WEBVTT - The Princess Switch 2: Switched Again

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<v Speaker 1>On the bed Cast, the questions asked if movies have

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<v Speaker 1>women and um, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy Zef and best

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<v Speaker 1>start changing it with the Bedel Cast. Hello, and welcome

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<v Speaker 1>to the Bechtel Cast. My name is Caitlin Darante and

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<v Speaker 1>my name is Jamie Loftus. Unless my name is Caitlin

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<v Speaker 1>Durante and and my name is actually Jamie Loftus. And

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<v Speaker 1>wait a minute, I just realized that we look exactly alike.

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<v Speaker 1>Oh my god. We should do some royal hijinks your

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<v Speaker 1>you should do some royal hijinks, and then I'll just

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<v Speaker 1>have sex with your friend. I think that's how the

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<v Speaker 1>first one goes, right. Basically, not the worst deal in

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<v Speaker 1>the world. This is well, we'll go to the Bechtel Cast.

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<v Speaker 1>This is our show where we take your favorite movies

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<v Speaker 1>and analyze them using an intersection feminist lens, using the

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<v Speaker 1>Bechdel test, which is I don't I bet neither. I've

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<v Speaker 1>had none of the Vanessa hudgens is. Know what this

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<v Speaker 1>damn test is? But what is it? Calin for the

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<v Speaker 1>sake of fullness and clarity, it is a media metric

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<v Speaker 1>created by queer cartoonists Alison Bechdel, sometimes called the Bechdel

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<v Speaker 1>Wallace test, and there are many variations, And here is ours.

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<v Speaker 1>Two people of a marginalized gender have to have names,

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<v Speaker 1>they have to speak to each other, and their conversation

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<v Speaker 1>has to be about something other than a man for

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<v Speaker 1>two lines of dialogue, and ideally that conversation is narratively significant.

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<v Speaker 1>Make of that what you will? You know it when

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<v Speaker 1>you hear it. And in the case of this movie,

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<v Speaker 1>as you'll hear in the episode, Uh, you know, there's

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<v Speaker 1>a lot of Vanessa hudgens Is talking to Vanessa hudgens Is.

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<v Speaker 1>It's not that big of a problem. There are three

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<v Speaker 1>many Vanessa hudgens Is and they're all talking to each other. Yeah.

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<v Speaker 1>And if you thought that my British accent I just

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<v Speaker 1>did was offensive, wait till you hear her. Hear her

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<v Speaker 1>as maybe you are just not gonna like it. Um,

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<v Speaker 1>So we're we're this this episode you're about to hear

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<v Speaker 1>it was recorded last year for our Patreon aka Matreon.

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<v Speaker 1>So you'll notice it's just me and Caitlin. We're keeping

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<v Speaker 1>it loose. We kind of let it all hang out

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<v Speaker 1>on the Matreon. I would say about eight of this

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<v Speaker 1>episode is just us recapping the movie that will happen.

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<v Speaker 1>We're discussing things throughout the recap, but the recap takes

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<v Speaker 1>a long time, and honestly, you're welcome. Yeah, it's it's

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<v Speaker 1>we go to the Matreon to really vibrate on a

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<v Speaker 1>different frequency where it's the format is technically the same,

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<v Speaker 1>and yet there is this, um, this wild, reckless abandoned

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<v Speaker 1>that you bring there. So if you are and if

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<v Speaker 1>you enjoyed this, please go over and join the Matrion community.

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<v Speaker 1>It is such a fun, like life, affirm and cool

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<v Speaker 1>space to hang out in. Uh, it's five bucks a

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<v Speaker 1>month and you get to bonus episodes at the Bechtel

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<v Speaker 1>Cast with just Caitlyn and myself every single month. This

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<v Speaker 1>month we're doing two of our most popular requests that,

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<v Speaker 1>for whatever reason, we never got around too. Um. They're

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<v Speaker 1>both rom coms that It's You've Got Male, which we've

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<v Speaker 1>been getting really lovely feedback about. I've been very happy about. Yes,

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<v Speaker 1>yes we have. Yeah, not a brag person listening that

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<v Speaker 1>isn't a member of the matrio. Hut, we're so good

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<v Speaker 1>at our jobs. Wow, we really pulled one out this time.

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<v Speaker 1>And we're also doing How to Lose a Guy in

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<v Speaker 1>Ten Days, which I canonically recognize as a Catherine Han vehicle,

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<v Speaker 1>although you know, maybe the poster is telling you a

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<v Speaker 1>different story. Fair fair. I see it as a Thomas

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<v Speaker 1>Lennon piece myself, but oh my god, his outfit in

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<v Speaker 1>that movie. I'm like, who addressed this? Poor man? I

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<v Speaker 1>love Tomlin and why did they do that to him?

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<v Speaker 1>That's not nice. In any case, this is from the

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<v Speaker 1>Matreon and we're doing this, you know, technically an observation

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<v Speaker 1>of it's not for many. Vanessa Hudgens is the problem.

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<v Speaker 1>There's still three of them, so it's kind of three

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<v Speaker 1>minute three many Vanessa Hudgens too, but it's separate the

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<v Speaker 1>switch to three Yes, which I believe is being released

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<v Speaker 1>on Netflix the very same day that this episode is

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<v Speaker 1>being unlocked from the Matreon and put on our main feed.

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<v Speaker 1>They really missed an opportunity to include more Vanessa Hudgens

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<v Speaker 1>is in this sequel. At some point, I'm like, I

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<v Speaker 1>wonder if she was, like I don't think so, because

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<v Speaker 1>there were I think we talked about it in this episode.

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<v Speaker 1>She's done interviews where she was like, oh, the next

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<v Speaker 1>one should be Scottish and it's like, well, let's look

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<v Speaker 1>at the accents you're already doing and maybe reassess. But

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<v Speaker 1>I'm open to a fourth, uh, in so many ways,

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<v Speaker 1>but in in terms of Vanessa hudgens Is, I'm open

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<v Speaker 1>to a fourth for sure, but it's not happening. But however,

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<v Speaker 1>we will be covering The Princess Switched three on the Matreon,

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<v Speaker 1>speaking of the Matreon in December, So if you're loving

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<v Speaker 1>this and you're like, wow, I'm really on a journey,

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<v Speaker 1>you can go back to our Matreon to listen to

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<v Speaker 1>our very intellectual genius quite honestly thoughts on the Princess

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<v Speaker 1>Switch one and then very soon on the Princess Switched three.

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<v Speaker 1>And if you like Netflix Christmas movies, we've also done

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<v Speaker 1>all three, all of the Christmas Princes, and that is

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<v Speaker 1>a burden we took on for you. So yeah, get ready,

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<v Speaker 1>it's our our holiday movie block on the Bechdel Cast

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<v Speaker 1>is room room room rev reev reving up um and

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<v Speaker 1>enjoy this unlocked Matreon episode The Princess which to enjoy cast.

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<v Speaker 1>Hello matrons, Happy holiday. It's that time of year when

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<v Speaker 1>we cover terrible Netflix original Christmas movies. I forget. Did

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<v Speaker 1>we talk last year about the extended universe that Netflix

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<v Speaker 1>has confirmed. I don't. I meant to go back and

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<v Speaker 1>listen to the other Princess Switch and Christmas Prince movies

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<v Speaker 1>we've covered. I like, wanted to listen back to those

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<v Speaker 1>episodes and rewatch those movies, but I simply didn't have

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<v Speaker 1>time for any of it. I rewatched, watched all the

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<v Speaker 1>Princess Witches and all the Christmas Princes because I needed

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<v Speaker 1>an excuse to, of course. But did did you I

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<v Speaker 1>don't know. I don't think that we did. I didn't

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<v Speaker 1>listen to the real listen to the episodes. I don't

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<v Speaker 1>think we did talk last year about how all the

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<v Speaker 1>movies are confirmed happening in the same universe, which is

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<v Speaker 1>further depending how you look at it, either confirmed or

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<v Speaker 1>complicated by what happens in Princess Switch Switched again, because

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<v Speaker 1>it would seem that it contradicts. Okay, so this is

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<v Speaker 1>a matron. This is obviously the Bectel cast Matreon we're

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<v Speaker 1>doing Princess Switch to. I thought the movie was essentially

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<v Speaker 1>a delight. Well, sorry, first, we have to the full

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<v Speaker 1>the full title Princess Switched to three Money. Vanessa Hudgens

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<v Speaker 1>is three many Yeah, too many. Hudgens is is um

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<v Speaker 1>is the general vibe. I love that they just called

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<v Speaker 1>it switched again. The real titles the Princess Switch Switched Again,

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<v Speaker 1>which is um so lazy, so incredibly lazy. Uh. You

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<v Speaker 1>really almost admire it. I fully admire it. I'm like,

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<v Speaker 1>oh this this uh, this movie has no doubt of

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<v Speaker 1>what it is, which is extremely lazy, but but so okay.

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<v Speaker 1>So the Netflix Christmas Universe, which is a confirmed thing,

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<v Speaker 1>includes oh my god, there's literally a chart. Have you

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<v Speaker 1>seen this? Have you seen this chart? Okay, Okay, you

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<v Speaker 1>gotta see this chart. Okay. So it essentially connects the

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<v Speaker 1>Christmas Prince uh saga series, yes, all the various Princess switches,

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<v Speaker 1>as well as The Night Before Christmas, which was Vanessa

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<v Speaker 1>Hudgens's last year Christmas effort, yes, which we almost covered

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<v Speaker 1>and made a last minute switch well switched again. Uh.

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<v Speaker 1>Then there's also a movie called The Holiday Calendar from

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<v Speaker 1>that I haven't seen, a movie called Christmas Inheritance, from

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<v Speaker 1>which I unfortunately have seen, and a movie called Holiday

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<v Speaker 1>in the Wild, which I also have seen, and I'm

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<v Speaker 1>pretty sure is that the who's in that? It's like

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<v Speaker 1>it's actually like some famous people right Holiday in the Wild. Yeah,

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<v Speaker 1>isn't that the guy's name? Who was in Rob Blow?

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<v Speaker 1>Is that that one? Yeah? Yeah, yeah, that's the Christin

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<v Speaker 1>Davis Roblow? Yeah. Yeah, sorry, I've seen so many of these.

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<v Speaker 1>I'm like, honestly, and the names are also familiar. They like,

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<v Speaker 1>I don't want to confirm something I can't guarantee. Kristin

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<v Speaker 1>Davis and Rob Blow. So that's a bigger budget one,

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<v Speaker 1>not very popular. I don't think really anybody necessarily watched it.

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<v Speaker 1>Not a lot of high Yeah. I skipped that one,

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<v Speaker 1>but it is. And then and then now this year

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<v Speaker 1>there was a movie called Operation Christmas Drop, which is

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<v Speaker 1>military propaganda that is Christmas. There's also The Christmas Chronicles,

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<v Speaker 1>which is, um, what's his face as Santa Claus? Yeah?

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<v Speaker 1>What is his face? And goldie hat? His face? What

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<v Speaker 1>is his face? I never Kurt Russell? Kurt Russell, Yeah, yeah,

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<v Speaker 1>Kurt Russell. I'm like, but like, also, okay, maybe this

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<v Speaker 1>is controversial, but like, who the fuck is Kurt Russell? Um?

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<v Speaker 1>What was he in that? I would know that you

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<v Speaker 1>would know, probably not a lot. Okay, See, he got

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<v Speaker 1>big in the eighties and then like a lot of

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<v Speaker 1>his most famous movies were from the eighties and nineties,

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<v Speaker 1>and I mean he's still around obviously, But also I

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<v Speaker 1>always get him confused with early Patrick Swayzy, and I

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<v Speaker 1>feel like there's someone else who I get him confused with. Two.

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<v Speaker 1>I'm sure I haven't seen The Christmas Chronicles, but either way,

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<v Speaker 1>the Christmas Chronicles are a Netflix Christmas movie, but they're

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<v Speaker 1>not in the Netflix Christmas universe. I see so all

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<v Speaker 1>of the Netflix Christmas Universe. I'm pretty sure. I mean,

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<v Speaker 1>it's a vague qualifier, but I'm pretty sure that you

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<v Speaker 1>have to it has to be like a clear Hallmark

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<v Speaker 1>rip off, which Christmas Chronicles isn't. Uh. And then Jingle Jangle,

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<v Speaker 1>which I did see and it was pretty good for

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<v Speaker 1>us Forest whinnakers. In it, he's saying Christmas Chronicles was

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<v Speaker 1>not bad. I'm you know, it's whatever. It's you know,

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<v Speaker 1>kind of like a turn your brain off and hope

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<v Speaker 1>for the best season movie wise. But Jingle Jangle, I

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<v Speaker 1>had had some catchy tunes, some real catchy tunes, but

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<v Speaker 1>it's not but it's not included in this universe. It's

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<v Speaker 1>I think this is like the overly romantic, confusing Hallmark

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<v Speaker 1>rip off Extended Universe that's occasionally nationalist propaganda in the

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<v Speaker 1>case of Operation Christmas Drop. Um. So, anyways, last year

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<v Speaker 1>Netflix confirmed the Netflix Holiday Movie Universe is the official title.

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<v Speaker 1>And I'll just unpack this chart and then we'll get

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<v Speaker 1>to before we start talking about Princess, which switched again.

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<v Speaker 1>How Princess switch switched again is maybe the most integral

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<v Speaker 1>piece to this puzzle yet. So okay, it's like the

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<v Speaker 1>keystone that holds the whole arch together. And maybe I

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<v Speaker 1>mean I haven't I bear I was like only half

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<v Speaker 1>watching Holiday in the Wild, and I haven't seen the

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<v Speaker 1>Holiday Calendar, but it seems like it connects a lot

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<v Speaker 1>of movies together in ways that are exclusively confusing. So

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<v Speaker 1>here's here's an overview of the chart. We'll we'll link this.

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<v Speaker 1>It's like a tweet from Netflix. So it starts with

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<v Speaker 1>the Christmas Prince seen gets everything started. And I think

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<v Speaker 1>these are all basically made by the same production company,

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<v Speaker 1>which doesn't hurt um. So a Christmas Prince is shown

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<v Speaker 1>on a TV in both the Holiday calendar and it's

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<v Speaker 1>also if you recall Vanessa Hudgens watches Chris the Christmas

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<v Speaker 1>Prince in the first Princess Switch. So as ofen when

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<v Speaker 1>the Princess Okay, I'm like literally sound like that. Um

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<v Speaker 1>it's always sunny meme with the board okay, um. So

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<v Speaker 1>as the Princess Switch, A Christmas Prince is a movie

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<v Speaker 1>that exists in the world of the Princess Switch on Netflix.

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<v Speaker 1>It was like a product placement moment. We were like,

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<v Speaker 1>t he okay, Aldovia from A Christmas Prince, the fictional country.

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<v Speaker 1>I'm familiar. Just there's five trillion countries that border Lithuania apparently,

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<v Speaker 1>and Aldovia is one of them. Whatever the Princess Switch

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<v Speaker 1>countries are anyways, Aldovia is mentioned in The Night Before Christmas.

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<v Speaker 1>So in the Night Before Christmas World, Aldovia is an

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<v Speaker 1>actual place, but in a Princess Switch the Princess Switch world,

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<v Speaker 1>it is not a real place. It's a Netflix movie.

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<v Speaker 1>It's a fictional place where a movie the Vanessa Hudgens

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<v Speaker 1>watches takes place. Make it makes sense, Um, okay. Christmas

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<v Speaker 1>Inheritance A Christmas Inheritance is shown on a TV in

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<v Speaker 1>both the holiday calendar and in the Princess Switch. Holiday

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<v Speaker 1>in the Wild is shown on a TV in the

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<v Speaker 1>Night before Christmas, so in the Night before Christmas, a

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<v Speaker 1>Christmas Prince is a real thing in the world. But

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<v Speaker 1>Holiday in the Wild with Christi David's and Reblo, that's

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<v Speaker 1>still fictional and on Netflix. And then apparently I don't

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<v Speaker 1>remember that because by the time, honestly, the last in

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<v Speaker 1>this marathon, the last movie I watched was Christmas Prince

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<v Speaker 1>Royal Baby, and I was just my brain was skunked,

0:14:10.640 --> 0:14:14.040
<v Speaker 1>so I wasn't looking for this reference. But apparently the

0:14:14.080 --> 0:14:17.439
<v Speaker 1>Princess Switched, the country from the Princess Switch is referenced

0:14:17.480 --> 0:14:21.680
<v Speaker 1>in the third Christmas Prince movie. So now things get

0:14:21.720 --> 0:14:25.160
<v Speaker 1>a little complicated because we were told in twenty eighteen

0:14:25.320 --> 0:14:29.160
<v Speaker 1>that A Christmas Prince is just a Netflix movie. But

0:14:29.200 --> 0:14:34.240
<v Speaker 1>then over in Aldovia, the Princess Switch country is Cannon,

0:14:35.120 --> 0:14:39.760
<v Speaker 1>so because it's bell Belgravia and or Montenaro, because those

0:14:39.760 --> 0:14:43.040
<v Speaker 1>are like the two countries in Princess Switch. Right right,

0:14:43.120 --> 0:14:45.960
<v Speaker 1>I'm going to keep mixing up the names. So bell Gravya,

0:14:46.080 --> 0:14:50.080
<v Speaker 1>I believe, is mentioned in A Christmas Prince Royal Baby.

0:14:50.120 --> 0:14:53.320
<v Speaker 1>But at that point, as of last year. A Christmas

0:14:53.360 --> 0:14:56.840
<v Speaker 1>Prince Aldovia is fictional to Vanessa Hudgens, But Vanessa Hudgens

0:14:56.880 --> 0:15:01.520
<v Speaker 1>is very real too, Amber and who are they that

0:15:01.560 --> 0:15:08.040
<v Speaker 1>guy Richard Richard Um, So that's confusing, and then things

0:15:08.120 --> 0:15:12.840
<v Speaker 1>get even more confusing. So basically it seems like they

0:15:13.080 --> 0:15:17.240
<v Speaker 1>shouldn't have put Christmas princes on TV in the Princess

0:15:17.240 --> 0:15:20.240
<v Speaker 1>Switch because now they wanted to all be real. Because

0:15:20.240 --> 0:15:25.160
<v Speaker 1>at the end of fucking my Princess Switch switched again,

0:15:25.200 --> 0:15:30.000
<v Speaker 1>Princess Switch switched again, Amber and Richard are at the

0:15:30.040 --> 0:15:34.200
<v Speaker 1>coronation for what's her name, Margaret A few things about that.

0:15:34.360 --> 0:15:40.280
<v Speaker 1>When they popped up on Princess Switch with their royal

0:15:40.320 --> 0:15:46.040
<v Speaker 1>baby ugly, I meant royal. Um. When that happened in

0:15:46.360 --> 0:15:50.280
<v Speaker 1>Princess Switch to Switched Again, I was in my apartment

0:15:50.400 --> 0:15:57.040
<v Speaker 1>by myself, and I screamed. I was like, yes, tie too, shrieked.

0:15:57.760 --> 0:16:00.840
<v Speaker 1>It was like hold on, and then I had to

0:16:00.840 --> 0:16:03.560
<v Speaker 1>go back to the chart, like it how could that

0:16:03.640 --> 0:16:08.200
<v Speaker 1>be true if we were and um, I don't know.

0:16:08.360 --> 0:16:09.800
<v Speaker 1>I don't know how that could be true. I have

0:16:09.800 --> 0:16:14.760
<v Speaker 1>a theory. Okay, yes, the movie that Vanessa Hudgens is

0:16:14.800 --> 0:16:18.200
<v Speaker 1>watching in the first Princess s Witch movie that is

0:16:18.240 --> 0:16:26.360
<v Speaker 1>about Amber and Richard's actually a Documentary's watching a documentary? Okay,

0:16:26.600 --> 0:16:30.200
<v Speaker 1>got it? Yeah, grape minds think alike. Yeah, I think

0:16:30.200 --> 0:16:32.360
<v Speaker 1>that she just must have been watching, like maybe it

0:16:32.440 --> 0:16:36.160
<v Speaker 1>was like a sixty minutes special or just like a

0:16:36.680 --> 0:16:39.440
<v Speaker 1>poorly produced I thought that too, But then I went

0:16:39.440 --> 0:16:41.440
<v Speaker 1>back and watched the scene from Princess Switch and I'm like, no,

0:16:41.560 --> 0:16:44.320
<v Speaker 1>she literally had Vanessa Hudgens has the same Netflix as

0:16:44.360 --> 0:16:47.360
<v Speaker 1>you or I, and it's presented the same way, and

0:16:47.400 --> 0:16:50.800
<v Speaker 1>she literally watches a scene from Our Christmas Prince and

0:16:50.920 --> 0:16:55.800
<v Speaker 1>so too. I'm like, reporting instincts, and so if A

0:16:55.880 --> 0:17:00.160
<v Speaker 1>Christmas Prince is documentary, so okay, if A Christmas Into

0:17:00.160 --> 0:17:03.840
<v Speaker 1>is a documentary for Vanessa Hudgens, then it's also a

0:17:03.920 --> 0:17:09.960
<v Speaker 1>documentary for us. And that could be true. That could

0:17:10.080 --> 0:17:11.719
<v Speaker 1>very well be true. I think that they're just and

0:17:11.840 --> 0:17:13.959
<v Speaker 1>someone I wanted to shout out a tweet that made

0:17:14.000 --> 0:17:18.160
<v Speaker 1>me laugh so much from Ica delian Um. From at

0:17:18.320 --> 0:17:23.600
<v Speaker 1>delian ica Um, she tweeted, oh my god, Vanessa Hudgens

0:17:23.680 --> 0:17:27.040
<v Speaker 1>is the Robert Downey Jr. Of the Netflix Christmas Cinematic universe,

0:17:27.680 --> 0:17:31.200
<v Speaker 1>and it's true because of iron Man, because like iron

0:17:31.200 --> 0:17:34.360
<v Speaker 1>Man kicked everything off, and is I know no, well,

0:17:34.400 --> 0:17:36.760
<v Speaker 1>I well know, because Vanessa Hudgens didn't kick everything off.

0:17:36.800 --> 0:17:38.720
<v Speaker 1>But I think we can all agree she has more,

0:17:39.320 --> 0:17:41.320
<v Speaker 1>you know, she has she has a little more charisma

0:17:41.400 --> 0:17:47.719
<v Speaker 1>than the Princess Ambert and all offense. Um. But then, okay,

0:17:48.720 --> 0:17:50.600
<v Speaker 1>other things we need to talk about before we talked

0:17:50.640 --> 0:17:54.199
<v Speaker 1>about the movie. Okay, sorry, I'm like too prepared for

0:17:54.240 --> 0:17:58.720
<v Speaker 1>this episode. Uh, really down in the dumps and really

0:17:58.760 --> 0:18:02.320
<v Speaker 1>needed this. Um. Hey. So the other thing is I

0:18:02.320 --> 0:18:05.560
<v Speaker 1>feel like we should do a Vanessa Hudgens update because

0:18:05.560 --> 0:18:11.240
<v Speaker 1>she has had a very problematic, tumultuous a few years really,

0:18:11.359 --> 0:18:14.320
<v Speaker 1>but like especially she We're not going to get too

0:18:14.840 --> 0:18:18.480
<v Speaker 1>into it here. Uh, but she did. If you remember,

0:18:18.520 --> 0:18:22.840
<v Speaker 1>about nine months ago, she famously went live on Instagram

0:18:22.960 --> 0:18:26.639
<v Speaker 1>and said a whole bunch of insensitive things about coronavirus

0:18:26.680 --> 0:18:30.120
<v Speaker 1>and was basically the gist of it was Vanessa Hudgens

0:18:30.119 --> 0:18:35.040
<v Speaker 1>has no regard for human life, which was upsetting then.

0:18:35.160 --> 0:18:38.159
<v Speaker 1>And I honestly, it has been such a year that

0:18:38.200 --> 0:18:40.600
<v Speaker 1>I kind of forgot and then I was like, wait,

0:18:41.080 --> 0:18:43.480
<v Speaker 1>we're mad at Vanessa Hudgens, what did she do again?

