1 00:00:08,760 --> 00:00:16,200 Speaker 1: Miss Spelling with Tory Spelling, an iHeartRadio podcast. Hi guys, 2 00:00:16,200 --> 00:00:19,880 Speaker 1: my guest today is Oh such I'm girling out because 3 00:00:19,880 --> 00:00:22,560 Speaker 1: I'm such a fan. She was one of the OG 4 00:00:23,079 --> 00:00:26,480 Speaker 1: Real Housewives of New York City and she has been 5 00:00:26,560 --> 00:00:31,000 Speaker 1: performing hit cabaret shows since twenty eighteen. She's currently touring. 6 00:00:31,280 --> 00:00:34,639 Speaker 1: The latest cabaret show is called mary s Kill. I'm 7 00:00:34,640 --> 00:00:37,639 Speaker 1: gonna go see it in San Diego this summer. Welcome 8 00:00:37,960 --> 00:00:39,080 Speaker 1: Countess lou Anne. 9 00:00:39,520 --> 00:00:41,080 Speaker 2: Oh my god, Hi, how are you? 10 00:00:41,600 --> 00:00:44,360 Speaker 1: I'm great? How are you? I feel like I've seen 11 00:00:44,400 --> 00:00:46,320 Speaker 1: him in so long. Well in person, I see you 12 00:00:46,360 --> 00:00:48,480 Speaker 1: right there for it. 13 00:00:46,960 --> 00:00:49,600 Speaker 2: But it's been a long time. 14 00:00:50,440 --> 00:00:51,760 Speaker 1: It has been a long time. 15 00:00:52,320 --> 00:00:52,960 Speaker 2: How are you doing. 16 00:00:53,520 --> 00:00:56,080 Speaker 1: Uh, that's a load of question. How long do we 17 00:00:56,160 --> 00:00:56,600 Speaker 1: get right? 18 00:00:58,480 --> 00:01:02,200 Speaker 2: How long you got right? Ring a cocktail for that one? 19 00:01:02,400 --> 00:01:04,640 Speaker 1: Yeah, talked to you about that off the podcast, but 20 00:01:06,720 --> 00:01:10,280 Speaker 1: oh my gosh, you were crushing it. I am so 21 00:01:10,400 --> 00:01:13,440 Speaker 1: happy for you. I mean, you were the OG New 22 00:01:13,480 --> 00:01:17,240 Speaker 1: York housewife. I feel like growing up in Beverly Hills, 23 00:01:17,280 --> 00:01:19,200 Speaker 1: that was like my jam that I watched The Real 24 00:01:19,200 --> 00:01:22,920 Speaker 1: HOUSEWIVESID Beverly Hills. But then being a Beverly Hills girl, 25 00:01:23,000 --> 00:01:27,319 Speaker 1: New York just enticed me because well, you guys were amazing. 26 00:01:27,480 --> 00:01:30,080 Speaker 1: You like drew me right in and I was like, oh, 27 00:01:30,160 --> 00:01:32,280 Speaker 1: that's what it would be like to be living in 28 00:01:32,319 --> 00:01:35,600 Speaker 1: New York because I'm fifty one and the only times 29 00:01:35,600 --> 00:01:37,800 Speaker 1: in my life I've ever been to New York still 30 00:01:37,840 --> 00:01:39,880 Speaker 1: to this day, is when I work, so I don't 31 00:01:39,880 --> 00:01:41,000 Speaker 1: know the other side. 32 00:01:40,760 --> 00:01:45,520 Speaker 2: Of it, right, fun, so fun to be a tourist 33 00:01:45,600 --> 00:01:48,680 Speaker 2: in New York. I was just sending Beverly Hills. I 34 00:01:48,680 --> 00:01:51,720 Speaker 2: did my show. I kicked off like at the Wiltern. 35 00:01:52,040 --> 00:01:56,280 Speaker 1: That is so amazing. Mary f Kill. When are the 36 00:01:56,280 --> 00:01:57,800 Speaker 1: next dates? What are the dates in total? 37 00:01:58,080 --> 00:01:59,840 Speaker 2: Well, I've got a lot of dates. You can check 38 00:01:59,840 --> 00:02:02,520 Speaker 2: out go to countslanda dot com for dates because I'm 39 00:02:02,520 --> 00:02:05,840 Speaker 2: going to Pennsylvania next. I just came back from London. 40 00:02:05,920 --> 00:02:09,160 Speaker 2: I did six sold out shows in London, which was amazing, 41 00:02:10,040 --> 00:02:13,839 Speaker 2: incredible experience. I till this Winton came to my show, 42 00:02:14,040 --> 00:02:16,680 Speaker 2: like what was yes, I was. 43 00:02:16,919 --> 00:02:18,400 Speaker 1: You know beforehand she was coming. 44 00:02:19,160 --> 00:02:21,160 Speaker 2: You know, I heard that she might be coming, but 45 00:02:21,240 --> 00:02:23,920 Speaker 2: I didn't know if she would come or not. And 46 00:02:23,960 --> 00:02:27,000 Speaker 2: she came to me after the show and she said, Donie, 47 00:02:27,080 --> 00:02:29,760 Speaker 2: I love what you do. It's you. You. You can 48 00:02:29,800 --> 00:02:32,000 Speaker 2: see you because you so much joy and just spreading 49 00:02:32,080 --> 00:02:35,200 Speaker 2: joy to everyone around you. It's a beautiful thing to watch. 50 00:02:35,240 --> 00:02:38,960 Speaker 2: It was amazing. Anyway, she was incredible and it was a. 51 00:02:38,960 --> 00:02:41,520 Speaker 1: Great practice of all trades. I think you have voiceover 52 00:02:41,639 --> 00:02:44,480 Speaker 1: work in your future as well. You do a great accent. 