1
00:00:11,800 --> 00:00:16,880
Speaker 1: And his Drink Chess motherfucking podcast. He's a legendary queen's rapper.

2
00:00:17,160 --> 00:00:19,279
Speaker 1: He's agreed. Is your boy in o R. He's a

3
00:00:19,400 --> 00:00:23,200
Speaker 1: Miami hippoper. Million up his d J e FN Together

4
00:00:23,400 --> 00:00:25,560
Speaker 1: they drink it up with some of the biggest players

5
00:00:26,280 --> 00:00:30,520
Speaker 1: in the most professional unprofessional podcast and your number one

6
00:00:30,640 --> 00:00:36,320
Speaker 1: source for drunk back drink Mothers New Year's for drink

7
00:00:36,440 --> 00:00:46,080
Speaker 1: Champ trick Up Mother Mother Fun. Would it good? Be hoping?

8
00:00:46,120 --> 00:00:48,199
Speaker 1: He is? Would sup? This is your boy in O R?

9
00:00:48,560 --> 00:00:50,280
Speaker 1: What up? Is d J e n F and his

10
00:00:50,400 --> 00:01:01,000
Speaker 1: militated crazy walk, crazy good drink guests right here? This

11
00:01:01,160 --> 00:01:03,760
Speaker 1: guess right here is one of the most controversial guests.

12
00:01:04,200 --> 00:01:06,800
Speaker 1: I mean when he came here, he turned up people,

13
00:01:06,840 --> 00:01:11,080
Speaker 1: we were talking, people were talking about it high. He

14
00:01:11,200 --> 00:01:14,000
Speaker 1: played the game. He played the game. He didn't exactly

15
00:01:14,040 --> 00:01:16,240
Speaker 1: what he wanted to. I didn't think he was gonna return.

16
00:01:16,600 --> 00:01:19,080
Speaker 1: Not only he returned, he returned with my my one

17
00:01:19,120 --> 00:01:21,480
Speaker 1: of my good friends, John Ruth's son is in here center.

18
00:01:21,760 --> 00:01:24,160
Speaker 1: I believe that's his name, right and then what's what's

19
00:01:24,160 --> 00:01:26,880
Speaker 1: your sun name? Right here? This is J J j J.

20
00:01:27,160 --> 00:01:28,800
Speaker 1: We're gonna get We're gon We're gonna do it on

21
00:01:29,120 --> 00:01:31,600
Speaker 1: drink test right now, we got one of the one

22
00:01:31,640 --> 00:01:34,080
Speaker 1: of the top producers in the world, one of the

23
00:01:34,200 --> 00:01:38,679
Speaker 1: dudes that is a trend setter CEO uh mouth foot

24
00:01:39,040 --> 00:01:45,200
Speaker 1: and uh now right now now he's reducing and directing

25
00:01:45,840 --> 00:01:51,480
Speaker 1: b et tales, Tales phenomeno amazing. If you don't know

26
00:01:51,560 --> 00:02:00,680
Speaker 1: who we're talking about, we talk about, let's get to her.

27
00:02:02,840 --> 00:02:04,320
Speaker 1: I got some ace for you because I felt like

28
00:02:04,400 --> 00:02:09,440
Speaker 1: it's a celebration. It is a celebration because and you know,

29
00:02:09,600 --> 00:02:12,280
Speaker 1: this is our brother, this is all who owns this,

30
00:02:12,840 --> 00:02:14,959
Speaker 1: A billionaire. I pay for this though. I'm gonna do

31
00:02:15,040 --> 00:02:22,120
Speaker 1: that out there sometimes you can. So I'm going that

32
00:02:22,240 --> 00:02:31,520
Speaker 1: watermelonster king going off the culture. You still have hopes

33
00:02:31,919 --> 00:02:34,960
Speaker 1: of a Murder Inc. Album. And when I say Murder Inc. Album,

34
00:02:35,040 --> 00:02:37,160
Speaker 1: you know I meant the original Murder Inc. That I

35
00:02:37,400 --> 00:02:45,040
Speaker 1: first ever heard Murder Inc. Was Jax and I, how

36
00:02:45,040 --> 00:02:49,000
Speaker 1: about a record? Listen, they can record a record maybe,

37
00:02:49,120 --> 00:02:52,640
Speaker 1: But you know, I tried really hard for two years,

38
00:02:53,680 --> 00:02:57,359
Speaker 1: two times. I mean after the second time, I just

39
00:02:57,520 --> 00:03:00,799
Speaker 1: gave I was like, it's not happening, and I just

40
00:03:00,919 --> 00:03:06,480
Speaker 1: gave up talking about the murdering. Yeah, I got the dance.

41
00:03:06,600 --> 00:03:08,200
Speaker 1: I got the dats that used to be leaked to

42
00:03:08,240 --> 00:03:14,359
Speaker 1: the mixtape. DJ Murder j Yeah, yeah it was. It

43
00:03:14,480 --> 00:03:18,600
Speaker 1: was JD m X and John Listen, let me tell you, Okay,

44
00:03:18,760 --> 00:03:21,760
Speaker 1: let me tell us, let's go. I felt like a

45
00:03:21,919 --> 00:03:27,040
Speaker 1: weird person. I met jay Z in eight seven. Me

46
00:03:27,120 --> 00:03:31,959
Speaker 1: and Jazz. We had the same management production. I was

47
00:03:32,040 --> 00:03:35,040
Speaker 1: with this mc romeo and Jazz is with this guy

48
00:03:35,560 --> 00:03:43,200
Speaker 1: with Josh Productions fixes four before my Jomma, before my

49
00:03:43,400 --> 00:03:47,920
Speaker 1: drunk right, so I didn't know they paired us together.

50
00:03:48,560 --> 00:03:52,080
Speaker 1: They wanted this fucking nigga for Massy named Jazz to

51
00:03:52,120 --> 00:03:54,520
Speaker 1: be the Fresh Prince, just to show you how stupid

52
00:03:54,560 --> 00:03:58,680
Speaker 1: the fucking niggas from Massy and they said, you gotta

53
00:03:58,720 --> 00:04:03,480
Speaker 1: be the Fresh Prince. Will Smith, Yeah that's what that's

54
00:04:03,520 --> 00:04:08,800
Speaker 1: Hawaiian Sophie, Sophie's Fresh Prince. Never got that you no

55
00:04:09,080 --> 00:04:16,200
Speaker 1: Jazz Hawaiian Sophie. Yeah, he was doing Fresh Prince. They

56
00:04:16,320 --> 00:04:20,159
Speaker 1: was Fresh Prince. Just no, it wasn't a parody. They

57
00:04:20,720 --> 00:04:24,000
Speaker 1: Fresh Prince wanted Grammy. He was the hottest rapper. They

58
00:04:24,080 --> 00:04:26,960
Speaker 1: took him and said do that kind of music. That's

59
00:04:26,960 --> 00:04:28,840
Speaker 1: what I'm saying. They wanted him to be that right,

60
00:04:29,520 --> 00:04:33,320
Speaker 1: So didn't know that. That's so we in London. I'm

61
00:04:33,360 --> 00:04:36,840
Speaker 1: gonna be the DJ, and Jazz was the hype man.

62
00:04:37,080 --> 00:04:39,760
Speaker 1: Jay Z was the hype man. But really it was

63
00:04:39,839 --> 00:04:42,000
Speaker 1: crazy because they had us over there. Jazz was in

64
00:04:42,040 --> 00:04:44,360
Speaker 1: the studio working all day and me and Hole was

65
00:04:44,440 --> 00:04:50,200
Speaker 1: running around London with divitches. Was running around London with

66
00:04:50,320 --> 00:04:55,520
Speaker 1: divisions and we developed a bond. And that's when Jay

67
00:04:55,600 --> 00:04:59,440
Speaker 1: became a brother. That was lighted seven. Yeah. Yeah, so

68
00:04:59,520 --> 00:05:02,760
Speaker 1: me and Ja is over thirty years. Yeah, so now

69
00:05:04,200 --> 00:05:07,400
Speaker 1: we get back with doing a toll. Here's here's a

70
00:05:07,480 --> 00:05:11,320
Speaker 1: fun fact. I'm it's jazz. It was all on em

71
00:05:11,360 --> 00:05:15,160
Speaker 1: I so it's jazz, the U m C s and

72
00:05:15,400 --> 00:05:19,560
Speaker 1: fucking main sauce. How did Earth got He learned how

73
00:05:19,600 --> 00:05:23,120
Speaker 1: to make beats, the extra p He used to have

74
00:05:23,320 --> 00:05:29,760
Speaker 1: the room hook up, the turntable, the professional, he's the thing.

75
00:05:29,800 --> 00:05:32,080
Speaker 1: And he had his SP twelve and not a fifty.

76
00:05:32,120 --> 00:05:34,479
Speaker 1: And I was in this ship just still I'm gonna

77
00:05:34,920 --> 00:05:39,200
Speaker 1: learn this ship. Didn't know remember slick Rick, It's a Boy.

78
00:05:39,520 --> 00:05:41,520
Speaker 1: It was called It's a Boy. It was a remix

79
00:05:41,600 --> 00:05:48,520
Speaker 1: booming ing. I watched that make it do that ship

80
00:05:48,560 --> 00:05:51,160
Speaker 1: in front of my face. I said, I got it.

81
00:05:53,640 --> 00:05:56,400
Speaker 1: That's how I'm doing and I got it right. So

82
00:05:56,600 --> 00:05:58,480
Speaker 1: that's that's a fun fact. That's how I learned how

83
00:05:58,520 --> 00:06:02,720
Speaker 1: to make beats. Because as I watched Large Professor was

84
00:06:02,800 --> 00:06:05,320
Speaker 1: the young ns on that tour, NAS was no way

85
00:06:05,360 --> 00:06:13,320
Speaker 1: to be fine. I didn't see Noads didn't. But here's

86
00:06:13,360 --> 00:06:17,359
Speaker 1: a fun fact. There's a guy called Chad Elliott dr Zeus.

87
00:06:18,320 --> 00:06:21,400
Speaker 1: He was my roommate on this fucking promo tour. That's

88
00:06:21,400 --> 00:06:23,200
Speaker 1: the beat guy, right, the beat guy. But he was

89
00:06:23,279 --> 00:06:27,200
Speaker 1: working with Joe to seek So dr Zeus, Chad Elliott goes, Joe,

90
00:06:27,920 --> 00:06:29,839
Speaker 1: you like that all at hip hop? You know, because

91
00:06:30,680 --> 00:06:32,600
Speaker 1: I'm hip hop like, I can't help it. I love

92
00:06:32,720 --> 00:06:35,599
Speaker 1: hip hop and he identified it. He said, you should

93
00:06:35,640 --> 00:06:40,920
Speaker 1: funk with these guys up in Yonker's name Riders. I

94
00:06:40,960 --> 00:06:43,240
Speaker 1: hadn't heard of no he so he said, when we

95
00:06:43,320 --> 00:06:45,360
Speaker 1: get off the tour, I'm gonna plug you with why

96
00:06:45,640 --> 00:06:49,560
Speaker 1: in this rapper nigger named d MX. So he does that.

97
00:06:49,839 --> 00:06:53,360
Speaker 1: I go up to fucking yankers to meet them. The

98
00:06:53,440 --> 00:06:55,800
Speaker 1: first time I met X, he was in the fund

99
00:06:55,880 --> 00:06:57,520
Speaker 1: up projects. I don't know if it was called slow

100
00:06:57,600 --> 00:07:01,440
Speaker 1: Burn or whatever. The PROD except they called, but they

101
00:07:01,560 --> 00:07:04,120
Speaker 1: was more fucked up, like like when I went up there,

102
00:07:04,160 --> 00:07:07,000
Speaker 1: it was different from like left frack or whatever it was.

103
00:07:07,160 --> 00:07:13,000
Speaker 1: It was like it felt like a country and you

104
00:07:13,120 --> 00:07:16,160
Speaker 1: stay here, niggas and don't move. So all of the

105
00:07:16,240 --> 00:07:19,200
Speaker 1: windows was broken, the doors dripped off the hinges. So

106
00:07:19,320 --> 00:07:22,280
Speaker 1: I'm outside waiting and this sticks his head out of

107
00:07:22,320 --> 00:07:25,440
Speaker 1: one of the drouken windows, which is I was like, yo, nigga,

108
00:07:25,560 --> 00:07:28,360
Speaker 1: you move, you gonna come to yourself. Yeah, so I'm waiting,

109
00:07:28,360 --> 00:07:30,360
Speaker 1: sitting there, wait and you just see X what um

110
00:07:30,480 --> 00:07:36,360
Speaker 1: I mean? Out of second, I'm likes he could cut

111
00:07:36,400 --> 00:07:38,520
Speaker 1: himself easily, you know what I'm saying. And I meant

112
00:07:38,600 --> 00:07:41,880
Speaker 1: him and why? And they bought me an MPC sixty

113
00:07:42,040 --> 00:07:45,480
Speaker 1: and was like you know produced they bought a few. Yeah,

114
00:07:46,800 --> 00:07:50,600
Speaker 1: it's a fun fact. When they bought it, I had

115
00:07:50,800 --> 00:07:53,440
Speaker 1: no idea how to use it. So when they came

116
00:07:53,480 --> 00:07:56,800
Speaker 1: and drove the queens, I was like, yo, I don't

117
00:07:56,840 --> 00:07:59,760
Speaker 1: have the wires. I don't know. I gotta get some wires.

118
00:08:00,120 --> 00:08:02,760
Speaker 1: So there's like I will be will come through the mall.

119
00:08:03,080 --> 00:08:05,440
Speaker 1: I hit jazz yo, how to fun you do ship

120
00:08:05,600 --> 00:08:07,520
Speaker 1: on the NBC sixty because I knew, we knew how

121
00:08:07,560 --> 00:08:09,560
Speaker 1: to work it. How do you sample? How do you

122
00:08:09,720 --> 00:08:11,880
Speaker 1: fucking make a b how do you do this? So

123
00:08:12,040 --> 00:08:14,320
Speaker 1: that night that nigga on the phone was on the

124
00:08:14,360 --> 00:08:16,320
Speaker 1: phone from like twenty minutes and taught me how to

125
00:08:16,400 --> 00:08:18,480
Speaker 1: do it, and word is born. My first beat was

126
00:08:18,640 --> 00:08:24,840
Speaker 1: fucking liddy Prince, if I was your girlfriend. I took

127
00:08:24,880 --> 00:08:26,920
Speaker 1: to make the music with the mouth business know there's

128
00:08:28,600 --> 00:08:34,959
Speaker 1: that those drums. It was my first ever ever. It

129
00:08:35,120 --> 00:08:37,520
Speaker 1: was the ship was dope. But going back to the

130
00:08:37,600 --> 00:08:42,360
Speaker 1: murder ring, I try and tell people like it wasn't

131
00:08:42,400 --> 00:08:45,559
Speaker 1: even like that album wasn't even business as he mentioned it.

132
00:08:45,640 --> 00:08:49,600
Speaker 1: And you see, I'm like, because I'm depressed because these

133
00:08:49,720 --> 00:08:53,120
Speaker 1: three niggas is ill. I'm telling y'all right now, these

134
00:08:53,160 --> 00:08:56,840
Speaker 1: three niggas is ill, and and just on the vibe

135
00:08:56,880 --> 00:09:00,439
Speaker 1: they was on it, it had no choice but to

136
00:09:00,520 --> 00:09:03,439
Speaker 1: be the endest album because these three niggas would have

137
00:09:03,520 --> 00:09:07,520
Speaker 1: been going at each other and they would have been

138
00:09:07,559 --> 00:09:10,199
Speaker 1: in that imagining that studio, in that Swiss beat to

139
00:09:10,320 --> 00:09:13,040
Speaker 1: that guy he that beat is in his flaming. You know,

140
00:09:13,840 --> 00:09:17,560
Speaker 1: JA would be over then because you don't right right,

141
00:09:17,640 --> 00:09:21,840
Speaker 1: So he's on extually being at the fucking ship animated

142
00:09:21,920 --> 00:09:25,160
Speaker 1: at the board. Jobs over there because John stopped writing

143
00:09:25,200 --> 00:09:27,120
Speaker 1: once he picked up the ship. He picked it up

144
00:09:27,120 --> 00:09:30,640
Speaker 1: from homes and John would be over there and trust me,

145
00:09:31,880 --> 00:09:35,120
Speaker 1: they would have been spitting. The best job was going

146
00:09:35,200 --> 00:09:36,559
Speaker 1: through it. One night, one night I was in the

147
00:09:36,640 --> 00:09:44,160
Speaker 1: studio with him. He just one, yeah, it's he didn't

148
00:09:44,200 --> 00:09:47,319
Speaker 1: tell me. My first experience was Jay, It's time to

149
00:09:47,440 --> 00:09:52,080
Speaker 1: build the job the Geronimo record, and Jay's piste off

150
00:09:53,400 --> 00:09:56,839
Speaker 1: because I'm letting X who done his verse already. He's like,

151
00:09:57,559 --> 00:09:59,199
Speaker 1: and this was my whole life for the next like

152
00:09:59,400 --> 00:10:04,040
Speaker 1: five seven and years. Yo, you're gonna you want extra clothes.

153
00:10:04,920 --> 00:10:08,559
Speaker 1: And at that point in hip hop, whoever closed. So

154
00:10:08,679 --> 00:10:12,040
Speaker 1: I'm like, I like his energy, peeling niggas caps like

155
00:10:12,240 --> 00:10:15,760
Speaker 1: oranges hitting in the head to farmer chis, I'm a

156
00:10:15,920 --> 00:10:18,199
Speaker 1: grimmy nigga somewhere like my bitches crutty. You know what

157
00:10:18,240 --> 00:10:20,439
Speaker 1: I'm saying this niggas. I said, Yo, I like his

158
00:10:20,640 --> 00:10:26,240
Speaker 1: energy on it. Jay, Yo, stop the music. You think

159
00:10:26,280 --> 00:10:30,199
Speaker 1: he's better than me, Ye'll realize what I dealt with

160
00:10:30,520 --> 00:10:35,280
Speaker 1: these three niggas, Yo, Yo, not got your shot? Hold on,

161
00:10:35,360 --> 00:10:40,000
Speaker 1: hold on, do you think he's better than me. This

162
00:10:40,240 --> 00:10:44,679
Speaker 1: is Jay and then Jay shipped on him. When you

163
00:10:44,800 --> 00:10:49,360
Speaker 1: listen to this time to build funk, what's the next

164
00:10:49,480 --> 00:10:53,319
Speaker 1: nigga done? Mean, no, he's I'm like, I'm like this,

165
00:10:53,440 --> 00:10:55,439
Speaker 1: but that's when I first seen in no writing. I

166
00:10:55,559 --> 00:10:57,880
Speaker 1: kept handing him a pin in the in the pad

167
00:10:58,240 --> 00:11:00,520
Speaker 1: and this nigg is like in his you know if

168
00:11:00,559 --> 00:11:04,760
Speaker 1: you haven't see doing ja and he looks first right,

169
00:11:05,720 --> 00:11:08,200
Speaker 1: well they did it, and they found out they did

170
00:11:08,280 --> 00:11:11,760
Speaker 1: it together that they don't neither wrote. You know what

171
00:11:11,800 --> 00:11:15,959
Speaker 1: I'm saying, But fucking uh when you see j have

172
00:11:16,040 --> 00:11:18,199
Speaker 1: you ever seen it? He looks crazy? Yeah, say so

173
00:11:18,480 --> 00:11:22,760
Speaker 1: he's over the his eyes when he's just whispered, and

174
00:11:22,840 --> 00:11:26,079
Speaker 1: I'm like, yo, I keep saying in word of mother.

175
00:11:26,160 --> 00:11:29,360
Speaker 1: He finished that verse in like five minutes. Uh, he said,

176
00:11:29,440 --> 00:11:31,520
Speaker 1: y'are I'm ready? I said what, I'm still holding the

177
00:11:31,600 --> 00:11:33,719
Speaker 1: pen and pad like a fucking idiot, right, So, I'm like,

178
00:11:33,960 --> 00:11:36,880
Speaker 1: he's not already turned on the booth with the next

179
00:11:37,000 --> 00:11:40,679
Speaker 1: nigg then, mean that group was legit though it was

180
00:11:40,800 --> 00:11:44,880
Speaker 1: my thought and the name came before the name at

181
00:11:44,960 --> 00:11:48,640
Speaker 1: the same time that the label came. But I was like,

182
00:11:49,679 --> 00:11:53,360
Speaker 1: you know, the whole murdering concept was contract Hitman Alberta

183
00:11:53,400 --> 00:11:55,679
Speaker 1: on the stage. That's where it came from. So I

184
00:11:55,760 --> 00:11:58,079
Speaker 1: thought it was dope because the music we aspire to

185
00:11:58,120 --> 00:12:00,560
Speaker 1: be hitman, you know. So I was like, yeah, I'm

186
00:12:00,559 --> 00:12:02,559
Speaker 1: gonna name the label and this group is gonna be

187
00:12:02,640 --> 00:12:06,520
Speaker 1: fucking murder ring Cotton the hitman. These niggas is the hitman, right,

188
00:12:07,240 --> 00:12:11,440
Speaker 1: But they never was like truly on board. Well one

189
00:12:11,800 --> 00:12:19,840
Speaker 1: was never truly on board Jack respectable. I mean, at

190
00:12:19,880 --> 00:12:21,920
Speaker 1: the end of the day, from me, it's just me

191
00:12:22,080 --> 00:12:24,520
Speaker 1: making a record with like three of my brothers. It

192
00:12:24,720 --> 00:12:28,400
Speaker 1: wasn't even about business or whatever. I didn't care. But

193
00:12:28,640 --> 00:12:31,800
Speaker 1: I personally knew these niggas is gonna go on the

194
00:12:31,920 --> 00:12:36,560
Speaker 1: studio and they're gonna compete because they're all super competitive,

195
00:12:36,760 --> 00:12:39,079
Speaker 1: which is gonna make the Illness records. Oh Me and

196
00:12:39,160 --> 00:12:42,199
Speaker 1: Swiss gotta do is provide that soundtrack, maybe get a

197
00:12:42,240 --> 00:12:46,839
Speaker 1: Primo joint or whatever like that. Niggas go like it

198
00:12:46,840 --> 00:12:49,360
Speaker 1: would have been limited hooks. We probably would have made

199
00:12:49,400 --> 00:12:51,760
Speaker 1: two big radio records because they could do that too,

200
00:12:52,559 --> 00:12:55,240
Speaker 1: you understand. But it would have been the album like

201
00:12:55,400 --> 00:12:57,559
Speaker 1: that would be. It would have been. I felt it

202
00:12:57,559 --> 00:12:59,559
Speaker 1: would have been like, yeah, it would have been like

203
00:12:59,720 --> 00:13:03,640
Speaker 1: in the Mortal album now over over the place. Now

204
00:13:03,720 --> 00:13:08,440
Speaker 1: recently we see the sparkle speculation of this growing up

205
00:13:08,520 --> 00:13:11,800
Speaker 1: hip hop and they got this this scene which I

206
00:13:11,840 --> 00:13:14,960
Speaker 1: did not know that it was involving you guys kids.

207
00:13:15,640 --> 00:13:18,040
Speaker 1: I didn't know that. So so you guys are outside

208
00:13:18,040 --> 00:13:20,040
Speaker 1: of the club and they we're not outside the club.

209
00:13:20,240 --> 00:13:22,960
Speaker 1: It's not outside of the club. Don't believe it, Okay, cool,

210
00:13:23,800 --> 00:13:26,600
Speaker 1: He's the king of lies. The devil is the king

211
00:13:26,679 --> 00:13:31,560
Speaker 1: of lies. Never believed that guy, right, So we were shooting, uh,

212
00:13:32,320 --> 00:13:35,120
Speaker 1: we were shooting growing up hip hop, and I begged

213
00:13:35,200 --> 00:13:39,920
Speaker 1: these guys, no drama. Yeah, it's about my children. It's

214
00:13:39,920 --> 00:13:43,240
Speaker 1: about our children. And I begged these guys, don't do it.

215
00:13:43,320 --> 00:13:45,280
Speaker 1: It's growing up hip hop. I love hip hop. You're

216
00:13:45,280 --> 00:13:48,880
Speaker 1: trying to say I didn't sign up for this, Guys,

217
00:13:49,640 --> 00:13:52,240
Speaker 1: I'm I'm rich. I got you know, I'm not a billionaire.

218
00:13:59,200 --> 00:14:01,240
Speaker 1: But I'm just saying there because it's it's just the

219
00:14:01,679 --> 00:14:05,319
Speaker 1: brutal honesty. So I'm not a reality show person. I

220
00:14:05,400 --> 00:14:09,040
Speaker 1: don't need this check. It's really it's really a small

221
00:14:09,160 --> 00:14:12,320
Speaker 1: check to the reality check is a small check that yeah,

222
00:14:12,320 --> 00:14:14,439
Speaker 1: I mean based on checks that I received. It's a

223
00:14:14,520 --> 00:14:17,440
Speaker 1: small check. So I begged these guys before this, don't

224
00:14:17,520 --> 00:14:19,920
Speaker 1: do this with us, And I said, don't do this

225
00:14:20,040 --> 00:14:26,040
Speaker 1: because we're not reality people. We're gonna react real. What

226
00:14:26,160 --> 00:14:29,480
Speaker 1: were they doing it? What happened. What happened was they

227
00:14:29,600 --> 00:14:34,240
Speaker 1: had us center, performed everything great. Then John jumped on

228
00:14:34,400 --> 00:14:37,960
Speaker 1: the stage did down as bitch Charlie Bollimore like it

229
00:14:38,080 --> 00:14:40,680
Speaker 1: was just a great event. The minute we got off stage,

230
00:14:40,720 --> 00:14:42,640
Speaker 1: they had some check I don't know a name, I

231
00:14:42,680 --> 00:14:44,840
Speaker 1: don't know who she is, and she started shooting on

232
00:14:44,960 --> 00:14:48,760
Speaker 1: Charlie and yeah, they said she didn't shoot on murder Rank,

233
00:14:48,800 --> 00:14:52,120
Speaker 1: that I reacted crazy even she didn't. But I'm like,

234
00:14:52,160 --> 00:14:54,360
Speaker 1: you ain't shoot on Charlie if I'm here and you're

235
00:14:54,360 --> 00:14:57,320
Speaker 1: gonna say murder Rank while you shipping, like, oh Charlie

236
00:14:57,360 --> 00:15:02,040
Speaker 1: didn't murder the ink with everybody, homie. Yeah, she went

237
00:15:02,080 --> 00:15:05,480
Speaker 1: on stage and like that. So all I heard was Sianna,

238
00:15:06,160 --> 00:15:10,200
Speaker 1: which is Charlie's daughter, sing like she almost started to cry,

239
00:15:10,240 --> 00:15:12,560
Speaker 1: like the shifting on my mom and they're talking about y'all.

