WEBVTT - Love, Mommy Dearest

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<v Speaker 1>Family Secrets is a production of iHeartRadio. This episode contains

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<v Speaker 1>discussion of suicide and self harm.

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<v Speaker 2>Listener discretion is advice. For twenty years, I told no

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<v Speaker 2>one her story. I tucked it into me like a

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<v Speaker 2>grotesque treasure, a cold gem that I guarded with ferocious pride.

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<v Speaker 2>Uncertain who else knew. Mom and I never talked about

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<v Speaker 2>it again, and no one, not my father or his parents,

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<v Speaker 2>or any of my mother's friends, ever asked me about

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<v Speaker 2>the fire or what sense I, as a young girl,

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<v Speaker 2>had made of it. People ask about my relationship with fire.

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<v Speaker 2>You must be afraid of it, they say, I'm so sorry.

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<v Speaker 2>My college roommate says, after she burns toast to a

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<v Speaker 2>smoky crisp in the kitchen, releasing plumes of smoke. Who

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<v Speaker 2>smell lingers for days? Does this trigger you? It's okay,

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<v Speaker 2>I shrug, It's just toast. I have no relationship with fire. Really,

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<v Speaker 2>relationships are cultivated, nurtured. This I inherited.

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<v Speaker 1>That's Nina Saint Pierre, culture writer, essayist, editor, and author

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<v Speaker 1>of the recent memoir Love Is a Burning Thing. Nina's

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<v Speaker 1>is a story about surviving the people who precede us

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<v Speaker 1>those we love but cannot emulate those we wish to protect,

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<v Speaker 1>but not at the expense of destroying ourselves. It's a

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<v Speaker 1>story of tenacity, resilience, and hope. I'm Danny Shapiro and

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<v Speaker 1>this is family secrets, the secrets that are kept from us,

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<v Speaker 1>the secrets we keep from others, and the secrets we

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<v Speaker 1>keep from ourselves. Tell me about the landscape of your childhood.

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<v Speaker 2>It was sort of a roving landscape. I'd say, it's

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<v Speaker 2>kind of always in motion. And you know, I was

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<v Speaker 2>born in a small Transcendental meditation community in Fairfield, Iowa.

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<v Speaker 2>My parents sort of split but remained geographically close to

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<v Speaker 2>each other and co parented for the first few years

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<v Speaker 2>of my life. But my mom was, as my father

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<v Speaker 2>puts it, constantly taking off. So we were pinging between

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<v Speaker 2>Iowa and Washington, d c. In Detroit, where her family

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<v Speaker 2>was from. She was deeply involved in the Transcendental Meditation movement.

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<v Speaker 2>So there were these TM centers sort of all over

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<v Speaker 2>the country, and so we would kind of go to

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<v Speaker 2>those for little stints because she was working on projects

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<v Speaker 2>with them. Then at four years old, four going on five,

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<v Speaker 2>I'd moved to California with her, and from that point on.

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<v Speaker 2>Our travel was sort of restricted to California, but we

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<v Speaker 2>moved around a lot up and down the state, to

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<v Speaker 2>little towns and cities, and we were just always on

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<v Speaker 2>the move.

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<v Speaker 1>At one point, you describe, I love this sentence you're write.

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<v Speaker 1>My real memory begins in motion.

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<v Speaker 2>I was living with my mom in the Tenderloine in

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<v Speaker 2>San Francisco, was nineteen eighty six by then, which if

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<v Speaker 2>you know anything about the Tenderloin in nineteen eighty six,

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<v Speaker 2>it was a rough and colorful place. It was really

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<v Speaker 2>a triangle of social services. Most people were living on welfare.

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<v Speaker 2>We lived in what they go on SRO, so it's

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<v Speaker 2>a single room occupancy. Most of them don't have kitchens.

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<v Speaker 2>They were converted hotels, so people were really scraping by,

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<v Speaker 2>and we had a very colorful life, you know, living

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<v Speaker 2>in this sort of European style of hotel was sheer

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<v Speaker 2>back through the hallways. Our neighbors were drag queens. They

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<v Speaker 2>were queer day black Asian, straight white like my mother.

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<v Speaker 2>There were many other single parents, mothers in particular, and

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<v Speaker 2>their kids kind of became my friends. So it was

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<v Speaker 2>sort of a bright, vivid, grimy world filled with colorful characters.

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<v Speaker 2>We were really living a pretty broke life at that time,

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<v Speaker 2>and she had gotten me into this private school called

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<v Speaker 2>White Pony, which was in Walnut Creek, sort of a wealthy,

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<v Speaker 2>primarily white suburb of San Francisco, and we would take

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<v Speaker 2>like two buses and a bart. It was about an

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<v Speaker 2>hour long trip each way to this kindergarten that was

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<v Speaker 2>run by a branch of what they call Sufia's and

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<v Speaker 2>Reoriented and it was just this very pristine, calm environment

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<v Speaker 2>where everything felt sort of white and washed and everyone

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<v Speaker 2>spoke in low tone. And so every day my mom

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<v Speaker 2>and I would travel between the chaos and clatter of

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<v Speaker 2>the Tenderloin and take this hour long trip to my

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<v Speaker 2>school in the suburbs, and it was it was very calm,

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<v Speaker 2>and I kind of settled in there, and then every

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<v Speaker 2>day we would go back to the clatter of the Tenderloin.

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<v Speaker 2>So I think that was the time that I really

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<v Speaker 2>started to like hold this duality.

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<v Speaker 1>And that was just the one year, right because after that,

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<v Speaker 1>your mom, when you're in first grade, you know, said

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<v Speaker 1>something to the effects of we're out of here, We're

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<v Speaker 1>heading north.

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<v Speaker 2>That was just the one year. And so it's interesting

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<v Speaker 2>that is so outsized in my memory. But I think

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<v Speaker 2>it was that age, you know, around five years old

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<v Speaker 2>or they say you really start to have concrete memory,

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<v Speaker 2>and because it was so full of contrast in life,

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<v Speaker 2>it really stood out. But then yeah, at the end

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<v Speaker 2>of that year, she was pregnant with my little brother

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<v Speaker 2>and a friend had told her there was a cosmic

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<v Speaker 2>mountain up north, and she said, now doesn't that sound cool?

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<v Speaker 2>And five six years old, what did I know? So

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<v Speaker 2>we were off again.

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<v Speaker 1>Nina and her mom moved to the remote area of

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<v Speaker 1>Siskiyou County, which is halfway between San Francisco and Portland.

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<v Speaker 1>Siskiu is at the foot of Mount Shasta, an active volcano.

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<v Speaker 1>Could there be a more perfect metaphor? Nina's mom has

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<v Speaker 1>moved them here to be closer to the mystical mountain

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<v Speaker 1>she's heard so much about. This is not new to Nina,

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<v Speaker 1>her mom putting her spirituality at the forefront of their lives.

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<v Speaker 2>There is something very cloistered about childhood. You just understand

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<v Speaker 2>your life to be the way it is, so I'm

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<v Speaker 2>sure there was some of that, but I think being

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<v Speaker 2>born into a transcendental meditation community and it wasn't Camm

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<v Speaker 2>you like in the way that some people might imagine.

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<v Speaker 2>But it was a small town in which people were

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<v Speaker 2>all practicing TM toye a day, and my parents were

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<v Speaker 2>both very united in what they felt was their contribution

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<v Speaker 2>to creating world peace and before so I think, before

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<v Speaker 2>I even remember, that's kind of what I was born into,

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<v Speaker 2>and I'm sure I was surrounded by this sort of language.

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<v Speaker 2>My mother got into tarot and astrology and things like

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<v Speaker 2>channeling very early on. That's part of why she left TM.

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<v Speaker 2>So I think even if I don't remember this language

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<v Speaker 2>consciously much before we got to Mount Shasta, it was

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<v Speaker 2>sort of in me through osmosis, if nothing else. So,

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<v Speaker 2>and she kind of had this great adventurous spirit. And

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<v Speaker 2>much like my life in San Francisco, which felt like

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<v Speaker 2>in a juxtaposition between this gritty, grimy, bright city life

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<v Speaker 2>and the sort of calm, meditative tones of White Pony,

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<v Speaker 2>my mom contained that duality as well. So you know,

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<v Speaker 2>she could kind of like run with the people in

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<v Speaker 2>the street and talk a little shit, but she is

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<v Speaker 2>always reading about the saints and sort of spoke about

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<v Speaker 2>the cosmos and enlightenment and angels in the same sentences.

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<v Speaker 1>In the meantime, Nina's dad remarries a woman named Beth.

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<v Speaker 1>While Nina and her mom live at the base of

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<v Speaker 1>this magical mountain, her dad and Beth end up in

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<v Speaker 1>the hill country in Texas. Living a spiritual life is

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<v Speaker 1>important to her dad too, and he and Beth are

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<v Speaker 1>part of a meditation community. But back at the volcanic rock,

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<v Speaker 1>life goes on for Nina and her mom. Nina's mom

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<v Speaker 1>has another child some years later, Nina's younger brother, Christopher.

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<v Speaker 1>Finances are tight for the family, and Nina's mom, for

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<v Speaker 1>better or worse, is not exactly shy about sharing this

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<v Speaker 1>financial precarity with her daughter.

