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Speaker 1: I am all in, kiss you, I am all in

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Speaker 1: with Scott Patterson and I heart radio podcast. Okay, here everybody,

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Speaker 1: Scott Patterson, I am all in podcast. Scott, Why so down?

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Speaker 1: What's going on? Right? Can you feel it? Yeah? I

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Speaker 1: think I'm Are you sad? Yeah, I'm going away, So

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Speaker 1: I'm a little sad. Wait, they're sending me up the river, Amy,

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Speaker 1: they got me this time where I'm going to sing,

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Speaker 1: sing for a long stretch Rikers whenever I watch sp

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Speaker 1: and you're like, oh no, we don't. You don't want

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Speaker 1: to go to Rikers. I'm to take the pick axe

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Speaker 1: to the rock pile for a number of decades. Just

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Speaker 1: you sad. Well, I'm gonna go away to the well.

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Speaker 1: You know, I'm gonna I'm gonna leave for five days,

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Speaker 1: four days. He just got very sad. Yes, bad, I

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Speaker 1: get because now you're back. But yeah, five days compared

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Speaker 1: to what you already did. Yeah, but you did just

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Speaker 1: get back. So I just I've only been back a

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Speaker 1: month and I'm going well, not even a month yet,

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Speaker 1: And so he thinks it's a long I said, listen,

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Speaker 1: it's just on Thursday too. I'll be back Monday, you know,

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Speaker 1: And you got Halloween. Did you get to do trick

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Speaker 1: or treating? Oh man, that was rock star trick or treating.

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Speaker 1: We went to an area out here that does it

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Speaker 1: up like it's a it's a music festival. It's unbelievable.

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Speaker 1: Um and he had a great time. He got overwhelmed.

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Speaker 1: I mean it like that we did. You missed it

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Speaker 1: for Halloween. But there's this super rad thing where you

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Speaker 1: go on walking tour and they create all these lights.

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Speaker 1: So they do it for Halloween and then they're doing

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Speaker 1: it for the holidays. It's called Holiday Road. You need

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Speaker 1: to go. I'm telling you your kid will like it.

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Speaker 1: Where is it up there in San Francisco? No, No, No,

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Speaker 1: in l are Yea in Calabasas. Yeah, really really really

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Speaker 1: at some some random like I don't even know what

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Speaker 1: it is, but horse thing. It's a ranch. It's where

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Speaker 1: they do they do Night of the Jacks for holliween,

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Speaker 1: I think that we've been there once for something good. Yes,

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Speaker 1: they red night. It's like Halloween's like Night of the Jacks,

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Speaker 1: and for holidays they do that. They actually have horses there,

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Speaker 1: they have cows, they have all you know. We we've been. Yeah,

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Speaker 1: it's like some kind of ranch. It's Gillette Ranch. Do

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Speaker 1: you know where they filmed? Really random fact they filmed

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Speaker 1: The Biggest Loser there for like the whole the whole time.

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Speaker 1: You know so much about Gillette Ranch because it's it's

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Speaker 1: really close to where I live. And when I was

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Speaker 1: an intern, I had went on the set of Biggest Loser.

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Speaker 1: That's fine, yeah, but they do a big They do

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Speaker 1: a big I mean, I've never seen a Halloween. Like

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Speaker 1: the whole neighborhood was just like every neighbor had massive

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Speaker 1: displays and it was shocking. It was actually really cool.

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Speaker 1: They had a dance floor, they had oh my god,

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Speaker 1: I mean, like the cops everywhere directing traffic and directing

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Speaker 1: foot traffic. I mean it was it was mayhem. It

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Speaker 1: was just it's Hollywood. It's like for people, but it wasn't.

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Speaker 1: But we're outside of Hollywood, so Hollywood and he really

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Speaker 1: did it up here? God wow? Yeah. Hit um in

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Speaker 1: Santa Monica seventeen. I think it's seventeen. It might be sixteen,

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Speaker 1: but like sixteen and Santa Sunny Go this year. Everybody

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Speaker 1: listening next year, Um, well here we are here, everybody,

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Speaker 1: We're back. Amy shert Amy I was just about to say,

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Speaker 1: Miss Sherman Palladino, but she's not. She's not sitting in

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Speaker 1: for the session. Sometimes what I see the compliments on

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Speaker 1: Instagram and they say, Amy, I think that's funny. That's

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Speaker 1: not that Amy momentary Hope then reality, Daniel Romo, Tara

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Speaker 1: sued Welcome, Amy Sugarman. Um So this is a festival

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Speaker 1: of living art. Who's gonna sit upside? I got you so.

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Speaker 1: Air date is November four, two thousand three, when Stars

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Speaker 1: Hollow puts on the Festival of Living Pictures, an event

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Speaker 1: in which the townspeople stage famous paintings. Rory appears in

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Speaker 1: Portrait of a young girl named Antia. Laura la plays

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Speaker 1: the beauty in the Dance at Booga bal while Kirk

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Speaker 1: is Jesus in the Last Supper. Meanwhile, Suki panics about

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Speaker 1: going past delivery date, and Laura like calms her down

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Speaker 1: with stories of the night Rory was born. Nicole tells

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Speaker 1: Luke she wants to hold off on a divorce and

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Speaker 1: give their relationship a chance. And Lane finds a great guitarist,

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Speaker 1: but he's a bit older than everyone else on the band.

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Speaker 1: It's so much, it's too much for me. It's too

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Speaker 1: much between Nicole, Sebastian Bach and the make up any

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Speaker 1: way and the baby the page too much to break

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Speaker 1: down this episode. It's a lot, there was a lot

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Speaker 1: going on. Give us your over review before we start.

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Speaker 1: We'll going over to give me your like overview. What

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Speaker 1: did you think, Scott? I thought it was I I

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Speaker 1: thought it was one of the best episodes that they

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Speaker 1: produced so far. I mean, it was just kind of

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Speaker 1: firing on all cylinders. And I noticed it was no

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Speaker 1: Richard and Emily. There was no mother daughter tension, negative tension,

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Speaker 1: and it you know, all of the all of the

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Speaker 1: humor and the tension came from the Kirk Jesus stuff

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Speaker 1: and the Jujas thing which was hysterical, and and um

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Speaker 1: the Taylor stuff. And I really like, you know, I

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Speaker 1: love seeing the town people come together to do something

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Speaker 1: for a common goal and do what they did it

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Speaker 1: very well. And it was just it was just like

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Speaker 1: everybody in you know, all of all of the cast

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Speaker 1: was I think doing some of their best work. Um,

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Speaker 1: like everybody like Lane and and and so top notch.

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Speaker 1: And she looked amazing. It was a great debut for

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Speaker 1: Sebastian Bach. I thought he came off really well, really

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Speaker 1: appealing character and great situations and um the jokes that's

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Speaker 1: where the band is talking about how he's old. It

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Speaker 1: was so funny, like it was, every single one of

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Speaker 1: those guys played it so well. And yes, Sebastian Bach

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Speaker 1: was genius casting like genius. It was. It was. It

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Speaker 1: was a really entertaining episode. I mean I laughed and

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Speaker 1: laughed and laughed and laughed. I mean it was just

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Speaker 1: a very pleasant atmosphere atmospheric. I mean, if I were

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Speaker 1: to have something in the background at all times, if

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Speaker 1: I were to choose an episode of what we've seen

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Speaker 1: so far, that would be the one because it was

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Speaker 1: just I just wanted to be around these people. This

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Speaker 1: shows you the strength of the show because you want

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Speaker 1: to be around, you want to spend time with all

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Speaker 1: of these characters. You know, Luke in this episode, maybe

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Speaker 1: not so much. He was like a cute It's a

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Speaker 1: little prickly, I thought. I thought, a little kind of

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Speaker 1: a little insane over the top, you know. I kind

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Speaker 1: of liked it when you're standing by that scarecrow about

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Speaker 1: they're going to ask me, and then in the cool scene,

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Speaker 1: I thought you were great. It was a big deal.

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Speaker 1: So they asked you. So they want you to be

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Speaker 1: ag and it's Taylor and he doesn't want to help Taylor.

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Speaker 1: I get that, but it's like, now, for those of

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Speaker 1: us of a certain age, Sebastian Bach was like he

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Speaker 1: was sort of like a cross between John bon Jovi

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Speaker 1: and Harry Styles. Like he was definitely like girls swounded

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Speaker 1: for that dude. Really he was rocker. So he wasn't

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Speaker 1: as much like teena idoly, but teens that was that

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Speaker 1: was that was metal, that was like hair bands. Yeah,

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Speaker 1: But when I was in high school, girls were like,

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Speaker 1: I love Sebastian Bok. That was like a thing. Right.

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Speaker 1: So when I was when I was growing up, it

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Speaker 1: was all, you know, because I'm the oldest one here.

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Speaker 1: It was all Zeppelin and the Who and you know

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Speaker 1: that kind of right right right, And then when these

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Speaker 1: hair bands came along, I mean that's what he looked like.

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Speaker 1: When these hair bands came along, we were like, nah, sorry, right,

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Speaker 1: I mean we rejected everybody would like kiss or anybody

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Speaker 1: like that, like you're wearing makeup really like just play

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Speaker 1: good music, you know, And we didn't understand it. So

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Speaker 1: and to this day, I don't understand, to be honest,

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Speaker 1: with you. But I know they were hugely popular, but

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Speaker 1: I really wasn't listening to rock music at that point anyway.

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Speaker 1: So I just had a really weird moment because I

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Speaker 1: was googling Sebastian Box. I didn't realize you didn't get

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Speaker 1: the well. I started googling and then I see this thing.

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Speaker 1: Did Sebastian Box have a stroke? And I was like,

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Speaker 1: oh no, thinking it was Gilmore Girls Sebastian Box, but

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Speaker 1: it was then I see in set nine. I mean,

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Speaker 1: but that goes along with the narrative. He's really old,

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Speaker 1: but we didn't mean like vampire old in the Gilmore

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Speaker 1: was wrong guy. But yeah, for some reason, I thought

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Speaker 1: gil comes in later. So when I saw him, I

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Speaker 1: was like, oh, he comes in this soon in the season.

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Speaker 1: I don't know why. I thought we have some time.

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Speaker 1: It's goods. It was good fresh new blood coming in

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Speaker 1: like that, and they had to bring it after Adam Brody.

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Speaker 1: They couldn't replace him with someone like Adam Brody. And

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Speaker 1: they sure went yeah, oh, bra yeah, let's go on order.

