WEBVTT - La Dame de Fer (Eiffel Tower)

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<v Speaker 1>Welcome to Stuff you should know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Jacques Clark,

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<v Speaker 1>and there's Charles Brand and there's Jerry Roland out there,

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<v Speaker 1>and this is stuff you should know. That's right, The

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<v Speaker 1>Eiffel Tower Edition at Long Last. Yeah, you've been there, right, Yes,

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<v Speaker 1>I love the Eiffel Tower. It's great. I don't care

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<v Speaker 1>what anyone says about tourist traps. It can be a

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<v Speaker 1>little disheartening there at the bottom when you're you know,

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<v Speaker 1>they're selling glow noodles and dumb chot keys and stuff

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<v Speaker 1>like that. But block all that out in the Eiffel

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<v Speaker 1>Tower is an amazing, amazing thing to behold. It is amazing. Um,

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<v Speaker 1>it's also chuck. I don't know if you notice or not,

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<v Speaker 1>but it is where I developed my fear of heights. Really,

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<v Speaker 1>it happened on the Eiffel Tower. I was never, for ever, ever,

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<v Speaker 1>for a moment in my life afraid of heights until

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<v Speaker 1>I went up the Eiffel Tower. And it took me

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<v Speaker 1>like an hour to get down because I was so

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<v Speaker 1>afraid of falling off, even though it's impossible to fall

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<v Speaker 1>off because like there's fencing everywhere, like you can't fall off.

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<v Speaker 1>But I mean I must have looked like the biggest

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<v Speaker 1>psycho trying to come down the steps of this thing,

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<v Speaker 1>and it happened. I was like seventeen. I was with

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<v Speaker 1>my dad and sister and you didn't take the elevator. No,

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<v Speaker 1>we walked up the first floor and we got to

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<v Speaker 1>the top and I looked down and it was just

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<v Speaker 1>like lights out that just from the first floor. You were, yeah,

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<v Speaker 1>oh yeah, I've never been higher than that, but I've

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<v Speaker 1>I've had a fear of heights ever since then. Well,

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<v Speaker 1>I think these days. Uh was your dad like man, No, No,

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<v Speaker 1>he was never like just kidding um now he just

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<v Speaker 1>quietly judged me exactly. The first two floors, I think

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<v Speaker 1>of the only ones you can still walk up, um

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<v Speaker 1>by staircase. But uh, previously you could. You could walk

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<v Speaker 1>all the way to the tippy top. In fact, you

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<v Speaker 1>said ten steps. Yeah. The first couple of weeks the

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<v Speaker 1>Eiffel Tower was open. If you wanted to go to

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<v Speaker 1>the top, you had to walk up, and that took

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<v Speaker 1>an hour for people to climbing stairs. For an hour. No,

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<v Speaker 1>I would lose my mind because I'd be up so high.

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<v Speaker 1>I would just start crying. Yeah, I mean I would

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<v Speaker 1>have had heart failure probably halfway up, so neither one

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<v Speaker 1>of us would have made it. It would have Yeah, No,

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<v Speaker 1>it would have been a lot for sure. Um And

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<v Speaker 1>apparently during well we'll talk about that later. There's a

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<v Speaker 1>little teaser for you. You You guys don't even know what

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<v Speaker 1>I'm talking about. So when you come up on the

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<v Speaker 1>Eiffel Tower, the first thing you're gonna walk upon is

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<v Speaker 1>what's known as the Esplanada, which is that that whole

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<v Speaker 1>big ground level part of the Eiffel Tower with those

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<v Speaker 1>four massive, massive iron pillars at cardinal, north, southeast, and west. Yes,

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<v Speaker 1>it's pretty hard to miss, and they cover something like

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<v Speaker 1>four acres of footprint between them. I think they're like

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<v Speaker 1>fifteen thousand square feet or something like that. More than that. Um,

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<v Speaker 1>And like you said, they're all oriented to the cardinal directions,

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<v Speaker 1>and if you follow upwards, it's very tough not to

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<v Speaker 1>look up when you're at the Eiffel Tower. Up you

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<v Speaker 1>you have to be a real jerk, you know, like

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<v Speaker 1>Castanza level jerk to go to the Eiffel Tower and

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<v Speaker 1>not look up. But um, you would, you would see

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<v Speaker 1>that each of these four pillars go up, up, up,

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<v Speaker 1>and they come together, um a little further up, a

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<v Speaker 1>little above the second platform, and um they go all

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<v Speaker 1>the way up in a single joint tower from that

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<v Speaker 1>moment on. And it's really kind of neat if you

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<v Speaker 1>stop and think about what you're looking at, these four

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<v Speaker 1>for um posts kind of starting separately and then coming

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<v Speaker 1>together to form this this tower. Um. But it's also

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<v Speaker 1>just a marvel of engineering. Like I had always heard

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<v Speaker 1>that was like an engineering masterpiece or whatever. But and

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<v Speaker 1>so I researching, and I had no idea exactly with

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<v Speaker 1>that man, But it is an masterpiece of engineering for sure. Yeah.

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<v Speaker 1>And it's a you know, it's a lovely scene aside

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<v Speaker 1>from all the trappings of tourism. Uh. There's a lot

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<v Speaker 1>of green space around it, there are other monuments, it's

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<v Speaker 1>right there by the river. Uh. It's it's just a

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<v Speaker 1>really kind of a lovely scene. Like if you can

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<v Speaker 1>manage to find some off hours to go where it's

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<v Speaker 1>not quite so crowded, which I have done, Um, you

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<v Speaker 1>really get a different sort of experience. But it is

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<v Speaker 1>what it is. It's a it's a it's one of

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<v Speaker 1>the biggest tourist attractions in the world. So it's like,

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<v Speaker 1>you know, you can't go stand on the the popular

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<v Speaker 1>edge of the Grand Canyon without being surrounded by hundreds

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<v Speaker 1>of people. UM, so don't expect to just sort of

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<v Speaker 1>keep that in the back of your head. Sure, I

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<v Speaker 1>mean it's the number one, it's the most visited paid

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<v Speaker 1>tourist attraction in the world. I didn't know that. I

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<v Speaker 1>believe something like three million people have been there. But

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<v Speaker 1>that's just counting the paying customers. That's not including the

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<v Speaker 1>cheap skates like me and you, Me and my brother

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<v Speaker 1>and sister in law and niece who went and visited

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<v Speaker 1>and didn't pay to go up. Most recently, we just

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<v Speaker 1>walked around and kept walking. I've never been up. Oh

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<v Speaker 1>you haven't you just three times? Never even had the

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<v Speaker 1>urge to stand in those lines and go to the top.

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<v Speaker 1>I'll tell you what, chuck. You just go onto YouTube

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<v Speaker 1>and people have filmed it before. You don't have to

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<v Speaker 1>don't have to do anything. You don't have to leave

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<v Speaker 1>your house. And I saw the crowds on those elevators

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<v Speaker 1>and at the top, and I was like, I don't

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<v Speaker 1>need this, I don't like it. I'd rather just walk

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<v Speaker 1>around and drink some wine and look at it. Yeah,

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<v Speaker 1>I mean it's really impressive. Just walking around the basis

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<v Speaker 1>of the whole thing, like, you definitely get a feel

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<v Speaker 1>for it. And yeah, if you're afraid of heights, it's

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<v Speaker 1>all you need to do. Um. So, talking about this thing,

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<v Speaker 1>there's there's actually three levels that you can get to.

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<v Speaker 1>There's that first level where I lost my mind. Then

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<v Speaker 1>it goes further up to a second level, and then

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<v Speaker 1>there's a third level and third levels like almost nine

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<v Speaker 1>feet in the air. It's about three a little less

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<v Speaker 1>than three ds that that third platform. And at each

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<v Speaker 1>of these platforms there's like stuff to do. It's not

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<v Speaker 1>just like a steel platform that you step onto and

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<v Speaker 1>look out and that's it. There's restaurants, there's shops on

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<v Speaker 1>that top platform where so many people apparently like two

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<v Speaker 1>people a day propose. Um. There's like a champagne bar. Um.

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<v Speaker 1>It's there's just a lot of really neat, little interesting

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<v Speaker 1>details that make the Eiffel Tower the Eiffel Tower. But

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<v Speaker 1>even more than that, even more than just this the

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<v Speaker 1>you know, the glow noodles that you can only get

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<v Speaker 1>there at the Eiffel Tower. Um, what makes it so

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<v Speaker 1>unique is just the design of it, the execution of it,

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<v Speaker 1>the fact that it's still around, and then also um,

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<v Speaker 1>some of the things that have happened, Like it's it's

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<v Speaker 1>an iconic structure, and when that many people flock to

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<v Speaker 1>it every year for more than a century, Um, it's

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<v Speaker 1>going to have like a pretty rich history to you. Yeah,

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<v Speaker 1>I mean, um, you talked about the restaurants. If you

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<v Speaker 1>want to eat at the nicest restaurant, it'll be the

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<v Speaker 1>Jewels Urn And I was just kind of curious about

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<v Speaker 1>their menu. It looks very good. But it looks so good,

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<v Speaker 1>it is pricey. It is your your seven course dinner

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<v Speaker 1>tasting menu is gonna run you about two seventy five

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<v Speaker 1>bucks each euros dollars buck a Roogs. Uh. And that's

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<v Speaker 1>without its two thirty euros I think. And that's without

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<v Speaker 1>wine or anything like. I think it's without wine. It

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<v Speaker 1>didn't say anything about with a pairing, but um, it

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<v Speaker 1>only goes up from there. So I imagine it's quite

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<v Speaker 1>a dining experience. Maybe one day I'll save about my

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<v Speaker 1>bucks and make a reservation. Because if you do have

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<v Speaker 1>a reservation, you can you can kind of skip most

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<v Speaker 1>of the line and go straight there, which is kind

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<v Speaker 1>of nice. Yeah if you Yeah, you can just take

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<v Speaker 1>an elevator straight to the Jewels Burn restaurant. I'm sad

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<v Speaker 1>because I'll probably never eat there because I'll be too

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<v Speaker 1>scared to go up. Yeah. OK, care she can go

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<v Speaker 1>to another great restaurant and just pretend you're off the ground.

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<v Speaker 1>But that's the point. I don't want to pretend like

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<v Speaker 1>your feet are firmly planted on the ground. And another

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<v Speaker 1>cool thing that they have is uh, and this is

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<v Speaker 1>something that I didn't know because I've never been up

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<v Speaker 1>there is uh, Gustav Eiffel built himself an apartment up top.

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<v Speaker 1>And this thing has not really been touched since then.

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<v Speaker 1>I mean they've they've kept it in order, but um,

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<v Speaker 1>I think ed said they had recreated it. But apparently

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<v Speaker 1>that's the real thing that has just sort of left untouched. Um.

