1 00:00:01,840 --> 00:00:02,360 Speaker 1: You are. 2 00:00:05,280 --> 00:00:15,200 Speaker 2: What I call Hey, Hey, it's way up. But Angela yee, 3 00:00:15,200 --> 00:00:17,439 Speaker 2: I'm Angela yee. Oh mayno's here? 4 00:00:17,600 --> 00:00:17,760 Speaker 3: Yes? 5 00:00:19,000 --> 00:00:28,200 Speaker 1: And else is this? Who excuse me? 6 00:00:28,280 --> 00:00:29,560 Speaker 4: I was here like two weeks ago. 7 00:00:29,880 --> 00:00:31,520 Speaker 5: Okay, it feels like a long time. 8 00:00:31,680 --> 00:00:32,400 Speaker 4: You know, it's not here. 9 00:00:32,560 --> 00:00:35,400 Speaker 2: But speaking of who's gonna be here today? From the 10 00:00:35,479 --> 00:00:38,960 Speaker 2: play Super Freak The Rick James Story, we have Stokely. 11 00:00:39,320 --> 00:00:41,520 Speaker 5: He's a lead singer man condition by. 12 00:00:41,400 --> 00:00:45,519 Speaker 2: The way, Jakarius Johnson, who executive produced the play, and 13 00:00:45,600 --> 00:00:47,680 Speaker 2: Ty James, who is Rick james only daughter. 14 00:00:48,360 --> 00:00:49,600 Speaker 5: So they I'll be joining us today. 15 00:00:49,640 --> 00:00:51,760 Speaker 4: And when I tell you I heard that play is good. 16 00:00:51,760 --> 00:00:54,160 Speaker 5: Actually, Super Freak the Rick James Story. 17 00:00:54,480 --> 00:00:57,920 Speaker 2: When I tell you the stories they're gonna tell today, 18 00:00:58,040 --> 00:01:00,920 Speaker 2: boy listen, it's uncensored. Oh if you want to go 19 00:01:00,920 --> 00:01:05,160 Speaker 2: see a play that is not for kids. 20 00:01:03,800 --> 00:01:06,720 Speaker 1: I want to see that making that's pretty bad. 21 00:01:07,480 --> 00:01:10,680 Speaker 2: Yeah, yes, indeed he's playing Rick James, the lead singer Stokely. 22 00:01:11,240 --> 00:01:13,160 Speaker 2: He's also a solo artist. He has a couple of 23 00:01:13,200 --> 00:01:15,640 Speaker 2: solo albums out as well. All right, well, let's start 24 00:01:15,640 --> 00:01:17,640 Speaker 2: this show off with some love and positivity because after 25 00:01:17,720 --> 00:01:20,560 Speaker 2: that it's going downhill. All right, there's gonna be a 26 00:01:20,560 --> 00:01:22,200 Speaker 2: lot of beef that we're going to have to discuss 27 00:01:22,240 --> 00:01:24,039 Speaker 2: today whether or not you like it. Rick Ross is 28 00:01:24,040 --> 00:01:27,240 Speaker 2: still going right now, still going right now. Do you 29 00:01:27,240 --> 00:01:29,400 Speaker 2: want to know who wrote sickle modes the verse for 30 00:01:29,520 --> 00:01:32,880 Speaker 2: DrAk On? He's just still going. But anyway, let's spread 31 00:01:32,959 --> 00:01:33,360 Speaker 2: some love. 32 00:01:33,360 --> 00:01:35,880 Speaker 5: Eight hundred and two ninety fifty less Shine of Light. 33 00:01:35,920 --> 00:01:36,440 Speaker 5: It's way up. 34 00:01:39,160 --> 00:01:42,479 Speaker 6: Turn your lights on, y'all, spreading love to those who 35 00:01:42,480 --> 00:01:45,000 Speaker 6: are doing greatness. 36 00:01:43,880 --> 00:01:46,760 Speaker 1: The shine light on. 37 00:01:48,120 --> 00:01:51,000 Speaker 2: It's time to shine a light on, all right, it's 38 00:01:51,040 --> 00:01:54,280 Speaker 2: way up by Angela. Ye, Myo's in the building. Know 39 00:01:54,720 --> 00:01:55,520 Speaker 2: Jasmine's hair. 40 00:01:55,920 --> 00:01:56,240 Speaker 1: I'm not. 41 00:01:57,360 --> 00:01:57,640 Speaker 7: I'm on. 42 00:01:58,360 --> 00:02:01,040 Speaker 2: It's going to be a great week, guys. And let's 43 00:02:01,040 --> 00:02:03,680 Speaker 2: get into Shina light And today I want to shine 44 00:02:03,680 --> 00:02:06,800 Speaker 2: a light on gymnast Morgan Price. She is the first 45 00:02:06,840 --> 00:02:10,600 Speaker 2: athlete from an HBCU to win a national collegiate championship. 46 00:02:10,639 --> 00:02:14,359 Speaker 2: She goes to Fisk University and she is the first 47 00:02:14,680 --> 00:02:19,720 Speaker 2: USA Gymnastist collegiate national champion from an HBCU. Nice Now, 48 00:02:19,760 --> 00:02:22,560 Speaker 2: originally she was going to go to Arkansas, but then 49 00:02:22,680 --> 00:02:25,359 Speaker 2: the coach from Fisk University was like, do you want 50 00:02:25,400 --> 00:02:28,560 Speaker 2: to make history? And she has made history. She was 51 00:02:28,600 --> 00:02:31,079 Speaker 2: also on CBS Morning. She was on mcguil king and 52 00:02:31,160 --> 00:02:31,919 Speaker 2: here's what she said. 53 00:02:33,160 --> 00:02:36,520 Speaker 8: I made the decision to switch just to inspire the 54 00:02:36,560 --> 00:02:40,600 Speaker 8: younger generation, so that younger African American girls can see 55 00:02:40,639 --> 00:02:43,480 Speaker 8: that HBCU gymnastics is a thing and that we can 56 00:02:43,520 --> 00:02:44,799 Speaker 8: compete with the best. 57 00:02:44,560 --> 00:02:45,200 Speaker 4: Of the best. 58 00:02:45,520 --> 00:02:50,480 Speaker 2: Okay, Fi, I love that. Congratulations to Morgan Price. All right, 59 00:02:50,520 --> 00:02:51,960 Speaker 2: who do you guys want to shine a light on? 60 00:02:52,000 --> 00:02:54,359 Speaker 2: Eight hundred and two ninety two fifty one fifty by Tobia. 61 00:02:54,400 --> 00:02:55,480 Speaker 2: Who you want to shine a light on? 62 00:02:56,320 --> 00:03:00,359 Speaker 1: Well, it's really on lou In the loove of my life. 63 00:03:00,520 --> 00:03:01,519 Speaker 5: It can still happen. 64 00:03:01,919 --> 00:03:05,560 Speaker 7: Okay, past half a century and I was finally able 65 00:03:05,600 --> 00:03:07,160 Speaker 7: to recognize we recognize each other. 66 00:03:07,240 --> 00:03:12,040 Speaker 2: So I'm about to relocate and everything. What for somebody? 67 00:03:12,360 --> 00:03:14,040 Speaker 7: Yeah, I found somebody. 68 00:03:14,120 --> 00:03:15,400 Speaker 1: I found the love of my life. 69 00:03:15,480 --> 00:03:18,200 Speaker 2: And look, Mano still waiting for his So he has hope. 70 00:03:18,400 --> 00:03:20,840 Speaker 1: Yeah, hope is there. Mayo needs work? 71 00:03:21,680 --> 00:03:24,760 Speaker 2: Wow, how are you gonna wear when you're right? When 72 00:03:24,760 --> 00:03:25,440 Speaker 2: you ate right with this? 73 00:03:25,639 --> 00:03:27,760 Speaker 1: Hey, it sounded like a shot. 74 00:03:29,040 --> 00:03:30,760 Speaker 2: No, it sounded like she's right by Toba. 75 00:03:30,919 --> 00:03:33,520 Speaker 1: No, we love you, may thank you, but you need work. 76 00:03:34,600 --> 00:03:35,400 Speaker 9: Broke steadily. 77 00:03:35,800 --> 00:03:38,320 Speaker 1: He's yeah, I got it, we got it. We gotta 78 00:03:38,360 --> 00:03:41,480 Speaker 1: start from somewhere, right, Babby, that's right, that's right, an 79 00:03:41,520 --> 00:03:44,400 Speaker 1: awesome job. Where are you moving to this morning? 80 00:03:44,600 --> 00:03:45,400 Speaker 5: Where are you moving to? 81 00:03:46,240 --> 00:03:47,280 Speaker 1: Charlotte, North Carolina? 82 00:03:47,360 --> 00:03:50,240 Speaker 2: Right outside of Charlotte, And it's gonna work. 83 00:03:50,440 --> 00:03:50,960 Speaker 1: I feel it. 84 00:03:51,320 --> 00:03:55,200 Speaker 2: Yay, all right, but congratulations, check back in, okay, thank you, 85 00:03:55,360 --> 00:03:57,840 Speaker 2: have a great day you too. That was shining light. 86 00:03:57,880 --> 00:04:00,400 Speaker 2: Eight hundred and fifty fifty is a number in case 87 00:04:00,440 --> 00:04:02,160 Speaker 2: you couldn't get through. And when we come back, we 88 00:04:02,200 --> 00:04:04,600 Speaker 2: got to get right into the fire. We'll talk about 89 00:04:04,600 --> 00:04:07,800 Speaker 2: this beef that's been happening all weekend. And it feels 90 00:04:07,840 --> 00:04:10,000 Speaker 2: like Rick Ross is in his element now. He cannot 91 00:04:10,080 --> 00:04:12,640 Speaker 2: wait to keep it going. But people are choosing sides. 92 00:04:12,720 --> 00:04:13,480 Speaker 2: It's way up. 93 00:04:14,120 --> 00:04:20,960 Speaker 10: Going, way out out with Angela yee. They say the rooms. 94 00:04:19,960 --> 00:04:23,960 Speaker 6: From industry shade to all of gossip out. Angela's feeling that. 95 00:04:26,000 --> 00:04:28,880 Speaker 2: All right, it's way up, am Angela yee. Jasmine's here, 96 00:04:29,560 --> 00:04:33,800 Speaker 2: just brand, I'm my own brand. Mano's here. I'm glad 97 00:04:33,800 --> 00:04:36,320 Speaker 2: we're all here because this is a very important day 98 00:04:36,560 --> 00:04:38,839 Speaker 2: to talk about what is going on now. 99 00:04:39,080 --> 00:04:41,800 Speaker 5: Drake over the weekend, there was a track that came out. 100 00:04:41,800 --> 00:04:43,680 Speaker 2: Our producer Dan sent it to us, by the way 101 00:04:43,720 --> 00:04:45,120 Speaker 2: and was like, I'm not sure if this is real 102 00:04:45,240 --> 00:04:49,160 Speaker 2: or AI because everybody was speculating, but it is real 103 00:04:49,600 --> 00:04:52,600 Speaker 2: and there's a real version that got put out. Academics 104 00:04:52,680 --> 00:04:55,240 Speaker 2: was streaming it live while it was happening. And so 105 00:04:55,360 --> 00:04:57,400 Speaker 2: let's discuss some of the shots that we're taking on 106 00:04:57,520 --> 00:05:00,080 Speaker 2: here now. Future and metro Booming on the album and 107 00:05:00,160 --> 00:05:01,880 Speaker 2: we don't trust You in the song we Don't Trust You. 108 00:05:01,920 --> 00:05:04,360 Speaker 5: Here is what Future had to say about Drake. 109 00:05:04,839 --> 00:05:07,560 Speaker 1: You're a number one fan, Donald Tree. It's a don't 110 00:05:07,720 --> 00:05:10,200 Speaker 1: understand talking of feed. 111 00:05:10,520 --> 00:05:12,000 Speaker 11: I don't need another faith. 112 00:05:11,880 --> 00:05:14,240 Speaker 2: Friend, all right, so he called them a number one 113 00:05:14,240 --> 00:05:18,280 Speaker 2: fan dition, hellow talking acting like a fed I don't 114 00:05:18,320 --> 00:05:19,279 Speaker 2: need another fake friend. 115 00:05:19,480 --> 00:05:22,120 Speaker 5: Well, here's what Drake had to say briefly about Future. 116 00:05:22,680 --> 00:05:23,480 Speaker 1: I can never be. 117 00:05:23,480 --> 00:05:26,120 Speaker 11: Nobody number one fan, your first number one. 118 00:05:26,160 --> 00:05:27,800 Speaker 1: I had to put it in your hand. 119 00:05:27,960 --> 00:05:30,560 Speaker 2: It's a good response, A good response. 120 00:05:30,720 --> 00:05:30,880 Speaker 1: Now. 121 00:05:30,920 --> 00:05:32,960 Speaker 2: Metro Booman, of course, is at the center of all 122 00:05:33,000 --> 00:05:36,040 Speaker 2: of this, right front center, and so he had some 123 00:05:36,080 --> 00:05:38,200 Speaker 2: words for metro Booman too quickly. 124 00:05:38,720 --> 00:05:41,680 Speaker 11: Gi him on love in a City that you find it, Mitchell, 125 00:05:41,720 --> 00:05:43,440 Speaker 11: shut your ass up and make some drums. 126 00:05:44,040 --> 00:05:45,640 Speaker 4: WHOA, that's really funny. 127 00:05:45,760 --> 00:05:49,160 Speaker 2: That's a harsh make him seem like a worker, like, 128 00:05:49,720 --> 00:05:53,000 Speaker 2: just shut up, mix drunks, just do your job, all right. Well, 129 00:05:53,200 --> 00:05:56,960 Speaker 2: that was definitely a harsh one. Now Kendrick, of course 130 00:05:57,080 --> 00:05:58,719 Speaker 2: everybody was talking about and there were a lot of 131 00:05:58,720 --> 00:06:00,480 Speaker 2: shots taking that Kendrick. I mean, he talked about his 132 00:06:00,480 --> 00:06:04,320 Speaker 2: shoe size being a size seven. I believe, hisp squeak 133 00:06:04,360 --> 00:06:06,200 Speaker 2: shoe size is a little like an eight or nine. 134 00:06:06,360 --> 00:06:08,920 Speaker 2: But are you it's not a seven though, No, it's 135 00:06:08,920 --> 00:06:10,600 Speaker 2: I don't think it's a seven, but you know that's 136 00:06:11,080 --> 00:06:12,480 Speaker 2: you know, a guy's shoe size seven. 