1
00:00:00,720 --> 00:00:03,080
Speaker 1: Welcome to Drink Champs, the production of The Black Effect

2
00:00:03,160 --> 00:00:18,760
Speaker 1: and I heart radio and it's Drink chas motherfucking podcast.

3
00:00:19,280 --> 00:00:22,480
Speaker 1: He's a legendary queen's rapper. He's Segre is your boy

4
00:00:22,520 --> 00:00:25,759
Speaker 1: in O R. He's a Miami hippop pioneer. One up

5
00:00:25,840 --> 00:00:28,520
Speaker 1: his DJ E f N. Together they drink it up

6
00:00:28,520 --> 00:00:32,000
Speaker 1: with some of the biggest players in the most professional

7
00:00:32,240 --> 00:00:36,640
Speaker 1: unprofessional podcast and yet number one source for drunk fast drinks.

8
00:00:36,680 --> 00:00:42,040
Speaker 1: Mother New Year's time for Drink Champs, Drink up for

9
00:00:42,200 --> 00:00:50,599
Speaker 1: the would it could be hoping? Who should be your

10
00:00:50,640 --> 00:00:52,760
Speaker 1: boy in O R? E one U his DJ E

11
00:00:52,920 --> 00:00:56,520
Speaker 1: f N. This crazy roll Drink Chaps Happy Hour makes

12
00:00:56,640 --> 00:01:05,360
Speaker 1: up That is brother Right here. They said God is

13
00:01:05,400 --> 00:01:08,560
Speaker 1: always on time, and I think right now drink cance.

14
00:01:08,640 --> 00:01:13,200
Speaker 1: With all we've been to, we need he is on

15
00:01:13,520 --> 00:01:18,440
Speaker 1: time to get him. For years, women didn't each other

16
00:01:18,440 --> 00:01:20,319
Speaker 1: seeing each other and telling him how much we wanted

17
00:01:20,400 --> 00:01:23,080
Speaker 1: him on. But I mean, it feels it feels so

18
00:01:23,240 --> 00:01:27,240
Speaker 1: right right now. I've been going through his catalog, going

19
00:01:27,280 --> 00:01:30,280
Speaker 1: through everything, and I just discover something. If and you

20
00:01:30,319 --> 00:01:33,040
Speaker 1: know how I like to compare you know, artists to

21
00:01:33,120 --> 00:01:35,920
Speaker 1: superheroes and things like that. I have a perfect superhero

22
00:01:36,040 --> 00:01:38,080
Speaker 1: who I'm gonna say who I think he is in

23
00:01:38,120 --> 00:01:41,839
Speaker 1: the comedian world because the way he delivers a story,

24
00:01:43,520 --> 00:01:51,360
Speaker 1: I call him the slick Rick of comedy. Nice. I

25
00:01:51,440 --> 00:01:56,400
Speaker 1: didn't see that of comedy. How he could tell a

26
00:01:56,480 --> 00:01:59,280
Speaker 1: story on his Instagram stories. He can tell the story however,

27
00:01:59,320 --> 00:02:04,480
Speaker 1: each other story I cannot. I missed meetings because I'm

28
00:02:04,520 --> 00:02:06,360
Speaker 1: in the middle of him telling this story and I'm like,

29
00:02:06,600 --> 00:02:09,760
Speaker 1: I can't, I can't walk away. Like it's like it's

30
00:02:09,760 --> 00:02:19,560
Speaker 1: like a good car crash crash man, countless movies, count actor, comedian,

31
00:02:19,800 --> 00:02:22,079
Speaker 1: Right up, dude, he the man does it at all.

32
00:02:22,320 --> 00:02:25,359
Speaker 1: Renaissance man, thank you. And he's still out here relevant,

33
00:02:25,440 --> 00:02:27,840
Speaker 1: still out here doing how to stretch in two God

34
00:02:27,880 --> 00:02:31,320
Speaker 1: damn it, he's still outside. Come on my side, outside,

35
00:02:31,360 --> 00:02:33,320
Speaker 1: and he taught you, motherfucker's how to be the player.

36
00:02:34,040 --> 00:02:37,000
Speaker 1: And your motherfucker's didn't watch the movie because you're out

37
00:02:37,000 --> 00:02:40,600
Speaker 1: here not being places. You don't know what the we're

38
00:02:40,600 --> 00:02:51,760
Speaker 1: talking about. The one. The way you put a story

39
00:02:51,800 --> 00:02:55,280
Speaker 1: together and the way when you put the people that's

40
00:02:55,320 --> 00:02:58,359
Speaker 1: in the story, how you how you put It's like

41
00:02:59,000 --> 00:03:02,960
Speaker 1: it's like it's like scripted comedy it's just you talking. Yeah,

42
00:03:03,040 --> 00:03:05,440
Speaker 1: it's it's It's crazy how I've been able to get

43
00:03:05,560 --> 00:03:08,320
Speaker 1: really good at that. But my life is so colorful,

44
00:03:08,360 --> 00:03:10,600
Speaker 1: Like you know, people sleep on all the connects. You know,

45
00:03:10,639 --> 00:03:13,000
Speaker 1: I've been in the game of all time. I know

46
00:03:13,320 --> 00:03:18,400
Speaker 1: everybody came up with mostly everybody that's made now, people

47
00:03:18,480 --> 00:03:21,360
Speaker 1: that stars that you don't remember jay Z before he

48
00:03:21,440 --> 00:03:24,960
Speaker 1: was jay Z y'all saying, you know, puff Daddy is love.

49
00:03:25,080 --> 00:03:29,200
Speaker 1: I was there when he was just Sean, like you know,

50
00:03:29,360 --> 00:03:31,440
Speaker 1: when he was doing his thing, coming up with his

51
00:03:31,520 --> 00:03:34,200
Speaker 1: with the Bad Boy entertainment and all that. Like they

52
00:03:34,200 --> 00:03:36,600
Speaker 1: don't realize they wasn't in New York at that time.

53
00:03:36,920 --> 00:03:39,880
Speaker 1: So like when I flashback in my life and I'll

54
00:03:39,920 --> 00:03:42,839
Speaker 1: be thinking, like, yo, what about that? And I during

55
00:03:42,920 --> 00:03:45,640
Speaker 1: COVID it was nothing to do so your girl, I

56
00:03:45,720 --> 00:03:53,440
Speaker 1: want ye. No, it's no, it's literally, it's a true story.

57
00:03:54,200 --> 00:04:01,440
Speaker 1: You want me to tell it, So it's it's it's

58
00:04:01,560 --> 00:04:07,000
Speaker 1: literally the nineteen Video Music Awards. We're in New York,

59
00:04:07,280 --> 00:04:10,040
Speaker 1: the after parties in Brand Park and this is, by

60
00:04:10,040 --> 00:04:12,920
Speaker 1: the way, this is the War show where pox step

61
00:04:12,960 --> 00:04:17,560
Speaker 1: to na It's this is when Bad Boy. So this

62
00:04:17,640 --> 00:04:21,640
Speaker 1: girl told us by the way. This girl must have

63
00:04:21,680 --> 00:04:26,120
Speaker 1: done something really up so cool, right, So it's a

64
00:04:26,120 --> 00:04:28,560
Speaker 1: lot of tension in New York City. This is like

65
00:04:28,600 --> 00:04:31,640
Speaker 1: when Snoop Snoop had the video when they stepped on

66
00:04:31,680 --> 00:04:36,080
Speaker 1: New York everybody was going crazy. So now backstage, this

67
00:04:36,120 --> 00:04:39,960
Speaker 1: is when they had crews that were separated, like they

68
00:04:39,960 --> 00:04:42,640
Speaker 1: can't mix. Everybody's over here. The attention. It's real grazy.

69
00:04:43,240 --> 00:04:45,599
Speaker 1: It was crazy, you know, my little happy ass in

70
00:04:45,640 --> 00:04:48,640
Speaker 1: the middle doing the video presentation. Ship. So I had

71
00:04:48,680 --> 00:04:50,800
Speaker 1: met this real fly chick in New York at the

72
00:04:50,839 --> 00:04:53,280
Speaker 1: time at a part of Model Joint. You know, you

73
00:04:53,360 --> 00:04:57,080
Speaker 1: know cats always want to model Joint. When you start

74
00:04:57,080 --> 00:05:00,920
Speaker 1: getting you got to have that strong. So I had

75
00:05:00,960 --> 00:05:03,080
Speaker 1: met this real bad little shorty at the at the

76
00:05:03,160 --> 00:05:05,160
Speaker 1: party and I was like, yo, you know I'm doing

77
00:05:05,440 --> 00:05:07,560
Speaker 1: the little MTV Awards in a couple of weeks. You

78
00:05:07,560 --> 00:05:11,280
Speaker 1: want to flow with me? And she was like yeah,

79
00:05:11,920 --> 00:05:16,560
Speaker 1: MTV chat. So she comes, letting Mode out pick her

80
00:05:16,640 --> 00:05:18,360
Speaker 1: up in New York. We go, we get to the

81
00:05:18,400 --> 00:05:20,440
Speaker 1: party and I'm thinking, in the back of my mind,

82
00:05:20,520 --> 00:05:23,960
Speaker 1: it's gonna be a great night. Be just because it's sexy.

83
00:05:24,279 --> 00:05:27,440
Speaker 1: I'm not bad. I got a baddy Whitny likes good.

84
00:05:27,520 --> 00:05:31,039
Speaker 1: So I come into brand Park literally right like walking

85
00:05:31,960 --> 00:05:34,360
Speaker 1: and I'm coming going towards the bar. I'm about to

86
00:05:34,360 --> 00:05:37,440
Speaker 1: get a drinking ship. And around the corner come Puff

87
00:05:37,920 --> 00:05:40,400
Speaker 1: with like ten niggers like like they and they sty

88
00:05:41,080 --> 00:05:43,880
Speaker 1: they come around the corner, didn't Puff turn and he

89
00:05:44,080 --> 00:05:47,240
Speaker 1: see me and I'm like, yo, like I'm thinking, like

90
00:05:47,279 --> 00:05:49,200
Speaker 1: he getting ready to say what. He was like, Yo,

91
00:05:50,240 --> 00:05:55,840
Speaker 1: I've been waiting to see you. And I was like me, now,

92
00:05:56,160 --> 00:06:00,440
Speaker 1: be not you yo, And I said, oh you. She

93
00:06:00,640 --> 00:06:02,720
Speaker 1: was like why me? He was like, you know what

94
00:06:02,760 --> 00:06:06,160
Speaker 1: you did? You know what's up? And I'm like, please

95
00:06:07,400 --> 00:06:10,600
Speaker 1: tell me what's uped because you're messing up my date.

96
00:06:11,200 --> 00:06:13,520
Speaker 1: I'm thinking I'm gonna have a great night. This chick

97
00:06:13,839 --> 00:06:18,080
Speaker 1: is looking good. Now It's a complete one runs from

98
00:06:18,080 --> 00:06:20,520
Speaker 1: the beginning of Bro. Everything was going good to a

99
00:06:20,520 --> 00:06:23,839
Speaker 1: puff came so Puff say, Yo, you know what happened

100
00:06:23,839 --> 00:06:26,760
Speaker 1: with my man? You got my man stuck up? I said,

101
00:06:27,440 --> 00:06:32,200
Speaker 1: you're stick up chick, a model model yo. Yo. But

102
00:06:32,279 --> 00:06:35,320
Speaker 1: you know listen before CARDI b you know no, this

103
00:06:35,440 --> 00:06:38,760
Speaker 1: is like early ninety five where Ticks was getting sticking

104
00:06:38,800 --> 00:06:41,560
Speaker 1: up cats like you know, they find and so they

105
00:06:41,560 --> 00:06:43,200
Speaker 1: get you over there and get you drunk, and then

106
00:06:43,200 --> 00:06:45,880
Speaker 1: they act like they don't know you're getting robbed by

107
00:06:45,920 --> 00:06:49,719
Speaker 1: the people. It's weird. So anyway, cut speed the story up.

108
00:06:49,760 --> 00:06:51,360
Speaker 1: Pup It's like, yo, you know what happened. I want

109
00:06:51,360 --> 00:06:53,240
Speaker 1: my man get his money back and get his chain back.

110
00:06:53,520 --> 00:06:55,919
Speaker 1: And she was like, I ain't doing anything. I ain't

111
00:06:55,920 --> 00:06:57,680
Speaker 1: doing anything. I don't know what you're talking about. He

112
00:06:57,760 --> 00:06:59,960
Speaker 1: was like, all my life, you're gonna get my man

113
00:07:00,000 --> 00:07:01,760
Speaker 1: and ship back to night. And I was like, please

114
00:07:01,800 --> 00:07:05,280
Speaker 1: get this man ship back because I want my night

115
00:07:05,360 --> 00:07:08,159
Speaker 1: to go good. Puppets like, be, this ain't what you want.

116
00:07:08,160 --> 00:07:10,680
Speaker 1: I promise you. I promise you this. This chick right

117
00:07:10,680 --> 00:07:12,840
Speaker 1: here is a problem. And I was just like, God,

118
00:07:14,440 --> 00:07:17,480
Speaker 1: getting the problem be tomorrow because I'm thinking we're gonna

119
00:07:17,480 --> 00:07:19,640
Speaker 1: have a good time. So I just said, you know what, man,

120
00:07:19,720 --> 00:07:22,200
Speaker 1: this ship is way over my pay grade. Like I'm

121
00:07:22,240 --> 00:07:24,320
Speaker 1: not trying to I just met you at a party

122
00:07:24,400 --> 00:07:26,920
Speaker 1: two weeks ago. Now you got me and some ship

123
00:07:26,960 --> 00:07:29,400
Speaker 1: with my people's that I'm already cool with over some

124
00:07:29,440 --> 00:07:31,760
Speaker 1: other ship I ain't even do. I just walked into

125
00:07:31,800 --> 00:07:35,000
Speaker 1: brand Park. I just left him. I haven't seen this

126
00:07:35,080 --> 00:07:37,160
Speaker 1: girl from do you remember, I can't tell you gonna

127
00:07:37,200 --> 00:07:42,840
Speaker 1: figure that out? I don't want to know she watching

128
00:07:42,880 --> 00:07:45,960
Speaker 1: this that alright, So what you're drinking on? Let's just

129
00:07:46,000 --> 00:07:47,960
Speaker 1: let's get what are you drinking on? Because we're gonna.

130
00:07:48,120 --> 00:07:51,800
Speaker 1: I'm having a v but I got vodka, I got

131
00:07:51,800 --> 00:07:55,400
Speaker 1: you got out shot through. Yeah, what you do? You're

132
00:07:55,400 --> 00:07:59,360
Speaker 1: gonna be both both because if I do no, no, no,

133
00:07:59,480 --> 00:08:01,800
Speaker 1: I'm gonna I'm gonna I'm gonna do champagn I'm gonna champagne.

134
00:08:01,840 --> 00:08:04,560
Speaker 1: You do a champagne. Yeah yeah, yeah, yeah, yeah, please

135
00:08:04,600 --> 00:08:11,200
Speaker 1: thank you? So um okay every time, uh for the

136
00:08:11,040 --> 00:08:12,880
Speaker 1: for As soon as we locked you in, I said, yeah,

137
00:08:12,880 --> 00:08:16,760
Speaker 1: we gotta belloy. Immediately people say how to be a plan? Yeah?

138
00:08:16,920 --> 00:08:21,480
Speaker 1: Is that something that because you know, it's like it's

139
00:08:21,480 --> 00:08:25,720
Speaker 1: like the All Hospital, right, Like you don't you don't.

140
00:08:25,720 --> 00:08:28,120
Speaker 1: You literally don't want to see the All Hospital as

141
00:08:28,160 --> 00:08:31,160
Speaker 1: nobody else right because it's not. That's not a disrespect

142
00:08:31,160 --> 00:08:36,240
Speaker 1: to him, that it is not. And it reminded me

143
00:08:36,280 --> 00:08:40,080
Speaker 1: from from young people to meeting people. As soon as

144
00:08:40,080 --> 00:08:43,080
Speaker 1: I said that, they said, that is that something that

145
00:08:43,080 --> 00:08:45,719
Speaker 1: that bothers you? Because you got nothing? So many other

146
00:08:46,000 --> 00:08:48,040
Speaker 1: no It's just one of those I think, how to

147
00:08:48,040 --> 00:08:50,920
Speaker 1: be a player just one of those roles that every

148
00:08:50,960 --> 00:08:54,040
Speaker 1: young male could relate to or wanted to be like that,

149
00:08:54,000 --> 00:08:56,199
Speaker 1: to have that moment where you got all the chicks

150
00:08:56,240 --> 00:08:58,160
Speaker 1: and you got the fly crib in the right car

151
00:08:58,280 --> 00:09:01,679
Speaker 1: in your life is good. So that feeling is what

152
00:09:01,760 --> 00:09:04,720
Speaker 1: I think people associate me with because the way I

153
00:09:04,760 --> 00:09:07,200
Speaker 1: was able to deliver the role was like I made

154
00:09:07,200 --> 00:09:09,000
Speaker 1: it fun to be a player. I wasn't an asshole

155
00:09:09,040 --> 00:09:10,920
Speaker 1: about it, you know what I'm saying. I was showing

156
00:09:10,960 --> 00:09:13,280
Speaker 1: cats how many chicks I had in the day. I'm

157
00:09:13,280 --> 00:09:15,840
Speaker 1: bringing my boys with me. I got the nice whip,

158
00:09:15,920 --> 00:09:19,160
Speaker 1: you know, the little droptop joint, and I'm getting paper

159
00:09:19,160 --> 00:09:20,400
Speaker 1: a little bit, you know what I mean. So I

160
00:09:20,440 --> 00:09:23,480
Speaker 1: think just the whole sort of world of a player,

161
00:09:23,600 --> 00:09:26,719
Speaker 1: and uh, I think at that time we hadn't had

162
00:09:26,720 --> 00:09:29,080
Speaker 1: that many guys that we're doing that kind of a

163
00:09:29,200 --> 00:09:32,680
Speaker 1: role and made it relatable, like you could see yourself

164
00:09:32,720 --> 00:09:34,560
Speaker 1: and me, you know what I mean. So I think

165
00:09:35,000 --> 00:09:37,160
Speaker 1: every day somebody bring up how to be a player. Yo.

166
00:09:37,200 --> 00:09:39,560
Speaker 1: You told me how to get girls, yo, be male?

167
00:09:39,880 --> 00:09:41,520
Speaker 1: I mean I was living through you when I was

168
00:09:41,600 --> 00:09:44,640
Speaker 1: fourteen now I'm thirty four, Like it's a trip. How

169
00:09:44,679 --> 00:09:48,079
Speaker 1: movies lock you in? Right? So now we also want

170
00:09:48,080 --> 00:09:51,360
Speaker 1: to get into this famous story because I believe everyone

171
00:09:51,440 --> 00:09:54,720
Speaker 1: speculated about this story. Everyone thought it happened. But the

172
00:09:54,760 --> 00:09:57,280
Speaker 1: first time the confirmation that we ever got from a

173
00:09:57,360 --> 00:09:59,360
Speaker 1: person that wasn't on the left side on the right

174
00:09:59,400 --> 00:10:05,440
Speaker 1: side was Jamie Fox. L Oh, yeah, yeah. So the

175
00:10:05,440 --> 00:10:08,959
Speaker 1: only reason I told that story, Nori, honestly because I've

176
00:10:08,960 --> 00:10:13,120
Speaker 1: seen Jamie tell one side, then I've seen l tell

177
00:10:13,280 --> 00:10:15,720
Speaker 1: his side, and they left me out the middle, and

178
00:10:15,760 --> 00:10:18,600
Speaker 1: they left a lot out and I'm like, okay, since

179
00:10:18,600 --> 00:10:20,960
Speaker 1: they I sat on the story for twenty some years

180
00:10:21,040 --> 00:10:24,120
Speaker 1: because it was hilarious at the time that this really

181
00:10:24,120 --> 00:10:26,840
Speaker 1: truly happened. We had no social media for people that

182
00:10:26,880 --> 00:10:29,680
Speaker 1: are watching and listening, we are on the set at

183
00:10:29,679 --> 00:10:33,320
Speaker 1: any given Sunday, nin what are they method acting? Or

184
00:10:33,360 --> 00:10:36,720
Speaker 1: this was like because you know, because they don't. Only

185
00:10:36,720 --> 00:10:38,560
Speaker 1: in life you hear about these people that method act,

186
00:10:38,679 --> 00:10:42,160
Speaker 1: right and for those things not listening. Method acting is

187
00:10:42,360 --> 00:10:44,559
Speaker 1: a person that locks in on this character and they

188
00:10:44,640 --> 00:10:48,000
Speaker 1: never break the role. They still the kind of like

189
00:10:48,200 --> 00:10:53,080
Speaker 1: really gassed up thinking there was football players. Everybody was

190
00:10:53,160 --> 00:10:55,840
Speaker 1: gassed everybody. Okay, okay, you know I was gassed up

191
00:10:55,880 --> 00:10:58,160
Speaker 1: to until I got hit and I was like, no,

192
00:10:58,360 --> 00:11:00,840
Speaker 1: I don't leave my stunt double do that. That was

193
00:11:00,920 --> 00:11:04,000
Speaker 1: that That was that one't hurt. But the reality of

194
00:11:04,040 --> 00:11:08,240
Speaker 1: the movie was it was the context was conflict of

195
00:11:08,440 --> 00:11:11,439
Speaker 1: agos with these players. Right, I was the all star,

196
00:11:11,840 --> 00:11:15,920
Speaker 1: you know sort of uh terall Owen's character Dion Sanders,

197
00:11:16,000 --> 00:11:19,000
Speaker 1: you know, I'm the wild Aluram right, boom, you got

198
00:11:19,480 --> 00:11:23,280
Speaker 1: l l who's playing like the tried and true veteran

199
00:11:23,679 --> 00:11:28,800
Speaker 1: running back fullback guy Marlin. Yeah, there you go. Then

200
00:11:28,800 --> 00:11:31,240
Speaker 1: you get this new cat coming in. You know, you're

201
00:11:31,360 --> 00:11:34,720
Speaker 1: Terry Bridgewater or you you got you. Maybe I'm gonna

202
00:11:34,720 --> 00:11:39,440
Speaker 1: give you a better example, maybe like Marl Jackson. You

203
00:11:39,480 --> 00:11:42,480
Speaker 1: know I had dinner with Mike Vick last night that

204
00:11:43,960 --> 00:11:50,560
Speaker 1: you know, like Mike Vick, come in. He that dude,

205
00:11:50,600 --> 00:11:53,320
Speaker 1: he changing the game. He's giving us another edge and

206
00:11:53,320 --> 00:11:57,400
Speaker 1: he not really tying into the vest. He doing his

207
00:11:57,480 --> 00:11:59,640
Speaker 1: own things. So it's conflict and that was the context.

208
00:11:59,800 --> 00:12:03,800
Speaker 1: But doing the movie, we are joking around. This is

209
00:12:03,840 --> 00:12:06,240
Speaker 1: how the ship really started getting kind of tight, because

210
00:12:06,240 --> 00:12:09,400
Speaker 1: you you can't be a rapper hanging around comedians trying

211
00:12:09,400 --> 00:12:12,559
Speaker 1: to snap you. You you're not gonna keep snapping. You're

212
00:12:12,559 --> 00:12:16,000
Speaker 1: not gonna lose up around so you know, and Todd

213
00:12:16,160 --> 00:12:19,000
Speaker 1: is my man. You know Todd, you know he played

214
00:12:19,280 --> 00:12:27,040
Speaker 1: over here l cool. J my man, we're just born

215
00:12:27,280 --> 00:12:33,280
Speaker 1: lick your lips twice. He literally, you know, got a

216
00:12:33,280 --> 00:12:35,400
Speaker 1: great sense of humor. He plays around the stuff. But

217
00:12:35,400 --> 00:12:39,320
Speaker 1: then they jabbing. They're jabbing and they're jabbing, and I'm like, yo, man, Jamie,

218
00:12:39,320 --> 00:12:41,360
Speaker 1: why do you keep working with him like that? Like, yo,

219
00:12:41,520 --> 00:12:44,200
Speaker 1: you just you got him twice yesterday, but like he's up.

220
00:12:44,559 --> 00:12:47,520
Speaker 1: I'm telling you that's my dude. He don't play like that.

221
00:12:47,800 --> 00:12:49,920
Speaker 1: Stop working with him. I'm just saying, do what you

222
00:12:49,960 --> 00:12:52,800
Speaker 1: wanna do. But I'm telling you, he ain't that one cool.

223
00:12:52,960 --> 00:12:56,000
Speaker 1: So they keep boom boom boom. Ha ha ha. So

224
00:12:56,040 --> 00:12:58,000
Speaker 1: now they so now we're get into this race. This

225
00:12:58,080 --> 00:13:03,120
Speaker 1: is in the movie where we're talking trash again about

226
00:13:03,120 --> 00:13:06,600
Speaker 1: who's an athlete, who's a real athlete? And I played basketball.

227
00:13:06,600 --> 00:13:08,440
Speaker 1: I never played football. So I was like, yo, I've

228
00:13:08,480 --> 00:13:10,880
Speaker 1: been an athlete my whole life. Played baseball, play football,

229
00:13:11,000 --> 00:13:15,480
Speaker 1: never played play baseball and basketball. Never played motherfucking football.

230
00:13:15,520 --> 00:13:18,680
Speaker 1: It was too skinny. So this is this is the

231
00:13:18,800 --> 00:13:23,040
Speaker 1: line of crazy line. Right. So Jamie was like, yo,

232
00:13:23,240 --> 00:13:26,960
Speaker 1: um so, l you ever played football? He was like, nah,

233
00:13:27,400 --> 00:13:29,960
Speaker 1: I was. I was. I was on tour at sixteen seventeen.

234
00:13:29,960 --> 00:13:36,800
Speaker 1: He was coming to see me. That was it. So

235
00:13:37,080 --> 00:13:39,720
Speaker 1: it wasn't because their character. It was just funny. It

236
00:13:39,840 --> 00:13:43,959
Speaker 1: was fun and games like it's like just poking the

237
00:13:44,040 --> 00:13:47,440
Speaker 1: bear little bit. It wasn't serious, right, so we all laughing.

238
00:13:47,480 --> 00:13:49,480
Speaker 1: You got all the real football players and we all

239
00:13:49,559 --> 00:13:53,280
Speaker 1: huddled around talking ship and uh so Jamie was like, yeah,

240
00:13:53,280 --> 00:13:55,240
Speaker 1: were you a real athlete? He was like he was

241
00:13:55,280 --> 00:13:57,360
Speaker 1: like what you mean? He was like, yo, like I

242
00:13:57,440 --> 00:14:01,240
Speaker 1: played football, Like I really played football, and that he

243
00:14:01,320 --> 00:14:04,080
Speaker 1: really did cool right, So he was like, no, I

244
00:14:04,120 --> 00:14:06,120
Speaker 1: never I was. I didn't play football. You know what

245
00:14:06,160 --> 00:14:09,280
Speaker 1: I'm saying. I came into game fourteen fifteen, I was

246
00:14:09,320 --> 00:14:12,840
Speaker 1: on tour. What was you doing in the eighth grade? Oh?

247
00:14:13,480 --> 00:14:17,520
Speaker 1: Pop pop? Not everybody, and you know we're putting gas on.

248
00:14:20,720 --> 00:14:23,600
Speaker 1: So that was the beginning of the kind of like

249
00:14:23,840 --> 00:14:29,120
Speaker 1: the friction cool. So we're thinking it's kind of chilled

250
00:14:29,200 --> 00:14:31,680
Speaker 1: or not, but it wasn't. So now we're doing the

251
00:14:31,800 --> 00:14:35,280
Speaker 1: scene and technically in the scene when you watched the movie,

252
00:14:35,520 --> 00:14:38,680
Speaker 1: we're really supposed to be bickering and ship coming off

253
00:14:38,680 --> 00:14:41,920
Speaker 1: the field. There's a bad play and we The funniest

254
00:14:41,920 --> 00:14:44,840
Speaker 1: ship was he's saying line, I said a line, north line,

255
00:14:44,920 --> 00:14:46,960
Speaker 1: and then he's said a line and then I waiting

256
00:14:47,000 --> 00:14:50,120
Speaker 1: on my line. Bro. That never had he never got

257
00:14:50,120 --> 00:14:52,920
Speaker 1: that line. I never got the talk because they just

258
00:14:52,920 --> 00:14:58,080
Speaker 1: started fighting. Like it was like saying, what by the

259
00:14:58,120 --> 00:15:02,479
Speaker 1: way to see this man to see? So the craziest

260
00:15:02,520 --> 00:15:06,760
Speaker 1: ship is he does it in a way that you

261
00:15:06,800 --> 00:15:10,720
Speaker 1: can't really tell if it's a He hits it side

262
00:15:10,720 --> 00:15:12,800
Speaker 1: of his helmet though. So he's talking to line, he's

263
00:15:12,800 --> 00:15:15,560
Speaker 1: saying his line, He's like boom, and you know that's

264
00:15:15,560 --> 00:15:17,360
Speaker 1: what we call that an ear hole, Like that's that's

265
00:15:17,360 --> 00:15:22,720
Speaker 1: crazy because you it's like cool. So Jamie's like, damn, man,

266
00:15:22,760 --> 00:15:25,160
Speaker 1: you don't have to do that. Damn bro, what's up? Like,

267
00:15:25,160 --> 00:15:26,640
Speaker 1: what's what your ear hold me for? He was like,

268
00:15:27,080 --> 00:15:29,080
Speaker 1: you know what you're doing, but I'm in my scene.

269
00:15:29,440 --> 00:15:32,600
Speaker 1: I ain't tripping. I mean what you're talking about, be

270
00:15:32,880 --> 00:15:35,800
Speaker 1: go ahead and let's shoot the scene again. And I'm like, yo, man,

271
00:15:35,840 --> 00:15:38,560
Speaker 1: you might want to buckle up because I feel I

272
00:15:38,560 --> 00:15:40,360
Speaker 1: feel like it's a little more on it than next

273
00:15:40,480 --> 00:15:44,560
Speaker 1: second scene. I was like, first of all, I'm never

274
00:15:44,600 --> 00:15:47,880
Speaker 1: getting to my line because it's never They're never gonna

275
00:15:47,880 --> 00:15:50,720
Speaker 1: get to my life every time. And I'm about to

276
00:15:50,760 --> 00:15:59,040
Speaker 1: talk so ship. So he takes his helmet off. Jamie's like,

277
00:15:59,080 --> 00:16:02,640
Speaker 1: oh my god, Yo, we gotta fight and scene coming up.

278
00:16:02,640 --> 00:16:04,400
Speaker 1: If that's what you want to do, we can do that.

279
00:16:04,640 --> 00:16:06,480
Speaker 1: But this ship here ain't got nothing to do with

280
00:16:06,520 --> 00:16:10,120
Speaker 1: this scene. So I'm talking to to to Hell. I'm like, yo, man,

281
00:16:10,160 --> 00:16:12,520
Speaker 1: what what we doing y'all? Is it's something going on.

282
00:16:13,200 --> 00:16:15,720
Speaker 1: We're shooting him eighty million dollar movie right now, like

283
00:16:15,720 --> 00:16:19,400
Speaker 1: like stone Like, let's like buckle up, like, let's do

284
00:16:19,480 --> 00:16:22,440
Speaker 1: this ship later. Let's shoot the scene. This is me

285
00:16:22,920 --> 00:16:25,640
Speaker 1: front alba, this is our close up. This is us

286
00:16:25,640 --> 00:16:28,000
Speaker 1: coming off the field. There's a million cameras. Let's make

287
00:16:28,040 --> 00:16:30,320
Speaker 1: some noise for Jamie, FOXX and l L being the

288
00:16:30,360 --> 00:16:41,400
Speaker 1: first Chris Rock and Will Smith. Yeah, I'm sorry about that.