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<v Speaker 1>It's got a living room with a table, couch, a piano,

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<v Speaker 1>grand piano, a few desks, kitchen, bathroom. There is no

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<v Speaker 1>bedroom and by all accounts he probably did not sleep there.

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<v Speaker 1>But back in the day in Paris, it became quite

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<v Speaker 1>the talk of the town and just made um rich.

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<v Speaker 1>Parisians just seethed with jealousy, and he was offered huge,

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<v Speaker 1>huge sums of money from people just to like airbnb

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<v Speaker 1>it for a night, and he declined every single time.

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<v Speaker 1>He never allowed anyone to rent it out and spend

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<v Speaker 1>the night. Well, you know, one of the things that

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<v Speaker 1>I keep running up against during research of the Eiffel

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<v Speaker 1>Towers that it was a democratizing structure, because up to

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<v Speaker 1>the point when the Eiffel Tower opened to the public,

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<v Speaker 1>if you wanted a really amazing view of Paris, you

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<v Speaker 1>basically had to rent a hot air balloon ride that

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<v Speaker 1>was your your one shot at it. And you had

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<v Speaker 1>to be very very rich to do that, to go

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<v Speaker 1>up in a balloon, and and so I mean that's

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<v Speaker 1>just the way it was until Gustave Eiffel and then

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<v Speaker 1>the the leaders of Paris and France came along as

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<v Speaker 1>it was to build this three tower um and open

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<v Speaker 1>it to the public. I mean, yeah, you had to pay,

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<v Speaker 1>but it was a reasonable price and just about everybody

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<v Speaker 1>could afford it. And and now you could walk up

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<v Speaker 1>and see these amazing views of Paris that to that

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<v Speaker 1>point had been reserved only for the very wealthy, which

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<v Speaker 1>again I just keep seeing it referred to as a

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<v Speaker 1>democratizing structure. All right, So let's talk about the man himself, right, Yeah,

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<v Speaker 1>Gustave eiffel Um, who is widely credit is the guy

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<v Speaker 1>who created this this structure, but it was definitely a collaboration,

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<v Speaker 1>and I don't he never seemed to make any any

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<v Speaker 1>secret of that. But he was definitely the head cheese

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<v Speaker 1>on the whole thing. But he didn't create this whole

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<v Speaker 1>thing by himself. I think you mean the head brisk

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<v Speaker 1>I met head cheese cross, so he was. I can

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<v Speaker 1>never get over that word. Um, it's terrible. He was

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<v Speaker 1>born in eighteen thirty two and was an engineer by trade.

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<v Speaker 1>I went to engineering school at uh cal Tech. Now

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<v Speaker 1>I thought you were going to do that. You want

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<v Speaker 1>me to say it? Okay? He went to the Cole

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<v Speaker 1>Central des Arts manufacturers. That's right, and uh he was

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<v Speaker 1>well regarded as an engineer all over France and Europe.

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<v Speaker 1>Um had a consultancy firm, had his own workshop, had

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<v Speaker 1>his own construction company. And it should be noted that

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<v Speaker 1>he was an engineer first and foremost. He was not

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<v Speaker 1>an architect. He was obsessed with function um and mechanics

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<v Speaker 1>and strength of any structure he built, because he built

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<v Speaker 1>things like railroad bridges, where he really needed it to

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<v Speaker 1>be strong and maybe pretty. Second, um, he did like

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<v Speaker 1>things to look nice. It's not like that's all he

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<v Speaker 1>cared about. But he was very big into structure and

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<v Speaker 1>form and function. Uh. And was also a big believer

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<v Speaker 1>in iron as opposed to steal, which you know, this

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<v Speaker 1>one could have been all steel. So it was around

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<v Speaker 1>could he steal? But for something this big, he was like,

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<v Speaker 1>iron is what it has to be built out of. Well,

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<v Speaker 1>that's what he was like, you know, that was his trade,

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<v Speaker 1>Like he knew iron, and had he moved into steel,

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<v Speaker 1>he would have been out of his depth. This is

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<v Speaker 1>not a project where one should be out of their depth, right.

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<v Speaker 1>But then also steel would have been prohibitively expensive. It

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<v Speaker 1>was still a pretty new technology, so I thought that

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<v Speaker 1>was another reason he didn't use steel. But so as iron,

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<v Speaker 1>and it's a specific kind of iron, it's um puddled

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<v Speaker 1>raw iron to where during the the the smelting process

0:11:57.960 --> 0:12:02.160
<v Speaker 1>you actually swirl it would keeps the impurities from crystallizing

0:12:02.200 --> 0:12:04.719
<v Speaker 1>into the structure of the of the iron. So it's

0:12:04.840 --> 0:12:07.840
<v Speaker 1>actual raw iron. That's what the the Eiffel Tower is

0:12:07.880 --> 0:12:10.600
<v Speaker 1>made out of. But if you put those two things together,

0:12:10.679 --> 0:12:13.960
<v Speaker 1>that he's an engineer, not an artist, and his his

0:12:13.960 --> 0:12:16.880
<v Speaker 1>his expertise is in iron. All of it kind of

0:12:16.880 --> 0:12:20.040
<v Speaker 1>culminates into this the Eiffel Tower. It's like it makes

0:12:20.120 --> 0:12:22.440
<v Speaker 1>total sense what you're looking at, Like it couldn't have

0:12:22.440 --> 0:12:26.559
<v Speaker 1>been anything else. Um. But it also kind of underscores

0:12:26.600 --> 0:12:29.000
<v Speaker 1>just how much of a masterpiece it is under those

0:12:29.000 --> 0:12:32.760
<v Speaker 1>two constraints. Yeah, and he was Another little fun fact

0:12:33.000 --> 0:12:36.560
<v Speaker 1>is when the person that was charged with building the

0:12:36.600 --> 0:12:40.199
<v Speaker 1>internal structure of the Statue of Liberty died, he came

0:12:40.240 --> 0:12:43.400
<v Speaker 1>in as an emergency replacement and he took on that

0:12:43.440 --> 0:12:46.400
<v Speaker 1>project and he built that internal lattice work the Great

0:12:46.440 --> 0:12:50.160
<v Speaker 1>Statue of Liberty. Uh. And he also financed the Eiffel

0:12:50.200 --> 0:12:55.040
<v Speaker 1>Tower largely um. The Paris and France said hey, let's

0:12:55.480 --> 0:12:58.840
<v Speaker 1>let's have this contest because we have a World's Fair

0:12:58.880 --> 0:13:00.800
<v Speaker 1>coming up in eighteen nineteen nine and we want a big,

0:13:00.800 --> 0:13:07.640
<v Speaker 1>big tower. What did I say, eighty nine? And he Uh,

0:13:07.920 --> 0:13:11.360
<v Speaker 1>he got one point five million francs from the state

0:13:11.559 --> 0:13:14.080
<v Speaker 1>is seed money, but it was gonna cost about six

0:13:14.120 --> 0:13:17.280
<v Speaker 1>point five million. And this became one of the first

0:13:18.040 --> 0:13:20.360
<v Speaker 1>sort of Uh, what we look at now is how

0:13:20.400 --> 0:13:23.000
<v Speaker 1>you finance projects like this one of the first ones

0:13:23.080 --> 0:13:26.959
<v Speaker 1>to do it like this public private partnership. Well, yeah,

0:13:27.000 --> 0:13:30.520
<v Speaker 1>I mean he went out in and issued shares. Uh,

0:13:30.520 --> 0:13:34.040
<v Speaker 1>he started an LLC, issued two kinds of shares and

0:13:34.360 --> 0:13:37.199
<v Speaker 1>raised the other five million francs to build this thing,

0:13:37.960 --> 0:13:42.520
<v Speaker 1>and as a result had twenty years um to recoup

0:13:43.120 --> 0:13:46.559
<v Speaker 1>money from ticket sales and souvenirs and champagne bottles and

0:13:46.600 --> 0:13:49.600
<v Speaker 1>stuff like that, in which he would pay the stuff back,

0:13:50.120 --> 0:13:52.800
<v Speaker 1>and in that time he and his shareholders made a

0:13:52.840 --> 0:13:55.160
<v Speaker 1>lot of money in the process. Yeah. But what I

0:13:55.200 --> 0:13:57.560
<v Speaker 1>saw was he was such a good businessman that he

0:13:57.640 --> 0:14:00.640
<v Speaker 1>managed to get the you know, all the all the

0:14:00.679 --> 0:14:04.160
<v Speaker 1>proceeds from you know, admission and concessions and all that

0:14:04.200 --> 0:14:08.800
<v Speaker 1>stuff for twenty years from the exposition founders. But then

0:14:08.840 --> 0:14:10.680
<v Speaker 1>he also with the people he went and raised the

0:14:10.679 --> 0:14:13.000
<v Speaker 1>money from, they didn't get a huge cut of that either.

0:14:13.080 --> 0:14:16.319
<v Speaker 1>So he made out like a total bandit in this deal. Um,

0:14:16.360 --> 0:14:19.360
<v Speaker 1>he didn't screw anybody over, swindle anybody. It was just

0:14:19.440 --> 0:14:22.600
<v Speaker 1>a really good deal that he made for himself. But

0:14:22.680 --> 0:14:25.120
<v Speaker 1>it required a lot of vision to like he you know,

0:14:25.160 --> 0:14:27.080
<v Speaker 1>he put his own his own took us in his

0:14:27.120 --> 0:14:31.920
<v Speaker 1>own reputation on the line. Um with this one big project. Yeah,

0:14:31.920 --> 0:14:33.240
<v Speaker 1>it may have been the kind of thing where they

0:14:33.240 --> 0:14:35.840
<v Speaker 1>made a certain amount of money back that was kept.

0:14:35.880 --> 0:14:38.400
<v Speaker 1>I don't really know, because his shareholders made a lot

0:14:38.400 --> 0:14:40.600
<v Speaker 1>of money to like you, if you invested in the

0:14:40.600 --> 0:14:42.800
<v Speaker 1>Eiffel Tower, you didn't do it out of the goodness

0:14:42.840 --> 0:14:45.280
<v Speaker 1>of your heart. You made some dough sure, sure, but

0:14:45.400 --> 0:14:47.320
<v Speaker 1>I think there was a lot of a certain amount

0:14:47.360 --> 0:14:51.080
<v Speaker 1>of like um municipal pride in in that project, especially

0:14:51.080 --> 0:14:54.320
<v Speaker 1>with the proponents of the project UM and the whole

0:14:54.440 --> 0:14:58.080
<v Speaker 1>the whole design contest to to create an iconic structure

0:14:58.160 --> 0:15:01.680
<v Speaker 1>for the ten eighty nine World Fair in Paris. Um.

