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Speaker 1: Don't chak ca. Yeah, we just got refrigerator of let West,

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Speaker 1: the most fucking dope ship. I was not expecting you

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Speaker 1: to open that motherfucker. I didn't even though that was

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Speaker 1: a fringe like fly furniture ship with all this ship

5
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Speaker 1: on top of it. Yeah, yeah, that's we had to

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Speaker 1: think it up. That was some ship Thursday on. I

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Speaker 1: love that nig I've got something that's my motherfucking dude

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Speaker 1: right there. I got some fun. What you got? I

9
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Speaker 1: got some fun? What already got a girl? Come, let's work.

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Speaker 1: I'm waiting points having it. I don't seen your little

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Speaker 1: video looking on with some sex something I ain't gone,

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Speaker 1: and it sounds good at the the mom got all

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Speaker 1: you fun. That means that here comedian sitting this old nicole,

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Speaker 1: I got the stamp. Oh oh oh, Now Nicky be

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Speaker 1: playing with me on a NOVI I got a shot

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Speaker 1: called and he's gonna tell y'all. Yeah, I ain't gonna

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Speaker 1: gang money. I'm gonna stay out for in my lane Monney.

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Speaker 1: I ain't gonna change that damn thing my name. I'm

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Speaker 1: gonna keep on going. I'm gonna keep flowing whip. Did

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Speaker 1: they go see that next time? Right, with the corn.

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Speaker 1: Ain't tripping man, ain't it? Yeah? We got an old

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Speaker 1: in here, my nigga, Why we ain't getting on spinkers?

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Speaker 1: We got a legend. He look great. Yeah, yeah, we

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Speaker 1: don't want to be too much nice ship in here.

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Speaker 1: An she made the night. Well, make sure the phone

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Speaker 1: cout off. Well the nephew for to be calling me

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Speaker 1: in a minute. Yeah, yeah, yeah, we're what we're saying,

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Speaker 1: like everybody, good, God, you did that? You did my

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Speaker 1: mic one time to get back that? Huh my nigger,

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Speaker 1: my nigger? Why they get nick for they get back?

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Speaker 1: Did you hear that? Did you get that? What? Can

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Speaker 1: you hear that? Y'all? For they get back that? Get that? Look,

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Speaker 1: let me check with Mike. Hello, can you hear me?

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Speaker 1: Let me put my boys up, get it dearly. I

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Speaker 1: got a couple of niggas sitting near me. Yea, and

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Speaker 1: we do a year lead roll up another one still

37
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Speaker 1: smoke the rose because you know I got another one. Yeah,

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Speaker 1: I only had to smoke the other one must around,

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Speaker 1: got another set. I came through the motherfuck only had

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Speaker 1: one chain on. I thought it was when the mother

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Speaker 1: cluck that has seen last time that it had a

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Speaker 1: chain on, but like, no, no, this the new ship,

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Speaker 1: new ship. I'm because you know I ain't gonna do

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Speaker 1: ship ship. We've been chilling on some cruise ship. That's

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Speaker 1: the new ship. We're gonna get them. Bought a whole

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Speaker 1: bunch of New York niggers with them. Yeah they're in here,

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Speaker 1: no fear. That's this year d C. Can you hear me?

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Speaker 1: Did you get that? Get that way to get click? Click?

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Speaker 1: When to split that around? I see your gut, didn't

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Speaker 1: I eat that? You shouldn't kept your mask on? Smell

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Speaker 1: that mooney? So I put my man man up. I said,

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Speaker 1: you know what, I thought you was gonna my mad

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Speaker 1: back up. But I'm still fun. I need anyway an

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Speaker 1: y'all ain't gonna believe this ship we were talking man,

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Speaker 1: Welcome back to the Fast Sound Show. First and foremost,

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Speaker 1: the first and foremost. You will never believe who in

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Speaker 1: the trap with us today? Were trying to trap though?

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Speaker 1: What miss the put your hands with my eyes? Can

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Speaker 1: see break your net? Can you give me some mom

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Speaker 1: came that that's the only nigga do this soon? The

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Speaker 1: most your ship, that's the one got a hold up

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Speaker 1: before we get started. I gotta do it. I gotta

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Speaker 1: do it. Hold holo holo connection. Every way, I gotta

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Speaker 1: go away and every listen, I gotta do it because

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Speaker 1: I'm putting light on running. I gotta get away, to

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Speaker 1: get away and get away, but to know that I

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Speaker 1: don't and I won't ever stop, because you know, I

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Speaker 1: gotta win every day day you nefically want to pop made,

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Speaker 1: Just know that you're can never flopmaid better that I

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Speaker 1: could be a little plot. May you ain't never gonna stop.

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Speaker 1: Every time I coming there, I gotta sit it. Then

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Speaker 1: they got to going and they gotta get it. Then

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Speaker 1: I got up bown and I gotta show it in

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Speaker 1: a little thing, and they continued to be doing because

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Speaker 1: it doesn't matter because I'm because I gotta do a

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Speaker 1: lot of things to make clear to a couple niggers

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Speaker 1: that I always wanted and they gotta get it again

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Speaker 1: and they get it, and then again I'll be doing

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Speaker 1: def not movieta following me a better collar of rep

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Speaker 1: and everybody, no, my start, The niggas no not the

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Speaker 1: best when they come to doing this, and I'll be

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Speaker 1: begging on my chest and I'm banging the east and

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Speaker 1: I'm banging away stop, get you more. I would never

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Speaker 1: give you. Lets you hit the you read into the press,

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Speaker 1: Do you really want to know? What's that? Sit the

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Speaker 1: riby on it, and were all up in a race,

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Speaker 1: and you know, we gotta do it. Take a do

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Speaker 1: another pace. So we're struggling in the husband and sitting

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Speaker 1: and again and there, you know, we gotta do it.

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Speaker 1: Take it to a place, gonna taste it, and I

91
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Speaker 1: gotta grab it, and I gotta cut all through this

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Speaker 1: track at the top of the door. I gotta head it. Yeah,

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Speaker 1: little little little little lottle nigg you know how much

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Speaker 1: because I can do that, Nigga. I used to do

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Speaker 1: that ship. True story. I used to do that ship

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Speaker 1: in the club in North Carolina called Lotos. They used

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Speaker 1: to cut the motherfucking beat off and just let me

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Speaker 1: wrap that ship. And I will wrap it every time

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Speaker 1: I was in the club. Nigga, what and legend dirt?

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Speaker 1: You're standing now, you know that's what I do. Now,

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Speaker 1: I'm autistic when it comes that type. I'm gonna tell

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Speaker 1: you this is the moment where I knew I had

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Speaker 1: to know this nick in real life. I was watching

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Speaker 1: Higher Learning and they had just beat the White dude,

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Speaker 1: and then said, Nigga, step Mom's gonna be feeling me

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Speaker 1: for like the next three birthdays. You know, were real?

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Speaker 1: What the motherfucker? Man, thank you so much for man

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Speaker 1: grace in the trap with your presence is an honor,

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Speaker 1: man like you a legend, you wanted, the greatest to

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Speaker 1: ever touch a microphone. Man like it's an honor to

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Speaker 1: have you here, and we need the status that you

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Speaker 1: will come to the sit do with niggers like us. Man,

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Speaker 1: Thank you, Bank lead up a new skin. Man, Charlie

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Speaker 1: Brownie didn't go d the motherfucker. It's interesting that you

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Speaker 1: you acknowledging my bros man way. It all started from

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Speaker 1: with me because I believe yesterday was the twenty seven

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Speaker 1: year anniversary of the second the Last Leader's album. Thank you,

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Speaker 1: Thank you Crazy. I appreciate y'all. Man, Man, what keep

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Speaker 1: you motivated to still do it after all this time

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Speaker 1: and all the delays and the and the things you've accomplished. Well,

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Speaker 1: keep you still motivated to make this newsic? I mean,

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Speaker 1: I think we can all agree just being needs in

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Speaker 1: their right mindset. You come from camp food. Maybe your

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Speaker 1: taste of steak, you ain't want to go back to

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Speaker 1: camping unless you choose to never. I don't want to

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Speaker 1: eat bologni and cheese sandwiches because I ain't got no

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Speaker 1: choice but to eat the motherfucker. I want to eat

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Speaker 1: it because I just still love the motherfucker. And then

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Speaker 1: my beautiful as million all at home. I could still

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Speaker 1: go and get me the potato bread slices, mayonnaise, and

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Speaker 1: motherfucker beef bologna and some American cheese slapped ship to government,

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Speaker 1: sit in front of motherfucking Cartoon Network and watch some

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Speaker 1: ship that I grew up on, like Tom and Jury.

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Speaker 1: I think we all that same, dude. It hard. The

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Speaker 1: thing that just keeps the torch lit, though, is the

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Speaker 1: fact that when you taste that other side of the

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Speaker 1: success that come with the sacrifice and the hard work

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Speaker 1: that you put it to the ship. And besides all

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Speaker 1: of that, you just genuine me loving this ship. And

140
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Speaker 1: I was putting them records out with leaders. I was

141
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Speaker 1: still living in my mom's crib, you know what I'm saying. So,

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Speaker 1: you know, having an incredible moms like minds too. She

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Speaker 1: signed my deal when I was seventeen. I wasn't old

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Speaker 1: enough to sign my deal, so you know, Mom's got

145
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Speaker 1: to get the big saloot because she could have been

146
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Speaker 1: on a angry day with the nigger the day that

147
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Speaker 1: that contract was on the table and said, nigga, fuck

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Speaker 1: your contract. You're gonna take your ass today because you

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Speaker 1: still live in this house and and you acting like

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Speaker 1: you got no managing here on this particular day, talking

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Speaker 1: back to me about some ship because I don't let

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Speaker 1: you hang out at that party last night. Pass you

153
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Speaker 1: a little two in the morning curfew, which was the

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Speaker 1: time that I had to bring my ass home at

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Speaker 1: that time. And she could have just been on some ship, y'all,

156
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Speaker 1: but probably never heard of bust the runds over because

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Speaker 1: maybe that opportunity wouldn't have came around for And then

158
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Speaker 1: because one else gonna say ship phenomenal swing like the

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Speaker 1: ass on chick get hit he listen like, and I

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Speaker 1: tell you Lows like I've always been a busting rhymes fan,

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Speaker 1: but Lows put me on too. You know, it's always

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Speaker 1: the b side that most people don't know and people

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Speaker 1: don't hear this. Put me on some ship. I'm like,

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Speaker 1: mega because I always said you had the best beats

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Speaker 1: and hip hop. That just as an interlude that should

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Speaker 1: have been the motherfucking single though I'm trying to think

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Speaker 1: of the name of it. Boy. I think it was

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Speaker 1: just give it to him Row and you used that

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Speaker 1: as interlude and like one of them videos. Yeah, I

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Speaker 1: didn't make a song out of that, right I know,

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Speaker 1: but it wasn't no sin. It was because I was

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Speaker 1: because how I got up on it is I heard

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Speaker 1: the clip I think it was in a video, was like,

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Speaker 1: what the fucking that found that? Think Swiss made that? Beat? Man?

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Speaker 1: You've been having to be up on ship? Like before?

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Speaker 1: It's the ship like love cataloged on you no joints.

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Speaker 1: The sketch before give Me Some More is some of

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Speaker 1: the funniest ship I ever heard of because the nigger

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Speaker 1: on their big cap into a bit, right he trying

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Speaker 1: to highlight the chicken He like, bitch, do you know

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Speaker 1: how frivolous I am? I got a humber that I

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Speaker 1: only drive to my mail box and that's all I

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Speaker 1: use it for custom made condoms made out of other

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Speaker 1: people's dead This is the sketch before give me some more.

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Speaker 1: Come on. That's some of the funniest ship. We used

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Speaker 1: to say this ship every day at track practice. That's crazy.

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Speaker 1: Another error, but I still a little movie what I'm saying.

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Speaker 1: So when you were having your bedding like you had

189
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Speaker 1: some of the move best videos when that video don't

190
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Speaker 1: be creativeh you was actually bringing your words to life.

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Speaker 1: I think the lyricism and then don't give you the

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Speaker 1: respect as a lyricist. Hands down, nobody's appreciate that. I

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Speaker 1: come on the song, you'll say some ship ain't got

194
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Speaker 1: ship to do with it. But but you know, you

195
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Speaker 1: know at that time and always for me, like you know,

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Speaker 1: I think the most important thing when you had the

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Speaker 1: opportunity to get on the collapse, especially because a lot

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Speaker 1: of the times those moments happened on the collapse, it

199
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Speaker 1: was just about how do you make it unfair from

200
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Speaker 1: the first line, because they gotta be some sort of

201
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Speaker 1: I don't give a fuck mentality that's being applied in

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Speaker 1: order for ship like that to even come out your

203
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Speaker 1: mouth and out your whole face. And for me, I

204
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Speaker 1: just I went into these ships having so much fun

205
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Speaker 1: because I knew the balls that I was gonna include,

206
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Speaker 1: that was gonna follow, that was gonna be the ship

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Speaker 1: that you would critique from a this place. That's why

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Speaker 1: those type of things would happen in the intro. Their

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Speaker 1: minds wasn't in the boss We're gonna step in on

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Speaker 1: some grand entry ship and just shake the room up

211
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Speaker 1: and say some wow ship. That's how the intro was

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Speaker 1: on y'all. Y'all, y'all got to do with it. You know.

