WEBVTT - External Exam - Memento Mori with Author, Dr. Paul Koudounaris

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<v Speaker 1>Mother Knows Death presents External Exams with Nicole and Jimmy.

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<v Speaker 2>Today, I'm interviewing doctor Paul Kutinaris, who is the author

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<v Speaker 2>of Memento Mori. Paul is one of my favorite people,

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<v Speaker 2>and I'm friends with him. I met Paul years ago. Well,

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<v Speaker 2>I actually will let him fill you in of how

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<v Speaker 2>we actually met, but I'll tell you how I was

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<v Speaker 2>introduced to Paul. At first, I was invited to this

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<v Speaker 2>death salon that was being held at the Muder Museum

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<v Speaker 2>in Philadelphia years ago, and I went and I didn't

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<v Speaker 2>really know anybody that was going to be there, but

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<v Speaker 2>I was invited there because I had the Instagram that

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<v Speaker 2>was popular with death. And I showed up and just

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<v Speaker 2>sat in the audience and watched a lecture by Paul,

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<v Speaker 2>who I never had heard of, and I was kind

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<v Speaker 2>kind of mind blown by how intelligent he was, obviously,

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<v Speaker 2>but just he was just saying such cool stuff that

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<v Speaker 2>resonated with me so much about how death is is

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<v Speaker 2>a very He was saying there was a soft line

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<v Speaker 2>with death in some cultures and there was a very

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<v Speaker 2>hard line with death.

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<v Speaker 3>And I think about.

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<v Speaker 2>This photo that was in his lecture with it was

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<v Speaker 2>like this guy with a white picket fence outside and

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<v Speaker 2>there was a skull and he was like shaking hands

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<v Speaker 2>with this, you know, this dead guy. It was really funny.

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<v Speaker 2>But how in our culture, or at least in America,

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<v Speaker 2>we have a very hard line with death. And I

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<v Speaker 2>took like a bunch of notes after his lecture and stuff,

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<v Speaker 2>and I thought it was super cool. And I don't

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<v Speaker 2>exactly remember, Paul, how I I might have like stalked

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<v Speaker 2>you on Instagram or something and how we started talking.

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<v Speaker 3>So I don't know if you remember, Well, remember I

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<v Speaker 3>met you.

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<v Speaker 1>Through Adam Wallackott.

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<v Speaker 2>Okay, so yeah, so we have a mutual friend Adam

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<v Speaker 2>And yeah, that makes sense. So that's and then we

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<v Speaker 2>met in person then or something. I'm not sure, but

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<v Speaker 2>Adam's the he makes the really cool octopus chandeliers and

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<v Speaker 2>he's a really awesome artist in Tier Decorator.

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<v Speaker 1>Adam is basically the de facto mayor of Philadelphia. For

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<v Speaker 1>those who don't, it's like every every time I stay

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<v Speaker 1>in Philadelphia, I stay in Adam's house and there is

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<v Speaker 1>no place I can go where at least twenty people

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<v Speaker 1>don't know this guy. He is the mayor of Philadelphia.

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<v Speaker 2>Yeah, You're totally right about that. He does know everybody.

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<v Speaker 2>That's how we met. And first, I guess, Paul the

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<v Speaker 2>most hated question of all. Tell us, just tell us

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<v Speaker 2>a little bit about yourself with like, who are you,

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<v Speaker 2>how'd you get here? Where where'd you come from? Just

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<v Speaker 2>give us a little background about Paul.

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<v Speaker 1>Well, where did I come from? It's probably at complicated,

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<v Speaker 1>but the rest of it will do. I have a

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<v Speaker 1>PhD in art history and from UCLA. I'm from Los

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<v Speaker 1>Angeles originally, and I was always kind of, I guess,

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<v Speaker 1>like the fox molder of the art history department, just

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<v Speaker 1>studying these weird things that other people didn't like, you know,

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<v Speaker 1>while while everyone else was studying Rembrandt, I was out

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<v Speaker 1>looking at woodcuts of you know, wareholes and stuff. And eventually,

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<v Speaker 1>when I finished my PhD, I was traveling through Europe

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<v Speaker 1>and I had gone to a lot of the famous

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<v Speaker 1>death related sites, you know, the Paaris Catacombs and all

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<v Speaker 1>of these bone places, and eventually I started finding a

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<v Speaker 1>lot of them that nobody had heard of, you know,

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<v Speaker 1>because there are about four that are big popular sites

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<v Speaker 1>like that, like tourist destinations, and then there's about a

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<v Speaker 1>Hydrid that nobody's heard of, and nobody cares about me.

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<v Speaker 1>You need special access to go into and I became

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<v Speaker 1>really fascinated by that. I mean, I had just finished

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<v Speaker 1>a PhD in art history with a specialty in Baroque,

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<v Speaker 1>and here were all these old Baroque era bone rooms,

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<v Speaker 1>and it just seemed like a natural thing for me

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<v Speaker 1>to start studying and writing about. You know, it was

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<v Speaker 1>right up my alley, and the discovery of all this

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<v Speaker 1>stuff was perfectly timed. So I had traveled around Europe

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<v Speaker 1>for a couple of years and documented all these places

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<v Speaker 1>and put out a book called The Empire of Death,

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<v Speaker 1>which was the history of these bone rooms. In the

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<v Speaker 1>process of doing that, I had discovered a bunch of

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<v Speaker 1>old Baroque jeweled skeletons that everybody else seemed to have

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<v Speaker 1>forgotten about, and I wrote a book about them called

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<v Speaker 1>Heavenly Bodies. But in the process of doing those first

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<v Speaker 1>two books, I had also been continually traveling the world,

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<v Speaker 1>studying these places in other cultures in Asia and South America,

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<v Speaker 1>and that's what led to that book Momentum Wory that

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<v Speaker 1>we're talking about today, which was taking what I had

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<v Speaker 1>been doing, you know, studying these death related sites on

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<v Speaker 1>a microcosmic level, like only within one culture and with

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<v Speaker 1>you within one era, and then just kind of expanding

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<v Speaker 1>it to the entire world, you know, and taking a

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<v Speaker 1>global look at these sites and the way the importance

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<v Speaker 1>these sites have, these you know, bone decorated sites and

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<v Speaker 1>with mummies, and the importance that these sites have in

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<v Speaker 1>the spiritual lives of people throughout the world. How it's

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<v Speaker 1>really a very universal thing. And what you had mentioned

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<v Speaker 1>that I had been talking about originally in Philadelphia, you know,

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<v Speaker 1>death as a boundary became something that was that was

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<v Speaker 1>really important to me in understanding why in some cultures

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<v Speaker 1>and in some eras of history this stuff is so

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<v Speaker 1>okay and it's okay to interact with the dead and

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<v Speaker 1>it's encouraged, and why we live in a culture where

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<v Speaker 1>it's really discouraged. You know, it's considered kind of perverse,

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<v Speaker 1>you know, to keep your relatives bones around or to

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<v Speaker 1>keep your relatives mummy around, and it would be considered

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<v Speaker 1>you know, perverse and almost kind of in some way evil,

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<v Speaker 1>although no one could really define it as to why

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<v Speaker 1>in some cultures. What I came up with, you know,

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<v Speaker 1>after years of studying this stuff, I came up with

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<v Speaker 1>something that was really simple that should have been obvious,

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<v Speaker 1>but it took me a long time to figure it out.

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<v Speaker 1>That dying is a biological condition. You know, dying is

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<v Speaker 1>a biological act, just like being born. But death is

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<v Speaker 1>not a biological condition. Death is a border between two

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<v Speaker 1>different states.

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<v Speaker 2>You know.

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<v Speaker 1>Death is a boundary line between the living and the dead.

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<v Speaker 1>So being dead is a biological state. Death has nothing

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<v Speaker 1>to do with biological biology. Death has to do with

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<v Speaker 1>where we place the border, and we tend to think

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<v Speaker 1>of death as being fixed, but it's really not. In

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<v Speaker 1>some cultures, you know, this boundary can be in what

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<v Speaker 1>I called an open border, and in other cultures it's

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<v Speaker 1>a close and in some cultures, in some periods of history,

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<v Speaker 1>you know, death is this is this open border that

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<v Speaker 1>provides access to those who have passed on, and those

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<v Speaker 1>who passed on are invited to continue to have an

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<v Speaker 1>important spiritual and social role. And in other places, like

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<v Speaker 1>in the United States, now death is this very closed boundaries.

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<v Speaker 1>It's like imagineal line, this fortified line where you will

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<v Speaker 1>not pass and to try to try sim that order

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<v Speaker 1>and to try to understand what's on the other side,

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<v Speaker 1>Like I said, it's considered kind of perverse.

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<v Speaker 2>I think it's It's one of my favorite things about

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<v Speaker 2>you is that the book is not only super informative,

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<v Speaker 2>but it's it's so it's beautiful, and I love that

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<v Speaker 2>you were interested in this and you not only learned

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<v Speaker 2>about all of this, but you went to all of

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<v Speaker 2>these places yourself, and you took all these photographs yourself.

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<v Speaker 2>And I'm curious with your experience with that because I

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<v Speaker 2>know that you actually have were able to interview people

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<v Speaker 2>that live in these different areas and do these different cultures.

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<v Speaker 2>But also if you have one that resonates with you

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<v Speaker 2>the most, that's your your favorite kind of death tradition.

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<v Speaker 1>Well, yeah, I can answer to that for sure. But

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<v Speaker 1>I want to say something about what some of you

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<v Speaker 1>you just mentioned that it is important to me that

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<v Speaker 1>the books be both informative and to be attracted. I

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<v Speaker 1>think you know, I'm certainly not the first guy who

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<v Speaker 1>went out and studied bone room, or who went to

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<v Speaker 1>Indonesia and studied some of these places with skulls and mummies.

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<v Speaker 1>You know, a lot of anthropologists have the bore, a

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<v Speaker 1>lot of historians have the poor but they tended to

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<v Speaker 1>create books that were very academic and not very visual,

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<v Speaker 1>you know, And my approach was always this has to

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<v Speaker 1>be informative, it has to have legitimate information, but it

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<v Speaker 1>also has to have this kind of aspect of like

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<v Speaker 1>a high quality art, so it can be tangible for

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<v Speaker 1>normal people. Because to do this, you know, when I

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<v Speaker 1>wrote this book about the jeweled skeletons, which are so

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<v Speaker 1>visually beautiful, the only people who had covered them before

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<v Speaker 1>me were doing them in academic circles. So you have

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<v Speaker 1>these books talking about beautiful, broke jeweled skeletons with no

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<v Speaker 1>pictures in them at all, you know, So it creates

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<v Speaker 1>this closed circuit. So I appreciate saying that that was

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<v Speaker 1>important to me. I'm not the first person who studied

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<v Speaker 1>some of these things and gone to some of these places,

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<v Speaker 1>but I was the first person to want to do it,

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<v Speaker 1>to want to present this material in a way that

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<v Speaker 1>crossed from from being strictly academic to something that would

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<v Speaker 1>be tangible to popular culture. You know, that was extremely

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<v Speaker 1>important to me, And I know that for you it's

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<v Speaker 1>kind of the same way, because everything you have done,

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<v Speaker 1>you've always wanted to take from medical pathology and place

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<v Speaker 1>it in a room where it's tangible for normal people

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<v Speaker 1>to understand and appreciate. But some of my favorite places, well,

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<v Speaker 1>I would say for sure in South America. There's a

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<v Speaker 1>festival called the Yesterday Lost Utitas in Bolivia. Then I

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<v Speaker 1>went to for like twelve years in a row. It's

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<v Speaker 1>every November eighth. I went there every year until the

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<v Speaker 1>pandemic kind of shut down travel. But there are these

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<v Speaker 1>people who adopt skulls, and they may know who the

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<v Speaker 1>people were while they were alive, where they may not.

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<v Speaker 1>They may be total strangers, but they'll acquire these skulls

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<v Speaker 1>and they'll become the kind of the guardians or ten

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<v Speaker 1>of these skulls. This is This is across the Altaplano

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<v Speaker 1>and Bolivia, but it's mostly in the La Pause. It's

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<v Speaker 1>an imar thing. Who are you know, the indigenous people

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<v Speaker 1>of Bolivia, and they really have a very strong belief

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<v Speaker 1>not just in the afterlife, but the ability of those

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<v Speaker 1>who have passed on to continue to impact the lives

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<v Speaker 1>of the living. And so these people who will acquire

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<v Speaker 1>these nutitas. The name means locally, it's kind of a slang.

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<v Speaker 1>It means the pugnos once and it refers to the

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<v Speaker 1>shape of the skulls, and so they will adopt these skulls,

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<v Speaker 1>and they will create shrines for them in their homes,

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<v Speaker 1>and they will live with them as family members, you know,

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<v Speaker 1>as as friends and family members or business partners or companions.

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<v Speaker 1>And some people will acquire tremendous numbers of these skulls.

