Speaker 1: What's up?
Speaker 2: And welcome back to another episode of No Sealer's podcast
Speaker 2: with your host. Now, fuck that with your low glasses alone.
Speaker 2: All right, you all ready to go? Now, it's a
Speaker 2: lot of people on this podcast. Okay, you can't touch
Speaker 2: the head of the mic because it's gonna make a
Speaker 2: bunch of noise.
Speaker 3: Me. Yes, oh no, I was just moving it kind
Speaker 3: of like bobbly.
Speaker 1: Okay, so remember whenever, remember, whenever you move the mic,
Speaker 1: that's going to.
Speaker 4: Are we good?
Speaker 3: Now? Yes, I don't need to touch you at all.
Speaker 3: I just try to get trying to get the standard.
Speaker 5: You are recording this f y.
Speaker 2: I just so y'all know people can hear y'all fumbling
Speaker 2: through this.
Speaker 4: Oh now, okay, so let's go.
Speaker 5: Safety is off.
Speaker 2: Excuse me, it's not me this time for you feel
Speaker 2: like a podcast pronouns.
Speaker 1: Do its over there bumbling his mic?
Speaker 6: You checked my mics real fast. It's like, you know,
Speaker 6: I didn't even know we had started recording. I wouldn't
Speaker 6: have even been talking. You wouldn't have been But that's
Speaker 6: the point of the.
Speaker 3: Well no, I mean I would have talked in accordance,
Speaker 3: is what I'm saying. In accordance of what of whatever
Speaker 3: the topic is, but we are we're talking about sneakers.
Speaker 4: Yeah, that's all night.
Speaker 3: It's like a we just start talking. She don't like singers,
Speaker 3: but he got a shiploader. It's not I don't.
Speaker 7: He'll break out a cold pair off the blue, but
Speaker 7: he doesn't like the twiter guy.
Speaker 3: I mean, you get it. We're getting into you know,
Speaker 3: he thinks that ship is so corny.
Speaker 1: It's not I don't like sneakers.
Speaker 2: I just think it been compromised, Like it was compromised exactly.
Speaker 2: Like so, but like when something becomes like mainstream America,
Speaker 2: like I kind of turned off from it.
Speaker 3: Yeah, but just like hip hop, you can go underground.
Speaker 3: So there's gonna be things that we talk about that
Speaker 3: the average commercial person or casual is not going to
Speaker 3: really know. Like he just showed me some Bo Jackson's
Speaker 3: that came out like what ninety two. Yeah, and the
Speaker 3: people wouldn't even be able to look at those and
Speaker 3: know that orange ones from that long.
Speaker 1: He said, the white orange ones.
Speaker 3: Huh he said, what the white orange one? Yeah, yellow,
Speaker 3: he probably thinking he's saying the same thing.
Speaker 7: Yeah, No, no, min is gray and mustard.
Speaker 3: Yeah. In the ninety two is the great Mustard. But
Speaker 3: I think the way he's talking about was what we
Speaker 3: were pre release, the sc trainers, the auburn color exact
Speaker 3: sneaker head.
Speaker 5: I used to live with him when I was a kid.
Speaker 5: So it's like all the all the stuff from the nineties,
Speaker 5: and then like because of the running track, like you
Speaker 5: get it, like you have nothing to do but shoes
Speaker 5: when you're running.
Speaker 3: You guys talk about running shoes earlier, wasn't you. Yeah,
Speaker 3: well you're saying that they came back with like a six.
Speaker 4: And new balance.
Speaker 3: Yeah, Tony, all the running shoes came back. They're kind
Speaker 3: of getting really stylish now.
Speaker 5: I tried to bring back Theodaria single handedly.
Speaker 3: A bro.
Speaker 7: I got me to a pair of ray Quan I
Speaker 7: used to Yeah, all.
Speaker 3: I wear is ewings and questions, But you got every color.
Speaker 3: Motherfuckers don't even have you know what I want.
Speaker 5: Those kj's from like ninety five. They need to bring
Speaker 5: those back with the react in the in the Yeah,
Speaker 5: with the reacts, no.
Speaker 7: Converse, no converse, all the converse converse.
Speaker 4: Yeah, I got that little jelling in it that didn't
Speaker 4: didn't do it.
Speaker 1: Little king kings over there, like.
Speaker 3: I got sketches on. I can't get tribute ship. You
Speaker 3: know Snoop doggs U shoe deal is with sketcher right Listen,
Speaker 3: I'm gonna tell you something, real sneaker heads is not
Speaker 3: gonna diss any shoe for the most part. They'll just say, hey,
Speaker 3: that's not my cup of tea. But they're not gonna
Speaker 3: shoot on it. Really, yes at all, okay, because you
Speaker 3: understand what everything like, everything has something at some point.
Speaker 3: Were just talking about how like l A Gears when
Speaker 3: they got popular when we were kids, those were payless
Speaker 3: shoes at one time.
Speaker 2: Really, yeah, the ones with the lights right, Yeah, that's crazy.
Speaker 3: That's when they got popping. But la years were we
Speaker 3: are before the lights in the age they.
Speaker 5: A pump shoe.
Speaker 3: That's crazy.
Speaker 2: Yes, I just know he right, they did have a
Speaker 2: pump shoe. Still they had a pump too, Like I
Speaker 2: just know you wings and questions. If I don't keep
Speaker 2: it classic with with Quartels or Chucks or advanced redboy,
Speaker 2: I got like so many questions and ewings.
Speaker 1: I ain't even ward him.
Speaker 2: But like I won't like when I see everybody start
Speaker 2: being way into in love with shoes, I just won't
Speaker 2: get them like that kind of steals the luster from me,
Speaker 2: Like I'm not looking for a unique. Well, actually, I've
Speaker 2: been working with a dude right now that's on Instagram.
Speaker 2: I think I showed him to you trash. He makes
Speaker 2: shoes like I want if I got to spend the
Speaker 2: money that we be talking about spending for shoes, they
Speaker 2: need to be I'm the only one with these shoes.
Speaker 3: That's like, what's his name? No, no, no, dude, It's
Speaker 3: called SIA Collective somewhere in America. Oh wow, Oh it
Speaker 3: is fire. He makes like in shoes and clothing, jeans
Speaker 3: like that dude, that dude ship is fire.
Speaker 2: Now this dude comes he's from Mexico. He comes out here.
Speaker 2: He measures your foot like with lent he to your foot.
Speaker 2: He's a real Exactly.
Speaker 3: That's how they do my boots when I go to
Speaker 3: the branch, right.
Speaker 1: So yeah, that's what I did. Like that's it.
Speaker 2: Other than that, I don't want to like I had
Speaker 2: all the Jordan's multiple times, like the first time they
Speaker 2: came out and the second time and the third time,
Speaker 2: and it's.
Speaker 1: Like everybody messed it up.
Speaker 2: And then like I was big growing up into the Hirachis,
Speaker 2: I was big into the Dion's, the cross Trainers.
Speaker 3: Which is all coming back right now.
Speaker 1: And I'm cool, like they didn't messed it up for me,
Speaker 1: because now.
Speaker 3: Who messed it up for you?
Speaker 1: Well, the first time I went to the store and
Speaker 1: they tried to make me have a lottery drap a ticket.
Speaker 1: You're paying my money?
Speaker 4: Got a joke? For real? It was like that.
Speaker 3: But we're sure that's because that's what she said. Okay,
Speaker 3: now I get it. It definitely ruins it because you
Speaker 3: got to be trying to compete with these little nerds
Speaker 3: and ship.
Speaker 7: Who didn't grow up with them. You know, they didn't
Speaker 7: know about them, you know what I'm saying.
Speaker 3: And the only reason they buy them king is because
Speaker 3: what And it's not even that big right now. So
Speaker 3: during the pandemic, this is when it happened at the height,
Speaker 3: when everybody was getting them edd checks and PBP loves
Speaker 3: and stimulus checks. It was money floating, right. So it
Speaker 3: happened during the sneaker game for those like two three
Speaker 3: years that we were in that you could get it
Speaker 3: saying five by like a pair of dunks, which became
Speaker 3: really popular for one hundred and twenty motherfuckers was reselling
Speaker 3: them for like two three, four hundred dollars. So it
Speaker 3: became that. So that's what G's talking about. Like now
Speaker 3: they're to try to buy the brand new shoes se
Speaker 3: can resell them. Well, they try to get whatever they
Speaker 3: think is going to be popular and then resell it.
Speaker 3: But I'm telling you it's not People don't have money
Speaker 3: like that right now. The economy's fucked up. So now
Speaker 3: like all them shoes he's talking about, it's not even
Speaker 3: like that anymore. You can actually just go online and
Speaker 3: get them for the most.
Speaker 4: Part cheap and stuff here.
Speaker 3: Well, just the retail price.
Speaker 1: They ruined it for me.
Speaker 2: So that's why I just went ahead and went to
Speaker 2: a whole nother shoe that ain't like Ewings. Don't nobody
Speaker 2: be rocking Ewings. Don't nobody really get into the questions
Speaker 2: like you could.
Speaker 3: Get it get out of here.
Speaker 2: I mean, you gotta really be into like and why
Speaker 2: can't you like me? I just see a shoe, I like,
Speaker 2: I don't care.
Speaker 3: Who makes it. It's a shoe, it's a shoehead. I
Speaker 3: just buy it.
Speaker 6: It's not about you know who makes it with brand
Speaker 6: it is. I see a shoe and the shoes st
Speaker 6: be like, oh god.
Speaker 3: What should never be about the brand?
Speaker 6: It's yeah, you know, like there's no none of these names.
Speaker 6: But I got shoes, you know, shoes.
