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Speaker 1: I Am all in. Oh more, I Am all in

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Speaker 1: with Scott Patterson and I Heart Radio podcast. Hey everybody,

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Speaker 1: Scott Patterson here. This is the I Am All In

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Speaker 1: Podcast with our Heart Radio and one eleven Productions. We

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Speaker 1: are going to break down The Breakup Part two. And

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Speaker 1: I've said it before, I'm gonna say it again. What

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Speaker 1: a rollicking affair. This was, dude, you you got in

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Speaker 1: the fight, This the cuffs, the dream come true? But

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Speaker 1: what's with the Like? I gassed out so bad? I

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Speaker 1: was like bending over? What Why did I do that?

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Speaker 1: Old man? Have you know? I got limited energy? Thing?

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Speaker 1: I got a double over here and suck wind. I

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Speaker 1: think you had to do because he was a teenager,

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Speaker 1: so you couldn't really like sixteen little dance can't handle

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Speaker 1: a sixteen year old coma. I gotta I got a bendo.

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Speaker 1: Let's see. I called it was a hug, was a headlock.

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Speaker 1: I put him in a headlock. That doesn't take a

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Speaker 1: lot of energy. You know. This is episode seventeen, The Breakup,

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Speaker 1: Part two, air date March fifteen, two thousand one. Rebounding

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Speaker 1: from a fight with Dean Rory ENT's of kissing Kissing

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Speaker 1: Tristan at a party, while Laura Lia follows her own

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Speaker 1: impulse to show up at Max's house for a night

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Speaker 1: of passion. I mean, holy cow, there's so much to discuss.

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Speaker 1: This was jam packed. Let's start with the fight. So

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Speaker 1: what do you remember, Like, was it choreographed? I was

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Speaker 1: shocked that I even put my hands on him. You know,

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Speaker 1: this day and age, you put your hands on somebody,

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Speaker 1: you go to jail for ten years. But right, I

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Speaker 1: don't think you could do that these days, especially since

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Speaker 1: he was a teenager and you were like, you know,

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Speaker 1: the older guy, and yeah, it's like I would be

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Speaker 1: if I did that today, it would be child abuse, right,

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Speaker 1: he's how old is he in the show? Sixteen? Yeah,

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Speaker 1: that's child abuse, right, twenty years ago, I think it

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Speaker 1: was probably a pretty entertaining scene. Now everyone's like, I

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Speaker 1: would have been canceled. He would have been canceled. I

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Speaker 1: would have been canceled, putting putting hands on a on

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Speaker 1: a team, right for just wanting to come get a

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Speaker 1: cup of coffee, just a cup of coffee for kidd

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Speaker 1: You know, he didn't he didn't dump. He got dumped, right,

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Speaker 1: He kind of got dumped and then he realized, like

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Speaker 1: I need to dump her, she dumped him. That's why

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Speaker 1: I think she's holding back so much with the details,

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Speaker 1: because if you get into the details on it, I

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Speaker 1: think Lorala is going to be like, wait a minute,

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Speaker 1: just such god. I mean, I'll give you a quick

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Speaker 1: list of all the things we're going to talk about today.

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Speaker 1: The breakup, Rory, rearranging the furniture, the list, Suki and Jackson, Max,

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Speaker 1: the party, Lane got a boyfriend, Tristan, broke up with

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Speaker 1: Summer too much, the kiss wallowing. That's all in this

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Speaker 1: episode in one episode. Where do we begin, even Lane's

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Speaker 1: hooking up, I mean, Lane having the great scenes, you know,

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Speaker 1: where do we start? Where do you want to start?

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Speaker 1: I mean, I think we've covered the fight. You know,

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Speaker 1: we've covered no try so hard to remember. They must

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Speaker 1: have choreographed it because it was tricky. Of course. Yeah,

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Speaker 1: there was a fight. There's a fight coordinator, and we

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Speaker 1: went through it. I don't really remember, but every time

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Speaker 1: there was any kind of tussle like that, like I

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Speaker 1: remember with Christopher's fight, it was a fight coordinator. They're

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Speaker 1: like a professional fight coordinator and they and they really

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Speaker 1: you know, they you know, you rehearse, rehearse, rehearse, rehearse.

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Speaker 1: So we just rehearsed a lot. I guess, well, and

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Speaker 1: so do you shoot it once where the cameras out

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Speaker 1: there with you, and then you have to do it

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Speaker 1: again because of the window shot where Lora, Li and

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Speaker 1: Rory see it through the window. Yeah, it's a steady

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Speaker 1: it's like a steadicam out there with us, so it

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Speaker 1: follows us around. And then yeah, they set up inside

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Speaker 1: and do it. Uh they get that. Yeah, it's but

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Speaker 1: I was shocked that Luke went after this young boy.

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Speaker 1: I mean, he's he's taller than me six four, right,

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Speaker 1: But you know, I'm throwing down the danes on him. Man,

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Speaker 1: you you messed with my girls, So I'm throwing down

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Speaker 1: some danes on you. And here it is. But did

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Speaker 1: a great job too, because he's like, what are you

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Speaker 1: talking about? He did? He did a great job. But

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Speaker 1: I just I hammed it up with the getting gassed

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Speaker 1: so easily. That was not great. And then Laura, I

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Speaker 1: has to kind of drag you away. But he started it,

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Speaker 1: you know, but he started it, but he sounded like

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Speaker 1: an idiot who started it. I didn't think that was

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Speaker 1: very Lukey looking back, yet, do you think Luke overreacted

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Speaker 1: a tad. I think it was a little much. You know,

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Speaker 1: I love this episode because because of the way the

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Speaker 1: town is, every character gets to be in this episode

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Speaker 1: because they all have to be a part of the breakup,

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Speaker 1: you know, the gossip going around the town and checking on.

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Speaker 1: So it was a great way to bring everyone back

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Speaker 1: that we hadn't seen in a minute. See how's the how? Yeah? Right,

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Speaker 1: And Sally Struthers just rushes in the kitchen, lorealized kitchen

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Speaker 1: with the brilliant entrance and that funny stuff she does.

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Speaker 1: Don't heard it's a little tell her I want to

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Speaker 1: talk to her, she said, What was the last line?

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Speaker 1: She said, what was the last thing? She? Oh? You know,

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Speaker 1: you know I was thrown out of a car moving

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Speaker 1: car one time. You know, I want to talk to

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Speaker 1: Patty is so great And the best is Kirk just

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Speaker 1: coming over to Rory, so like back, I knew that

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Speaker 1: guy sucked. It wasn't a good one. I apologize for

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Speaker 1: not talking to you about it sooner. The whole town.

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Speaker 1: It's such a great way where you realize this town.

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Speaker 1: And even the fact that they've never been up at

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Speaker 1: that hour and they that scene was amazing. They go

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Speaker 1: into Luke something like who are all these people? That's

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Speaker 1: the morning crowd? We didn't even acknowledge. Oh my god,

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Speaker 1: that Rachel. There's so much happening in this episode that

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Speaker 1: we didn't even acknowledge that Rachel, how do you sleep in?

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Speaker 1: Which is like, what is that? What is that? You know?

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Speaker 1: I'm I'm yeah, I know when we were up late

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Speaker 1: and I was like, oh god, I was like I'm

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Speaker 1: blushing with that. And she was so sparkly and sunny

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Speaker 1: and Laurela I was just dying inside moral bumbling, fumbling

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Speaker 1: her words, like just like oh you're gonna do and

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Speaker 1: she's all perfect, like with the apron, serving the coffee,

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Speaker 1: and you come down and you're kind of smitten because

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Speaker 1: you're smiling in this you that was a great scene,

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Speaker 1: like as in Scott Patterson acting, because I believed it.

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Speaker 1: I was like, oh my god, he totally likes Yeah.

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Speaker 1: I like that. I enjoyed that thing. I enjoyed question

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Speaker 1: yeah because it was all cute. Oh god, yeah, we

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Speaker 1: we're now an item. I guess we're an item now. Yeah,

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Speaker 1: And she just moved herself right in after evening at

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Speaker 1: the twenty one olympiad upstairs. You know what I mean,

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Speaker 1: staying up late. I still have to coverment extra work

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Speaker 1: in putting that extra work in. It's kind of interesting.

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Speaker 1: It's easier for me to have lower lie with someone

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Speaker 1: else than Luke with someone else. Really, you felt possessive?

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Speaker 1: Did you feel a little possessive somehow? Yeah? It was.

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Speaker 1: I was uncomfortable realizing like, oh my god, they did it.

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Speaker 1: Oh God. Whereas like with Lura, like I think, because

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Speaker 1: we know she has different relationships that lead her to Luke.