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<v Speaker 1>I've met people who have like a hundred of them,

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<v Speaker 1>and their houses are considered locally like shrines. Like if

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<v Speaker 1>you're a believer in the power of the skulls and

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<v Speaker 1>the power of the dead, and you don't have skulls,

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<v Speaker 1>you might go to someone's house who has a bunch

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<v Speaker 1>of them, and oftentimes they'll be arranged on shells, and

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<v Speaker 1>there will be certain skulls that are good for certain things.

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<v Speaker 1>So you know, if your kid is failing in school,

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<v Speaker 1>there might be one of the skulls that the spirit

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<v Speaker 1>is believed to have the ability to help with academia,

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<v Speaker 1>and so you know, you'll send your kid and say, yeah,

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<v Speaker 1>you go pray in front of that skull, make an

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<v Speaker 1>offering in front of that skull, and you're going to

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<v Speaker 1>pass that geography test, you know. Or there's another skull

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<v Speaker 1>that might be good for marital problems anyway, these people

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<v Speaker 1>who will own the skulls. Every November eighth, they'll have

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<v Speaker 1>this party at the cemetery and they bring all the

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<v Speaker 1>skulls back down to the local cemetery, the cemetery Hiner,

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<v Speaker 1>all the big cemetery in Lapawnas and they'll have this

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<v Speaker 1>massive part where you know, like ten twenty thousand people

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<v Speaker 1>show up at the cemetery with skulls. It's the largest

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<v Speaker 1>skull celebration or celebration of death in one place in

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<v Speaker 1>the entire world. I mean, I'm seriously talking about like

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<v Speaker 1>ten or twenty thousand people showing up carrying skulls and boxes,

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<v Speaker 1>carrying them in little sedan chairs. They dress them up,

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<v Speaker 1>they decorate them, and they take over the ground and

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<v Speaker 1>you know, bands will come and play music for the skulls,

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<v Speaker 1>and people will scroll scroll the grounds and offerings for them.

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<v Speaker 1>You know, they'll they'll decorate the skulls with flowers. It's

0:12:08.800 --> 0:12:13.920
<v Speaker 1>an incredible, beautiful celebration that is designed to thank the

0:12:14.040 --> 0:12:17.120
<v Speaker 1>dead for what they do for the living and at

0:12:17.160 --> 0:12:20.600
<v Speaker 1>the same time kind of recharge the energy of the dead,

0:12:20.720 --> 0:12:23.679
<v Speaker 1>of those souls so they can continue to function for

0:12:23.800 --> 0:12:27.120
<v Speaker 1>the living in the upcoming year. And uh yeah, and visually,

0:12:27.200 --> 0:12:30.240
<v Speaker 1>of course, it's very powerful because it completely turns on

0:12:30.520 --> 0:12:34.280
<v Speaker 1>and what we're used to with dealing with the dead.

0:12:34.360 --> 0:12:37.319
<v Speaker 1>You know, I come from a culture where, you know,

0:12:37.400 --> 0:12:40.319
<v Speaker 1>the dead are considered kind of horror film stuff. It's like,

0:12:40.440 --> 0:12:42.880
<v Speaker 1>you know, army of darkness or something, and there's some

0:12:43.000 --> 0:12:45.719
<v Speaker 1>kind of thread and this is the exact opposite. You know,

0:12:45.840 --> 0:12:49.560
<v Speaker 1>these are skulls and mumiflied heads that are decorated beautifully

0:12:49.640 --> 0:12:51.920
<v Speaker 1>and covered with flowers, and people are coming up and

0:12:52.000 --> 0:12:54.200
<v Speaker 1>talking to them and think. You know, it's a complete

0:12:54.320 --> 0:12:58.000
<v Speaker 1>opposite of the way we have of what we've constructed

0:12:58.040 --> 0:13:00.439
<v Speaker 1>with this kind of horror movie version of what happens

0:13:00.480 --> 0:13:02.240
<v Speaker 1>when the dead and treat on the lives of the living.

0:13:03.600 --> 0:13:06.720
<v Speaker 3>That's really interesting. So now I just got another question

0:13:06.920 --> 0:13:08.280
<v Speaker 3>at what you were just saying.

0:13:09.080 --> 0:13:12.839
<v Speaker 2>What So if you're living in Bolivia and you just

0:13:13.000 --> 0:13:18.360
<v Speaker 2>decide that you want to start collecting these skulls, where

0:13:18.960 --> 0:13:22.280
<v Speaker 2>where do you? Where does one go to? Boy, because

0:13:22.320 --> 0:13:24.160
<v Speaker 2>you're saying they might know them or they might not.

0:13:24.360 --> 0:13:28.920
<v Speaker 2>Do they do they get donated or they purchase So.

0:13:29.200 --> 0:13:33.400
<v Speaker 1>So a couple of questions obviously arise in addition to

0:13:33.480 --> 0:13:35.320
<v Speaker 1>where they get the skulls, Like if they don't know them,

0:13:35.320 --> 0:13:37.040
<v Speaker 1>I'm like, you know, why do they have the skull?

0:13:37.200 --> 0:13:40.120
<v Speaker 1>And and you know, what is their connection to someone

0:13:40.160 --> 0:13:46.840
<v Speaker 1>they didn't know? They know? The Imara a spiritual system

0:13:47.080 --> 0:13:50.200
<v Speaker 1>which I think is really wonderful, beautiful, actually it's very

0:13:50.280 --> 0:13:53.040
<v Speaker 1>it's much more sophisticated than ours. I think it makes

0:13:53.160 --> 0:13:57.880
<v Speaker 1>our you know, kind of Judeo Christian idea of the

0:13:58.000 --> 0:14:00.880
<v Speaker 1>soul look pretty primitive, because for us, it's kind of

0:14:00.920 --> 0:14:03.640
<v Speaker 1>a one to one relationship, one soul, one person.

0:14:03.800 --> 0:14:03.920
<v Speaker 2>Right.

0:14:04.280 --> 0:14:07.360
<v Speaker 1>They believe that there can be up to seven different entities,

0:14:07.400 --> 0:14:09.760
<v Speaker 1>and not in a schizophrenic way, you know, just seven

0:14:09.840 --> 0:14:13.079
<v Speaker 1>different entities that congeal to make a person. So you know,

0:14:13.200 --> 0:14:16.080
<v Speaker 1>within every man there's you know, there is a woman,

0:14:16.280 --> 0:14:18.600
<v Speaker 1>then every woman there's a man with then every old

0:14:18.720 --> 0:14:20.680
<v Speaker 1>person there's a child. You know what I mean. That

0:14:21.120 --> 0:14:25.560
<v Speaker 1>all congeal as the recipe that creates who you are

0:14:25.720 --> 0:14:28.800
<v Speaker 1>in different portions, you know. And then when you die,

0:14:28.960 --> 0:14:31.320
<v Speaker 1>to believe that one of these spirits, you know, they'll

0:14:31.360 --> 0:14:34.360
<v Speaker 1>all kind of disperse, they'll go to Pachamama, they'll go

0:14:34.440 --> 0:14:36.200
<v Speaker 1>to the you know, the mother goddess, and one of

0:14:36.280 --> 0:14:38.840
<v Speaker 1>them will come back and use the skull as a focus. So,

0:14:39.040 --> 0:14:41.760
<v Speaker 1>you know, I might die, but maybe it's a you know,

0:14:42.040 --> 0:14:44.200
<v Speaker 1>I might die as an old man, but maybe there's

0:14:44.240 --> 0:14:46.600
<v Speaker 1>some child who comes back and inhabits my skull, you

0:14:46.640 --> 0:14:49.160
<v Speaker 1>know what I mean. So I like their spiritual system

0:14:49.160 --> 0:14:52.880
<v Speaker 1>because it provides for you know, these real subtleties are

0:14:52.920 --> 0:14:56.040
<v Speaker 1>going the individuals. But for that reason, it doesn't really

0:14:56.240 --> 0:14:58.480
<v Speaker 1>matter if you knew the person in life, because someone

0:14:58.520 --> 0:15:00.920
<v Speaker 1>else might be coming back to the skull in terms

0:15:00.960 --> 0:15:04.880
<v Speaker 1>of where they get them. Understand that because and I

0:15:04.920 --> 0:15:08.600
<v Speaker 1>think it's largely because of our great phobia with death

0:15:09.400 --> 0:15:12.360
<v Speaker 1>skulls in the United States and Europe. Human bones in general,

0:15:12.400 --> 0:15:15.800
<v Speaker 1>and human remains are very hard to come by, you know,

0:15:15.840 --> 0:15:19.680
<v Speaker 1>they're very regularly. They really don't want you to have

0:15:20.320 --> 0:15:24.400
<v Speaker 1>considered somehow disrespect of them, which is which is another

0:15:24.520 --> 0:15:27.680
<v Speaker 1>debate we could have. Is it really truly disrespectful to

0:15:27.760 --> 0:15:29.760
<v Speaker 1>have someone's remains, especial if you care.

0:15:29.720 --> 0:15:31.960
<v Speaker 3>For them, if they don't even want us to have them?

0:15:32.200 --> 0:15:33.360
<v Speaker 3>In medical school?

0:15:34.200 --> 0:15:36.040
<v Speaker 1>Yeah, and I know, and I know you get this

0:15:36.160 --> 0:15:38.360
<v Speaker 1>a lot for sure, because I get it. Sometimes people

0:15:38.400 --> 0:15:40.960
<v Speaker 1>will ask me, Hey, you know, my father died, I

0:15:41.000 --> 0:15:43.160
<v Speaker 1>would like to be able to have a skull. How

0:15:43.200 --> 0:15:45.480
<v Speaker 1>can I do that? And it's I'm sorry, it's not easy.

0:15:45.560 --> 0:15:48.320
<v Speaker 1>You can't just do that, you know. But in those

0:15:48.440 --> 0:15:52.880
<v Speaker 1>cultures you can. Where the skulls come from, it depends

0:15:53.760 --> 0:15:56.440
<v Speaker 1>they have a different type of cemetery system than we do.

0:15:56.640 --> 0:15:57.880
<v Speaker 1>First of all, so a lot of them come from

0:15:57.920 --> 0:16:00.760
<v Speaker 1>the cemetery. When you die will pause, like if you

0:16:00.840 --> 0:16:03.240
<v Speaker 1>walk around that cemetery, you will in the cemetery in

0:16:03.320 --> 0:16:08.560
<v Speaker 1>real you will see a lot of graves have little

0:16:08.640 --> 0:16:13.000
<v Speaker 1>white notices paced to them that are actually evictions that

0:16:13.240 --> 0:16:16.520
<v Speaker 1>you're renting grave. You don't have it permanently, and so

0:16:16.680 --> 0:16:19.160
<v Speaker 1>people have to keep kind of paying the rent on

0:16:19.320 --> 0:16:21.920
<v Speaker 1>the grave. And at some point in time, you can

0:16:22.000 --> 0:16:25.320
<v Speaker 1>assume that unless they have created some kind of trust

0:16:25.520 --> 0:16:29.120
<v Speaker 1>fund that pays out for their grave and propetuity, everyone's

0:16:29.160 --> 0:16:31.520
<v Speaker 1>gonna get evicted from their grave, right because at some

0:16:31.680 --> 0:16:35.240
<v Speaker 1>point in time someone's gonna say it's like, whose grave

0:16:35.320 --> 0:16:37.520
<v Speaker 1>are we paying it on? I never even meant that,

0:16:38.360 --> 0:16:41.840
<v Speaker 1>you know, you know, so at some points everyone's going

0:16:41.920 --> 0:16:44.720
<v Speaker 1>to get evicted from their grave. And they have a

0:16:44.840 --> 0:16:47.400
<v Speaker 1>kind of massive pit burial area in the back of

0:16:47.480 --> 0:16:51.440
<v Speaker 1>the cemetery where they're supposed to put the bones, and

0:16:52.040 --> 0:16:54.480
<v Speaker 1>I don't want to tamble too much. But let's say,

0:16:55.200 --> 0:16:57.720
<v Speaker 1>you know, you're a cemetery worker. You're not making that

0:16:57.880 --> 0:17:02.080
<v Speaker 1>much money. I'm I mean, I've had skulls offered to me,

0:17:02.160 --> 0:17:04.040
<v Speaker 1>and I'm sure it's different now because a lot more

0:17:04.040 --> 0:17:06.280
<v Speaker 1>Americans go down there, and a lot of them, you know,

0:17:06.400 --> 0:17:08.520
<v Speaker 1>a lot of them are kind of oddities dealers.

0:17:08.200 --> 0:17:09.560
<v Speaker 3>Which is nice to you.

