1 00:00:01,280 --> 00:00:04,400 Speaker 1: I can only find Angelo My Love on YouTube, and 2 00:00:04,760 --> 00:00:07,440 Speaker 1: it's that good that I would suggest watching it on YouTube. 3 00:00:07,480 --> 00:00:11,520 Speaker 1: And that movie influenced so many New York films that 4 00:00:11,600 --> 00:00:14,360 Speaker 1: came after it, specifically the movie Kids. If you look 5 00:00:14,360 --> 00:00:17,919 Speaker 1: at the movie Kids, which you've probably seen, and you 6 00:00:18,000 --> 00:00:21,560 Speaker 1: probably have never seen Angelo My Love, you'll see the 7 00:00:21,680 --> 00:00:28,240 Speaker 1: influence of the verte New York City cinematography from this 8 00:00:28,400 --> 00:00:31,240 Speaker 1: tiny little movie. I don't know what the fuck happened 9 00:00:31,320 --> 00:00:35,680 Speaker 1: with Angelo My Love, but it's an excellent movie that 10 00:00:35,800 --> 00:00:39,160 Speaker 1: Robert Devald directed about these gypsy kids in New York 11 00:00:39,240 --> 00:00:43,760 Speaker 1: City and these gypsy family, the Great Santini and the converse. 12 00:00:44,040 --> 00:00:46,159 Speaker 2: This fucking guy, Robert Deva, This is. 13 00:00:46,560 --> 00:00:49,200 Speaker 1: A career that will never be achieved again because movies 14 00:00:49,240 --> 00:00:53,479 Speaker 1: will never be made like this, and he was so 15 00:00:53,960 --> 00:00:59,240 Speaker 1: The Great Santini is just a bugged out film about 16 00:00:59,280 --> 00:01:07,679 Speaker 1: a bug out character. Bull meatchum Man. We lost a special, 17 00:01:07,760 --> 00:01:20,479 Speaker 1: special special actor. Bloom Have No Fear of The Iron 18 00:01:20,520 --> 00:01:22,240 Speaker 1: Rapportstereo podcast is here beginning. 19 00:01:22,280 --> 00:01:23,479 Speaker 2: Boom Have No Fear. 20 00:01:23,520 --> 00:01:26,480 Speaker 1: The I Am Rapaportstereo podcast is in the place to be. 21 00:01:28,000 --> 00:01:30,040 Speaker 1: Welcome to the Iron Dome of Disruption, Welcome to the 22 00:01:30,120 --> 00:01:34,640 Speaker 1: zygaty zone of disruption, today's brand new banging I am 23 00:01:34,720 --> 00:01:36,160 Speaker 1: Rapports stereo podcast. 24 00:01:36,360 --> 00:01:36,880 Speaker 2: Actors. 25 00:01:37,120 --> 00:01:40,480 Speaker 1: Actor, a man's man, an actor who never seemed like 26 00:01:40,520 --> 00:01:44,240 Speaker 1: he was acting. The great, one of a kind, iconic 27 00:01:45,400 --> 00:01:49,680 Speaker 1: Robert Deval has passed away. I'm gonna talk about some 28 00:01:49,680 --> 00:01:54,840 Speaker 1: of my favorite films, favorite performances from the great Robert Deval, 29 00:01:55,040 --> 00:02:00,520 Speaker 1: who passed away at ninety five years old. Us Luka 30 00:02:00,560 --> 00:02:03,920 Speaker 1: Donkik just don't participate in the NBA All Star Game. 31 00:02:04,400 --> 00:02:05,840 Speaker 2: You look like you don't give a fuck. 32 00:02:06,360 --> 00:02:10,080 Speaker 1: Okay, but I'm breaking down my thoughts feelings about a 33 00:02:10,160 --> 00:02:13,120 Speaker 1: much improved NBA All Star Game from everybody except for 34 00:02:13,200 --> 00:02:19,320 Speaker 1: Luca and a terrible, terrible tragedy as some crazy lunatic 35 00:02:19,720 --> 00:02:22,640 Speaker 1: opens fire at a high school hockey game all that morning. 36 00:02:22,720 --> 00:02:25,480 Speaker 1: High flying, hard hitting, museum quality iron Rapportsterial pok is 37 00:02:25,520 --> 00:02:27,600 Speaker 1: coming up right now, Miles, Jordany Ge, the Beach Brothers. 38 00:02:28,280 --> 00:02:31,320 Speaker 2: AK, the Diggity Dust Brothers, Stiggey. Start this puppy over 39 00:02:31,320 --> 00:02:32,160 Speaker 2: with something real nice. 40 00:02:32,680 --> 00:02:34,239 Speaker 1: Start this puppy over something real loud, but most of 41 00:02:34,280 --> 00:02:36,280 Speaker 1: uponly start this puppy off with something real fucking see. 42 00:02:36,280 --> 00:02:37,160 Speaker 2: I am rap. 43 00:02:36,960 --> 00:02:42,880 Speaker 1: Portster real Popsy, Let's go, Baby Boom, have no fear 44 00:02:42,919 --> 00:02:45,320 Speaker 1: of the Iron Rapports Stereal Podcast is here, Biginny Boom, 45 00:02:45,360 --> 00:02:48,799 Speaker 1: have no fear, duh. I am rap Reports Stereo Podcast 46 00:02:48,960 --> 00:02:53,040 Speaker 1: is in the place to be. Welcome to the Iron 47 00:02:53,080 --> 00:02:56,960 Speaker 1: Dome of Disruption. Welcome to the Ziggity Zone of Disruption. 48 00:02:58,240 --> 00:03:01,000 Speaker 1: Iron rap Ports Stereo pok is coming live and direct. 49 00:03:02,040 --> 00:03:04,560 Speaker 1: Hope everybody's feeling good. Hope everybod's feeling safe. Hope everybody's 50 00:03:04,560 --> 00:03:10,000 Speaker 1: feeling super duper sane. Hope every's feeling super duper disruptive. 51 00:03:11,040 --> 00:03:15,360 Speaker 1: Oh yeah, I hope everyone's feeling real disruptive. I am 52 00:03:15,440 --> 00:03:20,840 Speaker 1: rap Port Stereo Podcast coming live and direct. First of all, 53 00:03:22,240 --> 00:03:25,080 Speaker 1: so much to discuss. There's always so much to discuss. 