WEBVTT - Turn Around Bag Boy (S1 E17, “The Breakup: Part 2”)

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<v Speaker 1>I Am all in. Oh more, I Am all in

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<v Speaker 1>with Scott Patterson and I Heart Radio podcast. Hey everybody,

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<v Speaker 1>Scott Patterson here. This is the I Am All In

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<v Speaker 1>Podcast with our Heart Radio and one eleven Productions. We

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<v Speaker 1>are going to break down The Breakup Part two. And

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<v Speaker 1>I've said it before, I'm gonna say it again. What

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<v Speaker 1>a rollicking affair. This was, dude, you you got in

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<v Speaker 1>the fight, This the cuffs, the dream come true? But

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<v Speaker 1>what's with the Like? I gassed out so bad? I

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<v Speaker 1>was like bending over? What Why did I do that?

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<v Speaker 1>Old man? Have you know? I got limited energy? Thing?

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<v Speaker 1>I got a double over here and suck wind. I

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<v Speaker 1>think you had to do because he was a teenager,

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<v Speaker 1>so you couldn't really like sixteen little dance can't handle

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<v Speaker 1>a sixteen year old coma. I gotta I got a bendo.

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<v Speaker 1>Let's see. I called it was a hug, was a headlock.

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<v Speaker 1>I put him in a headlock. That doesn't take a

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<v Speaker 1>lot of energy. You know. This is episode seventeen, The Breakup,

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<v Speaker 1>Part two, air date March fifteen, two thousand one. Rebounding

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<v Speaker 1>from a fight with Dean Rory ENT's of kissing Kissing

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<v Speaker 1>Tristan at a party, while Laura Lia follows her own

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<v Speaker 1>impulse to show up at Max's house for a night

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<v Speaker 1>of passion. I mean, holy cow, there's so much to discuss.

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<v Speaker 1>This was jam packed. Let's start with the fight. So

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<v Speaker 1>what do you remember, Like, was it choreographed? I was

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<v Speaker 1>shocked that I even put my hands on him. You know,

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<v Speaker 1>this day and age, you put your hands on somebody,

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<v Speaker 1>you go to jail for ten years. But right, I

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<v Speaker 1>don't think you could do that these days, especially since

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<v Speaker 1>he was a teenager and you were like, you know,

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<v Speaker 1>the older guy, and yeah, it's like I would be

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<v Speaker 1>if I did that today, it would be child abuse, right,

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<v Speaker 1>he's how old is he in the show? Sixteen? Yeah,

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<v Speaker 1>that's child abuse, right, twenty years ago, I think it

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<v Speaker 1>was probably a pretty entertaining scene. Now everyone's like, I

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<v Speaker 1>would have been canceled. He would have been canceled. I

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<v Speaker 1>would have been canceled, putting putting hands on a on

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<v Speaker 1>a team, right for just wanting to come get a

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<v Speaker 1>cup of coffee, just a cup of coffee for kidd

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<v Speaker 1>You know, he didn't he didn't dump. He got dumped, right,

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<v Speaker 1>He kind of got dumped and then he realized, like

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<v Speaker 1>I need to dump her, she dumped him. That's why

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<v Speaker 1>I think she's holding back so much with the details,

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<v Speaker 1>because if you get into the details on it, I

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<v Speaker 1>think Lorala is going to be like, wait a minute,

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<v Speaker 1>just such god. I mean, I'll give you a quick

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<v Speaker 1>list of all the things we're going to talk about today.

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<v Speaker 1>The breakup, Rory, rearranging the furniture, the list, Suki and Jackson, Max,

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<v Speaker 1>the party, Lane got a boyfriend, Tristan, broke up with

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<v Speaker 1>Summer too much, the kiss wallowing. That's all in this

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<v Speaker 1>episode in one episode. Where do we begin, even Lane's

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<v Speaker 1>hooking up, I mean, Lane having the great scenes, you know,

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<v Speaker 1>where do we start? Where do you want to start?

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<v Speaker 1>I mean, I think we've covered the fight. You know,

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<v Speaker 1>we've covered no try so hard to remember. They must

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<v Speaker 1>have choreographed it because it was tricky. Of course. Yeah,

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<v Speaker 1>there was a fight. There's a fight coordinator, and we

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<v Speaker 1>went through it. I don't really remember, but every time

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<v Speaker 1>there was any kind of tussle like that, like I

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<v Speaker 1>remember with Christopher's fight, it was a fight coordinator. They're

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<v Speaker 1>like a professional fight coordinator and they and they really

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<v Speaker 1>you know, they you know, you rehearse, rehearse, rehearse, rehearse.

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<v Speaker 1>So we just rehearsed a lot. I guess, well, and

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<v Speaker 1>so do you shoot it once where the cameras out

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<v Speaker 1>there with you, and then you have to do it

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<v Speaker 1>again because of the window shot where Lora, Li and

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<v Speaker 1>Rory see it through the window. Yeah, it's a steady

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<v Speaker 1>it's like a steadicam out there with us, so it

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<v Speaker 1>follows us around. And then yeah, they set up inside

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<v Speaker 1>and do it. Uh they get that. Yeah, it's but

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<v Speaker 1>I was shocked that Luke went after this young boy.

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<v Speaker 1>I mean, he's he's taller than me six four, right,

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<v Speaker 1>But you know, I'm throwing down the danes on him. Man,

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<v Speaker 1>you you messed with my girls, So I'm throwing down

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<v Speaker 1>some danes on you. And here it is. But did

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<v Speaker 1>a great job too, because he's like, what are you

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<v Speaker 1>talking about? He did? He did a great job. But

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<v Speaker 1>I just I hammed it up with the getting gassed

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<v Speaker 1>so easily. That was not great. And then Laura, I

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<v Speaker 1>has to kind of drag you away. But he started it,

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<v Speaker 1>you know, but he started it, but he sounded like

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<v Speaker 1>an idiot who started it. I didn't think that was

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<v Speaker 1>very Lukey looking back, yet, do you think Luke overreacted

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<v Speaker 1>a tad. I think it was a little much. You know,

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<v Speaker 1>I love this episode because because of the way the

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<v Speaker 1>town is, every character gets to be in this episode

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<v Speaker 1>because they all have to be a part of the breakup,

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<v Speaker 1>you know, the gossip going around the town and checking on.

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<v Speaker 1>So it was a great way to bring everyone back

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<v Speaker 1>that we hadn't seen in a minute. See how's the how? Yeah? Right,

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<v Speaker 1>And Sally Struthers just rushes in the kitchen, lorealized kitchen

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<v Speaker 1>with the brilliant entrance and that funny stuff she does.

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<v Speaker 1>Don't heard it's a little tell her I want to

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<v Speaker 1>talk to her, she said, What was the last line?

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<v Speaker 1>She said, what was the last thing? She? Oh? You know,

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<v Speaker 1>you know I was thrown out of a car moving

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<v Speaker 1>car one time. You know, I want to talk to

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<v Speaker 1>Patty is so great And the best is Kirk just

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<v Speaker 1>coming over to Rory, so like back, I knew that

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<v Speaker 1>guy sucked. It wasn't a good one. I apologize for

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<v Speaker 1>not talking to you about it sooner. The whole town.

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<v Speaker 1>It's such a great way where you realize this town.

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<v Speaker 1>And even the fact that they've never been up at

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<v Speaker 1>that hour and they that scene was amazing. They go

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<v Speaker 1>into Luke something like who are all these people? That's

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<v Speaker 1>the morning crowd? We didn't even acknowledge. Oh my god,

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<v Speaker 1>that Rachel. There's so much happening in this episode that

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<v Speaker 1>we didn't even acknowledge that Rachel, how do you sleep in?

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<v Speaker 1>Which is like, what is that? What is that? You know?

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<v Speaker 1>I'm I'm yeah, I know when we were up late

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<v Speaker 1>and I was like, oh god, I was like I'm

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<v Speaker 1>blushing with that. And she was so sparkly and sunny

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<v Speaker 1>and Laurela I was just dying inside moral bumbling, fumbling

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<v Speaker 1>her words, like just like oh you're gonna do and

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<v Speaker 1>she's all perfect, like with the apron, serving the coffee,

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<v Speaker 1>and you come down and you're kind of smitten because

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<v Speaker 1>you're smiling in this you that was a great scene,

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<v Speaker 1>like as in Scott Patterson acting, because I believed it.

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<v Speaker 1>I was like, oh my god, he totally likes Yeah.

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<v Speaker 1>I like that. I enjoyed that thing. I enjoyed question

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<v Speaker 1>yeah because it was all cute. Oh god, yeah, we

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<v Speaker 1>we're now an item. I guess we're an item now. Yeah,

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<v Speaker 1>And she just moved herself right in after evening at

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<v Speaker 1>the twenty one olympiad upstairs. You know what I mean,

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<v Speaker 1>staying up late. I still have to coverment extra work

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<v Speaker 1>in putting that extra work in. It's kind of interesting.

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<v Speaker 1>It's easier for me to have lower lie with someone

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<v Speaker 1>else than Luke with someone else. Really, you felt possessive?

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<v Speaker 1>Did you feel a little possessive somehow? Yeah? It was.

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<v Speaker 1>I was uncomfortable realizing like, oh my god, they did it.

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<v Speaker 1>Oh God. Whereas like with Lura, like I think, because

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<v Speaker 1>we know she has different relationships that lead her to Luke.