0:17:11.000 --> 0:17:13.359
<v Speaker 1>Yeah, it's kind of unfortunate because I don't want these

0:17:13.400 --> 0:17:15.480
<v Speaker 1>things to be collected as audities. I want them bus

0:17:15.840 --> 0:17:19.520
<v Speaker 1>to affected, right. But I had a guy offer me

0:17:19.680 --> 0:17:22.680
<v Speaker 1>four skulls for twenty dollars. Oh wow at one point,

0:17:22.760 --> 0:17:24.680
<v Speaker 1>and this was well, this was many years ago, but

0:17:24.760 --> 0:17:26.560
<v Speaker 1>I had a guy offered four for twenty bucks. I mean,

0:17:26.600 --> 0:17:29.880
<v Speaker 1>it's not that hard to it has traditionally not been

0:17:30.280 --> 0:17:35.000
<v Speaker 1>been not that hard to get them. Another place they

0:17:35.040 --> 0:17:38.280
<v Speaker 1>can come from is archaeological sites. So you know, I mean,

0:17:38.320 --> 0:17:41.240
<v Speaker 1>this is an area with a great ancient history, and

0:17:41.359 --> 0:17:44.399
<v Speaker 1>so skulls are often found in archaeological sets. I have

0:17:44.640 --> 0:17:48.040
<v Speaker 1>found in the end these plenty of old tombs that

0:17:48.119 --> 0:17:49.800
<v Speaker 1>are filled with bones. I mean, I'm not going to

0:17:49.880 --> 0:17:52.399
<v Speaker 1>give the location away on this one. But I found

0:17:52.800 --> 0:17:55.720
<v Speaker 1>an old burial site that had plenty of elongated skulls in.

0:17:55.760 --> 0:17:58.040
<v Speaker 1>It's several, and those are worth a tremendous amount of

0:17:58.040 --> 0:18:03.360
<v Speaker 1>money to outsiders. You know. Skull bind Yeah, that's cool. Yeah,

0:18:03.760 --> 0:18:07.240
<v Speaker 1>up in the Andes and and so, you know, some

0:18:07.400 --> 0:18:10.240
<v Speaker 1>of them come from archaeological sites. Again, whether or not

0:18:10.359 --> 0:18:12.200
<v Speaker 1>that's ethical or whether they should be going to a

0:18:12.320 --> 0:18:14.800
<v Speaker 1>museum is another question. But people will often take them

0:18:14.840 --> 0:18:17.600
<v Speaker 1>from archaeological sites, and maybe they have a right to them. Really,

0:18:17.680 --> 0:18:20.480
<v Speaker 1>if you're Eyemura and these are your relatives, maybe you

0:18:20.600 --> 0:18:22.440
<v Speaker 1>have more of a right to them than than a

0:18:22.520 --> 0:18:26.119
<v Speaker 1>museum does. Skulls that come from archaeological sites, because of

0:18:26.160 --> 0:18:28.639
<v Speaker 1>their antiquity and that history, are are felt to be

0:18:28.720 --> 0:18:33.479
<v Speaker 1>especially spiritually powerful. Another place they will come from are

0:18:33.640 --> 0:18:37.720
<v Speaker 1>med schools and dental schools. The dental schools often use

0:18:37.880 --> 0:18:41.000
<v Speaker 1>real skulls down there. I have a I remember I

0:18:41.200 --> 0:18:43.600
<v Speaker 1>was down there once and a guy had this skull

0:18:43.680 --> 0:18:46.760
<v Speaker 1>he was proudly displaying. And this skull had a great

0:18:46.880 --> 0:18:49.600
<v Speaker 1>set of teeth, which is unusual down there because dentistry

0:18:49.760 --> 0:18:53.800
<v Speaker 1>is you know, the dentistry is not top notch in

0:18:54.080 --> 0:18:56.159
<v Speaker 1>you know, a lot of a lot of Bolivia, and

0:18:56.280 --> 0:18:59.480
<v Speaker 1>this skull had far nicer teeth than I did. I

0:18:59.560 --> 0:19:02.600
<v Speaker 1>was like, this skull really has great teeth. And the

0:19:02.600 --> 0:19:04.200
<v Speaker 1>guy smiled and said, oh, well, that's because I'm a

0:19:04.280 --> 0:19:07.040
<v Speaker 1>dentist and this was my skull in dental school and

0:19:07.119 --> 0:19:09.560
<v Speaker 1>he helped me get through school. And so I made

0:19:09.600 --> 0:19:11.359
<v Speaker 1>sure that his you know, I made sure to give

0:19:11.440 --> 0:19:13.720
<v Speaker 1>him dental implants and he has the greatest teeth. You know,

0:19:15.680 --> 0:19:18.440
<v Speaker 1>Schill's playback, payback, you know, for helping this guy go

0:19:18.480 --> 0:19:20.439
<v Speaker 1>through dental school. So they can come from med schools,

0:19:20.480 --> 0:19:23.239
<v Speaker 1>they can come from dental schools. They can even come

0:19:23.280 --> 0:19:26.760
<v Speaker 1>from the police. Because the police even have these skulls.

0:19:27.200 --> 0:19:29.800
<v Speaker 1>In the homicide department in al Alto, which is the

0:19:29.880 --> 0:19:33.280
<v Speaker 1>largest barrio of La Paus, they have had some of

0:19:33.359 --> 0:19:36.160
<v Speaker 1>these skulls. Well, they have two in particular, one Eto

0:19:36.200 --> 0:19:38.800
<v Speaker 1>and Wanita. They have two skulls Enshrine and the homicide

0:19:38.800 --> 0:19:43.040
<v Speaker 1>department that are the longest serving detectives in the pause.

0:19:43.560 --> 0:19:46.840
<v Speaker 1>And when the detectives can't find a clue, they will

0:19:46.880 --> 0:19:49.520
<v Speaker 1>go and make offerings to these skulls and they will ask,

0:19:49.880 --> 0:19:51.520
<v Speaker 1>you know, it's like, please send us a clue you know,

0:19:51.680 --> 0:19:54.040
<v Speaker 1>you're dead. You have this ability to see things we

0:19:54.119 --> 0:19:58.560
<v Speaker 1>don't see, and they will often take they'll often take

0:19:58.640 --> 0:20:01.200
<v Speaker 1>suspects in who won't can best and they will make them,

0:20:01.520 --> 0:20:04.240
<v Speaker 1>you know, they'll try to force them to confess before

0:20:04.280 --> 0:20:08.000
<v Speaker 1>the skulls. And the questions come from that too. It's like, Okay,

0:20:08.240 --> 0:20:11.200
<v Speaker 1>well do they really believe that these skulls have this power?

0:20:12.760 --> 0:20:14.760
<v Speaker 1>And I asked the colonel who was in charge of

0:20:14.840 --> 0:20:16.840
<v Speaker 1>homicide about that, the colonel who used to be in

0:20:16.920 --> 0:20:18.760
<v Speaker 1>charge of homicide there, and he gave me a great answer.

0:20:18.800 --> 0:20:21.680
<v Speaker 1>He's like, I can't really say, you know, we've had

0:20:21.760 --> 0:20:23.600
<v Speaker 1>these skulls that you Juan Itito has been on the

0:20:23.640 --> 0:20:25.680
<v Speaker 1>force for one hundred years and people have believed in

0:20:25.800 --> 0:20:28.560
<v Speaker 1>him for a hundred years. I can't really say if

0:20:28.640 --> 0:20:32.720
<v Speaker 1>the skulls really send us clues, or if it's a

0:20:32.760 --> 0:20:36.480
<v Speaker 1>psychosomatic thing. You know, if if believing in the skulls

0:20:36.560 --> 0:20:39.520
<v Speaker 1>allows our detective to work harder and more creatively, you know,

0:20:39.760 --> 0:20:43.600
<v Speaker 1>just just just a psychosomatic instance of believing that the

0:20:43.640 --> 0:20:46.280
<v Speaker 1>skull is helping them. I can't really say if the

0:20:46.359 --> 0:20:48.440
<v Speaker 1>skull is forcing a guy to confess, or if the

0:20:48.480 --> 0:20:51.520
<v Speaker 1>guy is so intimidated by seeing this skull that's been

0:20:51.560 --> 0:20:53.080
<v Speaker 1>in the police for one hundred years that he breaks

0:20:53.119 --> 0:20:56.360
<v Speaker 1>down and confesses. All I know is that whether it's

0:20:56.480 --> 0:21:00.280
<v Speaker 1>you know, magic or psychology or spirituality, when we use

0:21:00.359 --> 0:21:03.600
<v Speaker 1>the skulls, we solve cases. So we use the skulls.

0:21:03.840 --> 0:21:04.639
<v Speaker 1>That's all I need to know.

0:21:05.200 --> 0:21:06.760
<v Speaker 3>Yeah, that's you know what's interesting.

0:21:06.840 --> 0:21:09.439
<v Speaker 2>You just made me think, like of my Italian family

0:21:09.520 --> 0:21:14.040
<v Speaker 2>and all the medallions that we have, uh for you know,

0:21:14.160 --> 0:21:16.240
<v Speaker 2>you put one in your car to keep you safe

0:21:16.280 --> 0:21:19.200
<v Speaker 2>in your car, and there's there's a saint for this,

0:21:19.400 --> 0:21:21.360
<v Speaker 2>and there's a saint for that kind of thing. It's

0:21:21.560 --> 0:21:24.120
<v Speaker 2>it's it's like, you believe in this thing that you're

0:21:24.400 --> 0:21:28.679
<v Speaker 2>going to be protected from your religion kind of thing, and.

0:21:28.760 --> 0:21:30.879
<v Speaker 1>It creates itselful billing prophecy. So I thought that was

0:21:30.920 --> 0:21:32.560
<v Speaker 1>a great answer that he gave me when I asked

0:21:32.600 --> 0:21:35.400
<v Speaker 1>him about the skulls and police work. Yeah, you really

0:21:35.880 --> 0:21:37.560
<v Speaker 1>do they really work? You know? I was like, Hey,

0:21:37.680 --> 0:21:39.320
<v Speaker 1>we use them, and we saw the rhymes. I don't

0:21:39.400 --> 0:21:41.480
<v Speaker 1>need to know whether I don't need to know whether

0:21:41.520 --> 0:21:45.760
<v Speaker 1>it's magic or spirituality or psychology. We use them and

0:21:45.840 --> 0:21:47.199
<v Speaker 1>we solve crymes, so we use them.

0:21:47.920 --> 0:21:49.840
<v Speaker 2>Yeah, And I mean that's how if it's in the

0:21:49.880 --> 0:21:53.000
<v Speaker 2>same area, that's how the people grew up thinking that

0:21:53.200 --> 0:21:57.880
<v Speaker 2>you Yeah, that's cool. So I don't You don't really

0:21:57.960 --> 0:22:01.679
<v Speaker 2>need to get into how Little Paul is raised religiously

0:22:01.840 --> 0:22:06.399
<v Speaker 2>or anything. But throughout your travels and just learning about

0:22:06.400 --> 0:22:10.560
<v Speaker 2>all these different cultures do you have Have you changed

0:22:10.600 --> 0:22:13.800
<v Speaker 2>your perception from when you started until now as far

0:22:13.920 --> 0:22:18.399
<v Speaker 2>as what you personally personally believe happens to you after

0:22:18.840 --> 0:22:19.280
<v Speaker 2>you die.

0:22:21.000 --> 0:22:28.880
<v Speaker 1>Not really. My spirituality has always been very ambiguous and abstract,

0:22:30.359 --> 0:22:33.480
<v Speaker 1>you know, the idea that that you transcend in a

0:22:33.680 --> 0:22:38.240
<v Speaker 1>physical body to a physical place, you know, like you know,

0:22:38.400 --> 0:22:42.040
<v Speaker 1>like an allegian field. That's a new Eden. That's never

0:22:42.640 --> 0:22:44.720
<v Speaker 1>really worked for me because, like I say, I tend

0:22:44.760 --> 0:22:47.680
<v Speaker 1>to think of things in more abstract terms and more

0:22:47.960 --> 0:22:50.760
<v Speaker 1>I would say, I gravitate more towards like a concept

0:22:50.800 --> 0:22:55.520
<v Speaker 1>of a nirvana where everything is is reunited at a

0:22:55.800 --> 0:23:00.600
<v Speaker 1>more abstract level. The thing that actually, and you may

0:23:00.640 --> 0:23:04.120
<v Speaker 1>not know this about me, the thing that actually changed

0:23:04.200 --> 0:23:08.720
<v Speaker 1>everything for me, that probably pushed me towards this in

0:23:08.800 --> 0:23:13.960
<v Speaker 1>the first place, was that about twenty years ago I

0:23:14.080 --> 0:23:15.320
<v Speaker 1>was run over by a truck.

0:23:15.840 --> 0:23:17.040
<v Speaker 3>Oh my god, I didn't know that.

0:23:17.960 --> 0:23:20.440
<v Speaker 1>No, I yeah, And I was run over by a

0:23:20.720 --> 0:23:24.119
<v Speaker 1>truck in my core. I was on the freeway. I

0:23:24.240 --> 0:23:28.159
<v Speaker 1>was taking my cat to the vet and the it

0:23:28.240 --> 0:23:30.920
<v Speaker 1>was a it was a Toyota Celica and something. I

0:23:31.000 --> 0:23:34.159
<v Speaker 1>don't know what happened. Maybe maybe I was distracted by

0:23:34.200 --> 0:23:37.440
<v Speaker 1>the cat and I hit some some something in the road.

