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Speaker 1: Hey man, it's your boy Friday. Check me out on

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Speaker 1: the Bootleg cav podcast.

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Speaker 2: Bootleg Caps show Man Special guests here Friday. Welcome Sir.

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Speaker 2: Debut album coming coming soon, man, I mean obviously, man,

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Speaker 2: this album is you guys. A lot of people are

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Speaker 2: looking at you right now.

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Speaker 1: Bro.

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Speaker 2: We talked to BT. I said, you're kind of like

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Speaker 2: the new you need the new go to. I need

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Speaker 2: to hook up my rap album guy right now. Yeah,

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Speaker 2: that's what it is.

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Speaker 1: Man.

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Speaker 2: Do you feel the anticipation? Do you feel any pressure?

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Speaker 1: Nah? No pressure, just good music, bro. Yeah, that's all

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Speaker 1: I'm used to doing, giving out good music.

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Speaker 2: How would you describe the album?

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Speaker 1: Uh?

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Speaker 2: Life music, bro, like shoot to live to Yeah, ain't

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Speaker 2: nothing in there.

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Speaker 1: That's there's something there for everybody. That's what I'm saying. Like,

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Speaker 1: that's why I encourage everybody listen to the whole projects.

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Speaker 1: R and B songs, pain songs, inspirational, afrobeat. You know

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Speaker 1: what I'm saying, It's something for everybody.

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Speaker 2: How old were you when you discovered this beautiful voice

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Speaker 2: of yours?

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Speaker 1: Man?

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Speaker 2: Like, when you really knew you had you had like

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Speaker 2: a unique tone and voice that was very special.

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Speaker 1: I was like I was singing when I was a

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Speaker 1: young and early at church, but like I ain't know,

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Speaker 1: like I had a unique voice to probably like high school, Okay,

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Speaker 1: my voice is getting deeper. Shit, So yeah, once you

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Speaker 1: start growing up your voice, yeah, and it was like

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Speaker 1: niggas be like then you got like a deeper voice.

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Speaker 1: It was like different, you know what I'm saying. Like

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Speaker 1: that's when I found out I had a unique voice.

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Speaker 1: And then starting to make music every day while I

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Speaker 1: was in high school, That's when I felt my sound.

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Speaker 1: That's how I realized how to use my voice in

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Speaker 1: a different way and not sound like everybody else.

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Speaker 2: For you, like, uh, you've done a great job and

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Speaker 2: pretty cool. Like I feel like a lot of artists

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Speaker 2: kind of start off as like writers and they let

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Speaker 2: that rock for like some years and then they go

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Speaker 2: the artist route. I feel like you've done that in

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Speaker 2: a quicker, quicker way, right, Because was it Chris Brown

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Speaker 2: that initially kind of gave you a shot on was

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Speaker 2: it Breezy Breezy?

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Speaker 1: I wrote Will's fall Off News right here. That was

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Speaker 1: like the first I've been writing for like a year

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Speaker 1: or two. That was like the first big placement I

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Speaker 1: got Chris Brown.

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Speaker 2: Wow, that's a fucking that's Chris Breezy.

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Speaker 1: And like that was June last year, right a month

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Speaker 1: after that guy did came out. So like before niggas

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Speaker 1: knew out, like I was a known writer. I feel

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Speaker 1: like I was seeing your name though you was seeing

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Speaker 1: my name. I was seeing your name. I was putting

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Speaker 1: some work in, but it was like it wasn't like,

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Speaker 1: oh he he a go to writer, Like this was up.

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Speaker 2: On your ship before God did. Like I remember, he

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Speaker 2: was really into your ship. Like, yo, that Friday Due

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Speaker 2: is hard because he's an engineer and a singer. Yeah,

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Speaker 2: because he's probably because he an engineer. Niggas in the

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Speaker 2: industry knew me, but the world didn't know like here

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Speaker 2: a writer, you know what I'm saying. So I got

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Speaker 2: introduced to the world as an artist. The only people

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Speaker 2: that really knew me as a writer was you know,

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Speaker 2: the engineers, like if you know you know type you know.

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Speaker 1: But I ain't never want to be no writer, bro,

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Speaker 1: I just I knew that was the way that was

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Speaker 1: kind of your way to get you in the door.

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Speaker 2: Yeah.

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Speaker 1: Like my manager to me, like when I met him,

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Speaker 1: he like being a songwriter might be an easier way

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Speaker 1: to get in.

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Speaker 2: I feel like it is the easiest way.

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Speaker 1: It is the easiest way because because you're.

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Speaker 2: Kind of there to help the artist. You're an artist,

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Speaker 2: you're there to kind.

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Speaker 1: Of because look, bro, like when you meet and urs

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Speaker 1: and executive label niggas, you telling them your artists don't

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Speaker 1: really mean ship to them unless you got some.

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Speaker 2: Motion, because they hear it.

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Speaker 1: They hear it every day, especially if they go on

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Speaker 1: your Instagram. You know you don't got no motion. They

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Speaker 1: don't give a fun going to check Spotify. Yeah, they're

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Speaker 1: gonna check everything, and they really don't give a fuck.

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Speaker 1: Even if you're nice and ship, it doesn't matter. It

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Speaker 1: don't matter.

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Speaker 2: Show me, show me the.

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Speaker 1: Audience, Show me the audience. So if you go up

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Speaker 1: to the niggas and be like, bro, I could get

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Speaker 1: artists ten hooks. That's what they want to hear, bro Like, y'

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Speaker 1: y'all need hooks, y'all need beats. I could do your

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Speaker 1: whole album. Yeah, you go up to an end or

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Speaker 1: like that, I promise you the studio tonight. Yeah, I'm

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Speaker 1: playing some ship. So that's really the easiest way. I

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Speaker 1: encourage every artist at if you're good, start there. Yeah,

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Speaker 1: still do your artist, ship, don't lose yourself, but like

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Speaker 1: try to get in by writing.

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Speaker 2: I mean so many grades have done that, like shout

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Speaker 2: to Eric, shout to Neo, I mean ship, Yeah, on

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Speaker 2: and on and on, tons of folks like that. So

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Speaker 2: obviously Chris Brown album comes out and then out of

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Speaker 2: nowhere this God Did record, which is one of the

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Speaker 2: We talked about this a bit on at the BT

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Speaker 2: radio room, but like, obviously, man, this God Did Ship

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Speaker 2: is like one of the craziest jay Z verses we've

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Speaker 2: ever gotten. I mean from performing he Hunt the BET Awards, uh,

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Speaker 2: I mean just just the Grammy Ship he said, get

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Speaker 2: it right. It was the gram such an insane moment

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Speaker 2: in hip hop. I mean, got calid. I feel like

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Speaker 2: that record really kind of really set call it up

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Speaker 2: to you know, be looked at it in a different

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Speaker 2: way in terms of like putting records together. But give

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Speaker 2: me the backstory of like, I guess the whole process

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Speaker 2: of that song, because we've seen the video of you

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Speaker 2: singing it was that in your bedroom? And that was that?

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Speaker 2: Did you did you record that prior? Like like while

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Speaker 2: you're actually cutting that hook? I made it. That's just crazy.

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Speaker 2: I knew it was going to be special. I will

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Speaker 2: tell you a story like I told you I was

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Speaker 2: writing for a little bit. So I was in this

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Speaker 2: pub deal in the A and R left and it

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Speaker 2: was on some ship like I ain't have nobody else,

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Speaker 2: like I'm broken ship, I ain't had no connection. And

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Speaker 2: then too the building besides that A and R. So

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Speaker 2: me and my team was looking for like a buyout.