289
00:16:41,440 --> 00:16:46,880
Speaker 1: It's a rich, embarrassing ship, right, So here's the funny

290
00:16:46,880 --> 00:16:50,960
Speaker 1: part about it. So I pushed Jamie out the way

291
00:16:51,080 --> 00:16:55,800
Speaker 1: and Jamie's hot ls like, yo, man, I'm cool man,

292
00:16:56,040 --> 00:16:58,680
Speaker 1: why we while we tripping? Y'all y'all tripping, But I'm

293
00:16:58,680 --> 00:17:00,920
Speaker 1: an act. I'm doing my scene. Don't know why y'are tripping.

294
00:17:01,200 --> 00:17:04,080
Speaker 1: I'm like, yo, yo, yo, chill, chill. So I talked,

295
00:17:04,359 --> 00:17:06,800
Speaker 1: So I'm talking to Jamie. I'm like, Jamie, man, what

296
00:17:06,840 --> 00:17:08,399
Speaker 1: are you going to do? Because we got to shoot

297
00:17:08,440 --> 00:17:11,639
Speaker 1: to see He was like yo be I'm like like, man, whatever, whatever, whatever,

298
00:17:11,680 --> 00:17:14,080
Speaker 1: I'm good. I ain't tripping. I ain't tripping. Todd does

299
00:17:14,119 --> 00:17:17,960
Speaker 1: not have a helmet on. Jamie does. So we go

300
00:17:18,119 --> 00:17:19,760
Speaker 1: the third time we go to do the take to

301
00:17:20,280 --> 00:17:23,000
Speaker 1: Jamie just turns off. Boom, punch him in the face,

302
00:17:23,520 --> 00:17:27,159
Speaker 1: bust his lip. Whatever. I said, oh ship, because now

303
00:17:27,200 --> 00:17:30,000
Speaker 1: I know I'm never gonna get my line like okay,

304
00:17:30,520 --> 00:17:32,399
Speaker 1: this ship right here then got out of hand. So

305
00:17:32,480 --> 00:17:35,720
Speaker 1: now I never I see you ever seen like a

306
00:17:36,240 --> 00:17:40,080
Speaker 1: Remember the Hope? Remember when when uh, the original one,

307
00:17:41,240 --> 00:17:44,040
Speaker 1: like like l L co J turned into the Hope

308
00:17:44,119 --> 00:17:46,639
Speaker 1: Like he was so mad and it just seemed like

309
00:17:46,640 --> 00:17:55,600
Speaker 1: he was growing. This nigga is gonna So he was like, dude,

310
00:17:55,720 --> 00:17:59,760
Speaker 1: you hit jeez, tell me you did not hit me

311
00:18:00,040 --> 00:18:02,800
Speaker 1: before he's changing everything. I hope you didn't hit that

312
00:18:04,680 --> 00:18:07,399
Speaker 1: and they broke it up. Everything he said on everything

313
00:18:07,760 --> 00:18:10,200
Speaker 1: on everything I love ain't nothing you're gonna be able

314
00:18:10,200 --> 00:18:11,840
Speaker 1: to do to stop with him, What's gonna happen to you?

315
00:18:11,880 --> 00:18:14,960
Speaker 1: And we're like yo yo yo, relax. Everybody calmed down

316
00:18:15,160 --> 00:18:17,600
Speaker 1: and then got out of hand. He what he did

317
00:18:17,640 --> 00:18:19,679
Speaker 1: that was slick was he talked us out of He

318
00:18:19,720 --> 00:18:21,639
Speaker 1: was like, no, I'm good man. Come on, y'all tripping man.

319
00:18:21,640 --> 00:18:24,040
Speaker 1: We're doing eighty five million dollar movie. Let's do what

320
00:18:24,080 --> 00:18:28,399
Speaker 1: we gotta do. No problem, I'm act. Let's shoot the scene.

321
00:18:28,600 --> 00:18:32,240
Speaker 1: Oh ship. So we go back across the field. We

322
00:18:32,400 --> 00:18:36,600
Speaker 1: come back again accident, he says something. I say something.

323
00:18:36,640 --> 00:18:40,560
Speaker 1: He says something. Todd just snatches his helmet off, like

324
00:18:40,640 --> 00:18:47,280
Speaker 1: just snatches it up. Boom knocked the boy like I

325
00:18:47,359 --> 00:18:50,640
Speaker 1: mean like it looked like like he got thrown by

326
00:18:50,720 --> 00:18:55,840
Speaker 1: like a goddamn transformer something. It's like, I was like,

327
00:18:56,000 --> 00:19:01,400
Speaker 1: oh ship, Jamie Boom, it's his head on this big thing.

328
00:19:01,640 --> 00:19:10,960
Speaker 1: Everybody's going crazy and they kept it rolling. Nobody. If

329
00:19:11,000 --> 00:19:15,040
Speaker 1: you go back right there, you go back and watch

330
00:19:15,080 --> 00:19:16,639
Speaker 1: the movie. Part of it is in the movie. Then

331
00:19:16,680 --> 00:19:18,320
Speaker 1: they cut to something else, and then you see Albert.

332
00:19:18,400 --> 00:19:22,439
Speaker 1: You know what's going on, guys, come on. But that

333
00:19:22,640 --> 00:19:26,080
Speaker 1: real part that look, that part was real. Now we

334
00:19:26,119 --> 00:19:29,480
Speaker 1: didn't have back then, you know, obviously social media and

335
00:19:29,520 --> 00:19:31,760
Speaker 1: it would have went crazy. But we had about five

336
00:19:31,840 --> 00:19:35,840
Speaker 1: thousand people in that in that stadium watching it live

337
00:19:35,920 --> 00:19:39,160
Speaker 1: and they saw what happened. Then it got crazy. I'm

338
00:19:39,160 --> 00:19:44,919
Speaker 1: not gonna eat up your whole show. That's why, you

339
00:19:44,920 --> 00:19:48,159
Speaker 1: know what what what was really really unfortunate was that

340
00:19:48,240 --> 00:19:51,160
Speaker 1: the guys got into it. But the comedy to me

341
00:19:51,400 --> 00:19:54,920
Speaker 1: was the after party or the afterwards. Right. So Jamie

342
00:19:55,920 --> 00:19:58,720
Speaker 1: cut his tongue. It has to go to the hospital.

343
00:19:58,800 --> 00:20:01,080
Speaker 1: He's got to get like six the stitches or something

344
00:20:01,080 --> 00:20:02,920
Speaker 1: in his tongue because he's been down on his tongue.

345
00:20:02,920 --> 00:20:05,639
Speaker 1: Blah blah blah. So he's going to the hospital. L

346
00:20:05,880 --> 00:20:09,160
Speaker 1: L goes his trailer and ship and it's tight. Bro,

347
00:20:09,280 --> 00:20:11,640
Speaker 1: we can't film right now because we don't know what's

348
00:20:11,680 --> 00:20:14,280
Speaker 1: going on with Jamie when he comes back from the hospital.

349
00:20:14,600 --> 00:20:20,399
Speaker 1: The tension is crazy. Now here's the funny part. My

350
00:20:20,520 --> 00:20:24,360
Speaker 1: trailer is here, l El's trailer here, Jamie's here. I'm

351
00:20:24,400 --> 00:20:27,119
Speaker 1: in the middle. So everything is going past my trailer

352
00:20:27,160 --> 00:20:30,480
Speaker 1: window every few minutes and it's all like, yo, what

353
00:20:30,520 --> 00:20:32,480
Speaker 1: it is, it is, what it is, It's going down.

354
00:20:32,720 --> 00:20:34,760
Speaker 1: I'm like, oh my god, he catches on their phones

355
00:20:34,800 --> 00:20:37,840
Speaker 1: were in Miami. We're right here, yeah, yeah yeah, bring

356
00:20:37,880 --> 00:20:43,920
Speaker 1: them all. Yeah. I want the whole clue down here.

357
00:20:43,920 --> 00:20:49,639
Speaker 1: You already know the whole two here. In twenty four hours,

358
00:20:49,720 --> 00:20:54,080
Speaker 1: it was Motherfucker's coming down on South Beach and Timberland

359
00:20:54,080 --> 00:20:57,840
Speaker 1: Bullets and Yankee ass motherfucker. It was so many New

360
00:20:57,920 --> 00:21:00,440
Speaker 1: York cats in the parking lot. It was easy, bro,

361
00:21:00,760 --> 00:21:03,840
Speaker 1: like with the leather jacket on, with the leather jacket on,

362
00:21:04,400 --> 00:21:09,760
Speaker 1: it's ninety degrees and you know, they meet, They got

363
00:21:09,760 --> 00:21:13,000
Speaker 1: the production people shook. I don't know who l L call,

364
00:21:13,119 --> 00:21:16,280
Speaker 1: but it was eighty five Motherfucker's outside of his trailer.

365
00:21:16,400 --> 00:21:18,960
Speaker 1: The next day it was deep. I was like, oh,

366
00:21:19,040 --> 00:21:21,360
Speaker 1: this is bad, bad. And then Jamie had like you know,

367
00:21:21,960 --> 00:21:23,800
Speaker 1: T G T. They was like little R and B cats.

368
00:21:23,880 --> 00:21:26,520
Speaker 1: You only had like three or four cast you know,

369
00:21:26,560 --> 00:21:31,720
Speaker 1: I'm just yourking, Like, I'm like, wait man, it was

370
00:21:31,800 --> 00:21:35,520
Speaker 1: like your funny ship was you got all these real

371
00:21:35,640 --> 00:21:38,440
Speaker 1: New York guns. But he didn't have his friend Brian. Brian.

372
00:21:38,800 --> 00:21:41,760
Speaker 1: Brian wasn't there at the time was Dave Brown. It

373
00:21:41,840 --> 00:21:44,879
Speaker 1: was a couple other but but the contrast of power

374
00:21:45,520 --> 00:21:50,280
Speaker 1: was shifted. You had the entire all the Queen's Brooklyn

375
00:21:50,320 --> 00:21:54,119
Speaker 1: whatever here, and then you had like Jamie and his

376
00:21:54,600 --> 00:21:57,120
Speaker 1: manager and if you guys, Jamie got security. Now yeah,

377
00:21:57,119 --> 00:22:01,080
Speaker 1: oh now, yeah, he got his way. They's done. But

378
00:22:01,160 --> 00:22:03,119
Speaker 1: I'm saying at that time, I was like, yo, what

379
00:22:03,160 --> 00:22:05,280
Speaker 1: we're gonna do? Like, is it gonna be like more ship?

380
00:22:05,920 --> 00:22:09,919
Speaker 1: So we wasn't. We wasn't filming. Nobody was filming, and

381
00:22:09,960 --> 00:22:13,960
Speaker 1: nobody knew agencies on the phone. It's bad. The person

382
00:22:14,040 --> 00:22:19,720
Speaker 1: who saved the day was Jim Ohhead Jim Brown. O

383
00:22:19,960 --> 00:22:23,040
Speaker 1: G thought he was in the Civil rights No, no

384
00:22:23,720 --> 00:22:26,760
Speaker 1: to the civil rights. He came and what the fun

385
00:22:26,880 --> 00:22:30,240
Speaker 1: They coume to my trailer. Bom bom, bom, What the

386
00:22:30,400 --> 00:22:33,320
Speaker 1: fun going on? I'm not gonna lie, Bill. The way

387
00:22:33,400 --> 00:22:35,439
Speaker 1: that you're in the middle of the story kind of

388
00:22:35,800 --> 00:22:39,240
Speaker 1: gas it off. No, I'm not kind of And the

389
00:22:39,280 --> 00:22:44,080
Speaker 1: way that Jim Brown with a little bit because Jim

390
00:22:44,080 --> 00:22:46,399
Speaker 1: Brown came to me because he don't know them, like,

391
00:22:46,480 --> 00:22:49,080
Speaker 1: oh okay, So Jim Brown is like O G for

392
00:22:49,160 --> 00:22:52,000
Speaker 1: me on a personal ti so he all of us.

393
00:22:52,040 --> 00:22:53,680
Speaker 1: So he comes to me and he's like, Yo, Bill,

394
00:22:53,760 --> 00:22:56,359
Speaker 1: what the funk going on? We got all these motherfucker's

395
00:22:56,359 --> 00:23:00,040
Speaker 1: head How did he find out? Though nobody was working it,

396
00:23:00,040 --> 00:23:02,040
Speaker 1: it was just shut down to set with shut down

397
00:23:02,080 --> 00:23:04,639
Speaker 1: for a second or whatever. Right, So he comes to

398
00:23:04,720 --> 00:23:07,720
Speaker 1: me and he was like, ain't no motherfucking wait, We're

399
00:23:07,760 --> 00:23:10,840
Speaker 1: not gonna do this movie. This movie is important blah

400
00:23:10,840 --> 00:23:14,240
Speaker 1: blah blah. So now he calls a meeting, like he

401
00:23:14,320 --> 00:23:20,960
Speaker 1: bringing the cripts in the Bloods together in my trailer. No,

402
00:23:21,160 --> 00:23:24,920
Speaker 1: I'm not bullshitting. They had to fucking ship in my trailer.

403
00:23:25,119 --> 00:23:27,760
Speaker 1: I want to get zone. So I'm sitting there and

404
00:23:27,800 --> 00:23:30,680
Speaker 1: they try to talk it out. Blah blah blah. He's

405
00:23:30,880 --> 00:23:35,000
Speaker 1: orchestrating and telling us what Jamie is not Jamie. Jamie

406
00:23:35,040 --> 00:23:36,680
Speaker 1: wasn't with it. He wasn't with it. I mean he

407
00:23:36,720 --> 00:23:38,520
Speaker 1: would why would he be, you know what I mean

408
00:23:38,560 --> 00:23:41,560
Speaker 1: at that moment or whatever. So Jim Brown somehow figured

409
00:23:41,560 --> 00:23:44,480
Speaker 1: out a way to talk to them to figure it out,

410
00:23:44,560 --> 00:23:46,199
Speaker 1: then go back and talk to people and then we

411
00:23:46,240 --> 00:23:48,480
Speaker 1: start filming again. But without Jim Brown, I don't know

412
00:23:48,520 --> 00:23:50,639
Speaker 1: what would have happened, because he just gave us some

413
00:23:50,720 --> 00:23:53,080
Speaker 1: type of clarity, you know what I'm saying from from

414
00:23:53,080 --> 00:23:55,200
Speaker 1: from from an O G side. You know, he made

415
00:23:55,200 --> 00:23:57,560
Speaker 1: it seem like, you know, basically was stupid that we

416
00:23:57,600 --> 00:24:01,600
Speaker 1: would be fighting or disrupting eighty million dollar movie black

417
00:24:01,640 --> 00:24:03,840
Speaker 1: men getting a chance to do something together and we

418
00:24:03,960 --> 00:24:05,960
Speaker 1: out here fighting. We look crazy because we didn't look

419
00:24:05,960 --> 00:24:08,080
Speaker 1: crazy at the end of the day. But they ended

420
00:24:08,119 --> 00:24:09,800
Speaker 1: up fixing it. But it was, it was, It was

421
00:24:09,840 --> 00:24:12,840
Speaker 1: really crazy because only like at that time, Jim Brown

422
00:24:12,880 --> 00:24:18,320
Speaker 1: and Bill Cosby could have squashed to be But we're talking,

423
00:24:18,359 --> 00:24:22,359
Speaker 1: this is going there to ninety nine here in Miami.

424
00:24:22,440 --> 00:24:25,560
Speaker 1: Shout out to Miami back. But you being a royal comedian,

425
00:24:25,800 --> 00:24:28,960
Speaker 1: how did you feel like Bill Cosby? Because Bill Cosby

426
00:24:29,000 --> 00:24:31,879
Speaker 1: was the comedian and that was, uh, that made it.

427
00:24:31,920 --> 00:24:33,920
Speaker 1: But when he made it seemed like he started critiquing

428
00:24:33,960 --> 00:24:37,600
Speaker 1: everybody that was raw. Yeah, how was that finding knowing

429
00:24:37,640 --> 00:24:39,800
Speaker 1: that and then finding out the life that Bill was

430
00:24:39,840 --> 00:24:42,080
Speaker 1: living or you already know, I didn't know that. I

431
00:24:42,080 --> 00:24:44,600
Speaker 1: mean coming in the game. For me, Bill Cosby was

432
00:24:44,680 --> 00:24:48,040
Speaker 1: one of my he's on my wall of like inspired

433
00:24:48,600 --> 00:24:50,560
Speaker 1: comedians that made me want to be a comic, right

434
00:24:50,600 --> 00:24:54,280
Speaker 1: like watching him his his career watching him tell stories.

435
00:24:54,320 --> 00:24:56,840
Speaker 1: That's how I got good at telling stories watching guys

436
00:24:56,960 --> 00:24:59,119
Speaker 1: like him. Wanted to be a comic, then you can

437
00:24:59,160 --> 00:25:01,320
Speaker 1: be a TV star and you can do movies. He

438
00:25:01,520 --> 00:25:05,800
Speaker 1: sort of set that blueprint up for us, right, Um,

439
00:25:05,840 --> 00:25:09,240
Speaker 1: but he was a clean comic though, I'm not knocking

440
00:25:09,320 --> 00:25:12,520
Speaker 1: his hustle. He got on Eddie Murphy back in the

441
00:25:12,600 --> 00:25:16,160
Speaker 1: day for being raw, but everybody laying different. It doesn't

442
00:25:16,200 --> 00:25:19,359
Speaker 1: mean that, you know, I'm less of a comedian because

443
00:25:19,359 --> 00:25:21,720
Speaker 1: I'm raw and you're not. Like we're both achieving the

444
00:25:21,800 --> 00:25:25,440
Speaker 1: laughter than it works. Like Dave Chappelle ain't like a

445
00:25:25,480 --> 00:25:28,679
Speaker 1: dirty comic, but he's used as you know, flavor words,

446
00:25:28,720 --> 00:25:31,240
Speaker 1: but like he's not a dirty comic. I mean, Eddie

447
00:25:31,320 --> 00:25:33,639
Speaker 1: Murphy was more edgier than you know, a Dave or

448
00:25:33,760 --> 00:25:37,399
Speaker 1: Kevin Hart at that time. But it's a different time.

449
00:25:38,160 --> 00:25:41,440
Speaker 1: So you could be raw people to people right now.

450
00:25:41,480 --> 00:25:43,800
Speaker 1: Although you're saying what he just said about Dave to

451
00:25:43,960 --> 00:25:47,160
Speaker 1: people now, Dave is raw? Yeah is that? But let's

452
00:25:47,359 --> 00:25:51,600
Speaker 1: sick chickle Bill Cosby, It's okay. Oh oh, you're getting

453
00:25:51,680 --> 00:25:54,800
Speaker 1: right to it. Yeah, uh, because well I was, you

454
00:25:54,800 --> 00:25:58,080
Speaker 1: know when I started hearing about it. Our blackness a

455
00:25:58,520 --> 00:26:02,359
Speaker 1: times protected our people and we say, man ain't Like

456
00:26:02,720 --> 00:26:04,959
Speaker 1: you told a story about Mike Tyson one time, um,

457
00:26:05,880 --> 00:26:08,439
Speaker 1: and it was it was a booty call you described it.

458
00:26:09,040 --> 00:26:11,399
Speaker 1: Did you think that, like, that's some bullshit? No, I

459
00:26:11,480 --> 00:26:14,119
Speaker 1: thought it was. I didn't want to believe anything of

460
00:26:14,200 --> 00:26:18,840
Speaker 1: like that. It wasn't until Hannibal Barriss did They leaked.

461
00:26:19,000 --> 00:26:22,399
Speaker 1: They leaked a clip or something he said on stage,

462
00:26:22,440 --> 00:26:25,119
Speaker 1: and then they start buzzing around. So I started buzzing.

463
00:26:25,160 --> 00:26:27,240
Speaker 1: So I was like, yo, what I was like, Yo,

464
00:26:27,400 --> 00:26:29,800
Speaker 1: I don't make no sense, Like what would Hannibal say that?

465
00:26:30,720 --> 00:26:32,640
Speaker 1: But it was a clip of a whole set, right,

466
00:26:32,800 --> 00:26:34,920
Speaker 1: So I'm like nah. I kind of was like, nah,

467
00:26:34,960 --> 00:26:39,200
Speaker 1: that can't be possible. Whatever, whatever, right, And so then

468
00:26:39,280 --> 00:26:41,720
Speaker 1: other stuff started coming up, and then I was like, damn,

469
00:26:41,760 --> 00:26:44,680
Speaker 1: that's that's more than three people. You see the documentary? Yeah,

470
00:26:44,680 --> 00:26:53,119
Speaker 1: the documentary was Yeah. But see, I wasn't. Honestly, I

471
00:26:53,160 --> 00:26:56,240
Speaker 1: never did the Cosby Show. I never got a chance

472
00:26:56,280 --> 00:26:58,159
Speaker 1: to do a Different World or any of those shows

473
00:26:58,200 --> 00:27:00,840
Speaker 1: back in the day, so I never saw anything. I

474
00:27:00,960 --> 00:27:05,920
Speaker 1: never got a chance. Never saw it. You know, maybe

475
00:27:05,920 --> 00:27:08,280
Speaker 1: they did. He had a separate light. Maybe he maybe

476
00:27:08,320 --> 00:27:10,760
Speaker 1: he just had he was insulated a way. I don't know,

477
00:27:10,800 --> 00:27:12,800
Speaker 1: but I'm saying, like, for me as a comic when

478
00:27:12,800 --> 00:27:14,760
Speaker 1: I was coming up in the game, I never got

479
00:27:14,760 --> 00:27:17,000
Speaker 1: a chance to meet Mr Cosby, you know what I'm saying.

480
00:27:17,200 --> 00:27:19,199
Speaker 1: He was my idol coming up in the game. I

481
00:27:19,200 --> 00:27:21,000
Speaker 1: was like, Yo, I want to get on TV. I

482
00:27:21,040 --> 00:27:23,760
Speaker 1: want to do my own show. He was writing, producing,

483
00:27:23,840 --> 00:27:26,119
Speaker 1: I mean, he did everything the right way, you know

484
00:27:26,119 --> 00:27:28,560
Speaker 1: what I mean. So I was like, Yo, Bill Cosby,

485
00:27:28,640 --> 00:27:30,959
Speaker 1: you know, oh man, he's he's the blueprint for how

486
00:27:31,000 --> 00:27:35,720
Speaker 1: the Brothers can move right, like right. But what I'm saying, like,

487
00:27:35,800 --> 00:27:40,200
Speaker 1: you know, it was a lot of stuff that came

488
00:27:40,200 --> 00:27:43,239
Speaker 1: out that you just go Wow. You just never know

489
00:27:43,320 --> 00:27:46,320
Speaker 1: in this game and in the business, you just never

490
00:27:46,920 --> 00:27:50,480
Speaker 1: fucking know what's gonna happen on people who they truly are.

491
00:27:50,600 --> 00:27:53,080
Speaker 1: You know, the documentary The first time I watched, I

492
00:27:53,080 --> 00:27:54,760
Speaker 1: was like I was still up in the ash. The

493
00:27:54,800 --> 00:27:56,600
Speaker 1: second time and the third time I watched the dude

494
00:27:56,680 --> 00:27:58,760
Speaker 1: times I was like, Dad, his nick is guilty. And

495
00:27:58,800 --> 00:28:04,440
Speaker 1: you know my good friend Chris Prisoner, you know Chris

496
00:28:04,960 --> 00:28:06,960
Speaker 1: pins So he called me, he said, yeah, I actually

497
00:28:07,000 --> 00:28:09,399
Speaker 1: know some of the woman and it was just like wow,

498
00:28:09,440 --> 00:28:13,320
Speaker 1: because it's so far, especially of us being a black man.

499
00:28:13,400 --> 00:28:15,800
Speaker 1: And then all of his his accusers at first were

500
00:28:15,880 --> 00:28:19,320
Speaker 1: white women. It's just it's just naturally didn't feel right.

501
00:28:19,520 --> 00:28:24,520
Speaker 1: So um, but then it was a few sisters in there. Dude,

502
00:28:26,640 --> 00:28:29,360
Speaker 1: he discriminated when it comes to stuff like that. This

503
00:28:29,440 --> 00:28:31,080
Speaker 1: is the thing I'm gonna say, and I'm not gonna

504
00:28:31,240 --> 00:28:35,240
Speaker 1: you know, dog anybody. The thing about men is we

505
00:28:35,320 --> 00:28:38,560
Speaker 1: never get cleaned up when if we get accused of something,

506
00:28:38,600 --> 00:28:40,240
Speaker 1: it's on you. Like, they don't come back and go,

507
00:28:40,280 --> 00:28:44,040
Speaker 1: oh my bad, guess what, he never did anything. They

508
00:28:44,120 --> 00:28:46,360
Speaker 1: just throw a title on you and you get stuck

509
00:28:46,400 --> 00:28:49,160
Speaker 1: with it and you hopefully your lawyers and your pr

510
00:28:49,200 --> 00:28:51,280
Speaker 1: people can kind of get you back on point right.

511
00:28:51,560 --> 00:28:54,920
Speaker 1: But in a situation like an accusation about that, that's

512
00:28:54,920 --> 00:28:57,320
Speaker 1: a tough stain on the man. So I don't jump

513
00:28:57,400 --> 00:28:59,480
Speaker 1: out on the curb on that real fast. I gotta

514
00:28:59,520 --> 00:29:02,120
Speaker 1: wait and see because I pray. I always pray that

515
00:29:02,160 --> 00:29:05,080
Speaker 1: it's not true, but I always pray, like, yo, please

516
00:29:05,120 --> 00:29:07,920
Speaker 1: tell me my man didn't do that. You knew he

517
00:29:08,160 --> 00:29:14,520
Speaker 1: knew he did? Yeah, Yeah, it was ridiculous, you know.

518
00:29:15,280 --> 00:29:21,520
Speaker 1: Jeffrey Epstein like certain things. You just it's just so banana. No, no, no, no.

519
00:29:21,600 --> 00:29:24,440
Speaker 1: But I'm saying, like, what's that story? But like Jeffrey

520
00:29:24,440 --> 00:29:30,040
Speaker 1: Epstein situation was so bananas and it was such a

521
00:29:30,040 --> 00:29:33,280
Speaker 1: almost like a business of a sort of how many

522
00:29:33,320 --> 00:29:37,480
Speaker 1: people was involved in it was so many layers of power.

523
00:29:37,760 --> 00:29:40,120
Speaker 1: You can see how he was living within that world.

524
00:29:40,320 --> 00:29:42,680
Speaker 1: And he was basically like he felt like he was

525
00:29:42,720 --> 00:29:45,480
Speaker 1: extorting everybody. She wouldn't tell everybody. He was like, oh

526
00:29:45,520 --> 00:29:47,760
Speaker 1: my god, oh my god. But it came to an end, right,

527
00:29:47,960 --> 00:29:52,880
Speaker 1: and so very very and yeah she she haven't. She

528
00:29:52,960 --> 00:29:56,280
Speaker 1: still list and they haven't released Hey, they're not gonna

529
00:29:56,280 --> 00:29:58,320
Speaker 1: release no less because it be too many people. But

530
00:29:58,400 --> 00:30:00,959
Speaker 1: in a situation like mr Ka to be who in

531
00:30:01,000 --> 00:30:05,720
Speaker 1: my opinion, um, his legacy you know, to me was

532
00:30:06,720 --> 00:30:11,440
Speaker 1: unbelievable to get accused and finally they said he was

533
00:30:11,480 --> 00:30:14,640
Speaker 1: not guilty of that of at the end he got

534
00:30:14,640 --> 00:30:17,480
Speaker 1: out of jail, blah blah blah. But still he didn't

535
00:30:17,480 --> 00:30:19,040
Speaker 1: get out of jail because's not guilty. He got a

536
00:30:19,080 --> 00:30:21,160
Speaker 1: jail case, tack of colar case. But you know what

537
00:30:21,240 --> 00:30:24,960
Speaker 1: I'm saying, let's be clear, I gotta be on point

538
00:30:23,400 --> 00:30:32,360
Speaker 1: right every since this Kanyep I got ye, I've been

539
00:30:32,840 --> 00:30:35,320
Speaker 1: I've been waiting to tell you this ship I noticed.

540
00:30:35,440 --> 00:30:39,280
Speaker 1: I looked at the camera like no holding down. I've

541
00:30:39,320 --> 00:30:44,560
Speaker 1: never seen no voice room tiperature. After that Kanye ship

542
00:30:45,240 --> 00:30:53,479
Speaker 1: Can Club was like, guys, hey, I love drink chant.

543
00:30:55,040 --> 00:30:59,680
Speaker 1: I had no idea and honestly I was I was

544
00:31:00,040 --> 00:31:12,320
Speaker 1: to fight myself. Your has hold up a second. I

545
00:31:12,400 --> 00:31:16,840
Speaker 1: got something to say. Addiction is a treatable disease, but

546
00:31:17,040 --> 00:31:22,040
Speaker 1: finding the right treatment can be overwhelming and confusing. Shatter Proof,

547
00:31:22,080 --> 00:31:26,200
Speaker 1: a national nonprofit, is here to help without judgment. At

548
00:31:26,240 --> 00:31:29,320
Speaker 1: shadow Proof, their goals to help you find addiction care

549
00:31:29,400 --> 00:31:32,160
Speaker 1: that meets your needs and leads to better health and

550
00:31:32,200 --> 00:31:36,120
Speaker 1: long term recovery. When you visit shadow proof dot org,

551
00:31:36,560 --> 00:31:39,240
Speaker 1: there's an entire section that helps you learn everything you

552
00:31:39,240 --> 00:31:43,680
Speaker 1: need to know about alcohol and substance use disorder. There's

553
00:31:43,720 --> 00:31:46,400
Speaker 1: also a fine help section to help you find the

554
00:31:46,400 --> 00:31:50,600
Speaker 1: support you may need. Get help today by visiting shatter

555
00:31:50,680 --> 00:31:55,400
Speaker 1: proof dot org. Again, get help today by visiting shatter

556
00:31:55,480 --> 00:32:01,880
Speaker 1: proof dot org. Because I love Kanye too, but you

557
00:32:01,960 --> 00:32:04,800
Speaker 1: know you just never know what. Yeah you're gonna like, Yeah,

558
00:32:05,520 --> 00:32:06,840
Speaker 1: let's get back to that. Let's get back because we

559
00:32:06,840 --> 00:32:13,520
Speaker 1: already know another controversy. So so so Bill, So you

560
00:32:13,800 --> 00:32:16,160
Speaker 1: the first time you heard it, you knew you didn't know? Bill,

561
00:32:16,280 --> 00:32:19,760
Speaker 1: you didn't. But then, um, what's this commedia in the

562
00:32:19,880 --> 00:32:24,120
Speaker 1: name Hannible Barris? Yeah, bar Barris, that's you said you

563
00:32:24,160 --> 00:32:26,640
Speaker 1: started the Hittie story. Yeah, that's the first time I

564
00:32:26,680 --> 00:32:29,680
Speaker 1: heard it, kind of like when it went viral. Yeah,

565
00:32:29,720 --> 00:32:32,120
Speaker 1: like I never I had never heard anything weird like that,

566
00:32:32,120 --> 00:32:34,120
Speaker 1: and I just heard it in the skin and I

567
00:32:34,160 --> 00:32:36,040
Speaker 1: was like, damn, why would Hannibal say something like that?

568
00:32:36,040 --> 00:32:39,280
Speaker 1: That's so bizarre. And then right after that it just

569
00:32:39,400 --> 00:32:41,680
Speaker 1: kept it felt like it was like boom, boom boom.

570
00:32:41,960 --> 00:32:45,760
Speaker 1: That's how that's because because like I never seen the

571
00:32:45,760 --> 00:32:49,080
Speaker 1: effects of Bill Cosby other than seeing him on television.

572
00:32:49,320 --> 00:32:52,600
Speaker 1: So did you as a comedian? You know that? Um?

