WEBVTT - Mis(Count)ess

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<v Speaker 1>Miss Spelling with Tory Spelling, an iHeartRadio podcast. Hi guys,

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<v Speaker 1>my guest today is Oh such I'm girling out because

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<v Speaker 1>I'm such a fan. She was one of the OG

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<v Speaker 1>Real Housewives of New York City and she has been

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<v Speaker 1>performing hit cabaret shows since twenty eighteen. She's currently touring.

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<v Speaker 1>The latest cabaret show is called mary s Kill. I'm

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<v Speaker 1>gonna go see it in San Diego this summer. Welcome

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<v Speaker 1>Countess lou Anne.

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<v Speaker 2>Oh my god, Hi, how are you?

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<v Speaker 1>I'm great? How are you? I feel like I've seen

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<v Speaker 1>him in so long. Well in person, I see you

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<v Speaker 1>right there for it.

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<v Speaker 2>But it's been a long time.

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<v Speaker 1>It has been a long time.

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<v Speaker 2>How are you doing.

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<v Speaker 1>Uh, that's a load of question. How long do we

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<v Speaker 1>get right?

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<v Speaker 2>How long you got right? Ring a cocktail for that one?

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<v Speaker 1>Yeah, talked to you about that off the podcast, but

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<v Speaker 1>oh my gosh, you were crushing it. I am so

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<v Speaker 1>happy for you. I mean, you were the OG New

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<v Speaker 1>York housewife. I feel like growing up in Beverly Hills,

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<v Speaker 1>that was like my jam that I watched The Real

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<v Speaker 1>HOUSEWIVESID Beverly Hills. But then being a Beverly Hills girl,

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<v Speaker 1>New York just enticed me because well, you guys were amazing.

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<v Speaker 1>You like drew me right in and I was like, oh,

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<v Speaker 1>that's what it would be like to be living in

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<v Speaker 1>New York because I'm fifty one and the only times

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<v Speaker 1>in my life I've ever been to New York still

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<v Speaker 1>to this day, is when I work, so I don't

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<v Speaker 1>know the other side.

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<v Speaker 2>Of it, right, fun, so fun to be a tourist

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<v Speaker 2>in New York. I was just sending Beverly Hills. I

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<v Speaker 2>did my show. I kicked off like at the Wiltern.

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<v Speaker 1>That is so amazing. Mary f Kill. When are the

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<v Speaker 1>next dates? What are the dates in total?

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<v Speaker 2>Well, I've got a lot of dates. You can check

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<v Speaker 2>out go to countslanda dot com for dates because I'm

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<v Speaker 2>going to Pennsylvania next. I just came back from London.

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<v Speaker 2>I did six sold out shows in London, which was amazing,

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<v Speaker 2>incredible experience. I till this Winton came to my show,

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<v Speaker 2>like what was yes, I was.

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<v Speaker 1>You know beforehand she was coming.

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<v Speaker 2>You know, I heard that she might be coming, but

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<v Speaker 2>I didn't know if she would come or not. And

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<v Speaker 2>she came to me after the show and she said, Donie,

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<v Speaker 2>I love what you do. It's you. You. You can

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<v Speaker 2>see you because you so much joy and just spreading

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<v Speaker 2>joy to everyone around you. It's a beautiful thing to watch.

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<v Speaker 2>It was amazing. Anyway, she was incredible and it was a.

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<v Speaker 1>Great practice of all trades. I think you have voiceover

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<v Speaker 1>work in your future as well. You do a great accent.

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<v Speaker 2>People tell me that all the time. You know, Mary

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<v Speaker 2>f Kill's song just came out a couple of weeks ago.

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<v Speaker 2>You know, I you know my show because you haven't

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<v Speaker 2>seen it is it's cabaret meets pop culture meets comedy

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<v Speaker 2>meets the fashion show because you can bet there's a

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<v Speaker 2>lot of your body dress is happening, and you know.

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<v Speaker 2>And how I came up with the show as I

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<v Speaker 2>was doing my shows and I've been doing cabaret since

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<v Speaker 2>twenty eighteen, and every single show I get asked, all right,

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<v Speaker 2>couwn does Mary f Kill? So every single show, So

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<v Speaker 2>that was my inspiration. Really, it's from the fans who

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<v Speaker 2>would ask me because we've never played Mary f Kill

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<v Speaker 2>like on the show. I didn't even really know what

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<v Speaker 2>that game was, and so that was my inspiration. So

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<v Speaker 2>I wrote the song and decided that was the tour, etc.