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Speaker 1: Somebody else would buy out my manager, Edgar, buy me

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Speaker 1: out my pub deal. So my manager, Edgar, he connected

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Speaker 1: the Eddie Mary J. Blise manager he worked at another

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Speaker 1: pub company, Prescription. He telling him like, bro, we need

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Speaker 1: to looking for a buyout. We needed this buyout like

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Speaker 1: hed one. I'm telling you like he was just pushing that.

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Speaker 1: And then Moneys go by. They finally buy me out

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Speaker 1: with my pub deal. M hm. So we fresh into

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Speaker 1: this pub deal. Chris Brown come out, and then I'm

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Speaker 1: watching cal It on Instagram say God did every day

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Speaker 1: like every time I wake up. I think he said

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Speaker 1: God did like every day for like three months, I've

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Speaker 1: been had like a guy did simple. And then I

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Speaker 1: called my manager. I'm like, bro, let's send it, let's

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Speaker 1: send it up, call it simple. He's like, nah, I

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Speaker 1: make a hook, like a real hook, like just you

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Speaker 1: type shit. I made the hook, Brock. As soon as

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Speaker 1: I started like the idea, I called my cameraman, bro

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Speaker 1: I said, come to the crib. This is special. Like

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Speaker 1: I already had the melody, like before I recorded it,

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Speaker 1: I already had like the melody, not even the words.

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Speaker 1: I just knew where I was gonna take it. As

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Speaker 1: soon as I made it, Broh, I knew this she

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Speaker 1: was the one.

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Speaker 2: Now did you get pretty immediate feedback from Cali that like,

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Speaker 2: oh this is something like this is but I know

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Speaker 2: you didn't know who didn't make You didn't know who

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Speaker 2: actually made it on the record for a while right now.

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Speaker 1: So look after I made it, right, we called Eddie.

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Speaker 1: We played it for Eddie that Nigga went crazy. He

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Speaker 1: had Cali number texted to cal Cali takes it back

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Speaker 1: like the next day, I need this on my album,

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Speaker 1: you know what I'm saying. Like a week go by,

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Speaker 1: we already starting the paperwork. It's at first it was

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Speaker 1: supposed to be like a like a just me with

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Speaker 1: the keys. How you hear my hook? A couple of

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Speaker 1: days go by, he like I just put three artists

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Speaker 1: on here and a singer said this shit gonna live forever.

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Speaker 1: As soon as he said that, Bro, I'm already thinking

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Speaker 1: like Nahs, Kanye jay Z, I'm thinking all high level

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Speaker 1: names based off the like the record. Yeah, for sure.

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Speaker 1: So I heard rumors of who was on the track,

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Speaker 1: but I ain't here the track till it came out, Bro,

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Speaker 1: like everybody else.

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Speaker 2: So when you heard jay Z had like a fucking

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Speaker 2: I don't know how many minutes long was it? Five

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Speaker 2: minutes longer? Five minutes longer made it impossible to play

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Speaker 2: at radio. I'll tell you that they were trying to

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Speaker 2: make all kind of random versions of that song when

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Speaker 2: they were working at the radio. I'm like, guys, this

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Speaker 2: is too long. Guys, this is not seven minute song

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Speaker 2: is not working at radio.

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Speaker 1: God bless it. It's a great record.

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Speaker 2: But what was your reaction here in hope?

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Speaker 1: Go off? Nah?

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Speaker 2: It was crazy, bro, quite possibly the best guest jay

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Speaker 2: Z for Top three. Guess jay Z vers ever.

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Speaker 1: Gonna live forever, Bro, just normal part of that. It's

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Speaker 1: a blessing. Bro.

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Speaker 2: Were you nervous doing the Grammy performance outside with everybody?

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Speaker 1: Like? Yeah, I was nervous as shit, like, so they

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Speaker 1: told me I was performing I was. I was bitching, bro,

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Speaker 1: like the whole It's like a month before they told

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Speaker 1: me I was I was performing. I'm like, fuck, Bro, Like,

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Speaker 1: I didn't expect this this early.

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Speaker 2: Bro, Like, do you like, do you like really like

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Speaker 2: train like a fighter trains training your voice, making sure

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Speaker 2: you fucking yeah.

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Speaker 1: You know what I mean? Like the week of the Grammys, Bro,

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Speaker 1: every day I was singing Guy did like all day

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Speaker 1: just so it's like by the time the Grammys come,

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Speaker 1: I can't mess up because I've been singing it all week.

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Speaker 1: When I woke up shower singing that shit. I remember,

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Speaker 1: like right before he was about to perform, Calik came

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Speaker 1: to my where I was getting dressed that type shit

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Speaker 1: it's on my TikTok and he played the instrumental in

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Speaker 1: my ear. His whole team, everybody else, jay Z, everybody else.

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Speaker 1: Had he put the gin in my ear. I don't

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Speaker 1: even know he thought I was gonna sing. That was

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Speaker 1: before the performance, and I just start singing it everybody

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Speaker 1: like he ready and I just once that happened, Bro,

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Speaker 1: I just went on stage that same energy. Bro knocked

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Speaker 1: it out the park.

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Speaker 2: Talk about like some of your influences growing up obviously

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Speaker 2: being out of Philly Man. Philly is obviously a legendary

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Speaker 2: hip hop city. There's so many different artists. We can

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Speaker 2: go back to the roots obviously all the way to

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Speaker 2: meet Mill and you know, Free Way, all that good ship.

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Speaker 2: But like, who were you influenced by growing up?

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Speaker 1: I grew up in a church, so it was just

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Speaker 1: like soul for music when I was a kid. And

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Speaker 1: then like when I outside of that, I'll start going

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Speaker 1: to like Boys to Men. You know what I'm saying, Like,

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Speaker 1: what was.

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Speaker 2: That dude with that deep voice on Boys to Men?

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Speaker 2: Deepest ship? I know you're talking about he was talking shit.

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Speaker 2: I forgot his name though, but that was like, I

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Speaker 2: hope he's on cameo. That'd be the cameo to get

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Speaker 2: like to have him lay down your voice, like your voicemail, like,

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Speaker 2: hey what up, ladies, you call Friday, leave a voicemail

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Speaker 2: and yes, this is me from Boys to Man. Yeah,

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Speaker 2: that was like my like first and obviously Philly legends.

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Speaker 1: Yeah, so it's like and then it was like right

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Speaker 1: after they was just like all R and B like

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Speaker 1: Jamie Fox, Brian Knight. Then I started like living my

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Speaker 1: life and like Meek Mill, Kanye West and Drake shouts

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Speaker 1: of I mean Jamie Fox alien level talent. Yeah, different

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Speaker 1: niggas don't know, like they sleep on his music.

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Speaker 2: That first album that Unpredictable. Yeah, what was that song

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Speaker 2: called One Night?

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Speaker 1: Was it one Night Occasion? That ship? That ship man?

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Speaker 2: I was, I'm so glad he's all right.

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Speaker 1: Yeah for sure.

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Speaker 2: He one of the ones, top tier actor, top tier comedian,

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Speaker 2: top tier singers, singers, just everything.

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Speaker 1: He's a beast man.

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Speaker 2: Yeah, and shot to a shot to his new movie

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Speaker 2: The Clone Tyrone going right now, Yeah, it's going crazy.

