WEBVTT - Chisme: Intergenerational Bonding Over Gossip

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<v Speaker 1>Dear let you know USA listener.

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<v Speaker 2>Before we start, you should know that if you want

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<v Speaker 2>to listen to this episode, add free just join and

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<v Speaker 2>you can join for as little as seven dollars a month.

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<v Speaker 2>Joining also gets you behind the scenes access and yes,

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<v Speaker 2>some cheesemay. So click the link in the episode description

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<v Speaker 2>and after you do that, then click play.

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<v Speaker 1>Let's go to the show.

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<v Speaker 2>Well, Hello, Hello, Hello, misan Halita's cheesebabe.

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<v Speaker 1>I hope you're ready and rested for your next assignment.

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<v Speaker 3>Of course, we were literally born ready for this.

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<v Speaker 2>Well that's good to know, because I think this Cheesemay

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<v Speaker 2>conversation is going to take.

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<v Speaker 1>Us on a wild cry.

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<v Speaker 2>All right, Miss Gueida's Elisa and Monica, you are the

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<v Speaker 2>angels of cheeseme a la Charlie's Angels.

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<v Speaker 1>Now, off you go, my little angels of cheese May.

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<v Speaker 1>From Futuro Media. It's Latino USA. I'm marieo Hosa.

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<v Speaker 2>Today Cheese Me a month's long investigation into the ancestral

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<v Speaker 2>language of gossom, why we love cheese May, why we're

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<v Speaker 2>ashamed of it, and why we won't stop making cheese

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<v Speaker 2>May anyway. Now we're gonna go on an exploration of

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<v Speaker 2>an ancient language that is actually very familiar to many

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<v Speaker 2>of you. Cheese Me producers Monica Morales Garcia and Elisa

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<v Speaker 2>Mayena dug up the history of cheeseme and found an

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<v Speaker 2>essential part of their identities. Here's the story which we

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<v Speaker 2>originally brought to you in twenty twenty two. And Esa

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<v Speaker 2>heads up, there's some explicit language in this episode. So

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<v Speaker 2>I'm here speaking with our Latino USA fellows, Elisa Bayena

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<v Speaker 2>and Monica Moreles Garcia, and I think I have a

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<v Speaker 2>pretty good idea as to why you brought me here today.

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<v Speaker 1>I think it has to do with it.

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<v Speaker 4>Jeez me, how did you know?

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<v Speaker 1>Well, it's the only thing that you girls have been

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<v Speaker 1>talking about, is it? Cheees Me?

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<v Speaker 3>Well, it all started seven months ago on our first

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<v Speaker 3>day as Latina USA fellows. It was after our first

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<v Speaker 3>team meeting, and because we're working remotely, I'm in southern California,

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<v Speaker 3>Elisa is in Miami. We jumped on a Google meet

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<v Speaker 3>and almost immediately we began cheese manimal, or how we

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<v Speaker 3>say in English gossiping.

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<v Speaker 5>We realized that we were kindred spirits and we immediately

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<v Speaker 5>felt comfortable with each other because we felt like we

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<v Speaker 5>were taking a risk.

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<v Speaker 1>A risk you mean by talking to each other.

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<v Speaker 3>Yes, a risk to talk about Souda. What else?

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<v Speaker 1>Oh?

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<v Speaker 2>Because it was clearly a cheese man, Okay, I mean.

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<v Speaker 5>It's just something that we fell into without even trying.

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<v Speaker 5>So there we are, We're feeling bonded, we're feeling connected,

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<v Speaker 5>and then.

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<v Speaker 4>I started to feel guilty.

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<v Speaker 5>I think it has something to do with the fact

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<v Speaker 5>that I was raised Catholic. I went to Catholic school

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<v Speaker 5>for fourteen years, so I was taught from a very

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<v Speaker 5>early age that gossip is harmful.

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<v Speaker 4>And a moral But I still did it all the time.

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<v Speaker 3>Elisa Maria, Can I be brave yet controversial?

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<v Speaker 4>Obviously?

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<v Speaker 6>Okay, I didn't.

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<v Speaker 3>Feel that guilty. Chease me on the about our coworkers. Oh,

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<v Speaker 3>we didn't say anything bad about them. With some context,

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<v Speaker 3>I was a cousin in the family that had a

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<v Speaker 3>bunch of cheese may and me being me, I've always

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<v Speaker 3>handled those situations by doubling down. So if someone was

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<v Speaker 3>trying to make some judgment and was like, I know,

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<v Speaker 3>you moved out to be with your boyfriend, I would

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<v Speaker 3>be like, yeah, and a girlfriend too, Like if they

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<v Speaker 3>wanted the sun level, I was going to give it.

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<v Speaker 7>To that.

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<v Speaker 4>So, Maria, what is your relationship to cheesse me.

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<v Speaker 2>I think, like you, I kind of love it chees me.

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<v Speaker 2>I have very specific memories about sitting with my mom

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<v Speaker 2>in the back of our green station wagon with all

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<v Speaker 2>six of us driving to Mexico every year from Chicago

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<v Speaker 2>in the middle of winter, and the closer we got

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<v Speaker 2>to Mexico, the closer it was going to be the

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<v Speaker 2>moment when we could say buen o, mamma, ill chees me.

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<v Speaker 2>And so it became a way of like really embodying

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<v Speaker 2>my mexicanness, you know, because I was growing up as

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<v Speaker 2>a kid in Chicago and it was a way that

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<v Speaker 2>I was bonding with my mom.

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<v Speaker 3>Hmm. What I'm hearing is that cheese me is a

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<v Speaker 3>little bit more complicated than we realize it is.

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<v Speaker 1>I think cheese may is complicated.

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<v Speaker 5>Even though cheeseman, though comes so naturally to us, we've

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<v Speaker 5>actually been struggling to define cheese may. So we wanted

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<v Speaker 5>to ask you, Mariya, how would you define cheese may.

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<v Speaker 2>Well if you had to translate it the simplest ways

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<v Speaker 2>to say, it's gossip. But there's something about cheesemay which

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<v Speaker 2>is about storytelling. It's something that is very present in

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<v Speaker 2>our reality as Latinos and Latinas in the United States,

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<v Speaker 2>and I think that's the way we're looking at it,

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<v Speaker 2>or at least that's the way I think you're.

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<v Speaker 1>Going to be looking at it in this conversation.

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<v Speaker 3>Wow, you've literally read our minds.

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<v Speaker 5>I mean, it's hard to define because cheese may can

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<v Speaker 5>mean different things to different people in different contexts. But

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<v Speaker 5>if we're thinking about cheese may on a very basic level,

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<v Speaker 5>it's talking about someone in their absence. So you're sharing

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<v Speaker 5>information that you don't necessarily know to be true.

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<v Speaker 4>But the tea is just too hot free to not

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<v Speaker 4>spill immediately.

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<v Speaker 3>In that first conversation we had, we were already asking

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<v Speaker 3>all those questions, is it good?

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<v Speaker 6>Is it bad?

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<v Speaker 3>How can it be so fun when it's so bad?

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<v Speaker 3>And is cheese me the same as rumor?

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<v Speaker 5>We could already feel that as Latina's gossip isn't just gossip,

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<v Speaker 5>it's an identity, it's a way of life.