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Speaker 1: That one I was like, okay, like, Luke has a

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Speaker 1: girlfriend not so family friendly though, is getting a little old,

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Speaker 1: you know, little channel Jen? Yes, because lord lyon Max

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Speaker 1: was saucy too. That was something like he was a

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Speaker 1: little shirt off, both of them macing on each other,

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Speaker 1: like there you know, Oh my god. Okay, So do

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Speaker 1: you think that Lorela went back to Max because of

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Speaker 1: Rory's breakup or you and Rachel or what the above?

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Speaker 1: Tell me? More? Well, I mean she's been thinking about

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Speaker 1: this for you know, ever since it didn't work out,

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Speaker 1: and every everything that's happened is since that time has

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Speaker 1: pushed her back to knock on his door. Um, yeah, everything, everything,

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Speaker 1: all the stress. I mean, now we see, now we've

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Speaker 1: seen enough episodes, were realized that she's a great mom.

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Speaker 1: She's a very compassionate, loving person, terrific mom. Smart, really

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Speaker 1: knows how to sort of you know, back off with

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Speaker 1: her with with Rory when she needs to. But you know,

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Speaker 1: and Rory Roy is a lot like her. I'm starting

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Speaker 1: to see a lot of Laurel I attributes in in

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Speaker 1: Rory because she's tough. I mean, she's so vulnerable and

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Speaker 1: sweet and so smart, and but she's tough like she's

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Speaker 1: tough like Laurela. So she really she's giving it back.

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Speaker 1: And Laurel I realizes, Wow, she's my daughter. Of course

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Speaker 1: she's she's gonna be a little stubborn um. But yeah,

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Speaker 1: I mean, all this drama going around with guys. I mean,

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Speaker 1: and and she's again you know, and you know, thinking

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Speaker 1: in a couple of years, I'm empty nest and what

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Speaker 1: am I gonna do? And but she really does I mean,

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Speaker 1: if she loses Luke, not not to interrupts, sorry, but

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Speaker 1: but if if she feels like she's lost Luke because

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Speaker 1: put her put herself in her shoes. He talks about

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Speaker 1: her like she's l McPherson the one that got away

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Speaker 1: and the big love of his life and broke his

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Speaker 1: heart into a million tiny pieces. And now he's she's back,

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Speaker 1: she's smiling, she's serving coffee, he's happy as a clam.

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Speaker 1: They were up doing their Olympic training and uh, there

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Speaker 1: you go. It's all over. So she's got nobody left.

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Speaker 1: Luke's gone, He's gone. That's it in her mind. So yeah,

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Speaker 1: hello Max. Yeah, and then you realize she never so

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Speaker 1: maxim lore like didn't break up because they didn't like

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Speaker 1: each other. Now they broke up because of all the

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Speaker 1: extenuating circumstances. So that becomes much harder for her to

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Speaker 1: get over him, which is why Rory's pressing her, how

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Speaker 1: long did it take you to get over Max? And

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Speaker 1: she's like, hmmm, I can't give a time limit because

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Speaker 1: she's not over him. Okay, I know we need to

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Speaker 1: take a break. So before we take a break, we

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Speaker 1: have an announcement that's exciting. Tell us everyone can get

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Speaker 1: the theme song now song Okay, yeah, so anyway, Uh,

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Speaker 1: it's the theme song is is going to be It's

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Speaker 1: now available on iTunes and I believe Amazon and Spotify

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Speaker 1: and maybe some other platforms, but those are the big

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Speaker 1: So it's called I Want to Kiss You More? Okay,

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Speaker 1: and it's the theme song for the podcast. And go

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Speaker 1: ahead and take a listen. Let me know what you think.

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Speaker 1: And everybody that ask him us that on Instagram. So

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Speaker 1: now we can answer all these people saying how can

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Speaker 1: I get it? You can get it. Enjoy the song, everybody.

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Speaker 1: Let me know how you feel about it, what you

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Speaker 1: think about it, if it made you feel anything. Alright,

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Speaker 1: we're gonna take a little break. When we come back,

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Speaker 1: we're gonna talk a little bit more about the breakup

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Speaker 1: part two and Tristan and Rory, well that's going on

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Speaker 1: in there. We'll be back in a minute. All right, everybody,

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Speaker 1: we're back. I'm Scott Patterson. This is the I Heart

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Speaker 1: I Am all In podcast and my god, Tristan and

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Speaker 1: Rory finally right, the big party, the big party. Who's

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Speaker 1: how that was Louise's? Whose house was that? That was

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Speaker 1: not Louise? Was it Louise's fat? Yeah? It was a

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Speaker 1: big old mansion and he was away. He was in

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Speaker 1: Japan on business or vacation something. Anyway, they had the

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Speaker 1: whole castle to themselves with a pool table and a

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Speaker 1: DJ and more. Soda than I've ever seen my French soda.

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Speaker 1: Everywhere everything was French, right. So here's here's my first

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Speaker 1: thing I need to know from you. What are your

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Speaker 1: thoughts right now on Dean and what are your thoughts

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Speaker 1: on Tristan. I feel sorry for both of them. I

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Speaker 1: feel they're just getting vulnerable, and I that's what you

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Speaker 1: want to see. You know, all the bravado and the

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Speaker 1: facade is all down now, so you see these guys

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Speaker 1: for who they really are, and and it's it's just

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Speaker 1: so nice to see Tristan as he really is. And

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Speaker 1: he's just a normal kid now. And with normal well,

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Speaker 1: I mean he's a very wealthy kid, but he's his

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Speaker 1: heart is broken. And she was obviously not the girl

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Speaker 1: for him. That what was her name? Summer Summer Summer boy.

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Speaker 1: Well she was hell on wheels. She was held bent

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Speaker 1: for leather, that one wasn't she Summer just did not care.

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Speaker 1: Even if Tristan is like the cutest, most popular boy.

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Speaker 1: She was just like no, she So, you know, he

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Speaker 1: dodged a bullet there and uh gosh, she showed us

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Speaker 1: a side of himself that attracted the likes of a

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Speaker 1: one Rory Gilmore and you know, I guess once he

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Speaker 1: stops being a jerk, then he's he's okay, right, he's

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Speaker 1: a he's got a heart. So he showed some heart,

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Speaker 1: and he showed some empathy, and he showed you know

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Speaker 1: what what what every woman wants? Um and a man

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Speaker 1: and and or in a boy. But uh, yeah, interesting party.

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Speaker 1: Lane hooked up Um about the kiss. It was interesting

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Speaker 1: about that kiss between Tristan and Rory Um. You know,

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Speaker 1: it really triggered that whole flood of emotion for her

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Speaker 1: when she realized that she just was feeling bad about

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Speaker 1: Dean what she sort of didn't react and trying to

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Speaker 1: figure out her own fils got being sixteen and feeling

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Speaker 1: all that stuff. Man, it's off, God, you go through

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Speaker 1: so much. Yeah, the whole the whole sort of trajectory

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Speaker 1: of the breakup. You know, she's sad, then she's trying

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Speaker 1: to sort of like compensate with the list and all

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Speaker 1: the things and I'm not gonna wallow and you know,

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Speaker 1: doesn't want to talk about it. Then decides I'm gonna

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Speaker 1: go to this party, and then it's basically does see

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Speaker 1: that side of Tristan. But then the kiss just pushed

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Speaker 1: her the right back, you know, to her heartbreak. It

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Speaker 1: was overwhelming and you could relate to sort of all

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Speaker 1: of it. But I thought she played that kiss really

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Speaker 1: well because there was so much, you know, she was confused,

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Speaker 1: she was a little scared. When he was coming in

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Speaker 1: for it, he was you know, he was a little

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Speaker 1: scared too, but he was determined. He's Tristan, He's gonna

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Speaker 1: he's gonna kiss her. Um And but she played that beautifully.

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Speaker 1: It was like three three chapters, you know, beginning of

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Speaker 1: middle and an end. And she pulled away and it

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Speaker 1: was just so conflict. There was so much going on

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Speaker 1: with her in that moment, and I thought very well, played,

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Speaker 1: very well played on her party and somebody like Summer

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Speaker 1: really had to sort of stick it to Tristan for

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Speaker 1: Tristan to become a nice boy, like a like a

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Speaker 1: a nice guy that you're like, oh, I do feel

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Speaker 1: sorry for him, and he is sweet. God, it's amazing.

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Speaker 1: It's amazing what you attract into your life when you

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Speaker 1: project a certain certain qualities. My god, he's complicated. How

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Speaker 1: about the parents just wanted to leave and her mom

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Speaker 1: made her stay till ten thirty, Right, she's runs up Rory,

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Speaker 1: What time is am my watch, stop, it won't work.

