WEBVTT - The Fragile Thread

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<v Speaker 1>Mordeo is a production of I Heart Radio, Blumhouse Television,

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<v Speaker 1>and Crypto TV in association with Wolf at the Door.

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<v Speaker 1>I used to know the difference between the fact and fiction,

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<v Speaker 1>truth and untrue. But the thread separating our awakened lives

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<v Speaker 1>from my nightmares it's fragile. If you pull it, the

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<v Speaker 1>whole fabric of what you thought was real, it falls apart.

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<v Speaker 1>This is Mardale. Come on, don't toward me. Last pack. Thanks,

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<v Speaker 1>don't you quit? And then we burned a man's body

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<v Speaker 1>and I became an accessory to murder you. Okay, No,

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<v Speaker 1>I mean, Isaiah, you really expect me to believe any

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<v Speaker 1>of this? I need you to believe it. Can't listen.

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<v Speaker 1>I grew up in Salem, the Salem. I've heard some

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<v Speaker 1>crazy ship over the years. But when we're talking about now,

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<v Speaker 1>this isn't a ghost story. This is impossible. You don't

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<v Speaker 1>think I know that. You don't think I know hive sounds.

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<v Speaker 1>You don't think I've realized God, damn it. Sorry that's me.

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<v Speaker 1>I should have never brought you here. Yeah, well I'm here. Now.

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<v Speaker 1>Let's just start from the beginning again. You say you

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<v Speaker 1>hear these voices, and then what everything conveniently goes dark.

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<v Speaker 1>I swear, that's all I can remember before it happens,

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<v Speaker 1>except what. I can't help you unless you tell me everything.

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<v Speaker 1>The pain, it's the worse I've ever felt, even worse

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<v Speaker 1>than the I d okay, So after the voices, after

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<v Speaker 1>the blackouts, you just wake up to a trail of

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<v Speaker 1>dead bodies. Usually find the blood first. Usually, God, how

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<v Speaker 1>many people have you actually done this too? Just Paul,

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<v Speaker 1>He's he was the first, only a few animals before that.

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<v Speaker 1>What kind of animals there was a possible once? I

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<v Speaker 1>think only founders till these episodes. I guess I don't know. Cat.

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<v Speaker 1>If I knew, we wouldn't be in this fucking message.

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<v Speaker 1>You gotta give me something, Isaiah, anything. I guess. It's

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<v Speaker 1>worse when I'm tending, threatened, scared, and when I'm reminded

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<v Speaker 1>of the woods of Gate. The last moment I spent

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<v Speaker 1>with my brother. Yeah, just a love game. My leg stopped.

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<v Speaker 1>We lost as it. We're head of dweast. Like you said,

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<v Speaker 1>we'll run straight into the highway. If that was true,

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<v Speaker 1>we would have made it five days ago. It's still

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<v Speaker 1>following us and we need to keep moving. Let's say it.

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<v Speaker 1>I can't hear it. What are you talking about? It's

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<v Speaker 1>in my head? Whisps to me? Is it? Since the hell? Here? Hey?

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<v Speaker 1>You need to keep it together. I cannot do this, Loan,

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<v Speaker 1>I need you. What happens when you don't well? I'm

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<v Speaker 1>too much of a burden. I leave no man behind ever.

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<v Speaker 1>Come on, we'll keep heading these. Yeah, Isaiah? Is it?

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<v Speaker 1>Are you? I'm fine, It's fine. Sometimes I can stop it.

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<v Speaker 1>I don't know why do you think? And I'm not

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<v Speaker 1>trying to be a dismissive dick here, but could this

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<v Speaker 1>be some manifestation of PTSD? I'm a marine, I know PTSD,

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<v Speaker 1>and as someone who is also a marine, I'm saying

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<v Speaker 1>it's worth considering. What's more likely, Isaiah? That you have

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<v Speaker 1>trauma that's screwing with your mind, or that you become

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<v Speaker 1>something inhuman you can't contry roll. You think I could

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<v Speaker 1>do something like that to Paul of my own bare hands.

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<v Speaker 1>Maybe not your bare hands, considering the evulsion wounds. You're

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<v Speaker 1>not listening, cat. Whenever I've become it completely takes over.

