.600
<v Speaker 2>it went from ninety percent of the things you heard

0:47:03.000 --> 0:47:05.600
<v Speaker 2>and ten percent of the things you saw to ninety

0:47:05.640 --> 0:47:07.880
<v Speaker 2>percent of the things you see and ten percent of

0:47:07.880 --> 0:47:08.759
<v Speaker 2>the things that you hear.

0:47:09.000 --> 0:47:12.239
<v Speaker 3>So do music videos really have to fit the videos

0:47:12.280 --> 0:47:14.520
<v Speaker 3>of it? The music itself really have to fit the

0:47:14.600 --> 0:47:17.479
<v Speaker 3>video part of it. I think music videos is dead

0:47:18.040 --> 0:47:18.279
<v Speaker 3>or you.

0:47:18.200 --> 0:47:22.120
<v Speaker 6>Think they're dead, like so you think they have to

0:47:22.160 --> 0:47:24.440
<v Speaker 6>go back to now telling stories again with music.

0:47:25.239 --> 0:47:28.439
<v Speaker 2>I mean before music videos, right, MTV kind of made

0:47:28.440 --> 0:47:32.080
<v Speaker 2>the music video what it is. MTV was a platform

0:47:32.160 --> 0:47:35.840
<v Speaker 2>that promoted that form of content. That was the first

0:47:35.880 --> 0:47:38.440
<v Speaker 2>place and people will go watch that form of content,

0:47:38.520 --> 0:47:41.920
<v Speaker 2>so it made sense to make that form of content

0:47:42.440 --> 0:47:46.680
<v Speaker 2>just for MTV. Obviously you get bt VH one, the Box,

0:47:47.160 --> 0:47:50.800
<v Speaker 2>you know music Music Box in New York. All this

0:47:50.880 --> 0:47:53.879
<v Speaker 2>stuffhout out to Ralph, all this old stuff built off

0:47:53.920 --> 0:47:57.040
<v Speaker 2>of them promoting this style of content. This kind of

0:47:57.040 --> 0:48:00.560
<v Speaker 2>when you sync the audio with the actual you know,

0:48:01.000 --> 0:48:05.520
<v Speaker 2>visual that you shooting. Before that, how was they breaking records?

0:48:05.640 --> 0:48:09.080
<v Speaker 2>They was breaking records off of films. They broke car Wash,

0:48:09.239 --> 0:48:12.400
<v Speaker 2>you know the group of car Wash. They broke Orth

0:48:12.440 --> 0:48:15.440
<v Speaker 2>Winning Fire off another film. They broke Curtis Mayfield off

0:48:15.440 --> 0:48:19.439
<v Speaker 2>of Sparkle. So before that, you if you did want

0:48:19.440 --> 0:48:22.399
<v Speaker 2>people to hear about something. You know, if you wanted

0:48:22.440 --> 0:48:24.719
<v Speaker 2>them to see music, you would have to put it

0:48:24.760 --> 0:48:27.919
<v Speaker 2>on the big screen, so you can't avoid it now,

0:48:28.080 --> 0:48:30.840
<v Speaker 2>Like now you're in the same position where YouTube is

0:48:30.880 --> 0:48:34.480
<v Speaker 2>not marketing videos. They don't give two fucks about no video.

0:48:35.239 --> 0:48:37.680
<v Speaker 2>They don't care. That is not their business model. They

0:48:37.719 --> 0:48:40.000
<v Speaker 2>are marketing eight nine minutes. That's where he at. They

0:48:40.040 --> 0:48:41.840
<v Speaker 2>was marketing shorts. Same for Instagram.

0:48:42.440 --> 0:48:42.879
<v Speaker 4>They don't.

0:48:42.960 --> 0:48:45.560
<v Speaker 2>People don't that's not what they selling. That's not what

0:48:45.640 --> 0:48:48.560
<v Speaker 2>that corporation is selling. And if you want a corporation

0:48:48.719 --> 0:48:50.960
<v Speaker 2>to empower you, you need to kind of be a

0:48:51.000 --> 0:48:55.319
<v Speaker 2>part of what they're selling. Imagine going to McDonald's with

0:48:55.360 --> 0:48:58.760
<v Speaker 2>a hot dog instead of winners miistle because.

0:48:58.560 --> 0:49:00.000
<v Speaker 3>You like McDonald's is way big.

0:49:00.160 --> 0:49:01.880
<v Speaker 2>You know, if they pick up my hot nigga, they

0:49:01.880 --> 0:49:04.759
<v Speaker 2>don't sell hot dogs, I'm gonna fuck how great your

0:49:04.800 --> 0:49:07.960
<v Speaker 2>recipe is. Like, Yeah, it could be one person that

0:49:08.040 --> 0:49:10.319
<v Speaker 2>get lucky and get it in there, but you might

0:49:10.320 --> 0:49:12.000
<v Speaker 2>be better off going to a hot dog on a

0:49:12.080 --> 0:49:16.160
<v Speaker 2>stick or winnersniss So you know, round pigs and round holes.

0:49:16.640 --> 0:49:17.480
<v Speaker 1>That's where I'm at now.

0:49:17.520 --> 0:49:19.960
<v Speaker 2>So when you ask me that, it's like Now it's like,

0:49:20.360 --> 0:49:23.799
<v Speaker 2>that's why God is opening up certain doors for me

0:49:23.880 --> 0:49:25.719
<v Speaker 2>to do certain things that I've been wanting to do

0:49:25.800 --> 0:49:27.879
<v Speaker 2>but didn't fit when I was trying when I thought

0:49:27.880 --> 0:49:31.040
<v Speaker 2>about doing them initially, just as one of those things,

0:49:31.320 --> 0:49:33.440
<v Speaker 2>somebody coming to me with a location saying, hey, you

0:49:33.480 --> 0:49:36.400
<v Speaker 2>can shoot here for free. I just want to do

0:49:36.480 --> 0:49:39.040
<v Speaker 2>business with you. I love what you do creatively. We

0:49:39.080 --> 0:49:41.040
<v Speaker 2>could take a percentage, we can make it work. But here,

0:49:41.080 --> 0:49:44.120
<v Speaker 2>here's the whole place. That's God, because they ain't no

0:49:44.200 --> 0:49:46.839
<v Speaker 2>white people giving a nigga nothing unless it's peak.