0:15:02.600 --> 0:15:05.360
<v Speaker 1>Apparently it was at first kind of vague, and I

0:15:05.400 --> 0:15:08.640
<v Speaker 1>even saw that it was um Uh. It was Eiffel

0:15:08.720 --> 0:15:11.920
<v Speaker 1>himself who suggested that they have this design competition, and

0:15:12.000 --> 0:15:14.160
<v Speaker 1>if that isn't the case, he at the very least

0:15:14.200 --> 0:15:17.720
<v Speaker 1>kind of guided the details of what they were looking

0:15:17.720 --> 0:15:21.400
<v Speaker 1>for until it basically was his tower. Um. The other

0:15:21.440 --> 0:15:25.560
<v Speaker 1>big competitor was a guy named um Jules Bourdet, and

0:15:25.760 --> 0:15:29.400
<v Speaker 1>he wanted to make his three D tower out of stone,

0:15:29.920 --> 0:15:33.680
<v Speaker 1>which was total insanity. Would have killed everybody it would

0:15:33.680 --> 0:15:36.200
<v Speaker 1>have It would have crumbled immediately. I don't know if

0:15:36.240 --> 0:15:38.800
<v Speaker 1>they ever would have even been able to successfully finish it.

0:15:39.240 --> 0:15:42.960
<v Speaker 1>Apparently the there there's a big push and pull intention

0:15:43.400 --> 0:15:50.120
<v Speaker 1>between Eiffel's iron and boot Boord Bourdet's stone in this side,

0:15:50.200 --> 0:15:54.120
<v Speaker 1>this kind of transition between modern and traditional and modern

0:15:54.400 --> 0:15:58.480
<v Speaker 1>in the form of Eiffel's tower one out. That's right.

0:15:58.760 --> 0:16:01.120
<v Speaker 1>I think we should take a break, okay and talk

0:16:01.160 --> 0:16:04.600
<v Speaker 1>about what happened there in the lead up to nine

0:16:04.800 --> 0:16:38.760
<v Speaker 1>right after this. All right, so you mentioned that it

0:16:38.800 --> 0:16:42.360
<v Speaker 1>was a collaboration, uh, and not just in the building

0:16:42.400 --> 0:16:45.320
<v Speaker 1>of it obviously, which I think range from a hundred

0:16:45.360 --> 0:16:47.400
<v Speaker 1>and fifty to three hundred people at any given time,

0:16:48.040 --> 0:16:50.680
<v Speaker 1>right little know, In fact, Eiffel did not build it himself,

0:16:50.720 --> 0:16:54.800
<v Speaker 1>saying he did not, Uh, it was designed by other

0:16:54.840 --> 0:17:00.480
<v Speaker 1>people to The initial design was by Emil Boy new

0:17:00.520 --> 0:17:06.760
<v Speaker 1>Gear and Maurice Coclean. And you know, apparently this first

0:17:06.800 --> 0:17:09.199
<v Speaker 1>design wasn't just like with anything else. It's not like

0:17:09.359 --> 0:17:12.000
<v Speaker 1>they drew it up on paper and that was it. Um.

0:17:12.040 --> 0:17:14.639
<v Speaker 1>It wasn't that great. It was four iron pillars that

0:17:14.800 --> 0:17:17.800
<v Speaker 1>met near the top like we're sort of familiar worth

0:17:18.160 --> 0:17:21.560
<v Speaker 1>and it was connected by grids, but it wasn't that hot.

0:17:21.680 --> 0:17:24.040
<v Speaker 1>They went back to the drawing board, sent it to

0:17:24.080 --> 0:17:29.800
<v Speaker 1>an architect named Stephen uh Sevestre. You, I was gonna

0:17:29.800 --> 0:17:31.880
<v Speaker 1>say earlier, you don't need me at all, but yeah

0:17:31.920 --> 0:17:36.040
<v Speaker 1>you do, Salvesta. Sure is that how you say it? Sure?

0:17:36.280 --> 0:17:41.520
<v Speaker 1>All right? That inspires a lot of confidence. Um. And

0:17:41.640 --> 0:17:46.600
<v Speaker 1>he made it really freely, added a lot of Victorian flourishes.

0:17:47.359 --> 0:17:49.360
<v Speaker 1>They got it back from him and said, why don't

0:17:49.359 --> 0:17:50.879
<v Speaker 1>we meet in the middle, get rid of a lot

0:17:50.920 --> 0:17:53.439
<v Speaker 1>of this stuff, keep some of the stuff. And what

0:17:53.480 --> 0:17:57.400
<v Speaker 1>they ended up with was, um, sort of a magical

0:17:57.400 --> 0:18:00.919
<v Speaker 1>little compromise on the final design. Yeah. It was, like

0:18:00.960 --> 0:18:04.560
<v Speaker 1>I said, a real collaboration. Um. And what came out

0:18:04.560 --> 0:18:08.760
<v Speaker 1>of that collaboration was just something something really amazing. UM.

0:18:08.840 --> 0:18:11.280
<v Speaker 1>And the fact that each each group or each person

0:18:11.400 --> 0:18:15.040
<v Speaker 1>or you know, each everyone involved, they all worked for Eiffel. Um.

0:18:15.160 --> 0:18:19.040
<v Speaker 1>The first two were his chief chief engineers, and uh,

0:18:19.480 --> 0:18:22.680
<v Speaker 1>where is going to call him? Sylvester was his chief architect,

0:18:22.680 --> 0:18:25.280
<v Speaker 1>I believe, and then along with Eiffel himself, all of

0:18:25.320 --> 0:18:27.639
<v Speaker 1>them kind of adding to and subtracting and like I

0:18:27.960 --> 0:18:30.320
<v Speaker 1>don't like that or I do like this. It came

0:18:30.480 --> 0:18:35.720
<v Speaker 1>to fruition. UM, and he Eiffel purchased the designs from

0:18:35.800 --> 0:18:39.920
<v Speaker 1>his employees, so that he personally owned the design outright,

0:18:40.080 --> 0:18:43.680
<v Speaker 1>which allowed him to go, um, raise money himself and

0:18:44.080 --> 0:18:47.720
<v Speaker 1>uh take in all of the the admission and concession

0:18:47.760 --> 0:18:49.720
<v Speaker 1>fees that he was going to break in over the

0:18:49.760 --> 0:18:53.919
<v Speaker 1>next twenty years too. Yeah, man, I wonder, I don't know.

0:18:54.160 --> 0:18:58.400
<v Speaker 1>I looked up the brand worth and and the only

0:18:58.400 --> 0:19:01.200
<v Speaker 1>thing I could find was from like seven years ago.

0:19:00.920 --> 0:19:05.000
<v Speaker 1>In the Eiffel brand at that time was worth like

0:19:05.119 --> 0:19:10.120
<v Speaker 1>four hundred and thirty billion dollars euros. As I saw

0:19:10.160 --> 0:19:12.119
<v Speaker 1>that too, Oh, I thought that was in dollars. Was

0:19:12.160 --> 0:19:14.640
<v Speaker 1>that in euros? I'm pretty sure it was in euros,

0:19:15.320 --> 0:19:18.040
<v Speaker 1>But it's I mean, that is just a crazy amount

0:19:18.040 --> 0:19:19.800
<v Speaker 1>of money. And it's a shame that he couldn't work

0:19:19.800 --> 0:19:22.679
<v Speaker 1>out some sort of a stake in that early on

0:19:22.760 --> 0:19:26.639
<v Speaker 1>that could have been passed down to his heirs. Yeah,

0:19:26.680 --> 0:19:28.720
<v Speaker 1>because he he was able to break that in for

0:19:28.840 --> 0:19:30.840
<v Speaker 1>just the first twenty years. And the reason why twenty

0:19:30.880 --> 0:19:33.240
<v Speaker 1>years is such a significant number, Chuck, I did not

0:19:33.359 --> 0:19:36.840
<v Speaker 1>know this, but the original part of that design competition

0:19:36.920 --> 0:19:40.120
<v Speaker 1>was that this this structure, the winning structure, was going

0:19:40.160 --> 0:19:42.600
<v Speaker 1>to only stand for twenty years and then it would

0:19:42.640 --> 0:19:46.040
<v Speaker 1>be disassembled to make way for something new, and that

0:19:46.320 --> 0:19:50.000
<v Speaker 1>was really in the tradition of World's fairs. Um, it's

0:19:50.119 --> 0:19:54.000
<v Speaker 1>very rare for any structures to remain for very long,

0:19:54.119 --> 0:19:56.320
<v Speaker 1>more than a couple of decades after a World's Fair,

0:19:56.600 --> 0:20:00.240
<v Speaker 1>because they're just they're meant to be temporary. They're to

0:20:00.400 --> 0:20:02.359
<v Speaker 1>be part of the world's fair and to commemorate the

0:20:02.359 --> 0:20:04.879
<v Speaker 1>world's fair. But then you have more World's Fairs that

0:20:04.920 --> 0:20:07.679
<v Speaker 1>come along, and progress is to be made, and so

0:20:07.760 --> 0:20:10.280
<v Speaker 1>the old structures get torn down and new ones get

0:20:10.440 --> 0:20:13.919
<v Speaker 1>um built in their place. So the Eiffel Tower was

0:20:14.000 --> 0:20:17.560
<v Speaker 1>going to just live for twenty years and then be disassembled. Yeah,

0:20:17.560 --> 0:20:19.399
<v Speaker 1>I bet you that does have something to do with it,

0:20:19.440 --> 0:20:23.840
<v Speaker 1>because if you look at any most World's Fair structures

0:20:23.880 --> 0:20:26.600
<v Speaker 1>over the years, they do end up looking very dated,

0:20:26.680 --> 0:20:28.199
<v Speaker 1>Like this is the only one I can think of

0:20:28.240 --> 0:20:33.240
<v Speaker 1>that really had this indelible iconic design, um, And they

0:20:33.280 --> 0:20:37.399
<v Speaker 1>probably just don't want that reminder of you know, the

0:20:37.480 --> 0:20:41.320
<v Speaker 1>Knoxville World's Fair right years later. It looks really kind

0:20:41.320 --> 0:20:44.480
<v Speaker 1>of silly, right, Well, the Sun's Fear is still around, weird,

0:20:44.480 --> 0:20:49.960
<v Speaker 1>is it? Yes, as far as I know, Yeah, yeah,

0:20:49.960 --> 0:20:52.560
<v Speaker 1>it was Knoxville with the sun's fear. I'm almost positive.