0:23:37.520 --> 0:23:39.080
<v Speaker 1>I don't know what happened. All I know is the

0:23:39.240 --> 0:23:43.000
<v Speaker 1>car started spinning around in circles in the three way

0:23:43.400 --> 0:23:46.159
<v Speaker 1>and I looked over my shoulder and I saw this

0:23:46.280 --> 0:23:48.240
<v Speaker 1>grilla a truck and that was the last thing I

0:23:48.280 --> 0:23:50.400
<v Speaker 1>saw and the next thing I knew. And by the way,

0:23:50.440 --> 0:23:53.320
<v Speaker 1>the cat survived too. And I knew then that I

0:23:53.440 --> 0:23:55.639
<v Speaker 1>was a good cat dad, because when they woke me

0:23:55.720 --> 0:23:57.640
<v Speaker 1>up and they were cutting me out with the jaws

0:23:57.680 --> 0:24:01.160
<v Speaker 1>of life, I remember not knowing who I was, because

0:24:01.160 --> 0:24:02.960
<v Speaker 1>I didn't at the time. They asked me my name,

0:24:03.000 --> 0:24:05.280
<v Speaker 1>and I had no idea, but I knew that there

0:24:05.400 --> 0:24:07.840
<v Speaker 1>was a cat in the box. The carrier next to

0:24:07.920 --> 0:24:09.720
<v Speaker 1>me said, I don't know, but there's a cat in

0:24:09.800 --> 0:24:12.280
<v Speaker 1>the box. Get the cat. Make sure the cat's okay.

0:24:12.320 --> 0:24:14.080
<v Speaker 1>So I knew then I was like, I'm an a

0:24:14.200 --> 0:24:18.720
<v Speaker 1>plus cat there, right, but yeah, I remember not knowing

0:24:18.800 --> 0:24:22.080
<v Speaker 1>who I was. They took me and the cat to

0:24:22.280 --> 0:24:26.560
<v Speaker 1>a hospital where they had to screw my pelvis back together.

0:24:26.840 --> 0:24:31.040
<v Speaker 1>I had deflated long, I had several broken ribs. I

0:24:31.160 --> 0:24:34.560
<v Speaker 1>was a mess, and I had to I had to

0:24:34.640 --> 0:24:36.800
<v Speaker 1>learn to walk all over again. And you know, now

0:24:36.920 --> 0:24:40.200
<v Speaker 1>I'm going but it was a very bad accident. Someone

0:24:40.320 --> 0:24:42.800
<v Speaker 1>told me in the hospital that they didn't believe that

0:24:42.920 --> 0:24:46.240
<v Speaker 1>anyone could have survived. Both the cat and I survived

0:24:46.280 --> 0:24:50.600
<v Speaker 1>that accident together. That is what really changed a lot

0:24:50.800 --> 0:24:54.720
<v Speaker 1>for me, Not so much spiritually, but in terms of

0:24:54.840 --> 0:24:59.000
<v Speaker 1>appreciating wife, you know, appreciating even the little things in life.

0:24:59.000 --> 0:25:02.320
<v Speaker 1>Because I remember how to, you know, learn to walk again.

0:25:02.480 --> 0:25:05.399
<v Speaker 1>And I remember I had learned to walk on a

0:25:05.560 --> 0:25:07.960
<v Speaker 1>cane and I was able to walk up the hill

0:25:08.040 --> 0:25:12.240
<v Speaker 1>and get this bowl of chelmine at this horrible Chinese restaurant,

0:25:12.280 --> 0:25:15.280
<v Speaker 1>like the worst cholmine you've ever eaten, just like nothing

0:25:15.359 --> 0:25:18.360
<v Speaker 1>but noodles and Greece. It was awful. It just tears

0:25:18.560 --> 0:25:21.520
<v Speaker 1>streaming down my face because I was so happy that like,

0:25:21.640 --> 0:25:23.200
<v Speaker 1>oh my god, I've come to a point in life

0:25:23.200 --> 0:25:26.680
<v Speaker 1>where I can go out and choose a horrible belt

0:25:26.720 --> 0:25:28.760
<v Speaker 1>bowl of chowmaine. I I want to, you know. And

0:25:28.880 --> 0:25:31.800
<v Speaker 1>so that really changed a lot for me in terms

0:25:31.840 --> 0:25:35.399
<v Speaker 1>of appreciating life on just a daily and a minute basis.

0:25:35.760 --> 0:25:38.920
<v Speaker 1>And I think that is what helped me really be

0:25:39.040 --> 0:25:41.879
<v Speaker 1>able to understand death. You know, when we talk about

0:25:42.359 --> 0:25:46.040
<v Speaker 1>met Maury, we're talking about a reminder of death without

0:25:46.240 --> 0:25:49.600
<v Speaker 1>realizing that every memento Mary is also a menta vita.

0:25:49.920 --> 0:25:53.119
<v Speaker 1>Every reminder of death is also a reminder of life.

0:25:53.720 --> 0:25:56.560
<v Speaker 1>And that's something that I think I learned from that accident.

0:25:57.600 --> 0:26:00.639
<v Speaker 2>That's that's really interesting. I think that a lot a

0:26:00.720 --> 0:26:04.200
<v Speaker 2>lot of people say that haven't like a near death experience.

0:26:04.359 --> 0:26:08.480
<v Speaker 2>They they feel that they get this whole other perspective

0:26:08.680 --> 0:26:09.960
<v Speaker 2>on death.

0:26:11.160 --> 0:26:15.400
<v Speaker 1>Not If you have an experience like that, you cannot

0:26:15.520 --> 0:26:17.720
<v Speaker 1>come away from it without a better perspective. It can

0:26:17.840 --> 0:26:19.720
<v Speaker 1>make you a better person, or it can make you

0:26:19.840 --> 0:26:23.320
<v Speaker 1>a worse person, because I've seen people who have a

0:26:23.440 --> 0:26:26.480
<v Speaker 1>similar accident fall into this like victim syndrome. You know,

0:26:28.080 --> 0:26:31.520
<v Speaker 1>but uh, it can't. It has to change in you.

0:26:31.720 --> 0:26:35.200
<v Speaker 1>You can't remain the same afterward. I always say this,

0:26:35.400 --> 0:26:38.480
<v Speaker 1>and I'm not joking. I think in many ways. It

0:26:38.600 --> 0:26:41.960
<v Speaker 1>was probably the best and most important thing that ever

0:26:42.119 --> 0:26:44.000
<v Speaker 1>happened to me, Which doesn't mean that I want it

0:26:44.080 --> 0:26:46.399
<v Speaker 1>to happen again. You know, there was just there were

0:26:46.480 --> 0:26:48.960
<v Speaker 1>a lot of there were a lot of things I

0:26:49.119 --> 0:26:52.440
<v Speaker 1>need to learn about myself and about the world and

0:26:52.640 --> 0:26:55.480
<v Speaker 1>just about the process of living. And I learned them

0:26:55.560 --> 0:26:57.400
<v Speaker 1>at that time. I learned them in a much harder

0:26:57.480 --> 0:27:01.640
<v Speaker 1>way than I ever wanted to, but I needed to learn. Yeah.

0:27:01.680 --> 0:27:06.080
<v Speaker 2>I find that just people that go through really horrible experiences.

0:27:07.400 --> 0:27:12.359
<v Speaker 2>I mean, it's just it builds resiliency, and you a

0:27:12.440 --> 0:27:15.040
<v Speaker 2>lot of people that are doing really awesome things have

0:27:15.200 --> 0:27:17.080
<v Speaker 2>went through some really shitty things.

0:27:17.200 --> 0:27:19.040
<v Speaker 3>Based that's what I think anyway.

0:27:20.119 --> 0:27:23.680
<v Speaker 1>Well, yeah, I agree with you. Uh, Like I said,

0:27:23.840 --> 0:27:27.879
<v Speaker 1>it can't it can't not change you. It's just a

0:27:27.960 --> 0:27:30.359
<v Speaker 1>question you will learn. It's just a question of the

0:27:30.480 --> 0:27:32.040
<v Speaker 1>lessons you choose to take away from.

0:27:38.920 --> 0:27:41.360
<v Speaker 2>If you love this podcast, you are going to love

0:27:41.440 --> 0:27:45.840
<v Speaker 2>the Gross Room. There are thousands of videos, posts, photos

0:27:45.960 --> 0:27:48.359
<v Speaker 2>of all different things that have to do with pathology.

0:27:48.680 --> 0:27:51.320
<v Speaker 2>Plus there is no censorship, so we could talk about

0:27:51.800 --> 0:27:54.040
<v Speaker 2>anything that we want to without having to have the

0:27:54.119 --> 0:27:57.560
<v Speaker 2>limitations with social media. You can join now for only

0:27:57.680 --> 0:27:59.800
<v Speaker 2>five ninety nine a month, and this gives you access

0:27:59.880 --> 0:28:03.080
<v Speaker 2>to all of the posts going back to twenty and nineteen.

0:28:03.440 --> 0:28:07.760
<v Speaker 2>Join the grosserroom dot com today. So a lot of

0:28:07.800 --> 0:28:11.560
<v Speaker 2>people ask me this question, what do I want done

0:28:12.320 --> 0:28:15.399
<v Speaker 2>with my body when I die? Or something right? And

0:28:15.480 --> 0:28:19.960
<v Speaker 2>I always my answer is always, I don't when I die.

0:28:20.119 --> 0:28:22.800
<v Speaker 2>It's up to my kids and my husband what they

0:28:22.880 --> 0:28:26.200
<v Speaker 2>want to do, because when I'm dead, I'm dead. Like

0:28:26.359 --> 0:28:28.919
<v Speaker 2>I look at a dead person as being a dead person.

0:28:29.720 --> 0:28:32.159
<v Speaker 2>So I don't care if you want to bury me creamate.

0:28:32.240 --> 0:28:34.520
<v Speaker 2>I don't have anything in writing. It's just kind of

0:28:34.600 --> 0:28:37.000
<v Speaker 2>like whatever my family wants to do to get over

0:28:37.160 --> 0:28:41.240
<v Speaker 2>my death. And now that you've seen all these different things,

0:28:41.520 --> 0:28:44.880
<v Speaker 2>you know, having a skull on display or a mummy

0:28:45.080 --> 0:28:49.440
<v Speaker 2>inside of a room, do you have any specific wishes

0:28:49.600 --> 0:28:51.800
<v Speaker 2>or do you not really care?

0:28:52.360 --> 0:28:54.880
<v Speaker 1>Well, I'm with you one hundred percent on this. Actually,

0:28:55.480 --> 0:28:59.320
<v Speaker 1>I believe that the way we process the dead is

0:28:59.480 --> 0:29:02.040
<v Speaker 1>for the life. It's for the benefit of the living.

0:29:03.360 --> 0:29:07.600
<v Speaker 1>So I would say yeah, And that doesn't mean that

0:29:07.640 --> 0:29:09.880
<v Speaker 1>if someone has a preference, I don't think that's important.

0:29:09.880 --> 0:29:12.080
<v Speaker 1>If someone has a preference and it stated it, I

0:29:12.120 --> 0:29:14.680
<v Speaker 1>think it should be followed and that it should be respected.

0:29:14.720 --> 0:29:16.800
<v Speaker 1>But for me, because I think the way we process

0:29:16.840 --> 0:29:19.600
<v Speaker 1>and deal with the dead, uh is for the benefit

0:29:19.680 --> 0:29:22.080
<v Speaker 1>of the living. I feel the same way. It's just

0:29:22.440 --> 0:29:24.760
<v Speaker 1>let my friends decide, you know, if they want to

0:29:24.840 --> 0:29:26.880
<v Speaker 1>dump me in the desert and let the crows eat me,

0:29:27.680 --> 0:29:29.640
<v Speaker 1>oh flar it. You know, if they want to put

0:29:29.680 --> 0:29:31.560
<v Speaker 1>me in a suit of armor and set me on

0:29:31.640 --> 0:29:33.960
<v Speaker 1>a horse and let me ride until my body falls

0:29:34.000 --> 0:29:37.000
<v Speaker 1>off somewhere go, it's I think it's I think it's

0:29:37.200 --> 0:29:42.040
<v Speaker 1>it's up to them because ultimately that final act for me,

0:29:42.920 --> 0:29:45.040
<v Speaker 1>the way of all I've always viewed it, that final

0:29:45.200 --> 0:29:48.960
<v Speaker 1>act is a final act to commemorate that person's.

0:29:50.480 --> 0:29:54.360
<v Speaker 2>Exactly. That's how I feel too. So you're not like

0:29:54.560 --> 0:29:57.440
<v Speaker 2>my because my dad is very specific, like.