0:49:47.560 --> 0:49:49.359
<v Speaker 5>I was just gonna say, I'm about I might make

0:49:49.360 --> 0:49:51.680
<v Speaker 5>an offer on a spot in Memphis that I would

0:49:51.680 --> 0:49:53.520
<v Speaker 5>have to stay there through the winter as part of

0:49:53.600 --> 0:49:56.520
<v Speaker 5>the financing thing. So if you need a second location,

0:49:56.560 --> 0:49:57.640
<v Speaker 5>you could be able to shoot there.

0:49:58.000 --> 0:50:01.680
<v Speaker 2>See, God is the only one that make white people

0:50:01.719 --> 0:50:02.800
<v Speaker 2>give black people anything.

0:50:03.719 --> 0:50:10.120
<v Speaker 9>I can tell Pete Sirious, Peter Sirius, he ain't got

0:50:10.160 --> 0:50:14.520
<v Speaker 9>that Ben Steeler, he got that hell of dry comedy

0:50:14.520 --> 0:50:17.160
<v Speaker 9>because you don't know, I know what Pete Sirius is not, but.

0:50:20.000 --> 0:50:21.240
<v Speaker 1>Man, yes he's not playing.

0:50:22.360 --> 0:50:25.960
<v Speaker 2>That's so yeah, It's like to me, it's like I

0:50:26.440 --> 0:50:28.680
<v Speaker 2>really trust God in a lot of the missions, you know,

0:50:28.680 --> 0:50:30.799
<v Speaker 2>I mean, I don't try to just force my own way.

0:50:31.040 --> 0:50:33.600
<v Speaker 2>So even doing this film, you know what I mean,

0:50:33.640 --> 0:50:35.719
<v Speaker 2>it's more or less what God wants me to do

0:50:35.840 --> 0:50:39.040
<v Speaker 2>versus what I think I should be doing. Because when

0:50:39.040 --> 0:50:42.239
<v Speaker 2>everything happened with John Singleton, it was like, nigga, this

0:50:42.239 --> 0:50:44.000
<v Speaker 2>is John Singleton and I'm like, you know what the

0:50:44.040 --> 0:50:46.960
<v Speaker 2>hell I'm gonna do for John? And when Aaron Macgouter,

0:50:47.120 --> 0:50:49.759
<v Speaker 2>you know, he wrote a character specifically for me in

0:50:49.840 --> 0:50:51.440
<v Speaker 2>Black Jesus, and I'm like, man, I don't know how

0:50:51.480 --> 0:50:53.360
<v Speaker 2>to do this. I remember going up there and just leaving.

0:50:54.320 --> 0:50:55.919
<v Speaker 2>That's crazy, you know what I mean, Like, I don't

0:50:55.920 --> 0:50:56.879
<v Speaker 2>know why did you.

0:50:56.880 --> 0:51:01.520
<v Speaker 3>Not feel like take that chance? After you've seen what

0:51:01.640 --> 0:51:05.759
<v Speaker 3>he's done with so many other rapper actors. I don't

0:51:05.760 --> 0:51:07.200
<v Speaker 3>know what they do with rapper actor.

0:51:08.640 --> 0:51:12.040
<v Speaker 2>I don't study that, that's not I barely study hip hop.

0:51:13.360 --> 0:51:14.000
<v Speaker 4>At that time.

0:51:14.120 --> 0:51:16.280
<v Speaker 1>Yeah, now it was different though.

0:51:16.320 --> 0:51:19.799
<v Speaker 2>Now it was different. So what I'm saying, when God

0:51:19.840 --> 0:51:21.799
<v Speaker 2>puts some on my heart out do it like right,

0:51:21.880 --> 0:51:25.000
<v Speaker 2>Like this is one of those things. Now Now now

0:51:25.040 --> 0:51:29.360
<v Speaker 2>here comes the the heightened sense of like, okay, you

0:51:29.400 --> 0:51:32.920
<v Speaker 2>could really make a fool out of yourself, like I

0:51:32.960 --> 0:51:37.760
<v Speaker 2>had a natural sense of talent and rhythm, and acting

0:51:37.920 --> 0:51:38.600
<v Speaker 2>is serious.

0:51:39.239 --> 0:51:41.239
<v Speaker 1>Acting is harder than rapping.

0:51:42.520 --> 0:51:45.040
<v Speaker 3>So you never worry about rapping when you get on stage.

0:51:46.239 --> 0:51:49.279
<v Speaker 2>Sure, there's always that little brief five second til the

0:51:49.320 --> 0:51:50.839
<v Speaker 2>mic is in my hand and then the men gets

0:51:50.880 --> 0:51:53.680
<v Speaker 2>started and after that first shit come on and it's on.

0:51:54.040 --> 0:51:56.799
<v Speaker 6>That's what I'm saying. Like he's saying, like, you know

0:51:56.880 --> 0:51:59.080
<v Speaker 6>you already accustomed to you know, turn it and on

0:51:59.200 --> 0:51:59.840
<v Speaker 6>when you have to.

0:52:01.040 --> 0:52:03.319
<v Speaker 1>You know, really God turned it on for me.

0:52:03.400 --> 0:52:03.600
<v Speaker 4>Man.