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<v Speaker 2>It was sort of like, you know, the ticker on

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<v Speaker 2>a news show was just the running tally. She she

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<v Speaker 2>was always working out her finances on little pieces of

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<v Speaker 2>paper at a cafe. And I knew, you know, very

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<v Speaker 2>early on, what each little treat cost us. So I

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<v Speaker 2>really learned not to ask for those things, and I

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<v Speaker 2>knew that if I if I didn't I received them.

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<v Speaker 2>There could sometimes be blowback because she, like most mothers,

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<v Speaker 2>you know, I'm sure she wanted to treat me, so

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<v Speaker 2>sometimes she might buy a pizzaen set of paying the

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<v Speaker 2>electric Bill, but there was always a fallout for that.

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<v Speaker 1>Yeah, there's a really arresting moment where she's having trouble

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<v Speaker 1>with a tooth and she just says, well, it's time

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<v Speaker 1>to go to Tijuana because that's that's where you go

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<v Speaker 1>for dentistry.

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<v Speaker 2>Ninety nine dollars root canal.

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<v Speaker 1>And so you were privy to all that, absorbed that

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<v Speaker 1>as a child, and then you had your dad and

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<v Speaker 1>Bess in Texas in this TM community. But it seems

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<v Speaker 1>also in a more day to day stable life than

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<v Speaker 1>your mom's life.

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<v Speaker 2>Mm hmm. I think you know my dad from what

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<v Speaker 2>I understand, it is own natural procurity at times, and

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<v Speaker 2>they all did because they were very dedicated to this

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<v Speaker 2>movement that they had made the center of their life,

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<v Speaker 2>which was ultimately a movement toward, you know, achieving world peace.

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<v Speaker 2>So no one was rolling in the dough. But the

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<v Speaker 2>life that they eventually built, and as I came into,

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<v Speaker 2>you know, being in second, third, fourth, fifth grade, was

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<v Speaker 2>one that was very sort of quiet and stable. They

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<v Speaker 2>lived in a rural sort of subdivision that they had

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<v Speaker 2>all built as a community, and that was the place

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<v Speaker 2>I would say I had the closest to an Americana childhood.

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<v Speaker 2>I mean I had a little bike with the banana

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<v Speaker 2>seat and the streamers. I would write it to my

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<v Speaker 2>friend's house. And it was not a wealthy life by

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<v Speaker 2>any means, but it was very comfortable. I mean, it

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<v Speaker 2>felt kind of protected in middle class. After my mom

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<v Speaker 2>and I moved to California. Most every summer from I'd

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<v Speaker 2>say age five or six through toward the end of

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<v Speaker 2>high school, I would fly out from California and go

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<v Speaker 2>stay with my dad and Beth in Texas for the summer,

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<v Speaker 2>maybe a month or so, and then after that I

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<v Speaker 2>would fly to his parents' home in Miami for a

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<v Speaker 2>couple of weeks and my grandfather, his father was a

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<v Speaker 2>renowned surgeon, and they lived a very different life. Again,

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<v Speaker 2>it wasn't ostentatious, but it was definitely the wealthiest environment

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<v Speaker 2>that I was ever in as a child.

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<v Speaker 1>We'll be back in a moment with more family secrets.

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<v Speaker 1>When Nina is in the fifth grade, about ten or eleven,

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<v Speaker 1>her mother says to her, I am a walk him.

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<v Speaker 1>Her mother, whose name is Anita, also says something about

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<v Speaker 1>the Anitas Anita one and Anita two. Nina isn't sure

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<v Speaker 1>what to make of any of this, what is her

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<v Speaker 1>mom talking about?

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<v Speaker 2>That must have been, you know, the early nineties and

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<v Speaker 2>on OPRAH there was a lot of talk shows doing

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<v Speaker 2>segments on like past life progression, sort of memories of

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<v Speaker 2>abuse emerging. Do you remember this? Yeah? Yeah, So I

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<v Speaker 2>feel like this idea sort of was born of that time.

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<v Speaker 2>So a walk in too, and you can find you know,

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<v Speaker 2>sort of communities online that feel that they are Walking's

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<v Speaker 2>Ruth Montgomery, I think sort of wrote a seminal book

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<v Speaker 2>about that, describing what it is a person that feels

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<v Speaker 2>like they are walking. It is a pre agreed upon

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<v Speaker 2>contract that your soul makes with another soul before you're born.

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<v Speaker 2>And that agreement is that at some point in your life,

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<v Speaker 2>when your soul has completed its its tasks or its

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<v Speaker 2>lessons or whatever it came here to do, so to speak,

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<v Speaker 2>then your soul will exit the body and this new

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<v Speaker 2>soul will enter it. So you will essentially be outwardly

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<v Speaker 2>the same, but this new soul is in the body

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<v Speaker 2>and it has its own sort of karmic lessons that

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<v Speaker 2>it needs to learn and things that it needs to

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<v Speaker 2>follow out.

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<v Speaker 1>So your mom explains this to you, and what did

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<v Speaker 1>that feel like for you? I mean, your mom was

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<v Speaker 1>essentially saying to you, I look the same, but I'm

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<v Speaker 1>a different person.

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<v Speaker 2>Yeah, I mean terrifying, Like that is just I felt

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<v Speaker 2>like I was in a horror film. You know. It

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<v Speaker 2>just was so spooky. I remember that very viscerally, and

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<v Speaker 2>but just remember having chills and being both scared and

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<v Speaker 2>confused because the way that she presented it to me

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<v Speaker 2>was sort of in this calming, assured way, like oh no,

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<v Speaker 2>it's better now, you know. And because she said, you know,

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<v Speaker 2>I was Anita one and now I'm Anita two, and

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<v Speaker 2>looking back, I feel like she was trying to distill

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<v Speaker 2>it into child terms. But that was terrifying, because you

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<v Speaker 2>know what, Anita too is not my mom, who the

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<v Speaker 2>hell is she? But the way she was explaining it

0:14:24.760 --> 0:14:27.440
<v Speaker 2>was a very matter of fact and straightforward and like,

0:14:27.720 --> 0:14:30.240
<v Speaker 2>you know, it's better now. Anita one wasn't doing well

0:14:30.320 --> 0:14:32.240
<v Speaker 2>and Nita two is here, and she's like, you know,

0:14:32.400 --> 0:14:35.680
<v Speaker 2>she has her stuff more together, she's healthier, she's grounded,

0:14:35.720 --> 0:14:38.160
<v Speaker 2>she's going to take better care of you guys. And

0:14:38.440 --> 0:14:42.320
<v Speaker 2>it felt, I don't know, like just a total schism.

0:14:42.920 --> 0:14:44.360
<v Speaker 2>I just didn't know how to make sense of it.

0:14:44.480 --> 0:14:48.360
<v Speaker 2>It was both like really frightening. But then what was

0:14:48.400 --> 0:14:51.840
<v Speaker 2>I to do but just trust this new old person.

0:14:54.600 --> 0:14:57.200
<v Speaker 1>By the time Nina is in the sixth grade, her

0:14:57.280 --> 0:15:00.320
<v Speaker 1>mom has managed to scrape together a little money bought

0:15:00.360 --> 0:15:04.240
<v Speaker 1>a house in a town called Weed, So in one sense,

0:15:04.520 --> 0:15:07.920
<v Speaker 1>life is a bit more settled, But there's an undercurrent,

0:15:08.400 --> 0:15:12.720
<v Speaker 1>something lurking. Up until that point in Nina's life, she's

0:15:12.760 --> 0:15:16.040
<v Speaker 1>been aware of her mother's burns. She knows her mom

0:15:16.120 --> 0:15:19.120
<v Speaker 1>wears turtlenecks no matter what the season, to cover the

0:15:19.160 --> 0:15:23.200
<v Speaker 1>burns on her neck, but Nina's never known exactly what

0:15:23.440 --> 0:15:27.600
<v Speaker 1>happened or why. Now her mom decides would be a

0:15:27.640 --> 0:15:30.440
<v Speaker 1>good time to tell Nina the story of how her

0:15:30.520 --> 0:15:31.840
<v Speaker 1>burns came to be.

0:15:34.440 --> 0:15:37.360
<v Speaker 2>So that conversation, and I remember sitting on the couch

0:15:37.440 --> 0:15:40.080
<v Speaker 2>with my mom, you know, we had these like kind

0:15:40.120 --> 0:15:44.440
<v Speaker 2>of like dusty, old second hand tweed couches, and I

0:15:44.520 --> 0:15:48.280
<v Speaker 2>remember sitting there with her, and she just said, it's

0:15:49.080 --> 0:15:52.280
<v Speaker 2>time for me to tell you the story. And I said,

0:15:52.280 --> 0:15:55.680
<v Speaker 2>the story of what? And she said my burn and

0:15:56.240 --> 0:15:57.760
<v Speaker 2>I kind of brushed her off, like you were in

0:15:57.840 --> 0:15:58.200
<v Speaker 2>a fire.

0:15:58.440 --> 0:15:58.560
<v Speaker 1>You know.