0:29:57.720 --> 0:29:59.920
<v Speaker 3>Don't let them put makeup on me and touch my hair.

0:30:00.080 --> 0:30:03.440
<v Speaker 2>I don't want to be he's and we're just like Dad,

0:30:03.480 --> 0:30:05.480
<v Speaker 2>We're gonna like mess up your hair and everything, and

0:30:05.640 --> 0:30:06.400
<v Speaker 2>we're gonna put.

0:30:06.240 --> 0:30:09.120
<v Speaker 1>You on this. We're gonna make you a drag clean Yeah.

0:30:09.000 --> 0:30:17.040
<v Speaker 3>Exactly, It's so funny. Okay. In the German oscar called Oppenheim,

0:30:17.160 --> 0:30:17.960
<v Speaker 3>is that what it's called?

0:30:19.400 --> 0:30:19.520
<v Speaker 1>Uh?

0:30:19.600 --> 0:30:21.880
<v Speaker 2>You mentioned that one of the skulls was painted gold

0:30:22.000 --> 0:30:23.040
<v Speaker 2>for a movie production.

0:30:23.960 --> 0:30:28.600
<v Speaker 3>Do you have any more information on that, like, do

0:30:28.680 --> 0:30:30.880
<v Speaker 3>you know what movie? Do you know anything like that?

0:30:31.080 --> 0:30:34.840
<v Speaker 1>I wish I did. Yeah, that's a great question. I act.

0:30:34.960 --> 0:30:39.040
<v Speaker 1>I tried really hard as a historian. I hate when

0:30:39.080 --> 0:30:42.840
<v Speaker 1>I don't have an answer. I despise that, and I

0:30:43.240 --> 0:30:47.280
<v Speaker 1>never got a clear answer on that. It was a

0:30:47.440 --> 0:30:50.840
<v Speaker 1>German production, I think for sure, not a Hollywood production.

0:30:52.480 --> 0:30:54.240
<v Speaker 1>And that's that's what they told me because I went.

0:30:54.520 --> 0:30:56.840
<v Speaker 1>You know, when I went there was like, whoa this skull,

0:30:57.000 --> 0:30:59.720
<v Speaker 1>this skull is goal? What's the story? This supposed to

0:30:59.720 --> 0:31:02.160
<v Speaker 1>be a very very important So they're like, somebody did

0:31:02.240 --> 0:31:04.360
<v Speaker 1>that for a movie, and then they just left it

0:31:04.440 --> 0:31:08.960
<v Speaker 1>that way. And I asked everybody at the church. Nobody

0:31:09.000 --> 0:31:12.080
<v Speaker 1>at the church was working there when whatever movie was made.

0:31:12.120 --> 0:31:14.360
<v Speaker 1>All they know was from a movie. And I wish

0:31:14.440 --> 0:31:17.240
<v Speaker 1>I had that answer. I tried, and I never came

0:31:17.320 --> 0:31:18.640
<v Speaker 1>up with the answer to that question.

0:31:19.880 --> 0:31:23.360
<v Speaker 2>Do you do you think that just have you were

0:31:23.400 --> 0:31:25.360
<v Speaker 2>there and everything and you saw it, do you think

0:31:25.400 --> 0:31:30.680
<v Speaker 2>it's kind of I mean, I'm assuming that assuming probably

0:31:30.760 --> 0:31:33.160
<v Speaker 2>isn't correct to do, but I'm assuming that they got

0:31:33.280 --> 0:31:36.120
<v Speaker 2>permission from someone to do that, But do you think

0:31:37.000 --> 0:31:40.480
<v Speaker 2>that kind of messes with the history of that place

0:31:40.640 --> 0:31:43.000
<v Speaker 2>and is kind of disrespectful in a way.

0:31:43.920 --> 0:31:49.960
<v Speaker 1>Well, okay, so more background. You you know this about me,

0:31:50.040 --> 0:31:52.520
<v Speaker 1>I think that I'm from la and so you know,

0:31:52.680 --> 0:31:56.080
<v Speaker 1>I grew up in a Hollywood environ and you know,

0:31:56.160 --> 0:31:59.000
<v Speaker 1>when I was living in Echo Park, pretty much everybody

0:31:59.120 --> 0:32:01.440
<v Speaker 1>on my street from me worked in what they call,

0:32:01.520 --> 0:32:05.640
<v Speaker 1>you know, the bids. So I've been surrounded by Hollywood people.

0:32:05.720 --> 0:32:09.240
<v Speaker 1>So first of all, this did not surprise me at

0:32:09.320 --> 0:32:12.160
<v Speaker 1>all because I'm so used to dealing with movie and

0:32:12.240 --> 0:32:14.840
<v Speaker 1>TV people that they would go in and do that.

0:32:16.040 --> 0:32:18.440
<v Speaker 1>To a normal person, you would say, as you've said,

0:32:18.440 --> 0:32:20.480
<v Speaker 1>it's like, well they must have gotten permission, right, It's

0:32:20.520 --> 0:32:27.320
<v Speaker 1>like the house on it people, I know how they are.

0:32:30.520 --> 0:32:34.920
<v Speaker 1>Do I find it? Do I find it disrespectful that

0:32:35.040 --> 0:32:38.600
<v Speaker 1>they did that? Yeah, I think it's disrespectful to the

0:32:38.720 --> 0:32:42.360
<v Speaker 1>church itself that they did that and left it that way.

0:32:44.040 --> 0:32:46.240
<v Speaker 1>At the same time, you know, I'm sure the church

0:32:46.400 --> 0:32:48.760
<v Speaker 1>needed the money. I don't know what they paid them.

0:32:51.040 --> 0:32:55.080
<v Speaker 1>Does it mess with the history of the place. The

0:32:55.240 --> 0:32:59.840
<v Speaker 1>easy answer is yes, But that's not necessarily the right

0:33:01.000 --> 0:33:04.440
<v Speaker 1>because one thing about these places, you know, we have

0:33:04.760 --> 0:33:11.240
<v Speaker 1>this we we have this nostalgia that you know, nostalgia's

0:33:12.280 --> 0:33:16.680
<v Speaker 1>a really insidious forsum that things need to be the

0:33:16.800 --> 0:33:18.960
<v Speaker 1>way they were, the way they're supposed to be. Is

0:33:19.000 --> 0:33:22.800
<v Speaker 1>if there're this one golden moment that defines a place.

0:33:23.000 --> 0:33:25.400
<v Speaker 1>You know, it's like, well, we don't like what's happening

0:33:25.480 --> 0:33:28.840
<v Speaker 1>to that neighborhood because it's changing the traditional character of

0:33:28.880 --> 0:33:31.040
<v Speaker 1>that neighborhood. It's like, okay, but when is the golden

0:33:31.120 --> 0:33:34.480
<v Speaker 1>moment when that neighborhood is exactly what it was, what

0:33:34.600 --> 0:33:37.280
<v Speaker 1>it was supposed to be January first, nineteen thirty six,

0:33:38.520 --> 0:33:42.280
<v Speaker 1>you know, seventeen seventy one. What about when many of

0:33:42.400 --> 0:33:44.640
<v Speaker 1>us lived there and it was all Native Americans. Maybe

0:33:44.680 --> 0:33:46.280
<v Speaker 1>that's the way it's supposed to be. There is no

0:33:46.520 --> 0:33:49.640
<v Speaker 1>you know, things have an evolution. There's not one defining moment,

0:33:50.000 --> 0:33:54.680
<v Speaker 1>and everything that happens within that astuary is part of

0:33:54.960 --> 0:33:57.480
<v Speaker 1>creating the living history. Do you see where I'm going

0:33:57.520 --> 0:34:00.760
<v Speaker 1>with this? Like I went to there's a very famous

0:34:00.800 --> 0:34:04.800
<v Speaker 1>oshuary in Portugal, ever, and you go around and like,

0:34:04.960 --> 0:34:08.239
<v Speaker 1>now you are absolutely not supposed to touch the skulls

0:34:08.360 --> 0:34:11.759
<v Speaker 1>right into anything on them. That's considered defilement. But if

0:34:11.800 --> 0:34:13.920
<v Speaker 1>you look at the skulls very carefully, you'll see that

0:34:14.000 --> 0:34:17.799
<v Speaker 1>there are all kinds of people who visited and carve

0:34:17.880 --> 0:34:21.239
<v Speaker 1>the names on the skull. I found Alexander Dumas's name,

0:34:21.280 --> 0:34:24.960
<v Speaker 1>you know, the famous fridgif. I found Alexander Dumos's name

0:34:25.640 --> 0:34:28.040
<v Speaker 1>carved into the one of the skulls. It's like, what

0:34:28.239 --> 0:34:33.200
<v Speaker 1>an amazing living piece of the history that Alexander Dumas

0:34:33.239 --> 0:34:35.560
<v Speaker 1>has come and put his name on the skull. So

0:34:36.040 --> 0:34:38.799
<v Speaker 1>I'm not necessarily saying we should go in and graffiti

0:34:38.960 --> 0:34:41.719
<v Speaker 1>these places and make a miss out. You know. I'm

0:34:41.760 --> 0:34:44.000
<v Speaker 1>not sure we should send guys in with spray paint

0:34:44.120 --> 0:34:46.520
<v Speaker 1>canth and tag them. I don't want that. But at

0:34:46.520 --> 0:34:48.680
<v Speaker 1>the same time, we have to remember that everything that

0:34:48.840 --> 0:34:51.840
<v Speaker 1>goes on in there is a living part of the history.

0:34:52.239 --> 0:34:55.880
<v Speaker 1>Those skulls and open a lot of them. If you

0:34:55.960 --> 0:34:59.480
<v Speaker 1>look at them carefully, they have rubbed out marks on

0:34:59.560 --> 0:35:02.520
<v Speaker 1>the foret. And the reason they have these rubbed out

0:35:02.560 --> 0:35:05.040
<v Speaker 1>marks is people would come back in the day and

0:35:05.120 --> 0:35:07.400
<v Speaker 1>they would pray and they would rub really fard on

0:35:07.480 --> 0:35:10.120
<v Speaker 1>the ford rest on the board while they were praying

0:35:10.200 --> 0:35:14.680
<v Speaker 1>to commune with the dead. So you know the I

0:35:14.840 --> 0:35:17.359
<v Speaker 1>don't really like the gold skull in there. I think

0:35:17.400 --> 0:35:20.359
<v Speaker 1>it's terrible that a movie company would go in there

0:35:20.440 --> 0:35:22.840
<v Speaker 1>and do that. But does it mess with the history.

0:35:23.120 --> 0:35:23.560
<v Speaker 3>I don't know.

0:35:23.760 --> 0:35:26.400
<v Speaker 1>It becomes part of the history, does that make it?

0:35:26.520 --> 0:35:29.719
<v Speaker 3>Yes, that's awesome. Yeah, I agree with you too.

0:35:30.320 --> 0:35:34.120
<v Speaker 2>I think that a lot of times people think you're

0:35:34.200 --> 0:35:40.200
<v Speaker 2>being disrespectful or something. And agreed, like, now, I mean,

0:35:40.280 --> 0:35:42.800
<v Speaker 2>this gives you an awesome story to tell kind of

0:35:43.000 --> 0:35:45.440
<v Speaker 2>about it and that you know, oh a movie was

0:35:45.480 --> 0:35:46.920
<v Speaker 2>film heare and we did this and that, And I

0:35:47.040 --> 0:35:50.720
<v Speaker 2>agree that it shouldn't be you know, give people sharpies

0:35:50.800 --> 0:35:53.040
<v Speaker 2>at the entrance and just let them graffiti all over

0:35:53.120 --> 0:35:56.560
<v Speaker 2>the place. But it is cool for that purpose.

0:35:57.440 --> 0:36:00.160
<v Speaker 1>You're the history, you know. And and I don't like

0:36:00.840 --> 0:36:04.239
<v Speaker 1>these things being it's like, okay, this is frozen and

0:36:04.360 --> 0:36:06.560
<v Speaker 1>telling from three hundred years ago, and that's the way

0:36:06.600 --> 0:36:08.959
<v Speaker 1>it was, you know, as if it's as if it's dead,

0:36:09.200 --> 0:36:12.440
<v Speaker 1>we're coult off with it. If nothing else, that gold

0:36:12.560 --> 0:36:15.160
<v Speaker 1>painted skull creates a bridge from us to them.

0:36:16.280 --> 0:36:17.040
<v Speaker 3>Yeah, that's right.

0:36:17.360 --> 0:36:19.800
<v Speaker 2>You know what's interesting, And this is a completely this

0:36:20.000 --> 0:36:22.520
<v Speaker 2>is a completely different story that has really nothing to

0:36:22.600 --> 0:36:24.360
<v Speaker 2>do with this, but it just reminded me of this.