Speaker 3: Well, that's where it comes in a little bit different
Speaker 3: because sometimes you start to like me and him were
Speaker 3: just talking right right now, we're saying that you talk about, Hey,
Speaker 3: was the toe box mesh? Was it leather?
Speaker 4: Was it?
Speaker 3: You appreciate the shoe is just a little bit different.
Speaker 4: That's it.
Speaker 3: But I get shoes.
Speaker 6: People like, oh, those are nice shoes, and I'd be like,
Speaker 6: they'd be like what cop be like, I guess indeed
Speaker 6: it's Nike.
Speaker 3: Y'all don't know whatever what version is.
Speaker 1: But my love for Vans has grown.
Speaker 3: Listen, g could tell you every car probably every car
Speaker 3: park it goes in. He could tell you when somen's
Speaker 3: going on. So some people are just into certain things.
Speaker 4: That's it.
Speaker 2: I mean, I was in the shoes, like, I like shoes,
Speaker 2: but they ruined it. Like once mainstream America get get
Speaker 2: his hand on something, I'll be done with it. I'll
Speaker 2: be like I never mind cause it's just like like
Speaker 2: everybody is trying to buy cool points like and I'm cool,
Speaker 2: Like if you not cool already if you're trying to
Speaker 2: buy this for cool points. And that's what I feel
Speaker 2: like is happening with hip hop, like everybody is trying
Speaker 2: to rap or use slang to be cool. No silings Jail,
Speaker 2: got my brother Peter Boston the House, Got a couple
Speaker 2: of homies, my boy Trash, Tony Nadio, hip Hop Extraordinary,
Speaker 2: Inglewood's Finest. I got my homeboy jing Gbody jing Hold
Speaker 2: this guy's car part of the one ten Click. Got
Speaker 2: my big brother King. Y'all know, King is all the
Speaker 2: time on the stream. We do those no silly streams Monday,
Speaker 2: Wednesday and Friday.
Speaker 1: King is there.
Speaker 3: You know.
Speaker 1: King wants a greater intro.
Speaker 3: But like.
Speaker 4: America, he want me to there.
Speaker 3: He so g knows about cars to then he just
Speaker 3: got that big hard That's that's just what I got
Speaker 3: one for for for for for King King. You could
Speaker 3: talk about different strands of marijuana all today.
Speaker 8: Movies we're gonna talk about today. But I'm saying there's
Speaker 8: an injury that's almost scientific.
Speaker 6: But but well, you're the only one that's gonna talk
Speaker 6: about it in the group of people.
Speaker 3: It doesn't fit the time. You know what means you're
Speaker 3: a specialist. Yes, but we're not talking about right now.
Speaker 3: But if we had someone here though I think I
Speaker 3: agree with you would be but you have a knowledge
Speaker 3: for it. That's how we look at shoes.
Speaker 6: That's the second of conversations with my sketchers and talk
Speaker 6: about stuff.
Speaker 3: Do you know I went, That's what I'm saying.
Speaker 9: See, I don't the conversation with my supermroom.
Speaker 3: I can't get shot out. Don't want to jump here
Speaker 3: with me?
Speaker 2: We can make it fast, want Well, this was my idea. So, oh,
Speaker 2: my supermroom, something crazy with you need? So I got
Speaker 2: offered an opportunity to act from John Single to recipes,
Speaker 2: I got opportunity to act from Aaron McGruder to play
Speaker 2: in what ended up becoming Black Jesus, and I kind
Speaker 2: of didn't take it serious, Like.
Speaker 1: I just I really have a high respect for actors.
Speaker 2: Like acting films to me is serious, Like like I
Speaker 2: have watched entirely too many people be bad movies for
Speaker 2: me to like just think that I could jump up
Speaker 2: and do it, and you know everybody.
Speaker 5: Else is just can do it because there's no standard.
Speaker 2: No, But it don't make me feel like I can
Speaker 2: do it. It makes me feel like I wouldn't do
Speaker 2: that because I don't want to look bad.
Speaker 3: Gotcha.
Speaker 2: Like it's a talent like Denzel Washington, to me is
Speaker 2: the same character every time, but it's such a good character,
Speaker 2: like Samuel Jackson, so you know you got that kind
Speaker 2: of actor, then you got like the Don Cheatles Don
Speaker 2: Cheato can become somebody else, sure, Daniel Daniel day Lewis,
Speaker 2: I think his name is, he could become somebody else.
Speaker 2: It's a couple actors who could become somebody else. And
Speaker 2: then there's these really to me well pronounced personalities Will Smith,
Speaker 2: Denzel Washington, Samuel Jackson, Robert de Niro, Al Pacino that
Speaker 2: could be themselves, and then they morphed into the character.
Speaker 2: The character becomes them Like every movie, Denzel Washington finds
Speaker 2: a reason to yell.
Speaker 1: You know what I mean, and it works same with
Speaker 1: Samuel Jackson. It don't matter.
Speaker 2: So I say all that to say is I accepted
Speaker 2: a role in a movie and it's like my first role,
Speaker 2: and I accepted the role. Don't clap you. I accepted
Speaker 2: the role because I'm on the verge of shooting and
Speaker 2: producing my first film and I'm like I need to
Speaker 2: go be on this set right so I can see
Speaker 2: you know what it's like. So shout out to Themie
Speaker 2: Bounce trashhome boy from where the West La Santa Monica area,
Speaker 2: I mean grave Yard. And he wanted me to do
Speaker 2: this film and it's a short part. It's not a
Speaker 2: huge part, but there's only five people in the damn movie.
Speaker 3: Script is so intense though.
Speaker 2: That shit is dope, right, So it was like, this
Speaker 2: is like everybody gonna see it. So I'm thinking, like,
Speaker 2: right now, MAYU, this is like two weeks away. If
Speaker 2: it's that far it, I'm like, I need to give
Speaker 2: me some online acting because I do not want to
Speaker 2: go out here Pete and make a Jackie answer myself?
Speaker 5: Sure, and what is the roles character supposed to and
Speaker 5: you're not playing like something very similar to yourself. It's
Speaker 5: like an actual character that's not like, oh he'd be
Speaker 5: perfect for this.
Speaker 2: It's a little bit more professional than I would be. Gotcha, Like,
Speaker 2: I'm a pro, but I'm not professional. I'm a professional lob.
Speaker 3: Sure.
Speaker 2: That's what I have been really working on, being a
Speaker 2: professional cryp. I a professional. Anything else is different. I mean,
Speaker 2: like I know how to work all the equipment in
Speaker 2: the studio. I know how to hook it all up.
Speaker 2: I know I to take it all apart. I know
Speaker 2: how to work cameras, lights, I know how to works
Speaker 2: and stuff. But I wouldn't call myself a professional. The
Speaker 2: only thing I would call myself is a professional hip
Speaker 2: hop artist and a professional cryp. Those are things that
Speaker 2: I do businessing, and business is good.
Speaker 3: So it's just odd to do that.
Speaker 2: And the film most likely is gonna end up on
Speaker 2: tub or Hulu or one of those things. But it's
Speaker 2: still so serious to me, Like I'm like, I need
Speaker 2: to kneilis. I don't want to just make myself look stupid,
Speaker 2: like you know. To me, it's like everybody else is
Speaker 2: jumping front of a camera. I remember watching Chuck a
Speaker 2: game in the film Waists Deep, and.
Speaker 1: I was like, this is horrible. Chuck, don't talk shit.
Speaker 1: I'm sicking because Chuck probably so I was like, this
Speaker 1: is horrible. And then Chuck did Billionaire Boys Club, which
Speaker 1: ended up becoming Belly Too, and everybody talks so much
Speaker 1: shit about it.
Speaker 3: M like you know what I mean?
Speaker 2: And and like I've seen some of the movie Snoop
Speaker 2: and different people and I'm like the worst movie. Yeah,
Speaker 2: so it's like I don't want to make myself look dumb.
Speaker 2: Trash did a couple of movies. Trash does good. Like
Speaker 2: Trash do good Like I.
Speaker 1: Seen Trapp, Like he's cool in the movies than you,
Speaker 1: But like, what movies you do?
Speaker 3: Dirty Cops in La with My Boy Joey Black, Slink
Speaker 3: Johnson was in that. Who else ge a couple of people.
Speaker 3: It's a couple of comedians. Watch Homie Kwan was in
Speaker 3: there when it come on. Uh, shit about year two
Speaker 3: because now the series is he now he got a
Speaker 3: little thing where he's putting the series. Uh, it's on Hulu,
Speaker 3: Amazon to be And what's the name of the movie
Speaker 3: Dirty Cops l A.
Speaker 1: What's the other one was in?
Speaker 3: Uh it's a little smaller film. And then where you
Speaker 3: get to where I know that right there where she's
Speaker 3: been pumping me up. It's gonna be when they put
Speaker 3: off the Southern material that I did some stuff for him,
Speaker 3: some acting for some stuff he put together.
Speaker 2: Yeah, but Trash is like a natural. I don't know
Speaker 2: if it means because he fake or something, but just
Speaker 2: good at it. Like he's not bad. Like, but I'm
Speaker 2: like man, I don't know how to be nobody else
Speaker 2: but me, So I'm looking forward to it, you know,
Speaker 2: I mean, it's it's different. I started writing a movie
Speaker 2: for King about this old jail house lawyer. Why old
Speaker 2: jail house lawyer because he was an old jail house lawyer.
Speaker 2: Jail house lawyer. God damn, man, I mean, you.
Speaker 6: Got about forty five more extraordinary jail house lawyer gonna
Speaker 6: be like.
Speaker 1: Because the character is not about being extraordinar there.
Speaker 2: It's about this jail house lawyer who got this big
Speaker 2: civil case and he's fucking up, you know what I mean,
Speaker 2: But he ended up winning this really important case like
Speaker 2: my real life.
