WEBVTT - #363 - Fridayy

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<v Speaker 1>Hey man, it's your boy Friday. Check me out on

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<v Speaker 1>the Bootleg cav podcast.

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<v Speaker 2>Bootleg Caps show Man Special guests here Friday. Welcome Sir.

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<v Speaker 2>Debut album coming coming soon, man, I mean obviously, man,

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<v Speaker 2>this album is you guys. A lot of people are

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<v Speaker 2>looking at you right now.

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<v Speaker 1>Bro.

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<v Speaker 2>We talked to BT. I said, you're kind of like

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<v Speaker 2>the new you need the new go to. I need

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<v Speaker 2>to hook up my rap album guy right now. Yeah,

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<v Speaker 2>that's what it is.

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<v Speaker 1>Man.

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<v Speaker 2>Do you feel the anticipation? Do you feel any pressure?

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<v Speaker 1>Nah? No pressure, just good music, bro. Yeah, that's all

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<v Speaker 1>I'm used to doing, giving out good music.

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<v Speaker 2>How would you describe the album?

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<v Speaker 1>Uh?

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<v Speaker 2>Life music, bro, like shoot to live to Yeah, ain't

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<v Speaker 2>nothing in there.

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<v Speaker 1>That's there's something there for everybody. That's what I'm saying. Like,

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<v Speaker 1>that's why I encourage everybody listen to the whole projects.

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<v Speaker 1>R and B songs, pain songs, inspirational, afrobeat. You know

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<v Speaker 1>what I'm saying, It's something for everybody.

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<v Speaker 2>How old were you when you discovered this beautiful voice

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<v Speaker 2>of yours?

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<v Speaker 1>Man?

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<v Speaker 2>Like, when you really knew you had you had like

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<v Speaker 2>a unique tone and voice that was very special.

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<v Speaker 1>I was like I was singing when I was a

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<v Speaker 1>young and early at church, but like I ain't know,

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<v Speaker 1>like I had a unique voice to probably like high school, Okay,

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<v Speaker 1>my voice is getting deeper. Shit, So yeah, once you

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<v Speaker 1>start growing up your voice, yeah, and it was like

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<v Speaker 1>niggas be like then you got like a deeper voice.

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<v Speaker 1>It was like different, you know what I'm saying. Like

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<v Speaker 1>that's when I found out I had a unique voice.

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<v Speaker 1>And then starting to make music every day while I

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<v Speaker 1>was in high school, That's when I felt my sound.

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<v Speaker 1>That's how I realized how to use my voice in

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<v Speaker 1>a different way and not sound like everybody else.

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<v Speaker 2>For you, like, uh, you've done a great job and

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<v Speaker 2>pretty cool. Like I feel like a lot of artists

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<v Speaker 2>kind of start off as like writers and they let

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<v Speaker 2>that rock for like some years and then they go

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<v Speaker 2>the artist route. I feel like you've done that in

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<v Speaker 2>a quicker, quicker way, right, Because was it Chris Brown

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<v Speaker 2>that initially kind of gave you a shot on was

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<v Speaker 2>it Breezy Breezy?

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<v Speaker 1>I wrote Will's fall Off News right here. That was

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<v Speaker 1>like the first I've been writing for like a year

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<v Speaker 1>or two. That was like the first big placement I

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<v Speaker 1>got Chris Brown.

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<v Speaker 2>Wow, that's a fucking that's Chris Breezy.

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<v Speaker 1>And like that was June last year, right a month

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<v Speaker 1>after that guy did came out. So like before niggas

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<v Speaker 1>knew out, like I was a known writer. I feel

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<v Speaker 1>like I was seeing your name though you was seeing

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<v Speaker 1>my name. I was seeing your name. I was putting

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<v Speaker 1>some work in, but it was like it wasn't like,

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<v Speaker 1>oh he he a go to writer, Like this was up.

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<v Speaker 2>On your ship before God did. Like I remember, he

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<v Speaker 2>was really into your ship. Like, yo, that Friday Due

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<v Speaker 2>is hard because he's an engineer and a singer. Yeah,

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<v Speaker 2>because he's probably because he an engineer. Niggas in the

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<v Speaker 2>industry knew me, but the world didn't know like here

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<v Speaker 2>a writer, you know what I'm saying. So I got

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<v Speaker 2>introduced to the world as an artist. The only people

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<v Speaker 2>that really knew me as a writer was you know,

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<v Speaker 2>the engineers, like if you know you know type you know.

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<v Speaker 1>But I ain't never want to be no writer, bro,

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<v Speaker 1>I just I knew that was the way that was

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<v Speaker 1>kind of your way to get you in the door.

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<v Speaker 2>Yeah.

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<v Speaker 1>Like my manager to me, like when I met him,

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<v Speaker 1>he like being a songwriter might be an easier way

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<v Speaker 1>to get in.

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<v Speaker 2>I feel like it is the easiest way.

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<v Speaker 1>It is the easiest way because because you're.

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<v Speaker 2>Kind of there to help the artist. You're an artist,

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<v Speaker 2>you're there to kind.

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<v Speaker 1>Of because look, bro, like when you meet and urs

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<v Speaker 1>and executive label niggas, you telling them your artists don't

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<v Speaker 1>really mean ship to them unless you got some.

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<v Speaker 2>Motion, because they hear it.

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<v Speaker 1>They hear it every day, especially if they go on

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<v Speaker 1>your Instagram. You know you don't got no motion. They

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<v Speaker 1>don't give a fun going to check Spotify. Yeah, they're

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<v Speaker 1>gonna check everything, and they really don't give a fuck.

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<v Speaker 1>Even if you're nice and ship, it doesn't matter. It

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<v Speaker 1>don't matter.

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<v Speaker 2>Show me, show me the.

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<v Speaker 1>Audience, Show me the audience. So if you go up

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<v Speaker 1>to the niggas and be like, bro, I could get

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<v Speaker 1>artists ten hooks. That's what they want to hear, bro Like, y'

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<v Speaker 1>y'all need hooks, y'all need beats. I could do your

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<v Speaker 1>whole album. Yeah, you go up to an end or

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<v Speaker 1>like that, I promise you the studio tonight. Yeah, I'm

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<v Speaker 1>playing some ship. So that's really the easiest way. I

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<v Speaker 1>encourage every artist at if you're good, start there. Yeah,

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<v Speaker 1>still do your artist, ship, don't lose yourself, but like

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<v Speaker 1>try to get in by writing.

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<v Speaker 2>I mean so many grades have done that, like shout

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<v Speaker 2>to Eric, shout to Neo, I mean ship, Yeah, on

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<v Speaker 2>and on and on, tons of folks like that. So

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<v Speaker 2>obviously Chris Brown album comes out and then out of

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<v Speaker 2>nowhere this God Did record, which is one of the

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<v Speaker 2>We talked about this a bit on at the BT

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<v Speaker 2>radio room, but like, obviously, man, this God Did Ship

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<v Speaker 2>is like one of the craziest jay Z verses we've

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<v Speaker 2>ever gotten. I mean from performing he Hunt the BET Awards, uh,

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<v Speaker 2>I mean just just the Grammy Ship he said, get

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<v Speaker 2>it right. It was the gram such an insane moment

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<v Speaker 2>in hip hop. I mean, got calid. I feel like

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<v Speaker 2>that record really kind of really set call it up

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<v Speaker 2>to you know, be looked at it in a different

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<v Speaker 2>way in terms of like putting records together. But give

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<v Speaker 2>me the backstory of like, I guess the whole process

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<v Speaker 2>of that song, because we've seen the video of you

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<v Speaker 2>singing it was that in your bedroom? And that was that?

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<v Speaker 2>Did you did you record that prior? Like like while

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<v Speaker 2>you're actually cutting that hook? I made it. That's just crazy.

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<v Speaker 2>I knew it was going to be special. I will

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<v Speaker 2>tell you a story like I told you I was

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<v Speaker 2>writing for a little bit. So I was in this

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<v Speaker 2>pub deal in the A and R left and it

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<v Speaker 2>was on some ship like I ain't have nobody else,

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<v Speaker 2>like I'm broken ship, I ain't had no connection. And

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<v Speaker 2>then too the building besides that A and R. So

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<v Speaker 2>me and my team was looking for like a buyout.