0:52:03.719 --> 0:52:05.759
<v Speaker 2>I ain't gonna lie to you because I don't be

0:52:05.800 --> 0:52:07.920
<v Speaker 2>knowing house coming on. We were just an oux or

0:52:08.200 --> 0:52:12.360
<v Speaker 2>Mohammed was opening up his charity barber college. Like not charity,

0:52:12.360 --> 0:52:14.920
<v Speaker 2>forgive me, that's the wrong turn. He has a city,

0:52:16.640 --> 0:52:21.800
<v Speaker 2>a barber like an esthetician esteitisian esthetician school like a

0:52:21.840 --> 0:52:24.200
<v Speaker 2>skin school, a barber school, and a beauty s alone school.

0:52:24.640 --> 0:52:26.880
<v Speaker 2>He's like, man, come perform here for me. Man, Like

0:52:26.880 --> 0:52:29.680
<v Speaker 2>we about to open it up. We're doing this toss

0:52:29.800 --> 0:52:33.240
<v Speaker 2>where you toss these bean bags into corn hall cornhall.

0:52:33.360 --> 0:52:35.360
<v Speaker 1>Yeah, you talkt these bean bags and this thing. I

0:52:35.560 --> 0:52:36.239
<v Speaker 1>was like, we're doing that.

0:52:36.360 --> 0:52:38.880
<v Speaker 2>We want you to come rap and I'm like cool,

0:52:38.960 --> 0:52:41.279
<v Speaker 2>So I go to rap, Like when I be there,

0:52:41.320 --> 0:52:42.960
<v Speaker 2>I'll be like, man, how am I get up here?

0:52:42.960 --> 0:52:44.759
<v Speaker 2>But then when a mic come on, God just turn

0:52:44.800 --> 0:52:47.160
<v Speaker 2>it on and it'd be like it's on. So like

0:52:47.200 --> 0:52:49.600
<v Speaker 2>if God don't turn things on for me, it just

0:52:49.640 --> 0:52:50.279
<v Speaker 2>ain't coming on.

0:52:52.520 --> 0:52:55.880
<v Speaker 3>Do you ever feel out of all the stages you touched,

0:52:56.080 --> 0:52:58.879
<v Speaker 3>like you know, a boxer can have an off night?

0:52:59.280 --> 0:53:01.440
<v Speaker 3>You ever had an off night as MC and.

0:53:01.520 --> 0:53:03.000
<v Speaker 4>You want to static? Yeah?

0:53:03.200 --> 0:53:08.040
<v Speaker 3>No, never, No, that's that's a blessing.

0:53:07.960 --> 0:53:15.719
<v Speaker 2>No, because I don't quite I'm really sober, you know

0:53:15.760 --> 0:53:17.439
<v Speaker 2>what I mean. So it's hard for me to kind

0:53:17.440 --> 0:53:20.279
<v Speaker 2>of like there'll be times where I might have sawn right,

0:53:20.440 --> 0:53:23.120
<v Speaker 2>like this weekend, I might have forgot one line of

0:53:23.160 --> 0:53:25.680
<v Speaker 2>one song, not even a whole lot, like two words.

0:53:26.080 --> 0:53:28.359
<v Speaker 2>Really yeah, but I wouldn't consider it off night. It's

0:53:28.440 --> 0:53:32.319
<v Speaker 2>like I usually recover. Plus I'm just good at it,

0:53:32.360 --> 0:53:35.719
<v Speaker 2>like I'm actually I'm a not like naturally, like I'm

0:53:35.719 --> 0:53:37.919
<v Speaker 2>a pro. Like I've been doing it long enough now

0:53:37.960 --> 0:53:41.120
<v Speaker 2>to where like I'll make girls blush and just work

0:53:41.160 --> 0:53:42.480
<v Speaker 2>the move, you know, I work the room.

0:53:42.840 --> 0:53:45.080
<v Speaker 6>That's why I realized, like in you're rapping when I

0:53:45.160 --> 0:53:47.480
<v Speaker 6>seen like this dude is really a you know, like

0:53:47.520 --> 0:53:51.160
<v Speaker 6>a really an artist or showmanship or something, because I

0:53:51.239 --> 0:53:54.200
<v Speaker 6>seen them have big crowds, you know, work the crapp

0:53:54.239 --> 0:53:56.040
<v Speaker 6>But when I seen him have like a little birthday

0:53:56.080 --> 0:53:59.480
<v Speaker 6>crowd and work that crowd, he got off the stage

0:53:59.520 --> 0:54:01.239
<v Speaker 6>and got it to the stands and say, you know,

0:54:01.320 --> 0:54:03.879
<v Speaker 6>I'm gonna support you local rappers. That's what I said,

0:54:03.920 --> 0:54:05.040
<v Speaker 6>Like this nigga's different.

0:54:05.840 --> 0:54:07.800
<v Speaker 1>Well as the you know, if you're a man of

0:54:07.840 --> 0:54:09.279
<v Speaker 1>the people, you just a man of the people.

0:54:09.320 --> 0:54:11.160
<v Speaker 6>What I'm saying though, that showed me like this dude

0:54:11.239 --> 0:54:13.319
<v Speaker 6>is different, Like he's not worried about you know, he

0:54:13.440 --> 0:54:15.720
<v Speaker 6>wasn't worried about nothing, not missing no beat, The crowd

0:54:15.800 --> 0:54:18.600
<v Speaker 6>wasn't big. He did something else. He went into the crowd,

0:54:18.680 --> 0:54:21.839
<v Speaker 6>made the crowd him. You know what I'm saying, Like, man,

0:54:21.880 --> 0:54:24.600
<v Speaker 6>this dude made him the crowd. And I was looking

0:54:24.640 --> 0:54:27.160
<v Speaker 6>at that like this nigga slick well, you know, like

0:54:27.719 --> 0:54:30.200
<v Speaker 6>he had to make the crowd him. You know, they

0:54:30.200 --> 0:54:31.719
<v Speaker 6>don't have to look at the stage no more.

0:54:32.120 --> 0:54:32.839
<v Speaker 3>The crowd.

0:54:33.520 --> 0:54:35.440
<v Speaker 6>But that's why I said, this dude is a professional,

0:54:35.520 --> 0:54:37.719
<v Speaker 6>like he's he's really a genius.