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<v Speaker 2>So yeah, it's so much fun. I just I love

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<v Speaker 2>the creative process of the show. And you know, I

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<v Speaker 2>start basically with the songs that I love, and then

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<v Speaker 2>I work backwards into like, what is the story that's

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<v Speaker 2>going to bring me to that song? Because Cabaret's really

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<v Speaker 2>about storytelling, you know, and it's about my journey. All

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<v Speaker 2>the music I pick is because I know my fans

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<v Speaker 2>are going to know that song, so it's like a

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<v Speaker 2>big sing along.

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<v Speaker 1>And wait, I have a question. Do you think you'll

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<v Speaker 1>ever do a song surrounding bushes?

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<v Speaker 2>Well, and I haven't thought about that.

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<v Speaker 1>I I love that replay of you falling in the bushes?

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<v Speaker 1>Where were you guys? What vacation?

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<v Speaker 2>Oh my god? Well we've been drinking tequila all day long.

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<v Speaker 1>And you know, I was so happy the backstory. I

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<v Speaker 1>think I wonder I.

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<v Speaker 2>Was falling down again. So I was like, leave me

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<v Speaker 2>in the bush. I'm so happy, you know. Yeah that

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<v Speaker 2>was Yeah, that was That was a moment for me.

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<v Speaker 2>And but you see, I play all these kind of

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<v Speaker 2>moments because I do video packages and you know, I

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<v Speaker 2>have music videos for my song. So a lot of

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<v Speaker 2>exciting stuff going on, a lot of TV show projects

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<v Speaker 2>coming up, so you know, TV life isn't over for me.

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<v Speaker 2>For those of who think that, you know, Ronnie's over,

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<v Speaker 2>that's that's not the case.

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<v Speaker 1>So I feel like you should do a song about

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<v Speaker 1>falling into the bushes that was iconic on the show.

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<v Speaker 2>Yeah, I You're probably right, I should. That was a

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<v Speaker 2>moment that is frozen in time.

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<v Speaker 1>Literally they would freeze on it and replay it and

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<v Speaker 1>replay it.

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<v Speaker 2>So many memes from that and be cool. Don't be

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<v Speaker 2>like all uncle, I mean that's you know.

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<v Speaker 1>You're so graceful.

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<v Speaker 2>Well you know, my daughter said, mom, at least you

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<v Speaker 2>felt very gracefully. Yes.

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<v Speaker 1>Oh well, I think you should do a song about that.

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<v Speaker 1>And since I so, I brought it up here as inspiration,

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<v Speaker 1>I feel like maybe I could be your muse and like,

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<v Speaker 1>or I could play like a bush on stage or something.

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<v Speaker 1>I'd be like, why just something anything, I just want

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<v Speaker 1>to work with you.

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<v Speaker 2>Oh that's that's so sweet. That would be Do you

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<v Speaker 2>like to sing?

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<v Speaker 1>I do?

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<v Speaker 2>Oh good? What's your go to?

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<v Speaker 1>Oh? My gosh, I'm an eighties girl. I mean I'm

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<v Speaker 1>not literally an eighties girl, but I like eighties songs.

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<v Speaker 1>So anything bangles or like totally clips of the Heart

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<v Speaker 1>or Betty Davis eyes or like but I love like.

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<v Speaker 2>These and Dave sas Yes, God.

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<v Speaker 1>Be still my beauty heart. Am I supposed to call

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<v Speaker 1>you countess? Am I supposed to call you lu An?

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<v Speaker 1>Am I supposed to call you a hot goddess?

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<v Speaker 2>Well listen, you know people know me as countess, right,

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<v Speaker 2>But you know people love using my title more than

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<v Speaker 2>I use my title. So I leave it up to you, darling,

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<v Speaker 2>and call me Lou. You can call me countess, you

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<v Speaker 2>can call me Luan. That seems to be the That

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<v Speaker 2>seems to be like the kind of order. A lot

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<v Speaker 2>of people call me Lou, you know, because they feel

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<v Speaker 2>like they're my friend, so they call me Lou. It's

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<v Speaker 2>it's really cute. Actually, I mean, London was off the hook.

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<v Speaker 2>I had thirty thousand or forty thousand people in front

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<v Speaker 2>of me. It was just an incredible feeling. And everyone

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<v Speaker 2>in them sitting a money camp by your classs. You know,

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<v Speaker 2>it's like, oh my god, this is insane. You know.

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<v Speaker 2>I saw on Vogue Amanda Lapour came and did her shot.

