1 00:00:02,960 --> 00:00:05,280 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of 2 00:00:05,360 --> 00:00:11,440 Speaker 1: My Heart Radio. Hey, welcome to Stuff to Blow your Mind. 3 00:00:11,760 --> 00:00:15,080 Speaker 1: Listener mail. This is Robert Lamb and I'm Joe McCormick. 4 00:00:15,160 --> 00:00:17,200 Speaker 1: And boy, we got a bunch of good listener mail 5 00:00:17,239 --> 00:00:19,480 Speaker 1: for you today. These came in in response to our 6 00:00:19,520 --> 00:00:23,560 Speaker 1: episodes on mirrors on Waiting I think on Chrono Telly 7 00:00:23,760 --> 00:00:27,920 Speaker 1: the Soviet Lord of the Rings adaptation. I'm very excited, Robert, 8 00:00:27,920 --> 00:00:35,800 Speaker 1: you ready to jump right in? Let's do it. Okay, 9 00:00:35,920 --> 00:00:39,240 Speaker 1: maybe I'll start off doing this one from Cody about mirrors. 10 00:00:39,720 --> 00:00:43,120 Speaker 1: Cody says, j plus are, oh boy, so much to 11 00:00:43,159 --> 00:00:45,040 Speaker 1: say about mirrors, and I'll keep it as brief as 12 00:00:45,040 --> 00:00:47,280 Speaker 1: I can. Really, you guys could have done a five 13 00:00:47,360 --> 00:00:49,360 Speaker 1: part series on mirrors and it would have stayed fresh 14 00:00:49,479 --> 00:00:52,480 Speaker 1: the whole time. Okay, So point number one, you guys 15 00:00:52,560 --> 00:00:55,960 Speaker 1: mentioned solar de O UNI is the largest natural mirror 16 00:00:55,960 --> 00:00:57,880 Speaker 1: in the world. But I thought you'd like to know 17 00:00:57,960 --> 00:01:02,480 Speaker 1: that space based telescope and mapping satellites use that mirror 18 00:01:02,760 --> 00:01:07,040 Speaker 1: to calibrate their instruments because they can see themselves reflected 19 00:01:07,080 --> 00:01:10,240 Speaker 1: in it. I haven't fact checked this, but I believe you, Cody, 20 00:01:10,240 --> 00:01:14,039 Speaker 1: and that sounds really interesting, So again as a refresher 21 00:01:14,040 --> 00:01:16,479 Speaker 1: if you don't remember, this was the giant salt flat 22 00:01:16,520 --> 00:01:19,720 Speaker 1: that will sometimes fill with very still water during the 23 00:01:19,920 --> 00:01:22,360 Speaker 1: I think during the rainy seasons, is in South America, 24 00:01:22,880 --> 00:01:25,720 Speaker 1: so it forms this giant reflective surface that is a 25 00:01:26,000 --> 00:01:28,320 Speaker 1: photographer's stream, and a lot of you'll find a lot 26 00:01:28,360 --> 00:01:31,640 Speaker 1: of cool pictures of people posing there and standing on 27 00:01:31,760 --> 00:01:34,600 Speaker 1: what looks like an infinite mirror. But Cody goes on 28 00:01:34,800 --> 00:01:37,759 Speaker 1: point number two. I was attending a conference in Rome 29 00:01:37,880 --> 00:01:40,880 Speaker 1: that was held in an ancient Roman circular building with 30 00:01:40,920 --> 00:01:45,320 Speaker 1: a large copper bowl recessed into the floor. Above this bowl, 31 00:01:45,360 --> 00:01:48,080 Speaker 1: there was a hole in the ceiling, and someone associated 32 00:01:48,120 --> 00:01:50,240 Speaker 1: with the conference said that this had something to do 33 00:01:50,280 --> 00:01:53,600 Speaker 1: with letting moonlight into the room and reflecting it around. 34 00:01:54,120 --> 00:01:56,840 Speaker 1: That got me thinking, though that surely someone would have 35 00:01:56,880 --> 00:01:59,560 Speaker 1: looked down into this bowl while the moon was overhead 36 00:02:00,080 --> 00:02:03,120 Speaker 1: would have been shocked to see the moon magnified. Or 37 00:02:03,160 --> 00:02:06,680 Speaker 1: if not this bowl in particular, somebody somewhere must have 38 00:02:06,760 --> 00:02:10,480 Speaker 1: accidentally built a crude telescope with a reflective copper bowl 39 00:02:10,840 --> 00:02:13,799 Speaker 1: and perhaps seen the mountains on the moon long before 40 00:02:13,840 --> 00:02:17,280 Speaker 1: Thomas Harriet described him in the sixteen hundreds, but no 41 00:02:17,400 --> 00:02:19,920 Speaker 1: such story exists, or at least I can't find any 42 00:02:19,919 --> 00:02:23,639 Speaker 1: evidence this happened. Imagine though, had very ancient people like 43 00:02:23,680 --> 00:02:27,240 Speaker 1: the Greek's been aware of the worldness of the moon 44 00:02:27,800 --> 00:02:30,519 Speaker 1: and how different history might have unfolded from then on. 45 00:02:31,320 --> 00:02:40,000 Speaker 1: That's a really interesting thought, codye. Yeah, absolutely, all right, 46 00:02:40,040 --> 00:02:42,840 