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Speaker 1: What I'm saying is a testament to you as a

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Speaker 1: nick who gonna be the nigga be like, yo, what

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Speaker 1: are you doing? What? That's what it was? Say? Yeah, yeah, yeah,

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Speaker 1: to be seen. That's my things. Got you all in check,

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Speaker 1: got us all in check that I had to put

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Speaker 1: it lyrics in the song. I got to bring up

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Speaker 1: some ship that I know a lot of people never

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Speaker 1: even ask you about when you did to Turn it

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Speaker 1: Up song, and you put mother one of you, I know,

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Speaker 1: like ro Digger came up with you and under you

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Speaker 1: and and studied under when you heard her funk that song,

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Speaker 1: go like that? What did that feel like? Song? Um

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Speaker 1: to turn it up? Touch it, touch it? Yeah, because

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Speaker 1: turn it up was the the joint over the I'm

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Speaker 1: an old nigger at this point. I just remember the

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Speaker 1: part of the song and that's the name, but you

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Speaker 1: know the one, yeah, mad turn it out kicking into

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Speaker 1: the face and put your nigger in the house. We

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Speaker 1: went to the niggers another but trust bring it out

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Speaker 1: on the road. I don't have to know the words.

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Speaker 1: I don't want to feel like now the words. Hell yeah,

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Speaker 1: mans bro. She's the one of the She's probably the

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Speaker 1: best female m see Bar for Bar. To me, her,

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Speaker 1: un Rhapsody is is my and and Lauren is my

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Speaker 1: favorite three mcs in the female genetic makeup. But I

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Speaker 1: don't like to call them dopest female em sees. I

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Speaker 1: just think they're incredible em sees because I think they

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Speaker 1: fuck dudes up too. I think they violently. Not in

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Speaker 1: the literal sense, but when I'm speaking in reference to competition.

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Speaker 1: We're not going in there to give you flowers and

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Speaker 1: you don't be nice. I want to recog with you

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Speaker 1: and we could be the best of friends. I don't

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Speaker 1: want no friendship with you until the song is over. Motherfucker.

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Speaker 1: We can beating. So what I'm saying is Digga and

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Speaker 1: Rhapsody and Lauren to me, they Penn was dangerous. I

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Speaker 1: think there's a lot of moments well I might have

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Speaker 1: sat down and listened to their ship and was directly

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Speaker 1: inspired to start a new song, I would like cut

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Speaker 1: off their shipped while I was listening to it, especially

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Speaker 1: if I was listening to it in the studio, because

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Speaker 1: I like playing other people shipped sometimes just to get

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Speaker 1: a vibe. And if I'm listening to one of these

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Speaker 1: songs and they they strike the right chord in me,

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Speaker 1: I'm super driven because I'm so competitive that I will

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Speaker 1: cut their ship off and immediately start a song. Sometimes

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Speaker 1: you're go in the studio, you ain't got a vibe,

259
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Speaker 1: going to sit around four hours, five or six hours,

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Speaker 1: you leave, you ain't come up with ship. That happens

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Speaker 1: sometimes she was like the greatest catch? You know what

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Speaker 1: I mean? Is that the name in the movie on

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Speaker 1: the with the niggas that go out there and throw

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Speaker 1: the fucking fishing net in the water and see if

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Speaker 1: they catch the crabs and ship. I knew it, so

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Speaker 1: I'm a fan of that show personally. But that's like,

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Speaker 1: that's like the perfect metaphor, though, Brook, I would love

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Speaker 1: to see bust around watching Deadly, Yo, this motherfucker caught

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Speaker 1: the most phenomenal fish. Ship was like, motherfucker was they

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Speaker 1: think it was motherfucking tuna? She was crazy, yo, But

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Speaker 1: but what bigger, I ain't gonna find There's been times

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Speaker 1: actually in the studio making Flip Molde album where she

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Speaker 1: would say ship that was so dangerous on the record.

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Speaker 1: I would be like, if you should say that, or

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Speaker 1: let's finish the song among yourself some time to give

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Speaker 1: it up. You know, Man, this studio calls. You don't

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Speaker 1: have to come back being a daytime when I was money.

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Speaker 1: I'm glad you bro Flip. Yeah she still does. By

279
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Speaker 1: the way, we completed a Flip More twenty year reunion

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Speaker 1: Animal that's coming, that's coming next year. So I'm glad

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Speaker 1: you brought up Flip Moe squad and I'm glad you

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Speaker 1: bro uh this legend over there. We got the official

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Speaker 1: street Corner Colonel in the phone. Man, I'm so glad

284
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Speaker 1: you brought him because now I don't have to ask

285
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Speaker 1: you why you didn't bro this nigga. Before we even

286
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Speaker 1: ever heard this nigga say anything, was already a legend

287
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Speaker 1: of me Like this nigga was so funny in the

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Speaker 1: dangerous video. That's God that nigga Crazy spl Spliff. The

289
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Speaker 1: reason why me and Spliff was so magical, it's because

290
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Speaker 1: Spliff don't give a funk neither. That's the beautiful thing

291
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Speaker 1: about the way we was molded and shape from a

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Speaker 1: cultural standpoint, like we we Caribbean niggas. I'm a Jamaican

293
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Speaker 1: nigga here TRENI Daddy and nigga. So the showmanship that

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Speaker 1: we displayed, a lot of that ship come from dancehall culture.

295
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Speaker 1: And I don't think people really understand this whole hip

296
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Speaker 1: hop ship was birth from Jamaica. Like Coo Orker is

297
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Speaker 1: a Jamaican nigger, Get what I'm saying. The whole concept

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Speaker 1: of having big ass speakers stockpiled on top of each

299
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Speaker 1: other and playing loudass music outside that comes from Jamaica.

300
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Speaker 1: That's dance hall culture, you know what I'm saying. So

301
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Speaker 1: cool Hurk brought dance hall culture to the US and

302
00:19:39,720 --> 00:19:42,359
Speaker 1: gave birth to hip hop culture. The only thing that

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Speaker 1: changed with the type of music that was played and

304
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Speaker 1: how it was played, But the concept is the same.

305
00:19:53,440 --> 00:20:01,720
Speaker 1: So the thing about dance hall culture is the critics,

306
00:20:02,040 --> 00:20:06,000
Speaker 1: the audience, the way they was raised. It was in

307
00:20:06,080 --> 00:20:12,639
Speaker 1: a way where and and in particularly Jamaica, people are

308
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Speaker 1: just a proud people like them. Thinkings is outspoken like

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Speaker 1: a motherfucker. And my favorite if you if you make

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Speaker 1: people from Jamaica spend their money and come to a concert,

311
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Speaker 1: if they funk with you, they're gonna let you know.

312
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Speaker 1: If they don't funk with you, they're gonna let you

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Speaker 1: know in a way that you ain't gonna be able

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Speaker 1: to understand, like appreciate, digest or accept. Yeah I did.

315
00:20:37,440 --> 00:20:43,120
Speaker 1: I did comedy at Footprints in New York. And if

316
00:20:43,160 --> 00:20:47,320
Speaker 1: they like you, they're just standing there, they don't. You

317
00:20:47,600 --> 00:20:51,600
Speaker 1: think the ship going terrible, but then they just keep going.

318
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Speaker 1: You get one of it. All you need is one.

319
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Speaker 1: It be from the most random person in the whole room.

320
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Speaker 1: But you know you're good. I would now, But if

321
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Speaker 1: they don't like your neggative orders as loud as fun,

322
00:21:07,720 --> 00:21:12,000
Speaker 1: everybody in the club getting business what Yeah. But but

323
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Speaker 1: again again, like I was saying, the reason why me

324
00:21:15,320 --> 00:21:18,120
Speaker 1: and Spliff worked so well as because Spliff comes from

325
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Speaker 1: the same thing. And you know when we were short

326
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Speaker 1: these and we used to um, you know, we cut school.

327
00:21:25,800 --> 00:21:27,520
Speaker 1: We was going to the hooky parties and we was

328
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Speaker 1: at the block parties on the block and all of

329
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Speaker 1: that type of ship. You know, we were studying the

330
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Speaker 1: dance hall shit. Even though we was loving hip hop too.

331
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Speaker 1: That the niggas that we studied was with Schaba Ranks

332
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Speaker 1: and Admiral Bailey and Papa Sign and Lieutenant Stitchy and

333
00:21:43,560 --> 00:21:47,240
Speaker 1: lecture are these professor nuts. These is dudes that was

334
00:21:47,520 --> 00:21:51,639
Speaker 1: legends and dance hall culture and and reggae music, and

335
00:21:53,080 --> 00:21:56,920
Speaker 1: them dudes was the dudes that really taught you. If

336
00:21:56,960 --> 00:21:58,520
Speaker 1: you would sit back and just look at some of

337
00:21:58,560 --> 00:22:03,080
Speaker 1: them videotapes and and and listen to the sound clashes

338
00:22:03,160 --> 00:22:06,240
Speaker 1: which is like the battles and ship and you would

339
00:22:06,280 --> 00:22:10,800
Speaker 1: see the clashes that the artists would have. It like Sting.

340
00:22:11,880 --> 00:22:14,440
Speaker 1: Sting was like a festival that they did every year,

341
00:22:15,280 --> 00:22:20,359
Speaker 1: and like Ninja Ninja man would go against anybody and

342
00:22:20,520 --> 00:22:25,280
Speaker 1: fucking but the dance, the big clash would happen at

343
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Speaker 1: the end of like the fourth night. It w'd be

344
00:22:27,280 --> 00:22:32,560
Speaker 1: like four days straight of just wounding out people out there,

345
00:22:33,840 --> 00:22:39,200
Speaker 1: not going home and just partying. And those clashes would

346
00:22:39,240 --> 00:22:42,760
Speaker 1: would be so detrimental that some of them just led

347
00:22:42,800 --> 00:22:44,520
Speaker 1: to violence on the stage and they can get his

348
00:22:44,600 --> 00:22:46,800
Speaker 1: face us right on the stage because the disrespect would

349
00:22:46,800 --> 00:22:52,159
Speaker 1: be so crazy. But the showmanship, the legs kicking all

350
00:22:52,240 --> 00:22:54,560
Speaker 1: over the place, and they just jumping around the fucking

351
00:22:54,640 --> 00:22:58,400
Speaker 1: place and swinging your fucking hanging all of that ship.

352
00:23:00,000 --> 00:23:02,159
Speaker 1: Our dudes and hip hop thought it was cool to

353
00:23:02,240 --> 00:23:06,160
Speaker 1: just walk around with your chain on. You just hold

354
00:23:06,200 --> 00:23:08,359
Speaker 1: your Johnson and you think you're too cool and really

355
00:23:08,400 --> 00:23:10,680
Speaker 1: do some ship that seemed a little outside of the norm.

356
00:23:11,920 --> 00:23:13,800
Speaker 1: Me and Spliff were looked at niggers and just laugh

357
00:23:13,880 --> 00:23:15,600
Speaker 1: because we knew we was gonna come up there mop

358
00:23:15,680 --> 00:23:18,679
Speaker 1: the floor with their ass, because when we get up there,

359
00:23:18,720 --> 00:23:21,439
Speaker 1: we're gonna do all this extra terrescrial shipped with all

360
00:23:21,520 --> 00:23:24,719
Speaker 1: this other dynamite stick energy and fun ning us up.

361
00:23:25,160 --> 00:23:28,960
Speaker 1: And that's that's what was the cheek cold all the time.

362
00:23:29,800 --> 00:23:33,080
Speaker 1: So you know, I'm for the first time really like

363
00:23:34,480 --> 00:23:37,640
Speaker 1: getting into like the specifics of where the ingredients came

364
00:23:37,680 --> 00:23:41,920
Speaker 1: from for me and Spliff, like like a testament to

365
00:23:42,000 --> 00:23:45,720
Speaker 1: what he was saying house. He felt like Spliff was

366
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Speaker 1: a legend before Spliff said ship al right cool. So

367
00:23:49,520 --> 00:23:51,919
Speaker 1: it was the same way and in East Flappbush, Brooklyn.

368
00:23:52,600 --> 00:23:58,320
Speaker 1: So when Spliff was mad, Sloan Spliff was always like

369
00:23:58,760 --> 00:24:04,320
Speaker 1: a loose cannon, little little school of top So Spliff

370
00:24:04,320 --> 00:24:06,760
Speaker 1: Spliff was crazy. But I ain't just talking about on

371
00:24:06,920 --> 00:24:10,600
Speaker 1: a entertainment and a showmanship side. Split was also a

372
00:24:10,720 --> 00:24:15,680
Speaker 1: crazy momfuing some stract ship. So I felt like the

373
00:24:15,800 --> 00:24:18,960
Speaker 1: talent that he was showing just organically. Like Spliff one

374
00:24:19,040 --> 00:24:22,000
Speaker 1: time got into a motorcycle accident he split his shin

375
00:24:22,160 --> 00:24:27,480
Speaker 1: bone down this way. Yep, yep. That that one leg

376
00:24:27,560 --> 00:24:33,080
Speaker 1: ship that you see niggers doing to this day. Like yeah,

377
00:24:33,160 --> 00:24:35,400
Speaker 1: but I ain't gonna say he created it because it's

378
00:24:35,400 --> 00:24:38,960
Speaker 1: a dance hole like when they used to call it

379
00:24:39,080 --> 00:24:43,240
Speaker 1: like skanking right, and and and and and the old

380
00:24:43,400 --> 00:24:47,280
Speaker 1: rosters would do this one foot ship. But Spliff, now

381
00:24:49,119 --> 00:24:51,240
Speaker 1: he turned it into a big thing on the hip

382
00:24:51,280 --> 00:24:55,119
Speaker 1: hop side because and in the funniest this is all right,

383
00:24:55,200 --> 00:24:58,280
Speaker 1: So Spliff, he's swerving in the street on a fucking

384
00:24:58,359 --> 00:25:01,680
Speaker 1: spree mo peg right. That's when the spreee was the ship,

385
00:25:03,000 --> 00:25:05,399
Speaker 1: and niked doing this and doing this, and then they

386
00:25:05,640 --> 00:25:08,040
Speaker 1: curved out too far, tried to go around a double

387
00:25:08,119 --> 00:25:11,480
Speaker 1: park call and he ain't cleared the call full speed.