53 00:02:44,639 --> 00:02:47,040 Speaker 2: People tell me that all the time. You know, Mary 54 00:02:47,120 --> 00:02:49,160 Speaker 2: f Kill's song just came out a couple of weeks ago. 55 00:02:49,720 --> 00:02:52,920 Speaker 2: You know, I you know my show because you haven't 56 00:02:52,960 --> 00:02:57,440 Speaker 2: seen it is it's cabaret meets pop culture meets comedy 57 00:02:57,600 --> 00:02:59,799 Speaker 2: meets the fashion show because you can bet there's a 58 00:02:59,840 --> 00:03:02,400 Speaker 2: lot of your body dress is happening, and you know. 59 00:03:02,520 --> 00:03:04,400 Speaker 2: And how I came up with the show as I 60 00:03:04,480 --> 00:03:07,720 Speaker 2: was doing my shows and I've been doing cabaret since 61 00:03:07,760 --> 00:03:11,600 Speaker 2: twenty eighteen, and every single show I get asked, all right, 62 00:03:11,639 --> 00:03:14,840 Speaker 2: couwn does Mary f Kill? So every single show, So 63 00:03:15,240 --> 00:03:18,040 Speaker 2: that was my inspiration. Really, it's from the fans who 64 00:03:18,080 --> 00:03:20,560 Speaker 2: would ask me because we've never played Mary f Kill 65 00:03:20,639 --> 00:03:22,280 Speaker 2: like on the show. I didn't even really know what 66 00:03:22,280 --> 00:03:26,680 Speaker 2: that game was, and so that was my inspiration. So 67 00:03:26,680 --> 00:03:30,679 Speaker 2: I wrote the song and decided that was the tour, etc. 68 00:03:31,160 --> 00:03:34,680 Speaker 2: So yeah, it's so much fun. I just I love 69 00:03:34,720 --> 00:03:38,440 Speaker 2: the creative process of the show. And you know, I 70 00:03:38,520 --> 00:03:42,080 Speaker 2: start basically with the songs that I love, and then 71 00:03:42,120 --> 00:03:44,880 Speaker 2: I work backwards into like, what is the story that's 72 00:03:44,880 --> 00:03:47,000 Speaker 2: going to bring me to that song? Because Cabaret's really 73 00:03:47,040 --> 00:03:49,840 Speaker 2: about storytelling, you know, and it's about my journey. All 74 00:03:49,880 --> 00:03:52,040 Speaker 2: the music I pick is because I know my fans 75 00:03:52,040 --> 00:03:53,400 Speaker 2: are going to know that song, so it's like a 76 00:03:53,400 --> 00:03:54,200 Speaker 2: big sing along. 77 00:03:54,880 --> 00:03:57,480 Speaker 1: And wait, I have a question. Do you think you'll 78 00:03:57,480 --> 00:04:00,279 Speaker 1: ever do a song surrounding bushes? 79 00:04:02,960 --> 00:04:05,160 Speaker 2: Well, and I haven't thought about that. 80 00:04:05,280 --> 00:04:08,000 Speaker 1: I I love that replay of you falling in the bushes? 81 00:04:08,000 --> 00:04:09,360 Speaker 1: Where were you guys? What vacation? 82 00:04:10,160 --> 00:04:13,320 Speaker 2: Oh my god? Well we've been drinking tequila all day long. 83 00:04:13,760 --> 00:04:16,599 Speaker 1: And you know, I was so happy the backstory. I 84 00:04:16,600 --> 00:04:17,800 Speaker 1: think I wonder I. 85 00:04:17,920 --> 00:04:20,279 Speaker 2: Was falling down again. So I was like, leave me 86 00:04:20,320 --> 00:04:22,400 Speaker 2: in the bush. I'm so happy, you know. Yeah that 87 00:04:22,520 --> 00:04:24,800 Speaker 2: was Yeah, that was That was a moment for me. 88 00:04:24,960 --> 00:04:27,280 Speaker 2: And but you see, I play all these kind of 89 00:04:27,279 --> 00:04:30,280 Speaker 2: moments because I do video packages and you know, I 90 00:04:30,279 --> 00:04:32,479 Speaker 2: have music videos for my song. So a lot of 91 00:04:32,480 --> 00:04:34,680 Speaker 2: exciting stuff going on, a lot of TV show projects 92 00:04:34,720 --> 00:04:38,120 Speaker 2: coming up, so you know, TV life isn't over for me. 93 00:04:39,440 --> 00:04:41,920 Speaker 2: For those of who think that, you know, Ronnie's over, 94 00:04:42,600 --> 00:04:44,040 Speaker 2: that's that's not the case. 95 00:04:52,440 --> 00:04:55,680 Speaker 1: So I feel like you should do a song about 96 00:04:55,760 --> 00:04:58,680 Speaker 1: falling into the bushes that was iconic on the show. 97 00:04:59,400 --> 00:05:02,479 Speaker 2: Yeah, I You're probably right, I should. That was a 98 00:05:02,560 --> 00:05:04,239 Speaker 2: moment that is frozen in time. 99 00:05:05,560 --> 00:05:07,760 Speaker 1: Literally they would freeze on it and replay it and 100 00:05:07,800 --> 00:05:08,760 Speaker 1: replay it. 101 00:05:08,600 --> 00:05:12,039 Speaker 2: So many memes from that and be cool. Don't be 102 00:05:12,080 --> 00:05:14,520 Speaker 2: like all uncle, I mean that's you know. 103 00:05:15,839 --> 00:05:17,080 Speaker 1: You're so graceful. 104 00:05:17,480 --> 00:05:19,240 Speaker 2: Well you know, my daughter said, mom, at least you 105 00:05:19,279 --> 00:05:21,040 Speaker 2: felt very gracefully. Yes. 106 00:05:21,720 --> 00:05:24,720 Speaker 1: Oh well, I think you should do a song about that. 107 00:05:25,040 --> 00:05:28,560 Speaker 1: And since I so, I brought it up here as inspiration, 108 00:05:29,040 --> 00:05:31,560 Speaker 1: I feel like maybe I could be your muse and like, 109 00:05:32,120 --> 00:05:34,320 Speaker 1: or I could play like a bush on stage or something. 