Speaker 1: here's one from Nayla. Nayla writes in and says, Hi, 47 00:02:43,000 --> 00:02:45,520 Speaker 1: Robert Joan Seth. First off, I'm a huge fan of 48 00:02:45,520 --> 00:02:47,720 Speaker 1: the show and have been listening for years. I love 49 00:02:47,760 --> 00:02:50,959 Speaker 1: how you pull from science, history, art, and mythology when 50 00:02:50,960 --> 00:02:54,320 Speaker 1: considering a subject. I always look forward to seeing what 51 00:02:54,480 --> 00:02:57,680 Speaker 1: you will tackle next. I just finished your third episode 52 00:02:57,680 --> 00:02:59,919 Speaker 1: on mirrors, and I have to write in about my cat. 53 00:03:00,800 --> 00:03:02,720 Speaker 1: We have four cats. We asked for this, by the way, 54 00:03:02,720 --> 00:03:06,520 Speaker 1: in case we have four cats, Two of them show 55 00:03:06,639 --> 00:03:10,080 Speaker 1: no interest in mirrors, but the third has actually learned 56 00:03:10,120 --> 00:03:14,640 Speaker 1: how to use them. Yeah. I have a full length 57 00:03:14,720 --> 00:03:17,839 Speaker 1: mirror leaning against a wall, and this cat, Chloe, will 58 00:03:17,960 --> 00:03:21,120 Speaker 1: use the mirror to stalk another cat from behind the furniture. 59 00:03:21,600 --> 00:03:24,840 Speaker 1: The furniture blocks line of sight, so Chloe will watch 60 00:03:24,880 --> 00:03:27,280 Speaker 1: the other cat in the mirror and then pounce on 61 00:03:27,320 --> 00:03:29,760 Speaker 1: it in the real world. I can't tell if she 62 00:03:29,840 --> 00:03:32,960 Speaker 1: recognizes herself, but she does seem to be able to 63 00:03:33,000 --> 00:03:37,840 Speaker 1: accurately relate the reflection to real life. Wow. I'm almost 64 00:03:37,880 --> 00:03:40,120 Speaker 1: kind of skeptical of this, but but yeah, I I 65 00:03:40,480 --> 00:03:44,960 Speaker 1: believe what you say, Nayla, um that it seems. I 66 00:03:44,960 --> 00:03:48,280 Speaker 1: don't know, it seems different than than the self recognition test, 67 00:03:48,320 --> 00:03:50,720 Speaker 1: where they would recognize their own body in the mirror. 68 00:03:50,720 --> 00:03:54,600 Speaker 1: But it does seem. Uh certainly, I don't know, harder 69 00:03:54,640 --> 00:03:57,160 Speaker 1: to believe than just seeing their reflection in the mirror 70 00:03:57,200 --> 00:04:00,160 Speaker 1: and regarding it as another animal. Yeah, either way, it 71 00:04:00,160 --> 00:04:05,040 Speaker 1: sounds like Chloe as a clever girl. Anyway, she continues, 72 00:04:05,400 --> 00:04:08,280 Speaker 1: we recently adopted a kitten, and at first she reacted 73 00:04:08,280 --> 00:04:11,520 Speaker 1: to her reflection as if it was another cat. Now, though, 74 00:04:11,560 --> 00:04:14,320 Speaker 1: she also seems to understand how it works. Once, when 75 00:04:14,360 --> 00:04:16,599 Speaker 1: she was facing the mirror, I stood behind her and 76 00:04:16,640 --> 00:04:19,000 Speaker 1: held up her favorite toy. When she saw the toy 77 00:04:19,040 --> 00:04:21,719 Speaker 1: in the mirror, she turned around and ran up to me. 78 00:04:22,760 --> 00:04:25,280 Speaker 1: Completely anecdotal, of course, but I do think cats are 79 00:04:25,279 --> 00:04:27,919 Speaker 1: a lot smarter than people give them credit. Thanks for 80 00:04:27,960 --> 00:04:31,840 Speaker 1: the many hours of learning and entertainment, uh, Nayla. Interesting 81 00:04:31,880 --> 00:04:35,760 Speaker 1: that this has got my brain burning. Yeah, yeah, yeah, 82 00:04:35,839 --> 00:04:38,360 Speaker 1: I'm not sure what to think about all this, But um, 83 00:04:38,400 --> 00:04:41,520 Speaker 1: in a way, it does make sense that if a 84 00:04:41,560 --> 00:04:43,800 Speaker 1: cat was to use a mirror, what would he use 85 00:04:43,839 --> 00:04:46,200 Speaker 1: it for? You know, for grooming itself? Now, cats are 86 00:04:46,200 --> 00:04:47,920 Speaker 1: already great at that, they don't need a mirror's help 87 00:04:47,960 --> 00:04:50,600 Speaker 1: with that. Would they be able to utilize it to 88 00:04:50,680 --> 00:04:53,800 Speaker 1: better hunt and to practice their hunting? Well? Maybe so? 89 00:04:55,040 --> 00:04:57,120 Speaker 1: And I do agree that that cats. I think here, 90 00:04:57,520 --> 00:04:59,520 Speaker 1: I think it's wrong to dismiss the cats as being 91 00:05:00,240 --> 00:05:03,320 Speaker 1: you know, stupid. They can certainly do some things that 92 00:05:03,320 --> 00:05:06,280 Speaker 1: that humans might be tempted to judge as stupid. But 