388
00:25:11,800 --> 00:25:13,399
Speaker 1: They can slap in front of the inn in the

389
00:25:13,440 --> 00:25:17,760
Speaker 1: back of the double park call. Nigga flipped by six

390
00:25:17,800 --> 00:25:21,040
Speaker 1: ft seven ft in the sky land the way he

391
00:25:21,160 --> 00:25:24,359
Speaker 1: landed the sitting boom split down this way instead of

392
00:25:24,400 --> 00:25:27,800
Speaker 1: cross way. So you look at this. The snigger leg

393
00:25:27,880 --> 00:25:30,800
Speaker 1: got a bone sticking out this way. So split. He's

394
00:25:30,880 --> 00:25:36,080
Speaker 1: here on the street. Split the one crying from the

395
00:25:36,200 --> 00:25:41,359
Speaker 1: niggers ambulance. Come splitf ain't crying in front of noon

396
00:25:41,440 --> 00:25:45,639
Speaker 1: nigger ambulance. Come put split from the back of the ambulance.

397
00:25:46,320 --> 00:25:49,560
Speaker 1: When the door closed, you had split screaming and the

398
00:25:49,760 --> 00:26:01,199
Speaker 1: ambulance ship. A couple of days later, you know, Spliff

399
00:26:01,280 --> 00:26:04,040
Speaker 1: come out. He got the cash on big block party

400
00:26:04,080 --> 00:26:07,480
Speaker 1: outside the block and scratched the toy our with DJ.

401
00:26:08,200 --> 00:26:10,000
Speaker 1: He was a super young They go on the block

402
00:26:10,080 --> 00:26:13,800
Speaker 1: that was nice with the fast ship and trying to

403
00:26:13,920 --> 00:26:16,240
Speaker 1: learn all the jaggy Jeff transforming and sit and all

404
00:26:16,280 --> 00:26:19,720
Speaker 1: of that, and learned all of that. So he was

405
00:26:19,760 --> 00:26:22,040
Speaker 1: down with a crew called TNT crushing and niggas had

406
00:26:22,080 --> 00:26:24,520
Speaker 1: the block lock, had the neighborhood locked. The system was

407
00:26:24,600 --> 00:26:26,520
Speaker 1: super stupid. So they was getting booked to do all

408
00:26:26,560 --> 00:26:31,440
Speaker 1: the local ship and Spliff with the showmanship, he like,

409
00:26:31,600 --> 00:26:33,399
Speaker 1: funk my broke leg, I'm gonna still pull up in

410
00:26:33,440 --> 00:26:35,040
Speaker 1: the middle of these niggers that's trying to do all

411
00:26:35,080 --> 00:26:37,720
Speaker 1: the little damn ship. And then they're going to crutches

412
00:26:37,720 --> 00:26:39,880
Speaker 1: and then nigger just started doing the one foot ship.

413
00:26:40,320 --> 00:26:43,520
Speaker 1: What the fucking cash and niggas is around him in

414
00:26:43,520 --> 00:26:46,400
Speaker 1: a circle and he bodying the ship with the way

415
00:26:46,440 --> 00:26:48,760
Speaker 1: he's spinning around on niggers with the cross with the

416
00:26:48,800 --> 00:26:52,720
Speaker 1: crutches on and the cash on and he carrying on.

417
00:26:53,640 --> 00:26:55,560
Speaker 1: And I've seen this ship, and I like the Sninger

418
00:26:55,600 --> 00:27:00,760
Speaker 1: is incredible. At the time, I'm back and forth between

419
00:27:00,800 --> 00:27:07,439
Speaker 1: Brooklyn and Long Island, I'm sucking with Leaders, and when

420
00:27:07,560 --> 00:27:09,520
Speaker 1: Leaders broke up, I always was like, I'm gonna need

421
00:27:09,560 --> 00:27:11,920
Speaker 1: because I was so used to the group and the

422
00:27:12,080 --> 00:27:16,200
Speaker 1: group supports stage. Yeah, I was like, all right, I

423
00:27:16,240 --> 00:27:18,600
Speaker 1: got'm gonna do the solo ship, but um, I'm gonna

424
00:27:18,640 --> 00:27:20,159
Speaker 1: need to figure this shot. I wanted to get that

425
00:27:20,320 --> 00:27:23,800
Speaker 1: down to funk with me and just following my lead

426
00:27:23,840 --> 00:27:27,239
Speaker 1: because I know what I want to do. Split at

427
00:27:27,280 --> 00:27:31,119
Speaker 1: the time was still in the street and even before

428
00:27:31,119 --> 00:27:34,920
Speaker 1: I was bilo by my own v I come to

429
00:27:35,000 --> 00:27:36,639
Speaker 1: Brooklyn Split for all the time he was getting his

430
00:27:36,720 --> 00:27:39,359
Speaker 1: money in the street and were still getting into trouble

431
00:27:39,400 --> 00:27:42,160
Speaker 1: in the street and then out of jail type of ship,

432
00:27:42,640 --> 00:27:45,359
Speaker 1: and I shot a couple of times. But I was

433
00:27:45,400 --> 00:27:48,560
Speaker 1: seeing this talent and I was just like, I hope

434
00:27:48,600 --> 00:27:52,760
Speaker 1: that I could get a garnish enough success to save

435
00:27:52,880 --> 00:27:56,200
Speaker 1: this man life because I knew bro Bro since I

436
00:27:56,320 --> 00:28:00,159
Speaker 1: was seven, and now I'm in a position where I

437
00:28:00,240 --> 00:28:05,880
Speaker 1: got a deal and this might be the only way

438
00:28:05,960 --> 00:28:12,240
Speaker 1: to save Bro. He was willing to listen, though, Nigger

439
00:28:12,320 --> 00:28:14,120
Speaker 1: was willing to listen, you know what I'm saying. That's

440
00:28:14,200 --> 00:28:16,600
Speaker 1: that was the most important part. And he was listening

441
00:28:17,000 --> 00:28:19,320
Speaker 1: at the time when he was already getting his own money,

442
00:28:19,600 --> 00:28:22,639
Speaker 1: because he was giving me rides to the studio, you

443
00:28:22,680 --> 00:28:24,199
Speaker 1: know what I'm saying, Like when I needed to get

444
00:28:24,240 --> 00:28:25,920
Speaker 1: to the stool, he was my whip, you know what

445
00:28:25,960 --> 00:28:28,840
Speaker 1: I'm saying. One time, we go into the studio and

446
00:28:28,880 --> 00:28:31,560
Speaker 1: they had the Grade three or the blue one? Was

447
00:28:31,600 --> 00:28:35,720
Speaker 1: it the blue one? The blue blue three? All right,

448
00:28:35,760 --> 00:28:39,840
Speaker 1: So we ride into the stool, Boby, we get into

449
00:28:39,880 --> 00:28:43,840
Speaker 1: a wild car accident. Nigga left the ship right there.

450
00:28:44,320 --> 00:28:48,640
Speaker 1: We break out. The next day, Nika pulled up in

451
00:28:48,680 --> 00:28:51,720
Speaker 1: a gray one. You needed you need to ride to

452
00:28:51,760 --> 00:29:07,280
Speaker 1: the students. Ain't Nigger like I'm having in that. But

453
00:29:07,520 --> 00:29:13,800
Speaker 1: but but that's that's that's that's that's my brother on

454
00:29:13,920 --> 00:29:16,920
Speaker 1: a whole other level when it comes to just he's

455
00:29:17,000 --> 00:29:20,400
Speaker 1: my older he's a year older than me. But it's it's,

456
00:29:20,480 --> 00:29:24,240
Speaker 1: it's it's it's a beautiful thing when you know, motherfucker's

457
00:29:24,520 --> 00:29:27,560
Speaker 1: could respect each other enough to still be able to say,

458
00:29:27,600 --> 00:29:29,640
Speaker 1: all right, you know what. Bus. If this was the

459
00:29:29,720 --> 00:29:32,560
Speaker 1: street ship, you would have to listen to me, right,

460
00:29:33,120 --> 00:29:37,680
Speaker 1: But this music ship, you ain't always gotta be. Sometimes

461
00:29:37,920 --> 00:29:39,400
Speaker 1: you're sit in the pass to see and let the

462
00:29:39,480 --> 00:29:41,920
Speaker 1: person who know how to drive this road, you know

463
00:29:41,960 --> 00:29:43,840
Speaker 1: what I mean? Like what you said you saw that

464
00:29:43,920 --> 00:29:45,960
Speaker 1: in him and was able to recognize his talent. When

465
00:29:46,000 --> 00:29:47,920
Speaker 1: did you recognize it in yourself? Like when did you

466
00:29:48,040 --> 00:29:50,560
Speaker 1: write you at that rhyme to let you know I'm nice.

467
00:29:51,600 --> 00:29:58,000
Speaker 1: I didn't realize that I was dope because I just

468
00:29:58,120 --> 00:30:00,840
Speaker 1: always believe that I was gonna be the dopest period.

469
00:30:00,920 --> 00:30:04,920
Speaker 1: That was just the determination and a divine that I

470
00:30:05,040 --> 00:30:09,000
Speaker 1: was claiming. But I knew what I wanted to do

471
00:30:10,040 --> 00:30:15,320
Speaker 1: when I was around, I said, about seven eight years old,

472
00:30:16,120 --> 00:30:19,040
Speaker 1: I was being babysitted by a Panamanian woman by the

473
00:30:19,120 --> 00:30:22,440
Speaker 1: name Aunt Mitsy. She had a son named Alfonso. My

474
00:30:22,600 --> 00:30:32,120
Speaker 1: mom was working nights and um Alfonso used to do

475
00:30:32,240 --> 00:30:35,960
Speaker 1: graffiti like how you see the ship in the Wild

476
00:30:36,040 --> 00:30:39,720
Speaker 1: Style movie. This nigga would lead a crib like two

477
00:30:39,800 --> 00:30:42,880
Speaker 1: in the morning and go bomb subways like for real,

478
00:30:43,000 --> 00:30:47,480
Speaker 1: and he would create his his, his his pieces of

479
00:30:47,680 --> 00:30:49,640
Speaker 1: art that he was going spray paint on the subway

480
00:30:49,720 --> 00:30:53,360
Speaker 1: in this little black book. And the nigga used to

481
00:30:53,440 --> 00:30:56,400
Speaker 1: make these motherfucking you know the markers that got the

482
00:30:56,520 --> 00:31:00,720
Speaker 1: thick ass tip on him. And yeah, but he was

483
00:31:00,880 --> 00:31:05,160
Speaker 1: home making them ships with shoe polish bottles and chalkboard

484
00:31:05,240 --> 00:31:08,320
Speaker 1: eraser so like you know the chalk boarding racer from

485
00:31:08,360 --> 00:31:12,200
Speaker 1: elementary school. They were like felt strips that was together

486
00:31:12,440 --> 00:31:14,640
Speaker 1: and nigger would rip one of the felt strips off

487
00:31:14,880 --> 00:31:17,680
Speaker 1: and then the nigga would bend it and he would

488
00:31:17,880 --> 00:31:20,600
Speaker 1: stick the ship inside the shoe police. He would empty

489
00:31:20,640 --> 00:31:23,080
Speaker 1: some of the shoe police, stick it in the shoe police,

490
00:31:23,360 --> 00:31:25,840
Speaker 1: put the top back on, screw it down, shake it up.

491
00:31:25,920 --> 00:31:31,400
Speaker 1: The shoe police became the ink to the marker. This right,

492
00:31:32,120 --> 00:31:34,080
Speaker 1: they could go to the subway and was bombing the

493
00:31:34,160 --> 00:31:36,840
Speaker 1: subways with the marker and the tip of the market

494
00:31:36,880 --> 00:31:38,600
Speaker 1: would be like this stick, so like the thick of

495
00:31:38,680 --> 00:31:41,600
Speaker 1: the tip, the ill of the fucking tag was that

496
00:31:41,720 --> 00:31:44,480
Speaker 1: you put up. Then the nigga would bring his bag

497
00:31:44,600 --> 00:31:46,800
Speaker 1: of spray paint cans, and nigger had his mask on

498
00:31:46,960 --> 00:31:48,680
Speaker 1: like it was COVID back then, because you know, the

499
00:31:48,760 --> 00:31:52,280
Speaker 1: spray suck you up right, And these niggers would be

500
00:31:52,320 --> 00:31:53,920
Speaker 1: out there him and like two of the dudes. They

501
00:31:53,920 --> 00:31:55,560
Speaker 1: would go in like a little crew, and these niggers

502
00:31:55,560 --> 00:31:58,840
Speaker 1: would bomb subways and just put the most incredible ship up.