54 00:03:26,240 --> 00:03:28,440 Speaker 1: There's always so much to discuss. I am going to 55 00:03:28,480 --> 00:03:32,760 Speaker 1: be performing at the end of this month, February twenty seventh, 56 00:03:32,800 --> 00:03:39,119 Speaker 1: twenty eighth in Arlington, Virginia at the Arlington Draft House, Arlington, Virginia, 57 00:03:39,320 --> 00:03:46,080 Speaker 1: DMV area, February twenty seventh, February twenty eighth. I performed 58 00:03:46,120 --> 00:03:49,640 Speaker 1: down there once, great crowds, great people. I'm gonna be 59 00:03:49,680 --> 00:03:51,880 Speaker 1: eating some crabs. I'm gonna be eating all sorts of 60 00:03:51,920 --> 00:03:54,760 Speaker 1: food down there, and I'm going to be performing the 61 00:03:54,880 --> 00:03:58,120 Speaker 1: twenty seven, twenty eighth at the Arlington Draft House. Tickets 62 00:03:58,120 --> 00:04:04,480 Speaker 1: are available now at Michael Rappaport Comedy digity dot com. 63 00:04:05,240 --> 00:04:07,520 Speaker 1: And if you've never listened to the Iron rap Port 64 00:04:07,520 --> 00:04:13,240 Speaker 1: Stereal podcast, welcome. If you've not subscribed, rated, and reviewed 65 00:04:13,280 --> 00:04:16,800 Speaker 1: the Iron rap Port Stereal Podcast, please do. And you 66 00:04:16,839 --> 00:04:22,560 Speaker 1: could follow the podcast at I Am Rapport Podcast on 67 00:04:23,080 --> 00:04:28,600 Speaker 1: Instagram and your Twitter witter. I'll just get into this 68 00:04:28,880 --> 00:04:35,080 Speaker 1: the great and people use this term very very loosely, 69 00:04:35,120 --> 00:04:39,440 Speaker 1: but we're talking about the great, truly great, one of 70 00:04:39,480 --> 00:04:43,599 Speaker 1: a kind, iconic, one of my favorites. The Great Robert 71 00:04:43,680 --> 00:04:48,920 Speaker 1: duval passed away the other day. The Great Robert Duvall 72 00:04:48,960 --> 00:04:52,480 Speaker 1: passed away ninety five years old. 73 00:04:53,400 --> 00:04:58,320 Speaker 2: And I mean, that's a great life. And what an iconic. 74 00:04:59,560 --> 00:05:06,080 Speaker 1: Actor, what a truly unique, one of one actor who 75 00:05:08,040 --> 00:05:14,000 Speaker 1: did so many incredible performances for so many years. And 76 00:05:14,360 --> 00:05:19,000 Speaker 1: he's the type of actor that seemed like he wasn't acting, 77 00:05:20,760 --> 00:05:25,800 Speaker 1: he just it always seemed completely genuine. And we're talking 78 00:05:25,839 --> 00:05:29,160 Speaker 1: about I don't know how many movies. It's got to 79 00:05:29,200 --> 00:05:32,880 Speaker 1: be close to one hundred films throughout the years. But 80 00:05:32,960 --> 00:05:38,600 Speaker 1: he was so understated but so big in performances at 81 00:05:38,600 --> 00:05:43,440 Speaker 1: the same time, performances like Apocalypse Now, where it's so 82 00:05:43,640 --> 00:05:47,120 Speaker 1: easy to go off the rails. In that iconic, iconic 83 00:05:47,240 --> 00:05:53,680 Speaker 1: performance from My Apocalypse Now, Charlie, don't surf the smell 84 00:05:53,720 --> 00:05:57,120 Speaker 1: of napalm in the morning. Miles Jordan aka the Bleach Brothers, 85 00:05:57,600 --> 00:06:06,760 Speaker 1: play that iconic speech for Robert Daval as Lieutenant Kilgore, 86 00:06:08,240 --> 00:06:13,039 Speaker 1: Lieutenant Colonel Gilgore in Apocalypse Now, play that iconic speech 87 00:06:13,680 --> 00:06:14,279 Speaker 1: really quick. 88 00:06:14,600 --> 00:06:16,400 Speaker 2: I love the smell of night palm in the morning. 89 00:06:17,400 --> 00:06:18,800 Speaker 2: Do you know what time we had a hill. 90 00:06:18,680 --> 00:06:20,279 Speaker 1: Bomb for twelve hours? 91 00:06:20,279 --> 00:06:21,800 Speaker 2: When it was all over, I walked up. 92 00:06:23,760 --> 00:06:27,839 Speaker 1: We didn't find one of them, not one stinking big body. 93 00:06:29,320 --> 00:06:35,520 Speaker 2: Smell you know that gasoline smelled all hell smelled. 94 00:06:39,480 --> 00:06:44,320 Speaker 1: Victory Apocalypse Now, what a film, And of course the 95 00:06:44,400 --> 00:06:51,680 Speaker 1: conversation directed by the great Francis Ford Coppola and the 96 00:06:51,800 --> 00:06:56,560 Speaker 1: film that probably busted them out on the scene as 97 00:06:56,880 --> 00:07:04,680 Speaker 1: Conciliera Tom Hayes in The Godfather and The Godfather Part two, 98 00:07:05,720 --> 00:07:09,040 Speaker 1: and he didn't his character wasn't a part of Godfather 99 00:07:09,080 --> 00:07:10,360 Speaker 1: Part three. I think it was something to do with 100 00:07:10,400 --> 00:07:16,560 Speaker 1: money him and Francis fort Coppola and Miles Jordan's play 101 00:07:18,120 --> 00:07:24,200 Speaker 1: That clip iconic clip from the Godfather where Tom Hagen 102 00:07:24,440 --> 00:07:29,120 Speaker 1: played by Robert Devall, is talking. I found out about 103 00:07:29,120 --> 00:07:32,360 Speaker 1: this captain McClusky, who broke Mike's jaw about it. Now 104 00:07:32,440 --> 00:07:35,120 Speaker 1: he's definitely on Silaso's payroll and for big money. 105 00:07:36,640 --> 00:07:38,680 Speaker 2: Plusky has agreed to be the Turk's bodyguard. 106 00:07:38,720 --> 00:07:41,880 Speaker 1: What you have to understand, Sonny, is that while is 107 00:07:41,920 --> 00:07:46,040 Speaker 1: being guarded like this, he is invulnerable. Nobody has ever 108 00:07:46,080 --> 00:07:47,680 Speaker 1: gone down a New York police captain. 109 00:07:47,720 --> 00:07:50,920 Speaker 2: Never. It would be disastrous. All the five families would come. 110 00:07:50,800 --> 00:07:54,600 Speaker 1: After you, Sonny, The Corleone family would be outcast. Even 111 00:07:54,600 --> 00:07:59,520 Speaker 1: the old nass political protection would run for cover. So 112 00:07:59,600 --> 00:08:03,640 Speaker 1: do me a fabe take this into consideration. These are 113 00:08:03,880 --> 00:08:09,680 Speaker 1: fucking iconic moments in film history. Robert Devall, who came 114 00:08:09,800 --> 00:08:14,480 Speaker 1: as shit Man. He did so many films, and two 115 00:08:14,480 --> 00:08:16,480 Speaker 1: of the things that he did that were so good 116 00:08:16,560 --> 00:08:21,840 Speaker 1: that I love. He directed The Apostle in nineteen ninety seven, 117 00:08:23,560 --> 00:08:26,480 Speaker 1: and he also directed another film which is so hard 118 00:08:26,480 --> 00:08:28,560 Speaker 1: to find. I don't know the rights for this. Must 119 00:08:28,600 --> 00:08:30,960 Speaker 1: be somewhere. Something must have went wrong with the rights. 120 00:08:31,000 --> 00:08:35,720 Speaker 1: Somebody must own the rights to Angelo My Love, which 121 00:08:36,640 --> 00:08:39,400 Speaker 1: I hate to say you should watch movies on YouTube, 122 00:08:39,400 --> 00:08:44,319 Speaker 1: but based on my research in the last few hours, 123 00:08:45,240 --> 00:08:48,360 Speaker 1: I can only find Angelo my Love on YouTube, and 124 00:08:48,720 --> 00:08:51,400 Speaker 1: it's that good that I would suggest watching it on YouTube. 