93 00:05:06,839 --> 00:05:09,800 Speaker 1: you know, they have a different social situation compared to 94 00:05:09,839 --> 00:05:11,960 Speaker 1: other animals like dogs and cats, Like they just they 95 00:05:12,000 --> 00:05:15,960 Speaker 1: live in in different sensory realms. They have different you know, 96 00:05:16,000 --> 00:05:19,040 Speaker 1: social structures for how they regard each other, so uh 97 00:05:19,080 --> 00:05:22,919 Speaker 1: and and different you know, different behaviors. So um, I 98 00:05:22,960 --> 00:05:24,760 Speaker 1: think by and large, when we when we think about 99 00:05:25,160 --> 00:05:28,239 Speaker 1: animals in general, we have to be careful about saying 100 00:05:28,279 --> 00:05:30,440 Speaker 1: like one is, this one's smart, and this one's dumb. 101 00:05:30,480 --> 00:05:33,119 Speaker 1: Like no, and generally speaking, an animal is as smart 102 00:05:33,160 --> 00:05:35,200 Speaker 1: as it needs to be to do the things that 103 00:05:35,240 --> 00:05:38,839 Speaker 1: it excels at. Yeah, they have different kinds of intelligence 104 00:05:38,839 --> 00:05:40,920 Speaker 1: than we do. Yeah. Are you gonna say a slug 105 00:05:40,960 --> 00:05:43,159 Speaker 1: isn't smart? I mean, the slug slugs are doing great. 106 00:05:43,240 --> 00:05:46,840 Speaker 1: They're they're they're they're killing it out there. The new 107 00:05:46,880 --> 00:05:59,960 Speaker 1: motto of our show, slugs are Smart. Um. Okay from Jesse. Hey, y'all, 108 00:06:00,080 --> 00:06:02,200 Speaker 1: I've just finished listening to all three of your episodes 109 00:06:02,200 --> 00:06:03,760 Speaker 1: on mirrors, and i'd like to see if you'd be 110 00:06:03,800 --> 00:06:08,039 Speaker 1: interested in talking about a more recent phenomenon, mirror selfies. 111 00:06:08,680 --> 00:06:11,120 Speaker 1: As more and more people have access to cameras and 112 00:06:11,160 --> 00:06:14,280 Speaker 1: are able to easily publish photos of themselves, I've also 113 00:06:14,400 --> 00:06:17,360 Speaker 1: noticed that taking a picture of yourself in a mirror 114 00:06:17,480 --> 00:06:20,760 Speaker 1: is still very popular. Is this because it's easy to 115 00:06:20,800 --> 00:06:24,159 Speaker 1: take a picture this way parentheses? Everyone has a mirror 116 00:06:24,160 --> 00:06:26,880 Speaker 1: in their bathroom and you don't need a tripod? Or 117 00:06:27,000 --> 00:06:29,240 Speaker 1: can it also be that taking a picture of yourself 118 00:06:29,240 --> 00:06:32,640 Speaker 1: in a mirror captures a certain version of you. Thanks 119 00:06:32,640 --> 00:06:35,760 Speaker 1: for listening and keep up the great work. Jesse. Uh, 120 00:06:36,000 --> 00:06:38,279 Speaker 1: this is a great question, and I think both of 121 00:06:38,320 --> 00:06:40,320 Speaker 1: your answers there might have something to do with it. 122 00:06:40,360 --> 00:06:42,760 Speaker 1: I mean, one thing is that like we were talking 123 00:06:42,760 --> 00:06:46,080 Speaker 1: about in the very first Mirror episode. Your image that 124 00:06:46,200 --> 00:06:49,080 Speaker 1: you have in your brain of yourself is probably based 125 00:06:49,080 --> 00:06:51,560 Speaker 1: mostly on looking at yourself in a mirror, which is 126 00:06:51,600 --> 00:06:53,960 Speaker 1: different than the way you look to most people because 127 00:06:54,000 --> 00:06:57,800 Speaker 1: it's reversed along the horizontal plane. So there's definitely that, 128 00:06:57,839 --> 00:07:01,119 Speaker 1: But then there's also I think, um, you ever noticed 129 00:07:01,160 --> 00:07:03,800 Speaker 1: how I feel like this is true for me, but 130 00:07:04,160 --> 00:07:06,039 Speaker 1: I don't know how true this is for other people. 131 00:07:06,320 --> 00:07:10,000 Speaker 1: I feel like I am better at positioning my body 132 00:07:10,120 --> 00:07:12,360 Speaker 1: and my face in a way that I think looks 133 00:07:12,440 --> 00:07:15,320 Speaker 1: good in a mirror than I am able to do 134 00:07:15,600 --> 00:07:17,920 Speaker 1: in a photo, like when I'm posing for a photograph. 