0:36:24.960 --> 0:36:29.560
<v Speaker 2>My friend's dad had a nineteen seventy gto and he

0:36:29.800 --> 0:36:32.919
<v Speaker 2>was like the original owner of it, right, And when

0:36:33.400 --> 0:36:36.600
<v Speaker 2>when the dad was dating the mom, they got in

0:36:36.760 --> 0:36:40.040
<v Speaker 2>some kind of a fight and because there was jealousy

0:36:40.120 --> 0:36:42.400
<v Speaker 2>over another girl, and this girl came up to the

0:36:42.520 --> 0:36:45.120
<v Speaker 2>car and keyed the car. And it was brand new

0:36:45.200 --> 0:36:48.279
<v Speaker 2>in nineteen seventy and they still have the car and

0:36:48.360 --> 0:36:51.680
<v Speaker 2>the family to this day. And the dad never removed

0:36:51.719 --> 0:36:54.040
<v Speaker 2>the key mark because he wanted to be able to

0:36:54.200 --> 0:36:57.880
<v Speaker 2>like retell that story of this jealous girl that keyed's

0:36:57.960 --> 0:37:00.920
<v Speaker 2>car when he was dating the mom. And I think

0:37:00.960 --> 0:37:04.200
<v Speaker 2>that that's so cool to like, the car is in

0:37:04.600 --> 0:37:06.719
<v Speaker 2>car shows all the time, and he shows it off

0:37:06.760 --> 0:37:10.160
<v Speaker 2>and it's got this obnoxious scratch across it. But it's

0:37:10.200 --> 0:37:12.440
<v Speaker 2>such a good story. And it's not perfect, you know,

0:37:13.480 --> 0:37:13.719
<v Speaker 2>it's a.

0:37:13.719 --> 0:37:17.600
<v Speaker 1>Living piece of the history. And sometimes things being worn

0:37:18.600 --> 0:37:22.839
<v Speaker 1>or things being tattered, or things being imperfect create something

0:37:22.880 --> 0:37:26.319
<v Speaker 1>that's really more perfect in a way, you know, exactly, Yeah,

0:37:26.360 --> 0:37:31.160
<v Speaker 1>because it shows a personality rather exactly rather than simply

0:37:31.239 --> 0:37:32.120
<v Speaker 1>creating an image.

0:37:33.280 --> 0:37:35.320
<v Speaker 2>That's cool, all right, So this is just more of

0:37:35.640 --> 0:37:38.080
<v Speaker 2>I don't really know if it's necessarily a question, but

0:37:38.280 --> 0:37:40.520
<v Speaker 2>just to comment, we thought it was really cool that

0:37:40.680 --> 0:37:45.239
<v Speaker 2>the Thai culture seems to they had on display all

0:37:45.320 --> 0:37:48.759
<v Speaker 2>of these skulls of unknown people and kind of gave

0:37:48.840 --> 0:37:51.640
<v Speaker 2>them more dignity in their death than just kind of

0:37:51.840 --> 0:37:52.959
<v Speaker 2>throwing them in a hole.

0:37:53.520 --> 0:37:55.759
<v Speaker 3>What are your thoughts on that, Well.

0:37:55.719 --> 0:37:59.919
<v Speaker 1>Yeah, this is a much more complex. In Bangkok, there's

0:38:00.840 --> 0:38:05.640
<v Speaker 1>a foundation called Room Katana and it's actually an emergency

0:38:06.680 --> 0:38:10.960
<v Speaker 1>ambulance service and there are not there's not good ambulance

0:38:11.000 --> 0:38:16.480
<v Speaker 1>service in Bangkok and and so they are so what

0:38:16.640 --> 0:38:19.879
<v Speaker 1>happens are there are these volunteer ambulance services, like it's

0:38:19.880 --> 0:38:22.120
<v Speaker 1>a good Samaritan thing. You kind of make your own

0:38:22.160 --> 0:38:27.240
<v Speaker 1>ambulance service to help people. And the Room Katani Foundation

0:38:28.239 --> 0:38:29.759
<v Speaker 1>a lot of you know, so a lot of people

0:38:29.760 --> 0:38:31.719
<v Speaker 1>because there's not good ambulance service, a lot of people

0:38:31.800 --> 0:38:35.680
<v Speaker 1>might die before getting to a hospital traditionally. And they

0:38:36.000 --> 0:38:40.080
<v Speaker 1>kept the first skulls of these deceased people that had

0:38:40.120 --> 0:38:43.160
<v Speaker 1>been in their tear and they painted the guilded them

0:38:43.239 --> 0:38:45.640
<v Speaker 1>and they created a shrine for them as kind of

0:38:45.760 --> 0:38:49.560
<v Speaker 1>like their board of directors and Room Katani doesn't just

0:38:49.719 --> 0:38:54.360
<v Speaker 1>operate this emergency ambulance service. They also operate kind of.

0:38:54.440 --> 0:38:54.680
<v Speaker 3>Like a.

0:38:56.360 --> 0:38:59.919
<v Speaker 1>Charity funeral service. So if you die as a poor

0:39:00.160 --> 0:39:02.239
<v Speaker 1>person with no one to take care of you, they

0:39:02.280 --> 0:39:04.840
<v Speaker 1>will take the body and they will provide a coffin

0:39:04.920 --> 0:39:07.520
<v Speaker 1>and they will bury you. And these skulls are a

0:39:07.640 --> 0:39:11.040
<v Speaker 1>reminder not just of dead people that they've they've attempted

0:39:11.080 --> 0:39:14.280
<v Speaker 1>to help, but like you say, they're guilded in the shrine.

0:39:14.320 --> 0:39:16.319
<v Speaker 1>That's kind of like a board of directors, and they

0:39:16.520 --> 0:39:20.560
<v Speaker 1>have they have an actual function because spiritually, it is

0:39:20.680 --> 0:39:24.720
<v Speaker 1>believed that you know that someone who dies a violent

0:39:24.880 --> 0:39:28.160
<v Speaker 1>death in an auto accident or someone or someone who

0:39:28.360 --> 0:39:31.799
<v Speaker 1>dies alah you might stick around, you know, if they

0:39:31.880 --> 0:39:34.600
<v Speaker 1>have a bad death, they might stick around as an

0:39:34.640 --> 0:39:39.600
<v Speaker 1>angry ghost. And so while they're while they're human representatives,

0:39:39.600 --> 0:39:43.200
<v Speaker 1>their living representatives, are going out to find people and

0:39:43.320 --> 0:39:46.880
<v Speaker 1>provide assistance. It's believed that the spirits of these skulls,

0:39:46.960 --> 0:39:49.440
<v Speaker 1>the first ones who died, are also going out to

0:39:49.560 --> 0:39:52.560
<v Speaker 1>find the spirits of these people and help them pass

0:39:52.640 --> 0:39:55.040
<v Speaker 1>on and not you know, not have a bad death

0:39:55.600 --> 0:39:57.800
<v Speaker 1>and not stick around as an angry ghost, you know,

0:39:57.960 --> 0:39:59.160
<v Speaker 1>help them pass on to them.

0:40:00.200 --> 0:40:03.040
<v Speaker 2>Yeah, and that's that's really interesting because it seems that

0:40:03.200 --> 0:40:06.600
<v Speaker 2>they they have they have respect, a lot more respect

0:40:06.680 --> 0:40:11.080
<v Speaker 2>for each individual life regardless of yeah, I mean.

0:40:11.920 --> 0:40:14.480
<v Speaker 1>You know, Okay, well this gets into a complicated question too,

0:40:14.520 --> 0:40:17.320
<v Speaker 1>because you also then get into a lot of cultures

0:40:17.360 --> 0:40:20.400
<v Speaker 1>that have caste systems, you know, and and so so

0:40:20.560 --> 0:40:22.800
<v Speaker 1>it does get complicated. But on that level, on the

0:40:22.880 --> 0:40:25.800
<v Speaker 1>level we're talking about, yes, there is this incredible respect

0:40:26.600 --> 0:40:29.040
<v Speaker 1>for the dignity of people when they're passing.

0:40:30.560 --> 0:40:33.120
<v Speaker 2>That's that's cool because I feel like I feel like

0:40:33.239 --> 0:40:39.000
<v Speaker 2>that needs to because for example, in the American hospital system,

0:40:39.080 --> 0:40:43.759
<v Speaker 2>there's people that are unclaimed, right like, they go to

0:40:43.840 --> 0:40:48.000
<v Speaker 2>the hospital, they don't have any family, and it's you know,

0:40:48.120 --> 0:40:51.040
<v Speaker 2>we've had bodies in the fridge for a couple of weeks,

0:40:51.080 --> 0:40:53.319
<v Speaker 2>and then eventually, if nobody comes and picks them up,

0:40:53.360 --> 0:40:55.719
<v Speaker 2>we send to the medical examiner's office and then they

0:40:55.800 --> 0:40:58.320
<v Speaker 2>stay there for a couple of years, and then I

0:40:58.400 --> 0:41:02.200
<v Speaker 2>guess eventually they have you know, they get cremated or whatever.

0:41:02.360 --> 0:41:04.160
<v Speaker 2>But it's just kind of it's kind of sad to

0:41:04.239 --> 0:41:08.720
<v Speaker 2>think that people that either don't because sometimes even someone's

0:41:08.800 --> 0:41:09.960
<v Speaker 2>dad might die or something.

0:41:10.080 --> 0:41:12.719
<v Speaker 3>But if you go to a funeral home.

0:41:12.800 --> 0:41:15.080
<v Speaker 2>I feel like it's like a minimum five thousand dollars

0:41:15.160 --> 0:41:18.879
<v Speaker 2>to even do to get a cremation right, and it's

0:41:19.040 --> 0:41:22.400
<v Speaker 2>just it's sad for people that don't have means like that.

0:41:23.200 --> 0:41:27.160
<v Speaker 1>It's also well, and there's a big difference because we

0:41:28.160 --> 0:41:34.360
<v Speaker 1>refuse to we refuse as a culture to treat the

0:41:34.520 --> 0:41:37.600
<v Speaker 1>dead on a spiritual level. That is, you know, for

0:41:37.760 --> 0:41:42.440
<v Speaker 1>us culturally, that is simply that is only under the

0:41:42.560 --> 0:41:45.320
<v Speaker 1>auspices of a church or something. But you know what

0:41:45.400 --> 0:41:48.320
<v Speaker 1>I'm talking about with room can tell you it's something

0:41:48.480 --> 0:41:50.680
<v Speaker 1>very different than we would have in the United States,

0:41:50.719 --> 0:41:54.880
<v Speaker 1>where we have basically a public group that is trying

0:41:54.960 --> 0:41:57.600
<v Speaker 1>to treat the dead not just on a physical level,

0:41:57.680 --> 0:42:01.239
<v Speaker 1>but on a spiritual And that's what's really left out.

0:42:01.320 --> 0:42:03.880
<v Speaker 1>And you're talking about leaving a body locked and you know,

0:42:04.000 --> 0:42:06.359
<v Speaker 1>locked in deep breeze for a couple of years. You're

0:42:06.440 --> 0:42:09.480
<v Speaker 1>not treating them on spiritual But this is also a culture,

0:42:09.560 --> 0:42:11.879
<v Speaker 1>you know, to expand our discussion a little bit, because

0:42:11.880 --> 0:42:14.399
<v Speaker 1>I've been working for a long time about a book

0:42:14.560 --> 0:42:17.320
<v Speaker 1>on the history of pet cemeteries, this is also a

0:42:17.440 --> 0:42:22.920
<v Speaker 1>culture where overall they really do have this respect for

0:42:23.040 --> 0:42:27.400
<v Speaker 1>the spirituality of life, because you know, Bangkok, for instance,

0:42:27.400 --> 0:42:29.839
<v Speaker 1>I was just writing something up about this last night.