Speaker 3: Yeah, I picked these up in jail, So I was thinking.
Speaker 2: So even though the film is a too B movie, like,
Speaker 2: I still want to do the best I can.
Speaker 3: What's wrong with tob though, it's like to be the
Speaker 3: lowest place to play a movie for. I told Terrence
Speaker 3: to you know where because his name is Bounced, but
Speaker 3: you know, I went to school with him. His real
Speaker 3: name is Terrence Brown, and we call him Bounce obviously,
Speaker 3: but I told him to man when he showed use
Speaker 3: so gez part is. The guy's name is Keith he
Speaker 3: basically plays the best friend of the guy. It's it's
Speaker 3: a lot of twists and turns. Main here watching it,
Speaker 3: it's really really do like it's kind of a suspense
Speaker 3: almost horror. Actually it's gonna be a full length movie future. Yeah,
Speaker 3: from the script, would you say about an hour?
Speaker 4: Are you right?
Speaker 1: At sixty minutes?
Speaker 7: Yeah?
Speaker 3: Between forty so movies that shut down at sixty minutes. Now,
Speaker 3: I mean you can, you know, especially when you're working
Speaker 3: on a budget. But what I was gonna just get
Speaker 3: ready to say is like, I think this film has
Speaker 3: the potential not toad glasses that I'm like, which is
Speaker 3: even worse. You know, it has the potential to ripen.
Speaker 2: I mean it could be something more more like Lord
Speaker 2: knows you have a horrible job and you're on fucking Netflix.
Speaker 1: Everybody see you look like shit. The toob is okay
Speaker 1: to look like ship. That's true because Toob is like Tob.
Speaker 4: No, because like the what the g league and fucking movies?
Speaker 3: Yeah, I guess it's short because I guess it's because anyone.
Speaker 2: Good movies on Yeah. No, we're not talking about those films.
Speaker 2: We're talking about the films that come.
Speaker 5: To be original.
Speaker 3: Yes, to f Oh, so I need to go look
Speaker 3: at the ones where you're looking at a character and
Speaker 3: he gets shot, and then when they go back to
Speaker 3: the character, it's a different person.
Speaker 5: The ones where you think.
Speaker 4: I don't watch.
Speaker 10: Is that it's not like Lifetime used to be. No,
Speaker 10: think there's better productions. Ye, Lifetime is just like bad acting.
Speaker 3: You know what I'm saying.
Speaker 2: I like Lifetime films though, because but I'm gonna tell
Speaker 2: you what I liked about Lifetime.
Speaker 1: They cater to their specific demographic to just do whatever.
Speaker 7: No.
Speaker 2: To Be got his own kind of pocket too, Like
Speaker 2: I would like to put films on too, Like I
Speaker 2: think it could be cool.
Speaker 1: I'm not.
Speaker 2: I'm not one of those people that's down on to Be's.
Speaker 2: I actually I like to just over the last watch
Speaker 2: to Be. No, no, not how you watch to you
Speaker 2: watch to Be? Like tob is Amazon, I'm talking about
Speaker 2: we talking about moving black just to be like I
Speaker 2: watched to Be.
Speaker 5: Yeah, yeah, you looking back from nineteen seventy eight movie
Speaker 5: I never heard of before.
Speaker 3: Yeah, that's what I do.
Speaker 2: Pete were talking about blaxxploitation to Be. We're talking about
Speaker 2: to Be where it's like crazy.
Speaker 3: Yeah, I said there's.
Speaker 5: Like Hot Boys thirteen.
Speaker 1: You know, there you go?
Speaker 3: He said, what, Pete, Yeah, like the movie Hot Boys
Speaker 3: thirteen or something. Oh yeah, yeah, I forgot about that
Speaker 3: cop like that on two passed it though.
Speaker 11: Every action stick as Hell, Somebody from the Hood, every
Speaker 11: action so hey, but you really hated What was the
Speaker 11: movie you just said?
Speaker 3: Was it Waist deep? There? She said?
Speaker 2: I did, Hey Waist because Tyresee is an outstanding okay making,
Speaker 2: but the story, but the story wasn't great a game
Speaker 2: and Chuck was just not like you could tell he's
Speaker 2: not an actor. And I'm telling you, I know what
Speaker 2: it's like to have people in your ears, like, man,
Speaker 2: it ain't now you're gonna just knock it out.
Speaker 3: What rapper you think knocked it down in a movie?
Speaker 3: The coldest one? Can I answer this?
Speaker 1: Cheek lell cool J was ob in the first movie?
Speaker 3: It's one. It's one rapper that did the coldest acting ever.
Speaker 3: It's called something the Lord Made and it was no,
Speaker 3: it was some movies called something the Lord made and
Speaker 3: it was most death a k A. I seen bay.
Speaker 2: Oh yeah, yes, yes, I think the dude that made
Speaker 2: the dude that started Heart service.
Speaker 4: Yeah, the first heart bro.
Speaker 3: I forgot. I forgot it was was That's how cold
Speaker 3: he was.
Speaker 2: Most deafit is, most deaf is fired. But like Lell
Speaker 2: cool j was good in his first movie. Yeah yeah,
Speaker 2: Ice ta ice t first film is New Jack City, right, yep,
Speaker 2: I don't know.
Speaker 3: Yeah, yeah that's funny. Well wait no, yes, his well
Speaker 3: that was his first probably lead role because he had
Speaker 3: already was a break ls and break you wasn't doing
Speaker 3: doing nothing but rapping. He was being a rapp It
Speaker 3: wasn't he in Colors? Also, no, no, just the song.
Speaker 11: I'm he just did the title track.
Speaker 12: Yeah yeah, Ice cuban Boys in the Hood. You thought
Speaker 12: Ice Cube was good Boys in the Head. Yeah, Cub's
Speaker 12: a good actor. He just doesn't have a lot of range.
Speaker 12: That's what they've been talking about late.
Speaker 2: I think range is overrated. I think I know that
Speaker 2: sounds crazy, but I think range is over range.
Speaker 4: Samuel Jackson got no damn range the same.
Speaker 1: He my favorite active Yeah.
Speaker 3: You know it's now you guys.
Speaker 5: Some of you, like you don't think about how do
Speaker 5: I become this character? You just think about what would
Speaker 5: I be if I was an electricians? You know, you know,
Speaker 5: you know what I mean.
Speaker 1: Like how you want to say that again, Pete?
Speaker 5: Like, not how can I be Bob the Electrician? But
Speaker 5: what would it be like if I was a Glasses
Speaker 5: the electrician?
Speaker 1: Oh, acting behavior, Well, it's just.
Speaker 5: Your perspective, not becoming somebody else, But just how would
Speaker 5: you be that yourself? A little bit like that's kind
Speaker 5: of how I feel like Samuel L. Jackson approaches it, like, well,
Speaker 5: how would I be if I was that guy? Not
Speaker 5: how do I become this other person that I'm not?
Speaker 3: You know what? That makes sense, Pete, because that's how
Speaker 3: even though I've only done it like two times or
Speaker 3: three times, that's how I've attacked it. How would I
Speaker 3: do the best version of whatever this role is as myself?
Speaker 3: That makes sense?
Speaker 5: I did my figure is why most people get cast,
Speaker 5: because somebody has a vision and goes, you know who
Speaker 5: actually look cool?
Speaker 3: Like that that guy?
Speaker 1: Call him my first. So the name of the film
Speaker 1: that I'm doing is called The Man You Are.
Speaker 2: And like when I started to read, I started to
Speaker 2: read the way I would talk like the same idea
Speaker 2: and shout out to Bounce because Bounce was like he
Speaker 2: was really cool, but you could tell you like this
Speaker 2: nigga putting way too much sauce on it, and I'm like, well,
Speaker 2: if he using the N word and you know what
Speaker 2: I mean, he asking questions like this is how you
Speaker 2: would say it? So you know it's it's it's.
Speaker 3: Oh when you did the reading, yeah, got you.
Speaker 2: Like And I was like, damn, so I gotta read
Speaker 2: with the girl. And I'm just interested, like how is
Speaker 2: this going to go?
Speaker 6: Like?
Speaker 1: Am I going to make a fool out my dad?
Speaker 3: You're gonna do good. You just have to play the
Speaker 3: home boy.
Speaker 4: That's it.
Speaker 3: And and those lines that you have are dough You'll
Speaker 3: be able to deliver them. Yeah, you'll be able to
Speaker 3: deliver them, saying the script is good too. It's not
Speaker 3: like it's like you'll be able to improvise off of
Speaker 3: what he has. But pretty much for what what what what?
Speaker 3: I was able to read, Well, I read the whole script,
Speaker 3: but from what I read, it's just like really well
Speaker 3: written too.
Speaker 2: When they did a good job, I think the idea
Speaker 2: is sound like that's the the scariest party is this
Speaker 2: ship actually ended up being a really good idea and
Speaker 2: I make a fool out of myself on the fucking
Speaker 2: that's a netflix to be because because to get great.
Speaker 3: Look he's okay, you know what I'm saying, trash, but
Speaker 3: anything above to be this mess b T or something.
Speaker 3: Are you okay with Amazon?
Speaker 4: You got faith in the script? Are you okay with a.
Speaker 3: Look at this way?
Speaker 5: If you do bad enough, it will never get big
Speaker 5: because the people will look at the movie this, this
Speaker 5: guy sucks.
Speaker 1: What the problem is? I'm not a main character.
Speaker 2: So if he nails it with the lead character and
Speaker 2: then the co star, like that should be big and
Speaker 2: you'll just be that sore thumb sticking out like what
Speaker 2: the fuck is he doing?
Speaker 3: All sorts of movies you with the WAYD where you
Speaker 3: have Tyree's and making good and they're carrying it, and
Speaker 3: then you have check in there you know who that was?