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Speaker 2: So obviously you you end up for you the catalyst

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Speaker 2: to start writing. And like, I guess everyone kind of

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Speaker 2: you said you had a pub deal that you had

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Speaker 2: to get bought out of, right, So what was like

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Speaker 2: your first initial like real step into being in the

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Speaker 2: quote unquote music industry? Like how did you get that

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Speaker 2: initial pub deal? Like before we really knew who you were,

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Speaker 2: you know what I'm saying?

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Speaker 1: Uh shit around? Like he was like twenty nineteen, twenty twenty,

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Speaker 1: that's when I met my manager. Remember he was like,

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Speaker 1: bro start writing, Yes, So when I met him, I

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Speaker 1: was like making like ten.

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Speaker 2: Hooks a week, bro, Like were you still in Philly. Yeah,

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Speaker 2: I was in the same room at the crib. At

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Speaker 2: the crib, you're like cutting the hooks, sending him to him,

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Speaker 2: and then he's doing his.

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Speaker 1: Job getting he's sending it out. So it's like I

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Speaker 1: was made like ten ten songs a week. Yeah. At

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Speaker 1: that time, I was close to my man produced, my producer,

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Speaker 1: the Newso, and I started making a lot of beats

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Speaker 1: on his a lot of hooks on a lot of

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Speaker 1: hooks on his beat, and he was about to get signed.

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Speaker 1: But the person he was about to sign to, they're like,

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Speaker 1: who that on the hooks? Like, you know what I'm saying.

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Speaker 1: He hard. So that's how like, that's how that happened

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Speaker 1: with my first pub deal tape. Shit.

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Speaker 2: And now when they ask who's that on the hook?

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Speaker 2: They keep you on the hook. Yeah, they keep they

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Speaker 2: keep me. Now now they're like, oh, that's the Friday, Sure,

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Speaker 2: we're gonna need that come over here. How in demand

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Speaker 2: are you in terms of just like artists trying to

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Speaker 2: get you on their ship, and how selective are you

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Speaker 2: being with that because a lot of people burn out

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Speaker 2: pretty quick.

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Speaker 1: When it comes to oversaturating. Yeah, it's like I look

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Speaker 1: at every situation like do it what do it do

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Speaker 1: for both who us? They like do it benefit me?

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Speaker 1: Or sometimes about the music for like the song's amazed,

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Speaker 1: so amazed, and I'm fucking with you, but it's like

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Speaker 1: I'm down to work with whoever. Bro Like it's just

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Speaker 1: gotta makes sense for the both of us, you know

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Speaker 1: what I'm saying. Like at the same time, I'm giving

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Speaker 1: my own my own, my own music. Yeah, you know

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Speaker 1: what I'm saying. So it's not like I'm building the

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Speaker 1: already built a fanbase.

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Speaker 2: Probably harder for you to give away hooks at this

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Speaker 2: point because you're like, I mean that could that could

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Speaker 2: be my ship?

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Speaker 1: Yeah, but I make so much music. There's more where

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Speaker 1: that came from.

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Speaker 2: It's like I got like five hundred that I'm not using.

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Speaker 2: I just wanted to say with the great ones, the

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Speaker 2: great ones aren't greedy because it's just more where that is.

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Speaker 2: I'm gonna just write another one tomorrow, so go ahead

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Speaker 2: take it, like help us out, like it's gonna help

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Speaker 2: my picture the program.

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Speaker 1: Like in like my music, like I say, and the

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Speaker 1: music I dropped like on my projects lost the melody

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Speaker 1: and ship. It's a very distinctive sound like so like

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Speaker 1: a lot of the ship I make, I'm like, damn,

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Speaker 1: that's not for me. I just give it to somebody else.

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Speaker 1: You kind of you know what I'm saying. Yeah, you

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Speaker 1: don't fit in my album. So everything I make for

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Speaker 1: me is like one hundred percent for me. Yeah. So

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Speaker 1: like say I'm working on an album, I'll make fourteen songs,

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Speaker 1: and all fourteen songs going album. You know what I'm saying, Like,

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Speaker 1: I'm not making I'm not even finishing the song right

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Speaker 1: for me, And it's not you know what I'm saying.

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Speaker 1: So I got like five hundred like that I wouldn't drop,

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Speaker 1: but I could get somebody. Sure, it's a nice problem

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Speaker 1: to have, No, for sure, we.

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Speaker 2: Got to stop the interview real quick to tell you

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Speaker 2: Let's get back to the interview. We know Chris Brown's

362
00:17:07,560 --> 00:17:09,400
Speaker 2: on the album. Anybody else on the album? I'm sure

363
00:17:09,400 --> 00:17:11,640
Speaker 2: there's tons of features. Let's be honest. Can you share

364
00:17:11,640 --> 00:17:14,600
Speaker 2: any When do you want us to drop it where

365
00:17:14,600 --> 00:17:18,440
Speaker 2: you can talk about the features. We could drop it whenever.

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Speaker 2: When you when you dropping the track?

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Speaker 1: I'm like a week before, so good, I got I

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Speaker 1: got the veto on the track list, Shout out to him. Yeah,

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Speaker 1: I mean Fireboys.

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Speaker 2: And by the way, David Oh, is how you say

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Speaker 2: his name? Yeah? I say, I thought I thought Listen.

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Speaker 2: I interviewed him, and I watched a bunch of interviews

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Speaker 2: with him from Africa and they were saying David Oh.

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Speaker 2: So when I said David Oh, he was like, you

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Speaker 2: said my name right, And I was.

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Speaker 1: Like, man, I was like yes, because I thought it

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Speaker 1: was the veto the Vito David Oh say Fireboy, Yeah, Fireboy,

378
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Speaker 1: Chris Brown, I got Byron Massaliah chat Man.

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00:18:00,400 --> 00:18:02,800
Speaker 2: You got that fucking afrobeat gods right now? That that

380
00:18:02,920 --> 00:18:04,760
Speaker 2: Taliban's is going crazy right now.

381
00:18:05,000 --> 00:18:06,760
Speaker 1: I got the boys on there? Who else on there?

382
00:18:07,480 --> 00:18:09,159
Speaker 1: And Maverick City. I don't know.

383
00:18:09,160 --> 00:18:11,840
Speaker 2: I'm not familiar with the gospel group. It's like a choir.

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Speaker 2: Oh fire I let them on the intro the It's

385
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Speaker 2: Crazy album. Any rappers Nah? No rappers? Wow?

386
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Speaker 1: I might. I might throw some like remix I had.

387
00:18:22,480 --> 00:18:24,840
Speaker 1: I had some rappers I wanted on there. But you

388
00:18:24,920 --> 00:18:29,199
Speaker 1: know what I'm saying is timing mm hmm, well hopefully

389
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Speaker 1: on like some remixes.

390
00:18:30,800 --> 00:18:34,920
Speaker 2: That's crazy, Like so is the afrobeat tongue. Is everybody

391
00:18:34,920 --> 00:18:36,199
Speaker 2: on the on the same song or do you have

392
00:18:36,280 --> 00:18:39,199
Speaker 2: multiple I got multiple fire. Yeah, that's like that's like

393
00:18:39,240 --> 00:18:43,200
Speaker 2: my second home. Like music wise, I ain't because I'm Haitian.

394
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Speaker 2: So that like afro beat feeling is in me. It's

395
00:18:48,200 --> 00:18:50,600
Speaker 2: the funnest genre. It's like, finally there's music that people

396
00:18:50,680 --> 00:18:53,320
Speaker 2: can dance to happening like on the mainstream level, you

397
00:18:53,359 --> 00:18:55,199
Speaker 2: know for sure. It's like the best part of the

398
00:18:55,200 --> 00:18:59,160
Speaker 2: club night is when like DJ because people are having fun.