573
00:32:52,640 --> 00:32:56,000
Speaker 1: I know, I know the effects of of DMX, of

574
00:32:56,000 --> 00:32:58,920
Speaker 1: of of Tupac, even though I never met Tupac and

575
00:32:59,360 --> 00:33:02,520
Speaker 1: Mike Tyson. And when I heard them accused of the

576
00:33:02,560 --> 00:33:06,600
Speaker 1: same thing, I was like, there's no way possible. So

577
00:33:07,360 --> 00:33:08,920
Speaker 1: you be in the in the in the in the

578
00:33:08,960 --> 00:33:13,880
Speaker 1: comedy world, and especially controversy back then, controversy back then,

579
00:33:13,880 --> 00:33:15,480
Speaker 1: you couldn't. Really you don't have it. You don't have

580
00:33:15,480 --> 00:33:19,320
Speaker 1: a Twitter, you ain't have social media at all. Did

581
00:33:19,320 --> 00:33:22,280
Speaker 1: you think it was set up or you knew? I

582
00:33:22,360 --> 00:33:26,080
Speaker 1: just didn't understand why all of a sudden, Um, you know,

583
00:33:26,240 --> 00:33:29,160
Speaker 1: Mr KASMI was going through a tough time. I'm like, yo, man,

584
00:33:29,200 --> 00:33:32,800
Speaker 1: he's been cleaning his whole life. You know, Mr almost

585
00:33:32,800 --> 00:33:35,440
Speaker 1: played it perfect, you know what I mean. And there's

586
00:33:35,480 --> 00:33:38,960
Speaker 1: the conspiracies around him buying the network, and it almost

587
00:33:39,000 --> 00:33:41,080
Speaker 1: seemed like, to be honest with you, it was like,

588
00:33:41,240 --> 00:33:45,560
Speaker 1: once he was about to buy NBC, everything went wrong.

589
00:33:45,960 --> 00:33:47,600
Speaker 1: But when they went back to the footage of him

590
00:33:47,600 --> 00:33:51,560
Speaker 1: and Larry King, that's when not lost. It were like

591
00:33:51,600 --> 00:33:53,840
Speaker 1: you you ain't got the Spanish flow, and it was like, yeah,

592
00:33:53,880 --> 00:33:56,560
Speaker 1: Spanish flowing too old niggas talk about Spanish flower. You know,

593
00:33:56,600 --> 00:34:00,200
Speaker 1: they were out a lot. You ain't think they were like, oh,

594
00:34:03,000 --> 00:34:05,280
Speaker 1: I never knew what man his flower was, but I

595
00:34:05,360 --> 00:34:07,920
Speaker 1: heard about it. And it used to be a thing

596
00:34:08,040 --> 00:34:10,120
Speaker 1: they said back in the day, you know, in them

597
00:34:10,160 --> 00:34:13,640
Speaker 1: seventies parties and stuff that guys used to do that,

598
00:34:13,719 --> 00:34:16,160
Speaker 1: and they used to do the quate louds And I

599
00:34:16,200 --> 00:34:18,120
Speaker 1: ain't a part of me wants to do a quate Loud.

600
00:34:18,160 --> 00:34:21,399
Speaker 1: I'm just going out there still still making it. I'm

601
00:34:21,400 --> 00:34:24,400
Speaker 1: just thinking about it because it's like fixing the great times,

602
00:34:24,440 --> 00:34:26,400
Speaker 1: like take another quaiter to call me the morning. I

603
00:34:26,440 --> 00:34:28,320
Speaker 1: was like, what the fund is like way Loud, I

604
00:34:28,400 --> 00:34:31,279
Speaker 1: never really figured that out. That was little out from

605
00:34:31,320 --> 00:34:33,480
Speaker 1: out here. Better. You gotta relax. You had a crai

606
00:34:33,600 --> 00:34:40,000
Speaker 1: little You had a ship from out here that I

607
00:34:40,040 --> 00:34:44,120
Speaker 1: didn't have. I might have. Yeah, Man, it happens. Man,

608
00:34:44,480 --> 00:34:47,879
Speaker 1: there's times the time of quick time flowers. Let's get

609
00:34:47,880 --> 00:34:50,960
Speaker 1: what flowers right? Our show about giving people their flowers.

610
00:34:51,920 --> 00:34:54,879
Speaker 1: And like I said, I studied you, and I said, wow,

611
00:34:55,239 --> 00:34:57,560
Speaker 1: you are really the slick rick of comedy. Like the

612
00:34:57,600 --> 00:35:00,800
Speaker 1: way you could saw the story and just then with

613
00:35:00,920 --> 00:35:02,479
Speaker 1: mind us in the middle of how when the story

614
00:35:02,520 --> 00:35:04,600
Speaker 1: is going in at the end, bring us all in.

615
00:35:04,760 --> 00:35:07,400
Speaker 1: I had never and and you deserve your flowers. We

616
00:35:07,440 --> 00:35:11,960
Speaker 1: won't give it to your face to face your face. Yea.

617
00:35:15,040 --> 00:35:17,960
Speaker 1: Oh man, I got my sloop set. Sloop set. It's

618
00:35:18,000 --> 00:35:21,560
Speaker 1: like the Grammy because it's from your own from your

619
00:35:21,560 --> 00:35:26,799
Speaker 1: own people. And thank you. Ye man, I'm super I'm

620
00:35:26,800 --> 00:35:29,640
Speaker 1: super honored because like uh, you know, comedy is to

621
00:35:29,719 --> 00:35:31,879
Speaker 1: me is a gift. You know, you just never know

622
00:35:32,280 --> 00:35:35,040
Speaker 1: how it will go right, you just do it from

623
00:35:35,040 --> 00:35:37,240
Speaker 1: the heart, like I've always just want to be funny

624
00:35:37,280 --> 00:35:38,680
Speaker 1: for people, you know what I mean. And I think

625
00:35:38,760 --> 00:35:42,719
Speaker 1: what happened was during COVID, when nobody was moving and

626
00:35:42,760 --> 00:35:46,240
Speaker 1: I was working on my book and writing different chapters.

627
00:35:46,320 --> 00:35:49,800
Speaker 1: I start remembering stuff and I just started telling stories

628
00:35:49,840 --> 00:35:53,319
Speaker 1: on Instagram in my car, and then ships went bananas

629
00:35:53,400 --> 00:35:55,800
Speaker 1: like people was like, yo, your stories. It's like movies.

630
00:35:56,040 --> 00:35:58,600
Speaker 1: You're the first one I saw Bullbuster the rhymes. Yeah,

631
00:35:58,680 --> 00:36:01,800
Speaker 1: but trying to be on stage busting on it was coolio, coolio.

632
00:36:01,880 --> 00:36:04,640
Speaker 1: He got body rest in pieces, rest in piece to

633
00:36:04,680 --> 00:36:06,640
Speaker 1: clearly be careful. Yeah, let's be careful. We gotta be

634
00:36:06,760 --> 00:36:17,560
Speaker 1: yea yeah, yeah you want right now? Ya? You don't

635
00:36:17,600 --> 00:36:23,160
Speaker 1: know where we wow, motherfucker's say whatever. Lately he's been like, hey, guys,

636
00:36:25,560 --> 00:36:33,640
Speaker 1: it's up to you. It's true. That is strictly it's true.

637
00:36:33,880 --> 00:36:36,520
Speaker 1: We're not getting your legs. We love you. Okay, so

638
00:36:36,680 --> 00:36:39,239
Speaker 1: look it's a time, quick time, let's do Okay. So

639
00:36:39,280 --> 00:36:41,560
Speaker 1: we got a game he was playing it. We're sucking

640
00:36:41,640 --> 00:36:45,080
Speaker 1: up every time. I'm the easiest game. Basically, don't drinking.

641
00:36:45,440 --> 00:36:50,440
Speaker 1: Fan have a cocktail? Yea, but fans they hate us

642
00:36:50,440 --> 00:36:53,680
Speaker 1: from you. No, no me saying that much. Up the rules.

643
00:36:53,840 --> 00:36:55,879
Speaker 1: It's like you just can't say the rules straight? Can

644
00:36:55,920 --> 00:36:58,880
Speaker 1: you hunt? It's multiple choice. You get to two names

645
00:36:58,960 --> 00:37:01,799
Speaker 1: or two things, Okay, one or the other. Right, if

646
00:37:01,800 --> 00:37:04,320
Speaker 1: you don't pick any, it's the political answer. We're drinking.

647
00:37:04,360 --> 00:37:09,000
Speaker 1: That's it. Okay, so you pick one. We're good. We're drinking.

648
00:37:09,640 --> 00:37:13,160
Speaker 1: It was a drinking shop. You don't leave you out.

649
00:37:13,560 --> 00:37:16,879
Speaker 1: We're drinking with you. How many rounds? What's this is?

650
00:37:20,680 --> 00:37:23,120
Speaker 1: You don't know? You could be like jay Z answered

651
00:37:23,120 --> 00:37:25,600
Speaker 1: every single woman. But I don't know why we called

652
00:37:25,600 --> 00:37:30,919
Speaker 1: a quick time or slie because never quick about this. Okay,

653
00:37:31,440 --> 00:37:33,120
Speaker 1: whatever you want to you could do to kill up.

654
00:37:33,320 --> 00:37:35,600
Speaker 1: You can dominic in my mohuanna. I don't recommend that

655
00:37:36,239 --> 00:37:38,239
Speaker 1: they make that in the bathtub and can do You

656
00:37:38,280 --> 00:37:41,960
Speaker 1: don't want that, you don't want that takes some vodka.

657
00:37:42,000 --> 00:37:43,960
Speaker 1: I take some vodka to kill This is a rock

658
00:37:44,160 --> 00:37:47,680
Speaker 1: made by a black man. Yeah, yeah, yeah, yeah, black man.

659
00:37:47,760 --> 00:37:53,920
Speaker 1: Goddamnan nor for that that god damn. He stold your

660
00:37:53,960 --> 00:37:56,200
Speaker 1: girl at one point. So you got you got to drink.

661
00:37:56,320 --> 00:37:59,799
Speaker 1: That actually saved me. She was a set up. Queen

662
00:38:00,000 --> 00:38:04,480
Speaker 1: is set up. He's got that girl somewhere, but he

663
00:38:04,560 --> 00:38:08,320
Speaker 1: saved me. Somebuddy trap queens. Okay, yeah, oh this is

664
00:38:08,440 --> 00:38:10,480
Speaker 1: this first one. Okay, y'all, fin you're trying to get

665
00:38:10,520 --> 00:38:13,759
Speaker 1: him to drink immediately. Remember if you say both, so

666
00:38:14,000 --> 00:38:15,920
Speaker 1: I seither one or or the other, or if you

667
00:38:15,920 --> 00:38:18,560
Speaker 1: don't say nothing, you drink, or if both are neither,

668
00:38:18,600 --> 00:38:20,640
Speaker 1: we drink because you got respectful both wanted to pick one.

669
00:38:20,680 --> 00:38:22,840
Speaker 1: If you think when nobody drinks and we're trying to

670
00:38:22,840 --> 00:38:26,480
Speaker 1: set you up. By the way, I don't make these questions.

671
00:38:26,480 --> 00:38:28,600
Speaker 1: This guy from Colombia's Dominican guy right here, they put

672
00:38:28,640 --> 00:38:32,960
Speaker 1: us against his name Haszardness and Mr leave the watch.

673
00:38:33,360 --> 00:38:35,200
Speaker 1: I see that's how they do. They see here, they

674
00:38:35,200 --> 00:38:36,759
Speaker 1: watch you, and then they come up with these whatever

675
00:38:36,840 --> 00:38:40,680
Speaker 1: criteria in your mind. You're all right, I feel like

676
00:38:40,760 --> 00:38:43,160
Speaker 1: we're splaying that simple this time so the fans won't

677
00:38:43,239 --> 00:38:48,160
Speaker 1: kill me. Started playing the game we're making like a

678
00:38:48,239 --> 00:38:51,799
Speaker 1: company were like, you know, maybe if you say that

679
00:38:52,200 --> 00:38:57,320
Speaker 1: making me you're ready? Okay, Richard Pryor or Eddie Murphy.

680
00:38:57,920 --> 00:39:01,520
Speaker 1: Richard Pryor. Okay, you want to explain why, because Richard

681
00:39:01,520 --> 00:39:03,920
Speaker 1: Pryor is the is the true king of comedy for

682
00:39:04,000 --> 00:39:07,040
Speaker 1: me period, Eddie Murphy right there. You know you got

683
00:39:07,080 --> 00:39:11,279
Speaker 1: Mike and you got Kobe right the boom ba. You

684
00:39:11,400 --> 00:39:14,400
Speaker 1: like sports to you your sports analogy to be crazy

685
00:39:14,800 --> 00:39:19,920
Speaker 1: Martin or Chris Rock in which way though already son

686
00:39:20,360 --> 00:39:28,080
Speaker 1: to me. Wait wait wait, wanted to help on the

687
00:39:28,080 --> 00:39:30,880
Speaker 1: shot to let me tell you alight, cool, all right, Okay,

688
00:39:31,040 --> 00:39:34,120
Speaker 1: if we're talking, we got Martin and we're talking Chris Rock.

689
00:39:34,800 --> 00:39:37,719
Speaker 1: Martin got the most prolific sitcom I've ever seen in

690
00:39:37,760 --> 00:39:41,279
Speaker 1: my life ever ever. So if we're going but we're

691
00:39:41,280 --> 00:39:46,120
Speaker 1: going TV, I gotta go Martin. I'm gonna drink it.

692
00:39:47,200 --> 00:39:50,960
Speaker 1: But if you talk about stand up I think Chris

693
00:39:51,080 --> 00:39:54,759
Speaker 1: rocks first stand up is one of what I think.

694
00:39:54,760 --> 00:39:56,279
Speaker 1: I forget which one was I was thinking was here

695
00:39:56,320 --> 00:39:58,960
Speaker 1: in New York Okay it was bonkers. So like, if

696
00:39:58,960 --> 00:40:01,399
Speaker 1: we're going like stand ups, mesitions, that's one. But for TV,

697
00:40:01,480 --> 00:40:07,080
Speaker 1: I'm gonna go my inn. That's something he's getting. Yeah yeah, okay,

698
00:40:07,120 --> 00:40:09,720
Speaker 1: I got yeah, yeah, But that's how you know he feels,

699
00:40:09,719 --> 00:40:11,479
Speaker 1: That's how you know my new York Energy. It's rubbing.

700
00:40:11,840 --> 00:40:13,680
Speaker 1: You got your shot. You got to give me something?

701
00:40:14,160 --> 00:40:19,279
Speaker 1: What you what you want? Vodka? All right? So go

702
00:40:19,320 --> 00:40:21,880
Speaker 1: to kill? Thank you, thank you. What's what's next? A right?

703
00:40:21,920 --> 00:40:24,759
Speaker 1: You ready? Oh well, I got to do the shop.

704
00:40:24,960 --> 00:40:26,600
Speaker 1: Let's do the shot. That's right, that's right. Thank you

705
00:40:26,640 --> 00:40:30,200
Speaker 1: all for being on point the rule and it's right now.

706
00:40:30,239 --> 00:40:34,840
Speaker 1: It's four twenty's on the dot. Don't yeah, yeah, yeah,

707
00:40:35,040 --> 00:40:38,040
Speaker 1: thank you. Don't smoke? Oh no, I don't smoke. Okay, cool,

708
00:40:38,200 --> 00:40:44,799
Speaker 1: but I do. I can't hear other people smoke. Okay,

709
00:40:44,800 --> 00:40:48,879
Speaker 1: I want to take this one. Nas or jay Z

710
00:40:52,080 --> 00:40:56,920
Speaker 1: jay Z Okay, you're not new album is hard to

711
00:40:57,200 --> 00:41:02,399
Speaker 1: that's all. I'm definitely getting it. Ah, I like this one.

712
00:41:03,320 --> 00:41:12,239
Speaker 1: Kodak Black or twenty one Savage Savage. I think it's

713
00:41:12,239 --> 00:41:14,640
Speaker 1: gonna be biased with this next one. Okay, you go

714
00:41:15,080 --> 00:41:19,440
Speaker 1: Rap City or your MTV raps. Stop playing your MTV

715
00:41:19,600 --> 00:41:28,960
Speaker 1: rap that is not debatable. Shout out. Shout out to

716
00:41:29,239 --> 00:41:35,040
Speaker 1: Ed Lover, Dr Dre and Fab Fivetty, Legendary Robin Williams

717
00:41:35,200 --> 00:41:38,600
Speaker 1: or George Carlin. Those are legends right there. Get the

718
00:41:38,600 --> 00:41:45,320
Speaker 1: shot ready, I'm gonna go, George Colin. Yeah, but George

719
00:41:45,320 --> 00:41:47,880
Speaker 1: Carlin was my guy. Like that guy got me really

720
00:41:47,880 --> 00:41:50,839
Speaker 1: wanted to be a stand up Yeah, George Corlin, Okay,

721
00:41:51,239 --> 00:41:55,160
Speaker 1: Dave Chappelle or Kevin harr Man, I'm gonna have to

722
00:41:55,200 --> 00:42:03,520
Speaker 1: go with David. I love the story that you said

723
00:42:04,239 --> 00:42:09,000
Speaker 1: Dave came up to you and call it story because

724
00:42:09,120 --> 00:42:12,560
Speaker 1: Dave is so smart like people people don't understand, like

725
00:42:12,680 --> 00:42:14,879
Speaker 1: Dave didn't come out the hood. You know what I'm

726
00:42:14,880 --> 00:42:20,279
Speaker 1: saying to educated people, beautiful educators. He's very intelligent, and

727
00:42:20,280 --> 00:42:23,600
Speaker 1: he takes his time, and he has references that are bizarre,

728
00:42:24,120 --> 00:42:27,600
Speaker 1: and he smokes a lot of weed, right, and even

729
00:42:27,600 --> 00:42:31,279
Speaker 1: more cigarettes. He smoked cigarettes like they candy. Like. He

730
00:42:31,360 --> 00:42:35,600
Speaker 1: don't even finish. It's like, man, hold on, get me, like,

731
00:42:37,080 --> 00:42:39,200
Speaker 1: so this is a true story, so out of nowhere

732
00:42:39,239 --> 00:42:41,479
Speaker 1: one day. That's why I put it into a story

733
00:42:41,480 --> 00:42:44,040
Speaker 1: because it was so bizarre. Radio City Music Hall, Radio

734
00:42:44,120 --> 00:42:46,560
Speaker 1: City Music Hall. So Dave comes up to me, right,

735
00:42:47,440 --> 00:42:51,719
Speaker 1: he was like, hey, man, I asked your favorite, Uh,

736
00:42:51,840 --> 00:42:55,560
Speaker 1: how want you go on stage now? I literally Jess

737
00:42:56,200 --> 00:42:58,880
Speaker 1: walked into the back of Radio City Music trying to

738
00:42:58,880 --> 00:43:01,480
Speaker 1: surprise him, trying to probing for his birthday. And so

739
00:43:01,520 --> 00:43:03,400
Speaker 1: because you know, I got to text him like yo.

740
00:43:03,800 --> 00:43:07,759
Speaker 1: So he's like, man, this is gonna be insane. I'm like,

741
00:43:07,760 --> 00:43:09,400
Speaker 1: what you need me to do? He said, just do

742
00:43:09,560 --> 00:43:13,000
Speaker 1: two minutes, ten minutes, ten minutes, It'll be fine. Chris

743
00:43:13,080 --> 00:43:17,120
Speaker 1: is here, Jerry sign fails here, it's gonna be as extravaganzer.

744
00:43:19,080 --> 00:43:24,440
Speaker 1: I'm like, oh, I can't make this up. So I'm like,

745
00:43:24,560 --> 00:43:27,040
Speaker 1: I don't know if you as as a rapper, you

746
00:43:27,040 --> 00:43:29,320
Speaker 1: know what I'm saying as a DJ, like, if somebody

747
00:43:29,320 --> 00:43:30,839
Speaker 1: puts you on the spot, can you spend right now

748
00:43:30,840 --> 00:43:32,399
Speaker 1: and you don't have your records, you don't have your ship.

749
00:43:32,719 --> 00:43:34,279
Speaker 1: Joe does it to me all the time, you can't

750
00:43:34,280 --> 00:43:36,279
Speaker 1: do it right now. So basically, put me on the

751
00:43:36,320 --> 00:43:39,359
Speaker 1: spot at Radio City is sold out. I'm like, oh

752
00:43:39,400 --> 00:43:41,600
Speaker 1: my god, Like, I'm trying to figure out my jokes. Okay,

753
00:43:42,360 --> 00:43:44,000
Speaker 1: all right, want I'm gonna start with what I'm gonna do,

754
00:43:44,000 --> 00:43:45,840
Speaker 1: and I'm trying to figure it out right. So David's

755
00:43:45,880 --> 00:43:51,960
Speaker 1: just watching me. He was like, man, listen, you're gonna

756
00:43:52,000 --> 00:43:58,480
Speaker 1: be fine. He hid than a motherfucker, and and he's

757
00:43:59,280 --> 00:44:01,520
Speaker 1: what you like. I was like, no, I'm like I'm

758
00:44:01,520 --> 00:44:03,400
Speaker 1: trying to get him my jokes He was like, man, relax,

759
00:44:06,239 --> 00:44:09,880
Speaker 1: you're probably one of the most talented comedians. I promise you. Man,

760
00:44:09,960 --> 00:44:12,880
Speaker 1: I've seen everything. I've seen all of them, the greats,

761
00:44:14,440 --> 00:44:16,640
Speaker 1: and I'm gonna say that to you before your go

762
00:44:16,719 --> 00:44:23,279
Speaker 1: on stage. In my lifetime, you're John Coltrane. And I

763
00:44:23,400 --> 00:44:26,319
Speaker 1: was like, oh, ship, because you know, John Coltrane was

764
00:44:26,560 --> 00:44:29,359
Speaker 1: so eppy. And I was like, what do you mean.

765
00:44:29,400 --> 00:44:32,719
Speaker 1: He was like because John Coltrane he had everything. Chrisma

766
00:44:33,440 --> 00:44:36,640
Speaker 1: had the ladies, he was cool, the guys like him,

767
00:44:36,840 --> 00:44:39,480
Speaker 1: and that's you Bill Bellamy And I'm sitting there like, oh,

768
00:44:39,520 --> 00:44:43,120
Speaker 1: ship about the get emotional ship. Two seconds later, Chris

769
00:44:43,120 --> 00:44:54,080
Speaker 1: Tucker come around. He told me the same ship. We

770
00:44:54,160 --> 00:44:58,720
Speaker 1: gotta shout out day for mentioning us on. I saw

771
00:44:58,760 --> 00:45:04,920
Speaker 1: that that was huge, man. That was Dave. David is

772
00:45:04,960 --> 00:45:06,880
Speaker 1: a good dude man and he loves the coach. He

773
00:45:06,920 --> 00:45:10,680
Speaker 1: loves hip hop, so he always he always finds ways

774
00:45:11,000 --> 00:45:12,960
Speaker 1: to keep it in the in the pocket. I love it.

775
00:45:13,160 --> 00:45:20,759
Speaker 1: So Jerry Springer or excuse me, Jerry your minus and

776
00:45:20,840 --> 00:45:23,200
Speaker 1: Jerry Springer right now the shot hit me right now,

777
00:45:24,960 --> 00:45:31,800
Speaker 1: Jerry siefeld Or, Jim Carrey, Oh, I'm I'm going to

778
00:45:31,880 --> 00:45:38,160
Speaker 1: go with Jim Carrey because Jim Carrey came out of

779
00:45:38,239 --> 00:45:42,160
Speaker 1: in Living Colors so incredible in his career. What he

780
00:45:42,440 --> 00:45:45,719
Speaker 1: the imprint, It's just it's never been done before, like

781
00:45:45,800 --> 00:45:47,920
Speaker 1: that part. I love both of them, but I just

782
00:45:47,920 --> 00:45:50,799
Speaker 1: think the way Jim Carrey came in only white guy

783
00:45:50,840 --> 00:45:53,480
Speaker 1: on the All Black Casts and just Michael Jackson his

784
00:45:53,520 --> 00:45:56,480
Speaker 1: way up out that that it was, it was, it was,

785
00:45:56,800 --> 00:46:03,000
Speaker 1: he was incredible. Are you with me stuff? Let me

786
00:46:03,080 --> 00:46:05,759
Speaker 1: the physical style, the physical comedy. So let me ask

787
00:46:05,760 --> 00:46:08,040
Speaker 1: you something because right we had while they sit there

788
00:46:08,160 --> 00:46:11,399
Speaker 1: and um, I told while A like, um, I never

789
00:46:11,440 --> 00:46:15,000
Speaker 1: really got side felt. But I love Kirby enthusiast. While

790
00:46:15,040 --> 00:46:18,759
Speaker 1: I was like, suggest you watching the other day, I

791
00:46:18,760 --> 00:46:23,000
Speaker 1: actually went, I'm on season five Feld I watching the

792
00:46:23,000 --> 00:46:25,839
Speaker 1: whole ship going through it, and it's actually a show

793
00:46:25,880 --> 00:46:30,520
Speaker 1: about nothing. It really is like it's really about like,

794
00:46:30,560 --> 00:46:32,720
Speaker 1: if you think about it, it's about these guys getting

795
00:46:32,719 --> 00:46:35,480
Speaker 1: together in this restaurant and eat garbs because I don't

796
00:46:35,480 --> 00:46:39,480
Speaker 1: know why I keep everyone eats carbs, Like everyone is

797
00:46:39,520 --> 00:46:43,120
Speaker 1: just sandwiches and French fries and it's just like but

798
00:46:43,160 --> 00:46:46,280
Speaker 1: it's brilliance in that. Yeah. But what I think what

799
00:46:46,400 --> 00:46:50,719
Speaker 1: was brilliant about Jerry Seinfeld was to me and is

800
00:46:50,760 --> 00:46:52,919
Speaker 1: and he was on that show at Radio City Music

801
00:46:52,960 --> 00:46:57,319
Speaker 1: on and he killed. He's a real medium for a

802
00:46:57,360 --> 00:47:00,480
Speaker 1: black audience. Is a black audience, Yo is a mix

803
00:47:00,640 --> 00:47:02,880
Speaker 1: because Dave David, you know, he had that level tickets

804
00:47:02,920 --> 00:47:05,319
Speaker 1: like for Wanted, So it's a mixed you know, it's

805
00:47:05,320 --> 00:47:08,799
Speaker 1: a few black people, but it's you know, so uh

806
00:47:09,000 --> 00:47:11,520
Speaker 1: you know Jerry side Felt. What I like about Jerry

807
00:47:11,760 --> 00:47:16,400
Speaker 1: is Jerry was able to take his comedy, his premises

808
00:47:16,480 --> 00:47:18,480
Speaker 1: and put them in a show and make a story

809
00:47:18,520 --> 00:47:20,440
Speaker 1: around it. That's what I liked about you know what

810
00:47:20,520 --> 00:47:22,480
Speaker 1: I mean? And that's why everyone thinks their friends is

811
00:47:22,480 --> 00:47:24,479
Speaker 1: a dope. But who could really make four hundred million

812
00:47:24,520 --> 00:47:27,160
Speaker 1: about hanging out with their friends? Bro? Nobody but j

813
00:47:28,040 --> 00:47:30,320
Speaker 1: just think about it like every no One's crew was

814
00:47:30,320 --> 00:47:34,399
Speaker 1: gonna be like everyone's gonna be like the Chip think

815
00:47:34,480 --> 00:47:36,200
Speaker 1: that you can do this. But he's a guy. If

816
00:47:36,239 --> 00:47:40,080
Speaker 1: you think about the essence of side Felt, it's about eminence.

817
00:47:40,400 --> 00:47:42,760
Speaker 1: First one of which was a girl that he dated

818
00:47:42,920 --> 00:47:46,879
Speaker 1: and they figured they they're not compatible, but they're still

819
00:47:46,880 --> 00:47:54,800
Speaker 1: gonna be cool. When did this happen in the world happened. Nobody,

820
00:47:55,120 --> 00:47:59,239
Speaker 1: No one but side felt. I'm sorry to get emotional, guys,

821
00:47:59,280 --> 00:48:01,400
Speaker 1: because this is brilliant to me because I'm like, wow,

822
00:48:01,400 --> 00:48:03,880
Speaker 1: and maybe that was his, but that's what that was

823
00:48:03,960 --> 00:48:06,759
Speaker 1: his his sensibility. If you go, if you watch it

824
00:48:06,800 --> 00:48:09,600
Speaker 1: again and you just really think about like he put

825
00:48:09,680 --> 00:48:12,680
Speaker 1: us into his world of his friends and his sense

826
00:48:12,800 --> 00:48:15,360
Speaker 1: of humor. And when I seen him do that stand up,

827
00:48:15,400 --> 00:48:18,560
Speaker 1: because I had never seen Jerry Seinfell do his stand

828
00:48:18,680 --> 00:48:22,560
Speaker 1: up live Radio City Music Hall that night he murdered

829
00:48:22,600 --> 00:48:26,520
Speaker 1: for twenty five minutes. Everything he said was bananas, bro,

830
00:48:26,760 --> 00:48:28,719
Speaker 1: And I was like, he's gonna come up community. This

831
00:48:28,760 --> 00:48:32,920
Speaker 1: is a guy who got Listen to me, bro, Jerry

832
00:48:32,920 --> 00:48:35,000
Speaker 1: sein felt, ain't nothing to play with. You do not.

833
00:48:35,160 --> 00:48:37,360
Speaker 1: It's a couple of cats in this game. That's veterans.

834
00:48:37,560 --> 00:48:39,760
Speaker 1: If you they do a guest spot and you're not ready,

835
00:48:39,920 --> 00:48:43,720
Speaker 1: you're gonna get body. Bro. I had George Wallace open.

836
00:48:44,120 --> 00:48:47,960
Speaker 1: He came rand up, text me yo, big you in Atlanta,

837
00:48:48,200 --> 00:48:50,719
Speaker 1: I'm coming. I said, oh ship. He walked in that

838
00:48:50,760 --> 00:48:55,480
Speaker 1: motherfucker with a bad he old school yellow rember, the yellow. Yeah,

839
00:48:57,440 --> 00:49:01,040
Speaker 1: I'm gonna do five, seven and eight went on stage.

840
00:49:01,080 --> 00:49:03,600
Speaker 1: And toward the whole house down, and every joke was

841
00:49:03,640 --> 00:49:06,800
Speaker 1: to So it's it's it's it's something to be said

842
00:49:06,840 --> 00:49:12,279
Speaker 1: about that generation because they're very technical. Like I'm a

843
00:49:12,400 --> 00:49:15,480
Speaker 1: part of the Dave Chappelle generation, Me, Dave mar and

844
00:49:15,920 --> 00:49:19,439
Speaker 1: Steve Harvey coming together, like were all right, I'm gonna

845
00:49:19,480 --> 00:49:22,440
Speaker 1: call us the deaf comedy Jam all stars. Right, we

846
00:49:22,760 --> 00:49:26,120
Speaker 1: were behind these cats. Okay, but the cats that was

847
00:49:26,160 --> 00:49:28,799
Speaker 1: a little that's a little older than us. They came

848
00:49:28,840 --> 00:49:33,240
Speaker 1: from another school where it was structured, and it's boom

849
00:49:33,239 --> 00:49:38,040
Speaker 1: boom boom, boom boom, like everything would be hitting you don't.

850
00:49:38,080 --> 00:49:40,600
Speaker 1: You'll never see a pro from that generation throwout a

851
00:49:40,680 --> 00:49:43,240
Speaker 1: dud and it don't. It'll be a bunch of empty space.