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<v Speaker 1>That one I was like, okay, like, Luke has a

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<v Speaker 1>girlfriend not so family friendly though, is getting a little old,

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<v Speaker 1>you know, little channel Jen? Yes, because lord lyon Max

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<v Speaker 1>was saucy too. That was something like he was a

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<v Speaker 1>little shirt off, both of them macing on each other,

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<v Speaker 1>like there you know, Oh my god. Okay, So do

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<v Speaker 1>you think that Lorela went back to Max because of

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<v Speaker 1>Rory's breakup or you and Rachel or what the above?

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<v Speaker 1>Tell me? More? Well, I mean she's been thinking about

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<v Speaker 1>this for you know, ever since it didn't work out,

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<v Speaker 1>and every everything that's happened is since that time has

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<v Speaker 1>pushed her back to knock on his door. Um, yeah, everything, everything,

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<v Speaker 1>all the stress. I mean, now we see, now we've

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<v Speaker 1>seen enough episodes, were realized that she's a great mom.

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<v Speaker 1>She's a very compassionate, loving person, terrific mom. Smart, really

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<v Speaker 1>knows how to sort of you know, back off with

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<v Speaker 1>her with with Rory when she needs to. But you know,

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<v Speaker 1>and Rory Roy is a lot like her. I'm starting

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<v Speaker 1>to see a lot of Laurel I attributes in in

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<v Speaker 1>Rory because she's tough. I mean, she's so vulnerable and

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<v Speaker 1>sweet and so smart, and but she's tough like she's

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<v Speaker 1>tough like Laurela. So she really she's giving it back.

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<v Speaker 1>And Laurel I realizes, Wow, she's my daughter. Of course

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<v Speaker 1>she's she's gonna be a little stubborn um. But yeah,

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<v Speaker 1>I mean, all this drama going around with guys. I mean,

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<v Speaker 1>and and she's again you know, and you know, thinking

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<v Speaker 1>in a couple of years, I'm empty nest and what

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<v Speaker 1>am I gonna do? And but she really does I mean,

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<v Speaker 1>if she loses Luke, not not to interrupts, sorry, but

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<v Speaker 1>but if if she feels like she's lost Luke because

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<v Speaker 1>put her put herself in her shoes. He talks about

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<v Speaker 1>her like she's l McPherson the one that got away

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<v Speaker 1>and the big love of his life and broke his

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<v Speaker 1>heart into a million tiny pieces. And now he's she's back,

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<v Speaker 1>she's smiling, she's serving coffee, he's happy as a clam.

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<v Speaker 1>They were up doing their Olympic training and uh, there

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<v Speaker 1>you go. It's all over. So she's got nobody left.

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<v Speaker 1>Luke's gone, He's gone. That's it in her mind. So yeah,

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<v Speaker 1>hello Max. Yeah, and then you realize she never so

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<v Speaker 1>maxim lore like didn't break up because they didn't like

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<v Speaker 1>each other. Now they broke up because of all the

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<v Speaker 1>extenuating circumstances. So that becomes much harder for her to

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<v Speaker 1>get over him, which is why Rory's pressing her, how

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<v Speaker 1>long did it take you to get over Max? And

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<v Speaker 1>she's like, hmmm, I can't give a time limit because

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<v Speaker 1>she's not over him. Okay, I know we need to

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<v Speaker 1>take a break. So before we take a break, we

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<v Speaker 1>have an announcement that's exciting. Tell us everyone can get

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<v Speaker 1>the theme song now song Okay, yeah, so anyway, Uh,

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<v Speaker 1>it's the theme song is is going to be It's

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<v Speaker 1>now available on iTunes and I believe Amazon and Spotify

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<v Speaker 1>and maybe some other platforms, but those are the big

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<v Speaker 1>So it's called I Want to Kiss You More? Okay,

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<v Speaker 1>and it's the theme song for the podcast. And go

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<v Speaker 1>ahead and take a listen. Let me know what you think.

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<v Speaker 1>And everybody that ask him us that on Instagram. So

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<v Speaker 1>now we can answer all these people saying how can

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<v Speaker 1>I get it? You can get it. Enjoy the song, everybody.

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<v Speaker 1>Let me know how you feel about it, what you

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<v Speaker 1>think about it, if it made you feel anything. Alright,

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<v Speaker 1>we're gonna take a little break. When we come back,

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<v Speaker 1>we're gonna talk a little bit more about the breakup

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<v Speaker 1>part two and Tristan and Rory, well that's going on

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<v Speaker 1>in there. We'll be back in a minute. All right, everybody,

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<v Speaker 1>we're back. I'm Scott Patterson. This is the I Heart

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<v Speaker 1>I Am all In podcast and my god, Tristan and

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<v Speaker 1>Rory finally right, the big party, the big party. Who's

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<v Speaker 1>how that was Louise's? Whose house was that? That was

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<v Speaker 1>not Louise? Was it Louise's fat? Yeah? It was a

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<v Speaker 1>big old mansion and he was away. He was in

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<v Speaker 1>Japan on business or vacation something. Anyway, they had the

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<v Speaker 1>whole castle to themselves with a pool table and a

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<v Speaker 1>DJ and more. Soda than I've ever seen my French soda.

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<v Speaker 1>Everywhere everything was French, right. So here's here's my first

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<v Speaker 1>thing I need to know from you. What are your

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<v Speaker 1>thoughts right now on Dean and what are your thoughts

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<v Speaker 1>on Tristan. I feel sorry for both of them. I

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<v Speaker 1>feel they're just getting vulnerable, and I that's what you

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<v Speaker 1>want to see. You know, all the bravado and the

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<v Speaker 1>facade is all down now, so you see these guys

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<v Speaker 1>for who they really are, and and it's it's just

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<v Speaker 1>so nice to see Tristan as he really is. And

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<v Speaker 1>he's just a normal kid now. And with normal well,

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<v Speaker 1>I mean he's a very wealthy kid, but he's his

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<v Speaker 1>heart is broken. And she was obviously not the girl

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<v Speaker 1>for him. That what was her name? Summer Summer Summer boy.

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<v Speaker 1>Well she was hell on wheels. She was held bent

0:12:52.520 --> 0:12:56.360
<v Speaker 1>for leather, that one wasn't she Summer just did not care.

0:12:56.440 --> 0:12:58.800
<v Speaker 1>Even if Tristan is like the cutest, most popular boy.

0:12:58.880 --> 0:13:02.960
<v Speaker 1>She was just like no, she So, you know, he

0:13:03.080 --> 0:13:07.080
<v Speaker 1>dodged a bullet there and uh gosh, she showed us

0:13:07.120 --> 0:13:09.960
<v Speaker 1>a side of himself that attracted the likes of a

0:13:10.000 --> 0:13:15.680
<v Speaker 1>one Rory Gilmore and you know, I guess once he

0:13:15.720 --> 0:13:19.280
<v Speaker 1>stops being a jerk, then he's he's okay, right, he's

0:13:19.320 --> 0:13:21.720
<v Speaker 1>a he's got a heart. So he showed some heart,

0:13:21.800 --> 0:13:24.760
<v Speaker 1>and he showed some empathy, and he showed you know

0:13:24.920 --> 0:13:29.320
<v Speaker 1>what what what every woman wants? Um and a man

0:13:29.760 --> 0:13:36.040
<v Speaker 1>and and or in a boy. But uh, yeah, interesting party.

0:13:36.160 --> 0:13:39.840
<v Speaker 1>Lane hooked up Um about the kiss. It was interesting

0:13:40.160 --> 0:13:44.800
<v Speaker 1>about that kiss between Tristan and Rory Um. You know,

0:13:44.800 --> 0:13:46.880
<v Speaker 1>it really triggered that whole flood of emotion for her

0:13:46.920 --> 0:13:51.520
<v Speaker 1>when she realized that she just was feeling bad about

0:13:51.559 --> 0:13:54.920
<v Speaker 1>Dean what she sort of didn't react and trying to

0:13:54.960 --> 0:13:57.680
<v Speaker 1>figure out her own fils got being sixteen and feeling

0:13:57.720 --> 0:14:01.640
<v Speaker 1>all that stuff. Man, it's off, God, you go through

0:14:01.720 --> 0:14:05.719
<v Speaker 1>so much. Yeah, the whole the whole sort of trajectory

0:14:05.720 --> 0:14:09.240
<v Speaker 1>of the breakup. You know, she's sad, then she's trying

0:14:09.280 --> 0:14:11.319
<v Speaker 1>to sort of like compensate with the list and all

0:14:11.360 --> 0:14:14.240
<v Speaker 1>the things and I'm not gonna wallow and you know,

0:14:14.360 --> 0:14:17.120
<v Speaker 1>doesn't want to talk about it. Then decides I'm gonna

0:14:17.120 --> 0:14:23.040
<v Speaker 1>go to this party, and then it's basically does see

0:14:23.160 --> 0:14:26.200
<v Speaker 1>that side of Tristan. But then the kiss just pushed

0:14:26.200 --> 0:14:29.400
<v Speaker 1>her the right back, you know, to her heartbreak. It

0:14:29.520 --> 0:14:32.920
<v Speaker 1>was overwhelming and you could relate to sort of all

0:14:32.960 --> 0:14:35.880
<v Speaker 1>of it. But I thought she played that kiss really

0:14:35.920 --> 0:14:40.400
<v Speaker 1>well because there was so much, you know, she was confused,

0:14:40.400 --> 0:14:42.280
<v Speaker 1>she was a little scared. When he was coming in

0:14:42.360 --> 0:14:44.040
<v Speaker 1>for it, he was you know, he was a little

0:14:44.040 --> 0:14:46.720
<v Speaker 1>scared too, but he was determined. He's Tristan, He's gonna

0:14:46.800 --> 0:14:51.760
<v Speaker 1>he's gonna kiss her. Um And but she played that beautifully.