503
00:31:59,720 --> 00:32:01,720
Speaker 1: But two in the morning when he would leave, I

504
00:32:01,880 --> 00:32:05,560
Speaker 1: was too young to go with him. I understood exactly

505
00:32:05,640 --> 00:32:07,200
Speaker 1: what he was doing. I was in tune with all

506
00:32:07,280 --> 00:32:12,480
Speaker 1: types of ship. But they had an old school underground

507
00:32:12,560 --> 00:32:17,560
Speaker 1: hip hop station. I ain't gonna front. I wasn't like

508
00:32:17,720 --> 00:32:19,480
Speaker 1: seven and eight. I would say I was like nine

509
00:32:19,600 --> 00:32:25,200
Speaker 1: or ten. This underground hip hop station w HBI one

510
00:32:25,240 --> 00:32:31,280
Speaker 1: on five point nine rhet Alert. The Supreme Team who

511
00:32:31,360 --> 00:32:35,640
Speaker 1: made Buffalo Gals two Buffalo Girls go around the outside

512
00:32:36,200 --> 00:32:39,800
Speaker 1: the Niggers that the Gods was called a Supreme team

513
00:32:39,840 --> 00:32:43,480
Speaker 1: who made that song with Malcolm McLaren, who was an

514
00:32:43,560 --> 00:32:46,960
Speaker 1: artist from the youth from from Europe, became a classic

515
00:32:47,000 --> 00:32:49,640
Speaker 1: in hip hop. They had a time slot on this

516
00:32:49,960 --> 00:32:54,040
Speaker 1: underground radio station Africa. Islam was a part of the

517
00:32:54,120 --> 00:32:59,440
Speaker 1: Zulu nation under Africa Bambado the Awesome tool Teddy ted

518
00:33:00,200 --> 00:33:04,840
Speaker 1: in special k. So what they would do was they

519
00:33:04,880 --> 00:33:06,240
Speaker 1: would get on the radio from like two in the

520
00:33:06,320 --> 00:33:08,640
Speaker 1: morning the five in the morning. A lot of Niggers

521
00:33:08,680 --> 00:33:10,760
Speaker 1: wasn't in tune with that station. All the time they

522
00:33:10,880 --> 00:33:13,640
Speaker 1: was getting on. These Niggers used to play the live

523
00:33:13,760 --> 00:33:17,560
Speaker 1: battles from some of the founders and the pioneers and

524
00:33:17,600 --> 00:33:20,800
Speaker 1: the architects of this rap ship like Kumo d with

525
00:33:20,960 --> 00:33:25,000
Speaker 1: bat Battle business that legend. Every battle you know about

526
00:33:25,080 --> 00:33:28,880
Speaker 1: that battle Cold Crushed Brothers, which is who leaders model

527
00:33:28,960 --> 00:33:34,400
Speaker 1: they hold ship behind against the Foursome D's who ended

528
00:33:34,440 --> 00:33:37,400
Speaker 1: up putting records out commercially as a singing group with them.

529
00:33:37,440 --> 00:33:41,640
Speaker 1: Niggers was MC's first. So they would play these live

530
00:33:41,720 --> 00:33:46,680
Speaker 1: battles on the radio that was happening in Harlem world

531
00:33:46,800 --> 00:33:52,640
Speaker 1: and these different underground clubs throughout the city. And we

532
00:33:52,800 --> 00:33:56,040
Speaker 1: was making pulse takes. So you know when the radio

533
00:33:56,120 --> 00:33:58,680
Speaker 1: personality talk, depending on which one of them time slotted

534
00:33:58,840 --> 00:34:01,680
Speaker 1: was that they would spend in you were calling these

535
00:34:01,720 --> 00:34:04,640
Speaker 1: battles and ship and when they talked, you paused the

536
00:34:04,720 --> 00:34:06,960
Speaker 1: tape you were wanted a little bit too write where

537
00:34:06,960 --> 00:34:09,839
Speaker 1: they stopped talking, you wait till they finished, and then

538
00:34:09,920 --> 00:34:13,000
Speaker 1: you un paused the tape to keep recording, so it

539
00:34:13,120 --> 00:34:17,000
Speaker 1: seemed like you was actually at the battle and you

540
00:34:17,080 --> 00:34:19,520
Speaker 1: didn't get it off the radio. I used to go

541
00:34:19,600 --> 00:34:21,560
Speaker 1: to school with the tapes in front the niggas. My

542
00:34:21,600 --> 00:34:24,160
Speaker 1: little young ass slunk up in the club. Nigger, I

543
00:34:24,280 --> 00:34:26,560
Speaker 1: got the live Kumo D and Busy Bee Battle. Your

544
00:34:26,560 --> 00:34:32,440
Speaker 1: bit niggers about this? Do you want to copy? Niggars?

545
00:34:34,120 --> 00:34:39,160
Speaker 1: And I was hustling these these these these incredibly legendary,

546
00:34:39,560 --> 00:34:43,360
Speaker 1: legendary hip hop moments while I was just staying up

547
00:34:43,400 --> 00:34:45,400
Speaker 1: waiting foul funds or to come home to tell me

548
00:34:45,520 --> 00:34:47,200
Speaker 1: what the story was when he went to do this,

549
00:34:48,280 --> 00:34:50,279
Speaker 1: the bombing on the subways because it was nice to

550
00:34:50,320 --> 00:34:54,440
Speaker 1: Snigger would come back with the image stories about police

551
00:34:54,520 --> 00:34:58,240
Speaker 1: running down on them niggers because obviously on the subway.

552
00:34:59,040 --> 00:35:00,880
Speaker 1: And these niggas would come back to the crib and

553
00:35:01,000 --> 00:35:03,120
Speaker 1: just had these stories, and sometimes his homies would come

554
00:35:03,160 --> 00:35:06,040
Speaker 1: with them, and these niggas to sit there and they

555
00:35:06,120 --> 00:35:08,719
Speaker 1: took these ships and I'm sitting there as a little

556
00:35:08,800 --> 00:35:10,640
Speaker 1: nigger and I'm listening to these niggers, and I just

557
00:35:10,800 --> 00:35:15,160
Speaker 1: was like, Yo, this is really hip hop in my face,

558
00:35:16,239 --> 00:35:19,239
Speaker 1: you know what I'm saying. And I'm listening to the

559
00:35:19,320 --> 00:35:22,439
Speaker 1: battles and I'm like, I want to rap. I'm looking

560
00:35:22,480 --> 00:35:25,520
Speaker 1: at this nigga taking pictures of the fucking graffiti pieces

561
00:35:25,560 --> 00:35:28,000
Speaker 1: when they was finished, and how ill they look. I'm like,

562
00:35:28,000 --> 00:35:31,000
Speaker 1: I want to do graffiti. I'm listening the way the

563
00:35:31,080 --> 00:35:33,040
Speaker 1: niggas was dj and and cutting it up one I'm

564
00:35:33,080 --> 00:35:36,960
Speaker 1: nderground stations. I wanted the DJ, I wanted to break dance,

565
00:35:37,000 --> 00:35:38,920
Speaker 1: I wanted to pop. I learned how to do every

566
00:35:39,120 --> 00:35:41,480
Speaker 1: fucking thing in hip hop. I just fell in love

567
00:35:41,560 --> 00:35:45,600
Speaker 1: with it. At that point, I knew I was gonna

568
00:35:45,600 --> 00:35:48,200
Speaker 1: be one of the nicest niggers at one of these ships,

569
00:35:48,719 --> 00:35:51,840
Speaker 1: at something, at one of these elements in the culture.

570
00:35:51,960 --> 00:35:54,080
Speaker 1: I'm gonna be the nicest nigger at it because I

571
00:35:54,120 --> 00:35:57,680
Speaker 1: just loved it too much. The break Dancers ship, I

572
00:35:57,760 --> 00:36:00,200
Speaker 1: wasn't fucking feeling the bruisers and the skullars. Did you

573
00:36:00,280 --> 00:36:20,440
Speaker 1: imagine that can't do this break that? I'm about to

574
00:36:20,440 --> 00:36:23,400
Speaker 1: ask about another one of my favorite song, get Him

575
00:36:23,480 --> 00:36:28,120
Speaker 1: Life with Rick Jane oh Noet legendary shout the green

576
00:36:28,200 --> 00:36:31,160
Speaker 1: landing on the production. You're a great storyteller, by the way,

577
00:36:31,239 --> 00:36:37,560
Speaker 1: Thank you, King, thank you. I get this Freeman boy

578
00:36:37,640 --> 00:36:45,399
Speaker 1: Gas documentary. Freeman Boys you narrate he's doing my life

579
00:36:45,440 --> 00:36:54,200
Speaker 1: story was born right. I don't see section batch straight

580
00:36:54,239 --> 00:37:00,080
Speaker 1: out the way it opened up with so magnanimous. Just

581
00:37:01,360 --> 00:37:04,000
Speaker 1: don't shame like he didn't tamp to push you there.

582
00:37:12,000 --> 00:37:14,600
Speaker 1: I ain't even gonna cap though, Like my favorite video

583
00:37:15,080 --> 00:37:19,480
Speaker 1: of all time, you and Janet Jazz favorite. Thank you

584
00:37:20,280 --> 00:37:22,120
Speaker 1: go back to the rick, James go back to the

585
00:37:22,239 --> 00:37:24,759
Speaker 1: rig game ship. That's that's gotta be next. Okay, but

586
00:37:24,840 --> 00:37:26,439
Speaker 1: he got it, but he gotta. He gotta talk about

587
00:37:26,520 --> 00:37:30,560
Speaker 1: the Jetet like nigger closest things. If she smelled like

588
00:37:32,280 --> 00:37:35,960
Speaker 1: I do, I know that it isn't really that real.

589
00:37:36,120 --> 00:37:42,439
Speaker 1: I sit it on the other side once, like making

590
00:37:42,440 --> 00:37:45,880
Speaker 1: at the mold, I would look at your mill. That

591
00:37:47,280 --> 00:37:54,399
Speaker 1: what favorite? Alright? So with James, first, did you see

592
00:37:54,440 --> 00:37:59,759
Speaker 1: you crazy than the momfucker? Green Lantern sent me to beat.

593
00:38:00,400 --> 00:38:05,040
Speaker 1: I'm on Aftermath and I'm probably like two years into

594
00:38:05,080 --> 00:38:11,360
Speaker 1: working on this album, The Big Bang, And when I

595
00:38:11,480 --> 00:38:13,360
Speaker 1: heard the record, I ain't know what the funk to

596
00:38:13,440 --> 00:38:15,000
Speaker 1: do with myself. I just thought it was one of

597
00:38:15,080 --> 00:38:17,800
Speaker 1: the greatest gifts to be bestowed on me as a blessing,

598
00:38:18,960 --> 00:38:23,800
Speaker 1: because the beat was the perfect marriage with the vocals,

599
00:38:23,960 --> 00:38:26,160
Speaker 1: and you know, when you hit the original, it's a

600
00:38:26,200 --> 00:38:29,800
Speaker 1: whole nother bounce temple wise and tim and wise. So

601
00:38:30,440 --> 00:38:32,480
Speaker 1: I gotta give it up all the way to Greenland

602
00:38:32,560 --> 00:38:36,320
Speaker 1: the way he married the new bounce, which is a

603
00:38:36,400 --> 00:38:39,760
Speaker 1: double time, slowed down version of what the original upbeat

604
00:38:39,760 --> 00:38:42,200
Speaker 1: temple was on the joint, which allowed me to do

605
00:38:42,280 --> 00:38:44,160
Speaker 1: my little speed raps get Dada on the ship the

606
00:38:44,280 --> 00:38:48,439
Speaker 1: right way, but on some cool ship. But I knew

607
00:38:48,480 --> 00:38:51,600
Speaker 1: what I felt when I heard it. It was instinctlership

608
00:38:51,680 --> 00:38:54,000
Speaker 1: wasn't even no thought. I immediately got to the joint

609
00:38:54,040 --> 00:38:57,080
Speaker 1: because I wanted to make sure there wasn't no room

610
00:38:57,160 --> 00:39:00,000
Speaker 1: for possibility or confusion. Nigger, you're not giving this record

611
00:39:00,040 --> 00:39:02,520
Speaker 1: that nobody else. Let me let me let you hear

612
00:39:02,600 --> 00:39:05,719
Speaker 1: this ship with me already done, the song done. I'm

613
00:39:05,760 --> 00:39:09,799
Speaker 1: on in his mind, off the market by nigger. When

614
00:39:09,920 --> 00:39:13,799
Speaker 1: Dre heard the motherfucker, yeah it was, it was nothing

615
00:39:13,840 --> 00:39:17,880
Speaker 1: else to discuss. Dre said, give me the session. So

616
00:39:18,560 --> 00:39:22,279
Speaker 1: gave the session to Dre and a lot of the

617
00:39:22,360 --> 00:39:26,160
Speaker 1: additional music and chords and all of that other that's

618
00:39:26,280 --> 00:39:29,320
Speaker 1: you know, the Cascade dish washing liquid Sparkle was added

619
00:39:29,360 --> 00:39:32,759
Speaker 1: to the motherfucker Dr Drake, you know what I'm saying

620
00:39:32,840 --> 00:39:35,040
Speaker 1: with Dre. With Dre get to it, it just turned

621
00:39:35,120 --> 00:39:38,319
Speaker 1: the ship into some motherfucking Imax movie there to ship.

622
00:39:38,560 --> 00:39:41,960
Speaker 1: So you know, when I've seen what Dre took it to,

623
00:39:42,560 --> 00:39:45,320
Speaker 1: it just was like one of the highlight moments on

624
00:39:45,400 --> 00:39:47,440
Speaker 1: the Big Bang album. And I love the shoot out

625
00:39:47,480 --> 00:39:50,200
Speaker 1: the record, so I had to call my man that

626
00:39:50,320 --> 00:39:54,400
Speaker 1: could bring that cinematic ship to life, Chris Director Chris Robinson,

627
00:39:54,440 --> 00:39:56,880
Speaker 1: the legendary and what you know, he also did the

628
00:39:57,200 --> 00:40:00,319
Speaker 1: Cavarsi A video for me, and he did the uh

629
00:40:01,480 --> 00:40:05,000
Speaker 1: Me and Mariah videos well. So all of my moments

630
00:40:05,040 --> 00:40:08,440
Speaker 1: with Chris Robinson were special, just like all of my

631
00:40:08,560 --> 00:40:13,479
Speaker 1: moments with Hype Williams was unbelievable and and I can't

632
00:40:13,480 --> 00:40:15,560
Speaker 1: even front like the beauty of what's getting ready to

633
00:40:15,600 --> 00:40:18,520
Speaker 1: happen with my new album and the visuals that I

634
00:40:18,600 --> 00:40:24,960
Speaker 1: shot for him. I can honestly say proudly that the

635
00:40:25,080 --> 00:40:27,800
Speaker 1: videos that y'all have known and grown to love the

636
00:40:27,880 --> 00:40:31,520
Speaker 1: motherfucker for we took it all the way back to

637
00:40:31,640 --> 00:40:34,040
Speaker 1: that ship that beautiful you know what I'm saying, Like

638
00:40:34,280 --> 00:40:38,640
Speaker 1: it ain't none of that. It's too it's too late

639
00:40:38,719 --> 00:40:40,799
Speaker 1: for me to compromise at the stage of my life.