0:20:52.880 --> 0:20:55.240
<v Speaker 1>But there was another building built. I mean, like, if

0:20:55.240 --> 0:20:57.080
<v Speaker 1>you look at some of the buildings that were built

0:20:57.119 --> 0:21:01.640
<v Speaker 1>for this Paras exposition in eighty nine, Um, these are

0:21:01.680 --> 0:21:06.520
<v Speaker 1>like major, huge buildings that today we would spend untold

0:21:06.600 --> 0:21:10.640
<v Speaker 1>number count like countless money to to preserve and keep

0:21:10.680 --> 0:21:14.280
<v Speaker 1>from crumbling. Um, they just torn down twenty years. There's

0:21:14.320 --> 0:21:18.640
<v Speaker 1>one called the Gallery Day Machine UM, and it some

0:21:19.200 --> 0:21:23.560
<v Speaker 1>critics say that it was actually an even greater masterpiece

0:21:23.600 --> 0:21:27.760
<v Speaker 1>of um iron work and modernity than the Eiffel Tower itself.

0:21:28.040 --> 0:21:32.400
<v Speaker 1>They tore it down into Yeah, so that's just kind

0:21:32.440 --> 0:21:34.080
<v Speaker 1>of how it was with the World Fare, and that's

0:21:34.119 --> 0:21:35.840
<v Speaker 1>how it was supposed to be with the Eiffel Tower.

0:21:35.920 --> 0:21:38.760
<v Speaker 1>But if you start to dive into how the Eiffel

0:21:38.760 --> 0:21:43.520
<v Speaker 1>Tower was constructed, it's abundantly clear that Um Gustav Eiffel

0:21:43.760 --> 0:21:46.639
<v Speaker 1>never intended for his tower to be taken down. He

0:21:46.760 --> 0:21:53.359
<v Speaker 1>built that thing Ford tough man. If you want to

0:21:53.359 --> 0:21:56.239
<v Speaker 1>make a French person's head spend, tell him that the

0:21:56.280 --> 0:22:00.760
<v Speaker 1>Eiffel Tower is built forward tough Oh my go I

0:22:00.760 --> 0:22:03.040
<v Speaker 1>was trying to think of a French car. Uh, what's

0:22:03.080 --> 0:22:09.560
<v Speaker 1>the one? Yeah, n all tough the tough. So they

0:22:09.600 --> 0:22:13.920
<v Speaker 1>start construction in January seven. Um. Obviously that's a pretty

0:22:13.960 --> 0:22:16.600
<v Speaker 1>tight timetable to pull something like this off before the

0:22:16.600 --> 0:22:20.400
<v Speaker 1>World's Fair, and it came down to the wire. But uh,

0:22:20.440 --> 0:22:25.640
<v Speaker 1>they started um building the tower itself in July seven.

0:22:26.280 --> 0:22:29.160
<v Speaker 1>They were building you know, that might not um make sense,

0:22:29.160 --> 0:22:31.080
<v Speaker 1>but they were doing those foundations. It took a long

0:22:31.440 --> 0:22:34.119
<v Speaker 1>time just to get the foundation work done. And he

0:22:34.160 --> 0:22:39.000
<v Speaker 1>had a manufacturing um warehouse and facility about six kilometers away,

0:22:39.040 --> 0:22:41.760
<v Speaker 1>so most of it was built there in pieces. They

0:22:41.800 --> 0:22:44.399
<v Speaker 1>would bring it over and ship it over to the

0:22:44.440 --> 0:22:47.000
<v Speaker 1>site to kind of assemble it and put it together.

0:22:47.640 --> 0:22:50.400
<v Speaker 1>And you know, this thing is right by the river,

0:22:50.560 --> 0:22:53.520
<v Speaker 1>so you've got you know, you don't have the most

0:22:53.560 --> 0:22:58.520
<v Speaker 1>stable uh you know, land base in which to drill down.

0:22:59.119 --> 0:23:01.520
<v Speaker 1>And they ended up. Uh did we do a show

0:23:01.520 --> 0:23:04.680
<v Speaker 1>on tunnels or was it just it must have been

0:23:04.760 --> 0:23:06.679
<v Speaker 1>bridges or something, because I think we talked about the

0:23:06.680 --> 0:23:09.919
<v Speaker 1>Brooklyn Bridge being built like this. Yeah, may have been it,

0:23:10.040 --> 0:23:12.119
<v Speaker 1>or maybe it was the New York aqueducts. I don't know,

0:23:12.200 --> 0:23:14.440
<v Speaker 1>but basically they had to do sort of the same

0:23:14.440 --> 0:23:16.919
<v Speaker 1>thing as they had to go under sea level, so

0:23:16.960 --> 0:23:21.320
<v Speaker 1>they had to work in these compressed air chambers, which

0:23:21.359 --> 0:23:24.240
<v Speaker 1>was very, very dangerous, and they ended up only losing

0:23:24.280 --> 0:23:27.679
<v Speaker 1>one human life during the construction, which is remarkable. It

0:23:27.800 --> 0:23:30.360
<v Speaker 1>is remarkable. And this thing was also completed in record

0:23:30.440 --> 0:23:32.840
<v Speaker 1>time too, Like I mean you said it was a

0:23:32.880 --> 0:23:37.119
<v Speaker 1>tight schedule. To build this thing in twenty one twenty

0:23:37.240 --> 0:23:41.280
<v Speaker 1>six months today would be impressive. So they did this

0:23:41.320 --> 0:23:45.000
<v Speaker 1>in you know, the eighteen eighties and only lost one worker.

0:23:45.440 --> 0:23:48.959
<v Speaker 1>Part of that was because Gustave Eifel himself, um, was

0:23:49.280 --> 0:23:53.199
<v Speaker 1>well known for basically being an additional foreman on the

0:23:53.280 --> 0:23:55.119
<v Speaker 1>job side. He was not one of these guys who

0:23:55.119 --> 0:23:57.440
<v Speaker 1>went and smoked cigars and just hung out all day

0:23:57.520 --> 0:23:59.520
<v Speaker 1>at the country club with his buddies. Like he was

0:23:59.680 --> 0:24:04.160
<v Speaker 1>hand is on on his his most important projects, and um,

0:24:04.280 --> 0:24:07.080
<v Speaker 1>the Eiffel Tower was definitely one of those most important projects.

0:24:07.119 --> 0:24:10.840
<v Speaker 1>So because of this dedication to safety and this level

0:24:10.840 --> 0:24:14.439
<v Speaker 1>of oversight from the guy himself, uh that that just

0:24:14.600 --> 0:24:17.120
<v Speaker 1>one person like the person and you have to die there,

0:24:17.160 --> 0:24:19.119
<v Speaker 1>like no one will believe it if nobody died. So

0:24:19.160 --> 0:24:23.280
<v Speaker 1>they had they pushed one guy off the top. A Pierre,

0:24:23.359 --> 0:24:25.239
<v Speaker 1>what's that over there? I know, Well, you've been down

0:24:25.600 --> 0:24:31.679
<v Speaker 1>been down and pick it up for me. So the

0:24:31.720 --> 0:24:33.719
<v Speaker 1>other thing he had going in his favor was as

0:24:33.760 --> 0:24:35.359
<v Speaker 1>far as getting it built in record time, was he

0:24:35.359 --> 0:24:37.560
<v Speaker 1>had a great crew. He had, Like I said, he

0:24:37.600 --> 0:24:39.800
<v Speaker 1>was a big builder anyway, so he had all these

0:24:39.840 --> 0:24:43.880
<v Speaker 1>regular workers that were really really experienced, especially iron workers,

0:24:44.520 --> 0:24:47.480
<v Speaker 1>and uh, he was able to pull it off using

0:24:48.000 --> 0:24:53.359
<v Speaker 1>uh method of riveting, um bolts, pretty good rivets better,

0:24:54.480 --> 0:24:57.159
<v Speaker 1>way better. I mean, this is the These rivets are

0:24:57.200 --> 0:24:59.040
<v Speaker 1>the reason why I say, like, he did not mean

0:24:59.119 --> 0:25:01.400
<v Speaker 1>for this thing to be take in Ampart in twenty years.

0:25:01.440 --> 0:25:04.200
<v Speaker 1>So what they did was they use heated rivets. And

0:25:04.440 --> 0:25:07.920
<v Speaker 1>here's here's how that works. You bring over this sub

0:25:07.960 --> 0:25:11.879
<v Speaker 1>piece that's built together with temporary bolts, and then you

0:25:11.920 --> 0:25:15.479
<v Speaker 1>remove those bolts and you replace it with a heated rivet.

0:25:15.720 --> 0:25:19.880
<v Speaker 1>And this is on site, Like they had blacksmiths hammering

0:25:19.920 --> 0:25:23.359
<v Speaker 1>this thing on site. Apparently made quite a racket and

0:25:23.400 --> 0:25:25.080
<v Speaker 1>you would heat it in or you would heat it

0:25:25.160 --> 0:25:28.000
<v Speaker 1>up and knock it in, and then as the thing cools,

0:25:28.600 --> 0:25:31.680
<v Speaker 1>it shrinks and that just cinches everything really really tight.

0:25:31.720 --> 0:25:34.840
<v Speaker 1>That is trying to cinch together after it's cooled. And

0:25:34.920 --> 0:25:37.640
<v Speaker 1>so you've got you know, two thirds of this thing.

0:25:37.760 --> 0:25:41.000
<v Speaker 1>Two thirds of the rib these ribbits were actually installed

0:25:41.080 --> 0:25:45.480
<v Speaker 1>on site with human power and hammers. Yeah, and each

0:25:45.560 --> 0:25:48.479
<v Speaker 1>side of the rivet was hammered into a head, so

0:25:48.560 --> 0:25:50.680
<v Speaker 1>it's not like a bolt where you could just take off.

0:25:50.720 --> 0:25:53.320
<v Speaker 1>I don't know how you would get those things apart, frankly.

0:25:53.680 --> 0:25:57.240
<v Speaker 1>And that this this seal like so was I guess

0:25:57.600 --> 0:26:00.000
<v Speaker 1>then the seal was was so tight because it cool

0:26:00.000 --> 0:26:03.160
<v Speaker 1>old and since some tighter together and then the actual

0:26:03.480 --> 0:26:05.480
<v Speaker 1>um One of the reasons why the Eiffel Tower is

0:26:05.520 --> 0:26:09.840
<v Speaker 1>just so revered. It's just incredibly precise. Like each piece,

0:26:09.920 --> 0:26:12.439
<v Speaker 1>like you said, was made off site and then maybe

0:26:12.440 --> 0:26:15.760
<v Speaker 1>partially assembled and brought to the to the job site,

0:26:16.000 --> 0:26:18.840
<v Speaker 1>but they were they were created in the eighteen eighties

0:26:18.880 --> 0:26:22.800
<v Speaker 1>within a tenth of a millimeter precise. And if they

0:26:22.800 --> 0:26:25.640
<v Speaker 1>weren't a tenth of a millimeter precise, Uh, they were

0:26:25.640 --> 0:26:28.600
<v Speaker 1>sent back to the factory to be um altered so

0:26:28.640 --> 0:26:31.439
<v Speaker 1>that they were brought into that level of precision. So

0:26:31.480 --> 0:26:34.919
<v Speaker 1>the entire Eiffel Tower is within a tenth of a

0:26:35.000 --> 0:26:40.840
<v Speaker 1>millimeter precision, the entire thing. That's just astounding to me. Yeah,

0:26:40.880 --> 0:26:43.000
<v Speaker 1>and it's really cool too, and that they you know,

0:26:43.119 --> 0:26:45.119
<v Speaker 1>you obviously you're building this thing from the ground up.