0:18:43.560 --> 0:18:45.320
<v Speaker 1>And I was like, oh, she said she literally has

0:18:45.359 --> 0:18:48.360
<v Speaker 1>no regard for human life. So that's something to keep

0:18:48.359 --> 0:18:52.119
<v Speaker 1>in mind. Yes, that said Robert Downey Jr. You know,

0:18:52.200 --> 0:18:54.600
<v Speaker 1>has also done some pretty messed up stuff in his life,

0:18:54.640 --> 0:18:58.719
<v Speaker 1>so maybe that's the connection. They don't have a regret.

0:18:58.480 --> 0:19:01.200
<v Speaker 1>I don't know that much about Robert Jr. I just

0:19:01.320 --> 0:19:04.439
<v Speaker 1>wanted to, um, you know, we are aware that Vanessa

0:19:04.520 --> 0:19:10.680
<v Speaker 1>Hudgens is problematic and also just like a weird person,

0:19:10.760 --> 0:19:13.800
<v Speaker 1>Like she will like pop up in my trending topics

0:19:13.840 --> 0:19:16.120
<v Speaker 1>every once in a while, and it's always just like

0:19:16.680 --> 0:19:20.639
<v Speaker 1>I just don't understand, Like why can't celebrities just like

0:19:20.920 --> 0:19:24.320
<v Speaker 1>log out? Like Vanessa Hudgens has more money than God,

0:19:24.640 --> 0:19:27.960
<v Speaker 1>Like she has a million a million year deal signed

0:19:27.960 --> 0:19:30.760
<v Speaker 1>in blood with Netflix, Like why can't she just like

0:19:31.440 --> 0:19:34.760
<v Speaker 1>not go live on Instagram. That will never make sense

0:19:34.800 --> 0:19:37.159
<v Speaker 1>to me because she just is always live on Instagram

0:19:37.200 --> 0:19:43.080
<v Speaker 1>doing in that one case very like stream of consciousness,

0:19:43.160 --> 0:19:47.080
<v Speaker 1>insensitive rant and then in other cases she's just doing

0:19:47.280 --> 0:19:51.760
<v Speaker 1>weird stuff. And you're just like Vanessa, like call your

0:19:52.119 --> 0:19:55.080
<v Speaker 1>like friend or something, call Zack, Like I don't know

0:19:55.160 --> 0:19:57.439
<v Speaker 1>what you need to do, but like, I want no

0:19:57.520 --> 0:20:02.040
<v Speaker 1>part of this. So Vanessa Hudgens is an firmed, questionable

0:20:03.680 --> 0:20:11.080
<v Speaker 1>weirdo is my is my take on the age. But

0:20:11.280 --> 0:20:14.920
<v Speaker 1>then so, so we're going into Prince just to set

0:20:15.000 --> 0:20:17.359
<v Speaker 1>up the mindset of where we're going into Princess Switched

0:20:17.720 --> 0:20:21.840
<v Speaker 1>to Switched again. I have to suspend my upset with

0:20:21.960 --> 0:20:25.760
<v Speaker 1>Vanessa Hudgens because I do have to watch this movie,

0:20:26.760 --> 0:20:29.560
<v Speaker 1>not just because this is our job, but also because

0:20:29.600 --> 0:20:32.240
<v Speaker 1>I just like, I have to watch this movie. It's

0:20:33.240 --> 0:20:35.720
<v Speaker 1>I have to know what happens. And Princess switched to

0:20:35.840 --> 0:20:38.439
<v Speaker 1>Switch it again, I understand. And I have to know

0:20:39.359 --> 0:20:44.840
<v Speaker 1>what the third Vanessa Hudgins is like. And I loved

0:20:45.000 --> 0:20:50.080
<v Speaker 1>the third Vanessa Hudgens. Oh my gosh, she's so awesome.

0:20:50.840 --> 0:20:54.280
<v Speaker 1>I love her. She's a sloppy bitch and I love her.

0:20:54.640 --> 0:20:57.720
<v Speaker 1>That was Okay, that was all of my pre curs

0:20:57.720 --> 0:21:00.359
<v Speaker 1>started talking about. Okay, I'm gonna shut up for the

0:21:00.359 --> 0:21:05.360
<v Speaker 1>rest of the episode because that was a lot. But oh,

0:21:05.440 --> 0:21:08.760
<v Speaker 1>and then also there's some connection in the third one

0:21:08.800 --> 0:21:12.120
<v Speaker 1>to like, oh, I guess there's four shots. I missed

0:21:12.160 --> 0:21:16.119
<v Speaker 1>this on my watch of the movie. But per the

0:21:16.440 --> 0:21:19.600
<v Speaker 1>clickbait rounds that happened every year around these movies a

0:21:19.640 --> 0:21:25.280
<v Speaker 1>grand tradition. There is a slight possible, maybe sort of

0:21:25.359 --> 0:21:27.920
<v Speaker 1>hint that there's going to be I mean, of course

0:21:27.960 --> 0:21:30.160
<v Speaker 1>there's going to be a movie with a fourth Vanessa Hudgens.

0:21:31.080 --> 0:21:33.400
<v Speaker 1>I have a pitch for it that I'll reveal at

0:21:33.400 --> 0:21:36.560
<v Speaker 1>some point in this episode. Hell, yes, I did a

0:21:36.600 --> 0:21:40.120
<v Speaker 1>little bit of recessor this is so embarrassing, Um, there

0:21:40.200 --> 0:21:44.280
<v Speaker 1>was there. Vanessa Hudgens has been very like dodgy about

0:21:44.280 --> 0:21:46.480
<v Speaker 1>whether there's going to be a third or a third

0:21:46.720 --> 0:21:50.000
<v Speaker 1>one with a fourth Vanessa Hudgens. That's never gonna get easier.

0:21:51.119 --> 0:21:54.720
<v Speaker 1>She's been dodgy about that. Um. But then she said

0:21:54.800 --> 0:21:56.720
<v Speaker 1>in like an interview, She's like, I don't know, but

0:21:57.080 --> 0:22:00.000
<v Speaker 1>maybe the next Vanessa Hudgens will have a Scottish accent.

0:22:00.040 --> 0:22:04.640
<v Speaker 1>And everyone's like, what that's weird. Um, it's confident Vanessa

0:22:04.680 --> 0:22:09.200
<v Speaker 1>Hudgens can pull off. She do three accents, which includes

0:22:09.240 --> 0:22:13.119
<v Speaker 1>one that is just her regular speaking voice. Um, she

0:22:13.240 --> 0:22:18.080
<v Speaker 1>can barely talk. Um okay, so, but but I think

0:22:18.160 --> 0:22:20.720
<v Speaker 1>it's it's been hinted at at some point in this

0:22:20.800 --> 0:22:23.480
<v Speaker 1>Princess which that the fourth Vanessa Hudgens is going to

0:22:23.600 --> 0:22:29.040
<v Speaker 1>be her character from A Night Before Christmas, therefore tying

0:22:29.119 --> 0:22:36.480
<v Speaker 1>in that whole thing, which would be kind of genius. Yes,

0:22:36.600 --> 0:22:39.000
<v Speaker 1>that wouldn't have even occurred to me to do that,

0:22:39.040 --> 0:22:42.159
<v Speaker 1>but that's also the perfect choice to make. There's already

0:22:42.160 --> 0:22:46.359
<v Speaker 1>a fourth Vanessa Hudgens on the table, and she already

0:22:46.359 --> 0:22:51.920
<v Speaker 1>has experience kissing a Royal night royal figure Corport pattents

0:22:52.000 --> 0:22:55.879
<v Speaker 1>and look alike. She already has been making out with

0:22:55.920 --> 0:22:59.760
<v Speaker 1>this Robert Pattinson impersonator for you know, two years, yes,

0:23:00.040 --> 0:23:03.240
<v Speaker 1>on screen, so she she has the experience. That character

0:23:03.720 --> 0:23:07.080
<v Speaker 1>is ripe to be a part of this franchise. Was

0:23:07.119 --> 0:23:11.159
<v Speaker 1>that character's name? Was it like Brooke that I'm just

0:23:11.280 --> 0:23:14.520
<v Speaker 1>spitballing here. I don't remember. I watched that movie last

0:23:14.600 --> 0:23:17.560
<v Speaker 1>year when it got released. The only thing I remember

0:23:17.560 --> 0:23:19.760
<v Speaker 1>about it is there is a plot which and then

0:23:19.800 --> 0:23:23.240
<v Speaker 1>there is like random time travel and there's this like

0:23:23.359 --> 0:23:27.600
<v Speaker 1>fish out of water like Middle Ages night who shows up?

0:23:27.920 --> 0:23:30.800
<v Speaker 1>And yeah, I don't I I did not enjoy that.

0:23:30.800 --> 0:23:32.920
<v Speaker 1>That one wasn't my favorite, which is weird because it's

0:23:33.080 --> 0:23:35.600
<v Speaker 1>on Rotten Tomatoes. It's one of the highest rate of

0:23:36.000 --> 0:23:39.359
<v Speaker 1>Netflix Christmas movies. I like it has a lot of

0:23:39.400 --> 0:23:42.199
<v Speaker 1>the elements for a movie that I enjoy with, like

0:23:42.240 --> 0:23:44.639
<v Speaker 1>the time travel and the Fish out of Water and that,

0:23:45.440 --> 0:23:47.480
<v Speaker 1>but like I just didn't addn't know the some of

0:23:47.520 --> 0:23:50.320
<v Speaker 1>its parts. Yeah, I just didn't add up to anything

0:23:50.359 --> 0:23:54.800
<v Speaker 1>that I thought was great. Also, and her name was Brooke. Wow, Wow,

0:23:54.880 --> 0:23:58.920
<v Speaker 1>good memory. That was a total mistake. There was also

0:23:59.200 --> 0:24:03.480
<v Speaker 1>um someone was mentioning I'll link. I've read so many pieces,

0:24:03.520 --> 0:24:06.240
<v Speaker 1>I'm sorry, Like I can't really distinguish one writer from another.

0:24:06.480 --> 0:24:10.520
<v Speaker 1>But someone mentioned in their piece from this year that

0:24:10.640 --> 0:24:14.640
<v Speaker 1>this production company, which is called MPC A that produces

0:24:14.680 --> 0:24:19.880
<v Speaker 1>most of these movies, they must have some connection to Chicago,

0:24:20.040 --> 0:24:24.520
<v Speaker 1>because all of these movies are vaguely related to Chicago,

0:24:24.640 --> 0:24:27.960
<v Speaker 1>Like there's always someone is from Chicago. And then do

0:24:27.960 --> 0:24:30.840
<v Speaker 1>you remember in the first Christmas Prince movie there's an

0:24:30.960 --> 0:24:33.600
<v Speaker 1>establishing shot of Chicago, but then they're in New York,

0:24:33.880 --> 0:24:37.160
<v Speaker 1>like there's they're obsessed with Chicago. They show the Chicago

0:24:37.280 --> 0:24:40.399
<v Speaker 1>River and then there and then it was like pizza

0:24:41.000 --> 0:24:45.320
<v Speaker 1>Like You're like I'm walking here. You're like, that's not Chicago.

0:24:46.760 --> 0:24:50.080
<v Speaker 1>Also doesn't doesn't the company name stand for something like

0:24:50.280 --> 0:24:56.600
<v Speaker 1>motion Picture Company of America, something so generic and Corporation

0:24:56.680 --> 0:25:02.960
<v Speaker 1>of America, just like you, is a fake company. The

0:25:03.080 --> 0:25:06.600
<v Speaker 1>history of this company is also very weird. Okay, so

0:25:07.480 --> 0:25:12.240
<v Speaker 1>they were. It was established in the year I was born.

0:25:12.640 --> 0:25:18.280
<v Speaker 1>Thank you, brave Um. Good luck topping this incredible life

0:25:18.280 --> 0:25:21.800
<v Speaker 1>that the Motion Picture Corporation of America's who who did

0:25:21.840 --> 0:25:26.560
<v Speaker 1>it better? They did? Who did life Better? Founded in

0:25:26.640 --> 0:25:31.400
<v Speaker 1>n much like caitlin Um, they made a bunch of

0:25:31.800 --> 0:25:34.720
<v Speaker 1>crappy movies that didn't do well, and then they made

0:25:34.800 --> 0:25:39.479
<v Speaker 1>Dumb and Dumber and so that's no good. Uh. And

0:25:39.520 --> 0:25:46.760
<v Speaker 1>then they were acquired and then fifteen years passes, and

0:25:46.800 --> 0:25:51.440
<v Speaker 1>then they made Beverly Hills Chihuahua too, and then they

0:25:51.440 --> 0:25:55.560
<v Speaker 1>started making Netflix Christmas movies and that's that's their life.

0:25:55.840 --> 0:26:02.160
<v Speaker 1>Wild really make it makes sense? I I don't know.

0:26:02.480 --> 0:26:04.800
<v Speaker 1>I might be missing other stuff, but I just don't care.

0:26:04.920 --> 0:26:08.000
<v Speaker 1>But either way, they're obsessed with establishing shots of Chicago,

0:26:08.119 --> 0:26:11.639
<v Speaker 1>mentions of Chicago, even though the company is based in

0:26:12.400 --> 0:26:16.520
<v Speaker 1>Century City in Los Angeles, So I don't know. Confusing

0:26:16.560 --> 0:26:19.359
<v Speaker 1>who cares? Much like the plot of this movie, should

0:26:19.359 --> 0:26:24.600
<v Speaker 1>I recap it? Good transition? Yes? Thank you, Actually, we're

0:26:24.680 --> 0:26:26.600
<v Speaker 1>going to take a quick break first, and then we

0:26:26.680 --> 0:26:36.360
<v Speaker 1>will come right back, and we're back alright. So I'm

0:26:36.400 --> 0:26:39.400
<v Speaker 1>just gonna have to assume that you, the listeners, have

0:26:39.760 --> 0:26:42.960
<v Speaker 1>watched the first movie or at least listen to our

0:26:43.000 --> 0:26:45.760
<v Speaker 1>episode on it, or have some understanding of what happens

0:26:45.800 --> 0:26:48.080
<v Speaker 1>in the first movie, because what happens in the second movie,

0:26:49.000 --> 0:26:51.240
<v Speaker 1>you have to have an understanding of the first movie.

0:26:51.560 --> 0:26:56.200
<v Speaker 1>So I'm just gonna operate on that assumption that you're familiar. So, Stacy,

0:26:56.520 --> 0:27:00.439
<v Speaker 1>who is the Vanessa Hudgens from Chicago who's a former baker,

0:27:01.240 --> 0:27:05.960
<v Speaker 1>is married to Prince Edward, the most boring person, someone

0:27:06.040 --> 0:27:12.399
<v Speaker 1>who makes King Richard looked like a fucking like interesting person,

0:27:12.680 --> 0:27:17.280
<v Speaker 1>the most boring person ever committed to screen. I have

0:27:17.400 --> 0:27:19.240
<v Speaker 1>more notes about him than I thought I would for

0:27:19.280 --> 0:27:21.560
<v Speaker 1>this movie, but I do have a few things to

0:27:21.560 --> 0:27:24.879
<v Speaker 1>say when we get there. But yes, he's so he

0:27:26.880 --> 0:27:30.000
<v Speaker 1>he feel bad almost, Yeah, I don't say I almost

0:27:30.000 --> 0:27:32.640
<v Speaker 1>feel bad for him because of just like how he's

0:27:32.640 --> 0:27:36.240
<v Speaker 1>treated in this movie and just like because his wife

0:27:36.280 --> 0:27:40.199
<v Speaker 1>clearly doesn't love him very much. Like it's like, I

0:27:40.240 --> 0:27:43.280
<v Speaker 1>don't I think that like Prince Edward needs to like

0:27:43.800 --> 0:27:46.000
<v Speaker 1>wake up and smell the coffee. I don't think Vanessa

0:27:46.080 --> 0:27:49.199
<v Speaker 1>loves him as much as he thinks she does and

0:27:49.280 --> 0:27:53.720
<v Speaker 1>smells the coco Kevin insists on making all the time.

0:27:54.240 --> 0:27:57.720
<v Speaker 1>Kevin's a whole other thing like that, but Prince Edward,

0:27:57.800 --> 0:28:03.120
<v Speaker 1>especially like he's so whatever that I felt bad for him.

0:28:03.119 --> 0:28:05.439
<v Speaker 1>I'm like, you need to find the world's most boring

0:28:05.840 --> 0:28:09.720
<v Speaker 1>person and marry them, because like, I'm not feeling it

0:28:09.760 --> 0:28:13.199
<v Speaker 1>with you in Vanessa, I'm just not I have no chemistry.

0:28:13.240 --> 0:28:15.200
<v Speaker 1>She's trying to get away from him all the time,

0:28:15.240 --> 0:28:17.000
<v Speaker 1>and he's like, I love you hang out with me,

0:28:17.040 --> 0:28:19.040
<v Speaker 1>and she's like, I can't hear you, la la la.

0:28:19.160 --> 0:28:24.000
<v Speaker 1>I don't like that. So mean, and also like just

0:28:24.080 --> 0:28:27.560
<v Speaker 1>don't want to marry him. There's one scene where like

0:28:27.720 --> 0:28:29.920
<v Speaker 1>he's clearly trying to have sex with her because she's

0:28:29.960 --> 0:28:32.679
<v Speaker 1>like blah blah blah, I'm distracted or something, I'm stressed

0:28:32.680 --> 0:28:34.639
<v Speaker 1>out or something, and he's like, well, I know something

0:28:34.720 --> 0:28:37.359
<v Speaker 1>we could do to take your mind off it, and

0:28:37.400 --> 0:28:39.960
<v Speaker 1>then she's like, no, I'm too busy trying to get

0:28:40.000 --> 0:28:43.240
<v Speaker 1>my look alike to have sex with my best friend Kevin.

0:28:43.320 --> 0:28:47.400
<v Speaker 1>And she would rather like she would rather fly to

0:28:47.520 --> 0:28:52.080
<v Speaker 1>Chicago from belgrave A than spend a day with her husband.

0:28:52.440 --> 0:28:56.800
<v Speaker 1>And and also it's so set like that beginning they

0:28:57.160 --> 0:28:59.960
<v Speaker 1>that scene, that same scene where she's like avoiding him,

0:29:00.080 --> 0:29:02.360
<v Speaker 1>but it's in this way that I'm like, it's they're

0:29:02.400 --> 0:29:05.800
<v Speaker 1>making it sound like she literally can't hear what he's saying, yes,

0:29:06.040 --> 0:29:08.280
<v Speaker 1>which is just it's just confusing the way it's written.

0:29:08.760 --> 0:29:11.960
<v Speaker 1>But he like they're both at the beginning of the scene,

0:29:11.960 --> 0:29:15.240
<v Speaker 1>they're like, oh, we're so busy, and we're like with

0:29:15.360 --> 0:29:19.640
<v Speaker 1>what And then later Prince Edward says literally says like,

0:29:19.720 --> 0:29:22.600
<v Speaker 1>I'm not actually that busy. I just say I'm busy,

0:29:22.760 --> 0:29:25.560
<v Speaker 1>so that because I feel bad because my wife is busy,

0:29:25.640 --> 0:29:28.600
<v Speaker 1>and I'm like, I don't think she's busy. I don't

0:29:28.600 --> 0:29:31.160
<v Speaker 1>think she's busy. And she's just trying to everything and

0:29:31.200 --> 0:29:34.800
<v Speaker 1>go to Chicago to like do do something that her

0:29:34.840 --> 0:29:38.520
<v Speaker 1>friends don't want do this weird matchmaking thing. Yeah, they

0:29:38.560 --> 0:29:46.200
<v Speaker 1>have to get divorced, like that marriage is no good anyway.

0:29:46.480 --> 0:29:50.960
<v Speaker 1>They live in Belgravia together, which is apparently adjacent to

0:29:51.160 --> 0:29:55.520
<v Speaker 1>Montenaro and Aldovia. And let's throw Genovia from from Princess

0:29:55.680 --> 0:29:57.960
<v Speaker 1>to say, where does Genovia come into the mix? What's

0:29:57.960 --> 0:30:03.120
<v Speaker 1>a movie called Princess Princess airis Diaries? Diaries? Too many

0:30:03.160 --> 0:30:07.440
<v Speaker 1>princess movies. Okay, so that's Stacy. Her look alike, also

0:30:07.480 --> 0:30:11.600
<v Speaker 1>played by Vanessa Hudgens, of course, is Princess Margaret, who

0:30:11.760 --> 0:30:14.040
<v Speaker 1>is the person she switched places with in the first movie.

0:30:14.040 --> 0:30:16.400
<v Speaker 1>And in the first movie, Margaret fell in love with

0:30:16.440 --> 0:30:21.120
<v Speaker 1>Stacy's best friend, Kevin. But between the first and second movie,

0:30:21.440 --> 0:30:25.000
<v Speaker 1>Kevin and Margaret have broken up. I so that's important

0:30:25.040 --> 0:30:30.320
<v Speaker 1>to know. So fucking frustrating here because we had to

0:30:30.360 --> 0:30:34.160
<v Speaker 1>spend a lot of the first movie rooting for Margaret

0:30:34.240 --> 0:30:36.320
<v Speaker 1>and Kevin to get together, and then we just have

0:30:36.520 --> 0:30:40.000
<v Speaker 1>We're expected to just do the exact same thing for

0:30:40.040 --> 0:30:42.840
<v Speaker 1>the whole second movie. I'm like, I guess what, I'm

0:30:42.920 --> 0:30:46.880
<v Speaker 1>not rooting. I don't care. I'm not really efficient. No

0:30:46.920 --> 0:30:51.160
<v Speaker 1>one's rooting for them. I'm just like, Kevin deserves better,

0:30:51.360 --> 0:30:54.320
<v Speaker 1>Margaret like they're just not. It's not I don't dis well,

0:30:54.320 --> 0:30:57.680
<v Speaker 1>I kind of just like Margaret. I like Kevin, but

0:30:57.800 --> 0:31:01.560
<v Speaker 1>I also think that he really, um is not very

0:31:01.560 --> 0:31:05.480
<v Speaker 1>respectful of boundaries. That's a whole other thing. I just

0:31:05.560 --> 0:31:08.960
<v Speaker 1>I'm like, I wish them both the best, separately, clearly

0:31:09.000 --> 0:31:12.040
<v Speaker 1>together as a no go. They broke up. They broke

0:31:12.120 --> 0:31:15.560
<v Speaker 1>up for a reason. I like Kevin. I don't like

0:31:15.680 --> 0:31:18.920
<v Speaker 1>Margaret for Kevin. I think that Margaret and Prince Edward,

0:31:18.920 --> 0:31:21.080
<v Speaker 1>who I both find to be really boring and brand,

0:31:21.440 --> 0:31:23.920
<v Speaker 1>should have gotten together. Wouldn't the Royal family have been

0:31:23.960 --> 0:31:26.040
<v Speaker 1>happier if they had just done that. I'm like, Okay,

0:31:26.080 --> 0:31:28.640
<v Speaker 1>just get the two boring people married. Yeah, they're already

0:31:28.640 --> 0:31:32.959
<v Speaker 1>both Royals, they understand the lifestyle. Stacy's clearly obsessed with Kevin,

0:31:33.360 --> 0:31:35.440
<v Speaker 1>like that should have looked up. I guess that's the

0:31:35.440 --> 0:31:37.560
<v Speaker 1>thing is, I was never really rooting for the couples

0:31:37.600 --> 0:31:39.160
<v Speaker 1>that they clearly want you to root for in the

0:31:39.160 --> 0:31:41.160
<v Speaker 1>first movie. I wanted the ones that they were pushing,

0:31:41.480 --> 0:31:45.880
<v Speaker 1>which was Stacy, Kevin and Edward Margaret. I'm like, yeah,

0:31:45.920 --> 0:31:49.240
<v Speaker 1>that makes way more sense to me. Stacy's still obsessed

0:31:49.280 --> 0:31:52.160
<v Speaker 1>with who Kevin's having sex with and needs it to

0:31:52.160 --> 0:31:56.000
<v Speaker 1>be someone who looks like her. Like that's projecting. That's

0:31:56.080 --> 0:31:59.360
<v Speaker 1>literally like, look in the mirror, is Stacy talked to

0:31:59.360 --> 0:32:04.000
<v Speaker 1>your therapist? Stacy? I it's so frustrating. They're also the

0:32:04.040 --> 0:32:06.840
<v Speaker 1>whole thing with Margaret in this movie I'm Margaret is

0:32:07.120 --> 0:32:11.000
<v Speaker 1>I totally agree, so so so so boring, And I

0:32:11.000 --> 0:32:14.240
<v Speaker 1>feel like you could have done something way more interesting

0:32:14.280 --> 0:32:19.080
<v Speaker 1>with her by even like borrowing plot points from a

0:32:19.160 --> 0:32:22.800
<v Speaker 1>Christmas Prince, because a Christmas prinds well really bad at

0:32:22.840 --> 0:32:27.440
<v Speaker 1>least like Amber when she's like becoming a queen, has

0:32:27.480 --> 0:32:30.840
<v Speaker 1>like you learned about her trials and tribulations in the castle,

0:32:30.880 --> 0:32:33.280
<v Speaker 1>and like people don't take her seriously and she has

0:32:33.360 --> 0:32:37.480
<v Speaker 1>to like you know, fight for herself. In her stay

0:32:37.560 --> 0:32:41.520
<v Speaker 1>tuned to Our Christmas Prince Too episode coming out later

0:32:41.560 --> 0:32:44.760
<v Speaker 1>this month, she doesn't investigate a reporting like she at

0:32:44.840 --> 0:32:49.680
<v Speaker 1>least like it's all super pointless and like makes no sense,

0:32:49.760 --> 0:32:52.040
<v Speaker 1>but at least it's like, oh, you see, she's like

0:32:52.320 --> 0:32:56.320
<v Speaker 1>fighting for herself, whereas Margaret. I would have rather have

0:32:56.360 --> 0:32:59.080
<v Speaker 1>seen Margaret, like they referenced that she's having a tough

0:32:59.120 --> 0:33:03.000
<v Speaker 1>time adjusting, but you don't see it ever. You like

0:33:03.120 --> 0:33:05.520
<v Speaker 1>you just see her apologize to Kevin to be like sorry,

0:33:05.560 --> 0:33:08.040
<v Speaker 1>I was sorry. I I have to do this thing

0:33:08.120 --> 0:33:10.080
<v Speaker 1>called being the queen of a country, so I can't

0:33:10.120 --> 0:33:12.080
<v Speaker 1>hang out with you at two pm on a week

0:33:12.160 --> 0:33:16.680
<v Speaker 1>day like, obviously she can't. Kevin's The other weird thing

0:33:16.720 --> 0:33:20.360
<v Speaker 1>happens where in the first Princess Switch movie, the reason

0:33:20.400 --> 0:33:23.800
<v Speaker 1>they switch places is because Margaret like doesn't really want

0:33:23.840 --> 0:33:26.760
<v Speaker 1>to be a royal. She like doesn't like the lifestyle.