852
00:49:43,800 --> 00:49:46,520
Speaker 1: They I learned watching them that that Oh there's a

853
00:49:46,600 --> 00:49:50,640
Speaker 1: rhythm to their comedy. It's a set up jab jab boom,

854
00:49:50,719 --> 00:49:52,839
Speaker 1: or it's a set up boom, set up boom. It's

855
00:49:52,880 --> 00:49:55,400
Speaker 1: you know, it's never like say something and people waiting

856
00:49:55,440 --> 00:49:59,520
Speaker 1: for thirty fucking minutes to get the punchline. Those days

857
00:49:59,520 --> 00:50:01,839
Speaker 1: don't happen in with those guys. Now. Some of the

858
00:50:01,840 --> 00:50:04,239
Speaker 1: new comments gotta learn that technique because we got the

859
00:50:04,280 --> 00:50:06,279
Speaker 1: social media and stuff. But if they were to go

860
00:50:06,360 --> 00:50:09,360
Speaker 1: back and study the greats to George Carlins, you know

861
00:50:09,400 --> 00:50:12,560
Speaker 1: what I'm saying. We're talking even Robin Williams. You know,

862
00:50:12,600 --> 00:50:16,319
Speaker 1: we talked about let's go back Marcia Warfield, like the

863
00:50:16,440 --> 00:50:24,680
Speaker 1: classic like forget TV stand up, Paul Mooney man, Paul

864
00:50:24,719 --> 00:50:27,439
Speaker 1: Mooney sitting in the chair. You know, it's crazy. Paul

865
00:50:27,440 --> 00:50:30,560
Speaker 1: Mooney wouldn't exist in this time because Paul Paul. They wouldn't.

866
00:50:30,560 --> 00:50:32,759
Speaker 1: They couldn't even take Paul more. Yeah, Paul Mooney hurt

867
00:50:32,760 --> 00:50:36,680
Speaker 1: everybody feelings, including black people, like he would have been

868
00:50:36,840 --> 00:50:40,680
Speaker 1: everybody like this. I don't I don't honestly, I don't

869
00:50:40,800 --> 00:50:45,480
Speaker 1: like what we are right now with comedy, right because

870
00:50:45,960 --> 00:50:50,400
Speaker 1: this whole cancer comedy or cancer culture, well two things. Okay,

871
00:50:50,680 --> 00:50:55,560
Speaker 1: I don't like council culture because it is it's just unware.

872
00:50:55,640 --> 00:50:58,560
Speaker 1: It's just swinging left and right. It's no, it's no

873
00:50:58,840 --> 00:51:01,799
Speaker 1: like specific if they don't like it, Oh, it's like

874
00:51:01,840 --> 00:51:04,480
Speaker 1: somebody that's always in their feelings. Cancer culture is like

875
00:51:04,600 --> 00:51:07,560
Speaker 1: a person who's always in their feelings. Like to me,

876
00:51:07,680 --> 00:51:10,200
Speaker 1: people on Facebook is always in their feelings no matter

877
00:51:10,239 --> 00:51:13,360
Speaker 1: what you post. They'd be oh, go on Twitter. You

878
00:51:13,400 --> 00:51:15,920
Speaker 1: don't go on Twitter. Twitter throw it over there. But

879
00:51:15,960 --> 00:51:18,920
Speaker 1: I don't know if Twitter has the same feeling as

880
00:51:19,000 --> 00:51:21,520
Speaker 1: for Twitter is my drug? You I go on Twitter

881
00:51:21,640 --> 00:51:26,320
Speaker 1: to feel great and feel horrible the same time, Like

882
00:51:25,640 --> 00:51:29,319
Speaker 1: like I want to know if I want somebody but something,

883
00:51:30,560 --> 00:51:32,239
Speaker 1: keep doing what you're doing. If I want to feel horrible,

884
00:51:32,360 --> 00:51:34,279
Speaker 1: still going to Twitter, I'm like, yeah, what's going on y'all?

885
00:51:34,320 --> 00:51:39,359
Speaker 1: To somebody like we don't care, You're like, why what

886
00:51:39,400 --> 00:51:43,720
Speaker 1: did I do to you? But but the cancer culture

887
00:51:43,800 --> 00:51:52,680
Speaker 1: for comedians, to me, is like old school traditional mindset,

888
00:51:53,320 --> 00:51:56,839
Speaker 1: trying to keep us conservative. Like, don't say that you're

889
00:51:56,840 --> 00:51:59,400
Speaker 1: gonna hurt the little people. Don't say that you're gonna

890
00:51:59,400 --> 00:52:04,000
Speaker 1: hate this community, don't say that comedy is about taking

891
00:52:04,080 --> 00:52:08,400
Speaker 1: the truth and flipping it. Like comedians, our job is

892
00:52:08,440 --> 00:52:14,040
Speaker 1: to snatch reality, snatch observations, turn it around and bring

893
00:52:14,080 --> 00:52:16,560
Speaker 1: it back to you in a funny way. Why are

894
00:52:16,600 --> 00:52:19,120
Speaker 1: we so now? We got a tiptoe? So you got

895
00:52:19,120 --> 00:52:21,719
Speaker 1: a guy like me, you got a guy like Dave.

896
00:52:21,840 --> 00:52:23,839
Speaker 1: We can't say a joke that we thought of that's

897
00:52:23,880 --> 00:52:26,640
Speaker 1: so funny that might make people think about stuff in

898
00:52:26,680 --> 00:52:31,080
Speaker 1: a different way. You know, you got you got uh uh,

899
00:52:31,120 --> 00:52:33,480
Speaker 1: anything is sensitive like I remember. I'm gonna tell you

900
00:52:33,480 --> 00:52:36,080
Speaker 1: the first instance. I remember when she got weird. Do

901
00:52:36,120 --> 00:52:40,120
Speaker 1: you remember when Janet Jackson the boom about I never

902
00:52:40,160 --> 00:52:44,200
Speaker 1: forget wonderful moment of history. I was happy, I never

903
00:52:44,200 --> 00:52:47,120
Speaker 1: I didn't see the matter. Was outraged over it was

904
00:52:47,239 --> 00:52:51,880
Speaker 1: outraged over. The thing flipped down right justin Timberlay went whoa, okay,

905
00:52:51,880 --> 00:52:55,200
Speaker 1: whoa so real quick. I never forget. I was on

906
00:52:55,320 --> 00:53:00,800
Speaker 1: tour after the Janet Jackson malfunction. I went into a

907
00:53:00,920 --> 00:53:05,560
Speaker 1: radio station and I had to sign, uh release that

908
00:53:05,640 --> 00:53:09,040
Speaker 1: I would not say anything that was inappropriate like prior

909
00:53:09,200 --> 00:53:12,799
Speaker 1: to you getting on before, and they made all the

910
00:53:12,920 --> 00:53:14,960
Speaker 1: radio DJs. I never forget this ship. Because I was

911
00:53:15,040 --> 00:53:17,600
Speaker 1: in Boston. I came in the radio station and said,

912
00:53:17,600 --> 00:53:19,520
Speaker 1: you know, Mr belling me, everything is crazy around it

913
00:53:19,680 --> 00:53:21,799
Speaker 1: right now. You know the radio station is tight on us.

914
00:53:21,800 --> 00:53:23,919
Speaker 1: We can't say you can't use no bad language, can't

915
00:53:23,920 --> 00:53:26,200
Speaker 1: any sinuate, can't do this. Can't you gotta sign this?

916
00:53:26,440 --> 00:53:29,240
Speaker 1: You won't be on your a game. I said, oh snap,

917
00:53:29,840 --> 00:53:31,960
Speaker 1: because you know you could go on certain radio stations

918
00:53:31,960 --> 00:53:34,760
Speaker 1: and get loose, and then certain radio stations you couldn't.

919
00:53:34,880 --> 00:53:36,480
Speaker 1: But it was a mandate. I don't know if you

920
00:53:36,560 --> 00:53:38,680
Speaker 1: remember this, I don't know what here that Super bowlshit

921
00:53:38,840 --> 00:53:41,440
Speaker 1: was it got tight. If you was in radio, it

922
00:53:41,560 --> 00:53:44,919
Speaker 1: got tight. That's what it is. Right now, it getting tight,

923
00:53:45,000 --> 00:53:47,040
Speaker 1: which is like it went backwards, because that's how it

924
00:53:47,120 --> 00:53:48,880
Speaker 1: was in the early days of entertainment when were you

925
00:53:48,880 --> 00:53:50,759
Speaker 1: couldn't go in the Bible belt and if you you

926
00:53:50,760 --> 00:53:53,440
Speaker 1: got arrested if you said some profane ships yeah, blue ship.

927
00:53:53,600 --> 00:53:55,880
Speaker 1: So it's like we're going backwards. Yeah, but it's it's

928
00:53:55,719 --> 00:53:59,520
Speaker 1: it's I feel like it's cycles, you know what I mean.

929
00:53:59,560 --> 00:54:03,359
Speaker 1: I feel like it's definitely cyclical, right, Like it goes in. Oh,

930
00:54:03,440 --> 00:54:05,560
Speaker 1: now we're gonna be uptight. Then we're gonna get loose again.

931
00:54:05,600 --> 00:54:08,480
Speaker 1: Because if you think earlier, we talked about Eddie Murphy,

932
00:54:08,960 --> 00:54:13,719
Speaker 1: Eddie Murphy broke out the box being wrong, like think

933
00:54:13,719 --> 00:54:16,960
Speaker 1: about it like and I think that's what made him

934
00:54:17,080 --> 00:54:19,200
Speaker 1: Eddie Murphy because he didn't give a funk and he

935
00:54:19,320 --> 00:54:22,759
Speaker 1: like did him and he became he went from raw

936
00:54:22,840 --> 00:54:26,439
Speaker 1: the deliriate to the That's why he became Eddie Murphy. Right.

937
00:54:26,680 --> 00:54:29,160
Speaker 1: So there's a part of America that wants to row.

938
00:54:29,400 --> 00:54:33,480
Speaker 1: But in the other suits too with the peaky rain

939
00:54:34,400 --> 00:54:36,160
Speaker 1: on top of the leather gub. I never figured that

940
00:54:36,160 --> 00:54:41,040
Speaker 1: out anyway, making keep it moving right now, in our culture,

941
00:54:41,640 --> 00:54:44,000
Speaker 1: we have to make a decision on are we gonna

942
00:54:44,080 --> 00:54:46,320
Speaker 1: go for the truth of what it is and not

943
00:54:46,600 --> 00:54:50,520
Speaker 1: care or be scared. I can't tell scared jokes because

944
00:54:50,520 --> 00:54:55,160
Speaker 1: now I'm tiptoeing like to me, I love Dave Chappelle

945
00:54:55,280 --> 00:54:59,600
Speaker 1: on this respect that I love Dave because he's always

946
00:54:59,600 --> 00:55:02,720
Speaker 1: pushed envelope. It's not like all of a sudden Davis

947
00:55:02,840 --> 00:55:06,399
Speaker 1: pushing the envelope. Why did the Dave Chappelle's show become huge? Right?

948
00:55:06,760 --> 00:55:09,759
Speaker 1: So you want Dave Chappelle to stop being him and

949
00:55:09,800 --> 00:55:14,000
Speaker 1: do something else. He's doing what he's ordained to do.

950
00:55:14,160 --> 00:55:17,319
Speaker 1: He's doing what his gift is given to him, and

951
00:55:17,360 --> 00:55:19,719
Speaker 1: the people love it. Now, every joke might not hit

952
00:55:19,800 --> 00:55:22,080
Speaker 1: right for you. You ain't gotta like like every joke

953
00:55:22,160 --> 00:55:24,879
Speaker 1: I do. You ain't gotta like every story I tell.

954
00:55:25,160 --> 00:55:27,680
Speaker 1: But maybe eighty percent of them is cool. Maybe one

955
00:55:27,719 --> 00:55:29,920
Speaker 1: you ain't working with. So does that make me a

956
00:55:29,960 --> 00:55:32,840
Speaker 1: bad guy or a bad comedian? No? For the social

957
00:55:32,880 --> 00:55:35,960
Speaker 1: media that exacerbates all of that ship because that's the

958
00:55:36,000 --> 00:55:37,960
Speaker 1: only thing that I'm worried about it being just a

959
00:55:37,960 --> 00:55:40,799
Speaker 1: cycle because and before the cycles would happen, but now

960
00:55:40,840 --> 00:55:45,200
Speaker 1: social media empowers every single voice to be a keyboard warrior.

961
00:55:45,719 --> 00:55:49,480
Speaker 1: And I mean, I am conscious about what I say honestly,

962
00:55:49,960 --> 00:55:52,359
Speaker 1: you know, watching you know, like even with my boy

963
00:55:52,440 --> 00:55:55,360
Speaker 1: Kevin Heart, like you know, he went through a tough time,

964
00:55:55,440 --> 00:55:58,279
Speaker 1: like he said a joke that was so long ago,

965
00:55:59,440 --> 00:56:02,680
Speaker 1: it was like fourteen fourteen years ago, and they went

966
00:56:02,719 --> 00:56:05,120
Speaker 1: back and tried to use a joke. Yeah, that's the

967
00:56:05,239 --> 00:56:08,960
Speaker 1: that's the thing. But that's the thing that's horrible for comedians, right,

968
00:56:09,320 --> 00:56:12,200
Speaker 1: like we do jokes like we're playing around. That would

969
00:56:12,239 --> 00:56:14,000
Speaker 1: be like me being in the dice game or kicking

970
00:56:14,040 --> 00:56:15,480
Speaker 1: it with my boys and I say a joke and

971
00:56:15,520 --> 00:56:17,080
Speaker 1: somebody feel me and put it up on the on

972
00:56:17,120 --> 00:56:20,080
Speaker 1: the ground and I'm joking with Nori having a good time,

973
00:56:20,400 --> 00:56:23,600
Speaker 1: but it's only for us right here, and they put

974
00:56:23,600 --> 00:56:27,439
Speaker 1: it on the graun I'm head yas that's the only

975
00:56:27,480 --> 00:56:29,640
Speaker 1: part that I don't like, Like it's like, oh my god,

976
00:56:29,640 --> 00:56:32,040
Speaker 1: they go back in your archives some ship I said

977
00:56:32,040 --> 00:56:33,959
Speaker 1: when I didn't even know I was a comic, bring

978
00:56:33,960 --> 00:56:36,719
Speaker 1: it up now so so so you don't like alligators.

979
00:56:38,200 --> 00:56:41,640
Speaker 1: It could be someone some crazy shit about like someone

980
00:56:41,640 --> 00:56:44,120
Speaker 1: that wasn't even a lot back that going back, I

981
00:56:44,120 --> 00:56:46,920
Speaker 1: don't even understand the context of that period. That's what

982
00:56:47,000 --> 00:56:49,480
Speaker 1: I'm saying that that's the only thing that's scary for us.

983
00:56:49,560 --> 00:56:51,640
Speaker 1: You don't feel like that in music. That's why I

984
00:56:51,640 --> 00:56:53,200
Speaker 1: don't making music. The more I feel like it's right

985
00:56:53,239 --> 00:57:00,759
Speaker 1: here right now? Are you gonna next one? The next

986
00:57:00,760 --> 00:57:02,160
Speaker 1: one is when you go ahead and let's see what

987
00:57:02,239 --> 00:57:04,320
Speaker 1: we had, because I don't agree with this one. You

988
00:57:04,360 --> 00:57:08,640
Speaker 1: don't agree with it. After Jerry's sin Fell and Jim Carrey,

989
00:57:08,920 --> 00:57:16,960
Speaker 1: Bernie mac A, Red Fox two legends, that's tough. You

990
00:57:17,000 --> 00:57:21,160
Speaker 1: did your job as ready. Yeah, I gotta drink. I can't.

991
00:57:22,320 --> 00:57:25,880
Speaker 1: That's those of both my dudes. That's that's that's the legendary.

992
00:57:25,920 --> 00:57:31,960
Speaker 1: That's a tie. Yer cheers, it's already to make this

993
00:57:32,000 --> 00:57:36,880
Speaker 1: game even longer. But I think you like drinking. But

994
00:57:36,960 --> 00:57:40,200
Speaker 1: it made me drink Champs right, maybe, but let me

995
00:57:40,200 --> 00:57:44,960
Speaker 1: think about it. I don't see nowhere because Red Fox right,

996
00:57:45,000 --> 00:57:47,960
Speaker 1: I'm black and Puto Rican right. But I remember the

997
00:57:48,000 --> 00:57:52,960
Speaker 1: first time I ever heard like the worst big before

998
00:57:53,680 --> 00:58:00,360
Speaker 1: was watching Red Fox Fox was no, no, I don't

999
00:58:00,360 --> 00:58:02,600
Speaker 1: remember being words an arch bunker and there was a

1000
00:58:02,640 --> 00:58:06,960
Speaker 1: guy named who I remember used to come over with

1001
00:58:07,040 --> 00:58:09,480
Speaker 1: Red Fox house. He's like, you're derny Puerto Rican and

1002
00:58:09,520 --> 00:58:15,240
Speaker 1: I was like, whoa eight years old at the time,

1003
00:58:15,360 --> 00:58:19,160
Speaker 1: seven years old? The first time I ever been offended, Like,

1004
00:58:19,960 --> 00:58:24,880
Speaker 1: holy sh're offended? Of course, come on, bro only time

1005
00:58:27,440 --> 00:58:31,600
Speaker 1: because no but black for the weekend, the beet of

1006
00:58:31,640 --> 00:58:34,760
Speaker 1: the worst kind. So when I was when I wasn't

1007
00:58:34,760 --> 00:58:38,200
Speaker 1: being black, I was too black for Puaro Ricans. When

1008
00:58:38,200 --> 00:58:39,800
Speaker 1: I was being Puardo weekend, I was sup puarter weekend

1009
00:58:39,800 --> 00:58:44,720
Speaker 1: for the blast. And I remember me but no. One

1010
00:58:44,800 --> 00:58:47,800
Speaker 1: never really liked being there out front racist to me.

1011
00:58:49,000 --> 00:58:52,160
Speaker 1: And then on Red Fox, I'm watching Red Fox. Mad

1012
00:58:52,200 --> 00:58:57,280
Speaker 1: Fox said, hey man, it's dirty Puerto Rican's hilarious. Yeah,

1013
00:58:57,280 --> 00:59:00,840
Speaker 1: it's hilarious, but but it hit. It hit, but it

1014
00:59:01,000 --> 00:59:03,600
Speaker 1: also hurt me. But it hurt me to that. I

1015
00:59:03,680 --> 00:59:05,760
Speaker 1: get the joke. I got the joke this is But

1016
00:59:05,840 --> 00:59:07,280
Speaker 1: when did you see how old? Because you have been

1017
00:59:07,320 --> 00:59:08,840
Speaker 1: we're all kids when that show was out, I don't

1018
00:59:08,840 --> 00:59:11,800
Speaker 1: know if it was a repeat. Offers like he was,

1019
00:59:11,920 --> 00:59:15,720
Speaker 1: he was very he wouldn't understanding Fox probably couldn't exist

1020
00:59:15,880 --> 00:59:19,960
Speaker 1: right now either, because he was he was bro, he

1021
00:59:20,120 --> 00:59:22,840
Speaker 1: was brutal. He was like Don Rickles, like those like

1022
00:59:23,000 --> 00:59:27,480
Speaker 1: Don Rickles even right now his style, how irreverent it

1023
00:59:27,680 --> 00:59:31,240
Speaker 1: is and how he hit every nationality, but it was

1024
00:59:31,400 --> 00:59:34,840
Speaker 1: to me, it was brilliant. Right. He made fun of everybody.

1025
00:59:34,880 --> 00:59:37,960
Speaker 1: So you can't say it can't be offensive when you

1026
00:59:38,000 --> 00:59:41,160
Speaker 1: see it. That's what I think. But then now the

1027
00:59:41,280 --> 00:59:44,840
Speaker 1: one group would go, oh, like you, you was hurt,

1028
00:59:45,080 --> 00:59:47,919
Speaker 1: But it's a million y'all. So now on social media,

1029
00:59:48,000 --> 00:59:50,160
Speaker 1: y'all go crazy. You took it to the chest a

1030
00:59:50,200 --> 00:59:56,360
Speaker 1: little bit. But now with social media it could become

1031
00:59:56,600 --> 00:59:59,520
Speaker 1: a zillion people that feel like you didn't get really

1032
00:59:59,560 --> 01:00:04,080
Speaker 1: really mad at over a joke. Here's my thing. It's

1033
01:00:04,120 --> 01:00:08,000
Speaker 1: a joke, bro, I'm not I'm not a politician. This

1034
01:00:08,200 --> 01:00:11,880
Speaker 1: is not something that is like, um, like a law.

1035
01:00:12,360 --> 01:00:15,000
Speaker 1: This is like a moment of laughter, right, and if

1036
01:00:15,040 --> 01:00:18,919
Speaker 1: I say a little something, a little crazy in this moment,

1037
01:00:19,000 --> 01:00:21,680
Speaker 1: it's to make you laugh. Now, I'm not trying to

1038
01:00:21,760 --> 01:00:24,640
Speaker 1: hurt nobody feelings. That's the thing. Like I feel like

1039
01:00:24,720 --> 01:00:27,160
Speaker 1: comedians we should get a pass. Like I feel like

1040
01:00:27,520 --> 01:00:32,360
Speaker 1: both of my grandfathers was racist. Being honest like grandparents,

1041
01:00:33,320 --> 01:00:41,280
Speaker 1: parents was like, and there was racist against me going

1042
01:00:41,320 --> 01:00:44,600
Speaker 1: to my black girl. It was hot to silver, where

1043
01:00:44,920 --> 01:00:49,960
Speaker 1: like what Puerto Ricans still like, wait a minute, what

1044
01:00:50,320 --> 01:00:56,480
Speaker 1: They're not going to my blas same thing going on Putricans,

1045
01:00:56,640 --> 01:01:02,720
Speaker 1: They're like, hey, man, like fun. Everybody's like, you can't win,

1046
01:01:02,880 --> 01:01:05,200
Speaker 1: you can't win. And it was funked up because my sister,

1047
01:01:05,680 --> 01:01:09,240
Speaker 1: my older brother, and my little brothers all light skinned.

1048
01:01:09,280 --> 01:01:11,800
Speaker 1: I'm the only chuck. I'm the only one, so I

1049
01:01:11,880 --> 01:01:16,320
Speaker 1: get it all. Damn it all Like oh man, I'm

1050
01:01:16,320 --> 01:01:19,520
Speaker 1: just saying so um. But that made me who I am.

1051
01:01:19,800 --> 01:01:23,520
Speaker 1: It made me actually be able to have cause I

1052
01:01:23,520 --> 01:01:25,640
Speaker 1: feel like we have the United Nations and Cruise. We

1053
01:01:25,760 --> 01:01:28,800
Speaker 1: have Jewish people in our crew. We have Cuban people

1054
01:01:28,880 --> 01:01:30,600
Speaker 1: and our crew. We got Haitian people are creol. We

1055
01:01:30,600 --> 01:01:33,960
Speaker 1: got rushing people in our crew, Peruvian people and our

1056
01:01:34,000 --> 01:01:37,880
Speaker 1: crew fireman for Perugers of our blunts. And he wrote

1057
01:01:37,920 --> 01:01:40,840
Speaker 1: them very nicely. Back there should be a camera because

1058
01:01:40,840 --> 01:01:43,120
Speaker 1: the role is sweet. Yeah, and he rested with camels

1059
01:01:43,160 --> 01:01:49,400
Speaker 1: on Saturday. But yeah, but it's a different time. I

1060
01:01:49,520 --> 01:01:53,640
Speaker 1: feel sorry for this generation because growing up. So I'm

1061
01:01:53,640 --> 01:01:55,680
Speaker 1: gonna give you a perfect example. One of my rest

1062
01:01:55,760 --> 01:01:58,560
Speaker 1: in peace, one of my really good friends who was

1063
01:01:58,600 --> 01:02:02,280
Speaker 1: a guy named Freddie and to my tee and Freddie

1064
01:02:03,040 --> 01:02:07,200
Speaker 1: was brown is me Puerto Rican? Right? And like you

1065
01:02:07,440 --> 01:02:09,880
Speaker 1: like he was mixing, but it was so funny. So

1066
01:02:10,000 --> 01:02:12,400
Speaker 1: Freddie was like, Yo, be, man, this ship crazy. You know,

1067
01:02:12,480 --> 01:02:17,440
Speaker 1: I'm Puerto Rican, hud, but I'm like the only chocolate

1068
01:02:17,520 --> 01:02:20,560
Speaker 1: motherfucker Puerto Rican ship. He said, you know, Puerto Ricans

1069
01:02:20,600 --> 01:02:23,040
Speaker 1: coming every motherfucking flavor. You know I got you know,

1070
01:02:23,200 --> 01:02:25,240
Speaker 1: you know some of my cousins they think they wait,

1071
01:02:25,560 --> 01:02:32,560
Speaker 1: but think they so The funny joke that he used

1072
01:02:32,600 --> 01:02:34,440
Speaker 1: to say to me was so funny. He was like, Yo,

1073
01:02:34,600 --> 01:02:36,880
Speaker 1: be every time I go to my little cook house

1074
01:02:36,920 --> 01:02:39,760
Speaker 1: and and my ba and doing my ship, they will

1075
01:02:39,800 --> 01:02:45,440
Speaker 1: always be like, yo, who this nigga? Because he was

1076
01:02:45,560 --> 01:02:50,440
Speaker 1: the only chocolate Puerto Rican, everybody was like medium, a

1077
01:02:50,560 --> 01:02:53,320
Speaker 1: little warm, you know what I'm saying. But Freddie was

1078
01:02:53,600 --> 01:02:58,040
Speaker 1: brown is me one thousand percent Puerto Rican? And it

1079
01:02:58,120 --> 01:03:02,440
Speaker 1: sounds like you like he was going through it. Goddammit,

1080
01:03:02,840 --> 01:03:05,800
Speaker 1: you'll be going to do it, okay, um shout out

1081
01:03:05,840 --> 01:03:11,760
Speaker 1: the Friday Friday or next Friday, first Friday first Friday,

1082
01:03:11,760 --> 01:03:13,960
Speaker 1: First Friday, guarantee money, nothing to talk about. Go with

1083
01:03:14,040 --> 01:03:16,480
Speaker 1: the first one, okay, because I know you're from jers

1084
01:03:17,000 --> 01:03:20,880
Speaker 1: So red Man or method Man. I'm going with red Man.

1085
01:03:21,160 --> 01:03:26,480
Speaker 1: I got you. Now, let's drink. Let's drink. I expect

1086
01:03:26,520 --> 01:03:31,840
Speaker 1: that because Methods is my man too. Can I explain

1087
01:03:31,920 --> 01:03:37,760
Speaker 1: my wife? Alright? So red Man represent Jersey all day,

1088
01:03:38,080 --> 01:03:42,120
Speaker 1: every day to the fullest. Is him and Meth. They're

1089
01:03:42,120 --> 01:03:44,440
Speaker 1: a team. So I wanted to drink for both of them,

1090
01:03:45,000 --> 01:03:48,640
Speaker 1: first and foremost Jersey, red Man, Gulley. You know what

1091
01:03:48,680 --> 01:03:52,960
Speaker 1: I'm saying. Doing this saying Meth will say my guy.

1092
01:03:53,240 --> 01:03:54,920
Speaker 1: So I had to drink for both of them. I

1093
01:03:55,320 --> 01:03:56,880
Speaker 1: just wanted to drink anywhere and by the way, but

1094
01:03:57,000 --> 01:03:59,640
Speaker 1: I googled you and say he's from East Orange, from

1095
01:03:59,680 --> 01:04:03,120
Speaker 1: North New York. Yeah, I know what each change is.

1096
01:04:03,320 --> 01:04:04,920
Speaker 1: I'm from nor So. The next was a good one,

1097
01:04:04,960 --> 01:04:07,680
Speaker 1: friend the Jack Capital. I lived in West Orange. You

1098
01:04:07,760 --> 01:04:10,400
Speaker 1: lived in West just as I blew up though, Yeah, yeah,

1099
01:04:15,240 --> 01:04:20,200
Speaker 1: he's all right. Yeah. They got a lot of Puerto

1100
01:04:20,280 --> 01:04:24,400
Speaker 1: Rican chicks in Sack and Colombia. I'm gonna tell you,

1101
01:04:24,520 --> 01:04:28,080
Speaker 1: like in Jersey, we got pockets. Uh so in Jersey.

1102
01:04:28,280 --> 01:04:30,520
Speaker 1: If you go like to Clifton and you go to

1103
01:04:30,720 --> 01:04:33,320
Speaker 1: like for Sack and the Cuban, I got family. The

1104
01:04:33,400 --> 01:04:41,120
Speaker 1: Cubans are a lot of city. Yeah yeah, your city. Yeah,

1105
01:04:41,160 --> 01:04:45,120
Speaker 1: that's what the Cubans. Okay, okay, let's go naughty by

1106
01:04:45,280 --> 01:04:48,320
Speaker 1: nature or laws of the under Jersey all day, Jersey.

1107
01:04:48,360 --> 01:04:53,760
Speaker 1: Get your shot ready, Yeah he got he got it.

1108
01:04:54,240 --> 01:04:59,960
Speaker 1: I need my shot over trying to flat leave me underground.

1109
01:05:00,000 --> 01:05:07,520
Speaker 1: And I'm so happy you shot at them out. I

1110
01:05:07,680 --> 01:05:11,040
Speaker 1: just saw a trench last week. Shout out to give

1111
01:05:11,040 --> 01:05:20,240
Speaker 1: me something, give me something. Boom, I'm glad I'm not driving.

1112
01:05:22,200 --> 01:05:25,800
Speaker 1: What's that any given Sunday? Or how to be a player?

1113
01:05:28,040 --> 01:05:30,560
Speaker 1: I think I know the answer, how to be a player? Yeah?

1114
01:05:31,520 --> 01:05:33,120
Speaker 1: Do you really know how much? Because I know we're

1115
01:05:33,120 --> 01:05:39,920
Speaker 1: spoken that earlier, but I kid you not drink tamps

1116
01:05:40,040 --> 01:05:41,920
Speaker 1: just kind of like saved me out of the like

1117
01:05:42,120 --> 01:05:44,800
Speaker 1: like this this dumb ship when people just say my names.

1118
01:05:44,800 --> 01:05:50,360
Speaker 1: But what what like that purgatory that what you know

1119
01:05:50,560 --> 01:05:52,240
Speaker 1: I did more than what? What? Yeah? I did the

1120
01:05:52,320 --> 01:05:57,360
Speaker 1: boy did what stopped playing? What? What? What? Don't get

1121
01:05:57,400 --> 01:06:04,360
Speaker 1: the other one so did didn't didn't really change your

1122
01:06:04,440 --> 01:06:06,600
Speaker 1: life to that? And then it's like, no, I'm gonna

1123
01:06:06,640 --> 01:06:09,280
Speaker 1: be honest with you. Okay, how to be a player?

1124
01:06:09,360 --> 01:06:14,240
Speaker 1: Let's let's let's go back into the scope of Bill Bellamy. Right,

1125
01:06:15,400 --> 01:06:19,640
Speaker 1: you gotta understand night Like, so I got I got

1126
01:06:19,840 --> 01:06:24,000
Speaker 1: popping ninety one, I don't know where he was. He

1127
01:06:24,080 --> 01:06:29,000
Speaker 1: was in jail. Okay, So ninety one I did Deaf

1128
01:06:29,080 --> 01:06:34,040
Speaker 1: Comedy Jam had one of the dopest sets. I was

1129
01:06:34,360 --> 01:06:36,440
Speaker 1: the yellow with a yellow one. No, no, no, let

1130
01:06:36,480 --> 01:06:38,200
Speaker 1: me see the first one. First one. I had it

1131
01:06:38,240 --> 01:06:41,560
Speaker 1: on the block and I hadn't so check it out right.

1132
01:06:41,920 --> 01:06:44,880
Speaker 1: So I was the first comedian to premiere on Deaf

1133
01:06:44,920 --> 01:06:48,120
Speaker 1: Comedy Jam in ninety one. Okay, premiere, what does that mean?