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<v Speaker 1>Somebody else would buy out my manager, Edgar, buy me

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<v Speaker 1>out my pub deal. So my manager, Edgar, he connected

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<v Speaker 1>the Eddie Mary J. Blise manager he worked at another

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<v Speaker 1>pub company, Prescription. He telling him like, bro, we need

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<v Speaker 1>to looking for a buyout. We needed this buyout like

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<v Speaker 1>hed one. I'm telling you like he was just pushing that.

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<v Speaker 1>And then Moneys go by. They finally buy me out

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<v Speaker 1>with my pub deal. M hm. So we fresh into

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<v Speaker 1>this pub deal. Chris Brown come out, and then I'm

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<v Speaker 1>watching cal It on Instagram say God did every day

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<v Speaker 1>like every time I wake up. I think he said

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<v Speaker 1>God did like every day for like three months, I've

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<v Speaker 1>been had like a guy did simple. And then I

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<v Speaker 1>called my manager. I'm like, bro, let's send it, let's

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<v Speaker 1>send it up, call it simple. He's like, nah, I

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<v Speaker 1>make a hook, like a real hook, like just you

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<v Speaker 1>type shit. I made the hook, Brock. As soon as

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<v Speaker 1>I started like the idea, I called my cameraman, bro

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<v Speaker 1>I said, come to the crib. This is special. Like

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<v Speaker 1>I already had the melody, like before I recorded it,

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<v Speaker 1>I already had like the melody, not even the words.

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<v Speaker 1>I just knew where I was gonna take it. As

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<v Speaker 1>soon as I made it, Broh, I knew this she

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<v Speaker 1>was the one.

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<v Speaker 2>Now did you get pretty immediate feedback from Cali that like,

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<v Speaker 2>oh this is something like this is but I know

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<v Speaker 2>you didn't know who didn't make You didn't know who

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<v Speaker 2>actually made it on the record for a while right now.

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<v Speaker 1>So look after I made it, right, we called Eddie.

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<v Speaker 1>We played it for Eddie that Nigga went crazy. He

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<v Speaker 1>had Cali number texted to cal Cali takes it back

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<v Speaker 1>like the next day, I need this on my album,

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<v Speaker 1>you know what I'm saying. Like a week go by,

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<v Speaker 1>we already starting the paperwork. It's at first it was

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<v Speaker 1>supposed to be like a like a just me with

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<v Speaker 1>the keys. How you hear my hook? A couple of

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<v Speaker 1>days go by, he like I just put three artists

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<v Speaker 1>on here and a singer said this shit gonna live forever.

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<v Speaker 1>As soon as he said that, Bro, I'm already thinking

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<v Speaker 1>like Nahs, Kanye jay Z, I'm thinking all high level

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<v Speaker 1>names based off the like the record. Yeah, for sure.

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<v Speaker 1>So I heard rumors of who was on the track,

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<v Speaker 1>but I ain't here the track till it came out, Bro,

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<v Speaker 1>like everybody else.

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<v Speaker 2>So when you heard jay Z had like a fucking

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<v Speaker 2>I don't know how many minutes long was it? Five

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<v Speaker 2>minutes longer? Five minutes longer made it impossible to play

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<v Speaker 2>at radio. I'll tell you that they were trying to

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<v Speaker 2>make all kind of random versions of that song when

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<v Speaker 2>they were working at the radio. I'm like, guys, this

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<v Speaker 2>is too long. Guys, this is not seven minute song

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<v Speaker 2>is not working at radio.

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<v Speaker 1>God bless it. It's a great record.

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<v Speaker 2>But what was your reaction here in hope?

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<v Speaker 1>Go off? Nah?

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<v Speaker 2>It was crazy, bro, quite possibly the best guest jay

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<v Speaker 2>Z for Top three. Guess jay Z vers ever.

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<v Speaker 1>Gonna live forever, Bro, just normal part of that. It's

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<v Speaker 1>a blessing. Bro.

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<v Speaker 2>Were you nervous doing the Grammy performance outside with everybody?

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<v Speaker 1>Like? Yeah, I was nervous as shit, like, so they

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<v Speaker 1>told me I was performing I was. I was bitching, bro,

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<v Speaker 1>like the whole It's like a month before they told

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<v Speaker 1>me I was I was performing. I'm like, fuck, Bro, Like,

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<v Speaker 1>I didn't expect this this early.

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<v Speaker 2>Bro, Like, do you like, do you like really like

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<v Speaker 2>train like a fighter trains training your voice, making sure

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<v Speaker 2>you fucking yeah.

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<v Speaker 1>You know what I mean? Like the week of the Grammys, Bro,

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<v Speaker 1>every day I was singing Guy did like all day

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<v Speaker 1>just so it's like by the time the Grammys come,

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<v Speaker 1>I can't mess up because I've been singing it all week.

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<v Speaker 1>When I woke up shower singing that shit. I remember,

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<v Speaker 1>like right before he was about to perform, Calik came

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<v Speaker 1>to my where I was getting dressed that type shit

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<v Speaker 1>it's on my TikTok and he played the instrumental in

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<v Speaker 1>my ear. His whole team, everybody else, jay Z, everybody else.

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<v Speaker 1>Had he put the gin in my ear. I don't

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<v Speaker 1>even know he thought I was gonna sing. That was

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<v Speaker 1>before the performance, and I just start singing it everybody

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<v Speaker 1>like he ready and I just once that happened, Bro,

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<v Speaker 1>I just went on stage that same energy. Bro knocked

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<v Speaker 1>it out the park.

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<v Speaker 2>Talk about like some of your influences growing up obviously

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<v Speaker 2>being out of Philly Man. Philly is obviously a legendary

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<v Speaker 2>hip hop city. There's so many different artists. We can

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<v Speaker 2>go back to the roots obviously all the way to

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<v Speaker 2>meet Mill and you know, Free Way, all that good ship.

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<v Speaker 2>But like, who were you influenced by growing up?

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<v Speaker 1>I grew up in a church, so it was just

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<v Speaker 1>like soul for music when I was a kid. And

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<v Speaker 1>then like when I outside of that, I'll start going

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<v Speaker 1>to like Boys to Men. You know what I'm saying, Like,

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<v Speaker 1>what was.

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<v Speaker 2>That dude with that deep voice on Boys to Men?

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<v Speaker 2>Deepest ship? I know you're talking about he was talking shit.

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<v Speaker 2>I forgot his name though, but that was like, I

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<v Speaker 2>hope he's on cameo. That'd be the cameo to get

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<v Speaker 2>like to have him lay down your voice, like your voicemail, like,

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<v Speaker 2>hey what up, ladies, you call Friday, leave a voicemail

0:10:50.280 --> 0:10:53.640
<v Speaker 2>and yes, this is me from Boys to Man. Yeah,

0:10:53.679 --> 0:10:57.840
<v Speaker 2>that was like my like first and obviously Philly legends.

0:10:57.920 --> 0:11:01.199
<v Speaker 1>Yeah, so it's like and then it was like right

0:11:01.240 --> 0:11:03.320
<v Speaker 1>after they was just like all R and B like

0:11:03.480 --> 0:11:07.160
<v Speaker 1>Jamie Fox, Brian Knight. Then I started like living my

0:11:07.240 --> 0:11:11.280
<v Speaker 1>life and like Meek Mill, Kanye West and Drake shouts

0:11:11.320 --> 0:11:14.679
<v Speaker 1>of I mean Jamie Fox alien level talent. Yeah, different

0:11:14.760 --> 0:11:17.120
<v Speaker 1>niggas don't know, like they sleep on his music.

0:11:17.200 --> 0:11:21.240
<v Speaker 2>That first album that Unpredictable. Yeah, what was that song

0:11:21.320 --> 0:11:21.920
<v Speaker 2>called One Night?

0:11:22.360 --> 0:11:25.680
<v Speaker 1>Was it one Night Occasion? That ship? That ship man?

0:11:26.040 --> 0:11:27.480
<v Speaker 2>I was, I'm so glad he's all right.

0:11:27.840 --> 0:11:28.520
<v Speaker 1>Yeah for sure.

0:11:28.520 --> 0:11:31.760
<v Speaker 2>He one of the ones, top tier actor, top tier comedian,

0:11:32.280 --> 0:11:35.440
<v Speaker 2>top tier singers, singers, just everything.

0:11:35.679 --> 0:11:36.680
<v Speaker 1>He's a beast man.