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<v Speaker 3>Well, to get some answers to some of our questions,

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<v Speaker 3>we need hardcore data. So in the name of Cheesema science,

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<v Speaker 3>we're conducting an experiment where we create achiemy and see

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<v Speaker 3>how far it'll spread a cheese may about.

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<v Speaker 8>You, Mania me O, Maria was in the DR for

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<v Speaker 8>so long because she was filming a movie with Linn

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<v Speaker 8>Men Mel Miranda, and she's going to be the next star,

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<v Speaker 8>like a sexy movie Hustlers or something.

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<v Speaker 2>What I thought you were gonna say was Maria was

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<v Speaker 2>in the Dominican Republic so long. We think she just

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<v Speaker 2>had a baby. Okay, Well, I want to hear the

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<v Speaker 2>other ideas.

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<v Speaker 3>We didn't have any other ideas.

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<v Speaker 6>Those were all of our ideas.

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<v Speaker 5>But I think I have something, Madia. So you know

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<v Speaker 5>how you have this big, bouncy, voluminous hair.

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<v Speaker 1>Yes, it's all about the hair and the hoops.

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<v Speaker 5>Yes, so if we see it, it's always done up.

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<v Speaker 5>But if we don't see it, it's always wrapped up

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<v Speaker 5>in a turmine. So how about we make people believe

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<v Speaker 5>that your big bouncy locks actually don't belong to you.

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<v Speaker 4>It's not your real hair. It's a wig.

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<v Speaker 1>You know.

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<v Speaker 2>I have my tricks as to how I make it voluminous,

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<v Speaker 2>but I could see how that could potentially work.

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<v Speaker 1>Mm hmm.

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<v Speaker 3>So this is what we're gonna do. Since we have

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<v Speaker 3>more questions and answers, I think we're gonna go on

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<v Speaker 3>a little bit of a cheese macquest, and to do that,

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<v Speaker 3>we're gonna have to speak to some cheesema experts from

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<v Speaker 3>different fields to find out why cheese met is so

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<v Speaker 3>central to our lives as a latinas.

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<v Speaker 5>And finally, we're gonna get a little bit sneaky and

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<v Speaker 5>talk to the team to see if this wig cheese

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<v Speaker 5>met lights up.

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<v Speaker 2>Like Firela when Monica, So, you have your assignment. You've

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<v Speaker 2>pried a lot out of me regarding cheesemas so far,

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<v Speaker 2>and I'm very intrigada.

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<v Speaker 1>I'm using the cheese my voice.

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<v Speaker 2>I'm very intrigued about what you're gonna come up with

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<v Speaker 2>in your journey into a cheese me. So off you

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<v Speaker 2>go and I'll see you on the other side, Mama.

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<v Speaker 5>When we first set off on our cheese mac quest,

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<v Speaker 5>Monica and I realize that we had something else in common.

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<v Speaker 5>We're both huge fans of The Real Housewives.

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<v Speaker 6>Gus, I've heard that.

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<v Speaker 9>And soone did this table has been talking about how

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<v Speaker 9>her bead you didn't come as a friend at all.

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<v Speaker 10>You're done.

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<v Speaker 5>So It's a reality TV franchise on Bravo that follows

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<v Speaker 5>the everyday lives of wealthy women from different areas, So

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<v Speaker 5>think lots of dinner parties, workout classes, international vacations, shopping

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<v Speaker 5>trips obviously, but of course they look really good and

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<v Speaker 5>really expensive, very expensive.

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<v Speaker 3>And while Lisa and I were watching the new season

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<v Speaker 3>of The Real Housewives of Miami What are you talking about?

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<v Speaker 1>On You Know It?

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<v Speaker 4>We had an epiphany.

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<v Speaker 5>We thought maybe we love housewives because chiefment is everything

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<v Speaker 5>on the show. We realized it's used as a narrative device,

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<v Speaker 5>so it creates storylines and builds so much tension that

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<v Speaker 5>a screaming match is the most appropriate form of conflict resolution.

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<v Speaker 3>So we set up a conversation with two Real Housewives

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<v Speaker 3>of Miami, Marisol Patton and Alexia Chevarria.

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<v Speaker 9>So today starring on this show is my best friend

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<v Speaker 9>Alexi Cheria Santra Mohito, carrier of the Real Housewives of Miami.

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<v Speaker 10>Thank you for that beautiful introduction, And on the other

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<v Speaker 10>side we have my best friend Marisol.

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<v Speaker 5>We want to set the scene really quick. Marisola is

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<v Speaker 5>laying on her couch like horizontally with a beat face

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<v Speaker 5>and a high pony, and Alexia is sitting in the

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<v Speaker 5>living room of her palatial two story penthouse with a

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<v Speaker 5>beach view.

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<v Speaker 3>There have only been a few latinas across the Real

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<v Speaker 3>Housewives franchise, except on the Real Housewives of Miami, and

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<v Speaker 3>as we were watching the show, it became obvious that

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<v Speaker 3>there were parallels between how Shei's mosas and how housewives

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<v Speaker 3>are perceived, as they're scene as tacky, simple minded and flamboyant.

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<v Speaker 4>Should I introduce you as.

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<v Speaker 6>No know, because the only thing that we are not

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<v Speaker 6>is jim Moosa.

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<v Speaker 11>I know about that because we live in Miami and

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<v Speaker 11>pet Centro exactly I like to call it. We share information, yes,

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<v Speaker 11>and when it's amongst us good friends, it's not cheesemay,

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<v Speaker 11>It's just information and we need to be educated.

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<v Speaker 5>So do you think that Latina women have a reputation

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<v Speaker 5>of gossiping more than non Latinas.

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<v Speaker 10>I know they're all terrible, I know, But she's asking

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<v Speaker 10>if you think they have a reputation.

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<v Speaker 4>I think yes.

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<v Speaker 10>I think we're stereotyped because it comes from history, like from.

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<v Speaker 6>Back in the day, more than gring us.

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<v Speaker 2>Yea.

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<v Speaker 10>At the end of the day, if you're a woman,

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<v Speaker 10>you're a chimosa. Oh wait, but there's meg. I know

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<v Speaker 10>some men get so much emoso. It's crazy, Like when

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<v Speaker 10>there's a guy that's such amoso, like be careful, like

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<v Speaker 10>they're like the worst.

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<v Speaker 3>They are the worst. So why do you think that

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<v Speaker 3>cheese may is so addicting?

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<v Speaker 9>I think it's a mindless conversation. It's the easiest conversation

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<v Speaker 9>for anyone to have. You're not talking about politics, religion.

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<v Speaker 9>You don't have to be educated to chimyad. Anybody across

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<v Speaker 9>the board can make a comment about somebody else and

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<v Speaker 9>another person will jump in and they get into it, right,

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<v Speaker 9>you know, all so white.

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<v Speaker 10>It's so easy because you're not talking.

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<v Speaker 4>Or chimiando about yourself.

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<v Speaker 6>You're doing about somebody else.

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<v Speaker 10>So it's so easy to talk about somebody you don't

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<v Speaker 10>even know.

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<v Speaker 4>That's why we all do it.

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<v Speaker 6>I'm staying quiet.

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<v Speaker 9>Stop saying we all do it like you're waiting for

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<v Speaker 9>me to jump in.

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<v Speaker 6>Haha.