399
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Speaker 2: It's like, shout out to marsh Madness. I love it,

400
00:19:02,000 --> 00:19:03,520
Speaker 2: but I've been hearing it for like ten years. It's

401
00:19:03,560 --> 00:19:05,880
Speaker 2: like it's like, yeah, I could pop bottles to that,

402
00:19:05,920 --> 00:19:12,960
Speaker 2: but I'm not gonna. Yeah, So for you, like, uh,

403
00:19:13,040 --> 00:19:15,320
Speaker 2: let's break that because because you're one of the hook guys. Now,

404
00:19:15,600 --> 00:19:19,000
Speaker 2: who would you say, is like Mount Rushmore of the

405
00:19:19,040 --> 00:19:22,400
Speaker 2: best hook men of all time? Who's the hook gods?

406
00:19:23,640 --> 00:19:24,600
Speaker 1: My hook gods?

407
00:19:25,080 --> 00:19:28,879
Speaker 2: Nate dog Nate Dogges. I feel like undisputed top number

408
00:19:28,880 --> 00:19:30,800
Speaker 2: one slot, right, yeah, Nate.

409
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Speaker 1: Then I'm gonna go to go to Chris Brown. Of course,

410
00:19:36,800 --> 00:19:40,440
Speaker 1: I'm gonna go to Tire Dollar shout out to Tie,

411
00:19:41,280 --> 00:19:45,680
Speaker 1: and then I'm gonna go to at the Tie. I'm

412
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Speaker 1: gonna go to sanfa Oh yeah, like not even though

413
00:19:50,200 --> 00:19:51,960
Speaker 1: he did a lot of hooks, but but the ones

414
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Speaker 1: he did d fuck Everybody album look tip on right now.

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00:19:57,240 --> 00:19:59,760
Speaker 2: Like I think back to the video of like when

416
00:20:00,280 --> 00:20:06,280
Speaker 2: Man and like Artists, and I just remember being like, damn,

417
00:20:06,320 --> 00:20:08,720
Speaker 2: I really need to dive into this guy's catalog.

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Speaker 1: If he's making grown Man cry out here, you're making

419
00:20:10,760 --> 00:20:14,760
Speaker 1: real music, bro. Like a lot of bullshit be overshadowed,

420
00:20:14,800 --> 00:20:17,639
Speaker 1: but the music, the real music will be put in

421
00:20:17,720 --> 00:20:20,040
Speaker 1: the back a lot nowadays. But when you're telling like

422
00:20:20,040 --> 00:20:22,720
Speaker 1: a nigga like Sanfah Special, Bro.

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Speaker 2: I donna say, like, uh, what what was it like

424
00:20:26,200 --> 00:20:27,960
Speaker 2: growing up in Philly for you? Because we kind of

425
00:20:28,000 --> 00:20:30,760
Speaker 2: hear so much. You know, my co host DJ Damages

426
00:20:30,760 --> 00:20:33,679
Speaker 2: from Philly, and he would always tell me like about

427
00:20:34,280 --> 00:20:38,720
Speaker 2: North Philly and places like Chester, Pennsylvania, and just like

428
00:20:38,720 --> 00:20:41,280
Speaker 2: like Philly is like that just that area in general,

429
00:20:41,480 --> 00:20:43,439
Speaker 2: wild place. And there's a lot of videos that have

430
00:20:43,440 --> 00:20:47,120
Speaker 2: been going viral recently of like because Fatana shit's really bad.

431
00:20:48,080 --> 00:20:50,040
Speaker 2: You've probably seen the videos of people like slumped out,

432
00:20:50,080 --> 00:20:52,240
Speaker 2: like looking like zombies all over the streets ship out there.

433
00:20:52,359 --> 00:20:54,560
Speaker 1: That's right, that's like near where I'm from, a.

434
00:20:54,520 --> 00:20:56,600
Speaker 2: Little bit by the way, also happening here in LA.

435
00:20:56,760 --> 00:20:59,840
Speaker 2: But you know, but what was it like for you

436
00:21:00,160 --> 00:21:02,480
Speaker 2: up in Philly? I mean, obviously you were going to church,

437
00:21:02,560 --> 00:21:03,840
Speaker 2: and you know, I'm sure you were. You had a

438
00:21:04,640 --> 00:21:07,320
Speaker 2: great childhood, but like, was it was it easier or

439
00:21:07,359 --> 00:21:10,199
Speaker 2: hard for you to deal with like kind of staying

440
00:21:10,240 --> 00:21:10,960
Speaker 2: out of that ship.

441
00:21:11,040 --> 00:21:15,000
Speaker 1: You know, church was in the trenches. Yeah, like my

442
00:21:15,119 --> 00:21:17,199
Speaker 1: pop church was in the trenches, bro. So it was like,

443
00:21:17,240 --> 00:21:20,439
Speaker 1: it's not like I had an easy childhood. Like as

444
00:21:20,440 --> 00:21:22,119
Speaker 1: soon as you step out of church, it might be

445
00:21:22,160 --> 00:21:23,439
Speaker 1: a shootout, you know.

446
00:21:23,400 --> 00:21:24,600
Speaker 2: What I mean, but you were able to kind of

447
00:21:24,680 --> 00:21:26,440
Speaker 2: keep It's kind of like you gotta like.

448
00:21:29,240 --> 00:21:33,080
Speaker 1: It's a rough neighborhood, bro. It's easy to like fall

449
00:21:33,119 --> 00:21:37,120
Speaker 1: into in that lifestyle, right, and it's like you really

450
00:21:37,240 --> 00:21:40,840
Speaker 1: just got to stay out the way, Like just stay

451
00:21:40,880 --> 00:21:43,320
Speaker 1: out the way, bro, like because it would be like

452
00:21:43,600 --> 00:21:46,120
Speaker 1: you be in the way, not even on some dumb shit,

453
00:21:46,200 --> 00:21:49,239
Speaker 1: you just be in the way some crazy way, just

454
00:21:49,280 --> 00:21:51,280
Speaker 1: like you're at the wrong place at the right time.

455
00:21:51,320 --> 00:21:54,160
Speaker 1: So what I will say, like I was always focused

456
00:21:54,160 --> 00:21:57,800
Speaker 1: on music, like everybody knew me, Like that's fried like

457
00:21:57,840 --> 00:21:59,400
Speaker 1: on some music ship, like you know what I'm saying.

458
00:21:59,400 --> 00:22:01,919
Speaker 1: Like I used to gineer niggas in Philly, produce for

459
00:22:02,000 --> 00:22:04,480
Speaker 1: niggas like on some studio ship, you know what I'm saying.

460
00:22:04,520 --> 00:22:07,480
Speaker 1: So it was just like I was always on some

461
00:22:07,560 --> 00:22:10,800
Speaker 1: music shipping out the way for her. So it's definitely

462
00:22:10,800 --> 00:22:12,919
Speaker 1: like a rough city though. But you really gotta like

463
00:22:13,040 --> 00:22:14,640
Speaker 1: just s you gotta be.

464
00:22:14,560 --> 00:22:18,320
Speaker 2: Focused so you don't get fall into you know, yeah,

465
00:22:18,520 --> 00:22:20,080
Speaker 2: what do you how do you feel about the other

466
00:22:20,160 --> 00:22:21,920
Speaker 2: trend that's happened in Philly right now? If you think

467
00:22:21,920 --> 00:22:23,720
Speaker 2: you guys are too rare and just like the dance

468
00:22:23,720 --> 00:22:24,960
Speaker 2: ship is going crazy.