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<v Speaker 1>I'm not me anymore. That's what scares me. I can't

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<v Speaker 1>stop it. Who keeps conne it's my boss. I'm supposed

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<v Speaker 1>to be at work an hour ago. The first day.

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<v Speaker 1>You need to answer what you need to go to work?

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<v Speaker 1>What am I gonna do? Pretend like I didn't just

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<v Speaker 1>collect the man his body parts from the woods, answert

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<v Speaker 1>the phone. Look, I don't know what to believe about

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<v Speaker 1>what's happening to you, but I do know if you

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<v Speaker 1>don't act like everything is pech keen, both of our

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<v Speaker 1>assets are getting thrown into prison for the rest of

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<v Speaker 1>our lives. You said yourself, there's no trail to us.

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<v Speaker 1>There's always a trail. Think about it. Another person's gone

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<v Speaker 1>missing and the town funk up who happened to be

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<v Speaker 1>the sole survivor of a mysterious disappearance in the woods,

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<v Speaker 1>is acting aloof skipping out on a new job you

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<v Speaker 1>financially depends on scene with an out of town or

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<v Speaker 1>who he puts up at the Bates Motel. Handsl and

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<v Speaker 1>Gretel could find us. Answering, Isaiah, answer it, there's nothing.

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<v Speaker 1>There's nothing. I understand what you're saying, But my husband's

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<v Speaker 1>been missing for over two months, and the mortgage doesn't

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<v Speaker 1>just stop me and do well. If the policy doesn't

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<v Speaker 1>cover something, like this. What exactly does it cover? Hey mom, Mom?

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<v Speaker 1>Why are the cops at Mr douglas house? What? I

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<v Speaker 1>don't know? Can you turn your show down please? So

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<v Speaker 1>so basically, you'll need his cold dead heart on a

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<v Speaker 1>platter before we can make a claim. Something bad must

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<v Speaker 1>have happened, Jocelyn, Please, I'm on the phone. And what

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<v Speaker 1>if the police aren't willing to report a presumed death,

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<v Speaker 1>there's nothing we can do. Of course, I want them

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<v Speaker 1>to find my husband, so you know what, can I

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<v Speaker 1>please talk to your supervisor. You've got an attitude problem

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<v Speaker 1>that I don't enough happy to deal with this morning.

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<v Speaker 1>Check the rear door and windows for signs of forest entry.

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<v Speaker 1>I want to know if anyone was in this house

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<v Speaker 1>besides Paul Douglas. Well, there can't let you go any

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<v Speaker 1>further but having to Mr Douglas. Oh, we're just checking

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<v Speaker 1>out his house to make sure there's nothing to worry about.

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<v Speaker 1>It sounds like a lot of cops to just check

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<v Speaker 1>out a house. You're Johnson right. My name is Detective Read.

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<v Speaker 1>I'm working on your dad's case. I know I've done

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<v Speaker 1>your parents and uncle a long time, since we we're

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<v Speaker 1>your age. I know that too. I heard they didn't

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<v Speaker 1>like you very much. Well, their grandpa, n Esto and

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<v Speaker 1>I used to be partners who seemed to get along

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<v Speaker 1>just fine. Hell special, do you think what happened my

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<v Speaker 1>dad happened to Mr Douglas. I think they are two

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<v Speaker 1>very different cases. They're both missing, though, aren't they. That's

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<v Speaker 1>why these police are here. You're observing. I always was too.

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<v Speaker 1>Let me ask you. Have you noticed anything weird around

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<v Speaker 1>here lately? What do you mean? Could be small of things,

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<v Speaker 1>anyone coming and going late at night, someone you know

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<v Speaker 1>that may say one thing but does another. It sounds

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<v Speaker 1>like you're trying to trick me into saying something I

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<v Speaker 1>didn't know I needed to. Now I'm thinking I do.

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<v Speaker 1>That's my mom. I should get back sure. Oh and Jocelyn,

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<v Speaker 1>so how do your uncle for me? Said sneaking inside

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<v Speaker 1>when the coast is clear? You don't understand why I

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<v Speaker 1>had to come along. Look, I'll be back as soon

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<v Speaker 1>as I can. You're the homicidal one, and somehow I'm

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<v Speaker 1>stuck hiding on the floor of your dirty escar. This

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<v Speaker 1>is bullshit, Mr Williams. I didn't expect this type of

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<v Speaker 1>unreliability from you. Mrs Marshall, I apologize, save your energy.