640
00:40:40,920 --> 00:40:44,640
Speaker 1: Like I'm just married to my way and my way

641
00:40:45,040 --> 00:40:47,640
Speaker 1: it's always worked for me and I ain't trying to

642
00:40:47,719 --> 00:40:50,600
Speaker 1: fix it that ain't broke. So we grew up on

643
00:40:50,800 --> 00:40:54,040
Speaker 1: all your ship like it's moments that are pinpointed in

644
00:40:54,160 --> 00:40:58,799
Speaker 1: their life with us, I just know that you appreciate

645
00:40:58,920 --> 00:41:04,680
Speaker 1: it for all your creativity and individual got again all

646
00:41:04,760 --> 00:41:07,279
Speaker 1: ways fun with you because we know you ain't gonna

647
00:41:07,320 --> 00:41:10,399
Speaker 1: be sounding like nothing else. Like I said, you don't

648
00:41:10,440 --> 00:41:12,600
Speaker 1: give us those moments that you know jump out and

649
00:41:13,000 --> 00:41:19,799
Speaker 1: kicking you like like fad, like you don't change your

650
00:41:19,840 --> 00:41:26,400
Speaker 1: ship and just like just who you do, my nigger.

651
00:41:26,520 --> 00:41:29,680
Speaker 1: You don't wrap like you wrap like Buster and Buster

652
00:41:29,920 --> 00:41:34,120
Speaker 1: and thank you? So what made you knew? Like I

653
00:41:34,200 --> 00:41:36,560
Speaker 1: can't wrap that slow man, y'all that ship I can't

654
00:41:36,600 --> 00:41:40,200
Speaker 1: do well To be honest with you, going back to

655
00:41:40,280 --> 00:41:42,600
Speaker 1: the dance hall culture, like I was telling you, there's

656
00:41:42,640 --> 00:41:46,520
Speaker 1: a two artists that I've first ever seen do the

657
00:41:46,680 --> 00:41:52,560
Speaker 1: million words in one sentence and like two seconds this

658
00:41:52,680 --> 00:41:55,799
Speaker 1: one artist named Papa San and the other artists named

659
00:41:55,840 --> 00:42:00,680
Speaker 1: Lieutenant Stitchy. Them two dudes was so fucking crazy. I

660
00:42:00,800 --> 00:42:05,520
Speaker 1: think back in eighty six they did a sting, which

661
00:42:05,560 --> 00:42:11,120
Speaker 1: again is that festival they did the fourth day and

662
00:42:11,239 --> 00:42:14,759
Speaker 1: eighty six is a class against your battle against each other.

663
00:42:15,800 --> 00:42:19,680
Speaker 1: And it's different than that it is now because now

664
00:42:19,840 --> 00:42:22,640
Speaker 1: niggas are get up there and they get so flagrantly

665
00:42:22,719 --> 00:42:25,520
Speaker 1: disrespect from lagas is getting their handbust on stage. But

666
00:42:27,200 --> 00:42:30,080
Speaker 1: them dudes, they would actually rehearse their battles, you know

667
00:42:30,080 --> 00:42:32,560
Speaker 1: what I'm saying, Like they would do ship one motherfucker

668
00:42:32,680 --> 00:42:34,759
Speaker 1: do a speed rap, the next motherfucker do a speed rap.

669
00:42:34,880 --> 00:42:37,880
Speaker 1: Then they're coming together and have a verse together that

670
00:42:38,840 --> 00:42:42,359
Speaker 1: they say in the same ship, lone feline word for word,

671
00:42:42,840 --> 00:42:46,000
Speaker 1: just to see who's gonna keep up with each other

672
00:42:46,239 --> 00:42:48,520
Speaker 1: or who's gonna funk up and get a word off

673
00:42:49,400 --> 00:42:52,960
Speaker 1: and mess up from the ship in front of two.

674
00:42:53,280 --> 00:42:56,400
Speaker 1: So it was a collective effort even though they was

675
00:42:56,480 --> 00:43:00,320
Speaker 1: battling and display skill setting how sharp one moth was

676
00:43:00,400 --> 00:43:03,319
Speaker 1: over the other. But I saw that ship one day

677
00:43:03,480 --> 00:43:08,040
Speaker 1: on one of them hockey party days, cut in school,

678
00:43:09,640 --> 00:43:11,759
Speaker 1: and that was in such amazement looking at this ship.

679
00:43:11,800 --> 00:43:13,920
Speaker 1: I just wanted to do it too. And at that

680
00:43:14,040 --> 00:43:16,800
Speaker 1: time I wasn't hearing no rappers do it. No mcs

681
00:43:16,880 --> 00:43:20,680
Speaker 1: wasn't doing it. I have to say, the only people

682
00:43:20,800 --> 00:43:23,360
Speaker 1: that was sucking with it on some rap ship was

683
00:43:23,640 --> 00:43:28,560
Speaker 1: the Originators, and the Originators was the crewe that Hove

684
00:43:28,680 --> 00:43:34,359
Speaker 1: was down with. After Jazz, Oh you know what I'm saying.

685
00:43:34,360 --> 00:43:38,040
Speaker 1: When they did the Hawaiian Sophie joined Day was on

686
00:43:38,080 --> 00:43:42,239
Speaker 1: the speed rap ship that do affects his way. After

687
00:43:42,320 --> 00:43:48,120
Speaker 1: that he was started out that what song is that?

688
00:43:48,800 --> 00:43:53,759
Speaker 1: Can I get up? Uh? Yeah? But Hod was on

689
00:43:53,960 --> 00:43:57,440
Speaker 1: that ship really early, like he was on it before Niggers.

690
00:43:57,480 --> 00:44:00,480
Speaker 1: Was actually commercially putting records out just from the crew

691
00:44:00,560 --> 00:44:04,319
Speaker 1: he came from, and he he was making records with them.

692
00:44:04,360 --> 00:44:06,920
Speaker 1: He I don't think he was actually one of the originators.

693
00:44:06,960 --> 00:44:09,400
Speaker 1: He was just the old funk with each other, just

694
00:44:09,520 --> 00:44:13,160
Speaker 1: being Brooklyn and Hove was always kind of moving on

695
00:44:13,239 --> 00:44:17,000
Speaker 1: his own ship. But you know, at the time, again,

696
00:44:17,120 --> 00:44:21,680
Speaker 1: my first influence was Lieutenant Thatchy Papasan, and then me

697
00:44:21,800 --> 00:44:24,240
Speaker 1: and Hope ended up going to school together, and Biggie

698
00:44:25,040 --> 00:44:29,040
Speaker 1: and Hope was on that ship with the originators. In

699
00:44:29,120 --> 00:44:31,160
Speaker 1: the process of me trying to get my ship together

700
00:44:31,280 --> 00:44:33,960
Speaker 1: with it, me and Hope ended up having a battle

701
00:44:34,880 --> 00:44:41,759
Speaker 1: this legendary Yeah, he wait, I thought were about to

702
00:44:41,760 --> 00:44:45,759
Speaker 1: talk about Jenny Jackson, But I want to talk about Jenny.

703
00:44:45,840 --> 00:44:51,839
Speaker 1: I want to like like like like like I'm I'm

704
00:44:52,040 --> 00:44:55,000
Speaker 1: I'm gonna lead up to that because ultimately, Hove got

705
00:44:55,040 --> 00:44:57,800
Speaker 1: the best of the battle in that moment because I

706
00:44:58,000 --> 00:45:01,560
Speaker 1: was I was just starting to figure out how to

707
00:45:01,760 --> 00:45:06,080
Speaker 1: master my fascination with the speedback. He was already on it. Yeah,

708
00:45:06,120 --> 00:45:09,440
Speaker 1: he was already putting it out, doing it at a

709
00:45:10,120 --> 00:45:13,960
Speaker 1: incredible level of skill set and was displaying that ship

710
00:45:14,080 --> 00:45:17,359
Speaker 1: like he was just water spilling all over the place,

711
00:45:17,520 --> 00:45:19,399
Speaker 1: just taking shape and form. And I have a way

712
00:45:19,440 --> 00:45:23,279
Speaker 1: he felt like it because he had already He's been

713
00:45:23,320 --> 00:45:24,560
Speaker 1: on his ship with it, you know what I'm saying.

714
00:45:25,800 --> 00:45:30,480
Speaker 1: Me now, at that point, with my competitive as you know,

715
00:45:30,520 --> 00:45:32,719
Speaker 1: I always wanted to have my rematch, you know what

716
00:45:32,760 --> 00:45:39,200
Speaker 1: I'm saying. It didn't happen, which was fine because I

717
00:45:39,640 --> 00:45:42,799
Speaker 1: ended up I ended up getting getting my skill set

718
00:45:42,880 --> 00:45:46,680
Speaker 1: developed to the point where I don't I don't think

719
00:45:46,719 --> 00:45:49,319
Speaker 1: nobody want to funk with it now, and I don't

720
00:45:49,360 --> 00:45:51,600
Speaker 1: think nobody wanted to funk with it for a long time.

721
00:45:51,719 --> 00:45:54,520
Speaker 1: I mean it's it's interesting though, because there's a lot

722
00:45:54,600 --> 00:46:00,279
Speaker 1: of incredible speed wrapping them sees twister. I feel like

723
00:46:00,320 --> 00:46:03,359
Speaker 1: they I'm gonna be honest though, Techno dangerous, small fucker,

724
00:46:03,920 --> 00:46:11,360
Speaker 1: kind of like the Godfather Techno's I mean, you know

725
00:46:11,560 --> 00:46:13,560
Speaker 1: you gotta you gotta you gotta, you gotta go and

726
00:46:13,600 --> 00:46:23,960
Speaker 1: do your homework. Playboy, Damn, I'm gonna warn you. I'm

727
00:46:24,000 --> 00:46:27,480
Speaker 1: gonna be honest with you, beloved. I don't know what

728
00:46:27,760 --> 00:46:29,640
Speaker 1: record you heard me get on with the m C

729
00:46:29,840 --> 00:46:35,120
Speaker 1: and got my ashwook saying you take whatever you want

730
00:46:35,160 --> 00:46:39,560
Speaker 1: to call it my ashwork, take an l news. I

731
00:46:39,600 --> 00:46:43,160
Speaker 1: don't get who it was with. You can get back

732
00:46:43,200 --> 00:46:47,640
Speaker 1: to me on that after you do that, you said, Biden,

733
00:46:47,920 --> 00:46:50,600
Speaker 1: but you said what you just said about No, no, no, no,

734
00:46:52,200 --> 00:46:55,239
Speaker 1: I didn't take anything. Mom. You've got on you to

735
00:46:55,280 --> 00:46:59,919
Speaker 1: go name Techna when you come to wrap a real fact,

736
00:47:00,560 --> 00:47:05,080
Speaker 1: he might teach you, okay, and I understood, I understood

737
00:47:05,120 --> 00:47:12,279
Speaker 1: you perfectly. Tech nine is my brother. There was absolutely

738
00:47:12,640 --> 00:47:15,320
Speaker 1: not too many that could funk with him. But I

739
00:47:15,480 --> 00:47:17,920
Speaker 1: think if you speak to Tech nine directly about what

740
00:47:18,040 --> 00:47:21,400
Speaker 1: you just said rightfully, So he's supposed to believe that

741
00:47:21,480 --> 00:47:25,160
Speaker 1: he's the nicest on the records that we've got on together,

742
00:47:25,239 --> 00:47:29,200
Speaker 1: though they see. That's what I'm getting ready to tell you.

743
00:47:30,560 --> 00:47:34,600
Speaker 1: You might need to go visit Worldwide Chopper Dam. You

744
00:47:34,719 --> 00:47:36,320
Speaker 1: might need to go and listen to Sound like a

745
00:47:36,400 --> 00:47:47,840
Speaker 1: Gangster's Amusement Park is world Wide sper you got excuse?

746
00:47:48,560 --> 00:47:59,600
Speaker 1: I grew up listen to speaking on that, like speaking

747
00:47:59,640 --> 00:48:02,720
Speaker 1: on them were other people. Some of my favorite albums

748
00:48:02,960 --> 00:48:05,000
Speaker 1: that she was on that a lot of people might

749
00:48:05,080 --> 00:48:10,680
Speaker 1: not know. It's in Violator album The Violator albums, We

750
00:48:10,800 --> 00:48:16,400
Speaker 1: Love You we mentioned, but it was oh, like it

751
00:48:16,520 --> 00:48:18,800
Speaker 1: was so many m c s on them Violated albums,

752
00:48:18,960 --> 00:48:22,120
Speaker 1: Like what type of motivation did they give you to

753
00:48:22,200 --> 00:48:25,080
Speaker 1: be amongst all of them great mcs like that? Because

754
00:48:25,160 --> 00:48:27,000
Speaker 1: you know you had l L you, I mean it

755
00:48:27,120 --> 00:48:29,360
Speaker 1: was it was crazy. So when you went in the

756
00:48:29,440 --> 00:48:32,920
Speaker 1: studio and heard them verses from all of them, guys, like,

757
00:48:33,440 --> 00:48:36,160
Speaker 1: how did that motivate you to push yourself to become

758
00:48:36,239 --> 00:48:39,880
Speaker 1: a better m C? Before the Violator albums, I was

759
00:48:40,040 --> 00:48:43,719
Speaker 1: fans of them dudes that ended up coming a violator.