240
00:15:12,720 --> 00:15:15,640
Speaker 1: I'm active, But so this is like for the show

241
00:15:15,720 --> 00:15:18,280
Speaker 1: though it's not for the show. Was doing it for

242
00:15:18,360 --> 00:15:23,360
Speaker 1: the show. So I immediately I'm looking for I'm looking

243
00:15:23,400 --> 00:15:26,840
Speaker 1: forward to see what's up. And uh, she had a

244
00:15:26,920 --> 00:15:29,280
Speaker 1: bunch of dudes and they had the camera. I don't

245
00:15:30,120 --> 00:15:31,960
Speaker 1: like you know what I'm saying that the camera, So

246
00:15:32,040 --> 00:15:34,440
Speaker 1: in the camera, I pushed the camera out of my face,

247
00:15:34,480 --> 00:15:35,760
Speaker 1: like the funk that. So as soon as when I

248
00:15:35,840 --> 00:15:39,600
Speaker 1: did that, security hit me up. So when security hit

249
00:15:39,640 --> 00:15:41,440
Speaker 1: me up, I'm looking at these guys like I'm gonna

250
00:15:41,560 --> 00:15:45,960
Speaker 1: bury you like I'm funk a ram right, And it's

251
00:15:46,000 --> 00:15:49,480
Speaker 1: so funny and in a bad way, but good right

252
00:15:49,880 --> 00:15:53,040
Speaker 1: because it's so funny about us. Because when John sees

253
00:15:53,120 --> 00:15:56,880
Speaker 1: them touching me, John gets active. The funk off Gottie,

254
00:15:57,280 --> 00:16:00,640
Speaker 1: they get off me. Now they touched job, yo, you

255
00:16:00,760 --> 00:16:02,800
Speaker 1: better get the funk off a job like with me.

256
00:16:03,560 --> 00:16:06,960
Speaker 1: I'm gonna go harder for other people. With me, I'll

257
00:16:07,000 --> 00:16:09,400
Speaker 1: let it slide or whatever. But if you funk with rule,

258
00:16:09,680 --> 00:16:12,000
Speaker 1: you better bury me because I'm gonna come at you

259
00:16:12,080 --> 00:16:15,560
Speaker 1: with everything that I have. Right and then, which is

260
00:16:15,640 --> 00:16:21,320
Speaker 1: also like a good thing, but it's bad too. My

261
00:16:21,480 --> 00:16:24,840
Speaker 1: youngest JJ is getting active. Him and Sonny is getting

262
00:16:24,840 --> 00:16:27,800
Speaker 1: active like they're ready to fight, to which if you

263
00:16:27,960 --> 00:16:32,160
Speaker 1: touch JJ, my life is over, right, like like no

264
00:16:32,320 --> 00:16:35,720
Speaker 1: more drink chance, I'm going to jail, Go directly to jail.

265
00:16:36,160 --> 00:16:39,320
Speaker 1: Like imagine the security punch JJ in the face. I'm

266
00:16:39,360 --> 00:16:43,120
Speaker 1: gonna I'm gonna try and kill him his family. I'm

267
00:16:43,160 --> 00:16:46,120
Speaker 1: gonna be like, my life is over. You know what

268
00:16:46,120 --> 00:16:49,320
Speaker 1: I'm saying. So that's what I was trying to explain

269
00:16:49,360 --> 00:16:52,200
Speaker 1: when it was all said and done. And you know,

270
00:16:52,280 --> 00:16:54,280
Speaker 1: I told I didn't want to be a part of

271
00:16:54,360 --> 00:16:58,760
Speaker 1: the show, because that's the big headlines was quit. Yeah, yeah,

272
00:16:58,800 --> 00:17:00,600
Speaker 1: I I didn't want to be a part of the show.

273
00:17:00,640 --> 00:17:03,040
Speaker 1: But you know, I calmed down. They talked to me

274
00:17:03,640 --> 00:17:06,960
Speaker 1: and everything they understood where I was coming from. I'm like,

275
00:17:07,000 --> 00:17:08,879
Speaker 1: I don't want to risk my life for growing up

276
00:17:08,960 --> 00:17:12,440
Speaker 1: hip hop. Like I got ten projects. I'm gonna make

277
00:17:12,520 --> 00:17:14,920
Speaker 1: that Supreme Team movie. It's gonna come alive, you know

278
00:17:14,920 --> 00:17:17,680
Speaker 1: what I'm saying. Like I'm doing Tales, I'm doing other

279
00:17:17,800 --> 00:17:20,440
Speaker 1: genres I'm about to do in Tales. I'm about to

280
00:17:20,480 --> 00:17:24,119
Speaker 1: do my murdering doc my murdering TV series with Live Nation,

281
00:17:24,520 --> 00:17:26,240
Speaker 1: like all of this ship and again, I'm about to

282
00:17:26,320 --> 00:17:28,919
Speaker 1: walk into a like a honey two hundre million dollars,

283
00:17:29,240 --> 00:17:31,879
Speaker 1: you know what I'm saying. So b J, who we

284
00:17:31,960 --> 00:17:35,480
Speaker 1: all love, of course, called me today right probably to say,

285
00:17:35,720 --> 00:17:41,520
Speaker 1: don't have young Malcolm say someplace exactly like they're trusting you.

286
00:17:42,160 --> 00:17:44,760
Speaker 1: He's gonna get there, he's gonna get drunk, and he's

287
00:17:44,760 --> 00:17:48,879
Speaker 1: gonna say some ship my man. Right. So BJ was like,

288
00:17:49,119 --> 00:17:51,720
Speaker 1: he was just like, why are we even doing that?

289
00:17:53,080 --> 00:17:55,359
Speaker 1: But j J wanted to do it. To be quite hoss,

290
00:17:55,440 --> 00:17:57,399
Speaker 1: he wanted to do it, and I did it for

291
00:17:57,480 --> 00:17:59,639
Speaker 1: my boy. You know. He getting his little money and

292
00:18:00,160 --> 00:18:02,240
Speaker 1: he's like and get to walk through money. Yeah. He

293
00:18:02,280 --> 00:18:04,080
Speaker 1: got his room, Like he first got the room. He

294
00:18:04,200 --> 00:18:07,040
Speaker 1: was Instagram and his room and ship. I'm like, JJ,

295
00:18:07,200 --> 00:18:11,399
Speaker 1: your room is bullshit saying. It's like he's like just

296
00:18:11,680 --> 00:18:15,200
Speaker 1: totally defeated because I'm like, yo, you got a regular room.

297
00:18:16,320 --> 00:18:18,360
Speaker 1: He got in his rooms like Yo, this is my room.

298
00:18:19,040 --> 00:18:20,840
Speaker 1: But then like young Nigs, you know what I'm saying.

299
00:18:20,920 --> 00:18:23,520
Speaker 1: So it's like what young Nigs is like, that's a

300
00:18:23,640 --> 00:18:26,760
Speaker 1: moment for him, this is my room, no sharing it.

301
00:18:27,119 --> 00:18:30,680
Speaker 1: I got a balcony, you understand. I'm on the fiftee

302
00:18:30,840 --> 00:18:33,760
Speaker 1: floor and I got my own room and ship. I'm

303
00:18:33,800 --> 00:18:37,840
Speaker 1: like JJ like it was a presidential it was this

304
00:18:38,119 --> 00:18:42,720
Speaker 1: experience experience. It was good, it was good. So once

305
00:18:42,760 --> 00:18:45,800
Speaker 1: I explained that to growing up hip Hop, I spoke

306
00:18:45,880 --> 00:18:47,920
Speaker 1: to my man Josh Shaping. Then I spoke to my

307
00:18:48,040 --> 00:18:51,879
Speaker 1: man Datari and Tara. We had a great conversation. So, um,

308
00:18:52,400 --> 00:18:54,359
Speaker 1: they're not going to show that though, you know what

309
00:18:54,400 --> 00:18:57,080
Speaker 1: I'm saying. And it was like, we didn't. We didn't

310
00:18:57,080 --> 00:18:59,920
Speaker 1: want to do that because I was I was living

311
00:19:00,040 --> 00:19:03,800
Speaker 1: because imagine it was set up. It wasn't felt. It

312
00:19:03,880 --> 00:19:09,240
Speaker 1: was by producers ownership. Yeah, and and imagine this. You

313
00:19:09,280 --> 00:19:11,920
Speaker 1: know it pissed me off the most because I'm a

314
00:19:12,000 --> 00:19:14,600
Speaker 1: man of respect. I'm like a different kind of dude

315
00:19:14,680 --> 00:19:18,480
Speaker 1: that has morals and respect and words mean something to me.

316
00:19:18,680 --> 00:19:20,719
Speaker 1: That's how I came up with all of the niggas

317
00:19:20,760 --> 00:19:23,600
Speaker 1: that was around me. They was on some Yo, that's

318
00:19:23,600 --> 00:19:25,760
Speaker 1: a verbal contract. You have to be a man of

319
00:19:25,760 --> 00:19:28,840
Speaker 1: your word. You're getting the problems if you're not. You

320
00:19:28,880 --> 00:19:32,760
Speaker 1: know what I'm saying, this is this is my I

321
00:19:33,000 --> 00:19:37,240
Speaker 1: fucking told them don't do that. So when they did it,

322
00:19:37,560 --> 00:19:39,520
Speaker 1: that's why I was so livid. I really wanted to

323
00:19:39,600 --> 00:19:43,800
Speaker 1: hurt hurt them, hurt people because I'm like, oh, oh,

324
00:19:43,840 --> 00:19:48,680
Speaker 1: so you don't respect me. I'm like and Rule, Rule

325
00:19:48,760 --> 00:19:53,600
Speaker 1: has a Napoleon complex. Rules gonna want the security up.

326
00:19:53,640 --> 00:19:55,600
Speaker 1: And he's like, oh you think, and that's when you

327
00:19:55,680 --> 00:19:58,120
Speaker 1: see him taking the ship off. But I'm like, Rule,

328
00:19:58,400 --> 00:20:01,440
Speaker 1: like our kids is head so and all honesty. I

329
00:20:01,600 --> 00:20:03,520
Speaker 1: was telling j J. And then get the funk out

330
00:20:03,600 --> 00:20:06,240
Speaker 1: of here. So if we do get active, all good.

331
00:20:06,359 --> 00:20:08,600
Speaker 1: I don't want to get active with my boy, but

332
00:20:08,760 --> 00:20:12,480
Speaker 1: my boys like again, it was nice to see, but

333
00:20:12,600 --> 00:20:16,000
Speaker 1: he wasn't leaving my side, and he's like, nah, you go,

334
00:20:16,160 --> 00:20:19,040
Speaker 1: I'm going like him, and Sonny was like, if you go,

335
00:20:19,240 --> 00:20:22,840
Speaker 1: we're going. And that's that was the first instant. It

336
00:20:22,920 --> 00:20:26,480
Speaker 1: hasn't been something like that again. No, No. On the show,

337
00:20:26,840 --> 00:20:29,119
Speaker 1: they had some bullshit with Angie. They was doing with

338
00:20:30,680 --> 00:20:33,399
Speaker 1: my daughter Angie and they had some bullshit with like

339
00:20:33,920 --> 00:20:35,760
Speaker 1: they was trying to set up some drama with her

340
00:20:35,840 --> 00:20:38,360
Speaker 1: and one of the other cast members. And that's when, Yeah,

341
00:20:38,359 --> 00:20:40,240
Speaker 1: and that's when I checked him and said, don't do that.

342
00:20:41,000 --> 00:20:44,440
Speaker 1: I said, don't do that. I'm gonna react different. I'm

343
00:20:44,440 --> 00:20:48,080
Speaker 1: not a reality guy like him. I'm I'm a nigger,

344
00:20:48,480 --> 00:20:50,959
Speaker 1: you know what I'm saying, I'm kids and it's it's

345
00:20:51,040 --> 00:20:53,399
Speaker 1: my children. And if y'all like my kids is like

346
00:20:53,520 --> 00:20:55,800
Speaker 1: the best kids, they're not gonna beef with nobody. But

347
00:20:56,200 --> 00:21:01,080
Speaker 1: that's million correct. But once you make them famous and

348
00:21:01,119 --> 00:21:04,440
Speaker 1: you put them on the famous, that um that the

349
00:21:04,560 --> 00:21:07,720
Speaker 1: subject to be chastised and be critiqued like like all

350
00:21:07,760 --> 00:21:11,159
Speaker 1: of us. Yeah, but that's different. That's like idiot social

351
00:21:11,200 --> 00:21:13,080
Speaker 1: media ship. I could deal with that. You know what

352
00:21:13,119 --> 00:21:15,680
Speaker 1: I'm saying. What I'm talking about is they're never gonna

353
00:21:15,760 --> 00:21:18,359
Speaker 1: be on the show and disrespect somebody come out of

354
00:21:18,400 --> 00:21:21,399
Speaker 1: their mouth or they're not that. They're not them type

355
00:21:21,440 --> 00:21:25,720
Speaker 1: of people. So if that happens, y'all perpetuated that, y'all

356
00:21:25,800 --> 00:21:31,560
Speaker 1: made that you're at the set up up kind what

357
00:21:31,680 --> 00:21:41,480
Speaker 1: kind of watches that? Man, I'm just glad, like I'm

358
00:21:41,480 --> 00:21:44,760
Speaker 1: doing good. I'm not gonna I knew it was. I

359
00:21:44,800 --> 00:21:47,720
Speaker 1: knew something. I'm not gonna lie Leo. Leo called me

360
00:21:47,800 --> 00:21:49,840
Speaker 1: the other day. I might be doing some ship with

361
00:21:50,000 --> 00:21:52,400
Speaker 1: him and everything. But Leo called me the other day

362
00:21:52,560 --> 00:21:54,040
Speaker 1: he said, so, how are you doing? I say, Leo?

363
00:21:54,200 --> 00:21:55,920
Speaker 1: And I sat there. I sat and I thought about

364
00:21:55,960 --> 00:21:57,919
Speaker 1: it for like thirty seconds. I wanted to give him

365
00:21:57,960 --> 00:22:06,000
Speaker 1: a real good answers in I'm doing really well, as

366
00:22:06,160 --> 00:22:09,280
Speaker 1: I'm doing really well, and like it's crazy, my son.

367
00:22:09,480 --> 00:22:11,159
Speaker 1: Reason why I think I wanted to break it. Like

368
00:22:11,320 --> 00:22:14,760
Speaker 1: he's he's developing a show. You know what I'm saying,

369
00:22:14,840 --> 00:22:18,520
Speaker 1: that's based on his life. That's like he's developing. You

370
00:22:18,600 --> 00:22:21,840
Speaker 1: know what I'm saying. He's he's writing it. He deated it.

371
00:22:22,200 --> 00:22:24,640
Speaker 1: But I gotta take a little co pro right, because

372
00:22:24,640 --> 00:22:27,040
Speaker 1: he came to me with the idea, and I'm like, yo,

373
00:22:27,160 --> 00:22:30,760
Speaker 1: this ship it's called the Melting Pot. Right. So it's

374
00:22:30,800 --> 00:22:34,440
Speaker 1: basically about hip hop culture in young America, which was

375
00:22:34,600 --> 00:22:39,080
Speaker 1: this is going to transcend the others. So it's about

376
00:22:39,119 --> 00:22:46,520
Speaker 1: young America and like how hip hop, Black, White, Asian, uh, Latino.

377
00:22:47,880 --> 00:22:51,600
Speaker 1: The common glue is the music you could you know

378
00:22:51,720 --> 00:22:53,800
Speaker 1: you grew up I eat rice and beans all day

379
00:22:53,920 --> 00:22:55,440
Speaker 1: or you know I grew up you know this is

380
00:22:55,520 --> 00:22:58,040
Speaker 1: our culture. We don't do this. And I grew up

381
00:22:58,119 --> 00:23:01,119
Speaker 1: Muslim and we do this. But the common denominator is

382
00:23:01,200 --> 00:23:04,960
Speaker 1: hip hop and we have nothing in common other than music. Music,

383
00:23:05,119 --> 00:23:08,120
Speaker 1: and it brings everyone. This hip hop culture has brought

384
00:23:08,200 --> 00:23:12,480
Speaker 1: everyone together the world. So his show that he created

385
00:23:13,600 --> 00:23:16,200
Speaker 1: is based on that, but he wanted an easy out,

386
00:23:16,320 --> 00:23:19,080
Speaker 1: so he was like he was gonna he thought of it,

387
00:23:19,240 --> 00:23:20,720
Speaker 1: but he's, you know, let's get it to a writer

388
00:23:20,960 --> 00:23:26,159
Speaker 1: to execute it. And I said, fuck you, fuck you.

389
00:23:26,240 --> 00:23:28,520
Speaker 1: You write it as if you write it, you're gonna

390
00:23:28,560 --> 00:23:31,120
Speaker 1: direct it, you're gonna be it's gonna be your show.

391
00:23:31,560 --> 00:23:33,400
Speaker 1: And he's twenty years old, you know what I'm saying.

392
00:23:33,440 --> 00:23:35,560
Speaker 1: But it's gonna be his show. And I thought that

393
00:23:35,640 --> 00:23:41,080
Speaker 1: would be live, you know what I'm saying. Yeah, Now,

394
00:23:42,119 --> 00:23:51,040
Speaker 1: now I do not like the segregation, but that the

395
00:23:51,280 --> 00:23:55,800
Speaker 1: segregation in hip hop with the young and the old,

396
00:23:56,119 --> 00:23:59,040
Speaker 1: we are all together too. So let's let's talk about

397
00:23:59,080 --> 00:24:03,080
Speaker 1: hip hop for one set. Yeah, right, started by a

398
00:24:03,160 --> 00:24:06,679
Speaker 1: bunch of niggas in the Bronx in the seventies, right,

399
00:24:06,760 --> 00:24:09,639
Speaker 1: the early seventies, and how how dope Like If you

400
00:24:09,800 --> 00:24:14,040
Speaker 1: think music business right, you gotta have a talent, you

401
00:24:14,160 --> 00:24:17,240
Speaker 1: gotta play an instrument, you gotta get to sing, you

402
00:24:17,359 --> 00:24:20,440
Speaker 1: gotta be able to do something together. Look at hip hop.

403
00:24:21,400 --> 00:24:23,440
Speaker 1: I'm in the Guinness Book of World Records. From the

404
00:24:23,520 --> 00:24:26,000
Speaker 1: year two thousand two to two thousand three, I held

405
00:24:26,080 --> 00:24:28,440
Speaker 1: the number one record for like as a producer for

406
00:24:28,600 --> 00:24:31,200
Speaker 1: like forty of the fifty two weeks. Let's me give

407
00:24:31,200 --> 00:24:35,359
Speaker 1: you the records. Foolish, I'm real, always on time, amy, funny,

408
00:24:35,760 --> 00:24:38,719
Speaker 1: and fucking what's love? Like Billboard? If you look at

409
00:24:38,760 --> 00:24:40,400
Speaker 1: the charts right there, I'd have like in the top

410
00:24:40,480 --> 00:24:43,600
Speaker 1: ten six records. It was fucking obnoxious. It was I

411
00:24:43,720 --> 00:24:48,960
Speaker 1: was on Fuego, right, fucking super Fuego. I can't play

412
00:24:48,960 --> 00:24:53,240
Speaker 1: an instrument the first so hip hop was created on theft.

413
00:24:53,760 --> 00:24:56,399
Speaker 1: I'm gonna take your ship. That record sounds good, sample

414
00:24:56,480 --> 00:25:03,000
Speaker 1: that ship, like, come on, man, we made a culture, niggas,

415
00:25:04,480 --> 00:25:10,600
Speaker 1: the minorities. We made this culture. And fucking holds a billionaire.

416
00:25:10,720 --> 00:25:15,760
Speaker 1: Drey is a billionaire? Did he's a billionaire? Kanyeuck? Come on, man,

417
00:25:16,119 --> 00:25:19,520
Speaker 1: I don't like the segregation. I don't like it. You

418
00:25:19,560 --> 00:25:21,600
Speaker 1: know what I'm saying, The old hip hop the new

419
00:25:21,680 --> 00:25:24,520
Speaker 1: hip hop? Yo, we like our old ship. And you

420
00:25:24,600 --> 00:25:27,280
Speaker 1: know we're thematic niggas. You know what I'm saying. That

421
00:25:27,359 --> 00:25:30,359
Speaker 1: little baby album right, But like the young generation is

422
00:25:30,920 --> 00:25:34,200
Speaker 1: x X SAX and like that. But we shouldn't all

423
00:25:34,280 --> 00:25:38,320
Speaker 1: be together. We could like one music a different era

424
00:25:38,560 --> 00:25:41,320
Speaker 1: music more than the other. But I I love the

425
00:25:41,400 --> 00:25:44,200
Speaker 1: young niggas ship. It's not that guy. It's not that

426
00:25:44,400 --> 00:25:49,280
Speaker 1: I gotta interrupt you. I think the younger dudes think

427
00:25:49,359 --> 00:25:54,800
Speaker 1: that we're corny. No, I'm just the younger dudes think

428
00:25:55,119 --> 00:25:58,119
Speaker 1: that we're corny because we don't funk with them and

429
00:25:58,280 --> 00:26:00,760
Speaker 1: we don't think they could spare it, or we don't

430
00:26:00,800 --> 00:26:04,280
Speaker 1: think that it's just a division and miss the fucking

431
00:26:04,400 --> 00:26:11,359
Speaker 1: drink chance you could help funk with him. I with baby,

432
00:26:11,760 --> 00:26:15,399
Speaker 1: a little baby, come up on the show, a little baby. Word? No,

433
00:26:16,480 --> 00:26:21,119
Speaker 1: which I got a little baby? Yo? You with our generation? Yeah? Yeah, No,

434
00:26:21,359 --> 00:26:23,800
Speaker 1: to think about it this, you're keeping our generation when

435
00:26:23,840 --> 00:26:26,920
Speaker 1: you when you when you're when you're saying interview wise,

436
00:26:27,280 --> 00:26:29,680
Speaker 1: I don't I can't speak to a person. But it

437
00:26:29,720 --> 00:26:32,480
Speaker 1: doesn't have ten years or more in this game. Because

438
00:26:32,520 --> 00:26:35,480
Speaker 1: I'm not a journalist. It doesn't matter. I'm not that

439
00:26:35,600 --> 00:26:41,399
Speaker 1: great great nos that I know. It's like like this,

440
00:26:42,800 --> 00:26:44,920
Speaker 1: it's gotta be legends. It's gotta be legendary ship for

441
00:26:45,000 --> 00:26:48,359
Speaker 1: this platform because this is my this is my job,

442
00:26:48,440 --> 00:26:50,119
Speaker 1: and I have to do it the way that. No, No,

443
00:26:50,920 --> 00:26:54,159
Speaker 1: you are a gatekeeper. I can cult you. It's not

444
00:26:54,640 --> 00:26:59,200
Speaker 1: drink chicken. You are not representing the fucking dirty and

445
00:26:59,440 --> 00:27:03,560
Speaker 1: under cry. Yeah, listen, I can. I'm speaking for God,

446
00:27:03,680 --> 00:27:05,920
Speaker 1: I'm speaking for you young niggas. I funk with y'all

447
00:27:06,320 --> 00:27:11,159
Speaker 1: to understand you. But say, what platform is catering to

448
00:27:11,359 --> 00:27:15,160
Speaker 1: the thirty and old crowd the world? This is hip

449
00:27:15,359 --> 00:27:19,800
Speaker 1: hop culture, y'all. But but just answer that, like yo,

450
00:27:20,040 --> 00:27:22,320
Speaker 1: for real, for real, I'm not regular with hip hop.

451
00:27:22,560 --> 00:27:28,000
Speaker 1: Like I love fucking hip hop age me a multimillionaire.

452
00:27:28,359 --> 00:27:31,600
Speaker 1: It's made my family good. I love the culture. I

453
00:27:31,720 --> 00:27:36,400
Speaker 1: do not like the segregation and there's none of it here. Yes,

454
00:27:36,520 --> 00:27:41,320
Speaker 1: it is the fucking man. I don't you don't have

455
00:27:41,520 --> 00:27:46,119
Speaker 1: the young young generation because everyone's watching you. You getting

456
00:27:46,119 --> 00:27:49,320
Speaker 1: millions of you young generations. They're probably like, y'all, he

457
00:27:49,320 --> 00:27:52,119
Speaker 1: ain't fucking with us. Who's putting him? Who putting grandmas?

458
00:27:52,840 --> 00:27:56,840
Speaker 1: Who's putting grand that's who we give it. We're still

459
00:27:56,960 --> 00:27:59,960
Speaker 1: fucking funk with them. I don't know. I don't say

460
00:28:00,119 --> 00:28:03,800
Speaker 1: what you're doing or what platform and what y'all do.

461
00:28:04,760 --> 00:28:08,280
Speaker 1: I'm talking about drink Champs and we're trying to do that.

462
00:28:08,480 --> 00:28:13,000
Speaker 1: Drink Champs you want cool hurk D that's okay, drink Champs.