469
00:22:25,400 --> 00:22:28,320
Speaker 1: They have bro, they're having a way. Yeah, they having

470
00:22:28,800 --> 00:22:30,760
Speaker 1: like it's beautiful bro to see.

471
00:22:30,680 --> 00:22:38,040
Speaker 2: Who's the group kids? You guys just signed? Yeah yeah yeah,

472
00:22:40,160 --> 00:22:42,119
Speaker 2: the sturdy ship is going crazy. I mean, I'm just

473
00:22:42,200 --> 00:22:46,200
Speaker 2: like it's like everybody's kind of doing their own version

474
00:22:46,359 --> 00:22:46,840
Speaker 2: Philly thing.

475
00:22:47,400 --> 00:22:50,480
Speaker 1: Everybody having fun bro, Like they brought it like a fun.

476
00:22:50,400 --> 00:22:52,200
Speaker 2: Vibe, fun energy that was missing.

477
00:22:52,600 --> 00:22:54,880
Speaker 1: And that's why I like Afro beat doing what they're doing,

478
00:22:55,040 --> 00:22:58,960
Speaker 1: Like you being the club. All these somethings about killing

479
00:22:59,000 --> 00:23:01,920
Speaker 1: and ship, all this Afro shit, Come on, niggas, want

480
00:23:01,920 --> 00:23:04,400
Speaker 1: to have funny dance, bro, Like I feel that why

481
00:23:04,520 --> 00:23:08,080
Speaker 1: Afro doing so good? And even the niggas from Philly,

482
00:23:08,080 --> 00:23:09,560
Speaker 1: like they bring in like good vibes back.

483
00:23:09,680 --> 00:23:12,119
Speaker 2: I mean I'm thinking like even like obviously Uzzi's from Philly, right,

484
00:23:12,160 --> 00:23:14,960
Speaker 2: so Uzzi like doing just want to rock. It's like

485
00:23:15,000 --> 00:23:16,520
Speaker 2: the biggest song in the club for like a year.

486
00:23:17,160 --> 00:23:20,639
Speaker 2: It's like just this fun song, like fun music.

487
00:23:20,640 --> 00:23:23,240
Speaker 1: Bro. And them regular niggas too from the trenches too,

488
00:23:23,600 --> 00:23:25,440
Speaker 1: so like don't get it, like you know what I'm saying.

489
00:23:25,840 --> 00:23:29,000
Speaker 1: Like them they just decide, Yeah, they focus on the

490
00:23:29,040 --> 00:23:30,800
Speaker 1: right ship, like we don't gotta be on those streets

491
00:23:30,800 --> 00:23:33,959
Speaker 1: ship making songs about violence and all that. They just

492
00:23:34,000 --> 00:23:34,560
Speaker 1: having fun.

493
00:23:34,600 --> 00:23:37,240
Speaker 2: Bro, did you ever like tap in with like like

494
00:23:37,359 --> 00:23:40,800
Speaker 2: obviously prior to your generation, but did you ever dive

495
00:23:40,840 --> 00:23:42,520
Speaker 2: into any of the roots music back from back in

496
00:23:42,520 --> 00:23:46,080
Speaker 2: the day, Uh, A little bit like Black Cloud's is

497
00:23:46,080 --> 00:23:48,600
Speaker 2: one of the greatest rappers that walk on the planet.

498
00:23:48,640 --> 00:23:51,320
Speaker 2: You know, I wasn't really on that, but I wasn't

499
00:23:51,359 --> 00:23:53,719
Speaker 2: on that though, but I'm familiar, Like I know they legends.

500
00:23:53,760 --> 00:23:55,960
Speaker 2: You gotta quest love having played drums on a song

501
00:23:56,080 --> 00:23:58,880
Speaker 2: or something. I know, clench love U shitting the drums

502
00:23:58,920 --> 00:24:01,159
Speaker 2: just like yo being on man, come and play drums

503
00:24:01,160 --> 00:24:03,400
Speaker 2: on this just for Philly.

504
00:24:03,160 --> 00:24:06,200
Speaker 1: Yeah for sure. But I wasn't really on them early,

505
00:24:07,240 --> 00:24:07,720
Speaker 1: like I.

506
00:24:07,720 --> 00:24:09,359
Speaker 2: Mean, you weren't on them early because you also weren't

507
00:24:09,359 --> 00:24:12,159
Speaker 2: alive exactly, because being on them early would have been

508
00:24:12,280 --> 00:24:15,760
Speaker 2: you were listening to them m because I think their

509
00:24:15,800 --> 00:24:17,680
Speaker 2: first album was like ninety two.

510
00:24:19,359 --> 00:24:21,320
Speaker 1: Yeah, I was knowing them a lot.

511
00:24:21,480 --> 00:24:23,560
Speaker 2: And that album isn't even on Spotify. You gotta buy

512
00:24:23,600 --> 00:24:28,720
Speaker 2: it like on a real Yeah, it's like yeah. And

513
00:24:28,760 --> 00:24:31,240
Speaker 2: then you know Scott Storch, Yeah, he was in the

514
00:24:31,320 --> 00:24:33,880
Speaker 2: roots for that's crazy.

515
00:24:34,240 --> 00:24:37,960
Speaker 1: I knew that. Somebody told me that started in the roots. Legend.

516
00:24:38,280 --> 00:24:39,399
Speaker 1: You gotta get with Storch man.

517
00:24:39,400 --> 00:24:40,640
Speaker 2: Have you got in with him yet?

518
00:24:40,760 --> 00:24:42,480
Speaker 1: No? No yet? The legend though.

519
00:24:42,600 --> 00:24:44,880
Speaker 2: Let him tell you some stories. I know he got

520
00:24:44,920 --> 00:24:48,879
Speaker 2: some crazy, the craziest ever. Any girl that you think of.

521
00:24:48,960 --> 00:24:50,679
Speaker 2: When I say this to you right now, that pops

522
00:24:50,680 --> 00:24:51,160
Speaker 2: in your head.

523
00:24:51,920 --> 00:24:52,680
Speaker 1: He is true.

524
00:24:52,960 --> 00:24:55,800
Speaker 2: He fucked everybody first, So whatever girls just popped up

525
00:24:55,840 --> 00:24:56,800
Speaker 2: in your head.

526
00:24:56,880 --> 00:24:57,120
Speaker 1: Yep.

527
00:24:57,200 --> 00:25:02,240
Speaker 2: Then everybody, everybody, we gotta sit down with skorts. You

528
00:25:02,280 --> 00:25:03,360
Speaker 2: gotta go out to Miami.

529
00:25:04,240 --> 00:25:06,159
Speaker 1: I heard he went stupid when he was up and

530
00:25:06,200 --> 00:25:08,480
Speaker 1: then he went down. But he's back up. You back

531
00:25:08,560 --> 00:25:09,000
Speaker 1: up right now.

532
00:25:09,600 --> 00:25:10,240
Speaker 2: He got through it.

533
00:25:10,320 --> 00:25:12,080
Speaker 1: I heard that story he used to snack.

534
00:25:12,920 --> 00:25:14,919
Speaker 2: The amount of money Scott Storts was spending on just

535
00:25:14,960 --> 00:25:18,240
Speaker 2: like everything was just I mean, Jesus Christ, God blessed

536
00:25:18,280 --> 00:25:18,600
Speaker 2: that guy.