0:15:58.840 --> 0:16:01.520
<v Speaker 2>I knew that I didn't know anything else about it,

0:16:01.680 --> 0:16:05.080
<v Speaker 2>and I had honestly never thought about it, which people

0:16:05.240 --> 0:16:08.160
<v Speaker 2>think seems strange. But as a child, you're like that

0:16:08.320 --> 0:16:11.800
<v Speaker 2>frog in boiling water. You just accept what is. Often

0:16:11.880 --> 0:16:14.320
<v Speaker 2>we don't question these things until much later in life,

0:16:14.960 --> 0:16:18.360
<v Speaker 2>unless something really catalyzes that inquiry. So she just sat

0:16:18.440 --> 0:16:22.160
<v Speaker 2>me down, and she just kind of launched into this story,

0:16:22.280 --> 0:16:24.280
<v Speaker 2>which in retrospect was like, oh my god. I didn't

0:16:24.280 --> 0:16:28.360
<v Speaker 2>ask for this story. But she told me how how

0:16:28.640 --> 0:16:32.760
<v Speaker 2>she grew up in Detroit, and she had been a

0:16:33.040 --> 0:16:36.640
<v Speaker 2>student at University of Michigan and after her freshman year,

0:16:36.640 --> 0:16:38.480
<v Speaker 2>I think it was the summer before her sophomore year,

0:16:38.920 --> 0:16:41.640
<v Speaker 2>her and some girlfriends decided to dig a road trip

0:16:41.720 --> 0:16:45.680
<v Speaker 2>to Colorado. You know, it was nineteen seventy one, and

0:16:45.840 --> 0:16:48.240
<v Speaker 2>you know, there was a lot going on politically. The

0:16:48.360 --> 0:16:52.600
<v Speaker 2>Vietnam protests were happening. All these Buddhist monks had been

0:16:52.640 --> 0:16:56.080
<v Speaker 2>self immolating. There was a lot of angst and sort

0:16:56.120 --> 0:17:00.360
<v Speaker 2>of rage in the youth culture, and so they went

0:17:00.400 --> 0:17:02.800
<v Speaker 2>out to Colorado to see what was happening. And it

0:17:02.960 --> 0:17:05.520
<v Speaker 2>was a couple of her college roommates and then an

0:17:05.600 --> 0:17:07.680
<v Speaker 2>older woman who at that time I think was like

0:17:07.800 --> 0:17:11.639
<v Speaker 2>twenty five or twenty six, and this older woman named Rayelle.

0:17:11.720 --> 0:17:13.320
<v Speaker 2>I don't know how they were friends. I don't know

0:17:13.359 --> 0:17:14.800
<v Speaker 2>how they were connected, but you know, it was a

0:17:14.920 --> 0:17:17.359
<v Speaker 2>university town, so who knows. So they all take this

0:17:17.480 --> 0:17:21.000
<v Speaker 2>road trip to Colorado, and toward the end of the summer,

0:17:21.080 --> 0:17:24.080
<v Speaker 2>they're coming back and Rail starts telling my mom these

0:17:24.119 --> 0:17:27.920
<v Speaker 2>stories about these men that are after them. And my

0:17:28.000 --> 0:17:29.800
<v Speaker 2>mom is telling me this as I'm sitting on the

0:17:29.880 --> 0:17:32.439
<v Speaker 2>couch with her, you know, knees to chess, just listening,

0:17:32.560 --> 0:17:35.040
<v Speaker 2>thinking like, where is this going? You know, what does

0:17:35.080 --> 0:17:37.879
<v Speaker 2>this have to do? Is my mom's burns but kind

0:17:37.920 --> 0:17:41.480
<v Speaker 2>of wrapped. So she tells me that Rail's has this

0:17:42.000 --> 0:17:45.239
<v Speaker 2>story that these men are after them. I'm like, oh

0:17:45.320 --> 0:17:48.719
<v Speaker 2>my god, you know, and that most of the other

0:17:48.800 --> 0:17:51.679
<v Speaker 2>girls go home. They're kind of getting freaked out by

0:17:51.840 --> 0:17:54.400
<v Speaker 2>Rail's stories. But my mom and ray all go back

0:17:54.440 --> 0:17:56.880
<v Speaker 2>to ann Arbor and by that time it's the fall,

0:17:57.000 --> 0:17:59.879
<v Speaker 2>but my mom never rear enrolls in school. They're just

0:18:00.119 --> 0:18:04.680
<v Speaker 2>kind of wandering around town and Rayel is getting increasingly

0:18:04.800 --> 0:18:07.119
<v Speaker 2>paranoid and saying, not only are these men after them,

0:18:07.359 --> 0:18:10.400
<v Speaker 2>but if they find them, that they're going to torture

0:18:10.480 --> 0:18:13.520
<v Speaker 2>them and eventually kill them, and my mom is getting

0:18:13.840 --> 0:18:17.159
<v Speaker 2>really freaked out by this, and she just can't imagine this,

0:18:17.280 --> 0:18:20.439
<v Speaker 2>and somehow she starts to believe this too, and then

0:18:20.560 --> 0:18:23.200
<v Speaker 2>Rayelle says, you know, we should kill ourselves. It would

0:18:23.200 --> 0:18:26.760
<v Speaker 2>be better to do that than to be tortured. And so,

0:18:27.680 --> 0:18:30.840
<v Speaker 2>you know, my mom goes along with it, and they're

0:18:31.240 --> 0:18:34.200
<v Speaker 2>staying in some kitchen and ann arbor, and you know,

0:18:34.280 --> 0:18:35.920
<v Speaker 2>as my mom is telling me this, I'm thinking like,

0:18:36.000 --> 0:18:38.160
<v Speaker 2>oh my god, who's this woman? Like what do you mean?

0:18:38.240 --> 0:18:41.920
<v Speaker 2>How could you believe this? But I'm also really freaked out.

0:18:42.720 --> 0:18:45.879
<v Speaker 2>And then she says, they found a roll butcher paper

0:18:46.400 --> 0:18:49.920
<v Speaker 2>and just wrap themselves in it and let themselves on fire.

0:18:51.240 --> 0:18:52.800
<v Speaker 2>You know, I've come to find out a lot later,

0:18:53.160 --> 0:18:54.960
<v Speaker 2>a lot more about it as an adult, but in

0:18:55.040 --> 0:18:57.480
<v Speaker 2>that moment, that's what she told me, and I just

0:18:57.640 --> 0:19:01.040
<v Speaker 2>was like, you know, shell shocked, could not believe what

0:19:01.119 --> 0:19:04.040
<v Speaker 2>she was telling me. And then by that point, you know,

0:19:04.160 --> 0:19:06.919
<v Speaker 2>she'd been telling me the story and her the language

0:19:07.000 --> 0:19:08.600
<v Speaker 2>was getting more frenetic, and I was just kind of

0:19:08.640 --> 0:19:11.080
<v Speaker 2>getting caught up in it, sort of like full body

0:19:11.240 --> 0:19:14.520
<v Speaker 2>chills and kind of like a not in the chest

0:19:14.680 --> 0:19:17.320
<v Speaker 2>kind of sad and scared for my mom and confused

0:19:17.359 --> 0:19:20.639
<v Speaker 2>and wondering who this wild lady was. And by that

0:19:20.760 --> 0:19:22.639
<v Speaker 2>point she has kind of a far away look in

0:19:22.680 --> 0:19:24.879
<v Speaker 2>her eyes, and then she says, you know, then the

0:19:25.160 --> 0:19:29.680
<v Speaker 2>firemen came and they wrapped us in wool blankets. There

0:19:29.720 --> 0:19:32.280
<v Speaker 2>were fire blankets. They wrapped us in fire blankets. It

0:19:32.359 --> 0:19:35.359
<v Speaker 2>took us to the ambulance and rushed them to the

0:19:35.520 --> 0:19:39.480
<v Speaker 2>University of Michigan Burn Center. And I think the last

0:19:39.520 --> 0:19:41.840
<v Speaker 2>thing she said was something like, you know, he saved

0:19:41.880 --> 0:19:45.679
<v Speaker 2>my life. That fireman saved my life. It was an

0:19:45.760 --> 0:19:48.840
<v Speaker 2>eerie moment. I mean, I just didn't know what to

0:19:48.920 --> 0:19:49.280
<v Speaker 2>do with that.

0:19:50.920 --> 0:19:54.600
<v Speaker 1>I mean, how would you characterize what you felt at

0:19:54.640 --> 0:19:56.679
<v Speaker 1>that time? And I know it's so hard because there

0:19:56.720 --> 0:20:00.399
<v Speaker 1>are layers and layers, but I mean it was mostly

0:20:01.480 --> 0:20:03.960
<v Speaker 1>concern for your mother? Or was it fear for yourself?

0:20:04.240 --> 0:20:04.399
<v Speaker 2>Was it?

0:20:05.080 --> 0:20:06.560
<v Speaker 1>I mean, in a way, I'm kind of connecting it

0:20:06.640 --> 0:20:09.040
<v Speaker 1>back to Anita one and Anita two in the sense

0:20:09.119 --> 0:20:11.919
<v Speaker 1>of like who are you Innita one?

0:20:11.920 --> 0:20:14.280
<v Speaker 2>Anita too, that was felt like the first sort of

0:20:14.400 --> 0:20:16.320
<v Speaker 2>like split. You know, my mother and I had been

0:20:17.200 --> 0:20:21.080
<v Speaker 2>very tight. I think a lot of kids who are

0:20:21.160 --> 0:20:24.880
<v Speaker 2>raised by single parents, I mean, maybe mothers in particular.