135 00:07:18,200 --> 00:07:20,480 Speaker 1: I guess because I can't see myself when I'm posing 136 00:07:20,480 --> 00:07:23,200 Speaker 1: for a photograph, and so I guess you could maybe 137 00:07:23,200 --> 00:07:26,120 Speaker 1: see yourself in the screen of a phone. That's like 138 00:07:26,200 --> 00:07:29,720 Speaker 1: reversed into selfie mode. But that's a very small thing 139 00:07:29,800 --> 00:07:32,040 Speaker 1: you're looking at there, when if you're just looking at 140 00:07:32,080 --> 00:07:36,560 Speaker 1: your reflection in the mirror, you're getting more information and 141 00:07:36,720 --> 00:07:39,760 Speaker 1: like a larger picture to base your pose on. Does 142 00:07:39,760 --> 00:07:42,840 Speaker 1: that make sense? Yeah? Yeah, I mean there's a lot 143 00:07:42,840 --> 00:07:51,080 Speaker 1: of real time feedback and exactly how you're posing your body. Yeah, 144 00:07:51,320 --> 00:07:54,120 Speaker 1: all right. This one comes to us from Alan. Alan says, 145 00:07:54,160 --> 00:07:57,160 Speaker 1: to tidbits for you to consider number one in mirrors 146 00:07:57,200 --> 00:08:00,000 Speaker 1: part when you mentioned covered mirrors. In Jewish tradition, when 147 00:08:00,000 --> 00:08:01,920 Speaker 1: a person dies and the family is in a period 148 00:08:01,920 --> 00:08:05,400 Speaker 1: of deep mourning called shiva, mirrors are covered. On a 149 00:08:05,400 --> 00:08:08,560 Speaker 1: logical level, it could be so that people don't try 150 00:08:08,600 --> 00:08:11,160 Speaker 1: to spruce up their appearance, but on a mystical level, 151 00:08:11,400 --> 00:08:14,080 Speaker 1: it could be an avoidance of the deceased in case 152 00:08:14,120 --> 00:08:17,440 Speaker 1: they are in the mirror. I think, m um. And 153 00:08:17,440 --> 00:08:20,880 Speaker 1: then Alan also writes, I treat vets with PTSD when 154 00:08:20,880 --> 00:08:23,920 Speaker 1: we talk to them about their experiences undeployment and how 155 00:08:23,920 --> 00:08:27,360 Speaker 1: psychotic that was. We refer to it as stepping through 156 00:08:27,400 --> 00:08:30,920 Speaker 1: the looking glass, as in Alice in Wonderland, UH, where 157 00:08:31,000 --> 00:08:34,360 Speaker 1: reality is topsy turvy and psychotic and the real. In 158 00:08:34,440 --> 00:08:37,200 Speaker 1: their rehabilitation, we try to alleviate the effects of the 159 00:08:37,200 --> 00:08:41,520 Speaker 1: combat stress and help normalize their lives. The military prepares 160 00:08:41,559 --> 00:08:44,560 Speaker 1: them with battle mind, whereas we try to teach, for 161 00:08:44,640 --> 00:08:46,760 Speaker 1: lack of a better way of putting it, civilian mind. 162 00:08:47,040 --> 00:08:49,840 Speaker 1: Love the podcast, Alan, So we got this email before 163 00:08:49,880 --> 00:08:52,760 Speaker 1: the last episode where we were talking more about mirror metaphors, 164 00:08:52,800 --> 00:08:55,000 Speaker 1: but this is clearly one of the big ones, right, 165 00:08:55,040 --> 00:08:57,360 Speaker 1: like the idea of stepping across the boundary of the 166 00:08:57,400 --> 00:09:02,280 Speaker 1: mirror into like a reversed version of yourself off Yeah, yeah, yeah. 167 00:09:02,559 --> 00:09:06,280 Speaker 1: Through the looking glasses the probably the prime example of that. 168 00:09:06,360 --> 00:09:09,800 Speaker 1: And I remember encountering big mirrors as a child and 169 00:09:09,840 --> 00:09:12,959 Speaker 1: thinking about that, like staring into the mirror and imagining 170 00:09:12,960 --> 00:09:16,040 Speaker 1: what would happen if you crawled through that mirror and 171 00:09:16,160 --> 00:09:18,920 Speaker 1: you were in that world on the other side. Um. 172 00:09:18,960 --> 00:09:21,840 Speaker 1: And I don't know to what extent it was because 173 00:09:21,880 --> 00:09:24,240 Speaker 1: of Alice in Wonderland or illustrations of it that I 174 00:09:24,240 --> 00:09:27,160 Speaker 1: had seen, but but yeah, that definitely went through my mind, 175 00:09:27,480 --> 00:09:29,440 Speaker 1: And maybe that was what was going through my mind 176 00:09:29,440 --> 00:09:33,360 Speaker 1: when I managed to pull a large mirror that was 177 00:09:33,400 --> 00:09:35,480 Speaker 1: hanging on a wall behind a couch off of the 178 00:09:35,520 --> 00:09:38,320 Speaker 1: wall and break it over my my body when I 179 00:09:38,400 --> 00:09:40,480 Speaker 1: was something like I don't know two or three years what. 180 00:09:40,760 --> 00:09:43,160 Speaker 1: I don't think you told me about this? Oh yeah, well, 181 00:09:43,200 --> 00:09:46,120 Speaker 1: if it's it's it was long a favorite story and 182 00:09:46,160 --> 00:09:49,400 Speaker 1: and in my household, I don't really remember it happening, 183 00:09:49,400 --> 00:09:52,600 Speaker 1: but I remember I remember standing there on the couch 184 00:09:52,640 --> 00:09:55,200 Speaker 1: with broken mirror all around me and like adults running in. 185 00:09:55,640 --> 00:09:58,120 Speaker 1: But I was completely unscathed. So in a way, I 186 00:09:58,200 --> 00:10:00,560 Speaker 1: did go through the looking glass. Did you think you 187 00:10:00,559 --> 00:10:02,520 Speaker 1: were Do you think you were trying to get through? 