0:26:45.840 --> 0:26:50.520
<v Speaker 1>And they used scaffolding until they made that first floor plateau,

0:26:50.680 --> 0:26:54.280
<v Speaker 1>and then from that point on that was their new foundation,

0:26:54.359 --> 0:26:56.960
<v Speaker 1>so they could actually be up there in the tower

0:26:57.000 --> 0:27:00.600
<v Speaker 1>itself supported itself from that point forward as they moved

0:27:00.680 --> 0:27:05.280
<v Speaker 1>up right, and um, this is just so scary to me.

0:27:05.359 --> 0:27:08.199
<v Speaker 1>But the the as they worked further and further up,

0:27:08.720 --> 0:27:12.359
<v Speaker 1>they got steam cranes that they attached to what would

0:27:12.480 --> 0:27:15.480
<v Speaker 1>um eventually be the rails used by the lifts, the

0:27:16.000 --> 0:27:20.359
<v Speaker 1>very specific elevators of the U Eiffel Tower. And uh,

0:27:20.520 --> 0:27:23.239
<v Speaker 1>these steam cranes just climbed up and up and up.

0:27:23.240 --> 0:27:27.080
<v Speaker 1>It just worked their way up the tower. And just again,

0:27:27.320 --> 0:27:30.800
<v Speaker 1>this is eighteen eight the eighteen eighties, and you're in

0:27:30.840 --> 0:27:33.640
<v Speaker 1>a steam crane attached to the Eiffel Tower that you're

0:27:33.680 --> 0:27:38.480
<v Speaker 1>building hundreds of meters up. I can barely even say

0:27:38.520 --> 0:27:41.960
<v Speaker 1>these words. You would have been the second guy that died. Yeah,

0:27:42.040 --> 0:27:46.080
<v Speaker 1>because your knees gave out, exactly. I just I can't

0:27:46.080 --> 0:27:51.080
<v Speaker 1>even deal right now. So they they eventually finish. Um,

0:27:51.119 --> 0:27:54.800
<v Speaker 1>as the World's Fair approaches. Um, it didn't even open.

0:27:54.840 --> 0:27:56.400
<v Speaker 1>This is how tight it was. It wasn't even open

0:27:56.480 --> 0:27:59.280
<v Speaker 1>to the public until nine days into the fair, and

0:27:59.280 --> 0:28:02.480
<v Speaker 1>it took two more weeks for those elevators to be operational.

0:28:02.600 --> 0:28:05.920
<v Speaker 1>So if you were those first people, you paid a

0:28:05.960 --> 0:28:09.200
<v Speaker 1>little bit of money to climb seventeen hundred and ten

0:28:09.320 --> 0:28:12.320
<v Speaker 1>steps to the top, like you mentioned earlier, takes about

0:28:12.320 --> 0:28:16.320
<v Speaker 1>an hour, and a lot of people still did that remarkably,

0:28:16.359 --> 0:28:18.359
<v Speaker 1>and they all smoked cigarettes at the time, So I

0:28:18.359 --> 0:28:22.240
<v Speaker 1>can't imagine that was fun, that's right. So, UM. One

0:28:22.280 --> 0:28:25.840
<v Speaker 1>of the things about the Eiffel Tower, uh, that I

0:28:26.800 --> 0:28:30.200
<v Speaker 1>didn't know about, was that there was a tremendous amount

0:28:30.200 --> 0:28:33.720
<v Speaker 1>of protest when it was announced, when when the design

0:28:33.840 --> 0:28:37.800
<v Speaker 1>was unveiled or the plans for it were unveiled, um,

0:28:37.880 --> 0:28:41.280
<v Speaker 1>mostly by the French artistic community. There was a famous

0:28:41.320 --> 0:28:45.680
<v Speaker 1>petition again which I didn't know about, UM, called the

0:28:45.080 --> 0:28:48.760
<v Speaker 1>the the Petition of the three hundred, three hundred artists,

0:28:48.800 --> 0:28:52.800
<v Speaker 1>three hundred architects, UM, three hundred musicians. Basically anybody who

0:28:52.840 --> 0:28:56.640
<v Speaker 1>is anyone in the Parisian art and cultural scene at

0:28:56.680 --> 0:28:59.680
<v Speaker 1>the time signed this petition basically saying like, don't build

0:28:59.680 --> 0:29:02.120
<v Speaker 1>this thing. This is horrible, this is it's going to

0:29:02.200 --> 0:29:05.520
<v Speaker 1>look like an industrial iron smoke stack. And and we

0:29:05.600 --> 0:29:09.520
<v Speaker 1>don't want this to to mar the beautiful landscape of

0:29:09.600 --> 0:29:13.040
<v Speaker 1>Paris that has been put together over the centuries. And um,

0:29:13.080 --> 0:29:16.560
<v Speaker 1>I mean that was it was a substantial public outcry

0:29:16.600 --> 0:29:19.560
<v Speaker 1>and like kind of a campaign against the Eiffel Tower

0:29:20.080 --> 0:29:24.240
<v Speaker 1>that Eiffel and the Parisian Exposition um planners had to

0:29:24.320 --> 0:29:29.680
<v Speaker 1>deal with. But they, I guess ultimately the artists were there.

0:29:30.200 --> 0:29:33.800
<v Speaker 1>Their protests fell on deaf ears because the tower was made.

0:29:34.280 --> 0:29:37.440
<v Speaker 1>But one of the great things about it was Uh.

0:29:37.520 --> 0:29:41.160
<v Speaker 1>In the years after, some of those petition signers came

0:29:41.200 --> 0:29:43.680
<v Speaker 1>out and publicly apologized to Eiffel. They said that they

0:29:43.680 --> 0:29:46.560
<v Speaker 1>had they'd gotten it wrong, that that the Eiffel Tower

0:29:46.640 --> 0:29:49.320
<v Speaker 1>is just that, you know, that beautiful. They finally kind

0:29:49.360 --> 0:29:52.760
<v Speaker 1>of came around to understanding what was beautiful about it?

0:29:53.200 --> 0:30:00.160
<v Speaker 1>Did guide Rick can't No, he was one who ever

0:30:00.200 --> 0:30:03.560
<v Speaker 1>did uh de mapossan he uh. He was a very

0:30:03.560 --> 0:30:06.600
<v Speaker 1>famous writer who would lunch at the base of the

0:30:06.600 --> 0:30:09.440
<v Speaker 1>Eiffel Tower very frequently because it was the only place

0:30:09.440 --> 0:30:11.280
<v Speaker 1>in Paris he could go eat where he didn't have

0:30:11.320 --> 0:30:13.560
<v Speaker 1>to look at the Eiffel Tower. Yeah, so he wrote

0:30:15.720 --> 0:30:18.600
<v Speaker 1>and this this became one of the sort sort of

0:30:18.640 --> 0:30:23.280
<v Speaker 1>the most famous, uh, put down or the Eiffel Tower.

0:30:23.800 --> 0:30:27.160
<v Speaker 1>He said, this high and skinny pyramid of iron letters,

0:30:27.600 --> 0:30:31.400
<v Speaker 1>this giant, ungainly skeleton upon a base that looks built

0:30:31.440 --> 0:30:34.920
<v Speaker 1>to carry a colossal monument of cyclops, but which just

0:30:35.120 --> 0:30:40.760
<v Speaker 1>peters out into a ridiculous thin shape like a factory chimney. Ps.

0:30:40.920 --> 0:30:45.600
<v Speaker 1>I fart in its general direction. Nice, I didn't see

0:30:45.640 --> 0:30:49.040
<v Speaker 1>that coming, and he he was. You might not recognize

0:30:49.040 --> 0:30:51.360
<v Speaker 1>his name, but I'll bet you'd recognize his pen name,

0:30:51.680 --> 0:30:57.720
<v Speaker 1>Jackie Collins. Oh interesting, I just know that that's because

0:30:57.720 --> 0:31:01.080
<v Speaker 1>I made it up. So Eiffel himself, the man, I'm sure.

0:31:01.560 --> 0:31:03.160
<v Speaker 1>I'm sure his feelings were a little bit hurt by

0:31:03.160 --> 0:31:06.480
<v Speaker 1>some of these artists. He wanted to be beloved. But um,

0:31:06.600 --> 0:31:09.800
<v Speaker 1>he wasn't made of puddle eye. He was not, uh,

0:31:09.880 --> 0:31:13.560
<v Speaker 1>he said, uh announced just sort of paraphrase here. Um

0:31:13.600 --> 0:31:15.320
<v Speaker 1>he said. For my part, I believe that the tower

0:31:15.360 --> 0:31:18.400
<v Speaker 1>will possess its own beauty. I hold that the curvature

0:31:18.440 --> 0:31:21.920
<v Speaker 1>of the monuments four outer edges, which is as mathematical

0:31:21.960 --> 0:31:25.360
<v Speaker 1>calculation dictated it should be, will give a great impression

0:31:25.360 --> 0:31:27.280
<v Speaker 1>of strength and beauty, For it will reveal to the

0:31:27.280 --> 0:31:30.280
<v Speaker 1>eyes of the observer, the boldness of the design as

0:31:30.320 --> 0:31:33.440
<v Speaker 1>a whole. Moreover, there is an attraction in the colossal

0:31:33.840 --> 0:31:36.880
<v Speaker 1>and a singular delight to which ordinary theories of art

0:31:36.880 --> 0:31:40.080
<v Speaker 1>are scarcely applicable. And I think that kind of sums

0:31:40.080 --> 0:31:45.640
<v Speaker 1>it up. It's like, man, this is a massive, amazing,

0:31:45.840 --> 0:31:49.080
<v Speaker 1>gorgeous feat of engineering, and like you can't think of

0:31:49.080 --> 0:31:53.200
<v Speaker 1>it with your little sculpture brain and try and look

0:31:53.200 --> 0:31:55.320
<v Speaker 1>at it as as that kind of art. Like you

0:31:55.360 --> 0:31:59.360
<v Speaker 1>got to rethink what art and architecture are. And I

0:31:59.400 --> 0:32:01.760
<v Speaker 1>think he's told right. I mean, it's it's amazing when

0:32:01.760 --> 0:32:04.400
<v Speaker 1>you look at this thing and you can sort of

0:32:04.400 --> 0:32:07.760
<v Speaker 1>see maybe back then how it didn't fit the landscape

0:32:07.800 --> 0:32:10.720
<v Speaker 1>and people might have thought it was obnoxious, but uh

0:32:10.760 --> 0:32:15.520
<v Speaker 1>they were wrong. Yeah, it's I saw a UM, I

0:32:15.600 --> 0:32:20.160
<v Speaker 1>guess an architecture blog on the Eiffel Tower and it

0:32:20.160 --> 0:32:22.880
<v Speaker 1>had it broken down by like loads and stresses and

0:32:22.920 --> 0:32:25.120
<v Speaker 1>geometry and all that. But on one of the pages

0:32:25.840 --> 0:32:29.400
<v Speaker 1>it was um it was showing a graph of how

0:32:29.520 --> 0:32:35.840
<v Speaker 1>wind pressure increases with height, right, And when they traced

0:32:35.920 --> 0:32:39.480
<v Speaker 1>the curve of the different wind pressures as it went up,

0:32:40.200 --> 0:32:44.600
<v Speaker 1>it made one. It made the curve of the Eiffel Tower.