0:54:38.000 --> 0:54:40.840
<v Speaker 1>Well, I believe. I believe in hip hop.

0:54:40.920 --> 0:54:44.000
<v Speaker 2>First off, I believe in the power of a movement

0:54:44.040 --> 0:54:46.279
<v Speaker 2>of people, like how we come together and we do

0:54:46.400 --> 0:54:50.680
<v Speaker 2>our thing. So I assert that belief whenever I'm like

0:54:51.680 --> 0:54:55.040
<v Speaker 2>with people, I really believe it. And it's so some

0:54:55.080 --> 0:54:57.680
<v Speaker 2>people it's scary. Some people will be like, man, Glass,

0:54:57.680 --> 0:54:59.000
<v Speaker 2>you can't just and I'm like, yes, I can.

0:54:59.080 --> 0:55:00.200
<v Speaker 3>You know what I'm saying. You just did.

0:55:00.239 --> 0:55:02.560
<v Speaker 6>It wasn't about being scared. It was just natural, like

0:55:02.600 --> 0:55:04.360
<v Speaker 6>it just went down and said, wait a minute, the

0:55:04.400 --> 0:55:07.759
<v Speaker 6>same So it wasn't like you were scared nervous, you know.

0:55:08.120 --> 0:55:11.400
<v Speaker 5>But the only time that again, think about him like

0:55:11.560 --> 0:55:14.760
<v Speaker 5>the same as a preacher. That's like a true believer preacher.

0:55:14.800 --> 0:55:17.799
<v Speaker 5>He could he could deliver the word at a megachurch

0:55:18.280 --> 0:55:19.600
<v Speaker 5>or pray over family dinner.

0:55:19.640 --> 0:55:25.319
<v Speaker 3>That's not like, yeah, it was that way I seen it.

0:55:25.360 --> 0:55:25.560
<v Speaker 7>I was.

0:55:25.600 --> 0:55:27.759
<v Speaker 3>That's why I was like, this dude is really a professional.

0:55:28.360 --> 0:55:30.400
<v Speaker 2>So yeah, but now, so to go in to another

0:55:31.640 --> 0:55:37.560
<v Speaker 2>realm or something being completely unprepared.

0:55:37.920 --> 0:55:40.480
<v Speaker 3>You did video, so I'm not gonna say completely unprepared.

0:55:41.120 --> 0:55:42.839
<v Speaker 1>That's like somebody doing skits.

0:55:43.239 --> 0:55:45.600
<v Speaker 3>Okay, you start skits, then you go to movies.

0:55:45.640 --> 0:55:46.520
<v Speaker 1>That's a big jump.

0:55:46.560 --> 0:55:48.320
<v Speaker 2>Like I'll be watching some of these dudes who'll be

0:55:48.440 --> 0:55:50.880
<v Speaker 2>fired with you don't watch some of these dudes jeans

0:55:50.880 --> 0:55:52.320
<v Speaker 2>that be having these skits and then they try to

0:55:52.320 --> 0:55:54.440
<v Speaker 2>go do a stand up and that shit be horrible.

0:55:54.520 --> 0:55:57.759
<v Speaker 3>Okay, you's going to be a stand up. It's way

0:55:57.800 --> 0:55:59.320
<v Speaker 3>different than the artist.

0:55:59.640 --> 0:56:03.720
<v Speaker 11>Yeah, that's a huge that's easy.

0:56:03.880 --> 0:56:04.040
<v Speaker 3>Yea.

0:56:04.800 --> 0:56:07.960
<v Speaker 1>But even when you see a skit. Yeah, but even

0:56:08.000 --> 0:56:09.880
<v Speaker 1>when you see a skit and then these people go

0:56:09.960 --> 0:56:11.080
<v Speaker 1>to films, it be bad.

0:56:11.440 --> 0:56:12.799
<v Speaker 3>Not as bad as going to stay.

0:56:12.960 --> 0:56:15.960
<v Speaker 1>Oh I seen here, Pete listen.

0:56:16.680 --> 0:56:20.160
<v Speaker 2>I saw, I saw Desi. Desi is one of the

0:56:20.160 --> 0:56:22.319
<v Speaker 2>funniest people in the world. To me, what's dei last name?

0:56:24.360 --> 0:56:27.600
<v Speaker 2>Desi funny. Desi's this kid from Georgia, funniest hell from Atlanta.

0:56:28.200 --> 0:56:30.520
<v Speaker 2>And then I saw him Jessie Banks and I saw

0:56:30.560 --> 0:56:34.160
<v Speaker 2>him like, oh yeah, his partner or that nigga funny

0:56:34.239 --> 0:56:36.840
<v Speaker 2>nigga never seen partlay, But like I saw him in

0:56:36.880 --> 0:56:38.799
<v Speaker 2>the movie and I'm like, this don't hit the same way.

0:56:39.120 --> 0:56:40.600
<v Speaker 2>Like he used to be a dude that was hella

0:56:40.640 --> 0:56:42.640
<v Speaker 2>popping on vine and he be doing movies.

0:56:42.400 --> 0:56:43.840
<v Speaker 1>And I'm like it ain't the same.

0:56:43.880 --> 0:56:45.680
<v Speaker 2>Because they're doing a different type of what they used

0:56:45.680 --> 0:56:48.759
<v Speaker 2>to do on the skits. No, it's just it just

0:56:48.800 --> 0:56:50.600
<v Speaker 2>takes a different I think it's different.

0:56:50.800 --> 0:56:53.000
<v Speaker 5>It's different when when you're on the when you're doing

0:56:53.000 --> 0:56:57.000
<v Speaker 5>a vine skit, that's you doing your vision. You're vertically

0:56:57.080 --> 0:57:00.399
<v Speaker 5>integrated on the creativity. When you're doing a comic, you're

0:57:00.400 --> 0:57:03.239
<v Speaker 5>doing somebody else's vision. So that could get in somebody's way.