463
00:28:13,080 --> 00:28:16,480
Speaker 1: You don't want cool new butterfly. Listen to what that

464
00:28:16,600 --> 00:28:21,440
Speaker 1: nigga got. Drink Champs is the epitome of journalism for

465
00:28:21,520 --> 00:28:27,000
Speaker 1: the culture. It is not, but thank you for the

466
00:28:27,520 --> 00:28:31,840
Speaker 1: journalous whatever, what the funk ever you want to call

467
00:28:31,920 --> 00:28:43,640
Speaker 1: it that, I'm making a call, and I'm being serious.

468
00:28:44,320 --> 00:28:49,280
Speaker 1: You guys are gatekeepers of the culture. You cannot resolutely

469
00:28:50,040 --> 00:28:52,320
Speaker 1: come on, Nori. What you built with Drink Champs is

470
00:28:52,360 --> 00:28:55,200
Speaker 1: something to look at and be like, holy shitk I

471
00:28:55,200 --> 00:28:57,960
Speaker 1: appreciate that, all right, but you're like, yo, you gotta

472
00:28:58,120 --> 00:29:02,320
Speaker 1: hold down the whole camp. Didn't hold down half. But no, no, no, no,

473
00:29:02,640 --> 00:29:04,600
Speaker 1: that that's not true. Let let me bring it down

474
00:29:04,600 --> 00:29:06,880
Speaker 1: to you. When we looked at this, this is how

475
00:29:06,960 --> 00:29:09,320
Speaker 1: we came up with the idea. We said, Yo, there's

476
00:29:09,360 --> 00:29:14,040
Speaker 1: no platform that caters I get it. There's no platform

477
00:29:14,080 --> 00:29:19,520
Speaker 1: that caters to older murder. You don't I get platform. Listen,

478
00:29:19,960 --> 00:29:21,840
Speaker 1: I get it. You have ten years in this game,

479
00:29:21,880 --> 00:29:24,000
Speaker 1: they kick you out. I get it. You know what

480
00:29:24,000 --> 00:29:25,920
Speaker 1: I'm saying. Did you think Drink Chance was gonna be

481
00:29:25,960 --> 00:29:29,120
Speaker 1: as big as it? We don't know? Three gls. Can

482
00:29:29,160 --> 00:29:30,880
Speaker 1: we talk about that in a minute. In a minute,

483
00:29:31,360 --> 00:29:35,240
Speaker 1: let me talk about that trick' seeing that, I'm like,

484
00:29:35,400 --> 00:29:40,200
Speaker 1: how's this nigga's having some good conversation. Did everyone to

485
00:29:40,320 --> 00:29:43,080
Speaker 1: be like, I'll give you and I'll be down to

486
00:29:43,200 --> 00:29:51,959
Speaker 1: this portion. Okay, Yeah, But what it is is they

487
00:29:52,040 --> 00:29:56,120
Speaker 1: know the show. It speaks to the culture absolutely, and um,

488
00:29:56,400 --> 00:29:59,240
Speaker 1: you know what because there is some young legends out

489
00:29:59,280 --> 00:30:05,520
Speaker 1: there like ah no, it is a legend, man Ken

490
00:30:05,600 --> 00:30:10,040
Speaker 1: Drake and like Jake Cole because then they're on they

491
00:30:10,160 --> 00:30:15,680
Speaker 1: they go with all generation as well as the young generation,

492
00:30:15,840 --> 00:30:17,800
Speaker 1: but looks away when this is the thing. This is

493
00:30:17,840 --> 00:30:19,440
Speaker 1: the way we said, we want to bring in the

494
00:30:19,520 --> 00:30:22,240
Speaker 1: young generation with the co sign, with the O G.

495
00:30:22,520 --> 00:30:25,080
Speaker 1: That's rocking with them. We'll do it all day and long.

496
00:30:25,160 --> 00:30:27,520
Speaker 1: It's bring man that that guy baby I like. I

497
00:30:27,640 --> 00:30:31,000
Speaker 1: like that Spen. He doesn't have an uncle, he doesn't

498
00:30:33,000 --> 00:30:35,280
Speaker 1: just come in. So we see where the game came

499
00:30:35,400 --> 00:30:38,640
Speaker 1: from exactly. That's what we need to understand because it

500
00:30:39,200 --> 00:30:42,080
Speaker 1: goes I think once you do that, because let me

501
00:30:42,160 --> 00:30:44,160
Speaker 1: just like your show is gonna quadruple. Let me just

502
00:30:44,200 --> 00:30:47,360
Speaker 1: say the reason why, the reason why you don't appreciate

503
00:30:47,360 --> 00:30:49,240
Speaker 1: it as much as other people appreciate it because you

504
00:30:49,280 --> 00:30:50,840
Speaker 1: have a lot of things going on for yourself. Like

505
00:30:50,920 --> 00:30:53,760
Speaker 1: you said, you're doing very well. I'm doing you're doing,

506
00:30:54,080 --> 00:30:57,440
Speaker 1: but I love hip hit me out talking about it

507
00:30:57,840 --> 00:30:59,560
Speaker 1: last has been softh not. Don't you know how many

508
00:30:59,640 --> 00:31:02,760
Speaker 1: see had and and and they are they are finished,

509
00:31:02,760 --> 00:31:05,280
Speaker 1: they're gone. They're working in warmark And if you're working

510
00:31:05,280 --> 00:31:08,360
Speaker 1: in warmrning and you're sitting around, you want a platform

511
00:31:08,440 --> 00:31:10,200
Speaker 1: like this to say, you know what for them days

512
00:31:10,240 --> 00:31:12,840
Speaker 1: and when you were in N eight, you want those

513
00:31:13,720 --> 00:31:15,800
Speaker 1: guys to be saluted. And that's what this is like.

514
00:31:15,880 --> 00:31:23,400
Speaker 1: We're telling you not to do that. Okay, salute, salute everybody,

515
00:31:23,680 --> 00:31:31,080
Speaker 1: Come fucking him. Tag bone never gets better, gets better,

516
00:31:32,040 --> 00:31:35,600
Speaker 1: mixed this, this is no. That's how you get me.

517
00:31:37,120 --> 00:31:42,160
Speaker 1: You really want to give the young racing. Yes, make

518
00:31:42,200 --> 00:31:44,960
Speaker 1: for a great interview, you know, I don't say the

519
00:31:45,000 --> 00:31:48,040
Speaker 1: wild ship. Let him say Tupac and Biggie ain't the

520
00:31:48,160 --> 00:31:50,800
Speaker 1: best rappers because then let them have their voice. But

521
00:31:50,880 --> 00:31:54,240
Speaker 1: they say that in all the other platforms exactly, Hold

522
00:31:54,240 --> 00:31:55,960
Speaker 1: on time, let me switch it up for that ship

523
00:31:56,120 --> 00:31:59,320
Speaker 1: is really yeah, let me switch to up for a second.

524
00:31:59,600 --> 00:32:01,520
Speaker 1: I thought about this the other day and you could

525
00:32:01,520 --> 00:32:05,440
Speaker 1: co sign it. You could refute it. That era of Depth,

526
00:32:05,560 --> 00:32:15,800
Speaker 1: jam Leo, Kevin Hard, Masks, Mike Kaiser, Julie Green, Randy As,

527
00:32:16,440 --> 00:32:24,080
Speaker 1: I was, Chris, Chris Ldy, Sam Cresco, like that building

528
00:32:24,680 --> 00:32:28,440
Speaker 1: that It was nothing like that building? Crazy? Do you realize,

529
00:32:28,520 --> 00:32:32,240
Speaker 1: Like how dope that was? Remember that's what a label

530
00:32:32,360 --> 00:32:35,120
Speaker 1: was supposed to be. Like it was literally, it was

531
00:32:35,240 --> 00:32:37,880
Speaker 1: literally we wouldn't leave like you go to a label

532
00:32:37,960 --> 00:32:43,280
Speaker 1: now it's like a school belt o'clock. We used to

533
00:32:43,360 --> 00:32:46,560
Speaker 1: be in that office literally one o'clock in the morning.

534
00:32:46,800 --> 00:32:48,760
Speaker 1: We used to do some of our finest work and

535
00:32:48,840 --> 00:32:51,680
Speaker 1: have a thing, playing Monopoly, shooting dice, some nigga ship

536
00:32:52,080 --> 00:32:54,959
Speaker 1: or whatever. But it's still ten people in the office.

537
00:32:55,240 --> 00:32:57,440
Speaker 1: We playing music, Me and Kis. We used to have

538
00:32:57,600 --> 00:33:00,240
Speaker 1: some of our best ideas and get some work done.

539
00:33:00,320 --> 00:33:03,480
Speaker 1: At midnight, You'll call that motherfucker we're gonna do this

540
00:33:03,640 --> 00:33:05,400
Speaker 1: and this is how you say this, and then I'll

541
00:33:05,400 --> 00:33:07,360
Speaker 1: call him them all and I'm gonna say this isn't

542
00:33:07,400 --> 00:33:11,280
Speaker 1: play the record and you understand at midnight like it was,

543
00:33:11,720 --> 00:33:15,520
Speaker 1: it was like niggas didn't want to go home. Yeah

544
00:33:15,520 --> 00:33:17,400
Speaker 1: I didn't either. It was a lot of enter off

545
00:33:17,480 --> 00:33:24,880
Speaker 1: his fucking too. Listen, listen the key to successful company.

546
00:33:26,200 --> 00:33:29,000
Speaker 1: What makes it? Nigga come to work more, the fastest

547
00:33:29,040 --> 00:33:31,920
Speaker 1: he's gonna come to work. Oh my god, Oh my god,

548
00:33:32,320 --> 00:33:36,000
Speaker 1: he got some plusy of it work. And then this

549
00:33:36,160 --> 00:33:41,040
Speaker 1: isn't too she wanted to She was coming to work

550
00:33:41,120 --> 00:33:43,840
Speaker 1: early too. There was a lot of closed doors and

551
00:33:43,960 --> 00:33:46,960
Speaker 1: death jam. You don't open that door, nigga, You're gonna

552
00:33:46,960 --> 00:33:48,560
Speaker 1: see something that you know what I'm saying, You don't

553
00:33:48,600 --> 00:33:51,960
Speaker 1: want the mother. We used to call this a few

554
00:33:52,080 --> 00:33:57,360
Speaker 1: death jam babies and ship Jesus like I always say,

555
00:34:00,480 --> 00:34:02,280
Speaker 1: but you know, it's not no me. It wasn't no

556
00:34:02,400 --> 00:34:05,640
Speaker 1: me too ship or whatever like that. It was mutual ship.

557
00:34:05,880 --> 00:34:09,560
Speaker 1: You know, everyone wanted they liked each other. You feel

558
00:34:09,600 --> 00:34:15,400
Speaker 1: like you get nervous about me too, shouldn't I'm not

559
00:34:15,560 --> 00:34:17,560
Speaker 1: nervous like with it for me because you're a man

560
00:34:17,680 --> 00:34:20,279
Speaker 1: of power, right yeah, but I would never for me too.

561
00:34:20,320 --> 00:34:23,200
Speaker 1: Ship is like when you listen to the Harvey Winstein

562
00:34:23,320 --> 00:34:27,760
Speaker 1: stories like he's a borderline weirdo from the whole beginning

563
00:34:27,800 --> 00:34:31,239
Speaker 1: of my whole career, like penalty is to be a chick.

564
00:34:31,280 --> 00:34:33,399
Speaker 1: You always harass me. I did not know how could

565
00:34:33,400 --> 00:34:36,120
Speaker 1: have met too that I did not know that like

566
00:34:36,400 --> 00:34:40,040
Speaker 1: mal Me tasted walk around and smack. I thought there's

567
00:34:40,080 --> 00:34:43,040
Speaker 1: just no ship fresh charge. I'm still the first charges bro.

568
00:34:43,320 --> 00:34:45,480
Speaker 1: I'm thinking about s A n V right now. He's

569
00:34:45,520 --> 00:34:52,200
Speaker 1: my friend because we got to work. He was supposed

570
00:34:52,200 --> 00:34:57,960
Speaker 1: to me. Yeah, I'm not playing even though, but I'm

571
00:34:58,000 --> 00:35:00,920
Speaker 1: playing about the middle past. Yeah, some young niggas on

572
00:35:01,000 --> 00:35:03,840
Speaker 1: this man, because some young niggas just man, let's do

573
00:35:03,960 --> 00:35:06,560
Speaker 1: one episode you bring you want me bringing you in?

574
00:35:06,920 --> 00:35:09,200
Speaker 1: Like you know what I'm saying. I mean, ask you something.

575
00:35:10,080 --> 00:35:13,800
Speaker 1: If you know a wine has to be aged for

576
00:35:14,040 --> 00:35:17,880
Speaker 1: thirty years and this wine is gonna be exactly what

577
00:35:18,000 --> 00:35:21,160
Speaker 1: it is, would you want to change that format to

578
00:35:21,320 --> 00:35:25,720
Speaker 1: a one year? No, you are, we gotta relaxer. But listening,

579
00:35:29,280 --> 00:35:33,560
Speaker 1: You've created with drain Champ something that is pushing culture forward,

580
00:35:33,640 --> 00:35:35,239
Speaker 1: you know, and we have to push. Why are you

581
00:35:35,320 --> 00:35:39,200
Speaker 1: gonna exclude it's not exclusive? Not excluded because we could

582
00:35:39,200 --> 00:35:41,360
Speaker 1: come up with that's a little nonza nigga, come up

583
00:35:41,400 --> 00:35:47,480
Speaker 1: here now nothing your areo to ask him like I don't,

584
00:35:48,600 --> 00:35:50,640
Speaker 1: But you're acting like we want to exclude it just

585
00:35:50,760 --> 00:35:54,479
Speaker 1: for now. Listen, listen, you don't think there's there's something

586
00:35:54,560 --> 00:35:58,320
Speaker 1: there where they can listen to us exactly like adults

587
00:35:58,480 --> 00:36:01,120
Speaker 1: rating and just hear our star. I'm not saying for

588
00:36:01,239 --> 00:36:06,720
Speaker 1: y'all to stop what you're doing. What you guys created, listen, listen.

589
00:36:06,840 --> 00:36:10,200
Speaker 1: I'm giving y'all kudos. I'm telling you drink. Chance is

590
00:36:10,440 --> 00:36:20,200
Speaker 1: deforum to come on and make sure. But in my right,

591
00:36:21,280 --> 00:36:26,120
Speaker 1: there's been no like. But dare I say, like when

592
00:36:26,200 --> 00:36:29,799
Speaker 1: our senior he was all the platforms that damn you're

593
00:36:29,800 --> 00:36:36,520
Speaker 1: giving that, you're giving us a figure, but this is

594
00:36:36,719 --> 00:36:45,440
Speaker 1: a platform because I sent it. Lets get on the couch,

595
00:36:45,480 --> 00:36:49,680
Speaker 1: don't you understand, like our senior, Lets get on the couch.

596
00:36:50,040 --> 00:36:54,279
Speaker 1: So this is our senior minus the performance, right which

597
00:36:54,320 --> 00:36:58,080
Speaker 1: maybe you should ship, but right now I'm doing just

598
00:36:58,280 --> 00:37:00,080
Speaker 1: make this a stage. I don't perform a good to

599
00:37:00,160 --> 00:37:03,720
Speaker 1: spin offf of of my full show and I'm working

600
00:37:03,800 --> 00:37:08,000
Speaker 1: on and yeah, but this but this is what the network.

601
00:37:08,040 --> 00:37:11,560
Speaker 1: What I want to do is I gotta sneak at

602
00:37:11,600 --> 00:37:13,560
Speaker 1: that that's the one man. Come on, I gotta sneak

603
00:37:13,600 --> 00:37:19,399
Speaker 1: at that. There's no doing this. You know, you gotta

604
00:37:19,440 --> 00:37:23,160
Speaker 1: have good relationships, but then you may be lose, I think.

605
00:37:26,200 --> 00:37:28,560
Speaker 1: But on my new show on what I want to do,

606
00:37:29,160 --> 00:37:32,279
Speaker 1: what I want to do is actually but a competition,

607
00:37:32,360 --> 00:37:35,640
Speaker 1: like alright, a lot of people compare a French Montana

608
00:37:35,680 --> 00:37:37,600
Speaker 1: to be in the new normy, you know what I'm saying.

609
00:37:37,640 --> 00:37:40,080
Speaker 1: So it'll be like me against French like a lot

610
00:37:40,120 --> 00:37:42,600
Speaker 1: of people. It's not me, like I don't see it

611
00:37:42,640 --> 00:37:44,560
Speaker 1: at all, but people say it for French, like you know,

612
00:37:44,800 --> 00:37:47,319
Speaker 1: there's like a version of me, right whatever whatever, right,

613
00:37:48,200 --> 00:37:50,759
Speaker 1: So we would go and it would be me against French.

614
00:37:50,840 --> 00:37:52,840
Speaker 1: Now I can't say what it is, you know what

615
00:37:52,880 --> 00:37:55,279
Speaker 1: I mean, But that's what I be like, So I'll mix.

616
00:37:55,400 --> 00:37:57,920
Speaker 1: I'll mix that the young generation because I fought with them.

617
00:37:58,080 --> 00:38:01,920
Speaker 1: Like I said, I you're you're the South Beach. I mean,

618
00:38:01,960 --> 00:38:03,360
Speaker 1: I don't live in South Beach. I hang out the

619
00:38:03,440 --> 00:38:06,080
Speaker 1: South Beach where you you're not. They're not playing now

620
00:38:06,280 --> 00:38:08,000
Speaker 1: in the club. They're not gonna play hole in that club.

621
00:38:08,040 --> 00:38:14,160
Speaker 1: They're gonna play the big What are you doing? Tripe

622
00:38:14,239 --> 00:38:22,560
Speaker 1: hug and you have a humongous platform, but you embraced

623
00:38:22,600 --> 00:38:25,160
Speaker 1: the whole culture, and we didn't listen. We didn't let

624
00:38:25,239 --> 00:38:27,880
Speaker 1: me say this, my young niggers. Let me give you

625
00:38:28,040 --> 00:38:32,480
Speaker 1: my evaluation. What the funk was they gonna say? After

626
00:38:32,640 --> 00:38:36,520
Speaker 1: our generation. Have you ever thought about that? What like

627
00:38:37,960 --> 00:38:41,440
Speaker 1: that grandma's fled the first generation and it's like when

628
00:38:41,480 --> 00:38:45,680
Speaker 1: you heard sucking season, it was different, right, they took

629
00:38:45,680 --> 00:38:48,040
Speaker 1: it up from now then from like that area you

630
00:38:48,120 --> 00:38:51,200
Speaker 1: heard what you could hit cocaine and that. Yeah, but

631
00:38:51,280 --> 00:38:54,640
Speaker 1: but I'm just gonna through the area. Then you get

632
00:38:54,760 --> 00:38:56,360
Speaker 1: to wait a minute. After that, you went to n

633
00:38:56,560 --> 00:38:58,120
Speaker 1: w A and in the East coast you went to

634
00:38:58,560 --> 00:39:02,000
Speaker 1: rock Him. Big Daddy came looking at me. So they

635
00:39:02,040 --> 00:39:04,759
Speaker 1: start they start saying more. They was taking it more.

636
00:39:05,120 --> 00:39:09,320
Speaker 1: Then from there we went to Nas. We went to

637
00:39:09,520 --> 00:39:15,160
Speaker 1: Nas whole pock big and we all right, so after that,

638
00:39:16,160 --> 00:39:18,520
Speaker 1: what the fund is left for a rapper? The same

639
00:39:18,680 --> 00:39:23,840
Speaker 1: old town nigga. No, but no, let's be honest, I

640
00:39:23,960 --> 00:39:27,759
Speaker 1: am that's exactly so we don't know. Wait a minute,

641
00:39:27,800 --> 00:39:30,560
Speaker 1: wait a minute, a minute, that that's extreme, that's aggressive.

642
00:39:34,800 --> 00:39:39,560
Speaker 1: But think look at the new generation. Everything that we did,

643
00:39:40,760 --> 00:39:43,879
Speaker 1: they just flipped it and they're different. We like long

644
00:39:44,040 --> 00:39:47,640
Speaker 1: change with the medallions hanging next oar nuts. Nigger, look

645
00:39:47,680 --> 00:39:48,800
Speaker 1: at me, they got me out here, looks like me

646
00:39:48,920 --> 00:39:53,480
Speaker 1: goes for my short change right now. But the young no, listen, no,

647
00:39:54,400 --> 00:39:59,000
Speaker 1: that's that's that's still us, but it was older definitely

648
00:39:59,280 --> 00:40:04,960
Speaker 1: right the chokers right we we was baggy jeans. They

649
00:40:05,600 --> 00:40:10,040
Speaker 1: win tight as motherfucker. So they just went because I

650
00:40:10,160 --> 00:40:12,400
Speaker 1: feel what could they do? True hold on as a

651
00:40:12,520 --> 00:40:16,799
Speaker 1: hip hop connossault with someone gonna say a better verse

652
00:40:16,880 --> 00:40:19,920
Speaker 1: than they never take me alive. I'm getting high with

653
00:40:20,080 --> 00:40:22,560
Speaker 1: my full five cocks on these niggas. Time to die,

654
00:40:22,719 --> 00:40:24,759
Speaker 1: even as a long stuff. You know what I'm saying.

655
00:40:24,840 --> 00:40:30,120
Speaker 1: Like I didn't bet the guy Lamon Hill that he

656
00:40:30,200 --> 00:40:33,759
Speaker 1: said Tupac was overrated. Oh wow, I spent the last

657
00:40:33,880 --> 00:40:35,719
Speaker 1: verse of pain. He was trying to say hello to me.

658
00:40:35,760 --> 00:40:39,480
Speaker 1: I wasn't sure. I was just spitting the verse. He

659
00:40:39,600 --> 00:40:41,880
Speaker 1: was like looking at me, going crazy, and I'm like, Nigga,

660
00:40:42,040 --> 00:40:46,759
Speaker 1: that nigga ain't overrated. That nigga goat like he's he

661
00:40:46,960 --> 00:40:50,320
Speaker 1: personifies everything in hip hop, and you said he's overrated.

662
00:40:50,760 --> 00:40:53,560
Speaker 1: I've seen these young dudes not giving j the props,

663
00:40:53,600 --> 00:40:56,279
Speaker 1: not giving that's fine. I see them like no. But

664
00:40:56,440 --> 00:40:57,799
Speaker 1: but this is what I want to say real quick

665
00:40:57,880 --> 00:41:03,160
Speaker 1: before you keeping before prior to internet, hip hop was

666
00:41:03,239 --> 00:41:07,040
Speaker 1: through a funnel that was filtered through hip hop sor

667
00:41:07,160 --> 00:41:10,760
Speaker 1: to say, curated through hip hop, and then it became

668
00:41:10,800 --> 00:41:14,719
Speaker 1: a worldwide sensation. The music stream this hip hop, and

669
00:41:14,840 --> 00:41:18,120
Speaker 1: then it changes the demographic, it changes who's curating it,

670
00:41:18,239 --> 00:41:20,160
Speaker 1: It changes a lot of things. Always changed. And that's

671
00:41:20,200 --> 00:41:22,200
Speaker 1: the difference. You know what I learned about hip hop.

672
00:41:22,920 --> 00:41:25,200
Speaker 1: The minute you think you know hip hop, you don't

673
00:41:25,239 --> 00:41:28,359
Speaker 1: know ship, it shows you you don't know ship. Hip

674
00:41:28,400 --> 00:41:31,680
Speaker 1: Hop is like the best thing ever that ever happened

675
00:41:32,760 --> 00:41:35,120
Speaker 1: in America, of course, and hip hop is like like

676
00:41:35,400 --> 00:41:38,800
Speaker 1: you really don't understand it or I'm bugging. It's the

677
00:41:38,840 --> 00:41:44,759
Speaker 1: biggest culture, nigga, you gotta embrace everybody, hip hop. Hip

678
00:41:44,800 --> 00:41:48,880
Speaker 1: hop is the biggest farm. Is that its biggest hype

679
00:41:49,320 --> 00:41:55,480
Speaker 1: on their watch? Who's watched these young niggas? But hip

680
00:41:55,560 --> 00:42:01,239
Speaker 1: hop right now? Listen, I'm not now, I don't can't.

681
00:42:01,320 --> 00:42:03,600
Speaker 1: You can't say that watching it's created by someone that's

682
00:42:03,600 --> 00:42:11,120
Speaker 1: not I'm saying that Mellie mel has gets credit the evolution,

683
00:42:11,360 --> 00:42:13,600
Speaker 1: we all get credit to the point where it's that now.