0:32:45.560 --> 0:32:48.840
<v Speaker 1>And he said later that the Eiffel Tower was designed

0:32:48.880 --> 0:32:51.440
<v Speaker 1>by the wind, and that's what he was talking about,

0:32:51.480 --> 0:32:55.760
<v Speaker 1>Like they used math to determine what the perfect shape

0:32:55.760 --> 0:32:58.400
<v Speaker 1>of this was to put up this to to have

0:32:58.520 --> 0:33:01.560
<v Speaker 1>the same wind pressure. So the base is under the

0:33:01.600 --> 0:33:05.480
<v Speaker 1>same load from wind that the top is because of

0:33:05.520 --> 0:33:09.080
<v Speaker 1>the taper. So it was like it's math personified. It's

0:33:09.200 --> 0:33:14.080
<v Speaker 1>math and and science and engineering um in in iron form.

0:33:14.480 --> 0:33:17.680
<v Speaker 1>I had no idea about that until I started researching this,

0:33:17.720 --> 0:33:21.160
<v Speaker 1>and it just made me appreciate this so much more. Um.

0:33:21.360 --> 0:33:24.480
<v Speaker 1>And it's also really really strong too, Like the thing

0:33:24.520 --> 0:33:28.000
<v Speaker 1>can hold four and a half times Uh, it's its

0:33:28.040 --> 0:33:30.800
<v Speaker 1>own weight. It's like it's never going to fall down.

0:33:31.040 --> 0:33:32.920
<v Speaker 1>And a lot of people were worried about that when

0:33:32.960 --> 0:33:35.720
<v Speaker 1>when Iffel was building it, and he publicly said, I

0:33:35.840 --> 0:33:39.160
<v Speaker 1>take personal responsibility if this thing ever collapses. Uh, he

0:33:39.240 --> 0:33:41.840
<v Speaker 1>just knew it wasn't going to because that's how precise

0:33:41.880 --> 0:33:43.680
<v Speaker 1>he was, and that's how smart he was with his

0:33:43.760 --> 0:33:46.880
<v Speaker 1>calculations and the people he was working with. Two. But

0:33:46.880 --> 0:33:50.320
<v Speaker 1>but it's it's just it's a it's masterful. It is

0:33:50.520 --> 0:33:53.880
<v Speaker 1>it's it's nature revealed, just carved out of the sky

0:33:54.040 --> 0:33:57.280
<v Speaker 1>and iron. All right, well, let's take another break and

0:33:57.320 --> 0:33:59.440
<v Speaker 1>we'll come back and talk about why that thing it's

0:33:59.480 --> 0:34:02.400
<v Speaker 1>still stand today and wasn't torn down twenty years later

0:34:02.480 --> 0:34:39.359
<v Speaker 1>right after this. Alright, so Eiffel built this thing to last,

0:34:39.440 --> 0:34:43.120
<v Speaker 1>like we said, and uh, during that twenty year period,

0:34:43.640 --> 0:34:47.320
<v Speaker 1>as he was breaking in money from glow noodle sales,

0:34:48.520 --> 0:34:52.360
<v Speaker 1>he uh he decided to start trying to make it useful,

0:34:52.840 --> 0:34:56.640
<v Speaker 1>uh and give it a practical purpose so maybe they'll say, well,

0:34:56.680 --> 0:34:58.880
<v Speaker 1>we kind of got to leave it up now. So

0:34:58.960 --> 0:35:02.799
<v Speaker 1>he started doing all these in resistance experiments and those

0:35:02.800 --> 0:35:04.640
<v Speaker 1>were fine, those were all well and good, but it

0:35:04.760 --> 0:35:08.320
<v Speaker 1>was uh, it was radio that really is what saved

0:35:08.360 --> 0:35:13.000
<v Speaker 1>it when in a Morse code signal was sent from

0:35:13.080 --> 0:35:16.239
<v Speaker 1>the tower to another part of Paris and it was

0:35:16.280 --> 0:35:18.880
<v Speaker 1>a big success. So they put in a permanent radio

0:35:19.760 --> 0:35:23.360
<v Speaker 1>installation there, and all of a sudden they were like, hey,

0:35:23.400 --> 0:35:27.640
<v Speaker 1>this thing is really valuable, especially with wars approaching, which

0:35:27.680 --> 0:35:29.920
<v Speaker 1>they obviously didn't know that at the time, but they

0:35:29.920 --> 0:35:33.280
<v Speaker 1>were sending messages, you know, overseas to London and thousands

0:35:33.320 --> 0:35:37.239
<v Speaker 1>of kilometers away, and they said in nineteen ten, all right,

0:35:38.200 --> 0:35:42.040
<v Speaker 1>this is actually pretty valuable to us now the military

0:35:42.120 --> 0:35:47.200
<v Speaker 1>is involved, it's playing roles in our wars, so you

0:35:47.239 --> 0:35:50.440
<v Speaker 1>can keep it up for seventy more years. And they

0:35:50.480 --> 0:35:53.840
<v Speaker 1>then tore it down in Yeah, and that was the

0:35:53.960 --> 0:35:59.360
<v Speaker 1>end of the Eiffel Towel. Never forget that day. That was. Yeah.

0:35:59.719 --> 0:36:03.520
<v Speaker 1>Do you remember how excited Reagan was, like you have

0:36:03.600 --> 0:36:06.720
<v Speaker 1>against the Eiffel Tower man and Jimmy Carter descried quietly.

0:36:06.760 --> 0:36:08.880
<v Speaker 1>It was very sad. Yeah, I thought that was the

0:36:08.960 --> 0:36:11.680
<v Speaker 1>right reaction to that, you know, but that's the big split.

0:36:11.760 --> 0:36:14.120
<v Speaker 1>You know, there's two kinds of people in the world. Now.

0:36:14.120 --> 0:36:17.480
<v Speaker 1>They gave him seventy more years, and obviously in I

0:36:17.480 --> 0:36:19.319
<v Speaker 1>didn't even look it up, but I assume that's when

0:36:19.320 --> 0:36:21.480
<v Speaker 1>they said, and maybe we should just all agree that

0:36:21.480 --> 0:36:24.719
<v Speaker 1>it's it'll probably be here forever. Yeah. Yeah, So it

0:36:24.800 --> 0:36:28.520
<v Speaker 1>survived even Adolf Hitler, the big jerk. He apparently, after

0:36:28.600 --> 0:36:32.840
<v Speaker 1>the Nazis had occupied um Paris for years, as the

0:36:32.880 --> 0:36:36.719
<v Speaker 1>war was seemingly coming to an end, he ordered not

0:36:36.840 --> 0:36:39.320
<v Speaker 1>just the Eiffel Tower, but all monuments in Paris to

0:36:39.400 --> 0:36:42.800
<v Speaker 1>be torn down. And the guy who was running the

0:36:42.840 --> 0:36:46.000
<v Speaker 1>France on behalf of the Nazis, a general Dietrich von

0:36:46.200 --> 0:36:49.520
<v Speaker 1>Scholitz just never got around to it. I guess he

0:36:49.600 --> 0:36:52.480
<v Speaker 1>was kind of resisting. But one of the speaking of resisting,

0:36:52.480 --> 0:36:55.640
<v Speaker 1>one of the um little pieces of World War two

0:36:55.760 --> 0:36:59.040
<v Speaker 1>history was that the French resistance cut the cables for

0:36:59.120 --> 0:37:01.960
<v Speaker 1>the elevators to the Eiffel Tower, so that if any

0:37:02.239 --> 0:37:05.160
<v Speaker 1>Nazi sightseers on his day off wanted to go up

0:37:05.160 --> 0:37:08.440
<v Speaker 1>and see the sights, he had declined the sev ten stairs.

0:37:08.440 --> 0:37:10.560
<v Speaker 1>He wasn't going to take an elevator as long as

0:37:10.560 --> 0:37:13.920
<v Speaker 1>the French resistance was around. That's right. And then the

0:37:14.000 --> 0:37:18.480
<v Speaker 1>Nazis were liberated from Paris. Unless you talked to Senator

0:37:18.520 --> 0:37:22.640
<v Speaker 1>elect Tommy Tubberville. Did you hear that? Yeah, I heard

0:37:22.640 --> 0:37:26.560
<v Speaker 1>all that. Former Auburn football coach now Senator elect uh

0:37:26.840 --> 0:37:29.319
<v Speaker 1>said has said a few times now that Paris was

0:37:29.360 --> 0:37:32.880
<v Speaker 1>liberated from the Communist and the Socialist Like, no, they

0:37:32.920 --> 0:37:37.319
<v Speaker 1>were Nazis. Yeah, there's one other piece of World War

0:37:37.320 --> 0:37:39.760
<v Speaker 1>two trivia I had not heard about, what the Eiffel Tower.

0:37:39.880 --> 0:37:43.480
<v Speaker 1>There was a dog fight that went under under the

0:37:43.520 --> 0:37:46.400
<v Speaker 1>Eiffel Tower. People. That's the thing that planes want to

0:37:46.400 --> 0:37:49.040
<v Speaker 1>try and do now as a sort of a Dare

0:37:49.160 --> 0:37:52.520
<v Speaker 1>slash stunt. You should not do that. No, no, no,

0:37:53.440 --> 0:37:56.600
<v Speaker 1>you really you just really I think it's worth saying again, Chuck,

0:37:56.840 --> 0:37:58.920
<v Speaker 1>you don't fly a plane under the Eiffel Tower. I

0:37:58.920 --> 0:38:00.760
<v Speaker 1>don't care who you are. Don't fly a plan period.