125 00:08:51,440 --> 00:08:55,520 Speaker 1: And that movie influenced so many New York films that 126 00:08:55,559 --> 00:08:56,400 Speaker 1: came after it. 127 00:08:56,360 --> 00:08:57,920 Speaker 2: Specifically the movie Kids. 128 00:08:57,920 --> 00:09:01,559 Speaker 1: If you look at the movie Kids, which you've probably seen, 129 00:09:01,679 --> 00:09:04,920 Speaker 1: and you probably have never seen Angelo My Love, you'll 130 00:09:04,960 --> 00:09:11,120 Speaker 1: see the influence of the verte New York City cinematography 131 00:09:11,559 --> 00:09:14,160 Speaker 1: from this tiny little movie. I don't know what the 132 00:09:14,240 --> 00:09:18,280 Speaker 1: fuck happened with Angelo My Love, but it's an excellent 133 00:09:18,360 --> 00:09:22,600 Speaker 1: movie that Robert Deval directed about these gypsy kids in 134 00:09:22,679 --> 00:09:27,280 Speaker 1: New York City and these gypsy family and Deval, did 135 00:09:28,000 --> 00:09:35,120 Speaker 1: I mean that television series Lonesome Dove Colors starring Sean Penn, 136 00:09:35,240 --> 00:09:43,960 Speaker 1: Robert Deval, iconic film Tender Mercies, True Confessions, the Great Santini, 137 00:09:44,960 --> 00:09:49,960 Speaker 1: and like I said, a network, the Great Santini and 138 00:09:50,000 --> 00:09:53,400 Speaker 1: the converse. This fucking guy, Robert Devaal, this is a 139 00:09:53,440 --> 00:09:56,200 Speaker 1: career that will never be achieved again because movies will 140 00:09:56,200 --> 00:10:00,800 Speaker 1: never be made like this and he was so The 141 00:10:00,840 --> 00:10:06,280 Speaker 1: Great Santini is just a bugged out film about a 142 00:10:06,360 --> 00:10:14,959 Speaker 1: bugged out character, bull meatchum Man. We lost a special, special, 143 00:10:15,040 --> 00:10:18,120 Speaker 1: special actor with the loss of. 144 00:10:19,720 --> 00:10:20,480 Speaker 2: Gene Hackman. 145 00:10:20,520 --> 00:10:24,120 Speaker 1: And I always attributed Gene Hackman and Robert Deavall very 146 00:10:24,120 --> 00:10:27,120 Speaker 1: similar because their acting was so it could be so 147 00:10:27,280 --> 00:10:30,600 Speaker 1: big at times, but so understated at times. And in 148 00:10:30,679 --> 00:10:35,160 Speaker 1: Great Santini, he's so it could so easily be over 149 00:10:35,240 --> 00:10:38,600 Speaker 1: the top. And you look at that, and then you 150 00:10:38,600 --> 00:10:42,320 Speaker 1: look at Apocalypse Now and you look up, I mean 151 00:10:42,360 --> 00:10:45,120 Speaker 1: the Apostle where he directed himself, and you know, I 152 00:10:45,120 --> 00:10:46,400 Speaker 1: got to meet Robert Davall. 153 00:10:46,480 --> 00:10:50,360 Speaker 2: I remember there was a few nights in nineteen ninety eight. 154 00:10:50,440 --> 00:10:52,880 Speaker 1: It was had to be January of nineteen ninety eight 155 00:10:52,880 --> 00:10:56,840 Speaker 1: because Apostle came out in nineteen ninety seven, and I 156 00:10:56,920 --> 00:11:00,960 Speaker 1: remember that film was up for awards and I was 157 00:11:01,000 --> 00:11:04,720 Speaker 1: going to parties in La and I remember I saw 158 00:11:04,800 --> 00:11:08,720 Speaker 1: him two nights in a row, and the film was 159 00:11:08,920 --> 00:11:11,280 Speaker 1: so good and his performance was so good, and he 160 00:11:11,400 --> 00:11:16,000 Speaker 1: directed himself in that performance, and it's so talk about 161 00:11:16,080 --> 00:11:20,719 Speaker 1: a big performance that's so believable. He plays this Pentecostal 162 00:11:21,040 --> 00:11:25,160 Speaker 1: priest who's nuts and he's crazy and he's abusive. And 163 00:11:25,240 --> 00:11:27,559 Speaker 1: I remember, like, you know, talking to him about wanting 164 00:11:27,559 --> 00:11:30,000 Speaker 1: the awards and the thing about Robert Davaux. He wasn't 165 00:11:30,040 --> 00:11:33,720 Speaker 1: one of these like koy weirdo actors or shy actors. 166 00:11:33,720 --> 00:11:35,840 Speaker 1: He wasn't shy. I don't want to say cooy weirdo. 167 00:11:36,240 --> 00:11:38,520 Speaker 1: I could say weirdo. They're fucking weird. I say it 168 00:11:38,520 --> 00:11:41,560 Speaker 1: with love and respect. But he was approachable, he was 169 00:11:41,600 --> 00:11:45,440 Speaker 1: a guy. He was encouraging. I remember he was like, 170 00:11:45,840 --> 00:11:47,839 Speaker 1: how you doing, kid, I've seen some of your work, kid. 171 00:11:47,920 --> 00:11:52,040 Speaker 1: And I remember talking to him about wanting the Apostle 172 00:11:52,240 --> 00:11:56,240 Speaker 1: to win all the awards, and he said he wanted 173 00:11:56,320 --> 00:11:59,000 Speaker 1: him to win. He wanted those fucking awards. I don't 174 00:11:59,040 --> 00:12:01,000 Speaker 1: know if he ever admitted that publicly, but he wanted 175 00:12:01,000 --> 00:12:03,080 Speaker 1: the awards for the Apostle. He knew it was good, 176 00:12:03,080 --> 00:12:05,320 Speaker 1: and he knew he deserved it, and he knew he 177 00:12:05,360 --> 00:12:07,400 Speaker 1: was he wasn't gonna win the awards, and the awards 178 00:12:07,440 --> 00:12:11,160 Speaker 1: that year were taken by other great actors. I remember 179 00:12:11,240 --> 00:12:14,000 Speaker 1: Jack Nicholson. He won as for as good as it gets. 180 00:12:14,360 --> 00:12:18,640 Speaker 1: And that's the year that Matt Damon and Ben Affleck 181 00:12:18,679 --> 00:12:21,280 Speaker 1: came on the scene. But he wont he wanted those 182 00:12:21,320 --> 00:12:23,520 Speaker 1: fucking awards. He want he wanted him, I remember, and 183 00:12:23,520 --> 00:12:25,920 Speaker 1: I saw him at like a party, like a house party, 184 00:12:25,960 --> 00:12:27,200 Speaker 1: and then I remember, I think I saw him at 185 00:12:27,200 --> 00:12:29,280 Speaker 1: the Independent Spirit Awards, where I