0:11:37.200 --> 0:11:39.400
<v Speaker 2>Yeah, and shot to a shot to his new movie

0:11:40.240 --> 0:11:44.000
<v Speaker 2>The Clone Tyrone going right now, Yeah, it's going crazy.

0:11:44.280 --> 0:11:49.800
<v Speaker 2>So obviously you you end up for you the catalyst

0:11:49.880 --> 0:11:52.160
<v Speaker 2>to start writing. And like, I guess everyone kind of

0:11:52.200 --> 0:11:53.320
<v Speaker 2>you said you had a pub deal that you had

0:11:53.320 --> 0:11:55.520
<v Speaker 2>to get bought out of, right, So what was like

0:11:55.679 --> 0:12:00.160
<v Speaker 2>your first initial like real step into being in the

0:12:00.200 --> 0:12:02.120
<v Speaker 2>quote unquote music industry? Like how did you get that

0:12:02.200 --> 0:12:04.319
<v Speaker 2>initial pub deal? Like before we really knew who you were,

0:12:04.360 --> 0:12:05.040
<v Speaker 2>you know what I'm saying?

0:12:05.559 --> 0:12:13.800
<v Speaker 1>Uh shit around? Like he was like twenty nineteen, twenty twenty,

0:12:14.520 --> 0:12:18.440
<v Speaker 1>that's when I met my manager. Remember he was like,

0:12:18.640 --> 0:12:21.480
<v Speaker 1>bro start writing, Yes, So when I met him, I

0:12:21.520 --> 0:12:22.600
<v Speaker 1>was like making like ten.

0:12:22.440 --> 0:12:24.520
<v Speaker 2>Hooks a week, bro, Like were you still in Philly. Yeah,

0:12:24.520 --> 0:12:27.160
<v Speaker 2>I was in the same room at the crib. At

0:12:27.200 --> 0:12:30.560
<v Speaker 2>the crib, you're like cutting the hooks, sending him to him,

0:12:30.559 --> 0:12:32.040
<v Speaker 2>and then he's doing his.

0:12:32.000 --> 0:12:34.760
<v Speaker 1>Job getting he's sending it out. So it's like I

0:12:34.840 --> 0:12:38.480
<v Speaker 1>was made like ten ten songs a week. Yeah. At

0:12:38.520 --> 0:12:41.640
<v Speaker 1>that time, I was close to my man produced, my producer,

0:12:41.679 --> 0:12:44.800
<v Speaker 1>the Newso, and I started making a lot of beats

0:12:44.840 --> 0:12:46.559
<v Speaker 1>on his a lot of hooks on a lot of

0:12:46.559 --> 0:12:49.240
<v Speaker 1>hooks on his beat, and he was about to get signed.

0:12:50.320 --> 0:12:52.040
<v Speaker 1>But the person he was about to sign to, they're like,

0:12:52.040 --> 0:12:54.680
<v Speaker 1>who that on the hooks? Like, you know what I'm saying.

0:12:54.720 --> 0:12:58.120
<v Speaker 1>He hard. So that's how like, that's how that happened

0:12:58.160 --> 0:12:59.680
<v Speaker 1>with my first pub deal tape. Shit.

0:13:00.040 --> 0:13:02.200
<v Speaker 2>And now when they ask who's that on the hook?

0:13:02.480 --> 0:13:04.960
<v Speaker 2>They keep you on the hook. Yeah, they keep they

0:13:05.120 --> 0:13:08.480
<v Speaker 2>keep me. Now now they're like, oh, that's the Friday, Sure,

0:13:08.800 --> 0:13:12.320
<v Speaker 2>we're gonna need that come over here. How in demand

0:13:12.480 --> 0:13:14.959
<v Speaker 2>are you in terms of just like artists trying to

0:13:14.960 --> 0:13:16.720
<v Speaker 2>get you on their ship, and how selective are you

0:13:16.760 --> 0:13:18.240
<v Speaker 2>being with that because a lot of people burn out

0:13:18.280 --> 0:13:18.880
<v Speaker 2>pretty quick.

0:13:18.720 --> 0:13:23.280
<v Speaker 1>When it comes to oversaturating. Yeah, it's like I look

0:13:23.320 --> 0:13:26.560
<v Speaker 1>at every situation like do it what do it do

0:13:26.640 --> 0:13:29.960
<v Speaker 1>for both who us? They like do it benefit me?

0:13:31.120 --> 0:13:34.000
<v Speaker 1>Or sometimes about the music for like the song's amazed,

0:13:34.160 --> 0:13:36.679
<v Speaker 1>so amazed, and I'm fucking with you, but it's like

0:13:36.880 --> 0:13:38.880
<v Speaker 1>I'm down to work with whoever. Bro Like it's just

0:13:39.360 --> 0:13:41.280
<v Speaker 1>gotta makes sense for the both of us, you know

0:13:41.320 --> 0:13:43.880
<v Speaker 1>what I'm saying. Like at the same time, I'm giving

0:13:43.960 --> 0:13:47.520
<v Speaker 1>my own my own, my own music. Yeah, you know

0:13:47.559 --> 0:13:49.839
<v Speaker 1>what I'm saying. So it's not like I'm building the

0:13:50.080 --> 0:13:51.160
<v Speaker 1>already built a fanbase.

0:13:51.320 --> 0:13:52.880
<v Speaker 2>Probably harder for you to give away hooks at this

0:13:52.920 --> 0:13:54.840
<v Speaker 2>point because you're like, I mean that could that could

0:13:54.840 --> 0:13:55.440
<v Speaker 2>be my ship?

0:13:55.760 --> 0:13:59.160
<v Speaker 1>Yeah, but I make so much music. There's more where

0:13:59.200 --> 0:13:59.720
<v Speaker 1>that came from.

0:13:59.720 --> 0:14:03.040
<v Speaker 2>It's like I got like five hundred that I'm not using.

0:14:03.200 --> 0:14:04.360
<v Speaker 2>I just wanted to say with the great ones, the

0:14:04.360 --> 0:14:06.400
<v Speaker 2>great ones aren't greedy because it's just more where that is.

0:14:07.040 --> 0:14:08.680
<v Speaker 2>I'm gonna just write another one tomorrow, so go ahead

0:14:08.720 --> 0:14:10.880
<v Speaker 2>take it, like help us out, like it's gonna help

0:14:10.920 --> 0:14:13.040
<v Speaker 2>my picture the program.

0:14:12.679 --> 0:14:16.760
<v Speaker 1>Like in like my music, like I say, and the

0:14:16.840 --> 0:14:19.080
<v Speaker 1>music I dropped like on my projects lost the melody

0:14:19.120 --> 0:14:24.720
<v Speaker 1>and ship. It's a very distinctive sound like so like

0:14:24.960 --> 0:14:26.520
<v Speaker 1>a lot of the ship I make, I'm like, damn,

0:14:26.800 --> 0:14:28.680
<v Speaker 1>that's not for me. I just give it to somebody else.

0:14:28.720 --> 0:14:30.320
<v Speaker 1>You kind of you know what I'm saying. Yeah, you

0:14:30.360 --> 0:14:33.240
<v Speaker 1>don't fit in my album. So everything I make for

0:14:33.320 --> 0:14:36.960
<v Speaker 1>me is like one hundred percent for me. Yeah. So

0:14:37.120 --> 0:14:41.040
<v Speaker 1>like say I'm working on an album, I'll make fourteen songs,

0:14:41.040 --> 0:14:44.640
<v Speaker 1>and all fourteen songs going album. You know what I'm saying, Like,

0:14:44.680 --> 0:14:47.680
<v Speaker 1>I'm not making I'm not even finishing the song right

0:14:48.320 --> 0:14:50.160
<v Speaker 1>for me, And it's not you know what I'm saying.

0:14:50.200 --> 0:14:54.960
<v Speaker 1>So I got like five hundred like that I wouldn't drop,

0:14:55.200 --> 0:14:57.480
<v Speaker 1>but I could get somebody. Sure, it's a nice problem

0:14:57.480 --> 0:14:59.120
<v Speaker 1>to have, No, for sure, we.