110 00:05:34,360 --> 00:05:37,160 Speaker 1: I'd be like, why just something anything, I just want 111 00:05:37,160 --> 00:05:37,720 Speaker 1: to work with you. 112 00:05:38,120 --> 00:05:42,600 Speaker 2: Oh that's that's so sweet. That would be Do you 113 00:05:42,640 --> 00:05:43,120 Speaker 2: like to sing? 114 00:05:43,480 --> 00:05:43,880 Speaker 1: I do? 115 00:05:44,240 --> 00:05:45,680 Speaker 2: Oh good? What's your go to? 116 00:05:46,200 --> 00:05:48,760 Speaker 1: Oh? My gosh, I'm an eighties girl. I mean I'm 117 00:05:48,760 --> 00:05:51,440 Speaker 1: not literally an eighties girl, but I like eighties songs. 118 00:05:51,480 --> 00:05:55,000 Speaker 1: So anything bangles or like totally clips of the Heart 119 00:05:55,120 --> 00:05:59,599 Speaker 1: or Betty Davis eyes or like but I love like. 120 00:05:59,720 --> 00:06:04,120 Speaker 2: These and Dave sas Yes, God. 121 00:06:03,760 --> 00:06:07,560 Speaker 1: Be still my beauty heart. Am I supposed to call 122 00:06:07,600 --> 00:06:09,680 Speaker 1: you countess? Am I supposed to call you lu An? 123 00:06:09,760 --> 00:06:12,920 Speaker 1: Am I supposed to call you a hot goddess? 124 00:06:13,839 --> 00:06:18,000 Speaker 2: Well listen, you know people know me as countess, right, 125 00:06:18,040 --> 00:06:20,960 Speaker 2: But you know people love using my title more than 126 00:06:21,000 --> 00:06:24,200 Speaker 2: I use my title. So I leave it up to you, darling, 127 00:06:24,279 --> 00:06:26,680 Speaker 2: and call me Lou. You can call me countess, you 128 00:06:26,680 --> 00:06:29,520 Speaker 2: can call me Luan. That seems to be the That 129 00:06:29,560 --> 00:06:32,040 Speaker 2: seems to be like the kind of order. A lot 130 00:06:32,040 --> 00:06:34,440 Speaker 2: of people call me Lou, you know, because they feel 131 00:06:34,480 --> 00:06:36,960 Speaker 2: like they're my friend, so they call me Lou. It's 132 00:06:37,160 --> 00:06:39,839 Speaker 2: it's really cute. Actually, I mean, London was off the hook. 133 00:06:39,880 --> 00:06:42,240 Speaker 2: I had thirty thousand or forty thousand people in front 134 00:06:42,240 --> 00:06:45,239 Speaker 2: of me. It was just an incredible feeling. And everyone 135 00:06:45,240 --> 00:06:48,400 Speaker 2: in them sitting a money camp by your classs. You know, 136 00:06:48,400 --> 00:06:51,039 Speaker 2: it's like, oh my god, this is insane. You know. 137 00:06:51,240 --> 00:06:54,719 Speaker 2: I saw on Vogue Amanda Lapour came and did her shot. 138 00:06:54,800 --> 00:06:57,840 Speaker 2: You've never seen her perform. She was great. I love 139 00:06:57,880 --> 00:07:03,080 Speaker 2: her thonging. I love my pussy I'm dying. I had 140 00:07:03,120 --> 00:07:05,920 Speaker 2: the Pussycat Dolls come to say it was it was really, 141 00:07:06,480 --> 00:07:09,880 Speaker 2: it was really amazing. And you know, now I'm back 142 00:07:09,920 --> 00:07:11,560 Speaker 2: in the US. I just realized I'm gonna be out 143 00:07:11,600 --> 00:07:13,160 Speaker 2: in California, but I'm doing San Diego. 144 00:07:13,280 --> 00:07:14,840 Speaker 1: Do you think I can give VIP tickets? 145 00:07:15,280 --> 00:07:20,400 Speaker 2: Definitely come everybody else, Girls Trip Road Tripped. 146 00:07:21,240 --> 00:07:21,640 Speaker 1: Really. 147 00:07:22,680 --> 00:07:23,880 Speaker 2: Oh, you're gonna love the show. 148 00:07:23,920 --> 00:07:26,120 Speaker 1: It's you know, it's Girls Summer. 149 00:07:27,040 --> 00:07:31,280 Speaker 2: Yeah, it's it's it's a fun show. People just you know, 150 00:07:31,320 --> 00:07:34,120 Speaker 2: they come in their sequence, in their statement necklaces. You know, 151 00:07:34,160 --> 00:07:36,480 Speaker 2: they show up for me. And it's so great. It's 152 00:07:36,480 --> 00:07:39,360 Speaker 2: like a big sing along. It's immersive, and you know, 153 00:07:39,720 --> 00:07:41,840 Speaker 2: if if you go there alone, you don't leave alone 154 00:07:41,880 --> 00:07:46,200 Speaker 2: because people are connected through the Housewives universe. It's pretty amazing. 155 00:07:46,720 --> 00:07:50,200 Speaker 1: It's true. But even if you're not a fan of Housewives, 156 00:07:50,240 --> 00:07:52,760 Speaker 1: like I have friends that have never seen Housewives that 157 00:07:52,800 --> 00:07:56,200 Speaker 1: want to see your show and fell in love with you, Like, oh, 158 00:07:56,240 --> 00:07:58,120 Speaker 1: that's right. I have so many friends that have seen 159 00:07:58,160 --> 00:08:00,400 Speaker 1: your show, and I was bummed when I didn't get 160 00:08:00,400 --> 00:08:03,280 Speaker 1: to see it in La near your past show not 161 00:08:03,520 --> 00:08:07,440 Speaker 1: Mary f killed the new one on tour, I'm so excited. Wait, 162 00:08:07,440 --> 00:08:09,800 Speaker 1: you can see the question money Can't Buy Your Class? 