137 00:06:12,560 --> 00:06:13,279 Speaker 5: What's the shoe size? 138 00:06:13,320 --> 00:06:13,520 Speaker 10: Mano? 139 00:06:13,680 --> 00:06:13,920 Speaker 1: Ten? 140 00:06:14,120 --> 00:06:14,640 Speaker 5: Okay? 141 00:06:14,920 --> 00:06:16,760 Speaker 2: All right. In addition to that, he had some more 142 00:06:16,839 --> 00:06:18,760 Speaker 2: shots and Kenjack, here's what he had to say. 143 00:06:19,320 --> 00:06:21,800 Speaker 11: For one, five need a verse, You better make it witty. 144 00:06:22,120 --> 00:06:24,360 Speaker 11: Then we need a verse for the Swiss these top 145 00:06:24,440 --> 00:06:26,520 Speaker 11: save drop, you better drop and give them fifty. 146 00:06:28,000 --> 00:06:28,360 Speaker 2: Okay. 147 00:06:28,480 --> 00:06:29,200 Speaker 4: That was nice. 148 00:06:29,400 --> 00:06:32,280 Speaker 2: So Sizza, of course she got a little shot out 149 00:06:32,279 --> 00:06:34,200 Speaker 2: and she responded like, now why am I in this 150 00:06:34,680 --> 00:06:37,480 Speaker 2: with that infamous meme the drop man give me fifty 151 00:06:37,480 --> 00:06:39,680 Speaker 2: and he's talking about top Dog. Top Dog, who is 152 00:06:39,720 --> 00:06:42,600 Speaker 2: the CEO of TD top Dog Entertainment where Kenjack was 153 00:06:42,640 --> 00:06:45,200 Speaker 2: signed before he went independent, and the drop man give 154 00:06:45,240 --> 00:06:47,760 Speaker 2: me fifty is referencing you know, I don't know if 155 00:06:47,800 --> 00:06:49,599 Speaker 2: this is true or not, but top Dog getting fifty 156 00:06:49,640 --> 00:06:56,000 Speaker 2: percent of Oh, yes, anybody was wondering what that's about. Yeah, 157 00:06:56,040 --> 00:06:57,920 Speaker 2: so we're trying to break it all down so everybody 158 00:06:57,960 --> 00:07:01,039 Speaker 2: knows what's happening. Now there are some more shots that 159 00:07:01,120 --> 00:07:04,240 Speaker 2: Drake took at Kendrick and J Cole is also mentioned 160 00:07:04,240 --> 00:07:04,480 Speaker 2: in this. 161 00:07:05,200 --> 00:07:07,240 Speaker 11: And if Sean y'all got did not start to be 162 00:07:07,400 --> 00:07:10,360 Speaker 11: with us, this being brewing in a pot now heating up. 163 00:07:10,480 --> 00:07:11,760 Speaker 2: I don't care what cold think. 164 00:07:11,640 --> 00:07:12,760 Speaker 1: That Gosh was weakest. 165 00:07:12,960 --> 00:07:14,640 Speaker 5: Top Dog is in this yet again. 166 00:07:14,800 --> 00:07:17,200 Speaker 2: Okay, now, I don't know who called top Dog trying 167 00:07:17,200 --> 00:07:19,320 Speaker 2: to piece it up, but I don't know if he's referencing. 168 00:07:19,320 --> 00:07:22,520 Speaker 2: Maybe J Cole probably did that because he did have 169 00:07:22,600 --> 00:07:26,400 Speaker 2: TD performers, yeah, you know, at his Dreamville festival, So 170 00:07:26,560 --> 00:07:28,880 Speaker 2: not share what that is. But he also alluses that 171 00:07:28,920 --> 00:07:31,520 Speaker 2: this is just the beginning at the end of this 172 00:07:31,600 --> 00:07:33,280 Speaker 2: to let people know that there's more to come. And 173 00:07:33,400 --> 00:07:36,840 Speaker 2: djhu Kid, who is fifty cents DJ. He also posted 174 00:07:36,960 --> 00:07:38,840 Speaker 2: a meme that said more coming soon. 175 00:07:39,160 --> 00:07:42,280 Speaker 12: He gave it to him first because it has the 176 00:07:42,280 --> 00:07:43,400 Speaker 12: whole kid drop on the old. 177 00:07:43,880 --> 00:07:44,120 Speaker 1: Yeah. 178 00:07:44,400 --> 00:07:47,080 Speaker 2: All right, so we're gonna play Drake's full disc right now, 179 00:07:47,120 --> 00:07:48,720 Speaker 2: and then after that we're going to talk about Rick 180 00:07:48,840 --> 00:07:52,720 Speaker 2: Ross because that's a whole another situation. Rick Ross did 181 00:07:52,720 --> 00:07:54,400 Speaker 2: a whole dis recommend. Know you feel like he had 182 00:07:54,440 --> 00:07:57,080 Speaker 2: this in the stash. Yeah, I like, but we'll discuss 183 00:07:57,120 --> 00:07:58,720 Speaker 2: all of that and you guys get ready to call 184 00:07:58,760 --> 00:08:00,400 Speaker 2: in because we want to hear what you have thought. Sorry, 185 00:08:00,440 --> 00:08:02,720 Speaker 2: eight hundred nine fifty one fifty is way up. 186 00:08:02,840 --> 00:08:07,000 Speaker 10: I said, let's get it. Let's good way yep, what Angela? 187 00:08:07,000 --> 00:08:10,320 Speaker 6: He is back to set off your work day. 188 00:08:10,400 --> 00:08:12,760 Speaker 2: All right, it's way up, am Angela. Ye, Jazzman brand 189 00:08:12,840 --> 00:08:13,760 Speaker 2: is hair, and Lena. 190 00:08:13,640 --> 00:08:17,320 Speaker 4: Is here ye yes, And. 191 00:08:16,480 --> 00:08:19,320 Speaker 2: We're trying to figure out all of the things that 192 00:08:19,360 --> 00:08:20,560 Speaker 2: are happening with Rama. 193 00:08:20,760 --> 00:08:22,000 Speaker 4: I mean, I need a flow chart. 194 00:08:22,160 --> 00:08:23,560 Speaker 5: And Drake did have to put out it. 195 00:08:23,560 --> 00:08:25,200 Speaker 2: He put out a meme from kill Bill and Uma 196 00:08:25,240 --> 00:08:26,840 Speaker 2: Thurman was like, let me know if you need smel 197 00:08:27,160 --> 00:08:29,080 Speaker 2: But he feels like everybody's coming for him now. But 198 00:08:29,120 --> 00:08:33,040 Speaker 2: he definitely is responding, yeah, back to everybody. Also that 199 00:08:33,200 --> 00:08:36,560 Speaker 2: song and unofficially they're calling that song push Ups and 200 00:08:36,679 --> 00:08:38,760 Speaker 2: Rick Ross got some shots on there too. We didn't 201 00:08:38,800 --> 00:08:41,120 Speaker 2: get into the jet because Rick Ross had a full response. 202 00:08:41,160 --> 00:08:43,640 Speaker 2: So here's what Drake had to say on push Ups 203 00:08:43,679 --> 00:08:44,560 Speaker 2: about Rick Ross. 204 00:08:44,920 --> 00:08:47,280 Speaker 11: I might take your latest droller couple lack on Ricky. 205 00:08:48,080 --> 00:08:51,040 Speaker 5: Okay, okay, got some shots there, now, little shot. 206 00:08:51,120 --> 00:08:51,840 Speaker 4: It wasn't so bad. 207 00:08:52,120 --> 00:08:55,160 Speaker 2: Rick Ross fire back very quickly and he had a 208 00:08:55,160 --> 00:08:56,559 Speaker 2: lot of things to say. And you know, when Rick 209 00:08:56,640 --> 00:08:58,600 Speaker 2: Ross goes at you on social media, he does not 210 00:08:58,720 --> 00:09:00,520 Speaker 2: let up. I mean, he was calling him a white boy. 211 00:09:00,559 --> 00:09:02,679 Speaker 2: He was talking about his BBL. He going the whole 212 00:09:03,160 --> 00:09:03,800 Speaker 2: those job. 213 00:09:04,640 --> 00:09:06,599 Speaker 4: He's callinghim BBL Drake. 214 00:09:06,640 --> 00:09:08,040 Speaker 5: He's calling him BBL Drake. 215 00:09:08,440 --> 00:09:10,800 Speaker 2: And so here is some of what Rick Ross had 216 00:09:10,800 --> 00:09:13,840 Speaker 2: to say on his disc track getting Bullied. 217 00:09:13,880 --> 00:09:15,760 Speaker 13: Don't walk up on me because the clip is fully 218 00:09:15,880 --> 00:09:17,480 Speaker 13: to get to be still, don't want to push me. 219 00:09:17,520 --> 00:09:20,760 Speaker 2: I'm like, really woody, all right. So this this is 220 00:09:20,800 --> 00:09:24,840 Speaker 2: called Champagne moments, by the way, And in addition to that, 221 00:09:24,880 --> 00:09:28,360 Speaker 2: he does also talk about Drake's alleged nose job. 222 00:09:28,400 --> 00:09:30,319 Speaker 5: But Drake says he didn't get one, but we'll discuss that. 223 00:09:31,400 --> 00:09:32,120 Speaker 1: You never want to do. 224 00:09:33,160 --> 00:09:34,920 Speaker 13: That's why you had an operation to make you know, 225 00:09:35,000 --> 00:09:35,480 Speaker 13: a smaller. 226 00:09:36,160 --> 00:09:39,439 Speaker 2: So he's saying that he unfollowed Drake because Drake sent 227 00:09:39,480 --> 00:09:42,240 Speaker 2: a season desist to french Montana. I remember when french 228 00:09:42,280 --> 00:09:45,400 Speaker 2: Montana was up here. He was talking about the song 229 00:09:45,440 --> 00:09:46,960 Speaker 2: with Drake and remember that. 230 00:09:47,200 --> 00:09:48,920 Speaker 1: Yeah, I can't remember what he said French. 231 00:09:50,040 --> 00:09:53,199 Speaker 2: Later he said they're gon It wasn't Drake supposed to 232 00:09:53,240 --> 00:09:53,960 Speaker 2: be like eping. 233 00:09:54,000 --> 00:09:56,560 Speaker 5: French Montana's said something about that we need to pull 234 00:09:56,559 --> 00:09:57,160 Speaker 5: that back up though. 235 00:09:57,160 --> 00:10:00,640 Speaker 2: All right. Well, Drake then put out some messag between 236 00:10:00,720 --> 00:10:04,040 Speaker 2: himself and his mother and it says, obs, the internet 237 00:10:04,160 --> 00:10:05,600 Speaker 2: is saying, you got a nose job. You look the 238 00:10:05,600 --> 00:10:07,320 Speaker 2: same to me in the kitchen today. I can't believe 239 00:10:07,320 --> 00:10:08,680 Speaker 2: you would get one without me, because you know I 240 00:10:08,679 --> 00:10:10,640 Speaker 2: always wanted one. Don't tell me that you got tattoos 241 00:10:10,640 --> 00:10:13,400 Speaker 2: without me. And now this too. And Drake's response to 242 00:10:13,440 --> 00:10:15,800 Speaker 2: his mom was, I would have got us a two 243 00:10:15,800 --> 00:10:17,920 Speaker 2: for one deal if I went my It's coming from 244 00:10:17,960 --> 00:10:19,880 Speaker 2: Rick Ross, the guy I did songs with. He's gone 245 00:10:19,920 --> 00:10:22,800 Speaker 2: loopy off the Manjyro. He hasn't eaten in days, and 246 00:10:22,800 --> 00:10:25,280 Speaker 2: it's turned him angry and racist. He's performing at proms 247 00:10:25,320 --> 00:10:27,840 Speaker 2: for money. It's bad. Don't worry, we'll handle it. 248 00:10:27,920 --> 00:10:29,640 Speaker 1: I like that part right, then we'll handle it. 249 00:10:29,640 --> 00:10:30,280 Speaker 4: He's sorry. 250 00:10:30,320 --> 00:10:32,680 Speaker 1: I got that. Yeah, don't worry about it, Mam, I 251 00:10:32,679 --> 00:10:34,720 Speaker 1: got this. It's like that. 252 00:10:34,720 --> 00:10:37,679 Speaker 2: That was his response, and you know, of course, Rick 253 00:10:37,800 --> 00:10:41,400 Speaker 2: Ross went on his Instagram Live to say, I just realized. 254 00:10:41,400 --> 00:10:43,160 Speaker 5: BBL Drizzy called his mommy on this. 255 00:10:45,400 --> 00:10:46,880 Speaker 2: You have that? Okay, here it is. 256 00:10:47,400 --> 00:10:51,200 Speaker 13: BBL Drizzy called his mommy on me. He shared their 257 00:10:51,280 --> 00:10:56,920 Speaker 13: text messages between each other. Uh, Cupcake, Drake, tell your mama, 258 00:10:57,000 --> 00:11:01,000 Speaker 13: you stayed out past your curfew, white boy. But anyway, 259 00:11:01,160 --> 00:11:04,320 Speaker 13: big nose, but you had twenty five percent body fat, 260 00:11:04,320 --> 00:11:08,760 Speaker 13: would have carved down six piece stock well close forty bands. 261 00:11:09,240 --> 00:11:11,959 Speaker 4: Oh my gosh, jesus, I mean. 262 00:11:12,679 --> 00:11:13,480 Speaker 2: What is going on? 263 00:11:14,559 --> 00:11:16,160 Speaker 4: He say he called his mommy on me. 264 00:11:16,360 --> 00:11:19,680 Speaker 2: Well, Birdman posted with Drake and said I'm riding with 265 00:11:19,760 --> 00:11:22,839 Speaker 2: you for life. I got your back, surprise party and 266 00:11:22,920 --> 00:11:28,319 Speaker 2: cash money official. So you know everybody is Lincoln too? 267 00:11:28,520 --> 00:11:33,160 Speaker 5: Yeah yeah, yeah. 268 00:11:31,600 --> 00:11:34,120 Speaker 2: Because he know him and Birdman already don't get along. 