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Speaker 1: What time is it? Five? Yes, she's gone. She runs out,

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Speaker 1: She sprints out of that place. It was hysterical. That

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Speaker 1: was really fun. My whole party was wild. I wanted

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Speaker 1: to that. That was a party that I wanted to

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Speaker 1: go to. That was like, you know what, that's a

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Speaker 1: high school party. I love how pissed Paris is that

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Speaker 1: Lane rolls in for five minutes and gets a boyfriend.

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Speaker 1: Paris is literally like, what the like she's always been

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Speaker 1: at the school for a hundred years. Those girls here

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Speaker 1: more minutes. It's so perfect. Oh my god, Well, guys

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Speaker 1: don't go up to girls that are you know, have

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Speaker 1: those sour faces? Don't. I love that late? I know

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Speaker 1: that's so true. Is like she's all, Oh my god,

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Speaker 1: I like a boy that my parents will approve of.

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Speaker 1: What am I doing? Handle? How much is happening? Because

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Speaker 1: we haven't even talked about like Suki and Jackson and

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Speaker 1: the dinner and lor like comes into bar the car,

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Speaker 1: Oh my god, where are we going to go next?

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Speaker 1: So all right, so we so we've discussed Tristan and Rory.

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Speaker 1: That is an ongoing, uh turn of events. This will

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Speaker 1: continue to unfold I guess I'm looking forward to that.

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Speaker 1: Dean is uh man, that's tail between his legs. Now

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Speaker 1: he's getting his ass kicked by the Luke Deanes kicking

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Speaker 1: some putting him in headlocks. Now what a town he's

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Speaker 1: he wants to go back to Chicago at this point,

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Speaker 1: you know, it's like forgetting. And then Max and Laura

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Speaker 1: la I like, I don't even know how they sort

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Speaker 1: of like ended it. They're like, Okay, we're gonna talk. Yeah,

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Speaker 1: he so so he doesn't want to get his heart

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Speaker 1: crushed again. He's trying to give it the best possible

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Speaker 1: chance he can have by mapping out a game plan,

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Speaker 1: and especially with somebody like her who doesn't follow the

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Speaker 1: rules right, And he's not really following the rules either,

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Speaker 1: but you know he's gotta set He's kind of laid

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Speaker 1: down the law here, like we're if you want to

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Speaker 1: do this, if you really want to do this, because

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Speaker 1: he suspects, I think he suspects like what she did

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Speaker 1: with Christopher. When she's in deep pain or she's confused

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Speaker 1: or whatever, she'll run often, you know, she'll try to

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Speaker 1: you know, she'll she'll she'll do a little Olympic training

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Speaker 1: and uh, you know he doesn't want to be that guy.

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Speaker 1: He doesn't want to get used, right, I hope everyone

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Speaker 1: knows what Olympic training. He doesn't want to be used

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Speaker 1: for that purpose. And he's in love with her, and

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Speaker 1: you know, this is his shot, so he wants it

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Speaker 1: to be Look, this is how he wants to He

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Speaker 1: just wants to be very clear that he's getting involved again,

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Speaker 1: and this is this is her shot. If he takes

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Speaker 1: the table, you sit there also the year, we'll put

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Speaker 1: this table between us. Yeah, I'm sorry, I still I

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Speaker 1: still have to go back. I have this sort of

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Speaker 1: knee jerk reaction to these two together with their banter.

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Speaker 1: It makes me very uncomfortable. Do you still just do

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Speaker 1: not like Maxim Lorelai talk to talk to us? Oh no,

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Speaker 1: I don't. I don't like the way. I don't like

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Speaker 1: the banter because it's it's like the Luke Danes in

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Speaker 1: me is rising up and it's like jealous. I think

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Speaker 1: how she feels about you and Rachel. It's right, but

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Speaker 1: we're not. I mean, I guess we're not really gushing

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Speaker 1: in front of her. We're we're not We're not. My God,

327
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Speaker 1: I wasn't gushing in front of her like I was smiling.

328
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Speaker 1: I couldn't help myself. Rewatched the scene where you come

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Speaker 1: down the stairs and you're buttoning the shirt and you're

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Speaker 1: all like sparkly eye. Yes, rewatch it. You played it

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Speaker 1: well because wait minute, at the top of that scene,

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Speaker 1: I played it with her feelings in mind, right, and

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Speaker 1: then when I realized that she doesn't have a problem

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Speaker 1: with it, then I that's when I crack a smile

335
00:19:42,800 --> 00:19:45,679
Speaker 1: because it's okay, so she doesn't care, and you know,

336
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Speaker 1: I'm not going to hurt her feelings with this, so

337
00:19:47,359 --> 00:19:51,440
Speaker 1: I can I disagree. I think that you were very

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Speaker 1: sweet to Lorelai when you're talking about Rory. That was

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00:19:55,400 --> 00:19:58,719
Speaker 1: sort of when the like Papa Bear the friendship with

340
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Speaker 1: them came out, and you were very protective and you

341
00:20:01,760 --> 00:20:04,439
Speaker 1: you're you kind of like vibing with LORELEI, like I

342
00:20:04,480 --> 00:20:05,959
Speaker 1: got you, I got the whip cream. I'm not going

343
00:20:06,000 --> 00:20:09,680
Speaker 1: to tell anybody I got you. We've got something special here.

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00:20:10,200 --> 00:20:13,440
Speaker 1: It was before that you come down and you're all

345
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Speaker 1: just sort of hard eyes at Rachel, and I don't

346
00:20:16,600 --> 00:20:18,280
Speaker 1: think you are hiding it. I think it was just

347
00:20:18,359 --> 00:20:21,199
Speaker 1: like she had to see how much you two like

348
00:20:21,320 --> 00:20:28,960
Speaker 1: each other. She deserved it. You're saying she didn't. Every

349
00:20:29,040 --> 00:20:30,640
Speaker 1: time I turned around, I'm trying to do a good

350
00:20:30,680 --> 00:20:33,359
Speaker 1: deed for people. She's on another date walking by in

351
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Speaker 1: the snow. No, I totally somebody. I mean, I know,

352
00:20:36,680 --> 00:20:42,159
Speaker 1: and you guys like, No, I'm not saying I'm gonna

353
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Speaker 1: send Rachel over to you to serve your coffee. You're

354
00:20:44,960 --> 00:20:47,600
Speaker 1: gonna have to deal with that after the Olympic events

355
00:20:47,600 --> 00:20:51,680
Speaker 1: of the prior fully justified. But I'm just saying it exists,

356
00:20:51,800 --> 00:20:55,680
Speaker 1: like it's I'm sure part of the reason she goes

357
00:20:55,680 --> 00:21:00,639
Speaker 1: back to Max is because of Luke and Rachel. Oh. Absolutely, Lee.

358
00:21:01,680 --> 00:21:06,880
Speaker 1: I mean, after losing in her mind the big love

359
00:21:06,920 --> 00:21:14,240
Speaker 1: of her life, she goes back to many me kidding, um, Yeah,

360
00:21:14,280 --> 00:21:17,360
Speaker 1: it's the only place she could go. And look, they're

361
00:21:17,359 --> 00:21:20,200
Speaker 1: really right for each other. I I like them together.

362
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Speaker 1: It's just that it makes me so uncomfortable too to

363
00:21:24,119 --> 00:21:27,080
Speaker 1: see them doing those things. Yeah. I was even a

364
00:21:27,080 --> 00:21:31,040
Speaker 1: little uncomfortable in the bed scene. I'd love to know Riley,

365
00:21:31,080 --> 00:21:34,760
Speaker 1: what you thought to like, there was something weird. They're

366
00:21:34,760 --> 00:21:39,600
Speaker 1: almost too much alike, you know, I felt they it's

367
00:21:39,600 --> 00:21:42,560
Speaker 1: like they say the same things to each other a

368
00:21:42,640 --> 00:21:45,720
Speaker 1: little cringe E. I don't know why. Why was it

369
00:21:45,760 --> 00:21:50,040
Speaker 1: cringe E? Riley, what do you think? It felt very soft?