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Speaker 1: Let's uh, let's see how that feels. So we start

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Speaker 1: with Lord la Is hiding the coupons and Rory brings

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Speaker 1: home her dirty laundry and then picks, No, Scott, have

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Speaker 1: you clipped a coupon? We still do it? Do? I

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Speaker 1: remember my mom used to get like the little not brochures,

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Speaker 1: but like the newsletters and the mail. And I used

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Speaker 1: to just like I thought it was fun. I mean,

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Speaker 1: did you ever take him to the store? Did you

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Speaker 1: take him to the store and actually use them? Not

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Speaker 1: that I can ever recall it, but I don't, like,

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Speaker 1: are you kidding? One dollar off Jello? Let's get it

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Speaker 1: before before gilmore? Are you kidding me? I have my

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Speaker 1: back pocket was filled with am I going there? And like,

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Speaker 1: hang on, I think I got that one. Have you

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Speaker 1: ever seen those? Like the coupon lady at the grocery

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Speaker 1: store and she has like a cartful and she pays

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Speaker 1: like two dollars. Yeah, but she's standing there for like

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Speaker 1: an hour. Like, but if they don't want that, don't

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Speaker 1: send out the coupons. I mean people are gonna use,

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Speaker 1: you know, like the one that everyone uses is the bed,

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Speaker 1: bath and bed. It was just about like a big

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Speaker 1: golden ticket, you know. And we still get him in

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Speaker 1: the mail. I have those things like stacked up for

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Speaker 1: when they were going to bed and beyond okay, So

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Speaker 1: then we know that we've got some some band drama

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Speaker 1: because Lane just comes in and sticks her head in this.

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Speaker 1: I love that scene. Is there anything funnier than bad

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Speaker 1: poetry or bad guitar playing? I mean, it really is

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Speaker 1: a good backdrop for that scene. It's like just trying

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Speaker 1: to get through the coupon scene. What the horrible lead

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Speaker 1: guitar playing is? It was good. The only thing to

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Speaker 1: be more special than the clown pillow though, is that

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Speaker 1: random lady in the corner of the kitchen. Can someone

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Speaker 1: please please find the screenshots? It might be a cookie jar.

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Speaker 1: It's like a granny ceramic granny in the corner of

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Speaker 1: the kitchen, and I need it. You know, my crack

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Speaker 1: staff may have unearthed this for you. Should we wait

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Speaker 1: till the end of this just we will know we're

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Speaker 1: gonna wait. And they are real people. And let me

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Speaker 1: tell you something. You guys made fun of them and

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Speaker 1: they called me. That's because they do exist. And I

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Speaker 1: got it and I got an earful, I got a

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Speaker 1: near ful. Can't call you, I got a nerful. Let

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Speaker 1: me tell you. Let's keep it going because they don't

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Speaker 1: except they do. It's Scott maybe it's like Scott on

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Speaker 1: a laptop going and you're gonna and you're gonna meet

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Speaker 1: him at you know what, oh, you know what that

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Speaker 1: we aren't revealing to like December one, correct? I like it? Okay? Well,

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Speaker 1: then hello nick Offerman, Hello nick Offerman. Who was good?

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Speaker 1: But nick Offerman is so genius. I feel like they

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Speaker 1: could have used him even more. That was the role.

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Speaker 1: But he wasn't nick Offerman yet, was he right? He

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Speaker 1: was just nick Offerman. So nick Offerman is Megan Mollali's husband.

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Speaker 1: And then also Parks and Wreck? Is that right? Parks

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Speaker 1: and Wreck? Yeah? So okay, So we are learning about

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Speaker 1: the baby and the midwife. Uh, good stuff, funny stuff

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Speaker 1: the midwife, Bruce, very funny stuff. I'm sensing some negative

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Speaker 1: energy in the room. Laura was funny in that episode

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Speaker 1: and that she was really funny. I will bring this

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Speaker 1: up throughout because I do have the support of the fans.

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Speaker 1: Laura Laura Lee almost said Laura and lor Lae. Her

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Speaker 1: fashion in this episode is literally ten out of ten.

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Speaker 1: It is so epic with the T shirt turned inside out, Yeah,

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Speaker 1: the T shirt with a T shirt under It's like

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Speaker 1: she's got the and then she's got this jacket that

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Speaker 1: I would almost call like a bomber style maybe like

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Speaker 1: a bomber style light with the colors on the sleeves.

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Speaker 1: I mean, I like that jacket that was very like

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Speaker 1: two thousands of her obviously in the two thousands, but

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Speaker 1: like the long sleeve under the short sleeves, like I

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Speaker 1: want to bring it back. I feel like it kind

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Speaker 1: of I feel I've seen girls wear like T shirts

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Speaker 1: under like like dresses, dresses. That's like a thing now

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Speaker 1: that's bringing back like the nineties. But Scott Luke does

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Speaker 1: that T shirt under the T shirt, you know, the

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Speaker 1: long sleeved, like the thermal under the T shirt. She

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Speaker 1: was kind of rocking another version of that, and I

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Speaker 1: give it a thumbs uh yeah, let's vote. Oh yeah,

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Speaker 1: yeah yeah nice good. Okay. So then Scott, I don't

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Speaker 1: know why you weren't there, But it's the town meeting,

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Speaker 1: the emergency town meeting. Yeah, why wasn't Luke there? Were there? Um,

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Speaker 1: I don't know. Maybe I may have lobbied to no

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Speaker 1: longer be town meetings because they didn't want to be

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Speaker 1: in them anymore because they were too they took too

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Speaker 1: long to shooting and it was too hot. In there,

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Speaker 1: but I think they did it. I know it was

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Speaker 1: season four, so I don't know. I don't know. Maybe

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Speaker 1: you're supposed to just be at the diner doing something. Yeah, yeah,

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Speaker 1: I think that's how I. I pitched it to Amy

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Speaker 1: and Dan, like, do I have to be in these things? No?

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Speaker 1: Is that real? Do you think you actually intentionally weren't

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Speaker 1: in there? Yeah? I mean I didn't want to be

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Speaker 1: in them, and I voiced that that's so good because

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Speaker 1: Luke doesn't want to go. Scott didn't want to go either.

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Speaker 1: I think my joke is that Scott is Luke and

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Speaker 1: Lucas Scott. Let me tell you something. Luke called me

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Speaker 1: and said, why do we have to be in these

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Speaker 1: cockam there? There's no reason for I'm gonna call him

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Speaker 1: and Dan. Let's see what I can do. But the

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Speaker 1: joke that couldn't have gone on longer. That was funny.

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Speaker 1: Every time my girlfriend, my girlfriend, it's right behind my girlfriend?

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Speaker 1: Did you see my girlfriend? Let me it's just over

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Speaker 1: the shoulder of my girlfriend. Like, that's my favorite line,

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Speaker 1: is the girlfriend the many Oh, my girlfriend, Lane, there's

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Speaker 1: a seat right behind me, behind my girlfriend, Like literally,

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Speaker 1: like it's so many girlfriends so I think someone like,

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Speaker 1: is it hot here? My girlfriend's a little And it

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Speaker 1: was so going on so long, but yet it was

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Speaker 1: funny every single time, and she didn't mind. Like if

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Speaker 1: I was the girlfriend, I would have been like, you

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Speaker 1: need to stop. Lulu was living for it. Yeah, um

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Speaker 1: okay whatever, but whatever else say about the town hall

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Speaker 1: was hysterical. The woman what was her name, her name was,

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Speaker 1: last name was Otis. What was her first name? Mrs

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Speaker 1: van Upty, Yeah, Mrs so Good. I just loved when

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Speaker 1: he goes so Taylor. Taylor comes out and says, talks

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Speaker 1: about Hank and he goes he's the Taylor Dosy of

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Speaker 1: wood Bear. Yeah, you're like, oh, now I have a

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Speaker 1: perfect pictures. Was this the first time they really talked

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Speaker 1: about Woodberry? I can't remember. No, No, they mentioned it

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Speaker 1: from time. It was just like very Woodberry heavy this episode.

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Speaker 1: I'm like, I kind of wish we like saw Woodberry.

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Speaker 1: What about what about the episode where the celebrities they

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Speaker 1: were doing a movie and Woodburry and this all the

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Speaker 1: celebrities there. Taylor was pot about that and why can't

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Speaker 1: we get celebrities to stay here? Have we gotten? I

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Speaker 1: don't think we've gotten there yet yet I think they

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Speaker 1: stay at Scott. What like the fact that you have

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Speaker 1: like a yeah, that's the most random one sucking Scott's

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Speaker 1: like remember Woodbury? Well, the reason is this because where

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Speaker 1: I grew up, there was a town a couple of

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Speaker 1: towns away named Woodbury. So stuck with me. Yeah, I

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Speaker 1: feel like there's a town in Walking Dead called Woodberry.

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Speaker 1: That's scary. Woodberry is very common. Shout out to eye

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Speaker 1: Lean Woodberry. That works for our heart. Shout out to Woodbury,

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Speaker 1: New Jersey and the Colonial conference gold berries. I don't know.

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Speaker 1: You're eating too much Halloween candy, I think, I think, so,

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Speaker 1: why is this divorce still going on? Scott? You've got lawyers?

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Speaker 1: Forgot that, like this was happening. When she came back,

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Speaker 1: I was like, wait, this isn't done yet, Like I forgot.

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Speaker 1: It's like Brad and Angelina is Nicole and Luke? Like

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Speaker 1: what is going on? I don't know that. To me,

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Speaker 1: it didn't fit in the episode at all. You know,

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Speaker 1: you thought it was like bit more jarring, Like what's it?

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Speaker 1: I don't I didn't like in this specific episode. Is

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Speaker 1: that what you mean? Yeah? I could see that. I

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Speaker 1: kind of loved it. Yeah, I like some drama in

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Speaker 1: Luke's life, Like I like to see how he handles it.

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Speaker 1: It's interesting, interesting perspective. I don't know. I thought she

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Speaker 1: said something. I don't I can't remember the exact line,

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Speaker 1: but I felt like Nicole comes back and she said

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Speaker 1: something like who doesn't want to see us try again?

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Speaker 1: Or something? And I was like, I don't, thanks you.