0:38:01.320 --> 0:38:04.000
<v Speaker 1>If you're if you're a German. Uh, if you're a

0:38:04.000 --> 0:38:08.840
<v Speaker 1>German fighter ace and you've got an American P fifty

0:38:08.840 --> 0:38:12.080
<v Speaker 1>one Mustang on your tail, you're gonna take some risks. Apparently,

0:38:12.160 --> 0:38:16.160
<v Speaker 1>the the dirty Nazi flying ace, I thought he was

0:38:16.160 --> 0:38:19.040
<v Speaker 1>gonna shake him by going under the Eiffel Tower, and

0:38:19.080 --> 0:38:21.680
<v Speaker 1>that P fifty one Mustang pilot went right after him

0:38:21.680 --> 0:38:25.120
<v Speaker 1>and shot him down over Paris. Amazing, and't it? I

0:38:25.160 --> 0:38:28.279
<v Speaker 1>mean that they had a dog fight under under the

0:38:28.280 --> 0:38:33.040
<v Speaker 1>Eiffel Tower. That's astounding. Uh. Because this thing is made

0:38:33.040 --> 0:38:35.880
<v Speaker 1>of iron, there's a very one, big, big key to

0:38:36.000 --> 0:38:40.799
<v Speaker 1>keeping this thing durable, and that is paint. Um. It

0:38:40.960 --> 0:38:44.520
<v Speaker 1>is strong, iron is very strong. It's also malleable. Um.

0:38:44.640 --> 0:38:46.719
<v Speaker 1>I think we've already mentioned that it does flex in

0:38:46.760 --> 0:38:50.319
<v Speaker 1>the wind some. It shrinks with temperature changes and gets

0:38:50.360 --> 0:38:53.479
<v Speaker 1>larger with temperature changes. And that's all well and good,

0:38:53.520 --> 0:38:56.879
<v Speaker 1>but you gotta have a really good paint job on there.

0:38:57.120 --> 0:39:00.440
<v Speaker 1>And I think it's been painted eighteen times times over

0:39:00.440 --> 0:39:03.040
<v Speaker 1>the years, and they're on a seven year cycle now,

0:39:03.719 --> 0:39:07.799
<v Speaker 1>which they started in eighteen nine nine. UM, And it

0:39:07.800 --> 0:39:11.120
<v Speaker 1>takes about eighteen months to remove what paint they remove.

0:39:12.160 --> 0:39:15.760
<v Speaker 1>And it's been various colors over the years. Um, Eiffel

0:39:15.760 --> 0:39:18.120
<v Speaker 1>Tower brown is what we call it now. But Ed,

0:39:18.600 --> 0:39:21.280
<v Speaker 1>who helped us put this together with with zero irony,

0:39:21.320 --> 0:39:24.320
<v Speaker 1>I think, said it is often depicted as simply red.

0:39:26.120 --> 0:39:28.160
<v Speaker 1>I didn't pick up on that. I think it probably

0:39:28.200 --> 0:39:30.479
<v Speaker 1>doesn't even know that's a band. I think it's tastes

0:39:30.480 --> 0:39:32.719
<v Speaker 1>are a little harder than that, right, I don't know.

0:39:32.800 --> 0:39:35.040
<v Speaker 1>I think he's got a bunch of varied tastes. Like

0:39:35.120 --> 0:39:37.840
<v Speaker 1>I could see him knowing about simply ready. Just I

0:39:37.840 --> 0:39:40.000
<v Speaker 1>don't know. Maybe he did mean that. It's also been

0:39:40.080 --> 0:39:44.160
<v Speaker 1>yellow orange, sort of a yellowish brown. Uh. And like

0:39:44.200 --> 0:39:46.200
<v Speaker 1>I said, now they call it since nineteen sixty eight

0:39:46.200 --> 0:39:49.319
<v Speaker 1>Eiffel Tower brown. But it's lit up at night. It's

0:39:49.719 --> 0:39:55.879
<v Speaker 1>marvelous to behold. Um, twenty thousand lightbulbs on this thing. No, No, no,

0:39:56.160 --> 0:39:58.520
<v Speaker 1>five billion light bulbs. I don't think that's right, dude.

0:39:58.960 --> 0:40:01.279
<v Speaker 1>I looked everywhere the only place I can find that

0:40:01.360 --> 0:40:05.720
<v Speaker 1>was in Business Insider. I've seen it a bunch of places,

0:40:05.760 --> 0:40:08.439
<v Speaker 1>but I guess it it got Yeah, I could see that. Man,

0:40:09.120 --> 0:40:11.440
<v Speaker 1>you're probably right. I mean on the Eiffel Tower website

0:40:11.440 --> 0:40:13.359
<v Speaker 1>it's just twenty lights. So I'm gonna go with that,

0:40:13.880 --> 0:40:16.399
<v Speaker 1>all right, I'll go with that one too, stupid five

0:40:17.080 --> 0:40:21.719
<v Speaker 1>that's a big disparity. But it's all lit up, like

0:40:21.760 --> 0:40:23.359
<v Speaker 1>they have the lights, and then they also have these

0:40:23.400 --> 0:40:29.600
<v Speaker 1>projectors projecting light and um, five billion projectors. It's brilliant

0:40:29.600 --> 0:40:31.920
<v Speaker 1>to look at at night, and uh, I suggest you

0:40:31.960 --> 0:40:33.759
<v Speaker 1>go at night. It's it's great during the day of

0:40:34.000 --> 0:40:36.120
<v Speaker 1>course as well, but at night is when it's really

0:40:36.120 --> 0:40:41.560
<v Speaker 1>really special. Right. Um. I've looked up their electric bill

0:40:41.600 --> 0:40:45.520
<v Speaker 1>and it's apparently about one point one million dollars a year,

0:40:45.600 --> 0:40:47.920
<v Speaker 1>which is too bad. I guess it's more in line

0:40:47.960 --> 0:40:50.359
<v Speaker 1>for twenty thousand lights. I was like, that's pretty low

0:40:50.440 --> 0:40:57.200
<v Speaker 1>for five billion lights. It's like al Gore's electric bill. Wow. Hey,

0:40:57.239 --> 0:41:00.479
<v Speaker 1>I try to take shots at both sides, right you can, man, Yeah,

0:41:00.520 --> 0:41:04.960
<v Speaker 1>for sure, you're a centrist. So, um, that repainting stuff

0:41:05.000 --> 0:41:08.160
<v Speaker 1>it takes eighteen months, did you say that? And they

0:41:08.239 --> 0:41:11.520
<v Speaker 1>take fifteen tons of the old paint off every time

0:41:11.960 --> 0:41:14.279
<v Speaker 1>when it's a when the whole job is done, I

0:41:14.280 --> 0:41:17.160
<v Speaker 1>think it's like sixty tons of new paint. Right, Yes,

0:41:17.480 --> 0:41:20.040
<v Speaker 1>that is so much pain, it's crazy. But um, the

0:41:20.120 --> 0:41:24.600
<v Speaker 1>last time we were there, like three to three years ago, Um,

0:41:24.760 --> 0:41:28.400
<v Speaker 1>I remember being shocked that it was brown. I had

0:41:28.400 --> 0:41:31.239
<v Speaker 1>totally forgotten it. And anytime you see it, it's it's

0:41:31.320 --> 0:41:34.920
<v Speaker 1>shadowed enough that it looks black or maybe like a

0:41:35.000 --> 0:41:36.920
<v Speaker 1>dark gray or something. It does not look like it

0:41:36.960 --> 0:41:40.799
<v Speaker 1>does in person and pictures. Right, But they apparently there's

0:41:40.840 --> 0:41:43.919
<v Speaker 1>an optical illusion where the higher up in the sky

0:41:44.480 --> 0:41:49.239
<v Speaker 1>the Eiffel Tower is um, that part seems darker than

0:41:49.280 --> 0:41:52.160
<v Speaker 1>the stuff closer to the ground. So they actually do

0:41:52.280 --> 0:41:55.160
<v Speaker 1>kind of an ombre thing where they painted in this

0:41:55.360 --> 0:41:58.920
<v Speaker 1>the same color, but yeah, grated shade to where the

0:41:59.040 --> 0:42:01.480
<v Speaker 1>stuff at the top is the lightest shade and then

0:42:01.520 --> 0:42:03.880
<v Speaker 1>towards the bottom it's the darkest shade, so that the

0:42:03.880 --> 0:42:07.840
<v Speaker 1>whole thing has a uniform color to it. Emily and

0:42:07.840 --> 0:42:10.799
<v Speaker 1>I always have a running joke from that we got

0:42:10.800 --> 0:42:14.239
<v Speaker 1>from Saturday Night Live. There was one sketch where one

0:42:14.280 --> 0:42:17.240
<v Speaker 1>girl to the other and said, that is one severe ambre.

0:42:19.000 --> 0:42:21.320
<v Speaker 1>So we say that now whenever we see you a

0:42:21.400 --> 0:42:24.520
<v Speaker 1>lady with an ombre hairstyle, Man, when's the last time

0:42:24.560 --> 0:42:26.640
<v Speaker 1>you saw somebody with an ombre? I don't know. Is

0:42:26.680 --> 0:42:28.439
<v Speaker 1>that not a thing anymore? I don't I don't see people,

0:42:28.480 --> 0:42:30.960
<v Speaker 1>think so I don't see I haven't seen people either.