0:14:51.920 --> 0:14:55.240
<v Speaker 1>It was like three three chapters, you know, beginning of

0:14:55.320 --> 0:14:58.000
<v Speaker 1>middle and an end. And she pulled away and it

0:14:58.120 --> 0:15:01.200
<v Speaker 1>was just so conflict. There was so much going on

0:15:01.360 --> 0:15:05.520
<v Speaker 1>with her in that moment, and I thought very well, played,

0:15:05.600 --> 0:15:08.120
<v Speaker 1>very well played on her party and somebody like Summer

0:15:08.200 --> 0:15:10.440
<v Speaker 1>really had to sort of stick it to Tristan for

0:15:10.560 --> 0:15:15.680
<v Speaker 1>Tristan to become a nice boy, like a like a

0:15:15.680 --> 0:15:18.000
<v Speaker 1>a nice guy that you're like, oh, I do feel

0:15:18.040 --> 0:15:20.840
<v Speaker 1>sorry for him, and he is sweet. God, it's amazing.

0:15:21.120 --> 0:15:23.600
<v Speaker 1>It's amazing what you attract into your life when you

0:15:23.640 --> 0:15:30.600
<v Speaker 1>project a certain certain qualities. My god, he's complicated. How

0:15:30.600 --> 0:15:32.480
<v Speaker 1>about the parents just wanted to leave and her mom

0:15:32.480 --> 0:15:38.680
<v Speaker 1>made her stay till ten thirty, Right, she's runs up Rory,

0:15:38.760 --> 0:15:40.440
<v Speaker 1>What time is am my watch, stop, it won't work.

0:15:40.480 --> 0:15:44.880
<v Speaker 1>What time is it? Five? Yes, she's gone. She runs out,

0:15:45.160 --> 0:15:48.960
<v Speaker 1>She sprints out of that place. It was hysterical. That

0:15:49.120 --> 0:15:54.240
<v Speaker 1>was really fun. My whole party was wild. I wanted

0:15:54.280 --> 0:15:56.200
<v Speaker 1>to that. That was a party that I wanted to

0:15:56.200 --> 0:16:00.640
<v Speaker 1>go to. That was like, you know what, that's a

0:16:00.720 --> 0:16:04.800
<v Speaker 1>high school party. I love how pissed Paris is that

0:16:05.080 --> 0:16:08.200
<v Speaker 1>Lane rolls in for five minutes and gets a boyfriend.

0:16:08.240 --> 0:16:13.800
<v Speaker 1>Paris is literally like, what the like she's always been

0:16:13.840 --> 0:16:17.640
<v Speaker 1>at the school for a hundred years. Those girls here

0:16:17.840 --> 0:16:23.840
<v Speaker 1>more minutes. It's so perfect. Oh my god, Well, guys

0:16:23.880 --> 0:16:26.400
<v Speaker 1>don't go up to girls that are you know, have

0:16:26.520 --> 0:16:31.040
<v Speaker 1>those sour faces? Don't. I love that late? I know

0:16:31.080 --> 0:16:34.520
<v Speaker 1>that's so true. Is like she's all, Oh my god,

0:16:34.880 --> 0:16:36.920
<v Speaker 1>I like a boy that my parents will approve of.

0:16:37.080 --> 0:16:43.920
<v Speaker 1>What am I doing? Handle? How much is happening? Because

0:16:43.920 --> 0:16:45.880
<v Speaker 1>we haven't even talked about like Suki and Jackson and

0:16:45.920 --> 0:16:48.240
<v Speaker 1>the dinner and lor like comes into bar the car,

0:16:50.080 --> 0:16:52.760
<v Speaker 1>Oh my god, where are we going to go next?

0:16:52.840 --> 0:16:56.400
<v Speaker 1>So all right, so we so we've discussed Tristan and Rory.

0:16:56.560 --> 0:17:01.000
<v Speaker 1>That is an ongoing, uh turn of events. This will

0:17:01.000 --> 0:17:04.280
<v Speaker 1>continue to unfold I guess I'm looking forward to that.

0:17:04.440 --> 0:17:07.720
<v Speaker 1>Dean is uh man, that's tail between his legs. Now

0:17:07.800 --> 0:17:11.840
<v Speaker 1>he's getting his ass kicked by the Luke Deanes kicking

0:17:11.920 --> 0:17:14.960
<v Speaker 1>some putting him in headlocks. Now what a town he's

0:17:15.240 --> 0:17:17.040
<v Speaker 1>he wants to go back to Chicago at this point,

0:17:17.680 --> 0:17:19.760
<v Speaker 1>you know, it's like forgetting. And then Max and Laura

0:17:19.840 --> 0:17:22.840
<v Speaker 1>la I like, I don't even know how they sort

0:17:22.840 --> 0:17:25.840
<v Speaker 1>of like ended it. They're like, Okay, we're gonna talk. Yeah,

0:17:25.880 --> 0:17:29.280
<v Speaker 1>he so so he doesn't want to get his heart

0:17:29.320 --> 0:17:33.440
<v Speaker 1>crushed again. He's trying to give it the best possible

0:17:33.520 --> 0:17:36.760
<v Speaker 1>chance he can have by mapping out a game plan,

0:17:37.960 --> 0:17:41.879
<v Speaker 1>and especially with somebody like her who doesn't follow the

0:17:41.960 --> 0:17:44.560
<v Speaker 1>rules right, And he's not really following the rules either,

0:17:44.920 --> 0:17:48.200
<v Speaker 1>but you know he's gotta set He's kind of laid

0:17:48.200 --> 0:17:51.399
<v Speaker 1>down the law here, like we're if you want to

0:17:51.440 --> 0:17:53.320
<v Speaker 1>do this, if you really want to do this, because

0:17:53.359 --> 0:17:56.040
<v Speaker 1>he suspects, I think he suspects like what she did

0:17:56.080 --> 0:17:58.440
<v Speaker 1>with Christopher. When she's in deep pain or she's confused

0:17:58.520 --> 0:18:01.600
<v Speaker 1>or whatever, she'll run often, you know, she'll try to

0:18:02.800 --> 0:18:06.640
<v Speaker 1>you know, she'll she'll she'll do a little Olympic training

0:18:07.240 --> 0:18:09.760
<v Speaker 1>and uh, you know he doesn't want to be that guy.

0:18:10.080 --> 0:18:13.280
<v Speaker 1>He doesn't want to get used, right, I hope everyone

0:18:13.320 --> 0:18:16.560
<v Speaker 1>knows what Olympic training. He doesn't want to be used

0:18:16.600 --> 0:18:19.680
<v Speaker 1>for that purpose. And he's in love with her, and

0:18:20.800 --> 0:18:23.399
<v Speaker 1>you know, this is his shot, so he wants it

0:18:23.440 --> 0:18:26.560
<v Speaker 1>to be Look, this is how he wants to He

0:18:26.640 --> 0:18:30.119
<v Speaker 1>just wants to be very clear that he's getting involved again,

0:18:30.119 --> 0:18:32.960
<v Speaker 1>and this is this is her shot. If he takes

0:18:32.960 --> 0:18:35.680
<v Speaker 1>the table, you sit there also the year, we'll put

0:18:35.680 --> 0:18:41.399
<v Speaker 1>this table between us. Yeah, I'm sorry, I still I

0:18:41.440 --> 0:18:43.359
<v Speaker 1>still have to go back. I have this sort of

0:18:43.440 --> 0:18:46.600
<v Speaker 1>knee jerk reaction to these two together with their banter.

0:18:47.440 --> 0:18:50.959
<v Speaker 1>It makes me very uncomfortable. Do you still just do

0:18:51.000 --> 0:18:55.399
<v Speaker 1>not like Maxim Lorelai talk to talk to us? Oh no,

0:18:55.600 --> 0:18:58.040
<v Speaker 1>I don't. I don't like the way. I don't like

0:18:58.160 --> 0:19:01.679
<v Speaker 1>the banter because it's it's like the Luke Danes in

0:19:01.720 --> 0:19:04.880
<v Speaker 1>me is rising up and it's like jealous. I think

0:19:04.880 --> 0:19:07.960
<v Speaker 1>how she feels about you and Rachel. It's right, but

0:19:08.040 --> 0:19:11.320
<v Speaker 1>we're not. I mean, I guess we're not really gushing

0:19:11.359 --> 0:19:15.879
<v Speaker 1>in front of her. We're we're not We're not. My God,

0:19:16.040 --> 0:19:18.600
<v Speaker 1>I wasn't gushing in front of her like I was smiling.