269 00:11:34,520 --> 00:11:38,000 Speaker 2: It's just crazy right now. Active But it did make us. 270 00:11:38,040 --> 00:11:40,720 Speaker 2: Forget all the women fighting. Now, let's focus on you guys. 271 00:11:41,080 --> 00:11:43,599 Speaker 5: About Diddy too, Yeah for a second, didn't. 272 00:11:43,400 --> 00:11:45,880 Speaker 4: Like, Yes, no one's talking about me right now. 273 00:11:45,960 --> 00:11:47,560 Speaker 2: He's probably call him, but like, go ahead, go but 274 00:11:47,600 --> 00:11:50,199 Speaker 2: remember Drake and Didny got into it? Didn't Drake? Didn't 275 00:11:50,880 --> 00:11:54,160 Speaker 2: Diddy slap Drake previously allegedly. But we want to hear 276 00:11:54,160 --> 00:11:57,319 Speaker 2: what you guys think. Eight hundred fifty I'm just giving 277 00:11:57,320 --> 00:12:00,000 Speaker 2: you the information that's coming in. There's a lot more. 278 00:12:00,080 --> 00:12:01,760 Speaker 2: We want to hear what you guys been thinking over 279 00:12:01,800 --> 00:12:05,880 Speaker 2: the weekend. Are you team Drizzy? Are you team Rick Russ? 280 00:12:05,920 --> 00:12:07,200 Speaker 2: Team Ken Drake? I don't know. 281 00:12:07,360 --> 00:12:09,920 Speaker 5: Call us up? Eight hundred two nine two fifty fifteen. 282 00:12:10,360 --> 00:12:13,040 Speaker 10: Wa up with Angela ye more? 283 00:12:13,400 --> 00:12:17,200 Speaker 2: Now all right, it's way up. I'm Angela ye Jasmine brand. 284 00:12:16,960 --> 00:12:19,520 Speaker 14: His hand, I'm my own brand. 285 00:12:19,679 --> 00:12:23,880 Speaker 2: Mana is here morning, Yes, and we are talking about 286 00:12:23,920 --> 00:12:27,160 Speaker 2: what is going on. The guys are fighting, the girls 287 00:12:27,160 --> 00:12:27,680 Speaker 2: are fighting. 288 00:12:28,640 --> 00:12:28,800 Speaker 13: Now. 289 00:12:28,960 --> 00:12:32,880 Speaker 2: Rick Russ has done a whole disc track aimed at Drizzy, 290 00:12:33,120 --> 00:12:37,440 Speaker 2: at Drizzy and everybody is choosing sides now, Mana, you 291 00:12:37,440 --> 00:12:39,040 Speaker 2: didn't think this was a new song. You feel like 292 00:12:39,120 --> 00:12:39,600 Speaker 2: I feel. 293 00:12:39,440 --> 00:12:42,080 Speaker 12: Like he had that waiting I feel like Ross knew 294 00:12:42,080 --> 00:12:43,600 Speaker 12: that this was going to get like this, and he 295 00:12:43,720 --> 00:12:45,439 Speaker 12: just had it in the cut because if you look 296 00:12:45,440 --> 00:12:48,000 Speaker 12: at how fast he posted it, it was like two 297 00:12:48,000 --> 00:12:48,560 Speaker 12: hours later. 298 00:12:48,679 --> 00:12:50,320 Speaker 4: I just feel like he had it too fast. 299 00:12:50,360 --> 00:12:52,000 Speaker 1: Yeah, I just feel like he had it ready, Okay. 300 00:12:52,280 --> 00:12:55,319 Speaker 2: And so he had said that he unfollowed Drake because 301 00:12:55,320 --> 00:12:59,360 Speaker 2: of French Montana sent the cease and desist. But you know, 302 00:12:59,400 --> 00:13:02,360 Speaker 2: French Montana and Drake still appear to be cool with 303 00:13:02,400 --> 00:13:04,760 Speaker 2: each other. They follow each other, So I don't know 304 00:13:04,840 --> 00:13:07,600 Speaker 2: if friend had a problem. And they've all worked together 305 00:13:07,720 --> 00:13:11,360 Speaker 2: so much in the past. But I'm not sure what 306 00:13:11,480 --> 00:13:13,600 Speaker 2: you guys think. I saw some people are saying they 307 00:13:13,600 --> 00:13:15,400 Speaker 2: thought Rick Ross did a great job responding. 308 00:13:15,400 --> 00:13:17,200 Speaker 5: And you know how Rick Russ is. He's not gonna let. 309 00:13:17,200 --> 00:13:18,640 Speaker 1: Up, right, it ain't just the music. 310 00:13:18,880 --> 00:13:20,400 Speaker 2: It's not just the music. He's going to go on 311 00:13:20,440 --> 00:13:23,040 Speaker 2: social media, he's gonna go live, He's going to be 312 00:13:23,120 --> 00:13:26,880 Speaker 2: posting NonStop. And I thought that Rick Russ and Drake 313 00:13:26,920 --> 00:13:29,280 Speaker 2: were actually more collaborating, right. 314 00:13:29,320 --> 00:13:30,280 Speaker 1: I would have never thought. 315 00:13:30,720 --> 00:13:32,680 Speaker 12: I would have never seen this coming because I felt 316 00:13:32,720 --> 00:13:36,400 Speaker 12: like they was like really cool something else something. I 317 00:13:36,400 --> 00:13:38,800 Speaker 12: feel like it's deepening, just the something else happened, something 318 00:13:38,960 --> 00:13:39,400 Speaker 12: something else. 319 00:13:39,440 --> 00:13:43,120 Speaker 2: And I also saw conspiracy theories about you know, Drake 320 00:13:44,040 --> 00:13:47,280 Speaker 2: when it comes to Kendrick dming Kendrick's now wife who 321 00:13:47,320 --> 00:13:48,880 Speaker 2: was then his girlfriend at the time, and he does 322 00:13:48,880 --> 00:13:51,800 Speaker 2: a reference Whitney, that's he that's Kendrick's wife. 323 00:13:51,880 --> 00:13:53,160 Speaker 4: That's a little personal. 324 00:13:52,840 --> 00:13:54,880 Speaker 2: You know, on on his discheck too. But we want 325 00:13:54,920 --> 00:13:56,719 Speaker 2: to see what your thoughts are about everything. There's a 326 00:13:56,760 --> 00:13:58,720 Speaker 2: lot going on, Rob, what are your thoughts? 327 00:13:59,240 --> 00:14:02,079 Speaker 1: I'm rocking with Rake Man, Drake. Don't no smoke from 328 00:14:02,120 --> 00:14:03,079 Speaker 1: nobody like that. 329 00:14:03,320 --> 00:14:04,560 Speaker 5: Okay, that is true. 330 00:14:04,640 --> 00:14:06,640 Speaker 2: At least he didn't just say I'm not gonna do nothing. 331 00:14:06,679 --> 00:14:08,240 Speaker 2: He responded to everybody. 332 00:14:08,320 --> 00:14:09,160 Speaker 4: He said, line them up. 333 00:14:09,360 --> 00:14:11,400 Speaker 11: They should have learned that from me because he could 334 00:14:11,440 --> 00:14:13,360 Speaker 11: have got ugly for drake situation. 335 00:14:13,559 --> 00:14:19,240 Speaker 5: He ain't duck that right, Thank you, Raw Raw, Hey Angel? 336 00:14:19,280 --> 00:14:19,760 Speaker 2: How are you? 337 00:14:20,160 --> 00:14:20,400 Speaker 15: Hey? 338 00:14:20,480 --> 00:14:21,240 Speaker 2: How you doing? 339 00:14:21,400 --> 00:14:21,480 Speaker 13: So? 340 00:14:21,680 --> 00:14:24,560 Speaker 2: Listen, We've heard a lot going on. There's Ken Drake, 341 00:14:24,600 --> 00:14:28,080 Speaker 2: there's Rick Russ, there's Drake. J Cole has removed himself. 342 00:14:28,240 --> 00:14:30,600 Speaker 2: What do you think there's future, there's metro booming. Who 343 00:14:30,600 --> 00:14:31,640 Speaker 2: you're riding with? Who's winning? 344 00:14:31,800 --> 00:14:31,880 Speaker 16: Like? 345 00:14:32,280 --> 00:14:36,440 Speaker 7: This is so messy, It's all random, Like I feel 346 00:14:36,440 --> 00:14:39,720 Speaker 7: like this Ben Brewin, like they should have been saying somethingthing. 347 00:14:39,760 --> 00:14:43,480 Speaker 7: This is very much sassy coming from Kendrick, Like this 348 00:14:43,600 --> 00:14:46,400 Speaker 7: drap was just very much sasty. And I'm so glad 349 00:14:46,440 --> 00:14:49,440 Speaker 7: that Drake dropped ate all of them up. I don't 350 00:14:49,480 --> 00:14:50,760 Speaker 7: know what they're gonna be able to say after this. 351 00:14:51,400 --> 00:14:53,120 Speaker 7: He said, he didn't even unleas the whole clip. 352 00:14:53,240 --> 00:14:55,040 Speaker 2: Yeah, you put up a good point because everybody's like, 353 00:14:55,040 --> 00:14:57,120 Speaker 2: where did this just nowhere? 354 00:14:57,200 --> 00:15:03,080 Speaker 1: I mean it was Rando and then y'all this is Drake. 355 00:15:03,520 --> 00:15:06,480 Speaker 4: Yeah, but like but like Maino said, it probably was brewing. 356 00:15:07,080 --> 00:15:09,640 Speaker 14: And that's what that's the public as fans. 357 00:15:11,000 --> 00:15:13,520 Speaker 7: Being off with a map for three hundred and fifty 358 00:15:13,560 --> 00:15:16,080 Speaker 7: five days and you you just got to come back 359 00:15:16,080 --> 00:15:17,320 Speaker 7: with a Drake did all. 360 00:15:17,360 --> 00:15:21,320 Speaker 2: Right, Well, thank you for chiming in. Thank you, Hey, Tristan, how. 361 00:15:21,240 --> 00:15:23,440 Speaker 15: Are you good? 362 00:15:23,560 --> 00:15:26,120 Speaker 2: So what are you thinking, Tristan about all these disc 363 00:15:26,240 --> 00:15:28,480 Speaker 2: tracks and things going back and forth? 364 00:15:28,880 --> 00:15:32,400 Speaker 1: Man, Drake is the go I'm riding with Drake Drake. 365 00:15:32,760 --> 00:15:34,520 Speaker 5: Okay, what did you think about Rick Russ? 366 00:15:34,560 --> 00:15:37,239 Speaker 1: Is this you're just jealous? 367 00:15:37,480 --> 00:15:38,840 Speaker 2: Okay? You think he's just jealous? 368 00:15:38,880 --> 00:15:40,040 Speaker 4: Nobody's riding with Rick. 369 00:15:42,120 --> 00:15:44,240 Speaker 1: Everybody. So it's like, at this point here on the dog, 370 00:15:44,280 --> 00:15:45,640 Speaker 1: how are you going to not root for the dog? 371 00:15:46,000 --> 00:15:48,320 Speaker 2: It's interesting because on social media I saw a lot 372 00:15:48,320 --> 00:15:50,600 Speaker 2: of people riding with Rick Ross. 373 00:15:50,880 --> 00:15:53,280 Speaker 1: Yes I heard that, heard that really rap? 374 00:15:53,680 --> 00:15:56,120 Speaker 5: Okay, all right, well thank you for chiming interesting. 375 00:15:56,680 --> 00:15:59,240 Speaker 2: I appreciate that. Thank you. What's good? 376 00:16:00,240 --> 00:16:00,400 Speaker 13: Hi? 377 00:16:01,120 --> 00:16:05,040 Speaker 2: And what's good? What do you think about all the 378 00:16:05,080 --> 00:16:06,600 Speaker 2: beef going on? Who you rocking with? 379 00:16:07,200 --> 00:16:07,720 Speaker 7: Well, I'm not. 380 00:16:07,760 --> 00:16:08,600 Speaker 3: Rocking with anyone. 381 00:16:08,760 --> 00:16:10,200 Speaker 7: It makes us look so bad? 382 00:16:10,560 --> 00:16:14,000 Speaker 1: Why I love it? Hip hop? Always? 383 00:16:14,360 --> 00:16:15,040 Speaker 7: I hate it? 384 00:16:15,680 --> 00:16:17,840 Speaker 4: So she signed with Jay Cole, she's on the all right, 385 00:16:17,880 --> 00:16:18,720 Speaker 4: so you're with Jay Cole. 386 00:16:18,880 --> 00:16:22,760 Speaker 2: Let me make sense. Though, I do like Jig Colder. 387 00:16:24,600 --> 00:16:26,720 Speaker 2: I'm gonna like j Cole Mighty did the best thing, 388 00:16:26,840 --> 00:16:28,400 Speaker 2: like you know what I'm then. 389 00:16:28,280 --> 00:16:35,160 Speaker 1: They just always been competitive, it always, you know. 390 00:16:35,280 --> 00:16:39,960 Speaker 7: If it's only about trying to get exposure, more exposure, 391 00:16:40,240 --> 00:16:42,160 Speaker 7: I'm games. 392 00:16:42,160 --> 00:16:44,320 Speaker 14: But if it's serious, I'm not liking it. 393 00:16:44,520 --> 00:16:45,640 Speaker 4: You don't want it to turn real? 394 00:16:46,280 --> 00:16:47,080 Speaker 2: No at all? 395 00:16:47,480 --> 00:16:48,320 Speaker 4: Yeah, none of us too. 396 00:16:48,480 --> 00:16:49,880 Speaker 2: All right, Well, thank you for chiming in. 397 00:16:50,240 --> 00:16:52,920 Speaker 4: I'm might a little tussled though, bye tussle. 