know he did get 186 00:12:29,320 --> 00:12:33,400 Speaker 1: an awards. But Robert Deval was just so unique and 187 00:12:33,480 --> 00:12:37,920 Speaker 1: so cool and so just a one of a kind 188 00:12:38,120 --> 00:12:41,640 Speaker 1: actor and a man's man, and he you know, loved 189 00:12:41,679 --> 00:12:43,920 Speaker 1: tanggoing and he had a young wife and he just 190 00:12:44,040 --> 00:12:46,760 Speaker 1: was fucking dope and cool and from a Hollywood that 191 00:12:48,160 --> 00:12:51,920 Speaker 1: is so far gone. And the way you see the 192 00:12:51,960 --> 00:12:55,600 Speaker 1: movie business going now and the film and television business 193 00:12:55,640 --> 00:12:58,559 Speaker 1: going now, it's sad to say, but we're never gonna 194 00:12:58,559 --> 00:13:02,600 Speaker 1: seem not because well, first because Robert Vall is so 195 00:13:02,760 --> 00:13:04,760 Speaker 1: unique and so gifted and so. 196 00:13:06,200 --> 00:13:07,640 Speaker 2: Not trying to be anything. 197 00:13:07,280 --> 00:13:11,840 Speaker 1: But himself, which is what really makes special actors. But 198 00:13:11,960 --> 00:13:15,800 Speaker 1: the opportunities, the films and the kind of films are 199 00:13:15,920 --> 00:13:19,760 Speaker 1: just they're not being made anymore. It's really, really, really, 200 00:13:19,800 --> 00:13:23,000 Speaker 1: really really sad. But if you've never seen The Apostle, 201 00:13:23,720 --> 00:13:27,439 Speaker 1: watch The Apostle. And like I said, there's so many 202 00:13:27,800 --> 00:13:33,360 Speaker 1: iconic performances and moments from the great Robert Devall Stalin, 203 00:13:33,440 --> 00:13:37,600 Speaker 1: he played Stalin. I mean, he's just so good in 204 00:13:37,760 --> 00:13:42,280 Speaker 1: Rambling rows and even like those those bigger films Days 205 00:13:42,280 --> 00:13:47,720 Speaker 1: of Thunder with Tom Cruise, and he just was always good, 206 00:13:47,880 --> 00:13:52,480 Speaker 1: always awesome, and always was just approachable and regular, and 207 00:13:53,760 --> 00:13:56,559 Speaker 1: you know, talked about acting in a like a non 208 00:13:56,720 --> 00:14:00,880 Speaker 1: ethereal way. He was very He made it seem attainable. 209 00:14:01,760 --> 00:14:02,280 Speaker 2: It wasn't. 210 00:14:02,679 --> 00:14:04,640 Speaker 1: He was an artist, but he talked about it like 211 00:14:04,679 --> 00:14:07,960 Speaker 1: a like a ham and egger, like a plumber, like 212 00:14:08,000 --> 00:14:11,360 Speaker 1: a truck driver, like a regular guy, like a factory worker. 213 00:14:11,400 --> 00:14:13,720 Speaker 1: That's how he talked about acting. And he talked shit 214 00:14:14,600 --> 00:14:19,880 Speaker 1: and man, the iconic ninety five years old, the great 215 00:14:20,000 --> 00:14:23,960 Speaker 1: Robert Deval passed away. So sad, but what a life, 216 00:14:23,960 --> 00:14:26,680 Speaker 1: what a career, and what an impact he had, What 217 00:14:26,760 --> 00:14:30,800 Speaker 1: an inspiration he had on so many of us, so 218 00:14:30,960 --> 00:14:33,480 Speaker 1: many of us. He never saw the trick and never 219 00:14:33,560 --> 00:14:35,120 Speaker 1: and it never looked like he was doing a trick. 220 00:14:35,160 --> 00:14:37,080 Speaker 1: That always looked like he was just it was just 221 00:14:37,120 --> 00:14:44,560 Speaker 1: happening with Robert Devall. Also said James Vanderbeek, who obviously 222 00:14:45,440 --> 00:14:49,920 Speaker 1: broke onto the scene in Dawson's Creek, passed away. He 223 00:14:49,960 --> 00:14:55,320 Speaker 1: had a very public battle with pancreatic cancer. 224 00:14:55,760 --> 00:14:57,040 Speaker 2: I never met him, but. 225 00:14:59,040 --> 00:15:02,480 Speaker 1: Everybody U who spoke about working with him, everybody who 226 00:15:02,520 --> 00:15:07,040 Speaker 1: spoke about knowing him, said he was just a mensch 227 00:15:07,800 --> 00:15:11,600 Speaker 1: and a sweetheart and a good guy. And that is 228 00:15:11,640 --> 00:15:14,960 Speaker 1: just too too fucking young man. Forty eight years old 229 00:15:15,040 --> 00:15:20,520 Speaker 1: is too fucking young to pass away. And he's gotten 230 00:15:20,520 --> 00:15:24,760 Speaker 1: a lot of support from Hollywood community and his friends 231 00:15:24,760 --> 00:15:27,240 Speaker 1: in the Hollywood community, and he just seemed like a. 232 00:15:28,680 --> 00:15:30,040 Speaker 2: Just a really, really nice guy. 233 00:15:30,120 --> 00:15:33,640 Speaker 1: And that's really really sad that James Vanderbeek passed away 234 00:15:33,680 --> 00:15:37,840 Speaker 1: way too soon. When you think about somebody like Robert 235 00:15:37,880 --> 00:15:41,560 Speaker 1: Devall and making it to ninety five and then somebody 236 00:15:41,560 --> 00:15:43,960 Speaker 1: like forty eight years old James Vanderbeek passing away, it's 237 00:15:44,000 --> 00:15:45,600 Speaker 1: too damn soon. 238 00:15:46,640 --> 00:15:48,280 Speaker 2: So may his memory be a blessing. 239 00:15:48,320 --> 00:16:06,920 Speaker 1: May the Great Robert Devall's memory be a blessing. I 240 00:16:06,960 --> 00:16:09,720 Speaker 1: am in New York City, where it is starting to 241 00:16:09,800 --> 00:16:13,360 Speaker 1: quote unquote warm up. It's like in the thirties, because, 242 00:16:13,400 --> 00:16:15,560 Speaker 1: like I said on the last couple of episodes, it 243 00:16:15,640 --> 00:16:20,160 Speaker 1: has been triple brick in New York City. It has 244 00:16:20,200 --> 00:16:24,880 Speaker 1: been triple triple brick in New York The last few 245 00:16:24,920 --> 00:16:28,400 Speaker 1: weeks now, we're like in the you know, normal winter, 246 00:16:29,440 --> 00:16:32,680 Speaker 1: So the snow is starting to melt and the dirt 247 00:16:32,720 --> 00:16:35,040 Speaker 1: is starting to rise to the surface, and there's so 248 00:16:35,200 --> 00:16:39,640 Speaker 1: much dirt. There's so much dog shit all over the place. 