0:42:31.000 --> 0:42:33.320
<v Speaker 1>I guess I'm just assuming it died out because nobody's

0:42:33.360 --> 0:42:37.319
<v Speaker 1>going to the hairdresser anymore. Uh. We should maybe do

0:42:37.360 --> 0:42:41.200
<v Speaker 1>a short stuff on the elevators themselves. It is probably

0:42:41.239 --> 0:42:44.520
<v Speaker 1>a show into itself, but um, I guess the easiest

0:42:44.520 --> 0:42:47.000
<v Speaker 1>way to say it is that these are not like

0:42:47.040 --> 0:42:50.080
<v Speaker 1>any elevators in the world, obviously because they go up

0:42:51.000 --> 0:42:54.120
<v Speaker 1>on a on a slope and then straightened out. So

0:42:54.200 --> 0:42:59.000
<v Speaker 1>they're built, obviously, um, just for the Eiffel Tower, and

0:42:59.080 --> 0:43:01.719
<v Speaker 1>they would work only there, and they work on a

0:43:01.800 --> 0:43:05.880
<v Speaker 1>hydraulic system. And here's my fun fact that has greased

0:43:05.920 --> 0:43:12.239
<v Speaker 1>every day with beef fat no from the Jewels Verne restaurant. No,

0:43:13.520 --> 0:43:16.320
<v Speaker 1>I had not heard that. That's a great fact, man. Yeah,

0:43:16.360 --> 0:43:19.480
<v Speaker 1>And apparently a lot of the machinery is um some

0:43:19.520 --> 0:43:22.040
<v Speaker 1>of the original stuff from eighteen ninety nine that they

0:43:22.080 --> 0:43:26.200
<v Speaker 1>have just sort of modernized and retrofitted over the years. Yeah,

0:43:26.239 --> 0:43:28.960
<v Speaker 1>I've got one more elevator fact for you. So for

0:43:29.120 --> 0:43:33.680
<v Speaker 1>the original opening, Otis Elevator was invited to build one

0:43:33.719 --> 0:43:40.000
<v Speaker 1>of the elevators. Yeah. I think they actually build three

0:43:40.040 --> 0:43:41.960
<v Speaker 1>of the ones that are there now. But this is

0:43:42.000 --> 0:43:45.520
<v Speaker 1>for the ex exposition and to show off, to show

0:43:45.560 --> 0:43:48.920
<v Speaker 1>how how great their elevator was, Otis sent some representatives

0:43:49.000 --> 0:43:51.719
<v Speaker 1>up to switch out the cable with rope. And then

0:43:51.719 --> 0:43:55.240
<v Speaker 1>once they had the cable that was holding the elevator

0:43:55.280 --> 0:43:59.200
<v Speaker 1>aloft changed out to rope. They cut it with hatchets

0:43:59.600 --> 0:44:04.680
<v Speaker 1>to show off how the emergency brake system worked. Yeah,

0:44:04.760 --> 0:44:08.480
<v Speaker 1>holy cal Yeah, and they all cross their fingers behind

0:44:08.520 --> 0:44:11.520
<v Speaker 1>their backs. Yeah, exactly exactly. But if you look at

0:44:11.560 --> 0:44:14.440
<v Speaker 1>some of the original um, the original drawings, they were

0:44:14.480 --> 0:44:17.920
<v Speaker 1>like sit down elevators with like pews basically like you

0:44:17.920 --> 0:44:20.320
<v Speaker 1>find in a church, like a few a few rows

0:44:20.360 --> 0:44:23.160
<v Speaker 1>of pews, where people just sit down on these things

0:44:23.160 --> 0:44:25.879
<v Speaker 1>and go up, up, up. You know, now that I'm

0:44:25.880 --> 0:44:29.600
<v Speaker 1>looking at this list from Business Insider, it also says

0:44:29.640 --> 0:44:33.959
<v Speaker 1>it costs one point five million to build and in

0:44:33.960 --> 0:44:38.279
<v Speaker 1>in dollars. I saw that elsewhere too. M hmm. That

0:44:38.320 --> 0:44:40.560
<v Speaker 1>sounds like confusion to me, because they gave them one

0:44:40.560 --> 0:44:43.759
<v Speaker 1>point five million francs and it really costs six point

0:44:43.760 --> 0:44:46.680
<v Speaker 1>five I don't trust anything on this list. Now, five

0:44:46.719 --> 0:44:50.440
<v Speaker 1>billion lines? Is that on the list that I sent you?

0:44:51.600 --> 0:44:54.200
<v Speaker 1>That was from Live Science, not Business Insiders? Well, the

0:44:54.239 --> 0:44:58.040
<v Speaker 1>same exact list was on Business and Business Insider. Yeah,

0:44:58.080 --> 0:45:01.680
<v Speaker 1>that's what we should call them. So somebody science is

0:45:01.760 --> 0:45:05.000
<v Speaker 1>usually pretty Uh I'm guessing Business Insider copy pasted from

0:45:05.040 --> 0:45:08.120
<v Speaker 1>Live Science. Live Science is usually pretty accurate. That's why

0:45:08.160 --> 0:45:10.080
<v Speaker 1>I fell for the five billion. I was like, why

0:45:10.080 --> 0:45:12.719
<v Speaker 1>would I fall for that from Business Insider? Now I

0:45:12.800 --> 0:45:14.960
<v Speaker 1>understand I fell for it from Live Science. All right,

0:45:15.000 --> 0:45:18.279
<v Speaker 1>well that's more acceptable. What else you got anything? I

0:45:18.320 --> 0:45:21.560
<v Speaker 1>got nothing else? Go see this thing. It's worth it. Yeah, definitely,

0:45:21.600 --> 0:45:23.960
<v Speaker 1>It's worth worth traveling to Paris to see and then

0:45:24.000 --> 0:45:28.440
<v Speaker 1>just turn around and leave. Uh well, chuck, this is

0:45:28.520 --> 0:45:31.319
<v Speaker 1>coming out I think on New Year's Eve, isn't it?

0:45:32.160 --> 0:45:35.319
<v Speaker 1>I think? So? Yeah? Right? Should we should we wish

0:45:35.360 --> 0:45:38.799
<v Speaker 1>everybody happy New Year's now or after listener mail? Uh? No,

0:45:38.960 --> 0:45:41.520
<v Speaker 1>let's do it now. You know we say it every

0:45:41.560 --> 0:45:45.120
<v Speaker 1>year that without you guys, we wouldn't even have jobs.

0:45:45.480 --> 0:45:48.879
<v Speaker 1>So it doesn't change over the years. It just gets

0:45:48.880 --> 0:45:52.160
<v Speaker 1>better and better, and we really really value everyone that's

0:45:52.600 --> 0:45:55.600
<v Speaker 1>listening to this right now in a big, big way. Yeah,

0:45:55.640 --> 0:45:58.000
<v Speaker 1>thanks for listening to us, everybody. We hope that we've

0:45:58.120 --> 0:46:00.919
<v Speaker 1>kind of helped you in some small measures through because

0:46:00.920 --> 0:46:04.560
<v Speaker 1>you guys have helped us through. Appreciate you, guys, So

0:46:04.680 --> 0:46:08.680
<v Speaker 1>thank you. Okay, Well, since I said thank you to

0:46:08.760 --> 0:46:11.400
<v Speaker 1>all of you listening out there in podcast land, that

0:46:11.440 --> 0:46:15.840
<v Speaker 1>means it's time for listener mail. I'm gonna call this

0:46:15.920 --> 0:46:20.520
<v Speaker 1>pet Turkey. This from Steph Steph t Hey guys, Turkey

0:46:20.560 --> 0:46:22.880
<v Speaker 1>podcast is my new favorite. We used to have a

0:46:22.880 --> 0:46:25.040
<v Speaker 1>pair of white domestic turkeys that we kept as pets.

0:46:25.040 --> 0:46:27.359
<v Speaker 1>They slept in my flower bed every night and look

0:46:27.440 --> 0:46:31.960
<v Speaker 1>like your yard ornaments. Um. I can attest to their superhering,

0:46:32.080 --> 0:46:35.080
<v Speaker 1>as the tom could hear a bag of feed being

0:46:35.120 --> 0:46:38.759
<v Speaker 1>open from a mile away. We kept the feed in

0:46:38.760 --> 0:46:40.359
<v Speaker 1>a trash can and I had to use the lid

0:46:40.400 --> 0:46:43.839
<v Speaker 1>as a shield, Captain America style so he wouldn't hop

0:46:43.840 --> 0:46:46.200
<v Speaker 1>into the can and take me with him. He was

0:46:46.239 --> 0:46:49.680
<v Speaker 1>a jerk. The female, however, was actually really really sweet

0:46:49.680 --> 0:46:53.920
<v Speaker 1>and duscile, uh docile. My special need son was just

0:46:54.040 --> 0:46:56.279
<v Speaker 1>learning to walk at the time, and she would walk

0:46:56.320 --> 0:46:59.120
<v Speaker 1>beside us ever so slowly, and then sit down for

0:46:59.239 --> 0:47:02.279
<v Speaker 1>him to pet her. I was so heartbroken when she

0:47:02.320 --> 0:47:04.319
<v Speaker 1>died that I went out in the field and read

0:47:04.320 --> 0:47:08.359
<v Speaker 1>a Bible verse over her body. She says, don't judge me.

0:47:08.440 --> 0:47:11.279
<v Speaker 1>We would never judge you for that. That's amazing. They're

0:47:11.280 --> 0:47:13.080
<v Speaker 1>also wild turkeys in the area and often had to

0:47:13.080 --> 0:47:15.360
<v Speaker 1>stop the car to let them cross the road. I

0:47:15.480 --> 0:47:16.880
<v Speaker 1>love to stick my head out of the window and

0:47:16.880 --> 0:47:19.439
<v Speaker 1>gobble at them because they would always raise their heads

0:47:19.440 --> 0:47:23.839
<v Speaker 1>and gobble back. And here's a lady coming again into

0:47:23.920 --> 0:47:27.719
<v Speaker 1>the gobble. I love it. That's from Steph T. Thanks

0:47:27.719 --> 0:47:30.480
<v Speaker 1>Steph T. Is it really Steph T? Well? I mean

0:47:31.440 --> 0:47:35.920
<v Speaker 1>ste F hard Stuff letter T Right, But there was

0:47:35.960 --> 0:47:37.880
<v Speaker 1>a joke I made in the Tricky episode where like

0:47:38.000 --> 0:47:42.080
<v Speaker 1>somebody was named Tom T like it was Tom Turkey.

0:47:42.160 --> 0:47:48.080
<v Speaker 1>So maybe this is she said she gobbles. Maybe. Well,

0:47:48.120 --> 0:47:49.600
<v Speaker 1>if you're a Turkey and you want to get in

0:47:49.640 --> 0:47:52.480
<v Speaker 1>touch with this about her Turkey episode or for whatever reason,

0:47:52.719 --> 0:47:55.440
<v Speaker 1>you can send us an email. The Stuff podcast at

0:47:55.480 --> 0:47:59.279
<v Speaker 1>iHeart radio dot com and again, Happy do Year, everybody.

0:47:59.440 --> 0:48:04.400
<v Speaker 1>Have you know you here? Stuff You Should Know is

0:48:04.440 --> 0:48:07.120
<v Speaker 1>a production of I Heart Radio. For more podcasts for

0:48:07.160 --> 0:48:09.960
<v Speaker 1>my heart Radio, visit the iHeart Radio app, Apple podcasts,

0:48:10.040 --> 0:48:15.520
<v Speaker 1>or wherever you listen to your favorite shows. M hm

0:48:19.000 --> 0:48:19.160
<v Speaker 1>hm