684
00:42:14,120 --> 00:42:16,600
Speaker 1: But I'm not gonna say these young niggas ain't dope,

685
00:42:16,840 --> 00:42:18,799
Speaker 1: because no, no, what's saying that. You know what I'm

686
00:42:18,840 --> 00:42:20,960
Speaker 1: saying that I have him on the show. I don't

687
00:42:21,000 --> 00:42:26,000
Speaker 1: got nothing to do with I haven't one show. We

688
00:42:26,160 --> 00:42:29,160
Speaker 1: go ahead. I know some dot psychiatrists. I ain't letting

689
00:42:29,200 --> 00:42:34,040
Speaker 1: him out here. I don't even the show. I'm telling you, man,

690
00:42:34,160 --> 00:42:38,399
Speaker 1: if I was a young he presents, Okay, you're gonna

691
00:42:38,400 --> 00:42:42,160
Speaker 1: do rapper. If I was a young rapper, I would

692
00:42:42,160 --> 00:42:50,879
Speaker 1: Hanna saying, my fuck that nigga nor you don't funk

693
00:42:50,960 --> 00:42:54,560
Speaker 1: with me. He ain't fucking with our generation. And I

694
00:42:54,640 --> 00:43:01,239
Speaker 1: don't like that. Like, you're right there, because you're right,

695
00:43:01,880 --> 00:43:05,400
Speaker 1: You're like, you're right. Listen, I go to the consorts,

696
00:43:05,600 --> 00:43:08,640
Speaker 1: say in the bad on my show, old nigga mole

697
00:43:08,800 --> 00:43:13,319
Speaker 1: bro I go to I went to Genesis show. Why

698
00:43:13,360 --> 00:43:16,600
Speaker 1: didn't even tell him I was in the building. I'm

699
00:43:17,160 --> 00:43:19,880
Speaker 1: I'm going to know you're my brother. You're wrong. No,

700
00:43:20,040 --> 00:43:23,279
Speaker 1: I'm right, you're wrong. You're just doing so well and like, no,

701
00:43:23,800 --> 00:43:27,680
Speaker 1: I have just representation of you got blind. If I

702
00:43:27,880 --> 00:43:29,880
Speaker 1: was listen, if I was broke, or if I had

703
00:43:29,920 --> 00:43:32,000
Speaker 1: a hundred million, I'm saying the same thing because this

704
00:43:32,120 --> 00:43:34,399
Speaker 1: is what I feel for the culture. And what I'm

705
00:43:34,440 --> 00:43:36,600
Speaker 1: saying is this can't be a truth. You know what

706
00:43:36,680 --> 00:43:38,960
Speaker 1: you're doing. You're going to jay Z and saying, Yo,

707
00:43:39,239 --> 00:43:42,880
Speaker 1: this Ace, I'm not sure about this. He's doing pretty

708
00:43:43,000 --> 00:43:46,959
Speaker 1: fine with the Ace. First of all, he's doing pretty fine.

709
00:43:47,480 --> 00:43:50,680
Speaker 1: Five hundred dollars in the store. Listen, I'm going to

710
00:43:50,760 --> 00:43:53,560
Speaker 1: this thing and tell us, nigga, change the fore bat Listen,

711
00:43:53,680 --> 00:43:55,279
Speaker 1: come on, I got you what that one you know

712
00:43:56,120 --> 00:43:59,399
Speaker 1: you're talking about. Listen to the hip hop culture. It's

713
00:43:59,440 --> 00:44:01,520
Speaker 1: brought to you out of hip hop culture. But that's

714
00:44:01,560 --> 00:44:05,400
Speaker 1: not This is fucking champagne. But it's no. We're talking

715
00:44:05,480 --> 00:44:10,239
Speaker 1: about this. It's not sexy. Yeah it's sexy. You don't

716
00:44:10,800 --> 00:44:13,440
Speaker 1: don't you don't want to change this? Do you want

717
00:44:13,440 --> 00:44:16,920
Speaker 1: to change when when you listen when Change said this

718
00:44:17,000 --> 00:44:18,560
Speaker 1: ship with Meek and he said, you know we don't

719
00:44:18,600 --> 00:44:21,719
Speaker 1: shine shoes and I loved it to the thing, right,

720
00:44:21,800 --> 00:44:24,440
Speaker 1: I'm telling something want But when you go to the ocean,

721
00:44:24,719 --> 00:44:28,400
Speaker 1: you know he's going on this way where the fun right,

722
00:44:28,920 --> 00:44:32,560
Speaker 1: he's fucking you can't go to the ocean to say

723
00:44:32,640 --> 00:44:35,719
Speaker 1: I wish the ocean went the other way. They just

724
00:44:35,840 --> 00:44:42,080
Speaker 1: can't do it. Earth, it's not a proper analitgy right now. Listen,

725
00:44:42,520 --> 00:44:44,040
Speaker 1: try to get you hike. Come on and listen to

726
00:44:45,360 --> 00:44:52,040
Speaker 1: come on Earth and then they're gonna mix it with

727
00:44:52,160 --> 00:44:56,360
Speaker 1: the fucking ace to completely have any waste or whenever

728
00:44:56,400 --> 00:44:59,040
Speaker 1: you were idea, he had a great idea. You tell

729
00:44:59,120 --> 00:45:02,480
Speaker 1: him make drink chance terrible and what better way to

730
00:45:02,520 --> 00:45:06,160
Speaker 1: get nicks out of their pocket. Let's get up. You're

731
00:45:06,239 --> 00:45:08,919
Speaker 1: not saying, hey, did you fuck her in the as

732
00:45:10,600 --> 00:45:17,000
Speaker 1: you know my bed? Look his drunk guy. That just

733
00:45:17,280 --> 00:45:19,000
Speaker 1: that and it is good and he mind fox the

734
00:45:19,080 --> 00:45:23,200
Speaker 1: people when he gives the interviews that that car karaoke, Yeah,

735
00:45:23,239 --> 00:45:28,200
Speaker 1: he gets karaoke. Brinister, He's brilliant because he gets him

736
00:45:28,200 --> 00:45:30,440
Speaker 1: in the car the singing tunes. They think they forget

737
00:45:30,520 --> 00:45:35,719
Speaker 1: and he says, did you fuck that? He done some

738
00:45:35,840 --> 00:45:38,279
Speaker 1: love ship and they answer it because then fucking having

739
00:45:38,320 --> 00:45:49,520
Speaker 1: a chair. Okay, yeah he's things. I said, Jane, I

740
00:45:49,719 --> 00:45:53,600
Speaker 1: want to nominate my brother jay Z to be the

741
00:45:53,680 --> 00:45:56,360
Speaker 1: president of the hip hop culture. Yes, I do. I

742
00:45:57,280 --> 00:45:59,759
Speaker 1: would give him my money every month. There's no better. No,

743
00:46:00,040 --> 00:46:03,359
Speaker 1: don't need know money. We need a union. We needed

744
00:46:03,480 --> 00:46:05,719
Speaker 1: we need a unionize. We need to be out here

745
00:46:05,920 --> 00:46:14,200
Speaker 1: unionized that we're like we sing prints that you guys

746
00:46:14,280 --> 00:46:19,000
Speaker 1: been on that ship that we wanted to got you

747
00:46:19,120 --> 00:46:21,560
Speaker 1: some heat like cool hurt well, cool hurd, cool hird.

748
00:46:21,840 --> 00:46:24,239
Speaker 1: If cool hurt gets sick right now, you don't think

749
00:46:24,320 --> 00:46:26,520
Speaker 1: you don't think that hip hop owes it to cool

750
00:46:27,480 --> 00:46:30,160
Speaker 1: and we want to be here right now. That that's

751
00:46:30,160 --> 00:46:31,719
Speaker 1: what I think. I feel like we said unionized and

752
00:46:32,000 --> 00:46:34,479
Speaker 1: hope as a person that I would trust paying union.

753
00:46:35,040 --> 00:46:37,840
Speaker 1: How should put together the first union and music not

754
00:46:38,000 --> 00:46:41,160
Speaker 1: even just to think because we're the only when we're

755
00:46:41,200 --> 00:46:45,160
Speaker 1: the only business that it doesn't have it right. It

756
00:46:45,200 --> 00:46:48,200
Speaker 1: could be a union could be like sad listen we was.

757
00:46:48,600 --> 00:46:51,600
Speaker 1: We don't got listen, we don't got even got ded toots,

758
00:46:51,640 --> 00:46:57,960
Speaker 1: living fat. We we like boxers. Yeah, but yo, boss,

759
00:46:58,239 --> 00:47:01,759
Speaker 1: here's how we wanted to know, really about. It's how

760
00:47:01,840 --> 00:47:05,600
Speaker 1: we wanted to do our union, which in hindsight, nicks

761
00:47:05,719 --> 00:47:07,400
Speaker 1: want to trust that y'all. Three I'm not gonna just

762
00:47:07,440 --> 00:47:11,200
Speaker 1: throw that out there. Three just did not seem like

763
00:47:11,440 --> 00:47:15,600
Speaker 1: like it was gonna just gotta be honest with you,

764
00:47:17,040 --> 00:47:23,840
Speaker 1: Jay Grinds and who I'm not giving you any anyway,

765
00:47:25,239 --> 00:47:27,000
Speaker 1: and you tell me if it would work. I think

766
00:47:27,239 --> 00:47:30,360
Speaker 1: now around this time, around this time, if you sound

767
00:47:30,440 --> 00:47:33,759
Speaker 1: the deal, you know you did well your your renegotiation,

768
00:47:33,840 --> 00:47:35,960
Speaker 1: maybe you get a million dollars for your thing. What

769
00:47:36,120 --> 00:47:38,160
Speaker 1: we were saying and what we was gonna say that

770
00:47:38,400 --> 00:47:40,600
Speaker 1: now this is good ship. What we were saying, is

771
00:47:40,680 --> 00:47:44,760
Speaker 1: the label pay. That's hard for the policy. You're giving

772
00:47:44,800 --> 00:47:47,880
Speaker 1: nor a million dollars, Give him a million one and

773
00:47:48,239 --> 00:47:51,440
Speaker 1: hit the label. Now cool, a million one, But we're

774
00:47:51,440 --> 00:47:54,120
Speaker 1: gonna take that hundred thousands. So you got your million,

775
00:47:54,400 --> 00:47:56,720
Speaker 1: and we're gonna put it to your medical, your dental,

776
00:47:56,920 --> 00:48:01,360
Speaker 1: your annuity. You're absolutely right. It's a good three names

777
00:48:02,400 --> 00:48:11,320
Speaker 1: got extorsion. You said it. I perfectly believe you. You

778
00:48:11,600 --> 00:48:16,279
Speaker 1: know it's the crazies. But so He's like, so we

779
00:48:16,360 --> 00:48:18,359
Speaker 1: would meet in l A like at the Lama time,

780
00:48:21,880 --> 00:48:24,280
Speaker 1: and people will see us talking together, and I swear

781
00:48:24,320 --> 00:48:27,040
Speaker 1: to god, I'm like, Papa Rosen doesn't invent it. Back then, no,

782
00:48:27,360 --> 00:48:31,160
Speaker 1: they would have been like black. It was so, let

783
00:48:31,200 --> 00:48:33,080
Speaker 1: me tell you so, because we was gonna be on

784
00:48:33,200 --> 00:48:34,880
Speaker 1: some get down the later like yo, you gott to

785
00:48:35,000 --> 00:48:41,239
Speaker 1: join the union, but it's not. So. I was like yo,

786
00:48:41,719 --> 00:48:43,239
Speaker 1: I was like me and my team. We got the

787
00:48:43,320 --> 00:48:47,960
Speaker 1: East coast. Princeton, I got the South Chi said, I

788
00:48:48,040 --> 00:48:51,320
Speaker 1: got the West coast. Jay Prince said, I got everywhere

789
00:48:51,400 --> 00:49:03,480
Speaker 1: else Niggers, Jack Prince, I think it's about Canada and

790
00:49:03,560 --> 00:49:07,120
Speaker 1: everywhere else up and down the middle. You got the

791
00:49:07,160 --> 00:49:09,040
Speaker 1: East guy, I said, I think I could get the

792
00:49:09,120 --> 00:49:11,400
Speaker 1: East people team, We get the East. You know what

793
00:49:11,440 --> 00:49:13,120
Speaker 1: I'm saying. I was gonna come in and thinking is

794
00:49:13,160 --> 00:49:15,520
Speaker 1: on a good perspective, you know what I'm saying, on

795
00:49:15,560 --> 00:49:18,839
Speaker 1: a real good perspective, and just try and get them

796
00:49:18,880 --> 00:49:21,759
Speaker 1: that way, right, if they didn't go down, maybe they

797
00:49:21,840 --> 00:49:24,719
Speaker 1: shows one show, get shut up, you know what I'm saying,

798
00:49:24,800 --> 00:49:28,960
Speaker 1: but fucking names. Yeah, which was like I got the web,

799
00:49:29,040 --> 00:49:31,320
Speaker 1: but my nigga print said, hey, well else, let's go.

800
00:49:32,239 --> 00:49:35,120
Speaker 1: But in hindsight it was good because imagine if it

801
00:49:35,160 --> 00:49:37,560
Speaker 1: would have worked in hundreds of amazing dollars in this

802
00:49:37,760 --> 00:49:44,200
Speaker 1: union nig that out. I would have had to be

803
00:49:44,239 --> 00:49:47,000
Speaker 1: getting down, like listen, I need a piece of that.

804
00:49:47,520 --> 00:49:49,759
Speaker 1: I need to be I'm gonna be the accountant for

805
00:49:49,800 --> 00:49:53,080
Speaker 1: that money. All. That's where we started the Dream Champs union, right,

806
00:49:53,120 --> 00:49:56,239
Speaker 1: We just started right now. We did right now. But

807
00:49:56,520 --> 00:49:58,440
Speaker 1: but but when you think about it, right, it is

808
00:49:58,640 --> 00:50:02,120
Speaker 1: a good we that it's crazy that we don't have

809
00:50:02,320 --> 00:50:04,280
Speaker 1: that if you would do that same deal with Leo

810
00:50:05,280 --> 00:50:08,440
Speaker 1: Um it's a good deal. Allows I would be like, okay,

811
00:50:08,480 --> 00:50:12,960
Speaker 1: I'm down, but the fact it was sure and j

812
00:50:13,440 --> 00:50:17,319
Speaker 1: I don't know that too. And you in the middle, right,

813
00:50:17,760 --> 00:50:27,520
Speaker 1: I'm not gonna lie. Listen, I ain't gonna lie. Sug

814
00:50:27,719 --> 00:50:29,680
Speaker 1: might be one of the smartest people in the middle.

815
00:50:33,280 --> 00:50:35,640
Speaker 1: The problem with is a gangster and he wants to

816
00:50:35,680 --> 00:50:37,840
Speaker 1: be a gangster and he don't give a funk. This

817
00:50:37,960 --> 00:50:40,440
Speaker 1: is who he is, Like he's on some ship like that.

818
00:50:40,920 --> 00:50:46,040
Speaker 1: But I could tell you from me, I've learned ridiculous

819
00:50:46,239 --> 00:50:52,120
Speaker 1: ship from this nigger because like ridiculous, business minded, no gangster,

820
00:50:52,320 --> 00:50:56,320
Speaker 1: just pure smarts. I should be like, where are you

821
00:50:56,360 --> 00:50:58,799
Speaker 1: getting That's how to get it? He was like, yeah,

822
00:50:59,160 --> 00:51:01,040
Speaker 1: just came up through the ranks, like he didn't start

823
00:51:01,160 --> 00:51:04,000
Speaker 1: on top of he was a bodyguard. I'm gonna be

824
00:51:04,080 --> 00:51:08,279
Speaker 1: honest with you. Jimmy opened the world tim like put

825
00:51:08,360 --> 00:51:11,200
Speaker 1: him on the game, like the business side of it

826
00:51:11,320 --> 00:51:13,960
Speaker 1: and how to get it and how to ask for it.

827
00:51:14,239 --> 00:51:16,160
Speaker 1: Like a lot of seeing Jimmy just walking around by

828
00:51:16,239 --> 00:51:18,600
Speaker 1: himself invaluable. I said, I need to be that rich

829
00:51:19,440 --> 00:51:24,080
Speaker 1: you know, schig who talks about everyone and don't give

830
00:51:24,080 --> 00:51:26,920
Speaker 1: a funk. You never really heard Chill talk about Jimmy

831
00:51:27,000 --> 00:51:31,359
Speaker 1: and like a negative light, so that goes so jim

832
00:51:32,040 --> 00:51:37,120
Speaker 1: Even when Jimmy was cutting them, he was just come

833
00:51:37,160 --> 00:51:38,879
Speaker 1: to see you at night. He told me some ship

834
00:51:38,920 --> 00:51:40,480
Speaker 1: I don't know if we can use, but I want

835
00:51:40,480 --> 00:51:42,839
Speaker 1: to tell you since we're all in here drunk taking

836
00:51:42,880 --> 00:51:45,239
Speaker 1: these shots and no one listens to us anyway. But

837
00:51:45,560 --> 00:51:49,120
Speaker 1: you know I was hearing you watch this. Remember when

838
00:51:49,200 --> 00:51:52,880
Speaker 1: Jimmy was just like old pain everybody produces in the industry.

839
00:51:52,920 --> 00:51:55,600
Speaker 1: He had every producer, which was so brilliant of him

840
00:51:55,640 --> 00:51:59,640
Speaker 1: to do in the scope time. Yeah, I was told

841
00:52:00,040 --> 00:52:03,440
Speaker 1: it was like, yo, when we sold five million to

842
00:52:03,640 --> 00:52:07,200
Speaker 1: Park albums, we may sold another million under the table

843
00:52:08,320 --> 00:52:13,719
Speaker 1: pure cash. That's drug dealer, not here. Not here. You're

844
00:52:13,719 --> 00:52:15,839
Speaker 1: an artist when you came out of an album during

845
00:52:15,880 --> 00:52:18,000
Speaker 1: that time, you would have like a certain amount of

846
00:52:18,320 --> 00:52:22,000
Speaker 1: free goods that they would ship to people for people

847
00:52:22,080 --> 00:52:27,480
Speaker 1: that industry to know they you still order a million

848
00:52:27,600 --> 00:52:31,320
Speaker 1: free goods and then like out the trunk of the

849
00:52:31,400 --> 00:52:40,680
Speaker 1: car ship and get cash. It was he said, we

850
00:52:40,760 --> 00:52:45,080
Speaker 1: had a war chest, a war chest cash. I love

851
00:52:45,200 --> 00:52:49,080
Speaker 1: Jimmy Irvin. Jimmy Irvin to me is by far the

852
00:52:49,160 --> 00:52:53,759
Speaker 1: best executive that the music business has ever fucking seen. Like,

853
00:52:53,920 --> 00:52:57,920
Speaker 1: he's just a brilliant motherfucker, you know what I'm saying. Brilliant, brilliant.

854
00:52:57,960 --> 00:53:00,960
Speaker 1: And Leo is brilliant too. Leos bringing in a different

855
00:53:01,000 --> 00:53:04,319
Speaker 1: way like Jimmy's brilliant because he was his roots as

856
00:53:04,360 --> 00:53:07,040
Speaker 1: an engineer and a producer. So how does the producer

857
00:53:07,280 --> 00:53:10,439
Speaker 1: a great producer? How they think a great producer knows

858
00:53:10,560 --> 00:53:12,439
Speaker 1: the value of the artist. I don't give a funk.

859
00:53:12,480 --> 00:53:15,759
Speaker 1: How am I beat? How dope my beat is? If

860
00:53:15,800 --> 00:53:17,799
Speaker 1: you ain't gonna light it up as an artist, what's

861
00:53:17,840 --> 00:53:20,560
Speaker 1: that be? It's just a hot beat with nothing. So

862
00:53:22,200 --> 00:53:25,320
Speaker 1: Jimmy understood the value of the relationship, that it was

863
00:53:25,400 --> 00:53:29,960
Speaker 1: a partnership. Lego's upbringing is that of a manager. Now

864
00:53:30,080 --> 00:53:33,640
Speaker 1: managers upbringing is that of he may look down and

865
00:53:33,760 --> 00:53:36,160
Speaker 1: not really value the artist. This nig is an idiot.

866
00:53:36,239 --> 00:53:41,120
Speaker 1: I managed this nig. I know firsthand more on which

867
00:53:41,200 --> 00:53:44,800
Speaker 1: is most artists right, So his respect and opinion of

868
00:53:44,960 --> 00:53:50,399
Speaker 1: people with different manipulating playing h you know, you haven't

869
00:53:50,440 --> 00:53:52,880
Speaker 1: see the ship he's and like think he's doing the

870
00:53:52,960 --> 00:53:55,880
Speaker 1: interview and he says, gott he took it. It was

871
00:53:55,960 --> 00:53:58,800
Speaker 1: up to me that I'd have that nigger working for sixty.

872
00:54:00,640 --> 00:54:05,480
Speaker 1: He didn't say, he would never say nigga, but but

873
00:54:05,640 --> 00:54:08,520
Speaker 1: basically it was a bass stuff thing. He was like, god,

874
00:54:08,600 --> 00:54:12,040
Speaker 1: he took the front thing and it's Cadillac, his old

875
00:54:12,080 --> 00:54:15,239
Speaker 1: school and he was his bossy motherfucker, which I loved,

876
00:54:15,280 --> 00:54:17,160
Speaker 1: and he was like, yo, gott he took it. Every

877
00:54:17,239 --> 00:54:20,120
Speaker 1: great man takes ever to tell you hit you about

878
00:54:20,160 --> 00:54:22,120
Speaker 1: all the time of my total thing that you came

879
00:54:22,160 --> 00:54:25,120
Speaker 1: on here and you said that time at your nigga

880
00:54:25,520 --> 00:54:28,799
Speaker 1: and he called me a nigga. He called Corey and nigga. Oh,

881
00:54:28,920 --> 00:54:36,080
Speaker 1: he called fact nigga. Yeah, and I don't lie. He

882
00:54:36,120 --> 00:54:38,560
Speaker 1: didn't say it to Corey. He said it to me. Okay, Yeah,

883
00:54:38,760 --> 00:54:42,040
Speaker 1: he was on the phone. I was on three pills

884
00:54:44,320 --> 00:54:51,840
Speaker 1: a Cadillax. He was doing my extras. It's a horrible

885
00:54:51,920 --> 00:54:55,239
Speaker 1: story because it involves j Lo, who at the time.

886
00:54:55,360 --> 00:54:57,160
Speaker 1: We don't have to repeat it. You know, she's like

887
00:54:57,320 --> 00:54:59,919
Speaker 1: my best friend. She was like the time at the time,

888
00:55:01,239 --> 00:55:03,640
Speaker 1: it's squashed, but she'll never trust me what I'm saying.

889
00:55:03,760 --> 00:55:05,840
Speaker 1: And right, I don't see the picture of you and

890
00:55:06,160 --> 00:55:09,800
Speaker 1: I've been looking for I mean, she listen she I

891
00:55:09,920 --> 00:55:12,440
Speaker 1: can't say nothing. I sucked up. He said that that's

892
00:55:12,480 --> 00:55:14,880
Speaker 1: the real nick of you. Yeah, I sucked up. Like,

893
00:55:15,000 --> 00:55:17,480
Speaker 1: come on, man, she called. She said, I want I'm

894
00:55:17,520 --> 00:55:20,520
Speaker 1: doing the cover of L magazine. I need some like

895
00:55:20,680 --> 00:55:23,359
Speaker 1: they're gonna call you for quotes. And I threw under

896
00:55:23,440 --> 00:55:26,080
Speaker 1: the bus. But Tommy has a little to play with it.

897
00:55:26,120 --> 00:55:28,359
Speaker 1: But I can't blame Tommy. But you know what I'm saying.

898
00:55:28,760 --> 00:55:31,759
Speaker 1: What did Corey say? He was like, Tommy would never

899
00:55:31,840 --> 00:55:37,280
Speaker 1: call me at He didn't. He didn't, he didn't, he didn't.

900
00:55:37,719 --> 00:55:40,440
Speaker 1: Don't do that. Don't get Timmy. Yeah, if you get Timmy,

901
00:55:40,480 --> 00:55:42,560
Speaker 1: don't call me. Call me on the phone, and I'll

902
00:55:42,560 --> 00:55:48,360
Speaker 1: be like Tommy, we don't lie on drink ship truth.

903
00:55:52,200 --> 00:55:56,160
Speaker 1: I don't feel like Tommy just say you apologize he's

904
00:55:56,160 --> 00:55:59,879
Speaker 1: at the moment. But don't say I'm lying because I'm

905
00:56:00,600 --> 00:56:03,439
Speaker 1: But I don't lie about nothing. You know what I'm saying.

906
00:56:04,440 --> 00:56:07,759
Speaker 1: That's why DJ says, don't come on here. You asked

907
00:56:07,800 --> 00:56:10,320
Speaker 1: me a question. This is what happened. This is the truth.

908
00:56:10,840 --> 00:56:13,880
Speaker 1: If you had to pick one right now, it's always

909
00:56:14,000 --> 00:56:17,680
Speaker 1: the j no no no, uh, like you know, tales

910
00:56:18,480 --> 00:56:21,520
Speaker 1: or being a part of the music, business, music, music

911
00:56:21,640 --> 00:56:23,920
Speaker 1: is in me, my nigga. You gotta understand, I'm eleven

912
00:56:24,000 --> 00:56:26,480
Speaker 1: years old. I'm going around around the corner on man

913
00:56:26,560 --> 00:56:29,759
Speaker 1: Nick Chalmer's house, his father's West Indian mechanic. He had

914
00:56:29,800 --> 00:56:32,480
Speaker 1: two turns as in the mixer. It wasn't no twelve hunt.

915
00:56:32,680 --> 00:56:36,200
Speaker 1: It was straight on. I used to fucking mixes called Shangla.

916
00:56:37,239 --> 00:56:40,279
Speaker 1: So here's what Shangla is. He goes and DJ's old nigga.

917
00:56:40,360 --> 00:56:42,320
Speaker 1: They like, I know that because it just had a break.

918
00:56:42,880 --> 00:56:51,400
Speaker 1: It's like shang Paradise is very nice. And if you

919
00:56:51,440 --> 00:56:57,919
Speaker 1: could imagine six hours, I'm bringing it back for six

920
00:56:58,000 --> 00:57:00,840
Speaker 1: hours and I was nice and one who see me

921
00:57:00,960 --> 00:57:03,640
Speaker 1: or whatever. If you asked them, they'll be like, DJ,

922
00:57:03,960 --> 00:57:07,600
Speaker 1: that nigga was retarded, DJ irv It was no retarded.

923
00:57:09,719 --> 00:57:15,160
Speaker 1: My hands was lightning fast and the tricks behind. Yeah,

924
00:57:15,280 --> 00:57:17,600
Speaker 1: I was one of those that was one of those.

925
00:57:17,680 --> 00:57:21,000
Speaker 1: That's why you with Steve Stout when he did your thing.