249 00:16:39,880 --> 00:16:42,200 Speaker 1: And of course I would like to blame all that 250 00:16:42,280 --> 00:16:47,280 Speaker 1: on Zoran the moron, and somehow, someway I'll find a 251 00:16:47,320 --> 00:16:49,880 Speaker 1: way to blame it on him. But I gotta just say, 252 00:16:50,080 --> 00:16:53,640 Speaker 1: as if you don't love New York City, get the 253 00:16:53,760 --> 00:16:56,760 Speaker 1: fuck out of New York City now. 254 00:16:56,800 --> 00:16:57,080 Speaker 2: I know. 255 00:16:57,200 --> 00:17:04,480 Speaker 1: I used to talk about when the former iconic news 256 00:17:04,520 --> 00:17:08,320 Speaker 1: dog of the Iron Wrap Port stereo podcast, Weezy rappaport Rip, 257 00:17:09,800 --> 00:17:15,240 Speaker 1: who passed away, But when Weezy and I would patrol 258 00:17:15,280 --> 00:17:17,720 Speaker 1: the streets in California, I would let him go into 259 00:17:17,760 --> 00:17:22,080 Speaker 1: the bushes and I wouldn't always clean up his dog shit. However, 260 00:17:22,680 --> 00:17:25,760 Speaker 1: if he shot on someone's lawn or if he shot 261 00:17:25,840 --> 00:17:28,680 Speaker 1: on the street, and you know, normally I would clean 262 00:17:28,680 --> 00:17:31,119 Speaker 1: it up if he went into like the deep bushes 263 00:17:31,520 --> 00:17:33,040 Speaker 1: when I was on a hike. Of course, I'm not 264 00:17:33,080 --> 00:17:39,359 Speaker 1: going into the trees and the wilderness to clean dog shit, okay, 265 00:17:40,119 --> 00:17:43,280 Speaker 1: but if you're in New York City, we're talking about 266 00:17:43,480 --> 00:17:47,280 Speaker 1: New York City. They need to bring back pooper scooper laws. 267 00:17:47,720 --> 00:17:50,439 Speaker 1: They need to start finding people because I remember, I 268 00:17:50,440 --> 00:17:53,280 Speaker 1: think it was the eighties of the nineties pooper scoopers. 269 00:17:53,760 --> 00:17:56,120 Speaker 1: They invented pooper scoopers and they said, you must carry 270 00:17:56,160 --> 00:17:58,160 Speaker 1: a pooper scooper and if you're not cleaning your shit. 271 00:17:58,000 --> 00:17:59,360 Speaker 2: We're gonna find you. 272 00:17:59,400 --> 00:18:02,800 Speaker 1: We need to start doing that because there's too much 273 00:18:02,880 --> 00:18:05,080 Speaker 1: dog shit all over New York City. And if you 274 00:18:05,160 --> 00:18:11,320 Speaker 1: have a dog and your dog is dropping deuces in 275 00:18:11,400 --> 00:18:15,160 Speaker 1: the streets of New York, I don't care what kind 276 00:18:15,160 --> 00:18:19,840 Speaker 1: of deuce it's dropping. You must clean it up. Otherwise 277 00:18:19,840 --> 00:18:23,199 Speaker 1: when to take the fucking dog away, motherfucker. And if 278 00:18:23,200 --> 00:18:27,000 Speaker 1: you're not cleaning up your own dogs dog shit, I say, 279 00:18:27,320 --> 00:18:30,159 Speaker 1: if somebody sees somebody not cleaning up their own dogs 280 00:18:30,200 --> 00:18:33,040 Speaker 1: dog shit, other New Yorkers have the right to pick 281 00:18:33,119 --> 00:18:37,560 Speaker 1: up aforementioned dogs dog shit and throw it at the 282 00:18:37,680 --> 00:18:44,000 Speaker 1: dog owner. Enough is enough, clean your dog shit up. 283 00:18:44,080 --> 00:18:48,880 Speaker 1: It's disgusting. Because I love New York and I feel 284 00:18:48,880 --> 00:18:51,280 Speaker 1: like if you live in New York, you should love 285 00:18:51,400 --> 00:18:56,080 Speaker 1: New York. It is the greatest city on the planet, 286 00:18:56,240 --> 00:19:01,040 Speaker 1: in the greatest country on the planet. It's a privilege 287 00:19:01,080 --> 00:19:04,200 Speaker 1: to live in New York City. It don't take much 288 00:19:04,200 --> 00:19:10,080 Speaker 1: to clean up your dog dong. Anyway, the NBA All 289 00:19:10,119 --> 00:19:14,159 Speaker 1: Star Game came and went, and you know, as the 290 00:19:14,240 --> 00:19:18,240 Speaker 1: dust clears and everybody's you know, getting ready for March Madness, 291 00:19:18,760 --> 00:19:22,480 Speaker 1: and this week is probably the slowest week of sports 292 00:19:22,520 --> 00:19:26,040 Speaker 1: we have. Of course, we have the Winter Olympics, which 293 00:19:26,280 --> 00:19:29,400 Speaker 1: I mean, if you're into the Winter Olympics, fantastic. I'm 294 00:19:29,400 --> 00:19:31,359 Speaker 1: not gonna shit on the Winter Olympics. I'm not really 295 00:19:31,400 --> 00:19:36,440 Speaker 1: following these Winter Olympics too much. But if you're into 296 00:19:36,480 --> 00:19:40,360 Speaker 1: the Winter Olympics, knock yourself out. But the NBA All 297 00:19:40,400 --> 00:19:44,640 Speaker 1: Star Game came and went, and they had the stars, 298 00:19:44,640 --> 00:19:48,160 Speaker 1: they had the stripes. And I talked shit the last 299 00:19:48,240 --> 00:19:54,560 Speaker 1: couple of years about Anthony Edwards not participating, saying he 300 00:19:54,600 --> 00:19:56,640 Speaker 1: didn't want to participate, and then acting like he didn't 301 00:19:56,680 --> 00:19:58,800 Speaker 1: want to participate. Well, this year he acted like he 302 00:19:58,880 --> 00:20:03,800 Speaker 1: wanted to participate in one MVP and luka Doncic. It's 303 00:20:03,840 --> 00:20:07,600 Speaker 1: getting boring now. I can understand why somebody like Yokick 304 00:20:08,680 --> 00:20:13,600 Speaker 1: doesn't really excel or seem like he's participating in an 305 00:20:13,720 --> 00:20:17,440 Speaker 1: NBA All Star Game. But Luka donck, my man, you're 306 00:20:17,520 --> 00:20:22,680 Speaker 1: twenty six, twenty seven years old. You're twenty six, twenty 307 00:20:22,920 --> 00:20:26,520 Speaker 1: seven it for me, it's getting boring. I'm starting to 308 00:20:26,520 --> 00:20:30,000 Speaker 1: feel like Luka donka like it's great, it's fun to 309 00:20:30,040 --> 00:20:35,720 Speaker 1: watch Bazukah Luca. It's exciting, it works when you work it. 310 00:20:37,200 --> 00:20:41,400 Speaker 1: But is this gonna be like a James Harden type 