537
00:25:18,640 --> 00:25:21,520
Speaker 1: I'm just a legend. Cousin Mark Sor. We'll be having

538
00:25:21,520 --> 00:25:25,320
Speaker 1: an argument like who better Timbo or Scortch. I'll be

539
00:25:25,359 --> 00:25:30,960
Speaker 1: going with Timbo. Yeah, you know, some say stop Scott Storch.

540
00:25:31,080 --> 00:25:34,320
Speaker 2: I think I think it's like Timberland's like top three. Ever,

541
00:25:34,480 --> 00:25:38,879
Speaker 2: so his range is insane. Jay Z he can do

542
00:25:38,920 --> 00:25:40,520
Speaker 2: Bubba Sparks. He could do it, and he could do

543
00:25:40,520 --> 00:25:41,320
Speaker 2: it Nellie.

544
00:25:41,080 --> 00:25:43,800
Speaker 1: Fortado Like that's why he's my favorite.

545
00:25:44,359 --> 00:25:47,000
Speaker 2: The range of him is insane. How you have you

546
00:25:47,040 --> 00:25:50,520
Speaker 2: heard anybody try to make an AI version of yourself yet? No,

547
00:25:50,600 --> 00:25:53,600
Speaker 2: I'm waiting it's gonna happen, and I want to hear

548
00:25:53,640 --> 00:25:57,919
Speaker 2: it though, like crazy like can AI now your your tone?

549
00:25:58,040 --> 00:25:58,239
Speaker 2: You know?

550
00:25:59,280 --> 00:25:59,879
Speaker 1: I mean now?

551
00:26:00,040 --> 00:26:03,960
Speaker 2: And some others Crazy Ship they are Rihanna Kanye the

552
00:26:04,119 --> 00:26:06,520
Speaker 2: Rihanna Tims remixed.

553
00:26:06,119 --> 00:26:09,960
Speaker 1: That ship crazy Fire. Yeah, I've seen some other ship.

554
00:26:10,000 --> 00:26:13,200
Speaker 1: It was a I think it was Kanye and Frank.

555
00:26:13,480 --> 00:26:16,000
Speaker 1: Kanye is sung a Frank Ocean joint. No, Kanye's under

556
00:26:16,119 --> 00:26:20,040
Speaker 1: Justin Biever Junk. And that ship was crazy though.

557
00:26:20,960 --> 00:26:22,920
Speaker 2: Yeah, it's kind of crazy that a I think is

558
00:26:22,920 --> 00:26:24,560
Speaker 2: getting a little it's getting little sketch.

559
00:26:25,119 --> 00:26:26,440
Speaker 1: They I hope they shut that ship down.

560
00:26:26,600 --> 00:26:28,960
Speaker 2: They're not going to the labels are going to start sucking.

561
00:26:29,600 --> 00:26:31,280
Speaker 2: They're doing the same ship the actors are doing.

562
00:26:31,840 --> 00:26:32,560
Speaker 1: The actor You.

563
00:26:32,480 --> 00:26:34,600
Speaker 2: See a why the actors are on strike. They're trying

564
00:26:34,600 --> 00:26:38,120
Speaker 2: to slide in a little artificial intelligence into the movies. Yeah,

565
00:26:38,280 --> 00:26:42,000
Speaker 2: so like extras, Like they want the extras to be

566
00:26:42,160 --> 00:26:43,960
Speaker 2: like AI, Like they want to be able to scan

567
00:26:44,240 --> 00:26:48,760
Speaker 2: like an actor and then use their artificial likeliness. It's coming, bro.

568
00:26:49,280 --> 00:26:53,280
Speaker 1: Ship they got that one joint where the boy made

569
00:26:53,280 --> 00:26:56,480
Speaker 1: a uh I think some boy made a song like

570
00:26:56,560 --> 00:26:59,159
Speaker 1: Drake Future in the weekend, that ship hit like a

571
00:26:59,240 --> 00:26:59,760
Speaker 1: million the.

572
00:26:59,720 --> 00:27:02,240
Speaker 2: First Oh yeah, yeah, this was like yeah, this was

573
00:27:02,280 --> 00:27:04,960
Speaker 2: like what maybe like six months ago, seven months and

574
00:27:04,960 --> 00:27:05,920
Speaker 2: that ship went.

575
00:27:07,000 --> 00:27:08,800
Speaker 1: This ship hard because.

576
00:27:08,600 --> 00:27:11,960
Speaker 2: It's like also not a bad idea if you're a writer.

577
00:27:12,040 --> 00:27:13,960
Speaker 2: I wonder if it's a terrible idea to like.

578
00:27:13,920 --> 00:27:17,400
Speaker 1: Writers on there right now, writers doing all AI ship.

579
00:27:17,320 --> 00:27:19,320
Speaker 2: Because like this is what this is like, let me

580
00:27:19,359 --> 00:27:21,840
Speaker 2: send this out. So, like my thing is is, if

581
00:27:21,840 --> 00:27:23,480
Speaker 2: you're a writer and you write a song for Drake,

582
00:27:23,520 --> 00:27:25,600
Speaker 2: do you send the AI Drake version to his team?

583
00:27:25,640 --> 00:27:27,760
Speaker 2: So look, this is how he would sound. I've seen

584
00:27:27,800 --> 00:27:29,800
Speaker 2: some ship, Like I don't like, what's some writer? They

585
00:27:29,800 --> 00:27:32,720
Speaker 2: got some ship I can imagine, man, Like they're not

586
00:27:32,760 --> 00:27:35,600
Speaker 2: even writing more. Hey, we got to stop the interview

587
00:27:35,600 --> 00:27:38,040
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588
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638
00:29:59,040 --> 00:30:02,360
Speaker 2: to the interview. Are you your your process? You're are

639
00:30:02,400 --> 00:30:04,600
Speaker 2: you straight melody than punching.

640
00:30:04,440 --> 00:30:08,080
Speaker 1: Or yeah, yeah, I'm melody punching in yeah or melody

641
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Speaker 1: and just thinking.

642
00:30:09,400 --> 00:30:11,160
Speaker 2: Pro tools guy, When you're recording yourself.

643
00:30:11,400 --> 00:30:11,800
Speaker 1: Logic.

644
00:30:12,440 --> 00:30:15,120
Speaker 2: Wow, we just this guy just switched over to logic

645
00:30:15,240 --> 00:30:21,240
Speaker 2: right here. He loves like, Oh, I'm a logic Yeah.

646
00:30:22,320 --> 00:30:23,800
Speaker 2: Logic is the ship, though, the ship.

647
00:30:24,440 --> 00:30:25,720
Speaker 1: I've been on there for like ten years.

648
00:30:25,720 --> 00:30:27,320
Speaker 2: And you don't need a license, you don't need a

649
00:30:27,320 --> 00:30:32,880
Speaker 2: fucking little USB thing. Yeah, logic much logic, much easier

650
00:30:32,880 --> 00:30:33,800
Speaker 2: to get cracked.

651
00:30:34,160 --> 00:30:37,360
Speaker 1: Yeah for you. Yeah, I got a nigga here, Craig.

652
00:30:37,480 --> 00:30:40,120
Speaker 2: If you're interested in this, in stealing software, Logic much

653
00:30:40,160 --> 00:30:40,520
Speaker 2: easier to.

654
00:30:40,480 --> 00:30:42,880
Speaker 1: Steal in proteins, for sure. One hundred man.

655
00:30:43,480 --> 00:30:44,680
Speaker 2: All right, So the album's coming out.

656
00:30:44,600 --> 00:30:46,840
Speaker 1: Win August twenty fifth.