926
00:57:21,120 --> 00:57:25,680
Speaker 1: He remember he said, uh to school together right in

927
00:57:25,840 --> 00:57:31,600
Speaker 1: second grade? Like listen me see Stout, same birthday, same year,

928
00:57:32,400 --> 00:57:36,880
Speaker 1: same day, wow, right, but with like two completely different

929
00:57:36,880 --> 00:57:40,320
Speaker 1: people were the same with different right. So he grew

930
00:57:40,400 --> 00:57:42,320
Speaker 1: up where I grew up. So when when he was

931
00:57:42,400 --> 00:57:44,640
Speaker 1: on you, he was he he said it. He was like,

932
00:57:44,760 --> 00:57:46,760
Speaker 1: you know, IRV is different. He said, well, we was

933
00:57:46,760 --> 00:57:48,440
Speaker 1: going to high school. This Nick who had like ten

934
00:57:48,520 --> 00:57:52,000
Speaker 1: thousand people in the park listening to play music. That's

935
00:57:52,200 --> 00:57:55,680
Speaker 1: that's me. I went in the park at fifteen years old,

936
00:57:55,800 --> 00:58:00,600
Speaker 1: tore it up and they said, yo, Shore my DJ

937
00:58:00,800 --> 00:58:06,360
Speaker 1: I was Grandmaster VIC. That's queens, my nigga. VIC queens

938
00:58:06,400 --> 00:58:20,479
Speaker 1: get the money. You're some purists, y'all need vick see

939
00:58:21,080 --> 00:58:27,280
Speaker 1: bring them. But I'm no, but I'm saying do it all.

940
00:58:27,880 --> 00:58:29,720
Speaker 1: We want to do it all. But we're just saying,

941
00:58:29,880 --> 00:58:33,000
Speaker 1: include the O G for the y G. You don't

942
00:58:33,080 --> 00:58:36,240
Speaker 1: have to, Yes, no you don't. You know you don't

943
00:58:36,480 --> 00:58:41,920
Speaker 1: be Let me be true and real depiction of the

944
00:58:42,120 --> 00:58:45,760
Speaker 1: culture right now, you'll listen list the depiction of our

945
00:58:45,920 --> 00:58:49,880
Speaker 1: generation and old niggas not all of that. It's being successful, right,

946
00:58:50,320 --> 00:58:52,240
Speaker 1: it's being over the time successful. Let me ask you

947
00:58:52,240 --> 00:58:56,000
Speaker 1: a question. But it's not an accurate depiction of hip

948
00:58:56,080 --> 00:58:59,960
Speaker 1: hop culture. Of course it is. It is vast generation

949
00:59:00,000 --> 00:59:02,080
Speaker 1: since right now. No, it's not. If you're not including

950
00:59:02,120 --> 00:59:05,440
Speaker 1: the young generation, you're not fucking giving the action. If

951
00:59:05,440 --> 00:59:08,880
Speaker 1: they're chaking lead doing Chinese sign language to me, you

952
00:59:09,000 --> 00:59:13,400
Speaker 1: understand if you don't fucking include the young generation, you're

953
00:59:13,440 --> 00:59:16,880
Speaker 1: not giving the accurate depiction of the whole. We include them,

954
00:59:16,960 --> 00:59:20,360
Speaker 1: and that all can we include them. We are giving

955
00:59:20,520 --> 00:59:24,479
Speaker 1: them history. So what let him come upon here and talk.

956
00:59:24,600 --> 00:59:28,600
Speaker 1: They ship, but they got Solomagne, the guard, they got,

957
00:59:28,800 --> 00:59:34,080
Speaker 1: they got all these other outlets, those outlets. This is

958
00:59:34,120 --> 00:59:40,120
Speaker 1: those outlet. You those outlets and if nothing, there's certain things.

959
00:59:40,160 --> 00:59:42,400
Speaker 1: When you go up on the radio station, you're gonna

960
00:59:42,400 --> 00:59:49,080
Speaker 1: attain yourself. We're sitting here, I'm drunk now, but handling

961
00:59:49,120 --> 00:59:54,800
Speaker 1: the second hand like you. You're not giving that radio

962
00:59:54,880 --> 01:00:01,280
Speaker 1: station the prod would be fucking fine. Is seven power

963
01:00:01,960 --> 01:00:05,240
Speaker 1: one oh five to look you working? You're working at that.

964
01:00:05,960 --> 01:00:10,360
Speaker 1: Let's say Revolt, Massive Field or title right drink chance

965
01:00:10,480 --> 01:00:13,960
Speaker 1: never came into into the game. And Nori and it's

966
01:00:14,040 --> 01:00:15,920
Speaker 1: cuping from from mind with the white beer said we're

967
01:00:15,920 --> 01:00:17,920
Speaker 1: gonna do a show kill the game. You're like, I

968
01:00:18,480 --> 01:00:22,120
Speaker 1: like this idea. I'm gonna be honest. I would have

969
01:00:22,440 --> 01:00:23,960
Speaker 1: been on board, but I don't have it. How do

970
01:00:24,040 --> 01:00:25,560
Speaker 1: you think you would have been on board? Real talk?

971
01:00:25,680 --> 01:00:28,040
Speaker 1: I would have believed in this show from a fucking star,

972
01:00:28,240 --> 01:00:31,920
Speaker 1: because I Nori is a star. Nori is like a

973
01:00:32,360 --> 01:00:37,680
Speaker 1: unique nigga. He's been the white beard I'm in. I

974
01:00:37,680 --> 01:00:41,720
Speaker 1: wouldn't have said it's a great combo. It's a great combo,

975
01:00:41,800 --> 01:00:45,800
Speaker 1: but I noticed that and I and here's what outside

976
01:00:45,840 --> 01:00:49,960
Speaker 1: not with Norman. Nigga's loved this. Nigga like Nigga said, Yo,

977
01:00:50,000 --> 01:00:53,000
Speaker 1: I don't fucking that's the caministic saying. You don't really

978
01:00:53,800 --> 01:00:58,320
Speaker 1: like you're gonna watch him? What's wrong with you? And

979
01:00:58,440 --> 01:01:07,600
Speaker 1: if they don't, it's even great. Is the coolest thing thing.

980
01:01:07,840 --> 01:01:12,280
Speaker 1: So that's why I'm like he is. And this show

981
01:01:12,920 --> 01:01:17,000
Speaker 1: is it cult man's people want want to do once

982
01:01:17,080 --> 01:01:20,360
Speaker 1: a month, We'll do e Gotti's presents, gott he Presents.

983
01:01:20,440 --> 01:01:23,200
Speaker 1: We'll do it once a month. I'll listen to you

984
01:01:23,360 --> 01:01:28,160
Speaker 1: who do who they get? It's like bringing bag little

985
01:01:28,200 --> 01:01:31,440
Speaker 1: bang niggers out. He didn't fly me. Let's keep it

986
01:01:31,480 --> 01:01:35,320
Speaker 1: all the way. We don't. We don't fight hardout we

987
01:01:35,480 --> 01:01:40,040
Speaker 1: find about it. But it's kind of doing ain't spending

988
01:01:40,080 --> 01:01:49,000
Speaker 1: no money. Yeah, yo, here supposed to do it earlier

989
01:01:49,080 --> 01:01:50,880
Speaker 1: And he said, yo, if he not being Queen's we.

990
01:01:51,400 --> 01:01:54,840
Speaker 1: I said, yo, I was supposed to be in Miami.

991
01:01:55,040 --> 01:01:58,320
Speaker 1: I said, plans change. He said, well will we will

992
01:01:58,400 --> 01:02:07,640
Speaker 1: do it another time you're around for me drink. Then

993
01:02:07,720 --> 01:02:13,439
Speaker 1: he put Randy Acker room. His white slave was sack,

994
01:02:18,400 --> 01:02:22,240
Speaker 1: white slave with sas. Don't want him Hack. It doesn't

995
01:02:22,280 --> 01:02:24,560
Speaker 1: mind being a white slave. He worked for me, Max.

996
01:02:25,800 --> 01:02:27,960
Speaker 1: He was definitely a white slave for do and let

997
01:02:28,000 --> 01:02:29,680
Speaker 1: me pick up the shine bait. Let me big up

998
01:02:29,680 --> 01:02:33,280
Speaker 1: the shine, the smoke Champ shoes, the smoke chat. Uh,

999
01:02:34,200 --> 01:02:37,160
Speaker 1: guys got endorsed me titles dot Com for slash two

1000
01:02:37,200 --> 01:02:46,240
Speaker 1: minute just happened. Wait where you gotta take this? You

1001
01:02:46,320 --> 01:02:48,320
Speaker 1: gotta take that? Was that smoke Champs opening it up,

1002
01:02:48,360 --> 01:02:51,400
Speaker 1: opening it up. Look at that smoke Champs and shines

1003
01:02:52,920 --> 01:02:56,840
Speaker 1: home on. I'm giving them pis. If you're trying to

1004
01:02:56,880 --> 01:03:09,440
Speaker 1: get high, get high with these on drink Champ. I

1005
01:03:09,600 --> 01:03:17,440
Speaker 1: just got you another check. Just give a night check. Clearly,

1006
01:03:18,000 --> 01:03:22,200
Speaker 1: when I heard the announcement, mass appeal vote and who

1007
01:03:22,280 --> 01:03:32,200
Speaker 1: else title title, who's getting the first gets the first win?

1008
01:03:33,160 --> 01:03:37,560
Speaker 1: It's mad complicated, It's complicator complorent is symbol. Well, it

1009
01:03:39,000 --> 01:03:41,280
Speaker 1: doesn't worry. We're gonna ball. We don't want to go

1010
01:03:41,360 --> 01:03:43,240
Speaker 1: to HBO. We don't want to go advice. We don't

1011
01:03:43,280 --> 01:03:45,640
Speaker 1: want to. We want to keep it. We're happy to

1012
01:03:46,240 --> 01:03:49,200
Speaker 1: want to keep cultural. Gave it cultural and with no

1013
01:03:49,440 --> 01:03:53,840
Speaker 1: new nigga, but he presents. But let me just tell

1014
01:03:53,840 --> 01:03:55,840
Speaker 1: you said the whole is out here really living his

1015
01:03:55,960 --> 01:03:58,840
Speaker 1: wraps because he just licensed. He don't. You don't want

1016
01:03:58,840 --> 01:04:00,920
Speaker 1: to now, let me tell you him. Let me tell

1017
01:04:00,920 --> 01:04:06,200
Speaker 1: you something about Hole. He's really little tales. Remember I

1018
01:04:06,320 --> 01:04:08,760
Speaker 1: was the first tail and he had the second wind

1019
01:04:09,080 --> 01:04:14,160
Speaker 1: cut and I called him right because I was like, Yo,

1020
01:04:14,960 --> 01:04:18,560
Speaker 1: I'm trying to blow this ship out. Go Gotti, don't

1021
01:04:18,560 --> 01:04:21,600
Speaker 1: worry about it because what I was basically saying is

1022
01:04:21,680 --> 01:04:24,080
Speaker 1: what it being on. I can't put it on YouTube,

1023
01:04:24,320 --> 01:04:29,280
Speaker 1: which so you had originally, Yeah, it would put me

1024
01:04:29,400 --> 01:04:31,480
Speaker 1: on beats, and he did and he didn't. The uncut

1025
01:04:31,600 --> 01:04:34,720
Speaker 1: version will come on and he let me. He let

1026
01:04:34,800 --> 01:04:38,720
Speaker 1: me live. And you know, I speak to Hove and

1027
01:04:38,880 --> 01:04:42,600
Speaker 1: I can tell you verbatim he really is about the

1028
01:04:42,720 --> 01:04:47,640
Speaker 1: culture and helping, like he's really about that life. He

1029
01:04:47,720 --> 01:04:49,560
Speaker 1: actually texted me, I don't know if I told you.

1030
01:04:49,960 --> 01:04:54,840
Speaker 1: You actually showed me because this ship I said what

1031
01:04:54,920 --> 01:04:56,520
Speaker 1: I said, I want to do business with Paul. I

1032
01:04:56,560 --> 01:04:58,240
Speaker 1: want to do business with Nas. I want to do

1033
01:04:58,360 --> 01:05:06,880
Speaker 1: that bullshit. Who whatever when the white devil comes to you,

1034
01:05:07,000 --> 01:05:10,040
Speaker 1: And since I got a hundred millions, he was like, yo,

1035
01:05:10,160 --> 01:05:15,720
Speaker 1: I really wanted to I really really wanted to Fumer brothers.

1036
01:05:16,800 --> 01:05:21,120
Speaker 1: But this white devil he had like anazy idea and

1037
01:05:21,240 --> 01:05:27,160
Speaker 1: he checked and what's your wire? I had it a

1038
01:05:27,280 --> 01:05:33,840
Speaker 1: pen to you. They won't won't listen, Yo, this is

1039
01:05:34,760 --> 01:05:38,200
Speaker 1: it's just fucking ray. I'm like, I watched you because

1040
01:05:38,200 --> 01:05:41,040
Speaker 1: I love right. So he's one of the niggas that

1041
01:05:41,480 --> 01:05:44,680
Speaker 1: I pay attention to. I followed, and I pay attention

1042
01:05:46,680 --> 01:05:51,000
Speaker 1: is buying, that's about. I just want to do business

1043
01:05:51,040 --> 01:05:57,400
Speaker 1: with my brothers. I was like. Then I was like

1044
01:05:57,560 --> 01:06:00,800
Speaker 1: it and it was crazy because Nas is massive pill right,

1045
01:06:01,840 --> 01:06:04,440
Speaker 1: how great is no though? He's so low and this

1046
01:06:04,520 --> 01:06:08,400
Speaker 1: thing is probably sitting on the honey. Yes, but he

1047
01:06:08,480 --> 01:06:10,800
Speaker 1: got disappeared from these niggas. If you would really in

1048
01:06:11,040 --> 01:06:20,360
Speaker 1: like not catching you, not talking pulling up to sweet chicken.

1049
01:06:22,640 --> 01:06:26,440
Speaker 1: That nigga. Once he changed that tax break, he's getting

1050
01:06:26,640 --> 01:06:30,479
Speaker 1: lore elusive by so when you had him, I was like, damn,

1051
01:06:30,520 --> 01:06:33,760
Speaker 1: he got not not elusive right now? Right then, I

1052
01:06:33,880 --> 01:06:39,360
Speaker 1: was like, when you announced the massive pill, huh, of course,

1053
01:06:40,320 --> 01:06:43,960
Speaker 1: you know, if we do this deal, why don't we

1054
01:06:44,080 --> 01:06:53,160
Speaker 1: just get not we got we got like, oh my god,

1055
01:06:53,720 --> 01:06:56,720
Speaker 1: I can't believe this. When he probably six months in

1056
01:06:57,080 --> 01:07:00,280
Speaker 1: when he first was starting the deal, when massive Pill,

1057
01:07:00,560 --> 01:07:03,240
Speaker 1: he that ship was premeditating because I would tell you

1058
01:07:03,480 --> 01:07:06,840
Speaker 1: the reason why this nigger is because he's a thinker.

1059
01:07:07,160 --> 01:07:09,600
Speaker 1: So when he was looking next to jah Rule and

1060
01:07:09,680 --> 01:07:11,520
Speaker 1: the ship, we all think that has to be like

1061
01:07:12,240 --> 01:07:14,040
Speaker 1: you would think this sneaking is just a week head

1062
01:07:14,480 --> 01:07:18,640
Speaker 1: and eat lapper And I'm like, wait a minute, this

1063
01:07:18,840 --> 01:07:24,960
Speaker 1: nig py right, this nicking the joy. So immediately when

1064
01:07:25,000 --> 01:07:30,000
Speaker 1: I see NS, I'm like premeditating. He was like, you know, honestly,

1065
01:07:30,560 --> 01:07:32,840
Speaker 1: we didn't even hit lies. He hit us through right,

1066
01:07:32,920 --> 01:07:36,080
Speaker 1: keep it real and real talk. I mean, I don't

1067
01:07:36,160 --> 01:07:38,040
Speaker 1: we could cut this out. But remember when we were

1068
01:07:38,080 --> 01:07:40,280
Speaker 1: talking about the deals, we didn't even think about the

1069
01:07:40,480 --> 01:07:43,520
Speaker 1: entities that were behind the deals. We all were talking

1070
01:07:43,600 --> 01:07:48,720
Speaker 1: one day and we said, hold up, we could jalized.

1071
01:07:49,640 --> 01:07:52,880
Speaker 1: I've seen it. We saw it. I don't think that

1072
01:07:52,960 --> 01:07:56,720
Speaker 1: there was a lot saying you haven't see good fellas

1073
01:07:56,800 --> 01:07:59,120
Speaker 1: when they bal a tons of heist and he hits

1074
01:07:59,160 --> 01:08:08,040
Speaker 1: it around. He's like, when I see the deal, I'm like,

1075
01:08:08,760 --> 01:08:12,560
Speaker 1: you pulled it off. This is he got J Pump

1076
01:08:12,680 --> 01:08:17,200
Speaker 1: and Nas under one hold down to fucking culture. Man,

1077
01:08:18,000 --> 01:08:20,280
Speaker 1: I'm with you on that. No, you're not not on

1078
01:08:20,360 --> 01:08:23,960
Speaker 1: that other part, every other part. But you know what

1079
01:08:24,120 --> 01:08:26,280
Speaker 1: we got this sun here is your artist as No

1080
01:08:26,840 --> 01:08:33,040
Speaker 1: he's not. He's a director as a writer to an artist,

1081
01:08:33,760 --> 01:08:38,400
Speaker 1: young Shin. But Yo, don't do that, man, No, we're gonna.

1082
01:08:38,439 --> 01:08:40,840
Speaker 1: We're gonna When you got a deal like that and

1083
01:08:40,920 --> 01:08:46,000
Speaker 1: you got those three iconic mortal people, y'all. You know

1084
01:08:46,560 --> 01:08:50,120
Speaker 1: you're not rap radar but raight radar interviews the young guy, Yo,

1085
01:08:50,720 --> 01:08:57,080
Speaker 1: I did rap radar. Shout out Elliott shout But it's

1086
01:08:57,120 --> 01:09:02,560
Speaker 1: not drink chance. You. You are an indication and like

1087
01:09:03,240 --> 01:09:06,120
Speaker 1: with this whole interview ship or whatever the fuck you

1088
01:09:06,280 --> 01:09:11,040
Speaker 1: call it, you are number one in hip hop culture.

1089
01:09:11,360 --> 01:09:15,040
Speaker 1: What you've created is genius. And all I'm saying is

1090
01:09:15,200 --> 01:09:17,960
Speaker 1: we're gonna listen to you. Yo, Man, We're gonna listen

1091
01:09:18,000 --> 01:09:19,840
Speaker 1: to you about that. If we're gonna listen to you,

1092
01:09:19,880 --> 01:09:23,120
Speaker 1: I'm gonna stop arguing with everybody's gonna listen to everybody.

1093
01:09:28,200 --> 01:09:30,720
Speaker 1: I do not like I do not like this. I

1094
01:09:30,800 --> 01:09:32,760
Speaker 1: don't like it when the young nigga shipped on big

1095
01:09:32,800 --> 01:09:35,120
Speaker 1: im part, I don't like that either. But I'm not

1096
01:09:35,240 --> 01:09:37,559
Speaker 1: you want to have the conversation. But I want us

1097
01:09:37,760 --> 01:09:41,920
Speaker 1: all to just be good and get along. We're all

1098
01:09:42,120 --> 01:09:45,800
Speaker 1: part of the hip hop culture. We all hell, we've

1099
01:09:45,880 --> 01:09:48,200
Speaker 1: all helped. You know why. I let me tell you something.

1100
01:09:48,479 --> 01:09:50,479
Speaker 1: The reason why I'll be scared to even reach out

1101
01:09:50,479 --> 01:09:52,760
Speaker 1: to the young generation is because when I was you

1102
01:09:53,120 --> 01:09:56,120
Speaker 1: ain't gonna respond? Was the nigga saying them old niggas

1103
01:09:57,000 --> 01:09:59,800
Speaker 1: that we wasn't aggressive like that these young niggs and

1104
01:10:00,120 --> 01:10:03,080
Speaker 1: I wasn't on publicly. He wasn't publicly said I wasn't

1105
01:10:04,840 --> 01:10:08,600
Speaker 1: when you got public, man, they paid the way the

1106
01:10:08,720 --> 01:10:11,880
Speaker 1: young niggas is disrespectful. I understanding. I think, I think.

1107
01:10:11,880 --> 01:10:14,120
Speaker 1: I think the difference is that I think for Dream

1108
01:10:14,200 --> 01:10:17,599
Speaker 1: Champs is you have to be understanding what Dream Champs

1109
01:10:17,720 --> 01:10:19,920
Speaker 1: is and be a fan of what Dream Champs does.

1110
01:10:20,200 --> 01:10:22,360
Speaker 1: Can I tell you what dreams like? Young Cat comes here,

1111
01:10:22,520 --> 01:10:25,720
Speaker 1: He's like fun. These dudes like, why are he saying that?

1112
01:10:27,080 --> 01:10:29,080
Speaker 1: What you mean? You don't know? Take us of us?

1113
01:10:29,880 --> 01:10:35,960
Speaker 1: Fuck you take the starts ability. I don't say it.

1114
01:10:36,920 --> 01:10:47,719
Speaker 1: I don't even smoke. That's that collective baby smoke chance.

1115
01:10:47,800 --> 01:10:50,519
Speaker 1: Maybe that's that smoke chance I think about to hit

1116
01:10:50,560 --> 01:10:57,920
Speaker 1: me with the Denzel that he's gonna hit you with

1117
01:10:57,960 --> 01:11:07,320
Speaker 1: the Jeffrey at that time there. What's your favorite part

1118
01:11:07,360 --> 01:11:11,120
Speaker 1: of the game, Like your favorite part just breaking new artists,

1119
01:11:11,360 --> 01:11:16,639
Speaker 1: breaking new artists favorite. It's nothing better when I see

1120
01:11:16,640 --> 01:11:20,200
Speaker 1: a new artist and see it happening for them and

1121
01:11:20,320 --> 01:11:24,600
Speaker 1: their dream being materialized. Like I got this artist. His

1122
01:11:24,760 --> 01:11:27,720
Speaker 1: name is Laser. He's from Vegas. Well, I ain't gonna

1123
01:11:27,720 --> 01:11:32,479
Speaker 1: say I gotta feel Ivy has him. His name is Laser. Yo,

1124
01:11:32,680 --> 01:11:37,800
Speaker 1: norry this this nigg Listen, listen, listen, listen. I'm telling

1125
01:11:37,840 --> 01:11:40,719
Speaker 1: you right now, if I'm a part of his project,

1126
01:11:41,040 --> 01:11:43,800
Speaker 1: me and feel if you work out the deal, there's

1127
01:11:43,800 --> 01:11:46,200
Speaker 1: no way this nag is not gonna be like the

1128
01:11:46,360 --> 01:11:48,760
Speaker 1: hugest nigger. It's like when I heard him, it's like

1129
01:11:48,880 --> 01:11:52,920
Speaker 1: for the first time, I'm like, Drizzy got competition. Do

1130
01:11:53,040 --> 01:11:56,519
Speaker 1: you think about sat y'all biggest artists love. I just

1131
01:11:56,760 --> 01:11:59,040
Speaker 1: was with him. Listen, I just was with him. I'll

1132
01:11:59,080 --> 01:12:02,040
Speaker 1: be giving they look get me crazy. The young gonna

1133
01:12:02,040 --> 01:12:05,439
Speaker 1: get you know what I told him. Someone sat John's

1134
01:12:05,439 --> 01:12:07,280
Speaker 1: I said, Joe, I don't come out, Nigga. I came

1135
01:12:07,360 --> 01:12:09,840
Speaker 1: to the listening party because I'm you're like an artist

1136
01:12:09,920 --> 01:12:15,160
Speaker 1: that's dope and Biggs is my brother, bigger fucking Biggs

1137
01:12:15,200 --> 01:12:18,479
Speaker 1: all day. But I said, Joe, killers kill. He looked

1138
01:12:18,520 --> 01:12:20,080
Speaker 1: at me, and I was like, whenever you want a

1139
01:12:20,200 --> 01:12:26,360
Speaker 1: feature m hip hop his blood sport, kill that nigga

1140
01:12:27,400 --> 01:12:31,120
Speaker 1: and make sure everyone knows you to want. Then he

1141
01:12:31,200 --> 01:12:32,680
Speaker 1: looked at me, but I think he could do it,

1142
01:12:33,360 --> 01:12:35,680
Speaker 1: you know what I'm saying. Like that, He he understood

1143
01:12:35,760 --> 01:12:37,519
Speaker 1: what I was saying, and I was like, killers kill

1144
01:12:37,640 --> 01:12:42,680
Speaker 1: nigga and walked away. But that's true, Mike. With DMX,

1145
01:12:44,439 --> 01:12:46,000
Speaker 1: I was trying to be cool. What you want to record?

1146
01:12:46,120 --> 01:12:47,840
Speaker 1: First of all. First of all, I'm gonna say something

1147
01:12:47,880 --> 01:12:50,280
Speaker 1: about dm X if you wrap, he don't like you,

1148
01:12:52,040 --> 01:12:55,639
Speaker 1: any of you wrap niggas. He's mad cool that nigga

1149
01:12:55,680 --> 01:13:00,519
Speaker 1: wants to kill you, crystal clear. I'm being honest, and

1150
01:13:00,600 --> 01:13:02,640
Speaker 1: actually I got it. Don't tell him, but he at

1151
01:13:02,680 --> 01:13:05,080
Speaker 1: the end of the day, at the end of the day,

1152
01:13:05,360 --> 01:13:07,920
Speaker 1: he's like, fucking tell him Israel because he don't he

1153
01:13:08,080 --> 01:13:11,360
Speaker 1: wants to kill you. He wants it to leave no

1154
01:13:11,840 --> 01:13:15,599
Speaker 1: shot shout over doubt that he didn't want. But that's

1155
01:13:15,960 --> 01:13:20,120
Speaker 1: hip hop culture when you think of Drake. Drake assassinated

1156
01:13:20,280 --> 01:13:22,719
Speaker 1: every you know what you know, you know the record

1157
01:13:24,280 --> 01:13:28,439
Speaker 1: and then what and you ever heard the you heard

1158
01:13:28,479 --> 01:13:32,000
Speaker 1: these things before? Oh you, oh you heard? If I

1159
01:13:32,120 --> 01:13:35,000
Speaker 1: was with Rick Ross, shout out, Rick Ross is my nigga.