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<v Speaker 5>Alexia's family drama was carrying this last season.

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<v Speaker 4>Her now husband Todd.

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<v Speaker 5>Who she said is the first gringo she's ever kissed,

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<v Speaker 5>by the way, had a huge blowout with her son.

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<v Speaker 10>What I say that you're a loser, Yeah, but you're

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<v Speaker 10>gonna wind up in jail.

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<v Speaker 1>Yeah, yeah, you.

0:12:48.920 --> 0:12:52.920
<v Speaker 3>Don't get Alexias said herself that this fight was the

0:12:53.040 --> 0:12:56.959
<v Speaker 3>worst moment in her life, and it's out there for

0:12:57.160 --> 0:12:59.960
<v Speaker 3>anyone in the world to watch and form an opinion about.

0:13:00.640 --> 0:13:01.240
<v Speaker 4>Alexia.

0:13:01.520 --> 0:13:04.480
<v Speaker 5>You've been a reality TV star and a public figure

0:13:04.960 --> 0:13:08.560
<v Speaker 5>for over a decade now. You could say that part

0:13:08.559 --> 0:13:11.880
<v Speaker 5>of your job is to humiliate yourself on TV because

0:13:11.880 --> 0:13:14.840
<v Speaker 5>you're exposing your real life drama as plot points.

0:13:15.280 --> 0:13:16.840
<v Speaker 4>What was that like this last season?

0:13:17.400 --> 0:13:20.400
<v Speaker 10>For me? It hasn't been humiliating at all. As a

0:13:20.400 --> 0:13:23.280
<v Speaker 10>matter of fact, I think it's been therapeutic and healing

0:13:23.679 --> 0:13:26.080
<v Speaker 10>because these were cheesemads that were always said about me

0:13:26.160 --> 0:13:29.000
<v Speaker 10>and my family. And now I'm like, you know what, guys,

0:13:29.080 --> 0:13:31.440
<v Speaker 10>it's my story, not a chieve man anymore. Like this

0:13:31.480 --> 0:13:33.640
<v Speaker 10>is what it is. This is my time now to

0:13:33.800 --> 0:13:35.319
<v Speaker 10>say it how it is and share it with the

0:13:35.360 --> 0:13:38.720
<v Speaker 10>world and hopefully me being an inspiration for people not

0:13:38.800 --> 0:13:40.960
<v Speaker 10>to be ashamed, to be proud of who you are

0:13:41.040 --> 0:13:42.760
<v Speaker 10>and of your life experiences and to.

0:13:42.760 --> 0:13:43.440
<v Speaker 4>Learn from them.

0:13:43.840 --> 0:13:45.360
<v Speaker 10>And you know what, sometimes you got to put those

0:13:45.440 --> 0:13:46.800
<v Speaker 10>cheesements to rest.

0:13:47.080 --> 0:13:49.760
<v Speaker 6>You can't let other people control your achievement.

0:13:49.480 --> 0:13:53.400
<v Speaker 9>Right, Alexia, Right exactly, that's your story.

0:13:55.679 --> 0:13:58.720
<v Speaker 5>So there's something else we wanted to ask you about.

0:13:59.160 --> 0:14:02.840
<v Speaker 5>We wanted it to come to you for some professional advice.

0:14:03.800 --> 0:14:07.600
<v Speaker 9>Yes, oh, because we're the expert chiemosas that you have

0:14:07.640 --> 0:14:08.439
<v Speaker 9>to come to us.

0:14:08.559 --> 0:14:10.800
<v Speaker 10>We have a lot of experience in get the demo,

0:14:10.960 --> 0:14:11.880
<v Speaker 10>so yes, tell us.

0:14:11.920 --> 0:14:14.600
<v Speaker 4>How can we help you? So we started a cheese

0:14:14.640 --> 0:14:15.599
<v Speaker 4>may about.

0:14:15.320 --> 0:14:19.280
<v Speaker 3>Our boss that her hair isn't her real hair, it's

0:14:19.320 --> 0:14:19.840
<v Speaker 3>a wig.

0:14:20.080 --> 0:14:20.560
<v Speaker 1>A wig.

0:14:20.640 --> 0:14:25.040
<v Speaker 9>That's boring, Feluca, that's not a good one. Why do

0:14:25.160 --> 0:14:27.560
<v Speaker 9>you say she has like a fake leg or something?

0:14:28.000 --> 0:14:29.280
<v Speaker 9>Does she wear a lot of pants?

0:14:29.600 --> 0:14:29.800
<v Speaker 7>Well?

0:14:30.440 --> 0:14:31.440
<v Speaker 10>Trying to keep their job.

0:14:31.520 --> 0:14:32.600
<v Speaker 4>Remember it's their boss.

0:14:32.880 --> 0:14:35.400
<v Speaker 10>Okay, it depends, you know, the achievement depends on who

0:14:35.400 --> 0:14:37.240
<v Speaker 10>the person is. But this is like their boss, so

0:14:37.320 --> 0:14:40.680
<v Speaker 10>they can't be you know, they can't take it overboardon.

0:14:40.560 --> 0:14:42.000
<v Speaker 6>I don't know. You got to come up with something

0:14:42.000 --> 0:14:43.120
<v Speaker 6>more exciting than a peluga.

0:14:43.320 --> 0:14:46.400
<v Speaker 3>Oh my god, I would never let.

0:14:46.240 --> 0:14:46.760
<v Speaker 6>Me tell you something.

0:14:46.800 --> 0:14:49.000
<v Speaker 9>The best achievement, I think is when you look someone

0:14:49.040 --> 0:14:50.600
<v Speaker 9>in the eyes and you sound convincing.

0:14:50.920 --> 0:14:53.200
<v Speaker 10>Ooh, you sound like an expert Marazol. And then you

0:14:53.240 --> 0:14:54.800
<v Speaker 10>didn't want me to call you the g mossa.

0:14:55.080 --> 0:14:56.760
<v Speaker 6>I just play one on TV.

0:15:00.040 --> 0:15:03.840
<v Speaker 2>Coming up on Latino USA, our cheesemay Angels continued their

0:15:03.880 --> 0:15:08.600
<v Speaker 2>investigation into how gossip has shaped their identity as Latinas

0:15:08.640 --> 0:15:13.160
<v Speaker 2>and the steaks surrounding their cheeseme start to build as

0:15:13.200 --> 0:15:16.600
<v Speaker 2>they travel further into a Chice Moosas universe.

0:15:17.160 --> 0:15:18.760
<v Speaker 1>Stay with us, not the bays.

0:15:27.600 --> 0:15:30.840
<v Speaker 2>Hey, We're back and before the break, producers Monica Morales

0:15:30.880 --> 0:15:35.480
<v Speaker 2>Garcia and Elisa Bayena launched their quest to understand the

0:15:35.520 --> 0:15:40.080
<v Speaker 2>significance of cheese ma or gossip what it means for

0:15:40.240 --> 0:15:44.360
<v Speaker 2>the US Latino experience. They started by talking to some

0:15:44.560 --> 0:15:50.120
<v Speaker 2>professional cheese mosas the Real Housewives of Miami, but they

0:15:50.160 --> 0:15:53.520
<v Speaker 2>didn't stop there. Here are Monica and Elisa once again

0:15:53.760 --> 0:15:54.760
<v Speaker 2>with cheese May.