0:14:59.160 --> 0:15:00.880
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0:15:00.880 --> 0:15:04.080
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<v Speaker 2>Let's get back to the interview. We know Chris Brown's

0:17:07.560 --> 0:17:09.400
<v Speaker 2>on the album. Anybody else on the album? I'm sure

0:17:09.400 --> 0:17:11.640
<v Speaker 2>there's tons of features. Let's be honest. Can you share

0:17:11.640 --> 0:17:14.600
<v Speaker 2>any When do you want us to drop it where

0:17:14.600 --> 0:17:18.440
<v Speaker 2>you can talk about the features. We could drop it whenever.

0:17:20.280 --> 0:17:21.320
<v Speaker 2>When you when you dropping the track?

0:17:21.680 --> 0:17:27.199
<v Speaker 1>I'm like a week before, so good, I got I

0:17:27.240 --> 0:17:30.400
<v Speaker 1>got the veto on the track list, Shout out to him. Yeah,

0:17:30.640 --> 0:17:31.560
<v Speaker 1>I mean Fireboys.

0:17:31.600 --> 0:17:33.640
<v Speaker 2>And by the way, David Oh, is how you say

0:17:33.640 --> 0:17:37.639
<v Speaker 2>his name? Yeah? I say, I thought I thought Listen.

0:17:37.680 --> 0:17:40.520
<v Speaker 2>I interviewed him, and I watched a bunch of interviews

0:17:40.640 --> 0:17:44.000
<v Speaker 2>with him from Africa and they were saying David Oh.

0:17:44.480 --> 0:17:46.119
<v Speaker 2>So when I said David Oh, he was like, you

0:17:46.119 --> 0:17:47.880
<v Speaker 2>said my name right, And I was.

0:17:47.840 --> 0:17:51.600
<v Speaker 1>Like, man, I was like yes, because I thought it

0:17:51.640 --> 0:17:56.840
<v Speaker 1>was the veto the Vito David Oh say Fireboy, Yeah, Fireboy,

0:17:57.400 --> 0:18:00.399
<v Speaker 1>Chris Brown, I got Byron Massaliah chat Man.

0:18:00.400 --> 0:18:02.800
<v Speaker 2>You got that fucking afrobeat gods right now? That that

0:18:02.920 --> 0:18:04.760
<v Speaker 2>Taliban's is going crazy right now.

0:18:05.000 --> 0:18:06.760
<v Speaker 1>I got the boys on there? Who else on there?

0:18:07.480 --> 0:18:09.159
<v Speaker 1>And Maverick City. I don't know.

0:18:09.160 --> 0:18:11.840
<v Speaker 2>I'm not familiar with the gospel group. It's like a choir.

0:18:11.960 --> 0:18:14.560
<v Speaker 2>Oh fire I let them on the intro the It's

0:18:14.640 --> 0:18:19.119
<v Speaker 2>Crazy album. Any rappers Nah? No rappers? Wow?

0:18:19.440 --> 0:18:22.280
<v Speaker 1>I might. I might throw some like remix I had.

0:18:22.480 --> 0:18:24.840
<v Speaker 1>I had some rappers I wanted on there. But you

0:18:24.920 --> 0:18:29.199
<v Speaker 1>know what I'm saying is timing mm hmm, well hopefully

0:18:29.280 --> 0:18:30.280
<v Speaker 1>on like some remixes.

0:18:30.800 --> 0:18:34.920
<v Speaker 2>That's crazy, Like so is the afrobeat tongue. Is everybody

0:18:34.920 --> 0:18:36.199
<v Speaker 2>on the on the same song or do you have

0:18:36.280 --> 0:18:39.199
<v Speaker 2>multiple I got multiple fire. Yeah, that's like that's like

0:18:39.240 --> 0:18:43.200
<v Speaker 2>my second home. Like music wise, I ain't because I'm Haitian.

0:18:43.280 --> 0:18:48.160
<v Speaker 2>So that like afro beat feeling is in me. It's

0:18:48.200 --> 0:18:50.600
<v Speaker 2>the funnest genre. It's like, finally there's music that people

0:18:50.680 --> 0:18:53.320
<v Speaker 2>can dance to happening like on the mainstream level, you

0:18:53.359 --> 0:18:55.199
<v Speaker 2>know for sure. It's like the best part of the

0:18:55.200 --> 0:18:59.160
<v Speaker 2>club night is when like DJ because people are having fun.

0:19:00.320 --> 0:19:01.960
<v Speaker 2>It's like, shout out to marsh Madness. I love it,

0:19:02.000 --> 0:19:03.520
<v Speaker 2>but I've been hearing it for like ten years. It's

0:19:03.560 --> 0:19:05.880
<v Speaker 2>like it's like, yeah, I could pop bottles to that,

0:19:05.920 --> 0:19:12.960
<v Speaker 2>but I'm not gonna. Yeah, So for you, like, uh,

0:19:13.040 --> 0:19:15.320
<v Speaker 2>let's break that because because you're one of the hook guys. Now,

0:19:15.600 --> 0:19:19.000
<v Speaker 2>who would you say, is like Mount Rushmore of the

0:19:19.040 --> 0:19:22.400
<v Speaker 2>best hook men of all time? Who's the hook gods?

0:19:23.640 --> 0:19:24.600
<v Speaker 1>My hook gods?

0:19:25.080 --> 0:19:28.879
<v Speaker 2>Nate dog Nate Dogges. I feel like undisputed top number

0:19:28.880 --> 0:19:30.800
<v Speaker 2>one slot, right, yeah, Nate.

0:19:32.200 --> 0:19:36.800
<v Speaker 1>Then I'm gonna go to go to Chris Brown. Of course,

0:19:36.800 --> 0:19:40.440
<v Speaker 1>I'm gonna go to Tire Dollar shout out to Tie,

0:19:41.280 --> 0:19:45.680
<v Speaker 1>and then I'm gonna go to at the Tie. I'm

0:19:45.680 --> 0:19:50.160
<v Speaker 1>gonna go to sanfa Oh yeah, like not even though

0:19:50.200 --> 0:19:51.960
<v Speaker 1>he did a lot of hooks, but but the ones

0:19:52.000 --> 0:19:57.160
<v Speaker 1>he did d fuck Everybody album look tip on right now.

0:19:57.240 --> 0:19:59.760
<v Speaker 2>Like I think back to the video of like when

0:20:00.280 --> 0:20:06.280
<v Speaker 2>Man and like Artists, and I just remember being like, damn,

0:20:06.320 --> 0:20:08.720
<v Speaker 2>I really need to dive into this guy's catalog.

0:20:08.720 --> 0:20:10.760
<v Speaker 1>If he's making grown Man cry out here, you're making

0:20:10.760 --> 0:20:14.760
<v Speaker 1>real music, bro. Like a lot of bullshit be overshadowed,

0:20:14.800 --> 0:20:17.639
<v Speaker 1>but the music, the real music will be put in

0:20:17.720 --> 0:20:20.040
<v Speaker 1>the back a lot nowadays. But when you're telling like

0:20:20.040 --> 0:20:22.720
<v Speaker 1>a nigga like Sanfah Special, Bro.

0:20:22.920 --> 0:20:26.119
<v Speaker 2>I donna say, like, uh, what what was it like

0:20:26.200 --> 0:20:27.960
<v Speaker 2>growing up in Philly for you? Because we kind of

0:20:28.000 --> 0:20:30.760
<v Speaker 2>hear so much. You know, my co host DJ Damages

0:20:30.760 --> 0:20:33.679
<v Speaker 2>from Philly, and he would always tell me like about

0:20:34.280 --> 0:20:38.720
<v Speaker 2>North Philly and places like Chester, Pennsylvania, and just like

0:20:38.720 --> 0:20:41.280
<v Speaker 2>like Philly is like that just that area in general,

0:20:41.480 --> 0:20:43.439
<v Speaker 2>wild place. And there's a lot of videos that have

0:20:43.440 --> 0:20:47.120
<v Speaker 2>been going viral recently of like because Fatana shit's really bad.

0:20:48.080 --> 0:20:50.040
<v Speaker 2>You've probably seen the videos of people like slumped out,

0:20:50.080 --> 0:20:52.240
<v Speaker 2>like looking like zombies all over the streets ship out there.

0:20:52.359 --> 0:20:54.560
<v Speaker 1>That's right, that's like near where I'm from, a.

0:20:54.520 --> 0:20:56.600
<v Speaker 2>Little bit by the way, also happening here in LA.