0:57:03.280 --> 0:57:07.160
<v Speaker 3>I could see that. Okay, I'll give you an example.

0:57:07.239 --> 0:57:09.680
<v Speaker 3>You guys ever seen Mister Deeds?

0:57:09.920 --> 0:57:11.120
<v Speaker 4>Yeah, of course, right.

0:57:11.840 --> 0:57:13.520
<v Speaker 3>John McEnroe came out in that.

0:57:14.800 --> 0:57:18.520
<v Speaker 10>It was not I love John McEnroe came He came

0:57:18.600 --> 0:57:19.960
<v Speaker 10>out the tennis guy.

0:57:20.160 --> 0:57:24.240
<v Speaker 13>Yeah, and he was like, hey, how you doing. Where

0:57:24.240 --> 0:57:26.840
<v Speaker 13>are you going? Oh yeah, I'm gonna go over there.

0:57:26.880 --> 0:57:28.640
<v Speaker 13>And that's how it was coming off, like to me.

0:57:28.800 --> 0:57:30.160
<v Speaker 13>Sometimes like his shue is.

0:57:30.640 --> 0:57:35.320
<v Speaker 2>John McEnroe was angry in mister D's No always was No,

0:57:35.960 --> 0:57:36.440
<v Speaker 2>he said.

0:57:36.320 --> 0:57:36.880
<v Speaker 3>Yeah, you like it.

0:57:37.000 --> 0:57:37.600
<v Speaker 1>Johnny Mack.

0:57:38.320 --> 0:57:40.360
<v Speaker 3>Yeah, when they when he was with the known the

0:57:40.360 --> 0:57:42.640
<v Speaker 3>writer and they first met him. Okay, so he played

0:57:42.640 --> 0:57:44.080
<v Speaker 3>this angry secon No.

0:57:43.880 --> 0:57:47.800
<v Speaker 1>No, no, that's not Johnny Mack. That's who was the other. No,

0:57:47.880 --> 0:57:49.400
<v Speaker 1>that is Johnny mack. He was like, you know how

0:57:49.400 --> 0:57:50.640
<v Speaker 1>it is to get mad John.

0:57:50.520 --> 0:57:54.040
<v Speaker 3>McEnroe gets mad. Yeah, but that was later I'm talking

0:57:54.040 --> 0:57:56.360
<v Speaker 3>about with the initials when they meet him in the hotel.

0:57:56.480 --> 0:57:59.240
<v Speaker 3>That acting was so bad because he just didn't know how.

0:57:59.280 --> 0:58:01.160
<v Speaker 3>He couldn't trans Yeah.

0:58:01.000 --> 0:58:03.560
<v Speaker 5>And he commentedts too, So he's not used. He's very

0:58:03.640 --> 0:58:04.200
<v Speaker 5>used to talking.

0:58:05.480 --> 0:58:09.080
<v Speaker 3>But this was back then. This is back They talk him,

0:58:09.080 --> 0:58:09.800
<v Speaker 3>say play your anger.

0:58:09.800 --> 0:58:13.160
<v Speaker 5>When was mister des He's been commentating for thirty years,

0:58:13.600 --> 0:58:15.760
<v Speaker 5>like two thousand, like thirty years ago.

0:58:15.920 --> 0:58:19.400
<v Speaker 3>You know who's funny as a comedian and he never

0:58:19.480 --> 0:58:24.840
<v Speaker 3>transitioned well to film? Was Aaron Aaron Spears, Eric Spears sorry,

0:58:24.920 --> 0:58:25.440
<v Speaker 3>Very Spears.

0:58:25.440 --> 0:58:26.960
<v Speaker 4>Oh yeah, oh no, he's not good.

0:58:27.040 --> 0:58:28.600
<v Speaker 3>He's funny to me. I never saw him.

0:58:29.080 --> 0:58:30.840
<v Speaker 4>Saw he wasn't funny.

0:58:33.280 --> 0:58:34.960
<v Speaker 6>The black dude with the glass star for the name

0:58:35.160 --> 0:58:38.600
<v Speaker 6>start for r oh real Reel's not funny either when

0:58:38.600 --> 0:58:39.000
<v Speaker 6>he goes to.

0:58:40.480 --> 0:58:40.800
<v Speaker 4>Movies.

0:58:40.880 --> 0:58:45.080
<v Speaker 7>Yeah, is good at that he did good from going

0:58:45.120 --> 0:58:46.840
<v Speaker 7>from stand up to it's funny?

0:58:46.920 --> 0:58:48.920
<v Speaker 1>Is Mike is a better actor than the stand up

0:58:50.240 --> 0:58:53.600
<v Speaker 1>I think the same thing about Kevin Hart. You think

0:58:53.680 --> 0:58:57.000
<v Speaker 1>Kevin had a better actor than the stand up comedian?

0:58:57.440 --> 0:59:00.520
<v Speaker 5>Yes, and and that's a compliment to his acting as

0:59:00.600 --> 0:59:02.360
<v Speaker 5>much as it is an insult to his stand up.

0:59:04.360 --> 0:59:07.400
<v Speaker 3>No, no, I guess that's why guys like Eddie Murphy where

0:59:07.440 --> 0:59:10.120
<v Speaker 3>the goats, because it's his raw, hilarious use.

0:59:10.760 --> 0:59:13.160
<v Speaker 1>But that's what makes it unique. People don't do.

0:59:13.200 --> 0:59:17.520
<v Speaker 2>It's very few Martin Lawrence's Eddie Murphy, actually, big Mark Lawrence.

0:59:17.520 --> 0:59:20.240
<v Speaker 5>The best is probably Robin Williams twice.

0:59:20.960 --> 0:59:24.760
<v Speaker 3>He's really that good until it was You're so crazy?

0:59:24.880 --> 0:59:26.080
<v Speaker 4>Was fire so crazy?

0:59:26.200 --> 0:59:26.439
<v Speaker 6>Yeah?