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<v Speaker 2>You've never seen her perform. She was great. I love

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<v Speaker 2>her thonging. I love my pussy I'm dying. I had

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<v Speaker 2>the Pussycat Dolls come to say it was it was really,

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<v Speaker 2>it was really amazing. And you know, now I'm back

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<v Speaker 2>in the US. I just realized I'm gonna be out

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<v Speaker 2>in California, but I'm doing San Diego.

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<v Speaker 1>Do you think I can give VIP tickets?

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<v Speaker 2>Definitely come everybody else, Girls Trip Road Tripped.

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<v Speaker 1>Really.

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<v Speaker 2>Oh, you're gonna love the show.

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<v Speaker 1>It's you know, it's Girls Summer.

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<v Speaker 2>Yeah, it's it's it's a fun show. People just you know,

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<v Speaker 2>they come in their sequence, in their statement necklaces. You know,

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<v Speaker 2>they show up for me. And it's so great. It's

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<v Speaker 2>like a big sing along. It's immersive, and you know,

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<v Speaker 2>if if you go there alone, you don't leave alone

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<v Speaker 2>because people are connected through the Housewives universe. It's pretty amazing.

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<v Speaker 1>It's true. But even if you're not a fan of Housewives,

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<v Speaker 1>like I have friends that have never seen Housewives that

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<v Speaker 1>want to see your show and fell in love with you, Like, oh,

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<v Speaker 1>that's right. I have so many friends that have seen

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<v Speaker 1>your show, and I was bummed when I didn't get

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<v Speaker 1>to see it in La near your past show not

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<v Speaker 1>Mary f killed the new one on tour, I'm so excited. Wait,

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<v Speaker 1>you can see the question money Can't Buy Your Class?

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<v Speaker 1>When you sang that song, were you thinking like this

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<v Speaker 1>is a good way to integrate it into the show,

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<v Speaker 1>because the show totally was a platform for other businesses

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<v Speaker 1>that anyone wanted to do. Or how did that come about?

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<v Speaker 2>Well, so I wrote a book on managers and etiquete

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<v Speaker 2>because you know, I lived in Europe for many years

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<v Speaker 2>and you know, married a Frenchman, I lived in the

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<v Speaker 2>Swiss helps and you know I was around you know,

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<v Speaker 2>royals the whole time. You know, the King of Greece

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<v Speaker 2>is my friend, and and so you know, I had

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<v Speaker 2>to learn to be elegant, you know. And that's that's

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<v Speaker 2>what money Can't Buy Your Classes all about. It's like,

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<v Speaker 2>it's not about the money. It's about how you treat

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<v Speaker 2>people and respect for others. And the aristocrats are really

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<v Speaker 2>good at that because they have to greet a lot

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<v Speaker 2>of people and so so, so the book came about

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<v Speaker 2>and then I thought I wanted to do me write

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<v Speaker 2>music and wanted to make a song. And I went

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<v Speaker 2>to see a producer is a gold at the time,

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<v Speaker 2>and he said, what do you want to sing about it?

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<v Speaker 2>And he goes well, I don't know. I just wrote

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<v Speaker 2>this book on manners and etiquette. So I have like

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<v Speaker 2>takeaway lines from class with the Countess, and they were

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<v Speaker 2>elegance has learned. Money can't buy you class. You know,

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<v Speaker 2>being interested is what makes you self. Well there, you know,

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<v Speaker 2>all these things came out of really the book, and

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<v Speaker 2>that's how I wrote the song.

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<v Speaker 1>Did you know you would go on to go on

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<v Speaker 1>tour and have a cabaret show? Like wow, talk about manifesting.

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<v Speaker 2>Well, yeah, I'm a manifesto. I believe totally in that.

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<v Speaker 2>We you know, we write our stories because life is

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<v Speaker 2>a cabaret, no matter what Bethany says. And a really

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<v Speaker 2>good friend of mine, old friend, says to me, Luke,

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<v Speaker 2>you love to entertain, you love to be a hostess,

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<v Speaker 2>you love to sing for your friends, and you love

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<v Speaker 2>to tell jokes, which is all true, and he goes,

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<v Speaker 2>you should be doing cabaret. And that's really where I

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<v Speaker 2>had the idea. And then I didn't do it. You know,

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<v Speaker 2>I got married, I got divorced in between. Yeah, so

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<v Speaker 2>a lot of things got in the way. And then

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<v Speaker 2>finally I started with the cabaret and I didn't realize

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<v Speaker 2>I was like filling a void for something that is

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<v Speaker 2>really it doesn't really exist that much anymore, or cabaret.