398 00:16:53,720 --> 00:16:56,080 Speaker 2: All right, Well, listen you guys, continue to call us 399 00:16:56,240 --> 00:16:58,440 Speaker 2: in case you can't get through. Eight hundred two nineteen 400 00:16:58,480 --> 00:17:00,640 Speaker 2: fifty one fifty as a number were played in last word. 401 00:17:00,920 --> 00:17:03,160 Speaker 2: You can also go on the iHeartRadio app and click 402 00:17:03,200 --> 00:17:05,720 Speaker 2: that microphone and leave a message that way. And when 403 00:17:05,760 --> 00:17:08,320 Speaker 2: we come back, we have yet and let's talk about 404 00:17:08,400 --> 00:17:11,080 Speaker 2: kay sanat this guy. I want to see what you 405 00:17:11,119 --> 00:17:13,919 Speaker 2: think about this. If you got caught laying up in 406 00:17:14,000 --> 00:17:16,200 Speaker 2: bed with somebody, didn't pay them the money you was 407 00:17:16,200 --> 00:17:18,360 Speaker 2: supposed to pay them, and then they posted you online, 408 00:17:18,440 --> 00:17:19,240 Speaker 2: can you be mad? 409 00:17:19,480 --> 00:17:20,080 Speaker 5: It's way up? 410 00:17:20,359 --> 00:17:22,359 Speaker 10: Sure, she's about to the lid ab off this spot. 411 00:17:22,440 --> 00:17:25,600 Speaker 10: Let's get it. Angela's feeling that yee te Come and 412 00:17:25,640 --> 00:17:26,440 Speaker 10: get your tea. 413 00:17:27,160 --> 00:17:28,360 Speaker 5: It's way up. I'm Angela. 414 00:17:28,400 --> 00:17:28,600 Speaker 2: Yee. 415 00:17:28,640 --> 00:17:32,760 Speaker 5: Jasmine brand is here on my own brand. Mano is here. 416 00:17:33,640 --> 00:17:35,520 Speaker 5: Great morning, all right, let's get into some yet. 417 00:17:35,600 --> 00:17:37,520 Speaker 2: I feel like all morning we've been talking about all 418 00:17:37,560 --> 00:17:39,040 Speaker 2: the beef flying back and forth. 419 00:17:39,119 --> 00:17:42,520 Speaker 4: I love it too, fy you do, Yes, I'm exhausted. 420 00:17:42,600 --> 00:17:43,200 Speaker 4: Yes that's great. 421 00:17:43,400 --> 00:17:45,200 Speaker 2: All right, Well you do have the Jasmine brand. That's 422 00:17:45,240 --> 00:17:46,639 Speaker 2: why this is great for business. 423 00:17:46,680 --> 00:17:48,199 Speaker 4: I love them to tussle too. I told you that, 424 00:17:48,320 --> 00:17:48,960 Speaker 4: all right now. 425 00:17:49,040 --> 00:17:53,359 Speaker 2: Twitch streamer Kai Sanat has responded there were some pictures 426 00:17:53,480 --> 00:17:56,760 Speaker 2: and messages of him that were leaked and he wants 427 00:17:56,800 --> 00:18:00,639 Speaker 2: to take the person responsible to court. Okay, And he 428 00:18:00,720 --> 00:18:03,560 Speaker 2: told his viewers that he feels like this is, you know, 429 00:18:03,680 --> 00:18:05,679 Speaker 2: basically cloud chasing. 430 00:18:05,680 --> 00:18:06,600 Speaker 5: Here's what he had to say. 431 00:18:07,000 --> 00:18:11,360 Speaker 17: It's so dump clout chasing, reere that's going on right now, bro. 432 00:18:11,600 --> 00:18:13,600 Speaker 17: And you know what's so crazy? You know that it 433 00:18:13,760 --> 00:18:16,120 Speaker 17: was in the beginning of twenty twenty three. I'll see 434 00:18:16,160 --> 00:18:17,359 Speaker 17: you in cold. 435 00:18:19,520 --> 00:18:21,560 Speaker 2: All right. So, according to him, this woman who posted 436 00:18:21,560 --> 00:18:24,280 Speaker 2: these pictures of him in the bed, this is old 437 00:18:24,320 --> 00:18:28,239 Speaker 2: news and this is from twenty twenty three. Here's what 438 00:18:28,280 --> 00:18:30,120 Speaker 2: he had to say about what he did for even 439 00:18:30,119 --> 00:18:30,840 Speaker 2: more revenge. 440 00:18:31,560 --> 00:18:34,440 Speaker 1: So, Leila, I have bought your domain. 441 00:18:34,960 --> 00:18:39,800 Speaker 17: Every time somebody types in Piava Rush, anytime somebody types 442 00:18:39,800 --> 00:18:43,280 Speaker 17: in laylo Red, the first website that they will click 443 00:18:43,359 --> 00:18:46,399 Speaker 17: on is all the lies you've told me, or the 444 00:18:46,440 --> 00:18:49,600 Speaker 17: crimes you've vumped, or the dump you just put yourself 445 00:18:49,640 --> 00:18:51,800 Speaker 17: in to fuck up your life. 446 00:18:51,960 --> 00:18:52,560 Speaker 4: He's loud. 447 00:18:54,119 --> 00:18:57,359 Speaker 2: I know he was embarrassed too. He was so sleeping, 448 00:18:57,400 --> 00:18:57,919 Speaker 2: so peaceful. 449 00:18:57,920 --> 00:18:59,280 Speaker 4: I don't like I don't like to take a pictures 450 00:18:59,280 --> 00:19:00,000 Speaker 4: people when they sleep. 451 00:19:00,000 --> 00:19:02,360 Speaker 1: I don't like that. Yeah, I don't like that. 452 00:19:02,800 --> 00:19:04,000 Speaker 4: You gotta pay it. First of all, you need to 453 00:19:04,040 --> 00:19:05,880 Speaker 4: be paid. Yes, you need to be paid up front. 454 00:19:05,880 --> 00:19:06,120 Speaker 1: Mama. 455 00:19:06,400 --> 00:19:08,040 Speaker 2: You know he denied the rumors that he paid a 456 00:19:08,080 --> 00:19:10,680 Speaker 2: five thousand dollars. He so receipts revealing that the only 457 00:19:10,720 --> 00:19:12,919 Speaker 2: thing he did was get her an uber. Okay, that 458 00:19:13,080 --> 00:19:14,879 Speaker 2: was it, and that uber was fifty dollars, so that 459 00:19:14,880 --> 00:19:18,080 Speaker 2: couldn't have been a black car. Now she has responded 460 00:19:18,600 --> 00:19:21,560 Speaker 2: to his uh, his live and here's what she had 461 00:19:21,600 --> 00:19:22,560 Speaker 2: to say. 462 00:19:22,640 --> 00:19:25,879 Speaker 18: Ain't no fingy. You was supposed to pay me my 463 00:19:25,960 --> 00:19:27,200 Speaker 18: other half to keep quiet. 464 00:19:27,359 --> 00:19:27,879 Speaker 1: You did it. 465 00:19:28,000 --> 00:19:29,680 Speaker 4: I hit you up. You didn't want to respond. 466 00:19:29,720 --> 00:19:31,200 Speaker 18: You thought I was gonna take the little chump change 467 00:19:31,240 --> 00:19:33,639 Speaker 18: that you paid me not to say nothing. No, any 468 00:19:33,760 --> 00:19:36,840 Speaker 18: all my sons always taking people to court, are ready 469 00:19:36,840 --> 00:19:37,560 Speaker 18: to take you to court. 470 00:19:37,640 --> 00:19:38,879 Speaker 1: Little p Diddy Junior. 471 00:19:39,119 --> 00:19:41,080 Speaker 4: You're talking about you trying to stay me to one 472 00:19:41,119 --> 00:19:41,679 Speaker 4: of your own. 473 00:19:41,560 --> 00:19:42,080 Speaker 10: Eat and all that. 474 00:19:42,359 --> 00:19:44,080 Speaker 5: Don't forget about I got all that. 475 00:19:44,359 --> 00:19:46,879 Speaker 2: I ain't even told them what you paid me for. 476 00:19:47,359 --> 00:19:48,720 Speaker 2: I'm sure they'll love to know. 477 00:19:49,200 --> 00:19:52,560 Speaker 14: Oh okay, this is getting very what we would love 478 00:19:52,600 --> 00:19:52,879 Speaker 14: to know. 479 00:19:53,280 --> 00:19:55,160 Speaker 2: Jes missie, you just said it was wrong. 480 00:19:55,240 --> 00:19:56,400 Speaker 5: Now you want to know, well. 481 00:19:56,240 --> 00:19:58,119 Speaker 14: I mean, it's already here, so it's nothing we can 482 00:19:58,119 --> 00:19:59,720 Speaker 14: do about it. She's already done it, so we needed 483 00:19:59,800 --> 00:20:02,040 Speaker 14: we just don't tease. Let's just give us the details. 484 00:20:02,040 --> 00:20:05,160 Speaker 5: Well, DM Jasmine, all right, yes, M the Jasmine brand. 485 00:20:05,200 --> 00:20:07,960 Speaker 2: All right. Now. Nelly has announced that Apple Bottoms is 486 00:20:08,000 --> 00:20:10,960 Speaker 2: coming back. It's not a comeback, though, he said, don't 487 00:20:10,960 --> 00:20:12,720 Speaker 2: call it a comeback. Did you ever have some apple 488 00:20:12,760 --> 00:20:13,439 Speaker 2: bottom jeans? 489 00:20:13,800 --> 00:20:16,520 Speaker 4: I think I did. I definitely had the boots with 490 00:20:16,560 --> 00:20:17,200 Speaker 4: the far I'll tell. 491 00:20:17,119 --> 00:20:20,240 Speaker 5: You I still have some, all right. 492 00:20:20,320 --> 00:20:23,560 Speaker 2: And Megan Fox is saying that she's never had more 493 00:20:23,560 --> 00:20:26,879 Speaker 2: people text her until after Love is Blind when Chelsea 494 00:20:26,960 --> 00:20:29,359 Speaker 2: said that they look alike. If you guys have watched 495 00:20:29,400 --> 00:20:32,880 Speaker 2: Love is Blind and recalled that, Chelsea said that she's 496 00:20:32,920 --> 00:20:36,239 Speaker 2: been told that she looks like Megan Fox. According to 497 00:20:37,359 --> 00:20:39,800 Speaker 2: Megan Fox, she's saying that everybody was hitting her and 498 00:20:39,840 --> 00:20:42,440 Speaker 2: she doesn't watch to show. But she did say in general, 499 00:20:42,520 --> 00:20:44,560 Speaker 2: nobody deserves to get bullied. She said, I don't think 500 00:20:44,560 --> 00:20:46,560 Speaker 2: she deserved that. I think people went way too hard. 501 00:20:46,960 --> 00:20:48,560 Speaker 2: And she said I did see a picture of her 502 00:20:48,880 --> 00:20:51,480 Speaker 2: one hundred thousand percent people have told her, you kind 503 00:20:51,480 --> 00:20:53,440 Speaker 2: of look like Megan Fox. So I believe she's telling 504 00:20:53,480 --> 00:20:55,800 Speaker 2: the truth. And I hope she still has that sparkle 505 00:20:55,840 --> 00:20:57,600 Speaker 2: in her eye. I hope the world didn't steal it 506 00:20:57,640 --> 00:21:00,080 Speaker 2: from her. She said mine died long ago from being 507 00:21:00,080 --> 00:21:02,520 Speaker 2: bully for twenty years, so I hope that didn't happen 508 00:21:02,520 --> 00:21:02,760 Speaker 2: to her. 509 00:21:02,800 --> 00:21:04,000 Speaker 5: Best wishes and blessings. 510 00:21:04,040 --> 00:21:06,000 Speaker 14: Can I just say when I squint, she kind of 511 00:21:06,040 --> 00:21:07,800 Speaker 14: does favor her like it could be her cousin. 512 00:21:08,240 --> 00:21:10,000 Speaker 5: It's just hard to compare yourself to and you just. 513 00:21:09,960 --> 00:21:12,120 Speaker 4: Can't like, no, you can't not on a TV show. 514 00:21:12,200 --> 00:21:13,800 Speaker 5: All right, Well that is your yeete. 515 00:21:13,880 --> 00:21:15,359 Speaker 2: And when we come back, we have under the radar 516 00:21:15,400 --> 00:21:16,879 Speaker 2: and this is not good news, and we want to 517 00:21:16,920 --> 00:21:19,280 Speaker 2: send some love to New Orleans. There was a mass 518 00:21:19,280 --> 00:21:23,160 Speaker 2: shooting that happened overnight. One woman was killed and eleven 519 00:21:23,200 --> 00:21:26,199 Speaker 2: others were injured just before midnight. And we'll give you, 520 00:21:26,240 --> 00:21:28,480 Speaker 2: guys those unfortunate, really sad details. 521 00:21:28,480 --> 00:21:28,959 Speaker 5: It's way up. 522 00:21:29,000 --> 00:21:31,720 Speaker 6: It's in the news that relates to you. These stories 523 00:21:31,840 --> 00:21:33,159 Speaker 6: are flying under the radar. 524 00:21:33,880 --> 00:21:36,000 Speaker 2: It's way up. But Angela ye, I'm Angela yee. And 525 00:21:36,080 --> 00:21:39,880 Speaker 2: Jasmine Brand is here yes, and Mano is here. I'm 526 00:21:39,920 --> 00:21:42,680 Speaker 2: always here, and let's get to these under the radar stories. 527 00:21:42,960 --> 00:21:45,199 Speaker 2: And I do have to start with a really sad story. 528 00:21:45,240 --> 00:21:47,520 Speaker 2: This is in New Orleans. Shout out to everybody in 529 00:21:47,560 --> 00:21:50,600 Speaker 2: New Orleans. Unfortunately there was a mass shooting and this 530 00:21:50,720 --> 00:21:52,960 Speaker 2: was at the Club Republic Nola, which is a really 531 00:21:53,000 --> 00:21:53,600 Speaker 2: popular club. 532 00:21:53,600 --> 00:21:55,480 Speaker 5: I've been there, you know many times. 