0:59:26.520 --> 0:59:28.680
<v Speaker 4>That shit was amazing.

0:59:28.320 --> 0:59:31.439
<v Speaker 3>Fire And that was his like that was his raw

0:59:31.600 --> 0:59:35.600
<v Speaker 3>slash delirious moment because it was shot like, ain't wrong.

0:59:36.720 --> 0:59:41.200
<v Speaker 2>It's different like prime example, Like I'm not a big

0:59:41.880 --> 0:59:44.120
<v Speaker 2>Dave Chappelle fan in films.

0:59:44.560 --> 0:59:47.320
<v Speaker 1>He's not bad though, especially when you're playing.

0:59:47.040 --> 0:59:53.240
<v Speaker 9>Somebody fun Dave Chappelle fan period Dave Dave even a.

0:59:53.280 --> 0:59:57.120
<v Speaker 1>Stand up might be one of the one I ever saw.

0:59:57.240 --> 1:00:01.600
<v Speaker 3>Would you compare him to rich Richard? Yeah, sir man,

1:00:03.360 --> 1:00:06.160
<v Speaker 3>I'm not saying is he my goal? He's my goal,

1:00:06.360 --> 1:00:08.720
<v Speaker 3>I get it. I'm not saying is he better or

1:00:09.280 --> 1:00:10.040
<v Speaker 3>but Richard.

1:00:11.000 --> 1:00:12.960
<v Speaker 1>What's funny is I didn't see a lot of Richard

1:00:12.960 --> 1:00:13.760
<v Speaker 1>Pryor stand ups.

1:00:13.800 --> 1:00:16.640
<v Speaker 3>You never gone back to watching he was cold. The

1:00:16.640 --> 1:00:18.720
<v Speaker 3>reason why I compare when I've gone back to watch

1:00:18.800 --> 1:00:22.600
<v Speaker 3>Richard prior because he had that same like Dave when

1:00:22.640 --> 1:00:26.040
<v Speaker 3>he does comedy. They're just up there talking and then

1:00:26.040 --> 1:00:29.000
<v Speaker 3>he kind of into these bits off of just natural

1:00:29.040 --> 1:00:32.360
<v Speaker 3>things that they've gone through, and Richard the same exact way.

1:00:32.440 --> 1:00:33.240
<v Speaker 1>Did you think so.

1:00:34.240 --> 1:00:36.320
<v Speaker 7>Richard, Yeah, he was the first one doing the characters.

1:00:37.000 --> 1:00:39.320
<v Speaker 7>You know what I'm saying, fathers boys.

1:00:39.520 --> 1:00:40.200
<v Speaker 3>I don't think.

1:00:41.640 --> 1:00:44.520
<v Speaker 1>From from the little bit I saw on Richard, Richard

1:00:44.600 --> 1:00:47.520
<v Speaker 1>seem a little bit more serious than animod No.

1:00:47.520 --> 1:00:51.480
<v Speaker 2>Oh yeah, yeah, it's like he always had like like

1:00:51.520 --> 1:00:55.040
<v Speaker 2>the chef I've seen on Richard Pryor. Because I haven't

1:00:55.040 --> 1:00:57.120
<v Speaker 2>seen a lot of his stand up, I say different clips,

1:00:57.240 --> 1:00:59.280
<v Speaker 2>but he would be talking about some real ship.

1:01:00.120 --> 1:01:01.480
<v Speaker 3>Eddie is a fucking fool.

1:01:02.480 --> 1:01:04.040
<v Speaker 5>It's very Richard.

1:01:04.200 --> 1:01:06.400
<v Speaker 1>Eddie don't talk about delivery real.

1:01:06.840 --> 1:01:08.160
<v Speaker 3>If you look at it, if you look at don't

1:01:08.200 --> 1:01:08.560
<v Speaker 3>let me wrong.

1:01:08.600 --> 1:01:09.160
<v Speaker 4>I don't give me.

1:01:09.480 --> 1:01:10.120
<v Speaker 3>Let me don't get that.

1:01:10.200 --> 1:01:10.840
<v Speaker 4>Look at Eddie.

1:01:11.000 --> 1:01:13.520
<v Speaker 3>You'll see that Eddie took his thing from Richard. You

1:01:13.640 --> 1:01:16.280
<v Speaker 3>look at you'll see that tike it or was influenced

1:01:16.320 --> 1:01:17.560
<v Speaker 3>by influence Okay.

1:01:17.960 --> 1:01:19.960
<v Speaker 1>I like Bernie Mack as a stand up and as

1:01:19.960 --> 1:01:20.360
<v Speaker 1>an actor.

1:01:20.480 --> 1:01:22.960
<v Speaker 4>I like Bernie was hard, Bernie Mack was fun.

1:01:23.920 --> 1:01:26.080
<v Speaker 1>Hell, he's just underrated talent.

1:01:26.480 --> 1:01:28.280
<v Speaker 3>I can ever think of Robin Harris.

1:01:28.760 --> 1:01:29.920
<v Speaker 4>Robin Harris amazing.

1:01:31.640 --> 1:01:33.280
<v Speaker 1>He didn't really get the break out in the film.

1:01:33.720 --> 1:01:36.680
<v Speaker 4>I think he died thirty six, so he did really

1:01:36.720 --> 1:01:39.080
<v Speaker 4>recent he was on his way.

1:01:39.160 --> 1:01:42.320
<v Speaker 3>I like his voice, so like him. And then that's Pops.

1:01:42.920 --> 1:01:45.200
<v Speaker 1>I liked him as pop so talk and the stand up.

1:01:46.400 --> 1:01:48.680
<v Speaker 2>Yeah, it's like so what I'm saying, But all of

1:01:48.720 --> 1:01:50.960
<v Speaker 2>these things are different skills, and because some of the

1:01:51.000 --> 1:01:52.400
<v Speaker 2>skills translate to other things.

1:01:52.480 --> 1:01:55.000
<v Speaker 1>Yeah, but I don't mean you're gonna be good at it.