311 00:20:41,400 --> 00:20:44,480 Speaker 1: of guy? Is Luka donca gonna be like one of 312 00:20:44,560 --> 00:20:47,520 Speaker 1: these James Harden type of guys where you're like, you know, 313 00:20:47,840 --> 00:20:51,320 Speaker 1: you can only take it so far, because, like I said, 314 00:20:52,440 --> 00:20:56,320 Speaker 1: when he's when he's flowing, it's fantastic, but you can 315 00:20:56,359 --> 00:20:59,720 Speaker 1: participate and try harder. In the NBA All Star Game, 316 00:20:59,720 --> 00:21:06,360 Speaker 1: you're twenty six years fucking old. Luka donkk, you're twenty 317 00:21:06,480 --> 00:21:10,560 Speaker 1: fucking six years old. Victor webin Yama he was out 318 00:21:10,600 --> 00:21:14,360 Speaker 1: there playing like he cared. All the other people were 319 00:21:14,359 --> 00:21:18,760 Speaker 1: playing like joker. I understand that's not his type of game, 320 00:21:18,880 --> 00:21:21,160 Speaker 1: running up and down. That's not gonna work for him. 321 00:21:21,320 --> 00:21:25,240 Speaker 1: But everybody else, specifically you, Luca, act like you give 322 00:21:25,440 --> 00:21:28,480 Speaker 1: a fuck. But the game was definitely more competitive, It 323 00:21:28,600 --> 00:21:34,879 Speaker 1: definitely was entertaining. I feel like it's never going to 324 00:21:35,080 --> 00:21:39,320 Speaker 1: really satisfy every single thing that we all want. In 325 00:21:39,359 --> 00:21:45,320 Speaker 1: my opinion, the game was overshadowed by the controversy, the 326 00:21:45,560 --> 00:21:51,040 Speaker 1: blatant disrespect by Kyrie Irving and Spike Lee. Kyrie Irving 327 00:21:51,720 --> 00:21:56,399 Speaker 1: showed up to the game wearing a T shirt that 328 00:21:56,600 --> 00:22:00,920 Speaker 1: had the Press emblem, the symbol its press pr e 329 00:22:01,160 --> 00:22:05,720 Speaker 1: SS like he was, you know, a press worker and 330 00:22:05,960 --> 00:22:10,680 Speaker 1: it was an honor to remember the three hundred plus 331 00:22:10,880 --> 00:22:13,680 Speaker 1: quote unquote. It should have been pressed with air quotes. 332 00:22:13,800 --> 00:22:16,879 Speaker 1: That would have been good. It should have been pressed 333 00:22:16,880 --> 00:22:19,120 Speaker 1: with quotes. If Kyrie Irving had a shirt that said 334 00:22:19,160 --> 00:22:23,199 Speaker 1: press with quotes, I would have respected that. But he 335 00:22:23,280 --> 00:22:26,000 Speaker 1: was wearing a shirt that had the press in order 336 00:22:26,520 --> 00:22:33,720 Speaker 1: to bring attention to the quote unquote gazing press community 337 00:22:34,359 --> 00:22:41,960 Speaker 1: who were innocently killed during the quote unquote genocide or 338 00:22:42,000 --> 00:22:46,400 Speaker 1: as he calls it, the ongoing genocide in Gaza. And 339 00:22:46,720 --> 00:22:56,080 Speaker 1: fucking Spike Lee, This fucking guy, Spike Lee, who two 340 00:22:56,119 --> 00:23:00,680 Speaker 1: weeks ago he posted on his Instagram page a flag 341 00:23:00,880 --> 00:23:05,919 Speaker 1: of Hamas or he probably thought he was posting a 342 00:23:05,960 --> 00:23:09,960 Speaker 1: flag of Palestine, but we don't know exactly where that is. 343 00:23:10,960 --> 00:23:12,720 Speaker 2: And then at the. 344 00:23:13,280 --> 00:23:15,960 Speaker 1: Dunk contest, which they need to just scrap that, just 345 00:23:16,000 --> 00:23:18,960 Speaker 1: stop the dunk contest. The dunk contest is an embarrassment. 346 00:23:19,960 --> 00:23:23,560 Speaker 1: Jason Richardson's son almost fucking broke his neck. 347 00:23:24,240 --> 00:23:25,359 Speaker 2: If you saw that clip. 348 00:23:25,119 --> 00:23:29,719 Speaker 1: Of Jason Richardson's son, Jason Richardson, who won the dunk contest, 349 00:23:29,760 --> 00:23:31,320 Speaker 1: I think it was two thousand and two, two thousand 350 00:23:31,359 --> 00:23:35,760 Speaker 1: and three, doing some crazy shit underrated dunker. His son 351 00:23:36,359 --> 00:23:39,840 Speaker 1: tried one dunk and literally almost broke his fucking back 352 00:23:39,880 --> 00:23:42,240 Speaker 1: and neck, and I'm surprised he was able to get 353 00:23:42,320 --> 00:23:44,080 Speaker 1: up off the floor. That poor kid must have been 354 00:23:44,080 --> 00:23:47,440 Speaker 1: so embarrassed and humiliated trying to do a dunk during 355 00:23:47,440 --> 00:23:50,560 Speaker 1: the dunk contest and you fall, and not only do 356 00:23:50,600 --> 00:23:54,080 Speaker 1: you fall, you bang your head on the floor, like 357 00:23:54,440 --> 00:23:57,080 Speaker 1: really really, really hard. Like if it was during the 358 00:23:57,200 --> 00:24:00,919 Speaker 1: NBA game, they would have put him in the concussion protocol. 359 00:24:01,960 --> 00:24:04,520 Speaker 1: They just need to stop the dunk contest before somebody 360 00:24:04,640 --> 00:24:08,000 Speaker 1: actually does get hurt out there. But Spike Lee, who 361 00:24:08,040 --> 00:24:11,800 Speaker 1: was at the dunk contest wearing the same stupid custom 362 00:24:11,880 --> 00:24:19,159 Speaker 1: made bag with the red triangle and the flag of 363 00:24:19,520 --> 00:24:23,080 Speaker 1: quote unquote Palestine, and then he wore during the All 364 00:24:23,119 --> 00:24:27,040 Speaker 1: Star Game and I've been having conversations with Dust brother 365 00:24:27,119 --> 00:24:29,320 Speaker 1: Jordan Winter. Of course, this podcast is produced by the 366 00:24:29,400 --> 00:24:33,800 Speaker 1: Dust Brothers, Miles Davis and Jordan Winter, Hekay, the Bleach Brothers. 367 00:24:33,960 --> 00:24:36,200 Speaker 1: I was talking to my wife and we were trying 368 00:24:36,240 --> 00:24:39,000 Speaker 1: to figure out or thinking trying to ask, you know, 369 00:24:39,040 --> 00:24:43,520 Speaker 1: do you think he was doing it in protest because 370 00:24:43,800 --> 00:24:48,800 Speaker 1: Denny of the Portland Trailblazers, the first Israeli basketball player 371 00:24:49,080 --> 00:24:53,560 Speaker 1: to ever make the All Star Game, was there to 372 00:24:53,680 --> 00:24:56,040 Speaker 1: show like, oh well, we need to make sure that 373 00:24:56,119 --> 00:24:58,919 Speaker 1: our voices are heard, and that the voices of the 374 00:24:59,040 --> 00:25:02,480 Speaker 1: Press of are heard and the Palestinian people are heard. 