657
00:30:47,000 --> 00:30:50,600
Speaker 2: That's very soon. Yeah, that's two weeks away. Three weeks away.

658
00:30:50,960 --> 00:30:54,200
Speaker 2: Ship with Day the seventh, Like three weeks What is today?

659
00:30:54,200 --> 00:30:58,040
Speaker 2: Bro the eleventh? I don't even know. Today's the fourth?

660
00:30:58,680 --> 00:31:02,440
Speaker 2: Holy shit, dogs like my whole life. I have no

661
00:31:02,480 --> 00:31:03,600
Speaker 2: idea what's going on anywhere?

662
00:31:03,640 --> 00:31:04,760
Speaker 1: Today's the fourth? All right?

663
00:31:04,960 --> 00:31:08,920
Speaker 2: Three weeks away the debut album. I'm very excited for it.

664
00:31:09,480 --> 00:31:13,480
Speaker 2: Debut album, man, Yeah, a lot of people looking forward

665
00:31:13,520 --> 00:31:13,719
Speaker 2: to this.

666
00:31:13,800 --> 00:31:16,120
Speaker 1: Man, it's gonna touch a lot of people too.

667
00:31:16,360 --> 00:31:17,400
Speaker 2: Have you picked the next single yet?

668
00:31:17,400 --> 00:31:17,720
Speaker 1: Obviously?

669
00:31:17,720 --> 00:31:19,480
Speaker 2: The Chris Brown Songs going crazy. But have you guys

670
00:31:19,480 --> 00:31:20,880
Speaker 2: picked the next singer? You're gonna let the fans. We

671
00:31:21,320 --> 00:31:23,440
Speaker 2: dropped another one. We dropped a single two weeks ago

672
00:31:23,680 --> 00:31:25,520
Speaker 2: that when it comes to you.

673
00:31:25,640 --> 00:31:28,080
Speaker 1: Who's on that? Wasn't that one? That was just you? Okay,

674
00:31:28,080 --> 00:31:30,840
Speaker 1: I didn't hear that, So Chris Brown Jump, we dropped

675
00:31:30,840 --> 00:31:33,960
Speaker 1: when it comes to you, it's going crazy right now,

676
00:31:34,320 --> 00:31:35,840
Speaker 1: the video going crazy.

677
00:31:35,920 --> 00:31:37,600
Speaker 2: And you know what's gonna happen when the album comes out.

678
00:31:37,960 --> 00:31:39,640
Speaker 2: You guys are gonna see them streams go up and

679
00:31:39,720 --> 00:31:42,080
Speaker 2: whatever record. And that's usually I feel like that's kind

680
00:31:42,120 --> 00:31:45,120
Speaker 2: of the new way to you throw out the singles

681
00:31:45,160 --> 00:31:46,640
Speaker 2: and then you put the album and then let the

682
00:31:46,680 --> 00:31:50,200
Speaker 2: fans kind of gravitate towards especially with these bigger artists. Now,

683
00:31:50,880 --> 00:31:52,360
Speaker 2: the labels will hit me and they'll be like, Hey,

684
00:31:52,400 --> 00:31:53,840
Speaker 2: which song do you like on the album that just

685
00:31:53,880 --> 00:31:57,280
Speaker 2: came out with no note like Utopia right, like no

686
00:31:57,320 --> 00:31:58,200
Speaker 2: one likes k pop.

687
00:31:58,640 --> 00:32:01,920
Speaker 1: Probably the worst song on the album, Nigga Crazy.

688
00:32:02,760 --> 00:32:04,880
Speaker 2: It is the worst song on the album. It's not

689
00:32:04,920 --> 00:32:09,320
Speaker 2: a terrible song. I love Utopia each on, but it's like,

690
00:32:09,400 --> 00:32:11,160
Speaker 2: if you're gonna go with a record, you gotta go

691
00:32:11,200 --> 00:32:14,440
Speaker 2: with the meltdown right to each is on what's your

692
00:32:14,440 --> 00:32:15,000
Speaker 2: favorite do you like?

693
00:32:15,080 --> 00:32:15,240
Speaker 1: Well?

694
00:32:15,240 --> 00:32:17,800
Speaker 2: First of all, what are your thoughts on Utopia? It's

695
00:32:17,840 --> 00:32:22,200
Speaker 2: a great album, great production. Yeah, I liked it, Yeah,

696
00:32:22,640 --> 00:32:25,080
Speaker 2: I like it. Yeah, what's your what's your album of

697
00:32:25,080 --> 00:32:25,600
Speaker 2: the year so far?

698
00:32:25,640 --> 00:32:26,000
Speaker 1: This year?

699
00:32:26,240 --> 00:32:27,200
Speaker 2: Besides you can't say a.

700
00:32:27,160 --> 00:32:31,600
Speaker 1: Great question, don't yourself album of the year? And on

701
00:32:31,640 --> 00:32:32,440
Speaker 1: my phone.

702
00:32:33,200 --> 00:32:36,480
Speaker 2: Because the narrative is it's been a pretty rough year

703
00:32:36,960 --> 00:32:37,800
Speaker 2: for music.

704
00:32:38,560 --> 00:32:43,200
Speaker 1: It's been a crazy year, not the best year. I'm

705
00:32:43,200 --> 00:32:47,480
Speaker 1: gonna have to go on some afro beat shit probably okay, Yeah,

706
00:32:47,480 --> 00:32:50,680
Speaker 1: I'll be on the asro shiit. Hip hop is like,

707
00:32:50,680 --> 00:32:52,920
Speaker 1: like you said, it's been I don't feel like niggas.

708
00:32:53,920 --> 00:32:56,200
Speaker 1: Nigga's not focused no more how they used to be.

709
00:32:56,360 --> 00:32:58,600
Speaker 2: Like That's why, in my opinion, the best album of

710
00:32:58,640 --> 00:33:00,560
Speaker 2: the year so far as Killer Mike's album.

711
00:33:00,640 --> 00:33:03,280
Speaker 1: I heard that shit was crazy and somebody played me

712
00:33:03,320 --> 00:33:06,520
Speaker 1: that John too. It's a joint Andre three thousand on

713
00:33:06,560 --> 00:33:10,280
Speaker 1: there My Future hard yep. Andre three thousand Future.

714
00:33:10,080 --> 00:33:12,040
Speaker 2: Also worked on that album for like four years, so

715
00:33:12,080 --> 00:33:13,280
Speaker 2: that's I mean, listen.

716
00:33:13,080 --> 00:33:20,360
Speaker 1: Based off that sound song alone, bro production, cadence, real music, bro,

717
00:33:21,240 --> 00:33:25,040
Speaker 1: and that's what I'm saying like that music is not

718
00:33:25,160 --> 00:33:29,400
Speaker 1: being pushed in front of the bullshit like he dropped

719
00:33:29,400 --> 00:33:31,080
Speaker 1: the album of the year. I would get on some

720
00:33:31,160 --> 00:33:35,240
Speaker 1: rap shit how when I listen, But it's like so

721
00:33:35,360 --> 00:33:37,360
Speaker 1: much bullshit be put in the front of our face.

722
00:33:37,920 --> 00:33:40,440
Speaker 1: The real music is pushing it back, bro, Like you

723
00:33:40,520 --> 00:33:43,520
Speaker 1: know what I'm saying. So I feel like niggas gotta

724
00:33:43,560 --> 00:33:47,600
Speaker 1: start back. I feel like back then, bro, all the

725
00:33:47,840 --> 00:33:50,040
Speaker 1: all the the ship that was put in the front

726
00:33:50,040 --> 00:33:53,120
Speaker 1: of our face, it had some like some structure to us,

727
00:33:53,960 --> 00:33:56,320
Speaker 1: you know what I'm saying, Like fifty these niggas was

728
00:33:56,320 --> 00:33:58,920
Speaker 1: making hooks that everybody could sing.