760
00:48:44,320 --> 00:48:48,680
Speaker 1: ELLL is the reason I wrote my first round LLO,

761
00:48:50,200 --> 00:48:52,520
Speaker 1: my very first round I wrote. I was twelve. The

762
00:48:52,600 --> 00:48:57,000
Speaker 1: name of that ship was called Pulse rate. LLL made

763
00:48:57,040 --> 00:48:58,960
Speaker 1: me write my round. That ship had on type of

764
00:48:59,080 --> 00:49:01,840
Speaker 1: big fucking words, because that's the way he used to rhynd.

765
00:49:02,840 --> 00:49:05,200
Speaker 1: Just back then, it was cool to sound like a

766
00:49:05,440 --> 00:49:10,520
Speaker 1: hard slot nigger. Being intelligent was a cool fucking thing

767
00:49:10,960 --> 00:49:15,760
Speaker 1: because else and the niggas ain't cursing in their records.

768
00:49:15,920 --> 00:49:18,320
Speaker 1: It was busting her asks. It wasn't even cursing on

769
00:49:18,440 --> 00:49:22,880
Speaker 1: these ship talks. Cut him up here, chunks, you know

770
00:49:22,880 --> 00:49:25,960
Speaker 1: what I'm saying, so neatly fucking you up, and wasn't

771
00:49:26,000 --> 00:49:30,279
Speaker 1: even cursing. So it was like some flies shipped to me.

772
00:49:30,920 --> 00:49:34,480
Speaker 1: And you know, it was everything. It was the whole embodiment.

773
00:49:34,600 --> 00:49:36,920
Speaker 1: He was hip hop. When you just looked at the

774
00:49:37,000 --> 00:49:41,600
Speaker 1: motherfucker the candles. Again, I take a muscle bound man

775
00:49:41,680 --> 00:49:46,359
Speaker 1: that put his face like, yeah, you know what I'm saying,

776
00:49:46,400 --> 00:49:48,719
Speaker 1: and and and that that ship talk that he had.

777
00:49:48,800 --> 00:49:52,480
Speaker 1: It just I believed everything he said. You know what

778
00:49:52,520 --> 00:49:55,239
Speaker 1: I'm saying, like them niggas made you believe it. So

779
00:49:55,760 --> 00:49:59,439
Speaker 1: it was just me watching this ship and just being

780
00:49:59,520 --> 00:50:02,200
Speaker 1: a dude that took all of their pictures from the

781
00:50:02,280 --> 00:50:05,880
Speaker 1: world of magazines and the Black Beak magazines, and I

782
00:50:06,040 --> 00:50:08,160
Speaker 1: was just hanging on my favorite niggers on my wall,

783
00:50:08,320 --> 00:50:13,680
Speaker 1: Rock Kim and Slick Rick and LLL and Chuck Dean,

784
00:50:13,960 --> 00:50:16,600
Speaker 1: Public Enemy. All the niggas was on my wall. Run DMC,

785
00:50:17,400 --> 00:50:20,080
Speaker 1: Fat Boys, every one of them was on my wall.

786
00:50:20,120 --> 00:50:21,520
Speaker 1: I wake up and I'll just be in my room

787
00:50:21,600 --> 00:50:24,959
Speaker 1: looking at these niggers every day. Go to see Brown

788
00:50:25,080 --> 00:50:26,920
Speaker 1: Crib from Leaders in the New school. His school room

789
00:50:27,000 --> 00:50:29,719
Speaker 1: was the same way, and we're being the niggers were

790
00:50:29,719 --> 00:50:31,680
Speaker 1: being Brown Room, and we was writing the leader songs.

791
00:50:31,719 --> 00:50:34,160
Speaker 1: Most of the leader songs we wrote was in Charlie

792
00:50:34,200 --> 00:50:37,040
Speaker 1: Brown room in his crib because it's room just had

793
00:50:37,200 --> 00:50:39,279
Speaker 1: every nigger you wanted to be like on the wall.

794
00:50:39,400 --> 00:50:42,440
Speaker 1: So you're just looking at these niggas hip hop, mural

795
00:50:43,120 --> 00:50:46,960
Speaker 1: and museum and niggers. So being a fan of them

796
00:50:47,040 --> 00:50:51,399
Speaker 1: before it made it even more incredible when we all

797
00:50:51,520 --> 00:50:53,399
Speaker 1: ended up on the same team in the same click

798
00:50:53,600 --> 00:50:58,799
Speaker 1: because now we like the fucking Avengers like Violator would

799
00:50:58,800 --> 00:51:01,719
Speaker 1: the Avengers in hip hop. And it wasn't no click,

800
00:51:02,840 --> 00:51:06,680
Speaker 1: whether it was a group of mcs that were signed

801
00:51:06,719 --> 00:51:11,680
Speaker 1: to a label like Rockefellow or rough Rider death Row.

802
00:51:14,520 --> 00:51:22,200
Speaker 1: There wasn't no management company like violated either, and it

803
00:51:22,360 --> 00:51:31,080
Speaker 1: was just something else going on. Because Valley started, it

804
00:51:31,320 --> 00:51:35,400
Speaker 1: was given birth to after Rush Management ended. Chris Ldy

805
00:51:35,480 --> 00:51:40,439
Speaker 1: was a management rep at Rush Management, so under Leo

806
00:51:40,600 --> 00:51:45,000
Speaker 1: Cohen and Russell Simmons when they had Rush Management and

807
00:51:45,160 --> 00:51:47,800
Speaker 1: death Jam at the same time, they was managing a

808
00:51:47,880 --> 00:51:49,640
Speaker 1: lot of the ship they had signed the Deaf Jam.

809
00:51:51,440 --> 00:51:55,000
Speaker 1: We ain't gonna get into that, you know, at this

810
00:51:55,680 --> 00:52:00,239
Speaker 1: entertainment world, we know what that is. We're doing, right.

811
00:52:00,600 --> 00:52:03,320
Speaker 1: It was it was okay, it was fine. It was

812
00:52:03,640 --> 00:52:07,919
Speaker 1: they mastered. They had ships sold, so fucking red carp

813
00:52:07,960 --> 00:52:10,080
Speaker 1: and rolled out for each the nigger that was lined

814
00:52:10,160 --> 00:52:12,960
Speaker 1: up with him at you wasn't even missing red if

815
00:52:13,040 --> 00:52:16,440
Speaker 1: ship was conflicts or whatever, because it was like just

816
00:52:16,640 --> 00:52:19,440
Speaker 1: the money wasn't so stupid. But the point that I'm

817
00:52:19,440 --> 00:52:23,440
Speaker 1: trying to make is they dismantled Rush Management, and I

818
00:52:23,520 --> 00:52:25,399
Speaker 1: think Leo just came in one day and told Chris

819
00:52:25,520 --> 00:52:27,560
Speaker 1: Lotty and all the other management rep y'all could pick

820
00:52:27,640 --> 00:52:30,920
Speaker 1: from the litter, take whatever your favorite acts, I go

821
00:52:31,040 --> 00:52:33,719
Speaker 1: start your own ship. Do what you want. So so

822
00:52:33,920 --> 00:52:44,280
Speaker 1: Chris took Leaders Tribe, Daylight, Jungle Brothers started Violator. Daylight

823
00:52:44,440 --> 00:52:50,560
Speaker 1: left Tribe, left, Jungle Brothers left, Leaders broke up. I

824
00:52:50,680 --> 00:52:55,279
Speaker 1: stayed with Chris, so he was all that I knew.

825
00:52:55,680 --> 00:52:59,400
Speaker 1: So it wasn't like I even was comfortable enough. Gambling

826
00:52:59,480 --> 00:53:02,160
Speaker 1: fucking was somebody else. I ain't know nobody else like that,

827
00:53:02,560 --> 00:53:06,080
Speaker 1: and I wasn't comfortable with nobody else like that besides

828
00:53:06,160 --> 00:53:09,040
Speaker 1: Chuck ding Hanks, Shockley, That's who gave birth to me.

829
00:53:09,120 --> 00:53:11,840
Speaker 1: I got my name Busch. The rhymes from the Niggers

830
00:53:12,480 --> 00:53:15,200
Speaker 1: and Leaders of the New School came from from Chuck.

831
00:53:15,560 --> 00:53:18,759
Speaker 1: Chuck gave me my name. Chuck gave leaders out her name.

832
00:53:18,800 --> 00:53:21,399
Speaker 1: But he wasn't trying to manage nobody. So I still

833
00:53:21,440 --> 00:53:29,239
Speaker 1: needed Chris. Now. I was the only violated artist come

834
00:53:29,239 --> 00:53:32,640
Speaker 1: out gold in four weeks, platinum in eight weeks, the

835
00:53:32,760 --> 00:53:35,279
Speaker 1: coming first album come out of ninety six, Gold in

836
00:53:35,360 --> 00:53:39,960
Speaker 1: six weeks, platinum in two months. Niggas is looking at

837
00:53:40,040 --> 00:53:45,320
Speaker 1: this ship after everybody was questioning whether or not niggers

838
00:53:45,680 --> 00:53:48,120
Speaker 1: and and then at this point the whole question was

839
00:53:49,920 --> 00:53:52,200
Speaker 1: you know all this nigga Busch, the rhyms be doing

840
00:53:52,239 --> 00:53:54,239
Speaker 1: on record, just screaming and with this rare round of

841
00:53:54,320 --> 00:53:56,480
Speaker 1: dung your dragon ship all the motherfucker time. Do we

842
00:53:56,520 --> 00:53:58,719
Speaker 1: want to hear whole album and this nigger doing that? No,

843
00:53:58,880 --> 00:54:02,800
Speaker 1: that nigga had a whole bunch of ship album, But

844
00:54:03,160 --> 00:54:06,560
Speaker 1: this is before the album came. He was talking. So

845
00:54:06,800 --> 00:54:09,600
Speaker 1: when the album came and we was able to get

846
00:54:09,640 --> 00:54:12,759
Speaker 1: it right and the success came with it, and she

847
00:54:13,000 --> 00:54:15,080
Speaker 1: started sticking against the wall and the numbers was on

848
00:54:15,160 --> 00:54:17,879
Speaker 1: the scoring board and just respected it in a whole

849
00:54:17,960 --> 00:54:21,640
Speaker 1: other way. That's when the attraction and the appeal of

850
00:54:21,719 --> 00:54:25,440
Speaker 1: Valley that started to look sexy and another dynamic to artists.

851
00:54:25,480 --> 00:54:28,960
Speaker 1: Niggers was like a week we see our niggas, we

852
00:54:29,080 --> 00:54:32,239
Speaker 1: might need to pull up that that was used to

853
00:54:32,600 --> 00:54:38,160
Speaker 1: started that dungeons Jagon who didn't know the younger generation

854
00:54:38,280 --> 00:54:40,120
Speaker 1: of hip hop, now I couldn't agree with that. You

855
00:54:40,160 --> 00:54:42,080
Speaker 1: know that ship is twenty nine years ago, but that's

856
00:54:42,120 --> 00:54:44,360
Speaker 1: what I'm saying, and it's like a lot of people

857
00:54:44,960 --> 00:54:47,759
Speaker 1: that the younger generation heard it first. One when Nicki

858
00:54:47,840 --> 00:54:50,880
Speaker 1: Minaj said it on the verse, Yeah, you get what

859
00:54:50,960 --> 00:54:52,560
Speaker 1: I mean. Like that brought it back to be like

860
00:54:52,719 --> 00:54:55,480
Speaker 1: what you didn't know where that came from. So that

861
00:54:55,680 --> 00:54:58,520
Speaker 1: was and I appreciated up for doing that. You know

862
00:54:58,560 --> 00:55:03,080
Speaker 1: what I'm saying, I really uh, I appreciated that record,

863
00:55:03,120 --> 00:55:05,080
Speaker 1: and I actually got on the remix of that record.

864
00:55:05,320 --> 00:55:09,040
Speaker 1: It never officially became a remix, but I sent her

865
00:55:09,080 --> 00:55:10,800
Speaker 1: the verse and she funked with it. And she actually

866
00:55:10,840 --> 00:55:13,719
Speaker 1: brought me out at the Hammerston Ballroom and in New

867
00:55:13,800 --> 00:55:15,920
Speaker 1: York one time to do that verse live at the

868
00:55:15,960 --> 00:55:24,000
Speaker 1: show that she had one time, and I got very,

869
00:55:24,200 --> 00:55:27,160
Speaker 1: very fucking out of control on that record. I was

870
00:55:27,239 --> 00:55:29,600
Speaker 1: in love with that fucking record. So I blacked on

871
00:55:29,680 --> 00:55:33,640
Speaker 1: that ship one of my particular favorite verses. But again

872
00:55:34,600 --> 00:55:39,560
Speaker 1: being a violator and then seeing the success that I

873
00:55:39,719 --> 00:55:43,200
Speaker 1: was able to acquire with Crispy and at the the

874
00:55:43,280 --> 00:55:46,120
Speaker 1: head of the helm, and then Mona Scott came in

875
00:55:47,480 --> 00:55:50,480
Speaker 1: like right around my second solo album when Disaster Strikes,

876
00:55:50,480 --> 00:55:52,239
Speaker 1: will put your hands and all of that ship came

877
00:55:53,760 --> 00:56:01,440
Speaker 1: and it was morning and Chris. Yeah, Mona, Mona ran

878
00:56:02,000 --> 00:56:08,880
Speaker 1: violator with Chris. The the huge ship that Mona contributed

879
00:56:08,960 --> 00:56:12,400
Speaker 1: to a violator was she wasn't only making sure that

880
00:56:12,480 --> 00:56:14,719
Speaker 1: this music ship was moving and shaking the right way

881
00:56:14,760 --> 00:56:20,680
Speaker 1: with Chris, she brought the whole component of the branding

882
00:56:21,239 --> 00:56:24,360
Speaker 1: and and the movie ship with me, like the Mountain

883
00:56:24,400 --> 00:56:27,399
Speaker 1: Doude ship that I did back then, Wanna broke it dead,

884
00:56:28,400 --> 00:56:31,800
Speaker 1: higher lining and all all out of movies I started

885
00:56:31,840 --> 00:56:35,320
Speaker 1: sucking with malony. Mona was bringing all of that. She

886
00:56:35,520 --> 00:56:38,200
Speaker 1: was making me go to the reading. She was lining

887
00:56:38,280 --> 00:56:41,560
Speaker 1: me up with the casting agency, the agencies that was

888
00:56:41,600 --> 00:56:43,680
Speaker 1: bringing in my opportunities to the table. That was Mona.