0:15:57.840 --> 0:16:03.440
<v Speaker 5>Monica the Miami Housewife really wanted us to form with

0:16:03.480 --> 0:16:05.080
<v Speaker 5>our cheesemak experiment.

0:16:04.760 --> 0:16:08.880
<v Speaker 3>Fake leg Aside, they did have some interesting points. The

0:16:08.880 --> 0:16:11.840
<v Speaker 3>best cheesemut does require a little bit of work, and

0:16:11.880 --> 0:16:14.320
<v Speaker 3>in order for our cheese me to be convincing, there

0:16:14.360 --> 0:16:16.920
<v Speaker 3>has to be a body of supporting evidence so that

0:16:16.960 --> 0:16:18.600
<v Speaker 3>it fits into a larger story.

0:16:19.000 --> 0:16:21.840
<v Speaker 5>I think that I know someone who's really good at

0:16:21.840 --> 0:16:25.040
<v Speaker 5>getting straight to the source, and like the housewives, she's

0:16:25.120 --> 0:16:27.080
<v Speaker 5>also paid to chease me out on TV.

0:16:30.280 --> 0:16:34.160
<v Speaker 12>Hi, everybody, I am Lelana Vascas. Formerly I was the

0:16:34.200 --> 0:16:36.920
<v Speaker 12>anchor for E News. I've been in Access Hollywood. I

0:16:36.920 --> 0:16:40.440
<v Speaker 12>spent seven years at The Today Show, and I think

0:16:40.480 --> 0:16:42.760
<v Speaker 12>most people really know me from my years as a

0:16:42.760 --> 0:16:44.320
<v Speaker 12>style expert on daytime TV.

0:16:45.640 --> 0:16:50.320
<v Speaker 3>Ooh, so, why is celebrity cheese may such big business?

0:16:50.600 --> 0:16:55.880
<v Speaker 12>I think people sometimes forget that these celebrities are true brands,

0:16:56.160 --> 0:16:59.280
<v Speaker 12>and there is a machine that is there to protect

0:16:59.480 --> 0:17:03.800
<v Speaker 12>that brand, and they want to control the narrative. They

0:17:04.119 --> 0:17:08.679
<v Speaker 12>want to really control when a story breaks, how it breaks,

0:17:08.680 --> 0:17:11.200
<v Speaker 12>how much you know about that story. And it's not

0:17:11.320 --> 0:17:14.360
<v Speaker 12>just them, the media is also in on it. I've

0:17:14.359 --> 0:17:16.919
<v Speaker 12>gotten a call ten minutes before I'm about to go

0:17:17.000 --> 0:17:19.480
<v Speaker 12>on air that's like, we're killing this story because so

0:17:19.600 --> 0:17:22.640
<v Speaker 12>and so's person called and they don't want to talk

0:17:22.640 --> 0:17:25.240
<v Speaker 12>about it. Or you got this sound bite an interview.

0:17:25.440 --> 0:17:26.920
<v Speaker 12>They want it gone, and I'm like, well, I don't

0:17:26.920 --> 0:17:28.760
<v Speaker 12>want it gone. They're like, right, well, we've got to

0:17:28.760 --> 0:17:31.440
<v Speaker 12>play the game. What you're hearing is a water down

0:17:31.480 --> 0:17:34.720
<v Speaker 12>version because you're talking about millions of not billions of

0:17:34.760 --> 0:17:36.000
<v Speaker 12>dollars at stake here.

0:17:36.600 --> 0:17:40.280
<v Speaker 4>So just like there's big tech, there's big cheese meath.

0:17:42.040 --> 0:17:44.280
<v Speaker 12>I mean, cheese me is what makes the world go round.

0:17:45.520 --> 0:17:50.200
<v Speaker 3>So what do you think the relationship between cheeseman and storytelling.

0:17:49.720 --> 0:17:54.480
<v Speaker 12>Is storytelling is just refined cheese myth. And it kind

0:17:54.520 --> 0:17:56.480
<v Speaker 12>of makes sense that I went into this field because

0:17:56.520 --> 0:17:58.240
<v Speaker 12>I want to know the stories, I want to ask

0:17:58.280 --> 0:18:03.359
<v Speaker 12>the questions, and I haven't ability to tell a story live.

0:18:04.040 --> 0:18:08.040
<v Speaker 12>That is really unique to me, and that is because

0:18:08.359 --> 0:18:11.280
<v Speaker 12>I think I've practiced it for so long in front

0:18:11.320 --> 0:18:13.760
<v Speaker 12>of my cousins at the dinner table, like at the

0:18:13.800 --> 0:18:17.800
<v Speaker 12>Godness Sada at the Quinsignia. And there's a way that

0:18:17.880 --> 0:18:21.480
<v Speaker 12>you tell the tieesement that gets everybody engaged and brings

0:18:21.520 --> 0:18:24.440
<v Speaker 12>everyone into the conversation. And if you are the one

0:18:24.560 --> 0:18:27.399
<v Speaker 12>leading that, there definitely is a performance aspect of that.

0:18:27.760 --> 0:18:30.040
<v Speaker 4>No, totally. The delivery is super.

0:18:29.760 --> 0:18:33.320
<v Speaker 12>Important because when you're telling it to an audience, you

0:18:33.359 --> 0:18:35.600
<v Speaker 12>want to be gentle, you want to give it pause,

0:18:36.359 --> 0:18:39.240
<v Speaker 12>you want to get the reactions because based on their reactions,

0:18:39.760 --> 0:18:41.800
<v Speaker 12>what's the next part of the story that you're going

0:18:41.840 --> 0:18:44.160
<v Speaker 12>to reveal? And are you going to tease it out?

0:18:44.240 --> 0:18:45.520
<v Speaker 12>Are you going to leave them wanting more? Are you

0:18:45.560 --> 0:18:47.160
<v Speaker 12>going to get up, go get a drink of water

0:18:47.200 --> 0:18:50.520
<v Speaker 12>so that they're like, come back, come back. And that's essential,

0:18:50.640 --> 0:18:53.000
<v Speaker 12>you know, as a host, as somebody who works on camera,

0:18:53.400 --> 0:18:56.160
<v Speaker 12>to be able to do that, it's a very critical

0:18:56.200 --> 0:18:58.560
<v Speaker 12>skill to have and not everybody can do it.

0:19:03.280 --> 0:19:06.880
<v Speaker 3>So we took Leniana's advice and used our best storytelling

0:19:06.920 --> 0:19:09.639
<v Speaker 3>skills to share our little experiment with her.

0:19:09.920 --> 0:19:13.240
<v Speaker 4>And like the housewives, she was not impressed.

0:19:13.680 --> 0:19:18.160
<v Speaker 12>No girl next level say that she was just vacationing

0:19:18.359 --> 0:19:22.879
<v Speaker 12>at Mara a Lago, not mar A Lago. Oh my god,

0:19:23.400 --> 0:19:24.439
<v Speaker 12>that's the mic drop.

0:19:24.680 --> 0:19:31.560
<v Speaker 3>That's it right there. So it turns out that cheesemak

0:19:31.640 --> 0:19:34.320
<v Speaker 3>can influence anything from the media that we consume to

0:19:34.359 --> 0:19:38.080
<v Speaker 3>the products that we buy. And meanwhile there are people getting.