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<v Speaker 2>You know Eliza Cheetah, you know, Bette Midler, all the greats.

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<v Speaker 2>You know, they're not doing it anymore. And then so

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<v Speaker 2>somehow I felt this void I didn't even know I

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<v Speaker 2>was filling. And because it started as Countess and France,

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<v Speaker 2>it wasn't count as cabaret. I had, you know, guests,

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<v Speaker 2>I've had, Lance Bass has been in my show. You know,

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<v Speaker 2>I had a lot of people when I used to

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<v Speaker 2>have guests. And then I realized having guests, they would

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<v Speaker 2>go to the bathroom, go get a drink. The minute

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<v Speaker 2>I left the stage, they would start moving around. So

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<v Speaker 2>we realized that it was it was Countess Cabaret is

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<v Speaker 2>what it became. And you know I've been doing since

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<v Speaker 2>twenty eighteen. You know, I love the show. I love

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<v Speaker 2>the creative part of it. So yeah, I'm looking forward

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<v Speaker 2>for you to see the show.

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<v Speaker 1>I can't wait to see it. Okay, I'm going to

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<v Speaker 1>go back to my idea of the bush song. So

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<v Speaker 1>it's like the bush in the bush. Do you believe

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<v Speaker 1>the bush is back?

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<v Speaker 2>You know what, It wouldn't surprise me.

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<v Speaker 1>Remember when it came back for a bit.

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<v Speaker 2>Yeah, it's funny because you know, we spend our lives

0:11:25.640 --> 0:11:28.200
<v Speaker 2>trying to get rid of hair, right and then and

0:11:28.240 --> 0:11:30.520
<v Speaker 2>then it's like then it's like now we were trying

0:11:30.520 --> 0:11:34.280
<v Speaker 2>to keep it, so you know. So yeah, it doesn't

0:11:34.280 --> 0:11:35.760
<v Speaker 2>surprise me that the bush is back.

0:11:36.240 --> 0:11:38.440
<v Speaker 1>Yeah. Well, just for the sake of the song, I

0:11:38.480 --> 0:11:41.200
<v Speaker 1>feel like we should explore the bush being back and

0:11:41.280 --> 0:11:42.800
<v Speaker 1>you in a bush and I can pop out of

0:11:42.840 --> 0:11:44.760
<v Speaker 1>the bush and be like a murking or something. I

0:11:44.760 --> 0:11:48.240
<v Speaker 1>don't know. You play around that. I love you want it,

0:11:50.040 --> 0:11:52.680
<v Speaker 1>and I just before we go, I want to ask you,

0:11:53.240 --> 0:11:56.360
<v Speaker 1>I am going through a divorce. I'm in my fifty.

0:11:56.120 --> 0:11:57.560
<v Speaker 2>Yeah, I'm sorry to hear that, darling.

0:11:58.400 --> 0:12:02.120
<v Speaker 1>Easy no, never easy it. Thank you for saying sorry.

0:12:02.160 --> 0:12:04.839
<v Speaker 1>I don't take compliments. Well that's not a compliment. That

0:12:04.920 --> 0:12:07.199
<v Speaker 1>was an apology, but you know what I mean. Yeah,

0:12:07.280 --> 0:12:09.240
<v Speaker 1>it's all works out the way it's supposed to work

0:12:09.280 --> 0:12:11.439
<v Speaker 1>out and when it is supposed to work out. So

0:12:11.920 --> 0:12:16.160
<v Speaker 1>where's my time? And I've seen nothing for me?

0:12:16.320 --> 0:12:18.280
<v Speaker 2>Best decade, best decade of my life.

0:12:18.440 --> 0:12:21.240
<v Speaker 1>Okay, that's what I wanted to hear. I mean, I

0:12:21.360 --> 0:12:24.040
<v Speaker 1>feel just from watching on TV for so many years,

0:12:24.120 --> 0:12:28.040
<v Speaker 1>You've never looked better. I mean, you are really crushing

0:12:28.080 --> 0:12:31.080
<v Speaker 1>it out there, and I hope to follow suits.

0:12:31.360 --> 0:12:34.480
<v Speaker 2>Well you will, darling, because guess what you will it

0:12:34.520 --> 0:12:38.040
<v Speaker 2>to happen. You manifested it. And you know, people don't

0:12:38.080 --> 0:12:41.440
<v Speaker 2>talk positively to themselves, you know, and what you put

0:12:41.480 --> 0:12:44.280
<v Speaker 2>out in the universe and what you say about about

0:12:44.280 --> 0:12:48.240
<v Speaker 2>yourself matters, you know. So you know that's I talk

0:12:48.280 --> 0:12:50.160
<v Speaker 2>about that in my book too, and I talk about

0:12:50.160 --> 0:12:52.880
<v Speaker 2>that in my music. You know, Passion is the key

0:12:52.960 --> 0:12:55.520
<v Speaker 2>fine live the life you want to live. There's no sympathy.