188 00:10:03,520 --> 00:10:05,600 Speaker 1: I don't know. I don't know. Maybe I was just 189 00:10:05,640 --> 00:10:07,360 Speaker 1: looking in it and I decided to pull on it. 190 00:10:07,559 --> 00:10:10,679 Speaker 1: But it it's made me very nervous about hanging mirrors 191 00:10:10,720 --> 00:10:12,680 Speaker 1: my whole life. I just hung a mirror the other day, 192 00:10:12,679 --> 00:10:15,280 Speaker 1: and you know, as I was like measuring everything twice 193 00:10:15,360 --> 00:10:18,360 Speaker 1: and second guessing in and warning everybody in the house, now, 194 00:10:18,440 --> 00:10:22,280 Speaker 1: don't hang on this, even the adults, and you know 195 00:10:22,360 --> 00:10:24,520 Speaker 1: that my wife is like, I'm not gonna hang on 196 00:10:24,520 --> 00:10:26,680 Speaker 1: the mirror. You don't have to worry about that. Somehow 197 00:10:26,720 --> 00:10:29,320 Speaker 1: this seems very illuminating about you. But yes, I've been 198 00:10:29,320 --> 00:10:39,760 Speaker 1: through the looking glass. Okay. We got a couple of 199 00:10:39,880 --> 00:10:43,559 Speaker 1: messages in response to our Vault episode about the tomato, 200 00:10:44,360 --> 00:10:47,520 Speaker 1: remember those tomato episodes being being some favorites of mine. 201 00:10:47,640 --> 00:10:52,800 Speaker 1: One yea very juicy one is from Arthur Apparently. I 202 00:10:52,840 --> 00:10:56,040 Speaker 1: think we were talking about vegetarian substitutes for bacon and 203 00:10:56,040 --> 00:11:00,320 Speaker 1: a b LT and Arthur says the best non meat 204 00:11:00,360 --> 00:11:03,640 Speaker 1: substitute for bacon I found for sandwiches and salads is 205 00:11:04,200 --> 00:11:09,720 Speaker 1: barbecue flavored potato chips. Scratches the bacon itch. You know that. 206 00:11:09,880 --> 00:11:12,360 Speaker 1: That's a good idea, Arthur, I have to try that. 207 00:11:12,400 --> 00:11:14,840 Speaker 1: I do love some some barbecue chips. I mean, I 208 00:11:14,880 --> 00:11:17,200 Speaker 1: think in the episode we talked about stuff like maybe 209 00:11:17,280 --> 00:11:20,960 Speaker 1: like roasted eggplant or like roasted mushrooms that can create 210 00:11:21,000 --> 00:11:23,880 Speaker 1: a very nice meaty flavor. But with those you wouldn't 211 00:11:23,880 --> 00:11:26,680 Speaker 1: really get a bacony texture. But with barbecue potato chips, 212 00:11:26,679 --> 00:11:29,240 Speaker 1: hey that's crispy. Yeah, yeah, absolutely, And of course they 213 00:11:29,320 --> 00:11:31,200 Speaker 1: keep up with the Annie on on our on our 214 00:11:31,240 --> 00:11:33,680 Speaker 1: fake meat world. I mean, just a year later, we 215 00:11:33,800 --> 00:11:36,480 Speaker 1: have we have some some wonderful options that have just 216 00:11:36,520 --> 00:11:39,320 Speaker 1: come online. I was just trying out some new field dogs. 217 00:11:39,360 --> 00:11:41,040 Speaker 1: The other did not field dogs. They were like they're 218 00:11:41,080 --> 00:11:43,079 Speaker 1: supposed to be like stadium dogs are supposed to taste 219 00:11:43,120 --> 00:11:48,200 Speaker 1: like a baseball hot dog, but they're baste alternative. Yeah, 220 00:11:48,200 --> 00:11:51,040 Speaker 1: it tastes like baseball. They're good, they're good cool. Well, 221 00:11:51,120 --> 00:11:52,720 Speaker 1: you know what, But the other way, I can't remember 222 00:11:52,720 --> 00:11:54,480 Speaker 1: if we already said this in the episode. Sorry if 223 00:11:54,520 --> 00:11:57,400 Speaker 1: I'm repeating myself, But the other way to go. If 224 00:11:57,400 --> 00:12:00,760 Speaker 1: you don't want bacon is technically for really good sandwich, 225 00:12:00,800 --> 00:12:02,800 Speaker 1: and you've got good ripe summer tomatoes, you don't even 226 00:12:02,840 --> 00:12:04,720 Speaker 1: need the lettuce and bacon. You can just have a 227 00:12:04,760 --> 00:12:08,680 Speaker 1: bacon sandwich just like good bread, mayonnaise and ripe summer 228 00:12:08,720 --> 00:12:12,960 Speaker 1: tomatoes is exquisite. Just not just the bacon, just the tomatoes. 