370
00:21:50,440 --> 00:21:53,000
Speaker 1: Like it just felt like I don't know if I've

371
00:21:53,000 --> 00:21:55,679
Speaker 1: heard you talked about touching her elbows so many times,

372
00:21:55,760 --> 00:21:58,280
Speaker 1: but I just like it just felt like soft and

373
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Speaker 1: it just felt mismatched. It just felt cringe e. Like

374
00:22:00,840 --> 00:22:04,200
Speaker 1: Amy said, I was uncomfortable with them in the bed

375
00:22:04,200 --> 00:22:06,840
Speaker 1: and he's got his shirt off, and it felt like, Oh,

376
00:22:06,920 --> 00:22:10,879
Speaker 1: is this weird? Was he too needy? Did he was

377
00:22:11,160 --> 00:22:15,240
Speaker 1: like he looks a certain way, but he acts another way. Yeah,

378
00:22:15,280 --> 00:22:17,280
Speaker 1: we really have to break this down because there was

379
00:22:17,359 --> 00:22:21,240
Speaker 1: something in the Okay, so we're specifically when they're in

380
00:22:21,320 --> 00:22:23,479
Speaker 1: the bed and they're like cuddling and she's like rubbing

381
00:22:23,480 --> 00:22:27,040
Speaker 1: his chest. I was like, why is this making me

382
00:22:27,080 --> 00:22:33,040
Speaker 1: want a gag? There? Yeah? And other scenes like I'm

383
00:22:33,040 --> 00:22:34,959
Speaker 1: always like that's hot, you know, So it's not like

384
00:22:35,040 --> 00:22:38,200
Speaker 1: all scenes like that bum me out. There's plenty that

385
00:22:38,240 --> 00:22:42,199
Speaker 1: I'm like yeah, but that one I was like, this

386
00:22:42,320 --> 00:22:44,560
Speaker 1: is weird. You know. You know what I would have

387
00:22:44,640 --> 00:22:47,720
Speaker 1: liked better and this just popped into my head. I

388
00:22:47,720 --> 00:22:50,879
Speaker 1: would have liked to have seen a fight. I wish

389
00:22:50,880 --> 00:22:56,960
Speaker 1: you'd just kicked her out, you know what I mean? Yeah,

390
00:22:57,000 --> 00:22:59,800
Speaker 1: like he needed Yeah, he caved really quick. It's like

391
00:23:00,000 --> 00:23:03,200
Speaker 1: a can man up and toss her. You know, don't

392
00:23:03,320 --> 00:23:06,720
Speaker 1: get played like this, you know. Even though she's you know,

393
00:23:06,760 --> 00:23:09,520
Speaker 1: it's heartfelt, she means that. It's like, hey, you know,

394
00:23:09,600 --> 00:23:12,040
Speaker 1: you can't. I wanted to see Hey, you know what,

395
00:23:12,800 --> 00:23:15,000
Speaker 1: thanks for coming by, but you can't just pop into

396
00:23:15,080 --> 00:23:18,560
Speaker 1: my life like this unannounced and scramble my eggs. Try

397
00:23:18,600 --> 00:23:22,000
Speaker 1: to scramble my eggs again. You know. I don't need this,

398
00:23:22,520 --> 00:23:25,560
Speaker 1: you know, and uh, you know, you better think about

399
00:23:25,600 --> 00:23:28,760
Speaker 1: this before you make a make a move. I would

400
00:23:28,760 --> 00:23:31,399
Speaker 1: have preferred to see that scene other than you know,

401
00:23:32,240 --> 00:23:35,000
Speaker 1: twirling his chest hair and her pinky you know. Yeah,

402
00:23:35,000 --> 00:23:40,399
Speaker 1: oh god, I know there's something gaggy about it, but

403
00:23:40,640 --> 00:23:44,120
Speaker 1: I don't know. Yeah, I don't think. I mean, we'll

404
00:23:44,119 --> 00:23:46,760
Speaker 1: have to find out because if other people loved it,

405
00:23:46,840 --> 00:23:49,840
Speaker 1: but I thought that something was not it was a

406
00:23:49,880 --> 00:23:54,640
Speaker 1: little old. Yeah, And then it was so like uncertain,

407
00:23:55,320 --> 00:23:59,120
Speaker 1: so much is left open, and then doing right they

408
00:23:59,240 --> 00:24:02,359
Speaker 1: reconsume mate and then now and we're just back to

409
00:24:02,359 --> 00:24:04,280
Speaker 1: where we were. Now we still have to talk again.

410
00:24:04,359 --> 00:24:06,959
Speaker 1: Now we have to lay out some parameters because you know,

411
00:24:07,040 --> 00:24:09,320
Speaker 1: you're a mental case and and you know I can't.

412
00:24:09,320 --> 00:24:11,000
Speaker 1: I'm not going to be able to have a relationship

413
00:24:11,040 --> 00:24:13,440
Speaker 1: with you, you know, because you're all over the map

414
00:24:13,880 --> 00:24:17,040
Speaker 1: all the time. You show up at you know, my door.

415
00:24:17,240 --> 00:24:20,760
Speaker 1: After three months and again, we'll continue to talk about it,

416
00:24:20,800 --> 00:24:28,760
Speaker 1: because this could be the problem in the relationship, you know. Ultimately, Look,

417
00:24:28,800 --> 00:24:32,720
Speaker 1: we're ultimately it doesn't work out. We know this. I

418
00:24:32,720 --> 00:24:37,159
Speaker 1: don't want to ruin it, but we need to remember

419
00:24:37,240 --> 00:24:39,600
Speaker 1: this when it doesn't work out, So we go it

420
00:24:39,760 --> 00:24:42,840
Speaker 1: wasn't meant to work out. Yeah, you've got two very

421
00:24:42,880 --> 00:24:45,760
Speaker 1: impulsive people who are very attracted to one another, and

422
00:24:45,960 --> 00:24:49,120
Speaker 1: it's just somebody just needs to get control of this thing.

423
00:24:49,119 --> 00:24:51,119
Speaker 1: And I think that Max is trying to get control

424
00:24:51,160 --> 00:24:53,040
Speaker 1: of this thing. That's why he wants to slip down

425
00:24:53,080 --> 00:24:55,439
Speaker 1: and talk. Yes, I'll give it to him that he

426
00:24:55,560 --> 00:24:57,919
Speaker 1: kept trying to kept trying to. Look, we need to

427
00:24:57,960 --> 00:25:01,080
Speaker 1: sit down and talk about this. This is my life,

428
00:25:01,160 --> 00:25:04,520
Speaker 1: This is could potentially be our lives together, This could

429
00:25:04,520 --> 00:25:07,120
Speaker 1: be my career, this could we have to sit down

430
00:25:07,119 --> 00:25:09,920
Speaker 1: and talk about it like rational human beings who care

431
00:25:09,920 --> 00:25:12,119
Speaker 1: about one another, who maybe want to make a future

432
00:25:12,119 --> 00:25:14,800
Speaker 1: with one another, and let's talk about the consequences of

433
00:25:14,880 --> 00:25:16,600
Speaker 1: us being together. What it's gonna do to Lourie, what

434
00:25:16,600 --> 00:25:18,959
Speaker 1: it's gonna do to Max's career, what it's gonna do

435
00:25:18,960 --> 00:25:22,200
Speaker 1: to lauralized career. I mean, there's you know, little town's

436
00:25:22,240 --> 00:25:25,199
Speaker 1: bad pr people talking this go's what a scandal? What

437
00:25:25,280 --> 00:25:26,919
Speaker 1: kind of a scandal this? I mean, I grew up

438
00:25:26,920 --> 00:25:30,639
Speaker 1: in a small town, you know, and you know the

439
00:25:30,720 --> 00:25:33,480
Speaker 1: little things things like this or scandals, and it can

440
00:25:33,560 --> 00:25:36,160
Speaker 1: ruin reputations and you can make like very difficult for Rory.

441
00:25:36,400 --> 00:25:40,040
Speaker 1: So it's a real conversation to have. For sure, I

442
00:25:40,080 --> 00:25:42,160
Speaker 1: like them, but now we're just in a bigger mess.

443
00:25:42,200 --> 00:25:46,200
Speaker 1: Like it's just a mess with them. But okay, yeah,

444
00:25:46,240 --> 00:25:49,480
Speaker 1: watch with the watch with the twirling of the chest

445
00:25:49,480 --> 00:25:52,800
Speaker 1: here that that's that put me over the That was

446
00:25:52,840 --> 00:25:55,720
Speaker 1: the part for something that was a bridge too far

447
00:25:55,920 --> 00:26:00,280
Speaker 1: for me. For some reason. When they're in that head,

448
00:26:00,440 --> 00:26:03,960
Speaker 1: all I could stare at was like, oh, oh, how

449
00:26:03,960 --> 00:26:07,199
Speaker 1: does this Why is this so creepy? I feel like

450
00:26:07,200 --> 00:26:09,600
Speaker 1: I like them together, and till that scene, I feel

451
00:26:09,600 --> 00:26:11,760
Speaker 1: like it just ruined the whole thing, and I'm I'm

452
00:26:12,080 --> 00:26:13,399
Speaker 1: on that page of like, well, I don't like them

453
00:26:13,400 --> 00:26:15,200
Speaker 1: together anymore. I don't know. I can't you know what,

454
00:26:15,240 --> 00:26:17,280
Speaker 1: You're right, I can't figure it out either, because it's

455
00:26:17,320 --> 00:26:21,000
Speaker 1: like they're two incredibly attractive people, right the both of them.