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<v Speaker 1>I'm too old for excuses and too tired for drama.

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<v Speaker 1>But if it happens again, you're fired. Get it? Yes? Good? Now?

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<v Speaker 1>This way? Is it always this dead? Closed for Labor Day?

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<v Speaker 1>I thought we'd take advantage of the daylight to show

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<v Speaker 1>you around the nooks and crannies, so you'll have to

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<v Speaker 1>get used to being here alone after hours. Everything looks

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<v Speaker 1>a little different in the dark. Layouts easy enough, four

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<v Speaker 1>wings connected off the main section. It's an old building,

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<v Speaker 1>so it'll creak and scare the but Jesus out of you.

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<v Speaker 1>Old girls like her and me like to play tricks.

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<v Speaker 1>These should get you to almost every door in the place.

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<v Speaker 1>Gonna need a sturdy belt for all those never believed

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<v Speaker 1>in the skeleton key of sorts. Nowhere to hide the skeletons.

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<v Speaker 1>Huh Isaiah, it was a joke, kid, right, Yeah, I

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<v Speaker 1>get this. Here is the surveillance room. Still got to

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<v Speaker 1>keep a close eye. Only the front and back entrances

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<v Speaker 1>record anything public funding for you, And what's behind that

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<v Speaker 1>door down there doesn't matter. Haven't given you a key

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<v Speaker 1>for the south wing yet? What's in there? We have

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<v Speaker 1>some artifacts that are historical, don't worry about that. For now.

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<v Speaker 1>You're welcome to any of the library's resources, as long

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<v Speaker 1>as I'm not re catalog and in the morning obviously,

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<v Speaker 1>no guests, coital or otherwise. Oh and you'll be armed,

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<v Speaker 1>just a stun gun, of course. I bought it personally,

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<v Speaker 1>for whoever I hired sheriff wouldn't approve one. But the

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<v Speaker 1>internet shut did I think that about does it? It's

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<v Speaker 1>no Smithsonian, but I think it means something. I hope

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<v Speaker 1>you find it means something to you too. I'll try

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<v Speaker 1>not to let you down, Mrs Marshall. I hope you won't.

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<v Speaker 1>I really do. Nor thirty eight O one O two

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<v Speaker 1>west eighty five h I'll be damned. All these roads

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<v Speaker 1>lead back to the manonga Hilla. But why these exact coordinates, Michelle, Hey, cap,

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<v Speaker 1>come take a look at this. Working on the Douglas case,

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<v Speaker 1>and I found this notebook full of time stamps and coordinates.

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<v Speaker 1>I think he was tracking something someone back to the

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<v Speaker 1>forest almost every night for the past month, Michelle. The

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<v Speaker 1>rest of it is written in some indigenous language. I

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<v Speaker 1>think might even be a code or something. I guess

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<v Speaker 1>he was something of a cons farishy theorist. Michelle I

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<v Speaker 1>just came by to see those DNA results for myself

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<v Speaker 1>from my son, right of course. Here, Uh, it's the

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<v Speaker 1>full report. I sent the backpack to the state investigators,

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<v Speaker 1>hoping they can help pinpoint the other said we couldn't

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<v Speaker 1>identify strange. I thought seeing it for myself and make

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<v Speaker 1>it easier, but it somehow makes me feel even worse.

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<v Speaker 1>I'm sorry, cap, Really, I had actually taken when you

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<v Speaker 1>told her you haven't informed. I only called you because

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<v Speaker 1>the results were inconclusive. I thought, as my mentor, as

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<v Speaker 1>your mentor, this is my son, I know, I just

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<v Speaker 1>my god, you wanted me to tell her? That's really

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<v Speaker 1>why you called. Are you that much of a coward?

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<v Speaker 1>Or you just that child? I didn't call her because

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<v Speaker 1>the results were inconclusive, but I guess I should have.

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<v Speaker 1>It was a lapse in judgment. Acting on your grudges

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<v Speaker 1>is not a lapse in judgment, Michelle. It's a lapsing character.

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<v Speaker 1>That's rich coming from you. Did you learn about character

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<v Speaker 1>while downing a bottle of jim bean? You inform her

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<v Speaker 1>today or I make a call to your father. Are

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<v Speaker 1>you serious? I'm not some sixteen year old prom queen.