889
00:56:44,280 --> 00:56:45,840
Speaker 1: You know what I'm saying. Chris was making sure that

890
00:56:45,920 --> 00:56:52,400
Speaker 1: the renegotiations for the record deals was several seven motherfucking emms,

891
00:56:52,480 --> 00:57:04,279
Speaker 1: and the publishing deals with disrespectful amas too, like respectful

892
00:57:04,320 --> 00:57:23,560
Speaker 1: money ms. Nigga n for me to niggas crazy, got

893
00:57:23,560 --> 00:57:29,520
Speaker 1: a cap and everything I'm gonna get crazy. I got

894
00:57:29,600 --> 00:57:33,920
Speaker 1: that what you're about to do money right? What's after this?

895
00:57:35,160 --> 00:57:42,000
Speaker 1: That that that that that that management company? Twenty two

896
00:57:42,120 --> 00:57:46,200
Speaker 1: years I never looked the funk with another manager. And

897
00:57:46,320 --> 00:57:51,160
Speaker 1: the only reason did I have a new manager now,

898
00:57:52,520 --> 00:57:56,040
Speaker 1: which I got a big up incredibly, the legendary Steve

899
00:57:56,120 --> 00:57:59,720
Speaker 1: Ripkin who founded Loud Records, that's my manager. And the

900
00:58:00,120 --> 00:58:04,720
Speaker 1: gendery A Blitz who used to manage Dos Effects as

901
00:58:04,760 --> 00:58:09,640
Speaker 1: my co manager. So I got some real icond of

902
00:58:09,800 --> 00:58:13,200
Speaker 1: hip hop mofucker's on my tag. That has been a

903
00:58:13,280 --> 00:58:19,200
Speaker 1: part of my growth for the entire journey. And if

904
00:58:19,600 --> 00:58:23,360
Speaker 1: Chris didn't die, I probably was still been with Chris,

905
00:58:23,880 --> 00:58:29,000
Speaker 1: you know what I'm saying. And once Chris passed the

906
00:58:29,080 --> 00:58:34,120
Speaker 1: whole valetor just dismantled completely. You know, Chris was an

907
00:58:34,160 --> 00:58:38,720
Speaker 1: incredibly significant leader, you know what I'm saying, and that

908
00:58:39,000 --> 00:58:42,280
Speaker 1: that that was a replaceable leadership quality, you know what

909
00:58:42,280 --> 00:58:45,280
Speaker 1: I mean. He was the heartbeat, he was the the veins,

910
00:58:45,400 --> 00:58:47,680
Speaker 1: he was the whole ship, you know what I'm saying.

911
00:58:47,760 --> 00:58:52,280
Speaker 1: So it couldn't move, it couldn't continue without him, which

912
00:58:52,360 --> 00:58:57,800
Speaker 1: is unfortunate because again we had Voltron, Transformers and the

913
00:58:57,960 --> 00:59:01,200
Speaker 1: Avengers all mixed together still in the You got two

914
00:59:01,200 --> 00:59:04,840
Speaker 1: of the Infinity stone, right, I got two of the

915
00:59:04,960 --> 00:59:13,040
Speaker 1: Mother's right, Jesus and Toes. I've been looking like this

916
00:59:13,120 --> 00:59:18,640
Speaker 1: and they got on Emeralds and planet and this motherfucker

917
00:59:19,320 --> 00:59:21,480
Speaker 1: to this guy. We got a backtrack. We didn't get

918
00:59:21,560 --> 00:59:26,960
Speaker 1: to go on. Man, come on, all right, what you

919
00:59:27,040 --> 00:59:29,439
Speaker 1: want first? With Janey? How that whole thing came together? Listen,

920
00:59:29,640 --> 00:59:42,960
Speaker 1: that whole thing with y'all getting super crazies. I mean,

921
00:59:44,680 --> 00:59:48,320
Speaker 1: that was a dream come true moment for me. I

922
00:59:48,360 --> 00:59:51,920
Speaker 1: haven't told the story before. I love Janet since it's

923
00:59:51,960 --> 00:59:54,160
Speaker 1: early back, because I can remember when she was penning

924
00:59:54,200 --> 00:59:57,880
Speaker 1: on good Time on me, and then when she was

925
00:59:57,960 --> 01:00:02,520
Speaker 1: when she was when she was Willis Girl in different

926
01:00:02,560 --> 01:00:05,640
Speaker 1: strokes and ships, and you know, just all of the

927
01:00:05,760 --> 01:00:08,560
Speaker 1: different moments. But I think the moment that really just

928
01:00:08,880 --> 01:00:11,120
Speaker 1: was mind blowing for me was just to hear her

929
01:00:11,160 --> 01:00:16,440
Speaker 1: say my name. I know what you mean. Minutes, I

930
01:00:16,520 --> 01:00:20,040
Speaker 1: just want to hear my name. I just wanted to

931
01:00:20,440 --> 01:00:23,360
Speaker 1: just to know that I was on her radar, or

932
01:00:25,320 --> 01:00:27,120
Speaker 1: to hear my name come out of her mouth. When

933
01:00:27,200 --> 01:00:30,720
Speaker 1: she did the interview with Angie Martinez at the time,

934
01:00:31,520 --> 01:00:36,160
Speaker 1: the legendary voice in New York, boss Lady Angie Martinez,

935
01:00:36,400 --> 01:00:40,800
Speaker 1: when she was at Henani seven, I think Janet was

936
01:00:40,880 --> 01:00:44,880
Speaker 1: on tour for the Velvet Rope album, and she was

937
01:00:44,960 --> 01:00:49,520
Speaker 1: doing promo for the Velvet Rope tour. She was performing

938
01:00:49,600 --> 01:00:52,160
Speaker 1: at the Garden, So she went and did an interview

939
01:00:52,200 --> 01:00:57,800
Speaker 1: with Angie Martinez and I'm driving in the city and

940
01:00:59,720 --> 01:01:04,640
Speaker 1: and asked her, you know what, rapper that she never

941
01:01:04,720 --> 01:01:10,080
Speaker 1: worked with before that she's interested to work with because

942
01:01:10,160 --> 01:01:12,360
Speaker 1: she had never collaborate a rapper at this point in

943
01:01:12,480 --> 01:01:15,480
Speaker 1: time outside a Heavy D. She had already did ship

944
01:01:15,560 --> 01:01:20,040
Speaker 1: with Heavy D, so after the Heavy D collapsed, she

945
01:01:20,160 --> 01:01:22,440
Speaker 1: ain't really messed with no rappers for a long period

946
01:01:22,480 --> 01:01:25,840
Speaker 1: of time. And I guess, Angie, you know, I thought

947
01:01:25,880 --> 01:01:27,760
Speaker 1: that that was interesting, so she asked her and then

948
01:01:27,840 --> 01:01:32,600
Speaker 1: she just said I would like to work with Buster

949
01:01:32,600 --> 01:01:35,720
Speaker 1: the Rhymes, and she ain't saying no other rappers name.

950
01:01:37,040 --> 01:01:41,280
Speaker 1: Fucked me up so crazy that I pulled over because

951
01:01:41,320 --> 01:01:43,280
Speaker 1: I knew I was gonna I was gonna do something wrong.

952
01:01:43,640 --> 01:01:53,240
Speaker 1: Now you gotta call something what connvers the Nigga. I

953
01:01:53,360 --> 01:01:59,280
Speaker 1: called Mona immediately, and I was like, Mona, I just

954
01:01:59,400 --> 01:02:03,240
Speaker 1: heard Janet say my name on the radio. I need

955
01:02:03,320 --> 01:02:06,800
Speaker 1: you to get in touch with Janet and tell Janet

956
01:02:06,840 --> 01:02:10,160
Speaker 1: that I have a song for Ready to go. Immediately

957
01:02:11,160 --> 01:02:14,680
Speaker 1: dropped my blood. She sounds so good. I ain't have

958
01:02:14,880 --> 01:02:25,720
Speaker 1: no song. No, I ain't have no song. But I

959
01:02:25,880 --> 01:02:30,919
Speaker 1: wasn't losing this moment. So Janet Morna got in touch

960
01:02:30,960 --> 01:02:34,400
Speaker 1: with Janet's people and then they worked it out for

961
01:02:34,480 --> 01:02:37,360
Speaker 1: us to get on the phone. I was nervous in

962
01:02:37,440 --> 01:02:39,720
Speaker 1: the motherfucker at the time, because I ain't want to

963
01:02:39,720 --> 01:02:43,640
Speaker 1: say nothing wrong that was gonna ruin the opportunity, kept

964
01:02:43,680 --> 01:02:46,920
Speaker 1: it short and sweet, and immediately got to try and

965
01:02:46,960 --> 01:02:50,480
Speaker 1: to find the fucking song. So we ended up finding

966
01:02:50,520 --> 01:02:55,560
Speaker 1: a record and the young lady that wrote the hook

967
01:02:55,640 --> 01:02:59,920
Speaker 1: to the beat, she killed it. And then at that

968
01:03:00,080 --> 01:03:01,520
Speaker 1: point I said, all right, let me do this little

969
01:03:01,520 --> 01:03:03,600
Speaker 1: speed rap. Dance to this ship real quick and get

970
01:03:03,640 --> 01:03:05,840
Speaker 1: this rap over to Janet so she could hear the song.

971
01:03:07,280 --> 01:03:10,439
Speaker 1: Did Dad got the song to the queen. She heard

972
01:03:10,480 --> 01:03:14,760
Speaker 1: the joint. The feedback was amazing. Now it was trying

973
01:03:14,800 --> 01:03:19,320
Speaker 1: to book the studio session. Booked the studio session. She

974
01:03:19,520 --> 01:03:22,280
Speaker 1: chose the studio because you know, obviously she got to

975
01:03:22,360 --> 01:03:27,120
Speaker 1: be on Obama levels for her to pull up. Security

976
01:03:27,200 --> 01:03:29,440
Speaker 1: had to come in advance the whole situation and make

977
01:03:29,480 --> 01:03:32,360
Speaker 1: sure it was appropriate for her to walk into that space.

978
01:03:34,160 --> 01:03:36,400
Speaker 1: Did the research on what kind of flowers she liked,

979
01:03:36,440 --> 01:03:40,880
Speaker 1: what kind of candles she like, kind of fragrancy like,

980
01:03:42,840 --> 01:03:47,120
Speaker 1: had everything mind up. Then, um, we get to the

981
01:03:47,200 --> 01:03:55,919
Speaker 1: studio and she came a little bit after I got there,

982
01:03:57,000 --> 01:04:01,160
Speaker 1: And when she got there, when I heard she was there,

983
01:04:01,280 --> 01:04:03,240
Speaker 1: I left out the room because I had another room

984
01:04:03,360 --> 01:04:07,120
Speaker 1: so I could finish my wraps, and I knew she

985
01:04:07,200 --> 01:04:08,920
Speaker 1: needed to record, so I ain't want to be a

986
01:04:09,000 --> 01:04:12,360
Speaker 1: man not being productive while she was laying her versus

987
01:04:13,040 --> 01:04:14,919
Speaker 1: stacking her vocals and all of that. So I said,

988
01:04:14,960 --> 01:04:17,560
Speaker 1: I'm going another room. I could just get to my ship.

989
01:04:17,720 --> 01:04:20,439
Speaker 1: So as soon as she's ready, and she says she's done,

990
01:04:20,960 --> 01:04:28,200
Speaker 1: I could be done. So I come in there, I

991
01:04:28,280 --> 01:04:33,120
Speaker 1: say hello to her, we agree, hug singing her praise

992
01:04:33,200 --> 01:04:35,520
Speaker 1: real quick. I got the funk up out of there fast,

993
01:04:40,040 --> 01:04:42,439
Speaker 1: and and I'm just trying to keep my mouth shut

994
01:04:42,520 --> 01:04:44,920
Speaker 1: because niggas don't know what this is happening. You know

995
01:04:44,920 --> 01:04:47,600
Speaker 1: what I'm saying. So I'm going through some ship because

996
01:04:47,640 --> 01:04:49,760
Speaker 1: it's like, you know what I'm going to do. I

997
01:04:49,880 --> 01:04:53,479
Speaker 1: want to tell every motherfucking body, but niggas can't say nothing.

998
01:04:55,720 --> 01:05:04,800
Speaker 1: Wasn't that what's nick? That's when you you put that sneak?