Speaker 2: That was Tianna Taylor in that movie that came out
Speaker 2: the other day with Sherry Shephard and and to Harry,
Speaker 2: I mean, what's your name? HARGI like Toagi p Henson, like,
Speaker 2: guess Cherry did such a good job with Taragi, and
Speaker 2: then Tiana is like and Tiana is talented, so but
Speaker 2: you could just see real fast like she has no
Speaker 2: business being with Rogie up here with Toagi or even Sherry.
Speaker 1: It's just they're like way too good.
Speaker 4: Okay.
Speaker 6: I got a question, what you think about the new
Speaker 6: movie with Denzel who is a a sap.
Speaker 3: That new movie that's a Spike Lee movie. Cool, it's
Speaker 3: a Spike Lee movie that I don't know it's coming out.
Speaker 5: I was saying that he almost went out to New York,
Speaker 5: had to cancel, but to go to do a premiere
Speaker 5: for the new Denzel and Spike Lee movie.
Speaker 3: Yeah, that's the more asap rocky. I think it's okay.
Speaker 5: Yeah, I don't know who was in it was.
Speaker 3: Holding his own against Denzel. Really, I'm interested because they
Speaker 3: it's true. I ain't think the movie yet because it's
Speaker 3: coming out.
Speaker 4: I've got the movie.
Speaker 3: I enjoyed that. People said she was horrible in and
Speaker 3: I thought she was actually great in. It was obsession
Speaker 3: with Beyonce and uh Idris alba Man. I remember when
Speaker 3: that movie came, people were really saying like she was
Speaker 3: such a horrible actor something, and I thought she did
Speaker 3: great in that movie.
Speaker 1: Beyonce wasn't great, she wasn't horrible. She wasn't great, but
Speaker 1: she wasn't horrible.
Speaker 2: I mean she didn't have the lead role either, so
Speaker 2: you saw a lot of her, Yeah, you saw a
Speaker 2: lot of her.
Speaker 3: But I never watched it and thought that it was like, oh, man,
Speaker 3: like this is terrible acting. Like I thought her acting
Speaker 3: was good.
Speaker 2: I mean, I think she's sitting next to Yeah, yeah,
Speaker 2: she's sitting next to Idris album. And then whoever that
Speaker 2: white psycho lady was, she was really good.
Speaker 4: You won't no more.
Speaker 2: You know of y'all talking like sorry talking, I'm like
Speaker 2: the night cut off. You're just talking over a nigga.
Speaker 4: King.
Speaker 1: This ain't King first time, so the podcast a kid,
Speaker 1: I'm trying.
Speaker 3: To to your guests, the new guests, but.
Speaker 1: Don't you have to kind.
Speaker 3: Of no, you got we got a dial in when
Speaker 3: they're talking.
Speaker 1: The problem that.
Speaker 5: King transitioned from the engineer to the talent exactly.
Speaker 3: He won't let me be the engineer no more because
Speaker 3: you's got too much talent. Yeah I have to be
Speaker 3: the engineer.
Speaker 4: Said no, man, you don't know how to do this
Speaker 4: no more.
Speaker 1: What she was way better than talent because your engineers sucked.
Speaker 3: All right, we'll finish with you. You said that she was,
Speaker 3: You said that she was next to Idris, So it
Speaker 3: helped her to because.
Speaker 2: And then whoever that Psycho White Lady was, and she
Speaker 2: was pretty cool. But likes is such a great actor,
Speaker 2: like he could carry you. Beyonce wasn't horrible, Like I
Speaker 2: liked her better in the movie with the with Michael Myers.
Speaker 3: Huh that power she came out.
Speaker 7: No, no, no, no no.
Speaker 3: I thought she was way more unpolished in that movie
Speaker 3: than in the Obsession.
Speaker 1: But it worked for her because it's not to be
Speaker 1: tooken serious.
Speaker 4: I like the world when they were singing.
Speaker 1: Oh, she was fired with that choir movie.
Speaker 3: Yeah, okay, yeah, yeah, the records callak records.
Speaker 1: She was really good. Yeah, but that's because she's singing.
Speaker 2: So like if I was wrapped it in this movie,
Speaker 2: it'd be different. Yeah, that's one thing I promised I
Speaker 2: was gonna bring back. I'm like, man, all the movies
Speaker 2: we're doing over the next four movies, I'm rapping in
Speaker 2: every movie and everybody think I'm crazy. But I was
Speaker 2: looking at that John Wayne film, Uh real, bravo. So
Speaker 2: when I was writing Cold Blue, I was like, man,
Speaker 2: we need to make a place where we rap. Like
Speaker 2: I forgot re member. It used to just be in
Speaker 2: a movie and they just break into songs. Not like
Speaker 2: a music would be a.
Speaker 1: Regular movie a group of people they just start singing.
Speaker 4: Yeah.
Speaker 2: No, but this is like in the fifties, like Rio Bravo.
Speaker 2: Like they were sitting in the jail cell and Nigga
Speaker 2: just put out start.
Speaker 3: Saying that got you.
Speaker 2: They sang two songs, ain't the one song. So I
Speaker 2: was like me and the giants from to be in
Speaker 2: a movie and we all in jail. I'm like, we
Speaker 2: need to bust out of rap that Nigga needs to
Speaker 2: be beating on the table and were just rapping.
Speaker 3: Like that ship used to be cool, you.
Speaker 4: Know, to bring that back. That actually is a good idea.
Speaker 3: You know, you know who you just all you have
Speaker 3: to do. I'm trying to think, like like give your
Speaker 3: best example. You remember the conversation Cube had with with
Speaker 3: Cuba Goodding Jr. At the end of Boys in the
Speaker 3: Hood that you have to be you have to be
Speaker 3: do boy in that scene where he was just having
Speaker 3: a heart to heart with his homeboy, that's all you
Speaker 3: have to do in the movie.
Speaker 1: Yeah, but that wasn't his homeboy and he wasn't having
Speaker 1: a heart to heart.
Speaker 3: What you mean that was his homeboy? I mean it
Speaker 3: was his brother's Homeboy, but it was his Homeboy too.
Speaker 1: No, it's a movie, so he's acting.
Speaker 5: You have to comest Homeboy.
Speaker 3: Yeah, you know what I'm saying. I'm talking about the
Speaker 3: storyline acting in a movie.
Speaker 2: I'm saying you said, all you have to do is
Speaker 2: be good at acting like that.
Speaker 1: Even that little thing with was cool. I remember first seeing.
Speaker 2: That being young and they don't know, I don't show
Speaker 2: I don't care about what's happening in the hood.
Speaker 1: Like that was a cool little thing that I don't
Speaker 1: know if I could do that.
Speaker 3: You know what's just.
Speaker 4: Here?
Speaker 3: Here's the thing too, I think Gee's not taking an account.
Speaker 3: I think you know how when you know how when
Speaker 3: I do music and as I've gotten better as a rapper.
Speaker 3: But how long it took for you to pull that
Speaker 3: out of me? Boss? Right? I think Terrence Bounce is
Speaker 3: going to be able to pull that out of you
Speaker 3: once you're there acting, because I'm pretty sure, even though
Speaker 3: you might have had something, it took John Singleton, John Singleton,
Speaker 3: So what so maybe Bounces the next John Singleton, he's directed,
Speaker 3: He's rest in peace.
Speaker 1: I don't think Bounces directed.
Speaker 2: I mean he wrote the script, writing the screenplay, and
Speaker 2: directing two different things.
Speaker 3: Well, he's going to be part of it. I know
Speaker 3: that because he shot the movie. Did you end up
Speaker 3: watching the movie product?
Speaker 2: I watched the first part finish it. That's like a
Speaker 2: two B movie. Yeah, I liked it too.
Speaker 1: He has this product you know, it's product of you
Speaker 1: gotta say, Santa Monica. It's a couple.
Speaker 3: Oh yeah, okay, link I sent it to you.
Speaker 2: But it's like I was just thinking, like like because
Speaker 2: like I played, like when we do these film, these
Speaker 2: next four or five films, like using the same cast, right,
Speaker 2: so having peaked somehow and having king and it's something
Speaker 2: havn't trash in his right and it's like you just
Speaker 2: keep making it. But it's just such an intimidating task
Speaker 2: to just walk somewhere into a whole other craft. And
Speaker 2: I don't know how other people had that arrogance, Like
Speaker 2: that's shit serious what you do music.
Speaker 3: About foss and that's some type of acting.
Speaker 5: Yes, and no, that's what I was gonna say, Like
Speaker 5: there's a reason why actors struggle transitioning into comedy and
Speaker 5: comedic roles, but comedians have a much easier time transitioning
Speaker 5: into acting. But you just have to understand. Like, also,
Speaker 5: the way you wrap is different than the way you
Speaker 5: just talk, so you assume an understanding of how to
Speaker 5: deliver a line for that. You just have to apply
Speaker 5: that same innate knowledge on how to deliver a line
Speaker 5: with a purpose to doing it in that regard, because
Speaker 5: the skill set's already demonstrated.
Speaker 3: He know what your ma mistake? You know what my
Speaker 3: ma mistay? Yeah, I mean a piece. Sound like a
Speaker 3: fucking acting coach, and she.
Speaker 1: Probably could help somebody.
Speaker 3: He sound like an acting get it coach.
Speaker 5: Did do a pilot once some Malcolms in Atlanta once.
Speaker 5: That was hard, man. I'd never acted before, and they
Speaker 5: gave me an accent piece.
Speaker 3: What was the accent pete?
Speaker 5: I was supposed to be playing some like backwoods hillbilly
Speaker 5: like assistant manager of a strip club in Atlanta. So yeah,
Speaker 5: turn it on there, and yeah, you know what I
Speaker 5: was doing before each line, I was listening to Bill
Speaker 5: Engvall's stand up comedian There's a stand up comedy special,
Speaker 5: so I can try to pick up the Bill engvall accent,
Speaker 5: like here's your sign and then start talking trass.