0:19:18.640 --> 0:19:21.720
<v Speaker 1>I couldn't help myself. Rewatched the scene where you come

0:19:21.720 --> 0:19:24.160
<v Speaker 1>down the stairs and you're buttoning the shirt and you're

0:19:24.240 --> 0:19:28.560
<v Speaker 1>all like sparkly eye. Yes, rewatch it. You played it

0:19:28.600 --> 0:19:31.240
<v Speaker 1>well because wait minute, at the top of that scene,

0:19:31.240 --> 0:19:37.399
<v Speaker 1>I played it with her feelings in mind, right, and

0:19:37.440 --> 0:19:39.800
<v Speaker 1>then when I realized that she doesn't have a problem

0:19:39.840 --> 0:19:42.359
<v Speaker 1>with it, then I that's when I crack a smile

0:19:42.800 --> 0:19:45.679
<v Speaker 1>because it's okay, so she doesn't care, and you know,

0:19:45.680 --> 0:19:47.280
<v Speaker 1>I'm not going to hurt her feelings with this, so

0:19:47.359 --> 0:19:51.440
<v Speaker 1>I can I disagree. I think that you were very

0:19:51.440 --> 0:19:55.359
<v Speaker 1>sweet to Lorelai when you're talking about Rory. That was

0:19:55.400 --> 0:19:58.719
<v Speaker 1>sort of when the like Papa Bear the friendship with

0:19:58.800 --> 0:20:01.760
<v Speaker 1>them came out, and you were very protective and you

0:20:01.760 --> 0:20:04.439
<v Speaker 1>you're you kind of like vibing with LORELEI, like I

0:20:04.480 --> 0:20:05.959
<v Speaker 1>got you, I got the whip cream. I'm not going

0:20:06.000 --> 0:20:09.680
<v Speaker 1>to tell anybody I got you. We've got something special here.

0:20:10.200 --> 0:20:13.440
<v Speaker 1>It was before that you come down and you're all

0:20:13.480 --> 0:20:16.600
<v Speaker 1>just sort of hard eyes at Rachel, and I don't

0:20:16.600 --> 0:20:18.280
<v Speaker 1>think you are hiding it. I think it was just

0:20:18.359 --> 0:20:21.199
<v Speaker 1>like she had to see how much you two like

0:20:21.320 --> 0:20:28.960
<v Speaker 1>each other. She deserved it. You're saying she didn't. Every

0:20:29.040 --> 0:20:30.640
<v Speaker 1>time I turned around, I'm trying to do a good

0:20:30.680 --> 0:20:33.359
<v Speaker 1>deed for people. She's on another date walking by in

0:20:33.359 --> 0:20:36.639
<v Speaker 1>the snow. No, I totally somebody. I mean, I know,

0:20:36.680 --> 0:20:42.159
<v Speaker 1>and you guys like, No, I'm not saying I'm gonna

0:20:42.200 --> 0:20:44.919
<v Speaker 1>send Rachel over to you to serve your coffee. You're

0:20:44.960 --> 0:20:47.600
<v Speaker 1>gonna have to deal with that after the Olympic events

0:20:47.600 --> 0:20:51.680
<v Speaker 1>of the prior fully justified. But I'm just saying it exists,

0:20:51.800 --> 0:20:55.680
<v Speaker 1>like it's I'm sure part of the reason she goes

0:20:55.680 --> 0:21:00.639
<v Speaker 1>back to Max is because of Luke and Rachel. Oh. Absolutely, Lee.

0:21:01.680 --> 0:21:06.880
<v Speaker 1>I mean, after losing in her mind the big love

0:21:06.920 --> 0:21:14.240
<v Speaker 1>of her life, she goes back to many me kidding, um, Yeah,

0:21:14.280 --> 0:21:17.360
<v Speaker 1>it's the only place she could go. And look, they're

0:21:17.359 --> 0:21:20.200
<v Speaker 1>really right for each other. I I like them together.

0:21:20.359 --> 0:21:24.040
<v Speaker 1>It's just that it makes me so uncomfortable too to

0:21:24.119 --> 0:21:27.080
<v Speaker 1>see them doing those things. Yeah. I was even a

0:21:27.080 --> 0:21:31.040
<v Speaker 1>little uncomfortable in the bed scene. I'd love to know Riley,

0:21:31.080 --> 0:21:34.760
<v Speaker 1>what you thought to like, there was something weird. They're

0:21:34.760 --> 0:21:39.600
<v Speaker 1>almost too much alike, you know, I felt they it's

0:21:39.600 --> 0:21:42.560
<v Speaker 1>like they say the same things to each other a

0:21:42.640 --> 0:21:45.720
<v Speaker 1>little cringe E. I don't know why. Why was it

0:21:45.760 --> 0:21:50.040
<v Speaker 1>cringe E? Riley, what do you think? It felt very soft?

0:21:50.440 --> 0:21:53.000
<v Speaker 1>Like it just felt like I don't know if I've

0:21:53.000 --> 0:21:55.679
<v Speaker 1>heard you talked about touching her elbows so many times,

0:21:55.760 --> 0:21:58.280
<v Speaker 1>but I just like it just felt like soft and

0:21:58.640 --> 0:22:00.800
<v Speaker 1>it just felt mismatched. It just felt cringe e. Like

0:22:00.840 --> 0:22:04.200
<v Speaker 1>Amy said, I was uncomfortable with them in the bed

0:22:04.200 --> 0:22:06.840
<v Speaker 1>and he's got his shirt off, and it felt like, Oh,

0:22:06.920 --> 0:22:10.879
<v Speaker 1>is this weird? Was he too needy? Did he was

0:22:11.160 --> 0:22:15.240
<v Speaker 1>like he looks a certain way, but he acts another way. Yeah,

0:22:15.280 --> 0:22:17.280
<v Speaker 1>we really have to break this down because there was

0:22:17.359 --> 0:22:21.240
<v Speaker 1>something in the Okay, so we're specifically when they're in

0:22:21.320 --> 0:22:23.479
<v Speaker 1>the bed and they're like cuddling and she's like rubbing

0:22:23.480 --> 0:22:27.040
<v Speaker 1>his chest. I was like, why is this making me

0:22:27.080 --> 0:22:33.040
<v Speaker 1>want a gag? There? Yeah? And other scenes like I'm

0:22:33.040 --> 0:22:34.959
<v Speaker 1>always like that's hot, you know, So it's not like

0:22:35.040 --> 0:22:38.200
<v Speaker 1>all scenes like that bum me out. There's plenty that

0:22:38.240 --> 0:22:42.199
<v Speaker 1>I'm like yeah, but that one I was like, this

0:22:42.320 --> 0:22:44.560
<v Speaker 1>is weird. You know. You know what I would have

0:22:44.640 --> 0:22:47.720
<v Speaker 1>liked better and this just popped into my head. I

0:22:47.720 --> 0:22:50.879
<v Speaker 1>would have liked to have seen a fight. I wish

0:22:50.880 --> 0:22:56.960
<v Speaker 1>you'd just kicked her out, you know what I mean? Yeah,

0:22:57.000 --> 0:22:59.800
<v Speaker 1>like he needed Yeah, he caved really quick. It's like

0:23:00.000 --> 0:23:03.200
<v Speaker 1>a can man up and toss her. You know, don't

0:23:03.320 --> 0:23:06.720
<v Speaker 1>get played like this, you know. Even though she's you know,

0:23:06.760 --> 0:23:09.520
<v Speaker 1>it's heartfelt, she means that. It's like, hey, you know,

0:23:09.600 --> 0:23:12.040
<v Speaker 1>you can't. I wanted to see Hey, you know what,

0:23:12.800 --> 0:23:15.000
<v Speaker 1>thanks for coming by, but you can't just pop into

0:23:15.080 --> 0:23:18.560
<v Speaker 1>my life like this unannounced and scramble my eggs. Try

0:23:18.600 --> 0:23:22.000
<v Speaker 1>to scramble my eggs again. You know. I don't need this,

0:23:22.520 --> 0:23:25.560
<v Speaker 1>you know, and uh, you know, you better think about

0:23:25.600 --> 0:23:28.760
<v Speaker 1>this before you make a make a move. I would

0:23:28.760 --> 0:23:31.399
<v Speaker 1>have preferred to see that scene other than you know,

0:23:32.240 --> 0:23:35.000
<v Speaker 1>twirling his chest hair and her pinky you know. Yeah,

0:23:35.000 --> 0:23:40.399
<v Speaker 1>oh god, I know there's something gaggy about it, but

0:23:40.640 --> 0:23:44.120
<v Speaker 1>I don't know. Yeah, I don't think. I mean, we'll

0:23:44.119 --> 0:23:46.760
<v Speaker 1>have to find out because if other people loved it,

0:23:46.840 --> 0:23:49.840
<v Speaker 1>but I thought that something was not it was a

0:23:49.880 --> 0:23:54.640
<v Speaker 1>little old. Yeah, And then it was so like uncertain,

0:23:55.320 --> 0:23:59.120
<v Speaker 1>so much is left open, and then doing right they

0:23:59.240 --> 0:24:02.359
<v Speaker 1>reconsume mate and then now and we're just back to

0:24:02.359 --> 0:24:04.280
<v Speaker 1>where we were. Now we still have to talk again.

0:24:04.359 --> 0:24:06.959
<v Speaker 1>Now we have to lay out some parameters because you know,

0:24:07.040 --> 0:24:09.320
<v Speaker 1>you're a mental case and and you know I can't.

0:24:09.320 --> 0:24:11.000
<v Speaker 1>I'm not going to be able to have a relationship

0:24:11.040 --> 0:24:13.440
<v Speaker 1>with you, you know, because you're all over the map

0:24:13.880 --> 0:24:17.040
<v Speaker 1>all the time. You show up at you know, my door.

0:24:17.240 --> 0:24:20.760
<v Speaker 1>After three months and again, we'll continue to talk about it,

0:24:20.800 --> 0:24:28.760
<v Speaker 1>because this could be the problem in the relationship, you know. Ultimately, Look,

0:24:28.800 --> 0:24:32.720
<v Speaker 1>we're ultimately it doesn't work out. We know this. I

0:24:32.720 --> 0:24:37.159
<v Speaker 1>don't want to ruin it, but we need to remember

0:24:37.240 --> 0:24:39.600
<v Speaker 1>this when it doesn't work out, So we go it

0:24:39.760 --> 0:24:42.840
<v Speaker 1>wasn't meant to work out. Yeah, you've got two very

0:24:42.880 --> 0:24:45.760
<v Speaker 1>impulsive people who are very attracted to one another, and

0:24:45.960 --> 0:24:49.120
<v Speaker 1>it's just somebody just needs to get control of this thing.