1134
01:06:48,320 --> 01:06:53,160
Speaker 1: That means like when when that show premiere, every trailer

1135
01:06:53,320 --> 01:06:57,400
Speaker 1: that you saw I was in, it was it was uncanny.

1136
01:06:57,960 --> 01:07:02,200
Speaker 1: So like when I take my set, I closed, but

1137
01:07:02,360 --> 01:07:05,560
Speaker 1: my set was so strong that they put me first

1138
01:07:06,520 --> 01:07:08,320
Speaker 1: in the in the order. And did you know how

1139
01:07:08,400 --> 01:07:12,360
Speaker 1: big the show was going to become? Nobody nobody knew. Right,

1140
01:07:12,360 --> 01:07:15,920
Speaker 1: I gotta ask you one question before you before you

1141
01:07:16,120 --> 01:07:18,480
Speaker 1: see it on? Was that ask girl? In your head?

1142
01:07:18,720 --> 01:07:26,720
Speaker 1: It was shout out to ask real quick. So ninety

1143
01:07:26,800 --> 01:07:34,640
Speaker 1: one girl ain't gonna by the way, is something I

1144
01:07:34,720 --> 01:07:37,320
Speaker 1: was like, well, you know everybody had at the hot time,

1145
01:07:37,600 --> 01:07:39,640
Speaker 1: I had a girl to fun my shot up. But

1146
01:07:41,040 --> 01:07:42,800
Speaker 1: I was always wanted me like, dude, this is this

1147
01:07:42,920 --> 01:07:48,919
Speaker 1: nig Indian or something. I know Dominicans. I knew you weren't.

1148
01:07:51,520 --> 01:07:53,840
Speaker 1: I know you wanted to make but about in there,

1149
01:07:54,600 --> 01:07:56,400
Speaker 1: But let me finish this all right, so real quick,

1150
01:07:56,440 --> 01:07:57,960
Speaker 1: So I'm gonna get you. I'm gonna get it before

1151
01:07:58,000 --> 01:07:59,080
Speaker 1: we get to the how to be a players. So

1152
01:07:59,120 --> 01:08:00,960
Speaker 1: you gotta understand by the way it speet hard, you

1153
01:08:01,000 --> 01:08:03,080
Speaker 1: gotta stop pouring them shouts a little le less. Okay,

1154
01:08:03,120 --> 01:08:10,800
Speaker 1: so real quick. Premiere on Deaf Comedy Jam. Um Our

1155
01:08:10,880 --> 01:08:15,000
Speaker 1: premiere on Deaf Comedy Jam. I come out explosive, boom.

1156
01:08:15,080 --> 01:08:17,479
Speaker 1: No one knows my name yet, but they know my

1157
01:08:17,640 --> 01:08:20,880
Speaker 1: set and they know what I look like. Right, so

1158
01:08:21,200 --> 01:08:24,080
Speaker 1: ninety going in the ninety two, I get MTV. So

1159
01:08:24,280 --> 01:08:27,719
Speaker 1: it was almost like I shot out of cannon because

1160
01:08:27,760 --> 01:08:31,559
Speaker 1: I always believe God's time and it is flawless. Didn't sorry,

1161
01:08:31,640 --> 01:08:34,240
Speaker 1: but did Death Comedy have had anything to do with

1162
01:08:34,280 --> 01:08:36,880
Speaker 1: your MTV? Get getting that? I don't even know how

1163
01:08:36,920 --> 01:08:40,200
Speaker 1: ship happened, Bro, I'm in New York. I'll be honest

1164
01:08:40,280 --> 01:08:43,360
Speaker 1: with you. I do Deaf Comedy Jam. I kill that ship.

1165
01:08:43,840 --> 01:08:49,799
Speaker 1: Hungry young comedian. I get an audition to be a VJ.

1166
01:08:50,680 --> 01:08:53,360
Speaker 1: I don't know what the funk. I don't even have cable. Bro,

1167
01:08:53,960 --> 01:08:57,719
Speaker 1: I don't have cable. I don't have to stop playing

1168
01:08:57,760 --> 01:09:02,280
Speaker 1: with me. MTV was in certain neighborhoods back in the nineties.

1169
01:09:02,800 --> 01:09:06,640
Speaker 1: She had to be in the I was in the hood, bro,

1170
01:09:06,800 --> 01:09:09,759
Speaker 1: stop playing with me. So I didn't even have MTV.

1171
01:09:09,880 --> 01:09:11,560
Speaker 1: I didn't even know what the funk. It was so

1172
01:09:12,080 --> 01:09:14,840
Speaker 1: cut to I get an audition shout out to Tracy

1173
01:09:14,960 --> 01:09:18,240
Speaker 1: Jordan's Tracy Jordan was like, Yo, you're a funny ass comedian.

1174
01:09:18,640 --> 01:09:21,120
Speaker 1: Do you like music? I was like yes. She was like, well,

1175
01:09:21,160 --> 01:09:23,639
Speaker 1: I got an idea for you. I got a show.

1176
01:09:25,040 --> 01:09:27,640
Speaker 1: Um right now, it's called Fade to Black, but we're

1177
01:09:27,640 --> 01:09:30,719
Speaker 1: gonna change it to MTV Jams. You would be perfect

1178
01:09:30,960 --> 01:09:33,760
Speaker 1: to be the host of a show. I want you

1179
01:09:33,840 --> 01:09:36,120
Speaker 1: to come in blah blah blah. I'm speeding the story up.

1180
01:09:36,439 --> 01:09:39,160
Speaker 1: Go in audition. Next thing you know, I'm on MTV.

1181
01:09:39,720 --> 01:09:42,080
Speaker 1: When I first got on Deaf Comedy Jam, nobody knew

1182
01:09:42,120 --> 01:09:45,920
Speaker 1: my name. Everybody used to say, yo, you my man

1183
01:09:46,640 --> 01:09:56,280
Speaker 1: um um ship Ralph Bellamy. They never knew my name.

1184
01:09:56,439 --> 01:09:59,800
Speaker 1: When I got on MTV, people was like, yo, that's

1185
01:10:00,000 --> 01:10:01,840
Speaker 1: Bill Bellamy. Because you remember back in the day, I

1186
01:10:01,920 --> 01:10:04,400
Speaker 1: used to be like, Yo, this is Bill Bellaby MTV jams.

1187
01:10:04,439 --> 01:10:07,040
Speaker 1: I always said my name Bill Bella, me Bill Bellamy. Cool. Right,

1188
01:10:07,320 --> 01:10:09,320
Speaker 1: I'm I'm bringing you full story to how to be

1189
01:10:09,360 --> 01:10:14,880
Speaker 1: a player. So cut too. I get on MTV. This

1190
01:10:15,120 --> 01:10:20,439
Speaker 1: is when MTV is shifting to playing our music. Do

1191
01:10:20,479 --> 01:10:26,280
Speaker 1: you understand? Oh hey, so you gotta understand. I'm in Jersey.

1192
01:10:26,760 --> 01:10:30,519
Speaker 1: I'm seeing Norty by Nature before they was Norty by Nature,

1193
01:10:30,640 --> 01:10:35,840
Speaker 1: Latifa before she was cleaning, Latifa, red Man before Apache.

1194
01:10:36,280 --> 01:10:41,040
Speaker 1: Cats don't even know who Apache is, you know. So

1195
01:10:41,200 --> 01:10:44,559
Speaker 1: what I'm saying is, so I get an opportunity out

1196
01:10:44,600 --> 01:10:48,920
Speaker 1: of nowhere to be on broadcast television to promote hip

1197
01:10:48,960 --> 01:10:52,519
Speaker 1: hop and R and B. That was my land. It

1198
01:10:52,680 --> 01:10:58,400
Speaker 1: had never happened before. So cut to I'm like, oh shit,

1199
01:10:59,120 --> 01:11:02,599
Speaker 1: you know, they wasn't with nobody black at MTV until

1200
01:11:02,800 --> 01:11:08,880
Speaker 1: I got there. It was just Michael Jackson, right, So

1201
01:11:09,360 --> 01:11:12,479
Speaker 1: there's no way it was It was your MTV raps

1202
01:11:12,920 --> 01:11:16,799
Speaker 1: and it was like but they had no like mixture

1203
01:11:16,840 --> 01:11:19,759
Speaker 1: show that could bring the bridge. I was the bridge.

1204
01:11:20,160 --> 01:11:22,880
Speaker 1: So when I came to mt t R L boom,

1205
01:11:23,040 --> 01:11:25,160
Speaker 1: so when I came to MTV, it was just the

1206
01:11:25,280 --> 01:11:28,040
Speaker 1: timing of it was, this is no ego. I don't

1207
01:11:28,040 --> 01:11:29,519
Speaker 1: want nobody to take this the wrong way. I just

1208
01:11:29,600 --> 01:11:32,240
Speaker 1: got lucky right came in. So it was a bridge

1209
01:11:32,360 --> 01:11:35,400
Speaker 1: between because your MTV was here. And then they say, Yo,

1210
01:11:35,479 --> 01:11:37,920
Speaker 1: we don't want to just do like the underground hip hop.

1211
01:11:37,960 --> 01:11:40,800
Speaker 1: We want to do pop culture hip hop. So here

1212
01:11:40,880 --> 01:11:46,000
Speaker 1: come Noughty hit, comes Redman hitcome Method hit, come to

1213
01:11:46,080 --> 01:11:49,600
Speaker 1: Woo hit, comes Jade hit, come as w V. So

1214
01:11:49,680 --> 01:11:51,600
Speaker 1: all of a sudden, out of a suddenness, all this

1215
01:11:51,960 --> 01:11:55,519
Speaker 1: and it's the only way to blow up. We had

1216
01:11:55,600 --> 01:12:00,639
Speaker 1: no Internet. If you was an artist in ninety one, two, three,

1217
01:12:00,720 --> 01:12:02,519
Speaker 1: four or five six, if you didn't do MTV, you

1218
01:12:02,560 --> 01:12:05,160
Speaker 1: couldn't go platinum. It's no way. The gates of the gate.

1219
01:12:05,360 --> 01:12:08,439
Speaker 1: That was the gate gate. Okay, cut too. Then I

1220
01:12:08,560 --> 01:12:12,360
Speaker 1: hit how to Be a Player? I want to talk

1221
01:12:12,479 --> 01:12:14,479
Speaker 1: back to you, So what what what happened? What happened

1222
01:12:14,520 --> 01:12:16,800
Speaker 1: with How to Be a Player was how to be

1223
01:12:16,920 --> 01:12:20,280
Speaker 1: a player was like a building step. And I'm gonna

1224
01:12:20,280 --> 01:12:25,599
Speaker 1: give Russell Simmons his flowers because Russell was like, you're

1225
01:12:25,680 --> 01:12:31,400
Speaker 1: you're the coachure, You're you, You're cool. Motherfucker fluff you'll.

1226
01:12:36,080 --> 01:12:41,160
Speaker 1: I think it, like I swear a guy like Russell Russell.

1227
01:12:41,840 --> 01:12:45,200
Speaker 1: It was Russell Simmons that gave me that opportunity. So

1228
01:12:45,360 --> 01:12:48,519
Speaker 1: Russell was like, Yo, I'm gonna do this movie with you.

1229
01:12:49,760 --> 01:12:53,840
Speaker 1: I think you encompass the right energy to make this

1230
01:12:54,040 --> 01:12:57,040
Speaker 1: movie work. I didn't even know if it was gonna

1231
01:12:57,080 --> 01:12:59,640
Speaker 1: be real. Bro, you gotta understand, I'm brand new to

1232
01:12:59,760 --> 01:13:04,320
Speaker 1: the game. You know. I didn't know Nori. I didn't

1233
01:13:04,320 --> 01:13:09,519
Speaker 1: know you. I was like, eyes wide open, sort of like,

1234
01:13:09,760 --> 01:13:11,920
Speaker 1: oh my god, I'm in the game now. Like you know,

1235
01:13:12,240 --> 01:13:15,280
Speaker 1: I went outside the game on the bench beaten, like,

1236
01:13:16,080 --> 01:13:18,360
Speaker 1: all right, I'm gonna give you a perfect serve. This

1237
01:13:18,560 --> 01:13:20,840
Speaker 1: is the liquor talking. Let me drink some water, drink

1238
01:13:21,040 --> 01:13:23,720
Speaker 1: some liquor. How about half a shot? Take a half

1239
01:13:23,720 --> 01:13:26,880
Speaker 1: a shot. I'm gonna every sort. I'm gonna give you.

1240
01:13:26,880 --> 01:13:31,519
Speaker 1: Alleged that stack up? What was that? What was drink?

1241
01:13:32,080 --> 01:13:34,320
Speaker 1: I didn't drink it? What was this initial question? We're

1242
01:13:34,320 --> 01:13:36,920
Speaker 1: circling back to how to be a player, how to

1243
01:13:36,960 --> 01:13:39,080
Speaker 1: be a plan? All right, but you gotta drink so okay,

1244
01:13:40,120 --> 01:13:46,679
Speaker 1: why y'all keeping counting? It's called drink chaps for good story,

1245
01:13:46,680 --> 01:13:48,280
Speaker 1: by the way, and we into it. Let's i'll give you,

1246
01:13:48,400 --> 01:13:50,360
Speaker 1: I'll give you, I'll give you, I'll give you, like

1247
01:13:50,560 --> 01:13:58,960
Speaker 1: a real story. Okay. So it's I'm gonna go back

1248
01:13:59,000 --> 01:14:01,720
Speaker 1: with to go for it. So I was like, you know,

1249
01:14:01,800 --> 01:14:04,120
Speaker 1: I don't know where you was in ninety one and

1250
01:14:04,280 --> 01:14:08,479
Speaker 1: ninety two. The Deaf Jam Christmas parties was crazy. I

1251
01:14:08,600 --> 01:14:13,519
Speaker 1: remember the Christmas parties were viral about it. Okay, nor

1252
01:14:13,680 --> 01:14:17,479
Speaker 1: where was you in nine two? Depending on where juice

1253
01:14:17,520 --> 01:14:21,960
Speaker 1: came out, I probably was in jail again. Why it's

1254
01:14:22,040 --> 01:14:30,320
Speaker 1: back then that's when I was younger. Okay, jail you

1255
01:14:30,439 --> 01:14:32,920
Speaker 1: trying to get your turn day was all right? So

1256
01:14:33,080 --> 01:14:37,439
Speaker 1: nine two Deaf Jam parties was crazy. Yes, So when

1257
01:14:37,479 --> 01:14:44,120
Speaker 1: a time super Cola, New York, right, and um, I

1258
01:14:44,360 --> 01:14:47,840
Speaker 1: believe this is the moment that changed my life. I'm

1259
01:14:47,840 --> 01:14:51,240
Speaker 1: gonna tell you why. So I'm in on line. I'm

1260
01:14:51,320 --> 01:14:57,120
Speaker 1: not famous. I am a hot young comic. Try state

1261
01:14:57,520 --> 01:15:01,000
Speaker 1: I'm local hot, Like I ain't worldwide, ain't know, ain't

1262
01:15:01,040 --> 01:15:04,360
Speaker 1: know Instagram, New York, New Jersey, Connecticut. That's it. I

1263
01:15:04,400 --> 01:15:08,439
Speaker 1: ain't hot nowhere else. I ain't even get them. I

1264
01:15:08,520 --> 01:15:11,960
Speaker 1: had a drop in Philly, but I ain't hire. Only

1265
01:15:12,160 --> 01:15:14,600
Speaker 1: rappers and artists can know what I'm talking about. It

1266
01:15:14,640 --> 01:15:17,599
Speaker 1: like when you hig in a little area. I'm bubbling.

1267
01:15:17,920 --> 01:15:21,560
Speaker 1: I'm fucking smoking every every shot, every time I do

1268
01:15:21,680 --> 01:15:26,800
Speaker 1: a set somewhere in New York or Queens Brooklyn, Jersey, Connecticut.

1269
01:15:27,000 --> 01:15:32,400
Speaker 1: I killed. I'm feeling myself, but I'm not. I'm local cool.

1270
01:15:32,720 --> 01:15:34,880
Speaker 1: So I go to the death Cham party. It's cold

1271
01:15:34,920 --> 01:15:37,040
Speaker 1: than the motherfucker. And I get to the door. I

1272
01:15:37,120 --> 01:15:39,640
Speaker 1: will never forget this as long as I live. So

1273
01:15:39,800 --> 01:15:43,120
Speaker 1: I get to the door and and um, I forget

1274
01:15:43,160 --> 01:15:45,679
Speaker 1: who I was with, And they say, yo, we're done.

1275
01:15:46,760 --> 01:15:51,280
Speaker 1: We had capacity. I said, oh ship, because I've been

1276
01:15:51,320 --> 01:15:54,200
Speaker 1: outside freezing with my boys and them, and we drove

1277
01:15:54,280 --> 01:15:56,200
Speaker 1: from Jersey to come to New York. Go to death

1278
01:15:56,280 --> 01:15:58,639
Speaker 1: Cham depending on you to get them in. They can't

1279
01:15:58,680 --> 01:16:04,320
Speaker 1: get in there, but you you got. But I'm hot local, Okay.

1280
01:16:05,320 --> 01:16:07,519
Speaker 1: I get to the door, big gas security dude, you

1281
01:16:07,520 --> 01:16:10,000
Speaker 1: know they're always dressing all black. Did he have braids.

1282
01:16:10,040 --> 01:16:13,720
Speaker 1: I feel like he had. So my man was like, nah,

1283
01:16:14,200 --> 01:16:18,200
Speaker 1: but we had capacity, and he put he put his

1284
01:16:18,280 --> 01:16:20,680
Speaker 1: hand on my chest. He said, we had capacity. No

1285
01:16:20,840 --> 01:16:25,920
Speaker 1: more people can get in. And I'm fucked up. Literally

1286
01:16:26,000 --> 01:16:30,280
Speaker 1: at the door, Here comes L L cool J, Here

1287
01:16:30,360 --> 01:16:34,080
Speaker 1: comes married, here comes jay Z. I noticed how you

1288
01:16:34,120 --> 01:16:36,160
Speaker 1: didn't call him tad then because you didn't know him

1289
01:16:36,200 --> 01:16:39,479
Speaker 1: as hard. I didn't know him. I like, I like together, continue,

1290
01:16:39,680 --> 01:16:43,600
Speaker 1: I'm catching onto the so I'm like, yo, that lu

1291
01:16:43,760 --> 01:16:51,000
Speaker 1: j he he went in. Damn. I didn't know her

1292
01:16:51,040 --> 01:16:53,120
Speaker 1: at the time, but that was Mary J. Blige. She

1293
01:16:53,320 --> 01:16:56,320
Speaker 1: went in. I said, God, damn it, they go jay

1294
01:16:56,439 --> 01:16:58,479
Speaker 1: Z And I didn't know he was jay Z, but

1295
01:16:58,600 --> 01:17:02,880
Speaker 1: he went in. Okay, cut to I said, oh my god,

1296
01:17:04,080 --> 01:17:09,280
Speaker 1: I was so burnt. I was bro only cars that

1297
01:17:09,439 --> 01:17:11,200
Speaker 1: came out the streets, you know what I'm talking about.

1298
01:17:11,560 --> 01:17:14,320
Speaker 1: I was so embarrassed. I was so fucking burnt right

1299
01:17:15,120 --> 01:17:19,280
Speaker 1: that I was disclose to not being able to get in.

1300
01:17:20,439 --> 01:17:23,600
Speaker 1: I said, there will never be another motherfucking day in

1301
01:17:23,720 --> 01:17:26,040
Speaker 1: my life that people don't know who I am. That's

1302
01:17:26,040 --> 01:17:28,160
Speaker 1: who made Bill Belly that moment right there, like that

1303
01:17:28,439 --> 01:17:34,200
Speaker 1: pain of embarrassment, the pain of watching another motherfucker get

1304
01:17:34,320 --> 01:17:38,800
Speaker 1: past me. I feel like you're gonna do the pain

1305
01:17:38,920 --> 01:17:46,519
Speaker 1: right now. I'm having to go mother. No. That's what

1306
01:17:46,680 --> 01:17:50,479
Speaker 1: made Bill Bella because it was like, in that moment,

1307
01:17:51,400 --> 01:17:54,920
Speaker 1: I never shared this to anybody before. In that moment,

1308
01:17:55,160 --> 01:17:57,640
Speaker 1: it made me go back to the streets with it, like, yo,

1309
01:17:57,720 --> 01:18:00,400
Speaker 1: I gotta get better. I gotta be I gotta be

1310
01:18:00,520 --> 01:18:03,200
Speaker 1: more dominant. I gotta get better and I gotta go

1311
01:18:03,400 --> 01:18:07,599
Speaker 1: to work because whatever I'm doing ain't enough and nothing

1312
01:18:07,640 --> 01:18:10,120
Speaker 1: wrong with get hurt. This is the thing about cats.

1313
01:18:10,200 --> 01:18:13,559
Speaker 1: They don't know. Cats always want to pie and without

1314
01:18:13,600 --> 01:18:17,719
Speaker 1: the work. Sometimes you gotta get smacked in the fucking face.

1315
01:18:17,960 --> 01:18:20,400
Speaker 1: Sometimes you gotta go through an adversity to get to

1316
01:18:20,479 --> 01:18:26,120
Speaker 1: your to your to your to the prize, to the

1317
01:18:26,240 --> 01:18:30,479
Speaker 1: hustle street. I'm a street cat, I'm dressed up. I'm

1318
01:18:30,520 --> 01:18:33,800
Speaker 1: a street cat. I'm being honest. That was such a

1319
01:18:34,080 --> 01:18:38,600
Speaker 1: wonderful moment in my life. Because cats don't know what

1320
01:18:38,760 --> 01:18:43,240
Speaker 1: it takes to be great. Do you think Michael Jordan's

1321
01:18:43,320 --> 01:18:46,519
Speaker 1: won every game? You don't. Michael Jordan didn't even make

1322
01:18:46,560 --> 01:18:49,400
Speaker 1: the team. He went through some ship and got to

1323
01:18:49,520 --> 01:18:52,679
Speaker 1: be Michael Jordan. Everybody needs to set back to get back.

1324
01:18:53,600 --> 01:18:58,439
Speaker 1: In that moment, it made me realize that I gotta

1325
01:18:58,520 --> 01:19:03,360
Speaker 1: go deep. I gotta hustle harder, and I got a

1326
01:19:03,560 --> 01:19:07,519
Speaker 1: grind better so that I will never feel that again.

1327
01:19:08,560 --> 01:19:12,000
Speaker 1: That's how all of a sudden you saw me boom

1328
01:19:12,479 --> 01:19:14,680
Speaker 1: boom boom, because I was like, I'll never let my

1329
01:19:14,800 --> 01:19:21,240
Speaker 1: light shut off again. But then because I had to

1330
01:19:21,240 --> 01:19:24,880
Speaker 1: stop you, that was beautiful. Man, I'm gonna give your

1331
01:19:24,960 --> 01:19:31,960
Speaker 1: flowers you want. Let's say you trying to get me drunk. Yes,

1332
01:19:32,040 --> 01:19:34,960
Speaker 1: I am, I'm drinking. What did you celebrating you? What

1333
01:19:35,040 --> 01:19:37,360
Speaker 1: does the next one come on? You got your phone open? Man,

1334
01:19:37,439 --> 01:19:44,639
Speaker 1: I'm drinking water. Nobody on the staff drink water? Nope again? Okay,

1335
01:19:45,760 --> 01:19:49,840
Speaker 1: uh Camera, Mace, Oh you feel like all. I even

1336
01:19:49,840 --> 01:19:52,160
Speaker 1: don't know you from New York, but you got on

1337
01:19:52,160 --> 01:19:56,880
Speaker 1: a pink shirt. Him, take a shot. Take a shot.

1338
01:19:57,439 --> 01:20:03,080
Speaker 1: You're not drying, you're not driving. You got established this. Really,

1339
01:20:04,280 --> 01:20:06,360
Speaker 1: I gotta take a drink. Take a drink because Cam

1340
01:20:06,479 --> 01:20:08,760
Speaker 1: and May say, my boys, I can't, I should do

1341
01:20:08,800 --> 01:20:11,960
Speaker 1: an album together at this point they should. They should,

1342
01:20:15,479 --> 01:20:18,760
Speaker 1: Cam and Mace. It's nowhere. I got it, I got it.

1343
01:20:18,920 --> 01:20:21,080
Speaker 1: That's even money but let me just before we get

1344
01:20:21,160 --> 01:20:24,840
Speaker 1: finished quick time with slide, which we never will. This

1345
01:20:24,960 --> 01:20:28,320
Speaker 1: is a long lasting game. This came a lesson tomorrow.

1346
01:20:30,200 --> 01:20:32,680
Speaker 1: What now? This is my personal question. This is not

1347
01:20:32,800 --> 01:20:35,080
Speaker 1: even the producer's question. Has nothing to do with it.

1348
01:20:35,320 --> 01:20:42,240
Speaker 1: This has nothing to do But it's very apparent that

1349
01:20:42,439 --> 01:20:45,960
Speaker 1: you back in the days, it was a frequent finger

1350
01:20:46,000 --> 01:21:00,640
Speaker 1: p opera frequent frequent membership. You know. Okay, are you

1351
01:21:00,760 --> 01:21:03,880
Speaker 1: married now? Yes? Okay, well, let me be careful that.

1352
01:21:04,320 --> 01:21:11,920
Speaker 1: All right, this is back then in the nineties. You know, no,

1353
01:21:12,280 --> 01:21:17,240
Speaker 1: no Instagram, No, no Instagram. So right now we call

1354
01:21:17,320 --> 01:21:21,560
Speaker 1: people snipers, right that's they see something to get it

1355
01:21:22,120 --> 01:21:28,879
Speaker 1: sniper down right now? Yes, okay, okay, right now, Front Montana.

1356
01:21:29,080 --> 01:21:32,040
Speaker 1: I'm married. So I just I'm an observer. Yeah, yeah,

1357
01:21:32,040 --> 01:21:33,639
Speaker 1: you at the game. Yeah, I'm out of the game.

1358
01:21:33,680 --> 01:21:39,200
Speaker 1: But I'll be watching the game though. I want every Sunday, Monday, Tuesday.

1359
01:21:39,760 --> 01:21:42,839
Speaker 1: I've been looking on Tuesday. I noticed those football on Tuesday,

1360
01:21:42,920 --> 01:21:48,519
Speaker 1: but I still be watching the sniper games, right, Jeff

1361
01:21:48,640 --> 01:21:54,000
Speaker 1: Comedy Jam Sniper? Okay, how was like after you did

1362
01:21:54,120 --> 01:21:59,200
Speaker 1: Devin Comedy? Jam? Was your finger popping everything in New York? No? No, no,

1363
01:22:00,040 --> 01:22:02,800
Speaker 1: outside of note what was it? What was was not?

1364
01:22:02,920 --> 01:22:06,800
Speaker 1: The movie had a popping error for me here for you,

1365
01:22:07,800 --> 01:22:12,680
Speaker 1: MTV the beach House, beach House, because you have let

1366
01:22:12,720 --> 01:22:16,840
Speaker 1: me let me international fingers. Let me let me why

1367
01:22:16,960 --> 01:22:21,280
Speaker 1: you gotta make it nast? Why are you doing all that?

1368
01:22:21,320 --> 01:22:31,439
Speaker 1: Because I'm not doing so nast? Bring it to your

1369
01:22:31,520 --> 01:22:35,800
Speaker 1: room to so let me let me explain any game

1370
01:22:35,880 --> 01:22:39,880
Speaker 1: to you. Okay, So when my book Top Billing come

1371
01:22:39,920 --> 01:22:49,599
Speaker 1: out April, that feeling you know my author? Right? Okay? Cool?

1372
01:22:49,840 --> 01:22:52,519
Speaker 1: So real quick, I'm gonna take your back. Let's let's

1373
01:22:52,520 --> 01:22:55,080
Speaker 1: just let's pick a let's pick a ninety, Let's pick

1374
01:22:55,160 --> 01:23:03,000
Speaker 1: a ninety, let's pick a three. You was in jail, Okay,

1375
01:23:03,160 --> 01:23:11,400
Speaker 1: so the figure so ninety two, ninety three bout came

1376
01:23:11,439 --> 01:23:17,240
Speaker 1: out a little bit not yet? Yeah, okay, what's before?

1377
01:23:18,080 --> 01:23:22,080
Speaker 1: What's ninety one? Come on google? Ninety two? What's what's o?

1378
01:23:22,200 --> 01:23:31,000
Speaker 1: What's our time? Man? Nicest gang Star ran out the Phillies?

1379
01:23:31,120 --> 01:23:39,080
Speaker 1: Isn't that who started? Yet? No? Ninety two, let's go

1380
01:23:39,240 --> 01:23:41,200
Speaker 1: like I'm gonna, I'm gonna give you a gap. So

1381
01:23:41,360 --> 01:23:45,240
Speaker 1: let's go from ninety two to ninety five. That's a night.

1382
01:23:46,720 --> 01:23:51,680
Speaker 1: It's a golden era in hip hop. Right, no Instagram,

1383
01:23:52,560 --> 01:23:57,320
Speaker 1: no social media. You gotta understand for the young catt

1384
01:23:57,439 --> 01:24:02,120
Speaker 1: that's under right now, that's like under thirty, they will

1385
01:24:02,200 --> 01:24:07,920
Speaker 1: never live the life we leve. Right. Okay, So hip

1386
01:24:08,000 --> 01:24:11,040
Speaker 1: hop was like in the basement, So let's let's let's

1387
01:24:11,120 --> 01:24:13,920
Speaker 1: let's figure out because no one can tell it like

1388
01:24:14,080 --> 01:24:19,719
Speaker 1: me at this moment in my life. Cash wasn't embracing

1389
01:24:19,800 --> 01:24:25,400
Speaker 1: hip hop all the way. You had run dmc Boom Dope,

1390
01:24:25,840 --> 01:24:31,640
Speaker 1: you had quintessential R and B groups, you had quintessential

1391
01:24:32,040 --> 01:24:37,240
Speaker 1: like uh rock Man's cambell and like that, Wait, Tam

1392
01:24:37,280 --> 01:24:40,519
Speaker 1: mc cabe Tevin Campbell was wait, no, no, you're gonna

1393
01:24:40,560 --> 01:24:43,120
Speaker 1: throw me off. All right, let's get it. Let's let's

1394
01:24:43,160 --> 01:24:46,439
Speaker 1: let's keep it simple hip hop. Let me tell you

1395
01:24:46,479 --> 01:24:50,720
Speaker 1: why I love hip hop. Hip Hop was like underestimated

1396
01:24:51,080 --> 01:24:55,439
Speaker 1: its whole life. It's almost like a boxer that nobody

1397
01:24:55,600 --> 01:24:58,840
Speaker 1: think could ever be the champ, like Mike Tyson. Let's

1398
01:24:58,880 --> 01:25:02,679
Speaker 1: do hip hop as Mike Tyson came out the gutter,

1399
01:25:03,160 --> 01:25:06,960
Speaker 1: came out the mud. Right, he ain't never gonna be

1400
01:25:07,080 --> 01:25:11,120
Speaker 1: no champion, he ain't never gonna be the best. That's

1401
01:25:11,160 --> 01:25:15,080
Speaker 1: what hip hop was at that time, because hip hop

1402
01:25:15,320 --> 01:25:22,200
Speaker 1: was like Mike Tyson grinding in the gym, punching, slipping, slipping,

1403
01:25:22,800 --> 01:25:26,240
Speaker 1: finding out they left right boom boom boom. Right. Hip

1404
01:25:26,320 --> 01:25:32,720
Speaker 1: hop was like a true boxer that nobody expected to

1405
01:25:32,800 --> 01:25:38,160
Speaker 1: be a champion. Here's how I kind of like wrote

1406
01:25:38,240 --> 01:25:41,679
Speaker 1: the back of hip hop. So I'm outside of hip hop,

1407
01:25:42,240 --> 01:25:45,479
Speaker 1: not knowing that hip hop was stuck in the basement

1408
01:25:46,160 --> 01:25:51,200
Speaker 1: because it's hip hop needed exposure, right, So here comes

1409
01:25:51,240 --> 01:25:54,840
Speaker 1: Bill Bella, me out of a left lane. Hip hop

1410
01:25:55,000 --> 01:25:59,160
Speaker 1: is over here and we came to like a crossroads together. Right,

1411
01:26:00,280 --> 01:26:07,720
Speaker 1: here's the beauty of God. So white media MTV decided

1412
01:26:07,760 --> 01:26:10,920
Speaker 1: to make a choice to say, let's take a chance

1413
01:26:11,080 --> 01:26:15,720
Speaker 1: on hip hop. Hip Hop came out the basement like

1414
01:26:19,760 --> 01:26:25,439
Speaker 1: and like, nobody knew the power of hip hop. So

1415
01:26:27,840 --> 01:26:30,880
Speaker 1: what is what? Who is the person that's going to

1416
01:26:32,560 --> 01:26:35,519
Speaker 1: be the voice at the time when hip hop is

1417
01:26:35,560 --> 01:26:38,680
Speaker 1: coming out of the basement. They chose me. God damn it,

1418
01:26:40,120 --> 01:26:42,240
Speaker 1: God damn it. I didn't even know I was gonna

1419
01:26:42,280 --> 01:26:46,280
Speaker 1: get that assignment. I was another guy coming zig but

1420
01:26:46,479 --> 01:26:49,360
Speaker 1: God's time and it's flawless, right, So I come out

1421
01:26:49,439 --> 01:26:52,639
Speaker 1: of nowhere. I'm the microphone for hip hop. Hip hop

1422
01:26:52,880 --> 01:26:56,280
Speaker 1: comes out the basement. We meet together and we go together.