0:33:26.880 --> 0:33:29.360
<v Speaker 1>She doesn't like to be in the public spotlight, and

0:33:29.440 --> 0:33:32.200
<v Speaker 1>that's the whole reason they switched. But then suddenly in

0:33:32.240 --> 0:33:34.920
<v Speaker 1>the second movie, she's like, I was born to do this.

0:33:34.960 --> 0:33:39.000
<v Speaker 1>I freaking love being a queen. She's a plot queen.

0:33:39.080 --> 0:33:41.719
<v Speaker 1>But then she also still doesn't seem committed to like

0:33:41.760 --> 0:33:45.120
<v Speaker 1>she doesn't seem like she wants to do it still. Also, Okay,

0:33:45.120 --> 0:33:48.640
<v Speaker 1>here's a question I had that I was I told

0:33:48.680 --> 0:33:50.600
<v Speaker 1>myself I had to pay attention during the first Princess

0:33:50.600 --> 0:33:52.720
<v Speaker 1>Switch when I rewatched it that I was like, did

0:33:52.760 --> 0:33:55.360
<v Speaker 1>her father die? Like who was the king? Was the

0:33:55.480 --> 0:33:59.160
<v Speaker 1>king her father from Margaret? Yeah? And then her because

0:33:59.200 --> 0:34:02.760
<v Speaker 1>they said, like the king died, the brother abdicated, and

0:34:02.800 --> 0:34:05.880
<v Speaker 1>then so now Margaret is going to be the sovereign.

0:34:07.000 --> 0:34:09.000
<v Speaker 1>Does that mean her father died and we just didn't

0:34:09.080 --> 0:34:12.040
<v Speaker 1>didn't talk about it her father. That's what they mentioned

0:34:12.040 --> 0:34:15.719
<v Speaker 1>in the opening montage of Princess Switched to right but

0:34:15.719 --> 0:34:19.920
<v Speaker 1>they don't. But we don't see her deal with her

0:34:19.960 --> 0:34:24.840
<v Speaker 1>father died very very recently. That's a huge thing to happen,

0:34:25.120 --> 0:34:27.799
<v Speaker 1>Like we I don't think we were told by the

0:34:27.840 --> 0:34:29.600
<v Speaker 1>movie they had a bad relationship. So you have to

0:34:29.640 --> 0:34:33.160
<v Speaker 1>imagine she just lost a parent and is not at

0:34:33.160 --> 0:34:36.120
<v Speaker 1>all affected by it, right, She's the only thing is

0:34:36.160 --> 0:34:38.239
<v Speaker 1>like she put a tarp over a Christmas tree and

0:34:38.280 --> 0:34:39.920
<v Speaker 1>she's like, this is how I grieve, and like, well,

0:34:39.960 --> 0:34:42.320
<v Speaker 1>there's no wrong way to grieve, Margaret, but like it

0:34:42.480 --> 0:34:45.239
<v Speaker 1>just is weird that they don't bring it up. And

0:34:45.239 --> 0:34:47.680
<v Speaker 1>then also, I mean, also I've been watching The Crown,

0:34:47.800 --> 0:34:51.160
<v Speaker 1>so they're with me here. But like, an abdication of

0:34:51.200 --> 0:34:54.439
<v Speaker 1>the throne is a big fucking deal. Like people would

0:34:54.480 --> 0:34:58.040
<v Speaker 1>be talking about the fact that the like where is

0:34:58.080 --> 0:35:01.000
<v Speaker 1>her brother at, Like that's another plotline from Margaret. I

0:35:01.000 --> 0:35:04.040
<v Speaker 1>would have been way more interested in as her struggle

0:35:04.120 --> 0:35:05.880
<v Speaker 1>with her brother, being like, well, why the fund did

0:35:05.920 --> 0:35:07.799
<v Speaker 1>you abdicate? You know, I didn't want to be queen

0:35:07.840 --> 0:35:10.359
<v Speaker 1>and he's like I didn't want to be king, Like

0:35:10.480 --> 0:35:12.759
<v Speaker 1>we hate being royals. Like it would have been so

0:35:12.800 --> 0:35:18.719
<v Speaker 1>more interesting. Okay, another separate pitch than the one I

0:35:18.760 --> 0:35:21.800
<v Speaker 1>was originally going to pitch for the next Princess Switch movie.

0:35:22.440 --> 0:35:25.320
<v Speaker 1>What if her brother shows up but it's also played

0:35:25.320 --> 0:35:32.120
<v Speaker 1>by Vanessa Hudgens genius, or her brother shows up and

0:35:32.160 --> 0:35:36.719
<v Speaker 1>he's and it's Kevin, when it's a second Kevin, and

0:35:36.760 --> 0:35:39.960
<v Speaker 1>then they're like, they're like, oh my god, wait, her

0:35:39.960 --> 0:35:42.160
<v Speaker 1>brother looks just like her ex boyfriend. How did we

0:35:42.200 --> 0:35:44.920
<v Speaker 1>not know that? And then and then it becomes a

0:35:44.960 --> 0:35:49.879
<v Speaker 1>whole too gross. Yeah, that's actually nasty. But either way,

0:35:50.000 --> 0:35:54.280
<v Speaker 1>there are so many directions because Margaret is canonically boring

0:35:54.880 --> 0:35:58.200
<v Speaker 1>as a hell, like, give her something interesting to do,

0:35:58.400 --> 0:36:00.600
<v Speaker 1>so at least we're watching a boring pers and do

0:36:00.880 --> 0:36:04.200
<v Speaker 1>interesting things. That's why a Christmas Prince works. Amber is boring,

0:36:04.560 --> 0:36:07.359
<v Speaker 1>but she does things that are interesting, so it's sort

0:36:07.400 --> 0:36:11.320
<v Speaker 1>of like you're like, man, this is kind of interesting. Um,

0:36:12.000 --> 0:36:15.279
<v Speaker 1>but Margaret is boring, and all the things that are

0:36:15.280 --> 0:36:19.040
<v Speaker 1>interesting about what's happening in her life are not talked

0:36:19.080 --> 0:36:22.600
<v Speaker 1>about at all. I truly like, correct me in the

0:36:22.600 --> 0:36:25.480
<v Speaker 1>comments if I'm wrong, But it seems like she just

0:36:25.560 --> 0:36:28.440
<v Speaker 1>lost If not her father, a very close family member,

0:36:28.719 --> 0:36:32.640
<v Speaker 1>there would have been a huge political like reckoning if

0:36:32.680 --> 0:36:35.799
<v Speaker 1>someone abdicated from the throne. It would just be like

0:36:36.120 --> 0:36:40.640
<v Speaker 1>this should have been seasoned one of the crown for Margaret. Yeah, Instead,

0:36:40.680 --> 0:36:43.880
<v Speaker 1>the only thing we get is like a couple shots

0:36:43.880 --> 0:36:48.120
<v Speaker 1>of what looks like tabloids, like not even like prestige journalism,

0:36:48.200 --> 0:36:53.640
<v Speaker 1>just like headlines of being like is Margaret ready to

0:36:53.680 --> 0:36:57.440
<v Speaker 1>be queen? Seems like she's a mess and it's but

0:36:57.520 --> 0:37:00.680
<v Speaker 1>then she's not dealing with that either, like don't you

0:37:00.680 --> 0:37:04.800
<v Speaker 1>know she's being scrutinized by the tabloids and she doesn't

0:37:04.960 --> 0:37:08.359
<v Speaker 1>care even though Margaret is boring, boring, boring, and every

0:37:08.360 --> 0:37:11.319
<v Speaker 1>time she's on screen, I'm like, oh my god, Margaret,

0:37:11.560 --> 0:37:14.000
<v Speaker 1>Like they could have done something interesting with her in

0:37:14.040 --> 0:37:16.600
<v Speaker 1>a bunch of different ways, and then instead they were like, hm,

0:37:16.600 --> 0:37:19.280
<v Speaker 1>what if we just repeated the exact her exact plot

0:37:19.280 --> 0:37:26.000
<v Speaker 1>line from the first movie, like why you know why? Sorry?

0:37:26.280 --> 0:37:28.239
<v Speaker 1>I was just I wrote down at the beginning like

0:37:28.280 --> 0:37:30.479
<v Speaker 1>the top of my nose, and like, Margaret's father died,

0:37:30.520 --> 0:37:34.719
<v Speaker 1>why aren't we talking about this? That's even in like

0:37:34.719 --> 0:37:37.279
<v Speaker 1>a corny movie kind of way of like this is

0:37:37.320 --> 0:37:39.319
<v Speaker 1>what he would have wanted or you know, like that

0:37:39.400 --> 0:37:44.799
<v Speaker 1>kind of corny state. But no, sadly, no, um all right,

0:37:45.120 --> 0:37:49.280
<v Speaker 1>where were we? Okay? So she goes to visit Kevin

0:37:49.680 --> 0:37:54.000
<v Speaker 1>and his daughter Olivia in Chicago, and a different actor

0:37:54.040 --> 0:37:57.040
<v Speaker 1>from the last movie. I thought, so yes, I was like,

0:37:57.120 --> 0:38:00.520
<v Speaker 1>I but I didn't rewatch the first movie, so I

0:38:00.560 --> 0:38:04.920
<v Speaker 1>wasn't sure, but I had a feeling that they recast her. Okay,

0:38:04.920 --> 0:38:09.200
<v Speaker 1>So Stacy invites them to Margaret's coronation ceremony because she

0:38:09.320 --> 0:38:14.400
<v Speaker 1>is about to become Queen of Montenaro, and Kevin reluctantly agrees,

0:38:14.640 --> 0:38:18.200
<v Speaker 1>and then they all show up at Margaret's palace and

0:38:18.239 --> 0:38:22.640
<v Speaker 1>then they all decorate it together. Margaret and Kevin start

0:38:22.760 --> 0:38:26.359
<v Speaker 1>flirting by throwing flower on each other. The flower fight

0:38:26.480 --> 0:38:35.280
<v Speaker 1>is so the flower fight. I'm like, okay, fine, fine, fine. Also,

0:38:35.760 --> 0:38:38.040
<v Speaker 1>I'm curious on how you feel about I feel like

0:38:38.800 --> 0:38:43.680
<v Speaker 1>Kevin really should have like not let himself get steamrolled

0:38:43.840 --> 0:38:49.480
<v Speaker 1>by Princess Stacy when Princess Stacy rolls in, and also

0:38:49.560 --> 0:38:51.960
<v Speaker 1>like she's not a good friend to him because she

0:38:52.120 --> 0:38:56.120
<v Speaker 1>is like mocking him in front of his child, like Olivia.

0:38:56.120 --> 0:38:58.480
<v Speaker 1>I also feel back to Olivia because Olivia should not

0:38:58.480 --> 0:39:02.480
<v Speaker 1>be brought into this so much. Like first of all,

0:39:02.520 --> 0:39:04.920
<v Speaker 1>the trope of like a child who's obsessed with their

0:39:05.000 --> 0:39:08.239
<v Speaker 1>parents romantic life for kind of no reason. When has

0:39:08.280 --> 0:39:11.280
<v Speaker 1>it ever been a thing in all of these movies?

0:39:11.480 --> 0:39:15.200
<v Speaker 1>That's just cannon whatever, that's a movie trope that is

0:39:15.360 --> 0:39:18.200
<v Speaker 1>just like it's neither here nor there. It's just kind

0:39:18.200 --> 0:39:21.560
<v Speaker 1>of creepy and weird. But whatever, it's a plot device.

0:39:21.880 --> 0:39:25.799
<v Speaker 1>But when Vanessa shows up unannounced and it's like, look

0:39:25.800 --> 0:39:30.000
<v Speaker 1>at you wearing wet pants. You make me sick and

0:39:30.080 --> 0:39:32.640
<v Speaker 1>you better come to Bell Gravy at like, he should

0:39:32.640 --> 0:39:35.799
<v Speaker 1>have just been like no, like he shouldn't have done it.

0:39:36.000 --> 0:39:39.520
<v Speaker 1>He should have called Margaret and been like, hey, Stacy

0:39:39.640 --> 0:39:42.319
<v Speaker 1>is being a fucking bully because she's like obsessed with

0:39:42.600 --> 0:39:46.560
<v Speaker 1>us being together for question mark reason? Is it okay

0:39:46.600 --> 0:39:50.120
<v Speaker 1>if I come? Like another interesting if we have to

0:39:50.200 --> 0:39:52.600
<v Speaker 1>have Kevin and Bell Gravya for this movie to happen,

0:39:52.920 --> 0:39:55.880
<v Speaker 1>then when he shows up, why couldn't Margaret be like

0:39:56.600 --> 0:40:00.239
<v Speaker 1>mad it's Stacy? Like there that was another thing where

0:40:00.239 --> 0:40:04.120
<v Speaker 1>there's just like no conflict between Margaret and Stacy at

0:40:04.120 --> 0:40:07.879
<v Speaker 1>any time when it seems like there it would be

0:40:08.000 --> 0:40:12.200
<v Speaker 1>very justifiable, like Stacy is getting so into other people's

0:40:12.239 --> 0:40:14.399
<v Speaker 1>businesses and no one gets mad at her I would

0:40:14.440 --> 0:40:17.040
<v Speaker 1>be so mad at her if she cooked my ex

0:40:17.360 --> 0:40:22.840
<v Speaker 1>to Montenaro three nights before my coronation, I'd be like, Stacy,

0:40:22.880 --> 0:40:25.680
<v Speaker 1>stay out of it, like your your marriage is over

0:40:25.760 --> 0:40:30.759
<v Speaker 1>there with Mr Boring. So like, there's so little conflict

0:40:30.960 --> 0:40:33.960
<v Speaker 1>between them, to the point where during the part of

0:40:33.960 --> 0:40:36.640
<v Speaker 1>the movie, and we'll get to this, but when they've

0:40:36.680 --> 0:40:41.120
<v Speaker 1>switched again since the subtitle of the movie, and we're

0:40:41.160 --> 0:40:44.399
<v Speaker 1>also very low stakes reason, like the reason they switch

0:40:44.480 --> 0:40:49.440
<v Speaker 1>is so so confused about why they switch. I have

0:40:49.640 --> 0:40:53.600
<v Speaker 1>so many thoughts and questions and notes about that. Thanks,

0:40:54.000 --> 0:40:56.000
<v Speaker 1>there's a yeah, there's a little twist where a third

0:40:56.080 --> 0:40:58.880
<v Speaker 1>Vanessa is present and she also has done a switch.

0:40:59.200 --> 0:41:02.320
<v Speaker 1>So there's so little conflict between Margaret and Stacy that

0:41:02.440 --> 0:41:06.600
<v Speaker 1>when Margaret goes back to who she thinks is Stacy

0:41:06.760 --> 0:41:10.279
<v Speaker 1>and tries to switch back, except that who she thinks

0:41:10.280 --> 0:41:15.919
<v Speaker 1>is Stacy is actually cousin Fiona. We'll explain that whole thing.

0:41:16.760 --> 0:41:20.200
<v Speaker 1>Whenever this Fiona person is like, get the hell out

0:41:20.200 --> 0:41:25.759
<v Speaker 1>of here, Margaret's just like, okay, I sure, even though

0:41:26.480 --> 0:41:30.879
<v Speaker 1>Fiona is occupying her bedroom like that, Like Margaret gets

0:41:30.880 --> 0:41:34.680
<v Speaker 1>sent away from her own bedroom and she's just like okay, honestly,

0:41:34.800 --> 0:41:39.200
<v Speaker 1>that was that was iconic, Like that was like, so

0:41:39.520 --> 0:41:42.040
<v Speaker 1>I was thinking that too. But then I was like, Okay,

0:41:42.400 --> 0:41:47.359
<v Speaker 1>first of all, Fiona is amazing, but I was kind

0:41:47.360 --> 0:41:49.800
<v Speaker 1>of like the most compelling thing was I was rooting

0:41:49.840 --> 0:41:52.839
<v Speaker 1>for her to successfully take the throw over market because

0:41:52.840 --> 0:41:54.640
<v Speaker 1>I like, at least she wants it. At least she

0:41:54.680 --> 0:41:57.040
<v Speaker 1>wants to do it, like, yeah, just let her do

0:41:57.120 --> 0:42:00.600
<v Speaker 1>it whatever. But and she's also the only good Vanessa

0:42:00.680 --> 0:42:05.080
<v Speaker 1>in this one. But that was so like bully older

0:42:05.120 --> 0:42:10.279
<v Speaker 1>cousin move for Fiona to like gaslight Margaret so hard.

0:42:10.320 --> 0:42:12.319
<v Speaker 1>She's like, I guess I'm not myself. I guess I

0:42:12.320 --> 0:42:15.160
<v Speaker 1>am leaving the room. I was like, Margaret, we need to,

0:42:15.560 --> 0:42:19.640
<v Speaker 1>like every Stacy and Margaret need to like go to

0:42:19.719 --> 0:42:24.239
<v Speaker 1>some self esteem workshops because they're just like struggling. Um, yeah,

0:42:24.320 --> 0:42:26.840
<v Speaker 1>I don't. I I was also kind of like, I

0:42:26.920 --> 0:42:30.560
<v Speaker 1>was really baffled by the lack of conflict between Stacy

0:42:30.600 --> 0:42:32.960
<v Speaker 1>and Margaret at all. I felt like it worked against

0:42:33.000 --> 0:42:35.680
<v Speaker 1>the plot. It would have been the way it would

0:42:35.680 --> 0:42:39.880
<v Speaker 1>have helped the like switch level confusion. It would have

0:42:39.920 --> 0:42:44.320
<v Speaker 1>been interesting if like Margaret was like, oh, maybe Stacy's

0:42:44.360 --> 0:42:46.839
<v Speaker 1>not who I thought she was instead of immediately being

0:42:46.920 --> 0:42:51.560
<v Speaker 1>like Stacy would never do this? Who is the third Vanessa?

0:42:51.760 --> 0:42:56.600
<v Speaker 1>Like I'm not like rooting for It's it's it's I

0:42:56.640 --> 0:42:58.120
<v Speaker 1>don't know. It's like one of those things where these

0:42:58.120 --> 0:43:00.440
<v Speaker 1>movies are so bad it's almost like, well, what kind

0:43:00.440 --> 0:43:03.000
<v Speaker 1>of yardstick is this? But sometimes I feel like people

0:43:03.040 --> 0:43:06.640
<v Speaker 1>think they're making a feminist choice by like having two

0:43:07.000 --> 0:43:11.480
<v Speaker 1>female characters have zero conflict, when it's like, no, just

0:43:11.880 --> 0:43:15.560
<v Speaker 1>treat them equally. Don't like make the reason that there's

0:43:15.560 --> 0:43:19.520
<v Speaker 1>a conflict be extremely gendered and irrational. There's a very

0:43:19.520 --> 0:43:22.400
<v Speaker 1>there's a very like I feel like, a very obvious

0:43:22.480 --> 0:43:25.479
<v Speaker 1>reason why they would be in conflict at multiple points

0:43:25.520 --> 0:43:29.520
<v Speaker 1>in this movie, but it just never happens. They're like, nope, besties,

0:43:29.640 --> 0:43:33.520
<v Speaker 1>I let myself get pushed around by Stacy for no reason,

0:43:33.880 --> 0:43:37.480
<v Speaker 1>like right, yeah, like Margaret could be like stop meddling

0:43:37.560 --> 0:43:42.640
<v Speaker 1>in my love life and yeah I should go to

0:43:42.760 --> 0:43:48.000
<v Speaker 1>therapy like get like Stacey. Yeah, I'm just like none

0:43:48.040 --> 0:43:52.319
<v Speaker 1>of the Vanessa's are are okay, Um, but the third

0:43:52.400 --> 0:43:56.080
<v Speaker 1>Vanessa is amazing and we're about to get to her,

0:43:56.280 --> 0:43:59.400
<v Speaker 1>so okay, yes, but before we do, um, so we

0:43:59.520 --> 0:44:02.560
<v Speaker 1>see Kevin and Margaret start to kind of like flirt again.

0:44:02.680 --> 0:44:07.800
<v Speaker 1>It's but but then we meet Antonio, who is Margaret's

0:44:07.840 --> 0:44:11.120
<v Speaker 1>chief of staff, and he is in love with Margaret

0:44:11.120 --> 0:44:14.040
<v Speaker 1>and he's like, you're great, I'm so happy to be

0:44:14.160 --> 0:44:17.440
<v Speaker 1>serving you. Blah blah blah blah blah, unnecessary, get rid

0:44:17.440 --> 0:44:21.240
<v Speaker 1>of it. But also he looked like British Jared Kushner

0:44:21.520 --> 0:44:25.400
<v Speaker 1>like he I was like, Anto, what is going on

0:44:25.440 --> 0:44:29.040
<v Speaker 1>with Antonio? He is clearly bad news, just by the

0:44:29.040 --> 0:44:32.200
<v Speaker 1>way he's like, He's the only person in this movie

0:44:32.200 --> 0:44:36.000
<v Speaker 1>I'm convinced is actually British. Also, like with the scenes

0:44:36.040 --> 0:44:38.719
<v Speaker 1>with the henchman, I'm like, are none of these people?

0:44:39.120 --> 0:44:41.040
<v Speaker 1>I didn't look it up, but I'm like, it seems

0:44:41.080 --> 0:44:43.719
<v Speaker 1>like no one is British. I tried to look up

0:44:43.760 --> 0:44:47.880
<v Speaker 1>the two people who play Mindy and Reggie FA's henchman.