0:19:37.880 --> 0:19:39.480
<v Speaker 4>Rich from our thirst for cheese.

0:19:39.520 --> 0:19:39.680
<v Speaker 10>Man.

0:19:40.080 --> 0:19:43.840
<v Speaker 5>Yeah, I mean, if celebrities are brands, cheese may feeds

0:19:43.880 --> 0:19:44.320
<v Speaker 5>the beast.

0:19:44.720 --> 0:19:48.920
<v Speaker 3>So it's clear that cheesemay can be really influential, and

0:19:49.160 --> 0:19:51.639
<v Speaker 3>maybe it has been that way forever. I feel like

0:19:51.840 --> 0:19:56.600
<v Speaker 3>we need to dive into the role of cheesement throughout history.

0:19:56.880 --> 0:19:59.840
<v Speaker 7>My name is Anna Dadriguez Navas. I am an assistiate

0:20:00.000 --> 0:20:03.280
<v Speaker 7>pfessor of Latin American literature and culture at Leola, Chicago,

0:20:03.760 --> 0:20:06.920
<v Speaker 7>and my most recent book is a book on gossip,

0:20:07.000 --> 0:20:07.960
<v Speaker 7>which is why we're here.

0:20:10.160 --> 0:20:14.240
<v Speaker 5>So the tora in your book idle Talk, Deadly Talk.

0:20:14.720 --> 0:20:17.000
<v Speaker 5>You look at how gossip in the Caribbean isn't just

0:20:17.119 --> 0:20:21.920
<v Speaker 5>a tool, it's a weapon. So while it can build communities,

0:20:22.040 --> 0:20:25.560
<v Speaker 5>it can also destabilize them. And something that you also

0:20:25.600 --> 0:20:29.000
<v Speaker 5>get into is a difference between the etymology of gossip

0:20:29.160 --> 0:20:31.760
<v Speaker 5>and cheese may. I'm wondering if you could tell us

0:20:31.760 --> 0:20:32.880
<v Speaker 5>a little bit more about that.

0:20:33.600 --> 0:20:37.000
<v Speaker 7>So in English we use the word gossip pretty indistinguishably

0:20:37.040 --> 0:20:39.160
<v Speaker 7>from the Spanish cheese mate, right, but at its origin

0:20:39.200 --> 0:20:43.000
<v Speaker 7>they're very different. So the word gossip comes from gossip,

0:20:43.440 --> 0:20:48.399
<v Speaker 7>which basically means mavrina. So the word gossip is rooted

0:20:48.480 --> 0:20:52.359
<v Speaker 7>in kinship, in that kind of chatter or talk between

0:20:52.440 --> 0:20:55.480
<v Speaker 7>god parents. It describes a specific act, whereas cheese may

0:20:55.680 --> 0:20:57.679
<v Speaker 7>for us, in Spanish, the origin of the word is

0:20:57.760 --> 0:21:01.280
<v Speaker 7>much more oppositional. It derives they're from the word for

0:21:01.800 --> 0:21:06.320
<v Speaker 7>that bug, which is obviously an unpleasant, nasty creature, or

0:21:06.359 --> 0:21:10.840
<v Speaker 7>the word for schism, which can mean division, rupture, break.

0:21:11.800 --> 0:21:15.520
<v Speaker 5>This really surprised me because cheese made to me, has

0:21:15.640 --> 0:21:19.399
<v Speaker 5>more of a positive connotation than gossip. Another distinction that

0:21:19.440 --> 0:21:22.080
<v Speaker 5>you make in your book is that the terms gossip

0:21:22.119 --> 0:21:25.960
<v Speaker 5>and rumor are often used interchangeably, but that doesn't mean

0:21:25.960 --> 0:21:29.760
<v Speaker 5>that they're identical. So with rumors, you don't necessarily know

0:21:29.800 --> 0:21:33.400
<v Speaker 5>where they're coming from, and they tend to be more conspiratorial.

0:21:33.920 --> 0:21:38.440
<v Speaker 5>But gossip has almost more credibility because it's more personal

0:21:38.640 --> 0:21:41.800
<v Speaker 5>and it's transmitted from one person to the next, so

0:21:41.960 --> 0:21:45.800
<v Speaker 5>it's the whole You know, you didn't hear this from me, but.

0:21:46.520 --> 0:21:50.600
<v Speaker 7>Yes, exactly. Gossip is very, very, very elastic, and it's

0:21:50.640 --> 0:21:53.480
<v Speaker 7>really hard to overstate how different it can be and

0:21:53.520 --> 0:21:56.680
<v Speaker 7>how much it changes while still being recognizable as gossip.

0:21:57.440 --> 0:22:01.560
<v Speaker 3>So look, Doda, we've actually been speaking to several professional chizmosas,

0:22:02.040 --> 0:22:05.760
<v Speaker 3>and now that I'm thinking about it, we've only wanted

0:22:05.760 --> 0:22:08.679
<v Speaker 3>to talk to women, and we never even bothered to

0:22:08.720 --> 0:22:11.480
<v Speaker 3>ask why that was. I'm starting to think that it

0:22:11.560 --> 0:22:14.040
<v Speaker 3>might have something to do with the internalized belief that

0:22:14.440 --> 0:22:19.040
<v Speaker 3>we gossip more or Gela Muherres almost mass chizmosis. But

0:22:19.800 --> 0:22:21.800
<v Speaker 3>where does that belief even come from.

0:22:22.240 --> 0:22:25.800
<v Speaker 7>Historically, there's been that suggestion that real men quote unquote

0:22:26.040 --> 0:22:29.160
<v Speaker 7>don't gossip, So where does that come from? Well, women

0:22:29.280 --> 0:22:33.679
<v Speaker 7>were historically excluded from the public sphere. We weren't the

0:22:33.680 --> 0:22:37.000
<v Speaker 7>ones writing in newspapers or doing the public speaking, or

0:22:37.040 --> 0:22:41.000
<v Speaker 7>attended political meetings. So it's in the private sphere where

0:22:41.040 --> 0:22:44.240
<v Speaker 7>we found our voice. But it's also important to recognize

0:22:44.240 --> 0:22:48.480
<v Speaker 7>that women were not the only one's gossip. What happens

0:22:48.880 --> 0:22:52.600
<v Speaker 7>is that men use their public speech to label women's

0:22:52.640 --> 0:22:56.600
<v Speaker 7>private speech as inferior, while ignoring their own private speech

0:22:56.680 --> 0:22:59.600
<v Speaker 7>or not acknowledging what they're doing as a form of gossip.

0:22:59.240 --> 0:23:04.560
<v Speaker 5>Too interesting, So is that maybe why women have been

0:23:04.600 --> 0:23:07.920
<v Speaker 5>told that gossiping is bad and something that we should

0:23:07.920 --> 0:23:09.080
<v Speaker 5>feel guilty about doing.

0:23:09.800 --> 0:23:12.639
<v Speaker 7>You know, gossip is something that we all do. But

0:23:12.720 --> 0:23:15.680
<v Speaker 7>what happens is that when people talk about gossip, it's

0:23:15.720 --> 0:23:18.320
<v Speaker 7>not respectable or something that is a terrible thing to do.