163 00:08:09,840 --> 00:08:12,680 Speaker 1: When you sang that song, were you thinking like this 164 00:08:12,760 --> 00:08:14,520 Speaker 1: is a good way to integrate it into the show, 165 00:08:14,560 --> 00:08:18,800 Speaker 1: because the show totally was a platform for other businesses 166 00:08:18,800 --> 00:08:22,840 Speaker 1: that anyone wanted to do. Or how did that come about? 167 00:08:23,200 --> 00:08:25,680 Speaker 2: Well, so I wrote a book on managers and etiquete 168 00:08:25,680 --> 00:08:28,400 Speaker 2: because you know, I lived in Europe for many years 169 00:08:28,520 --> 00:08:30,320 Speaker 2: and you know, married a Frenchman, I lived in the 170 00:08:30,320 --> 00:08:34,400 Speaker 2: Swiss helps and you know I was around you know, 171 00:08:35,240 --> 00:08:37,400 Speaker 2: royals the whole time. You know, the King of Greece 172 00:08:37,480 --> 00:08:42,200 Speaker 2: is my friend, and and so you know, I had 173 00:08:42,240 --> 00:08:45,600 Speaker 2: to learn to be elegant, you know. And that's that's 174 00:08:45,600 --> 00:08:47,720 Speaker 2: what money Can't Buy Your Classes all about. It's like, 175 00:08:47,960 --> 00:08:49,920 Speaker 2: it's not about the money. It's about how you treat 176 00:08:49,960 --> 00:08:52,360 Speaker 2: people and respect for others. And the aristocrats are really 177 00:08:52,360 --> 00:08:54,000 Speaker 2: good at that because they have to greet a lot 178 00:08:54,000 --> 00:08:58,320 Speaker 2: of people and so so, so the book came about 179 00:08:58,360 --> 00:09:00,960 Speaker 2: and then I thought I wanted to do me write 180 00:09:01,040 --> 00:09:03,800 Speaker 2: music and wanted to make a song. And I went 181 00:09:03,840 --> 00:09:07,120 Speaker 2: to see a producer is a gold at the time, 182 00:09:07,400 --> 00:09:09,360 Speaker 2: and he said, what do you want to sing about it? 183 00:09:09,360 --> 00:09:10,520 Speaker 2: And he goes well, I don't know. I just wrote 184 00:09:10,559 --> 00:09:12,640 Speaker 2: this book on manners and etiquette. So I have like 185 00:09:12,720 --> 00:09:15,960 Speaker 2: takeaway lines from class with the Countess, and they were 186 00:09:16,559 --> 00:09:20,600 Speaker 2: elegance has learned. Money can't buy you class. You know, 187 00:09:20,920 --> 00:09:24,160 Speaker 2: being interested is what makes you self. Well there, you know, 188 00:09:24,240 --> 00:09:27,320 Speaker 2: all these things came out of really the book, and 189 00:09:27,360 --> 00:09:28,560 Speaker 2: that's how I wrote the song. 190 00:09:29,679 --> 00:09:31,760 Speaker 1: Did you know you would go on to go on 191 00:09:31,880 --> 00:09:35,760 Speaker 1: tour and have a cabaret show? Like wow, talk about manifesting. 192 00:09:36,400 --> 00:09:39,000 Speaker 2: Well, yeah, I'm a manifesto. I believe totally in that. 193 00:09:39,080 --> 00:09:41,800 Speaker 2: We you know, we write our stories because life is 194 00:09:41,800 --> 00:09:46,200 Speaker 2: a cabaret, no matter what Bethany says. And a really 195 00:09:46,240 --> 00:09:48,040 Speaker 2: good friend of mine, old friend, says to me, Luke, 196 00:09:48,080 --> 00:09:51,240 Speaker 2: you love to entertain, you love to be a hostess, 197 00:09:51,320 --> 00:09:54,079 Speaker 2: you love to sing for your friends, and you love 198 00:09:54,120 --> 00:09:56,199 Speaker 2: to tell jokes, which is all true, and he goes, 199 00:09:56,240 --> 00:09:58,680 Speaker 2: you should be doing cabaret. And that's really where I 200 00:09:58,720 --> 00:10:00,880 Speaker 2: had the idea. And then I didn't do it. You know, 201 00:10:00,880 --> 00:10:04,720 Speaker 2: I got married, I got divorced in between. Yeah, so 202 00:10:04,800 --> 00:10:06,240 Speaker 2: a lot of things got in the way. And then 203 00:10:06,280 --> 00:10:10,679 Speaker 2: finally I started with the cabaret and I didn't realize 204 00:10:10,720 --> 00:10:14,360 Speaker 2: I was like filling a void for something that is 205 00:10:14,800 --> 00:10:17,440 Speaker 2: really it doesn't really exist that much anymore, or cabaret. 206 00:10:17,480 --> 00:10:21,400 Speaker 2: You know Eliza Cheetah, you know, Bette Midler, all the greats. 