0:44:48.560 --> 0:44:52.279
<v Speaker 1>There's there. They're off the grid. I just couldn't find

0:44:52.280 --> 0:44:56.440
<v Speaker 1>anything about them. I don't know, especially the male henchman.

0:44:56.800 --> 0:45:00.319
<v Speaker 1>I was like, I don't His accent was so over

0:45:00.360 --> 0:45:02.439
<v Speaker 1>the top that I'm like, it sounds like he's doing

0:45:02.440 --> 0:45:05.080
<v Speaker 1>the same thing Vanessa is. I don't know. And then

0:45:05.120 --> 0:45:08.280
<v Speaker 1>the hench the hench person that looked like Sar Sharon

0:45:08.440 --> 0:45:11.719
<v Speaker 1>In was just distracting because she looked so much like

0:45:11.760 --> 0:45:16.520
<v Speaker 1>Sar Sharonin. Um. I will say that Reggie, the one Henchman,

0:45:17.120 --> 0:45:20.480
<v Speaker 1>is the best character of the film. He but I

0:45:20.480 --> 0:45:23.479
<v Speaker 1>don't think he's British. Did you ever watch The Only

0:45:23.520 --> 0:45:27.120
<v Speaker 1>Way Is Essex or any of those like trashy British

0:45:27.320 --> 0:45:31.279
<v Speaker 1>like Jersey Shore, except like British. No, I haven't. Oh

0:45:31.320 --> 0:45:34.719
<v Speaker 1>my gosh, they're terrible shows. They're amazing because there's another

0:45:34.719 --> 0:45:38.680
<v Speaker 1>one called like Jordy Shore. I think, um that one.

0:45:38.760 --> 0:45:41.560
<v Speaker 1>I haven't seen that one. I think is maybe even

0:45:41.640 --> 0:45:44.160
<v Speaker 1>more trashy than The Only Way Is Essex. But I've

0:45:44.200 --> 0:45:47.399
<v Speaker 1>only seen that one anyway. I used to watch them

0:45:47.600 --> 0:45:53.040
<v Speaker 1>with my friend British Martha. But the two characters who

0:45:53.320 --> 0:45:58.560
<v Speaker 1>are the two hench people, Reggie and Mindy, especially Reggie,

0:45:58.840 --> 0:46:01.680
<v Speaker 1>feel to me like actors who would be in a

0:46:01.800 --> 0:46:05.560
<v Speaker 1>very trashy British reality show like The Only Way Is Essex.

0:46:05.680 --> 0:46:10.680
<v Speaker 1>Maybe he is Britain. Maybe my my view of Britain

0:46:10.960 --> 0:46:14.279
<v Speaker 1>the UK as to myopic and I just don't know. Well,

0:46:14.320 --> 0:46:19.080
<v Speaker 1>they have way more like kind of working class British accents,

0:46:19.080 --> 0:46:22.680
<v Speaker 1>so maybe that's I don't know. To our British listeners,

0:46:23.120 --> 0:46:27.960
<v Speaker 1>could you shed some light these actors are British. Uh

0:46:28.200 --> 0:46:31.120
<v Speaker 1>believe your answers in the comments. I genuinely I could

0:46:31.160 --> 0:46:34.480
<v Speaker 1>be totally off here, but I think it's I was

0:46:34.520 --> 0:46:39.000
<v Speaker 1>also thrown by how clearly fake Vaness's British accent is.

0:46:39.239 --> 0:46:41.320
<v Speaker 1>Maybe they are British and they're just trying to match

0:46:41.400 --> 0:46:43.600
<v Speaker 1>her so that they all like there could be a

0:46:43.640 --> 0:46:46.399
<v Speaker 1>lot of things going on here. Either way. The best

0:46:46.480 --> 0:46:49.720
<v Speaker 1>chemistry in the movie as between Vanessa and the Hene people,

0:46:50.200 --> 0:46:57.640
<v Speaker 1>bar none, best, incredible, perfect. Okay, so we've met Antonio,

0:46:58.080 --> 0:47:02.320
<v Speaker 1>he's in love with Margaret. Then there's this ball, because

0:47:02.320 --> 0:47:05.520
<v Speaker 1>there's of course like five Christmas events. There's a concert,

0:47:05.520 --> 0:47:08.200
<v Speaker 1>there's a ball, there's a coordination, there's an airport wedding.

0:47:08.239 --> 0:47:13.640
<v Speaker 1>Can't wait to get to that. But at the ball

0:47:14.560 --> 0:47:21.360
<v Speaker 1>we meet a third Vanessa Hudgens. She is blonde. She

0:47:21.719 --> 0:47:24.239
<v Speaker 1>is part of the royal family because she is cousins

0:47:24.520 --> 0:47:27.640
<v Speaker 1>with Margaret, but she's like not in the line of

0:47:27.800 --> 0:47:30.799
<v Speaker 1>succession for queen or something like that. But her name

0:47:30.840 --> 0:47:35.080
<v Speaker 1>is Fiona Pembroke. I just confirmed that Reggie is British.

0:47:35.120 --> 0:47:39.440
<v Speaker 1>He's a British soap opera actor. Oh wow, I had

0:47:39.480 --> 0:47:43.640
<v Speaker 1>a feeling he might have been authentically British. He is British,

0:47:43.760 --> 0:47:46.480
<v Speaker 1>and he's and he knows how to do camp. He's

0:47:46.520 --> 0:47:49.160
<v Speaker 1>a he's a goddamn soap character. So there you go.

0:47:49.600 --> 0:47:54.799
<v Speaker 1>Incredible friends, all right. Anyways, So Fiona Pembroke, she's an

0:47:54.840 --> 0:47:58.759
<v Speaker 1>incredible character. She and Reggie to me or like tied

0:47:58.760 --> 0:48:03.000
<v Speaker 1>for first place best character. That scene where Reggie steal

0:48:03.360 --> 0:48:07.279
<v Speaker 1>really aggressively steals a wallet from someone, like it was

0:48:07.280 --> 0:48:09.560
<v Speaker 1>my I rewatched that show three times. I'm like, oh

0:48:09.600 --> 0:48:12.560
<v Speaker 1>my god, what a bold move. Because she which What

0:48:12.600 --> 0:48:15.560
<v Speaker 1>Fiona does is she brings her hinge people who love

0:48:15.600 --> 0:48:18.680
<v Speaker 1>to take pictures against um, what do you call them?

0:48:18.719 --> 0:48:24.640
<v Speaker 1>Those backgrounds, those photo backgrounds, um Stepan repeats, um. But

0:48:24.760 --> 0:48:27.680
<v Speaker 1>she has her hench people just like pick pockets at

0:48:27.840 --> 0:48:31.560
<v Speaker 1>public events so that she can maintain her lifestyle. It's

0:48:31.560 --> 0:48:34.719
<v Speaker 1>a really bad plan, but it was fun. It was

0:48:34.760 --> 0:48:39.360
<v Speaker 1>fun to watch Reggie just pick pocketing everybody. It was great.

0:48:39.640 --> 0:48:42.640
<v Speaker 1>He's not good at it. And then no later when

0:48:43.080 --> 0:48:46.000
<v Speaker 1>they're like huddled together in what appears to be just

0:48:46.040 --> 0:48:51.680
<v Speaker 1>a completely empty dark castle, the Pembroke Estate. Uh, They're

0:48:51.680 --> 0:48:54.359
<v Speaker 1>like they can't even they can't even keep the lights

0:48:54.400 --> 0:48:59.719
<v Speaker 1>on there. They haven't stolen enough. Wallet's like they're like

0:49:00.200 --> 0:49:03.279
<v Speaker 1>unloading their hall of the stuff they have stolen that

0:49:03.400 --> 0:49:08.000
<v Speaker 1>evening at this ball and this movie is comedy gold,

0:49:08.160 --> 0:49:12.320
<v Speaker 1>especially in this scene because one of them has stolen

0:49:12.400 --> 0:49:15.000
<v Speaker 1>a roll of toilet paper and she's like in in

0:49:15.480 --> 0:49:19.160
<v Speaker 1>Fiona Vanessa Hudgens is like, this isn't gonna help pay

0:49:19.200 --> 0:49:23.120
<v Speaker 1>for our summer in whatever place that we're gonna go.

0:49:23.640 --> 0:49:26.759
<v Speaker 1>He's like, but it's double play, and she's like, I

0:49:26.800 --> 0:49:31.360
<v Speaker 1>don't care, and he's like, don't you understand it's double play?

0:49:31.760 --> 0:49:34.400
<v Speaker 1>And I'm like, this is the best joke I've ever

0:49:34.800 --> 0:49:40.640
<v Speaker 1>seen in a movie. It's not my favorite joke, I

0:49:40.680 --> 0:49:44.080
<v Speaker 1>guess at the end of my sentence, but I did.

0:49:44.120 --> 0:49:47.759
<v Speaker 1>I did think this movie was genuinely like I don't know.

0:49:47.840 --> 0:49:50.520
<v Speaker 1>I mean, it's all these movies are slightly They're enjoyable

0:49:50.520 --> 0:49:52.920
<v Speaker 1>to me in slightly different ways and then also not

0:49:53.120 --> 0:49:55.440
<v Speaker 1>enjoyable at all. But I feel like part of what

0:49:55.600 --> 0:49:59.600
<v Speaker 1>makes A Christmas Prints funny is that it doesn't seem

0:49:59.640 --> 0:50:03.440
<v Speaker 1>to re alize that it's funny. But the Princess Switch

0:50:03.640 --> 0:50:07.600
<v Speaker 1>movies are being funny on purpose, and I'm kind of laughing.

0:50:08.280 --> 0:50:11.600
<v Speaker 1>So I'm laughing quite a bit. And and and it

0:50:11.680 --> 0:50:16.719
<v Speaker 1>was written by two women, Robin bernheim Berger and Megan Metzker.

0:50:17.120 --> 0:50:20.320
<v Speaker 1>So there, that's why it's a feminist text, just getting

0:50:20.320 --> 0:50:23.839
<v Speaker 1>women in comedy. You love to see it hilarious. I

0:50:23.880 --> 0:50:29.280
<v Speaker 1>did laugh at several points in this movie. Oh wait, no, wait, yes, yes, okay,

0:50:29.280 --> 0:50:31.799
<v Speaker 1>now at that same ball Okay, I wanted to know

0:50:31.880 --> 0:50:34.400
<v Speaker 1>if you I was. I wanted to text you about it,

0:50:34.400 --> 0:50:35.640
<v Speaker 1>but then I'm like, no, I'm going to save it

0:50:35.680 --> 0:50:39.279
<v Speaker 1>for the pod. There's I watched it with Isaac and

0:50:39.320 --> 0:50:43.160
<v Speaker 1>there was like a scene where I'm like, huh, Kevin

0:50:43.440 --> 0:50:47.319
<v Speaker 1>and Margaret. Kevin like cuts in with Antonio and it's

0:50:47.400 --> 0:50:50.040
<v Speaker 1>like I have a dance with blah blah blah because

0:50:50.040 --> 0:50:54.759
<v Speaker 1>he's like Mr smooth cool Chicago Baker whatever, right, he

0:50:54.840 --> 0:50:57.600
<v Speaker 1>had Margaret are dancing, and then at one point they

0:50:57.760 --> 0:51:01.240
<v Speaker 1>stopped dancing and start just inning around in a circle.

0:51:01.320 --> 0:51:05.040
<v Speaker 1>Did you notice that that I didn't. I rewatched the

0:51:05.120 --> 0:51:09.000
<v Speaker 1>scene like four times because they start out dancing, everyone

0:51:09.080 --> 0:51:12.319
<v Speaker 1>is slow dance like whatever. It's all vaguely royal, and

0:51:12.360 --> 0:51:15.279
<v Speaker 1>you're like, I know what this scene is. And then

0:51:15.320 --> 0:51:17.839
<v Speaker 1>at some point they stopped doing the dancing, and then

0:51:17.840 --> 0:51:21.040
<v Speaker 1>they just have their hands on each other's shoulders and

0:51:21.080 --> 0:51:25.080
<v Speaker 1>they're continuing to talk and they're turning just in a circle.

0:51:25.200 --> 0:51:28.600
<v Speaker 1>I'm gonna, honestly, I'm going to get the time code

0:51:28.640 --> 0:51:31.799
<v Speaker 1>so I can just like explain to you like it

0:51:31.960 --> 0:51:35.880
<v Speaker 1>was continue, but I'm gonna stop and just show you

0:51:35.920 --> 0:51:38.160
<v Speaker 1>what we're talking about, because I can hear what I

0:51:38.200 --> 0:51:41.320
<v Speaker 1>sound like right now. But I swear to God, Jamie,

0:51:41.400 --> 0:51:43.839
<v Speaker 1>I believe you. I swear to God. They just start

0:51:43.880 --> 0:51:49.960
<v Speaker 1>turning in a circle, and it's so okay, amazing. Sorry, um,

0:51:50.040 --> 0:51:52.360
<v Speaker 1>let's take another quick break and then we will be

0:51:52.440 --> 0:52:02.320
<v Speaker 1>right back. And we're back, okay. So then Antonio professes

0:52:02.400 --> 0:52:06.120
<v Speaker 1>his feelings for Margaret outright, and then he tells Kevin

0:52:06.800 --> 0:52:09.560
<v Speaker 1>that Kevin is getting in the way of Margaret's happiness,

0:52:10.239 --> 0:52:14.680
<v Speaker 1>which Kevin's daughter Olivia overhears. So then she goes to

0:52:14.800 --> 0:52:18.799
<v Speaker 1>Stacy Margaret out of school anytime. Her dad's horny, like

0:52:18.920 --> 0:52:24.160
<v Speaker 1>what is this? What's going on? Right? And it's like

0:52:24.320 --> 0:52:27.759
<v Speaker 1>maybe it's her like holiday break from school. I don't know,

0:52:27.840 --> 0:52:29.799
<v Speaker 1>I don't know how long they're there for. I'm going

0:52:29.840 --> 0:52:33.200
<v Speaker 1>to need that specified because I'm like, we need Olivia

0:52:33.440 --> 0:52:37.840
<v Speaker 1>in school, we need her like less in Belgravia with

0:52:37.880 --> 0:52:42.440
<v Speaker 1>her dad's ex like involving her on Kevin's end first,

0:52:42.520 --> 0:52:44.680
<v Speaker 1>I know for the movie it makes sense, been involving

0:52:44.680 --> 0:52:48.400
<v Speaker 1>her on Kevin's end is so irresponsible. Your child should

0:52:48.400 --> 0:52:50.680
<v Speaker 1>not be involved in your love life to this extent,

0:52:50.800 --> 0:52:53.239
<v Speaker 1>Like your child should not be coming with you on

0:52:53.400 --> 0:52:57.759
<v Speaker 1>like Operation Get Her Back. Like that's just not that's

0:52:57.960 --> 0:53:00.799
<v Speaker 1>bad parenting. It would be. It would be one thing

0:53:00.880 --> 0:53:03.799
<v Speaker 1>if within the context of a movie, there was like

0:53:04.040 --> 0:53:06.919
<v Speaker 1>a stronger motivation established for her, if she was like,

0:53:07.440 --> 0:53:09.759
<v Speaker 1>I want to be a princess. That's why I have

0:53:09.880 --> 0:53:12.839
<v Speaker 1>such a vested interest in, like my dad marrying this

0:53:13.239 --> 0:53:17.360
<v Speaker 1>queen to be. But there's absolutely no motivation established for

0:53:17.400 --> 0:53:21.160
<v Speaker 1>her whatsoever. So it just feels weird and creepy, creepier

0:53:21.200 --> 0:53:23.759
<v Speaker 1>than it already is. And it's not like it's not

0:53:23.840 --> 0:53:27.520
<v Speaker 1>like she's like, oh, Margaret has such an amazing personality,

0:53:27.719 --> 0:53:31.759
<v Speaker 1>Like we know that's not true. Um, how should I

0:53:31.800 --> 0:53:34.440
<v Speaker 1>do this? So I just show you my computer screen?

0:53:35.239 --> 0:53:37.600
<v Speaker 1>I have it already, Um, just let me know the

0:53:37.640 --> 0:53:41.400
<v Speaker 1>time code. The time code is around just go to

0:53:41.520 --> 0:53:45.120
<v Speaker 1>twenty one minutes and y'all start to see what I'm

0:53:45.320 --> 0:53:47.600
<v Speaker 1>what I'm talking about. They start by, I've never seen

0:53:47.640 --> 0:53:49.880
<v Speaker 1>a dance like this where it starts as dancing and

0:53:49.920 --> 0:53:52.440
<v Speaker 1>then it just turns into slow spinning while continuing to

0:53:53.840 --> 0:53:57.920
<v Speaker 1>I'm seeing it, And then they do a wider shot

0:53:57.920 --> 0:54:01.040
<v Speaker 1>of it and it looks even weirder because are just like,

0:54:01.120 --> 0:54:06.080
<v Speaker 1>no one else is doing that, it's just them. That's incredible.

0:54:06.600 --> 0:54:09.880
<v Speaker 1>There's there's turning in a circle and he's going, maybe

0:54:09.880 --> 0:54:11.919
<v Speaker 1>we could hang out as friends, and I'm like, why

0:54:11.920 --> 0:54:14.759
<v Speaker 1>aren't you dancing anymore? What's happening? I wonder if they

0:54:14.840 --> 0:54:18.120
<v Speaker 1>like they had to learn like an actual ballroom dance,

0:54:18.160 --> 0:54:20.200
<v Speaker 1>but it was too complicated for both of them to

0:54:20.280 --> 0:54:22.759
<v Speaker 1>do the dance and deliver their lines. So they're like,

0:54:22.800 --> 0:54:26.960
<v Speaker 1>we're just gonna spend uh. We know, I mean, Vanessa

0:54:27.040 --> 0:54:29.160
<v Speaker 1>Hudgens is confirmed and not a good dancer. We've known

0:54:29.200 --> 0:54:33.080
<v Speaker 1>this since high school musical two thousand six, so not

0:54:33.160 --> 0:54:36.080
<v Speaker 1>to not to put around blast, but you know it

0:54:36.280 --> 0:54:40.399
<v Speaker 1>is true. Yeah, so that happens. Sorry, that was just

0:54:40.480 --> 0:54:43.160
<v Speaker 1>like a big bump for me, I was like, well,

0:54:43.320 --> 0:54:46.040
<v Speaker 1>where where are we? What's happening? Okay, thank you for

0:54:46.080 --> 0:54:49.480
<v Speaker 1>sharing that. I don't know if I would have noticed otherwise,

0:54:49.560 --> 0:54:54.640
<v Speaker 1>how would you survive that? Truly? Um? Okay? So Olivia

0:54:54.719 --> 0:54:58.719
<v Speaker 1>has overheard uh Antonio, Bully and Kevin basically, so she

0:54:58.840 --> 0:55:01.920
<v Speaker 1>goes to Stacy and Mark Egaret and proposes that they

0:55:02.000 --> 0:55:07.200
<v Speaker 1>switch places again so that Stacy can do Margaret's queen

0:55:07.360 --> 0:55:11.200
<v Speaker 1>duties at the like Christmas concert that night or whatever

0:55:11.320 --> 0:55:15.960
<v Speaker 1>or like the following day, and Margaret can still Like,

0:55:16.840 --> 0:55:23.800
<v Speaker 1>here's the thing, Margaret Stay stays herself, the only one, okay.

0:55:23.840 --> 0:55:27.160
<v Speaker 1>So the whole reason for this switch is so that

0:55:27.200 --> 0:55:31.120
<v Speaker 1>Margaret and Kevin can have some alone time together. So

0:55:31.200 --> 0:55:35.359
<v Speaker 1>it's really just Stacy masquerading as Margaret in public so

0:55:35.400 --> 0:55:38.920
<v Speaker 1>that Margaret has the time to be alone with Kevin.

0:55:39.600 --> 0:55:43.600
<v Speaker 1>So there's a makeover montage of course, when which all

0:55:43.640 --> 0:55:49.319
<v Speaker 1>the Vanessa Hudgens is switch place. But because they're doing

0:55:49.360 --> 0:55:52.279
<v Speaker 1>this whole switch so that Margaret can have alone time

0:55:52.320 --> 0:55:55.480
<v Speaker 1>with Kevin, Kevin knows that he is spending time with Margaret.

0:55:56.680 --> 0:56:00.279
<v Speaker 1>The only person that is seeing Margaret as Stay see

0:56:00.600 --> 0:56:04.560
<v Speaker 1>is Kevin, so there's no reason that they needed to

0:56:04.640 --> 0:56:09.759
<v Speaker 1>actually switch places all the way. Yeah, absolutely, you're totally right.

0:56:10.000 --> 0:56:12.840
<v Speaker 1>You're totally right because he knows, he knows he's spending

0:56:12.840 --> 0:56:17.040
<v Speaker 1>time with Margaret. But even so, she dresses as Stacy,

0:56:17.280 --> 0:56:20.680
<v Speaker 1>which just makes the whole thing weirder because now he's like, well,

0:56:21.080 --> 0:56:24.279
<v Speaker 1>the woman I love now has like the hair and

0:56:24.440 --> 0:56:28.120
<v Speaker 1>clothes of my best friend, which wouldn't that be weird

0:56:28.160 --> 0:56:34.160
<v Speaker 1>for him? Like, I just don't. Also, this is this

0:56:34.239 --> 0:56:38.200
<v Speaker 1>is again I'm overthinking as by a trillion, But were

0:56:38.239 --> 0:56:42.000
<v Speaker 1>I putting myself in the shoes of either Kevin or Edward,

0:56:42.080 --> 0:56:44.040
<v Speaker 1>first of all, I would not be involved with any

0:56:44.080 --> 0:56:49.440
<v Speaker 1>of these Vanessas like these Vanessa's only bring chaos, um,

0:56:49.560 --> 0:56:52.959
<v Speaker 1>but I would be constantly like, I think it would

0:56:52.960 --> 0:56:55.160
<v Speaker 1>almost be like probably a problem in the relationship. I

0:56:55.160 --> 0:56:58.279
<v Speaker 1>would constantly be carding Vanessa. I'd be like, can you

0:56:58.320 --> 0:57:02.040
<v Speaker 1>show me some idea? Like who are you like? Edward,

0:57:02.120 --> 0:57:05.920
<v Speaker 1>especially who is somehow like both obsessed with his wife

0:57:06.000 --> 0:57:09.440
<v Speaker 1>and has no idea what she looks like because he

0:57:10.600 --> 0:57:12.560
<v Speaker 1>like So that was when I started feeling less bad

0:57:12.560 --> 0:57:14.200
<v Speaker 1>for Edward. I'm like, well, he doesn't even know what

0:57:14.280 --> 0:57:16.920
<v Speaker 1>his wife looks like. What's wrong with this guy? Like

0:57:17.000 --> 0:57:21.400
<v Speaker 1>Mary kay Nashley's boyfriend's husband's whomever. Like they can always

0:57:21.440 --> 0:57:24.960
<v Speaker 1>tell the difference. Those French boys met them one time before,

0:57:25.120 --> 0:57:27.480
<v Speaker 1>and they knew exactly which one was Mary Kayton, which

0:57:27.600 --> 0:57:31.960
<v Speaker 1>one was Ashley. You know which Vanessa you're married to?