1160
01:13:35,040 --> 01:13:37,360
Speaker 1: But yo, if I was with Rick Ross, I went

1161
01:13:37,400 --> 01:13:41,559
Speaker 1: to Drake and said, you disrespectful, motherfucking nigga, y'all, really,

1162
01:13:41,760 --> 01:13:44,160
Speaker 1: you're gonna take the last verse, do the hook and

1163
01:13:44,360 --> 01:13:48,120
Speaker 1: fucking spit like fifty bars, Fuck you, nigga, I'm eracing it.

1164
01:13:48,320 --> 01:13:51,680
Speaker 1: Ain't no one ever gonna hear that ship because he

1165
01:13:51,960 --> 01:13:56,880
Speaker 1: killed Ross. When you heard his verse and I'm pimp

1166
01:13:56,960 --> 01:14:02,720
Speaker 1: from Memphis and everything, Nah what you didn't even give

1167
01:14:02,800 --> 01:14:06,719
Speaker 1: him two funks about Ross. He took that nigga's record

1168
01:14:06,960 --> 01:14:11,479
Speaker 1: and killed them. But Drake does that little Wayne. When

1169
01:14:11,520 --> 01:14:14,280
Speaker 1: he sold that million, he was a reign of terror

1170
01:14:14,320 --> 01:14:17,400
Speaker 1: for like a year and a half. Every record he

1171
01:14:17,479 --> 01:14:21,280
Speaker 1: got on, he was making a crystal clip. The one

1172
01:14:22,040 --> 01:14:26,360
Speaker 1: two years I'm I'm the greatest rapp a lot and

1173
01:14:26,400 --> 01:14:28,960
Speaker 1: he was self promoting it and telling it and screaming

1174
01:14:29,000 --> 01:14:33,200
Speaker 1: it and then backing his words up and destroying every verse.

1175
01:14:34,200 --> 01:14:37,519
Speaker 1: Disrespectful nigga. Like when I heard ace hoods like even

1176
01:14:37,720 --> 01:14:43,840
Speaker 1: day and anyway, hustle, hustle that wavers, I'm like, you know,

1177
01:14:44,080 --> 01:14:47,559
Speaker 1: stop wait wait, he said, fun me right, you shopping?

1178
01:14:47,760 --> 01:14:53,439
Speaker 1: I'm like what this thing first was me and I.

1179
01:14:53,920 --> 01:14:57,439
Speaker 1: I love Wayne. He's made me Drake scissor every time

1180
01:14:57,520 --> 01:15:01,960
Speaker 1: we see him, and I'd be like, lan yo, she

1181
01:15:02,120 --> 01:15:04,240
Speaker 1: just makes me go to sleep. He said, fighting guy.

1182
01:15:04,520 --> 01:15:15,800
Speaker 1: That's the high drink Lean drink Lean. It just that.

1183
01:15:16,040 --> 01:15:19,000
Speaker 1: And every time he got guy and this, he would

1184
01:15:19,000 --> 01:15:25,559
Speaker 1: be mixing the cup. When you through French need yo. Interesting,

1185
01:15:25,680 --> 01:15:28,040
Speaker 1: he was JJ him and JJ was like this for

1186
01:15:28,160 --> 01:15:33,439
Speaker 1: like three years. We was vacationing in Jamaica at half

1187
01:15:33,560 --> 01:15:37,120
Speaker 1: Moon Bay, half Moon right. It's like villains and she's

1188
01:15:37,160 --> 01:15:40,799
Speaker 1: good ship. And of course Wayne's doing the show with Jamaica,

1189
01:15:41,040 --> 01:15:43,439
Speaker 1: so he's in the village like down the way and

1190
01:15:43,520 --> 01:15:47,000
Speaker 1: the villains give you a golf cart. So he would

1191
01:15:47,040 --> 01:15:49,920
Speaker 1: be like, yeah, where's my little nick to talk about?

1192
01:15:50,040 --> 01:15:53,720
Speaker 1: J J Both No, JJ was tall, he was a

1193
01:15:53,760 --> 01:15:55,400
Speaker 1: little talk He was like nine but he was a

1194
01:15:55,439 --> 01:15:58,080
Speaker 1: little taller, but j J used to drive him around

1195
01:15:58,120 --> 01:16:00,720
Speaker 1: the compound and it was so in And I love

1196
01:16:00,800 --> 01:16:03,360
Speaker 1: Wayne so much for this because they had like their

1197
01:16:03,400 --> 01:16:06,479
Speaker 1: own things. Yeah, and this is when he's at his

1198
01:16:06,640 --> 01:16:09,320
Speaker 1: height and JJ is in like middle school texting with

1199
01:16:09,479 --> 01:16:13,360
Speaker 1: little Wayne. But it was just weird, like yeah and

1200
01:16:13,479 --> 01:16:15,200
Speaker 1: souper wide. You know what I'm saying. That's all I

1201
01:16:15,280 --> 01:16:19,960
Speaker 1: even know. If I love little one. Who's gonna missing

1202
01:16:20,040 --> 01:16:22,400
Speaker 1: the champagne? Oh yeah, that's I do this all the time. God,

1203
01:16:22,520 --> 01:16:24,320
Speaker 1: this is what I do because you're fucking you know

1204
01:16:24,520 --> 01:16:27,680
Speaker 1: this show, This show has been destroying and liver, so

1205
01:16:27,920 --> 01:16:30,240
Speaker 1: make sure you get paid this because you're gonna have

1206
01:16:30,400 --> 01:16:33,160
Speaker 1: hospital bills behind this. But you know, I also wake

1207
01:16:33,280 --> 01:16:35,320
Speaker 1: up a nut jog in the morning because I want

1208
01:16:35,320 --> 01:16:38,120
Speaker 1: to have balance. I want to know why. And I

1209
01:16:38,200 --> 01:16:40,439
Speaker 1: also you've got out the water a day to ground

1210
01:16:41,280 --> 01:16:45,760
Speaker 1: better to that. Damn you got the water because because

1211
01:16:46,040 --> 01:16:50,120
Speaker 1: they're gonna show you k it's killing you when you

1212
01:16:50,160 --> 01:16:57,280
Speaker 1: got a couple of more youngst Okay, drink Chad started

1213
01:16:57,320 --> 01:17:00,360
Speaker 1: because of the crazy Yes, yes they're drinking. My doubt

1214
01:17:02,520 --> 01:17:05,320
Speaker 1: you're ready to drink. No, I don't. I'm not testing

1215
01:17:05,400 --> 01:17:09,640
Speaker 1: your drinking. You drink ch I'm going light right now.

1216
01:17:09,800 --> 01:17:14,880
Speaker 1: I'm not testing your drinking your abilities, but I'm a lightweight.

1217
01:17:14,920 --> 01:17:17,280
Speaker 1: Do you know I don't drink. We saw the last time,

1218
01:17:17,320 --> 01:17:20,960
Speaker 1: but it was a great episode. But I'm fucked let

1219
01:17:21,040 --> 01:17:25,400
Speaker 1: me let me this time. I'm fucked us in my system.

1220
01:17:25,720 --> 01:17:27,519
Speaker 1: I don't even know what hig I'm feeling. I don't

1221
01:17:27,520 --> 01:17:31,040
Speaker 1: know if I'm drunking high. Let me like when we

1222
01:17:32,000 --> 01:17:34,160
Speaker 1: do K I don't really do ship, but when we

1223
01:17:34,320 --> 01:17:36,320
Speaker 1: was in artists, like the vote has to approve them

1224
01:17:36,680 --> 01:17:39,479
Speaker 1: most of the time, and it was a whole little process.

1225
01:17:39,680 --> 01:17:42,559
Speaker 1: So as we said immediately, yeah, because I'm gonna say

1226
01:17:42,600 --> 01:17:45,200
Speaker 1: some stupid ship, I don't think it's because now I'm

1227
01:17:45,240 --> 01:17:47,760
Speaker 1: saying now I'm good at because Yo, I say it,

1228
01:17:47,920 --> 01:17:50,560
Speaker 1: I know what it is. That's why BJ scared. You

1229
01:17:50,600 --> 01:17:52,400
Speaker 1: know what I'm saying. If you ask me a real question,

1230
01:17:52,439 --> 01:17:59,760
Speaker 1: I'm gonna give you is my nigga Consiu. Remember him

1231
01:17:59,760 --> 01:18:03,240
Speaker 1: saying stopping like stop, y'all say something. B J looking

1232
01:18:03,280 --> 01:18:08,519
Speaker 1: at him and he protects me because he knows who

1233
01:18:08,640 --> 01:18:12,920
Speaker 1: I am. I'm gonna say the truth, like I'm the

1234
01:18:13,000 --> 01:18:15,960
Speaker 1: most truthful nigga even if it's like with j Lo,

1235
01:18:16,120 --> 01:18:17,720
Speaker 1: when I give you that short, I'm saying I'm a

1236
01:18:17,800 --> 01:18:21,720
Speaker 1: fucking idiot, like with with jay Z and ies like Yo,

1237
01:18:22,360 --> 01:18:24,800
Speaker 1: I love Jay, but let me ask you something before,

1238
01:18:25,000 --> 01:18:28,719
Speaker 1: like I love Jay, like we talk all the time

1239
01:18:28,800 --> 01:18:32,840
Speaker 1: and everything, and you know, he watches Tales and he's like, nigga,

1240
01:18:32,880 --> 01:18:35,760
Speaker 1: you're killing the teachers is off the fucking job. And

1241
01:18:35,840 --> 01:18:39,240
Speaker 1: I'm like, yo, love it and this thing. And I

1242
01:18:39,439 --> 01:18:42,760
Speaker 1: text him about the fucking uh the shine shoes thing

1243
01:18:42,840 --> 01:18:46,720
Speaker 1: because I thought it was so gangster because when you anymore, Yeah,

1244
01:18:46,720 --> 01:18:49,680
Speaker 1: but when you know the movie, if you don't respect that,

1245
01:18:49,800 --> 01:18:52,679
Speaker 1: you know what happens. So when he was like, yeah,

1246
01:18:52,800 --> 01:18:55,439
Speaker 1: you know we have the clean falls he said Joe

1247
01:18:55,479 --> 01:18:56,920
Speaker 1: Peschi and so he he was like, you know, we

1248
01:18:57,000 --> 01:19:00,639
Speaker 1: don't shine shoes no more, I took the whole fucking

1249
01:19:01,080 --> 01:19:06,560
Speaker 1: he's been devil Satan himself, but listen, but fucking like

1250
01:19:06,920 --> 01:19:09,680
Speaker 1: I took the context of which he said it, like

1251
01:19:09,800 --> 01:19:11,920
Speaker 1: we don't. When he says we don't shine shoes no more,

1252
01:19:11,920 --> 01:19:14,280
Speaker 1: if you don't respect it, nigga, you got you're gonna

1253
01:19:14,360 --> 01:19:17,680
Speaker 1: fucking you're killing you. Nigga. That was what That's how

1254
01:19:17,800 --> 01:19:19,960
Speaker 1: I took it like how when he said it, he

1255
01:19:20,000 --> 01:19:22,280
Speaker 1: would be like, yeah, you know, we don't shine shoes

1256
01:19:22,320 --> 01:19:27,880
Speaker 1: no more. But j is like four niggas and four

1257
01:19:29,000 --> 01:19:31,679
Speaker 1: like he's over the top with it. You ever thought

1258
01:19:31,760 --> 01:19:35,400
Speaker 1: that he does man ship that we don't know? Just

1259
01:19:35,600 --> 01:19:38,599
Speaker 1: I'm just putting that out there, like you just knew

1260
01:19:38,640 --> 01:19:41,240
Speaker 1: he'd lent Wayne money or he paid he got the

1261
01:19:41,320 --> 01:19:44,240
Speaker 1: lawyer to help Savage. He don't do that ship for

1262
01:19:44,360 --> 01:19:48,840
Speaker 1: publicity like that. Nigga is really about it. That's why

1263
01:19:48,880 --> 01:19:51,759
Speaker 1: I said, Yo, he should be the president of the culture, doesn't.

1264
01:19:51,760 --> 01:19:53,560
Speaker 1: Does it shock you to see it with Jay and

1265
01:19:53,680 --> 01:19:56,040
Speaker 1: Damon's that because, like you said, you knew Jay since

1266
01:19:56,120 --> 01:19:59,160
Speaker 1: eighty seven. That's a tough subject and I would like

1267
01:19:59,200 --> 01:20:02,600
Speaker 1: to stay away from Okay, I mean touch on what

1268
01:20:02,800 --> 01:20:05,559
Speaker 1: what you can touch on it. I love both parties.

1269
01:20:09,640 --> 01:20:15,639
Speaker 1: I love both parties. M But you know Jameson billionaire.

1270
01:20:16,040 --> 01:20:20,679
Speaker 1: So Jay's success is self explanatory, Okay, because of money.

1271
01:20:22,320 --> 01:20:35,760
Speaker 1: Look at Biggs Reyon My dought, Biggs's definitely this could

1272
01:20:35,840 --> 01:20:41,760
Speaker 1: be cocaine guy, it right rolled it. We got something

1273
01:20:41,800 --> 01:20:44,080
Speaker 1: like okay over there if you wanted to, it's something

1274
01:20:44,160 --> 01:20:47,200
Speaker 1: like it. It's not Okay, it's cocaine and Jason. It's

1275
01:20:47,320 --> 01:20:51,400
Speaker 1: not well ahead. You said, look at Biggs, Yeah, look

1276
01:20:51,439 --> 01:20:55,800
Speaker 1: at Biggs. Harry Bigg is successful. Yes, yes, you know

1277
01:20:56,000 --> 01:20:59,360
Speaker 1: he did the thing. What's that actor Johnny right now?

1278
01:20:59,439 --> 01:21:06,080
Speaker 1: What they am? His name locked up on HBO U listen,

1279
01:21:06,800 --> 01:21:11,000
Speaker 1: oh g yeah, biggest, biggest doing this thing, the biggest

1280
01:21:11,000 --> 01:21:15,519
Speaker 1: part of drink Jacks rolled us. I love Biggs. I

1281
01:21:15,640 --> 01:21:17,720
Speaker 1: just was with him at St. John's party when I

1282
01:21:17,800 --> 01:21:23,519
Speaker 1: told St John's kill them all right. But the question

1283
01:21:23,600 --> 01:21:29,439
Speaker 1: was Jay and Dane. I know, not bad, but I

1284
01:21:29,560 --> 01:21:33,400
Speaker 1: love Dame all right, Like I truly loved Dame. I

1285
01:21:33,479 --> 01:21:36,000
Speaker 1: came up with Dane and I don't take it lightly,

1286
01:21:37,439 --> 01:21:39,280
Speaker 1: but like heah, I'll give you a story and I

1287
01:21:39,320 --> 01:21:41,200
Speaker 1: don't know if you should use, but I'll give it

1288
01:21:41,280 --> 01:21:44,680
Speaker 1: to you. It's not that bad. I wanted Dame to

1289
01:21:44,760 --> 01:21:51,640
Speaker 1: do a tails yeah, oh that'd be dope. Yeah. I

1290
01:21:51,800 --> 01:21:53,960
Speaker 1: love doing dope ship for the culture. If you didn't know,

1291
01:21:57,280 --> 01:21:59,720
Speaker 1: so what happened if that didn't happen. But Dame is

1292
01:22:00,160 --> 01:22:04,080
Speaker 1: he he's different, you know. I told him going in

1293
01:22:04,680 --> 01:22:06,960
Speaker 1: he had O G O G. Daniel. He was on

1294
01:22:07,040 --> 01:22:09,240
Speaker 1: the phone and I was like Damn, you gotta listen.

1295
01:22:09,479 --> 01:22:13,439
Speaker 1: You gotta work with BT. I'm a boss, but I

1296
01:22:13,520 --> 01:22:16,400
Speaker 1: have a partner. I gotta work with BT. And he's

1297
01:22:16,439 --> 01:22:19,479
Speaker 1: working with BT now div show right right. But his

1298
01:22:19,600 --> 01:22:25,560
Speaker 1: way it went wrong. Like he was asking me how much. No,

1299
01:22:25,880 --> 01:22:27,920
Speaker 1: he was asking me how much to shoot an episode?

1300
01:22:28,520 --> 01:22:34,240
Speaker 1: Any change? So I'm making a movie. I said, Dame

1301
01:22:34,560 --> 01:22:37,479
Speaker 1: that I don't need a movie from me, and everything

1302
01:22:37,560 --> 01:22:41,320
Speaker 1: you do has to be approved by BT. And I

1303
01:22:41,400 --> 01:22:44,880
Speaker 1: don't need a movie. I need forty minutes with commercials.

1304
01:22:44,960 --> 01:22:47,200
Speaker 1: My our episode is forty minutes. He said, I cut

1305
01:22:47,200 --> 01:22:51,559
Speaker 1: a forty minute spotting and make a movie. But I'm like, damn,

1306
01:22:51,600 --> 01:22:53,560
Speaker 1: we're not giving you this money for you to do

1307
01:22:53,680 --> 01:22:56,000
Speaker 1: whatever you want. You have to work with us. So

1308
01:22:56,200 --> 01:22:57,519
Speaker 1: I was like, Yo, you don't need to do it

1309
01:22:57,560 --> 01:23:01,479
Speaker 1: because it was gonna be a clusterfuck. Yeah what does

1310
01:23:01,520 --> 01:23:06,200
Speaker 1: that mean? I'm sorry, it's not It's like it's a clusterfuck.

1311
01:23:06,400 --> 01:23:09,400
Speaker 1: Is like he's gonna want to do things. BC's gonna

1312
01:23:09,400 --> 01:23:11,720
Speaker 1: be like what funk out of here? You know what

1313
01:23:11,720 --> 01:23:15,479
Speaker 1: I'm saying. So this is my second season with BT.

1314
01:23:15,720 --> 01:23:18,720
Speaker 1: I can't I can't have that. So something that I

1315
01:23:18,800 --> 01:23:21,760
Speaker 1: wanted to do for my man to try and help

1316
01:23:21,840 --> 01:23:26,960
Speaker 1: him or whatever. It got foiled, right, you know, And

1317
01:23:27,040 --> 01:23:29,040
Speaker 1: it made me feel bad because, you know, he stopped

1318
01:23:29,080 --> 01:23:31,920
Speaker 1: following me, like your piece of ship got in and

1319
01:23:32,040 --> 01:23:34,920
Speaker 1: you did this, and you did that and and I'm like, Nigga,

1320
01:23:35,160 --> 01:23:39,200
Speaker 1: I love you, but you you ain't understanding. This ain't

1321
01:23:39,240 --> 01:23:41,479
Speaker 1: no indie flick. And that's what he's used to. He's

1322
01:23:41,560 --> 01:23:43,759
Speaker 1: used to putting his own money up and being the boss.

1323
01:23:44,080 --> 01:23:46,439
Speaker 1: It's not like if my episodes is a million five

1324
01:23:47,160 --> 01:23:50,280
Speaker 1: for each episode or whatever like that. It doesn't work

1325
01:23:50,360 --> 01:23:52,880
Speaker 1: where you get a million five. I just cut you

1326
01:23:52,880 --> 01:23:54,760
Speaker 1: a million five. You do whatever you want. And I

1327
01:23:54,880 --> 01:23:57,800
Speaker 1: said that on the phone. It's like, Yo, you gotta

1328
01:23:57,840 --> 01:24:00,160
Speaker 1: work with BT. You can't. It's not like that. So

1329
01:24:00,200 --> 01:24:01,800
Speaker 1: when he said, yeah, I'm gonna shoot a movie for

1330
01:24:01,880 --> 01:24:04,639
Speaker 1: that money, and I'm like, yo, I need a forty

1331
01:24:04,720 --> 01:24:08,439
Speaker 1: minute our episode. I'll give you that and then I'll

1332
01:24:08,680 --> 01:24:11,519
Speaker 1: have the movie, he let me. Actually, what was wrong

1333
01:24:11,560 --> 01:24:14,439
Speaker 1: with that? What the funk you mean? What was you

1334
01:24:14,520 --> 01:24:18,360
Speaker 1: don't know ship? Nigga? You don't own the ship. You know?

1335
01:24:18,479 --> 01:24:22,600
Speaker 1: The TV fucking world if you vote gives you the

1336
01:24:22,720 --> 01:24:25,280
Speaker 1: line share and the voters like that's my ship. You

1337
01:24:25,360 --> 01:24:27,719
Speaker 1: gotta answer the revote. You gotta niggas, you gotta answer

1338
01:24:27,800 --> 01:24:29,639
Speaker 1: to you just said at the beginning of the show,

1339
01:24:30,000 --> 01:24:32,479
Speaker 1: he was like, yo with with thinks, got to check

1340
01:24:32,680 --> 01:24:36,880
Speaker 1: what you come with the lame guess they're like nine nigga. Okay,

1341
01:24:37,000 --> 01:24:42,040
Speaker 1: so you gotta work with these niggas. This guy has

1342
01:24:42,080 --> 01:24:45,599
Speaker 1: no comprehension on working with these niggas. I'm gonna make

1343
01:24:45,640 --> 01:24:50,120
Speaker 1: a movie, nigga. I don't, Yo. Let's break it down

1344
01:24:50,200 --> 01:24:52,880
Speaker 1: to the real and ship. You will work for hire.

1345
01:24:53,960 --> 01:24:56,640
Speaker 1: You don't have no power. You're the director his descript

1346
01:24:56,880 --> 01:24:59,360
Speaker 1: direct this ship. If you don't direct it right, we're

1347
01:24:59,400 --> 01:25:01,680
Speaker 1: gonna get you the funk out of it. But Dame

1348
01:25:01,760 --> 01:25:04,040
Speaker 1: doesn't work like that. He don't work with bosses and

1349
01:25:04,439 --> 01:25:07,200
Speaker 1: being told what to do. So I respectfully said, yo,

1350
01:25:07,280 --> 01:25:11,120
Speaker 1: I can't do it. You know his record was paid

1351
01:25:11,160 --> 01:25:18,960
Speaker 1: in full, oh rom because you know no, no, no,

1352
01:25:19,120 --> 01:25:22,240
Speaker 1: no no. But he did that too, which is which

1353
01:25:22,320 --> 01:25:25,000
Speaker 1: is But his song he was doing was Eric being

1354
01:25:25,120 --> 01:25:31,960
Speaker 1: rock him paid in and I want nigga, want to

1355
01:25:32,000 --> 01:25:36,479
Speaker 1: clock what I'm saying? Okay, I was with you guys,

1356
01:25:37,240 --> 01:25:46,760
Speaker 1: he said, yes, nigga, And but he was showing he's

1357
01:25:46,800 --> 01:25:51,840
Speaker 1: not gonna work with the system. I'm shooting a movie.

1358
01:25:52,280 --> 01:25:54,160
Speaker 1: That's when I'm backed off. Yes, I said, what, I

1359
01:25:54,200 --> 01:25:55,800
Speaker 1: don't need a movie. A need forty minutes, you know what?

1360
01:25:55,880 --> 01:26:01,200
Speaker 1: He said, I'll give you forty minutes. So he's thinking like,

1361
01:26:01,280 --> 01:26:03,200
Speaker 1: I'm gonna give you what you want. And I'm gonna

1362
01:26:03,880 --> 01:26:07,519
Speaker 1: this this movie in theaters or this movie on d

1363
01:26:07,640 --> 01:26:12,519
Speaker 1: D studios, his his streaming TVs, d D, t V, DVD,

1364
01:26:12,840 --> 01:26:18,519
Speaker 1: motherfucking TV. And I was like, BT, you're gonna get

1365
01:26:18,680 --> 01:26:22,519
Speaker 1: You're gonna jam me up, nig, You're gonna jam me up.

1366
01:26:23,040 --> 01:26:25,280
Speaker 1: Think what you bringing this snig around? He thinking it's

1367
01:26:25,360 --> 01:26:28,200
Speaker 1: his movie, don't you know it's it's all money. He

1368
01:26:28,280 --> 01:26:30,080
Speaker 1: gotta do what the funk we say? So I knew

1369
01:26:30,120 --> 01:26:32,200
Speaker 1: what was gonna happen. It was gonna be a clusterfuck,

1370
01:26:32,280 --> 01:26:34,400
Speaker 1: a bunch of arguments, a bunch of things. And I'm

1371
01:26:34,439 --> 01:26:38,080
Speaker 1: in my second season self preservation. I gotta think it

1372
01:26:38,200 --> 01:26:39,880
Speaker 1: was best and what I gotta do. How we was

1373
01:26:39,960 --> 01:26:42,800
Speaker 1: staying in BT after Stephen Hill left because I know

1374
01:26:42,920 --> 01:26:47,760
Speaker 1: Steve Connie Lando took the torch and lucky for me,

1375
01:26:47,880 --> 01:26:50,160
Speaker 1: I've known Connie for twenty five years. She used to

1376
01:26:50,200 --> 01:26:53,600
Speaker 1: be a producer on Hype Williams videos. She was a

1377
01:26:53,680 --> 01:26:57,479
Speaker 1: production person with Hype Winds. I'm known Connie for five years,

1378
01:26:57,720 --> 01:27:02,280
Speaker 1: so so there's no hitch, snow like yes, and and

1379
01:27:02,479 --> 01:27:05,519
Speaker 1: and it's no hitch because one of my best friends

1380
01:27:05,560 --> 01:27:12,160
Speaker 1: in the game is Bobby Backish. Bobby Bobby Backish. Bobby

1381
01:27:12,200 --> 01:27:16,960
Speaker 1: Backish is the boss of Viacom. Bobby Backish by the

1382
01:27:17,040 --> 01:27:19,720
Speaker 1: time this is will probably be the boss of CBS

1383
01:27:19,800 --> 01:27:23,960
Speaker 1: Showtime in Viacom. And he happens to have I happen

1384
01:27:23,960 --> 01:27:26,880
Speaker 1: to have a great relationship with Bobby Backage. Bobby, if

1385
01:27:26,880 --> 01:27:30,200
Speaker 1: you're looking at this, I'm drunk, don't be mad at me.