0:20:24.960 --> 0:20:26.440
<v Speaker 2>I can't speak to it. It might be the same

0:20:26.560 --> 0:20:29.720
<v Speaker 2>for any parent, but especially when you're raised by a

0:20:29.760 --> 0:20:32.320
<v Speaker 2>single parent and you don't have much money, you kind

0:20:32.359 --> 0:20:35.959
<v Speaker 2>of become their little partner in crime. You grow up

0:20:36.000 --> 0:20:38.239
<v Speaker 2>with them in a way you know much more than

0:20:39.200 --> 0:20:43.040
<v Speaker 2>maybe is healthy or appropriate at times, because they're just

0:20:43.160 --> 0:20:45.280
<v Speaker 2>getting by and you're doing it all with them. They

0:20:45.320 --> 0:20:49.280
<v Speaker 2>don't have the privilege of protecting you from information that

0:20:49.640 --> 0:20:54.000
<v Speaker 2>maybe a broader or more stable or moneyed household might.

0:20:54.920 --> 0:21:00.159
<v Speaker 2>So I don't begrudge her taking me along for for

0:21:00.200 --> 0:21:02.560
<v Speaker 2>those things. I think some stories she told me were

0:21:02.600 --> 0:21:07.520
<v Speaker 2>too psychologically advanced for the age at which she shared them.

0:21:08.160 --> 0:21:10.600
<v Speaker 2>But the walking thing, yet, that was the first sort

0:21:10.640 --> 0:21:12.800
<v Speaker 2>of glitch, like, oh my mother and I are not

0:21:13.200 --> 0:21:17.040
<v Speaker 2>there's a divide between us. And then with this story,

0:21:17.920 --> 0:21:20.840
<v Speaker 2>it really felt like, oh my god, my mom has

0:21:20.960 --> 0:21:23.679
<v Speaker 2>this whole which we all experience at some point, right

0:21:24.160 --> 0:21:27.200
<v Speaker 2>when you first start to understand your parents as a person.

0:21:28.040 --> 0:21:31.080
<v Speaker 2>You know that moment comes for us all in different ways.

0:21:31.560 --> 0:21:35.040
<v Speaker 2>But this was something more than that. Not only was

0:21:35.080 --> 0:21:37.800
<v Speaker 2>my mother a person on her own who had lived

0:21:37.840 --> 0:21:40.480
<v Speaker 2>this whole other life, but she'd been involved in something

0:21:40.520 --> 0:21:42.560
<v Speaker 2>that just who could even wrap their mind around that.

0:21:43.240 --> 0:21:47.040
<v Speaker 2>So I think that it created this sort of dissonance

0:21:47.800 --> 0:21:50.600
<v Speaker 2>for me which became a part of my life as

0:21:50.600 --> 0:21:54.200
<v Speaker 2>a person, as a thinker, as an artist, in which

0:21:54.600 --> 0:21:57.239
<v Speaker 2>nothing was ever as it seemed. Not only was there

0:21:57.280 --> 0:22:00.000
<v Speaker 2>always something below the surface, there was many, many lays

0:22:00.640 --> 0:22:04.640
<v Speaker 2>and that was both sort of intellectually interesting, but as

0:22:04.680 --> 0:22:08.000
<v Speaker 2>a person and as a child, it was totally destabilizing.

0:22:09.119 --> 0:22:13.560
<v Speaker 1>Right, And it's happening as you're entering your teenage years, great,

0:22:13.680 --> 0:22:16.600
<v Speaker 1>like right on the cusp there, and your mom came

0:22:16.760 --> 0:22:20.120
<v Speaker 1>extremely close to dying, which she tells you at that time.

0:22:20.359 --> 0:22:23.720
<v Speaker 1>And this woman, Rayel does die.

0:22:24.040 --> 0:22:26.320
<v Speaker 2>Right, she dies, not that night, but they end up

0:22:26.359 --> 0:22:29.480
<v Speaker 2>in the University of Michigan burn unit in two months

0:22:30.040 --> 0:22:34.600
<v Speaker 2>in November, and two months later around the holidays, Rael dies.

0:22:34.760 --> 0:22:37.480
<v Speaker 2>I'm not exactly sure from what I think it was

0:22:37.960 --> 0:22:41.920
<v Speaker 2>complications in infection or something. And then my mom is

0:22:42.000 --> 0:22:44.000
<v Speaker 2>in the burn unit for six months total before she

0:22:44.080 --> 0:22:44.520
<v Speaker 2>gets out.

0:22:47.720 --> 0:22:52.040
<v Speaker 1>It's a lot, in fact, it's too much. By the

0:22:52.160 --> 0:22:54.919
<v Speaker 1>time she's in high school, Nina distances herself from her

0:22:55.000 --> 0:22:59.040
<v Speaker 1>mother as much as possible. She doesn't exactly run away,

0:22:59.760 --> 0:23:04.280
<v Speaker 1>she just doesn't come home, and this escape from home

0:23:04.440 --> 0:23:08.280
<v Speaker 1>extends to other things, a kind of escape from herself.

0:23:09.040 --> 0:23:12.560
<v Speaker 1>She drinks, does drugs, all the typical high school stuff,

0:23:12.760 --> 0:23:17.120
<v Speaker 1>except Nina is rebelling with more than the usual teenage gusto.

0:23:17.880 --> 0:23:22.840
<v Speaker 1>She's hell bent on self destruction. She's in this phase

0:23:22.920 --> 0:23:26.320
<v Speaker 1>of CouchSurfing at friends homes, relying on the kindness of

0:23:26.400 --> 0:23:29.960
<v Speaker 1>other people's families. When her mother decides that enough is enough,

0:23:30.560 --> 0:23:33.800
<v Speaker 1>she insists that Nina come home, and in a way,

0:23:34.080 --> 0:23:37.560
<v Speaker 1>Nina wants to come home, but once she does, she's

0:23:37.640 --> 0:23:40.760
<v Speaker 1>overtaken by a rage she hasn't allowed herself to feel

0:23:40.840 --> 0:23:44.040
<v Speaker 1>up until now, and she writes her mother a letter

0:23:44.600 --> 0:23:50.960
<v Speaker 1>that begins with the salutation mommy dearest. Now, Mommy Dearest

0:23:51.160 --> 0:23:54.840
<v Speaker 1>was a film, a biopic about Joan Crawford who had

0:23:54.880 --> 0:23:58.479
<v Speaker 1>been a nightmarish mother, and Nina and her mom had

0:23:58.560 --> 0:24:02.000
<v Speaker 1>watched this film together, so the phrase is a terrible blow.

0:24:02.720 --> 0:24:05.320
<v Speaker 1>Nina leaves the letter for her mother and goes off

0:24:05.359 --> 0:24:05.760
<v Speaker 1>to school.

0:24:07.320 --> 0:24:09.480
<v Speaker 2>So when I came home from school and I felt,

0:24:09.520 --> 0:24:12.520
<v Speaker 2>you know, this great flood of relief leaving that letter

0:24:12.600 --> 0:24:14.639
<v Speaker 2>for her and thinking like, screwed it, you know, and

0:24:14.760 --> 0:24:17.240
<v Speaker 2>finally saying all the things I didn't say, all the

0:24:17.320 --> 0:24:20.200
<v Speaker 2>feelings that I ate, all the ways that I listened

0:24:20.240 --> 0:24:22.840
<v Speaker 2>to you tell me these things I didn't want to hear,

0:24:23.119 --> 0:24:24.960
<v Speaker 2>et cetera. Like it all came out and I felt

0:24:25.080 --> 0:24:29.399
<v Speaker 2>very justified. And then I came home from school and

0:24:29.960 --> 0:24:31.840
<v Speaker 2>she didn't say a thing to me, Like half of

0:24:31.920 --> 0:24:34.600
<v Speaker 2>the things on my bedroom walls were gone, and there

0:24:34.720 --> 0:24:36.359
<v Speaker 2>was a pile of boxes on the floor and she

0:24:36.480 --> 0:24:39.760
<v Speaker 2>was packing up my room and she just turned around

0:24:39.920 --> 0:24:42.280
<v Speaker 2>and said, you know, if that's how you feel, you

0:24:42.320 --> 0:24:44.960
<v Speaker 2>can get the fuck out of my house. And I

0:24:45.119 --> 0:24:49.399
<v Speaker 2>immediately felt like that sort of you know, righteous feeling

0:24:49.480 --> 0:24:52.320
<v Speaker 2>I had just disappeared, and I just felt like kind

0:24:52.359 --> 0:24:54.280
<v Speaker 2>of a hot flush of shame, and I just thought,

0:24:54.320 --> 0:24:55.840
<v Speaker 2>oh my god, what have I done. You know, my

0:24:55.920 --> 0:24:58.439
<v Speaker 2>mother is a lot of things, and was a lot

0:24:58.480 --> 0:25:00.920
<v Speaker 2>of things, but she was not that woman. And I

0:25:01.040 --> 0:25:03.680
<v Speaker 2>did it to hurt her, and because I was hurt,

0:25:03.760 --> 0:25:06.840
<v Speaker 2>and I did deserve a voice in that conversation, but

0:25:06.960 --> 0:25:09.640
<v Speaker 2>it had gone so far that that's how it came out,

0:25:09.760 --> 0:25:12.960
<v Speaker 2>and so she said, you can get out, and I

0:25:13.520 --> 0:25:16.639
<v Speaker 2>just felt totally ashamed. And I remember picking up the

0:25:16.680 --> 0:25:18.920
<v Speaker 2>boxes and just not saying a word. We didn't say

0:25:19.000 --> 0:25:22.320
<v Speaker 2>anything else to each other. I crammed some boxes in

0:25:22.359 --> 0:25:26.000
<v Speaker 2>the trunk of my car and I went back in

0:25:26.080 --> 0:25:28.320
<v Speaker 2>to get the rest, and as I was sort of

0:25:28.720 --> 0:25:31.600
<v Speaker 2>closing the trunk, I saw one of the boxes flapped open,

0:25:32.200 --> 0:25:34.320
<v Speaker 2>and on the top of you know, a pile of clothes,

0:25:34.359 --> 0:25:36.879
<v Speaker 2>there was a copy of the book Mommy Dearest, like

0:25:36.960 --> 0:25:39.120
<v Speaker 2>an old, you know, ratty copy from the thrift store

0:25:39.240 --> 0:25:41.040
<v Speaker 2>or something. I don't know if she had it in

0:25:41.119 --> 0:25:43.080
<v Speaker 2>her collection or if she went and bought it that day,

0:25:43.280 --> 0:25:46.520
<v Speaker 2>which I would not put past my mother, like if

0:25:46.560 --> 0:25:48.880
<v Speaker 2>you want to activate your petty, she will always win.