207 00:10:21,440 --> 00:10:24,439 Speaker 2: You know, they're not doing it anymore. And then so 208 00:10:24,520 --> 00:10:26,560 Speaker 2: somehow I felt this void I didn't even know I 209 00:10:26,600 --> 00:10:29,960 Speaker 2: was filling. And because it started as Countess and France, 210 00:10:30,320 --> 00:10:32,920 Speaker 2: it wasn't count as cabaret. I had, you know, guests, 211 00:10:32,960 --> 00:10:35,800 Speaker 2: I've had, Lance Bass has been in my show. You know, 212 00:10:35,840 --> 00:10:37,400 Speaker 2: I had a lot of people when I used to 213 00:10:37,440 --> 00:10:40,200 Speaker 2: have guests. And then I realized having guests, they would 214 00:10:40,200 --> 00:10:42,800 Speaker 2: go to the bathroom, go get a drink. The minute 215 00:10:42,840 --> 00:10:45,880 Speaker 2: I left the stage, they would start moving around. So 216 00:10:45,960 --> 00:10:48,640 Speaker 2: we realized that it was it was Countess Cabaret is 217 00:10:48,679 --> 00:10:50,960 Speaker 2: what it became. And you know I've been doing since 218 00:10:51,040 --> 00:10:53,839 Speaker 2: twenty eighteen. You know, I love the show. I love 219 00:10:53,880 --> 00:10:56,840 Speaker 2: the creative part of it. So yeah, I'm looking forward 220 00:10:56,840 --> 00:10:57,680 Speaker 2: for you to see the show. 221 00:10:58,000 --> 00:11:08,319 Speaker 1: I can't wait to see it. Okay, I'm going to 222 00:11:08,400 --> 00:11:11,120 Speaker 1: go back to my idea of the bush song. So 223 00:11:11,880 --> 00:11:14,079 Speaker 1: it's like the bush in the bush. Do you believe 224 00:11:14,120 --> 00:11:14,880 Speaker 1: the bush is back? 225 00:11:17,400 --> 00:11:20,000 Speaker 2: You know what, It wouldn't surprise me. 226 00:11:20,760 --> 00:11:22,160 Speaker 1: Remember when it came back for a bit. 227 00:11:22,480 --> 00:11:25,640 Speaker 2: Yeah, it's funny because you know, we spend our lives 228 00:11:25,640 --> 00:11:28,200 Speaker 2: trying to get rid of hair, right and then and 229 00:11:28,240 --> 00:11:30,520 Speaker 2: then it's like then it's like now we were trying 230 00:11:30,520 --> 00:11:34,280 Speaker 2: to keep it, so you know. So yeah, it doesn't 231 00:11:34,280 --> 00:11:35,760 Speaker 2: surprise me that the bush is back. 232 00:11:36,240 --> 00:11:38,440 Speaker 1: Yeah. Well, just for the sake of the song, I 233 00:11:38,480 --> 00:11:41,200 Speaker 1: feel like we should explore the bush being back and 234 00:11:41,280 --> 00:11:42,800 Speaker 1: you in a bush and I can pop out of 235 00:11:42,840 --> 00:11:44,760 Speaker 1: the bush and be like a murking or something. I 236 00:11:44,760 --> 00:11:48,240 Speaker 1: don't know. You play around that. I love you want it, 237 00:11:50,040 --> 00:11:52,680 Speaker 1: and I just before we go, I want to ask you, 238 00:11:53,240 --> 00:11:56,360 Speaker 1: I am going through a divorce. I'm in my fifty. 239 00:11:56,120 --> 00:11:57,560 Speaker 2: Yeah, I'm sorry to hear that, darling. 240 00:11:58,400 --> 00:12:02,120 Speaker 1: Easy no, never easy it. Thank you for saying sorry. 241 00:12:02,160 --> 00:12:04,839 Speaker 1: I don't take compliments. Well that's not a compliment. That 242 00:12:04,920 --> 00:12:07,199 Speaker 1: was an apology, but you know what I mean. Yeah, 243 00:12:07,280 --> 00:12:09,240 Speaker 1: it's all works out the way it's supposed to work 244 00:12:09,280 --> 00:12:11,439 Speaker 1: out and when it is supposed to work out. So 245 00:12:11,920 --> 00:12:16,160 Speaker 1: where's my time? And I've seen nothing for me? 246 00:12:16,320 --> 00:12:18,280 Speaker 2: Best decade, best decade of my life. 247 00:12:18,440 --> 00:12:21,240 Speaker 1: Okay, that's what I wanted to hear. I mean, I 248 00:12:21,360 --> 00:12:24,040 Speaker 1: feel just from watching on TV for so many years, 249 00:12:24,120 --> 00:12:28,040 Speaker 1: You've never looked better. I mean, you are really crushing 250 00:12:28,080 --> 00:12:31,080 Speaker 1: it out there, and I hope to follow suits. 251 00:12:31,360 --> 00:12:34,480 Speaker 2: Well you will, darling, because guess what you will it 252 00:12:34,520 --> 00:12:38,040 Speaker 2: to happen. You manifested it. And you know, people don't 253 00:12:38,080 --> 00:12:41,440 Speaker 2: talk positively to themselves, you know, and what you put 254 00:12:41,480 --> 00:12:44,280 Speaker 2: out in the universe and what you say about about 255 00:12:44,280 --> 00:12:48,240 Speaker 2: yourself matters, you know. So you know that's I talk 256 00:12:48,280 --> 00:12:50,160 Speaker 2: about that in my book too, and I talk about 257 00:12:50,160 --> 00:12:52,880 Speaker 2: that in my music. You know, Passion is the key 258 00:12:52,960 --> 00:12:55,520 Speaker 2: fine live the life you want to live. There's no sympathy. 