0:23:19.080 --> 0:23:21.960
<v Speaker 7>It's really what you're seeing as an attempt to police

0:23:22.040 --> 0:23:25.000
<v Speaker 7>other people's gossip and to dismiss their voice.

0:23:24.960 --> 0:23:29.680
<v Speaker 3>Exactly, And as you explore in your research, this isn't

0:23:29.720 --> 0:23:33.600
<v Speaker 3>something new. So throughout history, what has been the relationship

0:23:33.640 --> 0:23:34.800
<v Speaker 3>between gossip and power.

0:23:35.440 --> 0:23:40.879
<v Speaker 7>Gossip has been historically a brush used by the oppressor

0:23:41.119 --> 0:23:45.040
<v Speaker 7>to paint the oppressed. So it's happened with indigenous men

0:23:45.160 --> 0:23:48.560
<v Speaker 7>with peasants and farmers with gay people, all of whom

0:23:48.640 --> 0:23:51.960
<v Speaker 7>have been talked about as being lazy, good for nothing,

0:23:52.000 --> 0:23:55.159
<v Speaker 7>gossip wers. But what is happening in those cases is

0:23:55.160 --> 0:23:58.639
<v Speaker 7>that those in power are first excluding those groups from

0:23:58.640 --> 0:24:02.840
<v Speaker 7>public discourse and then disqualifying their private discourse as nothing

0:24:02.880 --> 0:24:03.440
<v Speaker 7>but gossip.

0:24:03.920 --> 0:24:06.719
<v Speaker 4>Oh okay, I see how it is.

0:24:07.320 --> 0:24:09.719
<v Speaker 5>So can you give us an example of what that

0:24:09.760 --> 0:24:12.200
<v Speaker 5>looks like In Latin America.

0:24:11.520 --> 0:24:16.640
<v Speaker 7>Whether it's slavery or colonization or dictatorships, our region has

0:24:16.720 --> 0:24:21.040
<v Speaker 7>been marked, unfortunately, by systems of power that don't represent

0:24:21.440 --> 0:24:25.320
<v Speaker 7>large sectors of the population, precisely because gossip is illicit

0:24:25.440 --> 0:24:28.520
<v Speaker 7>and furtive. It is a way for people to circumvent

0:24:28.560 --> 0:24:32.800
<v Speaker 7>those controls. They're able to challenge official versions of events,

0:24:32.840 --> 0:24:36.280
<v Speaker 7>to say what they think really happen, and to circulate

0:24:36.840 --> 0:24:40.200
<v Speaker 7>important knowledge to preserve their voices and their experiences.

0:24:40.800 --> 0:24:43.159
<v Speaker 4>Yeah, I mean this is really resonating with me.

0:24:43.840 --> 0:24:46.080
<v Speaker 5>In the afternoons, I used to sit in the sala

0:24:46.119 --> 0:24:49.960
<v Speaker 5>of my childhood home with my visa weelas and they would,

0:24:50.040 --> 0:24:53.000
<v Speaker 5>you know, tell me a lot of stories. There's usually

0:24:53.000 --> 0:24:57.520
<v Speaker 5>a lot of cautionary tales, sometimes about men, but also

0:24:57.600 --> 0:25:01.399
<v Speaker 5>about government repression in Cuba. So it is affirming to

0:25:01.440 --> 0:25:03.960
<v Speaker 5>know that that is also a form of cheese made.

0:25:04.440 --> 0:25:07.639
<v Speaker 7>Gossip is a fundamental part of the kind of information

0:25:07.800 --> 0:25:11.960
<v Speaker 7>control of repressive political systems, and it sort of works

0:25:12.040 --> 0:25:15.280
<v Speaker 7>both ways. It can be extremely beneficial and it can

0:25:15.320 --> 0:25:18.679
<v Speaker 7>be extremely repressive. So, for instance, if someone gossip's with

0:25:18.760 --> 0:25:21.439
<v Speaker 7>you and tells you, hey, be careful with the neighbor

0:25:21.640 --> 0:25:24.840
<v Speaker 7>turns out that he's connected to the authorities, you know

0:25:25.200 --> 0:25:27.000
<v Speaker 7>that if you want to be safe, you're not going

0:25:27.080 --> 0:25:30.840
<v Speaker 7>to tell anything that might jeopardize you or your family

0:25:31.080 --> 0:25:34.440
<v Speaker 7>to this neighbor, right, anything that is against the government.

0:25:35.080 --> 0:25:41.640
<v Speaker 5>This reminds me of the comites in Cuba, which are

0:25:41.920 --> 0:25:47.080
<v Speaker 5>basically networks of cheese muscles whose job is to snitch

0:25:47.119 --> 0:25:50.520
<v Speaker 5>on their neighbors to the government if they see or

0:25:50.600 --> 0:25:53.760
<v Speaker 5>hear or suspect of any illegal activity.

0:25:54.280 --> 0:25:57.280
<v Speaker 7>Yes, that's a perfect example of that. That's one, and

0:25:57.320 --> 0:26:01.120
<v Speaker 7>there are many, and this sadly continues to happen. And

0:26:01.359 --> 0:26:03.400
<v Speaker 7>I want to point out that in this example we're

0:26:03.400 --> 0:26:05.600
<v Speaker 7>talking about men right all the way.

0:26:05.640 --> 0:26:06.640
<v Speaker 6>Yes, all the way.

0:26:06.760 --> 0:26:08.200
<v Speaker 3>It's always the man.

0:26:10.160 --> 0:26:13.200
<v Speaker 7>Gossip for us in the diaspora, is a really important

0:26:13.240 --> 0:26:17.480
<v Speaker 7>way to reclaim stories that are at risk. So, for instance,

0:26:17.480 --> 0:26:19.440
<v Speaker 7>if you think about family gossip, it's not just chatter.

0:26:19.480 --> 0:26:22.720
<v Speaker 7>It's also a way of preserving something important or reclaiming

0:26:22.720 --> 0:26:26.720
<v Speaker 7>lost memories, lost history, of filling out silences. There's a

0:26:26.800 --> 0:26:29.359
<v Speaker 7>kind of oral history of the community that is authentic

0:26:29.720 --> 0:26:31.120
<v Speaker 7>that emerges from gossip.

0:26:38.680 --> 0:26:51.720
<v Speaker 2>We'll be right back, Yes, hey, we're back. Producers Monica

0:26:51.800 --> 0:26:55.640
<v Speaker 2>Morales Garcia and Elisa Bayena have the rest of the story.

0:26:56.520 --> 0:26:59.880
<v Speaker 5>Monica, I think I'm having a moment. Oh my God,

0:27:00.280 --> 0:27:04.800
<v Speaker 5>tell me. For maybe selfish reasons, my main goal in

0:27:04.840 --> 0:27:08.920
<v Speaker 5>this quest has been to demystify Chiese May because obviously

0:27:08.960 --> 0:27:12.040
<v Speaker 5>I'm very desperate to drop my guilt. But I think

0:27:12.080 --> 0:27:14.880
<v Speaker 5>that it's distracted me from seeing how Cheese May has

0:27:14.920 --> 0:27:19.960
<v Speaker 5>actually helped me form and craft my Cuban American identity.