0:20:56.760 --> 0:20:59.840
<v Speaker 2>But you know, but what was it like for you

0:21:00.160 --> 0:21:02.480
<v Speaker 2>up in Philly? I mean, obviously you were going to church,

0:21:02.560 --> 0:21:03.840
<v Speaker 2>and you know, I'm sure you were. You had a

0:21:04.640 --> 0:21:07.320
<v Speaker 2>great childhood, but like, was it was it easier or

0:21:07.359 --> 0:21:10.199
<v Speaker 2>hard for you to deal with like kind of staying

0:21:10.240 --> 0:21:10.960
<v Speaker 2>out of that ship.

0:21:11.040 --> 0:21:15.000
<v Speaker 1>You know, church was in the trenches. Yeah, like my

0:21:15.119 --> 0:21:17.199
<v Speaker 1>pop church was in the trenches, bro. So it was like,

0:21:17.240 --> 0:21:20.439
<v Speaker 1>it's not like I had an easy childhood. Like as

0:21:20.440 --> 0:21:22.119
<v Speaker 1>soon as you step out of church, it might be

0:21:22.160 --> 0:21:23.439
<v Speaker 1>a shootout, you know.

0:21:23.400 --> 0:21:24.600
<v Speaker 2>What I mean, but you were able to kind of

0:21:24.680 --> 0:21:26.440
<v Speaker 2>keep It's kind of like you gotta like.

0:21:29.240 --> 0:21:33.080
<v Speaker 1>It's a rough neighborhood, bro. It's easy to like fall

0:21:33.119 --> 0:21:37.120
<v Speaker 1>into in that lifestyle, right, and it's like you really

0:21:37.240 --> 0:21:40.840
<v Speaker 1>just got to stay out the way, Like just stay

0:21:40.880 --> 0:21:43.320
<v Speaker 1>out the way, bro, like because it would be like

0:21:43.600 --> 0:21:46.120
<v Speaker 1>you be in the way, not even on some dumb shit,

0:21:46.200 --> 0:21:49.239
<v Speaker 1>you just be in the way some crazy way, just

0:21:49.280 --> 0:21:51.280
<v Speaker 1>like you're at the wrong place at the right time.

0:21:51.320 --> 0:21:54.160
<v Speaker 1>So what I will say, like I was always focused

0:21:54.160 --> 0:21:57.800
<v Speaker 1>on music, like everybody knew me, Like that's fried like

0:21:57.840 --> 0:21:59.400
<v Speaker 1>on some music ship, like you know what I'm saying.

0:21:59.400 --> 0:22:01.919
<v Speaker 1>Like I used to gineer niggas in Philly, produce for

0:22:02.000 --> 0:22:04.480
<v Speaker 1>niggas like on some studio ship, you know what I'm saying.

0:22:04.520 --> 0:22:07.480
<v Speaker 1>So it was just like I was always on some

0:22:07.560 --> 0:22:10.800
<v Speaker 1>music shipping out the way for her. So it's definitely

0:22:10.800 --> 0:22:12.919
<v Speaker 1>like a rough city though. But you really gotta like

0:22:13.040 --> 0:22:14.640
<v Speaker 1>just s you gotta be.

0:22:14.560 --> 0:22:18.320
<v Speaker 2>Focused so you don't get fall into you know, yeah,

0:22:18.520 --> 0:22:20.080
<v Speaker 2>what do you how do you feel about the other

0:22:20.160 --> 0:22:21.920
<v Speaker 2>trend that's happened in Philly right now? If you think

0:22:21.920 --> 0:22:23.720
<v Speaker 2>you guys are too rare and just like the dance

0:22:23.720 --> 0:22:24.960
<v Speaker 2>ship is going crazy.

0:22:25.400 --> 0:22:28.320
<v Speaker 1>They have bro, they're having a way. Yeah, they having

0:22:28.800 --> 0:22:30.760
<v Speaker 1>like it's beautiful bro to see.

0:22:30.680 --> 0:22:38.040
<v Speaker 2>Who's the group kids? You guys just signed? Yeah yeah yeah,

0:22:40.160 --> 0:22:42.119
<v Speaker 2>the sturdy ship is going crazy. I mean, I'm just

0:22:42.200 --> 0:22:46.200
<v Speaker 2>like it's like everybody's kind of doing their own version

0:22:46.359 --> 0:22:46.840
<v Speaker 2>Philly thing.

0:22:47.400 --> 0:22:50.480
<v Speaker 1>Everybody having fun bro, Like they brought it like a fun.

0:22:50.400 --> 0:22:52.200
<v Speaker 2>Vibe, fun energy that was missing.

0:22:52.600 --> 0:22:54.880
<v Speaker 1>And that's why I like Afro beat doing what they're doing,

0:22:55.040 --> 0:22:58.960
<v Speaker 1>Like you being the club. All these somethings about killing

0:22:59.000 --> 0:23:01.920
<v Speaker 1>and ship, all this Afro shit, Come on, niggas, want

0:23:01.920 --> 0:23:04.400
<v Speaker 1>to have funny dance, bro, Like I feel that why

0:23:04.520 --> 0:23:08.080
<v Speaker 1>Afro doing so good? And even the niggas from Philly,

0:23:08.080 --> 0:23:09.560
<v Speaker 1>like they bring in like good vibes back.

0:23:09.680 --> 0:23:12.119
<v Speaker 2>I mean I'm thinking like even like obviously Uzzi's from Philly, right,

0:23:12.160 --> 0:23:14.960
<v Speaker 2>so Uzzi like doing just want to rock. It's like

0:23:15.000 --> 0:23:16.520
<v Speaker 2>the biggest song in the club for like a year.

0:23:17.160 --> 0:23:20.639
<v Speaker 2>It's like just this fun song, like fun music.

0:23:20.640 --> 0:23:23.240
<v Speaker 1>Bro. And them regular niggas too from the trenches too,

0:23:23.600 --> 0:23:25.440
<v Speaker 1>so like don't get it, like you know what I'm saying.

0:23:25.840 --> 0:23:29.000
<v Speaker 1>Like them they just decide, Yeah, they focus on the

0:23:29.040 --> 0:23:30.800
<v Speaker 1>right ship, like we don't gotta be on those streets

0:23:30.800 --> 0:23:33.959
<v Speaker 1>ship making songs about violence and all that. They just

0:23:34.000 --> 0:23:34.560
<v Speaker 1>having fun.

0:23:34.600 --> 0:23:37.240
<v Speaker 2>Bro, did you ever like tap in with like like

0:23:37.359 --> 0:23:40.800
<v Speaker 2>obviously prior to your generation, but did you ever dive

0:23:40.840 --> 0:23:42.520
<v Speaker 2>into any of the roots music back from back in

0:23:42.520 --> 0:23:46.080
<v Speaker 2>the day, Uh, A little bit like Black Cloud's is

0:23:46.080 --> 0:23:48.600
<v Speaker 2>one of the greatest rappers that walk on the planet.

0:23:48.640 --> 0:23:51.320
<v Speaker 2>You know, I wasn't really on that, but I wasn't

0:23:51.359 --> 0:23:53.719
<v Speaker 2>on that though, but I'm familiar, Like I know they legends.

0:23:53.760 --> 0:23:55.960
<v Speaker 2>You gotta quest love having played drums on a song

0:23:56.080 --> 0:23:58.880
<v Speaker 2>or something. I know, clench love U shitting the drums

0:23:58.920 --> 0:24:01.159
<v Speaker 2>just like yo being on man, come and play drums

0:24:01.160 --> 0:24:03.400
<v Speaker 2>on this just for Philly.

0:24:03.160 --> 0:24:06.200
<v Speaker 1>Yeah for sure. But I wasn't really on them early,

0:24:07.240 --> 0:24:07.720
<v Speaker 1>like I.

0:24:07.720 --> 0:24:09.359
<v Speaker 2>Mean, you weren't on them early because you also weren't

0:24:09.359 --> 0:24:12.159
<v Speaker 2>alive exactly, because being on them early would have been

0:24:12.280 --> 0:24:15.760
<v Speaker 2>you were listening to them m because I think their

0:24:15.800 --> 0:24:17.680
<v Speaker 2>first album was like ninety two.

0:24:19.359 --> 0:24:21.320
<v Speaker 1>Yeah, I was knowing them a lot.