0:57:32.280 --> 0:57:34.600
<v Speaker 1>Is all I'm saying, Like it's just another strike against

0:57:34.640 --> 0:57:38.240
<v Speaker 1>that marriage. And then also Kevin at the end, who's

0:57:38.240 --> 0:57:41.600
<v Speaker 1>been We'll get there, but like, particularly if I were Kevin,

0:57:42.000 --> 0:57:45.400
<v Speaker 1>after what he goes through in this he granted he

0:57:45.440 --> 0:57:48.960
<v Speaker 1>should never have come, but after what he goes through

0:57:49.320 --> 0:57:52.240
<v Speaker 1>in this saga, I would have been like, Okay, before

0:57:52.280 --> 0:57:54.680
<v Speaker 1>I marry you at the airport, can you just like,

0:57:55.320 --> 0:57:58.360
<v Speaker 1>can you just confirm which Vanessa you are? Please stop

0:57:58.440 --> 0:58:01.440
<v Speaker 1>asking me to take your word for it, because it

0:58:01.520 --> 0:58:06.120
<v Speaker 1>doesn't work, you know, Like yeah, I don't know. I

0:58:06.160 --> 0:58:08.280
<v Speaker 1>would just be like, I'm sorry, Like I'm sure at

0:58:08.360 --> 0:58:10.400
<v Speaker 1>least one of the Vanessas is a lovely person, but

0:58:10.480 --> 0:58:12.800
<v Speaker 1>I just need to like remove myself from the whole

0:58:12.840 --> 0:58:16.200
<v Speaker 1>Vanessa situation because it's too much, so confused, and it's

0:58:16.240 --> 0:58:19.480
<v Speaker 1>so confusing. Why does Margaret go through the trouble of

0:58:19.600 --> 0:58:22.240
<v Speaker 1>dressing as Stacy when the only person who is going

0:58:22.320 --> 0:58:25.240
<v Speaker 1>to see her is Kevin, who knows that she is

0:58:25.280 --> 0:58:29.320
<v Speaker 1>still Margaret doesn't. The place they go to is a

0:58:30.160 --> 0:58:34.120
<v Speaker 1>abandoned Christmas festival. No one's there, no literally that He's like,

0:58:34.200 --> 0:58:36.880
<v Speaker 1>let's go to the Christmas festival and then there's zero

0:58:37.000 --> 0:58:41.360
<v Speaker 1>people there, but it's open. It's like how many people

0:58:41.600 --> 0:58:47.360
<v Speaker 1>live in Montenaro? Is it? Six? Queen of if you

0:58:47.520 --> 0:58:51.480
<v Speaker 1>want to, I'm just like, if you really want some

0:58:51.600 --> 0:58:57.640
<v Speaker 1>alone time, wouldn't you like spend a like romantic evening together,

0:58:57.880 --> 0:59:02.240
<v Speaker 1>like just like not building snowman's together. And what feels

0:59:02.280 --> 0:59:05.560
<v Speaker 1>like a very platonic Vanisa, Well, that's just like a

0:59:05.680 --> 0:59:08.600
<v Speaker 1>casting issue. Vanessa has never had any chemistry with this

0:59:08.760 --> 0:59:11.640
<v Speaker 1>actor wait what is his name? Um? But she's never

0:59:11.760 --> 0:59:14.640
<v Speaker 1>had any chemistry with this guy. So no matter which

0:59:14.760 --> 0:59:18.440
<v Speaker 1>Vanessa it is, she doesn't have chemistry with him. And

0:59:18.720 --> 0:59:20.440
<v Speaker 1>I mean, and if you don't think she has chemistry

0:59:20.480 --> 0:59:24.840
<v Speaker 1>with him, wait till you see her in chemistry, like

0:59:25.480 --> 0:59:28.360
<v Speaker 1>like do you know these people? She's allegedly known both

0:59:28.400 --> 0:59:31.360
<v Speaker 1>of these actors for like at least three years. Um.

0:59:31.920 --> 0:59:34.960
<v Speaker 1>But also, oh my god, no wait uh, the guy

0:59:35.000 --> 0:59:37.400
<v Speaker 1>who plays Kevin is also kind of untraceable. He doesn't

0:59:37.440 --> 0:59:41.640
<v Speaker 1>have a Wikipedia page. What is his deal? Oh he's

0:59:41.720 --> 0:59:45.320
<v Speaker 1>he's British. Wait, this is so confused. Kevin is British?

0:59:47.040 --> 0:59:52.800
<v Speaker 1>This is make it makes sense, It'll never will never,

0:59:53.800 --> 0:59:58.240
<v Speaker 1>So Kevin's secretly British. That's also a better plot point. Um,

0:59:59.360 --> 1:00:01.600
<v Speaker 1>but no, yeah, he revealed the whole time. I'm part

1:00:01.640 --> 1:00:04.560
<v Speaker 1>of the royal family. You're like, wait, I'm not to

1:00:04.640 --> 1:00:11.400
<v Speaker 1>Baker adoll um. But also to your point of how

1:00:11.520 --> 1:00:15.280
<v Speaker 1>nonsensical it is to have them switch. It would first

1:00:15.280 --> 1:00:17.160
<v Speaker 1>of all, be a better date if they were in private,

1:00:17.200 --> 1:00:20.000
<v Speaker 1>and also there would be no need, like there would

1:00:20.040 --> 1:00:22.560
<v Speaker 1>be no there'd be zero steaks, no need to switch.

1:00:22.720 --> 1:00:25.080
<v Speaker 1>There'd be zero steaks if there wasn't even no risk

1:00:25.120 --> 1:00:26.880
<v Speaker 1>of her getting caught in public. But then there's no

1:00:27.040 --> 1:00:29.280
<v Speaker 1>risk of her getting caught in public because they went

1:00:29.320 --> 1:00:36.040
<v Speaker 1>to an abandoned carnival. The more I think about it,

1:00:36.160 --> 1:00:38.880
<v Speaker 1>the less anything makes sense. Yeah, the steaks are on

1:00:38.960 --> 1:00:43.920
<v Speaker 1>the floor with Margaret and Stacy are subterranean. Meanwhile, Fiona,

1:00:44.200 --> 1:00:47.800
<v Speaker 1>they couldn't be higher. Everything's writing on this, Okay, So

1:00:48.760 --> 1:00:53.680
<v Speaker 1>Margaret and Stacy agree to this completely unnecessary switch. Meanwhile,

1:00:54.120 --> 1:00:57.640
<v Speaker 1>Fiona is hatching a plan of her own to pretend

1:00:57.720 --> 1:01:01.000
<v Speaker 1>to be Margaret so that she can get access to

1:01:01.240 --> 1:01:05.280
<v Speaker 1>Margaret's royal money and steal some of it. That's how

1:01:05.360 --> 1:01:07.920
<v Speaker 1>it works, you get the royal pin number on the

1:01:08.040 --> 1:01:13.600
<v Speaker 1>day coronations. Okay, the stakes are higher for her, but

1:01:13.680 --> 1:01:16.440
<v Speaker 1>her storyline still makes no sense because it was not

1:01:16.640 --> 1:01:18.920
<v Speaker 1>at all clear to me why she needed to go

1:01:19.120 --> 1:01:22.440
<v Speaker 1>through with the coronation ceremony to gain access to the

1:01:22.560 --> 1:01:25.120
<v Speaker 1>money she could have just because reasons, it makes sense

1:01:25.160 --> 1:01:27.000
<v Speaker 1>that she was still that she would still need to

1:01:27.080 --> 1:01:29.680
<v Speaker 1>kind of masquerade as Margaret for a little while to

1:01:30.080 --> 1:01:33.680
<v Speaker 1>like hack into her bank account or whatever, but to

1:01:33.880 --> 1:01:37.640
<v Speaker 1>do the whole coronation, I was like, that's not necessary.

1:01:38.160 --> 1:01:43.520
<v Speaker 1>It definitely isn't no um the same way. But I

1:01:43.680 --> 1:01:47.360
<v Speaker 1>also was just like, I feel like this movie really

1:01:47.440 --> 1:01:49.560
<v Speaker 1>is a case study of like how much nonsense you'll

1:01:49.560 --> 1:01:51.920
<v Speaker 1>put up with based on how much you are personally

1:01:51.960 --> 1:01:55.600
<v Speaker 1>invested into character, Because no one's storyline makes sense. But

1:01:55.680 --> 1:02:00.880
<v Speaker 1>I'm rooting for Fiona why because she's interesting. She's so

1:02:02.080 --> 1:02:05.360
<v Speaker 1>she's the only Vanessa whose plotline isn't connected to like

1:02:05.960 --> 1:02:11.720
<v Speaker 1>a man like. She's just like I'm trying to. I mean, granted,

1:02:11.840 --> 1:02:15.560
<v Speaker 1>she's trying to steal the throne, but you know, it's

1:02:15.560 --> 1:02:17.720
<v Speaker 1>like she's going to be literally what she's gonna be,

1:02:17.720 --> 1:02:21.920
<v Speaker 1>a queen of fourteen people. Margaret did not want the job,

1:02:22.440 --> 1:02:25.400
<v Speaker 1>except she suddenly does in this movie, which is I

1:02:25.480 --> 1:02:30.840
<v Speaker 1>mean talking about a switch. That's the real switch. Completely yeah,

1:02:30.880 --> 1:02:36.400
<v Speaker 1>the completely out of nowhere motivation switch of Margaret's character

1:02:36.520 --> 1:02:38.680
<v Speaker 1>from the first movie to the second movie. That's what

1:02:38.920 --> 1:02:42.680
<v Speaker 1>the princess switch should be about. But I like that Fiona.

1:02:42.880 --> 1:02:46.320
<v Speaker 1>I like the Fiona justifies She's like, oh no, I

1:02:46.400 --> 1:02:48.880
<v Speaker 1>could totally look like Margaret. Look it, here's a picture

1:02:48.920 --> 1:02:51.880
<v Speaker 1>of me from my Ariana phase and it's like a

1:02:51.960 --> 1:02:55.320
<v Speaker 1>picture of her as Vanessa Hudgens and the hench people

1:02:55.320 --> 1:02:58.600
<v Speaker 1>are like, oh, totally yeah. And then Sarsha goes like

1:02:58.840 --> 1:03:01.720
<v Speaker 1>nuclear and is like Okay, here's what we have to do,

1:03:02.040 --> 1:03:04.280
<v Speaker 1>and like starts training her to be a princess, even

1:03:04.280 --> 1:03:07.040
<v Speaker 1>though it's like, um, last time I checked, Sarsha, you

1:03:07.160 --> 1:03:09.400
<v Speaker 1>are a hench person, so I don't know what you

1:03:09.560 --> 1:03:13.280
<v Speaker 1>know about. And Fiona is again part of the royal family.

1:03:13.520 --> 1:03:14.600
<v Speaker 1>She might be like I don't know if she's like

1:03:14.640 --> 1:03:16.760
<v Speaker 1>a duchess or something, but she's like she would know

1:03:16.840 --> 1:03:23.040
<v Speaker 1>more a royal. Right, she lives in in a state

1:03:23.440 --> 1:03:27.280
<v Speaker 1>that doesn't have electricity, but you know, in a state nonetheless,

1:03:27.400 --> 1:03:34.640
<v Speaker 1>she could still flip it. Uh, that's another story. This

1:03:34.760 --> 1:03:37.080
<v Speaker 1>is just becoming a story notes podcast over time, but

1:03:37.200 --> 1:03:40.520
<v Speaker 1>another story note that I had that another yet another

1:03:40.680 --> 1:03:44.240
<v Speaker 1>thing that could make Margaret one percent interesting is like

1:03:44.920 --> 1:03:47.960
<v Speaker 1>the only connection we know about, like I keep wanting

1:03:48.000 --> 1:03:51.920
<v Speaker 1>to save Fiona and Margaret are that their cousins and

1:03:52.320 --> 1:03:55.400
<v Speaker 1>we know nothing about what their actual relationship is as cousins.

1:03:55.440 --> 1:03:57.120
<v Speaker 1>Like I thought it could I wrote down it could

1:03:57.280 --> 1:04:01.840
<v Speaker 1>have been interesting if like maybe Fiona brings out Margaret's

1:04:01.920 --> 1:04:04.320
<v Speaker 1>wild side and they used to like have fun to

1:04:04.400 --> 1:04:07.240
<v Speaker 1>get there and they had a close relationship, but then

1:04:07.320 --> 1:04:11.320
<v Speaker 1>something happened and now they're estranged, and like that would

1:04:11.360 --> 1:04:15.280
<v Speaker 1>give some sort of connection on like it would make

1:04:15.320 --> 1:04:19.040
<v Speaker 1>it even funnier slash maybe wouldn't be as funny if

1:04:19.200 --> 1:04:23.840
<v Speaker 1>Fiona bullied Margaret like she does. Um, But it's like

1:04:23.920 --> 1:04:27.200
<v Speaker 1>there is no we have no indication of We just

1:04:27.280 --> 1:04:29.480
<v Speaker 1>know their cousins. We don't know what their relationship is, Like,

1:04:29.880 --> 1:04:33.080
<v Speaker 1>we don't know if they have any fun memories together. Like,

1:04:33.560 --> 1:04:36.160
<v Speaker 1>I just felt like contextualizing that a little bit would

1:04:36.160 --> 1:04:39.800
<v Speaker 1>have given us a stronger, I mean a stronger connection

1:04:39.840 --> 1:04:42.560
<v Speaker 1>with a female character than Margaret has with Stacy, who

1:04:42.640 --> 1:04:46.600
<v Speaker 1>she just like trusts without questioning, even though Stacy is

1:04:46.640 --> 1:04:50.040
<v Speaker 1>a disaster just because they look exactly alike, which is

1:04:50.080 --> 1:04:53.120
<v Speaker 1>not a basis for trust and a friendship. Watch any

1:04:53.240 --> 1:04:58.160
<v Speaker 1>Marry Kane Nashley movie. They always fight. Uh, there's always

1:04:58.200 --> 1:05:01.720
<v Speaker 1>conflict and then it's resolved. That's how twin movies work. Yeah,

1:05:02.120 --> 1:05:03.840
<v Speaker 1>but yeah, it's like we don't know anything about like

1:05:04.360 --> 1:05:05.760
<v Speaker 1>I wanted. I was like, oh, it would have been

1:05:05.840 --> 1:05:07.760
<v Speaker 1>fun if Margaret's like, oh, I don't hang out with

1:05:07.800 --> 1:05:10.320
<v Speaker 1>Fiona anymore because just things would always get wild when

1:05:10.400 --> 1:05:13.160
<v Speaker 1>she's around, and I'm just not myself around Fiona. I

1:05:13.320 --> 1:05:17.280
<v Speaker 1>just like it would have been fun. That's a great uh, Like,

1:05:17.440 --> 1:05:20.480
<v Speaker 1>that's great backstory for them. The only other thing we

1:05:20.600 --> 1:05:24.360
<v Speaker 1>know about Fiona because we don't know much about her character,

1:05:24.440 --> 1:05:25.920
<v Speaker 1>but with the one thing we do learn is that

1:05:26.080 --> 1:05:30.760
<v Speaker 1>her father also died maybe recently they could talk about

1:05:31.120 --> 1:05:35.200
<v Speaker 1>they could bond over the loss, the grieving process. You know,

1:05:35.320 --> 1:05:38.080
<v Speaker 1>there's there's all kinds of stuff and apparently, like I mean,

1:05:38.120 --> 1:05:41.200
<v Speaker 1>wouldn't like the king have been Fiona's uncle, Like that's

1:05:41.200 --> 1:05:44.880
<v Speaker 1>also right, it would be grieving the same two people,

1:05:45.080 --> 1:05:47.560
<v Speaker 1>that's true, right, she Yeah, why didn't they say each

1:05:47.560 --> 1:05:49.600
<v Speaker 1>other at the funeral? Why didn't Fiona? Did Fiona not

1:05:49.680 --> 1:05:52.200
<v Speaker 1>go to the king's funeral? And wouldn't that have caused

1:05:52.240 --> 1:05:54.520
<v Speaker 1>a scandal, not only a scandal in the family, but

1:05:54.600 --> 1:05:58.360
<v Speaker 1>like a public scandal. Someone hire me at a Balgravy

1:05:58.440 --> 1:06:01.800
<v Speaker 1>in newspaper, Like there's a lot going on here and

1:06:02.800 --> 1:06:06.240
<v Speaker 1>no one is writing about it? What like the pot

1:06:06.560 --> 1:06:11.160
<v Speaker 1>I got really too fixated on the politics of Bulgravia

1:06:11.240 --> 1:06:15.320
<v Speaker 1>and Aldovia in this one uh this year, and it's

1:06:15.400 --> 1:06:18.440
<v Speaker 1>like everything is a disaster. But yeah, again, that's that.

1:06:18.480 --> 1:06:20.120
<v Speaker 1>I didn't even think of that, the fact that they

1:06:20.200 --> 1:06:25.600
<v Speaker 1>both recently lost parents who would have been each other's uncle's. Right, Well,

1:06:25.800 --> 1:06:29.919
<v Speaker 1>it's because they play off Fiona's father's death as a joke,

1:06:30.120 --> 1:06:36.480
<v Speaker 1>because Stacy is like, you mean Percival Pembroke who died

1:06:36.560 --> 1:06:39.440
<v Speaker 1>of a peanut allergy, and that whole thing is just

1:06:39.520 --> 1:06:45.920
<v Speaker 1>like how is supposed to be? That's not funny. Oh,

1:06:46.520 --> 1:06:48.280
<v Speaker 1>not to backtrack to the beginning of the movie, But

1:06:48.520 --> 1:06:51.800
<v Speaker 1>did you find the opening montage to be very aggressive?

1:06:52.000 --> 1:06:55.000
<v Speaker 1>Because I found it to be very aggressive, in ghastly

1:06:55.840 --> 1:06:58.200
<v Speaker 1>in a way that was like maybe lap but it

1:06:58.320 --> 1:07:02.000
<v Speaker 1>was like, so the beginning is animated, and it's just

1:07:02.160 --> 1:07:05.600
<v Speaker 1>recapping the previous movie, which I do appreciate because everyone

1:07:05.680 --> 1:07:09.120
<v Speaker 1>watching it needs that because it's not a memorable movie. Um,

1:07:10.240 --> 1:07:12.600
<v Speaker 1>but the way that it's written and the way Vanessa

1:07:12.640 --> 1:07:15.080
<v Speaker 1>a Diden to read it, it's really aggressive, and she goes,

1:07:15.560 --> 1:07:18.680
<v Speaker 1>of course, you probably remember that. My name is Stacy

1:07:18.800 --> 1:07:22.160
<v Speaker 1>and I'm from Chicago, and naturally you remember Kevin. And

1:07:22.240 --> 1:07:24.120
<v Speaker 1>then like every time something happens, you're like, no, I

1:07:24.200 --> 1:07:26.200
<v Speaker 1>don't remember that. No, I don't remember that. No, I

1:07:26.240 --> 1:07:30.080
<v Speaker 1>don't remember that, and Stacy is just like being She's

1:07:30.080 --> 1:07:34.600
<v Speaker 1>like and naturally you would be remiss not to remember Margaret,

1:07:34.680 --> 1:07:36.680
<v Speaker 1>and you're like, I don't remember that. Like it was

1:07:36.760 --> 1:07:39.360
<v Speaker 1>just I know it was a joke, and I feel

1:07:39.400 --> 1:07:44.520
<v Speaker 1>like it's the movie acknowledging how now like ridiculously unmemorable

1:07:44.600 --> 1:07:46.320
<v Speaker 1>the first movie was. But I found it to be

1:07:46.440 --> 1:07:48.600
<v Speaker 1>a really aggressive way to start. And then it goes like,

1:07:48.840 --> 1:07:51.800
<v Speaker 1>and of course you know that the King is dead,

1:07:52.240 --> 1:07:55.200
<v Speaker 1>and of course you know that the prince abdicated the throne,

1:07:55.240 --> 1:07:58.320
<v Speaker 1>and you're like, well, I really don't really don't never

1:07:58.400 --> 1:08:00.880
<v Speaker 1>happened on screen. Is anyone going to be sad about that?

1:08:01.400 --> 1:08:04.440
<v Speaker 1>Is anyone? No? No, it doesn't matter anyway. As the beginning,

1:08:04.480 --> 1:08:06.960
<v Speaker 1>it was just like the beginning, like v O, I

1:08:07.120 --> 1:08:10.520
<v Speaker 1>was like, stop yelling at me, like it's not my fault.

1:08:10.560 --> 1:08:13.800
<v Speaker 1>Your movie sucked and I don't remember anything from it. Jeez.

1:08:15.320 --> 1:08:19.400
<v Speaker 1>Oh it really sets the tone though, Okay, it really does. Yes,

1:08:19.640 --> 1:08:25.280
<v Speaker 1>So Fiona is hatching her plan to become Margaret so

1:08:25.400 --> 1:08:27.719
<v Speaker 1>that she can gain access to the throne to steal

1:08:27.960 --> 1:08:31.320
<v Speaker 1>the money, right, okay, so then so then Stacy becomes

1:08:31.400 --> 1:08:35.599
<v Speaker 1>Margaret for the night, Margaret becomes Stacy, and they proceed

1:08:35.720 --> 1:08:39.080
<v Speaker 1>with their plan. Everything seems like it's going to be

1:08:39.160 --> 1:08:43.400
<v Speaker 1>fine until Fiona shows up, also pretending to be Margaret,

1:08:43.880 --> 1:08:50.240
<v Speaker 1>and she abducts Stacy, who Fiona thinks is Margaret. Because

1:08:50.280 --> 1:08:53.760
<v Speaker 1>I am this seed, this is like the only like

1:08:53.840 --> 1:08:55.120
<v Speaker 1>one of the only parts where I'm like, okay, this

1:08:55.280 --> 1:08:57.479
<v Speaker 1>is like kind of compelling, and then it like falls

1:08:57.479 --> 1:09:00.880
<v Speaker 1>apart really quickly. But but when search up, it's like

1:09:01.000 --> 1:09:04.200
<v Speaker 1>the chemical rag over Vanessa's mouth. You're like, WHOA, that

1:09:04.439 --> 1:09:07.040
<v Speaker 1>escalated really quickly. I didn't think that they were going to, like,

1:09:07.800 --> 1:09:10.400
<v Speaker 1>you know, actually like really commit a crime against a Vanessa,

1:09:10.520 --> 1:09:14.320
<v Speaker 1>but they did. Well, it's not Sarsha, it is Vanessa

1:09:14.439 --> 1:09:20.560
<v Speaker 1>Hudgens chloriforming herself. That's iconic, like and in an incredible

1:09:20.600 --> 1:09:22.960
<v Speaker 1>piece of cinema. You have to admit that is like

1:09:23.720 --> 1:09:27.920
<v Speaker 1>pretty amazing. It's it's incredible, it's brilliant writing. But yeah,

1:09:28.240 --> 1:09:31.920
<v Speaker 1>they commit a pretty serious felony in this movie, which

1:09:32.439 --> 1:09:35.439
<v Speaker 1>which Fiona only get a slight slap on the wrist floor.

1:09:35.640 --> 1:09:39.599
<v Speaker 1>I do love that, and Tonio goes to the dungeon

1:09:39.800 --> 1:09:45.559
<v Speaker 1>and Fiona gets community service. Again iconic, Like, clearly there's

1:09:45.600 --> 1:09:51.160
<v Speaker 1>some nepotism I play here maybe, um okay, So now

1:09:51.880 --> 1:09:56.160
<v Speaker 1>Fiona has taken the place of Margaret and abducted Stacy

1:09:56.720 --> 1:10:00.799
<v Speaker 1>because of this whole comedy of errors thing. Then Margaret

1:10:00.960 --> 1:10:02.720
<v Speaker 1>shows back up at the end of the night after

1:10:02.800 --> 1:10:06.920
<v Speaker 1>her night with Kevin where they platonically build snow people together,

1:10:07.680 --> 1:10:11.599
<v Speaker 1>and Margaret goes to the person who who she thinks

1:10:11.880 --> 1:10:15.839
<v Speaker 1>is Stacy, but of course it's really Fiona, and Fiona

1:10:16.240 --> 1:10:19.439
<v Speaker 1>to Margaret is like, Stacy, get out of here. And

1:10:19.520 --> 1:10:21.840
<v Speaker 1>Margaret's like, wait a minute, Stacy, the game is up.

1:10:21.880 --> 1:10:23.880
<v Speaker 1>What are you talking about? It's time to switch back.

1:10:24.160 --> 1:10:26.680
<v Speaker 1>And then this is when Fiona kicks Margaret out of

1:10:26.720 --> 1:10:32.640
<v Speaker 1>her own bedroom, wrecking balls. Margaret's like entire life and

1:10:32.840 --> 1:10:35.800
<v Speaker 1>sense of self in a single scene. And I was like,

1:10:35.920 --> 1:10:37.720
<v Speaker 1>oh my god, why am I cheering her on? But

1:10:37.800 --> 1:10:41.280
<v Speaker 1>I still was. I was like, Fiona, you're amazing. Like

1:10:41.600 --> 1:10:45.160
<v Speaker 1>she she's such a villain. She's like a perfect villain.