Speaker 2: Trans got a good a good Korean or a good Japanese,
Speaker 2: I got a.
Speaker 3: Good everything you do, you can be a good Korean. Hey,
Speaker 3: mother buckle, when I'm talking to you, you look at
Speaker 3: my Dutch.
Speaker 4: When I'm talking to.
Speaker 1: You, you gotta do your judo Bracy give me to
Speaker 1: all my listeners. Isactly Japanese do not take a listen.
Speaker 3: And this he thinks is being prejudiced and race. I
Speaker 3: tell him, if you now, I'm not talking about Koreans
Speaker 3: or Japanese Chinese people that were born here. None of
Speaker 3: the kids that speak really good English. But if you
Speaker 3: catch people that come from over there before they started
Speaker 3: a sentence and they're talking to you, if they don't
Speaker 3: know English, they'd be like, oh you you you know
Speaker 3: you talk to to my son, Oh you want to buy?
Speaker 3: Oh you want to be in there.
Speaker 5: That's how I would I would have the interacted with.
Speaker 3: And I went to school with a couple of Homans
Speaker 3: that were still not even like their parents had just
Speaker 3: moved here. So that's how I kind of picked that up.
Speaker 3: But I promise you if you if you pay attention,
Speaker 3: Jesus thinks I'll be a racist. I said, no, bro,
Speaker 3: if you pay attention, they really.
Speaker 4: I'll give you wants.
Speaker 3: No specially special price for you, special price for you.
Speaker 4: You know.
Speaker 1: We love man, that's do you do your many?
Speaker 3: I want to I wanted to do to do say
Speaker 3: you know, I came here today and you know I
Speaker 3: don't feel I feel good and I just wanted to fight.
Speaker 3: And I do this with the Philippin people. You know,
Speaker 3: many will always fight and you know, thank you to
Speaker 3: all the pending people. People people, what chans chance.
Speaker 4: He stays?
Speaker 5: Do you know whoever?
Speaker 4: Watch interview?
Speaker 7: No?
Speaker 3: Man, you know who nails him? And that's really cold
Speaker 3: at the impersonations A f on Crockett. Oh man, he's
Speaker 3: so cold.
Speaker 4: You heard that he always doing drink you heard? Yeah,
Speaker 4: definitely he does Chris rock too, really good.
Speaker 3: He doesn't have.
Speaker 2: Man, So yeah, I ain't gonna lie. It's very it's
Speaker 2: very intimidating. And this is in two weeks.
Speaker 1: In two weeks, I almost told him no, but it's trash, homeboy.
Speaker 2: And honestly, he told me a story from back in
Speaker 2: the day where he bought some product that I used
Speaker 2: to sell at a different time in my life, and
Speaker 2: what god to He bought a serum stick from me,
Speaker 2: and it reminded me that he was with one of
Speaker 2: my homeboys and to watch somebody change their life, like
Speaker 2: I changed my life from being a person selling Sharman.
Speaker 2: He changed his life from being somebody that used to
Speaker 2: party with it, and like here we are now it's like,
Speaker 2: you know what I mean. This is twenty five years later,
Speaker 2: you know what I mean. Now he's making a film
Speaker 2: and I'm like a hip hop artist that you know
Speaker 2: could take care of himself from music, and it's like, yo,
Speaker 2: could you do my film? I almost felt like when
Speaker 2: he told me he bought a stick from me, it
Speaker 2: almost made me feel like I need to do something
Speaker 2: for you, you know what I mean, Because at that
Speaker 2: time I was on some whole other ship and there
Speaker 2: you go, you know what I mean, and put myself
Speaker 2: into because it's like again John Singleton, I wouldn't do
Speaker 2: it for John.
Speaker 1: I didn't do it for Aaron.
Speaker 3: Like he said the stick and he was like okay,
Speaker 3: but it wasn't like look on that ship, it was just.
Speaker 2: Nobody hooked on. Nobody's hooked on. It's not that kind
Speaker 2: of thing.
Speaker 1: It's a gang member. It's a gang member.
Speaker 2: Go kill everybody off of this type of thing, like.
Speaker 3: A real low for sure. His section because I went
Speaker 3: to school with him in Santa Monica.
Speaker 1: Go ahead, people, what you say, No.
Speaker 5: I don't want to get into the don't We've already
Speaker 5: done that episode which what we're gonna stay on.
Speaker 3: Track episode Pete episode of what.
Speaker 5: Glasses got out of the out of the Industry.
Speaker 4: Oh oh oh gotcha?
Speaker 3: Gotcha? Yeah, so famous trapper.
Speaker 1: So that's not what happened. So what happened? So that
Speaker 1: made me feel like y'all needed to do this, like this.
Speaker 2: Was the right thing to do for somebody, because I
Speaker 2: could agree I was doing the wrong thing. I mean, yeah,
Speaker 2: it's growth too though, to come back to grow, it's
Speaker 2: a good feeling.
Speaker 1: And it was like he's like, man, I really want
Speaker 1: you to do it. And it was like, damn for
Speaker 1: real life.
Speaker 2: You can go get somebody that really is into this shit,
Speaker 2: Like you know what I mean, I ain't into that shit,
Speaker 2: but you know, it was like that, and he was
Speaker 2: trash man.
Speaker 1: He was tony man.
Speaker 3: Ask your question.
Speaker 6: Sure, I know, just lately, though, you are expanding on
Speaker 6: things that you haven't done before, you try and now, why.
Speaker 1: Is that I'm not really expanding or trying nothing?
Speaker 2: I think I think, Okay, just take that back let's
Speaker 2: back it up so as I start to understand that,
Speaker 2: like people just come to you with bad ideas. On
Speaker 2: top of bad idea, you know, everybody do anything. You
Speaker 2: could tell some niggas said a dig and he'd be
Speaker 2: sucking a dick because no, no, no, paulse I'm it
Speaker 2: that way I'm saying, because people listen to other people
Speaker 2: and they let him push him into anything.
Speaker 1: You just can't push me in anything.
Speaker 2: If you don't have you know, if you don't know
Speaker 2: what they are you're talking about, or if it don't
Speaker 2: make sense, I don't care.
Speaker 1: I'm just not gonna do it.
Speaker 2: So when people will push me, like let's say we're
Speaker 2: talking about marketing, like I watched people lie about how
Speaker 2: much money they made, and that became how they market themselves.
Speaker 1: They drove around a rented card like and maybe.
Speaker 2: Like everybody got to think you got it, or like
Speaker 2: the favorite expression in the business is you gotta fake
Speaker 2: it till you make it.
Speaker 1: I ain't faking nothing, that.
Speaker 3: Little kid they tell you that. I remember a few
Speaker 3: years back, just to piggyback on that, I forgot who
Speaker 3: was the pr that he was working with or marketing
Speaker 3: and they were trying to get into where chains and shit,
Speaker 3: ge and Gee, I remember he put it on and
Speaker 3: you could tell he just was not comfortable with that shit.
Speaker 3: And it looked it didn't look bad, just you could
Speaker 3: tell us, not him, you know what I mean. He's
Speaker 3: got that clean it's still clean look. But it's like
Speaker 3: like cue, you know what I mean? QBA never really
Speaker 3: seen him with chains like that, or if they do,
Speaker 3: they might break out a little small one for a
Speaker 3: special occasion, you know what I mean. But I remember
Speaker 3: they were trying to get you to do that. I
Speaker 3: remember that, Ge. They was trying to get you to
Speaker 3: wear some tight jeans and shit like what.
Speaker 2: And the problem is, Wow, people don't customize an idea
Speaker 2: like Mac. Shout out to Mac ten, Mac ten ideas
Speaker 2: for me to get the ben My idea before that
Speaker 2: was gonna get a RAG fifty seven. This is when
Speaker 2: lswats was really the new thing. I was gonna swap
Speaker 2: over LS puts some twenty twos. It still felt like
Speaker 2: a superstar car. But Mac convinced me to get the Bentley,
Speaker 2: and I listened, and don't get me wrong, the Bentley
Speaker 2: was fantastic. And as somebody like me, that's Hella hood
Speaker 2: like I'm going to Wats, I'm parking on people front
Speaker 2: line and compting like you know, it's the you know,
Speaker 2: like a ben each ye like your car it's a
Speaker 2: cutlass me because it's only a car. So it was
Speaker 2: everything until you cross Peico and rap on, you know,
Speaker 2: when you cross Peico just turned to a regular car.
Speaker 2: Okay where we're from, Like now, from in Inglewood, it's like, yeah,
Speaker 2: that's glasses, that navy blue Bentley. Oh, that's glasses coming
Speaker 2: down figging at Billy or coming down Hoover, like I'm
Speaker 2: the only thing slack sagging at Hoover or Normandy or
Speaker 2: Chris Shaw, like I'm the only thing doing that because
Speaker 2: you gotta be different to do that. But this is
Speaker 2: what I've been doing my whole life. But it got
Speaker 2: to a place to where like as soon as you
Speaker 2: cross Pico, Like if I'm going up Lebrea and I
Speaker 2: cross Pico, that shit just a blue car. You go
Speaker 2: to Beverly Hills, that shit just a car. Ain't nobody looking,
Speaker 2: don't nobody give a fuck. That's a g Wagon too.
Speaker 2: I left here convinced me to get the g Wagon
Speaker 2: and Beverly Hills the g wagon is a soccer mon corps.