0:42:30.120 --> 0:42:32.600
<v Speaker 1>I've gone to many temple. There are several temples in

0:42:32.640 --> 0:42:37.640
<v Speaker 1>Bangkok where they perform animal funerals, and you know the

0:42:37.760 --> 0:42:40.960
<v Speaker 1>one that I'm most familiar with where I photographed a

0:42:41.000 --> 0:42:44.080
<v Speaker 1>bunch of times. It started about twenty years ago with

0:42:44.280 --> 0:42:48.720
<v Speaker 1>them performing funerals for stray animals or for street dogs

0:42:48.760 --> 0:42:52.080
<v Speaker 1>and cats that were unowned, to cremate them and give

0:42:52.160 --> 0:42:55.640
<v Speaker 1>them a respectful end so that their spirit would be

0:42:55.680 --> 0:42:57.840
<v Speaker 1>able to transition, you know. So no, we're not just

0:42:57.840 --> 0:42:59.400
<v Speaker 1>talking about the spirit of humans. We're talking about the

0:42:59.400 --> 0:43:02.560
<v Speaker 1>spirit of animals. And then it kind of expanded into

0:43:02.800 --> 0:43:07.880
<v Speaker 1>the temple offering you know, funerals for pets and entire

0:43:08.040 --> 0:43:10.000
<v Speaker 1>rituals where you know, like a person, they'll do like

0:43:10.040 --> 0:43:12.040
<v Speaker 1>fifteen or twenty a day, because I spent an entire

0:43:12.160 --> 0:43:15.320
<v Speaker 1>day there observing funerals and photographing them for animals, and

0:43:15.400 --> 0:43:17.560
<v Speaker 1>people will come in with their dead dog or cat,

0:43:17.600 --> 0:43:19.920
<v Speaker 1>and they'll come into the temple and they'll go with

0:43:20.000 --> 0:43:22.000
<v Speaker 1>the monk, and you know, like the bunk will provide

0:43:22.040 --> 0:43:24.840
<v Speaker 1>an operation and the temple will provide offering. Then they

0:43:24.840 --> 0:43:27.160
<v Speaker 1>will do a cremation, because this temple even has a

0:43:27.239 --> 0:43:29.880
<v Speaker 1>crematory now for animals, and then they will take the

0:43:30.040 --> 0:43:32.239
<v Speaker 1>ashes of the animal, and they have an oxy at

0:43:32.239 --> 0:43:34.120
<v Speaker 1>the end to go with a monk out onto the

0:43:34.200 --> 0:43:38.839
<v Speaker 1>river on a boat and release the animal's ashes onto

0:43:38.880 --> 0:43:41.120
<v Speaker 1>the river, and you know, really like provide closure for

0:43:41.239 --> 0:43:43.680
<v Speaker 1>the owner and help the spirit of the animal to

0:43:43.800 --> 0:43:46.000
<v Speaker 1>pass on it. And that is something when you think

0:43:46.040 --> 0:43:49.080
<v Speaker 1>about an equivalent to the United States, it just doesn't exist.

0:43:49.239 --> 0:43:52.160
<v Speaker 1>It would be like walking into a Catholic church and

0:43:52.680 --> 0:43:56.440
<v Speaker 1>finding a crematory for animals and find, you know, a

0:43:56.640 --> 0:43:59.040
<v Speaker 1>Catholic priest, because we're talking about a temple with monks.

0:43:59.239 --> 0:44:01.000
<v Speaker 1>It would be like walk can get to your local,

0:44:01.200 --> 0:44:05.080
<v Speaker 1>you know, Saint Joe's Catholic church and finding them performing

0:44:05.280 --> 0:44:08.239
<v Speaker 1>funerals for dogs and cats, you know, and having a

0:44:08.840 --> 0:44:12.560
<v Speaker 1>animal crematory. And so it just doesn't exist in Western culture.

0:44:12.600 --> 0:44:13.640
<v Speaker 1>We just don't think that way.

0:44:14.440 --> 0:44:16.920
<v Speaker 3>Yeah, that's that's interesting. I guess that brings me to

0:44:17.080 --> 0:44:19.680
<v Speaker 3>my next because I was going to ask you if.

0:44:21.480 --> 0:44:25.000
<v Speaker 2>You've clearly written other books that are awesome and beautiful too,

0:44:25.160 --> 0:44:29.800
<v Speaker 2>So what you know, if someone really liked this particular

0:44:29.880 --> 0:44:33.480
<v Speaker 2>book for this this month's book club. Do you what

0:44:33.680 --> 0:44:36.680
<v Speaker 2>other books have you written that you suggest to them?

0:44:36.800 --> 0:44:39.439
<v Speaker 2>And then I want you to talk about your most

0:44:39.520 --> 0:44:42.080
<v Speaker 2>recent book about the history of cats.

0:44:42.320 --> 0:44:44.600
<v Speaker 1>Well, okay, so I already mentioned that I wrote two

0:44:44.719 --> 0:44:48.360
<v Speaker 1>other death related Booksmntumory is the last, and it's the

0:44:48.440 --> 0:44:53.560
<v Speaker 1>more global version of it. Heavenly Bodies is the second one,

0:44:53.800 --> 0:44:56.040
<v Speaker 1>and to me it's kind of I honestly think it's

0:44:56.080 --> 0:44:59.120
<v Speaker 1>really the best one because it deals with only one

0:44:59.360 --> 0:45:03.760
<v Speaker 1>particular thing, which is Baroque era jeweled skeletons. But they're

0:45:03.800 --> 0:45:07.360
<v Speaker 1>the most beautiful dead people I've ever seen. They're just extraordinary.

0:45:07.760 --> 0:45:11.680
<v Speaker 1>I also wrote that book Empire of Death, about about

0:45:11.719 --> 0:45:14.880
<v Speaker 1>the European charnel houses, and then I wrote a book

0:45:14.960 --> 0:45:19.560
<v Speaker 1>about the history of domestic felines. It seems like an

0:45:19.600 --> 0:45:22.319
<v Speaker 1>oddball project compared to the rest, but if you really

0:45:22.360 --> 0:45:25.719
<v Speaker 1>get into cats, now there's a whole mythology connecting them

0:45:25.760 --> 0:45:28.440
<v Speaker 1>to death, I suppose. But I happened to have a

0:45:28.560 --> 0:45:31.319
<v Speaker 1>cat Baba, who is a kind of a really well

0:45:31.400 --> 0:45:35.359
<v Speaker 1>known feline cosplay artist, and so I was doing all

0:45:35.480 --> 0:45:38.640
<v Speaker 1>these costume photos with their like She's just a magnificent

0:45:38.760 --> 0:45:43.279
<v Speaker 1>mon al and at the same time, after I wrote

0:45:43.320 --> 0:45:45.320
<v Speaker 1>Momento Maury, I mentioned that I've been working for a

0:45:45.360 --> 0:45:47.440
<v Speaker 1>long time a book about the history of pet cemeteries.

0:45:47.480 --> 0:45:52.040
<v Speaker 1>I've gone back to that project. But originally after Ramnta Mauri,

0:45:52.160 --> 0:45:54.360
<v Speaker 1>the follow up was supposed to be a book about

0:45:54.400 --> 0:45:57.719
<v Speaker 1>the history of pet cemeteries. In the process of doing

0:45:57.840 --> 0:46:00.439
<v Speaker 1>that book, I started to you know, to learn about

0:46:00.440 --> 0:46:02.920
<v Speaker 1>pet cemeteries, they have to learn about the animals buried there.

0:46:03.719 --> 0:46:08.200
<v Speaker 1>And I had found all these incredible stories about cats

0:46:08.280 --> 0:46:10.680
<v Speaker 1>that nobody knows about or that just had just been

0:46:10.800 --> 0:46:13.840
<v Speaker 1>pushed aside because you know, we consider dogs to be

0:46:13.920 --> 0:46:16.400
<v Speaker 1>the heroic an, you know, it would consider cats to

0:46:16.480 --> 0:46:18.520
<v Speaker 1>kind of be the domestic animal. But cats can be

0:46:18.640 --> 0:46:21.680
<v Speaker 1>just as heroic as dogs. It's like, these are incredible

0:46:21.760 --> 0:46:24.040
<v Speaker 1>stories that have really never been told, or they haven't

0:46:24.080 --> 0:46:26.640
<v Speaker 1>been told properly. And at the same time, I had

0:46:26.680 --> 0:46:30.680
<v Speaker 1>this cat who was this you know, cosplay artist, and

0:46:31.239 --> 0:46:34.080
<v Speaker 1>I had this idea. Gave me this idea for a book. Okay, well,

0:46:34.120 --> 0:46:36.439
<v Speaker 1>why don't I write the history of cats but from

0:46:36.480 --> 0:46:40.080
<v Speaker 1>a cat's perspective, and it'll be illustrated with pictures of

0:46:40.280 --> 0:46:43.480
<v Speaker 1>my cat dressed as people from the era were talking

0:46:43.560 --> 0:46:46.680
<v Speaker 1>about and let a cat replay history but from a

0:46:46.760 --> 0:46:49.839
<v Speaker 1>cat's perspective and retell the stories of the famous cats

0:46:49.840 --> 0:46:53.040
<v Speaker 1>who lived in those eras. So that was that wound

0:46:53.120 --> 0:46:56.080
<v Speaker 1>up as my last book, and now I'm back to

0:46:56.800 --> 0:46:58.680
<v Speaker 1>working on this book about the history of pet cemetery.

0:46:59.560 --> 0:47:02.759
<v Speaker 2>That's so awesome. There's a museum near US University of

0:47:02.840 --> 0:47:07.240
<v Speaker 2>Penn Museum of Archaeology and Anthropology. There's there's mummies on display,

0:47:07.320 --> 0:47:11.879
<v Speaker 2>and there's cat mummies, which is super cool. Yeah, it's

0:47:12.040 --> 0:47:15.120
<v Speaker 2>it's really it's really cool that you know, there's a

0:47:15.200 --> 0:47:17.719
<v Speaker 2>long history with that. So I think, I mean, I'm

0:47:17.760 --> 0:47:20.360
<v Speaker 2>a cat person and I love that book too, so

0:47:20.719 --> 0:47:24.759
<v Speaker 2>and I think that you know, we have a bunch

0:47:24.800 --> 0:47:26.760
<v Speaker 2>of people in the gross room that would be interested

0:47:26.840 --> 0:47:29.960
<v Speaker 2>in that as well. What you're doing is just so great,

0:47:30.080 --> 0:47:32.319
<v Speaker 2>I think not only for people like me, but all

0:47:32.560 --> 0:47:35.359
<v Speaker 2>people in the gross room, because it makes us feel

0:47:35.440 --> 0:47:38.120
<v Speaker 2>like more normal that we have a connection, more of

0:47:38.160 --> 0:47:41.960
<v Speaker 2>a connection and interested with death than most people do.

0:47:42.840 --> 0:47:45.840
<v Speaker 2>I know, I have a ton of skulls and bones

0:47:45.920 --> 0:47:49.080
<v Speaker 2>and everything, not only of animals but humans too, because

0:47:49.160 --> 0:47:52.400
<v Speaker 2>I like the connection of it to be able. I

0:47:52.480 --> 0:47:54.480
<v Speaker 2>don't want to look at a plastic skull. I want

0:47:54.480 --> 0:47:55.960
<v Speaker 2>to look at a real skull, to look at the

0:47:56.040 --> 0:47:59.680
<v Speaker 2>real anatomic features, And I guess I just wanted to

0:47:59.760 --> 0:48:02.000
<v Speaker 2>know if if you had any of your own like

0:48:02.160 --> 0:48:03.640
<v Speaker 2>Memento Mori collection.

0:48:04.680 --> 0:48:09.200
<v Speaker 1>Well, well, first of all, don't ever feel abnormal for

0:48:09.360 --> 0:48:12.160
<v Speaker 1>liking that stuff, because it's not. You know, I've always

0:48:12.200 --> 0:48:14.520
<v Speaker 1>said that when you really get into this history and

0:48:14.640 --> 0:48:16.880
<v Speaker 1>you look around the world, you'll find out that the

0:48:17.120 --> 0:48:21.040
<v Speaker 1>weird ones, you know, the weird thing is where we

0:48:21.160 --> 0:48:24.760
<v Speaker 1>are now creating that hard boundary of death. Because throughout

0:48:24.920 --> 0:48:27.160
<v Speaker 1>history and cross culturally you have act all the way

0:48:27.200 --> 0:48:29.800
<v Speaker 1>to prehistoric times, you'll find that it was always a

0:48:29.880 --> 0:48:32.640
<v Speaker 1>soft boarder. You know. One of the oldest cities in

0:48:32.719 --> 0:48:38.480
<v Speaker 1>the world is Jericho in the Middle East, and what

0:48:38.600 --> 0:48:41.920
<v Speaker 1>they found in the old archaeological remains were decorated skulls,

0:48:42.000 --> 0:48:44.960
<v Speaker 1>like secondary burial, where people had been taking the skulls

0:48:45.040 --> 0:48:48.120
<v Speaker 1>and decorating them and keeping them around in the living area.

0:48:48.440 --> 0:48:52.000
<v Speaker 1>So there's absolutely nothing weird at all about this. We've

0:48:52.120 --> 0:48:56.080
<v Speaker 1>just been made to feel weird over time after Western

0:48:56.160 --> 0:48:58.600
<v Speaker 1>culture kind of perverted everything that had been going on

0:48:58.760 --> 0:49:02.200
<v Speaker 1>for centuries. I have a lot of stuff when I

0:49:02.400 --> 0:49:07.400
<v Speaker 1>lived in Los Angeles. I had a huge collection of

0:49:08.160 --> 0:49:11.920
<v Speaker 1>taxi dermy bones, and so before I've got a lot

0:49:12.080 --> 0:49:14.440
<v Speaker 1>less of it now, just because when I when I

0:49:14.520 --> 0:49:18.359
<v Speaker 1>finally gave up on California, I also kind of gave

0:49:18.520 --> 0:49:21.439
<v Speaker 1>up on stuff to an extent. I wound up having

0:49:21.560 --> 0:49:25.200
<v Speaker 1>a free garage sale, which is the story in and

0:49:25.320 --> 0:49:28.560
<v Speaker 1>of itself, because you know, I had entire taxidermy lions

0:49:28.600 --> 0:49:30.680
<v Speaker 1>at that house. And I decided, you know, because I

0:49:30.800 --> 0:49:33.520
<v Speaker 1>loved these things. I didn't get into taxidermy like a

0:49:33.560 --> 0:49:36.120
<v Speaker 1>big game hunter. I got into these things. I got

0:49:36.160 --> 0:49:38.520
<v Speaker 1>into collecting these things because I felt terrible for them

0:49:38.560 --> 0:49:40.120
<v Speaker 1>because they had been killed and discarded.