0:24:49.119 --> 0:24:51.119
<v Speaker 1>And I think that Max is trying to get control

0:24:51.160 --> 0:24:53.040
<v Speaker 1>of this thing. That's why he wants to slip down

0:24:53.080 --> 0:24:55.439
<v Speaker 1>and talk. Yes, I'll give it to him that he

0:24:55.560 --> 0:24:57.919
<v Speaker 1>kept trying to kept trying to. Look, we need to

0:24:57.960 --> 0:25:01.080
<v Speaker 1>sit down and talk about this. This is my life,

0:25:01.160 --> 0:25:04.520
<v Speaker 1>This is could potentially be our lives together, This could

0:25:04.520 --> 0:25:07.120
<v Speaker 1>be my career, this could we have to sit down

0:25:07.119 --> 0:25:09.920
<v Speaker 1>and talk about it like rational human beings who care

0:25:09.920 --> 0:25:12.119
<v Speaker 1>about one another, who maybe want to make a future

0:25:12.119 --> 0:25:14.800
<v Speaker 1>with one another, and let's talk about the consequences of

0:25:14.880 --> 0:25:16.600
<v Speaker 1>us being together. What it's gonna do to Lourie, what

0:25:16.600 --> 0:25:18.959
<v Speaker 1>it's gonna do to Max's career, what it's gonna do

0:25:18.960 --> 0:25:22.200
<v Speaker 1>to lauralized career. I mean, there's you know, little town's

0:25:22.240 --> 0:25:25.199
<v Speaker 1>bad pr people talking this go's what a scandal? What

0:25:25.280 --> 0:25:26.919
<v Speaker 1>kind of a scandal this? I mean, I grew up

0:25:26.920 --> 0:25:30.639
<v Speaker 1>in a small town, you know, and you know the

0:25:30.720 --> 0:25:33.480
<v Speaker 1>little things things like this or scandals, and it can

0:25:33.560 --> 0:25:36.160
<v Speaker 1>ruin reputations and you can make like very difficult for Rory.

0:25:36.400 --> 0:25:40.040
<v Speaker 1>So it's a real conversation to have. For sure, I

0:25:40.080 --> 0:25:42.160
<v Speaker 1>like them, but now we're just in a bigger mess.

0:25:42.200 --> 0:25:46.200
<v Speaker 1>Like it's just a mess with them. But okay, yeah,

0:25:46.240 --> 0:25:49.480
<v Speaker 1>watch with the watch with the twirling of the chest

0:25:49.480 --> 0:25:52.800
<v Speaker 1>here that that's that put me over the That was

0:25:52.840 --> 0:25:55.720
<v Speaker 1>the part for something that was a bridge too far

0:25:55.920 --> 0:26:00.280
<v Speaker 1>for me. For some reason. When they're in that head,

0:26:00.440 --> 0:26:03.960
<v Speaker 1>all I could stare at was like, oh, oh, how

0:26:03.960 --> 0:26:07.199
<v Speaker 1>does this Why is this so creepy? I feel like

0:26:07.200 --> 0:26:09.600
<v Speaker 1>I like them together, and till that scene, I feel

0:26:09.600 --> 0:26:11.760
<v Speaker 1>like it just ruined the whole thing, and I'm I'm

0:26:12.080 --> 0:26:13.399
<v Speaker 1>on that page of like, well, I don't like them

0:26:13.400 --> 0:26:15.200
<v Speaker 1>together anymore. I don't know. I can't you know what,

0:26:15.240 --> 0:26:17.280
<v Speaker 1>You're right, I can't figure it out either, because it's

0:26:17.320 --> 0:26:21.000
<v Speaker 1>like they're two incredibly attractive people, right the both of them.

0:26:21.280 --> 0:26:25.160
<v Speaker 1>They kind of look alike, don't they. Is it because

0:26:25.200 --> 0:26:28.360
<v Speaker 1>they look like brother and sister? Maybe I mean, I'm

0:26:28.400 --> 0:26:30.280
<v Speaker 1>I know I'm reaching here, but it's like they're both

0:26:30.720 --> 0:26:33.919
<v Speaker 1>dark haired, and I don't know, but I think this

0:26:34.000 --> 0:26:36.240
<v Speaker 1>is something that like we really do need to keep

0:26:36.359 --> 0:26:39.720
<v Speaker 1>trying to figure out because something about it bugged all

0:26:39.760 --> 0:26:44.840
<v Speaker 1>of us. So I don't think we're wrong. Something about

0:26:44.880 --> 0:26:47.960
<v Speaker 1>it was was cringe e. I don't know, gaggy, I

0:26:47.960 --> 0:26:57.159
<v Speaker 1>don't that naked. It's just the way she opened up

0:26:57.160 --> 0:26:59.879
<v Speaker 1>her arms to him and like, come to me, all right,

0:27:00.520 --> 0:27:03.400
<v Speaker 1>and here's the thing, here's what's bothering me so much.

0:27:04.480 --> 0:27:08.480
<v Speaker 1>Luke the way he looked at Rachel. Obviously we know

0:27:08.960 --> 0:27:11.720
<v Speaker 1>the same thing happened between Luke and Rachel that happened

0:27:11.720 --> 0:27:15.320
<v Speaker 1>between Maxim. More like we know they were all training

0:27:15.320 --> 0:27:19.680
<v Speaker 1>for the Olympics. That being said, I didn't cringe when

0:27:19.760 --> 0:27:21.879
<v Speaker 1>Luke kind of gave that look to Rachel. It was

0:27:21.920 --> 0:27:24.240
<v Speaker 1>sort of like sweet, I was a little jealous. I

0:27:24.280 --> 0:27:26.560
<v Speaker 1>felt bad for lore Lie, like it was all good,

0:27:27.000 --> 0:27:30.320
<v Speaker 1>whereas with Max and lorea Lie, something is making me like, look,

0:27:32.920 --> 0:27:39.000
<v Speaker 1>it's it's because it's not opposites attracting, it's the same attracting.

0:27:40.080 --> 0:27:42.920
<v Speaker 1>So there's something a little incongruous with it. I don't

0:27:42.920 --> 0:27:44.520
<v Speaker 1>I don't know what it is. Well, I don't know.

0:27:44.560 --> 0:27:49.040
<v Speaker 1>We have to keep figuring it out. So okay, before

0:27:49.080 --> 0:27:52.919
<v Speaker 1>we get into pop culture. I do have one mystery

0:27:53.240 --> 0:27:57.000
<v Speaker 1>thing I noticed that I won't reveal because we'll keep

0:27:57.040 --> 0:27:58.959
<v Speaker 1>talking about it because I want you guys to go

0:27:58.960 --> 0:28:01.680
<v Speaker 1>back and try and figure it out. In the scene

0:28:02.160 --> 0:28:07.360
<v Speaker 1>where Luke and Lorela are discussing the pancakes and the

0:28:07.440 --> 0:28:11.560
<v Speaker 1>chocolate chips and the whin, there is a misspelling, and

0:28:11.680 --> 0:28:17.040
<v Speaker 1>I want to know if it was intentional, Like I

0:28:17.080 --> 0:28:18.400
<v Speaker 1>don't want to give too much away, because I want

0:28:18.400 --> 0:28:21.040
<v Speaker 1>everybody to go back and like look and analyze, or

0:28:21.080 --> 0:28:24.720
<v Speaker 1>if it was actually just like whoever made the thing

0:28:24.760 --> 0:28:29.040
<v Speaker 1>in the diner misspelled something. Okay, so we have to

0:28:29.040 --> 0:28:31.000
<v Speaker 1>go back and watch it. You have to. Everybody's gonna

0:28:31.000 --> 0:28:32.320
<v Speaker 1>have to kind of watch it again and see if

0:28:32.320 --> 0:28:34.480
<v Speaker 1>they can discover it. Because it was super subtle, and

0:28:34.520 --> 0:28:38.800
<v Speaker 1>then I was like, why just tell us what it is. No,

0:28:39.320 --> 0:28:41.280
<v Speaker 1>it's so much more fun if we wait till next week.

0:28:42.880 --> 0:28:50.880
<v Speaker 1>Keep it going. It's called a tease. And you're you know,

0:28:51.360 --> 0:28:57.680
<v Speaker 1>he just needed to toss her. Just just just get

0:28:57.720 --> 0:29:00.960
<v Speaker 1>out of here, girl, you know, keep get back where,

0:29:01.120 --> 0:29:04.120
<v Speaker 1>get back to stars Hollow with that stuff. What are

0:29:04.120 --> 0:29:07.720
<v Speaker 1>you doing? You know this this tiny apartment too. I'm

0:29:07.720 --> 0:29:10.280
<v Speaker 1>the Hartford guy. Yeah, right, ground Flora. I mean, so

0:29:10.360 --> 0:29:18.240
<v Speaker 1>does Luke. Luke's got a diner and he's got his dignity. Anyway,

0:29:18.440 --> 0:29:23.200
<v Speaker 1>let's you know the mystery of uh the Luke, Laureli

0:29:24.320 --> 0:29:28.760
<v Speaker 1>and Max triangle. Oh my god, well it's it's I'm

0:29:28.800 --> 0:29:31.240
<v Speaker 1>gonna have to call him my old math professor at Rutgers.