533 00:21:56,119 --> 00:21:59,400 Speaker 2: And five adult mills and six adult women were among 534 00:21:59,480 --> 00:22:03,240 Speaker 2: the people did by gunfire, and unfortunately one woman was killed. 535 00:22:04,080 --> 00:22:06,640 Speaker 2: Now one person, Kelsey Hold of Nashville, said, I saw 536 00:22:06,680 --> 00:22:09,600 Speaker 2: people pouring out of the club. I feel awful for everyone. 537 00:22:10,160 --> 00:22:12,359 Speaker 2: And officers responded to the shooting when they arrived. That's 538 00:22:12,400 --> 00:22:14,679 Speaker 2: when they found one victim fatally shot ling on the 539 00:22:14,720 --> 00:22:20,000 Speaker 2: sidewalk and other victims also with gunshot wounds. So prayers 540 00:22:20,040 --> 00:22:22,760 Speaker 2: to everybody in New Orleans, anybody who was affected by this. 541 00:22:22,840 --> 00:22:25,960 Speaker 2: Is really awful to hear that this happened. All right, 542 00:22:26,000 --> 00:22:29,080 Speaker 2: and DC has ranked the hardest working city in the 543 00:22:29,200 --> 00:22:32,720 Speaker 2: United States, of course New York City is number ninety nine. 544 00:22:32,840 --> 00:22:34,560 Speaker 5: Of course, I'm shocked. I feel like I want them 545 00:22:34,560 --> 00:22:35,720 Speaker 5: hard enough for the whole. 546 00:22:36,200 --> 00:22:39,959 Speaker 14: From I've lived there for an Okay, you're right, I'm 547 00:22:40,000 --> 00:22:41,280 Speaker 14: a transplant, not an implant. 548 00:22:43,480 --> 00:22:45,440 Speaker 19: Oh my goodness, see what you do? 549 00:22:49,040 --> 00:22:54,119 Speaker 2: All right, Well, DC number one hardest working, So shout 550 00:22:54,119 --> 00:22:57,000 Speaker 2: out to you guys in DC. All right, in Detroit, 551 00:22:57,160 --> 00:23:00,440 Speaker 2: I mean, people are not happy about this Detroit Hollywood sign. 552 00:23:00,760 --> 00:23:02,399 Speaker 4: It's not a Hollywood sign. That's the problem. 553 00:23:02,440 --> 00:23:04,639 Speaker 2: It's supposed to Yeah, it's supposed to be Hollywood style. 554 00:23:04,680 --> 00:23:06,720 Speaker 2: They're calling it like a what's that temu? 555 00:23:07,080 --> 00:23:10,440 Speaker 4: Yeah, yeah, yeah, put this up right. 556 00:23:10,840 --> 00:23:13,240 Speaker 2: Yeah, it's a four hundred thousand dollars sign. And residents 557 00:23:13,280 --> 00:23:16,239 Speaker 2: think that it's really ugly. It's so bad that some 558 00:23:16,280 --> 00:23:19,800 Speaker 2: people are even doing distracks about it. All right, here's 559 00:23:19,840 --> 00:23:22,240 Speaker 2: what Cash had to here's Cash's distrack. 560 00:23:22,800 --> 00:23:23,800 Speaker 1: One thing I'm gonna do. 561 00:23:23,880 --> 00:23:26,280 Speaker 6: I'm gonna state the fain't the sign that we're warned 562 00:23:26,320 --> 00:23:27,160 Speaker 6: you to take it back? 563 00:23:27,280 --> 00:23:30,120 Speaker 12: And there we go thinking we are about the get 564 00:23:30,200 --> 00:23:31,760 Speaker 12: order us to sign off and win. 565 00:23:33,960 --> 00:23:34,640 Speaker 18: Isn't that bad? 566 00:23:35,160 --> 00:23:37,560 Speaker 1: They put it like this. The difference is in Hollywood 567 00:23:37,720 --> 00:23:38,400 Speaker 1: it's up high. 568 00:23:38,480 --> 00:23:39,240 Speaker 4: It's really high. 569 00:23:39,280 --> 00:23:42,160 Speaker 14: You can't the access it like that. But Hollywood sign 570 00:23:42,240 --> 00:23:44,760 Speaker 14: is not nice though. It's rugged and this this is new, 571 00:23:44,880 --> 00:23:45,720 Speaker 14: you know, I think. 572 00:23:46,560 --> 00:23:48,000 Speaker 1: Put it right there on the side of the highway 573 00:23:48,040 --> 00:23:48,240 Speaker 1: like that. 574 00:23:48,600 --> 00:23:49,800 Speaker 2: It's yeah, I don't know. 575 00:23:49,960 --> 00:23:52,040 Speaker 4: It's a little people. 576 00:23:52,160 --> 00:23:53,879 Speaker 2: And I know they were trying to get ready for 577 00:23:53,960 --> 00:23:57,280 Speaker 2: the NFL Draft that's going to be happening April twenty 578 00:23:57,280 --> 00:23:58,160 Speaker 2: fifth to the twenty seventh. 579 00:23:58,200 --> 00:23:59,879 Speaker 5: They wanted that sign before the draft. 580 00:24:00,080 --> 00:24:01,000 Speaker 4: Wait minute, it's coming off. 581 00:24:01,080 --> 00:24:04,720 Speaker 2: Yeah, oh wow, and they have it all right, Well 582 00:24:04,760 --> 00:24:06,879 Speaker 2: that is you're under the radar, and you know, we 583 00:24:06,920 --> 00:24:08,600 Speaker 2: do have the Way of Mixed. At the top of 584 00:24:08,640 --> 00:24:12,000 Speaker 2: the hour plus from Super Fake the Rick James story, 585 00:24:12,000 --> 00:24:14,359 Speaker 2: we have Ty James Stokely, who's the least singer from 586 00:24:14,359 --> 00:24:17,360 Speaker 2: Make Condition, also and Jakarius Johnson, who's the executive producer. 587 00:24:17,600 --> 00:24:19,920 Speaker 2: Ty James, by the way, is Rick James's only daughter. 588 00:24:20,320 --> 00:24:22,040 Speaker 2: This is going to be an interview yet, don't want 589 00:24:22,040 --> 00:24:22,879 Speaker 2: to miss. It's way up. 590 00:24:23,240 --> 00:24:25,640 Speaker 18: She's like the child like they Angela Jean like they 591 00:24:25,680 --> 00:24:27,200 Speaker 18: Angela Jean Man. 592 00:24:27,280 --> 00:24:28,280 Speaker 6: She's spilling it all. 593 00:24:28,680 --> 00:24:30,600 Speaker 10: This is yeaty way up. 594 00:24:32,880 --> 00:24:35,359 Speaker 2: It's way up. But Angela Yee, I'm Angela Yee. And 595 00:24:35,480 --> 00:24:36,360 Speaker 2: Jasmine brand is. 596 00:24:36,280 --> 00:24:38,760 Speaker 4: Here, not just any brand on my own brand. 597 00:24:38,800 --> 00:24:43,040 Speaker 2: News in the building right always always, and let's start 598 00:24:43,040 --> 00:24:45,240 Speaker 2: it with some good news and yee tea shout out 599 00:24:45,280 --> 00:24:49,520 Speaker 2: to our girl, Candice Diller Bassett. She is expecting her 600 00:24:49,560 --> 00:24:52,320 Speaker 2: first child with her husband, Chris. This is something that 601 00:24:52,359 --> 00:24:55,479 Speaker 2: she has been wanting for quite some time. She's spoken 602 00:24:55,520 --> 00:24:57,679 Speaker 2: about it on Real Housewives, she's spoken about it when 603 00:24:57,720 --> 00:24:58,960 Speaker 2: she was guest hosting up here. 604 00:24:59,280 --> 00:25:00,480 Speaker 5: And here is what she said. 605 00:25:01,520 --> 00:25:06,200 Speaker 20: You always tell me how great I am with words. Surprisingly, though, 606 00:25:06,240 --> 00:25:09,240 Speaker 20: when the time came, the perfect words just didn't exist. 607 00:25:09,680 --> 00:25:13,080 Speaker 20: I am so ready to laugh with you for the 608 00:25:13,080 --> 00:25:14,240 Speaker 20: rest of our breaths. 609 00:25:14,800 --> 00:25:16,680 Speaker 5: All right, so congratulations. 610 00:25:16,720 --> 00:25:18,720 Speaker 14: Yes, can I just say something? She had two secrets 611 00:25:18,720 --> 00:25:19,920 Speaker 14: she was holding when she came up here. 612 00:25:20,040 --> 00:25:21,920 Speaker 4: I know you're good. 613 00:25:22,160 --> 00:25:22,600 Speaker 2: She's good. 614 00:25:22,680 --> 00:25:23,920 Speaker 5: She was holding them secrets. 615 00:25:24,119 --> 00:25:28,120 Speaker 2: Yeah, all right, And speaking of Real Housewives, you have 616 00:25:28,480 --> 00:25:29,760 Speaker 2: a secret that you were holding? 617 00:25:29,880 --> 00:25:34,080 Speaker 14: Yes, exclusive, yes. 618 00:25:32,560 --> 00:25:33,240 Speaker 4: Okay, all right. 619 00:25:33,880 --> 00:25:36,200 Speaker 14: Well, first of all, we broke the news that Robin 620 00:25:36,240 --> 00:25:39,240 Speaker 14: Dixon was out at her Housewives of Potomac, and the 621 00:25:39,320 --> 00:25:41,760 Speaker 14: second person that's out is Mecca. She was the movie 622 00:25:41,840 --> 00:25:44,360 Speaker 14: on the show. She only lasted one season and she's out, 623 00:25:44,400 --> 00:25:48,240 Speaker 14: so she won't be returning. That was quick, Nika, So 624 00:25:48,600 --> 00:25:50,520 Speaker 14: here's she didn't spend a lot of time on the show. 625 00:25:50,560 --> 00:25:52,360 Speaker 14: We don't watch Potomac, but she was I don't watch 626 00:25:52,680 --> 00:25:54,240 Speaker 14: she had a lot of conflict with Wendy. 627 00:25:54,400 --> 00:25:56,840 Speaker 2: Yeah, and people thought they were really going to get along. Yeah, 628 00:25:56,880 --> 00:25:59,680 Speaker 2: it had backfired, didn't work out all right, And Robin said, 629 00:25:59,840 --> 00:26:01,639 Speaker 2: I will not be returning for season nine of the 630 00:26:01,720 --> 00:26:04,640 Speaker 2: Real Housewives. It's reality. The network did not invite me back. 631 00:26:04,680 --> 00:26:07,200 Speaker 2: I was fired for lack of better words. I will 632 00:26:07,200 --> 00:26:09,720 Speaker 2: not sugarcoat the situation and say, oh, I'm walking away 633 00:26:09,720 --> 00:26:11,479 Speaker 2: and this is a break or anything like this. This 634 00:26:11,560 --> 00:26:12,840 Speaker 2: is a network decision. 635 00:26:13,000 --> 00:26:16,000 Speaker 14: I expect or respect her honesty, right right, because you 636 00:26:16,040 --> 00:26:19,920 Speaker 14: know she's nothing last forever, right And let me tell you, 637 00:26:20,359 --> 00:26:22,639 Speaker 14: everybody is so mean in the comments to all of 638 00:26:22,680 --> 00:26:23,399 Speaker 14: the house well. 639 00:26:24,880 --> 00:26:27,680 Speaker 5: Yeah, oh she was like, ooh, it's all hurts my heart. 640 00:26:27,760 --> 00:26:28,800 Speaker 4: Tough crowd, all right. 641 00:26:28,880 --> 00:26:33,879 Speaker 2: And Gordon, in the meantime, was talking about his issues. 642 00:26:34,160 --> 00:26:36,159 Speaker 2: And here's another secret that we did not know that 643 00:26:36,200 --> 00:26:38,920 Speaker 2: we found out on the reunion. He's also had been 644 00:26:39,560 --> 00:26:41,720 Speaker 2: diagnosed as bipolar. Here's what he said. 645 00:26:42,320 --> 00:26:45,640 Speaker 3: I have been diagnosed with the mental illness bipolar one. 646 00:26:46,119 --> 00:26:50,119 Speaker 3: And the difference between bipolar and bipolar one is really 647 00:26:50,119 --> 00:26:53,080 Speaker 3: the degree of manic that you have. If there was 648 00:26:53,119 --> 00:26:56,600 Speaker 3: a bipolar two or three or four quite frankly, I 649 00:26:56,600 --> 00:26:57,280 Speaker 3: would have those. 650 00:26:58,600 --> 00:27:01,320 Speaker 2: Wow, yeah, I had to go through. And I think 651 00:27:01,359 --> 00:27:04,640 Speaker 2: we've all seen how his wife Mia, their whole situation 652 00:27:04,760 --> 00:27:05,280 Speaker 2: played out. 653 00:27:05,920 --> 00:27:08,680 Speaker 14: And now what makes sense though, I mean, it makes 654 00:27:08,720 --> 00:27:11,280 Speaker 14: sense as to why it was such a hard you know, 655 00:27:11,440 --> 00:27:13,400 Speaker 14: marriage and why she left and you. 656 00:27:13,359 --> 00:27:16,399 Speaker 2: Know, right because it's a longer conversation, but that is 657 00:27:17,040 --> 00:27:17,840 Speaker 2: you knows of it. 658 00:27:17,920 --> 00:27:18,120 Speaker 9: Yeah. 659 00:27:18,160 --> 00:27:20,600 Speaker 14: Yeah, and then that's why allegedly he was kind of 660 00:27:20,600 --> 00:27:22,600 Speaker 14: forced out of his business because he was dealing with 661 00:27:22,640 --> 00:27:25,399 Speaker 14: this you know, mental health issue that he didn't was 662 00:27:25,480 --> 00:27:27,080 Speaker 14: kind of denial about, all. 663 00:27:27,080 --> 00:27:28,600 Speaker 2: Right, And I just want to end it with this 664 00:27:28,680 --> 00:27:30,800 Speaker 2: great news. There's going to be a bronze Tina Turner 665 00:27:30,880 --> 00:27:34,919 Speaker 2: statue built in her hometown in Bronsville, Tennessee, where she 666 00:27:35,040 --> 00:27:37,399 Speaker 2: was born. So shout out to that because you know, 667 00:27:37,440 --> 00:27:40,160 Speaker 2: I let me some Tina Turner, Yes you do, I do. 668 00:27:40,200 --> 00:27:42,480 Speaker 2: So I just wanted to make sure that we acknowledge that, 669 00:27:42,880 --> 00:27:43,560 Speaker 2: all right. 