1386
01:27:30,280 --> 01:27:32,640
Speaker 1: I'm I'm your guy. I got a great relationship with

1387
01:27:32,680 --> 01:27:34,960
Speaker 1: CBS as well. He started out with Joe and that

1388
01:27:35,120 --> 01:27:38,320
Speaker 1: like no no, no's about the drink chance. We started

1389
01:27:38,360 --> 01:27:41,120
Speaker 1: out with CBS with CBS and then we kept it cultural,

1390
01:27:41,360 --> 01:27:43,639
Speaker 1: and then you kept it cultural. But what I'm saying

1391
01:27:43,720 --> 01:27:47,280
Speaker 1: to you is that I ain't got a great relationship

1392
01:27:47,360 --> 01:27:50,560
Speaker 1: with this guy. Bob was his name. I have a

1393
01:27:50,640 --> 01:27:54,680
Speaker 1: great relationship with this nigga. Me and him have a

1394
01:27:54,840 --> 01:27:59,080
Speaker 1: phenomenal We believe in each other. He believes in me.

1395
01:27:59,240 --> 01:28:01,240
Speaker 1: Who's the nigger that one with VINDI what's what's that?

1396
01:28:01,360 --> 01:28:05,559
Speaker 1: The at first is some French niggers. Yeah, they own

1397
01:28:05,600 --> 01:28:14,880
Speaker 1: all the water in France. That's how you come on billionaires?

1398
01:28:14,920 --> 01:28:21,760
Speaker 1: Do billionaire like that? Right? So it's it's yeah, I

1399
01:28:21,880 --> 01:28:25,680
Speaker 1: know him and he's a great guy, and uh, I

1400
01:28:25,720 --> 01:28:28,160
Speaker 1: can see myself doing a lot of dope ship with him.

1401
01:28:28,680 --> 01:28:31,160
Speaker 1: You know what I'm saying, what you got going with Paramount?

1402
01:28:31,840 --> 01:28:35,880
Speaker 1: You're on Paramount, Like you know Viacom owns Paramount, damn,

1403
01:28:35,920 --> 01:28:40,840
Speaker 1: But I did not know that. I'm learning exactly the

1404
01:28:40,920 --> 01:28:46,040
Speaker 1: music networks Viacom owns like twelve thirteen networks, just Viacom

1405
01:28:46,600 --> 01:28:50,160
Speaker 1: and when they own Paramount the movie studio. So I

1406
01:28:50,240 --> 01:28:53,360
Speaker 1: got a movie deal with Paramount with Paramount players shout

1407
01:28:53,400 --> 01:28:57,560
Speaker 1: out Matt Dyan, shout out Amble, Raspberry, shout out Jim Giannopolis,

1408
01:28:57,600 --> 01:29:01,679
Speaker 1: who's the boss of Paramount, who all package major shout

1409
01:29:01,720 --> 01:29:04,320
Speaker 1: out to drop a major names, major name. And he

1410
01:29:04,439 --> 01:29:06,200
Speaker 1: plugged me with him and he was like, it was

1411
01:29:06,280 --> 01:29:08,320
Speaker 1: my friend. I think he's brilliant. Let's work with it.

1412
01:29:09,320 --> 01:29:12,120
Speaker 1: So that's how I got my movie there at which

1413
01:29:12,120 --> 01:29:15,160
Speaker 1: I'm going to direct him produce with Leonardo Leonardo stuff

1414
01:29:15,200 --> 01:29:17,840
Speaker 1: that Supreme team, which I'm gonna do with Paramount as well.

1415
01:29:18,880 --> 01:29:20,680
Speaker 1: So we've got a great relationship. I don't want to

1416
01:29:20,720 --> 01:29:23,479
Speaker 1: do anything without Bob. How about that, you know? I

1417
01:29:23,600 --> 01:29:25,559
Speaker 1: told Bob, I said, you know, when I grew up, right,

1418
01:29:26,800 --> 01:29:30,320
Speaker 1: I grew up in Jamaica, Queen's House, Queen's, Queen's village,

1419
01:29:30,320 --> 01:29:32,840
Speaker 1: whatever funk wanted called it. It was violent. So my

1420
01:29:32,920 --> 01:29:35,200
Speaker 1: mother used to be like, play with your brothers and sisters.

1421
01:29:35,200 --> 01:29:39,559
Speaker 1: I'm the youngest of eight kids, eight so they's black.

1422
01:29:39,600 --> 01:29:41,360
Speaker 1: Played with your brothers assistants. So I said that to

1423
01:29:41,439 --> 01:29:44,080
Speaker 1: my man Bob. I was like, Bob, be honest with you.

1424
01:29:44,160 --> 01:29:46,360
Speaker 1: I funk with you so heavy. I got love for you.

1425
01:29:46,560 --> 01:29:50,040
Speaker 1: I don't want to do anything without you. I make

1426
01:29:50,080 --> 01:29:52,960
Speaker 1: a movie, I want you to profit, to make TV ship,

1427
01:29:53,040 --> 01:29:55,160
Speaker 1: I want you to profit. Who who you used to

1428
01:29:55,479 --> 01:29:58,680
Speaker 1: Chris look like Chris breakers? My brother he runs into

1429
01:29:58,760 --> 01:30:02,000
Speaker 1: mar Seine into mar Shino was a production company. It's

1430
01:30:02,040 --> 01:30:09,240
Speaker 1: not a network, it's not a content provider. They service

1431
01:30:09,400 --> 01:30:12,559
Speaker 1: content provider. So I ain't a lot. I don't need

1432
01:30:12,640 --> 01:30:15,560
Speaker 1: nobody Before I used to need you know, you know

1433
01:30:15,640 --> 01:30:17,599
Speaker 1: when you first saw you. I gotta get this big name.

1434
01:30:18,200 --> 01:30:21,840
Speaker 1: I'm the name I'm there's a question I did not

1435
01:30:21,960 --> 01:30:27,080
Speaker 1: ask you before, and I got cast list for it. Shoot,

1436
01:30:29,040 --> 01:30:33,439
Speaker 1: what exactly went wrong? Were you and a shot? I?

1437
01:30:35,720 --> 01:30:37,320
Speaker 1: First of all, I thought we did go through that.

1438
01:30:39,520 --> 01:30:42,200
Speaker 1: Yeah we did. We didn't. First of all, I want

1439
01:30:42,240 --> 01:30:45,360
Speaker 1: to say a shanty. No, you just asked me a

1440
01:30:45,439 --> 01:30:47,840
Speaker 1: questions and I'm gonna answer it because I'm I g

1441
01:30:49,080 --> 01:30:53,760
Speaker 1: But me and a shanty, it was all up. She

1442
01:30:53,920 --> 01:30:58,680
Speaker 1: was murdering, she was family. And John says this a

1443
01:30:58,760 --> 01:31:04,479
Speaker 1: lot he gives her now because out meaning the out

1444
01:31:04,560 --> 01:31:07,120
Speaker 1: meaning niggati FETs was on us. Nigger, you want this

1445
01:31:07,240 --> 01:31:11,479
Speaker 1: little year old girl to ride at you or whatever?

1446
01:31:11,560 --> 01:31:13,800
Speaker 1: When the fez is on your nigga fans got the

1447
01:31:13,920 --> 01:31:17,680
Speaker 1: ninety eight present conviction rate. I'm quite sure every motherfucker

1448
01:31:17,760 --> 01:31:20,040
Speaker 1: in her ear was like that nigga going to jail.

1449
01:31:21,000 --> 01:31:25,320
Speaker 1: Start thinking of another way. So what I gotta say

1450
01:31:25,400 --> 01:31:29,360
Speaker 1: with that is it was like me and Ashanti was

1451
01:31:30,360 --> 01:31:33,800
Speaker 1: something I never experienced. Now we're talk him romantically or

1452
01:31:33,800 --> 01:31:36,160
Speaker 1: were talking art everything. You know what I'm saying. It

1453
01:31:36,200 --> 01:31:38,800
Speaker 1: was something I never experienced before. She looked good now,

1454
01:31:39,360 --> 01:31:42,559
Speaker 1: she she looks great. Do you start coming the ground

1455
01:31:42,560 --> 01:31:53,040
Speaker 1: a little bit? Absolutely? Not when when when I tell you,

1456
01:31:53,840 --> 01:31:57,360
Speaker 1: listen when I tell you, like, I don't give a fun.

1457
01:31:57,760 --> 01:32:00,160
Speaker 1: You don't be seeing a swimsuit pitt you still more.

1458
01:32:00,920 --> 01:32:03,639
Speaker 1: But I'm gonna be honest with you. I funk outrageously hot.

1459
01:32:03,760 --> 01:32:06,960
Speaker 1: Young Vicious died. That's just my thing. I know, young

1460
01:32:07,960 --> 01:32:10,720
Speaker 1: older chicks maybe like fuck you gouty or whatever like

1461
01:32:12,320 --> 01:32:16,400
Speaker 1: I'm sorry, I don't know. I know, like I may

1462
01:32:16,560 --> 01:32:20,960
Speaker 1: try a thirty year old like now or whatever. But

1463
01:32:21,560 --> 01:32:25,479
Speaker 1: nig if you see my chicks, that was like my girls,

1464
01:32:25,600 --> 01:32:29,439
Speaker 1: they not nothing the funk with So I don't you

1465
01:32:29,520 --> 01:32:33,320
Speaker 1: know what Shanti is like, I'm more, don't she looks great?

1466
01:32:33,600 --> 01:32:36,000
Speaker 1: But I don't give a funk. Like I don't give

1467
01:32:36,040 --> 01:32:40,719
Speaker 1: a funk. I think you should start cut Instagram for decision.

1468
01:32:40,920 --> 01:32:44,400
Speaker 1: I think you're not gonna stark Instagram because me and

1469
01:32:44,479 --> 01:32:47,000
Speaker 1: her had a real thing. I need to hear this.

1470
01:32:47,400 --> 01:32:49,120
Speaker 1: It was never heard this. It was a real thing.

1471
01:32:49,720 --> 01:32:53,040
Speaker 1: Meaning because because you let me, you know, let me

1472
01:32:53,120 --> 01:32:54,799
Speaker 1: tell you, let me tell you something before we continue.

1473
01:32:55,800 --> 01:32:58,400
Speaker 1: You know what I said, BJ, right, I told BJ

1474
01:32:58,520 --> 01:33:01,040
Speaker 1: I said, Joe, what the she wants? Me to say

1475
01:33:01,680 --> 01:33:05,639
Speaker 1: she wants me to lie, because she'll get on hand.

1476
01:33:06,400 --> 01:33:09,000
Speaker 1: She'll get on hand. She'll probably listen, she'll get on hand.

1477
01:33:09,200 --> 01:33:11,280
Speaker 1: If you had her on drink champs or whatever, she'd

1478
01:33:11,280 --> 01:33:12,920
Speaker 1: probably be like, I never funk with got it and

1479
01:33:13,000 --> 01:33:16,640
Speaker 1: she I'm not gonna do that. I'm like, but I'm

1480
01:33:16,640 --> 01:33:18,360
Speaker 1: gonna give it to you really like me? And huh

1481
01:33:20,320 --> 01:33:22,920
Speaker 1: dare I say it was in love? What would you

1482
01:33:23,040 --> 01:33:27,560
Speaker 1: call a situation where? But was it complicated? Because of

1483
01:33:27,640 --> 01:33:31,200
Speaker 1: the absolutely it was. It was complicated. What fun you're

1484
01:33:31,240 --> 01:33:38,759
Speaker 1: talking about? Because maybe I was still married JJ's mom legally.

1485
01:33:38,880 --> 01:33:42,200
Speaker 1: But either wait, wait a minute, wait, I've been kicked out,

1486
01:33:42,720 --> 01:33:46,920
Speaker 1: and Shanti was not the demise of me and death completely.

1487
01:33:47,320 --> 01:33:51,320
Speaker 1: She was not the demise of me and me and

1488
01:33:51,439 --> 01:33:54,280
Speaker 1: dad was finished. Before that, I came to a point

1489
01:33:54,320 --> 01:33:57,519
Speaker 1: in my life. You have a great situation. Sure you

1490
01:33:57,560 --> 01:34:04,120
Speaker 1: ain't gonna understand this, but maybe my other people. I

1491
01:34:04,200 --> 01:34:05,800
Speaker 1: came to the point in my life where I didn't

1492
01:34:05,800 --> 01:34:15,519
Speaker 1: want to lie anymore. Listen, I loved that, and I

1493
01:34:15,640 --> 01:34:17,400
Speaker 1: came to a point where I didn't want to lie anymore.

1494
01:34:17,479 --> 01:34:21,000
Speaker 1: So when she kicked me out, rightfully so, because she

1495
01:34:21,120 --> 01:34:26,400
Speaker 1: called me fucking like mid act. I had the latch on.

1496
01:34:27,640 --> 01:34:30,439
Speaker 1: What's that the thing you really want? All of the

1497
01:34:32,920 --> 01:34:35,840
Speaker 1: I love you know, I give so I was shooting

1498
01:34:35,920 --> 01:34:42,400
Speaker 1: I cry video. I cried you cry shod? Was it

1499
01:34:42,560 --> 01:34:46,439
Speaker 1: Cherry Hill like the hood? Which is another topic because

1500
01:34:46,439 --> 01:34:49,280
Speaker 1: they always like to say murder ring wasn't the realest niggers,

1501
01:34:49,360 --> 01:34:52,280
Speaker 1: but we actually was the realest nigga. All our videos

1502
01:34:52,360 --> 01:34:54,760
Speaker 1: were shot in the hood and of the hoods with

1503
01:34:54,920 --> 01:34:57,880
Speaker 1: the other niggas who used to say we saw was

1504
01:34:57,960 --> 01:35:01,160
Speaker 1: in studios and ship any screen you coming to the

1505
01:35:01,240 --> 01:35:06,000
Speaker 1: hood nig if it does another fucking story, right, So

1506
01:35:07,080 --> 01:35:11,680
Speaker 1: you know the story goes dad. Because she had a

1507
01:35:11,760 --> 01:35:14,679
Speaker 1: driver's licensees to devide Lorenzo. She went to the hotel.

1508
01:35:14,800 --> 01:35:18,320
Speaker 1: She had a room key. I shouldn't say this because

1509
01:35:18,360 --> 01:35:21,200
Speaker 1: all chicks is like, you could do that. My wife

1510
01:35:21,240 --> 01:35:24,720
Speaker 1: does it all the time, right, So she came and

1511
01:35:24,800 --> 01:35:28,120
Speaker 1: I had the latch on, so she knew I was

1512
01:35:28,200 --> 01:35:33,679
Speaker 1: in there. The fucking Tumbleweed. I could give him her nickname.

1513
01:35:33,760 --> 01:35:40,639
Speaker 1: Y'all don't know what tumbleweed. And then with tumble it's

1514
01:35:40,680 --> 01:35:43,760
Speaker 1: not a name, it's a bad bitch name. Right, So

1515
01:35:46,080 --> 01:35:48,040
Speaker 1: I mean there with tumbleweed and dead. Not gonna on

1516
01:35:48,080 --> 01:35:51,920
Speaker 1: the door. It has google real quick. You never she's

1517
01:35:51,960 --> 01:35:54,360
Speaker 1: not gonna on the door. All right, y'all know you

1518
01:35:54,520 --> 01:35:56,040
Speaker 1: in there. I know you in there. I know you

1519
01:35:56,160 --> 01:35:58,439
Speaker 1: in there. I'm never open you to do. I'm bass naked,

1520
01:35:58,479 --> 01:36:02,439
Speaker 1: I'm never is the whole the door. It's gonna be bad.

1521
01:36:03,000 --> 01:36:05,160
Speaker 1: Tumbweed is under the bed. She scared the death of

1522
01:36:05,240 --> 01:36:08,040
Speaker 1: Debt her room, and she's like, she's gonna whip my

1523
01:36:08,120 --> 01:36:12,599
Speaker 1: ass probably so right. So I'm looking through the people

1524
01:36:13,040 --> 01:36:16,240
Speaker 1: and now the police is did wait a minute, okay

1525
01:36:16,360 --> 01:36:21,040
Speaker 1: because she was making a scene. So people police did Susan.

1526
01:36:21,080 --> 01:36:23,559
Speaker 1: The police put their hands on Debb. I opened the door,

1527
01:36:23,800 --> 01:36:26,720
Speaker 1: so you get the funk off Debb. Y'all don't touch her.

1528
01:36:31,520 --> 01:36:35,280
Speaker 1: Snuff the living ship out of me. That didn't give

1529
01:36:35,320 --> 01:36:37,759
Speaker 1: you no problems, not when that happened. Listen, she snuffs

1530
01:36:37,800 --> 01:36:40,080
Speaker 1: the ship out of me. And what happens is if

1531
01:36:40,160 --> 01:36:42,600
Speaker 1: y'all know the people who know when the police is

1532
01:36:42,640 --> 01:36:47,200
Speaker 1: around and someone assault, they're taking them to jail. Okay.

1533
01:36:47,680 --> 01:36:51,519
Speaker 1: So they took deb to jail. Me and prem me

1534
01:36:51,600 --> 01:36:55,280
Speaker 1: and Ken of Supreme McGriff. When he got out, he

1535
01:36:55,400 --> 01:36:58,639
Speaker 1: came with me. That's when he was funny. This before

1536
01:36:58,760 --> 01:37:04,439
Speaker 1: TMC and Instagram, before pret Bell out, get out and

1537
01:37:04,720 --> 01:37:07,200
Speaker 1: got it. She was in jail for like two hours.

1538
01:37:08,400 --> 01:37:12,320
Speaker 1: We get out. In this nigga Prime, he's lightening up

1539
01:37:12,360 --> 01:37:15,960
Speaker 1: the mood because he is tense. So he's trying. He said, man,

1540
01:37:17,360 --> 01:37:20,240
Speaker 1: I swear to God him. He was back, nigga, you

1541
01:37:20,320 --> 01:37:25,080
Speaker 1: can held down the block, you damn murder and he

1542
01:37:25,240 --> 01:37:28,000
Speaker 1: called the dead murder and it just stucked. She was

1543
01:37:28,080 --> 01:37:30,080
Speaker 1: dead murder after that, but she was. He was like,

1544
01:37:30,160 --> 01:37:32,000
Speaker 1: you could hold down the block. He could have been

1545
01:37:32,040 --> 01:37:37,200
Speaker 1: my lieutenant because you vicious nigger. You know. That's another thing.

1546
01:37:37,320 --> 01:37:39,720
Speaker 1: You know, Prime had love for my family. He had

1547
01:37:39,920 --> 01:37:42,439
Speaker 1: loved for dead. He had he had love for everybody.

1548
01:37:43,080 --> 01:37:45,280
Speaker 1: So like he prem knew my mother and father and

1549
01:37:46,160 --> 01:37:49,080
Speaker 1: big up the Prime. He's been reaching out saying that

1550
01:37:49,160 --> 01:37:50,960
Speaker 1: he wants to do dream camps and I would you

1551
01:37:50,960 --> 01:37:54,000
Speaker 1: would love to make it happen. That would be the

1552
01:37:54,160 --> 01:37:57,439
Speaker 1: really ship ever, because there's a bunch of idiot niggers.

1553
01:37:57,479 --> 01:38:00,320
Speaker 1: It's talking ship that don't really know nothing. But let's

1554
01:38:00,360 --> 01:38:04,640
Speaker 1: not talk about so now. So, So what was the

1555
01:38:05,160 --> 01:38:09,120
Speaker 1: exact thing with a shanty. It was like the complications

1556
01:38:09,240 --> 01:38:16,200
Speaker 1: going bat you listen to the honesty of it is

1557
01:38:16,360 --> 01:38:21,720
Speaker 1: me and her got together before, I mean, after me

1558
01:38:21,840 --> 01:38:23,920
Speaker 1: and dead dead they kicked me out. So I don't

1559
01:38:23,920 --> 01:38:26,400
Speaker 1: want anyone looking at this to think like man a

1560
01:38:26,479 --> 01:38:30,040
Speaker 1: shanty was the demise of No, the demise was I

1561
01:38:30,160 --> 01:38:32,960
Speaker 1: was an asshole, you know what I'm saying. But the

1562
01:38:33,040 --> 01:38:36,600
Speaker 1: beauty of it for everyone that's listening and looking is

1563
01:38:37,439 --> 01:38:39,280
Speaker 1: I'm gonna take care of death for the rest of

1564
01:38:39,360 --> 01:38:42,280
Speaker 1: their life. Because a while, like like like, it seemed

1565
01:38:42,280 --> 01:38:46,000
Speaker 1: like he was balancing the great with it was no ceo.

1566
01:38:46,240 --> 01:38:52,000
Speaker 1: No like being a CEO and being huh, however, yeah

1567
01:38:53,120 --> 01:39:00,640
Speaker 1: you balance however, listen, you balanced it like great for

1568
01:39:00,760 --> 01:39:02,599
Speaker 1: a long time. I mean at the end of the day,

1569
01:39:02,680 --> 01:39:05,720
Speaker 1: I was still legally married. So it was complications with

1570
01:39:05,880 --> 01:39:09,720
Speaker 1: that that I understood, you know. And and she is

1571
01:39:09,920 --> 01:39:14,800
Speaker 1: like her and John is the stable artist of my ship.

1572
01:39:15,520 --> 01:39:19,360
Speaker 1: But I could just say, and I hope she's probably

1573
01:39:19,400 --> 01:39:22,439
Speaker 1: gonna get mad because I'm talking Shante. He asked me

1574
01:39:22,560 --> 01:39:25,479
Speaker 1: please leave that in. I don't want to talk about you.

1575
01:39:26,160 --> 01:39:28,640
Speaker 1: You know what I'm saying, that we're doing anything in

1576
01:39:28,680 --> 01:39:31,960
Speaker 1: a good way. Yeah, like we was. But if you

1577
01:39:32,040 --> 01:39:34,240
Speaker 1: want to talk about it. We had it was real.

1578
01:39:34,600 --> 01:39:38,320
Speaker 1: What we had was real. It was real. But I

1579
01:39:38,479 --> 01:39:43,400
Speaker 1: was under federal I'm quite sure if you wouldn't if

1580
01:39:43,439 --> 01:39:47,920
Speaker 1: you're shot camp, I get indicted by the FETs. I'm

1581
01:39:47,960 --> 01:39:50,560
Speaker 1: taking them to trial. They have a ninety eight or

1582
01:39:50,640 --> 01:39:55,360
Speaker 1: some incredible percentage conviction rate. Right, are you telling the

1583
01:39:55,400 --> 01:39:57,479
Speaker 1: shot t Yo ride with him, he's gonna be free

1584
01:39:58,600 --> 01:40:00,400
Speaker 1: to move on? Yeah, you're telling them. I think it's

1585
01:40:00,439 --> 01:40:02,920
Speaker 1: going to jail. And when he goes to jail, it

1586
01:40:03,000 --> 01:40:04,840
Speaker 1: might be a good thing for you because now you

1587
01:40:04,880 --> 01:40:08,320
Speaker 1: can get your own deal, not through murder rank. All right,

1588
01:40:09,080 --> 01:40:11,479
Speaker 1: just signed the murder rank, so all you can get

1589
01:40:11,520 --> 01:40:14,840
Speaker 1: your own deals, because that's like breach of contract. Because

1590
01:40:14,840 --> 01:40:17,360
Speaker 1: he's died by the fans, and he was found guilty

1591
01:40:17,400 --> 01:40:19,559
Speaker 1: and he's doing twenty. He is the list. He would

1592
01:40:19,560 --> 01:40:22,000
Speaker 1: have been able to get out of contract to jail.

1593
01:40:22,000 --> 01:40:24,680
Speaker 1: I never would hold him. Oh God, I let them

1594
01:40:24,680 --> 01:40:28,880
Speaker 1: all out before Lloyd to Lloyd too. I let them

1595
01:40:29,000 --> 01:40:31,960
Speaker 1: all out. No, I didn't charge, and I could. They

1596
01:40:32,000 --> 01:40:34,400
Speaker 1: were signing me when Nori went to Interscope, I could

1597
01:40:34,400 --> 01:40:36,120
Speaker 1: have said that Jimmy's gonna to give me a Lisa

1598
01:40:36,160 --> 01:40:40,760
Speaker 1: half yeah, and I need an override and ship these

1599
01:40:40,880 --> 01:40:44,160
Speaker 1: type of words. You understand, I did none of that.

1600
01:40:44,600 --> 01:40:47,560
Speaker 1: Go get your money, Chuck. How about Tuck? He was

1601
01:40:47,560 --> 01:40:52,479
Speaker 1: messing with Chuck to Charlie. Really really, I'm asking I

1602
01:40:52,760 --> 01:40:57,960
Speaker 1: I'm just curious. Chuck was married to this guy named Fans,

1603
01:40:58,720 --> 01:41:05,599
Speaker 1: and uh Me and Fans had a great, great, great relationship. Okay,

1604
01:41:06,400 --> 01:41:08,519
Speaker 1: you're still you're still you're still cool with Chuck. You're

1605
01:41:08,560 --> 01:41:11,519
Speaker 1: still cool with Chuck. Still cool with Chuck. You know,

1606
01:41:11,640 --> 01:41:14,000
Speaker 1: the toy and everything that we're trying to do. She

1607
01:41:14,080 --> 01:41:17,240
Speaker 1: would be all the murders. Yeah, all the artists would

1608
01:41:17,240 --> 01:41:20,240
Speaker 1: be a part of it all, joking, Black Cloud. How

1609
01:41:20,280 --> 01:41:24,120
Speaker 1: about Cadillac talks? Cadillac TI was implicated in Prodigy book

1610
01:41:24,600 --> 01:41:27,680
Speaker 1: of like something like that. I didn't like. Yeah, I

1611
01:41:27,720 --> 01:41:29,760
Speaker 1: don't think any of the Caddy will be there too,

1612
01:41:30,560 --> 01:41:32,600
Speaker 1: So you have since worked that out. I mean, we

1613
01:41:32,680 --> 01:41:36,400
Speaker 1: ain't even work nothing out. But Catty will be there too. Okay.