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Speaker 1: I mean, let's be honest, Yeah, I've done. Were you

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Speaker 1: excited to see her return? Me personally the character or

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Speaker 1: me the actor? You Scott the human. I always like

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Speaker 1: to working with Trish. Yeah, she's great. No, but okay,

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Speaker 1: were you excited as Scott to see Nicole come back

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Speaker 1: for Luke tell the truth? Um? I don't know that

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Speaker 1: I had an opinion at the time. I don't know

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Speaker 1: that I cared. I was like, oh, we'll do this

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Speaker 1: thing now, okay, and what about now? Like I said,

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Speaker 1: I just didn't think it was needed. I think it's

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Speaker 1: like like, like you know, we're beating that horse to death.

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Speaker 1: It's like, jeez, let it go factory for God's I

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Speaker 1: kind of liked it, but it's the same story again

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Speaker 1: as as Luke's previous girlfriend. For the life of me,

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Speaker 1: cannot name right now the photographer, Yeah, the one that

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Speaker 1: traveled the world Rachel. So it's just just different name

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Speaker 1: because it's the same thing. They leave, they come back.

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Speaker 1: I think it's like, you know, maybe they just they

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Speaker 1: have this need in the writer's room, let's write this

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Speaker 1: really unbelievably great episode that's used Luke to piss the

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Speaker 1: audience off with this like who doing who? I just agree,

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Speaker 1: like I like something to get angry about. I don't know,

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Speaker 1: does it piss me off? But now that I'm thinking

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Speaker 1: about it, and I don't mean to get like, let's

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Speaker 1: get into therapy, but why does Luke like women that

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Speaker 1: kind of jerk him around? Right? And not for real?

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Speaker 1: It's the same storyline. And Nicole, you literally went on

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Speaker 1: a boat with this guy. You got divorced, you told

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Speaker 1: him you don't want to be married, you're getting divorced

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Speaker 1: with your eight seven lawyers, and now you're coming back

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Speaker 1: for him, and he's going to do it. I think

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Speaker 1: he should go. No, Nicole, that ship has sailed, you know,

346
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Speaker 1: because he likes ladies that kind of I don't know,

347
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Speaker 1: give him a run for his money. But he's obsessed

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Speaker 1: with Laurel. He correct the ultimate woman who jerks him

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Speaker 1: around her hold on. Maybe that's why, because maybe he

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Speaker 1: knows it's not actually gonna last with these these girls

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Speaker 1: that he's just like it's okay if they go away

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Speaker 1: because hearts really not. Wow, he's therapy right there there there,

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Speaker 1: Dr Daniel, that's that's going to be a hell of

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Speaker 1: a bill. Um Yeah, sugarman, psychiatric house. Let's just build

355
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Speaker 1: you uh strong showing for Andrew this episode, and he

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Speaker 1: had one of the big moments as uh in the

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Speaker 1: gazebo spinning or he got one spin around, he got

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Speaker 1: one turn. I mean, I want to get through it

359
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Speaker 1: because I have literally so many questions about the frozen

360
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Speaker 1: art that I just yeah, that's rocket man, quick shout

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Speaker 1: out to Lorealize Vest also freaking adorbs puffer Vest like

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Speaker 1: crushing the fashion. Okay, so we are at the we

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Speaker 1: find out lore Lie flinched. Now what does that mean?

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Speaker 1: I know you probably blinked, Like remember how she had

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Speaker 1: to stand so still, like I think like the year

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Speaker 1: before she like moved like like yeah, seven years prior

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Speaker 1: seven years prior seven years prior she flinched. She almost

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Speaker 1: knocked over somebody, So it must have been more than

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Speaker 1: a blink. She probably moved an arm, hit the hit

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Speaker 1: the guy she was posing within the same monet painting, right,

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Speaker 1: it was that what it was. It was the same guy.

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Speaker 1: It was the same same situation, same painting, same makeup,

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Speaker 1: saying everything seven years before and now, let's not knock

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Speaker 1: him over, almost knock him over seven years ago, Let's

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Speaker 1: not knock him over this time. So yeah, so I

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Speaker 1: did notice. And I can't remember if this was already

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Speaker 1: when they were in the laundry room or the scene

378
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Speaker 1: right before when she finds out she didn't get the part. Yeah,

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Speaker 1: it was the scene right before the laundr room where

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Speaker 1: she doesn't get the part. You really see her pager,

381
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Speaker 1: and I thought, now, that is weird that they're making

382
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Speaker 1: that page are so prominent. And I know why because

383
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Speaker 1: it becomes so important at the end. But I did

384
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Speaker 1: really notice. I was like, man, who's wearing their page

385
00:25:10,920 --> 00:25:14,320
Speaker 1: or just like in their front pockets? So obviously right

386
00:25:15,160 --> 00:25:21,840
Speaker 1: the baby pager? Oh yeah, oh yeah, I like that.

387
00:25:22,119 --> 00:25:25,119
Speaker 1: Kirk got he was christ of the last time. It

388
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Speaker 1: was like two people for me, two people stole this episode.

389
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Speaker 1: It was Suki and it was Kirk. Kirk. Kirk just

390
00:25:33,920 --> 00:25:36,840
Speaker 1: crushed it as Jesus. I mean it was just so great,

391
00:25:37,640 --> 00:25:41,320
Speaker 1: just so great, and then uh Suki with the monologue

392
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Speaker 1: and Loreliz's house, It won't it won't come out, It

393
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Speaker 1: won't come out. And she's bouncing up and down hysterical.

394
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Speaker 1: What are you laughing at him? Just like here's the thing,

395
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Speaker 1: the whole thing. I don't know. Okay, do we want

396
00:25:59,320 --> 00:26:01,200
Speaker 1: to talk about the r or Sebastian Bach a little

397
00:26:01,240 --> 00:26:05,640
Speaker 1: bit more? First let's talk about the art. Okay, How

398
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Speaker 1: in God's name did they do that? Meaning the makeup

399
00:26:10,960 --> 00:26:15,359
Speaker 1: and then the frozen nous. I think the makeup was

400
00:26:15,359 --> 00:26:18,520
Speaker 1: the hard part. Yeah, I mean to make it look

401
00:26:18,760 --> 00:26:24,000
Speaker 1: that was extraordinary. It was just extraordinary. Um and I

402
00:26:24,080 --> 00:26:26,159
Speaker 1: know that. I know they spent hours and hours and

403
00:26:26,400 --> 00:26:29,320
Speaker 1: then the call times for four am and three am

404
00:26:29,400 --> 00:26:33,000
Speaker 1: really early to get people in early to do all

405
00:26:33,040 --> 00:26:36,399
Speaker 1: the makeup. Yeah, were you happy you didn't have to

406
00:26:36,480 --> 00:26:39,040
Speaker 1: do that? You have no idea? And and and Luke

407
00:26:39,240 --> 00:26:42,560
Speaker 1: never would have And Luke called me again and said, listen,

408
00:26:42,560 --> 00:26:44,240
Speaker 1: talk to me and Dan, we don't want to be

409
00:26:44,240 --> 00:26:48,600
Speaker 1: involved in this stuff. It was it was also so cool,

410
00:26:48,640 --> 00:26:51,080
Speaker 1: like I think it was like Rory, like you could

411
00:26:51,080 --> 00:26:53,680
Speaker 1: see the shading on like one side of a face

412
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Speaker 1: of the way. I was like, the detail of that

413
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Speaker 1: makeup is crazy. Now I don't want uh, I don't

414
00:27:00,760 --> 00:27:04,000
Speaker 1: want to ruin perfection, but I need everybody to do

415
00:27:04,080 --> 00:27:07,280
Speaker 1: me a favor and go back to Rory in her

416
00:27:07,280 --> 00:27:09,960
Speaker 1: painting and tell me that you can't see the pinky.

417
00:27:11,080 --> 00:27:17,360
Speaker 1: Didn't see anybody flinching? Yes? Really was she? Here's how

418
00:27:17,400 --> 00:27:19,720
Speaker 1: I know. I thought it was fake. I was like,

419
00:27:19,800 --> 00:27:22,879
Speaker 1: maybe they just did paintings and these aren't really the

420
00:27:22,920 --> 00:27:29,360
Speaker 1: actors frozen right, It's kind of just like this saw

421
00:27:29,400 --> 00:27:33,199
Speaker 1: little thistle. This is going on. Can everybody rewatch it?

422
00:27:34,359 --> 00:27:41,840
Speaker 1: To rewatch it? Otherwise? That was insane? How do you

423
00:27:41,840 --> 00:27:45,440
Speaker 1: stay frozen like that? Could you do that? Yeah? I thought,

424
00:27:45,440 --> 00:27:49,680
Speaker 1: what's the big deal? You stay frozen so for thirty seconds?

425
00:27:49,720 --> 00:27:52,560
Speaker 1: Big deal? So on seconds? It was like me, No,

426
00:27:52,720 --> 00:28:01,200
Speaker 1: it wasn't. They weren't stay seconds at the most. Amy,

427
00:28:01,400 --> 00:28:05,560
Speaker 1: I'm already gonna fail. We're doing it. We're doing it

428
00:28:05,640 --> 00:28:10,840
Speaker 1: right now. Yeah, but wait, I need to put on

429
00:28:10,880 --> 00:28:13,120
Speaker 1: a little lip glass in case this sends up on Instagram.

430
00:28:13,119 --> 00:28:15,720
Speaker 1: But it has to be. It has to be an

431
00:28:15,760 --> 00:28:18,879
Speaker 1: action thing where somebody else freeze in the middle of

432
00:28:18,920 --> 00:28:21,800
Speaker 1: what we're talking about. We have to be very animated

433
00:28:22,320 --> 00:28:26,800
Speaker 1: and then yell freeze. Okay, okay, okay, okay, who's gotta

434
00:28:26,800 --> 00:28:37,440
Speaker 1: stop watching? Can somebody that's behind the scene, behind the scenes,

435
00:28:37,720 --> 00:28:40,760
Speaker 1: have a stop watch for thirties? Okay, thank you, Hannah. Okay,

436
00:28:40,840 --> 00:28:44,720
Speaker 1: she's got us. Okay, ready, so we're so we're talking right, Okay, everybody,

437
00:28:44,760 --> 00:28:47,560
Speaker 1: come on, get your hands going. Come on, everybody, who's

438
00:28:47,560 --> 00:28:50,840
Speaker 1: gonna yell freeze? Who's gonna yell freeze? Okay? Come on, Amy,

439
00:28:50,880 --> 00:29:02,960
Speaker 1: get going, get going, get the hands going. Freeze. It's

440
00:29:03,000 --> 00:29:11,960
Speaker 1: not Scott was number one. I'm coming out one more time. Ready, everybody,

441
00:29:12,000 --> 00:29:14,440
Speaker 1: I'm gonna try and do it this. Yeah, come on,

442
00:29:14,600 --> 00:29:17,280
Speaker 1: take it seriously. This is serious stuff. Come on, let's

443
00:29:17,280 --> 00:29:20,560
Speaker 1: call there's time for funny games, there's time to get serious.