0:25:49.600 --> 0:25:51.520
<v Speaker 2>The cover was missing, though, So I picked up this

0:25:51.600 --> 0:25:54.040
<v Speaker 2>book and she had ripped the front cover off and

0:25:54.359 --> 0:25:57.040
<v Speaker 2>on the first page, in her big sort of like

0:25:57.119 --> 0:26:00.359
<v Speaker 2>flowering cursive, she had written love Mommy dearest. So she

0:26:00.440 --> 0:26:01.440
<v Speaker 2>had signed the book to me.

0:26:02.600 --> 0:26:03.320
<v Speaker 1>Do you still have that?

0:26:04.240 --> 0:26:08.000
<v Speaker 2>Oh? No, God, I wish that could go on the archive.

0:26:08.160 --> 0:26:11.280
<v Speaker 2>You know. So if you ever wanted to fight my

0:26:11.400 --> 0:26:13.479
<v Speaker 2>mother with fire, you were not going to win.

0:26:14.440 --> 0:26:17.600
<v Speaker 1>So this becomes the beginning of a rift. It sort

0:26:17.640 --> 0:26:19.800
<v Speaker 1>of gets band aids on it, but it never really

0:26:20.680 --> 0:26:21.440
<v Speaker 1>heals after that.

0:26:22.000 --> 0:26:26.200
<v Speaker 2>That's right. Yeah, it feels strained. I kind of leave

0:26:26.320 --> 0:26:28.840
<v Speaker 2>and I'm living out of a trailer, and then I

0:26:29.000 --> 0:26:31.280
<v Speaker 2>have a temporary situation where I'm living with a friend,

0:26:31.400 --> 0:26:33.879
<v Speaker 2>and eventually I moved back home with my mom, but

0:26:34.600 --> 0:26:36.680
<v Speaker 2>you know, for a year or so, and we're kind

0:26:36.680 --> 0:26:40.000
<v Speaker 2>of polite, like things have settled, but it were never

0:26:40.080 --> 0:26:41.240
<v Speaker 2>close like we were again.

0:26:41.800 --> 0:26:46.440
<v Speaker 1>Yeah, it's so interesting because she was obviously so ill

0:26:46.760 --> 0:26:49.520
<v Speaker 1>and at the same time, the best part of her

0:26:49.560 --> 0:26:52.359
<v Speaker 1>identity was very wrapped up in being a mother, even

0:26:52.440 --> 0:26:56.119
<v Speaker 1>though you know, in like mothering one oh one, she

0:26:56.280 --> 0:26:59.200
<v Speaker 1>failed in all sorts of ways. We were all such

0:26:59.240 --> 0:27:04.480
<v Speaker 1>complicated human beings. She was an incredibly complicated human being. Yeah,

0:27:04.640 --> 0:27:37.159
<v Speaker 1>of course, we'll be right back. Nina goes off to

0:27:37.240 --> 0:27:41.120
<v Speaker 1>college and to Italy for a semester. Abroad, she's only

0:27:41.280 --> 0:27:43.760
<v Speaker 1>a little bit in touch with her mom, whose reality

0:27:43.840 --> 0:27:48.359
<v Speaker 1>is continuing to deteriorate. Nina gets worrying messages from her,

0:27:48.920 --> 0:27:52.440
<v Speaker 1>but as she's finally experiencing some freedom in her adult life,

0:27:53.080 --> 0:27:55.160
<v Speaker 1>she tries not to let her worry get in the way.

0:27:55.880 --> 0:27:59.280
<v Speaker 1>She's in Italy. After all, how much can she really

0:27:59.320 --> 0:28:02.200
<v Speaker 1>do to help her man? Now, When she gets back

0:28:02.240 --> 0:28:05.800
<v Speaker 1>from studying abroad, she sees a blinking green light on

0:28:05.880 --> 0:28:10.120
<v Speaker 1>her message machine. The message is from her mother's friend, March.

0:28:12.720 --> 0:28:15.879
<v Speaker 2>March tells me that probably as my flight was returning

0:28:15.920 --> 0:28:21.119
<v Speaker 2>from a semester abroad Italy, my mom has let her house,

0:28:21.480 --> 0:28:23.960
<v Speaker 2>the house we were living in Weed, you know where.

0:28:24.000 --> 0:28:26.200
<v Speaker 2>She had told me about the first fire, that she

0:28:26.440 --> 0:28:31.200
<v Speaker 2>let her house on fire and been charged with fillanny

0:28:31.280 --> 0:28:34.639
<v Speaker 2>arson and is now in county jail. And so I

0:28:34.920 --> 0:28:38.760
<v Speaker 2>obviously freak out and call March back. And I don't

0:28:38.760 --> 0:28:42.160
<v Speaker 2>get much more information than that, but just that, you know,

0:28:42.400 --> 0:28:46.840
<v Speaker 2>my mom had some sort of psychotic break and let

0:28:46.880 --> 0:28:51.000
<v Speaker 2>her house on fire. Came to sort of as it

0:28:51.200 --> 0:28:55.000
<v Speaker 2>was happening, that's all, a little murky realized she didn't

0:28:55.240 --> 0:28:58.000
<v Speaker 2>want to do this and kind of ran outside and

0:28:58.080 --> 0:29:01.920
<v Speaker 2>called the fire department, and with fire department King, and

0:29:02.640 --> 0:29:05.640
<v Speaker 2>I'm sure what they encountered was must have been a

0:29:05.720 --> 0:29:09.400
<v Speaker 2>woman in great distress, but instead of getting her help,

0:29:09.840 --> 0:29:11.440
<v Speaker 2>she was booked and put in the back of a

0:29:11.520 --> 0:29:13.280
<v Speaker 2>squad car and charged.

0:29:14.960 --> 0:29:18.800
<v Speaker 1>And she had also told your brother Chris to leave

0:29:18.840 --> 0:29:19.200
<v Speaker 1>the house.

0:29:20.200 --> 0:29:23.000
<v Speaker 2>She had, Yeah, I think because I you know, my

0:29:23.080 --> 0:29:25.840
<v Speaker 2>brother was only fifteen at that time, and we weren't

0:29:26.240 --> 0:29:28.280
<v Speaker 2>that close, because you know, I was away in college

0:29:28.520 --> 0:29:32.000
<v Speaker 2>and at that point I was so deeply devoted to

0:29:32.080 --> 0:29:33.800
<v Speaker 2>my family and would have done anything for them, but

0:29:33.840 --> 0:29:35.160
<v Speaker 2>there was a part of me that was sort of,

0:29:35.240 --> 0:29:39.480
<v Speaker 2>as you said, emotionally disconnected, sort of like fingers in

0:29:39.520 --> 0:29:41.640
<v Speaker 2>the ears, la la la la la. So I could go,

0:29:42.360 --> 0:29:44.160
<v Speaker 2>and I had to do that so I could build

0:29:44.200 --> 0:29:47.960
<v Speaker 2>a life of my own. And I think while I

0:29:48.160 --> 0:29:50.520
<v Speaker 2>was in Italy there was some of that denial coming

0:29:50.560 --> 0:29:52.959
<v Speaker 2>into place, with the fact that she was writing these

0:29:53.000 --> 0:29:55.600
<v Speaker 2>emails which were pretty unhinged, and I was still just

0:29:56.200 --> 0:29:59.000
<v Speaker 2>you know, going for weekend trips to Waldough beaut in

0:29:59.080 --> 0:30:01.080
<v Speaker 2>a and drinking per secon go and eating cheese, and

0:30:01.440 --> 0:30:02.880
<v Speaker 2>I just didn't want to deal with it, to be

0:30:03.000 --> 0:30:05.800
<v Speaker 2>honest by that point, which sounds harsh, but if you've

0:30:05.840 --> 0:30:07.880
<v Speaker 2>lived a life anything like this, you can probably relate.

0:30:08.560 --> 0:30:11.200
<v Speaker 2>So Marge said, Oh, don't worry. You know, your brother's

0:30:11.280 --> 0:30:13.960
<v Speaker 2>with his friends, and I thought, oh, my god, my brother.

0:30:14.680 --> 0:30:17.840
<v Speaker 2>And I found out later that my mom had him

0:30:17.920 --> 0:30:19.360
<v Speaker 2>go to a friend's house. She just said, I'm not

0:30:19.440 --> 0:30:21.440
<v Speaker 2>feeling good, you need to go to a friend's house.