1:10:45.240 --> 1:10:48.400
<v Speaker 1>She's like trying on the crown like and then she

1:10:48.600 --> 1:10:51.479
<v Speaker 1>flings it into a Christmas tree, she like frisbees it in,

1:10:51.960 --> 1:10:53.840
<v Speaker 1>and then she's like, get out of here, Margaret, you're

1:10:53.880 --> 1:11:00.200
<v Speaker 1>not the queen. And she's like oh okay, oh it's

1:11:00.240 --> 1:11:02.760
<v Speaker 1>so good. Yeah, Fiona. There's a there's a moment where

1:11:02.840 --> 1:11:06.880
<v Speaker 1>Fiona is staring at herself in the mirror, wearing Margaret's crown,

1:11:07.280 --> 1:11:10.960
<v Speaker 1>laughing maniacally and being like off with their heads, and

1:11:11.120 --> 1:11:15.360
<v Speaker 1>it's just like You're like, yeah, off with their heads?

1:11:16.040 --> 1:11:18.880
<v Speaker 1>Uh yeah, it's really hard to get me to the

1:11:19.040 --> 1:11:24.679
<v Speaker 1>route for um, you know, character this privilege. But Fiona

1:11:24.920 --> 1:11:29.439
<v Speaker 1>is really cool. I'm you know, I'm really I really

1:11:29.520 --> 1:11:33.320
<v Speaker 1>wish that she had taken the crown because clearly Margaret doesn't.

1:11:33.520 --> 1:11:37.879
<v Speaker 1>I mean, if anything, it proves the fact that Margaret

1:11:38.040 --> 1:11:40.479
<v Speaker 1>is not fit to rule. It's the fact that she got,

1:11:40.720 --> 1:11:43.080
<v Speaker 1>you know, steamrolled by her own cousin out of her

1:11:43.120 --> 1:11:46.760
<v Speaker 1>own identity in less than a minute. Like, Okay, that's

1:11:46.760 --> 1:11:48.920
<v Speaker 1>not the constitution of someone who could run a country.

1:11:49.040 --> 1:11:54.800
<v Speaker 1>It's just not happened to you. What's gonna happen to

1:11:54.840 --> 1:11:56.640
<v Speaker 1>you in the Royal Court? You're going to be a

1:11:56.760 --> 1:12:01.200
<v Speaker 1>disaster anyway. Yeah, you if you have no sense of self?

1:12:01.560 --> 1:12:04.880
<v Speaker 1>Where where are your convictions? Where is your where's your

1:12:04.920 --> 1:12:08.439
<v Speaker 1>sense of anything? Where's your Like I guess her only

1:12:08.600 --> 1:12:12.320
<v Speaker 1>staff is Antonio and she's constantly refusing his help, but

1:12:12.400 --> 1:12:14.680
<v Speaker 1>which granted, ends up being a good idea because he's

1:12:14.680 --> 1:12:17.880
<v Speaker 1>also a villain. But like she keeps being like it's

1:12:17.920 --> 1:12:19.680
<v Speaker 1>so confusing because she's like, I don't know how to

1:12:19.720 --> 1:12:21.479
<v Speaker 1>be a queen and this is really confusing. But then

1:12:21.520 --> 1:12:23.559
<v Speaker 1>whenever she's offered help, she's like, I don't want help,

1:12:23.640 --> 1:12:24.800
<v Speaker 1>And I'm like, so, do you just want to be

1:12:24.920 --> 1:12:27.120
<v Speaker 1>like a bad queen? Like what do you what do

1:12:27.200 --> 1:12:31.120
<v Speaker 1>you want it's also a weird dynamic because like, yeah,

1:12:31.280 --> 1:12:34.439
<v Speaker 1>he is her advisor, but he's also constantly throwing himself

1:12:34.560 --> 1:12:36.479
<v Speaker 1>at her. So that would that would give me some

1:12:36.680 --> 1:12:41.439
<v Speaker 1>kind of like imposter syndrome like something. But if I

1:12:41.479 --> 1:12:44.040
<v Speaker 1>were Margaret and I were the fucking queen, I mean,

1:12:44.120 --> 1:12:45.600
<v Speaker 1>I know, I'm like putting a lot on her, but

1:12:45.680 --> 1:12:49.280
<v Speaker 1>I'm like, she can fire him and hire an advisor

1:12:49.400 --> 1:12:52.559
<v Speaker 1>she trusts happens in Christmas prints all the time. They

1:12:52.760 --> 1:12:55.280
<v Speaker 1>like lose them, like Defense against the Dark Arts Professors.

1:12:55.360 --> 1:12:59.040
<v Speaker 1>There's a new one every movie, like you can you

1:12:59.160 --> 1:13:03.479
<v Speaker 1>can fire Antonio, Like right, she's the queen, like I

1:13:03.600 --> 1:13:07.000
<v Speaker 1>just and again, it's like if that dynamic were explored

1:13:07.080 --> 1:13:09.120
<v Speaker 1>at all, of like, oh, I really need to like

1:13:09.880 --> 1:13:13.080
<v Speaker 1>you know, become more assertive and I need to stop

1:13:13.160 --> 1:13:16.360
<v Speaker 1>worrying about pleasing other people and like do what I

1:13:16.439 --> 1:13:19.600
<v Speaker 1>know is right for my country. Like that's a compelling

1:13:19.800 --> 1:13:22.040
<v Speaker 1>narrative to send her on like and I wouldn't be

1:13:22.200 --> 1:13:26.320
<v Speaker 1>so judge of her if I thought that that was

1:13:26.360 --> 1:13:28.559
<v Speaker 1>being done to tell a story, but it isn't there.

1:13:28.680 --> 1:13:32.960
<v Speaker 1>She's just like she's just I'm like just fire and

1:13:33.240 --> 1:13:36.200
<v Speaker 1>literally fire and fire, and wie to him and be like, sorry,

1:13:36.280 --> 1:13:38.120
<v Speaker 1>things aren't going to work out side of my hands,

1:13:38.240 --> 1:13:41.280
<v Speaker 1>and I'm gonna hire someone qualified. You know, I'm gonna

1:13:41.320 --> 1:13:43.960
<v Speaker 1>hire side out. She could have someone else on her

1:13:44.040 --> 1:13:46.599
<v Speaker 1>staff because she's going to have a large staff if

1:13:46.680 --> 1:13:49.120
<v Speaker 1>she's about to be queen. She can get someone else

1:13:49.160 --> 1:13:51.400
<v Speaker 1>to fire him. She never even has to talk to Antoni.

1:13:51.479 --> 1:13:55.640
<v Speaker 1>It's so confusing. And the hire Simon. Simon's right over

1:13:55.720 --> 1:14:00.240
<v Speaker 1>there in Aldovia. Oh, cousin Simon, cousin Simon. At turns

1:14:00.280 --> 1:14:03.240
<v Speaker 1>out he really redeems himself. You know that Simon can

1:14:03.360 --> 1:14:07.000
<v Speaker 1>be trusted, So you know, hire Simon. He's got experience,

1:14:07.280 --> 1:14:10.080
<v Speaker 1>and um, you don't need Antonio. Hire a woman in

1:14:10.160 --> 1:14:14.760
<v Speaker 1>this position like Vanessa hudgens Is. You're like whatever, but

1:14:14.920 --> 1:14:18.440
<v Speaker 1>don't just be like, oh, this is so awkward with Antonio.

1:14:18.520 --> 1:14:20.920
<v Speaker 1>I wish I could do something. It's like you, you,

1:14:21.400 --> 1:14:24.479
<v Speaker 1>you have more power than anyone to do something about it. Literally,

1:14:24.560 --> 1:14:26.360
<v Speaker 1>you're like the only person who can, so you gotta

1:14:26.400 --> 1:14:30.760
<v Speaker 1>do it. Yeah, okay. So then so now that there's

1:14:30.840 --> 1:14:34.639
<v Speaker 1>like this snag and Fiona's plan, she has to act

1:14:35.080 --> 1:14:38.280
<v Speaker 1>more quickly. This means she has to move the coronation

1:14:38.600 --> 1:14:42.599
<v Speaker 1>ceremony to that night, but first she cancels her dinner

1:14:42.640 --> 1:14:47.000
<v Speaker 1>plans with Kevin, who who had just had this lovely

1:14:47.400 --> 1:14:53.240
<v Speaker 1>evening building snow people with so so Fiona still pretending

1:14:53.280 --> 1:14:56.760
<v Speaker 1>to me, Margaret tells Kevin that things are over between them,

1:14:57.040 --> 1:15:00.439
<v Speaker 1>and he's devastated and he heads to the airport. Meanwhile,

1:15:00.960 --> 1:15:04.160
<v Speaker 1>the real Margaret goes to Prince Edward, who has just

1:15:04.280 --> 1:15:07.400
<v Speaker 1>been like bumbling around this entire movie, not aware of

1:15:07.920 --> 1:15:10.880
<v Speaker 1>where he is or who his wife is, and he's

1:15:10.920 --> 1:15:13.400
<v Speaker 1>just been gas lit by so many people. And then

1:15:13.479 --> 1:15:17.360
<v Speaker 1>he asks Vanessa for help and he never receives the

1:15:17.439 --> 1:15:20.120
<v Speaker 1>help he asks for that was when I was truly

1:15:20.200 --> 1:15:23.680
<v Speaker 1>at my most sympathetic for Prince Edward is when he

1:15:24.120 --> 1:15:27.720
<v Speaker 1>asks well and least because you're like, you can't tell

1:15:27.800 --> 1:15:31.160
<v Speaker 1>that's your wife? Yikes. Um, But also half the time

1:15:31.200 --> 1:15:33.519
<v Speaker 1>I can't either. There's sometimes where I'm like, wait, who

1:15:33.640 --> 1:15:35.760
<v Speaker 1>is that? But um, I think they should have made

1:15:35.800 --> 1:15:38.000
<v Speaker 1>a little bit more difference in the hair because sometimes

1:15:38.040 --> 1:15:40.760
<v Speaker 1>I'm like, mm, all the accents are so fake. Um.

1:15:41.080 --> 1:15:43.840
<v Speaker 1>The only thing that gets me to figure out who

1:15:44.160 --> 1:15:47.040
<v Speaker 1>is who is that? Margaret always wears like a deep

1:15:47.120 --> 1:15:50.479
<v Speaker 1>red lipstick and usually more I make up, but not

1:15:50.640 --> 1:15:55.720
<v Speaker 1>as much I make up as Fiona. So yeah, I

1:15:55.800 --> 1:15:58.160
<v Speaker 1>know they all have to kind of look like Vanessa Hudgens,

1:15:58.280 --> 1:16:02.000
<v Speaker 1>but like it does get refusing. There should be more. Yeah,

1:16:02.000 --> 1:16:04.960
<v Speaker 1>there should be like a greater visual signifier of like

1:16:05.280 --> 1:16:09.080
<v Speaker 1>which one is which. I did feel bad for Prince

1:16:09.240 --> 1:16:13.519
<v Speaker 1>Edward when he was drinking coco just in the middle

1:16:13.520 --> 1:16:17.800
<v Speaker 1>of an empty room and was like, like, my wife

1:16:17.880 --> 1:16:19.960
<v Speaker 1>doesn't want to hang out with me. I'm so sad.

1:16:20.040 --> 1:16:22.639
<v Speaker 1>I'm not even that busy. I'm lying about being busy.

1:16:22.800 --> 1:16:26.080
<v Speaker 1>Being a king isn't even that hard, Like, oh, this sucks.

1:16:26.600 --> 1:16:30.840
<v Speaker 1>And then he's talking to his wife and and she's like,

1:16:31.479 --> 1:16:35.880
<v Speaker 1>oh um, it'll probably all work out, and you're like,

1:16:36.120 --> 1:16:42.960
<v Speaker 1>that's all you got. Oh, it's sad. I felt bad

1:16:43.160 --> 1:16:46.160
<v Speaker 1>for him in that scene. I was like, Edward, just

1:16:46.320 --> 1:16:49.840
<v Speaker 1>move on, man. Well, My main note for him was

1:16:49.960 --> 1:16:53.960
<v Speaker 1>that not that I even appreciate this per se, because

1:16:54.000 --> 1:16:57.120
<v Speaker 1>I don't like it when, like any character who because

1:16:57.160 --> 1:17:00.640
<v Speaker 1>he seems like a pretty kind, decent man, seem like

1:17:00.680 --> 1:17:06.240
<v Speaker 1>a bad person to boring, boring and unaware of his surroundings.

1:17:06.600 --> 1:17:11.120
<v Speaker 1>But parents are probably cousins, he's royal. You know, and

1:17:11.200 --> 1:17:15.000
<v Speaker 1>they're probably dead, maybe from a peanut allergy. Who can say,

1:17:15.800 --> 1:17:21.639
<v Speaker 1>but parents peanuts, parents peanut. Um. What I noticed, I suppose,

1:17:21.960 --> 1:17:26.440
<v Speaker 1>is that in most movies that revolve around a romantic storyline,

1:17:27.120 --> 1:17:29.840
<v Speaker 1>and there is also a some kind of like lie

1:17:30.240 --> 1:17:34.320
<v Speaker 1>or bet or like game component to the romance where

1:17:34.320 --> 1:17:38.160
<v Speaker 1>a character is being lied to about what's really happening.

1:17:38.840 --> 1:17:41.680
<v Speaker 1>It's usually a woman who is like the victim of

1:17:41.800 --> 1:17:45.000
<v Speaker 1>this lie, so for that to be switched a little

1:17:45.040 --> 1:17:49.200
<v Speaker 1>bit and it's it's Edward who is constantly being lied

1:17:49.280 --> 1:17:52.640
<v Speaker 1>to and gas lit. Again, I don't like to see it.

1:17:52.800 --> 1:17:55.640
<v Speaker 1>The thing is, like, it's like I I don't like

1:17:55.720 --> 1:17:58.920
<v Speaker 1>when people like writers are like, oh, I'm not you know,

1:17:59.320 --> 1:18:02.920
<v Speaker 1>they invert it instead of subverting it where they're like, oh,

1:18:03.120 --> 1:18:06.240
<v Speaker 1>let's just do a fucking Oceans twelve of this plot point,

1:18:06.320 --> 1:18:10.120
<v Speaker 1>Like you're like, it's still not compelling. I felt the

1:18:10.160 --> 1:18:13.360
<v Speaker 1>same way about Kevin and the sweatpants, Like I feel

1:18:13.360 --> 1:18:16.599
<v Speaker 1>like that's usually a plot point that's like taken against

1:18:16.680 --> 1:18:18.920
<v Speaker 1>a female character who went through a breakup, and they're like,

1:18:19.320 --> 1:18:22.880
<v Speaker 1>get yourself together, you're wearing sweatpants. You have to like

1:18:23.240 --> 1:18:25.200
<v Speaker 1>get him back. And I think that oh yeah, and

1:18:25.240 --> 1:18:27.320
<v Speaker 1>he's also like I'm going to get another cat and

1:18:27.439 --> 1:18:31.800
<v Speaker 1>it's like, come on, like sweatpants and they're like, oh

1:18:31.920 --> 1:18:36.320
<v Speaker 1>but it's a cat daddy, and you're like it's still

1:18:36.600 --> 1:18:41.320
<v Speaker 1>like no, like what, well we're trying to say. It's like,

1:18:41.400 --> 1:18:45.760
<v Speaker 1>let's do one better for everybody, Like yeah, every time

1:18:45.800 --> 1:18:49.320
<v Speaker 1>they it's just such a lazy laziness to I mean,

1:18:49.400 --> 1:18:52.680
<v Speaker 1>but these movies are lazy. So I wasn't like outraged,

1:18:52.760 --> 1:18:55.040
<v Speaker 1>but I'm like, yeah, Kevin and Edward are both kind

1:18:55.080 --> 1:18:59.320
<v Speaker 1>of like treated how women in this genre are often treated,

1:18:59.720 --> 1:19:04.000
<v Speaker 1>which is interesting, but it's still bad writing. But it's

1:19:04.040 --> 1:19:07.000
<v Speaker 1>not like good writing to take a stereotype and then

1:19:07.080 --> 1:19:11.640
<v Speaker 1>just gender flip it. That's not creating. Stop doing that.

1:19:12.000 --> 1:19:15.280
<v Speaker 1>Like yeah, but in this genre, I guess it makes

1:19:16.040 --> 1:19:18.360
<v Speaker 1>that I don't like it, but it's like I guess

1:19:18.400 --> 1:19:21.360
<v Speaker 1>I'm not, like, why isn't this movie better written? Like

1:19:22.040 --> 1:19:25.479
<v Speaker 1>you know why? But yeah, I totally agree. I was.

1:19:25.560 --> 1:19:29.920
<v Speaker 1>I find Edward he's just sipping cocoa. He's he's wearing

1:19:29.960 --> 1:19:37.120
<v Speaker 1>sweatpants spiritually literally right, he might be literally wearing a tuxedo,

1:19:37.360 --> 1:19:43.800
<v Speaker 1>but spiritually he's also a sad sweatpants cat Daddy. But yeah,

1:19:43.920 --> 1:19:46.960
<v Speaker 1>like you said, are as an audience, our expectations need

1:19:47.040 --> 1:19:50.280
<v Speaker 1>to be as low as the stakes are for Stacy

1:19:50.400 --> 1:19:57.720
<v Speaker 1>and Margaret, which is like basement level apartment style. Um. Alright, So,

1:19:58.439 --> 1:20:03.600
<v Speaker 1>so Fiona has sabotage Kevin's relationship with Margaret. Meanwhile, the

1:20:03.680 --> 1:20:08.120
<v Speaker 1>real Margaret goes to Prince Edward and tells him and

1:20:08.560 --> 1:20:11.160
<v Speaker 1>her the other few members of her staff that she

1:20:11.320 --> 1:20:15.040
<v Speaker 1>does have about the situation. And then they figure out

1:20:15.120 --> 1:20:19.799
<v Speaker 1>that this impostor is Fiona and she must have kidnapped

1:20:20.120 --> 1:20:22.800
<v Speaker 1>Stacy and that they must be keeping her at the

1:20:22.880 --> 1:20:26.599
<v Speaker 1>Pembroke estate. How they managed to figure out exactly where

1:20:26.640 --> 1:20:30.360
<v Speaker 1>Stacy is based on what little information they have only

1:20:30.680 --> 1:20:34.840
<v Speaker 1>deduced and not even confirmed is a bit confusing, but

1:20:35.240 --> 1:20:37.840
<v Speaker 1>they figure it all out. It just happens to be right.

1:20:38.240 --> 1:20:42.440
<v Speaker 1>And then Fiona as Margaret is trying to convince Antonio

1:20:43.040 --> 1:20:45.720
<v Speaker 1>to like move the coronation ceremony to that night so

1:20:45.840 --> 1:20:49.360
<v Speaker 1>that she can be crowned queen for reasons uncleared that

1:20:50.080 --> 1:20:56.280
<v Speaker 1>doesn't need to happen. Um. But Antonio realizes that Fiona

1:20:56.479 --> 1:20:59.840
<v Speaker 1>is not Margaret, and he's like, well, I'll rat you

1:21:00.000 --> 1:21:02.400
<v Speaker 1>out or you can let me in on this scheme

1:21:02.479 --> 1:21:07.080
<v Speaker 1>and we can split the money. So that's their plan

1:21:07.760 --> 1:21:14.479
<v Speaker 1>moving forward. Meanwhile, I liked when they combined forces, but

1:21:14.640 --> 1:21:18.280
<v Speaker 1>again I just felt like even like the stakes were

1:21:18.680 --> 1:21:23.440
<v Speaker 1>confusing for Antonio. I like, if we're gonna have Antonio,

1:21:23.600 --> 1:21:26.880
<v Speaker 1>which we don't need, really, I kind of wish he

1:21:27.800 --> 1:21:31.360
<v Speaker 1>wanted more, or like I didn't understand why by the

1:21:31.479 --> 1:21:33.960
<v Speaker 1>rules of this movie, you would think that Antonio would

1:21:34.000 --> 1:21:36.880
<v Speaker 1>like fall madly in love with Fiona right away. He's like, oh,

1:21:37.000 --> 1:21:39.559
<v Speaker 1>I love women who look like Vanessa Hudgens, and you're

1:21:39.600 --> 1:21:41.600
<v Speaker 1>evil just like me. Like just there was no he

1:21:41.760 --> 1:21:43.519
<v Speaker 1>was just like, Okay, I guess I'm on board as

1:21:43.560 --> 1:21:47.880
<v Speaker 1>long as I'm involved. I didn't want them to fall

1:21:47.960 --> 1:21:50.479
<v Speaker 1>in love, but I just like I thought there should

1:21:50.520 --> 1:21:53.759
<v Speaker 1>have been some other thing he wanted, Like it shouldn't

1:21:53.760 --> 1:21:56.960
<v Speaker 1>have been so easy for her for Fiona to just

1:21:57.120 --> 1:22:00.560
<v Speaker 1>be like, okay, we're evil to get there now, like

1:22:01.439 --> 1:22:04.920
<v Speaker 1>because then his his function kind of like goes away

1:22:05.080 --> 1:22:09.600
<v Speaker 1>like yeah, well, and then his motivation is established to

1:22:09.680 --> 1:22:13.160
<v Speaker 1>be that because she's like, why do you need why

1:22:13.200 --> 1:22:15.960
<v Speaker 1>do you need the money? You're filthy rich? And he's like, no,

1:22:16.280 --> 1:22:20.439
<v Speaker 1>my brother inherited most of the estate. I only have

1:22:20.520 --> 1:22:23.920
<v Speaker 1>a very small income, which I'm sure is still very substantial.

1:22:24.120 --> 1:22:27.639
<v Speaker 1>But are like identical and that they're like, I want

1:22:27.680 --> 1:22:31.400
<v Speaker 1>to maintain my lifestyle, but I can't exactly. So what

1:22:31.560 --> 1:22:35.400
<v Speaker 1>that implies that if his brother inherited the estate, his

1:22:35.640 --> 1:22:41.599
<v Speaker 1>dad also must be dead. Right? What's who's killing all

1:22:41.680 --> 1:22:45.439
<v Speaker 1>the elder members of this royal family? Do they all

1:22:45.560 --> 1:22:49.200
<v Speaker 1>have peanut allergies? Could you trace it back? Is there

1:22:49.240 --> 1:22:54.760
<v Speaker 1>a royal chef that's got it in for Ken? Is

1:22:54.840 --> 1:22:59.120
<v Speaker 1>it the same royal chef who is in the Christmas

1:22:59.200 --> 1:23:06.200
<v Speaker 1>Prince to who Rudy be friends? It makes you whoa, oh,

1:23:06.400 --> 1:23:09.840
<v Speaker 1>that would be Rudy. I can't even think about Rudy

1:23:09.960 --> 1:23:16.559
<v Speaker 1>right now. My hat will explode. Hey, I'm walking New York.

1:23:18.000 --> 1:23:23.240
<v Speaker 1>Who do you na We're gonna make You're like, this

1:23:23.520 --> 1:23:31.720
<v Speaker 1>is just this is we need to turn the television off. Yeah,

1:23:31.760 --> 1:23:33.920
<v Speaker 1>I don't think I didn't even think of that where

1:23:33.960 --> 1:23:38.760
<v Speaker 1>he I don't know the whole Antonio Antonio, I feel

1:23:38.760 --> 1:23:41.000
<v Speaker 1>like should have been like left in a previous draft.