0:12:55.920 --> 0:12:58.120
<v Speaker 2>Don't forget to see the best life can be so soft.

0:12:58.200 --> 0:13:00.280
<v Speaker 2>The little things can take you down. So it's best

0:13:00.400 --> 0:13:04.160
<v Speaker 2>brush of all. So hair done, Jewelriiano Meir on the wall.

0:13:04.200 --> 0:13:06.520
<v Speaker 2>Who's the fairest in the land. I guess it's not

0:13:06.600 --> 0:13:09.600
<v Speaker 2>their call. You know. Beauty, class and aliens lie within

0:13:09.640 --> 0:13:12.200
<v Speaker 2>the soul. Money, power and romance are waiting for us.

0:13:12.240 --> 0:13:16.080
<v Speaker 2>All she say LEVI say boom, say boom. That's my lyrics,

0:13:16.080 --> 0:13:18.400
<v Speaker 2>that's my philosophy, you know. And I think that's why

0:13:18.440 --> 0:13:23.600
<v Speaker 2>people relate to my music, because it's very inspirational. Because

0:13:24.000 --> 0:13:25.760
<v Speaker 2>you know, if you don't think you're great. Nobody else

0:13:25.840 --> 0:13:27.280
<v Speaker 2>is going to think you're great. And that's true.

0:13:27.840 --> 0:13:31.080
<v Speaker 1>My gosh, can we talk about dating and sex in

0:13:31.120 --> 0:13:31.800
<v Speaker 1>your fifties?

0:13:32.120 --> 0:13:34.400
<v Speaker 2>Yes, I mean that. Why do you think Mary f kill?

0:13:34.800 --> 0:13:34.960
<v Speaker 1>You know?

0:13:35.000 --> 0:13:37.360
<v Speaker 2>It's all about that, you know, It's all about we

0:13:37.480 --> 0:13:39.959
<v Speaker 2>all marry, we all fuck, and we want to get

0:13:40.000 --> 0:13:43.480
<v Speaker 2>rid of people, you know, so you know, because we're

0:13:43.480 --> 0:13:45.040
<v Speaker 2>not killing anybody, but we want to get rid of

0:13:45.040 --> 0:13:47.360
<v Speaker 2>people in our lives, you know. And my mentor would

0:13:47.360 --> 0:13:49.680
<v Speaker 2>always say, get rid of the negative people so you

0:13:49.679 --> 0:13:52.160
<v Speaker 2>can make room for the good ones, you know. And

0:13:53.440 --> 0:13:58.520
<v Speaker 2>so anyway, I I talk about my you know, dating apps,

0:13:58.640 --> 0:14:02.880
<v Speaker 2>I talk about you know, marriages, I talk about you know,

0:14:03.520 --> 0:14:06.480
<v Speaker 2>I play house ise moments where they're going. Life is

0:14:06.520 --> 0:14:09.880
<v Speaker 2>not a cabaret, Oh yes it is. It is for me.

0:14:10.080 --> 0:14:12.560
<v Speaker 2>Maybe not for you, but it is for me. And

0:14:12.600 --> 0:14:16.160
<v Speaker 2>really what that means is it's my story and I

0:14:16.160 --> 0:14:18.040
<v Speaker 2>can tell tell it and write it the way I

0:14:18.080 --> 0:14:20.760
<v Speaker 2>want to, right, And that's what I love about the

0:14:20.800 --> 0:14:23.600
<v Speaker 2>freedom of cabaret because I can say anything I want

0:14:23.640 --> 0:14:26.000
<v Speaker 2>and I can see anything I want, and I don't

0:14:26.040 --> 0:14:28.720
<v Speaker 2>have to deal with TV rights.

0:14:28.880 --> 0:14:36.240
<v Speaker 1>Or adding perfect So you do dabble with dating younger men. Correct, Yeah,

0:14:36.320 --> 0:14:36.560
<v Speaker 1>you know.

0:14:36.760 --> 0:14:40.200
<v Speaker 2>Listen, the thirty forty somethings are all up into my stuff.