0:30:21.920 --> 0:30:24.040
<v Speaker 2>So I think in a few days leading up to

0:30:24.120 --> 0:30:27.160
<v Speaker 2>the fire. She was really breaking down, and she was

0:30:27.240 --> 0:30:29.840
<v Speaker 2>aware enough to know, like, you've got to get out

0:30:29.880 --> 0:30:31.800
<v Speaker 2>of your I don't know what I'm going to do.

0:30:32.840 --> 0:30:35.680
<v Speaker 1>So you go to pick Chris up at high school

0:30:35.920 --> 0:30:40.320
<v Speaker 1>so that you can go see your mother. And there's

0:30:40.320 --> 0:30:43.160
<v Speaker 1>a line in your book which I noted, which is

0:30:44.040 --> 0:30:47.120
<v Speaker 1>someone older or wiser should have been driving that day.

0:30:47.720 --> 0:30:51.320
<v Speaker 1>And I actually wrote in the margin I'm in like,

0:30:51.600 --> 0:30:54.480
<v Speaker 1>I mean please, yeah, I mean, I'm end to that.

0:30:54.880 --> 0:30:57.640
<v Speaker 1>You know that there's this fifteen year old and this

0:30:57.960 --> 0:31:03.040
<v Speaker 1>twenty two year old going to see their mother who's

0:31:03.120 --> 0:31:10.680
<v Speaker 1>been put in jail for suspected arson. And where were

0:31:11.360 --> 0:31:15.400
<v Speaker 1>your father and Beth during that period of time, like

0:31:15.560 --> 0:31:21.400
<v Speaker 1>during that crisis as the parents who much more were

0:31:21.520 --> 0:31:22.400
<v Speaker 1>mentally together.

0:31:24.800 --> 0:31:27.600
<v Speaker 2>Yeah, I mean they were, you know, still like physically,

0:31:27.640 --> 0:31:29.880
<v Speaker 2>you know, they were in Texas. I think after I

0:31:30.000 --> 0:31:31.960
<v Speaker 2>got that call, I left. I was in school in

0:31:32.120 --> 0:31:34.440
<v Speaker 2>San Diego. I was at you see, San Diego, and

0:31:34.560 --> 0:31:37.640
<v Speaker 2>I flew home. My final quarter of school I was

0:31:37.680 --> 0:31:40.800
<v Speaker 2>about to graduate, was starting like two days later, So

0:31:40.920 --> 0:31:43.280
<v Speaker 2>I email my professors, took a week off, and I

0:31:43.360 --> 0:31:46.240
<v Speaker 2>flew home, borrowed a car from you know, an old

0:31:46.400 --> 0:31:50.880
<v Speaker 2>friend's dad and drove and got my brother and was like,

0:31:50.880 --> 0:31:52.600
<v Speaker 2>we're going to see mom and figure out, you know,

0:31:52.920 --> 0:31:55.480
<v Speaker 2>what the hell's going on. It was like visiting hours.

0:31:55.520 --> 0:31:57.160
<v Speaker 2>You know, you had to get there between you know,

0:31:57.680 --> 0:32:00.600
<v Speaker 2>four thirty and five thirty years. So we got there.

0:32:00.800 --> 0:32:03.200
<v Speaker 2>We talked to my mom through you know, the sort

0:32:03.240 --> 0:32:06.200
<v Speaker 2>of soup caned phones that they have in jail, and

0:32:06.560 --> 0:32:08.720
<v Speaker 2>she was in a jumpsuit and it was just so surreal.

0:32:08.800 --> 0:32:11.600
<v Speaker 2>I mean, my brother hardly said anything, but she said,

0:32:11.600 --> 0:32:12.960
<v Speaker 2>you know, I want you to get me a lawyer.

0:32:13.520 --> 0:32:16.920
<v Speaker 2>And this was my mom. You know, She's like, I'm

0:32:16.920 --> 0:32:18.480
<v Speaker 2>not going to get stuck with a public defender.

0:32:23.280 --> 0:32:26.440
<v Speaker 1>The other thing that was very intense about seeing her

0:32:26.560 --> 0:32:31.720
<v Speaker 1>in that orange jumpsuit was that it was maybe the

0:32:31.760 --> 0:32:33.680
<v Speaker 1>first time that you had ever seen your mother, certainly

0:32:33.760 --> 0:32:38.680
<v Speaker 1>in public, with her scars just out in the open. Right.

0:32:38.960 --> 0:32:43.160
<v Speaker 2>She would wear turtlenecks every day, and she bore them

0:32:43.280 --> 0:32:46.280
<v Speaker 2>under dresses, she bore them under a T shirt or

0:32:46.440 --> 0:32:49.840
<v Speaker 2>you know, a button down. She was always covering, you know,

0:32:49.920 --> 0:32:53.280
<v Speaker 2>because her scars went up her neck and they ended

0:32:53.480 --> 0:32:57.440
<v Speaker 2>right at her jaw line, and she actually had the

0:32:57.560 --> 0:33:00.200
<v Speaker 2>outer part of her ears had been burned off. Well,

0:33:01.040 --> 0:33:02.800
<v Speaker 2>but if she wore you know, she had sort of

0:33:02.880 --> 0:33:05.200
<v Speaker 2>like a chin lenk bob most of my life. So

0:33:05.360 --> 0:33:07.400
<v Speaker 2>she wore it like that, and then she wore eternal

0:33:07.480 --> 0:33:09.800
<v Speaker 2>neck to cover the neck, and her face was intact,

0:33:09.880 --> 0:33:12.400
<v Speaker 2>and she was quite beautiful and you just would never

0:33:13.920 --> 0:33:17.400
<v Speaker 2>know that. And so in that jumpsuit, her neck was

0:33:17.480 --> 0:33:21.080
<v Speaker 2>totally exposed. And yeah, that was just such a poignant

0:33:21.160 --> 0:33:24.560
<v Speaker 2>moment because it was almost as shocking to see my

0:33:24.640 --> 0:33:27.440
<v Speaker 2>mother's neck exposed as it was to see her in jail.

0:33:28.800 --> 0:33:31.760
<v Speaker 2>There were just so many levels of secrecy, I guess,

0:33:31.800 --> 0:33:33.640
<v Speaker 2>but there were so many levels of covering, is what

0:33:33.760 --> 0:33:36.000
<v Speaker 2>I would call it. Because my mom never said, you know,

0:33:36.080 --> 0:33:39.120
<v Speaker 2>my body's a secret, or even this fire is a secret.

0:33:39.280 --> 0:33:41.400
<v Speaker 2>She never my mother never asked me to keep a

0:33:41.480 --> 0:33:44.120
<v Speaker 2>secret my whole life. But there were so many things

0:33:44.160 --> 0:33:47.960
<v Speaker 2>that I just knew were secrets that I internalized. And

0:33:48.040 --> 0:33:50.160
<v Speaker 2>maybe that was because of the environments around me didn't

0:33:50.160 --> 0:33:53.680
<v Speaker 2>seem amenable to hearing those things. I'm not sure. I

0:33:53.800 --> 0:33:56.640
<v Speaker 2>just kind of knew. So as we left the jail,

0:33:57.240 --> 0:34:00.600
<v Speaker 2>I thought, okay, I needed to hire a lawyer, and

0:34:00.760 --> 0:34:03.680
<v Speaker 2>her friend Marge had given me a number for a lawyer.

0:34:03.760 --> 0:34:05.640
<v Speaker 2>So I called him and he said, you know, to

0:34:05.760 --> 0:34:09.560
<v Speaker 2>retain me, it'll be three thousand dollars. So I went

0:34:09.600 --> 0:34:11.719
<v Speaker 2>to a payphone. My brother was waiting the car. I

0:34:11.760 --> 0:34:14.239
<v Speaker 2>went to a payphone and called the only person that

0:34:14.280 --> 0:34:16.720
<v Speaker 2>I knew that I could ask for three thousand dollars,

0:34:16.880 --> 0:34:20.560
<v Speaker 2>which was my father. I told him briefly what had happened.

0:34:20.640 --> 0:34:23.120
<v Speaker 2>He was obviously in shock and just asked, if you know,

0:34:23.200 --> 0:34:26.200
<v Speaker 2>we were okay, But I was very to business at

0:34:26.239 --> 0:34:28.000
<v Speaker 2>that point, and I just said, I need this money.

0:34:28.040 --> 0:34:31.160
<v Speaker 2>I have to get it by XYZ day. And he

0:34:31.560 --> 0:34:34.440
<v Speaker 2>looked at the closest Western Union and said, you know,

0:34:34.520 --> 0:34:36.680
<v Speaker 2>can you be there by seven o'clock? And I went

0:34:36.760 --> 0:34:39.920
<v Speaker 2>and I did it, and he didn't ask any other questions.

0:34:40.680 --> 0:34:45.800
<v Speaker 2>So to his credit, he really came through when we

0:34:45.960 --> 0:34:50.000
<v Speaker 2>needed it. But then the fallout of that experience, which

0:34:50.040 --> 0:34:54.000
<v Speaker 2>went on for several months afterward, I was kind of

0:34:54.120 --> 0:34:56.600
<v Speaker 2>on my own in it. To be honest, I hope

0:34:56.640 --> 0:34:59.080
<v Speaker 2>that's a fair memory, because that's how it is in

0:34:59.200 --> 0:35:03.479
<v Speaker 2>my mind. My mom ended up spending three months in jail,

0:35:03.920 --> 0:35:07.880
<v Speaker 2>even with the private attorney that we hired, and my

0:35:08.000 --> 0:35:13.319
<v Speaker 2>brother was with his best friend's family who were close

0:35:13.360 --> 0:35:15.360
<v Speaker 2>to my mom and knew her well, and she trusted

0:35:15.400 --> 0:35:18.319
<v Speaker 2>them and they really took him in. And I went

0:35:18.400 --> 0:35:21.200
<v Speaker 2>back to college to finish school, and the.