0:49:40.200 --> 0:49:40.320
<v Speaker 3>You know.

0:49:40.440 --> 0:49:42.400
<v Speaker 1>I was like, Wow, this is terrible that someone's hunted

0:49:42.480 --> 0:49:44.680
<v Speaker 1>you and didn't even keep you. I'm going to give

0:49:44.680 --> 0:49:46.600
<v Speaker 1>you a home, and I'm going to refurbish you and

0:49:46.680 --> 0:49:48.400
<v Speaker 1>make you look good to get. And so I had

0:49:48.440 --> 0:49:53.120
<v Speaker 1>this huge collection stuff, and when I moved, I just

0:49:53.200 --> 0:49:56.640
<v Speaker 1>wanted everything to go to people who would appreciate it,

0:49:56.760 --> 0:49:59.239
<v Speaker 1>you know, rather than reselling it. I didn't want money

0:49:59.280 --> 0:50:01.120
<v Speaker 1>for the stuff because I I loved this stuff, you know,

0:50:01.200 --> 0:50:02.920
<v Speaker 1>I just wanted to get rid of it. And so

0:50:03.000 --> 0:50:05.600
<v Speaker 1>I decided to have a kind of free garage sale,

0:50:05.640 --> 0:50:07.400
<v Speaker 1>and I mean invited just my friends. I made a

0:50:07.440 --> 0:50:09.759
<v Speaker 1>Facebook group that was like, Hey, I'm finally leaving out

0:50:09.800 --> 0:50:11.920
<v Speaker 1>of California. I'm not taking that much stuff with me,

0:50:12.440 --> 0:50:14.600
<v Speaker 1>you know, all the junkits in my house and giving

0:50:14.640 --> 0:50:17.560
<v Speaker 1>it all away on this day, you know, show up

0:50:17.560 --> 0:50:19.960
<v Speaker 1>at eight am and anyone can take anything they want.

0:50:20.360 --> 0:50:22.640
<v Speaker 1>Thinking in my head that this was going to be

0:50:22.760 --> 0:50:26.640
<v Speaker 1>like a reasonable process, and it really it turned into

0:50:26.840 --> 0:50:31.880
<v Speaker 1>insanity because then it's like I had people like renting

0:50:32.480 --> 0:50:36.040
<v Speaker 1>trucks and hiring day laborers to come to my house,

0:50:36.160 --> 0:50:38.000
<v Speaker 1>and because I had so much step to just take

0:50:38.120 --> 0:50:42.359
<v Speaker 1>this stuff away, Like there were people hiring trucks because

0:50:42.360 --> 0:50:45.400
<v Speaker 1>they were going to redecorate their entire house with my stuff.

0:50:46.120 --> 0:50:49.480
<v Speaker 1>And I had people calling from around the country wanting

0:50:49.600 --> 0:50:51.279
<v Speaker 1>to come to this event, and so I had to

0:50:51.440 --> 0:50:54.760
<v Speaker 1>like I eventually had to post something and said, Okay, guys,

0:50:55.880 --> 0:50:58.839
<v Speaker 1>this is turning into something. And I didn't want I'm

0:50:58.920 --> 0:51:01.560
<v Speaker 1>gonna my doors going to be closed until eight am,

0:51:01.880 --> 0:51:03.799
<v Speaker 1>because then I had all my all these people were

0:51:03.840 --> 0:51:05.120
<v Speaker 1>calling me. It's like, hey, can I just come all

0:51:05.160 --> 0:51:06.960
<v Speaker 1>over a day early? Actually have trouble on the day,

0:51:08.680 --> 0:51:10.680
<v Speaker 1>Holy no, because I know what you're trying to do.

0:51:12.800 --> 0:51:14.719
<v Speaker 1>You're trying to take that skeleton. I know what you're

0:51:14.800 --> 0:51:18.160
<v Speaker 1>up to. And so I had to host this message saying, Okay,

0:51:18.280 --> 0:51:21.200
<v Speaker 1>this is only for people I know, and this is

0:51:21.239 --> 0:51:24.239
<v Speaker 1>a private event, and my door is going to be

0:51:24.480 --> 0:51:28.680
<v Speaker 1>locked until eight am, and don't knock and don't bug me.

0:51:29.320 --> 0:51:32.840
<v Speaker 1>And by seven am, an hour before, there was a

0:51:33.040 --> 0:51:35.920
<v Speaker 1>line around the block because all my these people know

0:51:36.000 --> 0:51:37.960
<v Speaker 1>we're out there, like I say, a lot of them

0:51:38.000 --> 0:51:42.319
<v Speaker 1>bringing day laborers, and and my neighbors were flipping out

0:51:42.360 --> 0:51:44.400
<v Speaker 1>because they had no idea what was on. You know,

0:51:44.400 --> 0:51:46.839
<v Speaker 1>it was like it was like a Walmart sale from

0:51:46.880 --> 0:51:49.240
<v Speaker 1>It was like, you know, it was like Black Friday

0:51:49.239 --> 0:51:52.520
<v Speaker 1>from hell. And and then I opened my door and

0:51:52.600 --> 0:51:55.960
<v Speaker 1>they just stormed in and there were people running out

0:51:56.000 --> 0:52:00.400
<v Speaker 1>into the street with like moose heads floating like tire

0:52:00.520 --> 0:52:03.400
<v Speaker 1>goats and stuff, you know, like people running out on

0:52:03.480 --> 0:52:05.800
<v Speaker 1>the street waving these bones around and throwing them in

0:52:05.920 --> 0:52:09.000
<v Speaker 1>cars and trucks. It's absolutely not a friend of mine

0:52:09.040 --> 0:52:11.520
<v Speaker 1>who was there said it was the fastest home clean

0:52:11.600 --> 0:52:13.719
<v Speaker 1>out he had ever seen because they took everything. But

0:52:13.800 --> 0:52:16.279
<v Speaker 1>that's what happened to all that stuff. I gave it

0:52:16.360 --> 0:52:19.040
<v Speaker 1>all the way free, and it was I will never

0:52:19.280 --> 0:52:23.200
<v Speaker 1>forget that day. I mean, I couldn't stop laughing because

0:52:23.200 --> 0:52:25.279
<v Speaker 1>there were a couple people like good friends of mine,

0:52:25.360 --> 0:52:28.120
<v Speaker 1>like Adam. We talked about who wanted certain things, like

0:52:28.200 --> 0:52:32.000
<v Speaker 1>he wanted this taxidermy monitor and it was absolutely beautiful.

0:52:32.080 --> 0:52:33.279
<v Speaker 1>Maybe it was an maybe it was a big o

0:52:33.440 --> 0:52:35.399
<v Speaker 1>one I forget and I said, all right, I'm gonna

0:52:35.400 --> 0:52:37.040
<v Speaker 1>put that aside for you, and I put a name

0:52:37.120 --> 0:52:38.800
<v Speaker 1>on it. You know, I said, do not touch this

0:52:38.920 --> 0:52:40.960
<v Speaker 1>because this is going to my friend. At Pennsylvania. It

0:52:41.120 --> 0:52:44.279
<v Speaker 1>was gone with intensity someone Oh wow. Yeah. They were

0:52:44.400 --> 0:52:46.520
<v Speaker 1>just taking everything, whether it had a note on it

0:52:46.680 --> 0:52:48.920
<v Speaker 1>or not, and people were putting stuff. They were like

0:52:49.040 --> 0:52:51.719
<v Speaker 1>grabbing piles and things and putting things down, and someone

0:52:51.719 --> 0:52:54.000
<v Speaker 1>else would come over and grab this taxidermy's head out

0:52:54.040 --> 0:52:56.320
<v Speaker 1>of their pile and go running down the streets. And

0:52:56.400 --> 0:52:58.279
<v Speaker 1>then they'd come to me like, oh my god, I

0:52:58.400 --> 0:53:00.120
<v Speaker 1>put that head in my pile and this car I

0:53:00.200 --> 0:53:03.240
<v Speaker 1>grabbed it, and RANT was like, don't ask me. Whoever

0:53:03.360 --> 0:53:07.520
<v Speaker 1>gets it out the door first owns it. Oh, anyway,

0:53:07.520 --> 0:53:08.960
<v Speaker 1>that's what happened to all that stuff.

0:53:09.800 --> 0:53:12.440
<v Speaker 3>Well, I see that you still have a couple things,

0:53:12.520 --> 0:53:13.359
<v Speaker 3>so that's cool.

0:53:13.480 --> 0:53:15.959
<v Speaker 1>Yeah, you but mostly it's gone.

0:53:16.560 --> 0:53:18.759
<v Speaker 2>Yeah, that's and that is that when you sent me

0:53:18.920 --> 0:53:21.080
<v Speaker 2>didn't used to send me like a wild board. He

0:53:21.480 --> 0:53:24.360
<v Speaker 2>he sends me a text message like hey, do you

0:53:24.440 --> 0:53:27.920
<v Speaker 2>want this wild borehead And I was like, okay, yeah.

0:53:27.800 --> 0:53:30.120
<v Speaker 1>Yeah, I did send you that because I was trying

0:53:30.120 --> 0:53:32.319
<v Speaker 1>to Yeah, that's right. I was trying to piece out

0:53:32.320 --> 0:53:33.880
<v Speaker 1>a few things to people I knew from around the

0:53:33.920 --> 0:53:34.719
<v Speaker 1>country can come.

0:53:35.200 --> 0:53:38.160
<v Speaker 2>Yeah, and so we still have that, which is awesome.

0:53:38.560 --> 0:53:41.120
<v Speaker 2>Do you want to tell them where they I mean,

0:53:41.200 --> 0:53:44.719
<v Speaker 2>they could obviously find you on Instagram if they want to,

0:53:45.120 --> 0:53:47.239
<v Speaker 2>you know, follow what you're doing and keep up with

0:53:47.360 --> 0:53:49.240
<v Speaker 2>your stuff. Do you have a website and everything?

0:53:49.800 --> 0:53:52.239
<v Speaker 1>My my user name is h e x E M

0:53:52.360 --> 0:53:55.719
<v Speaker 1>k U l T, so, uh, that's a place to

0:53:55.800 --> 0:53:58.360
<v Speaker 1>follow me. I'm on Facebook, I'm on Instagram.

0:54:02.880 --> 0:54:06.680
<v Speaker 2>Thank you for listening to mother nos Death. As a reminder,

0:54:06.920 --> 0:54:10.640
<v Speaker 2>my training is as a pathologist's assistant. I have a

0:54:10.760 --> 0:54:15.080
<v Speaker 2>master's level education and specialize in anatomy and pathology education.

0:54:16.200 --> 0:54:18.360
<v Speaker 2>I am not a doctor and I have not diagnosed

0:54:18.480 --> 0:54:22.080
<v Speaker 2>or treated anyone dead or alive without the assistance of

0:54:22.160 --> 0:54:27.320
<v Speaker 2>a licensed medical doctor. This show, my website, and social

0:54:27.400 --> 0:54:30.920
<v Speaker 2>media accounts are designed to educate and inform people based

0:54:30.960 --> 0:54:34.839
<v Speaker 2>on my experience working in pathology, so they can make

0:54:35.080 --> 0:54:39.720
<v Speaker 2>healthier decisions regarding their life and well being. Always remember

0:54:39.800 --> 0:54:42.880
<v Speaker 2>that science is changing every day and the opinions expressed

0:54:42.920 --> 0:54:45.520
<v Speaker 2>in this episode are based on my knowledge of those

0:54:45.600 --> 0:54:49.359
<v Speaker 2>subjects at the time of publication. If you are having

0:54:49.440 --> 0:54:53.360
<v Speaker 2>a medical problem, have a medical question, or having a

0:54:53.440 --> 0:54:57.759
<v Speaker 2>medical emergency, please contact your physician or visit an urgent

0:54:57.840 --> 0:54:59.960
<v Speaker 2>care center, emergency.

0:54:59.440 --> 0:55:00.680
<v Speaker 3>Room, or or hospital.

0:55:01.160 --> 0:55:06.840
<v Speaker 2>Please rate, review, and subscribe to Mother Knows Death on Apple, Spotify, YouTube,

0:55:07.080 --> 0:55:08.600
<v Speaker 2>or anywhere you get podcasts.

0:55:09.160 --> 0:55:09.560
<v Speaker 3>Thanks