444
00:29:20,640 --> 00:29:23,440
Speaker 1: This is one of those times. Ready, what's that elbow

445
00:29:23,440 --> 00:29:26,640
Speaker 1: on the table that's trying to pose? What do we do?

446
00:29:27,840 --> 00:29:30,320
Speaker 1: But your arms have to be in the air somehow

447
00:29:30,360 --> 00:29:34,320
Speaker 1: to make it somewhat lenge my arms. Get tired of

448
00:29:34,400 --> 00:29:37,880
Speaker 1: pretend you're carrying like fish from the river to the

449
00:29:38,040 --> 00:29:41,120
Speaker 1: to the village. What is this? Peace signs? What's going on.

450
00:29:41,520 --> 00:29:45,760
Speaker 1: I'm carrying fish. I'm carrying fishy, don't do that? Carry fish? No,

451
00:29:45,880 --> 00:29:50,760
Speaker 1: I like that, Carrie fish, Danielle. Wait, when do we freeze?

452
00:29:50,800 --> 00:29:54,000
Speaker 1: Do I didn't say freeze? Keep going, just trying to

453
00:29:54,080 --> 00:30:06,800
Speaker 1: help you with the photoshopping, Scott one. No, but my

454
00:30:06,880 --> 00:30:09,680
Speaker 1: finger was moving the whole time. I was like, I couldn't.

455
00:30:09,680 --> 00:30:13,400
Speaker 1: I couldn't. I couldn't get my fingers directly at Amy's space.

456
00:30:14,040 --> 00:30:17,280
Speaker 1: I was trying. I'll tar I was doing so good

457
00:30:18,520 --> 00:30:21,600
Speaker 1: seconds the first is worried about people. We are going

458
00:30:21,640 --> 00:30:27,920
Speaker 1: to photoshop and good. I'll tell you something. You know,

459
00:30:27,960 --> 00:30:29,920
Speaker 1: it's very difficult. You know what I'm very bad at.

460
00:30:30,280 --> 00:30:35,400
Speaker 1: I'm very bad at playing dead? Oh every single time. No,

461
00:30:35,560 --> 00:30:38,640
Speaker 1: I can't do it. I keep breathing. My stomach keeps

462
00:30:38,840 --> 00:30:41,560
Speaker 1: going up and down and up, and I can't do it.

463
00:30:41,600 --> 00:30:43,960
Speaker 1: I can't hold my breath when I'm supposed to be dead.

464
00:30:43,800 --> 00:30:48,320
Speaker 1: Did you get killed in saw? Yeah? How are you murdering?

465
00:30:48,840 --> 00:30:51,000
Speaker 1: Walls smashed me so I didn't have to worry. I

466
00:30:51,040 --> 00:30:55,480
Speaker 1: didn't have to worry about have to worry about my

467
00:30:55,560 --> 00:31:02,920
Speaker 1: stomach anymore. Yeah, that's that's what they do on So

468
00:31:03,040 --> 00:31:04,560
Speaker 1: if you if you're going to get too much money

469
00:31:04,560 --> 00:31:08,720
Speaker 1: on the next movie, they kill you, I'm gonna google youtually.

470
00:31:08,760 --> 00:31:10,520
Speaker 1: I feel like I could pose if I was like

471
00:31:10,560 --> 00:31:12,360
Speaker 1: in a scene like that, but here I'm just like

472
00:31:12,480 --> 00:31:14,960
Speaker 1: looking at you guys, like, you know, it's harder because

473
00:31:14,960 --> 00:31:19,400
Speaker 1: I'm gonna laugh. It's harder. You can't do it here, Tara, Well,

474
00:31:20,440 --> 00:31:25,960
Speaker 1: not an actor for a reason, it's hard. Which was

475
00:31:26,000 --> 00:31:32,800
Speaker 1: your favorite, guys of the of the Living? The Last Supper? Oh? Absolutely,

476
00:31:32,840 --> 00:31:37,040
Speaker 1: the Last Yeah, that was good, even were arguing the

477
00:31:37,080 --> 00:31:40,160
Speaker 1: whole time before and after too. Yeah. But all of

478
00:31:40,200 --> 00:31:43,480
Speaker 1: those positions that they were in were so specific, you know,

479
00:31:43,600 --> 00:31:46,920
Speaker 1: and yeah, and it looks so powerful, and they all

480
00:31:46,960 --> 00:31:49,000
Speaker 1: had to nail it because think about it, like, so

481
00:31:49,480 --> 00:31:51,760
Speaker 1: for Rory's it's just her, so they could have shot her.

482
00:31:52,440 --> 00:31:54,640
Speaker 1: I don't know, they shoot her for half an hour,

483
00:31:55,160 --> 00:31:58,960
Speaker 1: they're gonna get it. Those dudes, all of them had

484
00:31:59,000 --> 00:32:01,760
Speaker 1: to nail it for can you imagine the rehearsal and

485
00:32:01,760 --> 00:32:04,200
Speaker 1: they have the paint you know, they have the the

486
00:32:04,280 --> 00:32:06,360
Speaker 1: Da Vinci painting, and they're like, you know, not to

487
00:32:06,360 --> 00:32:09,040
Speaker 1: get in the perfect Charlie, your fingers a little too higher.

488
00:32:09,080 --> 00:32:10,920
Speaker 1: I mean that must have taken hours. It must have

489
00:32:10,960 --> 00:32:14,640
Speaker 1: taken like a whole day rehearsal just to nail that thing.

490
00:32:15,240 --> 00:32:17,960
Speaker 1: And like that that shot when they like zoomed out,

491
00:32:18,120 --> 00:32:21,440
Speaker 1: like seeing the whole thing was so beautiful too. It's

492
00:32:21,480 --> 00:32:25,560
Speaker 1: so perfect. That was a stunning episode. It really, it

493
00:32:25,600 --> 00:32:29,120
Speaker 1: was stunning. You don't see like this show at its best.

494
00:32:29,400 --> 00:32:32,600
Speaker 1: It's like it gives you stuff that you've never seen before.

495
00:32:32,600 --> 00:32:36,000
Speaker 1: Have you ever seen anything like that on television? Have

496
00:32:36,120 --> 00:32:39,680
Speaker 1: you ever ever seen anything like that on television? No,

497
00:32:39,880 --> 00:32:44,160
Speaker 1: I'm trying to think it's so unique. That episode was

498
00:32:44,240 --> 00:32:47,440
Speaker 1: so unique. I really can't think of anything to even

499
00:32:47,480 --> 00:32:54,400
Speaker 1: compare it to. Uh, really no, there isn't anything. I mean,

500
00:32:54,400 --> 00:32:57,400
Speaker 1: I'm sure there's something, but it escapes us. But that

501
00:32:57,520 --> 00:33:03,040
Speaker 1: was truly truly original TELEVI and I thought, can we

502
00:33:03,080 --> 00:33:06,200
Speaker 1: go back to my favorite scene of this whole I'm sorry, Amy,

503
00:33:06,320 --> 00:33:08,680
Speaker 1: we wouldn't have time. We're running out of time. Ahead,

504
00:33:09,080 --> 00:33:11,320
Speaker 1: go ahead. He dontly reminded me of Jimmy Kimmel when

505
00:33:11,360 --> 00:33:16,600
Speaker 1: he's like, apologies to Matt Damon. Let me. I don't

506
00:33:16,600 --> 00:33:19,160
Speaker 1: have the whole script, but man, if somebody could look

507
00:33:19,160 --> 00:33:22,440
Speaker 1: it up for me, I wouldn't be so stoked. So

508
00:33:22,520 --> 00:33:26,720
Speaker 1: it's Sebastian Bach and they're like, this is the gist,

509
00:33:26,760 --> 00:33:28,320
Speaker 1: so give me the full thing. I need to hear

510
00:33:28,360 --> 00:33:32,480
Speaker 1: the whole. Like he's old, like grandpa old. He's forty.

511
00:33:32,720 --> 00:33:36,120
Speaker 1: It was before man walked on the moon. He remembers

512
00:33:36,160 --> 00:33:42,400
Speaker 1: the bi centennial. There weren't CDs. He's elderly. And then

513
00:33:42,440 --> 00:33:46,280
Speaker 1: they say something like yeah to offset his oldness, and

514
00:33:46,320 --> 00:33:48,440
Speaker 1: then like something about like we'll call him when he's

515
00:33:48,440 --> 00:33:54,840
Speaker 1: back at Bingo, like he wrote this is beyond. Do

516
00:33:54,840 --> 00:33:56,760
Speaker 1: you want me to read it to you? Yes, Scott?

517
00:33:56,840 --> 00:34:00,360
Speaker 1: Can we? I personally think that person you think this

518
00:34:00,400 --> 00:34:05,200
Speaker 1: is the weakest part of the episode. Yeah, the ages

519
00:34:05,240 --> 00:34:07,240
Speaker 1: and stuff that I didn't find it funny at all.

520
00:34:07,800 --> 00:34:12,480
Speaker 1: Stop it out. I sorry, mh, Scott. You got a

521
00:34:12,480 --> 00:34:15,839
Speaker 1: guy there who knows how to rock, and all they

522
00:34:15,840 --> 00:34:17,800
Speaker 1: can do is focus on age. I thought it was stupid.

523
00:34:18,400 --> 00:34:21,759
Speaker 1: Oh my god, I literally loved it. So maybe I'm

524
00:34:21,800 --> 00:34:27,480
Speaker 1: just a bad persons. I'm sure no. Should should Danielle

525
00:34:27,520 --> 00:34:29,480
Speaker 1: read it? Or should we? Danielle? You just read the

526
00:34:29,480 --> 00:34:32,080
Speaker 1: whole thing, the whole thing. I just read the whole thing.

527
00:34:32,239 --> 00:34:34,840
Speaker 1: The funny, the funny. I need somebody to be the

528
00:34:34,880 --> 00:34:36,880
Speaker 1: other person. I'm not going to be any of those people.