1:01:55.480 --> 1:01:58.080
<v Speaker 4>Fact, I have to take it serious enough to study it,

1:01:58.400 --> 1:01:59.160
<v Speaker 4>the craft of it.

1:01:59.200 --> 1:02:01.600
<v Speaker 3>I think when you say people have arrogance, I think

1:02:01.640 --> 1:02:04.840
<v Speaker 3>that they have a dream of doing something, and that's

1:02:04.840 --> 1:02:09.160
<v Speaker 3>why they'll even attempt it. And that's that's sometimes that

1:02:09.320 --> 1:02:12.520
<v Speaker 3>having that dream of wanting to be something will make

1:02:12.560 --> 1:02:15.800
<v Speaker 3>you within whatever you're doing, take it serious. And that's

1:02:15.840 --> 1:02:18.920
<v Speaker 3>what you watch people do sometimes like they want to

1:02:18.960 --> 1:02:21.160
<v Speaker 3>be even let's just say, if you just want to

1:02:21.160 --> 1:02:23.720
<v Speaker 3>be famous, like some people don't want to be famous somebody.

1:02:24.040 --> 1:02:26.160
<v Speaker 3>There's someone out there that wants to be famous, and

1:02:26.280 --> 1:02:28.640
<v Speaker 3>anything you put in front of them, whether it's music,

1:02:29.000 --> 1:02:33.920
<v Speaker 3>whether it's being an athlete, whether it's well, They're gonna

1:02:33.920 --> 1:02:36.800
<v Speaker 3>give it their best. It's what I'm saying. Couldn't that

1:02:36.880 --> 1:02:38.680
<v Speaker 3>just be the character of who a person is.

1:02:39.200 --> 1:02:41.800
<v Speaker 2>Absolutely, I just want to be great at something, like

1:02:41.840 --> 1:02:43.520
<v Speaker 2>I don't want to just be great at anything, Like

1:02:43.760 --> 1:02:45.120
<v Speaker 2>if I'm going to do it, I want to be

1:02:45.160 --> 1:02:47.840
<v Speaker 2>good at it. So I don't like like drag racing

1:02:48.760 --> 1:02:53.360
<v Speaker 2>that was probably my first love, Like I just wanted

1:02:53.400 --> 1:02:55.200
<v Speaker 2>to be fast. I wanted the cars that I was

1:02:55.200 --> 1:02:57.200
<v Speaker 2>working with to be faster than other cars.

1:02:57.880 --> 1:03:01.400
<v Speaker 1>I get into it. Same thing with with D Boy

1:03:01.440 --> 1:03:02.439
<v Speaker 1>and I being a Game member.

1:03:02.480 --> 1:03:06.560
<v Speaker 2>I just wanted to be a popular, respective member of

1:03:06.600 --> 1:03:09.640
<v Speaker 2>Seventh Street, as a hustler, like somebody who didn't teach you.

1:03:09.760 --> 1:03:12.400
<v Speaker 2>Then when I started doing hip hop, like I wanted to.

1:03:13.080 --> 1:03:14.800
<v Speaker 2>I wanted to, Like at first, I just wanted to

1:03:14.840 --> 1:03:16.440
<v Speaker 2>change my life. When I got into it. Even now,

1:03:16.480 --> 1:03:19.880
<v Speaker 2>it was like preserving something. So to start to act

1:03:20.160 --> 1:03:22.560
<v Speaker 2>if I plan to take it serious, like as I

1:03:22.640 --> 1:03:25.000
<v Speaker 2>have to get into it more. And it's like you

1:03:25.160 --> 1:03:28.120
<v Speaker 2>only got so much of yourself, you'll be just fucking

1:03:28.240 --> 1:03:29.520
<v Speaker 2>somewhere else with all this shit.

1:03:31.520 --> 1:03:33.400
<v Speaker 3>I think you can do it. You got you can't

1:03:33.440 --> 1:03:35.880
<v Speaker 3>overthink it though, Well it's yeah, you're right about overthinking

1:03:35.920 --> 1:03:38.200
<v Speaker 3>about I think you could do it too, because you

1:03:38.240 --> 1:03:39.520
<v Speaker 3>didn't like you don't put me.

1:03:39.440 --> 1:03:42.880
<v Speaker 6>In situations that I've never done some of the stuff

1:03:42.880 --> 1:03:43.760
<v Speaker 6>that you put me in.

1:03:44.040 --> 1:03:47.160
<v Speaker 1>Yeah, but you have a dire tune to be famous.

1:03:47.600 --> 1:03:50.760
<v Speaker 6>No, I have a dire team to do whatever you

1:03:50.840 --> 1:03:53.720
<v Speaker 6>need me to do. So all allows me to step

1:03:53.840 --> 1:03:55.480
<v Speaker 6>up and take care of what I need to do.

1:03:55.600 --> 1:03:58.240
<v Speaker 6>But even before I about being famed, but even before

1:03:58.240 --> 1:04:00.080
<v Speaker 6>I met you, don't want to be real.

1:04:00.440 --> 1:04:02.040
<v Speaker 3>And being famous.

1:04:03.160 --> 1:04:06.960
<v Speaker 6>Route being famous, let's get that correct. But I'll do

1:04:07.040 --> 1:04:09.080
<v Speaker 6>whatever you want me to do. So like shooting, you know,

1:04:09.120 --> 1:04:11.680
<v Speaker 6>a video with you, I've never done none of that

1:04:11.800 --> 1:04:14.000
<v Speaker 6>in my life. But because I know you need.

1:04:13.840 --> 1:04:16.880
<v Speaker 2>Me, I'm not I'm not talking about why you step up,

1:04:17.560 --> 1:04:17.960
<v Speaker 2>but I'm.

1:04:17.840 --> 1:04:19.680
<v Speaker 6>Saying though from somewhere I don't know what to do,

1:04:19.760 --> 1:04:21.760
<v Speaker 6>and I still stepped up and try to do it.