1423
01:26:56,760 --> 01:27:03,760
Speaker 1: This was nine two, three, four, five six. It's never

1424
01:27:03,960 --> 01:27:10,479
Speaker 1: happened before. It's documented on dream Champs My legacy. I'm

1425
01:27:10,479 --> 01:27:14,160
Speaker 1: gonna tell you why because no one ever knew the

1426
01:27:14,280 --> 01:27:18,600
Speaker 1: importance of what Bill Bellamy was on MTV. So I

1427
01:27:18,760 --> 01:27:24,200
Speaker 1: didn't know. So I'm coming up. Whitney, Houston, Bobby Brown,

1428
01:27:25,320 --> 01:27:31,400
Speaker 1: Jade Jade, s w V Boys, The Men, Naughty by Nature,

1429
01:27:31,840 --> 01:27:40,479
Speaker 1: Red Man, motherfucking Um, Coolio, all these West Coast, Ice Cube,

1430
01:27:41,680 --> 01:27:45,840
Speaker 1: Dr Dre, Snoop dog all of us was trying to

1431
01:27:46,000 --> 01:27:49,880
Speaker 1: come up. I knew Snoop Dogg when he was nineteen

1432
01:27:50,120 --> 01:27:55,400
Speaker 1: bro ninth teen. The first time I went to Snoop

1433
01:27:55,479 --> 01:27:58,400
Speaker 1: Dogg's house, he was holding his son. Do you understand

1434
01:27:58,760 --> 01:28:01,360
Speaker 1: when you read my book, you're gonna understand. Like I

1435
01:28:01,439 --> 01:28:04,519
Speaker 1: don't even know how it happened. Like I was like,

1436
01:28:04,760 --> 01:28:07,040
Speaker 1: oh my god, oh my life. I always saying, oh

1437
01:28:07,080 --> 01:28:10,880
Speaker 1: my god, oh my god, I'm meeting Dr Dre. I

1438
01:28:10,960 --> 01:28:14,719
Speaker 1: mean ice Q. I was the bridge between the West

1439
01:28:14,800 --> 01:28:18,360
Speaker 1: Coast and the East Coast. You lived in l A,

1440
01:28:18,680 --> 01:28:20,920
Speaker 1: but you know I lived here, but I went to

1441
01:28:21,160 --> 01:28:23,479
Speaker 1: l A to grab the artists to bring them in

1442
01:28:23,880 --> 01:28:28,960
Speaker 1: at the time. So hip hop to me, it is

1443
01:28:29,120 --> 01:28:38,240
Speaker 1: like a fighter that was training in a dirty, grungy gym. Right,

1444
01:28:39,240 --> 01:28:41,960
Speaker 1: It wasn't a famous gym. It was like a grimy

1445
01:28:42,040 --> 01:28:45,360
Speaker 1: gym for cats that like boxing. They in the timberlands,

1446
01:28:47,160 --> 01:28:51,000
Speaker 1: but they can fight. That's what I love about hip hop.

1447
01:28:51,560 --> 01:28:56,360
Speaker 1: Who knew twenty five years later, thirty years later that

1448
01:28:56,560 --> 01:29:04,439
Speaker 1: hip hop is the culture it is? Let me let

1449
01:29:04,479 --> 01:29:07,720
Speaker 1: me ask you something though, now, looking back though in

1450
01:29:07,840 --> 01:29:10,760
Speaker 1: that time period you started with MTV, do you think

1451
01:29:10,920 --> 01:29:13,920
Speaker 1: because you said that, um, they gave a chance, do

1452
01:29:14,000 --> 01:29:18,920
Speaker 1: you think they underestimated or underappreciated what hip hop could

1453
01:29:18,960 --> 01:29:21,920
Speaker 1: and was doing? Because in the eighties, already the eighties

1454
01:29:21,960 --> 01:29:24,479
Speaker 1: generation of hip hop was already doing arena and stadium tours.

1455
01:29:24,680 --> 01:29:26,920
Speaker 1: Molly Cruel and I was out there. No, no, not Molly,

1456
01:29:27,040 --> 01:29:29,800
Speaker 1: I'm talking about hip hop hip hop. I'm talking about

1457
01:29:29,840 --> 01:29:33,160
Speaker 1: Run DMC, and they were already doing stadium and arenas.

1458
01:29:34,160 --> 01:29:38,599
Speaker 1: So to say that in the nineties you know something

1459
01:29:38,640 --> 01:29:41,320
Speaker 1: that because it's always been said MTV was kind of

1460
01:29:41,439 --> 01:29:45,799
Speaker 1: boxing out hip hop. They was boxing out for a second,

1461
01:29:46,120 --> 01:29:52,560
Speaker 1: I'll be honest, they was because like um, MTV was conservative.

1462
01:29:53,880 --> 01:29:58,800
Speaker 1: They didn't know that hip hop was sell So I

1463
01:29:58,920 --> 01:30:00,880
Speaker 1: don't know, like at the time, I didn't know like

1464
01:30:01,080 --> 01:30:08,320
Speaker 1: Joe Biden before he picked Kamala, Right, that's an interesting reference.

1465
01:30:10,080 --> 01:30:14,639
Speaker 1: But I'm just being honest like at that time, because

1466
01:30:14,760 --> 01:30:17,160
Speaker 1: I want I know this is gonna live on like

1467
01:30:17,760 --> 01:30:21,000
Speaker 1: social media forever, and there's young people that don't know

1468
01:30:21,080 --> 01:30:23,639
Speaker 1: where we came from. So I want to give them,

1469
01:30:23,760 --> 01:30:26,000
Speaker 1: like the history of the game. So there was a

1470
01:30:26,120 --> 01:30:30,960
Speaker 1: moment in life that hip hop wasn't cool, like hip

1471
01:30:31,040 --> 01:30:35,240
Speaker 1: hop wasn't culture. They don't know that, Like they don't

1472
01:30:35,280 --> 01:30:39,600
Speaker 1: know when, uh, we had back in the day, we

1473
01:30:39,720 --> 01:30:45,040
Speaker 1: had Carl can I, we had Sean John, we had

1474
01:30:49,040 --> 01:30:58,160
Speaker 1: like it's certain Mr Lee Okay, y'all we were resonating

1475
01:30:58,200 --> 01:31:01,080
Speaker 1: on a real level right now, Like there's certain parts

1476
01:31:01,240 --> 01:31:03,920
Speaker 1: of the culture that don't know the elevation where we

1477
01:31:04,000 --> 01:31:07,680
Speaker 1: are now, Like so they don't know that Niche right,

1478
01:31:08,200 --> 01:31:12,840
Speaker 1: they don't know Fat Farm like Russell Simmons, like early

1479
01:31:12,960 --> 01:31:19,080
Speaker 1: Echo with the mix come on, man, damage, damage, damn damage.

1480
01:31:19,240 --> 01:31:28,320
Speaker 1: Let's go fin pocones. Yeah yeah, come on, man, Like

1481
01:31:29,160 --> 01:31:36,040
Speaker 1: car stop playing. You know you wat you like your

1482
01:31:36,120 --> 01:31:45,160
Speaker 1: faith says traveling for your face. You anna, but no,

1483
01:31:46,520 --> 01:31:49,680
Speaker 1: So let's educate cats while we drink it. Right, So

1484
01:31:49,880 --> 01:31:55,080
Speaker 1: they don't know how important hip hop is to our culture. Right,

1485
01:31:56,680 --> 01:31:59,759
Speaker 1: but they don't know the steps. So some catches jumping

1486
01:31:59,760 --> 01:32:03,680
Speaker 1: on the train right here. But we are the pioneers,

1487
01:32:03,840 --> 01:32:07,519
Speaker 1: were like, so I had my contribution this way, Nori,

1488
01:32:07,880 --> 01:32:10,960
Speaker 1: boom f and boom. We know that's why we we

1489
01:32:11,360 --> 01:32:15,599
Speaker 1: were the same because we know we watched it evil. Right.

1490
01:32:16,400 --> 01:32:20,000
Speaker 1: Here's the thing, and I'm gonna say this on Drink Champs.

1491
01:32:21,000 --> 01:32:25,880
Speaker 1: Hip hop is the voice of everything. Yeah, it went

1492
01:32:26,000 --> 01:32:30,200
Speaker 1: from it went from the basement situation that people try

1493
01:32:30,240 --> 01:32:36,400
Speaker 1: to keep us low to being the parameter for what's cool,

1494
01:32:37,000 --> 01:32:45,519
Speaker 1: the parameter for what's fly fashion. We dominate, right, Drink

1495
01:32:45,640 --> 01:32:48,760
Speaker 1: Champs dominate the game, Bro, you stopped playing with me.

1496
01:32:51,320 --> 01:32:55,040
Speaker 1: I think it's hip hop is is taking over so

1497
01:32:55,240 --> 01:32:57,120
Speaker 1: much that you don't even notice, if you don't even know,

1498
01:32:57,439 --> 01:33:00,519
Speaker 1: you're taking it for granting. CNN and they talking about you.

1499
01:33:00,560 --> 01:33:05,439
Speaker 1: They gotta beef, they got they used slang and it's

1500
01:33:05,439 --> 01:33:07,400
Speaker 1: like normal. Now that's what I'm saying. It's it's it's

1501
01:33:07,400 --> 01:33:10,720
Speaker 1: it's permeated everything. Do you know how many times motherfucker's

1502
01:33:10,760 --> 01:33:23,560
Speaker 1: said listen to this because you're gonna relate to this.

1503
01:33:23,880 --> 01:33:27,960
Speaker 1: Do you know how many motherfucker's somebody car? That's the

1504
01:33:28,000 --> 01:33:32,640
Speaker 1: luminatio there. If you're trying to come, you're gonna give

1505
01:33:32,640 --> 01:33:34,719
Speaker 1: you getting some real ship. You know how many casts

1506
01:33:34,800 --> 01:33:40,200
Speaker 1: say booty car, don't no where it came from? But

1507
01:33:40,280 --> 01:33:42,240
Speaker 1: you know what, that's actually something to even be proud of.

1508
01:33:42,439 --> 01:33:46,880
Speaker 1: That's how your booty car is. A booty car is

1509
01:33:46,920 --> 01:33:51,000
Speaker 1: a phrase that people say like because it's normal. They

1510
01:33:51,080 --> 01:33:53,439
Speaker 1: think it's like something that they don't know it came

1511
01:33:53,520 --> 01:33:55,920
Speaker 1: from me. They came from something I wrote on a

1512
01:33:55,960 --> 01:34:02,000
Speaker 1: piece of paper. Credible that I didn't to the that

1513
01:34:02,240 --> 01:34:06,200
Speaker 1: I said at the Uptown comedy club that got me

1514
01:34:06,320 --> 01:34:10,000
Speaker 1: on death jam period, true story. We gotta make noise

1515
01:34:10,080 --> 01:34:17,400
Speaker 1: for that. Come on, how long you wrote your weed? God? Yea?

1516
01:34:17,840 --> 01:34:26,680
Speaker 1: So he falls asleep. So are you an owner of

1517
01:34:26,800 --> 01:34:30,000
Speaker 1: the actual movie booty Club? Are you a booty club?

1518
01:34:30,320 --> 01:34:34,840
Speaker 1: Booty car? It's a booty club? Now, sorry, you gotta

1519
01:34:34,840 --> 01:34:37,280
Speaker 1: do a booty club for booty cam check out he

1520
01:34:37,400 --> 01:34:43,720
Speaker 1: runs that No, So call became a movie. And so

1521
01:34:44,080 --> 01:34:46,600
Speaker 1: here's the interesting thing about booty car that people don't know.

1522
01:34:47,360 --> 01:34:51,600
Speaker 1: So when the movie came up, I was offered the

1523
01:34:51,720 --> 01:34:57,800
Speaker 1: movie first, and so when I read the scrap, I

1524
01:34:57,960 --> 01:34:59,519
Speaker 1: was kind of like, I don't know if I want

1525
01:34:59,520 --> 01:35:05,559
Speaker 1: to do that right now. I chose to do Love

1526
01:35:05,680 --> 01:35:11,439
Speaker 1: Jones because because because the thing about it was and

1527
01:35:11,560 --> 01:35:13,439
Speaker 1: I don't know if it was a good I think

1528
01:35:13,479 --> 01:35:17,960
Speaker 1: it was a good choice. But at the time, why

1529
01:35:18,000 --> 01:35:20,600
Speaker 1: I didn't do Booty Call and Jamie did it and

1530
01:35:21,040 --> 01:35:24,639
Speaker 1: Tommy Davison and Vivica was I wanted to be considered

1531
01:35:24,680 --> 01:35:29,920
Speaker 1: a real actor at that time. So I was like, oh, ship,

1532
01:35:30,000 --> 01:35:33,160
Speaker 1: if I do Booty Call, I'm gonna be in the

1533
01:35:33,320 --> 01:35:37,080
Speaker 1: same vein that people. Yeah, like I'm almost like the

1534
01:35:37,280 --> 01:35:40,160
Speaker 1: same guy. So I said, I said, I'm gonna do

1535
01:35:40,280 --> 01:35:46,120
Speaker 1: something different. I'm gonna do Love Jones because I can't

1536
01:35:46,200 --> 01:35:52,160
Speaker 1: be comical and silly. I want to be serious. So

1537
01:35:52,600 --> 01:35:57,920
Speaker 1: I jumped on Love Jones with Ted Witcher, Lorenz Tate,

1538
01:35:58,840 --> 01:36:04,680
Speaker 1: Niil Long, Isaiah Washington. The cast was crazy because I

1539
01:36:04,880 --> 01:36:08,759
Speaker 1: felt like those cats would make me a better actor,

1540
01:36:09,400 --> 01:36:11,360
Speaker 1: and that's the only reason I did. I did that

1541
01:36:11,479 --> 01:36:14,840
Speaker 1: but in hip hop, right, like that's like me, like right,

1542
01:36:17,520 --> 01:36:22,200
Speaker 1: I didn't make up the world slime exactly right. But

1543
01:36:22,280 --> 01:36:25,160
Speaker 1: I made it famous in hip hop all I got

1544
01:36:25,200 --> 01:36:28,800
Speaker 1: on the two thousand and one album Caponing Oriega something

1545
01:36:28,880 --> 01:36:32,400
Speaker 1: like that, and I kept saying slim. But now all

1546
01:36:32,479 --> 01:36:35,920
Speaker 1: these other people use the word slime right, use the

1547
01:36:35,920 --> 01:36:38,960
Speaker 1: word slime. I'm not better, So glad I'm not bitter.

1548
01:36:39,400 --> 01:36:41,439
Speaker 1: But had I have nothing going on in my life,

1549
01:36:41,479 --> 01:36:44,720
Speaker 1: I would have been the most mother You being a

1550
01:36:44,880 --> 01:36:48,720
Speaker 1: bar Yeah, I would have been. Yes, So was it

1551
01:36:48,800 --> 01:36:50,519
Speaker 1: every other time? When you just thought about it was

1552
01:36:50,560 --> 01:36:52,960
Speaker 1: like yo, man, like they used my word that I be.

1553
01:36:53,000 --> 01:36:56,679
Speaker 1: Could you have trademarked it? I didn't know? Yeah I didn't.

1554
01:36:56,720 --> 01:37:01,840
Speaker 1: I should have. I mean I didn't know you could

1555
01:37:02,680 --> 01:37:05,679
Speaker 1: you got understand from Newark, New Jersey? Bro stop playing

1556
01:37:07,240 --> 01:37:11,439
Speaker 1: bro Bro Like hang on, Clinton been coming out the

1557
01:37:12,280 --> 01:37:16,280
Speaker 1: mud Like you gotta understand in my life when you

1558
01:37:16,360 --> 01:37:19,000
Speaker 1: read my book top Building, like I had to make

1559
01:37:19,160 --> 01:37:23,479
Speaker 1: choices because most of my cats was was moving weight

1560
01:37:24,040 --> 01:37:27,479
Speaker 1: in my neighborhood. I'm being completely honest, like, but but

1561
01:37:27,600 --> 01:37:30,320
Speaker 1: they was missing for like three or four summers. So

1562
01:37:30,439 --> 01:37:31,880
Speaker 1: I was like, I don't know if I want to

1563
01:37:31,920 --> 01:37:38,840
Speaker 1: be missing. God, damn you you ain't seen right right,

1564
01:37:38,880 --> 01:37:44,400
Speaker 1: feet going goddamn you know you know. So, so like

1565
01:37:46,479 --> 01:37:50,760
Speaker 1: I was always like the thing, the thing about the

1566
01:37:50,800 --> 01:37:54,719
Speaker 1: Street Game to me, that was like it was sexy

1567
01:37:54,880 --> 01:37:57,920
Speaker 1: on certain levels because you could see certain cats look

1568
01:37:58,000 --> 01:38:01,719
Speaker 1: like they was winning and they was moving and stuff,

1569
01:38:01,760 --> 01:38:06,120
Speaker 1: but it was it always came with like, uh, expliration day.

1570
01:38:07,040 --> 01:38:10,040
Speaker 1: I never seen a cat the only cat that I know,

1571
01:38:10,320 --> 01:38:13,519
Speaker 1: like right now, off the top of my head doing

1572
01:38:13,560 --> 01:38:16,080
Speaker 1: shots with y'all that came out the Street Game and

1573
01:38:16,200 --> 01:38:21,599
Speaker 1: became everything they needed to be with jay Z. How

1574
01:38:21,680 --> 01:38:25,400
Speaker 1: many jay z s you know, none and they don't

1575
01:38:25,400 --> 01:38:30,240
Speaker 1: even know jay Z, right. But what I'm saying, but

1576
01:38:30,360 --> 01:38:32,600
Speaker 1: what you see, what I'm saying, like Jigga to me

1577
01:38:33,840 --> 01:38:37,040
Speaker 1: was very similar to my life, right, Like I was

1578
01:38:37,120 --> 01:38:40,280
Speaker 1: around all the ship, I was all around things that

1579
01:38:41,040 --> 01:38:42,880
Speaker 1: was good and bad, right, and I just was like,

1580
01:38:43,080 --> 01:38:48,320
Speaker 1: I just don't know if I can wear expliration day

1581
01:38:48,439 --> 01:38:50,880
Speaker 1: on what I want to do. So I was like

1582
01:38:51,040 --> 01:38:53,080
Speaker 1: trying to figure out how to make money and figure

1583
01:38:53,120 --> 01:38:55,479
Speaker 1: out like what's my way out? How could I take

1584
01:38:55,520 --> 01:38:58,679
Speaker 1: care of my family my mom, my dad, my sisters

1585
01:38:58,760 --> 01:39:01,720
Speaker 1: and my brothers or whatever? Right, and so like when

1586
01:39:01,760 --> 01:39:04,479
Speaker 1: I started like like I always did it. I used

1587
01:39:04,520 --> 01:39:07,920
Speaker 1: to say it to my friends, y'all slinging dope. I'm

1588
01:39:08,000 --> 01:39:12,519
Speaker 1: slinging jokes this joke. Money ain't got no limits, ain't

1589
01:39:12,520 --> 01:39:15,200
Speaker 1: got no sillings, ain't no way. I'm going to jail

1590
01:39:15,240 --> 01:39:19,040
Speaker 1: for telling jokes. So I hustled jokes. This is the

1591
01:39:19,080 --> 01:39:21,920
Speaker 1: funny shit about me. I'm like a street dude that

1592
01:39:22,040 --> 01:39:25,599
Speaker 1: tell jokes. And when I was in the clubs back

1593
01:39:25,640 --> 01:39:28,920
Speaker 1: in the day with all the hustlers and all the

1594
01:39:29,040 --> 01:39:31,280
Speaker 1: dudes that was in the street game, I was chelling

1595
01:39:31,400 --> 01:39:34,960
Speaker 1: jokes for them because I knew their life. So I

1596
01:39:35,080 --> 01:39:38,200
Speaker 1: got famous on the street first. That's the thing that

1597
01:39:38,320 --> 01:39:40,759
Speaker 1: people don't know about Bill Milman. They've seen a colorful

1598
01:39:40,880 --> 01:39:43,960
Speaker 1: like oh god, he's on the MTV spring Break. They

1599
01:39:44,000 --> 01:39:48,400
Speaker 1: don't know I was slinging jokes for street cats that

1600
01:39:48,560 --> 01:39:52,000
Speaker 1: had more money than me for coats at the shows.

1601
01:39:52,479 --> 01:39:57,719
Speaker 1: These motherfucker's had more bottles than y'all. They were street cats, tough.

1602
01:39:58,160 --> 01:40:01,280
Speaker 1: They gave zero funks about me. When I got on MTV,

1603
01:40:02,240 --> 01:40:05,200
Speaker 1: I promise you, like I never forget. Nobody didn't here

1604
01:40:05,200 --> 01:40:09,000
Speaker 1: to know about the Zoo Crew. They was at my

1605
01:40:09,200 --> 01:40:12,880
Speaker 1: shows like back in the earth, and they was real cats,

1606
01:40:13,080 --> 01:40:19,439
Speaker 1: like not really chuckle chuckles. They wanted real comedy from

1607
01:40:19,920 --> 01:40:23,080
Speaker 1: real situations that they could relate to, So I was

1608
01:40:23,160 --> 01:40:27,559
Speaker 1: doing comedy for them. I would go to Manhattan proper

1609
01:40:28,320 --> 01:40:32,200
Speaker 1: in queens and do street jokes, but I didn't look

1610
01:40:32,280 --> 01:40:34,599
Speaker 1: like the street cat, so the funnies thing, they'd be like, Yo,

1611
01:40:34,680 --> 01:40:37,880
Speaker 1: I'm confused. But after I do my jokes casts and

1612
01:40:37,960 --> 01:40:42,400
Speaker 1: be like, yo, my man, where you from? Are you from? Man? Yo?

1613
01:40:42,439 --> 01:40:46,640
Speaker 1: When you talk that ship, I was like, yeah, you

1614
01:40:46,840 --> 01:40:49,680
Speaker 1: under estimate estimated me because I came in here kind

1615
01:40:49,720 --> 01:40:52,120
Speaker 1: of clean. You don't know my life. So when I

1616
01:40:52,200 --> 01:40:55,519
Speaker 1: started talking that real ship, casts go crazy, right. So

1617
01:40:55,760 --> 01:41:00,320
Speaker 1: I always do my ship for the streets period. Hear it.

1618
01:41:00,920 --> 01:41:03,920
Speaker 1: How to be a player, Love Jones All the choices

1619
01:41:04,000 --> 01:41:07,479
Speaker 1: I made in my career because I was like, I

1620
01:41:07,640 --> 01:41:13,600
Speaker 1: never want to be too commercial because sometimes you get commercial,

1621
01:41:13,800 --> 01:41:16,920
Speaker 1: make you cupcake out and you and you and you

1622
01:41:17,439 --> 01:41:20,320
Speaker 1: you like cats stop relating to you because they feel

1623
01:41:20,360 --> 01:41:26,320
Speaker 1: like you saying that, let's say it loud, you lose yourself.

1624
01:41:27,800 --> 01:41:32,760
Speaker 1: So I always in my entire career and wanted to

1625
01:41:33,920 --> 01:41:41,200
Speaker 1: represent hip hop, represent the black male, represent hustlers like

1626
01:41:41,479 --> 01:41:45,640
Speaker 1: cats that hustle, that want to be about something. I

1627
01:41:45,800 --> 01:41:48,800
Speaker 1: always try to keep my track record clean. I never

1628
01:41:48,880 --> 01:41:50,559
Speaker 1: want to try to get caught up on the Grammy

1629
01:41:50,680 --> 01:41:55,040
Speaker 1: ship and like be inspiration. So if you if you

1630
01:41:55,200 --> 01:41:58,360
Speaker 1: look at my career, bro, everything about my career has

1631
01:41:58,439 --> 01:42:03,160
Speaker 1: been chess moves. You feel that in your spirit? Ya

1632
01:42:03,280 --> 01:42:09,920
Speaker 1: feel it? I forgot, I forgot, was still him quick

1633
01:42:09,960 --> 01:42:13,840
Speaker 1: time of slime. No, we're not done. No, we're not done.

1634
01:42:14,080 --> 01:42:18,000
Speaker 1: We're not even close. God damn, we're a little close close. Okay,

1635
01:42:18,120 --> 01:42:21,120
Speaker 1: you're ready. Yeah, we're gonna keep it going, mom deeper MP.

1636
01:42:23,680 --> 01:42:31,640
Speaker 1: I got my shot ready. It was too hard, Bro,

1637
01:42:31,800 --> 01:42:36,680
Speaker 1: I'm going mob d B stop playing with me. I

1638
01:42:36,840 --> 01:42:41,920
Speaker 1: know I love them both, but goddamn it, my damn Okay,

1639
01:42:42,080 --> 01:42:45,120
Speaker 1: te we good. I got the next one. So the

1640
01:42:45,200 --> 01:42:49,840
Speaker 1: phellis motherfucker go ahead, w A or Wolf Tank Clan.

1641
01:42:51,640 --> 01:42:54,800
Speaker 1: It's just shot. Ready, that's a shot right there. In

1642
01:42:54,880 --> 01:43:04,519
Speaker 1: my opinions, I know there's no way you get money. Yeah, Oh,

1643
01:43:04,640 --> 01:43:10,160
Speaker 1: next one's a good one ready and Living Color Mad

1644
01:43:10,240 --> 01:43:16,000
Speaker 1: TV and Living Color New Jersey Driver. Who's the man.

1645
01:43:16,400 --> 01:43:21,639
Speaker 1: That's a good one. Anybody you're gonna go Jersey? Oh

1646
01:43:21,880 --> 01:43:26,000
Speaker 1: that's right? Which one I wasn't? Who's the man. But

1647
01:43:26,479 --> 01:43:31,639
Speaker 1: the new Jersey Jersey Drivers. Jersey Driver such a dope,

1648
01:43:32,960 --> 01:43:36,880
Speaker 1: such a good movie. Still in cars was dope until

1649
01:43:36,880 --> 01:43:40,280
Speaker 1: I realized what the funk am I doing? But but

1650
01:43:40,400 --> 01:43:42,240
Speaker 1: Who's the man on some hip hop ship? Was so

1651
01:43:42,439 --> 01:43:47,840
Speaker 1: classic classic to make Drink Champson movie. Oh well, to

1652
01:43:47,960 --> 01:43:50,880
Speaker 1: be like Who's It's like every there was no extra, No,

1653
01:43:51,080 --> 01:43:52,640
Speaker 1: there was not one extra, And who was the man?

1654
01:43:52,720 --> 01:43:54,400
Speaker 1: Can I tell your funny story about who's the man?

1655
01:43:54,520 --> 01:43:58,599
Speaker 1: Let's go all right real quick. Where's the camera? Where's

1656
01:43:58,640 --> 01:44:02,000
Speaker 1: my camera? I'm gonna tell you a true story about

1657
01:44:02,040 --> 01:44:04,400
Speaker 1: who's the man? You know, Who's the man? Might have

1658
01:44:04,560 --> 01:44:08,760
Speaker 1: the most hip hop cameos ever, It might be top

1659
01:44:08,880 --> 01:44:13,920
Speaker 1: five most hip hop cameos. Grant it was a mixtape move.

1660
01:44:15,800 --> 01:44:18,439
Speaker 1: You might want to copyright that mixtape movie like that

1661
01:44:18,720 --> 01:44:23,000
Speaker 1: the first person I ever hug that had a bulletproof

1662
01:44:23,120 --> 01:44:27,400
Speaker 1: vest on with tupop Alright, so we know we up

1663
01:44:27,439 --> 01:44:30,200
Speaker 1: in the Bronx. We're filming in the Bronx, and love

1664
01:44:30,280 --> 01:44:32,120
Speaker 1: of Dr Dre will tell you this. We're shooting the

1665
01:44:32,200 --> 01:44:36,440
Speaker 1: motherfucking barbershop scene. And like when we're shooting the barbershop

1666
01:44:36,560 --> 01:44:39,519
Speaker 1: across it's vacant it ain't shipped anything over there like

1667
01:44:40,360 --> 01:44:43,519
Speaker 1: down down, Bronx at the top stop plus down at

1668
01:44:43,560 --> 01:44:45,720
Speaker 1: this time. Okay, I remember, you know what I'm talking about.

1669
01:44:46,120 --> 01:44:50,400
Speaker 1: So so so real talk. Grandpool bars on set, Bernie

1670
01:44:50,520 --> 01:44:55,880
Speaker 1: mac me out of nowhere, Tupoc comes walking up, forty

1671
01:44:55,880 --> 01:45:01,320
Speaker 1: blows on very. I'm just I'm just trying. I'm just

1672
01:45:01,360 --> 01:45:03,280
Speaker 1: trying to think of this. I'm trying to think of this.

1673
01:45:05,600 --> 01:45:11,800
Speaker 1: This this iss got a baby, Tupop and Pockets all

1674
01:45:11,920 --> 01:45:14,320
Speaker 1: New York at this moment. Let's let's let's keep you

1675
01:45:14,360 --> 01:45:17,960
Speaker 1: one hunted. So Pockets like yo beat me? And Park

1676
01:45:18,120 --> 01:45:20,920
Speaker 1: was like this, Bro, I promised you pos like yo

1677
01:45:21,040 --> 01:45:22,880
Speaker 1: beat nigga. You getting it. He comes up to me,

1678
01:45:23,000 --> 01:45:27,640
Speaker 1: he grabbed me. I was like, oh shit, what if

1679
01:45:27,800 --> 01:45:32,519
Speaker 1: the fuck is going on? Bro? I said, oh shit.

1680
01:45:32,800 --> 01:45:35,680
Speaker 1: I was like, Pop, what's up. He's like, you know,

1681
01:45:35,840 --> 01:45:39,519
Speaker 1: I gotta stay on my crime. I say, Yo, we're

1682
01:45:39,560 --> 01:45:43,920
Speaker 1: doing a movie. He didn't get shot, right, No, he

1683
01:45:44,040 --> 01:45:47,000
Speaker 1: had not been shot. He had a bullet invest He's

1684
01:45:47,040 --> 01:45:50,000
Speaker 1: the first person I ever felt what I don't know

1685
01:45:50,040 --> 01:45:52,360
Speaker 1: if he ever felt when the person got a bulletproof.