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<v Speaker 1>I'm an officer of the law. Then act like it

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<v Speaker 1>Jesus the last time I claimed through with the this Elbert.

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<v Speaker 1>Then he gets with the beast. I'm loo getting tonight.

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<v Speaker 1>I won't get so young. The cameras at the door,

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<v Speaker 1>I recorded, and then I want to risky. No, I

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<v Speaker 1>agree the seven is the better. I'm just wondering how

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<v Speaker 1>anything in here is supposed to help us. Well, Mrs

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<v Speaker 1>Marshall hired me. She said something that I can't shake.

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<v Speaker 1>She said, our various survival depends on the history store

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<v Speaker 1>in this place. I can't have been the first one

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<v Speaker 1>and experience whatever happened out in the wood is right.

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<v Speaker 1>I mean, I'm not the first one to have something

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<v Speaker 1>follow me out. Somewhere in here. There could be answers.

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<v Speaker 1>We just need to find them. Hi. There, you've reached

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<v Speaker 1>Ashley's voicemail. Please leave a message, Ashley, It's Detective read Michelle. UM.

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<v Speaker 1>When you get a chance, I'd like you to come

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<v Speaker 1>down to the station. I have something important to discuss

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<v Speaker 1>with you, and it's now a good time, Ashley. Sorry,

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<v Speaker 1>I didn't mean to sneak up. One of the officers

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<v Speaker 1>told me I could come back and the doors open. No, yeah,

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<v Speaker 1>come in and have a seat. What brought you down here?

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<v Speaker 1>I came into ask about Gabe's case. I guess to

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<v Speaker 1>understand a little bit more about well about where we

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<v Speaker 1>go from here, what ticks back next? Maybe. I know

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<v Speaker 1>you keep saying that Hope is important, but the reality is,

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<v Speaker 1>you know he's not here, and practically speaking, I don't

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<v Speaker 1>know how long I can keep my life afloat on hope. Sorry,

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<v Speaker 1>I have a point in saying all this, It's just

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<v Speaker 1>it sounds so cold and calculated. Yeah, how did you?

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<v Speaker 1>First thing I looked for was Gabe's life insurance policy

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<v Speaker 1>spoke to motive in the case of foul play, no fans,

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<v Speaker 1>but the spouse is usually the first suspect. But I

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<v Speaker 1>suppose you found out they won't pay out on a

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<v Speaker 1>missing person. I shouldn't have come. I don't even know

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<v Speaker 1>what I'm asking for. Really, you're asking for answers. I'm

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<v Speaker 1>asking you to tell me my husband is dead. Ashley.

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<v Speaker 1>I was calling you to come down here because we

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<v Speaker 1>found something. On the last search. I found something found.

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<v Speaker 1>What we recovered a backpack. It had been significantly damaged,

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<v Speaker 1>no contents inside, but what there was a large amount

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<v Speaker 1>of blood. Blood. We we tested against the samples you

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<v Speaker 1>provided from Gabe's belongings and it was match. This is

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<v Speaker 1>the full report. H I came here to convince you,

0:18:07.200 --> 0:18:11.960
<v Speaker 1>to plead you to say he was dead, but I

0:18:12.080 --> 0:18:19.159
<v Speaker 1>never thought it was true. I thought I thought maybe

0:18:20.040 --> 0:18:30.640
<v Speaker 1>still come back. Oh God, he's not coming back. He's not, Ashley.

0:18:31.480 --> 0:18:34.639
<v Speaker 1>With the new evidence, I have enough to report Gabe

0:18:34.680 --> 0:18:38.880
<v Speaker 1>as a presumptive death. This would help you get everything

0:18:38.960 --> 0:18:44.920
<v Speaker 1>you need from his policy, but understand it would change

0:18:45.000 --> 0:18:52.080
<v Speaker 1>the nature of this case to a potential homicide. Homicide

0:18:53.680 --> 0:18:57.960
<v Speaker 1>you think someone did something to him. I can't say

0:18:58.000 --> 0:19:02.359
<v Speaker 1>for sure, but there is a huge gap in what

0:19:02.520 --> 0:19:06.439
<v Speaker 1>we know about what happened, and if I can be frank,