229 00:12:12,960 --> 00:12:15,240 Speaker 1: Did I say bacon, No, just the tomatoes. Yeah, yeah, 230 00:12:15,360 --> 00:12:17,679 Speaker 1: I think you might have said just the bacon at first. Anyway, 231 00:12:17,720 --> 00:12:18,720 Speaker 1: I know what you mean. I knew what you mean, 232 00:12:19,040 --> 00:12:22,040 Speaker 1: just the tomatoes. Tomato stands alone. But if you're really pressed, 233 00:12:22,080 --> 00:12:25,520 Speaker 1: I would say, also, um, just some some some bread 234 00:12:25,600 --> 00:12:29,240 Speaker 1: and mayonnaise. Also not bad. I mean it's not the worst. 235 00:12:30,920 --> 00:12:33,440 Speaker 1: Oh yeah, okay, squeeze little lemon on there. Okay, yeah, 236 00:12:33,440 --> 00:12:40,160 Speaker 1: I got you, all right. This one comes to us 237 00:12:40,200 --> 00:12:42,680 Speaker 1: from Blake. Hi, guys, I'm emailing you to share my 238 00:12:42,720 --> 00:12:46,000 Speaker 1: thought regarding and potential used for tomatoes with a notable 239 00:12:46,080 --> 00:12:49,679 Speaker 1: nicotine content. As a smoker who is currently trying to 240 00:12:49,800 --> 00:12:53,120 Speaker 1: quit and who has tried nicotine replacement means such as 241 00:12:53,200 --> 00:12:56,120 Speaker 1: vaping and nicotine gum, I think it sounds like one 242 00:12:56,160 --> 00:12:59,679 Speaker 1: of the healthiest ways to stop smoking. Eating tomatoes in 243 00:12:59,760 --> 00:13:03,000 Speaker 1: modern ration. Considering recent health issues around vaping and the 244 00:13:03,080 --> 00:13:06,160 Speaker 1: dental issues around chewing gum, why not load up a 245 00:13:06,240 --> 00:13:09,720 Speaker 1: nice juicy tomato with a bit of nick. I really 246 00:13:09,760 --> 00:13:13,160 Speaker 1: like your show, respectfully, Blake. Oh my Blake, I think 247 00:13:13,160 --> 00:13:15,760 Speaker 1: you're joking, but please, no one do this. I think 248 00:13:15,800 --> 00:13:18,800 Speaker 1: what we were talking about was that that somebody had 249 00:13:18,880 --> 00:13:23,200 Speaker 1: manager claim to have managed to have grafted tomato planned 250 00:13:23,200 --> 00:13:26,120 Speaker 1: on to tobacco roots or something like that, and they 251 00:13:26,240 --> 00:13:30,480 Speaker 1: grew tomatoes with substantial nicotine content which could be poisonous. 252 00:13:31,000 --> 00:13:34,120 Speaker 1: Do not eat that, seriously, we really don't want anybody 253 00:13:34,200 --> 00:13:37,720 Speaker 1: to get death by nicotine poisoning, even if it is 254 00:13:37,800 --> 00:13:42,240 Speaker 1: from the most delicious ripe summer tomatoes. But all that aside, 255 00:13:42,440 --> 00:13:49,800 Speaker 1: good luck with quitting, Blake. Keep at it all right. 256 00:13:49,840 --> 00:13:52,160 Speaker 1: I think we should wrap this up with one last message, 257 00:13:52,160 --> 00:13:54,200 Speaker 1: and this comes to us about Weird House Cinema. On 258 00:13:54,240 --> 00:13:57,080 Speaker 1: our episode about Soviet Lord of the Rings a k a. 259 00:13:57,200 --> 00:14:02,240 Speaker 1: Chronatelli or the Keepers. This comes from Pat. Pat says, guys, 260 00:14:02,520 --> 00:14:04,680 Speaker 1: thanks for giving me a chance to visit a peeve. 261 00:14:05,160 --> 00:14:07,920 Speaker 1: On this episode, you repeated the oft held notion that 262 00:14:07,960 --> 00:14:10,560 Speaker 1: the bomba dial episode and the Fellowship of the Ring 263 00:14:10,640 --> 00:14:14,199 Speaker 1: does not advance the plot and is understandably left out 264 00:14:14,240 --> 00:14:18,040 Speaker 1: of other productions. I love those productions, in particular Peter 265 00:14:18,160 --> 00:14:21,920 Speaker 1: Jackson's This is one great error. Nerds like me have 266 00:14:22,000 --> 00:14:24,800 Speaker 1: read everything we could. In light of all the books, 267 00:14:24,840 --> 00:14:28,360 Speaker 1: particularly the Sill Marillion, one cannot deny that Tolkien placed 268 00:14:28,440 --> 00:14:31,400 Speaker 1: great importance in the religion and mythos of his world. 