259 00:12:55,920 --> 00:12:58,120 Speaker 2: Don't forget to see the best life can be so soft. 260 00:12:58,200 --> 00:13:00,280 Speaker 2: The little things can take you down. So it's best 261 00:13:00,400 --> 00:13:04,160 Speaker 2: brush of all. So hair done, Jewelriiano Meir on the wall. 262 00:13:04,200 --> 00:13:06,520 Speaker 2: Who's the fairest in the land. I guess it's not 263 00:13:06,600 --> 00:13:09,600 Speaker 2: their call. You know. Beauty, class and aliens lie within 264 00:13:09,640 --> 00:13:12,200 Speaker 2: the soul. Money, power and romance are waiting for us. 265 00:13:12,240 --> 00:13:16,080 Speaker 2: All she say LEVI say boom, say boom. That's my lyrics, 266 00:13:16,080 --> 00:13:18,400 Speaker 2: that's my philosophy, you know. And I think that's why 267 00:13:18,440 --> 00:13:23,600 Speaker 2: people relate to my music, because it's very inspirational. Because 268 00:13:24,000 --> 00:13:25,760 Speaker 2: you know, if you don't think you're great. Nobody else 269 00:13:25,840 --> 00:13:27,280 Speaker 2: is going to think you're great. And that's true. 270 00:13:27,840 --> 00:13:31,080 Speaker 1: My gosh, can we talk about dating and sex in 271 00:13:31,120 --> 00:13:31,800 Speaker 1: your fifties? 272 00:13:32,120 --> 00:13:34,400 Speaker 2: Yes, I mean that. Why do you think Mary f kill? 273 00:13:34,800 --> 00:13:34,960 Speaker 1: You know? 274 00:13:35,000 --> 00:13:37,360 Speaker 2: It's all about that, you know, It's all about we 275 00:13:37,480 --> 00:13:39,959 Speaker 2: all marry, we all fuck, and we want to get 276 00:13:40,000 --> 00:13:43,480 Speaker 2: rid of people, you know, so you know, because we're 277 00:13:43,480 --> 00:13:45,040 Speaker 2: not killing anybody, but we want to get rid of 278 00:13:45,040 --> 00:13:47,360 Speaker 2: people in our lives, you know. And my mentor would 279 00:13:47,360 --> 00:13:49,680 Speaker 2: always say, get rid of the negative people so you 280 00:13:49,679 --> 00:13:52,160 Speaker 2: can make room for the good ones, you know. And 281 00:13:53,440 --> 00:13:58,520 Speaker 2: so anyway, I I talk about my you know, dating apps, 282 00:13:58,640 --> 00:14:02,880 Speaker 2: I talk about you know, marriages, I talk about you know, 283 00:14:03,520 --> 00:14:06,480 Speaker 2: I play house ise moments where they're going. Life is 284 00:14:06,520 --> 00:14:09,880 Speaker 2: not a cabaret, Oh yes it is. It is for me. 285 00:14:10,080 --> 00:14:12,560 Speaker 2: Maybe not for you, but it is for me. And 286 00:14:12,600 --> 00:14:16,160 Speaker 2: really what that means is it's my story and I 287 00:14:16,160 --> 00:14:18,040 Speaker 2: can tell tell it and write it the way I 288 00:14:18,080 --> 00:14:20,760 Speaker 2: want to, right, And that's what I love about the 289 00:14:20,800 --> 00:14:23,600 Speaker 2: freedom of cabaret because I can say anything I want 290 00:14:23,640 --> 00:14:26,000 Speaker 2: and I can see anything I want, and I don't 291 00:14:26,040 --> 00:14:28,720 Speaker 2: have to deal with TV rights. 292 00:14:28,880 --> 00:14:36,240 Speaker 1: Or adding perfect So you do dabble with dating younger men. Correct, Yeah, 293 00:14:36,320 --> 00:14:36,560 Speaker 1: you know. 294 00:14:36,760 --> 00:14:40,200 Speaker 2: Listen, the thirty forty somethings are all up into my stuff. 295 00:14:40,760 --> 00:14:43,200 Speaker 2: The fifty year olds are like, shit, I'm fifty. I 296 00:14:43,200 --> 00:14:45,440 Speaker 2: need a twenty year old. And the sixty year olds 297 00:14:45,720 --> 00:14:48,000 Speaker 2: have a little problem in the lower level, as Ramona 298 00:14:48,000 --> 00:14:50,840 Speaker 2: would call it. Let's call it the basement. That's what 299 00:14:50,920 --> 00:14:55,600 Speaker 2: it is. So, yeah, I dabble because I'm dating right now. 300 00:14:55,720 --> 00:14:59,120 Speaker 2: I'm having so much fun. You know, I'm not dating anybody, 301 00:15:00,000 --> 00:15:03,440 Speaker 2: you know, on a regular basis. I'm just dating having fun. Sure, 302 00:15:03,480 --> 00:15:05,200 Speaker 2: I have some guys that I like to see, et cetera. 303 00:15:05,720 --> 00:15:09,000 Speaker 2: But you know, and Mary f kill you know, I say, 304 00:15:09,560 --> 00:15:13,560 Speaker 2: three times the charm, So catch me if you can, 305 00:15:14,040 --> 00:15:16,680 Speaker 2: you know. So it's about there's men that I would marry. 306 00:15:16,680 --> 00:15:18,880 Speaker 2: They give me such a thrill. There's men that I 307 00:15:18,920 --> 00:15:21,000 Speaker 2: would f and men that I would kill, you know. 308 00:15:21,480 --> 00:15:25,000 Speaker 2: So my show's all about that. It's all about dating 309 00:15:25,320 --> 00:15:28,160 Speaker 2: and about you know, the love affair with life. 310 00:15:28,440 --> 00:15:30,120 Speaker 1: Do you think you'll get married a third time? 311 00:15:30,400 --> 00:15:33,520 Speaker 2: Who knows? You know, who knows? But I'm a hopeless romantic, 312 00:15:33,600 --> 00:15:35,400 Speaker 2: let's put it that way. And I love men and 313 00:15:35,480 --> 00:15:37,600 Speaker 2: I love sex. So there you go. R eight. 