0:24:21.480 --> 0:24:23.560
<v Speaker 2>And that album isn't even on Spotify. You gotta buy

0:24:23.600 --> 0:24:28.720
<v Speaker 2>it like on a real Yeah, it's like yeah. And

0:24:28.760 --> 0:24:31.240
<v Speaker 2>then you know Scott Storch, Yeah, he was in the

0:24:31.320 --> 0:24:33.880
<v Speaker 2>roots for that's crazy.

0:24:34.240 --> 0:24:37.960
<v Speaker 1>I knew that. Somebody told me that started in the roots. Legend.

0:24:38.280 --> 0:24:39.399
<v Speaker 1>You gotta get with Storch man.

0:24:39.400 --> 0:24:40.640
<v Speaker 2>Have you got in with him yet?

0:24:40.760 --> 0:24:42.480
<v Speaker 1>No? No yet? The legend though.

0:24:42.600 --> 0:24:44.880
<v Speaker 2>Let him tell you some stories. I know he got

0:24:44.920 --> 0:24:48.879
<v Speaker 2>some crazy, the craziest ever. Any girl that you think of.

0:24:48.960 --> 0:24:50.679
<v Speaker 2>When I say this to you right now, that pops

0:24:50.680 --> 0:24:51.160
<v Speaker 2>in your head.

0:24:51.920 --> 0:24:52.680
<v Speaker 1>He is true.

0:24:52.960 --> 0:24:55.800
<v Speaker 2>He fucked everybody first, So whatever girls just popped up

0:24:55.840 --> 0:24:56.800
<v Speaker 2>in your head.

0:24:56.880 --> 0:24:57.120
<v Speaker 1>Yep.

0:24:57.200 --> 0:25:02.240
<v Speaker 2>Then everybody, everybody, we gotta sit down with skorts. You

0:25:02.280 --> 0:25:03.360
<v Speaker 2>gotta go out to Miami.

0:25:04.240 --> 0:25:06.159
<v Speaker 1>I heard he went stupid when he was up and

0:25:06.200 --> 0:25:08.480
<v Speaker 1>then he went down. But he's back up. You back

0:25:08.560 --> 0:25:09.000
<v Speaker 1>up right now.

0:25:09.600 --> 0:25:10.240
<v Speaker 2>He got through it.

0:25:10.320 --> 0:25:12.080
<v Speaker 1>I heard that story he used to snack.

0:25:12.920 --> 0:25:14.919
<v Speaker 2>The amount of money Scott Storts was spending on just

0:25:14.960 --> 0:25:18.240
<v Speaker 2>like everything was just I mean, Jesus Christ, God blessed

0:25:18.280 --> 0:25:18.600
<v Speaker 2>that guy.

0:25:18.640 --> 0:25:21.520
<v Speaker 1>I'm just a legend. Cousin Mark Sor. We'll be having

0:25:21.520 --> 0:25:25.320
<v Speaker 1>an argument like who better Timbo or Scortch. I'll be

0:25:25.359 --> 0:25:30.960
<v Speaker 1>going with Timbo. Yeah, you know, some say stop Scott Storch.

0:25:31.080 --> 0:25:34.320
<v Speaker 2>I think I think it's like Timberland's like top three. Ever,

0:25:34.480 --> 0:25:38.879
<v Speaker 2>so his range is insane. Jay Z he can do

0:25:38.920 --> 0:25:40.520
<v Speaker 2>Bubba Sparks. He could do it, and he could do

0:25:40.520 --> 0:25:41.320
<v Speaker 2>it Nellie.

0:25:41.080 --> 0:25:43.800
<v Speaker 1>Fortado Like that's why he's my favorite.

0:25:44.359 --> 0:25:47.000
<v Speaker 2>The range of him is insane. How you have you

0:25:47.040 --> 0:25:50.520
<v Speaker 2>heard anybody try to make an AI version of yourself yet? No,

0:25:50.600 --> 0:25:53.600
<v Speaker 2>I'm waiting it's gonna happen, and I want to hear

0:25:53.640 --> 0:25:57.919
<v Speaker 2>it though, like crazy like can AI now your your tone?

0:25:58.040 --> 0:25:58.239
<v Speaker 2>You know?

0:25:59.280 --> 0:25:59.879
<v Speaker 1>I mean now?

0:26:00.040 --> 0:26:03.960
<v Speaker 2>And some others Crazy Ship they are Rihanna Kanye the

0:26:04.119 --> 0:26:06.520
<v Speaker 2>Rihanna Tims remixed.

0:26:06.119 --> 0:26:09.960
<v Speaker 1>That ship crazy Fire. Yeah, I've seen some other ship.

0:26:10.000 --> 0:26:13.200
<v Speaker 1>It was a I think it was Kanye and Frank.

0:26:13.480 --> 0:26:16.000
<v Speaker 1>Kanye is sung a Frank Ocean joint. No, Kanye's under

0:26:16.119 --> 0:26:20.040
<v Speaker 1>Justin Biever Junk. And that ship was crazy though.

0:26:20.960 --> 0:26:22.920
<v Speaker 2>Yeah, it's kind of crazy that a I think is

0:26:22.920 --> 0:26:24.560
<v Speaker 2>getting a little it's getting little sketch.

0:26:25.119 --> 0:26:26.440
<v Speaker 1>They I hope they shut that ship down.

0:26:26.600 --> 0:26:28.960
<v Speaker 2>They're not going to the labels are going to start sucking.

0:26:29.600 --> 0:26:31.280
<v Speaker 2>They're doing the same ship the actors are doing.

0:26:31.840 --> 0:26:32.560
<v Speaker 1>The actor You.

0:26:32.480 --> 0:26:34.600
<v Speaker 2>See a why the actors are on strike. They're trying

0:26:34.600 --> 0:26:38.120
<v Speaker 2>to slide in a little artificial intelligence into the movies. Yeah,

0:26:38.280 --> 0:26:42.000
<v Speaker 2>so like extras, Like they want the extras to be

0:26:42.160 --> 0:26:43.960
<v Speaker 2>like AI, Like they want to be able to scan

0:26:44.240 --> 0:26:48.760
<v Speaker 2>like an actor and then use their artificial likeliness. It's coming, bro.

0:26:49.280 --> 0:26:53.280
<v Speaker 1>Ship they got that one joint where the boy made

0:26:53.280 --> 0:26:56.480
<v Speaker 1>a uh I think some boy made a song like

0:26:56.560 --> 0:26:59.159
<v Speaker 1>Drake Future in the weekend, that ship hit like a

0:26:59.240 --> 0:26:59.760
<v Speaker 1>million the.

0:26:59.720 --> 0:27:02.240
<v Speaker 2>First Oh yeah, yeah, this was like yeah, this was

0:27:02.280 --> 0:27:04.960
<v Speaker 2>like what maybe like six months ago, seven months and

0:27:04.960 --> 0:27:05.920
<v Speaker 2>that ship went.

0:27:07.000 --> 0:27:08.800
<v Speaker 1>This ship hard because.

0:27:08.600 --> 0:27:11.960
<v Speaker 2>It's like also not a bad idea if you're a writer.

0:27:12.040 --> 0:27:13.960
<v Speaker 2>I wonder if it's a terrible idea to like.

0:27:13.920 --> 0:27:17.400
<v Speaker 1>Writers on there right now, writers doing all AI ship.

0:27:17.320 --> 0:27:19.320
<v Speaker 2>Because like this is what this is like, let me

0:27:19.359 --> 0:27:21.840
<v Speaker 2>send this out. So, like my thing is is, if

0:27:21.840 --> 0:27:23.480
<v Speaker 2>you're a writer and you write a song for Drake,

0:27:23.520 --> 0:27:25.600
<v Speaker 2>do you send the AI Drake version to his team?

0:27:25.640 --> 0:27:27.760
<v Speaker 2>So look, this is how he would sound. I've seen

0:27:27.800 --> 0:27:29.800
<v Speaker 2>some ship, Like I don't like, what's some writer? They

0:27:29.800 --> 0:27:32.720
<v Speaker 2>got some ship I can imagine, man, Like they're not

0:27:32.760 --> 0:27:35.600
<v Speaker 2>even writing more. Hey, we got to stop the interview

0:27:35.600 --> 0:27:38.040
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0:27:38.119 --> 0:27:40.840
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0:28:09.680 --> 0:28:12.200
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0:28:12.240 --> 0:28:16.040
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0:28:48.480 --> 0:28:51.960
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<v Speaker 2>You know what I mean. All right, let's get back

0:29:59.040 --> 0:30:02.360
<v Speaker 2>to the interview. Are you your your process? You're are

0:30:02.400 --> 0:30:04.600
<v Speaker 2>you straight melody than punching.