Speaker 2: And so I listened to them, and they were right,
Speaker 2: if we was only marketing to other poor people. Yeah,
Speaker 2: but when when you cross Pico, it was different. But
Speaker 2: when I had my rider, my low rider, if I
Speaker 2: would cross Peico, same thing I'm gonna get coming down
Speaker 2: the bread thumbs up and all the people like, damn,
Speaker 2: look at that.
Speaker 3: You cross Peico.
Speaker 1: Like you go to the Stinker.
Speaker 2: Rolls and a low rider man, that valet man be
Speaker 2: looking and everybody that's coming there at the Stinker.
Speaker 1: Rolls looking at you like, oh, look at this thing.
Speaker 2: So to me, that's where to me, I was right, Like,
Speaker 2: you don't need to project success in this very mainstream
Speaker 2: traditional sense. It's better to project it in like this cultural,
Speaker 2: the street urban cultural sense. Like success like a like
Speaker 2: a RAG fifty seven on twenty two inch wheels that's
Speaker 2: sitting nice, that got good interior, that got ls and
Speaker 2: it felt like a brand new car.
Speaker 3: That car.
Speaker 2: You go to Beverly Hills, you go to a bell Air,
Speaker 2: you go to any of these places, all of those
Speaker 2: white folks about to.
Speaker 3: Look and just hey, hey, just gonna say the old
Speaker 3: white guy, come talk to him. Yes, that's a nice
Speaker 3: it's a nice ride. You got there? Yeah?
Speaker 2: Hey what you got in there? So Nlet's said, oh
Speaker 2: is that that street? Oh yeah, that's one of those
Speaker 2: in Michael Merrill.
Speaker 3: You know.
Speaker 2: And I believe and I believe in us bro, that's
Speaker 2: the thing, King. I believe in us. So I didn't
Speaker 2: really change. I just start being able to rationalize some
Speaker 2: of this old crazy shit people have been telling me.
Speaker 2: So like a film, for example, it really came to
Speaker 2: my heart because we were about to shoot a film, right,
Speaker 2: and it was like, okay, maybe when trash hit me,
Speaker 2: it was like, oh this this is Tony Ladio hit
Speaker 2: me about doing this movie. This trash hit me, so
Speaker 2: let me see alcatrash is hitting me about a film.
Speaker 2: And then he's like, man, you know this dude. And
Speaker 2: then I talked to the dude and I kind of
Speaker 2: remembered him. I'm like, damn, he used to fuck with
Speaker 2: the homie, you know what I mean. And it just
Speaker 2: locked in. So it became like, okay, cool, and God
Speaker 2: worked it to where it wasn't a bunch of rigorous
Speaker 2: acting and you know, it's not a ton of stuff.
Speaker 6: But going back to you know this here, but before
Speaker 6: that even said you know what, King, let's go do
Speaker 6: something in Memphis because of the situation opened up and
Speaker 6: before you might not that. Well you're like, you know
Speaker 6: what that situation of, but fuck it, let's go take
Speaker 6: advantage of it and utilize it. As before you might
Speaker 6: not win over across the country to do a project
Speaker 6: like that, well.
Speaker 1: I mean I have should I one shot east Side
Speaker 1: in New York.
Speaker 4: That was a video though.
Speaker 2: I mean, but either way, this is my first film,
Speaker 2: the one we shooting in Memphis. It's all the first,
Speaker 2: but it's not because of that is because to me,
Speaker 2: like God prepares the way for me to walk. Like
Speaker 2: when God don't prepare away for me to walk, I
Speaker 2: ain't finna go. I mean, so like when the idea
Speaker 2: presents itself, it's like, okay, maybe this might be time
Speaker 2: because I've been focused on hip hop and I mean
Speaker 2: in music.
Speaker 6: So it's like that's why I said expanding out to
Speaker 6: other things now besides just.
Speaker 2: Well it's also a different time now you kind of
Speaker 2: need other things, okay, Like now you can't like it's
Speaker 2: hard to market one song, you know what I mean?
Speaker 2: Because how we consume is everything we see very rarely
Speaker 2: what we hear.
Speaker 1: I think we talked about this. My dad made a
Speaker 1: good point to me. And when he was younger. My
Speaker 1: dad was born in forty seven. When he was around ten,
Speaker 1: they was the only.
Speaker 2: People that had a TV in the neighborhood, like his house,
Speaker 2: the only TV that had a house or that he's
Speaker 2: from the low bottoms. His house is the only house
Speaker 2: had a TV. People used to come watch TV at
Speaker 2: this house. Everybody had radios. They the only ones had TVs.
Speaker 2: So remember they used to watch the biggest They used
Speaker 2: to be entertained by the biggest boxing matches through the radio,
Speaker 2: the basketball games through the radio, football games through the radio,
Speaker 2: you know what I mean. So everything was perfecting the
Speaker 2: things that people heard versus today.
Speaker 3: Don't nobody got a radio.
Speaker 2: Everybody got a TV in they hand, it's in their
Speaker 2: pocket or in their hand. They cell phone. Don't nobody
Speaker 2: got no goddamn radio. People don't know what sound or
Speaker 2: what it is supposed to sound like. They looking at
Speaker 2: it and they like this sound good based off what
Speaker 2: they looking at. So you can't ignore the fact too,
Speaker 2: that the game has changed at this point to where
Speaker 2: it went from ninety percent of the things you heard
Speaker 2: and ten percent of the things you saw to ninety
Speaker 2: percent of the things you see and ten percent of
Speaker 2: the things that you hear.
Speaker 3: So do music videos really have to fit the videos
Speaker 3: of it? The music itself really have to fit the
Speaker 3: video part of it. I think music videos is dead
Speaker 3: or you.
Speaker 6: Think they're dead, like so you think they have to
Speaker 6: go back to now telling stories again with music.
Speaker 2: I mean before music videos, right, MTV kind of made
Speaker 2: the music video what it is. MTV was a platform
Speaker 2: that promoted that form of content. That was the first
Speaker 2: place and people will go watch that form of content,
Speaker 2: so it made sense to make that form of content
Speaker 2: just for MTV. Obviously you get bt VH one, the Box,
Speaker 2: you know music Music Box in New York. All this
Speaker 2: stuffhout out to Ralph, all this old stuff built off
Speaker 2: of them promoting this style of content. This kind of
Speaker 2: when you sync the audio with the actual you know,
Speaker 2: visual that you shooting. Before that, how was they breaking records?
Speaker 2: They was breaking records off of films. They broke car Wash,
Speaker 2: you know the group of car Wash. They broke Orth
Speaker 2: Winning Fire off another film. They broke Curtis Mayfield off
Speaker 2: of Sparkle. So before that, you if you did want
Speaker 2: people to hear about something. You know, if you wanted
Speaker 2: them to see music, you would have to put it
Speaker 2: on the big screen, so you can't avoid it now,
Speaker 2: Like now you're in the same position where YouTube is
Speaker 2: not marketing videos. They don't give two fucks about no video.
Speaker 2: They don't care. That is not their business model. They
Speaker 2: are marketing eight nine minutes. That's where he at. They
Speaker 2: was marketing shorts. Same for Instagram.
Speaker 4: They don't.
Speaker 2: People don't that's not what they selling. That's not what
Speaker 2: that corporation is selling. And if you want a corporation
Speaker 2: to empower you, you need to kind of be a
Speaker 2: part of what they're selling. Imagine going to McDonald's with
Speaker 2: a hot dog instead of winners miistle because.
Speaker 3: You like McDonald's is way big.
Speaker 2: You know, if they pick up my hot nigga, they
Speaker 2: don't sell hot dogs, I'm gonna fuck how great your
Speaker 2: recipe is. Like, Yeah, it could be one person that
Speaker 2: get lucky and get it in there, but you might
Speaker 2: be better off going to a hot dog on a
Speaker 2: stick or winnersniss So you know, round pigs and round holes.
Speaker 1: That's where I'm at now.
Speaker 2: So when you ask me that, it's like Now it's like,
Speaker 2: that's why God is opening up certain doors for me
Speaker 2: to do certain things that I've been wanting to do
Speaker 2: but didn't fit when I was trying when I thought
Speaker 2: about doing them initially, just as one of those things,
Speaker 2: somebody coming to me with a location saying, hey, you
Speaker 2: can shoot here for free. I just want to do
Speaker 2: business with you. I love what you do creatively. We
Speaker 2: could take a percentage, we can make it work. But here,
Speaker 2: here's the whole place. That's God, because they ain't no
Speaker 2: white people giving a nigga nothing unless it's peak.
Speaker 5: I was just gonna say, I'm about I might make
Speaker 5: an offer on a spot in Memphis that I would
Speaker 5: have to stay there through the winter as part of
Speaker 5: the financing thing. So if you need a second location,
Speaker 5: you could be able to shoot there.
Speaker 2: See, God is the only one that make white people
Speaker 2: give black people anything.
Speaker 9: I can tell Pete Sirious, Peter Sirius, he ain't got
Speaker 9: that Ben Steeler, he got that hell of dry comedy
Speaker 9: because you don't know, I know what Pete Sirius is not, but.
Speaker 1: Man, yes he's not playing.
Speaker 2: That's so yeah, It's like to me, it's like I
Speaker 2: really trust God in a lot of the missions, you know,
Speaker 2: I mean, I don't try to just force my own way.
Speaker 2: So even doing this film, you know what I mean,
Speaker 2: it's more or less what God wants me to do
Speaker 2: versus what I think I should be doing. Because when
Speaker 2: everything happened with John Singleton, it was like, nigga, this
Speaker 2: is John Singleton and I'm like, you know what the
Speaker 2: hell I'm gonna do for John? And when Aaron Macgouter,
Speaker 2: you know, he wrote a character specifically for me in
Speaker 2: Black Jesus, and I'm like, man, I don't know how
Speaker 2: to do this. I remember going up there and just leaving.