314 00:15:37,800 --> 00:15:39,400 Speaker 1: Sorry, may I ask how old you are? 315 00:15:40,000 --> 00:15:44,800 Speaker 2: Fifty nine? I just turned fifty nine. I know. I'm like, 316 00:15:45,080 --> 00:15:46,840 Speaker 2: oh my god, I can't deal with the six in front. 317 00:15:46,880 --> 00:15:47,240 Speaker 2: I can't. 318 00:15:47,400 --> 00:15:50,240 Speaker 1: I know so that I'm having a conversation with a 319 00:15:50,280 --> 00:15:52,720 Speaker 1: forty nine year old yesterday and she was like, I 320 00:15:52,840 --> 00:15:55,600 Speaker 1: just feel like I'm going to embrace fifty in the number. 321 00:15:55,600 --> 00:15:57,320 Speaker 1: And I was like, oh, you'll see when you get there. 322 00:15:57,400 --> 00:15:59,160 Speaker 1: I just turned fifty one, and I was like, I 323 00:15:59,160 --> 00:16:01,840 Speaker 1: don't know if I'm ready, but the six and I know, 324 00:16:02,160 --> 00:16:04,800 Speaker 1: and everyone says, it's all numbers. You don't feel that way, 325 00:16:04,840 --> 00:16:06,880 Speaker 1: you don't look that way. What does it matter what? 326 00:16:06,880 --> 00:16:09,440 Speaker 1: It's the number that we're conditioned to be like, oof, 327 00:16:09,480 --> 00:16:10,640 Speaker 1: that number is getting up there. 328 00:16:11,160 --> 00:16:13,720 Speaker 2: Yeah, well, you know condition is the right word, because 329 00:16:14,200 --> 00:16:17,080 Speaker 2: you know, when we were twenty, a sixty year old 330 00:16:17,200 --> 00:16:20,240 Speaker 2: was like oh right, yeah, like to say, oh, six 331 00:16:20,360 --> 00:16:23,120 Speaker 2: year old, right, six year old women are fabulous. I 332 00:16:23,160 --> 00:16:26,800 Speaker 2: mean it's like it's sixties new fifty and fifties new forty, 333 00:16:26,840 --> 00:16:28,600 Speaker 2: and you know what I mean. I think, you know, 334 00:16:28,680 --> 00:16:31,239 Speaker 2: it's just a it's what we've been kind of conditioned 335 00:16:31,280 --> 00:16:34,040 Speaker 2: to think. But as we get closer to the age 336 00:16:34,080 --> 00:16:36,440 Speaker 2: that we realized. You know, this ain's so bad. I 337 00:16:36,560 --> 00:16:39,800 Speaker 2: kind of I'm in I'm loving this decade. I love fifties. 338 00:16:40,120 --> 00:16:40,920 Speaker 1: Same so far. 339 00:16:41,320 --> 00:16:45,960 Speaker 2: I feel great. I feel free, you know, and you know, 340 00:16:46,000 --> 00:16:50,840 Speaker 2: there's no clicking uh sorry, there's no ticking clock and 341 00:16:50,880 --> 00:16:54,360 Speaker 2: I sing that also in Mary Fkill. You know, my 342 00:16:54,480 --> 00:16:57,760 Speaker 2: ticking clock has stopped. And now I'm feeling free, you know. 343 00:16:57,920 --> 00:16:59,680 Speaker 2: So there's no like, oh shit, I got to have 344 00:16:59,720 --> 00:17:03,520 Speaker 2: baby from you know, forty, or there's no you know, 345 00:17:03,680 --> 00:17:06,040 Speaker 2: am I going to get married? You know? Will I 346 00:17:06,080 --> 00:17:08,880 Speaker 2: get the house I always wanted? Will I have children 347 00:17:08,920 --> 00:17:11,040 Speaker 2: that I've always wanted? You know, I feel like at 348 00:17:11,040 --> 00:17:13,320 Speaker 2: this point I got really everything that I've wanted. And 349 00:17:14,000 --> 00:17:18,119 Speaker 2: you know, so that's very helpful and making you feel comfortable, 350 00:17:18,359 --> 00:17:21,760 Speaker 2: you know, in this age. You know, I've met not 351 00:17:21,880 --> 00:17:26,160 Speaker 2: too long ago, a twenty eight year old charming, handsome, 352 00:17:27,000 --> 00:17:30,080 Speaker 2: well mannered, like very mature. 353 00:17:29,800 --> 00:17:30,639 Speaker 1: For his age. 354 00:17:31,280 --> 00:17:33,680 Speaker 2: Now I don't dip into the twenty year old pond 355 00:17:33,680 --> 00:17:36,720 Speaker 2: because I have a boy who's twenty seven. My kids are, 356 00:17:36,760 --> 00:17:38,400 Speaker 2: you know, almost thirty, for God's sake. 357 00:17:38,320 --> 00:17:39,639 Speaker 1: So thirty one is fine. 358 00:17:39,720 --> 00:17:42,639 Speaker 2: Yeah, I like, you know, I like to be age appropriate, 359 00:17:42,640 --> 00:17:45,639 Speaker 2: a little younger. That's that's cool. You know, the older 360 00:17:45,680 --> 00:17:49,160 Speaker 2: I get, the younger I want. When I was when 361 00:17:49,200 --> 00:17:52,119 Speaker 2: I was younger, I wanted older guys. Now when I'm 362 00:17:52,160 --> 00:17:54,679 Speaker 2: getting older, I want younger guys. So, but you know, 363 00:17:54,680 --> 00:17:56,920 Speaker 2: I recently met at fifty nine year old, same age 364 00:17:56,920 --> 00:18:03,280 Speaker 2: as me. Heid No he's not. He's actually, no, he's 365 00:18:03,280 --> 00:18:05,200 Speaker 2: a good fifty nine. Because I feel like a lot 366 00:18:05,200 --> 00:18:08,399 Speaker 2: of guys aren't kept as well as us ladies at 367 00:18:08,440 --> 00:18:09,600 Speaker 2: the fifties. 