0:29:32.040 --> 0:29:34.200
<v Speaker 1>Maybe maybe he can help me figure it out. We

0:29:34.360 --> 0:29:40.400
<v Speaker 1>create an equation for it. Um. Anyway, we'll be back. Uh,

0:29:40.440 --> 0:29:44.120
<v Speaker 1>we'll be back after these words, everybody, And what are

0:29:44.120 --> 0:29:45.600
<v Speaker 1>we going to get into when we get back? What

0:29:45.800 --> 0:29:49.640
<v Speaker 1>you want to we were all going to wallow? All right,

0:29:50.160 --> 0:29:57.640
<v Speaker 1>say in a minute, yeah, okay, everybody, we're back. We're

0:29:57.640 --> 0:30:01.960
<v Speaker 1>going to discuss a rory wallowing. And she did not

0:30:02.080 --> 0:30:04.600
<v Speaker 1>want a wallet. She didn't want Yeah, she was avoiding

0:30:04.680 --> 0:30:09.200
<v Speaker 1>the wallow, you know, the getting beaten with the wallowing stick.

0:30:09.480 --> 0:30:13.160
<v Speaker 1>She was holding it at arms length, and lor I

0:30:13.360 --> 0:30:16.440
<v Speaker 1>really wanted her to wallop. Do we do we remember

0:30:16.480 --> 0:30:20.080
<v Speaker 1>our own childhood teenage wallowing? Did we did we have

0:30:20.160 --> 0:30:22.760
<v Speaker 1>a wallow? Did you ever wall a couple of months ago?

0:30:25.080 --> 0:30:28.160
<v Speaker 1>Anyone wallows when they have a breakup? I hate wallowing,

0:30:28.440 --> 0:30:31.640
<v Speaker 1>but you kind of have to. Oh, I got I

0:30:31.680 --> 0:30:35.240
<v Speaker 1>got dumped by a girl. What was my junior in

0:30:35.280 --> 0:30:37.440
<v Speaker 1>high school? And it was a rainy day when she

0:30:37.560 --> 0:30:40.520
<v Speaker 1>told me, and I walked home in the rain in

0:30:40.560 --> 0:30:44.840
<v Speaker 1>my hoodie. I got soaked as and I wallowed And

0:30:44.920 --> 0:30:47.800
<v Speaker 1>how long till you were over it? I took that

0:30:47.880 --> 0:30:52.760
<v Speaker 1>one pretty hard, I don't know, strapped on the guitar

0:30:52.840 --> 0:30:55.760
<v Speaker 1>and just wailed. The way didn't take long. I was fine.

0:30:55.920 --> 0:30:58.920
<v Speaker 1>So I read this book when I was in college, Okay,

0:30:59.000 --> 0:31:01.240
<v Speaker 1>and here's what it said. I've never actually done it,

0:31:01.320 --> 0:31:02.840
<v Speaker 1>but I feel like people should try it because it

0:31:02.880 --> 0:31:05.240
<v Speaker 1>made sense. So let's say you go through a breakup,

0:31:05.280 --> 0:31:06.640
<v Speaker 1>and you know how like when you're in a breakup,

0:31:06.680 --> 0:31:09.960
<v Speaker 1>you always think about the person. So Roy's like Dean Dean.

0:31:10.080 --> 0:31:12.160
<v Speaker 1>Everything's Dean that's why she's like getting rid of the

0:31:12.200 --> 0:31:14.880
<v Speaker 1>rooster and getting rid of the sweater and the fancy

0:31:15.000 --> 0:31:18.520
<v Speaker 1>dress and all the stuff. Right, So this book said,

0:31:18.560 --> 0:31:22.000
<v Speaker 1>you're supposed to get a bucket of ice, and you

0:31:22.640 --> 0:31:26.960
<v Speaker 1>stick your feet in the bucket of ice, and then

0:31:27.080 --> 0:31:29.840
<v Speaker 1>you you think, you do your wallowing. So you think

0:31:29.840 --> 0:31:32.800
<v Speaker 1>about the person. You're like Dean, you know, I loved him.

0:31:32.800 --> 0:31:35.240
<v Speaker 1>He gave me the bracelet, he built me a car,

0:31:35.880 --> 0:31:38.680
<v Speaker 1>like you know, he said he liked my sweater and

0:31:39.000 --> 0:31:40.640
<v Speaker 1>my eyes look nice. And you just think about all

0:31:40.640 --> 0:31:43.440
<v Speaker 1>that stuff while your feet are in the ice bucket,

0:31:44.280 --> 0:31:47.720
<v Speaker 1>and you train your brain to think of pain when

0:31:47.720 --> 0:31:50.360
<v Speaker 1>you think of that person. For God's sake, it was

0:31:50.440 --> 0:31:53.120
<v Speaker 1>just some podiatrist who was trying to drum up business

0:31:53.120 --> 0:31:56.959
<v Speaker 1>for Froy's treating frost bite. That's all. It was taking

0:31:57.000 --> 0:31:59.360
<v Speaker 1>advantage of people's pain. Yeah, so when you think of

0:31:59.480 --> 0:32:01.880
<v Speaker 1>this is what the technique is. So that when Rory

0:32:01.960 --> 0:32:06.480
<v Speaker 1>thinks of Dean, she will remember the ice and how

0:32:06.560 --> 0:32:08.600
<v Speaker 1>uncomfortable it was, and then she won't like him anymore.

0:32:08.920 --> 0:32:12.720
<v Speaker 1>I mean, you know, the human brain, right, it's a

0:32:12.720 --> 0:32:15.880
<v Speaker 1>wonderful thing. I felt like that was a good idea,

0:32:16.120 --> 0:32:18.560
<v Speaker 1>actually makes sense. You know, I think I want to

0:32:18.600 --> 0:32:21.320
<v Speaker 1>try that. It might as well. I'm going to try

0:32:21.320 --> 0:32:23.280
<v Speaker 1>that tonight with a couple of people. Tag us in

0:32:23.320 --> 0:32:29.600
<v Speaker 1>your ice videos on Instagram, sitting there feeding a bucket

0:32:29.600 --> 0:32:32.760
<v Speaker 1>of ice, not thinking of you anymore. You know who

0:32:32.800 --> 0:32:42.040
<v Speaker 1>you are, Riley? How do you wallow? Um? My wallowing

0:32:42.040 --> 0:32:45.440
<v Speaker 1>process is the same for every breakup. I either go

0:32:45.560 --> 0:32:52.320
<v Speaker 1>through the full series of Friends or I watched Dirty Dancing. Wow, yep,

0:32:52.400 --> 0:32:54.760
<v Speaker 1>and I sing along. Okay, First of all, the Dirty

0:32:54.840 --> 0:33:00.240
<v Speaker 1>Dancing more efficient. It's two hours. The whole Friends thing,

0:33:00.280 --> 0:33:04.440
<v Speaker 1>that's hundreds of hours. How many episodes is that? Friends?

0:33:04.440 --> 0:33:09.320
<v Speaker 1>They and all they all run together? Yeah? They did

0:33:09.360 --> 0:33:12.160
<v Speaker 1>ten years, right, at least they did twenty four a

0:33:12.240 --> 0:33:16.320
<v Speaker 1>year they did. That's two Watch the Dirty Dancing, for

0:33:16.400 --> 0:33:19.880
<v Speaker 1>god's sake. Go for Dirty Dancing, carried a watermelon. I'll

0:33:19.880 --> 0:33:23.080
<v Speaker 1>get you through that a lot. But now I will

0:33:23.120 --> 0:33:26.240
<v Speaker 1>try ice. Yeah, try my ice things. See how that goes?

0:33:26.400 --> 0:33:28.320
<v Speaker 1>All right? So what do we do? We're gonna do. Uh,

0:33:28.400 --> 0:33:30.800
<v Speaker 1>We're gonna do a little pop culture. I'm Riley, and

0:33:30.800 --> 0:33:33.720
<v Speaker 1>this is your pop culture. So lore Lie is talking

0:33:33.720 --> 0:33:36.440
<v Speaker 1>to Rory, and Rory's really wondering if Dean hadn't the

0:33:36.480 --> 0:33:39.840
<v Speaker 1>breakup and like already planned out? And Roy says, how

0:33:39.840 --> 0:33:42.080
<v Speaker 1>do you know? And lor Lie says, because I've read

0:33:42.120 --> 0:33:46.240
<v Speaker 1>every Nancy Dream mystery, every ever written. So many women

0:33:46.360 --> 0:33:48.680
<v Speaker 1>have played the part of Nancy Drew, from Pamela Sue

0:33:48.720 --> 0:33:53.360
<v Speaker 1>Martin in m Roberts in two thousand seven. Powerful women

0:33:53.440 --> 0:33:56.480
<v Speaker 1>like Hillary Clinton, Barbara Walters, and Sandra Day O'Connor have

0:33:56.600 --> 0:34:01.000
<v Speaker 1>cited Nancy Drew as their favorite character, and Playboy once

0:34:01.040 --> 0:34:07.440
<v Speaker 1>featured a sexy Nancy Drew cover. Whoah, They are walking

0:34:07.440 --> 0:34:10.400
<v Speaker 1>through the alley and Lorala says, yeah, you know, honey,

0:34:10.560 --> 0:34:13.320
<v Speaker 1>trash doesn't actually talk unless it is in Sesame Street.