0:14:40.760 --> 0:14:43.200
<v Speaker 2>The fifty year olds are like, shit, I'm fifty. I

0:14:43.200 --> 0:14:45.440
<v Speaker 2>need a twenty year old. And the sixty year olds

0:14:45.720 --> 0:14:48.000
<v Speaker 2>have a little problem in the lower level, as Ramona

0:14:48.000 --> 0:14:50.840
<v Speaker 2>would call it. Let's call it the basement. That's what

0:14:50.920 --> 0:14:55.600
<v Speaker 2>it is. So, yeah, I dabble because I'm dating right now.

0:14:55.720 --> 0:14:59.120
<v Speaker 2>I'm having so much fun. You know, I'm not dating anybody,

0:15:00.000 --> 0:15:03.440
<v Speaker 2>you know, on a regular basis. I'm just dating having fun. Sure,

0:15:03.480 --> 0:15:05.200
<v Speaker 2>I have some guys that I like to see, et cetera.

0:15:05.720 --> 0:15:09.000
<v Speaker 2>But you know, and Mary f kill you know, I say,

0:15:09.560 --> 0:15:13.560
<v Speaker 2>three times the charm, So catch me if you can,

0:15:14.040 --> 0:15:16.680
<v Speaker 2>you know. So it's about there's men that I would marry.

0:15:16.680 --> 0:15:18.880
<v Speaker 2>They give me such a thrill. There's men that I

0:15:18.920 --> 0:15:21.000
<v Speaker 2>would f and men that I would kill, you know.

0:15:21.480 --> 0:15:25.000
<v Speaker 2>So my show's all about that. It's all about dating

0:15:25.320 --> 0:15:28.160
<v Speaker 2>and about you know, the love affair with life.

0:15:28.440 --> 0:15:30.120
<v Speaker 1>Do you think you'll get married a third time?

0:15:30.400 --> 0:15:33.520
<v Speaker 2>Who knows? You know, who knows? But I'm a hopeless romantic,

0:15:33.600 --> 0:15:35.400
<v Speaker 2>let's put it that way. And I love men and

0:15:35.480 --> 0:15:37.600
<v Speaker 2>I love sex. So there you go. R eight.

0:15:37.800 --> 0:15:39.400
<v Speaker 1>Sorry, may I ask how old you are?

0:15:40.000 --> 0:15:44.800
<v Speaker 2>Fifty nine? I just turned fifty nine. I know. I'm like,

0:15:45.080 --> 0:15:46.840
<v Speaker 2>oh my god, I can't deal with the six in front.

0:15:46.880 --> 0:15:47.240
<v Speaker 2>I can't.

0:15:47.400 --> 0:15:50.240
<v Speaker 1>I know so that I'm having a conversation with a

0:15:50.280 --> 0:15:52.720
<v Speaker 1>forty nine year old yesterday and she was like, I

0:15:52.840 --> 0:15:55.600
<v Speaker 1>just feel like I'm going to embrace fifty in the number.

0:15:55.600 --> 0:15:57.320
<v Speaker 1>And I was like, oh, you'll see when you get there.

0:15:57.400 --> 0:15:59.160
<v Speaker 1>I just turned fifty one, and I was like, I

0:15:59.160 --> 0:16:01.840
<v Speaker 1>don't know if I'm ready, but the six and I know,

0:16:02.160 --> 0:16:04.800
<v Speaker 1>and everyone says, it's all numbers. You don't feel that way,

0:16:04.840 --> 0:16:06.880
<v Speaker 1>you don't look that way. What does it matter what?

0:16:06.880 --> 0:16:09.440
<v Speaker 1>It's the number that we're conditioned to be like, oof,

0:16:09.480 --> 0:16:10.640
<v Speaker 1>that number is getting up there.

0:16:11.160 --> 0:16:13.720
<v Speaker 2>Yeah, well, you know condition is the right word, because

0:16:14.200 --> 0:16:17.080
<v Speaker 2>you know, when we were twenty, a sixty year old

0:16:17.200 --> 0:16:20.240
<v Speaker 2>was like oh right, yeah, like to say, oh, six

0:16:20.360 --> 0:16:23.120
<v Speaker 2>year old, right, six year old women are fabulous. I

0:16:23.160 --> 0:16:26.800
<v Speaker 2>mean it's like it's sixties new fifty and fifties new forty,

0:16:26.840 --> 0:16:28.600
<v Speaker 2>and you know what I mean. I think, you know,

0:16:28.680 --> 0:16:31.239
<v Speaker 2>it's just a it's what we've been kind of conditioned

0:16:31.280 --> 0:16:34.040
<v Speaker 2>to think. But as we get closer to the age

0:16:34.080 --> 0:16:36.440
<v Speaker 2>that we realized. You know, this ain's so bad. I

0:16:36.560 --> 0:16:39.800
<v Speaker 2>kind of I'm in I'm loving this decade. I love fifties.