375 00:25:02,800 --> 00:25:04,760 Speaker 1: And I was talking to Jordan Winter, was talking to 376 00:25:04,760 --> 00:25:06,880 Speaker 1: my wife Kibi, who's the co host, of course, of 377 00:25:08,119 --> 00:25:11,280 Speaker 1: Rap of Ports Reality, where we would be dropping a 378 00:25:11,280 --> 00:25:16,720 Speaker 1: all yo an All Star episode this week, because I 379 00:25:16,800 --> 00:25:20,120 Speaker 1: just came back from the Traders Reunion, which has been 380 00:25:21,240 --> 00:25:23,919 Speaker 1: I mean, so many people are hitting me up asking 381 00:25:24,000 --> 00:25:26,520 Speaker 1: questions about that we will answer. I will answer every 382 00:25:26,600 --> 00:25:30,159 Speaker 1: single thing I possibly can about the Traders Reunion on 383 00:25:30,400 --> 00:25:33,080 Speaker 1: the Rap of Ports Reality, which is dropping like all 384 00:25:33,160 --> 00:25:38,080 Speaker 1: Rapper Ports realities Wednesday like clockwork. But we were trying 385 00:25:38,080 --> 00:25:40,320 Speaker 1: to figure out, you know why would he wear that now? 386 00:25:40,640 --> 00:25:43,600 Speaker 1: Why would Kyrie Irving wear that now? And I really 387 00:25:43,680 --> 00:25:47,760 Speaker 1: came to the conclusion, who gives a fuck? Who gives 388 00:25:47,800 --> 00:25:50,440 Speaker 1: a fuck? You can wear your press T shirt. You 389 00:25:50,480 --> 00:25:55,800 Speaker 1: could wear your stupid fucking outfits. AOC can make a 390 00:25:56,000 --> 00:26:00,200 Speaker 1: fucking fool of herself like she did the other day 391 00:26:00,480 --> 00:26:04,600 Speaker 1: talking about genocide, this genocide that it does not make 392 00:26:04,640 --> 00:26:08,560 Speaker 1: it factual. There are there is no proven evidence about 393 00:26:08,600 --> 00:26:14,160 Speaker 1: a genocide. Zoron the moron can state it like he's 394 00:26:14,200 --> 00:26:20,080 Speaker 1: stating facts. It is not proven. It didn't happen. It's 395 00:26:20,160 --> 00:26:28,760 Speaker 1: just jew hate, jew hate wrapped up an anti Zionist 396 00:26:28,800 --> 00:26:37,800 Speaker 1: bullshit from uneducated, fake smart, uninformed Jewish hating, anti Jewish, 397 00:26:38,000 --> 00:26:44,080 Speaker 1: anti Semitic motherfuckers, one after another after another, after another 398 00:26:44,520 --> 00:27:04,640 Speaker 1: after another. What else is going on there? It's a terrible, 399 00:27:04,720 --> 00:27:10,840 Speaker 1: terrible shooting. It's sick fuck in Rhode Island. Who I 400 00:27:10,840 --> 00:27:13,359 Speaker 1: don't care what it is. This is a sick This 401 00:27:13,400 --> 00:27:15,640 Speaker 1: want to say, if you're if you're shooting people, you're sick. 402 00:27:15,880 --> 00:27:19,040 Speaker 1: Who cares? What got them to being the sick fuck? 403 00:27:19,119 --> 00:27:25,919 Speaker 1: But a transsexual cock diesel dude, I don't fucking know. 404 00:27:26,800 --> 00:27:31,840 Speaker 1: While his kids were playing hockey shot, two of his children, 405 00:27:31,920 --> 00:27:35,480 Speaker 1: shot his wife during the middle of a Rhode Island 406 00:27:36,880 --> 00:27:42,760 Speaker 1: teenager hockey game. And you know, I don't care about 407 00:27:42,760 --> 00:27:47,120 Speaker 1: anybody's sexuality. I care about sick fucks. I don't care 408 00:27:47,160 --> 00:27:50,680 Speaker 1: what you what you think you are. Okay, you want 409 00:27:50,720 --> 00:27:54,800 Speaker 1: to dress like a woman, knock yourself out from New York. 410 00:27:55,119 --> 00:27:59,879 Speaker 1: Seen it all, heard it all, watched it all. But 411 00:28:00,119 --> 00:28:05,760 Speaker 1: if these medications and medicines are flipping people out, something 412 00:28:05,840 --> 00:28:09,560 Speaker 1: needs to be done. This is a terrible, terrible, terrible, terrible, 413 00:28:09,680 --> 00:28:16,280 Speaker 1: horrifying tragedy. And it's so pathetic that this isn't some 414 00:28:16,320 --> 00:28:18,199 Speaker 1: of you people probably like I didn't even hear about this. 415 00:28:18,600 --> 00:28:20,239 Speaker 2: But this lunatic. 416 00:28:21,520 --> 00:28:26,560 Speaker 1: Transgender father of her kids at a high school hockey 417 00:28:26,600 --> 00:28:31,199 Speaker 1: game shot the woman and the kids while another one 418 00:28:31,240 --> 00:28:35,400 Speaker 1: of their kids was on the ice playing hockey. And 419 00:28:35,480 --> 00:28:39,200 Speaker 1: it's just it's this is a tragedy. And you look 420 00:28:39,200 --> 00:28:41,200 Speaker 1: at the pictures of the guy. The guy's a fucking 421 00:28:41,720 --> 00:28:48,360 Speaker 1: cock diesel looks like David Lee Roth with tits and muscles, 422 00:28:48,920 --> 00:28:51,720 Speaker 1: And I think, I don't know what the fuck it is. Man, 423 00:28:53,920 --> 00:28:58,720 Speaker 1: Robert dorgan is the is the person's name who did 424 00:28:58,760 --> 00:29:02,160 Speaker 1: this horrible horrible, horrible, horrible tragedy. 425 00:29:03,040 --> 00:29:06,880 Speaker 2: And ah, man, I don't even know. I don't even know. 426 00:29:07,440 --> 00:29:09,400 Speaker 2: When people are threatening, they need they need it like 427 00:29:09,440 --> 00:29:09,640 Speaker 2: I have. 428 00:29:09,840 --> 00:29:13,160 Speaker 1: Like, Yo, if you're doing crazy shit like this, you're 429 00:29:13,160 --> 00:29:15,520 Speaker 1: threatening people, you're gonna do this, You're gonna go berserk, 430 00:29:17,080 --> 00:29:23,000 Speaker 1: You're gonna shoot up this jail period, Lock them the 431 00:29:23,040 --> 00:29:26,640 Speaker 1: fuck up. The world needs to be a safe place 432 00:29:27,600 --> 00:29:33,240 Speaker 1: when animals like this are opening fire at a high 433 00:29:33,280 --> 00:29:37,880 Speaker 1: school hockey game. Terrible terrible, terrible, terrible tragedy. And if 434 00:29:37,920 --> 00:29:39,520 Speaker 1: you look at this guy, you're gonna be like, what 435 00:29:39,600 --> 00:29:40,600 Speaker 1: the guy? 436 00:29:40,680 --> 00:29:41,600 Speaker 2: Girl? Whatever the fuck? 437 00:29:41,680 --> 00:29:44,760 Speaker 1: This person identified as who cares fucking lunatic? 