529
00:34:37,040 --> 00:34:40,320
Speaker 1: I'll be it. I'll be I'll be it. Okay, so um,

530
00:34:40,400 --> 00:34:42,759
Speaker 1: i'll be sorry. You want to be Brian and I'll

531
00:34:42,760 --> 00:34:50,640
Speaker 1: be Zack. Sure, okay, um starting at the top. Yeah, forty.

532
00:34:51,680 --> 00:34:54,879
Speaker 1: He was alive before man walked on the moon. Don't

533
00:34:54,880 --> 00:34:57,200
Speaker 1: do that, man, You're freaking me out. Let's not be

534
00:34:57,239 --> 00:35:00,320
Speaker 1: over dramatic, guys. I mean he's an incredible guitar rest

535
00:35:01,000 --> 00:35:04,200
Speaker 1: He's had a lot of time to practice, and the

536
00:35:04,280 --> 00:35:08,759
Speaker 1: bi centennial he was alive for that. This is the

537
00:35:08,760 --> 00:35:13,880
Speaker 1: best we sounded since Dave. And he's really elder excited.

538
00:35:14,280 --> 00:35:16,760
Speaker 1: He was our age when we were born. He thinks

539
00:35:16,840 --> 00:35:21,080
Speaker 1: we're great. There were no CDs when he was born. Stuffing, man,

540
00:35:21,120 --> 00:35:23,640
Speaker 1: I mean it. Maybe there's a way to like offset

541
00:35:23,719 --> 00:35:26,279
Speaker 1: his oldness. Put a hat on him, dress him up

542
00:35:26,320 --> 00:35:28,640
Speaker 1: like Angus young and a C d C. That's school

543
00:35:28,719 --> 00:35:31,560
Speaker 1: by Olphen. He could have seen a C d C

544
00:35:31,719 --> 00:35:36,360
Speaker 1: with the original lead singer. When that guy choked on

545
00:35:36,440 --> 00:35:39,520
Speaker 1: his own vomit, that's old. You want to stop the audition.

546
00:35:39,960 --> 00:35:47,960
Speaker 1: We shouldn't be rude, all right, don't keep going, but

547
00:35:48,040 --> 00:35:50,080
Speaker 1: remember any remember us to be approved by all of

548
00:35:50,160 --> 00:35:55,040
Speaker 1: us and one vote against, and he's back in big shoot.

549
00:35:57,200 --> 00:35:59,640
Speaker 1: Oh my god, can we do a poll if that

550
00:35:59,760 --> 00:36:06,799
Speaker 1: was the funniest for Oh jeez, you sounded so young.

551
00:36:11,640 --> 00:36:15,200
Speaker 1: I loved it. Let's do a pull between who everyone listening.

552
00:36:16,280 --> 00:36:19,640
Speaker 1: They're gonna vote whether they think that was funny or

553
00:36:19,719 --> 00:36:26,360
Speaker 1: not funny. Hi, it's Bethany Frankel. My time on The

554
00:36:26,400 --> 00:36:28,840
Speaker 1: Wheelhousewives of New York is a few years behind me,

555
00:36:29,040 --> 00:36:31,200
Speaker 1: and now I'm ready to put the wheel back into

556
00:36:31,239 --> 00:36:35,000
Speaker 1: the real Housewives. That's where my new podcast, Rewives comes in.

557
00:36:35,280 --> 00:36:38,560
Speaker 1: This isn't your typical rewatch podcast. I'm watching only the

558
00:36:38,600 --> 00:36:42,040
Speaker 1: most iconic episodes from all cities. I'm sharing never before

559
00:36:42,120 --> 00:36:45,040
Speaker 1: heard stories of what happened behind the scenes. And I'm

560
00:36:45,080 --> 00:36:48,719
Speaker 1: not just pulling in cast members for postgame analysis. I'm

561
00:36:48,719 --> 00:36:51,000
Speaker 1: doing something a little bit more interesting. If you've ever

562
00:36:51,000 --> 00:36:53,359
Speaker 1: seen an episode of The Wheelhousewives, you know the drill.

563
00:36:53,520 --> 00:36:58,719
Speaker 1: But beyond throwing drinks and leg there are lessons about marriage, divorce, friendship, money, parenting,

564
00:36:58,920 --> 00:37:02,280
Speaker 1: and fame if you have the right minds analyzing dig deeper.

565
00:37:02,520 --> 00:37:05,880
Speaker 1: So I'm bringing on unexpected thought leaders and celebrities to

566
00:37:05,880 --> 00:37:08,239
Speaker 1: get their take on the chaos this season, I sit

567
00:37:08,280 --> 00:37:11,360
Speaker 1: down with Elizabeth Moss, Kevin Neal and Susie Orman, Griffin

568
00:37:11,440 --> 00:37:13,680
Speaker 1: Johnson and more. You think that there isn't much to

569
00:37:13,760 --> 00:37:16,759
Speaker 1: learn from flipping tables and yanking wigs, but that's where

570
00:37:16,760 --> 00:37:20,200
Speaker 1: you're wrong. Listen to Rewives with Bethany Frankel on the

571
00:37:20,280 --> 00:37:23,239
Speaker 1: I Heart Radio app Apple podcast for wherever you get

572
00:37:23,320 --> 00:37:30,000
Speaker 1: your favorite podcasts. Well, okay, let's talk about Suki and

573
00:37:30,040 --> 00:37:35,400
Speaker 1: that baby being stuck in there. That was a funny scene.

574
00:37:35,480 --> 00:37:39,759
Speaker 1: That's Melissa McCarthy at her best. That was a That

575
00:37:39,880 --> 00:37:44,520
Speaker 1: was a tremendous scene. She was hysterically funny in that monologue,

576
00:37:44,760 --> 00:37:48,600
Speaker 1: in that scene in Laurelized House. It was just I

577
00:37:48,680 --> 00:37:51,280
Speaker 1: watched it three times. I just kept laughing and laughing.

578
00:37:51,560 --> 00:37:55,760
Speaker 1: She's she's remarkable, she really, she's those ship's too big.

579
00:37:55,840 --> 00:38:00,400
Speaker 1: The ship's too big. What it's how she physicalizes everything

580
00:38:00,440 --> 00:38:03,120
Speaker 1: with her hands and arms and everything. It's just it's very,

581
00:38:03,280 --> 00:38:07,560
Speaker 1: very funny. She's very funny. Did anyone think when she

582
00:38:07,680 --> 00:38:17,799
Speaker 1: said she wants booze that she said something else? When

583
00:38:17,840 --> 00:38:20,040
Speaker 1: she said that she wants booze? I was like, did

584
00:38:20,120 --> 00:38:23,359
Speaker 1: she you know what bothers me. Okay, I'll I just

585
00:38:23,480 --> 00:38:25,440
Speaker 1: it just hit me, you know what bothers me about

586
00:38:25,640 --> 00:38:30,319
Speaker 1: the old stuff. I want to see better performances. I

587
00:38:30,360 --> 00:38:33,040
Speaker 1: think the dialogue is funny. I think it's written funny,

588
00:38:33,040 --> 00:38:36,360
Speaker 1: but I don't think it was performed well. Now you

589
00:38:36,680 --> 00:38:39,840
Speaker 1: because now I'm you know, the dialogue is great throughout

590
00:38:39,840 --> 00:38:44,240
Speaker 1: the whole thing, but if it's not performed well, um,

591
00:38:44,280 --> 00:38:46,600
Speaker 1: it just kind of laid flat for me. I wasn't

592
00:38:46,800 --> 00:38:50,319
Speaker 1: you know. Come on, now, now you get somebody with

593
00:38:50,360 --> 00:38:52,600
Speaker 1: the with the with the power and the talent and

594
00:38:52,640 --> 00:38:56,280
Speaker 1: the skills of of Melissa McCarthy delivering those funny lines,

595
00:38:56,719 --> 00:38:59,799
Speaker 1: then it's it comes to life. You know, there's there's,

596
00:38:59,800 --> 00:39:02,120
Speaker 1: they're the whole life to it. And I just thought

597
00:39:02,160 --> 00:39:05,680
Speaker 1: that that, you know, ragging on Sebastian scene just it

598
00:39:05,760 --> 00:39:08,759
Speaker 1: had no life. It just laid flat for me. There's

599
00:39:08,800 --> 00:39:12,120
Speaker 1: the performances I thought were really dead. Oh I couldn't

600
00:39:12,120 --> 00:39:18,359
Speaker 1: disagree more. I think he's there fine. I mean, every

601
00:39:18,480 --> 00:39:22,640
Speaker 1: your opinion has value. Thank you, thank you. I've worked

602
00:39:22,680 --> 00:39:26,400
Speaker 1: long and hard feeling it totally reminds me of that

603
00:39:27,719 --> 00:39:31,640
Speaker 1: justin Timberlake, James Cordon TikTok that like went so viral

604
00:39:32,080 --> 00:39:34,000
Speaker 1: when TikTok, I mean, James Corn's doing that thing, and

605
00:39:34,040 --> 00:39:38,080
Speaker 1: Justin Bieber goes immediately no, wait what I needed to say?

606
00:39:38,239 --> 00:39:40,640
Speaker 1: Oh Justin Bieber sorry, just you do you know what

607
00:39:40,719 --> 00:39:45,880
Speaker 1: that scene needed and it needed speed. It was no,

608
00:39:46,120 --> 00:39:48,760
Speaker 1: it was too slow. It was too deliberate. They needed

609
00:39:48,800 --> 00:39:51,759
Speaker 1: to talk over each other and just go bam bam bam, bam,

610
00:39:51,800 --> 00:39:54,520
Speaker 1: bam bam bam with all that stuff. Yeah, it would

611
00:39:54,520 --> 00:39:57,560
Speaker 1: have been funny. Okay, I'll give you that, because what

612
00:39:57,800 --> 00:39:59,920
Speaker 1: is so funny about it is how quick even from

613
00:40:00,040 --> 00:40:03,560
Speaker 1: it was wasn't It was slow. It was not Gilmore speed.

614
00:40:03,640 --> 00:40:07,400
Speaker 1: It was too slow. I think that was that was

615
00:40:07,440 --> 00:40:09,719
Speaker 1: the problem with it. It just had no life. It

616
00:40:09,840 --> 00:40:12,279
Speaker 1: had no energy behind it. It was just like one

617
00:40:12,320 --> 00:40:14,399
Speaker 1: guy set a line, another guy set a line, another

618
00:40:14,440 --> 00:40:16,600
Speaker 1: guy set a line. So it came off like there

619
00:40:16,600 --> 00:40:20,600
Speaker 1: were jerks. So if it's funny, we're not thinking they're jerks.