1686
01:45:53,200 --> 01:45:55,200
Speaker 1: It's a different feeling because it's like still but I

1687
01:45:55,240 --> 01:45:57,000
Speaker 1: think the ship with the cops had already happened at

1688
01:45:57,040 --> 01:45:59,040
Speaker 1: that time. I think so. I think what he did

1689
01:45:59,160 --> 01:46:01,960
Speaker 1: was it the Atlantic shot Atlanta? I think I think

1690
01:46:02,000 --> 01:46:05,840
Speaker 1: it might have. So when I hugged a lot like

1691
01:46:06,040 --> 01:46:09,600
Speaker 1: this and I feel it, and I'm like, yo, what

1692
01:46:09,880 --> 01:46:13,560
Speaker 1: that was like? Yo? Ship? You never know? And I

1693
01:46:13,760 --> 01:46:17,320
Speaker 1: was like, oh my god, Papa, what are you doing?

1694
01:46:17,720 --> 01:46:22,280
Speaker 1: He literally he had on um like he wasn't wrong. Facts,

1695
01:46:22,320 --> 01:46:25,120
Speaker 1: he had on a jersey like, but it was oversized

1696
01:46:25,120 --> 01:46:26,880
Speaker 1: because that's how he was winning our first back in

1697
01:46:26,960 --> 01:46:29,280
Speaker 1: the day bigger. But he had to ship on the

1698
01:46:29,400 --> 01:46:31,360
Speaker 1: bro I don't know if you ever you never nobody

1699
01:46:31,400 --> 01:46:35,280
Speaker 1: had a bulletproof as on too many times I figured

1700
01:46:38,880 --> 01:46:46,599
Speaker 1: everything I was in jail. Can I go to the bathroom? Please?

1701
01:46:46,600 --> 01:46:50,719
Speaker 1: I was, let's go. Can we take a shot? First

1702
01:46:51,160 --> 01:46:53,920
Speaker 1: shot the broom, Take a shot for the bath Take

1703
01:46:53,920 --> 01:46:58,320
Speaker 1: a shot for the battroom, take a shot the bottom.

1704
01:47:00,600 --> 01:47:02,280
Speaker 1: It's the first time we ever took a shot for

1705
01:47:02,360 --> 01:47:06,560
Speaker 1: the bathroom. I'll be rolling. Let me get one of

1706
01:47:06,600 --> 01:47:17,040
Speaker 1: the bricker boys, boys, yeah, the brick in the building. Okay, um, good,

1707
01:47:17,120 --> 01:47:22,920
Speaker 1: this one is good. Jamie Fox or Marlon Ways and

1708
01:47:23,160 --> 01:47:26,120
Speaker 1: have you This is a two part question. Have you

1709
01:47:26,200 --> 01:47:28,599
Speaker 1: spoke to um Jamie Fox as you said he got

1710
01:47:28,680 --> 01:47:31,479
Speaker 1: knocked out, because I'm figuring he's kind of like a

1711
01:47:31,560 --> 01:47:35,479
Speaker 1: little mad at you. You know, I'm asking. I haven't

1712
01:47:35,600 --> 01:47:40,679
Speaker 1: talked to Jamie Fox since I told the story. Okay,

1713
01:47:41,760 --> 01:47:45,840
Speaker 1: but but he's still my guy. You know, I love

1714
01:47:46,240 --> 01:47:49,920
Speaker 1: I gotta drink because I love Marlon and I love mucking,

1715
01:47:50,200 --> 01:47:55,160
Speaker 1: fucking Jamie Fox. A little way to ad we need

1716
01:47:55,280 --> 01:47:57,680
Speaker 1: Jamie on the show some times. I love guy on

1717
01:47:57,760 --> 01:48:00,640
Speaker 1: the show. Yeah, I love my guy. Just what it is.

1718
01:48:02,479 --> 01:48:04,679
Speaker 1: Marlon been on the show two times and for some reason,

1719
01:48:05,000 --> 01:48:10,519
Speaker 1: Jamie and come on whenever. He's my guy as well.

1720
01:48:10,880 --> 01:48:13,439
Speaker 1: But the funniest ship is every time Marlin comes to

1721
01:48:13,479 --> 01:48:15,800
Speaker 1: the show, there's something always frong with our a c.

1722
01:48:17,360 --> 01:48:19,080
Speaker 1: First of all, we did it in a warehouse. One

1723
01:48:19,120 --> 01:48:21,680
Speaker 1: time we did studio and he's just looking around. He

1724
01:48:21,800 --> 01:48:24,840
Speaker 1: was like, murder Garden was a murder gardens. Yeah, it

1725
01:48:24,960 --> 01:48:27,840
Speaker 1: was in a place called murder Garden. Murder Why would

1726
01:48:27,880 --> 01:48:32,960
Speaker 1: your guests come to murder Gardens? We didn't have to

1727
01:48:33,000 --> 01:48:36,479
Speaker 1: figure out this is where we were starting out. No, No,

1728
01:48:36,640 --> 01:48:40,160
Speaker 1: we wasn't just who we had that very purpose to

1729
01:48:40,240 --> 01:48:44,880
Speaker 1: my show. It's a murder gardens, yore, it's our show.

1730
01:48:44,920 --> 01:48:49,840
Speaker 1: At first forty eight of the two shows, it might

1731
01:48:49,880 --> 01:48:52,080
Speaker 1: be a little tired. What I mean is we having together?

1732
01:48:52,560 --> 01:48:55,200
Speaker 1: I mean where we were at were having together? Like yo,

1733
01:48:55,280 --> 01:48:57,280
Speaker 1: he hold on, let's get up. It's got life together.

1734
01:48:57,600 --> 01:49:05,200
Speaker 1: We're also in dangerous. It wasn't fun friend, okay, boom alright?

1735
01:49:05,360 --> 01:49:11,160
Speaker 1: Nor is searching Queen Latifa on Lauren Hill, Queen's Queen's Queens.

1736
01:49:11,200 --> 01:49:16,519
Speaker 1: I mean Jersey Jersey. Sorry, sorry, trying to Jersey Jersey Jersey.

1737
01:49:18,640 --> 01:49:22,880
Speaker 1: Ain't no motherfucking way. I gotta drink. Okay, that's let

1738
01:49:22,960 --> 01:49:25,519
Speaker 1: me tell you. Let me tell you why I gotta

1739
01:49:25,640 --> 01:49:33,560
Speaker 1: drink because Latifa, You and I we need Latifa on

1740
01:49:33,640 --> 01:49:42,799
Speaker 1: the show lines Yo yo yo, Lauren Hill, Latifa, Flavor

1741
01:49:42,960 --> 01:49:50,240
Speaker 1: Unit shot, Kim Hell Fries White cleft. Let me tell

1742
01:49:50,280 --> 01:49:53,520
Speaker 1: you why I'm gonna drink. To y'all, this is flowers

1743
01:49:53,560 --> 01:50:01,519
Speaker 1: the other way, because two beautiful females that represents hip

1744
01:50:01,560 --> 01:50:09,840
Speaker 1: hop all day every day made their mark and there's

1745
01:50:09,880 --> 01:50:11,920
Speaker 1: no way I can pick one over the other. I

1746
01:50:12,080 --> 01:50:14,360
Speaker 1: love them both. I am drinking. So that was beautiful

1747
01:50:14,439 --> 01:50:22,559
Speaker 1: right there. That was beautiful. Right there. And yeah, okay,

1748
01:50:22,560 --> 01:50:24,920
Speaker 1: I know this is all that's like saying shot and

1749
01:50:24,960 --> 01:50:29,680
Speaker 1: Anita Baker, this is all subject for um. We got

1750
01:50:29,840 --> 01:50:31,519
Speaker 1: um and listen, that's nothing to do with this question.

1751
01:50:33,320 --> 01:50:39,839
Speaker 1: I'm scared of your phone. Reach it. This is motherfucker

1752
01:50:39,960 --> 01:50:44,240
Speaker 1: been rolling we for at our. He's a robot, like

1753
01:50:44,400 --> 01:50:46,479
Speaker 1: you don't even look at people. He just be wrote.

1754
01:50:46,800 --> 01:50:51,960
Speaker 1: This is what's double about Dream Chance, right. You bring

1755
01:50:52,400 --> 01:50:57,200
Speaker 1: people into your world to have fun. I am a

1756
01:50:57,400 --> 01:51:00,840
Speaker 1: fan of your show, right, and what I love about

1757
01:51:00,920 --> 01:51:04,680
Speaker 1: Dream Champs is that you give people a platform to

1758
01:51:04,840 --> 01:51:10,000
Speaker 1: beat themselves. They can't do this type of interview on

1759
01:51:10,080 --> 01:51:14,840
Speaker 1: Jimmy KIMMEO and this, and that they come to Dream

1760
01:51:14,960 --> 01:51:19,479
Speaker 1: Champs to be real. Don't don't hit that bo don't

1761
01:51:19,520 --> 01:51:24,240
Speaker 1: hit that blood, you know, like hit the heroin. Who're

1762
01:51:24,240 --> 01:51:32,760
Speaker 1: gonna give me a quick let let me let me,

1763
01:51:32,920 --> 01:51:36,040
Speaker 1: let me spend some real ship real quick. Because like

1764
01:51:36,800 --> 01:51:40,760
Speaker 1: this is why I did a podcast myself, because like

1765
01:51:41,240 --> 01:51:43,880
Speaker 1: cast don't know Bill belling me, Bill bella me, right,

1766
01:51:43,920 --> 01:51:46,360
Speaker 1: They're like, oh they know snapshots of Bill belling me,

1767
01:51:46,600 --> 01:51:49,760
Speaker 1: like you know snapshots of dream Chaps Dream Chaps, Right.

1768
01:51:50,040 --> 01:51:53,000
Speaker 1: But what I like about drink Chaps before I even

1769
01:51:53,120 --> 01:51:58,200
Speaker 1: had a podcast. Was it was real for me because

1770
01:51:58,360 --> 01:52:03,280
Speaker 1: I'm a trial hip bop lover street cat right, so kids,

1771
01:52:03,680 --> 01:52:07,960
Speaker 1: So casing point, I wanted something that like represented me.

1772
01:52:09,560 --> 01:52:13,880
Speaker 1: So whether whether you'll never had me on your show

1773
01:52:14,320 --> 01:52:17,800
Speaker 1: ever now, I love Drink Champs. We've been trying it

1774
01:52:17,880 --> 01:52:20,439
Speaker 1: for six years. Let's be clear. He's been humble right now.

1775
01:52:24,040 --> 01:52:27,040
Speaker 1: Like I was talking about, you never knew what I

1776
01:52:27,120 --> 01:52:31,960
Speaker 1: would have my own podcast. I wasn't even on that level, right.

1777
01:52:33,000 --> 01:52:38,840
Speaker 1: I was watching you guys embrace the culture, have the

1778
01:52:39,080 --> 01:52:44,519
Speaker 1: best like interviews and moments that capture people, right, And

1779
01:52:44,640 --> 01:52:47,880
Speaker 1: I was like, Yo, that's so fucking fly because that's

1780
01:52:47,920 --> 01:52:50,600
Speaker 1: what was MTV was about back in the day, like

1781
01:52:50,760 --> 01:52:53,200
Speaker 1: having but we couldn't be like as really as you guys.

1782
01:52:53,280 --> 01:52:57,400
Speaker 1: But but you guys are you have no ceilings and

1783
01:52:57,479 --> 01:52:59,760
Speaker 1: no caps. But that's what pop is a lot more

1784
01:52:59,800 --> 01:53:03,760
Speaker 1: than I don't. Yeah, but what I'm saying, but what

1785
01:53:03,840 --> 01:53:10,320
Speaker 1: I'm seeing like like Drink Champs needs their flowers. Oh ship,

1786
01:53:12,160 --> 01:53:14,760
Speaker 1: you know what, Bill, Let me tell you something. Let

1787
01:53:14,800 --> 01:53:17,240
Speaker 1: me tell you something when when just you know, I

1788
01:53:17,320 --> 01:53:21,760
Speaker 1: have so much fun google in you, right because you

1789
01:53:21,880 --> 01:53:28,120
Speaker 1: have a luxtrious career, you've done, in my opinion, from

1790
01:53:28,240 --> 01:53:30,880
Speaker 1: outside of us looking at that's the inside of that's

1791
01:53:30,920 --> 01:53:38,280
Speaker 1: looking out. You've done everything that any actor, comedian, a

1792
01:53:38,439 --> 01:53:41,519
Speaker 1: person that wants to get in this game. You've accomplished it.

1793
01:53:42,000 --> 01:53:44,680
Speaker 1: But the thing about you is your humble about it.

1794
01:53:45,600 --> 01:53:51,040
Speaker 1: And what's crazy is that has to be respected, that

1795
01:53:51,120 --> 01:53:54,000
Speaker 1: has to be hon It is because there's so many people,

1796
01:53:54,120 --> 01:53:57,120
Speaker 1: Like there's a person across the street right now that

1797
01:53:57,600 --> 01:54:01,160
Speaker 1: that sold one bottle of see and he's like, I'm

1798
01:54:01,200 --> 01:54:06,040
Speaker 1: not fucking man, No, you not remember the guy that's

1799
01:54:06,120 --> 01:54:08,799
Speaker 1: down the block that's so three thousand bottles of pepsi.

1800
01:54:09,520 --> 01:54:12,960
Speaker 1: And the fact is I had so much fun, Like

1801
01:54:13,240 --> 01:54:14,680
Speaker 1: look like I do that. We've been doing this for

1802
01:54:14,760 --> 01:54:18,559
Speaker 1: six years, right, and you know I already I didn't

1803
01:54:18,560 --> 01:54:20,880
Speaker 1: have to Google you, but I wanted to because you

1804
01:54:20,960 --> 01:54:23,160
Speaker 1: know I wanted to. And as I kept going and

1805
01:54:23,280 --> 01:54:26,800
Speaker 1: kept going, kept going, kept going, kept going, they kept

1806
01:54:26,840 --> 01:54:31,519
Speaker 1: going and kept going. And I said, his accolades doesn't

1807
01:54:31,800 --> 01:54:34,600
Speaker 1: match his attitude because your attitude. What I mean by

1808
01:54:34,680 --> 01:54:38,480
Speaker 1: that is your attitude is so much positive, it's so dope,

1809
01:54:38,880 --> 01:54:41,280
Speaker 1: it's so good, Like when you see somebody, you'll come

1810
01:54:41,320 --> 01:54:43,840
Speaker 1: when you you even walk over to them, and it's

1811
01:54:43,880 --> 01:54:49,080
Speaker 1: like that type of version that who you are will

1812
01:54:49,160 --> 01:54:54,400
Speaker 1: never be made again in this era and that's fucked up.

1813
01:54:54,520 --> 01:54:57,400
Speaker 1: But that's leading by example. That's the example. So that's

1814
01:54:57,440 --> 01:55:02,240
Speaker 1: the reason why we brag about people like you, because

1815
01:55:03,200 --> 01:55:05,840
Speaker 1: because it's like like like like I'm thinking of the

1816
01:55:05,920 --> 01:55:08,280
Speaker 1: movies and then again the same people I said, you

1817
01:55:08,400 --> 01:55:10,920
Speaker 1: send me all this movie list, and that's just kept

1818
01:55:11,000 --> 01:55:17,680
Speaker 1: on and I'm looking like, holy ship, there's artists that

1819
01:55:17,840 --> 01:55:23,960
Speaker 1: got five records. I think they're the fucking world. One album.

1820
01:55:25,000 --> 01:55:29,040
Speaker 1: I was trying to say. I was trying to say that, well, yeah,

1821
01:55:29,200 --> 01:55:31,400
Speaker 1: and they think they're the world and they have no

1822
01:55:31,560 --> 01:55:34,680
Speaker 1: idea to work that you had to put in, you know,

1823
01:55:35,360 --> 01:55:39,200
Speaker 1: and from from from from that generation like like like

1824
01:55:39,400 --> 01:55:41,480
Speaker 1: right now, like God bless and this I don't know,

1825
01:55:41,560 --> 01:55:43,120
Speaker 1: we're still with a quick time slide. But this was

1826
01:55:43,200 --> 01:55:47,640
Speaker 1: a crazy thing. But it's a crazy thing. Was we

1827
01:55:47,800 --> 01:55:51,920
Speaker 1: interviewed Mike Epps and then Mike Epps and I asked

1828
01:55:51,960 --> 01:55:53,879
Speaker 1: Mike Apps, so how do you feel about these YouTube

1829
01:55:53,920 --> 01:55:57,640
Speaker 1: comedians and he was just like, man, they don't have

1830
01:55:57,760 --> 01:55:59,680
Speaker 1: to they have to go through what we went through

1831
01:55:59,680 --> 01:56:04,000
Speaker 1: the to hit those stages and see a YouTube comedian.

1832
01:56:04,080 --> 01:56:09,040
Speaker 1: This is according to how I too am still y'all,

1833
01:56:09,440 --> 01:56:17,920
Speaker 1: he is so loring tow. But these these YouTube guys,

1834
01:56:18,000 --> 01:56:20,400
Speaker 1: they could come and they could entertain their people for

1835
01:56:20,520 --> 01:56:23,680
Speaker 1: one minute. Def Comedy jam was how long? It was

1836
01:56:23,720 --> 01:56:25,960
Speaker 1: like fifteen minutes and then chopped down to like six

1837
01:56:26,080 --> 01:56:28,640
Speaker 1: or seven or it was you know, he was honestly,

1838
01:56:28,840 --> 01:56:34,840
Speaker 1: our sets were eight minutes chopped down to like six. Still, okay,

1839
01:56:37,360 --> 01:56:40,600
Speaker 1: def Comedy jam could exist again in this climate. No

1840
01:56:40,760 --> 01:56:45,600
Speaker 1: you don't think so. I think def comedy jam in

1841
01:56:45,720 --> 01:56:49,200
Speaker 1: this every would be bananas to break through all the bullshit.

1842
01:56:49,480 --> 01:56:53,800
Speaker 1: But like it would be, it would be so many

1843
01:56:53,960 --> 01:57:00,160
Speaker 1: people like being against truth, so many people again, it's

1844
01:57:00,280 --> 01:57:04,360
Speaker 1: like being free. Wouldn't that be more reason to do it? Yes,

1845
01:57:05,760 --> 01:57:08,240
Speaker 1: this is the thing I'm gonna say, and this is

1846
01:57:08,280 --> 01:57:12,320
Speaker 1: why I love Jings Champs. Right, don't ever change your

1847
01:57:12,640 --> 01:57:15,680
Speaker 1: purpose to the culture. Let me do the rest of

1848
01:57:15,760 --> 01:57:20,440
Speaker 1: my shot. Hold on, I ain't got but we were

1849
01:57:20,520 --> 01:57:24,000
Speaker 1: reading for you. I'm gonna tell you go down the hatch.

1850
01:57:24,520 --> 01:57:29,120
Speaker 1: I'm gonna say, so, let me take it. I don't

1851
01:57:29,200 --> 01:57:31,680
Speaker 1: I never drink this much. I only drink this We

1852
01:57:31,800 --> 01:57:34,560
Speaker 1: don't ever drink this because I'm with you guys only

1853
01:57:34,640 --> 01:57:37,680
Speaker 1: on Drink Champs. I want this to be documented. Right.

1854
01:57:39,360 --> 01:57:43,320
Speaker 1: If you do not fight for the culture, the culture

1855
01:57:43,360 --> 01:57:49,240
Speaker 1: would die because if we don't have moments like the

1856
01:57:49,520 --> 01:57:55,080
Speaker 1: dream Champs um different people that really love hip hop.

1857
01:57:55,560 --> 01:57:59,160
Speaker 1: Like I love my life, I love my success, I

1858
01:57:59,280 --> 01:58:03,040
Speaker 1: love my book that's coming out, my podcast, my family,

1859
01:58:03,560 --> 01:58:07,120
Speaker 1: my kids, I love all that. But like even my

1860
01:58:07,440 --> 01:58:11,440
Speaker 1: children don't understand hip hop like I do because hip

1861
01:58:11,520 --> 01:58:16,040
Speaker 1: hop was like a way for me to feel good

1862
01:58:16,080 --> 01:58:19,520
Speaker 1: about myself. Hip Hop was a way for me to

1863
01:58:19,640 --> 01:58:24,640
Speaker 1: fill my swagger. Hip Hop was a way to interpret

1864
01:58:24,760 --> 01:58:30,520
Speaker 1: my music. Drink Champs is a music. It's music to

1865
01:58:30,600 --> 01:58:34,040
Speaker 1: the culture, like the loose Source cover, it's salts like

1866
01:58:34,640 --> 01:58:38,880
Speaker 1: like you gotta understand, take take drink drink. I'm not

1867
01:58:38,960 --> 01:58:43,440
Speaker 1: even promoting myself. Take Drink Champs out the game. It'd

1868
01:58:43,480 --> 01:58:50,480
Speaker 1: be empty of this. Am I lying? Think about it?

1869
01:58:51,080 --> 01:58:55,080
Speaker 1: We don't have You're not on TV TV, but guess

1870
01:58:55,160 --> 01:58:59,080
Speaker 1: what you're dad. Let's get to motherfucker Internet and get

1871
01:58:59,240 --> 01:59:02,520
Speaker 1: busy and let me tell you what the Internet speaks

1872
01:59:02,760 --> 01:59:06,600
Speaker 1: volumes because this is worldwide. Ain't no sillings on this right,

1873
01:59:07,600 --> 01:59:11,000
Speaker 1: So when I see your interviews and I see how

1874
01:59:11,320 --> 01:59:14,760
Speaker 1: funny and like even though you gotta get drunk, come

1875
01:59:14,800 --> 01:59:17,800
Speaker 1: on here now, you don't have to, you don't have to,

1876
01:59:21,600 --> 01:59:26,920
Speaker 1: but I'm I feel comfortable being in toxic It. It's

1877
01:59:26,960 --> 01:59:29,960
Speaker 1: a safe place. It's for for the culture, and you

1878
01:59:30,080 --> 01:59:32,920
Speaker 1: guys are good guys, right. Ultimately, you want to have

1879
01:59:33,200 --> 01:59:37,840
Speaker 1: great interviews, you want to have wonderful moments, and you

1880
01:59:37,960 --> 01:59:43,280
Speaker 1: get everybody. I promise you you're gonna get everybody because

1881
01:59:44,040 --> 01:59:55,280
Speaker 1: television can do what Gene tramps tramps can do. No wait, wait, wait,

1882
01:59:55,320 --> 01:59:57,120
Speaker 1: I'm gonna get you some I'm gonna get because I'm

1883
01:59:57,160 --> 02:00:01,400
Speaker 1: giving it from the heart. You guys right now are MTV.

1884
02:00:02,320 --> 02:00:09,480
Speaker 1: Wow that wait, listen to me. Drink Champs right now

1885
02:00:09,720 --> 02:00:13,000
Speaker 1: is MTV. Let me tell you why, because because in

1886
02:00:13,080 --> 02:00:17,680
Speaker 1: the nineties, MTV was Mavericks and it was like we

1887
02:00:17,840 --> 02:00:23,280
Speaker 1: give zero Fox and we're going to push, push, push, right,

1888
02:00:23,600 --> 02:00:31,560
Speaker 1: So MTV provided an opportunity for so many artists to

1889
02:00:31,800 --> 02:00:39,240
Speaker 1: push through that wouldn't have the opportunity. Do not stop

1890
02:00:39,400 --> 02:00:44,960
Speaker 1: doing Drink Champs because there has to be a space

1891
02:00:45,640 --> 02:00:50,440
Speaker 1: for a guy like me, a guy like Kanye, a

1892
02:00:50,640 --> 02:00:56,720
Speaker 1: god like erth a guy like goddamn, goddamn j A,

1893
02:00:56,880 --> 02:01:04,320
Speaker 1: goddamn Rihanna, who else? No, we need cool hurk. But

1894
02:01:04,480 --> 02:01:06,760
Speaker 1: but listen, but this is the thing that we gotta

1895
02:01:06,880 --> 02:01:12,840
Speaker 1: do with Dream Champs. We gotta have a platform for

1896
02:01:12,960 --> 02:01:17,120
Speaker 1: the culture so like cats can learn something they didn't know.

1897
02:01:17,640 --> 02:01:20,400
Speaker 1: It's like cats gonna come and see my interview and

1898
02:01:20,480 --> 02:01:25,400
Speaker 1: go I didn't know. Like when I watched Kanye's interview,

1899
02:01:25,520 --> 02:01:30,160
Speaker 1: I was like, I didn't know, because like when I

1900
02:01:30,280 --> 02:01:33,760
Speaker 1: watched Earth got it and I got it, and I

1901
02:01:33,880 --> 02:01:39,040
Speaker 1: was like, I ain't know. He's still in love, no

1902
02:01:39,240 --> 02:01:44,440
Speaker 1: distress back fix your face, but listen, fix fix your face.

1903
02:01:44,800 --> 02:01:48,120
Speaker 1: But but but but like I'm taking a shot. I'm

1904
02:01:48,160 --> 02:01:51,760
Speaker 1: sorry taking a shot. Let's take a shot. Come on

1905
02:01:56,280 --> 02:01:58,680
Speaker 1: your shot. So let me let me drink a shot.

1906
02:02:00,000 --> 02:02:03,080
Speaker 1: Because he was trump homeboy at one point where Trump's homeboy,

1907
02:02:04,320 --> 02:02:08,560
Speaker 1: Trump's homeboy. No, I wasn't Trump's figure pop something with Trump?

1908
02:02:10,960 --> 02:02:17,040
Speaker 1: You figure Pop Trump? You mean some researching me? Nor

1909
02:02:17,280 --> 02:02:23,200
Speaker 1: is a lightweight investigating You work for the fast so

1910
02:02:23,400 --> 02:02:29,680
Speaker 1: real quick. So I mean, I don't know what year was,

1911
02:02:31,000 --> 02:02:37,360
Speaker 1: but I hosted Trump had team miss U s A

1912
02:02:38,600 --> 02:02:42,840
Speaker 1: and the crazy thing. Let me see, do you know

1913
02:02:44,080 --> 02:02:50,800
Speaker 1: Nicholas SHA's wife is Vanessa. I'm saying Marcil. No, No,

1914
02:02:51,760 --> 02:02:55,840
Speaker 1: what's what's Nick? What's Nick? Google it? He's a Google. Look,

1915
02:02:56,080 --> 02:02:58,920
Speaker 1: he's the group we have Google Google Google lers like

1916
02:02:59,680 --> 02:03:05,480
Speaker 1: the Wheeler. What's all? What what's Nicolas's wife name? You

1917
02:03:05,560 --> 02:03:08,840
Speaker 1: said Hutchins. Wife name is Hutchins. The last name of

1918
02:03:08,880 --> 02:03:14,000
Speaker 1: the first name is ill News Vanessa. So no, I

1919
02:03:14,000 --> 02:03:16,880
Speaker 1: don't know. I don't have no idea what we're talking about. No,

1920
02:03:17,080 --> 02:03:20,640
Speaker 1: I'm just saying I hosted. I hosted Miss Team USA once.

1921
02:03:21,320 --> 02:03:24,440
Speaker 1: What's this that? Well, you know Trump was always at

1922
02:03:24,480 --> 02:03:29,160
Speaker 1: those weird things. No, I'm no, No, this is like

1923
02:03:29,560 --> 02:03:37,120
Speaker 1: nineties we all, I'm hosting Miss t USA and uh

1924
02:03:38,280 --> 02:03:42,520
Speaker 1: it was actually super dope, like it was a great situation.

1925
02:03:43,080 --> 02:03:45,440
Speaker 1: I didn't know Donald Trump. That is, by the way,

1926
02:03:45,520 --> 02:03:50,920
Speaker 1: just just to know the Trump year estimating. I'm not

1927
02:03:51,240 --> 02:03:57,400
Speaker 1: sure I want to say four. Okay, So admired Trump outside,

1928
02:03:58,720 --> 02:04:02,480
Speaker 1: that's the thing with that beyond so I'm like, I'm hosting, Uh,

1929
02:04:02,840 --> 02:04:06,240
Speaker 1: Trump is cool, he's the cool Trump and um, and

1930
02:04:06,400 --> 02:04:11,839
Speaker 1: I didn't even know he would everyone run for president

1931
02:04:12,200 --> 02:04:16,280
Speaker 1: and when so like, so, you know, I'm like MTV guy,

1932
02:04:16,640 --> 02:04:19,000
Speaker 1: I get it like it was on CBS or something.

1933
02:04:19,560 --> 02:04:24,760
Speaker 1: It was because you know that ship was crazy. Thanks

1934
02:04:25,480 --> 02:04:30,360
Speaker 1: for that song. Also, it's a great job. By the way.

1935
02:04:30,680 --> 02:04:32,760
Speaker 1: By the way, by the way, he just said the

1936
02:04:32,880 --> 02:04:34,960
Speaker 1: name as if we all just like if we can

1937
02:04:35,040 --> 02:04:40,200
Speaker 1: don't want something him, He's like, you say, what the

1938
02:04:40,480 --> 02:04:49,080
Speaker 1: did he just say, you're saying that. I can't thank

1939
02:04:49,080 --> 02:04:53,640
Speaker 1: you any much right now. But right now she's on

1940
02:04:55,280 --> 02:05:01,560
Speaker 1: She's see Inside Hawaii. But but but at that time,

1941
02:05:02,720 --> 02:05:10,240
Speaker 1: Vanessa and Nilo was a gorgeous, beautiful girl. Vanessa was

1942
02:05:10,440 --> 02:05:14,760
Speaker 1: one of like she's beautiful. She was like, uh, coming

1943
02:05:14,840 --> 02:05:16,840
Speaker 1: up in like in a pageant ship and she was

1944
02:05:16,880 --> 02:05:20,440
Speaker 1: a contestant right at that time. So I'm like Bill

1945
02:05:20,520 --> 02:05:26,800
Speaker 1: Bellamy hosting whatever. So cut to um, I meet Donald

1946
02:05:26,840 --> 02:05:30,040
Speaker 1: Trump for the first time, and at this time, like

1947
02:05:30,400 --> 02:05:35,600
Speaker 1: Donald Trump is probably one of the most charismatic people

1948
02:05:36,320 --> 02:05:42,160
Speaker 1: because he's like personality, he's shaking hands, he's saying hello.

1949
02:05:43,320 --> 02:05:46,400
Speaker 1: I never knew he would be a politician in nineties.

1950
02:05:46,480 --> 02:05:51,000
Speaker 1: You wouldn't know that then. Um so this is probably

1951
02:05:51,040 --> 02:05:59,040
Speaker 1: me four three, but at this time it is on CBS. No,

1952
02:05:59,280 --> 02:06:02,080
Speaker 1: this is big. You don't understand, miss teens. It was

1953
02:06:02,640 --> 02:06:05,320
Speaker 1: correlation with him saying that you supported Trump. No, I said,

1954
02:06:05,480 --> 02:06:11,200
Speaker 1: no relationship. No, that's the relations Nori drunk. No, you

1955
02:06:11,280 --> 02:06:13,840
Speaker 1: gotta understand, Nori. Let's go back. Let me see you

1956
02:06:13,920 --> 02:06:17,320
Speaker 1: had a good experience. Let's listen, Nori, because I know

1957
02:06:17,400 --> 02:06:21,600
Speaker 1: how to end. There can get crazy. This is ninety three.

1958
02:06:23,840 --> 02:06:28,880
Speaker 1: Do you understand Donald Trump in four did not have

1959
02:06:29,800 --> 02:06:34,600
Speaker 1: his TV show. He did not. He was just a businessman.

1960
02:06:34,640 --> 02:06:37,040
Speaker 1: He was just a businessman in real estate back then,

1961
02:06:37,640 --> 02:06:42,280
Speaker 1: a celebrity business You he was in jail and like

1962
02:06:46,280 --> 02:06:48,400
Speaker 1: everything I asked him, he said, I was in jail.