368 00:18:09,280 --> 00:18:11,720 Speaker 1: Right, Okay, yes, that's the problem. 369 00:18:12,000 --> 00:18:13,960 Speaker 2: Men are These men are like, eh, you know, I 370 00:18:14,000 --> 00:18:16,239 Speaker 2: look the way I look at whatever. Yeah, women are 371 00:18:16,359 --> 00:18:20,680 Speaker 2: you know, keeping up with the time, with the click, 372 00:18:20,880 --> 00:18:24,560 Speaker 2: the ticking clock of time, you know, and gravity, you know, 373 00:18:25,000 --> 00:18:26,200 Speaker 2: you have to fight gravity, darly. 374 00:18:26,359 --> 00:18:30,520 Speaker 1: Yeah, I know, I know. I told him so. My 375 00:18:30,600 --> 00:18:34,720 Speaker 1: daughter just turned sixteen, and the other night we had 376 00:18:34,720 --> 00:18:37,919 Speaker 1: an experience. We were talking to this young man and 377 00:18:37,960 --> 00:18:41,200 Speaker 1: he had the dreamiest now I sound old, dreamiest blue 378 00:18:41,200 --> 00:18:44,440 Speaker 1: eyes and all her friends are like, he's so hot. 379 00:18:44,600 --> 00:18:46,800 Speaker 1: And we walked away and I was like, oh my god, 380 00:18:46,840 --> 00:18:50,240 Speaker 1: he's so hot, and she goes, ew, Mom, you can't 381 00:18:50,280 --> 00:18:54,120 Speaker 1: say that, and I know why, I go I'm fifty. 382 00:18:54,240 --> 00:18:57,320 Speaker 1: But I'm not dead. I can acknowledge someone that's good looking. 383 00:18:57,359 --> 00:19:01,879 Speaker 1: I'm not going to date him, all right, right, but 384 00:19:01,920 --> 00:19:03,840 Speaker 1: I can't look at someone and be like, oh, that's 385 00:19:03,880 --> 00:19:05,040 Speaker 1: a fine looking guy. 386 00:19:05,320 --> 00:19:11,520 Speaker 2: Yeah, right, right, right right, yeah, you know it's darling. 387 00:19:11,560 --> 00:19:13,879 Speaker 2: It's a teenage thing. It will pass. Don't worry. 388 00:19:14,720 --> 00:19:18,879 Speaker 1: It's a teenage I've been there, I've been there. I'm sure. 389 00:19:20,400 --> 00:19:23,840 Speaker 1: Oh my gosh, I adore you. I could literally talk 390 00:19:23,880 --> 00:19:26,280 Speaker 1: to you all day and in San Diego. Maybe we'll 391 00:19:26,280 --> 00:19:27,400 Speaker 1: have a girl's night when it comes. 392 00:19:27,440 --> 00:19:29,880 Speaker 2: Oh that would be amazing. That would be so great. 393 00:19:29,880 --> 00:19:30,440 Speaker 2: You should come. 394 00:19:31,320 --> 00:19:32,000 Speaker 1: Oh I'm coming. 395 00:19:32,840 --> 00:19:36,040 Speaker 2: Yeah really? Oh good road trip. Yes, we'll have fun 396 00:19:36,080 --> 00:19:36,680 Speaker 2: after the show. 397 00:19:36,960 --> 00:19:39,960 Speaker 1: Okay, perfect. Thank you for being here today. 398 00:19:40,520 --> 00:19:43,800 Speaker 2: Thanks story, it's great to see you. And you know, 399 00:19:44,160 --> 00:19:49,560 Speaker 2: good luck with everything. It'll you know, life takes you 400 00:19:49,800 --> 00:19:51,960 Speaker 2: and I talked about this also my show. You know, 401 00:19:53,040 --> 00:19:58,600 Speaker 2: Heartbreak and and Change leads you to the next place, 402 00:19:58,640 --> 00:20:00,639 Speaker 2: you know what I mean. Like I would moved to 403 00:20:00,720 --> 00:20:02,879 Speaker 2: Europe unless I got a heartbroken at the age of 404 00:20:02,920 --> 00:20:05,480 Speaker 2: twenty five and that sent me to Europe. Really, I 405 00:20:05,480 --> 00:20:07,320 Speaker 2: moved to Europe to model, but really because I was 406 00:20:07,359 --> 00:20:11,560 Speaker 2: heartbroken and so these big changes in our life kind 407 00:20:11,600 --> 00:20:14,960 Speaker 2: of makes a shift, and and then you'll be onto 408 00:20:15,000 --> 00:20:17,920 Speaker 2: the next phase, which is going to be fabulous. 409 00:20:18,160 --> 00:20:20,879 Speaker 1: Thank you. It will be well, you just manifested it 410 00:20:20,920 --> 00:20:22,639 Speaker 1: for me, so thank you. There you I'm going to 411 00:20:22,720 --> 00:20:24,440 Speaker 1: manifest it. You told me to do it myself, right. 412 00:20:24,960 --> 00:20:28,600 Speaker 1: This next phase of my life, not will be is fabulous, 413 00:20:28,760 --> 00:20:30,640 Speaker 1: is the best one yet amazing. 414 00:20:32,119 --> 00:20:34,000 Speaker 2: Say Levis, say bo, say boon. 415 00:20:34,960 --> 00:20:35,320 Speaker 1: Love you