0:34:13.880 --> 0:34:15.640
<v Speaker 1>This is a reference to Oscar the Grouch, who has

0:34:15.680 --> 0:34:18.960
<v Speaker 1>been a character on Sesame Street since nineteen Oscar was

0:34:19.040 --> 0:34:21.600
<v Speaker 1>voiced by Carol Spinney, who also voiced Big Bird. In

0:34:21.640 --> 0:34:24.800
<v Speaker 1>Oscar's first words on Sesame Street work don't bang, mom

0:34:24.800 --> 0:34:28.040
<v Speaker 1>My can go away? Could you give up to us?

0:34:28.040 --> 0:34:31.239
<v Speaker 1>In a bit more of an Oscar the Grouch, I

0:34:31.280 --> 0:34:33.600
<v Speaker 1>feel like I only know Cookie Monster is Oscar like

0:34:33.719 --> 0:34:36.480
<v Speaker 1>higher give us some effort here you can do it,

0:34:36.520 --> 0:34:40.239
<v Speaker 1>as Cookie Monster, Just give us something. Don't burn on

0:34:40.360 --> 0:34:58.000
<v Speaker 1>my car? You miss you. You left out two words

0:34:58.160 --> 0:35:00.480
<v Speaker 1>you have to say, go away the bang on. I

0:35:00.560 --> 0:35:03.320
<v Speaker 1>can't go away. Go ahead, don't bring on my current

0:35:11.200 --> 0:35:16.520
<v Speaker 1>nice well well struck you know animal from the Muppets.

0:35:16.520 --> 0:35:20.040
<v Speaker 1>That's what it sounded like that time. Oh god, it

0:35:20.160 --> 0:35:24.719
<v Speaker 1>was fun puppet. I can't breathe keep going. Next we

0:35:24.840 --> 0:35:28.239
<v Speaker 1>have Luke says goodbye to Dean in many different languages

0:35:28.280 --> 0:35:30.759
<v Speaker 1>when after they have their fight, and Laura I says,

0:35:31.200 --> 0:35:32.960
<v Speaker 1>can we get off the Small World Ride and get

0:35:32.960 --> 0:35:36.040
<v Speaker 1>to cooking? Please? So The Small World Ride first opened

0:35:36.040 --> 0:35:38.880
<v Speaker 1>in Disneyland in nineteen sixty six. It featured twenty nine

0:35:38.920 --> 0:35:42.360
<v Speaker 1>different countries with two nine what they call dull children,

0:35:42.840 --> 0:35:45.839
<v Speaker 1>and the featured song plays around twelve hundred times during

0:35:45.840 --> 0:35:48.640
<v Speaker 1>a sixteen hour operating day at Disney Park, which would

0:35:48.680 --> 0:35:58.560
<v Speaker 1>give anyone a headache. Ah Rory is listing off all

0:35:58.600 --> 0:36:01.759
<v Speaker 1>the wonderful things they can do instead of thinking of Dean,

0:36:02.120 --> 0:36:04.680
<v Speaker 1>and Rory says, we could stuff our purses full of

0:36:04.719 --> 0:36:06.719
<v Speaker 1>sour patch kids and milk deads and go see the

0:36:06.719 --> 0:36:09.279
<v Speaker 1>Stars Hall of Elementary School production of Who's Afraid of

0:36:09.320 --> 0:36:13.120
<v Speaker 1>Virginia Wolf. This is a play by Edward Albe first

0:36:13.120 --> 0:36:15.920
<v Speaker 1>stage in October of nineteen sixty two. It was later

0:36:16.000 --> 0:36:19.920
<v Speaker 1>recreated in Tonight in nineteen sixty six film starring Elizabeth Taylor.

0:36:20.320 --> 0:36:23.239
<v Speaker 1>Elizabeth Taylor gained nearly thirty pounds to play the role

0:36:23.280 --> 0:36:26.239
<v Speaker 1>of a middle aged wife just for this movie, and

0:36:26.640 --> 0:36:29.440
<v Speaker 1>the play has been parodied on TV by The Simpsons,

0:36:29.520 --> 0:36:32.920
<v Speaker 1>American Dad, and Saturday Night Live Again. In the Alley,

0:36:33.000 --> 0:36:35.520
<v Speaker 1>Rory makes Laurelai walk through all the garbage, and Laura

0:36:35.560 --> 0:36:38.600
<v Speaker 1>la says, no, this is good, This is like G Jane,

0:36:38.680 --> 0:36:41.840
<v Speaker 1>but we get to keep our hair. So G A

0:36:42.000 --> 0:36:45.839
<v Speaker 1>Jane is nine seven American war drama featuring Demi Moore.

0:36:46.560 --> 0:36:50.720
<v Speaker 1>Jane Moore's character underwent grueling, grueling military training in the film,

0:36:50.920 --> 0:36:53.440
<v Speaker 1>and the actress actually shaved her head to get into

0:36:53.480 --> 0:36:58.160
<v Speaker 1>the character's mindset. Mortenson was great in that film. He

0:36:58.320 --> 0:37:02.239
<v Speaker 1>was your commanding officer. I forgot that he was in it.

0:37:02.239 --> 0:37:05.279
<v Speaker 1>It was a weird flop. It didn't do well. Really, no,

0:37:05.400 --> 0:37:08.840
<v Speaker 1>it did not very watchable film. I have to just

0:37:08.880 --> 0:37:12.520
<v Speaker 1>give it another gu His performance was it was Ridley Scott, right,

0:37:12.719 --> 0:37:16.440
<v Speaker 1>Ridley Scott. It was supposed to be like huge, but

0:37:16.480 --> 0:37:19.399
<v Speaker 1>then it just was not the same as Ishtar did

0:37:19.400 --> 0:37:25.480
<v Speaker 1>we do the record in the history of history. That

0:37:25.600 --> 0:37:27.839
<v Speaker 1>is a perfect segue until our next pop culture. So

0:37:27.920 --> 0:37:30.640
<v Speaker 1>this one is jam packed. Laura I suggest all the

0:37:30.680 --> 0:37:33.359
<v Speaker 1>movies where he could be watching while she wallows. Laura

0:37:33.440 --> 0:37:36.040
<v Speaker 1>I says, one day, one day of pizza and pajamas,

0:37:36.040 --> 0:37:39.240
<v Speaker 1>all Rent, Love Story, and The Champ, an affair to remember,

0:37:39.360 --> 0:37:45.480
<v Speaker 1>an Ishtar love story. Young young people don't even know

0:37:45.520 --> 0:37:47.839
<v Speaker 1>what ishtar is, and they all need no idea. They

0:37:47.840 --> 0:37:53.799
<v Speaker 1>all need to watch It wasn't it Dustin Hoff in

0:37:53.840 --> 0:37:57.960
<v Speaker 1>the Desert. Yeah. The next film she suggests is Love Story,

0:37:58.040 --> 0:38:00.920
<v Speaker 1>which is nineteen seventies American romantic drama. The film is

0:38:00.960 --> 0:38:03.840
<v Speaker 1>considered one of the most romantic by the Film Institute,

0:38:03.960 --> 0:38:05.719
<v Speaker 1>on number nine on the list, and is one of

0:38:05.719 --> 0:38:09.200
<v Speaker 1>the highest grossing films of all time. The next film

0:38:09.239 --> 0:38:12.960
<v Speaker 1>she's suggests is The Champ, which is a fighting movie

0:38:13.000 --> 0:38:15.759
<v Speaker 1>and very much not really a wallowing movie. It is

0:38:15.800 --> 0:38:19.480
<v Speaker 1>a film later remade in nineteen seventy nine starring legend

0:38:19.560 --> 0:38:24.960
<v Speaker 1>John Voyd, Angelina Jolie's dad right, and it is a

0:38:25.000 --> 0:38:31.200
<v Speaker 1>wallowing movie because it's so sad. Chah. Actually, over two

0:38:31.239 --> 0:38:33.640
<v Speaker 1>thousand children were interviewed for the role of t j

0:38:33.760 --> 0:38:37.440
<v Speaker 1>Flynn played by Ricky Schroeder. Lastly, We Have an Affair

0:38:37.480 --> 0:38:41.120
<v Speaker 1>to Remember a nineteen fifty seven American romance film directed

0:38:41.160 --> 0:38:44.360
<v Speaker 1>by Leo McCarry and starring Carrie Grant and Deborah Kerr.

0:38:45.080 --> 0:38:47.560
<v Speaker 1>There's a very funny scene and Sleepless in Seattle where

0:38:47.600 --> 0:38:50.279
<v Speaker 1>they talk about an affair to Remember. Who has seen it?

0:38:50.440 --> 0:38:53.440
<v Speaker 1>Oh god, that's the best because Rita Wilson is like,

0:38:54.239 --> 0:38:57.080
<v Speaker 1>she's related to Tom Hanks, but she's not married to

0:38:57.080 --> 0:39:01.440
<v Speaker 1>Tom Hanks since listened Seattle obviously, but she's telling him

0:39:01.480 --> 0:39:03.719
<v Speaker 1>about a fair to remember. Oh my god, everybody needs

0:39:03.719 --> 0:39:06.520
<v Speaker 1>to watch that scene. It's so hilarious and she's like

0:39:06.640 --> 0:39:09.000
<v Speaker 1>crying and all the boys in the scene are like

0:39:09.239 --> 0:39:12.120
<v Speaker 1>totally making fun of her. That's so good. The last

0:39:12.120 --> 0:39:14.960
<v Speaker 1>movie Laurea I suggest is Old Yeller. She says, so

0:39:15.080 --> 0:39:17.200
<v Speaker 1>should we rent Old Yeller two? Or is that just

0:39:17.280 --> 0:39:21.560
<v Speaker 1>a guy's crying movie. Old Yeller was made in seven,

0:39:21.760 --> 0:39:24.319
<v Speaker 1>and Disney actually recycles their sounds so you can hear

0:39:24.320 --> 0:39:26.720
<v Speaker 1>the same growling noises made in Lady in the Tramp

0:39:27.200 --> 0:39:29.440
<v Speaker 1>and Old Yeller's death is one of the most tearful

0:39:29.480 --> 0:39:33.600
<v Speaker 1>scenes in cinematic history. You can't not cry. LAURAA gives

0:39:33.600 --> 0:39:37.160
<v Speaker 1>an absurd reaction to everyone being up so early in town.