1614
01:41:36,600 --> 01:41:40,080
Speaker 1: I confused on that one. That was what it is.

1615
01:41:40,240 --> 01:41:45,240
Speaker 1: Business business. You go ahead, get your money performed or whatever.

1616
01:41:45,920 --> 01:41:48,880
Speaker 1: But I'm never going to trust you again. Right, you

1617
01:41:48,960 --> 01:41:53,799
Speaker 1: know I've seen Prodigy, you know, God bless, I've seen Prodigy.

1618
01:41:53,880 --> 01:41:58,160
Speaker 1: Yet this club called what the Fun was on Monday

1619
01:41:58,280 --> 01:42:02,280
Speaker 1: nights Griffin and New York. There's a hot Monday nightclub.

1620
01:42:03,640 --> 01:42:07,559
Speaker 1: And you know, he came over and he was like saying,

1621
01:42:07,680 --> 01:42:12,320
Speaker 1: how do I feel like in my cool right? And everything?

1622
01:42:12,400 --> 01:42:18,400
Speaker 1: You know, like, yeah, so good man, do you understand?

1623
01:42:18,439 --> 01:42:20,479
Speaker 1: Did you see what he? No? But listen, I said,

1624
01:42:20,520 --> 01:42:21,920
Speaker 1: you're one thing. I want to ask you one thing

1625
01:42:21,960 --> 01:42:25,559
Speaker 1: and one thing only, as you said that ship with Caddy,

1626
01:42:25,600 --> 01:42:28,960
Speaker 1: because he was like the nigger was texting. The other

1627
01:42:29,040 --> 01:42:32,439
Speaker 1: side was that and it was an incident that I

1628
01:42:32,479 --> 01:42:35,599
Speaker 1: ain't gonna explain. That's two gangster for the drink champs.

1629
01:42:36,120 --> 01:42:39,640
Speaker 1: That happened that made us all wonder how did they

1630
01:42:39,720 --> 01:42:43,200
Speaker 1: know where we was at? So we prouded. You said

1631
01:42:43,280 --> 01:42:45,719
Speaker 1: that he put like the pieces of the puzzle together

1632
01:42:45,880 --> 01:42:49,000
Speaker 1: on why he's seven groups of niggas and where the

1633
01:42:49,080 --> 01:42:54,280
Speaker 1: fun was that? And like they had did something that

1634
01:42:54,439 --> 01:42:58,120
Speaker 1: they paid for, you know what I'm saying. But you

1635
01:42:58,280 --> 01:43:01,760
Speaker 1: always wondered how the funk they w was that? Like

1636
01:43:01,920 --> 01:43:03,880
Speaker 1: Na said on the Lost tapes too, he said he

1637
01:43:03,960 --> 01:43:07,760
Speaker 1: wished that product you never woke because the book was

1638
01:43:07,840 --> 01:43:10,200
Speaker 1: real and it was gangster and he got he got Caddy,

1639
01:43:10,200 --> 01:43:13,439
Speaker 1: would never be the same with me. M you know,

1640
01:43:14,280 --> 01:43:16,920
Speaker 1: but you got black Shower with let me tell you

1641
01:43:16,920 --> 01:43:20,080
Speaker 1: about Black Show. He's Black Chow is a soldier nigging.

1642
01:43:21,120 --> 01:43:23,280
Speaker 1: Black Chow would be like nigga, I die for I

1643
01:43:23,560 --> 01:43:27,320
Speaker 1: n C. He's not lying, you know what I'm saying, Like,

1644
01:43:27,439 --> 01:43:30,040
Speaker 1: I love Black Chow and if I got money, black

1645
01:43:30,080 --> 01:43:32,720
Speaker 1: Show will never be fucked up. So if you know, guy,

1646
01:43:32,760 --> 01:43:40,200
Speaker 1: he got a hunted two huntred Man, blackchout good black Yes,

1647
01:43:40,520 --> 01:43:43,920
Speaker 1: because he just to this day he's just an eight

1648
01:43:44,040 --> 01:43:48,680
Speaker 1: league like word to God. But listen, he and eight

1649
01:43:48,800 --> 01:43:52,920
Speaker 1: League is just a true nigga. And like just to

1650
01:43:53,040 --> 01:43:57,320
Speaker 1: touch on that, I'm a true nigga. So sometimes I

1651
01:43:57,400 --> 01:44:02,040
Speaker 1: gotta pause with niggas because if if you're my brother,

1652
01:44:03,360 --> 01:44:07,479
Speaker 1: I'll go all away. I'm gonna go all the way.

1653
01:44:08,200 --> 01:44:10,320
Speaker 1: And you can take that and think about it or whatever,

1654
01:44:10,560 --> 01:44:13,760
Speaker 1: but I'm gonna go all the way. So sometimes you

1655
01:44:13,840 --> 01:44:15,600
Speaker 1: around nig is that you'll go all the way with,

1656
01:44:15,760 --> 01:44:20,439
Speaker 1: but they're not thinking nothing like that. You gotta slow down.

1657
01:44:21,280 --> 01:44:25,240
Speaker 1: That's why my circle and everything is very small now.

1658
01:44:25,640 --> 01:44:30,719
Speaker 1: But at the same time, I know everyone in my circle.

1659
01:44:32,680 --> 01:44:36,400
Speaker 1: You never get out no, never, but you know previous

1660
01:44:36,520 --> 01:44:38,439
Speaker 1: we just got his ship chopped out. I know he's

1661
01:44:38,479 --> 01:44:42,160
Speaker 1: not praying praying premous, is there you? Premious? And minister society.

1662
01:44:43,439 --> 01:44:51,400
Speaker 1: Remember Edward Burns assassination of Queen's Niggah Cat. Yeah, yeah,

1663
01:44:52,160 --> 01:44:54,600
Speaker 1: that has a lot to do with Prim. If you

1664
01:44:54,680 --> 01:44:58,559
Speaker 1: remember George. If you remember George Bush was in Queen's

1665
01:44:58,600 --> 01:45:01,719
Speaker 1: talking about we're gonna take these guy eyes down. He's

1666
01:45:02,080 --> 01:45:05,759
Speaker 1: you know, Print didn't do that, but he was riding

1667
01:45:05,800 --> 01:45:09,960
Speaker 1: with the niggas who who did. So when every Burner

1668
01:45:10,000 --> 01:45:13,720
Speaker 1: got assassin, it bled over to me. It bled over

1669
01:45:13,840 --> 01:45:17,920
Speaker 1: to me before my my, my case. I got summoned

1670
01:45:17,920 --> 01:45:21,679
Speaker 1: out to New York by this this big investigative reporter

1671
01:45:22,040 --> 01:45:24,920
Speaker 1: for the l A Times. That's all I'll give you,

1672
01:45:25,240 --> 01:45:27,680
Speaker 1: but huge. And he was like, yo, got this, this

1673
01:45:27,800 --> 01:45:31,559
Speaker 1: is all over Everard Burn, even you? And I said,

1674
01:45:31,560 --> 01:45:34,120
Speaker 1: what the fucking choking mine? Yea? He said, they're never

1675
01:45:34,240 --> 01:45:37,600
Speaker 1: letting Prim see the light of day. He was with

1676
01:45:37,800 --> 01:45:41,960
Speaker 1: the people that that did that, Edward Burn. Prim was

1677
01:45:42,040 --> 01:45:49,439
Speaker 1: Pappy and a little man put Prim on. There we go, mhm,

1678
01:45:51,000 --> 01:45:55,000
Speaker 1: And I'm screaming, I love Priam. I'm still screaming, I

1679
01:45:55,120 --> 01:45:59,519
Speaker 1: love prink, ignorant of mind, and respected, loyalty, respect the lord.

1680
01:45:59,560 --> 01:46:01,280
Speaker 1: I mean, but that's the only way that I know.

1681
01:46:03,360 --> 01:46:08,800
Speaker 1: I can't do unhonorable ship. If I do unhonorable ship,

1682
01:46:08,960 --> 01:46:12,639
Speaker 1: I can't sleep. I sleep so good at night because

1683
01:46:12,760 --> 01:46:16,960
Speaker 1: I'm an honorable dude. Like I'm gonna give you some

1684
01:46:17,040 --> 01:46:19,840
Speaker 1: real ship. So I'm getting ready go to try my mom.

1685
01:46:20,520 --> 01:46:24,040
Speaker 1: I love my mother more than anything in life. And

1686
01:46:24,160 --> 01:46:28,920
Speaker 1: she's basically telling me to like tell oh wow, She's like,

1687
01:46:28,960 --> 01:46:31,120
Speaker 1: you ain't gonna see Sonny and JJ. You know you

1688
01:46:31,160 --> 01:46:33,600
Speaker 1: don't love Sonny and j J. I'm like, Mom, you

1689
01:46:33,640 --> 01:46:37,280
Speaker 1: don't understand, and she's like, you don't love me. She

1690
01:46:37,400 --> 01:46:40,160
Speaker 1: took it to me, like and she knows, like my

1691
01:46:40,280 --> 01:46:44,400
Speaker 1: mother's high and fucking god and she's such a good

1692
01:46:44,560 --> 01:46:50,160
Speaker 1: person or whatever and such a loving mother. Yeah thing,

1693
01:46:50,280 --> 01:46:53,920
Speaker 1: but I was like, she was basically like, just say whatever,

1694
01:46:54,720 --> 01:46:56,760
Speaker 1: just just get yourself out of it. And they had

1695
01:46:56,800 --> 01:47:00,360
Speaker 1: you and your brother. She's like, just say whatever and

1696
01:47:00,400 --> 01:47:02,800
Speaker 1: get yourself out of it. And I like them my mother,

1697
01:47:03,160 --> 01:47:07,519
Speaker 1: and I'm like, I can't do that. And what was

1698
01:47:07,640 --> 01:47:10,559
Speaker 1: the actually charge? Do you remember? Twenty years for money?

1699
01:47:11,320 --> 01:47:17,360
Speaker 1: But that was just it was twenty years. They offered

1700
01:47:17,360 --> 01:47:20,040
Speaker 1: me six years or eight years, I mean six months

1701
01:47:20,200 --> 01:47:23,720
Speaker 1: or eight months. I told him sucked my dick, So

1702
01:47:23,840 --> 01:47:28,360
Speaker 1: him sucking. Uh yeah, I don't know, you know, but

1703
01:47:28,479 --> 01:47:31,920
Speaker 1: I didn't do what they were saying. Mmm. I didn't

1704
01:47:31,920 --> 01:47:34,640
Speaker 1: do what they were saying. And I knew that and

1705
01:47:34,680 --> 01:47:36,920
Speaker 1: I felt it. And if I were to played guilty,

1706
01:47:37,040 --> 01:47:40,320
Speaker 1: it was it was basically saying Premium selling drugs. So

1707
01:47:40,439 --> 01:47:43,360
Speaker 1: if I got if, I said yo, and I played guilty,

1708
01:47:43,680 --> 01:47:46,720
Speaker 1: I'm basically saying Premious selling drugs. You're not only the

1709
01:47:46,840 --> 01:47:50,639
Speaker 1: double homicide, but they're gonna sucking my man on drugs everything.

1710
01:47:51,160 --> 01:47:55,200
Speaker 1: And I'm like, I'm not sucking my man over right,

1711
01:47:56,200 --> 01:47:58,760
Speaker 1: I know something. You may not understand that, but it

1712
01:47:58,880 --> 01:48:01,560
Speaker 1: doesn't man understand But I'm like, I'm not fucking my

1713
01:48:01,680 --> 01:48:06,120
Speaker 1: nigga over like premiums my brother, Like I love Priam,

1714
01:48:07,600 --> 01:48:10,400
Speaker 1: I love him. Me and him develop a relationship when

1715
01:48:10,439 --> 01:48:13,320
Speaker 1: he was out. There's nothing to do with the starship.

1716
01:48:13,400 --> 01:48:15,519
Speaker 1: It was nothing to do with any of that bullshit.

1717
01:48:16,160 --> 01:48:18,200
Speaker 1: It isn't a new Like if you see my wedding pictures,

1718
01:48:18,240 --> 01:48:21,760
Speaker 1: Premiu is dead, Like Premium spoke to j J. That's

1719
01:48:21,800 --> 01:48:26,600
Speaker 1: his nephew, Chad just passed away. God bless passed and

1720
01:48:26,800 --> 01:48:30,760
Speaker 1: Chad was he was another dude black, yeah, cut from

1721
01:48:30,840 --> 01:48:35,320
Speaker 1: that cloth of real of realness, you know what I'm saying.

1722
01:48:35,479 --> 01:48:38,200
Speaker 1: So when you talk like with me and Prem were

1723
01:48:38,240 --> 01:48:41,799
Speaker 1: people and they will never understand it. And I completely

1724
01:48:41,840 --> 01:48:43,640
Speaker 1: don't give a funk when y'all run your mouth and

1725
01:48:43,760 --> 01:48:46,599
Speaker 1: say ship and you don't know you know what I'm saying,

1726
01:48:47,120 --> 01:48:49,479
Speaker 1: But that nigga was like my brother. He was on

1727
01:48:49,600 --> 01:48:53,760
Speaker 1: my line at my wedding, and he loved me and

1728
01:48:53,840 --> 01:48:56,880
Speaker 1: my family. You don't think they'll could never be a

1729
01:48:56,960 --> 01:49:01,559
Speaker 1: lord to overturn like something that get him his homicide. Yeah,

1730
01:49:01,840 --> 01:49:04,320
Speaker 1: that's very true. He got He got a double homicide.

1731
01:49:04,560 --> 01:49:07,760
Speaker 1: So true. You know what I'm saying. He went thing.

1732
01:49:07,880 --> 01:49:10,640
Speaker 1: But it's crazy because when I talked to Prime, he's in,

1733
01:49:10,960 --> 01:49:13,479
Speaker 1: he's being the best spirits and he's just like killing niggas.

1734
01:49:13,479 --> 01:49:16,320
Speaker 1: Guy he's laughing or whatever like that, and he just

1735
01:49:16,439 --> 01:49:21,320
Speaker 1: loved me. He's still very protective of me. It's snow stortion.

1736
01:49:21,439 --> 01:49:24,400
Speaker 1: He just loves his man. So someone says something against me,

1737
01:49:24,600 --> 01:49:29,599
Speaker 1: he's at him and he's still prem all right, he's

1738
01:49:29,640 --> 01:49:32,800
Speaker 1: still praying. But like when he hits people talking about me,

1739
01:49:32,880 --> 01:49:35,759
Speaker 1: he gets angry and I can't say. I like, Freme

1740
01:49:35,800 --> 01:49:37,439
Speaker 1: is so good. I don't give a funk about that ship.

1741
01:49:37,479 --> 01:49:41,000
Speaker 1: And we're getting his money. I'm gonna get to million nigga.

1742
01:49:41,080 --> 01:49:46,360
Speaker 1: Fuck that. But he's still he just loves me, and

1743
01:49:46,520 --> 01:49:48,920
Speaker 1: I speak to him. B just speaks to him often,

1744
01:49:49,439 --> 01:49:53,320
Speaker 1: like two or three times a week. He's in the jail,

1745
01:49:53,439 --> 01:49:55,960
Speaker 1: like and he hates the jail. And this is crazy

1746
01:49:56,000 --> 01:49:58,880
Speaker 1: because prim any jail, he's win. He's like happy and

1747
01:49:59,000 --> 01:50:01,840
Speaker 1: he takes over whatever right, but this jail, he said, man,

1748
01:50:01,920 --> 01:50:03,680
Speaker 1: got it, this jail is fucking crazy. I want to

1749
01:50:03,720 --> 01:50:05,439
Speaker 1: get the funk out of here. He said, these niggas

1750
01:50:05,640 --> 01:50:08,479
Speaker 1: killing Nile. It's a super max and he said they're

1751
01:50:08,520 --> 01:50:12,280
Speaker 1: killing niggas every day. He said, it's some jail where

1752
01:50:12,400 --> 01:50:15,920
Speaker 1: they just nigga. He's any new niggas that coming nigga,

1753
01:50:15,960 --> 01:50:19,040
Speaker 1: you're getting told the funk up, he said. He He's

1754
01:50:19,040 --> 01:50:20,479
Speaker 1: like me, I want to get the funk out of here.

1755
01:50:21,280 --> 01:50:24,000
Speaker 1: He's good, but he's like he's young. These niggas just

1756
01:50:24,120 --> 01:50:26,920
Speaker 1: to get rep niggas. He's like, man, they'll slip my

1757
01:50:27,000 --> 01:50:30,640
Speaker 1: motherfucking so he's in the jail where even previous like

1758
01:50:31,120 --> 01:50:35,560
Speaker 1: this ship is bad. So when he says that, I'm like,

1759
01:50:35,760 --> 01:50:38,200
Speaker 1: n that must be a fun because usually you know,

1760
01:50:38,840 --> 01:50:41,200
Speaker 1: he said he I got everything under control, nigger, I

1761
01:50:41,280 --> 01:50:43,920
Speaker 1: got three cells. Think I'm running called games and the

1762
01:50:44,200 --> 01:50:46,240
Speaker 1: calling me on the cell phone. And she's like he

1763
01:50:46,400 --> 01:50:49,360
Speaker 1: with double triple lifers right now. Yeah, And I'd be

1764
01:50:49,400 --> 01:50:51,519
Speaker 1: like pretty show down, like whatever you're doing, show down.

1765
01:50:51,600 --> 01:50:54,559
Speaker 1: But he's like, they got more double life, nigger, they're

1766
01:50:54,600 --> 01:51:00,840
Speaker 1: gonna do to me, give me another life, another like great,

1767
01:51:00,880 --> 01:51:05,240
Speaker 1: suck my dad, godh man. We wants you to know.

1768
01:51:05,600 --> 01:51:07,360
Speaker 1: Hold on, we're gonna do one more shot. I think

1769
01:51:07,400 --> 01:51:10,040
Speaker 1: three is a lucky number, right three did three? It's

1770
01:51:10,080 --> 01:51:12,600
Speaker 1: too it's too. I got to take a piss. I

1771
01:51:13,360 --> 01:51:19,400
Speaker 1: was to get pissed. That was my speech when I

1772
01:51:19,479 --> 01:51:24,760
Speaker 1: got out talk. She was yeah, yeah, this's go. Yeah,

1773
01:51:25,560 --> 01:51:31,640
Speaker 1: let's smoke is killing you right now. I don't know,

1774
01:51:31,880 --> 01:51:33,360
Speaker 1: but I had to take a pistons. The whole time.

1775
01:51:34,360 --> 01:51:40,640
Speaker 1: I was like, oh yeah, we do like on the

1776
01:51:40,680 --> 01:51:43,840
Speaker 1: five minutes and done, like even even like three, I

1777
01:51:43,960 --> 01:51:46,559
Speaker 1: know I've seen the shot as a shot and then

1778
01:51:46,600 --> 01:51:49,800
Speaker 1: we can close it out. Yeah, yeah, yeah, tears. You

1779
01:51:49,880 --> 01:51:51,720
Speaker 1: tear it out, sucking me up right. I never seen

1780
01:51:51,800 --> 01:51:53,720
Speaker 1: you tear like. I don't know what I feel like.

1781
01:51:53,880 --> 01:51:55,920
Speaker 1: The smoke is going right in my nostril right now,

1782
01:51:59,800 --> 01:52:09,479
Speaker 1: and go put some Miami so much it, man, damn smoke.

1783
01:52:09,680 --> 01:52:19,120
Speaker 1: Tiger Bone die. He realized, buddy, some little face tiger Bone,

1784
01:52:19,160 --> 01:52:22,040
Speaker 1: brock tiger Bone. I'm with you on that one. I'm

1785
01:52:22,040 --> 01:52:26,400
Speaker 1: about to do a campaign against it. I'm gonna do

1786
01:52:26,439 --> 01:52:35,840
Speaker 1: a hashtag. Don nor to stop. I don't think it's wow,

1787
01:52:37,160 --> 01:52:40,120
Speaker 1: it's gonna come up. I told, yeah, this is way.

1788
01:52:46,080 --> 01:52:48,800
Speaker 1: There's no beer, bro No, not one fucking beer in there.

1789
01:52:50,360 --> 01:52:55,920
Speaker 1: You gotta still open there, Jake, you gotta ja. Oh yeah,

1790
01:52:56,520 --> 01:53:21,960
Speaker 1: that's it. Yea. I want to I want to say something. Ship.

1791
01:53:28,520 --> 01:53:34,080
Speaker 1: And when I knew and realized, I felt this moment.

1792
01:53:34,200 --> 01:53:36,639
Speaker 1: I was like, we could move on and it's all good.

1793
01:53:37,240 --> 01:53:40,439
Speaker 1: It was an all good moment. And it was when

1794
01:53:41,680 --> 01:53:45,040
Speaker 1: she has this pretty little thing, the clothing line she's doing.

1795
01:53:45,160 --> 01:53:47,439
Speaker 1: She she did like a big campaign. And when I

1796
01:53:47,560 --> 01:53:52,680
Speaker 1: seen it, yo, I smiled and I was happy. I

1797
01:53:52,800 --> 01:53:55,360
Speaker 1: was like, Yo, she's doing the thing. That's a good move.

1798
01:53:55,560 --> 01:53:58,320
Speaker 1: That ship is out right there. She looked great or whatever.

1799
01:53:59,320 --> 01:54:03,280
Speaker 1: And that's and I realized, like we're gonna move forward

1800
01:54:03,520 --> 01:54:06,600
Speaker 1: and it's gonna be all good. You know what I'm saying, like,

1801
01:54:06,760 --> 01:54:09,560
Speaker 1: I'm happy for I want her to do well. I

1802
01:54:09,720 --> 01:54:13,120
Speaker 1: want her to Yeah, hit thirst Trapp, I got it.

1803
01:54:13,840 --> 01:54:17,439
Speaker 1: It's all good if that listen, if that's what gets

1804
01:54:17,520 --> 01:54:20,920
Speaker 1: the money. They kind of hard. Okay, listen, if that's

1805
01:54:20,960 --> 01:54:24,080
Speaker 1: what gets the money, Joe thirst Trap, like do it.

1806
01:54:24,760 --> 01:54:26,639
Speaker 1: But what I was saying is like I was happy

1807
01:54:26,760 --> 01:54:30,120
Speaker 1: for her. I was genuinely happy she's getting money. She's

1808
01:54:30,160 --> 01:54:32,320
Speaker 1: thinking it was missing that old thing back. No, I

1809
01:54:32,400 --> 01:54:37,000
Speaker 1: did not miss it. You miss a little bit. No,

1810
01:54:37,120 --> 01:54:40,600
Speaker 1: I don't, because see now you're gonna make me say

1811
01:54:40,640 --> 01:54:44,320
Speaker 1: some real ship, you're gone. I ended it with such

1812
01:54:44,360 --> 01:54:47,720
Speaker 1: a great and on a good note, saying I'm happy

1813
01:54:47,840 --> 01:54:52,200
Speaker 1: for but I don't want her because I know who

1814
01:54:52,320 --> 01:54:58,560
Speaker 1: she is. That was harsh exactly, and you're gonna me mad,

1815
01:54:58,640 --> 01:55:01,320
Speaker 1: But you know, I'm just happy for And that's where

1816
01:55:01,320 --> 01:55:05,480
Speaker 1: I'm like, that felt good for the future. Another shot

1817
01:55:07,480 --> 01:55:09,280
Speaker 1: the going away party because theyre going the way party

1818
01:55:09,320 --> 01:55:14,040
Speaker 1: got that little and this ship is harsh. Haven't even

1819
01:55:14,080 --> 01:55:22,600
Speaker 1: taking shot, So I just passed. You've shot this thing

1820
01:55:23,040 --> 01:55:29,640
Speaker 1: like he just came out looking speech. I had to

1821
01:55:29,680 --> 01:55:35,000
Speaker 1: speech away to party speech. They're begging you up here, man,

1822
01:55:35,320 --> 01:55:38,440
Speaker 1: because you know so many people in this world they

1823
01:55:38,520 --> 01:55:40,680
Speaker 1: want to kick you out when you have so many seasons,

1824
01:55:41,080 --> 01:55:43,320
Speaker 1: you know, years in this game. We want to celebrate

1825
01:55:43,400 --> 01:55:46,800
Speaker 1: these season years. And that's why you don't jazz and jazz.

1826
01:55:47,080 --> 01:55:49,880
Speaker 1: Older you become, and older you become, the more season

1827
01:55:49,960 --> 01:55:52,080
Speaker 1: you become, the more of a lessing you become. In

1828
01:55:52,240 --> 01:55:54,360
Speaker 1: rock and roll. I can see these dudes out there

1829
01:55:54,480 --> 01:55:57,080
Speaker 1: touring right now. No one's taking these niggas is old

1830
01:55:57,160 --> 01:55:59,800
Speaker 1: with no teeth on and they're still performing. But that's

1831
01:56:00,040 --> 01:56:01,640
Speaker 1: to be us. We're going to do that to the

1832
01:56:01,760 --> 01:56:11,480
Speaker 1: hip hop. We're changing it down up and make up.

1833
01:56:11,520 --> 01:56:17,080
Speaker 1: The drunken dragon a racket ball. What is this picture?

1834
01:56:17,760 --> 01:56:21,960
Speaker 1: She don't even have her English it at that ship is?

1835
01:56:22,320 --> 01:56:23,800
Speaker 1: That was the worst. That