269 00:14:31,800 --> 00:14:34,760 Speaker 1: The Bomba Dill episode is important because of the stress 270 00:14:34,840 --> 00:14:38,080 Speaker 1: of mythos and religion. The knives given to the Hobbits 271 00:14:38,080 --> 00:14:41,200 Speaker 1: and the barrow Downs are imbued with animism. A great 272 00:14:41,240 --> 00:14:44,160 Speaker 1: moment of irony is lost when Mary helps defeat the 273 00:14:44,200 --> 00:14:46,880 Speaker 1: Witch King using a sword that is wound with the 274 00:14:46,880 --> 00:14:50,680 Speaker 1: curses of his vanquished. The trilogy is filled with this animism, 275 00:14:50,720 --> 00:14:53,640 Speaker 1: and it is left out of theatrical productions. Thanks for 276 00:14:53,680 --> 00:14:56,280 Speaker 1: all the fun. You guys are the best, Pat Rob, 277 00:14:56,320 --> 00:15:00,840 Speaker 1: I'm sure you have thoughts on this. Um. Yeah, yeah, 278 00:15:00,840 --> 00:15:02,480 Speaker 1: I think this makes it. It's a good case. I mean, 279 00:15:02,760 --> 00:15:06,800 Speaker 1: like like like Pat says, clearly, this is the kind 280 00:15:06,840 --> 00:15:09,400 Speaker 1: of meat that Tolken shoot on. You know, he didn't 281 00:15:09,480 --> 00:15:13,400 Speaker 1: he didn't do anything lightly regarding his use of mythology 282 00:15:13,440 --> 00:15:17,160 Speaker 1: and symbolism and how he he weaved these various uh 283 00:15:17,200 --> 00:15:20,720 Speaker 1: you know, mythic elements into his work. So uh yeah, 284 00:15:20,720 --> 00:15:23,640 Speaker 1: it's it's not like, um like, as we're recording this, 285 00:15:23,720 --> 00:15:26,480 Speaker 1: we just did a weird house cinema episode on on 286 00:15:26,520 --> 00:15:28,800 Speaker 1: the Return of the blind debt. You know, in the 287 00:15:28,800 --> 00:15:30,520 Speaker 1: Return of the blind Ed, you can make an argument 288 00:15:30,520 --> 00:15:31,920 Speaker 1: for a well, you could probably cut this out and 289 00:15:31,960 --> 00:15:35,640 Speaker 1: everything would be fine. Uh you know, but with with 290 00:15:35,640 --> 00:15:38,080 Speaker 1: with Tolkien, Yeah, if you're gonna, if you're gonna surgically 291 00:15:38,080 --> 00:15:42,240 Speaker 1: remove something, well maybe you didn't think that organ was 292 00:15:42,280 --> 00:15:45,120 Speaker 1: doing anything, but it was probably in there because it 293 00:15:45,200 --> 00:15:48,680 Speaker 1: was doing something, at least to a more you know, 294 00:15:49,280 --> 00:15:53,840 Speaker 1: I guess detail oriented, refined read off the original text. 295 00:15:54,240 --> 00:15:56,640 Speaker 1: I mean there's another way of thinking about whether things 296 00:15:56,680 --> 00:15:59,040 Speaker 1: can be excised from the progress of a plot in 297 00:15:59,080 --> 00:16:01,600 Speaker 1: a in a novel or a movie, um, which is 298 00:16:01,680 --> 00:16:05,960 Speaker 1: that anything you take out will leave the final product changed. 299 00:16:06,080 --> 00:16:08,480 Speaker 1: I mean, every little like moment an episode in the 300 00:16:08,560 --> 00:16:13,040 Speaker 1: story changes the overall feelings and impression that the that 301 00:16:13,080 --> 00:16:15,200 Speaker 1: the reader hasn't mean anything in a well written story, 302 00:16:15,280 --> 00:16:18,400 Speaker 1: unless it's just something that's incredibly repetitive and similar to 303 00:16:18,480 --> 00:16:21,360 Speaker 1: what came before and after. So I do think the 304 00:16:21,440 --> 00:16:25,080 Speaker 1: story is changed by taking out Tom Bombadylan the Barrow Downs. 305 00:16:25,120 --> 00:16:28,480 Speaker 1: I think what I could acknowledge about it, despite how 306 00:16:28,520 --> 00:16:31,600 Speaker 1: much I like those those sections of the book, is 307 00:16:31,640 --> 00:16:35,440 Speaker 1: that you can take those parts out and the story 308 00:16:35,560 --> 00:16:39,520 Speaker 1: still feels like it makes perfect sense. A person who 309 00:16:39,600 --> 00:16:43,440 Speaker 1: experiences the story without those parts does not detect that 310 00:16:43,600 --> 00:16:46,800 Speaker 1: something is missing or does not feel like the story 311 00:16:46,920 --> 00:16:49,240 Speaker 1: is incomplete. And yet at the same time, I think 312 00:16:49,280 --> 00:16:51,240 Speaker 1: it's absolutely true that, yeah, when you take them out, 313 00:16:51,280 --> 00:16:55,200 Speaker 1: something is lost, but the story can function without them. 314 00:16:55,240 --> 00:16:57,680 Speaker 1: I think what we need to see, though, is that 315 00:16:58,000 --> 00:17:01,640 Speaker 1: if Peter Jackson can three films out of The Hobbit, 316 00:17:02,080 --> 00:17:04,760 Speaker 1: he needs to make one film out of the Barrow 317 00:17:04,800 --> 00:17:08,720 Speaker 1: Whites and Tom Bomba Dill section stand alone with the Fellowship. Yeah, 318 00:17:08,720 --> 00:17:12,280 Speaker 1: stand alone. I'm not sure what else he could draw on, 319 00:17:12,440 --> 00:17:15,440 Speaker 1: but oh, it's gotta be possible. It's gotta be possible. 