620
00:40:20,800 --> 00:40:24,080
Speaker 1: We're just enjoying, right right right, You're saying there's a

621
00:40:24,200 --> 00:40:27,200
Speaker 1: very fine line between being mean and being funny. And

622
00:40:27,239 --> 00:40:30,120
Speaker 1: like Zach's coming off like a jerk and Brian's coming

623
00:40:30,120 --> 00:40:33,040
Speaker 1: off like a jerk, and it's just like, how do

624
00:40:33,080 --> 00:40:35,879
Speaker 1: you how do you make that funny? And I don't

625
00:40:35,880 --> 00:40:39,560
Speaker 1: think they made it funny. I thought they made it hysterical.

626
00:40:41,640 --> 00:40:45,839
Speaker 1: Who cares? Who cares what you think? Really? I mean,

627
00:40:45,920 --> 00:40:53,680
Speaker 1: it's like, are you kidding? I mean, in this instance, okay,

628
00:40:53,880 --> 00:40:57,680
Speaker 1: we're talking about acting chops. The hell do you know

629
00:40:57,760 --> 00:41:03,360
Speaker 1: about it? I don't know if you're on the zoom

630
00:41:03,400 --> 00:41:07,080
Speaker 1: ten minutes ago and she had a freeze, I think

631
00:41:07,120 --> 00:41:10,920
Speaker 1: she has acting child doing. What's the fine line between

632
00:41:10,960 --> 00:41:15,239
Speaker 1: being funny and being mean? And I think you're being funny.

633
00:41:15,440 --> 00:41:17,880
Speaker 1: I just gave you an example. Yeah, okay, that was

634
00:41:17,920 --> 00:41:21,000
Speaker 1: well done, thank you, but it was very believable. So

635
00:41:21,040 --> 00:41:23,839
Speaker 1: it made my heart sink. Just an easy bit. But

636
00:41:23,880 --> 00:41:26,880
Speaker 1: it was more funny than mean, right, I agree with

637
00:41:27,080 --> 00:41:29,840
Speaker 1: I thought those guys came off as like purely mean.

638
00:41:30,320 --> 00:41:33,400
Speaker 1: It was mean spirited. So it's like, how do you? So?

639
00:41:33,480 --> 00:41:38,400
Speaker 1: I just tried to demonstrate different. That was very I

640
00:41:39,560 --> 00:41:43,359
Speaker 1: was like, I was like, I'm gonna give amy because

641
00:41:43,400 --> 00:41:46,319
Speaker 1: you know what that's called. It's called committing to the line. No,

642
00:41:47,440 --> 00:41:49,239
Speaker 1: I didn't go doing at first, and then all of

643
00:41:49,239 --> 00:41:51,640
Speaker 1: a sudden, I'm like, oh, he's doing the example, and

644
00:41:52,320 --> 00:41:55,040
Speaker 1: I do see what you're saying, because like, look, who

645
00:41:55,120 --> 00:41:57,520
Speaker 1: cares that Brett? I mean Brett, I was calling Brett

646
00:41:57,560 --> 00:42:02,840
Speaker 1: Michael Bred? What difference the same? Back then? They're pretty,

647
00:42:02,920 --> 00:42:09,040
Speaker 1: they love, they wear bands. You know who cares that

648
00:42:09,120 --> 00:42:12,799
Speaker 1: Sebastian Bach is old because he's such a jam and guitarist.

649
00:42:13,440 --> 00:42:16,319
Speaker 1: So I get it. But they're they're literally teenagers. Those

650
00:42:16,360 --> 00:42:18,440
Speaker 1: guys are eighteen years old. They just graduated high school.

651
00:42:18,520 --> 00:42:24,560
Speaker 1: To them, that dude is old, yes, for no question

652
00:42:24,600 --> 00:42:27,279
Speaker 1: about it, no question about I remember when I was

653
00:42:27,360 --> 00:42:30,799
Speaker 1: twenty one, I was dating a girls seven. I thought

654
00:42:30,800 --> 00:42:35,040
Speaker 1: she was ancient. Yeah, I was like, wow, this is

655
00:42:35,040 --> 00:42:37,920
Speaker 1: gonna be fun for a while. But you know, really,

656
00:42:38,440 --> 00:42:40,440
Speaker 1: I don't think there's much of refusal. You're so old,

657
00:42:40,440 --> 00:42:45,320
Speaker 1: you're six years older. You're so much older. After, like after,

658
00:42:46,160 --> 00:42:50,440
Speaker 1: I think you forget about age. But before it is

659
00:42:50,440 --> 00:42:55,160
Speaker 1: a gay if you're a freshman as sophomores old again

660
00:42:55,800 --> 00:42:58,239
Speaker 1: to oh my god, two years older, it seems like ten.

661
00:43:00,960 --> 00:43:04,160
Speaker 1: Literally when you're ten, like a thirteen year old babysits you.

662
00:43:07,760 --> 00:43:15,399
Speaker 1: That is really weird. You're right, that's funny. So I

663
00:43:15,440 --> 00:43:19,640
Speaker 1: get it. Oh that was a good debate, I'm telling

664
00:43:19,680 --> 00:43:23,839
Speaker 1: you put up a pole. Let's see, let's just let's

665
00:43:24,000 --> 00:43:28,600
Speaker 1: bring it Scott, team Amy or team Scott. Let's go,

666
00:43:29,040 --> 00:43:32,319
Speaker 1: let's go. I also, because he has a family, it

667
00:43:32,480 --> 00:43:36,520
Speaker 1: really makes him seem like, oh my god, and kids

668
00:43:36,520 --> 00:43:39,880
Speaker 1: and a wife, and I thought it made him so sweet.

669
00:43:40,000 --> 00:43:43,200
Speaker 1: I Oh, first of all, just the fact that he

670
00:43:43,239 --> 00:43:45,399
Speaker 1: owns the sandwich shop, and then he's got the kids

671
00:43:45,400 --> 00:43:48,480
Speaker 1: and he's like, I'm in the band, and they're so exciting.

672
00:43:48,600 --> 00:43:51,640
Speaker 1: I just love that he brought the family to the

673
00:43:51,680 --> 00:43:56,440
Speaker 1: to the festival. Yeah, and then you get the backstory.

674
00:43:56,520 --> 00:43:58,280
Speaker 1: He was good. They were gonna open for what Quiet

675
00:43:58,360 --> 00:44:04,120
Speaker 1: Riot and they the band big shot oh Man selling

676
00:44:04,160 --> 00:44:06,920
Speaker 1: out all the clubs, the Rainbow Room. And I actually

677
00:44:06,920 --> 00:44:12,279
Speaker 1: spent an evening with Sebastian back on the Sunset Strip. See.

678
00:44:12,320 --> 00:44:16,040
Speaker 1: I would have thought, Scott Patterson that when Sebastian Bach

679
00:44:16,120 --> 00:44:18,160
Speaker 1: came on set that you would have been pretty stoked.

680
00:44:19,000 --> 00:44:22,800
Speaker 1: I didn't care about him. I didn't listen to his music.

681
00:44:22,840 --> 00:44:26,640
Speaker 1: I didn't listen to that music. It was nothing that

682
00:44:26,920 --> 00:44:29,360
Speaker 1: my generation listened to. We didn't listen to that stuff.

683
00:44:29,800 --> 00:44:31,800
Speaker 1: I mean we were we heard it on the radio

684
00:44:31,880 --> 00:44:35,360
Speaker 1: once and then we turned turned and turned the radio off. Um,

685
00:44:35,400 --> 00:44:38,719
Speaker 1: you know, we didn't like that kind of music. Um,

686
00:44:38,760 --> 00:44:41,319
Speaker 1: but yeah, so we got we became friends and and

687
00:44:41,440 --> 00:44:45,160
Speaker 1: it was you know, he's a funny dude. Was good

688
00:44:45,200 --> 00:44:48,520
Speaker 1: actor too. He's a good actor. Yeah, he's he's got

689
00:44:49,080 --> 00:44:51,160
Speaker 1: The one thing about Sebastian is he is not a

690
00:44:51,200 --> 00:44:54,480
Speaker 1: shy guy. You know, he's got personality and he knows,

691
00:44:55,040 --> 00:44:57,920
Speaker 1: he knows about performance. And he's got that big voice.

692
00:44:57,960 --> 00:45:00,680
Speaker 1: I mean, he's he's a very talented singers. So he's

693
00:45:00,719 --> 00:45:03,920
Speaker 1: got this massive voice and he's got an upper register

694
00:45:04,000 --> 00:45:06,000
Speaker 1: that you know, all those guys from those bands could

695
00:45:06,000 --> 00:45:09,279
Speaker 1: really hit those high knows that high scene oh my god. Yeah,

696
00:45:09,280 --> 00:45:12,560
Speaker 1: and I think Sebastian was like the the king of

697
00:45:12,600 --> 00:45:15,600
Speaker 1: all of those singers with the with the voice, right

698
00:45:15,680 --> 00:45:19,080
Speaker 1: he because he was on Broadway too, you know, So

699
00:45:20,920 --> 00:45:25,600
Speaker 1: what was he doing other shows and movies around the

700
00:45:25,600 --> 00:45:27,440
Speaker 1: time that he was on Gilmore Girls or was this

701
00:45:27,560 --> 00:45:30,200
Speaker 1: like a big to me? This was his acting, Like

702
00:45:30,239 --> 00:45:32,279
Speaker 1: this is where he was acting. This was like a

703
00:45:32,320 --> 00:45:35,200
Speaker 1: big deal that he was on Gilmore Girls, like at

704
00:45:35,200 --> 00:45:39,319
Speaker 1: the time, I think. So, I mean, I don't know

705
00:45:39,400 --> 00:45:41,080
Speaker 1: that he did. I don't know. I just know him

706
00:45:41,080 --> 00:45:46,080
Speaker 1: from his music. I'm looking up. I thought it was

707
00:45:46,080 --> 00:45:51,239
Speaker 1: pretty legit. And whoever thought of put like casting him,

708
00:45:51,280 --> 00:45:53,120
Speaker 1: because I'm sure they were like, Okay, we've got a

709
00:45:53,120 --> 00:45:58,600
Speaker 1: couple of choices here. I say, bravo, dude, can sing?