0:16:40.120 --> 0:16:40.920
<v Speaker 1>Same so far.

0:16:41.320 --> 0:16:45.960
<v Speaker 2>I feel great. I feel free, you know, and you know,

0:16:46.000 --> 0:16:50.840
<v Speaker 2>there's no clicking uh sorry, there's no ticking clock and

0:16:50.880 --> 0:16:54.360
<v Speaker 2>I sing that also in Mary Fkill. You know, my

0:16:54.480 --> 0:16:57.760
<v Speaker 2>ticking clock has stopped. And now I'm feeling free, you know.

0:16:57.920 --> 0:16:59.680
<v Speaker 2>So there's no like, oh shit, I got to have

0:16:59.720 --> 0:17:03.520
<v Speaker 2>baby from you know, forty, or there's no you know,

0:17:03.680 --> 0:17:06.040
<v Speaker 2>am I going to get married? You know? Will I

0:17:06.080 --> 0:17:08.880
<v Speaker 2>get the house I always wanted? Will I have children

0:17:08.920 --> 0:17:11.040
<v Speaker 2>that I've always wanted? You know, I feel like at

0:17:11.040 --> 0:17:13.320
<v Speaker 2>this point I got really everything that I've wanted. And

0:17:14.000 --> 0:17:18.119
<v Speaker 2>you know, so that's very helpful and making you feel comfortable,

0:17:18.359 --> 0:17:21.760
<v Speaker 2>you know, in this age. You know, I've met not

0:17:21.880 --> 0:17:26.160
<v Speaker 2>too long ago, a twenty eight year old charming, handsome,

0:17:27.000 --> 0:17:30.080
<v Speaker 2>well mannered, like very mature.

0:17:29.800 --> 0:17:30.639
<v Speaker 1>For his age.

0:17:31.280 --> 0:17:33.680
<v Speaker 2>Now I don't dip into the twenty year old pond

0:17:33.680 --> 0:17:36.720
<v Speaker 2>because I have a boy who's twenty seven. My kids are,

0:17:36.760 --> 0:17:38.400
<v Speaker 2>you know, almost thirty, for God's sake.

0:17:38.320 --> 0:17:39.639
<v Speaker 1>So thirty one is fine.

0:17:39.720 --> 0:17:42.639
<v Speaker 2>Yeah, I like, you know, I like to be age appropriate,

0:17:42.640 --> 0:17:45.639
<v Speaker 2>a little younger. That's that's cool. You know, the older

0:17:45.680 --> 0:17:49.160
<v Speaker 2>I get, the younger I want. When I was when

0:17:49.200 --> 0:17:52.119
<v Speaker 2>I was younger, I wanted older guys. Now when I'm

0:17:52.160 --> 0:17:54.679
<v Speaker 2>getting older, I want younger guys. So, but you know,

0:17:54.680 --> 0:17:56.920
<v Speaker 2>I recently met at fifty nine year old, same age

0:17:56.920 --> 0:18:03.280
<v Speaker 2>as me. Heid No he's not. He's actually, no, he's

0:18:03.280 --> 0:18:05.200
<v Speaker 2>a good fifty nine. Because I feel like a lot

0:18:05.200 --> 0:18:08.399
<v Speaker 2>of guys aren't kept as well as us ladies at

0:18:08.440 --> 0:18:09.600
<v Speaker 2>the fifties.

0:18:09.280 --> 0:18:11.720
<v Speaker 1>Right, Okay, yes, that's the problem.

0:18:12.000 --> 0:18:13.960
<v Speaker 2>Men are These men are like, eh, you know, I

0:18:14.000 --> 0:18:16.239
<v Speaker 2>look the way I look at whatever. Yeah, women are

0:18:16.359 --> 0:18:20.680
<v Speaker 2>you know, keeping up with the time, with the click,

0:18:20.880 --> 0:18:24.560
<v Speaker 2>the ticking clock of time, you know, and gravity, you know,

0:18:25.000 --> 0:18:26.200
<v Speaker 2>you have to fight gravity, darly.