1:04:21.800 --> 1:04:25.000
<v Speaker 6>Just like you said, you're writing a movie for me. Goddamn, well,

1:04:25.040 --> 1:04:28.160
<v Speaker 6>I'm not a You're gonna write a movie for me.

1:04:28.440 --> 1:04:30.040
<v Speaker 6>So now I'm gonna have to learn how to be

1:04:30.080 --> 1:04:30.560
<v Speaker 6>an actor.

1:04:32.920 --> 1:04:33.680
<v Speaker 3>I gotta step up.

1:04:33.680 --> 1:04:35.400
<v Speaker 1>I think you have a desire to do it.

1:04:36.560 --> 1:04:38.440
<v Speaker 3>I could have desired to help you with anything you

1:04:38.480 --> 1:04:40.320
<v Speaker 3>want to do. I was just gonna say that. That's

1:04:40.280 --> 1:04:43.640
<v Speaker 3>what doesn't say, you know, I think King I share

1:04:43.680 --> 1:04:46.640
<v Speaker 3>that with him. Maybe Gene also shares that with us.

1:04:46.680 --> 1:04:48.880
<v Speaker 3>Where when you're just a friend with somebody, if you're

1:04:48.880 --> 1:04:50.400
<v Speaker 3>gonna do something, you're gonna do the ship.

1:04:50.480 --> 1:04:52.840
<v Speaker 1>Yeah, I'm not saying you're gonna do it, but but

1:04:53.520 --> 1:04:58.040
<v Speaker 1>King is whether King admits it or not. King wants

1:04:58.080 --> 1:04:58.720
<v Speaker 1>to be in the light.

1:04:59.000 --> 1:05:00.840
<v Speaker 3>I want to be the weak King. I want to own,

1:05:01.080 --> 1:05:02.520
<v Speaker 3>you know, we things and stuff.

1:05:02.560 --> 1:05:04.920
<v Speaker 1>I'm okay, I don't want to say this is the King.

1:05:07.120 --> 1:05:08.920
<v Speaker 3>TV behind the scenes.

1:05:10.120 --> 1:05:11.720
<v Speaker 5>I said, this is the same King who used to

1:05:11.800 --> 1:05:13.760
<v Speaker 5>rock ahead to toe cannabis.

1:05:13.320 --> 1:05:16.720
<v Speaker 3>Suit still does I can't. I ain't got no wei

1:05:16.920 --> 1:05:19.280
<v Speaker 3>right now to sail, so I can't advertise. But you

1:05:19.360 --> 1:05:20.120
<v Speaker 3>still got the suit.

1:05:20.560 --> 1:05:22.600
<v Speaker 5>Yeah, I still got all that you could up behind

1:05:22.600 --> 1:05:24.840
<v Speaker 5>the scenes wholesale guy that nobody knew.

1:05:24.760 --> 1:05:29.080
<v Speaker 1>But you can't everything. Still the Niggas was of weed.

1:05:29.600 --> 1:05:32.200
<v Speaker 1>He was the weed preacher, and then he became the

1:05:32.360 --> 1:05:34.600
<v Speaker 1>we attorney Attorney.

1:05:34.960 --> 1:05:39.360
<v Speaker 5>Yeah yeah, we named the president glasses. You appreciate this.

1:05:39.880 --> 1:05:44.320
<v Speaker 5>That's the new movie doing commercials with King that are

1:05:44.360 --> 1:05:47.240
<v Speaker 5>like the old cal Worthington Ford commercials where he comes

1:05:47.280 --> 1:05:48.200
<v Speaker 5>out on an elephant.

1:05:48.320 --> 1:05:49.840
<v Speaker 4>Org.

1:05:50.400 --> 1:06:02.480
<v Speaker 12>Yeah, all kind of.

1:05:59.400 --> 1:06:02.360
<v Speaker 3>Listen to Washington. Though he had a cow worth up

1:06:02.400 --> 1:06:03.040
<v Speaker 3>in Washington.

1:06:03.360 --> 1:06:08.880
<v Speaker 8>I can't yes playing there day okay, because he had

1:06:08.920 --> 1:06:10.600
<v Speaker 8>one right and fetch away and ship.

1:06:12.000 --> 1:06:12.960
<v Speaker 4>And he will fly.

1:06:13.400 --> 1:06:15.680
<v Speaker 3>He would be one of the ones flying into aubur

1:06:15.760 --> 1:06:19.640
<v Speaker 3>and this ship. I gotta asked Dora about this one.

1:06:19.920 --> 1:06:20.959
<v Speaker 3>King is King?

1:06:21.120 --> 1:06:23.160
<v Speaker 1>Yeah, you just you just made for the spotlight.

1:06:24.040 --> 1:06:25.120
<v Speaker 3>I see you got it on me.

1:06:25.600 --> 1:06:26.400
<v Speaker 4>Mmm, there you go.

1:06:28.720 --> 1:06:31.720
<v Speaker 3>Please don't laugh. Don't do that, Pete. You never get

1:06:31.720 --> 1:06:34.360
<v Speaker 3>cuts the funk out here. Pretty soon you know.

1:06:37.680 --> 1:06:40.320
<v Speaker 2>They're looking out for tuning into the note Seller's podcast.

1:06:40.600 --> 1:06:43.360
<v Speaker 2>Please do us a favorite, subscribe, rate, comment, and share.

1:06:43.800 --> 1:06:46.240
<v Speaker 2>This episode was recorded right here on the West coast

1:06:46.240 --> 1:06:46.520
<v Speaker 2>of the U.

1:06:46.680 --> 1:06:46.920
<v Speaker 3>S A.

1:06:47.240 --> 1:06:50.240
<v Speaker 2>And produced about the Black Effect Podcast Network and now

1:06:50.280 --> 1:06:50.920
<v Speaker 2>Hard Radio.

1:06:51.440 --> 1:06:53.040
<v Speaker 4>Yeah