0:35:21.480 --> 0:35:27.480
<v Speaker 1>Arson investigation found your mom temporarily insane was the phrase.

0:35:28.600 --> 0:35:30.440
<v Speaker 2>That was a phrase. And I didn't meet I was.

0:35:30.480 --> 0:35:32.319
<v Speaker 2>I think I was up in California, you know, because

0:35:32.640 --> 0:35:33.880
<v Speaker 2>that was at the very top of the state, and

0:35:33.960 --> 0:35:36.040
<v Speaker 2>I was at school in San Diego, very bottom of

0:35:36.120 --> 0:35:37.640
<v Speaker 2>the state. So I think I was up there for

0:35:37.719 --> 0:35:40.279
<v Speaker 2>a week or so, helping with details and getting my

0:35:40.360 --> 0:35:43.719
<v Speaker 2>brother settled, and I met him. I remember meeting the

0:35:43.840 --> 0:35:47.799
<v Speaker 2>insurance inspector at the house, and I don't even remember

0:35:47.840 --> 0:35:49.960
<v Speaker 2>what kind of questions he asked, but they're basically trying

0:35:49.960 --> 0:35:52.480
<v Speaker 2>to assess whether you were doing this for money, you know,

0:35:52.640 --> 0:35:54.879
<v Speaker 2>whether she had burned the house down for insurance money.

0:35:55.200 --> 0:35:59.200
<v Speaker 2>So we asked some questions, and then the verdict came back,

0:35:59.440 --> 0:36:02.760
<v Speaker 2>and he went been met with her in the jail

0:36:03.000 --> 0:36:05.680
<v Speaker 2>and you know, interviewed her, and the verdict came back

0:36:05.719 --> 0:36:09.280
<v Speaker 2>temporarily insane. So they awarded a full money to rebuild

0:36:09.280 --> 0:36:12.440
<v Speaker 2>the house, which was a sort of twisted blessing, you know.

0:36:13.360 --> 0:36:16.000
<v Speaker 1>But yeah, and I imagine it must have been so surreal,

0:36:16.360 --> 0:36:18.560
<v Speaker 1>like the way you describe it to You know that

0:36:18.640 --> 0:36:22.040
<v Speaker 1>this house which was the sight of so much, and

0:36:22.160 --> 0:36:26.760
<v Speaker 1>which you know had burned to cinders, then being rebuilt

0:36:27.080 --> 0:36:30.319
<v Speaker 1>in this kind of everything new, you know, like your

0:36:30.360 --> 0:36:38.239
<v Speaker 1>mother now had like her own meditation room. Right a

0:36:38.320 --> 0:36:43.040
<v Speaker 1>week before Nina's twenty fourth birthday, her mother dies suddenly

0:36:43.239 --> 0:36:47.719
<v Speaker 1>of a pulmonary embolism. Her death, even though foreshadowed in

0:36:47.800 --> 0:36:51.360
<v Speaker 1>all sorts of ways by her life, is shocking, and

0:36:51.480 --> 0:36:54.280
<v Speaker 1>Nina is at such a tender age on the cusp

0:36:54.400 --> 0:36:58.319
<v Speaker 1>of adulthood. As she goes through her mother's things, Nina

0:36:58.400 --> 0:37:03.239
<v Speaker 1>stumbles upon her grandfather's journal, which contains writing about their

0:37:03.280 --> 0:37:07.640
<v Speaker 1>shared family history, particularly the time her mother set herself

0:37:07.680 --> 0:37:12.840
<v Speaker 1>on fire. This time, instead of turning away, Nina leans in.

0:37:13.640 --> 0:37:15.600
<v Speaker 1>She's ready in a sense to know the secrets she

0:37:15.640 --> 0:37:19.160
<v Speaker 1>has kept from herself, and the way that tragedy when

0:37:19.200 --> 0:37:23.240
<v Speaker 1>it comes, can spread like a virus or a fire,

0:37:24.200 --> 0:37:27.960
<v Speaker 1>one terrible thing leading to the next and to the next.

0:37:31.520 --> 0:37:35.440
<v Speaker 1>So what did you find when you did begin to

0:37:36.320 --> 0:37:39.000
<v Speaker 1>look up everything that you could about your mother's story.

0:37:39.640 --> 0:37:43.040
<v Speaker 2>With that journal? I was or reading that and somehow

0:37:43.080 --> 0:37:47.160
<v Speaker 2>feeling connected to my grandfather and even imagining my uncle

0:37:47.280 --> 0:37:50.960
<v Speaker 2>being there across time. I kind of I wanted to

0:37:51.000 --> 0:37:53.120
<v Speaker 2>go back to that time, and I wanted to see

0:37:53.160 --> 0:37:55.359
<v Speaker 2>the story for myself because everything I had ever known

0:37:55.400 --> 0:37:57.800
<v Speaker 2>about this was just funneled directly from my mother to me,

0:37:58.360 --> 0:37:59.920
<v Speaker 2>and I had never talked to my dad about it.

0:38:00.160 --> 0:38:02.200
<v Speaker 2>I had never talked to anyone else about this, including

0:38:02.239 --> 0:38:06.120
<v Speaker 2>my little brother. So I was just hungry for something grounding,

0:38:06.280 --> 0:38:09.160
<v Speaker 2>like some real information about this. So I went home

0:38:09.480 --> 0:38:14.080
<v Speaker 2>to Portland and I googled my mom, which I mean

0:38:14.160 --> 0:38:16.560
<v Speaker 2>Google didn't exist when when you know, I was first

0:38:16.600 --> 0:38:19.279
<v Speaker 2>hearing these stories, and it was something that back to

0:38:19.360 --> 0:38:21.440
<v Speaker 2>the frog and boiling water thing, I had just never

0:38:22.000 --> 0:38:25.200
<v Speaker 2>thought of. But with my mother gone, there was sort

0:38:25.200 --> 0:38:28.759
<v Speaker 2>of like this this hole in the time space continuum

0:38:28.800 --> 0:38:31.120
<v Speaker 2>for me, and it just felt like all these new

0:38:31.200 --> 0:38:34.000
<v Speaker 2>ideas and possibilities sorted pouring out and I just thought, oh,

0:38:34.080 --> 0:38:36.640
<v Speaker 2>I have to research and explore this on my own.

0:38:37.239 --> 0:38:41.640
<v Speaker 2>So I remember being my apartment and googling my mom's name,

0:38:41.960 --> 0:38:46.719
<v Speaker 2>and it was just all these articles came up from

0:38:47.040 --> 0:38:48.759
<v Speaker 2>all over the country. I mean some of them were

0:38:48.800 --> 0:38:50.960
<v Speaker 2>smaller or bigger, but there was a piece in the

0:38:51.000 --> 0:38:53.600
<v Speaker 2>New York Times about the fire. There was something in

0:38:53.680 --> 0:38:57.160
<v Speaker 2>you know, the Frisno newspapers. There was coverage of the

0:38:57.200 --> 0:39:01.040
<v Speaker 2>fire from all over the country, and you know, they

0:39:01.080 --> 0:39:05.000
<v Speaker 2>were calling them human torches and quoting one of the

0:39:05.080 --> 0:39:08.239
<v Speaker 2>girls who said to another in the ambulance as they

0:39:08.280 --> 0:39:10.239
<v Speaker 2>were holding their hands on the way to the burning unit, like,

0:39:10.600 --> 0:39:13.160
<v Speaker 2>isn't it lovely to die together? I mean, it was

0:39:13.280 --> 0:39:16.360
<v Speaker 2>just really arresting seeing all that on the screen. For

0:39:16.520 --> 0:39:19.320
<v Speaker 2>some reason, it really concretized. The whole thing for me

0:39:20.600 --> 0:39:21.480
<v Speaker 2>was that when.

0:39:22.920 --> 0:39:26.360
<v Speaker 1>You began to find your way into writing about it.

0:39:27.560 --> 0:39:30.879
<v Speaker 2>I was twenty four. Then I really didn't start writing

0:39:30.920 --> 0:39:33.640
<v Speaker 2>about this until I was almost thirty, and I had

0:39:33.680 --> 0:39:35.520
<v Speaker 2>gone through a big breakup someone that I was with

0:39:35.640 --> 0:39:37.560
<v Speaker 2>for years, and I was living on my own for

0:39:37.640 --> 0:39:40.920
<v Speaker 2>the first time, and I had done all this research

0:39:41.040 --> 0:39:42.840
<v Speaker 2>on it when I first found that journal and was

0:39:43.080 --> 0:39:45.920
<v Speaker 2>reading the articles in the newspaper, and I had a

0:39:45.960 --> 0:39:48.959
<v Speaker 2>bunch of my mom's journals too, and I was reading

0:39:49.000 --> 0:39:52.319
<v Speaker 2>them and really getting into her psyche and maybe how

0:39:52.400 --> 0:39:55.600
<v Speaker 2>ill she had been at the end, and it was

0:39:55.880 --> 0:39:58.320
<v Speaker 2>it kind of consumed my life for a while. But

0:39:58.480 --> 0:40:01.120
<v Speaker 2>then I tucked it ou and I went back to

0:40:01.440 --> 0:40:04.719
<v Speaker 2>trying to just live and make my life. And it

0:40:04.800 --> 0:40:06.719
<v Speaker 2>wasn't until I went through a big breakup and moved

0:40:06.760 --> 0:40:09.160
<v Speaker 2>out into an apartment on my own. I think I

0:40:09.239 --> 0:40:11.960
<v Speaker 2>was like twenty nine by then that I really started

0:40:12.000 --> 0:40:14.960
<v Speaker 2>to try to reckon with all these things that had happened.