710
00:45:58,640 --> 00:46:00,960
Speaker 1: Remember I remember you let me play a little before

711
00:46:00,960 --> 00:46:13,920
Speaker 1: we get you can sing? Tail off? And this one

712
00:46:14,120 --> 00:46:18,759
Speaker 1: he was a baller man. Oh yeah, Oh you should

713
00:46:18,800 --> 00:46:28,279
Speaker 1: have seen him at the Rainbow Room. Hello, Hello, let's

714
00:46:28,320 --> 00:46:33,640
Speaker 1: talk about the baby Box. Baby we're talking about shifting gears.

715
00:46:34,080 --> 00:46:36,960
Speaker 1: Oh sorry, pardon me, No, No, that's fine. Let's know,

716
00:46:37,040 --> 00:46:40,040
Speaker 1: let's get off that because I'm getting let's get hot.

717
00:46:40,840 --> 00:46:45,719
Speaker 1: Let's get to the baby for sure. For sure, the

718
00:46:45,800 --> 00:46:51,640
Speaker 1: Baby Box very sweet and very uh random random? Some

719
00:46:51,800 --> 00:46:56,480
Speaker 1: random stuff in there? Yeah, what was it? What all

720
00:46:56,640 --> 00:47:04,120
Speaker 1: was in there? Again? Some god gum necklace? Her? The magazine,

721
00:47:04,320 --> 00:47:09,200
Speaker 1: the teen Beat magazine. Oh yeah, John Travolta on that,

722
00:47:10,040 --> 00:47:13,319
Speaker 1: Well what magazine has hasn't he been in? You know,

723
00:47:13,840 --> 00:47:15,880
Speaker 1: when we do pop culture later this week, I'm going

724
00:47:15,960 --> 00:47:18,520
Speaker 1: to be living my best life talking about whether I

725
00:47:18,600 --> 00:47:25,799
Speaker 1: love Emilio Estevez. The mosst I think they talked about

726
00:47:26,000 --> 00:47:30,319
Speaker 1: was it? Did they talk about Charla Luchen? No, there

727
00:47:30,360 --> 00:47:34,759
Speaker 1: was somebody else, John Nelson, Hold on, it's probably in

728
00:47:34,800 --> 00:47:43,279
Speaker 1: our prop and Andrew McCarthy. Oh my god, so are

729
00:47:43,280 --> 00:47:46,760
Speaker 1: we talking Andrew McCarthy and mannequin? Are we? What do we?

730
00:47:46,560 --> 00:47:49,319
Speaker 1: We'll get to it later this week. This is gonna

731
00:47:49,320 --> 00:47:51,960
Speaker 1: be a big debate too. How about Andrew McCarthy in Class?

732
00:47:53,200 --> 00:47:56,000
Speaker 1: How about Andrew McCarthy in Pretty in Pink? How about

733
00:47:56,040 --> 00:48:01,840
Speaker 1: Andrew McCarthy with Jacqueline Bissett m getting it on? WHOA,

734
00:48:02,239 --> 00:48:06,560
Speaker 1: I didn't even know that exists. That's the movie Class. Oh,

735
00:48:06,800 --> 00:48:10,560
Speaker 1: here's the thing. I would go. Andrew McCarthy very strong

736
00:48:10,840 --> 00:48:13,319
Speaker 1: in the whole movie Pretty and Pink, except for the

737
00:48:13,440 --> 00:48:17,640
Speaker 1: last scene because he looks a little bit funky. And

738
00:48:17,680 --> 00:48:21,439
Speaker 1: here's why. Trivia? Or should I wait till Thursday? Save

739
00:48:21,480 --> 00:48:26,760
Speaker 1: it till Thursday? Friday? Oh? Part of me? Should should

740
00:48:26,760 --> 00:48:30,080
Speaker 1: you wait till Friday? Let's wait till Friday. Let's do that.

741
00:48:30,760 --> 00:48:36,560
Speaker 1: I'm gonna give people some Andrew McCarthy epic knowledge. Hey, Amy,

742
00:48:36,600 --> 00:48:42,759
Speaker 1: it's a date. Things in the box, Yeah, give me

743
00:48:42,800 --> 00:48:45,000
Speaker 1: the box, Give me the box. So all the things

744
00:48:45,000 --> 00:48:46,640
Speaker 1: in the box. You guys want to shut up now

745
00:48:46,640 --> 00:48:48,719
Speaker 1: so I can listen. What's in the box. You guys,

746
00:48:51,840 --> 00:48:53,799
Speaker 1: I want to give it to you. I don't need

747
00:48:53,840 --> 00:48:58,279
Speaker 1: to everyone. All of the people listening are gonna be

748
00:48:58,320 --> 00:49:03,440
Speaker 1: mad that we didn't list this stuff. Give it so

749
00:49:03,960 --> 00:49:13,440
Speaker 1: the walkman, the bubblegum necklace yep um, the magazine yep um.

750
00:49:13,600 --> 00:49:19,239
Speaker 1: Let's see you a Yeah, the Rory's first jumper yep.

751
00:49:19,840 --> 00:49:24,200
Speaker 1: That was made out of one of lorealized t shirts. Um.

752
00:49:24,239 --> 00:49:27,359
Speaker 1: And that those are the things that she listed up. Yeah,

753
00:49:27,400 --> 00:49:32,360
Speaker 1: that was the box and a wrapper, another candy rapper.

754
00:49:32,400 --> 00:49:35,520
Speaker 1: There was a rapper of something. It's amazing what you

755
00:49:35,560 --> 00:49:39,799
Speaker 1: say when my chunky rapper. I tell you I've got

756
00:49:39,800 --> 00:49:45,440
Speaker 1: an entire storage facility filled with crates of my son's

757
00:49:46,520 --> 00:49:49,520
Speaker 1: toys and papers and armwork. I mean it's like that

758
00:49:49,719 --> 00:49:53,160
Speaker 1: literally does not shock me. You don't throw things away. Yeah,

759
00:49:53,200 --> 00:49:56,000
Speaker 1: that does not shock me, especially for you. I feel

760
00:49:56,040 --> 00:49:58,960
Speaker 1: that you would have a real problem getting rid of

761
00:49:59,000 --> 00:50:03,040
Speaker 1: something your kid did. Oh yeah, did we miss anything

762
00:50:03,160 --> 00:50:06,319
Speaker 1: other than how much I just want Nicole and Luke

763
00:50:06,360 --> 00:50:10,879
Speaker 1: to get divorced. Sorry, I don't want to be mean,

764
00:50:10,960 --> 00:50:14,759
Speaker 1: but like, I am not into it. I don't know.

765
00:50:14,800 --> 00:50:19,200
Speaker 1: I I love a tailor centric episode. I love uh

766
00:50:20,440 --> 00:50:26,279
Speaker 1: a Kirk centric episode. I love a Melissa command performance episode.

767
00:50:26,560 --> 00:50:30,480
Speaker 1: I loved Sebastian coming and I loved how the band

768
00:50:30,560 --> 00:50:36,719
Speaker 1: reacted to them if they just were quicker about um um. Uh.

769
00:50:36,960 --> 00:50:39,720
Speaker 1: Lane looked amazing. I know I said it earlier, but man,

770
00:50:40,480 --> 00:50:43,360
Speaker 1: she really looks great. Talking about looking amazing. What about

771
00:50:43,360 --> 00:50:46,359
Speaker 1: that opening scene in the uh, not the opening scene,

772
00:50:46,360 --> 00:50:50,000
Speaker 1: but there Yale and they're in the laundry room and

773
00:50:50,520 --> 00:50:53,960
Speaker 1: Rory quotes a couple of lines from The Godfather, you know,

774
00:50:54,000 --> 00:50:58,600
Speaker 1: but uh and homage to James conn who just passed

775
00:50:58,640 --> 00:51:04,320
Speaker 1: away risk in peace. Uh um. And she looks so beautiful,

776
00:51:04,520 --> 00:51:08,000
Speaker 1: isn't she? Rory just looked right, and it made me think, well,

777
00:51:08,040 --> 00:51:10,680
Speaker 1: I think they both looked great in this episode. I

778
00:51:10,719 --> 00:51:13,320
Speaker 1: like how they're dressed like her. They're dressing Rory a

779
00:51:13,400 --> 00:51:17,200
Speaker 1: little more like college girl with the turtleneck. I like it.

780
00:51:17,200 --> 00:51:20,240
Speaker 1: It's it's it's funny how this season the wardrobe completely

781
00:51:20,320 --> 00:51:24,560
Speaker 1: changed and she's sounds so girly. It's improved, and I

782
00:51:24,560 --> 00:51:31,040
Speaker 1: think it's really short hair. Yeah oh yeah, um, So

783
00:51:31,080 --> 00:51:36,239
Speaker 1: what didn't we cover the last scene? I guess when

784
00:51:36,239 --> 00:51:42,799
Speaker 1: the pager goes off, how she stayed frozen during that? Also,

785
00:51:42,840 --> 00:51:45,440
Speaker 1: I feel like I feel like they ran off a

786
00:51:45,520 --> 00:51:47,440
Speaker 1: little too slow, Like I was like when she just

787
00:51:47,600 --> 00:51:49,560
Speaker 1: ripped that thing off and run. I feel like there

788
00:51:49,600 --> 00:51:52,280
Speaker 1: was a there was a pause when like Taylor's wrapping

789
00:51:52,400 --> 00:51:55,480
Speaker 1: up the night and then it shows them running around

790
00:51:55,520 --> 00:51:57,719
Speaker 1: the back. So here's the deal. They probably did on

791
00:51:57,760 --> 00:52:01,880
Speaker 1: the first ten takes and then they got tired and

792
00:52:04,480 --> 00:52:06,960
Speaker 1: have to do it again. Really there's a problem with

793
00:52:07,040 --> 00:52:10,000
Speaker 1: the thing of the witch. McCall and the Hooja made Okay,

794
00:52:10,360 --> 00:52:12,759
Speaker 1: let's just jog this time, just like we never use it.

795
00:52:12,760 --> 00:52:14,160
Speaker 1: If we go slow, they'll never use it. But we

796
00:52:14,200 --> 00:52:16,960
Speaker 1: can go home. Waiting for them to like run behind

797
00:52:17,040 --> 00:52:19,839
Speaker 1: Taylor as he was doing his closing statement actually would

798
00:52:19,840 --> 00:52:22,920
Speaker 1: have been very funny. Yeah, I would have enjoyed that.