0:19:06.960 --> 0:19:09.440
<v Speaker 1>my gut is telling me that there's only one person

0:19:09.600 --> 0:19:16.640
<v Speaker 1>that can fill in that gap. You're talking about Isaiah. No,

0:19:16.640 --> 0:19:22.240
<v Speaker 1>no way. He wouldn't do anything to Gape. He's not

0:19:22.320 --> 0:19:25.600
<v Speaker 1>that kind of person. But he knows more than he's

0:19:25.640 --> 0:19:31.320
<v Speaker 1>told us. And I need to know why this is

0:19:31.400 --> 0:19:36.200
<v Speaker 1>low even for you, Ashley. If change in Gabe's case

0:19:36.240 --> 0:19:38.920
<v Speaker 1>status means you're trying to pin this on Isaiah, then

0:19:39.359 --> 0:19:42.040
<v Speaker 1>I don't want to beget any part of it. I'm

0:19:42.040 --> 0:19:44.679
<v Speaker 1>not helping you destroy him all over again. And what

0:19:44.760 --> 0:19:47.960
<v Speaker 1>if he does know something? To stop trying to stir

0:19:48.119 --> 0:19:53.240
<v Speaker 1>ship up just so you can feel important, stay away

0:19:53.240 --> 0:20:06.680
<v Speaker 1>from my family. UM wanted you show a cat. There's

0:20:06.680 --> 0:20:09.000
<v Speaker 1>a whole sectional apex predators over here. I think that's

0:20:09.000 --> 0:20:15.040
<v Speaker 1>worth anything. Cat here, Any luck on your end? Yeah,

0:20:15.280 --> 0:20:20.240
<v Speaker 1>I think so. I'll come to you. I found a

0:20:20.280 --> 0:20:21.920
<v Speaker 1>few books on this first settle that's here on a

0:20:22.040 --> 0:20:25.280
<v Speaker 1>Chris Falls. It sounds like the mananga hell of Force

0:20:25.680 --> 0:20:29.200
<v Speaker 1>was known for some which stuff I feel strivesly promising.

0:20:30.760 --> 0:20:36.280
<v Speaker 1>What's that? Would you describe your thoughts as disorganized or erratic?

0:20:37.440 --> 0:20:41.120
<v Speaker 1>I mean sure you have long periods of memory loss

0:20:41.200 --> 0:20:46.679
<v Speaker 1>or disassociation. Seriously, what are you reading auditory hallucinations the

0:20:46.720 --> 0:20:51.159
<v Speaker 1>feeling of being controlled? Let me see the diagnostic and

0:20:51.200 --> 0:20:57.439
<v Speaker 1>statistical manual mental disorders. If addition, do you think I'm schinsophrenic? Now? No,

0:20:57.760 --> 0:21:00.119
<v Speaker 1>but I think you should start accepting the possibility that

0:21:00.160 --> 0:21:02.480
<v Speaker 1>you're not possessed by some evil entity that takes control

0:21:02.520 --> 0:21:05.760
<v Speaker 1>of your body and makes some cute people. I'm not crazy.

0:21:06.160 --> 0:21:09.600
<v Speaker 1>Mental illness is real, Isaiah, and what I've been telling

0:21:09.640 --> 0:21:26.879
<v Speaker 1>you is real. Cats. Sorry, Gay, we've got the ration ration?

0:21:26.960 --> 0:21:33.040
<v Speaker 1>What wait less ship? What day is it? I saw

0:21:33.040 --> 0:21:36.440
<v Speaker 1>a patch Morrel's earlier. Once light hits, we can probably

0:21:36.480 --> 0:21:40.480
<v Speaker 1>find something for breakfast. Bro, it wants us to start.

0:21:41.320 --> 0:21:43.240
<v Speaker 1>God damn it. Could you knock it off with that ship?