0:30:04.440 --> 0:30:08.080
<v Speaker 1>Or yeah, yeah, I'm melody punching in yeah or melody

0:30:08.120 --> 0:30:10.080
<v Speaker 1>and just thinking.

0:30:09.400 --> 0:30:11.160
<v Speaker 2>Pro tools guy, When you're recording yourself.

0:30:11.400 --> 0:30:11.800
<v Speaker 1>Logic.

0:30:12.440 --> 0:30:15.120
<v Speaker 2>Wow, we just this guy just switched over to logic

0:30:15.240 --> 0:30:21.240
<v Speaker 2>right here. He loves like, Oh, I'm a logic Yeah.

0:30:22.320 --> 0:30:23.800
<v Speaker 2>Logic is the ship, though, the ship.

0:30:24.440 --> 0:30:25.720
<v Speaker 1>I've been on there for like ten years.

0:30:25.720 --> 0:30:27.320
<v Speaker 2>And you don't need a license, you don't need a

0:30:27.320 --> 0:30:32.880
<v Speaker 2>fucking little USB thing. Yeah, logic much logic, much easier

0:30:32.880 --> 0:30:33.800
<v Speaker 2>to get cracked.

0:30:34.160 --> 0:30:37.360
<v Speaker 1>Yeah for you. Yeah, I got a nigga here, Craig.

0:30:37.480 --> 0:30:40.120
<v Speaker 2>If you're interested in this, in stealing software, Logic much

0:30:40.160 --> 0:30:40.520
<v Speaker 2>easier to.

0:30:40.480 --> 0:30:42.880
<v Speaker 1>Steal in proteins, for sure. One hundred man.

0:30:43.480 --> 0:30:44.680
<v Speaker 2>All right, So the album's coming out.

0:30:44.600 --> 0:30:46.840
<v Speaker 1>Win August twenty fifth.

0:30:47.000 --> 0:30:50.600
<v Speaker 2>That's very soon. Yeah, that's two weeks away. Three weeks away.

0:30:50.960 --> 0:30:54.200
<v Speaker 2>Ship with Day the seventh, Like three weeks What is today?

0:30:54.200 --> 0:30:58.040
<v Speaker 2>Bro the eleventh? I don't even know. Today's the fourth?

0:30:58.680 --> 0:31:02.440
<v Speaker 2>Holy shit, dogs like my whole life. I have no

0:31:02.480 --> 0:31:03.600
<v Speaker 2>idea what's going on anywhere?

0:31:03.640 --> 0:31:04.760
<v Speaker 1>Today's the fourth? All right?

0:31:04.960 --> 0:31:08.920
<v Speaker 2>Three weeks away the debut album. I'm very excited for it.

0:31:09.480 --> 0:31:13.480
<v Speaker 2>Debut album, man, Yeah, a lot of people looking forward

0:31:13.520 --> 0:31:13.719
<v Speaker 2>to this.

0:31:13.800 --> 0:31:16.120
<v Speaker 1>Man, it's gonna touch a lot of people too.

0:31:16.360 --> 0:31:17.400
<v Speaker 2>Have you picked the next single yet?

0:31:17.400 --> 0:31:17.720
<v Speaker 1>Obviously?

0:31:17.720 --> 0:31:19.480
<v Speaker 2>The Chris Brown Songs going crazy. But have you guys

0:31:19.480 --> 0:31:20.880
<v Speaker 2>picked the next singer? You're gonna let the fans. We

0:31:21.320 --> 0:31:23.440
<v Speaker 2>dropped another one. We dropped a single two weeks ago

0:31:23.680 --> 0:31:25.520
<v Speaker 2>that when it comes to you.

0:31:25.640 --> 0:31:28.080
<v Speaker 1>Who's on that? Wasn't that one? That was just you? Okay,

0:31:28.080 --> 0:31:30.840
<v Speaker 1>I didn't hear that, So Chris Brown Jump, we dropped

0:31:30.840 --> 0:31:33.960
<v Speaker 1>when it comes to you, it's going crazy right now,

0:31:34.320 --> 0:31:35.840
<v Speaker 1>the video going crazy.

0:31:35.920 --> 0:31:37.600
<v Speaker 2>And you know what's gonna happen when the album comes out.

0:31:37.960 --> 0:31:39.640
<v Speaker 2>You guys are gonna see them streams go up and

0:31:39.720 --> 0:31:42.080
<v Speaker 2>whatever record. And that's usually I feel like that's kind

0:31:42.120 --> 0:31:45.120
<v Speaker 2>of the new way to you throw out the singles

0:31:45.160 --> 0:31:46.640
<v Speaker 2>and then you put the album and then let the

0:31:46.680 --> 0:31:50.200
<v Speaker 2>fans kind of gravitate towards especially with these bigger artists. Now,

0:31:50.880 --> 0:31:52.360
<v Speaker 2>the labels will hit me and they'll be like, Hey,

0:31:52.400 --> 0:31:53.840
<v Speaker 2>which song do you like on the album that just

0:31:53.880 --> 0:31:57.280
<v Speaker 2>came out with no note like Utopia right, like no

0:31:57.320 --> 0:31:58.200
<v Speaker 2>one likes k pop.

0:31:58.640 --> 0:32:01.920
<v Speaker 1>Probably the worst song on the album, Nigga Crazy.

0:32:02.760 --> 0:32:04.880
<v Speaker 2>It is the worst song on the album. It's not

0:32:04.920 --> 0:32:09.320
<v Speaker 2>a terrible song. I love Utopia each on, but it's like,

0:32:09.400 --> 0:32:11.160
<v Speaker 2>if you're gonna go with a record, you gotta go

0:32:11.200 --> 0:32:14.440
<v Speaker 2>with the meltdown right to each is on what's your

0:32:14.440 --> 0:32:15.000
<v Speaker 2>favorite do you like?

0:32:15.080 --> 0:32:15.240
<v Speaker 1>Well?

0:32:15.240 --> 0:32:17.800
<v Speaker 2>First of all, what are your thoughts on Utopia? It's

0:32:17.840 --> 0:32:22.200
<v Speaker 2>a great album, great production. Yeah, I liked it, Yeah,

0:32:22.640 --> 0:32:25.080
<v Speaker 2>I like it. Yeah, what's your what's your album of

0:32:25.080 --> 0:32:25.600
<v Speaker 2>the year so far?

0:32:25.640 --> 0:32:26.000
<v Speaker 1>This year?

0:32:26.240 --> 0:32:27.200
<v Speaker 2>Besides you can't say a.

0:32:27.160 --> 0:32:31.600
<v Speaker 1>Great question, don't yourself album of the year? And on

0:32:31.640 --> 0:32:32.440
<v Speaker 1>my phone.

0:32:33.200 --> 0:32:36.480
<v Speaker 2>Because the narrative is it's been a pretty rough year

0:32:36.960 --> 0:32:37.800
<v Speaker 2>for music.

0:32:38.560 --> 0:32:43.200
<v Speaker 1>It's been a crazy year, not the best year. I'm

0:32:43.200 --> 0:32:47.480
<v Speaker 1>gonna have to go on some afro beat shit probably okay, Yeah,

0:32:47.480 --> 0:32:50.680
<v Speaker 1>I'll be on the asro shiit. Hip hop is like,

0:32:50.680 --> 0:32:52.920
<v Speaker 1>like you said, it's been I don't feel like niggas.

0:32:53.920 --> 0:32:56.200
<v Speaker 1>Nigga's not focused no more how they used to be.

0:32:56.360 --> 0:32:58.600
<v Speaker 2>Like That's why, in my opinion, the best album of

0:32:58.640 --> 0:33:00.560
<v Speaker 2>the year so far as Killer Mike's album.

0:33:00.640 --> 0:33:03.280
<v Speaker 1>I heard that shit was crazy and somebody played me

0:33:03.320 --> 0:33:06.520
<v Speaker 1>that John too. It's a joint Andre three thousand on

0:33:06.560 --> 0:33:10.280
<v Speaker 1>there My Future hard yep. Andre three thousand Future.