670 00:27:43,400 --> 00:27:45,640 Speaker 5: A legend and that is your yeatie. 671 00:27:45,680 --> 00:27:48,359 Speaker 2: And you know it's a Monday. Now, there's a lot 672 00:27:48,400 --> 00:27:50,480 Speaker 2: of beef going on in these streets, and so let's 673 00:27:50,480 --> 00:27:52,639 Speaker 2: see what happens with this Monday May innovation Originally he 674 00:27:52,680 --> 00:27:54,680 Speaker 2: was going to come at you jazz. Not he was, 675 00:27:54,760 --> 00:27:58,040 Speaker 2: but I think they need some positivity. 676 00:27:58,040 --> 00:28:01,600 Speaker 5: But I cannot wait to hear what this mony day 677 00:28:03,680 --> 00:28:04,359 Speaker 5: it's all about. 678 00:28:04,520 --> 00:28:07,880 Speaker 10: It's way up, way up, break the break them down 679 00:28:08,080 --> 00:28:11,160 Speaker 10: more now. 680 00:28:12,240 --> 00:28:15,679 Speaker 2: Up with Angela ye, angela ye. Jasmine's here, yes, ma'am. 681 00:28:15,840 --> 00:28:19,240 Speaker 2: But right now it's all about that Monday. 682 00:28:20,440 --> 00:28:21,800 Speaker 1: And let me tell you. I don't know who need 683 00:28:21,840 --> 00:28:24,280 Speaker 1: to hear this. I don't know who needs. 684 00:28:24,080 --> 00:28:25,600 Speaker 12: To hear this out there, but I'm gonna tell you 685 00:28:25,640 --> 00:28:28,840 Speaker 12: just like this, with a lot going on, war is 686 00:28:28,880 --> 00:28:34,960 Speaker 12: sometimes good. War is good because war brings about a 687 00:28:35,000 --> 00:28:38,920 Speaker 12: greater peace. Sometimes without out, without a good war, sometimes 688 00:28:38,920 --> 00:28:41,080 Speaker 12: we don't have the right peace. You understand. 689 00:28:41,080 --> 00:28:42,960 Speaker 19: It's just like bills. 690 00:28:43,520 --> 00:28:44,680 Speaker 4: No, that's not what he means. 691 00:28:45,600 --> 00:28:47,880 Speaker 12: Sometimes you gotta it can be a war words, it 692 00:28:47,920 --> 00:28:50,000 Speaker 12: can be with it sometimes in order the bill you 693 00:28:50,040 --> 00:28:51,000 Speaker 12: got to destroy first. 694 00:28:51,680 --> 00:28:53,880 Speaker 1: You gotta out with the old and with the new. 695 00:28:54,600 --> 00:28:57,040 Speaker 5: Wow described that. 696 00:28:57,520 --> 00:28:59,080 Speaker 1: You have to Sometimes war is good. 697 00:28:59,720 --> 00:29:01,720 Speaker 4: How we know wing war is necessary. 698 00:29:01,440 --> 00:29:02,600 Speaker 1: Right now like in the rap games. 699 00:29:02,640 --> 00:29:05,000 Speaker 4: Necessarily Okay, lyrical war. 700 00:29:05,000 --> 00:29:06,600 Speaker 5: Okay, this lyrical word is necessary. 701 00:29:06,840 --> 00:29:09,400 Speaker 1: It's not going on. It's a lot happening in rap games. 702 00:29:09,400 --> 00:29:11,400 Speaker 1: It's a lot of war. That's war, world war. 703 00:29:11,480 --> 00:29:14,200 Speaker 2: It's a lot of rebuilding a lot of relationships getting 704 00:29:14,200 --> 00:29:15,000 Speaker 2: shifted around. 705 00:29:15,240 --> 00:29:18,680 Speaker 12: Sometimes it's necessary sometimes people Lloyds is displaced. 706 00:29:18,720 --> 00:29:21,000 Speaker 5: Sometimes what do you do when people take subliminals at you? 707 00:29:21,880 --> 00:29:24,080 Speaker 1: I don't I don't know about that. I don't know. 708 00:29:26,200 --> 00:29:27,320 Speaker 5: That's what wars good. 709 00:29:27,760 --> 00:29:30,240 Speaker 1: That's war's good because when you do that. 710 00:29:30,280 --> 00:29:32,120 Speaker 2: Let me ask you this, you think slapping somebody is 711 00:29:32,120 --> 00:29:33,320 Speaker 2: worse than punching them. 712 00:29:33,640 --> 00:29:34,640 Speaker 1: Is more disrespectful? 713 00:29:34,680 --> 00:29:38,000 Speaker 12: Because the thing is we need to find a better piece, right, 714 00:29:38,040 --> 00:29:40,240 Speaker 12: So sometimes it has to go there to get to 715 00:29:40,320 --> 00:29:41,400 Speaker 12: find the greater peace. 716 00:29:41,680 --> 00:29:45,000 Speaker 2: Okay, right, And of course I mean figuratively, the war 717 00:29:45,040 --> 00:29:47,680 Speaker 2: of the words, the battles, the hip hop, the lyricals. 718 00:29:48,160 --> 00:29:50,720 Speaker 5: Yes, yes, just to be clear on what we're talking about. 719 00:29:50,760 --> 00:29:53,120 Speaker 2: We're talking about this the hip hop wars and the 720 00:29:53,160 --> 00:29:56,520 Speaker 2: beef because people have had issues with each other and 721 00:29:56,600 --> 00:29:58,360 Speaker 2: now it's all bubbling over to the top. People have 722 00:29:58,360 --> 00:30:00,440 Speaker 2: been talking about subliminals to quice some time. Now everything 723 00:30:00,440 --> 00:30:00,960 Speaker 2: gets put on. 724 00:30:00,880 --> 00:30:04,920 Speaker 1: The But after chaos comes what less there you go. 725 00:30:05,000 --> 00:30:06,400 Speaker 1: Clarity is after chaos. 726 00:30:06,400 --> 00:30:10,000 Speaker 12: So sometimes even within yourself, sometimes you're going through turmoil. 727 00:30:10,000 --> 00:30:12,360 Speaker 12: You're going to chaos and after that you find you 728 00:30:12,440 --> 00:30:12,960 Speaker 12: find peace. 729 00:30:13,240 --> 00:30:16,360 Speaker 2: It's like when your stomach is bubbling and where did 730 00:30:16,400 --> 00:30:21,200 Speaker 2: you feel like? Okay, yeah, a strange is good. 731 00:30:22,480 --> 00:30:25,760 Speaker 1: After me? 732 00:30:27,280 --> 00:30:34,200 Speaker 2: All right, Well that is your mondaynovation attack. I don't 733 00:30:34,240 --> 00:30:37,120 Speaker 2: think he means like bombing, like nobody talking about better. 734 00:30:37,280 --> 00:30:39,520 Speaker 12: I'm talking about a lot going on in the rap game. 735 00:30:39,560 --> 00:30:41,080 Speaker 12: That's why I was inspired by that. 736 00:30:41,760 --> 00:30:42,840 Speaker 1: Drake Ross. 737 00:30:42,960 --> 00:30:44,680 Speaker 5: Anybody you want to come, you want to let us know. 738 00:30:44,680 --> 00:30:46,440 Speaker 12: I'm trying to figure out I was gonna go at Jasmine, 739 00:30:48,000 --> 00:30:50,280 Speaker 12: go Dan, He's it's over there. 740 00:30:50,440 --> 00:30:51,719 Speaker 1: He's he's at war right now. 741 00:30:55,480 --> 00:30:59,760 Speaker 2: Actually, yeah, okay, well that is your Monday innovation. I believe, 742 00:30:59,800 --> 00:31:03,160 Speaker 2: And let me come back ask you. Eight hundred fifty 743 00:31:03,200 --> 00:31:05,320 Speaker 2: one fifty is a number you can ask us our 744 00:31:05,400 --> 00:31:07,520 Speaker 2: war winning, your advice givers on ice, but you can 745 00:31:07,680 --> 00:31:11,440 Speaker 2: ask us anything. Eight hundred fifty one fifty is way 746 00:31:11,520 --> 00:31:12,360 Speaker 2: up everybody. 747 00:31:12,600 --> 00:31:14,320 Speaker 10: Hey, everybody since. 748 00:31:14,160 --> 00:31:17,680 Speaker 6: With it's relationship or career advice, Angela's dropping facts, so you. 749 00:31:17,640 --> 00:31:18,520 Speaker 10: Should you should know. 750 00:31:18,840 --> 00:31:21,800 Speaker 2: This is what's up his way up at Angela. Yee, 751 00:31:21,800 --> 00:31:24,880 Speaker 2: I'm angel Lagee. Jasmin's here, Yes, Mayo's. 752 00:31:24,480 --> 00:31:29,120 Speaker 19: Here the advice. 753 00:31:27,000 --> 00:31:32,960 Speaker 2: Giver and we have another Jasmine on the line. What's up, Jasmine? Hey, hey, gard, 754 00:31:33,000 --> 00:31:34,280 Speaker 2: what's your question for ask ye. 755 00:31:35,240 --> 00:31:38,000 Speaker 16: I've been working at my current job like a little 756 00:31:38,000 --> 00:31:40,720 Speaker 16: over a year, but during that time I gave birth, 757 00:31:40,840 --> 00:31:43,360 Speaker 16: so I was like out for a couple of months. 758 00:31:44,280 --> 00:31:48,720 Speaker 16: I started back work and my check isn't checking like 759 00:31:48,800 --> 00:31:52,920 Speaker 16: it used to. I have a kid now and I'm 760 00:31:52,920 --> 00:31:54,880 Speaker 16: trying to figure out how do I ask my boss 761 00:31:54,920 --> 00:31:55,800 Speaker 16: for more money? 762 00:31:56,120 --> 00:31:56,479 Speaker 1: Easy? 763 00:31:56,960 --> 00:31:57,080 Speaker 8: How? 764 00:31:57,160 --> 00:31:57,440 Speaker 1: What is it? 765 00:31:57,480 --> 00:31:58,320 Speaker 5: Why is that easy man? 766 00:31:58,440 --> 00:32:00,120 Speaker 12: Just go to work one day when all black I 767 00:32:00,160 --> 00:32:02,280 Speaker 12: can say, listen, sir, run me my coins. 768 00:32:02,440 --> 00:32:03,280 Speaker 4: No, not. 769 00:32:04,840 --> 00:32:05,280 Speaker 5: Jasmine. 770 00:32:05,280 --> 00:32:08,080 Speaker 2: I want to say this though, right I understand that 771 00:32:08,320 --> 00:32:10,520 Speaker 2: life is lifing and you have a lot of expenses. 772 00:32:10,880 --> 00:32:13,960 Speaker 2: You can never ask for a raise because you need one. 773 00:32:14,000 --> 00:32:16,000 Speaker 2: You have to ask for it because you deserve one, 774 00:32:16,920 --> 00:32:19,959 Speaker 2: and that's what people respond to. And so I've been 775 00:32:19,960 --> 00:32:22,680 Speaker 2: in situations before where I had to negotiate for myself, 776 00:32:22,840 --> 00:32:24,520 Speaker 2: where I had to ask for a raise, And the 777 00:32:24,560 --> 00:32:25,160 Speaker 2: main thing. 778 00:32:25,120 --> 00:32:27,520 Speaker 5: Is to show what makes you deserving of a raise. 779 00:32:27,560 --> 00:32:30,600 Speaker 2: What are the responsibilities that are on the table for you, 780 00:32:30,680 --> 00:32:33,320 Speaker 2: and how have you been fulfilling them? Are you doing more? 781 00:32:33,720 --> 00:32:36,280 Speaker 2: You can also let the let your boss know. Look, 782 00:32:36,640 --> 00:32:38,360 Speaker 2: you know, I know that I was out and I'm 783 00:32:38,400 --> 00:32:40,280 Speaker 2: back and I've been doing X, Y and Z. Because 784 00:32:40,280 --> 00:32:43,040 Speaker 2: sometimes your boss doesn't know clearly the things that you're 785 00:32:43,080 --> 00:32:44,120 Speaker 2: doing in your every day. 786 00:32:44,600 --> 00:32:45,960 Speaker 5: Do you work from home or do you work in 787 00:32:46,000 --> 00:32:46,520 Speaker 5: the office. 788 00:32:47,120 --> 00:32:49,240 Speaker 2: I work from home, okay, So that's why it's even 789 00:32:49,240 --> 00:32:51,920 Speaker 2: more important for you to be able to show, Look, 790 00:32:51,960 --> 00:32:54,640 Speaker 2: since I came, here's what I've been doing, Here's what happened, 791 00:32:54,920 --> 00:32:57,480 Speaker 2: Here's how I've improved these numbers. People need to see 792 00:32:57,920 --> 00:33:01,040 Speaker 2: what the effects of the extra work or the going 793 00:33:01,040 --> 00:33:03,360 Speaker 2: above and beyond you've been doing. And if it means 794 00:33:03,360 --> 00:33:05,320 Speaker 2: that you have to take on more responsibilities, you can 795 00:33:05,360 --> 00:33:08,320 Speaker 2: also let your boss know, Look, I know that I 796 00:33:08,400 --> 00:33:10,440 Speaker 2: make X, Y and Z. Now if I agree to 797 00:33:10,520 --> 00:33:12,920 Speaker 2: do X, Y and Z, or what can I do 798 00:33:13,400 --> 00:33:15,600 Speaker 2: to make sure that I can get the salary that 799 00:33:15,640 --> 00:33:17,400 Speaker 2: I want? And also have in mind what is that 800 00:33:17,480 --> 00:33:28,760 Speaker 2: salary when you're negotiating okay, and it's not listen and 801 00:33:28,800 --> 00:33:30,840 Speaker 2: this is you saying and always started off with, Look, 802 00:33:30,880 --> 00:33:31,920 Speaker 2: I enjoy what I do. 803 00:33:32,440 --> 00:33:34,560 Speaker 5: I love this job. Here's what I've been doing. 