Speaker 2: That's crazy, you know what I mean, Like, I don't
Speaker 2: know why did you.
Speaker 3: Not feel like take that chance? After you've seen what
Speaker 3: he's done with so many other rapper actors. I don't
Speaker 3: know what they do with rapper actor.
Speaker 2: I don't study that, that's not I barely study hip hop.
Speaker 4: At that time.
Speaker 1: Yeah, now it was different though.
Speaker 2: Now it was different. So what I'm saying, when God
Speaker 2: puts some on my heart out do it like right,
Speaker 2: Like this is one of those things. Now Now now
Speaker 2: here comes the the heightened sense of like, okay, you
Speaker 2: could really make a fool out of yourself, like I
Speaker 2: had a natural sense of talent and rhythm, and acting
Speaker 2: is serious.
Speaker 1: Acting is harder than rapping.
Speaker 3: So you never worry about rapping when you get on stage.
Speaker 2: Sure, there's always that little brief five second til the
Speaker 2: mic is in my hand and then the men gets
Speaker 2: started and after that first shit come on and it's on.
Speaker 6: That's what I'm saying. Like he's saying, like, you know
Speaker 6: you already accustomed to you know, turn it and on
Speaker 6: when you have to.
Speaker 1: You know, really God turned it on for me.
Speaker 4: Man.
Speaker 2: I ain't gonna lie to you because I don't be
Speaker 2: knowing house coming on. We were just an oux or
Speaker 2: Mohammed was opening up his charity barber college. Like not charity,
Speaker 2: forgive me, that's the wrong turn. He has a city,
Speaker 2: a barber like an esthetician esteitisian esthetician school like a
Speaker 2: skin school, a barber school, and a beauty s alone school.
Speaker 2: He's like, man, come perform here for me. Man, Like
Speaker 2: we about to open it up. We're doing this toss
Speaker 2: where you toss these bean bags into corn hall cornhall.
Speaker 1: Yeah, you talkt these bean bags and this thing. I
Speaker 1: was like, we're doing that.
Speaker 2: We want you to come rap and I'm like cool,
Speaker 2: So I go to rap, Like when I be there,
Speaker 2: I'll be like, man, how am I get up here?
Speaker 2: But then when a mic come on, God just turn
Speaker 2: it on and it'd be like it's on. So like
Speaker 2: if God don't turn things on for me, it just
Speaker 2: ain't coming on.
Speaker 3: Do you ever feel out of all the stages you touched,
Speaker 3: like you know, a boxer can have an off night?
Speaker 3: You ever had an off night as MC and.
Speaker 4: You want to static? Yeah?
Speaker 3: No, never, No, that's that's a blessing.
Speaker 2: No, because I don't quite I'm really sober, you know
Speaker 2: what I mean. So it's hard for me to kind
Speaker 2: of like there'll be times where I might have sawn right,
Speaker 2: like this weekend, I might have forgot one line of
Speaker 2: one song, not even a whole lot, like two words.
Speaker 2: Really yeah, but I wouldn't consider it off night. It's
Speaker 2: like I usually recover. Plus I'm just good at it,
Speaker 2: like I'm actually I'm a not like naturally, like I'm
Speaker 2: a pro. Like I've been doing it long enough now
Speaker 2: to where like I'll make girls blush and just work
Speaker 2: the move, you know, I work the room.
Speaker 6: That's why I realized, like in you're rapping when I
Speaker 6: seen like this dude is really a you know, like
Speaker 6: a really an artist or showmanship or something, because I
Speaker 6: seen them have big crowds, you know, work the crapp
Speaker 6: But when I seen him have like a little birthday
Speaker 6: crowd and work that crowd, he got off the stage
Speaker 6: and got it to the stands and say, you know,
Speaker 6: I'm gonna support you local rappers. That's what I said,
Speaker 6: Like this nigga's different.
Speaker 1: Well as the you know, if you're a man of
Speaker 1: the people, you just a man of the people.
Speaker 6: What I'm saying though, that showed me like this dude
Speaker 6: is different, Like he's not worried about you know, he
Speaker 6: wasn't worried about nothing, not missing no beat, The crowd
Speaker 6: wasn't big. He did something else. He went into the crowd,
Speaker 6: made the crowd him. You know what I'm saying, Like, man,
Speaker 6: this dude made him the crowd. And I was looking
Speaker 6: at that like this nigga slick well, you know, like
Speaker 6: he had to make the crowd him. You know, they
Speaker 6: don't have to look at the stage no more.
Speaker 3: The crowd.
Speaker 6: But that's why I said, this dude is a professional,
Speaker 6: like he's he's really a genius.
Speaker 1: Well, I believe. I believe in hip hop.
Speaker 2: First off, I believe in the power of a movement
Speaker 2: of people, like how we come together and we do
Speaker 2: our thing. So I assert that belief whenever I'm like
Speaker 2: with people, I really believe it. And it's so some
Speaker 2: people it's scary. Some people will be like, man, Glass,
Speaker 2: you can't just and I'm like, yes, I can.
Speaker 3: You know what I'm saying. You just did.
Speaker 6: It wasn't about being scared. It was just natural, like
Speaker 6: it just went down and said, wait a minute, the
Speaker 6: same So it wasn't like you were scared nervous, you know.
Speaker 5: But the only time that again, think about him like
Speaker 5: the same as a preacher. That's like a true believer preacher.
Speaker 5: He could he could deliver the word at a megachurch
Speaker 5: or pray over family dinner.
Speaker 3: That's not like, yeah, it was that way I seen it.
Speaker 7: I was.
Speaker 3: That's why I was like, this dude is really a professional.
Speaker 2: So yeah, but now, so to go in to another
Speaker 2: realm or something being completely unprepared.
Speaker 3: You did video, so I'm not gonna say completely unprepared.
Speaker 1: That's like somebody doing skits.
Speaker 3: Okay, you start skits, then you go to movies.
Speaker 1: That's a big jump.
Speaker 2: Like I'll be watching some of these dudes who'll be
Speaker 2: fired with you don't watch some of these dudes jeans
Speaker 2: that be having these skits and then they try to
Speaker 2: go do a stand up and that shit be horrible.
Speaker 3: Okay, you's going to be a stand up. It's way
Speaker 3: different than the artist.
Speaker 11: Yeah, that's a huge that's easy.
Speaker 3: Yea.
Speaker 1: But even when you see a skit. Yeah, but even
Speaker 1: when you see a skit and then these people go
Speaker 1: to films, it be bad.
Speaker 3: Not as bad as going to stay.
Speaker 1: Oh I seen here, Pete listen.
Speaker 2: I saw, I saw Desi. Desi is one of the
Speaker 2: funniest people in the world. To me, what's dei last name?
Speaker 2: Desi funny. Desi's this kid from Georgia, funniest hell from Atlanta.
Speaker 2: And then I saw him Jessie Banks and I saw
Speaker 2: him like, oh yeah, his partner or that nigga funny
Speaker 2: nigga never seen partlay, But like I saw him in
Speaker 2: the movie and I'm like, this don't hit the same way.
Speaker 2: Like he used to be a dude that was hella
Speaker 2: popping on vine and he be doing movies.
Speaker 1: And I'm like it ain't the same.
Speaker 2: Because they're doing a different type of what they used
Speaker 2: to do on the skits. No, it's just it just
Speaker 2: takes a different I think it's different.
Speaker 5: It's different when when you're on the when you're doing
Speaker 5: a vine skit, that's you doing your vision. You're vertically
Speaker 5: integrated on the creativity. When you're doing a comic, you're
Speaker 5: doing somebody else's vision. So that could get in somebody's way.
Speaker 3: I could see that. Okay, I'll give you an example.
Speaker 3: You guys ever seen Mister Deeds?
Speaker 4: Yeah, of course, right.
Speaker 3: John McEnroe came out in that.
Speaker 10: It was not I love John McEnroe came He came
Speaker 10: out the tennis guy.
Speaker 13: Yeah, and he was like, hey, how you doing. Where
Speaker 13: are you going? Oh yeah, I'm gonna go over there.
Speaker 13: And that's how it was coming off, like to me.
Speaker 13: Sometimes like his shue is.
Speaker 2: John McEnroe was angry in mister D's No always was No,
Speaker 2: he said.
Speaker 3: Yeah, you like it.
Speaker 1: Johnny Mack.
Speaker 3: Yeah, when they when he was with the known the
Speaker 3: writer and they first met him. Okay, so he played
Speaker 3: this angry secon No.
Speaker 1: No, no, that's not Johnny Mack. That's who was the other. No,
Speaker 1: that is Johnny mack. He was like, you know how
Speaker 1: it is to get mad John.
Speaker 3: McEnroe gets mad. Yeah, but that was later I'm talking
Speaker 3: about with the initials when they meet him in the hotel.
Speaker 3: That acting was so bad because he just didn't know how.
Speaker 3: He couldn't trans Yeah.
Speaker 5: And he commentedts too, So he's not used. He's very
Speaker 5: used to talking.
Speaker 3: But this was back then. This is back They talk him,
Speaker 3: say play your anger.
Speaker 5: When was mister des He's been commentating for thirty years,
Speaker 5: like two thousand, like thirty years ago.
Speaker 3: You know who's funny as a comedian and he never
Speaker 3: transitioned well to film? Was Aaron Aaron Spears, Eric Spears sorry,
Speaker 3: Very Spears.
Speaker 4: Oh yeah, oh no, he's not good.
Speaker 3: He's funny to me. I never saw him.
Speaker 4: Saw he wasn't funny.
Speaker 6: The black dude with the glass star for the name
Speaker 6: start for r oh real Reel's not funny either when
Speaker 6: he goes to.
Speaker 4: Movies.
Speaker 7: Yeah, is good at that he did good from going
Speaker 7: from stand up to it's funny?