456
00:26:21,280 --> 00:26:25,160
Speaker 1: They kind of look alike, don't they. Is it because

457
00:26:25,200 --> 00:26:28,360
Speaker 1: they look like brother and sister? Maybe I mean, I'm

458
00:26:28,400 --> 00:26:30,280
Speaker 1: I know I'm reaching here, but it's like they're both

459
00:26:30,720 --> 00:26:33,919
Speaker 1: dark haired, and I don't know, but I think this

460
00:26:34,000 --> 00:26:36,240
Speaker 1: is something that like we really do need to keep

461
00:26:36,359 --> 00:26:39,720
Speaker 1: trying to figure out because something about it bugged all

462
00:26:39,760 --> 00:26:44,840
Speaker 1: of us. So I don't think we're wrong. Something about

463
00:26:44,880 --> 00:26:47,960
Speaker 1: it was was cringe e. I don't know, gaggy, I

464
00:26:47,960 --> 00:26:57,159
Speaker 1: don't that naked. It's just the way she opened up

465
00:26:57,160 --> 00:26:59,879
Speaker 1: her arms to him and like, come to me, all right,

466
00:27:00,520 --> 00:27:03,400
Speaker 1: and here's the thing, here's what's bothering me so much.

467
00:27:04,480 --> 00:27:08,480
Speaker 1: Luke the way he looked at Rachel. Obviously we know

468
00:27:08,960 --> 00:27:11,720
Speaker 1: the same thing happened between Luke and Rachel that happened

469
00:27:11,720 --> 00:27:15,320
Speaker 1: between Maxim. More like we know they were all training

470
00:27:15,320 --> 00:27:19,680
Speaker 1: for the Olympics. That being said, I didn't cringe when

471
00:27:19,760 --> 00:27:21,879
Speaker 1: Luke kind of gave that look to Rachel. It was

472
00:27:21,920 --> 00:27:24,240
Speaker 1: sort of like sweet, I was a little jealous. I

473
00:27:24,280 --> 00:27:26,560
Speaker 1: felt bad for lore Lie, like it was all good,

474
00:27:27,000 --> 00:27:30,320
Speaker 1: whereas with Max and lorea Lie, something is making me like, look,

475
00:27:32,920 --> 00:27:39,000
Speaker 1: it's it's because it's not opposites attracting, it's the same attracting.

476
00:27:40,080 --> 00:27:42,920
Speaker 1: So there's something a little incongruous with it. I don't

477
00:27:42,920 --> 00:27:44,520
Speaker 1: I don't know what it is. Well, I don't know.

478
00:27:44,560 --> 00:27:49,040
Speaker 1: We have to keep figuring it out. So okay, before

479
00:27:49,080 --> 00:27:52,919
Speaker 1: we get into pop culture. I do have one mystery

480
00:27:53,240 --> 00:27:57,000
Speaker 1: thing I noticed that I won't reveal because we'll keep

481
00:27:57,040 --> 00:27:58,959
Speaker 1: talking about it because I want you guys to go

482
00:27:58,960 --> 00:28:01,680
Speaker 1: back and try and figure it out. In the scene

483
00:28:02,160 --> 00:28:07,360
Speaker 1: where Luke and Lorela are discussing the pancakes and the

484
00:28:07,440 --> 00:28:11,560
Speaker 1: chocolate chips and the whin, there is a misspelling, and

485
00:28:11,680 --> 00:28:17,040
Speaker 1: I want to know if it was intentional, Like I

486
00:28:17,080 --> 00:28:18,400
Speaker 1: don't want to give too much away, because I want

487
00:28:18,400 --> 00:28:21,040
Speaker 1: everybody to go back and like look and analyze, or

488
00:28:21,080 --> 00:28:24,720
Speaker 1: if it was actually just like whoever made the thing

489
00:28:24,760 --> 00:28:29,040
Speaker 1: in the diner misspelled something. Okay, so we have to

490
00:28:29,040 --> 00:28:31,000
Speaker 1: go back and watch it. You have to. Everybody's gonna

491
00:28:31,000 --> 00:28:32,320
Speaker 1: have to kind of watch it again and see if

492
00:28:32,320 --> 00:28:34,480
Speaker 1: they can discover it. Because it was super subtle, and

493
00:28:34,520 --> 00:28:38,800
Speaker 1: then I was like, why just tell us what it is. No,

494
00:28:39,320 --> 00:28:41,280
Speaker 1: it's so much more fun if we wait till next week.

495
00:28:42,880 --> 00:28:50,880
Speaker 1: Keep it going. It's called a tease. And you're you know,

496
00:28:51,360 --> 00:28:57,680
Speaker 1: he just needed to toss her. Just just just get

497
00:28:57,720 --> 00:29:00,960
Speaker 1: out of here, girl, you know, keep get back where,

498
00:29:01,120 --> 00:29:04,120
Speaker 1: get back to stars Hollow with that stuff. What are

499
00:29:04,120 --> 00:29:07,720
Speaker 1: you doing? You know this this tiny apartment too. I'm

500
00:29:07,720 --> 00:29:10,280
Speaker 1: the Hartford guy. Yeah, right, ground Flora. I mean, so

501
00:29:10,360 --> 00:29:18,240
Speaker 1: does Luke. Luke's got a diner and he's got his dignity. Anyway,

502
00:29:18,440 --> 00:29:23,200
Speaker 1: let's you know the mystery of uh the Luke, Laureli

503
00:29:24,320 --> 00:29:28,760
Speaker 1: and Max triangle. Oh my god, well it's it's I'm

504
00:29:28,800 --> 00:29:31,240
Speaker 1: gonna have to call him my old math professor at Rutgers.

505
00:29:32,040 --> 00:29:34,200
Speaker 1: Maybe maybe he can help me figure it out. We

506
00:29:34,360 --> 00:29:40,400
Speaker 1: create an equation for it. Um. Anyway, we'll be back. Uh,

507
00:29:40,440 --> 00:29:44,120
Speaker 1: we'll be back after these words, everybody, And what are

508
00:29:44,120 --> 00:29:45,600
Speaker 1: we going to get into when we get back? What

509
00:29:45,800 --> 00:29:49,640
Speaker 1: you want to we were all going to wallow? All right,

510
00:29:50,160 --> 00:29:57,640
Speaker 1: say in a minute, yeah, okay, everybody, we're back. We're

511
00:29:57,640 --> 00:30:01,960
Speaker 1: going to discuss a rory wallowing. And she did not

512
00:30:02,080 --> 00:30:04,600
Speaker 1: want a wallet. She didn't want Yeah, she was avoiding

513
00:30:04,680 --> 00:30:09,200
Speaker 1: the wallow, you know, the getting beaten with the wallowing stick.

514
00:30:09,480 --> 00:30:13,160
Speaker 1: She was holding it at arms length, and lor I

515
00:30:13,360 --> 00:30:16,440
Speaker 1: really wanted her to wallop. Do we do we remember

516
00:30:16,480 --> 00:30:20,080
Speaker 1: our own childhood teenage wallowing? Did we did we have

517
00:30:20,160 --> 00:30:22,760
Speaker 1: a wallow? Did you ever wall a couple of months ago?

518
00:30:25,080 --> 00:30:28,160
Speaker 1: Anyone wallows when they have a breakup? I hate wallowing,

519
00:30:28,440 --> 00:30:31,640
Speaker 1: but you kind of have to. Oh, I got I

520
00:30:31,680 --> 00:30:35,240
Speaker 1: got dumped by a girl. What was my junior in

521
00:30:35,280 --> 00:30:37,440
Speaker 1: high school? And it was a rainy day when she

522
00:30:37,560 --> 00:30:40,520
Speaker 1: told me, and I walked home in the rain in

523
00:30:40,560 --> 00:30:44,840
Speaker 1: my hoodie. I got soaked as and I wallowed And

524
00:30:44,920 --> 00:30:47,800
Speaker 1: how long till you were over it? I took that

525
00:30:47,880 --> 00:30:52,760
Speaker 1: one pretty hard, I don't know, strapped on the guitar

526
00:30:52,840 --> 00:30:55,760
Speaker 1: and just wailed. The way didn't take long. I was fine.