729
00:33:59,000 --> 00:34:00,880
Speaker 2: Bro, Like, listen, I'm to get your take because you're

730
00:34:00,920 --> 00:34:04,560
Speaker 2: a songwriter, right. I feel, for whatever reason right now,

731
00:34:05,400 --> 00:34:08,520
Speaker 2: like the women in hip hop are like the only

732
00:34:08,640 --> 00:34:11,080
Speaker 2: people who are really kind of applying themselves and trying

733
00:34:11,080 --> 00:34:12,839
Speaker 2: to make real records. And I don't know if that's

734
00:34:12,880 --> 00:34:16,680
Speaker 2: because you know, they're in with more writers or they

735
00:34:16,719 --> 00:34:18,560
Speaker 2: they're they're they're try I just feel like women are

736
00:34:18,560 --> 00:34:23,320
Speaker 2: making the most palatable, palatable records with structure, with hooks,

737
00:34:23,320 --> 00:34:26,239
Speaker 2: with like melodies like it just I feel like they're

738
00:34:26,280 --> 00:34:29,000
Speaker 2: really running circles around uh. Male artists right now in

739
00:34:29,040 --> 00:34:31,399
Speaker 2: terms of just like when you turn the radio on, like.

740
00:34:31,600 --> 00:34:34,640
Speaker 1: They having any way. Yeah, cat, like the.

741
00:34:34,600 --> 00:34:37,080
Speaker 2: Chicks are killing it, like shout out the sexy red dog.

742
00:34:37,440 --> 00:34:38,279
Speaker 1: She having a way.

743
00:34:38,440 --> 00:34:41,759
Speaker 2: Like I think they killing it more because they being

744
00:34:41,800 --> 00:34:44,360
Speaker 2: themself type shit. They're not trying too hard.

745
00:34:45,200 --> 00:34:47,320
Speaker 1: Just being them and just you know what I'm saying,

746
00:34:47,640 --> 00:34:49,560
Speaker 1: even they they were origin of themself.

747
00:34:49,920 --> 00:34:52,200
Speaker 2: And I also think women are very like, uh, for

748
00:34:52,280 --> 00:34:54,680
Speaker 2: whatever reason, a lot of women artists are like extremely

749
00:34:54,719 --> 00:34:57,800
Speaker 2: open to like bringing in help for melodies, for hooks.

750
00:34:57,880 --> 00:34:59,960
Speaker 2: I'm not saying for verses, but you know, no men

751
00:35:00,320 --> 00:35:03,600
Speaker 2: and niggas is too. Yeah, I mean, but you can't.

752
00:35:03,600 --> 00:35:08,000
Speaker 2: You just can't hear it in the songs. Yeah, motherfucker

753
00:35:08,160 --> 00:35:10,880
Speaker 2: is just rapping like three minutes. You're like, wait, where's

754
00:35:10,880 --> 00:35:12,880
Speaker 2: the Oh, that's the hook?

755
00:35:13,719 --> 00:35:16,719
Speaker 1: Like, oh, bro, these niggas just making These niggas will

756
00:35:16,719 --> 00:35:19,879
Speaker 1: wrap the whole song and just make the song title

757
00:35:20,000 --> 00:35:21,959
Speaker 1: or something they said in the song they got no hook.

758
00:35:22,080 --> 00:35:24,440
Speaker 2: And then the hook is just like it sounds like

759
00:35:24,520 --> 00:35:25,560
Speaker 2: an extension.

760
00:35:25,160 --> 00:35:25,600
Speaker 1: Of a verse.

761
00:35:25,920 --> 00:35:28,560
Speaker 2: And then when you hear it back again the verse, Yes,

762
00:35:28,960 --> 00:35:30,400
Speaker 2: and it's the laziest.

763
00:35:30,000 --> 00:35:33,160
Speaker 1: Ship said in the verse. They will name the title

764
00:35:33,200 --> 00:35:36,080
Speaker 1: of the song. Oh the fucking bro. We need a

765
00:35:36,160 --> 00:35:38,680
Speaker 1: new we need a new age. Fifty cent bro, we

766
00:35:38,719 --> 00:35:42,120
Speaker 1: need something this nigga fifty cent made hooks. Sure that

767
00:35:42,960 --> 00:35:48,200
Speaker 1: joh Nelly hooks bro Like, so when you're in the club,

768
00:35:48,320 --> 00:35:51,839
Speaker 1: everybody's singing that hook bro like that ship. That's why

769
00:35:51,880 --> 00:35:53,799
Speaker 1: I think hip hop not where it needs to be

770
00:35:53,920 --> 00:35:56,520
Speaker 1: right now. Bro, I agree with you, man, people gotta

771
00:35:56,520 --> 00:35:59,880
Speaker 1: start making records again. Shout out to uh so everybody.

772
00:36:00,080 --> 00:36:01,160
Speaker 1: They're trying though, you know what I mean.

773
00:36:01,200 --> 00:36:04,400
Speaker 2: Look, Friday, the album comes out on August twenty fifth,

774
00:36:04,960 --> 00:36:08,000
Speaker 2: which is also a Friday. It'd only be right your

775
00:36:08,000 --> 00:36:09,880
Speaker 2: album comes out on a Friday. Well, all albums come

776
00:36:09,880 --> 00:36:11,560
Speaker 2: out on a Friday. But we're going to act like

777
00:36:11,640 --> 00:36:14,560
Speaker 2: this is on purpose. You know, back in the day

778
00:36:15,200 --> 00:36:17,400
Speaker 2: on a Friday, if it came out on today, was

779
00:36:17,480 --> 00:36:19,520
Speaker 2: still to jump And look at us filming this interview

780
00:36:19,680 --> 00:36:23,960
Speaker 2: on a Friday, sure Jesus, you know, like we're super

781
00:36:24,000 --> 00:36:25,759
Speaker 2: woke and all that shit's lining up and there's some

782
00:36:25,800 --> 00:36:28,400
Speaker 2: sort of hidden meaning in that, and we're will decipher

783
00:36:28,440 --> 00:36:31,200
Speaker 2: and let the fans kind of figure out how Illuminati

784
00:36:31,239 --> 00:36:34,400
Speaker 2: is involved in this interview. Friday, dropping an album on Friday

785
00:36:34,440 --> 00:36:37,080
Speaker 2: while being interviewed on a Friday. All right, there it is, man,

786
00:36:37,080 --> 00:36:37,719
Speaker 2: I appreciate you.

787
00:36:37,800 --> 00:36:40,040
Speaker 1: Brother Boom. Hey, what up? Man?

788
00:36:40,320 --> 00:36:42,920
Speaker 2: You just watched another episode of the Blue Ley Cap Podcast,

789
00:36:43,120 --> 00:36:45,759
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790
00:36:45,800 --> 00:36:49,200
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791
00:36:49,239 --> 00:36:50,960
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792
00:36:51,000 --> 00:36:52,520
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793
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794
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795
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796
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797
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798
00:37:06,040 --> 00:37:08,160
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799
00:37:08,280 --> 00:37:10,719
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800
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801
00:37:13,000 --> 00:37:16,240
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802
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803
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Speaker 2: Get you some swag. You know you can't buy this,

804
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Speaker 2: but you know, yeah, Shout out to Hardeen,