1:23:41.040 --> 1:23:43.760
<v Speaker 1>I don't. By the end, it's like Fiona's doing what

1:23:43.920 --> 1:23:46.840
<v Speaker 1>Antonio is doing. And then it's like, well, then why

1:23:46.880 --> 1:23:49.240
<v Speaker 1>do we need to have these characters? What I guess

1:23:49.320 --> 1:23:52.000
<v Speaker 1>he technically is like, well, I can get the coronation

1:23:52.040 --> 1:23:54.920
<v Speaker 1>to happen earlier. But I'm like, what, all right? Yeah,

1:23:54.920 --> 1:23:58.439
<v Speaker 1>I liked I liked when the priest was confused. That

1:23:58.560 --> 1:24:00.360
<v Speaker 1>was fun. That was very fun. And heways, so yeah,

1:24:00.400 --> 1:24:04.080
<v Speaker 1>now Antonio is like dot dot dot involved, Like he

1:24:04.200 --> 1:24:08.559
<v Speaker 1>don't Yeah, he's in on the scheme. Meanwhile, Edward, Margaret,

1:24:08.960 --> 1:24:14.679
<v Speaker 1>and the others Margaret's staff rescue Stacy from Pembroke Estate

1:24:15.280 --> 1:24:18.559
<v Speaker 1>and then rushed to the cathedral to stop Fiona from

1:24:18.880 --> 1:24:21.680
<v Speaker 1>going through with the coronation, and then that's when the

1:24:21.720 --> 1:24:25.519
<v Speaker 1>priests are all confused, and then they successfully stop all that.

1:24:26.040 --> 1:24:29.840
<v Speaker 1>Antonio gets thrown in the dungeon. Uh, Fiona just sort

1:24:29.880 --> 1:24:34.280
<v Speaker 1>of slips out unpunished, and then they all rush to

1:24:34.320 --> 1:24:38.400
<v Speaker 1>the airport where Kevin is about to get on a plane. Again,

1:24:38.479 --> 1:24:41.880
<v Speaker 1>the tropiest thing that the movie possibly could have done,

1:24:42.160 --> 1:24:45.519
<v Speaker 1>they do it. Uh, and then Margaret's like, no, that

1:24:45.720 --> 1:24:48.080
<v Speaker 1>wasn't me who sent you away. That was Fiona. I

1:24:48.240 --> 1:24:50.640
<v Speaker 1>love you. I want to marry you, and he's like,

1:24:50.720 --> 1:24:53.920
<v Speaker 1>I want to marry you. So then they find a

1:24:54.360 --> 1:24:57.200
<v Speaker 1>random priest who was about to board his flight, and

1:24:57.320 --> 1:25:00.360
<v Speaker 1>this pell Gravy and or whatever the fun country they're in.

1:25:00.800 --> 1:25:04.519
<v Speaker 1>At this point, I was like, sure, I also something

1:25:04.560 --> 1:25:08.160
<v Speaker 1>I got really stuck on. But apparently they were I was.

1:25:08.880 --> 1:25:12.760
<v Speaker 1>I was outraged at the very idea that there would

1:25:12.760 --> 1:25:17.240
<v Speaker 1>be a direct flight from Chicago to Belgrada. But I

1:25:17.320 --> 1:25:19.240
<v Speaker 1>guess if they were going to London to get a

1:25:19.320 --> 1:25:22.599
<v Speaker 1>connecting flight to Chicago. So you know what, good job movie,

1:25:22.880 --> 1:25:26.040
<v Speaker 1>good job, Like, there's no way there's a direct from

1:25:26.160 --> 1:25:29.760
<v Speaker 1>Chicago to belgrad Via. I just don't believe it anyways,

1:25:29.960 --> 1:25:32.760
<v Speaker 1>But yes, they find a priest who is about to

1:25:32.840 --> 1:25:38.360
<v Speaker 1>get onto a fucking delta flight and then they make

1:25:38.479 --> 1:25:45.480
<v Speaker 1>him officiate their impromptu airport wedding. Kevin does not card Vanessa.

1:25:46.240 --> 1:25:49.200
<v Speaker 1>No one has to prove their identity first of all,

1:25:49.640 --> 1:25:52.920
<v Speaker 1>priest needs to get his act together, because I'm pretty

1:25:52.960 --> 1:25:54.920
<v Speaker 1>sure you need to prove who you are before you

1:25:55.000 --> 1:25:57.680
<v Speaker 1>can get married, and you need to like sign documents.

1:25:57.800 --> 1:26:00.040
<v Speaker 1>And it was a sham. It was a sham of

1:26:00.080 --> 1:26:01.720
<v Speaker 1>a question. And I know that they know that they

1:26:01.840 --> 1:26:04.599
<v Speaker 1>weren't they're not actually married, and that Kevin ken still

1:26:04.640 --> 1:26:06.679
<v Speaker 1>go back to Chicago. And we don't need to continue.

1:26:06.720 --> 1:26:10.160
<v Speaker 1>Well maybe that's part of the plot of the third movie. Anyway,

1:26:10.640 --> 1:26:14.679
<v Speaker 1>Mary was the marriage was clearly not legitimate. The priest

1:26:14.800 --> 1:26:20.559
<v Speaker 1>was coerced. So this completely not legally binding marriage happens

1:26:20.960 --> 1:26:24.719
<v Speaker 1>at the airport. And then the next day is Christmas,

1:26:25.280 --> 1:26:28.960
<v Speaker 1>and that is when the real Margaret has her real

1:26:29.200 --> 1:26:33.639
<v Speaker 1>coronation to become the real queen. And this is where

1:26:34.120 --> 1:26:37.880
<v Speaker 1>Queen Amber and King Richard from Christmas Prince and their

1:26:37.960 --> 1:26:44.200
<v Speaker 1>royal baby baby they are present, and we go and

1:26:44.240 --> 1:26:48.120
<v Speaker 1>then everyone lives happily ever after. And that's the movie.

1:26:48.840 --> 1:26:51.960
<v Speaker 1>This is the smallest reward that I'll get. I was

1:26:52.160 --> 1:26:55.080
<v Speaker 1>concerned that the coronation was also going to turn into

1:26:55.120 --> 1:26:58.720
<v Speaker 1>a second wedding. I was at least glad that, like,

1:26:59.439 --> 1:27:01.280
<v Speaker 1>after the port wedding, I'm like, oh my god, they're

1:27:01.280 --> 1:27:03.880
<v Speaker 1>gonna do like and now here's the real wedding. But

1:27:04.080 --> 1:27:08.040
<v Speaker 1>at least, at very very least, the coronation stayed focused

1:27:08.120 --> 1:27:10.879
<v Speaker 1>on Margaret as it should have stayed focused on Margaret,

1:27:11.320 --> 1:27:18.320
<v Speaker 1>even though it was nothing makes sense, but I did appreciate.

1:27:18.360 --> 1:27:20.080
<v Speaker 1>I was concerned there was going to be a second,

1:27:20.240 --> 1:27:23.960
<v Speaker 1>larger wedding following the airport, wedding, a few, a few

1:27:24.040 --> 1:27:27.120
<v Speaker 1>things that we blew through that I just I just

1:27:29.240 --> 1:27:34.760
<v Speaker 1>Stacy escaping from the hench people is extremely compelling. That

1:27:35.120 --> 1:27:37.760
<v Speaker 1>was the coolest thing she's ever done in her entire

1:27:37.840 --> 1:27:41.519
<v Speaker 1>character's life is when she escapes from I'm like, okay,

1:27:41.640 --> 1:27:44.560
<v Speaker 1>so you have skills, you can at least bake and

1:27:45.600 --> 1:27:50.960
<v Speaker 1>escape old castles, like, you know, apply these skills somewhere,

1:27:51.200 --> 1:27:53.600
<v Speaker 1>you know, just do that. And I like that, I do.

1:27:53.840 --> 1:27:55.920
<v Speaker 1>I will hand it to the movie that she got

1:27:56.000 --> 1:27:58.880
<v Speaker 1>herself out of that situation. Edward throws a punt at

1:27:58.920 --> 1:28:00.880
<v Speaker 1>the very end, but that's literally the first thing he's

1:28:00.880 --> 1:28:03.120
<v Speaker 1>done in the entire movie, so I think I'll give it.

1:28:03.560 --> 1:28:06.560
<v Speaker 1>But like he didn't rescue her, she rescued herself. She

1:28:06.640 --> 1:28:11.519
<v Speaker 1>rescues herself, and then Edward throws a ceremonial princely punch

1:28:11.600 --> 1:28:15.600
<v Speaker 1>at the end to um, what's his name? Does it

1:28:15.680 --> 1:28:18.720
<v Speaker 1>pass the Bechtel test when the most boring character in

1:28:18.800 --> 1:28:22.360
<v Speaker 1>the movie punches the most interesting character in the movie

1:28:22.520 --> 1:28:27.560
<v Speaker 1>in the face, Yes, it does? And does it? We

1:28:27.680 --> 1:28:30.280
<v Speaker 1>also skipped over this. Does it pass the Betel test

1:28:30.400 --> 1:28:35.200
<v Speaker 1>when one hench person locks another hench person in a

1:28:35.280 --> 1:28:41.400
<v Speaker 1>Trunk does that because gets for some reason. Does it

1:28:41.439 --> 1:28:44.360
<v Speaker 1>pass the Bectel test where she gets out when third

1:28:44.439 --> 1:28:48.760
<v Speaker 1>Vanessa Hudgens ak, Fiona is looking at herself in the mirror,

1:28:49.120 --> 1:28:52.960
<v Speaker 1>laughing and being like, oh what the heads? Yes, okay,

1:28:53.040 --> 1:28:56.040
<v Speaker 1>that actually I think it does when any of the Vanessa's.

1:28:56.280 --> 1:28:58.200
<v Speaker 1>I would say it does not pass the Becktel test

1:28:58.600 --> 1:29:01.920
<v Speaker 1>very much. I wasn't keeping like super close math on this,

1:29:02.360 --> 1:29:05.760
<v Speaker 1>but it barely passes between Stacy and Margaret if at all,

1:29:05.760 --> 1:29:08.559
<v Speaker 1>because all they ever do is talk about bucking Kevin.

1:29:09.360 --> 1:29:13.479
<v Speaker 1>Uh so that's not good. I think it does pass

1:29:13.560 --> 1:29:17.840
<v Speaker 1>between the gals and Olivia at one point. Um, it

1:29:18.000 --> 1:29:21.280
<v Speaker 1>definitely passes between Fiona and Margaret. That basically that whole

1:29:21.320 --> 1:29:24.559
<v Speaker 1>scene is Fiona. Does it pass with Vanessa Hudgens tells

1:29:24.600 --> 1:29:28.720
<v Speaker 1>a different Vanessa Hudgens that she's useless and to get out. Yes. Um,

1:29:29.320 --> 1:29:33.400
<v Speaker 1>so it does pass between various Vanessas, and also with Olivia,

1:29:33.640 --> 1:29:35.679
<v Speaker 1>and then I think with Sarsia a couple of times.

1:29:36.760 --> 1:29:42.439
<v Speaker 1>But the okay, the end, the end, the end where Fiona, okay,

1:29:42.640 --> 1:29:46.160
<v Speaker 1>so I do love when Margaret rolls up and you're like, okay,

1:29:46.520 --> 1:29:50.280
<v Speaker 1>we know that Stacy has been captured. We haven't figured

1:29:50.320 --> 1:29:52.719
<v Speaker 1>out that Kevin is going to the Belgravy and airport.

1:29:52.800 --> 1:29:55.880
<v Speaker 1>I'm assuming the only one or not belgrad Montenar. I

1:29:55.960 --> 1:29:57.720
<v Speaker 1>don't know where they are. Yeah, I guess they are

1:29:57.800 --> 1:30:02.080
<v Speaker 1>in Monteiro. It's it's pretty close, but like they're going

1:30:02.160 --> 1:30:06.080
<v Speaker 1>to the Montenaro airport by Oh, okay, I have another question,

1:30:06.120 --> 1:30:12.640
<v Speaker 1>but just a second, uh okay, um, So they roll up.

1:30:12.680 --> 1:30:15.080
<v Speaker 1>I'm like, okay, this is where Margaret's arc is going

1:30:15.120 --> 1:30:17.320
<v Speaker 1>to go. It's gonna be like she's finally gonna stand

1:30:17.400 --> 1:30:19.920
<v Speaker 1>up for herself for the first time in the entire movie,

1:30:20.080 --> 1:30:23.360
<v Speaker 1>and she's going to be like, Fiona, you're going you're

1:30:23.439 --> 1:30:27.600
<v Speaker 1>out of here, sweetheart. But she she sends Antonio to

1:30:28.040 --> 1:30:30.560
<v Speaker 1>the dungeon, which is something that also exists in a

1:30:30.640 --> 1:30:33.040
<v Speaker 1>Christmas Prince and I'm like, do those still exist? I

1:30:33.080 --> 1:30:36.880
<v Speaker 1>don't know. They send Antonia to the dungeon life imprisonment

1:30:37.080 --> 1:30:41.880
<v Speaker 1>right without a trial. Fiona talks her way out of

1:30:42.000 --> 1:30:45.600
<v Speaker 1>it within a minute. Again, I'm like, we needed to

1:30:45.640 --> 1:30:48.600
<v Speaker 1>see Margaret stand up to her bully cousin, and she

1:30:48.880 --> 1:30:52.880
<v Speaker 1>doesn't do it. She's like, Okay, you're gonna have to

1:30:52.920 --> 1:30:55.760
<v Speaker 1>do so much community service, and Fiona is like, thank

1:30:55.800 --> 1:30:59.599
<v Speaker 1>you so much. This was a big misunderstanding. Yeah, you're

1:30:59.680 --> 1:31:01.439
<v Speaker 1>might stay Emily, and I always looked up to you.

1:31:01.720 --> 1:31:06.040
<v Speaker 1>She's lying her way through the whole monologue, and Margaret

1:31:06.160 --> 1:31:09.920
<v Speaker 1>completely buys it. If you're rooting for Fiona, it kind

1:31:09.960 --> 1:31:11.960
<v Speaker 1>of rocks. Like if you're rooting for Fiona, at the end,

1:31:12.040 --> 1:31:15.160
<v Speaker 1>you're like, wow, she was like a devious, lying villain

1:31:15.200 --> 1:31:17.040
<v Speaker 1>to the very end, because there's no way she's like

1:31:17.680 --> 1:31:22.360
<v Speaker 1>yeah because oh like because oh you just realized that?

1:31:22.760 --> 1:31:25.000
<v Speaker 1>Or also how that did you remember that line where

1:31:25.040 --> 1:31:28.920
<v Speaker 1>Fiona is talking to Margaret and she says something to

1:31:29.120 --> 1:31:32.880
<v Speaker 1>the effect of, yeah, you didn't realize that you wanted

1:31:32.920 --> 1:31:38.080
<v Speaker 1>to be a queen until now. How do you know

1:31:38.240 --> 1:31:42.240
<v Speaker 1>that about? It was iconic. It reminds me of that

1:31:42.479 --> 1:31:45.559
<v Speaker 1>meme that's like, no, don't do that, you're so sexy.

1:31:45.640 --> 1:31:48.719
<v Speaker 1>Ha ha. Fiona does that, but she's like, no, don't

1:31:48.760 --> 1:31:50.720
<v Speaker 1>put me in the dungeon, you're so sexy ha ha.

1:31:51.320 --> 1:31:56.000
<v Speaker 1>And Margaret's like, Okay, I won't and then she doesn't um.

1:31:56.120 --> 1:31:58.200
<v Speaker 1>But then she's told she has community service. But then

1:31:58.280 --> 1:32:02.920
<v Speaker 1>she's seen surrounded by co and then at the coronation, Right, Yeah,

1:32:03.439 --> 1:32:05.559
<v Speaker 1>did the people go to the dungeon? Why weren't they

1:32:05.600 --> 1:32:08.840
<v Speaker 1>at the coronation? What happened there? What's not all about?

1:32:09.320 --> 1:32:12.280
<v Speaker 1>Who was that cab driver? What was that all about? It?

1:32:12.800 --> 1:32:15.560
<v Speaker 1>Isn't that a reference to the first movie? Yes? But

1:32:15.680 --> 1:32:17.600
<v Speaker 1>I I went then I went back and watched the

1:32:17.640 --> 1:32:19.960
<v Speaker 1>first movie, and I'm like, I also don't understand him

1:32:20.000 --> 1:32:22.280
<v Speaker 1>in the first movie? Is he Santa? I think it's

1:32:22.360 --> 1:32:25.719
<v Speaker 1>there's some implication that he's sort of like this magical

1:32:25.840 --> 1:32:32.800
<v Speaker 1>Christmas figure who orchestrates these fantastical storylines or something. But

1:32:32.920 --> 1:32:35.320
<v Speaker 1>then I also was like, we didn't get a satisfactory

1:32:35.439 --> 1:32:37.280
<v Speaker 1>enough answer of who he was in the first movie

1:32:37.320 --> 1:32:41.479
<v Speaker 1>to justify bringing him back, because what his plot? He's

1:32:41.560 --> 1:32:45.479
<v Speaker 1>like a plot Santa, because all he does is all

1:32:45.560 --> 1:32:47.559
<v Speaker 1>he does. He also does more in the first movie

1:32:47.600 --> 1:32:49.200
<v Speaker 1>than he does in this one. The only thing he

1:32:49.240 --> 1:32:53.840
<v Speaker 1>does in this movie drives Kevin and Olivia to the

1:32:53.920 --> 1:32:56.840
<v Speaker 1>airport the wrong way, Like he just drives into the

1:32:56.880 --> 1:33:03.240
<v Speaker 1>airport really really slow, in a very roundabout Yes, last Exanta, Um,

1:33:03.840 --> 1:33:07.880
<v Speaker 1>he just drives into the airport wrong because he knows

1:33:08.280 --> 1:33:10.840
<v Speaker 1>that one of the Vanessa's has to get out of

1:33:10.920 --> 1:33:14.120
<v Speaker 1>a castle, and the other Vanessa has to also. That

1:33:14.680 --> 1:33:16.840
<v Speaker 1>wasn't the castle they were describing like a good hour

1:33:17.000 --> 1:33:19.640
<v Speaker 1>away from the They say that the castle is an

1:33:19.640 --> 1:33:21.680
<v Speaker 1>hour away, so you have to factor. So I'm like,

1:33:21.760 --> 1:33:25.320
<v Speaker 1>how long were they in this cab? Right? That was

1:33:25.400 --> 1:33:28.519
<v Speaker 1>such a commute, that's like a two hour? How far

1:33:28.880 --> 1:33:32.479
<v Speaker 1>the airport? Unless the airport just happened to be right

1:33:32.600 --> 1:33:35.600
<v Speaker 1>next to the Pembroke estate. But we have we're not

1:33:35.800 --> 1:33:38.960
<v Speaker 1>given a map. We don't know. We assume it's quite

1:33:39.000 --> 1:33:41.639
<v Speaker 1>a drive. I felt like I was just spinning around

1:33:41.680 --> 1:33:43.839
<v Speaker 1>in a circle when I was supposed to be dancing.

1:33:44.479 --> 1:33:50.320
<v Speaker 1>It was really jarring experience. Well, also, Olivia, I guess

1:33:50.960 --> 1:33:54.680
<v Speaker 1>you know what fun Chicago, Olivia? We live in We

1:33:54.840 --> 1:33:58.240
<v Speaker 1>live in Montenaro now, just like, oh, what's that you say, Olivia?

1:33:58.479 --> 1:34:01.320
<v Speaker 1>Just like the end of the last fuck movie? That's right,

1:34:02.040 --> 1:34:06.280
<v Speaker 1>these characters have the exact same ending as the last movie.

1:34:07.160 --> 1:34:10.840
<v Speaker 1>It's I mean, it's easy to like uproot a child

1:34:11.040 --> 1:34:14.160
<v Speaker 1>character from her life when you don't do anything at

1:34:14.200 --> 1:34:17.719
<v Speaker 1>all to characterize her or give her like an interior

1:34:18.000 --> 1:34:21.240
<v Speaker 1>life at all, and only make her obsessed with whether

1:34:21.479 --> 1:34:24.120
<v Speaker 1>who her father is having sex with and whether or

1:34:24.160 --> 1:34:27.599
<v Speaker 1>not they're having sex. I feel for Kevin to an extent,

1:34:27.720 --> 1:34:31.080
<v Speaker 1>but also like he shouldn't have shown up like that.

1:34:31.680 --> 1:34:34.639
<v Speaker 1>Margaret could have been justifiably mad at him. He shouldn't

1:34:34.640 --> 1:34:39.280
<v Speaker 1>have brought his child into this whole situation again, So

1:34:41.320 --> 1:34:45.960
<v Speaker 1>what's what? So let's not forget So the movie. This

1:34:46.200 --> 1:34:51.479
<v Speaker 1>movie opens after the animated montage, but before the plot starts,

1:34:51.720 --> 1:34:55.439
<v Speaker 1>and the whole plot of the first movie revolves around

1:34:55.680 --> 1:35:01.560
<v Speaker 1>this baking contest, which what is up with Belgravia and

1:35:01.920 --> 1:35:07.959
<v Speaker 1>Montenaro that they have their royal family being the judges

1:35:08.360 --> 1:35:13.000
<v Speaker 1>for these low budget baking contests. Yeah, it's like, are

1:35:13.040 --> 1:35:15.080
<v Speaker 1>you that? It brings me back to the first scene

1:35:15.080 --> 1:35:18.200
<v Speaker 1>where like Stacy and Everler are like, we're so busy

1:35:18.320 --> 1:35:25.559
<v Speaker 1>and it's like going to going to a baking competition. Sure, yeah,

1:35:25.640 --> 1:35:31.280
<v Speaker 1>it's like okay, yeah, you're booked right up. I will

1:35:31.320 --> 1:35:35.080
<v Speaker 1>say that that of and this is like not really

1:35:35.160 --> 1:35:39.559
<v Speaker 1>a compliment, but the Princess Switch movies are a little

1:35:39.600 --> 1:35:42.879
<v Speaker 1>more diverse than some of the other Netflix Christmas movies

1:35:43.640 --> 1:35:46.360
<v Speaker 1>because usually, especially in the Christmas Prince, which we'll talk

1:35:46.360 --> 1:35:49.879
<v Speaker 1>about in another episode. Um, when there are non white characters.

1:35:50.000 --> 1:35:55.120
<v Speaker 1>They are troped, troped, troped in very offensive ways, unusually

1:35:55.160 --> 1:36:00.080
<v Speaker 1>relegated to like secondary or tertiary characters exactly. So in

1:36:00.320 --> 1:36:04.800
<v Speaker 1>the Princess Switch, um that doesn't happen. It's still very

1:36:04.880 --> 1:36:11.080
<v Speaker 1>aggressively hetero, and the movies are still like gone awful.

1:36:11.400 --> 1:36:15.880
<v Speaker 1>But um, you know there, that's the end of my

1:36:15.960 --> 1:36:20.120
<v Speaker 1>sentence that taking to leave it, most of choose to

1:36:20.200 --> 1:36:26.560
<v Speaker 1>leave it. Um, And that's okay, No, But yeah, I

1:36:26.640 --> 1:36:29.360
<v Speaker 1>mean Christmas movies in general, when we've talked about this,

1:36:30.000 --> 1:36:31.840
<v Speaker 1>I mean there's a whole conversation to be had, which

1:36:31.840 --> 1:36:36.120
<v Speaker 1>we've had on on different episodes about just the centering

1:36:36.640 --> 1:36:43.320
<v Speaker 1>the rigid white heateronus of that and just like holiday

1:36:43.400 --> 1:36:47.640
<v Speaker 1>movies predominantly being about Christmas, which is obviously a very

1:36:47.760 --> 1:36:52.320
<v Speaker 1>Christian holiday, leaving out many other holidays of this season,

1:36:52.920 --> 1:36:58.160
<v Speaker 1>other holidays of any season, any other religions, any non religions,

1:36:58.320 --> 1:37:03.280
<v Speaker 1>you know, like about secular people and their celebrations, and

1:37:03.680 --> 1:37:07.519
<v Speaker 1>you know, just completely erasing any kind of other cultures

1:37:07.680 --> 1:37:11.479
<v Speaker 1>or religions, holidays and traditions and things like that. So

1:37:11.560 --> 1:37:17.040
<v Speaker 1>there's just like a very like Christian, white, hetero centric

1:37:17.720 --> 1:37:21.719
<v Speaker 1>idealization of it's. I mean, if you look at something

1:37:21.800 --> 1:37:24.120
<v Speaker 1>I'm sure that a lot of our listeners have seen already,

1:37:24.160 --> 1:37:28.400
<v Speaker 1>like the montages of Hallmark Christmas movie posters, it's always

1:37:28.720 --> 1:37:31.519
<v Speaker 1>like a hetero white couple in when one's wearing a

1:37:31.560 --> 1:37:33.800
<v Speaker 1>green sweater and one's wearing a blue sweater and they're

1:37:33.800 --> 1:37:37.519
<v Speaker 1>all the same exact movie. Yeah, I mean, it's it's

1:37:37.840 --> 1:37:41.400
<v Speaker 1>something that it seems like at very least these companies

1:37:41.520 --> 1:37:44.519
<v Speaker 1>are becoming aware of and they're aware that there is

1:37:44.760 --> 1:37:51.120
<v Speaker 1>a demand for more diversity in this genre. So I

1:37:51.360 --> 1:37:53.519
<v Speaker 1>hope we continue to see more of that, even in

1:37:53.600 --> 1:37:58.920
<v Speaker 1>the Netflix Christmas Movie universe, like you've seen things improving.