1963
02:06:48,720 --> 02:06:52,120
Speaker 1: Folks liked to him back then. He was great back then. No,

1964
02:06:52,920 --> 02:06:56,880
Speaker 1: here's the thing that was interesting because casts don't know

1965
02:06:57,120 --> 02:07:03,000
Speaker 1: the transition we did. Let's go back. We in the

1966
02:07:03,080 --> 02:07:09,480
Speaker 1: early nineties. Uh, social media is not a thing. Napster

1967
02:07:09,760 --> 02:07:15,080
Speaker 1: is about to happen. Okay, okay, So we like we're

1968
02:07:15,120 --> 02:07:18,400
Speaker 1: coming up in the game, like cast is trying to win. Right.

1969
02:07:19,120 --> 02:07:24,720
Speaker 1: So Donald Trump at that time was Mr New York. Locally,

1970
02:07:25,200 --> 02:07:29,880
Speaker 1: it's fire, I understand, not just locally. Nationally he's the bow. No, No,

1971
02:07:30,520 --> 02:07:33,840
Speaker 1: there was no not in the nineties. Yeah, you think

1972
02:07:33,880 --> 02:07:37,000
Speaker 1: he was national Miami. So I'm telling you this, Okay,

1973
02:07:37,240 --> 02:07:39,880
Speaker 1: how did you know? I'm just saying, culturally, he was

1974
02:07:40,000 --> 02:07:42,320
Speaker 1: like this rich guy that everybody we all were like,

1975
02:07:42,480 --> 02:07:45,600
Speaker 1: why you want to be Why because he's a millionaire.

1976
02:07:45,880 --> 02:07:49,200
Speaker 1: Why was it on TV? What was it talking about

1977
02:07:49,280 --> 02:07:53,960
Speaker 1: in the Miami shows all those news? No, it's no,

1978
02:07:54,320 --> 02:07:58,440
Speaker 1: you know you that's behind that because I'm talking maybe not,

1979
02:07:58,520 --> 02:07:59,640
Speaker 1: You're right, you might you might be right. You know

1980
02:08:00,080 --> 02:08:01,920
Speaker 1: I'm talking. You're talking about this ship when they got

1981
02:08:01,960 --> 02:08:06,360
Speaker 1: bum I'm talking about when I first met Donald Trump.

1982
02:08:06,920 --> 02:08:10,360
Speaker 1: I was hosting Miss ten USA. I'm talking about gret

1983
02:08:10,400 --> 02:08:14,800
Speaker 1: Kwam Black Trump. That was after That's no, I'm before you,

1984
02:08:14,920 --> 02:08:19,520
Speaker 1: I'm before you. The Trump was already he was not

1985
02:08:21,120 --> 02:08:25,960
Speaker 1: like because he wasn't. He kind of was always a

1986
02:08:26,120 --> 02:08:33,520
Speaker 1: cultural celebrity in America. Not like Donald here in Miami.

1987
02:08:33,640 --> 02:08:37,040
Speaker 1: Great great great? You grew up in Miami. Right, No, no,

1988
02:08:37,120 --> 02:08:43,920
Speaker 1: no Trump. Look look wait wait, I'm gonna give it

1989
02:08:43,960 --> 02:08:47,120
Speaker 1: to you. So me, Noriega, we was in New York.

1990
02:08:47,600 --> 02:08:52,240
Speaker 1: You in Miami. But how many people was in Miami? Two?

1991
02:08:53,520 --> 02:08:56,520
Speaker 1: He was in jail? Who was who was out? I'm

1992
02:08:56,520 --> 02:09:00,680
Speaker 1: in New York. Me and Noriega in New York everybody

1993
02:09:00,720 --> 02:09:11,240
Speaker 1: else and everywhere else. Wasn't Trump known to everyone years? Known?

1994
02:09:11,480 --> 02:09:15,240
Speaker 1: He's known. He's a cultural thing in America in nineties two,

1995
02:09:15,760 --> 02:09:22,880
Speaker 1: in the late eighties, even early nineties, late eighties, early nineties,

1996
02:09:23,040 --> 02:09:26,800
Speaker 1: early nineties, becoming a phenomenon. It's a great conversation by

1997
02:09:26,840 --> 02:09:31,680
Speaker 1: the way, he becomes the bar for what Americans perceived

1998
02:09:31,760 --> 02:09:36,240
Speaker 1: as this is what we success. Yeah yeah, yeah, home

1999
02:09:36,280 --> 02:09:39,600
Speaker 1: alone is what hum alone? He's in hommalone ninety two?

2000
02:09:43,480 --> 02:09:49,880
Speaker 1: What year was that? Year? Eighty nine? Look at that, Nina? Okay, yeah,

2001
02:09:50,360 --> 02:09:56,640
Speaker 1: you would not yell how you wanted to be? Right? Yeah?

2002
02:09:57,160 --> 02:10:04,080
Speaker 1: Are you sure? The nies how social? I'm telling you know,

2003
02:10:04,120 --> 02:10:07,120
Speaker 1: I'm telling you this is MTV and n and I

2004
02:10:07,240 --> 02:10:09,360
Speaker 1: was a kid, but I don't even remember like Trump

2005
02:10:09,520 --> 02:10:11,520
Speaker 1: was like that thing, you know, you know, you know

2006
02:10:11,600 --> 02:10:14,680
Speaker 1: why I can understand his point is because even if

2007
02:10:14,720 --> 02:10:17,720
Speaker 1: he was a coach with phenomenon back then, you didn't

2008
02:10:17,800 --> 02:10:21,400
Speaker 1: understand it. If he was just in New York. Yeah,

2009
02:10:23,000 --> 02:10:27,280
Speaker 1: I didn't know he was. I'll be honest. I like

2010
02:10:27,440 --> 02:10:30,080
Speaker 1: I didn't know the impact in Miami at that time.

2011
02:10:30,640 --> 02:10:33,680
Speaker 1: Like so me and Oriega were different places but were

2012
02:10:33,720 --> 02:10:37,680
Speaker 1: in New York, like like like, honestly, there was like

2013
02:10:37,920 --> 02:10:41,680
Speaker 1: in there was no Trump Towers and all that other ship.

2014
02:10:41,880 --> 02:10:43,640
Speaker 1: But you know what's funny, It's just it's just like

2015
02:10:44,000 --> 02:10:45,720
Speaker 1: what you're saying right now is just like what Dave

2016
02:10:45,800 --> 02:10:48,400
Speaker 1: Chappelle said in his mono Lague The Jappelle said, a

2017
02:10:48,480 --> 02:10:51,040
Speaker 1: lot of people said he's a He said, uh, they said,

2018
02:10:51,600 --> 02:10:54,560
Speaker 1: people think the Trump era is over, he said, but

2019
02:10:54,800 --> 02:10:57,440
Speaker 1: it's not. No, it's not, he said. People in New York,

2020
02:10:57,600 --> 02:10:59,240
Speaker 1: I think you can think that. He said, but I

2021
02:10:59,320 --> 02:11:03,200
Speaker 1: live in o Hig amongst the poul Whites. And and

2022
02:11:03,320 --> 02:11:05,160
Speaker 1: that's what we're trying to say, that is that the

2023
02:11:05,240 --> 02:11:07,760
Speaker 1: Trump ever is going to continue to grow and keep

2024
02:11:07,840 --> 02:11:11,080
Speaker 1: going because of that, because people have never seen a

2025
02:11:11,160 --> 02:11:15,360
Speaker 1: person speak politics in this that way and in that

2026
02:11:15,680 --> 02:11:18,720
Speaker 1: form and that way. I do agree with Dave Chappelle.

2027
02:11:19,800 --> 02:11:24,080
Speaker 1: People have never seen no you what do? What does

2028
02:11:24,080 --> 02:11:26,320
Speaker 1: that doing? What we're saying, I have no idea, we

2029
02:11:26,840 --> 02:11:30,840
Speaker 1: don't how are we been drinking? We don't know. We're

2030
02:11:30,840 --> 02:11:36,480
Speaker 1: trying to talk the dumbest politics a little bit dumb.

2031
02:11:36,680 --> 02:11:44,520
Speaker 1: It's it's two things we're talking about, like impact and relevance. Right, like,

2032
02:11:44,760 --> 02:11:47,600
Speaker 1: so here we go. Trump was cool when you. Yeah,

2033
02:11:47,640 --> 02:11:50,280
Speaker 1: let's just go back to that. Never mind about we're

2034
02:11:50,320 --> 02:11:52,560
Speaker 1: not talking about day one right now. But I'm saying

2035
02:11:52,640 --> 02:11:56,600
Speaker 1: back then, I'm I didn't know he was not thinking,

2036
02:11:57,280 --> 02:12:01,520
Speaker 1: and he say, you're in the same council Trump and

2037
02:12:01,600 --> 02:12:04,600
Speaker 1: Ship like, no, I'm not that you always want me

2038
02:12:04,680 --> 02:12:08,080
Speaker 1: finger I don't think a pop because I mean, I'm clear,

2039
02:12:08,360 --> 02:12:12,840
Speaker 1: let's popping me smash this, finger papping me smashing. I

2040
02:12:12,920 --> 02:12:16,640
Speaker 1: just like I just like the turning, popping, finger popping, smashing,

2041
02:12:16,680 --> 02:12:19,040
Speaker 1: the smashing. Come on, man, let's keep it on hunting.

2042
02:12:19,400 --> 02:12:30,160
Speaker 1: It's a now actually it's a bird yo pop action. President.

2043
02:12:30,200 --> 02:12:35,600
Speaker 1: I can tell you're a president. You're quite dad to

2044
02:12:35,680 --> 02:12:46,560
Speaker 1: that though. This is my partner, Joe, Joe, you gotta

2045
02:12:46,600 --> 02:12:49,520
Speaker 1: be on the street so we can talk. The next

2046
02:12:49,600 --> 02:12:54,280
Speaker 1: question I never seen I never seen you. And the

2047
02:12:54,360 --> 02:12:58,960
Speaker 1: next question, you know, I can take a joke. I'm good, okay,

2048
02:13:02,360 --> 02:13:08,520
Speaker 1: finger puppet or not? Finger pupp it's not a good guy,

2049
02:13:08,960 --> 02:13:11,240
Speaker 1: it's not let's go. Are you taking a shot for

2050
02:13:11,960 --> 02:13:20,040
Speaker 1: a drink? I'm gonna drink my drink. No, this is

2051
02:13:20,920 --> 02:13:24,840
Speaker 1: has shot. Oh I did my drink a difference drinking?

2052
02:13:25,760 --> 02:13:31,040
Speaker 1: This is a dream come true. But because honestly, bro,

2053
02:13:33,800 --> 02:13:36,840
Speaker 1: I love y'all show with all my heart, and I

2054
02:13:37,120 --> 02:13:40,440
Speaker 1: promise you I'm not making this up. I watch you

2055
02:13:40,560 --> 02:13:43,800
Speaker 1: guys grind. I watch you guys blow your ship up,

2056
02:13:44,600 --> 02:13:48,440
Speaker 1: and I'm like, I was like, I gotta do dream Champs.

2057
02:13:48,800 --> 02:13:52,520
Speaker 1: I ran into Noriega in Vegas and he was like, yo,

2058
02:13:52,880 --> 02:13:56,400
Speaker 1: be you gotta come funk with us, and I said

2059
02:13:56,520 --> 02:14:00,720
Speaker 1: NOI went. He was like, I don't know, he said,

2060
02:14:00,760 --> 02:14:09,800
Speaker 1: but he was like you thinking about yeah, make okay,

2061
02:14:10,960 --> 02:14:14,400
Speaker 1: hold on, hold hold on. I say't know, I'm real,

2062
02:14:14,680 --> 02:14:17,440
Speaker 1: but with you my drink, this is my drinking. And

2063
02:14:17,480 --> 02:14:19,520
Speaker 1: then I'm gonna also salute you with my shot. I'm

2064
02:14:19,520 --> 02:14:21,320
Speaker 1: taking that too, even if I don't have to take

2065
02:14:21,320 --> 02:14:25,720
Speaker 1: a shot, nor are you a drinker, it's my porter.

2066
02:14:25,800 --> 02:14:28,120
Speaker 1: We can side, but I'm gonna switch it, and you

2067
02:14:28,200 --> 02:14:31,040
Speaker 1: know I can go to your funked up about it?

2068
02:14:31,200 --> 02:14:37,600
Speaker 1: A black side one you like? All right? So the

2069
02:14:37,760 --> 02:14:41,080
Speaker 1: black I just want to put it out there. This

2070
02:14:41,160 --> 02:14:43,640
Speaker 1: one's gonna hit me personally. Okay, go ahead, because I'm

2071
02:14:43,640 --> 02:14:45,480
Speaker 1: gonna take a personal whichever one you picked on this

2072
02:14:45,600 --> 02:14:52,000
Speaker 1: one coming to America or Hall Them Nights, that's the team.

2073
02:14:52,040 --> 02:14:58,320
Speaker 1: We didn't think of coming to America. Wow, I'm gonna

2074
02:14:58,360 --> 02:15:01,960
Speaker 1: be honest. I know why you're gonna say Hallim Knights.

2075
02:15:02,000 --> 02:15:05,840
Speaker 1: Taping you look and that because I had everybody in

2076
02:15:05,920 --> 02:15:12,000
Speaker 1: it too was crazy in my experience. I heard Kevin

2077
02:15:12,080 --> 02:15:16,760
Speaker 1: Hart one day say don't cry nor he wanted I'm

2078
02:15:16,800 --> 02:15:21,800
Speaker 1: not gonna he wanted to remake Holom Nights. So I

2079
02:15:21,960 --> 02:15:24,040
Speaker 1: kept listening and I was just like, why would you

2080
02:15:24,160 --> 02:15:27,120
Speaker 1: remake Hallom Nice? And what I didn't realize it's Harlem

2081
02:15:27,320 --> 02:15:30,080
Speaker 1: Nights for us is who is the Man? Yeah, that's

2082
02:15:30,080 --> 02:15:33,040
Speaker 1: what I'm saying. That's the mixtape. It's the Who's the Man?

2083
02:15:33,520 --> 02:15:36,760
Speaker 1: It is the Who's the Man comedians? Fact? So is

2084
02:15:36,800 --> 02:15:40,320
Speaker 1: that the reason why you cant Colomnics? I just picked

2085
02:15:40,400 --> 02:15:46,160
Speaker 1: Harlem Nights because I feel like, was that Red Fox's

2086
02:15:46,200 --> 02:15:52,640
Speaker 1: last performance? That's true relatively, But Harlem Knights is the

2087
02:15:52,840 --> 02:15:58,880
Speaker 1: Quintus sent you movie for all these talented comedians to

2088
02:15:58,960 --> 02:16:04,480
Speaker 1: be in one film, and it was phenomenon. I mean,

2089
02:16:04,600 --> 02:16:08,320
Speaker 1: there's so many moments in Hallom Knights that will fuck

2090
02:16:08,440 --> 02:16:14,080
Speaker 1: your world up of laughter, like it's it's no words,

2091
02:16:14,240 --> 02:16:16,920
Speaker 1: Like we need to do another Hallom Nights, Like we

2092
02:16:17,040 --> 02:16:20,840
Speaker 1: need to do like like, who's the man to Hallom Knights.

2093
02:16:20,880 --> 02:16:23,720
Speaker 1: We gotta do another one. But Hallom Knights was crazy.

2094
02:16:23,840 --> 02:16:28,480
Speaker 1: Let's get Richard pryor Eddie Murphy delaries. They Flyer was

2095
02:16:28,600 --> 02:16:33,800
Speaker 1: bro stop playing and shot up. We got shot in

2096
02:16:33,840 --> 02:16:35,800
Speaker 1: the pinky toel. I ain't gonna lie. You gotta be

2097
02:16:35,879 --> 02:16:43,320
Speaker 1: an ill amorer things in the pinky toe and you

2098
02:16:43,520 --> 02:16:48,080
Speaker 1: just hit the pinky toe. That's a good an. That's fine. Okay,

2099
02:16:48,160 --> 02:16:50,760
Speaker 1: moving on, We're moving on? Are we moving on? Is

2100
02:16:50,840 --> 02:16:55,640
Speaker 1: there more questions? You got? We got sev a little

2101
02:16:55,640 --> 02:16:58,520
Speaker 1: bit more like four more? Oh yeah, I got the

2102
02:16:58,600 --> 02:17:03,600
Speaker 1: next one, big Year, big hell, biggie, and you're the

2103
02:17:03,680 --> 02:17:05,640
Speaker 1: next one after that. Ain't nothing to talk about. And

2104
02:17:05,760 --> 02:17:10,720
Speaker 1: I love big Hello. Come on stop playing all right? Scarface,

2105
02:17:10,840 --> 02:17:26,720
Speaker 1: ice Cube a scarface. Who I gotta go. I gotta

2106
02:17:26,800 --> 02:17:31,360
Speaker 1: go with big dogs, scarfaces everything, and I love I

2107
02:17:31,520 --> 02:17:35,360
Speaker 1: love ice Cube. But Scarface pick up to ice Cube

2108
02:17:35,400 --> 02:17:40,080
Speaker 1: for telling us I'm gonna do with drunk champs. I'm

2109
02:17:40,120 --> 02:17:46,280
Speaker 1: stand with you, ice Cube. I'm such a fan, Like

2110
02:17:46,480 --> 02:17:49,000
Speaker 1: you know, I'm an ultra ice cub fans only ever

2111
02:17:49,080 --> 02:17:51,000
Speaker 1: been nervous on drink chats when we had ice Cuba

2112
02:17:52,840 --> 02:18:00,880
Speaker 1: O g in the game. I see HIGs drunk chance please, Yeah,

2113
02:18:00,879 --> 02:18:04,840
Speaker 1: he looks like a candy cane that day. I'm not

2114
02:18:04,920 --> 02:18:09,000
Speaker 1: gonna lie red and white. Let me tell you, man

2115
02:18:11,360 --> 02:18:14,760
Speaker 1: su predator like Ice. He he was the Manes and

2116
02:18:14,879 --> 02:18:19,960
Speaker 1: we still respect him. Okay, l coo, J no, no, no, no,

2117
02:18:20,400 --> 02:18:27,080
Speaker 1: my bad. I'm skipping Tyson or Ali? Who Tyson? Mike

2118
02:18:27,160 --> 02:18:32,440
Speaker 1: Tyson or Muhammad Ali? Why Newark? Or just came out

2119
02:18:32,480 --> 02:18:35,640
Speaker 1: of you right now? Every everything about Newark and Clinton Avenue,

2120
02:18:37,200 --> 02:18:42,200
Speaker 1: Bergen Street. So use you? What's the reference you just did?

2121
02:18:43,120 --> 02:18:47,560
Speaker 1: No reference you just got. You just gotta ticket, Tyson, Ali,

2122
02:18:49,959 --> 02:18:52,880
Speaker 1: nothing to talk about. Okay. Ain't nobody ever gonna do

2123
02:18:53,000 --> 02:18:56,920
Speaker 1: it like Ali? Okay, you want the next one? Yeah? Sure,

2124
02:18:59,200 --> 02:19:09,760
Speaker 1: Big daddy Cane, y'all, what's your point? The point is

2125
02:19:10,200 --> 02:19:12,520
Speaker 1: drink a shot? Already says he got a drink, He

2126
02:19:12,520 --> 02:19:14,880
Speaker 1: got a shot. How come? How come I'm only one

2127
02:19:14,920 --> 02:19:25,760
Speaker 1: to keep drinking? And big Daddy King, I'm gonna give

2128
02:19:25,840 --> 02:19:28,680
Speaker 1: y'all some good shit about you got something. Let's go,

2129
02:19:28,840 --> 02:19:33,120
Speaker 1: let's go, let's drink first. Should have gave us enough stories.

2130
02:19:33,600 --> 02:19:36,680
Speaker 1: Sottle know he wants to get more. Toss. I know,

2131
02:19:36,800 --> 02:19:39,320
Speaker 1: I would love another toss and we don't, Todd stop it.

2132
02:19:41,160 --> 02:19:45,400
Speaker 1: That's what I'm gonna say to you. For all the

2133
02:19:45,520 --> 02:19:53,120
Speaker 1: young cats in the game, probably under forty or thirty.

2134
02:19:54,959 --> 02:19:58,240
Speaker 1: L L and Big Daddy King, We'll both take your bit.

2135
02:19:59,640 --> 02:20:03,119
Speaker 1: What's here your chick to this day, to this day,

2136
02:20:03,840 --> 02:20:07,879
Speaker 1: they to this day to Todd Smith and Big Daddy King,

2137
02:20:07,959 --> 02:20:10,160
Speaker 1: who I just talked to a couple of days ago.

2138
02:20:12,200 --> 02:20:14,720
Speaker 1: It's two things. It's two things in hip hop like

2139
02:20:15,320 --> 02:20:23,240
Speaker 1: that I fucking like relate to ladies love el cuja right,

2140
02:20:24,640 --> 02:20:28,640
Speaker 1: and Big Daddy can't What most casts don't know about

2141
02:20:28,760 --> 02:20:31,440
Speaker 1: Bill Bellamy. I came up as a dancer before I

2142
02:20:31,560 --> 02:20:38,840
Speaker 1: became a comedian, And so what's crazy about l L

2143
02:20:38,959 --> 02:20:42,400
Speaker 1: COOJ and Big Daddy came because they're like a hybrid

2144
02:20:42,480 --> 02:20:49,400
Speaker 1: of me. So you are you kidding me? In the

2145
02:20:49,520 --> 02:20:54,280
Speaker 1: hip hop So you gotta understand, Cool Jay was a

2146
02:20:54,440 --> 02:20:59,879
Speaker 1: cool cat that talked about the game that ladies life,

2147
02:21:01,200 --> 02:21:06,960
Speaker 1: Ladies loved it, Ladies love oh cool Jay. His lips

2148
02:21:07,080 --> 02:21:13,280
Speaker 1: was never dry. You always licked his lips like, so

2149
02:21:13,360 --> 02:21:17,280
Speaker 1: that's that's that's like cool Ship. But the dope shit

2150
02:21:17,360 --> 02:21:20,640
Speaker 1: about Big Daddy Cane And I'm giving him his flower

2151
02:21:20,760 --> 02:21:25,720
Speaker 1: was like King was a chocolate cat that could dance

2152
02:21:26,560 --> 02:21:30,880
Speaker 1: and talk that ship and was already moisturized already, so

2153
02:21:35,480 --> 02:21:42,800
Speaker 1: to be like, I'm gonna I'm gonna be no filters,

2154
02:21:43,840 --> 02:21:51,680
Speaker 1: perfectly honest. Oh cool ja. Big Daddy Cane influenced me

2155
02:21:52,120 --> 02:21:55,600
Speaker 1: as a comedian because they was rapp us, like like

2156
02:21:56,200 --> 02:22:01,280
Speaker 1: cast on the listen. Listen, listen, they rappers and they're

2157
02:22:01,320 --> 02:22:04,240
Speaker 1: doing it in a flyway. So you gotta understand, like

2158
02:22:04,959 --> 02:22:08,240
Speaker 1: cats don't know as comedians how to do what they

2159
02:22:08,360 --> 02:22:11,320
Speaker 1: do right. So I'm watching because I told Kane a

2160
02:22:11,400 --> 02:22:15,400
Speaker 1: couple of weeks ago, I was like, can I'm gonna

2161
02:22:15,400 --> 02:22:22,000
Speaker 1: be honest with you. Man. You was to me the

2162
02:22:22,160 --> 02:22:26,360
Speaker 1: coolest cat I ever seen, like from Jersey looking at

2163
02:22:26,400 --> 02:22:29,400
Speaker 1: a New York cat with that kind of swag and

2164
02:22:29,520 --> 02:22:32,760
Speaker 1: then in the game and you was committed to the

2165
02:22:33,360 --> 02:22:37,280
Speaker 1: to the essence of who you are. You moved. It

2166
02:22:37,480 --> 02:22:41,600
Speaker 1: was am I lying the smooth operator? This is the

2167
02:22:43,680 --> 02:22:48,720
Speaker 1: it wasn't was he is is He's cut to cool Ja,

2168
02:22:49,560 --> 02:22:56,280
Speaker 1: Papa love it baby, listen or not listen. So me

2169
02:22:56,760 --> 02:23:05,480
Speaker 1: and Cooj been friends for like thirty years, and I'm

2170
02:23:05,520 --> 02:23:11,960
Speaker 1: gonna say this to the culture into the game. Oh

2171
02:23:12,080 --> 02:23:22,360
Speaker 1: cool Ja, Big Daddy King, and Eddie Murphys Me, that's

2172
02:23:22,360 --> 02:23:26,160
Speaker 1: what you've made into yourself. If you chuck, if you

2173
02:23:26,560 --> 02:23:29,680
Speaker 1: if you had to, if you had to take three

2174
02:23:29,800 --> 02:23:33,320
Speaker 1: elements of Bill Bill Bellamy, if you had to take

2175
02:23:35,320 --> 02:23:40,920
Speaker 1: three elements of who Bill Bellamy is, you take Oh

2176
02:23:41,000 --> 02:23:47,000
Speaker 1: cool Ja, Big Daddy King? And what was the third person?

2177
02:23:47,080 --> 02:23:51,520
Speaker 1: I said? What did you say? Edie Murphy? So if

2178
02:23:51,560 --> 02:23:55,840
Speaker 1: you chuck right right, listen to this, I'm gonna tell

2179
02:23:55,840 --> 02:23:58,280
Speaker 1: you who Bill Bellamy is right now because y'all know

2180
02:23:58,360 --> 02:24:03,359
Speaker 1: you're gonna use this on social media. Then it's Eddie Murphy,

2181
02:24:04,920 --> 02:24:09,040
Speaker 1: Big Daddy Kane, l Cool Jay. That's who Bill Bello

2182
02:24:09,080 --> 02:24:10,920
Speaker 1: mean is. So let me ask you this though, when

2183
02:24:11,000 --> 02:24:16,160
Speaker 1: you did the movie with Oh, how did you feel

2184
02:24:16,160 --> 02:24:18,120
Speaker 1: about this is the person one of the people that

2185
02:24:18,160 --> 02:24:22,280
Speaker 1: I'm influenced by. He didn't know it, but you knew it.

2186
02:24:22,640 --> 02:24:25,680
Speaker 1: I do. So what did that mean to you? So

2187
02:24:26,360 --> 02:24:32,760
Speaker 1: when I did Endy Getting Sunday with Cool Jay, I

2188
02:24:33,040 --> 02:24:37,680
Speaker 1: never told him how much of an influence he was. Like,

2189
02:24:38,800 --> 02:24:42,560
Speaker 1: I hope he sees this interview and accepts what I'm

2190
02:24:42,560 --> 02:24:48,240
Speaker 1: about to say, and like this is a funny ship

2191
02:24:48,360 --> 02:24:51,520
Speaker 1: about dream Champs and why I dream tramps and ship

2192
02:24:51,720 --> 02:24:56,520
Speaker 1: right because I can give my flowers to my friends.

2193
02:24:58,080 --> 02:25:05,400
Speaker 1: But L Cool J and Big Daddy King, it's Bill Bellamy.

2194
02:25:06,080 --> 02:25:09,400
Speaker 1: It's a hybrid. So like if you were like, oh

2195
02:25:09,520 --> 02:25:13,200
Speaker 1: my god, what is Bill Bellamy? Like, who is this dude,

2196
02:25:13,320 --> 02:25:16,800
Speaker 1: Bill Bellamy, I'm a hybrid. I'm gonna I'm gonna show

2197
02:25:16,840 --> 02:25:20,640
Speaker 1: you who I am right now in this interview. I

2198
02:25:20,840 --> 02:25:32,480
Speaker 1: am a hybrid of Big Daddy King, Koja, Eddie Murphy, Um,

2199
02:25:35,080 --> 02:25:40,480
Speaker 1: what's my other one? So boom boom, Richard pryor so.

2200
02:25:41,680 --> 02:25:45,200
Speaker 1: So you if you say, what is Bill Bellamy? I'm

2201
02:25:45,240 --> 02:25:52,760
Speaker 1: a hybrid of hip hop and classic comedy. So coming

2202
02:25:52,840 --> 02:25:57,520
Speaker 1: up in the game, out the streets, L COOJ made

2203
02:25:57,600 --> 02:26:03,160
Speaker 1: me feel that cool was fly right, motherfucking Big Daddy

2204
02:26:03,320 --> 02:26:08,480
Speaker 1: can show me we could have swag all right? And

2205
02:26:08,560 --> 02:26:10,840
Speaker 1: then I look at Eddie Murphy said that I could

2206
02:26:10,879 --> 02:26:14,480
Speaker 1: be wrong. That's when you start snatching visious wigs off.

2207
02:26:15,560 --> 02:26:24,560
Speaker 1: You was in jail. She's at the time, at the

2208
02:26:24,680 --> 02:26:26,920
Speaker 1: time you was in jail, and I see that I've

2209
02:26:26,959 --> 02:26:31,840
Speaker 1: seen that radio interview. He was like, no, we've tuesdays.

2210
02:26:32,080 --> 02:26:35,360
Speaker 1: What was it going? No, lace Front Tuesday Front, no

2211
02:26:35,520 --> 02:26:38,000
Speaker 1: lace front Fridays. How did this work out for you?

2212
02:26:38,040 --> 02:26:41,240
Speaker 1: Because I'm gonna be honest, what air was this at?

2213
02:26:41,560 --> 02:26:47,039
Speaker 1: Because no lace front Fridays is not working. In three

2214
02:26:48,200 --> 02:26:50,600
Speaker 1: they are going to meet to you God, because you

2215
02:26:50,680 --> 02:26:53,200
Speaker 1: said you was running on lace taking lace fronts out.

2216
02:26:53,240 --> 02:26:55,600
Speaker 1: I said no, no, I did it like I was

2217
02:26:55,640 --> 02:27:00,520
Speaker 1: doing this joint about like, uh you your I'm sorry.

2218
02:27:01,000 --> 02:27:03,160
Speaker 1: I've been studying, so I was. I was talking about

2219
02:27:03,280 --> 02:27:07,560
Speaker 1: late fronts because late fronts, it's cute, but sexy for

2220
02:27:07,680 --> 02:27:12,280
Speaker 1: some people is temporary, very temporary because lace front to

2221
02:27:12,360 --> 02:27:18,480
Speaker 1: come off. We've seen the interview. You seen the interview again,

2222
02:27:18,600 --> 02:27:21,200
Speaker 1: go ahead, go ahead, and we go into soup and

2223
02:27:21,600 --> 02:27:24,320
Speaker 1: and and it drops and look and then you're good.

2224
02:27:26,000 --> 02:27:28,400
Speaker 1: Thanks for joining us for another episode of Drink Champs

2225
02:27:28,480 --> 02:27:30,840
Speaker 1: hosted by Yours truly, d j e f N and

2226
02:27:31,040 --> 02:27:33,080
Speaker 1: n O r E. Please make sure to follow us

2227
02:27:33,120 --> 02:27:36,360
Speaker 1: on all our socials. Let's at Drink Champs across all platforms,

2228
02:27:36,920 --> 02:27:40,360
Speaker 1: at the Real Noriegan, I g at Noriega on Twitter,

2229
02:27:40,800 --> 02:27:43,760
Speaker 1: mine is at Who's Crazy on I g at d

2230
02:27:43,920 --> 02:27:46,480
Speaker 1: J E f N on Twitter, and most importantly, stay

2231
02:27:46,560 --> 02:27:49,520
Speaker 1: up to date with the latest releases, news, and merch

2232
02:27:49,720 --> 02:27:56,359
Speaker 1: by going to drink Champs dot com. For more podcasts

2233
02:27:56,400 --> 02:28:00,640
Speaker 1: from my heart Radio, visit the iHeart Radio app, Apple podcast,

2234
02:28:00,840 --> 02:28:02,720
Speaker 1: or wherever you listen to your favorite shows.