804 00:33:34,600 --> 00:33:37,080 Speaker 2: And make sure you have documentation to show that you're serious, 805 00:33:37,120 --> 00:33:39,840 Speaker 2: make an appointment just to talk about that, so that 806 00:33:39,920 --> 00:33:41,440 Speaker 2: it's not just say, hey, you have time to talk 807 00:33:41,480 --> 00:33:42,960 Speaker 2: right now, let's set up an appointment. 808 00:33:43,240 --> 00:33:44,360 Speaker 5: Let's have this conversation. 809 00:33:44,520 --> 00:33:47,160 Speaker 2: If it's something that you can do in person, wouldn't 810 00:33:47,160 --> 00:33:49,320 Speaker 2: be a bad idea. If not, you know, do it 811 00:33:49,320 --> 00:33:51,200 Speaker 2: how you need to do it. But remember, it's never 812 00:33:51,600 --> 00:33:53,680 Speaker 2: I need a raise, it's I deserve a raise. And 813 00:33:53,720 --> 00:33:54,320 Speaker 2: here's why. 814 00:33:54,880 --> 00:33:57,880 Speaker 4: Okay, thanks you, congratulations. 815 00:33:57,160 --> 00:34:03,160 Speaker 2: Yeah, congratulations on the baby. All right, take care hun 816 00:34:03,760 --> 00:34:06,600 Speaker 2: you too? All right? All right, well that was ask ye. 817 00:34:06,640 --> 00:34:08,960 Speaker 2: Eight hundred two nine fifty one fifty is a number. 818 00:34:09,200 --> 00:34:11,879 Speaker 2: And when we come back, we have from Super Freak, 819 00:34:11,960 --> 00:34:12,840 Speaker 2: the Rick James Story. 820 00:34:12,840 --> 00:34:15,080 Speaker 5: It's a play. It's been going to cities near you. 821 00:34:15,160 --> 00:34:16,960 Speaker 5: It was just in Brooklyn this weekend. 822 00:34:17,280 --> 00:34:19,600 Speaker 2: We have Tie James, who is Rick James's only daughter, 823 00:34:19,680 --> 00:34:21,880 Speaker 2: Stokely who is playing Rick James in the play, but 824 00:34:21,920 --> 00:34:25,600 Speaker 2: he's also the lead singer of MC condition, and Jacarius Johnson, 825 00:34:25,600 --> 00:34:27,040 Speaker 2: who executive produced the play. 826 00:34:27,160 --> 00:34:30,200 Speaker 5: All here in the building. It's way up. 827 00:34:29,640 --> 00:34:33,160 Speaker 10: Turn you vib it, way up with Angela yee. 828 00:34:33,640 --> 00:34:33,920 Speaker 13: More. 829 00:34:34,239 --> 00:34:37,160 Speaker 5: Now, what's up? It's way up with Angela Yee. 830 00:34:37,200 --> 00:34:39,359 Speaker 2: I'm Angela Yee and as a person who loves going 831 00:34:39,400 --> 00:34:42,600 Speaker 2: to the theater to see Broadway plays, off Broadway plays, 832 00:34:42,600 --> 00:34:45,279 Speaker 2: plays in general, to celebrate that type of art. I'm 833 00:34:45,280 --> 00:34:48,680 Speaker 2: really excited to have the team that is behind us 834 00:34:48,760 --> 00:34:51,560 Speaker 2: and in front of Super Freak The Rick James Story 835 00:34:51,600 --> 00:34:52,320 Speaker 2: here with me today. 836 00:34:52,320 --> 00:34:56,680 Speaker 5: We have Jacarius Johnson Entertainments. All right. 837 00:34:56,719 --> 00:34:59,759 Speaker 2: We also have Tie James, who is Rick James is 838 00:35:00,400 --> 00:35:04,080 Speaker 2: but also the president of the estate. Yes, yes, what's up? 839 00:35:04,120 --> 00:35:04,560 Speaker 1: What's up? 840 00:35:04,719 --> 00:35:07,680 Speaker 2: And we have Stokely who is starring in the play, 841 00:35:08,000 --> 00:35:10,600 Speaker 2: but also you know him from ment condition. So first 842 00:35:10,719 --> 00:35:13,360 Speaker 2: let's talk about Superfreak the Rick James Story. It's a play, 843 00:35:13,840 --> 00:35:16,680 Speaker 2: just to be clear and so people can see this. 844 00:35:16,719 --> 00:35:18,160 Speaker 2: The play's been on tour. I know you guys were 845 00:35:18,160 --> 00:35:20,640 Speaker 2: in Detroit. I actually heard a lot of things about 846 00:35:20,680 --> 00:35:22,879 Speaker 2: it from when it was in Detroit and that it's 847 00:35:23,000 --> 00:35:25,480 Speaker 2: very you know, not censored. Let's just say, because you 848 00:35:25,480 --> 00:35:27,400 Speaker 2: can't have a Rick James story and censor that. 849 00:35:27,840 --> 00:35:30,560 Speaker 19: Yes, absolutely, we have to give it to you real 850 00:35:30,680 --> 00:35:32,960 Speaker 19: and raw, just like he would like it. And I 851 00:35:33,000 --> 00:35:34,600 Speaker 19: think we've definitely accomplished it. 852 00:35:34,680 --> 00:35:36,960 Speaker 2: So Jackrrius, what made you decide to get on board 853 00:35:36,960 --> 00:35:39,200 Speaker 2: as executive producer, Well. 854 00:35:39,280 --> 00:35:42,520 Speaker 9: Met Tye, and Tye is fantastic, just an incredible human 855 00:35:42,560 --> 00:35:46,680 Speaker 9: being and most importantly her passionate about her father's legacy. 856 00:35:46,840 --> 00:35:49,040 Speaker 9: And the more I read about him, the more I 857 00:35:49,080 --> 00:35:52,040 Speaker 9: realized that we really don't know the man. You know, 858 00:35:52,120 --> 00:35:54,760 Speaker 9: he was relegated to kind of a Dave Chappelle skit 859 00:35:55,200 --> 00:35:58,279 Speaker 9: and an Award show statement. The truth is he was 860 00:35:58,320 --> 00:36:00,840 Speaker 9: so much more than that. And that's what this play 861 00:36:01,480 --> 00:36:03,560 Speaker 9: with music. I would call it more of a musical 862 00:36:03,760 --> 00:36:07,880 Speaker 9: because it has all his hit center right it uncovers 863 00:36:07,920 --> 00:36:11,040 Speaker 9: the man, you know, the journey, the conflict, and everything 864 00:36:11,080 --> 00:36:11,920 Speaker 9: that he embodies. 865 00:36:12,200 --> 00:36:14,680 Speaker 2: Right now, we are talking to ty James, the daughter 866 00:36:14,719 --> 00:36:17,839 Speaker 2: of Rick James. Sacarius Johnson, executive producer, are super freak 867 00:36:17,880 --> 00:36:21,000 Speaker 2: the Rick James story and Stokely, he's playing Rick James, 868 00:36:21,040 --> 00:36:23,520 Speaker 2: but he's also the lead singer of Men Condition. Stokely, 869 00:36:23,560 --> 00:36:27,279 Speaker 2: I've had some amazing reviews about you playing that lead 870 00:36:27,400 --> 00:36:29,120 Speaker 2: role just because of the abilities that. 871 00:36:29,040 --> 00:36:30,279 Speaker 5: You have for you. 872 00:36:30,760 --> 00:36:33,920 Speaker 2: How intimidating is that though, because it is Rick James. 873 00:36:33,680 --> 00:36:35,960 Speaker 1: A musical hero. We're just talking earlier. 874 00:36:35,960 --> 00:36:39,240 Speaker 15: I'm like, man, just so thrilled about this whole experience 875 00:36:39,239 --> 00:36:41,000 Speaker 15: and it's been amazing. 876 00:36:41,320 --> 00:36:43,600 Speaker 5: What would you say has been the most challenging part 877 00:36:43,640 --> 00:36:43,920 Speaker 5: for you. 878 00:36:44,800 --> 00:36:47,800 Speaker 15: Diving into just trying to embody the character, the essence 879 00:36:48,200 --> 00:36:50,840 Speaker 15: you're trying to get because you know, he's an amazing 880 00:36:50,880 --> 00:36:53,320 Speaker 15: You can never play a person and he's his own 881 00:36:53,680 --> 00:36:56,360 Speaker 15: thing on Ryland, so you get as close as you 882 00:36:56,400 --> 00:36:59,080 Speaker 15: can and trying to just embody you, like I said, 883 00:36:59,280 --> 00:37:00,799 Speaker 15: get the essence of what he was. 884 00:37:01,080 --> 00:37:03,120 Speaker 2: And there's also a lot of other famous people who 885 00:37:03,160 --> 00:37:05,480 Speaker 2: cross his path that are going to be featured in 886 00:37:05,520 --> 00:37:07,719 Speaker 2: this play when people see it as well. You know 887 00:37:07,800 --> 00:37:10,080 Speaker 2: clearly he had a hit song with Smokey Robinson. He 888 00:37:10,160 --> 00:37:14,640 Speaker 2: also wrote Eddie Murphy's whole album, and everybody knows that 889 00:37:14,680 --> 00:37:16,719 Speaker 2: infamous story about how that was in bet with Eddie 890 00:37:16,760 --> 00:37:19,799 Speaker 2: Murphy and Richard Pryor one hundred thousand dollars that he 891 00:37:19,840 --> 00:37:22,440 Speaker 2: couldn't put out some music, and then he went right 892 00:37:22,480 --> 00:37:24,680 Speaker 2: to Rick James, and Rick James wrote Eddie Murphy a 893 00:37:24,719 --> 00:37:25,440 Speaker 2: whole album. 894 00:37:26,480 --> 00:37:27,839 Speaker 5: You know how crazy that is? 895 00:37:28,400 --> 00:37:29,760 Speaker 2: Did Richard prior ever pay. 896 00:37:29,640 --> 00:37:30,840 Speaker 5: That one hundred thousand dollars? 897 00:37:31,200 --> 00:37:33,239 Speaker 1: Do you guys know me for you That's a good 898 00:37:33,320 --> 00:37:37,960 Speaker 1: question right all the way? 899 00:37:38,040 --> 00:37:41,480 Speaker 2: Todd tell us some Rick James stuff, because I feel like, 900 00:37:42,320 --> 00:37:44,920 Speaker 2: you know, there's things that maybe you learned while on 901 00:37:44,960 --> 00:37:47,239 Speaker 2: this journey, even of doing the documentary, that you were 902 00:37:47,280 --> 00:37:50,680 Speaker 2: surprised to find out. So for me, it's just always 903 00:37:50,680 --> 00:37:53,680 Speaker 2: a learning experience when it comes to my dad, because 904 00:37:53,719 --> 00:37:56,560 Speaker 2: there were so many facets to him, I would like 905 00:37:56,640 --> 00:38:02,120 Speaker 2: to just emphasize the fashion and just the vulnerability that 906 00:38:02,200 --> 00:38:06,400 Speaker 2: he gave to men to be able to explore themselves freely. 907 00:38:06,600 --> 00:38:09,080 Speaker 2: All Right, we're talking all things Super Freak, the Rick 908 00:38:09,160 --> 00:38:11,480 Speaker 2: James Story, and when we come back, Ty James is 909 00:38:11,520 --> 00:38:13,480 Speaker 2: gonna give us some insight on what it was like 910 00:38:13,920 --> 00:38:17,000 Speaker 2: growing up as the daughter of the iconic Rick James. 911 00:38:17,040 --> 00:38:18,440 Speaker 2: It's way up, turn up. 912 00:38:18,840 --> 00:38:23,280 Speaker 10: You vibe it way up with Angela Yee more Now. 913 00:38:23,160 --> 00:38:25,640 Speaker 5: What's up his way up at Angela Yee. I'm Angela Yee. 914 00:38:25,719 --> 00:38:28,480 Speaker 2: And we have Dacarius Johnson, the executive producer of the 915 00:38:28,600 --> 00:38:32,200 Speaker 2: musical Super Freak The Rick James Story also Stokely he 916 00:38:32,200 --> 00:38:34,839 Speaker 2: plays Rick James. He's also the lead singer of Mint 917 00:38:34,880 --> 00:38:38,640 Speaker 2: Condition and Ty James the only daughter of Rick James, 918 00:38:38,640 --> 00:38:41,160 Speaker 2: and she's also managing his estate. And you have some 919 00:38:41,239 --> 00:38:44,040 Speaker 2: early memories too. I mean I remember seeing that you 920 00:38:44,160 --> 00:38:45,920 Speaker 2: were like step over women in. 921 00:38:45,920 --> 00:38:52,560 Speaker 19: The Oh god, how embarrassing at like fourteen, fifteen years 922 00:38:52,600 --> 00:38:55,880 Speaker 19: old on the way to school walking over like naked girls. 923 00:38:55,960 --> 00:38:57,560 Speaker 5: Like but like it's normal. 924 00:38:58,520 --> 00:39:00,840 Speaker 19: You know, they've been partying all night. I was like, 925 00:39:00,880 --> 00:39:02,760 Speaker 19: oh night. 