0:39:38.120 --> 0:39:41.600
<v Speaker 1>Laura I says jump back, and Rory is very confused

0:39:41.600 --> 0:39:44.680
<v Speaker 1>by that reference. Laurel I says. Kevin bacon foot loose

0:39:44.719 --> 0:39:46.840
<v Speaker 1>reaction to the no dancing and town rule is revealed

0:39:46.880 --> 0:39:49.200
<v Speaker 1>to him by Chris Penn, brother to Seawan. Stage to

0:39:49.239 --> 0:39:54.800
<v Speaker 1>All foot Loose is four American musical drama starring Kevin Bacon,

0:39:54.880 --> 0:39:58.319
<v Speaker 1>Sarah Jessica Parker, and Sean Penn's brother Chris Penn. The

0:39:58.320 --> 0:40:02.160
<v Speaker 1>film was later recreated into I Was An Eleven. Producers

0:40:02.200 --> 0:40:04.359
<v Speaker 1>actually wanted Tom Cruise to play the role of Wren,

0:40:04.600 --> 0:40:08.000
<v Speaker 1>but there was a scheduling conflict. Like we said, Loria

0:40:08.080 --> 0:40:11.360
<v Speaker 1>I mentioned the iconic jump back, but arguably one of

0:40:11.360 --> 0:40:14.440
<v Speaker 1>the most notable Kevin Bacon quotes is Let's Dance. At

0:40:14.440 --> 0:40:17.239
<v Speaker 1>the very end. While it was a great movie, the

0:40:17.280 --> 0:40:19.719
<v Speaker 1>plot was very odd setting place in a town that

0:40:19.800 --> 0:40:23.520
<v Speaker 1>was the band dancing. But why did nobody question this

0:40:23.760 --> 0:40:27.520
<v Speaker 1>while they were enjoying it? It made Kevin Bacon's career.

0:40:27.880 --> 0:40:31.880
<v Speaker 1>And what's your favorite Kevin Bacon movie? I don't know

0:40:32.080 --> 0:40:36.480
<v Speaker 1>what's what's your favorite Kevin Bacon. I was supposed to

0:40:36.480 --> 0:40:39.960
<v Speaker 1>do a movie with Meryl Streep and he, but Curtis

0:40:39.960 --> 0:40:42.720
<v Speaker 1>Hansen gave him the role over me. What was that

0:40:42.719 --> 0:40:49.080
<v Speaker 1>that was called David Strathane, you know The River Wild?

0:40:49.920 --> 0:40:52.600
<v Speaker 1>Oh yeah, that was a good movie Kevin Bacon, and

0:40:52.600 --> 0:40:54.239
<v Speaker 1>he did a good job. He's a good actor. I

0:40:54.280 --> 0:40:56.600
<v Speaker 1>like him in the X Men movies. Oh, I know,

0:40:56.800 --> 0:40:59.720
<v Speaker 1>pardon me, Apollo thirteen. I freaking love him in Apolo thirteen.

0:41:00.080 --> 0:41:01.839
<v Speaker 1>Oh and a Few Good Men? What am I even

0:41:01.880 --> 0:41:05.280
<v Speaker 1>talking about? A Few Good Men is probably my favorite

0:41:05.360 --> 0:41:08.279
<v Speaker 1>Kevin Bacon movie because you know what, that's when I

0:41:08.280 --> 0:41:14.800
<v Speaker 1>saw another side of him that was in that. Yeah, okay,

0:41:14.880 --> 0:41:19.160
<v Speaker 1>Animal House, Oh, Animal House, good one. Ryan, Right, he's

0:41:19.160 --> 0:41:24.040
<v Speaker 1>been around forever. It's like a teenager, wasn't he? Yeah?

0:41:24.520 --> 0:41:28.040
<v Speaker 1>Good one. That is it for a pop culture this week? Okay,

0:41:28.280 --> 0:41:31.919
<v Speaker 1>my favorite line. I really wanted it to be Turnaround

0:41:32.160 --> 0:41:36.960
<v Speaker 1>bad Boy, that Luke says, turn around bad Boy, but

0:41:37.000 --> 0:41:39.839
<v Speaker 1>I changed it to this one. I never liked him.

0:41:39.960 --> 0:41:42.600
<v Speaker 1>I don't know exactly what it was. Something something about

0:41:42.600 --> 0:41:46.600
<v Speaker 1>the shape of his forehead, his height, or the floppy hairstyle. Actually, yes,

0:41:46.680 --> 0:41:50.239
<v Speaker 1>I think it was the floppy hairstyle. Thank you so much, Kirk.

0:41:52.520 --> 0:41:55.040
<v Speaker 1>My favorite line is from Dean after the fight and

0:41:55.120 --> 0:41:57.839
<v Speaker 1>he says, obviously you're not exactly known as the town

0:41:57.880 --> 0:42:02.279
<v Speaker 1>crack up towards Luke Danielle. So my favorite line is

0:42:02.360 --> 0:42:05.280
<v Speaker 1>from Paris when she says she's been here five minutes

0:42:05.280 --> 0:42:07.080
<v Speaker 1>and already has a date. I've been going to the

0:42:07.080 --> 0:42:09.720
<v Speaker 1>school for nine years and I'm the French soda monitor.

0:42:10.160 --> 0:42:14.520
<v Speaker 1>Oh that's my favorite line. You stole the French soda monitor.

0:42:14.560 --> 0:42:17.640
<v Speaker 1>I thought that was that was a great line. Anyway,

0:42:17.640 --> 0:42:20.960
<v Speaker 1>that's my line too. I think we've covered. Okay, what's

0:42:21.000 --> 0:42:26.960
<v Speaker 1>the required reading? Nancy Drew by Carolyn keene M. So

0:42:27.120 --> 0:42:31.040
<v Speaker 1>let's get onto people. Yeah, Nancy Drew, I know I'll

0:42:31.080 --> 0:42:35.080
<v Speaker 1>be doing that tonight and next week the third lower Lie.

0:42:35.320 --> 0:42:39.799
<v Speaker 1>Next week is the third Laurel lie. Have have you

0:42:39.840 --> 0:42:41.600
<v Speaker 1>seen it yet? We haven't seen it yet, have we.

0:42:42.719 --> 0:42:46.080
<v Speaker 1>I might have peeked at it because I was curious.

0:42:46.480 --> 0:42:51.120
<v Speaker 1>We're going to be interviewing the third lower line and

0:42:51.280 --> 0:42:56.360
<v Speaker 1>ross the iconic. This is Cunney Ham. I couldn't help myself.

0:42:56.360 --> 0:42:58.839
<v Speaker 1>I did peek at it? Did you peek at it?

0:42:58.920 --> 0:43:01.279
<v Speaker 1>I did a little bit, not a lot. No, I

0:43:01.320 --> 0:43:04.360
<v Speaker 1>just I just wanted to. It's hard not to because

0:43:04.400 --> 0:43:08.080
<v Speaker 1>Netflix rolls you into the next one. You all week,

0:43:08.640 --> 0:43:12.000
<v Speaker 1>they send you emails, they things pop up, and you're like, Scott,

0:43:12.000 --> 0:43:15.319
<v Speaker 1>you're gonna complete your one? You know, I know your

0:43:15.320 --> 0:43:18.480
<v Speaker 1>feet are up on the I know you're drinking a

0:43:20.160 --> 0:43:22.200
<v Speaker 1>I know you're chomping on some pork rins. What are

0:43:22.200 --> 0:43:24.840
<v Speaker 1>you doing when you're watching golf against Are you gonna complete?

0:43:26.520 --> 0:43:28.560
<v Speaker 1>Come on, complete it. We're over here on Netflix. We're

0:43:28.600 --> 0:43:34.720
<v Speaker 1>we're waiting for you. Get ready for the third lower

0:43:34.760 --> 0:44:12.720
<v Speaker 1>lie fireworks, fireworks and money and Mary and Ross. Then hey, everybody,

0:44:12.760 --> 0:44:16.080
<v Speaker 1>and don't forget. Follow us on Instagram at I Am

0:44:16.160 --> 0:44:20.160
<v Speaker 1>all In podcast, and email us at Gilmore at I

0:44:20.320 --> 0:44:23.520
<v Speaker 1>heart radio dot com. Oh you gil More fans. If

0:44:23.560 --> 0:44:25.520
<v Speaker 1>you're looking for the best cup of coffee in the world,

0:44:25.560 --> 0:44:29.520
<v Speaker 1>go to my website for my company, scott EP dot com,

0:44:29.640 --> 0:44:31.800
<v Speaker 1>s C O T. T y P dot com, scott

0:44:31.800 --> 0:44:42.760
<v Speaker 1>EP dot com Grade one Specialty Coffee. Yeah.