527
00:30:55,920 --> 00:30:58,920
Speaker 1: So I read this book when I was in college, Okay,

528
00:30:59,000 --> 00:31:01,240
Speaker 1: and here's what it said. I've never actually done it,

529
00:31:01,320 --> 00:31:02,840
Speaker 1: but I feel like people should try it because it

530
00:31:02,880 --> 00:31:05,240
Speaker 1: made sense. So let's say you go through a breakup,

531
00:31:05,280 --> 00:31:06,640
Speaker 1: and you know how like when you're in a breakup,

532
00:31:06,680 --> 00:31:09,960
Speaker 1: you always think about the person. So Roy's like Dean Dean.

533
00:31:10,080 --> 00:31:12,160
Speaker 1: Everything's Dean that's why she's like getting rid of the

534
00:31:12,200 --> 00:31:14,880
Speaker 1: rooster and getting rid of the sweater and the fancy

535
00:31:15,000 --> 00:31:18,520
Speaker 1: dress and all the stuff. Right, So this book said,

536
00:31:18,560 --> 00:31:22,000
Speaker 1: you're supposed to get a bucket of ice, and you

537
00:31:22,640 --> 00:31:26,960
Speaker 1: stick your feet in the bucket of ice, and then

538
00:31:27,080 --> 00:31:29,840
Speaker 1: you you think, you do your wallowing. So you think

539
00:31:29,840 --> 00:31:32,800
Speaker 1: about the person. You're like Dean, you know, I loved him.

540
00:31:32,800 --> 00:31:35,240
Speaker 1: He gave me the bracelet, he built me a car,

541
00:31:35,880 --> 00:31:38,680
Speaker 1: like you know, he said he liked my sweater and

542
00:31:39,000 --> 00:31:40,640
Speaker 1: my eyes look nice. And you just think about all

543
00:31:40,640 --> 00:31:43,440
Speaker 1: that stuff while your feet are in the ice bucket,

544
00:31:44,280 --> 00:31:47,720
Speaker 1: and you train your brain to think of pain when

545
00:31:47,720 --> 00:31:50,360
Speaker 1: you think of that person. For God's sake, it was

546
00:31:50,440 --> 00:31:53,120
Speaker 1: just some podiatrist who was trying to drum up business

547
00:31:53,120 --> 00:31:56,959
Speaker 1: for Froy's treating frost bite. That's all. It was taking

548
00:31:57,000 --> 00:31:59,360
Speaker 1: advantage of people's pain. Yeah, so when you think of

549
00:31:59,480 --> 00:32:01,880
Speaker 1: this is what the technique is. So that when Rory

550
00:32:01,960 --> 00:32:06,480
Speaker 1: thinks of Dean, she will remember the ice and how

551
00:32:06,560 --> 00:32:08,600
Speaker 1: uncomfortable it was, and then she won't like him anymore.

552
00:32:08,920 --> 00:32:12,720
Speaker 1: I mean, you know, the human brain, right, it's a

553
00:32:12,720 --> 00:32:15,880
Speaker 1: wonderful thing. I felt like that was a good idea,

554
00:32:16,120 --> 00:32:18,560
Speaker 1: actually makes sense. You know, I think I want to

555
00:32:18,600 --> 00:32:21,320
Speaker 1: try that. It might as well. I'm going to try

556
00:32:21,320 --> 00:32:23,280
Speaker 1: that tonight with a couple of people. Tag us in

557
00:32:23,320 --> 00:32:29,600
Speaker 1: your ice videos on Instagram, sitting there feeding a bucket

558
00:32:29,600 --> 00:32:32,760
Speaker 1: of ice, not thinking of you anymore. You know who

559
00:32:32,800 --> 00:32:42,040
Speaker 1: you are, Riley? How do you wallow? Um? My wallowing

560
00:32:42,040 --> 00:32:45,440
Speaker 1: process is the same for every breakup. I either go

561
00:32:45,560 --> 00:32:52,320
Speaker 1: through the full series of Friends or I watched Dirty Dancing. Wow, yep,

562
00:32:52,400 --> 00:32:54,760
Speaker 1: and I sing along. Okay, First of all, the Dirty

563
00:32:54,840 --> 00:33:00,240
Speaker 1: Dancing more efficient. It's two hours. The whole Friends thing,

564
00:33:00,280 --> 00:33:04,440
Speaker 1: that's hundreds of hours. How many episodes is that? Friends?

565
00:33:04,440 --> 00:33:09,320
Speaker 1: They and all they all run together? Yeah? They did

566
00:33:09,360 --> 00:33:12,160
Speaker 1: ten years, right, at least they did twenty four a

567
00:33:12,240 --> 00:33:16,320
Speaker 1: year they did. That's two Watch the Dirty Dancing, for

568
00:33:16,400 --> 00:33:19,880
Speaker 1: god's sake. Go for Dirty Dancing, carried a watermelon. I'll

569
00:33:19,880 --> 00:33:23,080
Speaker 1: get you through that a lot. But now I will

570
00:33:23,120 --> 00:33:26,240
Speaker 1: try ice. Yeah, try my ice things. See how that goes?

571
00:33:26,400 --> 00:33:28,320
Speaker 1: All right? So what do we do? We're gonna do. Uh,

572
00:33:28,400 --> 00:33:30,800
Speaker 1: We're gonna do a little pop culture. I'm Riley, and

573
00:33:30,800 --> 00:33:33,720
Speaker 1: this is your pop culture. So lore Lie is talking

574
00:33:33,720 --> 00:33:36,440
Speaker 1: to Rory, and Rory's really wondering if Dean hadn't the

575
00:33:36,480 --> 00:33:39,840
Speaker 1: breakup and like already planned out? And Roy says, how

576
00:33:39,840 --> 00:33:42,080
Speaker 1: do you know? And lor Lie says, because I've read

577
00:33:42,120 --> 00:33:46,240
Speaker 1: every Nancy Dream mystery, every ever written. So many women

578
00:33:46,360 --> 00:33:48,680
Speaker 1: have played the part of Nancy Drew, from Pamela Sue

579
00:33:48,720 --> 00:33:53,360
Speaker 1: Martin in m Roberts in two thousand seven. Powerful women

580
00:33:53,440 --> 00:33:56,480
Speaker 1: like Hillary Clinton, Barbara Walters, and Sandra Day O'Connor have

581
00:33:56,600 --> 00:34:01,000
Speaker 1: cited Nancy Drew as their favorite character, and Playboy once

582
00:34:01,040 --> 00:34:07,440
Speaker 1: featured a sexy Nancy Drew cover. Whoah, They are walking

583
00:34:07,440 --> 00:34:10,400
Speaker 1: through the alley and Lorala says, yeah, you know, honey,

584
00:34:10,560 --> 00:34:13,320
Speaker 1: trash doesn't actually talk unless it is in Sesame Street.

585
00:34:13,880 --> 00:34:15,640
Speaker 1: This is a reference to Oscar the Grouch, who has

586
00:34:15,680 --> 00:34:18,960
Speaker 1: been a character on Sesame Street since nineteen Oscar was

587
00:34:19,040 --> 00:34:21,600
Speaker 1: voiced by Carol Spinney, who also voiced Big Bird. In

588
00:34:21,640 --> 00:34:24,800
Speaker 1: Oscar's first words on Sesame Street work don't bang, mom

589
00:34:24,800 --> 00:34:28,040
Speaker 1: My can go away? Could you give up to us?

590
00:34:28,040 --> 00:34:31,239
Speaker 1: In a bit more of an Oscar the Grouch, I

591
00:34:31,280 --> 00:34:33,600
Speaker 1: feel like I only know Cookie Monster is Oscar like

592
00:34:33,719 --> 00:34:36,480
Speaker 1: higher give us some effort here you can do it,

593
00:34:36,520 --> 00:34:40,239
Speaker 1: as Cookie Monster, Just give us something. Don't burn on

594
00:34:40,360 --> 00:34:58,000
Speaker 1: my car? You miss you. You left out two words

595
00:34:58,160 --> 00:35:00,480
Speaker 1: you have to say, go away the bang on. I

596
00:35:00,560 --> 00:35:03,320
Speaker 1: can't go away. Go ahead, don't bring on my current

597
00:35:11,200 --> 00:35:16,520
Speaker 1: nice well well struck you know animal from the Muppets.