0:27:20.240 --> 0:27:23.879
<v Speaker 5>How So, when I think about when I feel the

0:27:23.920 --> 0:27:27.919
<v Speaker 5>most Latina, it's when I'm Chiasmanlo with my Theas and

0:27:27.960 --> 0:27:32.040
<v Speaker 5>my cousins. It's late at night, everybody's defenses are down,

0:27:32.640 --> 0:27:35.919
<v Speaker 5>and that's when I'm not trying to check my Miami accent.

0:27:35.960 --> 0:27:38.479
<v Speaker 4>Because I think it makes me sound less educated or something.

0:27:39.400 --> 0:27:42.280
<v Speaker 3>You know, I've only recently been able to think of

0:27:42.320 --> 0:27:45.520
<v Speaker 3>myself as respectable, and I think a lot of that

0:27:45.720 --> 0:27:49.320
<v Speaker 3>is because so much of my Latinx identity is deeply

0:27:49.440 --> 0:27:53.000
<v Speaker 3>tied with class and gender and my experience in being

0:27:53.080 --> 0:27:57.600
<v Speaker 3>this working class, flamboyant chi they Latina with a huge butt.

0:27:58.240 --> 0:28:01.040
<v Speaker 3>I know that my words have never really carried much weight,

0:28:01.600 --> 0:28:05.200
<v Speaker 3>but it has been that act of dismissal that has

0:28:05.240 --> 0:28:09.120
<v Speaker 3>always fueled my desire to just own my truths own

0:28:09.160 --> 0:28:13.200
<v Speaker 3>my cheese, miss because for me, there's been nothing more

0:28:13.240 --> 0:28:15.480
<v Speaker 3>powerful than just living in my truth.

0:28:21.480 --> 0:28:25.640
<v Speaker 2>All Right, welcome back, Nissa Helite's the cheese Man. So

0:28:25.680 --> 0:28:26.720
<v Speaker 2>how did the assignment go?

0:28:27.280 --> 0:28:31.000
<v Speaker 3>We have so much to share, my god?

0:28:31.640 --> 0:28:35.760
<v Speaker 5>Okay, So we first talked to two reality TV stars

0:28:35.800 --> 0:28:39.480
<v Speaker 5>from the Real Housewives of Miami and they had some

0:28:39.600 --> 0:28:41.640
<v Speaker 5>interesting suggestions about our Cheesema.

0:28:41.760 --> 0:28:45.120
<v Speaker 6>Maria Luca, that's not a good one.

0:28:45.160 --> 0:28:47.160
<v Speaker 9>Why do you say she has like a fake leg

0:28:47.320 --> 0:28:47.880
<v Speaker 9>or something.

0:28:48.920 --> 0:28:51.640
<v Speaker 2>Okay, that's like the craziest thing I've ever heard that

0:28:51.720 --> 0:28:53.800
<v Speaker 2>what's easier to make people believe is that I have

0:28:53.840 --> 0:28:55.920
<v Speaker 2>a fake leg, not that I'm using weight.

0:28:56.880 --> 0:29:00.760
<v Speaker 3>Our second expert was an entertainment journalist, and she wanted

0:29:00.880 --> 0:29:02.600
<v Speaker 3>us to take it even.

0:29:02.400 --> 0:29:06.920
<v Speaker 12>Further say that she was just vacationing at mar A Lago.

0:29:09.040 --> 0:29:13.640
<v Speaker 2>Wow, I think she knows me because to that one,

0:29:14.240 --> 0:29:16.960
<v Speaker 2>that's some pretty serious cheesement that could destroy my career.

0:29:18.080 --> 0:29:20.880
<v Speaker 3>Good thing. We spoke to our last expert, Lo Toro

0:29:21.000 --> 0:29:24.560
<v Speaker 3>riaz Neavz, who reminded us that cheesemut is supposed to

0:29:24.600 --> 0:29:28.479
<v Speaker 3>be organic, it's not supposed to be fabricated. So in

0:29:28.520 --> 0:29:31.200
<v Speaker 3>this case, our experiment took an unexpected turn.

0:29:31.960 --> 0:29:34.520
<v Speaker 2>Okay, I'm totally confused and intrigued. Now I want to

0:29:34.520 --> 0:29:35.080
<v Speaker 2>know what happened.

0:29:35.120 --> 0:29:36.120
<v Speaker 4>Okay, So.

0:29:37.440 --> 0:29:40.160
<v Speaker 5>What we're saying is that we didn't end up telling

0:29:40.200 --> 0:29:42.680
<v Speaker 5>anybody on our team that you wear a wig.

0:29:42.960 --> 0:29:44.840
<v Speaker 1>Oh.

0:29:44.880 --> 0:29:47.960
<v Speaker 3>We learned that the space where cheesemu happens is really

0:29:48.040 --> 0:29:51.920
<v Speaker 3>vital because you need to build that intimacy and confienza.

0:29:52.480 --> 0:29:55.760
<v Speaker 3>You got to look people in the eye. But because

0:29:55.760 --> 0:30:00.280
<v Speaker 3>we're all working remotely, we realize that spreading the cheese

0:30:00.320 --> 0:30:03.760
<v Speaker 3>may wasn't really going to happen as naturally as we wanted.

0:30:04.240 --> 0:30:06.680
<v Speaker 2>In other words, cheese may has actually taken a hit

0:30:06.760 --> 0:30:07.600
<v Speaker 2>during the pandemic.

0:30:08.040 --> 0:30:10.080
<v Speaker 3>It was a really unexpected loss.

0:30:11.120 --> 0:30:13.600
<v Speaker 2>I did wonder, how do you start cheesemaup when you're

0:30:13.600 --> 0:30:17.120
<v Speaker 2>not all in the office, So yeah, the pandemic hit again.

0:30:17.360 --> 0:30:20.320
<v Speaker 5>We were also just thinking what if we did start

0:30:20.360 --> 0:30:23.760
<v Speaker 5>spreading this cheesemail. What if we started having meetings with

0:30:23.880 --> 0:30:26.960
<v Speaker 5>other producers and we were like, hey, guess what, Madia's

0:30:26.960 --> 0:30:30.040
<v Speaker 5>hair is fake? What if that was an invitation for

0:30:30.120 --> 0:30:33.680
<v Speaker 5>them to say some really mean, nasty things about your hair.

0:30:34.000 --> 0:30:36.880
<v Speaker 2>The thing about cheese may is that it can go dark,

0:30:37.640 --> 0:30:40.920
<v Speaker 2>it can get cruel, and it can be used as

0:30:40.920 --> 0:30:41.520
<v Speaker 2>a takedown.

0:30:42.120 --> 0:30:42.360
<v Speaker 4>Yeah.

0:30:42.400 --> 0:30:45.040
<v Speaker 5>I mean, we also have to remember that cheese may

0:30:45.200 --> 0:30:49.960
<v Speaker 5>is a way that belief systems are built and also maintained. So,

0:30:50.120 --> 0:30:54.600
<v Speaker 5>for example, if I'm talking to Una Senora and she's

0:30:54.640 --> 0:30:57.560
<v Speaker 5>gossiping to me about how someone gained weight and she's

0:30:57.600 --> 0:31:01.600
<v Speaker 5>framing it as something shameful, that she is not going

0:31:01.680 --> 0:31:05.760
<v Speaker 5>to be fun for me because body shaming is against

0:31:05.800 --> 0:31:08.280
<v Speaker 5>my personal ethical code.