320 00:17:16,000 --> 00:17:19,960 Speaker 1: All the songs. You need to have all the songs. Obviously, Um, 321 00:17:20,080 --> 00:17:23,399 Speaker 1: did we talk about casting for Bombadill yet? No. I 322 00:17:23,440 --> 00:17:24,919 Speaker 1: was thinking a little bit of the other day the 323 00:17:24,920 --> 00:17:26,679 Speaker 1: other day, though, I'm not sure how you do it. 324 00:17:26,760 --> 00:17:29,240 Speaker 1: How do you who could you possibly cast as Bomba dough. 325 00:17:29,240 --> 00:17:33,359 Speaker 1: You'd probably have to really draw from like musical theater. 326 00:17:33,480 --> 00:17:38,000 Speaker 1: I guess, uh, somebody with a strong like singing, uh 327 00:17:38,040 --> 00:17:42,080 Speaker 1: sort of um presence, I don't know, but they also 328 00:17:42,119 --> 00:17:45,160 Speaker 1: need to be peaceful and not menacing like um, I'm 329 00:17:45,160 --> 00:17:48,960 Speaker 1: thinking of like older actors, like maybe maybe Brian Blessed 330 00:17:49,160 --> 00:17:53,920 Speaker 1: could could have played this role. But um, I almost 331 00:17:53,960 --> 00:17:56,320 Speaker 1: said Brian Cox, just because I love Brian Cox, But 332 00:17:56,359 --> 00:18:00,240 Speaker 1: that's totally wrong. Brian Cox is far too severe for Tom. Yeah, 333 00:18:00,280 --> 00:18:02,320 Speaker 1: because you don't want him to be menacing either, right, 334 00:18:02,359 --> 00:18:06,560 Speaker 1: I mean, it's it's a particular energy that Tom Bomba 335 00:18:06,600 --> 00:18:08,760 Speaker 1: Dill has to have, and he's also he's got to 336 00:18:08,840 --> 00:18:11,159 Speaker 1: have some some lungs, he's got to be able to 337 00:18:11,280 --> 00:18:15,840 Speaker 1: to really built those numbers like basically Acapella mid Forest. 338 00:18:16,680 --> 00:18:19,119 Speaker 1: So I'm not sure who you would cast. What about 339 00:18:19,160 --> 00:18:22,639 Speaker 1: Stephen McKinley Henderson, who's playing through Fier Hawat in the 340 00:18:22,720 --> 00:18:25,960 Speaker 1: upcoming Dune movie. I feel like he he maybe has 341 00:18:26,000 --> 00:18:31,200 Speaker 1: the right kind of of sort of supernatural benign presence 342 00:18:31,240 --> 00:18:33,800 Speaker 1: that you need for Tom Bomba Dill. Yeah. Yeah, maybe 343 00:18:33,840 --> 00:18:35,639 Speaker 1: so you do kind of I feel like there's some 344 00:18:35,680 --> 00:18:39,240 Speaker 1: crossover with actors who have effectively played Santa Claus. If 345 00:18:39,280 --> 00:18:41,840 Speaker 1: you have an effective Santa maybe Bomba Dill. I was 346 00:18:41,960 --> 00:18:44,600 Speaker 1: I did think I was thinking about I think you 347 00:18:44,600 --> 00:18:46,440 Speaker 1: should leave, and I was thinking about the skits in 348 00:18:46,480 --> 00:18:49,280 Speaker 1: season two with the where Santa Claus becomes an actor. 349 00:18:50,160 --> 00:18:55,000 Speaker 1: I think Detective crash More. Yeah, I think Santa Claus, 350 00:18:55,119 --> 00:19:00,720 Speaker 1: the actor from from those skits could potentially play Bomba Dill. Uh. 351 00:19:01,200 --> 00:19:04,040 Speaker 1: But yeah, I don't know. It's a It's a tough one, Okay. 352 00:19:04,080 --> 00:19:06,359 Speaker 1: I think we need to wrap it up there. All right, Well, 353 00:19:06,359 --> 00:19:08,480 Speaker 1: we're gonna go and close the mail bag here for 354 00:19:08,520 --> 00:19:10,639 Speaker 1: this episode of Listener Mail, but we'll be back next Monday, 355 00:19:10,680 --> 00:19:13,639 Speaker 1: so keep them coming. If you have thoughts about current episodes, 356 00:19:13,680 --> 00:19:17,200 Speaker 1: recent episodes, future episodes of stuff to blow your mind, 357 00:19:17,280 --> 00:19:20,280 Speaker 1: or the artifact or weird al cinema responses to other 358 00:19:20,400 --> 00:19:23,720 Speaker 1: listeners emails, all that is a fair game, so right in. 359 00:19:23,840 --> 00:19:26,200 Speaker 1: We'd love to hear from you. Huge thanks as always 360 00:19:26,200 --> 00:19:29,119 Speaker 1: to our excellent audio producer Seth Nicholas Johnson. If you 361 00:19:29,119 --> 00:19:31,120 Speaker 1: would look to get in touch with us with feedback 362 00:19:31,160 --> 00:19:33,520 Speaker 1: on this episode or any other, to suggest a topic 363 00:19:33,560 --> 00:19:35,680 Speaker 1: for the future, or just to say hello, you can 364 00:19:35,760 --> 00:19:39,080 Speaker 1: email us at contact at stuff to Blow your Mind 365 00:19:39,280 --> 00:19:49,200 Speaker 1: dot com. 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