0:21:47.119 --> 0:21:50.439
<v Speaker 1>Don't I know? You hate me? Okay, what are you

0:21:50.480 --> 0:21:54.000
<v Speaker 1>talking about? Na? No? No, I see you hate me

0:21:54.240 --> 0:21:57.480
<v Speaker 1>for ridding you out to Dad. I think your old

0:21:57.480 --> 0:21:59.320
<v Speaker 1>torch your life as my funk. But you're the one

0:21:59.359 --> 0:22:03.960
<v Speaker 1>who stole my prescription pass. Yeah, using her deaf your

0:22:03.960 --> 0:22:09.040
<v Speaker 1>old game. Our family needed that money. Ship. I hate

0:22:09.080 --> 0:22:13.960
<v Speaker 1>you too sometimes you know that I hate what you did,

0:22:14.760 --> 0:22:17.040
<v Speaker 1>and I'm glad that sent you the military school. You

0:22:17.119 --> 0:22:19.240
<v Speaker 1>got exactly what was coming to you, and you stepped

0:22:19.240 --> 0:22:23.800
<v Speaker 1>on that fucking bomb. Stop waste energy. You want to

0:22:23.840 --> 0:22:26.840
<v Speaker 1>go game and said that you want to leave your wife,

0:22:27.040 --> 0:22:33.680
<v Speaker 1>your daughter, You want to give up. They can smell

0:22:33.760 --> 0:22:37.760
<v Speaker 1>your fear. I say, make you smell your anger, your weakness.

0:22:37.960 --> 0:22:44.320
<v Speaker 1>You can't hide from them. Godemnica, we can hide, Bro,

0:22:45.720 --> 0:22:54.520
<v Speaker 1>that's nowhere to hide. It's real. Cat, I'm not crazy.

0:22:54.960 --> 0:23:00.440
<v Speaker 1>I never said you were crazy. Was that. It's coming

0:23:00.480 --> 0:23:04.720
<v Speaker 1>from the back hall. Don't walk towards it. Would you

0:23:04.720 --> 0:23:08.000
<v Speaker 1>go for help? I am help. Remember see a uniform?

0:23:08.160 --> 0:23:10.840
<v Speaker 1>God damn it. Maybe you should give me your gun.

0:23:10.880 --> 0:23:13.879
<v Speaker 1>I'm sure it's nothing. It's not what we find I

0:23:13.960 --> 0:23:16.280
<v Speaker 1>needed for you. This is the exact type of tense

0:23:16.320 --> 0:23:21.320
<v Speaker 1>situation you're described as a trigger. Wait, this is just

0:23:21.359 --> 0:23:23.440
<v Speaker 1>a stunt gun. You want to shoot me with a

0:23:23.480 --> 0:23:32.320
<v Speaker 1>real one? This way? H Wait that's impossible. Oh God?

0:23:32.440 --> 0:23:35.680
<v Speaker 1>What the door down the south wing is open? Did

0:23:35.680 --> 0:23:37.720
<v Speaker 1>you forget to lock it? I don't have a key,

0:23:37.800 --> 0:23:43.240
<v Speaker 1>but it was locked earlier today. This is security? Is

0:23:43.240 --> 0:23:47.919
<v Speaker 1>there anyone down there? This is your last warning. I

0:23:48.000 --> 0:23:54.200
<v Speaker 1>am fully armed and prepared to sue. Turning on the lights,

0:23:55.600 --> 0:24:01.520
<v Speaker 1>main calm. No one has to get hurt. M There's

0:24:01.560 --> 0:24:06.320
<v Speaker 1>no way, Jesus Christ. I'm gonna have a heart attack

0:24:06.400 --> 0:24:10.760
<v Speaker 1>before thirty. I wonder how this got open? What is

0:24:10.840 --> 0:24:14.960
<v Speaker 1>this place? Must be the historical society or car looks

0:24:15.000 --> 0:24:19.840
<v Speaker 1>like Edgar had in pose with dream, So this stuff

0:24:19.880 --> 0:24:23.240
<v Speaker 1>has to be centried on. I see what she meant

0:24:23.240 --> 0:24:29.560
<v Speaker 1>by a thing irreplaceable? Who firearms? Batman? I've never seen

0:24:29.560 --> 0:24:37.560
<v Speaker 1>a good old fashioned elephants gotten up close. These are antiques. Jesus.

0:24:39.000 --> 0:24:41.720
<v Speaker 1>This leaves to amazement of something to steal. Doors, scratched

0:24:41.720 --> 0:24:45.800
<v Speaker 1>and dented the ship. I say, y'all, come here. Now,

0:24:48.359 --> 0:24:52.840
<v Speaker 1>look at this skull. These antlers aren't early as hell,

0:24:53.640 --> 0:24:56.159
<v Speaker 1>No way, this thing is a deer though. Look at

0:24:56.160 --> 0:25:02.160
<v Speaker 1>the size of the teeth. Predator for sure. Okay, there

0:25:02.160 --> 0:25:07.520
<v Speaker 1>are drawings too, and almost human. Have you seen this?