0:31:08.520 --> 0:31:11.120
<v Speaker 2>And so that is the other side of cheesema where

0:31:11.160 --> 0:31:13.440
<v Speaker 2>we can be laughing and joking. But then it's like,

0:31:13.560 --> 0:31:17.440
<v Speaker 2>oh uh, there was a crossover right there, and I

0:31:17.560 --> 0:31:20.960
<v Speaker 2>understand that that would have been hard. Also if anybody

0:31:20.960 --> 0:31:22.800
<v Speaker 2>said anything bad about my hair, I'd have to come

0:31:22.840 --> 0:31:23.800
<v Speaker 2>at them, not just kidding.

0:31:28.280 --> 0:31:32.360
<v Speaker 5>So even though we didn't end up spreading the wig Cheesemay,

0:31:32.960 --> 0:31:35.640
<v Speaker 5>I think that we still came out on top because

0:31:35.960 --> 0:31:38.920
<v Speaker 5>we had a breakthrough. We learned that we'd come from

0:31:38.920 --> 0:31:42.080
<v Speaker 5>a long line of cheese malsas who like us, knew

0:31:42.120 --> 0:31:45.680
<v Speaker 5>that gossip isn't just silly women's talk. It deserves more

0:31:45.720 --> 0:31:48.719
<v Speaker 5>respect because it can be a tool for resistance.

0:31:49.240 --> 0:31:55.200
<v Speaker 3>Yes exactly, it's an ancestral language, a save for cheesemad

0:31:55.520 --> 0:32:00.200
<v Speaker 3>right there. And you know, this experiment has made us

0:32:00.240 --> 0:32:03.080
<v Speaker 3>realize that it's not even so much what we're cheeseman

0:32:03.080 --> 0:32:07.200
<v Speaker 3>though about, but rather the connection that cheese May is creating.

0:32:08.080 --> 0:32:12.960
<v Speaker 12>My ps and I live such different lives and sometimes

0:32:12.960 --> 0:32:15.880
<v Speaker 12>it's hard to find things to talk about, but we

0:32:15.920 --> 0:32:20.920
<v Speaker 12>can always talk about Talia always. Cheese May creates commonalities

0:32:20.920 --> 0:32:24.200
<v Speaker 12>for us to discuss and discuss passionately and energetically and

0:32:24.280 --> 0:32:25.200
<v Speaker 12>have fun together.

0:32:26.000 --> 0:32:31.000
<v Speaker 7>Gossip, for us is a real important connective tissue, connecting

0:32:31.240 --> 0:32:35.680
<v Speaker 7>us us Latinas to Latin America, connecting us within our communities. Right,

0:32:35.760 --> 0:32:39.360
<v Speaker 7>it can be a bridge so that sense of belonging,

0:32:39.840 --> 0:32:43.720
<v Speaker 7>that sense of being part of that community is heightened

0:32:43.840 --> 0:32:44.640
<v Speaker 7>with the gossip.

0:32:45.040 --> 0:32:47.600
<v Speaker 6>I don't know, this is like a therapy session.

0:32:49.440 --> 0:32:50.280
<v Speaker 1>See that's it.

0:32:50.400 --> 0:32:50.640
<v Speaker 10>You know.

0:32:50.680 --> 0:32:55.400
<v Speaker 2>For me, cheese may is like bonding in particular with

0:32:55.520 --> 0:33:01.240
<v Speaker 2>family and joy and storytelling. I mean when I understood

0:33:01.240 --> 0:33:03.720
<v Speaker 2>that what my mom was doing during the time that

0:33:03.720 --> 0:33:09.600
<v Speaker 2>we were Cheesemando was actually telling me great stories, it was.

0:33:09.600 --> 0:33:10.760
<v Speaker 1>A turning point for me.

0:33:10.800 --> 0:33:14.240
<v Speaker 2>I was like, wait, I'm a storyteller too, and that

0:33:14.360 --> 0:33:16.400
<v Speaker 2>basically changed my whole life.

0:33:16.960 --> 0:33:21.560
<v Speaker 5>I think I'm hearing that since we're all professional storytellers,

0:33:22.040 --> 0:33:27.080
<v Speaker 5>were also professional chiese mosas. And you know what, that

0:33:27.440 --> 0:33:30.640
<v Speaker 5>is nothing to be ashamed of. It is what gives

0:33:30.720 --> 0:33:31.320
<v Speaker 5>us our power.

0:33:32.280 --> 0:33:34.160
<v Speaker 3>Ooh yes, our powers.

0:33:34.600 --> 0:33:38.520
<v Speaker 2>It's official because this sientific, asad cheese May have told us.

0:33:38.920 --> 0:33:43.920
<v Speaker 2>So Elisa, Monica, your assignment is now complete. I am

0:33:44.000 --> 0:33:47.320
<v Speaker 2>blessing you to go off to cheese me Are until

0:33:47.400 --> 0:33:50.640
<v Speaker 2>you can't anymore, and that you're spreading the gospel of

0:33:50.760 --> 0:33:55.320
<v Speaker 2>Cheesemare's resistance. So until your next assignment, off you go,

0:33:55.480 --> 0:34:05.520
<v Speaker 2>my little Angels of Cheesemas. This episode was produced by

0:34:05.560 --> 0:34:09.399
<v Speaker 2>Monica Moralis Garcia and Elisa Maena. It was edited by

0:34:09.440 --> 0:34:13.360
<v Speaker 2>Marta Martinez and mixed by Stephanie Leveaux and Julia Caruso.

0:34:13.760 --> 0:34:17.959
<v Speaker 2>Thenanda Echavari is our managing editor. The Latino USA team

0:34:18.000 --> 0:34:23.800
<v Speaker 2>also includes Froxanna Guire, Jessica Ellis, Victoria Strada, Renaldo Leanos Junior,

0:34:23.840 --> 0:34:28.680
<v Speaker 2>Andrea Lopez Cruzado, Louis Luna, Dori mar Marquez, Lugeta Martinelli,

0:34:28.800 --> 0:34:31.440
<v Speaker 2>JJ Carubin, Adrena Rodriez.

0:34:31.080 --> 0:34:32.280
<v Speaker 1>And Nancy Trujillo.

0:34:32.880 --> 0:34:36.239
<v Speaker 2>Nilee Ramirez and I are co executive producers and I'm

0:34:36.280 --> 0:34:40.120
<v Speaker 2>your host Mariano Rosa. Latino USA is part of Iheart's

0:34:40.239 --> 0:34:44.520
<v Speaker 2>Mike Utura podcast network. Executive producers at iHeart are Leogo

0:34:44.560 --> 0:34:46.560
<v Speaker 2>Miz and Arlene Santana.

0:34:46.800 --> 0:34:48.320
<v Speaker 1>Join us again on our next episode.

0:34:48.360 --> 0:34:50.040
<v Speaker 2>In the meantime, I'll see you on all of our

0:34:50.080 --> 0:34:55.280
<v Speaker 2>social media and don't forget, dear listener, Join Futuro Plus.

0:34:55.560 --> 0:34:57.640
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0:34:57.200 --> 0:35:02.080
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0:35:02.160 --> 0:35:05.720
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0:35:08.200 --> 0:35:15.560
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