438 00:29:47,840 --> 00:29:52,280 Speaker 2: What else is going on? Nancy Guthrie? Hmm, yo, I 439 00:29:52,320 --> 00:29:52,840 Speaker 2: don't know what. 440 00:29:53,680 --> 00:30:00,200 Speaker 1: Who kidnapped this woman, Nancy Guthrie, who is severe Anna 441 00:30:00,280 --> 00:30:03,400 Speaker 1: Guthrie's mom. Obviously everybody's trying to figure out what the 442 00:30:03,440 --> 00:30:06,160 Speaker 1: fuck happened. But I'll tell you something. We're going on 443 00:30:06,280 --> 00:30:10,680 Speaker 1: three weeks since they kidnapped this old lady, eighty four 444 00:30:10,800 --> 00:30:16,880 Speaker 1: years old, and there's gonna be documentary after documentary. I 445 00:30:16,920 --> 00:30:19,840 Speaker 1: also feel like there's gonna be movies made about this shit, 446 00:30:20,800 --> 00:30:23,560 Speaker 1: and not necessarily like you know, dramas like Fargo, because 447 00:30:23,560 --> 00:30:26,240 Speaker 1: remember that was about a kidnapping gone wrong. This seems 448 00:30:26,320 --> 00:30:33,400 Speaker 1: like I don't know who kidnapped Old Nancy. She's eighty 449 00:30:33,440 --> 00:30:37,920 Speaker 1: four years old. Let this woman out. Let old Lady 450 00:30:38,000 --> 00:30:42,160 Speaker 1: Nancy out. You want to kill the woman. There's all 451 00:30:42,200 --> 00:30:46,240 Speaker 1: sorts of conspiracy theories. There's all sorts of wacky, crazy 452 00:30:46,600 --> 00:30:50,640 Speaker 1: ideas of who did this, who did that, how it happened, 453 00:30:51,600 --> 00:30:53,880 Speaker 1: where it happened, and all that shit. 454 00:30:53,960 --> 00:30:57,040 Speaker 2: But I thought this would have been taken care of. 455 00:30:57,080 --> 00:31:01,000 Speaker 1: We're going into like three weeks, say, kidnapped an eighty 456 00:31:01,160 --> 00:31:04,760 Speaker 1: four year old woman from her home, and I don't 457 00:31:04,800 --> 00:31:09,480 Speaker 1: know if the FBI, the CIA, the Sheriff's department, they're 458 00:31:09,560 --> 00:31:12,120 Speaker 1: hiding information. But this don't look good, And I'll tell 459 00:31:12,120 --> 00:31:16,120 Speaker 1: you something else. You motherfucker's out there right now. As 460 00:31:16,120 --> 00:31:18,560 Speaker 1: of the recording of this Iron Rapport Stereo podcast, they're 461 00:31:18,640 --> 00:31:23,520 Speaker 1: saying that her ransom is one hundred thousand dollars. That 462 00:31:23,560 --> 00:31:27,960 Speaker 1: ain't gonna move the needle. Listen, you gotta up the anie. 463 00:31:28,080 --> 00:31:30,680 Speaker 1: One hundred thousand dollars. It sounds good, but I'm gonna 464 00:31:30,680 --> 00:31:32,880 Speaker 1: tell you guys something right now. If I get kidnapped, 465 00:31:33,480 --> 00:31:35,160 Speaker 1: you better come up with more than just one hundred 466 00:31:35,200 --> 00:31:37,960 Speaker 1: thousand dollars for my ransom money, because that's not going 467 00:31:38,040 --> 00:31:39,239 Speaker 1: to fucking do it. 468 00:31:39,280 --> 00:31:40,480 Speaker 2: In twenty twenty. 469 00:31:40,200 --> 00:31:45,440 Speaker 1: Six, this ain't the eighties, this ain't the nineties. This 470 00:31:45,520 --> 00:31:49,400 Speaker 1: woman is an NBC broadcaster, host of a morning show. 471 00:31:49,600 --> 00:31:52,120 Speaker 1: This should be at least a cool million in cash. 472 00:31:52,320 --> 00:31:55,240 Speaker 1: One hundred thousand dollars ain't gonna cut it. And if 473 00:31:55,280 --> 00:31:58,080 Speaker 1: I ever get kidnapped, I hope at least I could 474 00:31:58,080 --> 00:32:01,000 Speaker 1: get a GoFundMe to raise more than one hundred thousand 475 00:32:01,040 --> 00:32:05,720 Speaker 1: dollars for my ransom, because that's some bullshit. That is 476 00:32:05,760 --> 00:32:07,800 Speaker 1: some of course, they're not giving her back. One hundred 477 00:32:07,800 --> 00:32:10,360 Speaker 1: thousand dollars is not going to move the needle. In 478 00:32:10,440 --> 00:32:14,800 Speaker 1: twenty twenty six, all the trouble these kidnapping cocksuckers went through, 479 00:32:15,320 --> 00:32:20,080 Speaker 1: They're like, fuck that for one hundred k, fuck out 480 00:32:20,080 --> 00:32:23,160 Speaker 1: of here. I'm not giving her back anyway. Free Nancy, 481 00:32:24,160 --> 00:32:28,719 Speaker 1: Robert Davaal, May your memory always be a blessing. James Vanderbeek, 482 00:32:29,640 --> 00:32:34,080 Speaker 1: May your memory always be a blessing. And make sure 483 00:32:34,280 --> 00:32:37,480 Speaker 1: you subscribe, rate, and review to the Iron Wrap Port 484 00:32:37,520 --> 00:32:39,800 Speaker 1: Stereo podcast and like I said, Tickets are available to 485 00:32:39,800 --> 00:32:41,760 Speaker 1: come see me the twenty seventh and the twenty eighth 486 00:32:41,800 --> 00:32:48,240 Speaker 1: in Arlington, Virginia. Follow the podcast, rate the podcast, hit 487 00:32:48,280 --> 00:32:50,720 Speaker 1: me up on Instagram. You got requests, you got questions, 488 00:32:51,360 --> 00:32:55,600 Speaker 1: you need clarification, let me know. Miles Jeordan, ak the 489 00:32:55,600 --> 00:32:57,560 Speaker 1: Bleach Other's AK the Dust Brothers. Take me matter with 490 00:32:57,680 --> 00:33:00,600 Speaker 1: something real nice. Take me matter with something real lovel multipoly, 491 00:33:00,640 --> 00:33:02,000 Speaker 1: Take me at it with something real funk. 492 00:33:02,000 --> 00:33:17,760 Speaker 2: It's Iron wrapp por Sterarial Pockets. I'm done.