0:33:10.080 --> 0:33:12.040
<v Speaker 2>Also worked on that album for like four years, so

0:33:12.080 --> 0:33:13.280
<v Speaker 2>that's I mean, listen.

0:33:13.080 --> 0:33:20.360
<v Speaker 1>Based off that sound song alone, bro production, cadence, real music, bro,

0:33:21.240 --> 0:33:25.040
<v Speaker 1>and that's what I'm saying like that music is not

0:33:25.160 --> 0:33:29.400
<v Speaker 1>being pushed in front of the bullshit like he dropped

0:33:29.400 --> 0:33:31.080
<v Speaker 1>the album of the year. I would get on some

0:33:31.160 --> 0:33:35.240
<v Speaker 1>rap shit how when I listen, But it's like so

0:33:35.360 --> 0:33:37.360
<v Speaker 1>much bullshit be put in the front of our face.

0:33:37.920 --> 0:33:40.440
<v Speaker 1>The real music is pushing it back, bro, Like you

0:33:40.520 --> 0:33:43.520
<v Speaker 1>know what I'm saying. So I feel like niggas gotta

0:33:43.560 --> 0:33:47.600
<v Speaker 1>start back. I feel like back then, bro, all the

0:33:47.840 --> 0:33:50.040
<v Speaker 1>all the the ship that was put in the front

0:33:50.040 --> 0:33:53.120
<v Speaker 1>of our face, it had some like some structure to us,

0:33:53.960 --> 0:33:56.320
<v Speaker 1>you know what I'm saying, Like fifty these niggas was

0:33:56.320 --> 0:33:58.920
<v Speaker 1>making hooks that everybody could sing.

0:33:59.000 --> 0:34:00.880
<v Speaker 2>Bro, Like, listen, I'm to get your take because you're

0:34:00.920 --> 0:34:04.560
<v Speaker 2>a songwriter, right. I feel, for whatever reason right now,

0:34:05.400 --> 0:34:08.520
<v Speaker 2>like the women in hip hop are like the only

0:34:08.640 --> 0:34:11.080
<v Speaker 2>people who are really kind of applying themselves and trying

0:34:11.080 --> 0:34:12.839
<v Speaker 2>to make real records. And I don't know if that's

0:34:12.880 --> 0:34:16.680
<v Speaker 2>because you know, they're in with more writers or they

0:34:16.719 --> 0:34:18.560
<v Speaker 2>they're they're they're try I just feel like women are

0:34:18.560 --> 0:34:23.320
<v Speaker 2>making the most palatable, palatable records with structure, with hooks,

0:34:23.320 --> 0:34:26.239
<v Speaker 2>with like melodies like it just I feel like they're

0:34:26.280 --> 0:34:29.000
<v Speaker 2>really running circles around uh. Male artists right now in

0:34:29.040 --> 0:34:31.399
<v Speaker 2>terms of just like when you turn the radio on, like.

0:34:31.600 --> 0:34:34.640
<v Speaker 1>They having any way. Yeah, cat, like the.

0:34:34.600 --> 0:34:37.080
<v Speaker 2>Chicks are killing it, like shout out the sexy red dog.

0:34:37.440 --> 0:34:38.279
<v Speaker 1>She having a way.

0:34:38.440 --> 0:34:41.759
<v Speaker 2>Like I think they killing it more because they being

0:34:41.800 --> 0:34:44.360
<v Speaker 2>themself type shit. They're not trying too hard.

0:34:45.200 --> 0:34:47.320
<v Speaker 1>Just being them and just you know what I'm saying,

0:34:47.640 --> 0:34:49.560
<v Speaker 1>even they they were origin of themself.

0:34:49.920 --> 0:34:52.200
<v Speaker 2>And I also think women are very like, uh, for

0:34:52.280 --> 0:34:54.680
<v Speaker 2>whatever reason, a lot of women artists are like extremely

0:34:54.719 --> 0:34:57.800
<v Speaker 2>open to like bringing in help for melodies, for hooks.

0:34:57.880 --> 0:34:59.960
<v Speaker 2>I'm not saying for verses, but you know, no men

0:35:00.320 --> 0:35:03.600
<v Speaker 2>and niggas is too. Yeah, I mean, but you can't.

0:35:03.600 --> 0:35:08.000
<v Speaker 2>You just can't hear it in the songs. Yeah, motherfucker

0:35:08.160 --> 0:35:10.880
<v Speaker 2>is just rapping like three minutes. You're like, wait, where's

0:35:10.880 --> 0:35:12.880
<v Speaker 2>the Oh, that's the hook?

0:35:13.719 --> 0:35:16.719
<v Speaker 1>Like, oh, bro, these niggas just making These niggas will

0:35:16.719 --> 0:35:19.879
<v Speaker 1>wrap the whole song and just make the song title

0:35:20.000 --> 0:35:21.959
<v Speaker 1>or something they said in the song they got no hook.

0:35:22.080 --> 0:35:24.440
<v Speaker 2>And then the hook is just like it sounds like

0:35:24.520 --> 0:35:25.560
<v Speaker 2>an extension.

0:35:25.160 --> 0:35:25.600
<v Speaker 1>Of a verse.

0:35:25.920 --> 0:35:28.560
<v Speaker 2>And then when you hear it back again the verse, Yes,

0:35:28.960 --> 0:35:30.400
<v Speaker 2>and it's the laziest.

0:35:30.000 --> 0:35:33.160
<v Speaker 1>Ship said in the verse. They will name the title

0:35:33.200 --> 0:35:36.080
<v Speaker 1>of the song. Oh the fucking bro. We need a

0:35:36.160 --> 0:35:38.680
<v Speaker 1>new we need a new age. Fifty cent bro, we

0:35:38.719 --> 0:35:42.120
<v Speaker 1>need something this nigga fifty cent made hooks. Sure that

0:35:42.960 --> 0:35:48.200
<v Speaker 1>joh Nelly hooks bro Like, so when you're in the club,

0:35:48.320 --> 0:35:51.839
<v Speaker 1>everybody's singing that hook bro like that ship. That's why

0:35:51.880 --> 0:35:53.799
<v Speaker 1>I think hip hop not where it needs to be

0:35:53.920 --> 0:35:56.520
<v Speaker 1>right now. Bro, I agree with you, man, people gotta

0:35:56.520 --> 0:35:59.880
<v Speaker 1>start making records again. Shout out to uh so everybody.

0:36:00.080 --> 0:36:01.160
<v Speaker 1>They're trying though, you know what I mean.

0:36:01.200 --> 0:36:04.400
<v Speaker 2>Look, Friday, the album comes out on August twenty fifth,

0:36:04.960 --> 0:36:08.000
<v Speaker 2>which is also a Friday. It'd only be right your

0:36:08.000 --> 0:36:09.880
<v Speaker 2>album comes out on a Friday. Well, all albums come

0:36:09.880 --> 0:36:11.560
<v Speaker 2>out on a Friday. But we're going to act like

0:36:11.640 --> 0:36:14.560
<v Speaker 2>this is on purpose. You know, back in the day

0:36:15.200 --> 0:36:17.400
<v Speaker 2>on a Friday, if it came out on today, was

0:36:17.480 --> 0:36:19.520
<v Speaker 2>still to jump And look at us filming this interview

0:36:19.680 --> 0:36:23.960
<v Speaker 2>on a Friday, sure Jesus, you know, like we're super

0:36:24.000 --> 0:36:25.759
<v Speaker 2>woke and all that shit's lining up and there's some

0:36:25.800 --> 0:36:28.400
<v Speaker 2>sort of hidden meaning in that, and we're will decipher

0:36:28.440 --> 0:36:31.200
<v Speaker 2>and let the fans kind of figure out how Illuminati

0:36:31.239 --> 0:36:34.400
<v Speaker 2>is involved in this interview. Friday, dropping an album on Friday

0:36:34.440 --> 0:36:37.080
<v Speaker 2>while being interviewed on a Friday. All right, there it is, man,

0:36:37.080 --> 0:36:37.719
<v Speaker 2>I appreciate you.

0:36:37.800 --> 0:36:40.040
<v Speaker 1>Brother Boom. Hey, what up? Man?

0:36:40.320 --> 0:36:42.920
<v Speaker 2>You just watched another episode of the Blue Ley Cap Podcast,

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