926 00:39:03,719 --> 00:39:04,440 Speaker 1: You gotta get this. 927 00:39:04,680 --> 00:39:05,239 Speaker 4: Excuse me. 928 00:39:08,200 --> 00:39:10,239 Speaker 5: So what were your early memories of him? 929 00:39:10,239 --> 00:39:12,319 Speaker 2: And then like even dealing with your mom and then 930 00:39:12,440 --> 00:39:14,160 Speaker 2: I'm sure she probably had a tough time. 931 00:39:14,080 --> 00:39:17,040 Speaker 5: Being a woman, you know, dealing with Rick James. What 932 00:39:17,080 --> 00:39:18,279 Speaker 5: are your memories of that? 933 00:39:18,920 --> 00:39:23,280 Speaker 19: So he didn't come into our life until I was preteen, 934 00:39:23,560 --> 00:39:24,920 Speaker 19: like twelve thirteen. 935 00:39:25,400 --> 00:39:26,560 Speaker 17: My mom she. 936 00:39:26,600 --> 00:39:27,960 Speaker 5: Kicked up dust early. 937 00:39:28,320 --> 00:39:31,000 Speaker 19: So that's how they really met because my mom did 938 00:39:31,600 --> 00:39:33,759 Speaker 19: all types of things that you. 939 00:39:33,719 --> 00:39:36,239 Speaker 2: Know, we're not gonna even talk about on it. You 940 00:39:36,280 --> 00:39:39,000 Speaker 2: can come and see it in the place in the short, 941 00:39:39,120 --> 00:39:40,040 Speaker 2: long story short. 942 00:39:40,120 --> 00:39:42,719 Speaker 19: They met at a orgy, so let's let's just start, ok, 943 00:39:43,800 --> 00:39:52,080 Speaker 19: and you can imagine the outcome. And he actually they 944 00:39:52,120 --> 00:39:55,200 Speaker 19: shared two children, so they're you know, with serious love 945 00:39:55,239 --> 00:39:57,799 Speaker 19: and I'm very, very proud of that. But you know, 946 00:39:57,880 --> 00:39:59,920 Speaker 19: he had to do what a man has to do 947 00:40:00,040 --> 00:40:03,160 Speaker 19: when sometimes when you're chasing your dreams, you have the 948 00:40:03,360 --> 00:40:07,000 Speaker 19: freedom to leave, you know, the home, you know, and 949 00:40:07,040 --> 00:40:09,880 Speaker 19: then it's just the woman's responsibility to make sure that 950 00:40:10,000 --> 00:40:12,640 Speaker 19: the kids are coming up. So you know, I had 951 00:40:12,640 --> 00:40:15,200 Speaker 19: to do a lot of forgiving in my mind on 952 00:40:15,280 --> 00:40:18,920 Speaker 19: both behalfs because I'm mad at her because like, wait 953 00:40:18,960 --> 00:40:20,880 Speaker 19: a minute, this man is a multi millionaire. 954 00:40:20,880 --> 00:40:21,640 Speaker 1: We live in the hood. 955 00:40:21,760 --> 00:40:24,160 Speaker 2: We live in the ghetto, Like you better. 956 00:40:23,960 --> 00:40:27,439 Speaker 5: Go get something hello, Yeah, And you. 957 00:40:27,320 --> 00:40:29,760 Speaker 19: Know, with him, it's like, how could you abandon your family? 958 00:40:30,120 --> 00:40:32,600 Speaker 2: Right now we are talking to Ty James, the daughter 959 00:40:32,640 --> 00:40:35,719 Speaker 2: of Rick James, Zacarius Johnson, executive producer as Super Freak 960 00:40:35,800 --> 00:40:38,960 Speaker 2: the Rick James Story and stokely he's playing Rick James, 961 00:40:38,960 --> 00:40:41,319 Speaker 2: but he's also the lead singer. I've mad condition what 962 00:40:41,360 --> 00:40:43,360 Speaker 2: was it like when he did come back into your life? 963 00:40:43,719 --> 00:40:47,840 Speaker 19: Basically from like rags to riches almost that knock on 964 00:40:47,920 --> 00:40:51,520 Speaker 19: the door was definitely life changing. Right we were literally 965 00:40:51,719 --> 00:40:55,280 Speaker 19: wiss off to New York in the next couple of days. 966 00:40:55,600 --> 00:40:57,600 Speaker 5: I can't even imagine what that must have felt like 967 00:40:57,680 --> 00:40:57,920 Speaker 5: for you. 968 00:40:58,280 --> 00:41:00,960 Speaker 19: This man didn't even know who who his kids were 969 00:41:01,040 --> 00:41:04,520 Speaker 19: because he hadn't seen us. So we had a flight attendant, 970 00:41:04,640 --> 00:41:08,600 Speaker 19: you know, accompany us on the flight, so I see 971 00:41:08,680 --> 00:41:11,719 Speaker 19: him looking around like because of course we know who 972 00:41:11,800 --> 00:41:17,680 Speaker 19: did you don't know who? It was really really crazy 973 00:41:17,880 --> 00:41:21,279 Speaker 19: to going outside and it's like pick a car now. 974 00:41:21,320 --> 00:41:24,480 Speaker 2: Earlier, you guys did bring up Dave Chappelle. So got 975 00:41:24,640 --> 00:41:27,800 Speaker 2: to ask you those Dave Chappelle sketches with Charlie Murphy 976 00:41:28,000 --> 00:41:29,480 Speaker 2: talking about Rick James. 977 00:41:30,160 --> 00:41:34,440 Speaker 5: You know, we look, did you find them funny? 978 00:41:35,120 --> 00:41:37,920 Speaker 19: Oh my god, My dad and I would sit on 979 00:41:38,120 --> 00:41:42,440 Speaker 19: the couch just cracking up because it's not just that, 980 00:41:42,520 --> 00:41:46,560 Speaker 19: it's so many of those incidences that have occurred, and 981 00:41:46,600 --> 00:41:50,520 Speaker 19: that's real life. That's really how they interact with each other. 982 00:41:50,680 --> 00:41:54,360 Speaker 19: These guys just walk up to each other foulst like 983 00:41:56,320 --> 00:41:59,560 Speaker 19: are all serious, Like my dad is messed up multiple 984 00:41:59,760 --> 00:42:02,759 Speaker 19: things in Eddie's home, and just like, oh. 985 00:42:02,719 --> 00:42:06,440 Speaker 2: Yeah, I tour the couch, yes. 986 00:42:09,160 --> 00:42:10,480 Speaker 1: Out front. 987 00:42:10,760 --> 00:42:13,799 Speaker 19: It was always something and you know through that they 988 00:42:14,160 --> 00:42:18,360 Speaker 19: they found comedy. They had a dynamic that you can't 989 00:42:18,360 --> 00:42:21,520 Speaker 19: even it's irreplaceable, like the love they have for each other. 990 00:42:21,760 --> 00:42:23,719 Speaker 2: All right, now, how can people find out these days? 991 00:42:23,719 --> 00:42:26,520 Speaker 2: So they can go see Super Freak the Rick James story. 992 00:42:26,840 --> 00:42:30,840 Speaker 9: They can go to Super Freak, Rick Jameslive dot com. 993 00:42:30,880 --> 00:42:31,920 Speaker 5: This is Ty James. 994 00:42:32,440 --> 00:42:35,120 Speaker 2: Oh I just want to say you are so beautiful 995 00:42:35,239 --> 00:42:38,680 Speaker 2: as his daughter, like I see your I see his features, 996 00:42:38,760 --> 00:42:41,680 Speaker 2: but beautiful, like just to see you and see how 997 00:42:41,719 --> 00:42:44,520 Speaker 2: you're handling business. We love a boss woman, so like 998 00:42:45,560 --> 00:42:47,279 Speaker 2: are amazingly beautiful too. 999 00:42:48,120 --> 00:42:53,440 Speaker 19: Congratulations on the show, me asking if I like girls? 1000 00:42:55,840 --> 00:42:58,000 Speaker 2: All right, Well, thank y'all so much, honestly, like, I 1001 00:42:58,000 --> 00:43:00,200 Speaker 2: really appreciate it. Make suw y'all go back to check 1002 00:43:00,239 --> 00:43:03,080 Speaker 2: out the documentary and then also go see the play 1003 00:43:03,360 --> 00:43:05,560 Speaker 2: when it comes to a sitting near you or travel. 1004 00:43:05,840 --> 00:43:07,960 Speaker 2: That's a nice trip to plan around to go see 1005 00:43:08,040 --> 00:43:10,360 Speaker 2: it with everybody. You could watch the full interview on 1006 00:43:10,400 --> 00:43:12,400 Speaker 2: my YouTube channel Way Up with You and when we 1007 00:43:12,440 --> 00:43:14,239 Speaker 2: come back, you guys have the last word. 1008 00:43:14,640 --> 00:43:18,359 Speaker 6: Take up the phone, Tapian to get your voice heard. 1009 00:43:18,440 --> 00:43:21,759 Speaker 10: What the word is? Here's the last word on Way 1010 00:43:21,840 --> 00:43:22,760 Speaker 10: Up with Angela Yee? 1011 00:43:22,840 --> 00:43:24,880 Speaker 2: What's up his Way Up with Angela Ye, I'm Angela 1012 00:43:24,920 --> 00:43:27,600 Speaker 2: Yee and Maino's here, Jasmine Brand is here. 1013 00:43:27,640 --> 00:43:30,160 Speaker 4: I'm always here and I'm always glad to be here. 1014 00:43:30,200 --> 00:43:32,160 Speaker 2: You're so much more fun on a Monday than Mano 1015 00:43:32,440 --> 00:43:36,040 Speaker 2: by no, I am yeah, we're having drinks. Yeah all right, Well, anyway, 1016 00:43:36,160 --> 00:43:38,960 Speaker 2: you guys, thank y'all for tuning in as always. Also, 1017 00:43:39,360 --> 00:43:41,920 Speaker 2: if the Super Freak Rick James Story musical comes to 1018 00:43:42,000 --> 00:43:44,160 Speaker 2: a city near you, make sure you go and check 1019 00:43:44,200 --> 00:43:47,200 Speaker 2: that out. So thank you to our guest today Jacarius Johnson, 1020 00:43:47,440 --> 00:43:50,319 Speaker 2: Ty James, who is Rick James's daughter, and Stokely who 1021 00:43:50,360 --> 00:43:53,960 Speaker 2: is playing Rick James in that musical. Also shout out 1022 00:43:53,960 --> 00:43:57,000 Speaker 2: to my girl Chanta from the d Hello Chante and 1023 00:43:57,040 --> 00:43:58,359 Speaker 2: the Clever Curation Group. 1024 00:43:58,440 --> 00:44:00,399 Speaker 5: She has a new show that's a two V show. 1025 00:44:00,440 --> 00:44:04,960 Speaker 2: It's called Set a Circle and it's their newest performance platform. 1026 00:44:05,040 --> 00:44:07,080 Speaker 2: So for all of you people who love Detroit music, 1027 00:44:07,080 --> 00:44:11,480 Speaker 2: make sure you check that out. Congratulations Chantelle and MA 1028 00:44:11,600 --> 00:44:12,399 Speaker 2: know you good. 1029 00:44:12,880 --> 00:44:13,080 Speaker 1: Great. 1030 00:44:13,120 --> 00:44:14,120 Speaker 5: Are you gonna be here tomorrow? 1031 00:44:14,520 --> 00:44:14,840 Speaker 1: Why not? 1032 00:44:15,400 --> 00:44:17,719 Speaker 5: I want to make sure because tomorrow we have to. 1033 00:44:17,640 --> 00:44:19,359 Speaker 1: Get everybody's going to be here. 1034 00:44:19,400 --> 00:44:20,279 Speaker 4: I'm definitely gonna be. 1035 00:44:20,280 --> 00:44:22,560 Speaker 5: Getting swabbed tomorrow for African Ancestry. 1036 00:44:22,680 --> 00:44:22,960 Speaker 18: Yay. 1037 00:44:23,239 --> 00:44:24,040 Speaker 4: I can't wait to do that. 1038 00:44:24,200 --> 00:44:24,480 Speaker 5: Yeah. 1039 00:44:24,520 --> 00:44:27,320 Speaker 2: So there you have it all right, and you guys 1040 00:44:27,360 --> 00:44:29,640 Speaker 2: get to have the last word because it's all about you. 1041 00:44:29,680 --> 00:44:31,279 Speaker 2: I cannot wait to hear what you guys have to 1042 00:44:31,360 --> 00:44:34,960 Speaker 2: say about all of the beef between the guy rappers. 1043 00:44:35,640 --> 00:44:39,560 Speaker 7: I'm here for the whole Drake, Kendrick, j Cole, all 1044 00:44:39,640 --> 00:44:42,399 Speaker 7: them beef, Like this is what we needed right now. 1045 00:44:42,560 --> 00:44:44,160 Speaker 6: We need the men to stand up. 1046 00:44:44,400 --> 00:44:44,840 Speaker 1: Get it in. 1047 00:44:45,360 --> 00:44:48,600 Speaker 7: Jake Cole, you not out of it, Pull you back in. 1048 00:44:49,239 --> 00:44:50,080 Speaker 17: Let's get it. 1049 00:44:51,480 --> 00:44:52,359 Speaker 11: From Minneapolis. 1050 00:44:52,680 --> 00:44:55,480 Speaker 7: And I was just wondering, like all these people are 1051 00:44:55,520 --> 00:44:58,840 Speaker 7: always fighting all the time, and it's so silly. 1052 00:44:58,840 --> 00:45:00,000 Speaker 4: Like is it even real? 1053 00:45:00,480 --> 00:45:02,799 Speaker 17: Do you think they're just making it up or they 1054 00:45:02,880 --> 00:45:03,920 Speaker 17: really find it. 1055 00:45:03,920 --> 00:45:05,399 Speaker 9: It's just so crazy. 1056 00:45:06,200 --> 00:45:09,200 Speaker 10: Going way out with Angela Yee