799
00:52:23,160 --> 00:52:25,920
Speaker 1: I think the best stuff, the best camera work, the

800
00:52:25,960 --> 00:52:29,879
Speaker 1: best makeup. The best that I think that show's ever

801
00:52:29,960 --> 00:52:34,000
Speaker 1: looked is when we go inside the makeup room, we

802
00:52:34,000 --> 00:52:38,000
Speaker 1: saw the characters, it looks like it looked like a movie.

803
00:52:38,160 --> 00:52:41,280
Speaker 1: You're right, you're right. So that was really a real triumph.

804
00:52:41,320 --> 00:52:45,080
Speaker 1: I think the height of of of the art of

805
00:52:45,400 --> 00:52:50,360
Speaker 1: the television was achieved in that in those scenes. Um

806
00:52:50,360 --> 00:52:54,480
Speaker 1: truly remarkable, really really great stuff, really really great stuff.

807
00:52:54,600 --> 00:52:59,080
Speaker 1: My my favorite episode so far, because my favorite episode

808
00:52:59,120 --> 00:53:02,880
Speaker 1: so far, Yes, because it it gives us what Stars

809
00:53:02,960 --> 00:53:07,839
Speaker 1: Hollow can be, right, people coming together doing wacky, wonderful

810
00:53:07,920 --> 00:53:11,319
Speaker 1: things that are also very challenging and very beautiful. Right,

811
00:53:11,880 --> 00:53:14,160
Speaker 1: So you see all the artistry, and you see the artisans,

812
00:53:14,160 --> 00:53:17,480
Speaker 1: and you see the acting involved, and you see the organization,

813
00:53:17,560 --> 00:53:19,880
Speaker 1: you see that community coming together, and look at the

814
00:53:19,920 --> 00:53:22,120
Speaker 1: performance they put on. It was it was perfection. It

815
00:53:22,200 --> 00:53:26,000
Speaker 1: was absolute perfection. How many Renoir paintings would you give it?

816
00:53:26,880 --> 00:53:28,680
Speaker 1: I would give it, Well, you only need to give

817
00:53:28,719 --> 00:53:32,279
Speaker 1: it one for perfection because that's burn wir right. You

818
00:53:32,320 --> 00:53:35,480
Speaker 1: don't want to be redundant with the masters. True. Wait,

819
00:53:35,520 --> 00:53:38,320
Speaker 1: I better come up with something different. Then. How many

820
00:53:38,440 --> 00:53:41,360
Speaker 1: Baby Pagers would you give it? Out of ten? Baby?

821
00:53:43,320 --> 00:53:45,600
Speaker 1: Now you've gone from the sublime to the ridiculous, So

822
00:53:45,680 --> 00:53:48,040
Speaker 1: now I have to say, Baby Pages, I'd give it

823
00:53:48,800 --> 00:53:52,960
Speaker 1: a hundred thousand Baby pages out of ten. That's how

824
00:53:53,000 --> 00:53:56,160
Speaker 1: good I thought. The episode was. Wow, okay, really great.

825
00:53:56,360 --> 00:53:58,880
Speaker 1: And you know we saw a lot of the town too,

826
00:53:59,080 --> 00:54:00,920
Speaker 1: and we got to see different angles of the town,

827
00:54:01,000 --> 00:54:03,960
Speaker 1: and I just remark, true, I'm going to give it

828
00:54:04,080 --> 00:54:07,239
Speaker 1: eight point five baby pages. Yeah, I was going to

829
00:54:07,320 --> 00:54:09,640
Speaker 1: say eight point five as well. I really enjoyed it,

830
00:54:09,640 --> 00:54:12,600
Speaker 1: but it's not my favorite favorite saying yeah, I just

831
00:54:12,640 --> 00:54:15,040
Speaker 1: give out nine or ten baby pages. Oh no, yeah,

832
00:54:15,080 --> 00:54:18,040
Speaker 1: you're you've got far better taste than all of us. Yes, yeah,

833
00:54:18,080 --> 00:54:20,400
Speaker 1: of course you're tougher. You're tougher to place. Yes, we

834
00:54:20,480 --> 00:54:23,319
Speaker 1: know Bracebridge didn't like dinner. That one gives me like

835
00:54:23,400 --> 00:54:27,759
Speaker 1: ten out of ten? Which Bracebridge dinner? Oh yeah, you're

836
00:54:27,760 --> 00:54:30,000
Speaker 1: still holding on to that. I'm still holding and that's

837
00:54:30,000 --> 00:54:34,600
Speaker 1: still my favorite. That was so good, this one ten

838
00:54:34,680 --> 00:54:38,279
Speaker 1: out of tens. But I wouldn't say seven and three quarters. What?

839
00:54:38,560 --> 00:54:45,439
Speaker 1: Oh wow, that's not bad from ever? Seven is good? Yeah,

840
00:54:45,520 --> 00:54:47,719
Speaker 1: I agree, he's good. Seven is a C. It's a

841
00:54:48,360 --> 00:54:58,440
Speaker 1: it's a seven, seven like B minus. You're yeah, from

842
00:54:58,600 --> 00:55:01,480
Speaker 1: failing grade. You gotta don't want to give it. I

843
00:55:01,480 --> 00:55:03,160
Speaker 1: want to give it a B. So I'll give it

844
00:55:03,280 --> 00:55:06,400
Speaker 1: eight baby pages. Wait, let me, let me try to

845
00:55:06,400 --> 00:55:15,720
Speaker 1: be serious. Your enthusiasm shocks me. It's pretty good. Wait,

846
00:55:15,760 --> 00:55:18,920
Speaker 1: what's next? What's next week? I I I'm ready for

847
00:55:19,000 --> 00:55:23,520
Speaker 1: Digger to come back. Oh god, Scott, what's next week?

848
00:55:23,520 --> 00:55:28,400
Speaker 1: I'm trying to get what is it next week? Died jerk?

849
00:55:29,080 --> 00:55:32,520
Speaker 1: Is that Scott? Is that Scott talking to me? I

850
00:55:32,600 --> 00:55:35,040
Speaker 1: like that you said as you put on your chapstick too,

851
00:55:35,320 --> 00:55:41,279
Speaker 1: so like I have to put on my chap Oh

852
00:55:41,360 --> 00:55:45,200
Speaker 1: my god. Um, all right, I guess that's it. Huh.

853
00:55:45,360 --> 00:55:48,240
Speaker 1: I felt like four minutes. I'm not gonna lie this episode,

854
00:55:48,320 --> 00:55:51,480
Speaker 1: this podcast episode, that literally felt like four minutes to me.

855
00:55:52,400 --> 00:55:54,319
Speaker 1: She think is a good sun time flies when you're

856
00:55:54,320 --> 00:55:58,600
Speaker 1: having fun, right, um or something like that. All right,

857
00:55:58,719 --> 00:56:02,919
Speaker 1: that's it, everybody, Thanks for downloading We'll love you. We'll

858
00:56:02,960 --> 00:56:04,759
Speaker 1: love you, We'll love you, will love you with all

859
00:56:04,760 --> 00:56:09,399
Speaker 1: our heart. Thanks for your notes and your comments. If

860
00:56:09,400 --> 00:56:11,439
Speaker 1: you want to smack us around for whatever we said

861
00:56:11,520 --> 00:56:16,520
Speaker 1: or did, if you're open, just made us at the

862
00:56:17,320 --> 00:56:20,440
Speaker 1: speakeasy down the road from the other barn. You're going

863
00:56:20,480 --> 00:56:23,960
Speaker 1: to say the okay, correct asked for and uh not

864
00:56:24,239 --> 00:56:26,319
Speaker 1: three times to let you in. You can slap that

865
00:56:26,440 --> 00:56:33,720
Speaker 1: cramp battle. So let's see next. Fine. I only cry

866
00:56:33,800 --> 00:56:36,480
Speaker 1: like for an hour when I read your reviews. It's fine.

867
00:56:38,040 --> 00:56:40,760
Speaker 1: I bounced back after like ninety minutes. But you normally,

868
00:56:40,800 --> 00:56:43,240
Speaker 1: like without reading comments, you cry for about fifty minutes.

869
00:56:43,680 --> 00:56:48,160
Speaker 1: Adds ten minutes, I mean of two years. Yeah, anyway,

870
00:56:48,200 --> 00:56:52,239
Speaker 1: that's gonna wrap it up. Next episode, Season four, episode eight,

871
00:56:52,320 --> 00:56:56,400
Speaker 1: Die Jerk. Let's all say that together. One, two three,

872
00:56:56,160 --> 00:57:03,080
Speaker 1: Die Jerk. Um the best. Most it did, most of intelligent,

873
00:57:03,239 --> 00:57:07,760
Speaker 1: most versed fans on the planet Earth or Gilmore fans,

874
00:57:07,800 --> 00:57:10,040
Speaker 1: and we appreciate all the cards and letters, and uh,

875
00:57:10,200 --> 00:57:13,040
Speaker 1: it was what a weekend I had in Rhode Island.

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00:57:13,080 --> 00:57:15,080
Speaker 1: I'm gonna tell you all about it. Oh, what a

877
00:57:15,160 --> 00:57:17,880
Speaker 1: weekend that was. Everybody came out. It was wonderful. We

878
00:57:17,920 --> 00:57:20,960
Speaker 1: had just a wonderful time. Um. I always love to

879
00:57:20,960 --> 00:57:24,960
Speaker 1: see the fans. It's it's really great and um, okay,

880
00:57:24,960 --> 00:57:27,680
Speaker 1: we'll see you next time. Thanks ladies. Daniel Romo tour Suit,

881
00:57:27,720 --> 00:58:00,800
Speaker 1: Amy Sugarman all the best, Stay safe everyone, Hey everybody,

882
00:58:00,840 --> 00:58:04,160
Speaker 1: and don't forget follow us on Instagram at I Am

883
00:58:04,240 --> 00:58:08,240
Speaker 1: All In podcast and email us at Gilmore at I

884
00:58:08,400 --> 00:58:11,760
Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're

885
00:58:11,760 --> 00:58:13,600
Speaker 1: looking for the best cup of coffee in the world,

886
00:58:13,640 --> 00:58:17,600
Speaker 1: go to my website for my company scott EP dot com,

887
00:58:17,720 --> 00:58:19,880
Speaker 1: s C O T T Y P dot com, scott

888
00:58:19,880 --> 00:58:32,880
Speaker 1: ep dot com Grade one Specialty Coffee. Yeah,