0:18:26.359 --> 0:18:30.520
<v Speaker 1>Yeah, I know, I know. I told him so. My

0:18:30.600 --> 0:18:34.720
<v Speaker 1>daughter just turned sixteen, and the other night we had

0:18:34.720 --> 0:18:37.919
<v Speaker 1>an experience. We were talking to this young man and

0:18:37.960 --> 0:18:41.200
<v Speaker 1>he had the dreamiest now I sound old, dreamiest blue

0:18:41.200 --> 0:18:44.440
<v Speaker 1>eyes and all her friends are like, he's so hot.

0:18:44.600 --> 0:18:46.800
<v Speaker 1>And we walked away and I was like, oh my god,

0:18:46.840 --> 0:18:50.240
<v Speaker 1>he's so hot, and she goes, ew, Mom, you can't

0:18:50.280 --> 0:18:54.120
<v Speaker 1>say that, and I know why, I go I'm fifty.

0:18:54.240 --> 0:18:57.320
<v Speaker 1>But I'm not dead. I can acknowledge someone that's good looking.

0:18:57.359 --> 0:19:01.879
<v Speaker 1>I'm not going to date him, all right, right, but

0:19:01.920 --> 0:19:03.840
<v Speaker 1>I can't look at someone and be like, oh, that's

0:19:03.880 --> 0:19:05.040
<v Speaker 1>a fine looking guy.

0:19:05.320 --> 0:19:11.520
<v Speaker 2>Yeah, right, right, right right, yeah, you know it's darling.

0:19:11.560 --> 0:19:13.879
<v Speaker 2>It's a teenage thing. It will pass. Don't worry.

0:19:14.720 --> 0:19:18.879
<v Speaker 1>It's a teenage I've been there, I've been there. I'm sure.

0:19:20.400 --> 0:19:23.840
<v Speaker 1>Oh my gosh, I adore you. I could literally talk

0:19:23.880 --> 0:19:26.280
<v Speaker 1>to you all day and in San Diego. Maybe we'll

0:19:26.280 --> 0:19:27.400
<v Speaker 1>have a girl's night when it comes.

0:19:27.440 --> 0:19:29.880
<v Speaker 2>Oh that would be amazing. That would be so great.

0:19:29.880 --> 0:19:30.440
<v Speaker 2>You should come.

0:19:31.320 --> 0:19:32.000
<v Speaker 1>Oh I'm coming.

0:19:32.840 --> 0:19:36.040
<v Speaker 2>Yeah really? Oh good road trip. Yes, we'll have fun

0:19:36.080 --> 0:19:36.680
<v Speaker 2>after the show.

0:19:36.960 --> 0:19:39.960
<v Speaker 1>Okay, perfect. Thank you for being here today.

0:19:40.520 --> 0:19:43.800
<v Speaker 2>Thanks story, it's great to see you. And you know,

0:19:44.160 --> 0:19:49.560
<v Speaker 2>good luck with everything. It'll you know, life takes you

0:19:49.800 --> 0:19:51.960
<v Speaker 2>and I talked about this also my show. You know,

0:19:53.040 --> 0:19:58.600
<v Speaker 2>Heartbreak and and Change leads you to the next place,

0:19:58.640 --> 0:20:00.639
<v Speaker 2>you know what I mean. Like I would moved to

0:20:00.720 --> 0:20:02.879
<v Speaker 2>Europe unless I got a heartbroken at the age of

0:20:02.920 --> 0:20:05.480
<v Speaker 2>twenty five and that sent me to Europe. Really, I

0:20:05.480 --> 0:20:07.320
<v Speaker 2>moved to Europe to model, but really because I was

0:20:07.359 --> 0:20:11.560
<v Speaker 2>heartbroken and so these big changes in our life kind

0:20:11.600 --> 0:20:14.960
<v Speaker 2>of makes a shift, and and then you'll be onto

0:20:15.000 --> 0:20:17.920
<v Speaker 2>the next phase, which is going to be fabulous.

0:20:18.160 --> 0:20:20.879
<v Speaker 1>Thank you. It will be well, you just manifested it

0:20:20.920 --> 0:20:22.639
<v Speaker 1>for me, so thank you. There you I'm going to

0:20:22.720 --> 0:20:24.440
<v Speaker 1>manifest it. You told me to do it myself, right.

0:20:24.960 --> 0:20:28.600
<v Speaker 1>This next phase of my life, not will be is fabulous,

0:20:28.760 --> 0:20:30.640
<v Speaker 1>is the best one yet amazing.

0:20:32.119 --> 0:20:34.000
<v Speaker 2>Say Levis, say bo, say boon.

0:20:34.960 --> 0:20:35.320
<v Speaker 1>Love you