598
00:35:16,520 --> 00:35:20,040
Speaker 1: That's what it sounded like that time. Oh god, it

599
00:35:20,160 --> 00:35:24,719
Speaker 1: was fun puppet. I can't breathe keep going. Next we

600
00:35:24,840 --> 00:35:28,239
Speaker 1: have Luke says goodbye to Dean in many different languages

601
00:35:28,280 --> 00:35:30,759
Speaker 1: when after they have their fight, and Laura I says,

602
00:35:31,200 --> 00:35:32,960
Speaker 1: can we get off the Small World Ride and get

603
00:35:32,960 --> 00:35:36,040
Speaker 1: to cooking? Please? So The Small World Ride first opened

604
00:35:36,040 --> 00:35:38,880
Speaker 1: in Disneyland in nineteen sixty six. It featured twenty nine

605
00:35:38,920 --> 00:35:42,360
Speaker 1: different countries with two nine what they call dull children,

606
00:35:42,840 --> 00:35:45,839
Speaker 1: and the featured song plays around twelve hundred times during

607
00:35:45,840 --> 00:35:48,640
Speaker 1: a sixteen hour operating day at Disney Park, which would

608
00:35:48,680 --> 00:35:58,560
Speaker 1: give anyone a headache. Ah Rory is listing off all

609
00:35:58,600 --> 00:36:01,759
Speaker 1: the wonderful things they can do instead of thinking of Dean,

610
00:36:02,120 --> 00:36:04,680
Speaker 1: and Rory says, we could stuff our purses full of

611
00:36:04,719 --> 00:36:06,719
Speaker 1: sour patch kids and milk deads and go see the

612
00:36:06,719 --> 00:36:09,279
Speaker 1: Stars Hall of Elementary School production of Who's Afraid of

613
00:36:09,320 --> 00:36:13,120
Speaker 1: Virginia Wolf. This is a play by Edward Albe first

614
00:36:13,120 --> 00:36:15,920
Speaker 1: stage in October of nineteen sixty two. It was later

615
00:36:16,000 --> 00:36:19,920
Speaker 1: recreated in Tonight in nineteen sixty six film starring Elizabeth Taylor.

616
00:36:20,320 --> 00:36:23,239
Speaker 1: Elizabeth Taylor gained nearly thirty pounds to play the role

617
00:36:23,280 --> 00:36:26,239
Speaker 1: of a middle aged wife just for this movie, and

618
00:36:26,640 --> 00:36:29,440
Speaker 1: the play has been parodied on TV by The Simpsons,

619
00:36:29,520 --> 00:36:32,920
Speaker 1: American Dad, and Saturday Night Live Again. In the Alley,

620
00:36:33,000 --> 00:36:35,520
Speaker 1: Rory makes Laurelai walk through all the garbage, and Laura

621
00:36:35,560 --> 00:36:38,600
Speaker 1: la says, no, this is good, This is like G Jane,

622
00:36:38,680 --> 00:36:41,840
Speaker 1: but we get to keep our hair. So G A

623
00:36:42,000 --> 00:36:45,839
Speaker 1: Jane is nine seven American war drama featuring Demi Moore.

624
00:36:46,560 --> 00:36:50,720
Speaker 1: Jane Moore's character underwent grueling, grueling military training in the film,

625
00:36:50,920 --> 00:36:53,440
Speaker 1: and the actress actually shaved her head to get into

626
00:36:53,480 --> 00:36:58,160
Speaker 1: the character's mindset. Mortenson was great in that film. He

627
00:36:58,320 --> 00:37:02,239
Speaker 1: was your commanding officer. I forgot that he was in it.

628
00:37:02,239 --> 00:37:05,279
Speaker 1: It was a weird flop. It didn't do well. Really, no,

629
00:37:05,400 --> 00:37:08,840
Speaker 1: it did not very watchable film. I have to just

630
00:37:08,880 --> 00:37:12,520
Speaker 1: give it another gu His performance was it was Ridley Scott, right,

631
00:37:12,719 --> 00:37:16,440
Speaker 1: Ridley Scott. It was supposed to be like huge, but

632
00:37:16,480 --> 00:37:19,399
Speaker 1: then it just was not the same as Ishtar did

633
00:37:19,400 --> 00:37:25,480
Speaker 1: we do the record in the history of history. That

634
00:37:25,600 --> 00:37:27,839
Speaker 1: is a perfect segue until our next pop culture. So

635
00:37:27,920 --> 00:37:30,640
Speaker 1: this one is jam packed. Laura I suggest all the

636
00:37:30,680 --> 00:37:33,359
Speaker 1: movies where he could be watching while she wallows. Laura

637
00:37:33,440 --> 00:37:36,040
Speaker 1: I says, one day, one day of pizza and pajamas,

638
00:37:36,040 --> 00:37:39,240
Speaker 1: all Rent, Love Story, and The Champ, an affair to remember,

639
00:37:39,360 --> 00:37:45,480
Speaker 1: an Ishtar love story. Young young people don't even know

640
00:37:45,520 --> 00:37:47,839
Speaker 1: what ishtar is, and they all need no idea. They

641
00:37:47,840 --> 00:37:53,799
Speaker 1: all need to watch It wasn't it Dustin Hoff in

642
00:37:53,840 --> 00:37:57,960
Speaker 1: the Desert. Yeah. The next film she suggests is Love Story,

643
00:37:58,040 --> 00:38:00,920
Speaker 1: which is nineteen seventies American romantic drama. The film is

644
00:38:00,960 --> 00:38:03,840
Speaker 1: considered one of the most romantic by the Film Institute,

645
00:38:03,960 --> 00:38:05,719
Speaker 1: on number nine on the list, and is one of

646
00:38:05,719 --> 00:38:09,200
Speaker 1: the highest grossing films of all time. The next film

647
00:38:09,239 --> 00:38:12,960
Speaker 1: she's suggests is The Champ, which is a fighting movie

648
00:38:13,000 --> 00:38:15,759
Speaker 1: and very much not really a wallowing movie. It is

649
00:38:15,800 --> 00:38:19,480
Speaker 1: a film later remade in nineteen seventy nine starring legend

650
00:38:19,560 --> 00:38:24,960
Speaker 1: John Voyd, Angelina Jolie's dad right, and it is a

651
00:38:25,000 --> 00:38:31,200
Speaker 1: wallowing movie because it's so sad. Chah. Actually, over two

652
00:38:31,239 --> 00:38:33,640
Speaker 1: thousand children were interviewed for the role of t j

653
00:38:33,760 --> 00:38:37,440
Speaker 1: Flynn played by Ricky Schroeder. Lastly, We Have an Affair

654
00:38:37,480 --> 00:38:41,120
Speaker 1: to Remember a nineteen fifty seven American romance film directed

655
00:38:41,160 --> 00:38:44,360
Speaker 1: by Leo McCarry and starring Carrie Grant and Deborah Kerr.

656
00:38:45,080 --> 00:38:47,560
Speaker 1: There's a very funny scene and Sleepless in Seattle where

657
00:38:47,600 --> 00:38:50,279
Speaker 1: they talk about an affair to Remember. Who has seen it?

658
00:38:50,440 --> 00:38:53,440
Speaker 1: Oh god, that's the best because Rita Wilson is like,

659
00:38:54,239 --> 00:38:57,080
Speaker 1: she's related to Tom Hanks, but she's not married to

660
00:38:57,080 --> 00:39:01,440
Speaker 1: Tom Hanks since listened Seattle obviously, but she's telling him

661
00:39:01,480 --> 00:39:03,719
Speaker 1: about a fair to remember. Oh my god, everybody needs

662
00:39:03,719 --> 00:39:06,520
Speaker 1: to watch that scene. It's so hilarious and she's like

663
00:39:06,640 --> 00:39:09,000
Speaker 1: crying and all the boys in the scene are like

664
00:39:09,239 --> 00:39:12,120
Speaker 1: totally making fun of her. That's so good. The last

665
00:39:12,120 --> 00:39:14,960
Speaker 1: movie Laurea I suggest is Old Yeller. She says, so

666
00:39:15,080 --> 00:39:17,200
Speaker 1: should we rent Old Yeller two? Or is that just

667
00:39:17,280 --> 00:39:21,560
Speaker 1: a guy's crying movie. Old Yeller was made in seven,

668
00:39:21,760 --> 00:39:24,319
Speaker 1: and Disney actually recycles their sounds so you can hear

669
00:39:24,320 --> 00:39:26,720
Speaker 1: the same growling noises made in Lady in the Tramp

670
00:39:27,200 --> 00:39:29,440
Speaker 1: and Old Yeller's death is one of the most tearful

671
00:39:29,480 --> 00:39:33,600
Speaker 1: scenes in cinematic history. You can't not cry. LAURAA gives

672
00:39:33,600 --> 00:39:37,160
Speaker 1: an absurd reaction to everyone being up so early in town.