Speaker 1: Is Mike is a better actor than the stand up
Speaker 1: I think the same thing about Kevin Hart. You think
Speaker 1: Kevin had a better actor than the stand up comedian?
Speaker 5: Yes, and and that's a compliment to his acting as
Speaker 5: much as it is an insult to his stand up.
Speaker 3: No, no, I guess that's why guys like Eddie Murphy where
Speaker 3: the goats, because it's his raw, hilarious use.
Speaker 1: But that's what makes it unique. People don't do.
Speaker 2: It's very few Martin Lawrence's Eddie Murphy, actually, big Mark Lawrence.
Speaker 5: The best is probably Robin Williams twice.
Speaker 3: He's really that good until it was You're so crazy?
Speaker 4: Was fire so crazy?
Speaker 6: Yeah?
Speaker 4: That shit was amazing.
Speaker 3: Fire And that was his like that was his raw
Speaker 3: slash delirious moment because it was shot like, ain't wrong.
Speaker 2: It's different like prime example, Like I'm not a big
Speaker 2: Dave Chappelle fan in films.
Speaker 1: He's not bad though, especially when you're playing.
Speaker 9: Somebody fun Dave Chappelle fan period Dave Dave even a.
Speaker 1: Stand up might be one of the one I ever saw.
Speaker 3: Would you compare him to rich Richard? Yeah, sir man,
Speaker 3: I'm not saying is he my goal? He's my goal,
Speaker 3: I get it. I'm not saying is he better or
Speaker 3: but Richard.
Speaker 1: What's funny is I didn't see a lot of Richard
Speaker 1: Pryor stand ups.
Speaker 3: You never gone back to watching he was cold. The
Speaker 3: reason why I compare when I've gone back to watch
Speaker 3: Richard prior because he had that same like Dave when
Speaker 3: he does comedy. They're just up there talking and then
Speaker 3: he kind of into these bits off of just natural
Speaker 3: things that they've gone through, and Richard the same exact way.
Speaker 1: Did you think so.
Speaker 7: Richard, Yeah, he was the first one doing the characters.
Speaker 7: You know what I'm saying, fathers boys.
Speaker 3: I don't think.
Speaker 1: From from the little bit I saw on Richard, Richard
Speaker 1: seem a little bit more serious than animod No.
Speaker 2: Oh yeah, yeah, it's like he always had like like
Speaker 2: the chef I've seen on Richard Pryor. Because I haven't
Speaker 2: seen a lot of his stand up, I say different clips,
Speaker 2: but he would be talking about some real ship.
Speaker 3: Eddie is a fucking fool.
Speaker 5: It's very Richard.
Speaker 1: Eddie don't talk about delivery real.
Speaker 3: If you look at it, if you look at don't
Speaker 3: let me wrong.
Speaker 4: I don't give me.
Speaker 3: Let me don't get that.
Speaker 4: Look at Eddie.
Speaker 3: You'll see that Eddie took his thing from Richard. You
Speaker 3: look at you'll see that tike it or was influenced
Speaker 3: by influence Okay.
Speaker 1: I like Bernie Mack as a stand up and as
Speaker 1: an actor.
Speaker 4: I like Bernie was hard, Bernie Mack was fun.
Speaker 1: Hell, he's just underrated talent.
Speaker 3: I can ever think of Robin Harris.
Speaker 4: Robin Harris amazing.
Speaker 1: He didn't really get the break out in the film.
Speaker 4: I think he died thirty six, so he did really
Speaker 4: recent he was on his way.
Speaker 3: I like his voice, so like him. And then that's Pops.
Speaker 1: I liked him as pop so talk and the stand up.
Speaker 2: Yeah, it's like so what I'm saying, But all of
Speaker 2: these things are different skills, and because some of the
Speaker 2: skills translate to other things.
Speaker 1: Yeah, but I don't mean you're gonna be good at it.
Speaker 4: Fact, I have to take it serious enough to study it,
Speaker 4: the craft of it.
Speaker 3: I think when you say people have arrogance, I think
Speaker 3: that they have a dream of doing something, and that's
Speaker 3: why they'll even attempt it. And that's that's sometimes that
Speaker 3: having that dream of wanting to be something will make
Speaker 3: you within whatever you're doing, take it serious. And that's
Speaker 3: what you watch people do sometimes like they want to
Speaker 3: be even let's just say, if you just want to
Speaker 3: be famous, like some people don't want to be famous somebody.
Speaker 3: There's someone out there that wants to be famous, and
Speaker 3: anything you put in front of them, whether it's music,
Speaker 3: whether it's being an athlete, whether it's well, They're gonna
Speaker 3: give it their best. It's what I'm saying. Couldn't that
Speaker 3: just be the character of who a person is.
Speaker 2: Absolutely, I just want to be great at something, like
Speaker 2: I don't want to just be great at anything, Like
Speaker 2: if I'm going to do it, I want to be
Speaker 2: good at it. So I don't like like drag racing
Speaker 2: that was probably my first love, Like I just wanted
Speaker 2: to be fast. I wanted the cars that I was
Speaker 2: working with to be faster than other cars.
Speaker 1: I get into it. Same thing with with D Boy
Speaker 1: and I being a Game member.
Speaker 2: I just wanted to be a popular, respective member of
Speaker 2: Seventh Street, as a hustler, like somebody who didn't teach you.
Speaker 2: Then when I started doing hip hop, like I wanted to.
Speaker 2: I wanted to, Like at first, I just wanted to
Speaker 2: change my life. When I got into it. Even now,
Speaker 2: it was like preserving something. So to start to act
Speaker 2: if I plan to take it serious, like as I
Speaker 2: have to get into it more. And it's like you
Speaker 2: only got so much of yourself, you'll be just fucking
Speaker 2: somewhere else with all this shit.
Speaker 3: I think you can do it. You got you can't
Speaker 3: overthink it though, Well it's yeah, you're right about overthinking
Speaker 3: about I think you could do it too, because you
Speaker 3: didn't like you don't put me.
Speaker 6: In situations that I've never done some of the stuff
Speaker 6: that you put me in.
Speaker 1: Yeah, but you have a dire tune to be famous.
Speaker 6: No, I have a dire team to do whatever you
Speaker 6: need me to do. So all allows me to step
Speaker 6: up and take care of what I need to do.
Speaker 6: But even before I about being famed, but even before
Speaker 6: I met you, don't want to be real.
Speaker 3: And being famous.
Speaker 6: Route being famous, let's get that correct. But I'll do
Speaker 6: whatever you want me to do. So like shooting, you know,
Speaker 6: a video with you, I've never done none of that
Speaker 6: in my life. But because I know you need.
Speaker 2: Me, I'm not I'm not talking about why you step up,
Speaker 2: but I'm.
Speaker 6: Saying though from somewhere I don't know what to do,
Speaker 6: and I still stepped up and try to do it.
Speaker 6: Just like you said, you're writing a movie for me. Goddamn, well,
Speaker 6: I'm not a You're gonna write a movie for me.
Speaker 6: So now I'm gonna have to learn how to be
Speaker 6: an actor.
Speaker 3: I gotta step up.
Speaker 1: I think you have a desire to do it.
Speaker 3: I could have desired to help you with anything you
Speaker 3: want to do. I was just gonna say that. That's
Speaker 3: what doesn't say, you know, I think King I share
Speaker 3: that with him. Maybe Gene also shares that with us.
Speaker 3: Where when you're just a friend with somebody, if you're
Speaker 3: gonna do something, you're gonna do the ship.
Speaker 1: Yeah, I'm not saying you're gonna do it, but but
Speaker 1: King is whether King admits it or not. King wants
Speaker 1: to be in the light.
Speaker 3: I want to be the weak King. I want to own,
Speaker 3: you know, we things and stuff.
Speaker 1: I'm okay, I don't want to say this is the King.
Speaker 3: TV behind the scenes.
Speaker 5: I said, this is the same King who used to
Speaker 5: rock ahead to toe cannabis.
Speaker 3: Suit still does I can't. I ain't got no wei
Speaker 3: right now to sail, so I can't advertise. But you
Speaker 3: still got the suit.
Speaker 5: Yeah, I still got all that you could up behind
Speaker 5: the scenes wholesale guy that nobody knew.
Speaker 1: But you can't everything. Still the Niggas was of weed.
Speaker 1: He was the weed preacher, and then he became the
Speaker 1: we attorney Attorney.
Speaker 5: Yeah yeah, we named the president glasses. You appreciate this.
Speaker 5: That's the new movie doing commercials with King that are
Speaker 5: like the old cal Worthington Ford commercials where he comes
Speaker 5: out on an elephant.
Speaker 4: Org.
Speaker 12: Yeah, all kind of.
Speaker 3: Listen to Washington. Though he had a cow worth up
Speaker 3: in Washington.
Speaker 8: I can't yes playing there day okay, because he had
Speaker 8: one right and fetch away and ship.
Speaker 4: And he will fly.
Speaker 3: He would be one of the ones flying into aubur
Speaker 3: and this ship. I gotta asked Dora about this one.
Speaker 3: King is King?
Speaker 1: Yeah, you just you just made for the spotlight.
Speaker 3: I see you got it on me.
Speaker 4: Mmm, there you go.
Speaker 3: Please don't laugh. Don't do that, Pete. You never get
Speaker 3: cuts the funk out here. Pretty soon you know.
Speaker 2: They're looking out for tuning into the note Seller's podcast.
Speaker 2: Please do us a favorite, subscribe, rate, comment, and share.
Speaker 2: This episode was recorded right here on the West coast
Speaker 2: of the U.
Speaker 3: S A.
Speaker 2: And produced about the Black Effect Podcast Network and now
Speaker 2: Hard Radio.
Speaker 4: Yeah