1:37:59.280 --> 1:38:02.120
<v Speaker 1>The movies are always bad, but that's also the genre

1:38:02.320 --> 1:38:05.120
<v Speaker 1>like I don't Know the Princess, which is like definitely

1:38:05.200 --> 1:38:09.679
<v Speaker 1>a nudge in the right direction in in in that regard,

1:38:10.520 --> 1:38:12.720
<v Speaker 1>the movies are never going to be good and we

1:38:12.800 --> 1:38:16.960
<v Speaker 1>all and on top of that, um, we need movies

1:38:17.000 --> 1:38:21.080
<v Speaker 1>that are less rigidly hetero. I mean again, a Christmas

1:38:21.120 --> 1:38:23.760
<v Speaker 1>Prince tries to do this, but they do it in

1:38:23.840 --> 1:38:28.479
<v Speaker 1>mostly a way that's trophy and bad. So it's it's

1:38:28.520 --> 1:38:31.280
<v Speaker 1>interesting how I feel like these genres especially these very

1:38:31.360 --> 1:38:33.800
<v Speaker 1>formula genres are interesting to keep an eye on in

1:38:34.000 --> 1:38:39.200
<v Speaker 1>terms of like progress and representation. Yeah, I don't, I

1:38:39.240 --> 1:38:44.880
<v Speaker 1>don't know. This genre in particular has so much work

1:38:44.960 --> 1:38:49.000
<v Speaker 1>to do in terms of casting more diversely telling literally

1:38:49.400 --> 1:38:52.439
<v Speaker 1>and a second story. A second story would be amazing,

1:38:53.160 --> 1:38:57.840
<v Speaker 1>um because it's mostly the same movie five thousand times. Yes,

1:38:58.040 --> 1:38:59.760
<v Speaker 1>there's been a lot written about it as well that

1:39:00.040 --> 1:39:03.479
<v Speaker 1>probably speak to this more particulately than we are, and

1:39:03.560 --> 1:39:05.760
<v Speaker 1>I feel like we we do talk about it every year. Um,

1:39:07.080 --> 1:39:10.960
<v Speaker 1>So this this genre is this movie and this series

1:39:11.160 --> 1:39:15.400
<v Speaker 1>is not the Worst Offender, which is definitely saying much,

1:39:16.479 --> 1:39:21.320
<v Speaker 1>not saying much, but you know, it's I think that, like,

1:39:21.479 --> 1:39:25.439
<v Speaker 1>it is true that when movies like these do well

1:39:25.680 --> 1:39:29.559
<v Speaker 1>and they're continually like nudged and pressured to have more

1:39:29.640 --> 1:39:32.640
<v Speaker 1>representation and the worst film genre of all time, like,

1:39:32.760 --> 1:39:34.519
<v Speaker 1>it does make a difference, and it's important that we

1:39:34.640 --> 1:39:38.600
<v Speaker 1>keep yeah talking about it. Um, you know, I do

1:39:38.760 --> 1:39:42.559
<v Speaker 1>want a fourth Vanessa Hudgens. Well, here, let me tell

1:39:42.600 --> 1:39:48.719
<v Speaker 1>you about my pitch for Princess Switched three, Switched again again.

1:39:49.520 --> 1:39:56.439
<v Speaker 1>This episode is officially longer than the um. Well, I

1:39:56.760 --> 1:39:59.960
<v Speaker 1>luckily have most of my notes they've already been said.

1:40:00.200 --> 1:40:02.240
<v Speaker 1>I do have a couple other things, but yeah, so

1:40:02.360 --> 1:40:05.720
<v Speaker 1>here's a pitch that I spent exactly five seconds thinking of.

1:40:06.120 --> 1:40:09.040
<v Speaker 1>So it doesn't make any sense, but neither do any

1:40:09.320 --> 1:40:13.439
<v Speaker 1>of these movies, so it's actually very in keeping with

1:40:14.120 --> 1:40:19.240
<v Speaker 1>UM the brand. Okay, So the movie opens, Margaret is

1:40:19.640 --> 1:40:25.400
<v Speaker 1>six months gregnant with a royal baby, but her airport

1:40:25.479 --> 1:40:30.479
<v Speaker 1>wedding with Kevin was only three months ago. Oh no,

1:40:30.920 --> 1:40:36.600
<v Speaker 1>So to avoid a pre marital sex scandal, she and

1:40:36.760 --> 1:40:40.720
<v Speaker 1>Stacy have to switch places again because Stacy is not gregnant,

1:40:41.000 --> 1:40:45.240
<v Speaker 1>so that Stacy can appear in public as Margaret looking

1:40:45.720 --> 1:40:49.800
<v Speaker 1>non pregnant. But Stacy is getting tired of being in

1:40:49.880 --> 1:40:53.320
<v Speaker 1>the public eye, so she's like, this is so much pressure.

1:40:53.320 --> 1:40:54.840
<v Speaker 1>I don't know how much longer I can deal with this.

1:40:55.200 --> 1:40:58.800
<v Speaker 1>And then just then a long lost cousin of Stacy's

1:40:59.400 --> 1:41:04.360
<v Speaker 1>who comes from deep within Appalachia shows up and she's like,

1:41:04.720 --> 1:41:07.680
<v Speaker 1>why do you get all the like royal fun? I

1:41:07.800 --> 1:41:10.920
<v Speaker 1>want a part of this, you know where we're for family,

1:41:11.040 --> 1:41:15.400
<v Speaker 1>I should be entitled to some you know, royal whatever.

1:41:16.000 --> 1:41:20.479
<v Speaker 1>So but she this this this cousin almost discovers this

1:41:20.800 --> 1:41:25.479
<v Speaker 1>secret pregnancy, so then they have to get Fiona back.

1:41:26.000 --> 1:41:30.320
<v Speaker 1>Sorry what did you say? Sorry? Gregnancy, thank you, You're welcome.

1:41:32.200 --> 1:41:35.400
<v Speaker 1>So then they have to get Margaret's cousin Fiona back

1:41:36.240 --> 1:41:40.320
<v Speaker 1>to pretend to actually, no, I don't This is that

1:41:40.520 --> 1:41:44.200
<v Speaker 1>I've lost the thread. But basically there's something there. You

1:41:44.280 --> 1:41:48.400
<v Speaker 1>get the four Vanessa Hudgens is I want Vanessa Hudgens

1:41:48.560 --> 1:41:53.760
<v Speaker 1>to give birth to another Vanessa Hudgens. Oh full of

1:41:53.800 --> 1:41:56.840
<v Speaker 1>Vanessa size. They're like she or like one of the okay,

1:41:56.920 --> 1:42:00.280
<v Speaker 1>whore's my pitch. Stacey lays an egg one day and

1:42:00.360 --> 1:42:03.559
<v Speaker 1>she's like, oh my god, what is this? And then

1:42:03.640 --> 1:42:07.320
<v Speaker 1>it's called It's called Princess Switched three, switched again again

1:42:08.000 --> 1:42:12.320
<v Speaker 1>the Royal egg and uh, I'll butt an egg that

1:42:12.400 --> 1:42:14.200
<v Speaker 1>Stacy plays and she has to sit on the egg,

1:42:14.520 --> 1:42:16.880
<v Speaker 1>and meanwhile Fiona and Margaret have to switch for some reason,

1:42:16.920 --> 1:42:19.479
<v Speaker 1>someone has to switch with Stacy. So now a different

1:42:19.560 --> 1:42:22.479
<v Speaker 1>Vanessa sitting on the egg, and all this stuff happens,

1:42:22.560 --> 1:42:25.560
<v Speaker 1>and then at the end, Edward eats a peanut and

1:42:25.680 --> 1:42:30.639
<v Speaker 1>he dies, and he dies, and just as he's dying,

1:42:31.040 --> 1:42:34.280
<v Speaker 1>a fourth Vanessa Hudgens hatches out of the egg and

1:42:34.400 --> 1:42:40.280
<v Speaker 1>then everyone has dad trauma. All the vanessas this state.

1:42:40.439 --> 1:42:43.759
<v Speaker 1>Is Stacy's father alive? Do we know? Does he forget?

1:42:43.840 --> 1:42:46.200
<v Speaker 1>I don't know if that if he ever gets brought up,

1:42:46.680 --> 1:42:50.839
<v Speaker 1>so I'm not sure. Well my pitches fourth Vanessa Hudgens

1:42:51.560 --> 1:42:55.479
<v Speaker 1>hatches out of an egg. Incredible. Let's pitch it to

1:42:56.600 --> 1:42:59.920
<v Speaker 1>the most generic sounding production company in the world, most

1:43:00.240 --> 1:43:06.160
<v Speaker 1>picture corporation of our American of America, Motion Pictures, Chicago

1:43:06.479 --> 1:43:14.400
<v Speaker 1>of America. I just have a couple last I mean,

1:43:14.479 --> 1:43:17.560
<v Speaker 1>we've talked about how trophy these movies tend to be.

1:43:18.439 --> 1:43:21.200
<v Speaker 1>Their trophy in this in the kind of Christmas movie sense,

1:43:21.240 --> 1:43:23.640
<v Speaker 1>their trophy in the rom com sense. Part of that

1:43:23.840 --> 1:43:26.439
<v Speaker 1>is a makeover montage in which we get not one,

1:43:26.880 --> 1:43:30.320
<v Speaker 1>not two, but three different makeovers happening because of all

1:43:30.360 --> 1:43:34.640
<v Speaker 1>the switches I guess necessary to the plot. But is

1:43:34.720 --> 1:43:39.439
<v Speaker 1>it um? But is it? Oh? Okay? A couple of

1:43:39.479 --> 1:43:43.080
<v Speaker 1>notes on um Fiona, who again is the best character.

1:43:43.479 --> 1:43:48.000
<v Speaker 1>At one point she gets into a convertible while it

1:43:48.160 --> 1:43:52.040
<v Speaker 1>is snowing with the top down and drives off in

1:43:52.120 --> 1:43:56.479
<v Speaker 1>the snow with the top still down. Explain that I

1:43:56.800 --> 1:44:02.719
<v Speaker 1>honestly did not even notice. Now I'll try to figure

1:44:02.760 --> 1:44:05.639
<v Speaker 1>out the time code for that because it's I must watch.

1:44:05.800 --> 1:44:09.840
<v Speaker 1>I honestly didn't even register the aggressive makeup or seeing

1:44:10.040 --> 1:44:14.120
<v Speaker 1>thincause I think I'm so gas lit by this. Good call,

1:44:14.640 --> 1:44:19.280
<v Speaker 1>Good call, um, Let me see, was there anything else?

1:44:20.200 --> 1:44:22.360
<v Speaker 1>My last question I had This is kind of a

1:44:22.400 --> 1:44:25.360
<v Speaker 1>crossover question with our Christmas Princes two episode, But my

1:44:25.520 --> 1:44:30.160
<v Speaker 1>question is what side of World War Two was Belgravia on.

1:44:31.840 --> 1:44:34.040
<v Speaker 1>I could see it going either way. I don't know.

1:44:34.520 --> 1:44:36.559
<v Speaker 1>I don't know, I don't trust I don't trust um.

1:44:36.840 --> 1:44:38.920
<v Speaker 1>Maybe that's why Vanessa wasn't upset that her father died.

1:44:38.960 --> 1:44:40.559
<v Speaker 1>Maybe he was on the wrong side of World War Two.

1:44:40.720 --> 1:44:44.479
<v Speaker 1>I don't know. Who could be. Yeah, there's what's the

1:44:44.640 --> 1:44:46.920
<v Speaker 1>history of this country? I feel like with Aldovia we

1:44:47.000 --> 1:44:50.120
<v Speaker 1>get too much history in bait where, but their history

1:44:50.200 --> 1:44:54.400
<v Speaker 1>is mostly related to curses and ghosts. But Belgrava, we

1:44:54.520 --> 1:44:56.360
<v Speaker 1>know nothing. You know nothing about the history of the

1:44:56.880 --> 1:45:00.400
<v Speaker 1>I wouldn't be surprised if they had a pretty fashi history.

1:45:00.880 --> 1:45:02.680
<v Speaker 1>That's just my thought. We got we gotta get to

1:45:02.720 --> 1:45:05.000
<v Speaker 1>the bottom of this. We got another year. We certainly do.

1:45:06.360 --> 1:45:11.040
<v Speaker 1>The movie does pass the Bechtel test, As we mentioned, However,

1:45:11.439 --> 1:45:18.479
<v Speaker 1>nipple scale wise, Uh, what do you even do this?

1:45:19.760 --> 1:45:22.959
<v Speaker 1>I guess I would give it. This is too generous.

1:45:23.040 --> 1:45:25.120
<v Speaker 1>I will say this right now, but I will give

1:45:25.160 --> 1:45:28.080
<v Speaker 1>it one and a half because I was so passionate

1:45:28.479 --> 1:45:34.360
<v Speaker 1>about Fiona's character. I was genuinely like, I know, Vanessa Hudgens,

1:45:34.920 --> 1:45:38.160
<v Speaker 1>there is a lot to criticize there, and also she

1:45:38.360 --> 1:45:41.840
<v Speaker 1>is terrible at apologizing when she sucks up. That said,

1:45:41.920 --> 1:45:45.000
<v Speaker 1>her performance of Fiona is I think my favorite performance

1:45:45.040 --> 1:45:50.519
<v Speaker 1>she's ever given. And I really was rooting for Fiona

1:45:50.680 --> 1:45:54.200
<v Speaker 1>to steal Montenaro, and I thought she was like a

1:45:54.400 --> 1:45:57.479
<v Speaker 1>highly motivated even if the motivation made no sense, I

1:45:57.640 --> 1:46:02.400
<v Speaker 1>was rooting for her. She was in she was in charge. Uh,

1:46:02.840 --> 1:46:06.400
<v Speaker 1>she didn't care if her family lived, her died. Like

1:46:06.600 --> 1:46:10.360
<v Speaker 1>I just was like, Wow, what what a compelling character.

1:46:10.400 --> 1:46:12.639
<v Speaker 1>So I'm going to give one and a half nipples

1:46:12.960 --> 1:46:17.519
<v Speaker 1>exclusively for Fiona and also her two hunch people who

1:46:17.640 --> 1:46:21.400
<v Speaker 1>were also icon One of the Mendi is wearing safety

1:46:21.439 --> 1:46:24.800
<v Speaker 1>pin earrings and they're I'm like, where can I buy those?

1:46:25.320 --> 1:46:29.680
<v Speaker 1>Um all very two thousands of yes. I would say

1:46:29.800 --> 1:46:34.960
<v Speaker 1>one of the better female movie villains I have seen

1:46:35.320 --> 1:46:38.800
<v Speaker 1>really ever so yeah, especially I feel like there's not

1:46:38.840 --> 1:46:41.479
<v Speaker 1>a lot of female Well this could this maybe isn't true,

1:46:41.479 --> 1:46:45.440
<v Speaker 1>but like in terms of like Christmas movie villains in particular,

1:46:45.479 --> 1:46:47.920
<v Speaker 1>I feel like there's not a lot of female This

1:46:48.120 --> 1:46:51.920
<v Speaker 1>is so in the weeds, but like female Christmas movie villains,

1:46:52.120 --> 1:46:54.439
<v Speaker 1>there's not a lot of them. And and Fiona is

1:46:54.439 --> 1:46:58.080
<v Speaker 1>an incredible one. She's so good, She's better than Simon.

1:46:58.360 --> 1:47:02.240
<v Speaker 1>Oh yeah, obviously. But it goes without saying so I

1:47:02.400 --> 1:47:05.280
<v Speaker 1>was good. I mean, and when I have nipples generous, yes,

1:47:05.479 --> 1:47:08.040
<v Speaker 1>I was going to give it to which is really

1:47:08.120 --> 1:47:11.840
<v Speaker 1>too generous, too nipples, I'll have it to two because

1:47:12.360 --> 1:47:14.880
<v Speaker 1>when you do the math, two out of five is

1:47:14.920 --> 1:47:18.720
<v Speaker 1>still which is an f that is a failing grade. Um,

1:47:18.800 --> 1:47:21.240
<v Speaker 1>So I feel okay about that. But you know what,

1:47:21.560 --> 1:47:25.240
<v Speaker 1>you're right, let's let's give let's give the full nip.

1:47:25.560 --> 1:47:30.800
<v Speaker 1>It's the holidays. Yeah, it's I'm feeling generous. Yeah, let's

1:47:30.960 --> 1:47:34.599
<v Speaker 1>right in that mood to nipples. Yeah, it's still rom

1:47:34.720 --> 1:47:41.439
<v Speaker 1>com Christmas movie propaganda. It's very trophy. It's not well

1:47:41.640 --> 1:47:46.040
<v Speaker 1>written or thought out. The female characters are. Nothing really

1:47:46.120 --> 1:47:50.479
<v Speaker 1>interesting is done with them, speaking specifically about Stacy and Margaret.

1:47:50.600 --> 1:47:54.000
<v Speaker 1>But I do really enjoy Fiona as a character, as

1:47:54.040 --> 1:47:59.720
<v Speaker 1>a villain. I think the movie was probably written in

1:48:00.120 --> 1:48:02.240
<v Speaker 1>than a week, and then maybe that's why it's so sloppy.

1:48:04.040 --> 1:48:07.240
<v Speaker 1>But I also am like it has to just be

1:48:07.439 --> 1:48:09.400
<v Speaker 1>like no one, because I think that if you were

1:48:09.439 --> 1:48:11.920
<v Speaker 1>going to write a movie that made this little sense

1:48:12.080 --> 1:48:16.160
<v Speaker 1>on purpose, it would actually be really hard. You know,

1:48:16.600 --> 1:48:19.599
<v Speaker 1>like maybe it would be easier to write a movie

1:48:19.680 --> 1:48:22.280
<v Speaker 1>that sort of made sense in a week than write

1:48:22.280 --> 1:48:24.639
<v Speaker 1>a movie that makes no sense on purpose in a week,

1:48:25.880 --> 1:48:32.400
<v Speaker 1>which which supports the forty five minute draft hypothesis. I

1:48:32.439 --> 1:48:35.559
<v Speaker 1>can see that. Yeah, yeah, yeah, it's this movie isn't

1:48:35.600 --> 1:48:39.120
<v Speaker 1>contemptuous of women, but it just didn't try very hard.

1:48:39.479 --> 1:48:44.639
<v Speaker 1>That said Fiona Pembroke contemptuous of father's it's really murdering

1:48:44.680 --> 1:48:49.639
<v Speaker 1>father's right and left. But I do love the Fiona character.

1:48:50.400 --> 1:48:55.120
<v Speaker 1>Another really great female movie villain from Josie and the

1:48:55.120 --> 1:48:59.080
<v Speaker 1>Pussycats is also named Fiona. Is it a trope? We'll

1:48:59.120 --> 1:49:03.080
<v Speaker 1>find out? Um anyway, two nipples, uh, and I will

1:49:03.120 --> 1:49:09.280
<v Speaker 1>give one to Fiona and I will give one to Reggie. Oh.

1:49:10.200 --> 1:49:13.920
<v Speaker 1>I love what you and Reggie have. Um. I feel

1:49:13.920 --> 1:49:15.640
<v Speaker 1>like he and I could be best friends. I'm just

1:49:15.760 --> 1:49:18.559
<v Speaker 1>obsessed with Fiona. It's not it's not okay, it's not right,

1:49:19.400 --> 1:49:24.839
<v Speaker 1>but it is. Yeah, so here we are. Well that's

1:49:25.160 --> 1:49:29.719
<v Speaker 1>the end of the episode. So this needs to be said.

1:49:30.120 --> 1:49:32.360
<v Speaker 1>What else? We we said it all, We said it

1:49:32.400 --> 1:49:36.160
<v Speaker 1>all and then some. So if you in this essay,

1:49:36.240 --> 1:49:41.200
<v Speaker 1>we did so. If you don't already, subscribe to the

1:49:41.400 --> 1:49:44.160
<v Speaker 1>Matreon once again. Now it's a great time to do it.

1:49:44.280 --> 1:49:47.920
<v Speaker 1>To get episodes like this. It's a gift you gift

1:49:47.960 --> 1:49:51.640
<v Speaker 1>to yourself. This is a gift giving season, so you know,

1:49:52.240 --> 1:49:54.400
<v Speaker 1>why not give the gift of the Matreon to a

1:49:54.479 --> 1:50:00.040
<v Speaker 1>loved one. They'll be so grateful. We guarantee it. And

1:50:00.120 --> 1:50:02.880
<v Speaker 1>the thing is, uh, we we keep most of our

1:50:02.960 --> 1:50:07.320
<v Speaker 1>bonus episodes locked up. Yeah, we've only ever released a few.

1:50:07.560 --> 1:50:11.400
<v Speaker 1>There's over a hundred now on the Matron. So if

1:50:11.439 --> 1:50:14.160
<v Speaker 1>you are a Battel Cast super fan, you've heard most

1:50:14.240 --> 1:50:19.599
<v Speaker 1>of the episodes on the main feed. There's literally hundreds

1:50:19.640 --> 1:50:22.280
<v Speaker 1>and hundreds of hours more where that came from. We

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<v Speaker 1>can't stop creating content. We it's sick. They're like ten,

1:50:28.960 --> 1:50:33.040
<v Speaker 1>it's more like four or five, but so many Titanic

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<v Speaker 1>episodes on the Matreon. We're out of control is what

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<v Speaker 1>I'm saying. It's wild. There's just so much going on

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<v Speaker 1>over there, um and and uh you know it's it's

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<v Speaker 1>just a lovely community. Five bucks a month, give a

1:50:48.680 --> 1:50:50.760
<v Speaker 1>gift to yourself, give a gift to a friend who

1:50:50.960 --> 1:50:55.040
<v Speaker 1>who enjoys the show. And you can also uh find

1:50:55.120 --> 1:50:58.440
<v Speaker 1>us on all the social media platforms that you would expect, Twitter, Instagram,

1:50:58.600 --> 1:51:03.080
<v Speaker 1>at betel Cast and if you would like to get merch,

1:51:03.720 --> 1:51:08.880
<v Speaker 1>another great gift to give to yourself and others, that's

1:51:08.920 --> 1:51:13.200
<v Speaker 1>over at t public dot com slash the Bechtel Cast.

1:51:13.400 --> 1:51:18.040
<v Speaker 1>And hopefully this movie, this this episode um has inspired

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<v Speaker 1>you to go watch The Princess Switch There three many

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<v Speaker 1>Vanessa Hudgens the second part Part two, and we'll just

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<v Speaker 1>I'm starting to like create my circle of crystals to

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<v Speaker 1>manifest for Vanessa Hudgens next year. You know what, why

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<v Speaker 1>not five? Well? What if that would be wild? If

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<v Speaker 1>they skift from three to five? I want to believe it,

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<v Speaker 1>anything could happen. It would be a Christmas miracle. That's

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<v Speaker 1>why I love you, Kaitlin. You're not afraid to really dream,

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<v Speaker 1>you know. Thank you so much. Well, bye bye bye

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<v Speaker 1>f