673
00:39:38,120 --> 00:39:41,600
Speaker 1: Laura I says jump back, and Rory is very confused

674
00:39:41,600 --> 00:39:44,680
Speaker 1: by that reference. Laurel I says. Kevin bacon foot loose

675
00:39:44,719 --> 00:39:46,840
Speaker 1: reaction to the no dancing and town rule is revealed

676
00:39:46,880 --> 00:39:49,200
Speaker 1: to him by Chris Penn, brother to Seawan. Stage to

677
00:39:49,239 --> 00:39:54,800
Speaker 1: All foot Loose is four American musical drama starring Kevin Bacon,

678
00:39:54,880 --> 00:39:58,319
Speaker 1: Sarah Jessica Parker, and Sean Penn's brother Chris Penn. The

679
00:39:58,320 --> 00:40:02,160
Speaker 1: film was later recreated into I Was An Eleven. Producers

680
00:40:02,200 --> 00:40:04,359
Speaker 1: actually wanted Tom Cruise to play the role of Wren,

681
00:40:04,600 --> 00:40:08,000
Speaker 1: but there was a scheduling conflict. Like we said, Loria

682
00:40:08,080 --> 00:40:11,360
Speaker 1: I mentioned the iconic jump back, but arguably one of

683
00:40:11,360 --> 00:40:14,440
Speaker 1: the most notable Kevin Bacon quotes is Let's Dance. At

684
00:40:14,440 --> 00:40:17,239
Speaker 1: the very end. While it was a great movie, the

685
00:40:17,280 --> 00:40:19,719
Speaker 1: plot was very odd setting place in a town that

686
00:40:19,800 --> 00:40:23,520
Speaker 1: was the band dancing. But why did nobody question this

687
00:40:23,760 --> 00:40:27,520
Speaker 1: while they were enjoying it? It made Kevin Bacon's career.

688
00:40:27,880 --> 00:40:31,880
Speaker 1: And what's your favorite Kevin Bacon movie? I don't know

689
00:40:32,080 --> 00:40:36,480
Speaker 1: what's what's your favorite Kevin Bacon. I was supposed to

690
00:40:36,480 --> 00:40:39,960
Speaker 1: do a movie with Meryl Streep and he, but Curtis

691
00:40:39,960 --> 00:40:42,720
Speaker 1: Hansen gave him the role over me. What was that

692
00:40:42,719 --> 00:40:49,080
Speaker 1: that was called David Strathane, you know The River Wild?

693
00:40:49,920 --> 00:40:52,600
Speaker 1: Oh yeah, that was a good movie Kevin Bacon, and

694
00:40:52,600 --> 00:40:54,239
Speaker 1: he did a good job. He's a good actor. I

695
00:40:54,280 --> 00:40:56,600
Speaker 1: like him in the X Men movies. Oh, I know,

696
00:40:56,800 --> 00:40:59,720
Speaker 1: pardon me, Apollo thirteen. I freaking love him in Apolo thirteen.

697
00:41:00,080 --> 00:41:01,839
Speaker 1: Oh and a Few Good Men? What am I even

698
00:41:01,880 --> 00:41:05,280
Speaker 1: talking about? A Few Good Men is probably my favorite

699
00:41:05,360 --> 00:41:08,279
Speaker 1: Kevin Bacon movie because you know what, that's when I

700
00:41:08,280 --> 00:41:14,800
Speaker 1: saw another side of him that was in that. Yeah, okay,

701
00:41:14,880 --> 00:41:19,160
Speaker 1: Animal House, Oh, Animal House, good one. Ryan, Right, he's

702
00:41:19,160 --> 00:41:24,040
Speaker 1: been around forever. It's like a teenager, wasn't he? Yeah?

703
00:41:24,520 --> 00:41:28,040
Speaker 1: Good one. That is it for a pop culture this week? Okay,

704
00:41:28,280 --> 00:41:31,919
Speaker 1: my favorite line. I really wanted it to be Turnaround

705
00:41:32,160 --> 00:41:36,960
Speaker 1: bad Boy, that Luke says, turn around bad Boy, but

706
00:41:37,000 --> 00:41:39,839
Speaker 1: I changed it to this one. I never liked him.

707
00:41:39,960 --> 00:41:42,600
Speaker 1: I don't know exactly what it was. Something something about

708
00:41:42,600 --> 00:41:46,600
Speaker 1: the shape of his forehead, his height, or the floppy hairstyle. Actually, yes,

709
00:41:46,680 --> 00:41:50,239
Speaker 1: I think it was the floppy hairstyle. Thank you so much, Kirk.

710
00:41:52,520 --> 00:41:55,040
Speaker 1: My favorite line is from Dean after the fight and

711
00:41:55,120 --> 00:41:57,839
Speaker 1: he says, obviously you're not exactly known as the town

712
00:41:57,880 --> 00:42:02,279
Speaker 1: crack up towards Luke Danielle. So my favorite line is

713
00:42:02,360 --> 00:42:05,280
Speaker 1: from Paris when she says she's been here five minutes

714
00:42:05,280 --> 00:42:07,080
Speaker 1: and already has a date. I've been going to the

715
00:42:07,080 --> 00:42:09,720
Speaker 1: school for nine years and I'm the French soda monitor.

716
00:42:10,160 --> 00:42:14,520
Speaker 1: Oh that's my favorite line. You stole the French soda monitor.

717
00:42:14,560 --> 00:42:17,640
Speaker 1: I thought that was that was a great line. Anyway,

718
00:42:17,640 --> 00:42:20,960
Speaker 1: that's my line too. I think we've covered. Okay, what's

719
00:42:21,000 --> 00:42:26,960
Speaker 1: the required reading? Nancy Drew by Carolyn keene M. So

720
00:42:27,120 --> 00:42:31,040
Speaker 1: let's get onto people. Yeah, Nancy Drew, I know I'll

721
00:42:31,080 --> 00:42:35,080
Speaker 1: be doing that tonight and next week the third lower Lie.

722
00:42:35,320 --> 00:42:39,799
Speaker 1: Next week is the third Laurel lie. Have have you

723
00:42:39,840 --> 00:42:41,600
Speaker 1: seen it yet? We haven't seen it yet, have we.

724
00:42:42,719 --> 00:42:46,080
Speaker 1: I might have peeked at it because I was curious.

725
00:42:46,480 --> 00:42:51,120
Speaker 1: We're going to be interviewing the third lower line and

726
00:42:51,280 --> 00:42:56,360
Speaker 1: ross the iconic. This is Cunney Ham. I couldn't help myself.

727
00:42:56,360 --> 00:42:58,839
Speaker 1: I did peek at it? Did you peek at it?

728
00:42:58,920 --> 00:43:01,279
Speaker 1: I did a little bit, not a lot. No, I

729
00:43:01,320 --> 00:43:04,360
Speaker 1: just I just wanted to. It's hard not to because

730
00:43:04,400 --> 00:43:08,080
Speaker 1: Netflix rolls you into the next one. You all week,

731
00:43:08,640 --> 00:43:12,000
Speaker 1: they send you emails, they things pop up, and you're like, Scott,

732
00:43:12,000 --> 00:43:15,319
Speaker 1: you're gonna complete your one? You know, I know your

733
00:43:15,320 --> 00:43:18,480
Speaker 1: feet are up on the I know you're drinking a

734
00:43:20,160 --> 00:43:22,200
Speaker 1: I know you're chomping on some pork rins. What are

735
00:43:22,200 --> 00:43:24,840
Speaker 1: you doing when you're watching golf against Are you gonna complete?

736
00:43:26,520 --> 00:43:28,560
Speaker 1: Come on, complete it. We're over here on Netflix. We're

737
00:43:28,600 --> 00:43:34,720
Speaker 1: we're waiting for you. Get ready for the third lower

738
00:43:34,760 --> 00:44:12,720
Speaker 1: lie fireworks, fireworks and money and Mary and Ross. Then hey, everybody,

739
00:44:12,760 --> 00:44:16,080
Speaker 1: and don't forget. Follow us on Instagram at I Am

740
00:44:16,160 --> 00:44:20,160
Speaker 1: all In podcast, and email us at Gilmore at I

741
00:44:20,320 --> 00:44:23,520
Speaker 1: heart radio dot com. Oh you gil More fans. If

742
00:44:23,560 --> 00:44:25,520
Speaker 1: you're looking for the best cup of coffee in the world,

743
00:44:25,560 --> 00:44:29,520
Speaker 1: go to my website for my company, scott EP dot com,

744
00:44:29,640 --> 00:44:31,800
Speaker 1: s C O T. T y P dot com, scott

745
00:44:31,800 --> 00:44:42,760
Speaker 1: EP dot com Grade one Specialty Coffee. Yeah.