0:40:15.040 --> 0:40:17.040
<v Speaker 2>So it wasn't just oh, this is the information, this

0:40:17.239 --> 0:40:19.719
<v Speaker 2>is a story that happened to my mother. It was like, well,

0:40:19.760 --> 0:40:22.640
<v Speaker 2>what happened to me? And it wasn't until I was

0:40:22.680 --> 0:40:25.239
<v Speaker 2>living in my first little apartment of my own, and

0:40:25.360 --> 0:40:27.320
<v Speaker 2>you know, I was like doing the artist's way and

0:40:27.440 --> 0:40:29.760
<v Speaker 2>starting to read self help books, which I had always

0:40:30.000 --> 0:40:33.560
<v Speaker 2>avoided like the plague before, you know, growing up with

0:40:33.680 --> 0:40:36.280
<v Speaker 2>like a very new age mother. I was just like, oh, god, whatever.

0:40:37.200 --> 0:40:39.319
<v Speaker 2>But I sat down one morning. I had this old

0:40:39.400 --> 0:40:42.000
<v Speaker 2>typewriter that a friend had left me, and I started

0:40:42.080 --> 0:40:46.880
<v Speaker 2>just writing anything I could think of, like stories, scenarios, scenes,

0:40:47.120 --> 0:40:49.600
<v Speaker 2>character just all these moments from my life that I

0:40:49.640 --> 0:40:52.279
<v Speaker 2>had never really processed. I had just sort of lived

0:40:52.320 --> 0:40:56.879
<v Speaker 2>through and survived and kept it moving. So I really

0:40:56.920 --> 0:41:00.360
<v Speaker 2>didn't start to ask that what happened to me until

0:41:00.480 --> 0:41:03.319
<v Speaker 2>I put it down on paper and for one year,

0:41:03.640 --> 0:41:05.960
<v Speaker 2>every morning I just wrote and wrote, wrote, And then

0:41:06.000 --> 0:41:07.920
<v Speaker 2>at the end of the year, I had like a

0:41:08.040 --> 0:41:11.120
<v Speaker 2>stack of three hundred pages. I mean it was crude

0:41:11.160 --> 0:41:14.319
<v Speaker 2>and wild and all over the place. But I sat

0:41:14.400 --> 0:41:17.239
<v Speaker 2>down on my couch and I read the stack of

0:41:17.560 --> 0:41:20.480
<v Speaker 2>pages from front to back. And that was an out

0:41:20.480 --> 0:41:23.440
<v Speaker 2>of body experience. When I tell you that reading those

0:41:23.480 --> 0:41:26.040
<v Speaker 2>pages was like reading the story of someone else's life,

0:41:26.800 --> 0:41:29.759
<v Speaker 2>I mean I just thought, where was I How could

0:41:29.760 --> 0:41:34.000
<v Speaker 2>I have been? You know, my mother was descending into madness,

0:41:34.040 --> 0:41:36.120
<v Speaker 2>and that I was over here worried about like do

0:41:36.200 --> 0:41:38.120
<v Speaker 2>I look cute in these genes? And does this guy

0:41:38.320 --> 0:41:40.359
<v Speaker 2>like me? It just it was really stark to see

0:41:40.400 --> 0:41:43.399
<v Speaker 2>it on paper. Eventually, I think then the real work

0:41:43.440 --> 0:41:45.160
<v Speaker 2>of the book and where I came out the other

0:41:45.320 --> 0:41:49.200
<v Speaker 2>end was forgiving myself for that, forgiving myself and my

0:41:49.320 --> 0:41:52.800
<v Speaker 2>mother and understanding that we were all doing what we

0:41:53.239 --> 0:41:53.879
<v Speaker 2>could to live.

0:41:54.600 --> 0:41:56.640
<v Speaker 1>Yeah. You know, it strikes me when you said that

0:41:56.680 --> 0:42:00.040
<v Speaker 1>about the writer's way and avoiding self help books and

0:42:00.280 --> 0:42:02.680
<v Speaker 1>all the rest, is that there's another sentence from your

0:42:02.680 --> 0:42:05.080
<v Speaker 1>book that struck me, which is, in a way, my

0:42:05.200 --> 0:42:11.080
<v Speaker 1>mother's beliefs stole faith from me and it seems to

0:42:11.200 --> 0:42:14.560
<v Speaker 1>use the word faith really loosely, like you needed to

0:42:14.960 --> 0:42:18.919
<v Speaker 1>reclaim that for yourself, and writing is an act of faith.

0:42:19.600 --> 0:42:22.360
<v Speaker 1>Writing every day, writing forward, not knowing where it's taking you,

0:42:23.239 --> 0:42:28.440
<v Speaker 1>is making something out of nothing, and that requires something

0:42:28.560 --> 0:42:31.200
<v Speaker 1>like faith. And in a way, it seems like that

0:42:32.080 --> 0:42:37.600
<v Speaker 1>knitted back together for you, like something that had been

0:42:37.640 --> 0:42:40.640
<v Speaker 1>taken from you or just simply not available to you

0:42:40.719 --> 0:42:42.120
<v Speaker 1>because there was no room for it to be.

0:42:44.320 --> 0:42:47.320
<v Speaker 2>No. I love that. I really feel like I reconstituted

0:42:47.800 --> 0:42:50.840
<v Speaker 2>myself in the process of writing that story, and not

0:42:51.120 --> 0:42:53.120
<v Speaker 2>just looking at what had happened and how it had

0:42:53.160 --> 0:42:57.480
<v Speaker 2>affected me, but also who my mother was and what

0:42:57.840 --> 0:43:00.560
<v Speaker 2>was and what was not allowed her or a woman

0:43:00.719 --> 0:43:03.840
<v Speaker 2>like her in the culture in which we live, and

0:43:04.040 --> 0:43:07.000
<v Speaker 2>so that really helped me understand her in context as well.

0:43:13.760 --> 0:43:17.719
<v Speaker 1>Here's Nina reading one last passage from Love is a

0:43:17.800 --> 0:43:18.399
<v Speaker 1>burning thing.

0:43:21.760 --> 0:43:24.680
<v Speaker 2>Maybe those of us compelled to tell fractured family stories

0:43:24.840 --> 0:43:28.040
<v Speaker 2>are the ones who feel unfinished. Maybe we take the

0:43:28.160 --> 0:43:32.040
<v Speaker 2>ancestors into us and live out all possible lives, wandering

0:43:32.120 --> 0:43:37.600
<v Speaker 2>down alleyways not ours, just to tie up storylines in

0:43:37.680 --> 0:43:40.600
<v Speaker 2>the gap left by my mother's family, the Detroit people,

0:43:40.719 --> 0:43:44.080
<v Speaker 2>the Canadians, the Catholic and the quebec Qua, the Hockey

0:43:44.160 --> 0:43:47.640
<v Speaker 2>Lovers and Crown Royals, the La Bat Blues. I emerge

0:43:47.760 --> 0:43:52.640
<v Speaker 2>as mother, father, brother's sister. I am the metallurgist, transforming

0:43:52.680 --> 0:43:56.520
<v Speaker 2>alloy into cars, the alchemists, rendering mercury to gold. I

0:43:56.600 --> 0:44:00.360
<v Speaker 2>am perfection and its destruction. I am flash over the

0:44:00.440 --> 0:44:04.160
<v Speaker 2>whole damn room combusting. I am splitting this town. I

0:44:04.239 --> 0:44:07.359
<v Speaker 2>am blowing this joint. I am a woman on the run,

0:44:07.719 --> 0:44:11.440
<v Speaker 2>a neon flash. If you blink, we carry all of

0:44:11.520 --> 0:44:15.600
<v Speaker 2>the story. See we are the whole scene.

0:44:30.760 --> 0:44:34.600
<v Speaker 1>Family Secrets is a production of iHeartRadio. Molly z Acur

0:44:34.760 --> 0:44:37.960
<v Speaker 1>is the story editor and Dylan Fagan is the executive producer.

0:44:39.239 --> 0:44:41.239
<v Speaker 1>If you have a family secret you'd like to share,

0:44:41.640 --> 0:44:44.040
<v Speaker 1>please leave us a voicemail and your story could appear

0:44:44.120 --> 0:44:47.440
<v Speaker 1>on an upcoming episode. Our number is one eight eight

0:44:47.520 --> 0:44:51.680
<v Speaker 1>eight Secret zero. That's the number zero. You can also

0:44:51.840 --> 0:44:56.600
<v Speaker 1>find me on Instagram at Danny Ryder. And if you'd

0:44:56.680 --> 0:44:59.080
<v Speaker 1>like to know more about the story that inspired this podcast,

0:44:59.520 --> 0:45:27.360
<v Speaker 1>check out my memoir Inheritance. For more podcasts from iHeartRadio,

0:45:27.560 --> 0:45:31.000
<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

0:45:31.080 --> 0:45:32.040
<v Speaker 1>to your favorite shows,