0:25:07.600 --> 0:25:19.080
<v Speaker 1>I sea, I say, yea true hid hill, open the door.

0:25:19.640 --> 0:25:23.720
<v Speaker 1>Listen to me. Whatever you're feeling in in your head,

0:25:23.800 --> 0:25:54.480
<v Speaker 1>hidea hidea oh my god saying, can't be believing. It's

0:25:54.480 --> 0:25:58.680
<v Speaker 1>a lot. In the end, what helps us make sense

0:25:58.720 --> 0:26:17.440
<v Speaker 1>of the world is we choose to unsee next time

0:26:18.119 --> 0:26:24.400
<v Speaker 1>on more day. We can't run from this anymore. Take

0:26:24.480 --> 0:26:28.359
<v Speaker 1>my gun, you shoot, and you don't stop. If I

0:26:28.480 --> 0:26:30.480
<v Speaker 1>come for you, you take me out. That's in order.

0:26:31.880 --> 0:26:36.440
<v Speaker 1>Everything was my idea. I say, you're moving here the

0:26:36.720 --> 0:26:46.600
<v Speaker 1>fucking camping trip. I told him to God, please no.

0:26:55.359 --> 0:27:01.679
<v Speaker 1>I heart Radio. Blumhouse Television and Crypt TV an association

0:27:02.080 --> 0:27:07.320
<v Speaker 1>with Wolfe at the Door present or Dale Executive produced

0:27:07.400 --> 0:27:13.840
<v Speaker 1>by Jack Davis, Kate Krantz, Darren Brandon, Jason Blum, Chris Dickey,

0:27:14.480 --> 0:27:20.840
<v Speaker 1>Matt Frederick, and Alex Williams. Written by Caitlin Crabb, directed

0:27:20.880 --> 0:27:27.479
<v Speaker 1>by Alex Kemp, Produced by Toby Lawless, Winnie Kemp, Daniel

0:27:27.520 --> 0:27:34.960
<v Speaker 1>Person's co producers ben So Tack, Anthony Magnolo, Associate producer

0:27:35.440 --> 0:27:42.520
<v Speaker 1>Federico Trago. Starring j L. Fons, Nicholson as Isaiah, Ashley

0:27:42.600 --> 0:27:50.600
<v Speaker 1>Platts as Ashley, Olivia Lott as Jocelyn Yvonne as Michelle,

0:27:51.960 --> 0:27:59.800
<v Speaker 1>with performances by Real Michael Scott, Tacy Adams, Ariella Amar Jamie,

0:28:00.040 --> 0:28:06.959
<v Speaker 1>Joseph kim Estes, Patty Wilkins. Sound designed by Dean Hovey.

0:28:07.800 --> 0:28:14.000
<v Speaker 1>Original score by Christopher Kimp, Mixing by Mark Scarce, Edited

0:28:14.080 --> 0:28:20.800
<v Speaker 1>by Fernando Diaz, Assistant engineer Noah Sour. Recorded at Wolf

0:28:20.840 --> 0:28:27.720
<v Speaker 1>at the Door Studios. Casting consultant Michelle LeWitt, Production assistants

0:28:28.000 --> 0:28:34.840
<v Speaker 1>Hailey mckechney and Sophia Gilberto, studio teacher Pearl Hika, Writing

0:28:34.880 --> 0:28:40.800
<v Speaker 1>assistant Bill Hanson. This podcast was recorded under a SAG

0:28:40.960 --> 0:28:45.840
<v Speaker 1>after collective bargaining agreement. Mordeo is a production of I

0:28:46.000 --> 0:28:51.680
<v Speaker 1>Heart Radio Blumhouse Television Crypt TV. For more podcasts from

0:28:51.720 --> 0:28:56.320
<v Speaker 1>I heart Radio, visit the I heart Radio app, Apple Podcasts,

0:28:57.280 --> 0:28:59.640
<v Speaker 1>or wherever you listen to your favorite shows.