999
01:05:09,600 --> 01:05:19,360
Speaker 1: I'll call y'all back. What yo yo? You think of?

1000
01:05:19,480 --> 01:05:25,680
Speaker 1: D C is Janet Blaze the ship out the record incredibly?

1001
01:05:26,240 --> 01:05:29,120
Speaker 1: Thank you so much, Janet to this day, forever grateful.

1002
01:05:30,320 --> 01:05:33,560
Speaker 1: Let's tell that one of my favorite record and listened

1003
01:05:33,560 --> 01:05:38,080
Speaker 1: to all time record, get done. Now we gotta come

1004
01:05:38,160 --> 01:05:40,800
Speaker 1: with the crazy video. I'm a movie buff, so I'm

1005
01:05:40,800 --> 01:05:45,360
Speaker 1: watching Terminator two. I'm seeing a liquid robot moving all

1006
01:05:45,400 --> 01:05:46,920
Speaker 1: over the place of ship and I'm like, this is

1007
01:05:47,000 --> 01:05:50,120
Speaker 1: the Ellis Ship. Ever if I could pull this off,

1008
01:05:50,280 --> 01:05:53,080
Speaker 1: because you know, put your hands with my ass, can

1009
01:05:53,160 --> 01:05:56,880
Speaker 1: see it's coming to America. Dangerous. His motherfucking leath the weapon.

1010
01:05:57,560 --> 01:06:01,120
Speaker 1: Janet video was terminated too, So I was just taking

1011
01:06:01,160 --> 01:06:04,440
Speaker 1: my favorite movies and just putting myself in the movies.

1012
01:06:04,520 --> 01:06:08,840
Speaker 1: You know what I'm saying, go back and watch it.

1013
01:06:09,040 --> 01:06:14,360
Speaker 1: Liked is doing the terminating terminated too. So when we

1014
01:06:14,520 --> 01:06:20,280
Speaker 1: did the video. Before we did the video and the

1015
01:06:20,360 --> 01:06:28,520
Speaker 1: budget came back for the video, I was like, you

1016
01:06:28,680 --> 01:06:32,640
Speaker 1: can't nickel him down. No situation with Janet Jackson nigger,

1017
01:06:32,760 --> 01:06:36,760
Speaker 1: So we gotta spin in money game. But I definitely

1018
01:06:36,960 --> 01:06:39,000
Speaker 1: wasn't thinking it was gonna be this type of bag.

1019
01:06:40,280 --> 01:06:42,280
Speaker 1: This is a ten two point for me in our

1020
01:06:42,480 --> 01:06:52,120
Speaker 1: video budget. So at that time it was just that

1021
01:06:54,280 --> 01:07:04,400
Speaker 1: go to the game station about some white teas in

1022
01:07:04,480 --> 01:07:10,720
Speaker 1: the House of Sports and in the yard. But but yeah,

1023
01:07:10,880 --> 01:07:14,000
Speaker 1: to two points for me and for the video. The

1024
01:07:14,120 --> 01:07:18,000
Speaker 1: production that was built all of that silver room shipped

1025
01:07:18,040 --> 01:07:20,720
Speaker 1: with the walls moving and when I was doing a

1026
01:07:20,800 --> 01:07:24,439
Speaker 1: little little robots and who was all of that ship

1027
01:07:24,720 --> 01:07:29,320
Speaker 1: was built from the ground like it wasn't like you

1028
01:07:29,480 --> 01:07:31,960
Speaker 1: just green screening ship. At the time, we was building

1029
01:07:32,040 --> 01:07:35,920
Speaker 1: these production sets and in its entirety, the only thing

1030
01:07:36,000 --> 01:07:38,920
Speaker 1: that was a special effects was the liquid ship that

1031
01:07:38,960 --> 01:07:42,400
Speaker 1: I was morphing in and out of. But a lot

1032
01:07:42,440 --> 01:07:45,400
Speaker 1: of that budget came from the special effects company that

1033
01:07:45,520 --> 01:07:47,720
Speaker 1: we used at the time, which was the hottest effects

1034
01:07:47,760 --> 01:07:50,040
Speaker 1: company because they was a part of the They did

1035
01:07:50,120 --> 01:07:54,160
Speaker 1: the effects for the Titanic movie and at that time

1036
01:07:54,240 --> 01:07:56,600
Speaker 1: they was souper on fire because Titanic movie weren't like

1037
01:07:56,720 --> 01:07:59,760
Speaker 1: ten fuck oscars and some crazy ship like that crazy

1038
01:08:00,480 --> 01:08:05,600
Speaker 1: and they took they took I think the company was

1039
01:08:05,680 --> 01:08:08,320
Speaker 1: called Digital Domain. That was a special effects company. But

1040
01:08:08,440 --> 01:08:12,000
Speaker 1: the video took about three four months to get completed

1041
01:08:12,040 --> 01:08:14,640
Speaker 1: because of the special effects. But when I walked on

1042
01:08:14,720 --> 01:08:18,400
Speaker 1: the set and the dress that Janet got on the

1043
01:08:18,920 --> 01:08:22,400
Speaker 1: whole ensemble, I walked on the set and you know,

1044
01:08:22,520 --> 01:08:24,479
Speaker 1: she had these long nails and she had these little

1045
01:08:24,520 --> 01:08:27,040
Speaker 1: wings on the end of the nails and different size

1046
01:08:27,160 --> 01:08:30,439
Speaker 1: rings all over the city. So I'm looking at the

1047
01:08:30,560 --> 01:08:35,720
Speaker 1: situation and I'm trying to understand and mh. She was like,

1048
01:08:35,840 --> 01:08:50,400
Speaker 1: these is cock rings. You should have laid into that.

1049
01:08:52,439 --> 01:08:56,560
Speaker 1: I'm just nigga. She said this to me, and I

1050
01:08:56,720 --> 01:09:04,120
Speaker 1: was just like, wow, right, So what the it was?

1051
01:09:04,160 --> 01:09:10,599
Speaker 1: Cop Branes Corsa. They can't stopped talking to talk. Well,

1052
01:09:10,640 --> 01:09:12,800
Speaker 1: I'm on this set, man, I just said one time,

1053
01:09:14,960 --> 01:09:20,840
Speaker 1: you know, but I ain't know me, I said the

1054
01:09:20,920 --> 01:09:24,800
Speaker 1: same ship. I wasn't understand. I was confused. But see

1055
01:09:26,640 --> 01:09:30,200
Speaker 1: the song was about you know, making each other wet,

1056
01:09:30,360 --> 01:09:33,040
Speaker 1: wet dreams, all of that ship, so with some some

1057
01:09:33,200 --> 01:09:35,479
Speaker 1: sexual ship. But I didn't know she was gonna go

1058
01:09:36,520 --> 01:09:39,240
Speaker 1: to this extreme with the fit and the wardrobe. But

1059
01:09:40,520 --> 01:09:43,080
Speaker 1: when she explained all of that, and then we sort

1060
01:09:43,120 --> 01:09:46,560
Speaker 1: of designer dude when the outfit was done, because the

1061
01:09:46,640 --> 01:09:49,000
Speaker 1: DOODLEO created and he took that ship home, he took

1062
01:09:49,040 --> 01:09:52,559
Speaker 1: it back. You know what I'm saying, Like, even though

1063
01:09:52,600 --> 01:09:54,400
Speaker 1: we had to pay to make it. No, they got

1064
01:09:54,479 --> 01:09:57,720
Speaker 1: still on this taking this outfit back home. What you're

1065
01:09:57,720 --> 01:09:59,960
Speaker 1: talking about, you can keep all the other ship, this design,

1066
01:10:00,080 --> 01:10:04,560
Speaker 1: this legend though, respected it. But Janet just made she

1067
01:10:04,720 --> 01:10:06,760
Speaker 1: just put me in on other mindset when she said

1068
01:10:06,800 --> 01:10:09,639
Speaker 1: that's what it was, so, you know, and then help

1069
01:10:09,680 --> 01:10:12,360
Speaker 1: willingness to interact with me in front of the camera

1070
01:10:12,439 --> 01:10:15,040
Speaker 1: the way she did it was it was really like

1071
01:10:15,240 --> 01:10:27,680
Speaker 1: some some some beautiful ship. Yeah, I bet when us

1072
01:10:27,800 --> 01:10:32,240
Speaker 1: around like we were supposed to these as well. Yeah,

1073
01:10:33,439 --> 01:10:35,080
Speaker 1: we left for all that ship. I ain't seen what

1074
01:10:35,200 --> 01:10:37,400
Speaker 1: we're gonna put that but but but but at the

1075
01:10:37,520 --> 01:10:40,679
Speaker 1: end of the day, the ship turned out so magical

1076
01:10:40,800 --> 01:10:44,840
Speaker 1: bro that I don't know if I ever felt that.

1077
01:10:46,880 --> 01:10:48,720
Speaker 1: I don't know if I felt it like that. That

1078
01:10:48,880 --> 01:10:52,680
Speaker 1: was that. You know. I've done some incredible records with

1079
01:10:52,840 --> 01:10:59,439
Speaker 1: some of the most prestigious icon of queen's to ever

1080
01:11:00,000 --> 01:11:02,360
Speaker 1: do it. And this music ship, you know, me and

1081
01:11:02,439 --> 01:11:05,439
Speaker 1: mary Ja, we got a bunch of collapse. I was

1082
01:11:05,640 --> 01:11:07,640
Speaker 1: blessed and honored to be rocking with us since her

1083
01:11:07,720 --> 01:11:11,040
Speaker 1: first album four one one. She put me on that,

1084
01:11:11,320 --> 01:11:14,760
Speaker 1: and and Missy and and and Mariah. You know what

1085
01:11:14,800 --> 01:11:17,560
Speaker 1: I'm saying, Big up to Jane too. They was on

1086
01:11:17,640 --> 01:11:24,080
Speaker 1: my first album. Um not slight, nothing from none of

1087
01:11:24,120 --> 01:11:27,840
Speaker 1: these beautiful queens. And I'm gonna continue to make iconic

1088
01:11:27,960 --> 01:11:32,800
Speaker 1: moments with them moving forward to remix without oh No,

1089
01:11:33,120 --> 01:11:35,360
Speaker 1: especially a long remixing. May be a lot of niggas,

1090
01:11:43,439 --> 01:11:46,200
Speaker 1: no thank you, bro, but you know it's it's, it's. It's.

1091
01:11:46,520 --> 01:11:49,479
Speaker 1: Throughout the twenty nine years of doing this, man, it's

1092
01:11:49,560 --> 01:11:54,360
Speaker 1: it's been so many legendary moments. Man, it's it's, it's it's.

1093
01:11:54,560 --> 01:11:57,799
Speaker 1: We're gonna probably need a two three four part series

1094
01:11:57,840 --> 01:12:00,800
Speaker 1: with the interviews with this interview because it it's just

1095
01:12:00,920 --> 01:12:03,439
Speaker 1: so much golden moments to share. You know what, I'm

1096
01:12:03,479 --> 01:12:06,519
Speaker 1: saying that the Janits ship was incredible too, but then

1097
01:12:06,560 --> 01:12:09,160
Speaker 1: you know it's like ship. Man, I'm the first rap

1098
01:12:09,280 --> 01:12:11,799
Speaker 1: dude Stevie wanted to collaborate on the Big Bang album.

1099
01:12:12,600 --> 01:12:15,360
Speaker 1: You know what I'm saying, I gotta grab my bad

1100
01:12:25,600 --> 01:12:31,519
Speaker 1: yourself that. Yeah, he was like, who is this person?

1101
01:12:33,320 --> 01:12:35,639
Speaker 1: I must have been around here. That's that's my tallest

1102
01:12:35,960 --> 01:12:38,680
Speaker 1: big brother though. That's my big tallest brother. And and

1103
01:12:39,520 --> 01:12:42,120
Speaker 1: we actually got some new magic in the works coming soon.

1104
01:12:42,160 --> 01:12:46,720
Speaker 1: I hope I we got we got another monster. I'm

1105
01:12:46,840 --> 01:12:49,680
Speaker 1: getting ready to come soon. This is probably my my

1106
01:12:49,840 --> 01:12:53,320
Speaker 1: third collaborative because I also did something on this Time

1107
01:12:53,360 --> 01:12:56,439
Speaker 1: to Love album that came out through Universal Motown a

1108
01:12:56,560 --> 01:13:01,519
Speaker 1: few years ago. And you know, he he funk with

1109
01:13:02,120 --> 01:13:05,280
Speaker 1: young Bus rhymes. I'm the young bull, I'm the young

1110
01:13:05,400 --> 01:13:08,160
Speaker 1: turist brother of his. So you know, he put his

1111
01:13:08,280 --> 01:13:10,920
Speaker 1: arm around me and give me guidance and he scored

1112
01:13:10,960 --> 01:13:13,519
Speaker 1: me to shape both professionally and personally, you know what

1113
01:13:13,560 --> 01:13:17,240
Speaker 1: I'm saying. So it's it's it's these kind of blessings

1114
01:13:17,280 --> 01:13:21,200
Speaker 1: that I don't I keep getting bestowed on me to

1115
01:13:21,360 --> 01:13:24,360
Speaker 1: be able to, you know, look at these moments and

1116
01:13:24,439 --> 01:13:27,400
Speaker 1: be like, how could you not continue to have the

1117
01:13:27,439 --> 01:13:29,000
Speaker 1: passion and the fin I don't want to do it,

1118
01:13:29,680 --> 01:13:32,320
Speaker 1: you know what I'm saying. Like Nigga's it's a trouble

1119
01:13:32,400 --> 01:13:36,080
Speaker 1: if they think then I'm gonna stop funk. You mean stop.

1120
01:13:36,400 --> 01:13:52,559
Speaker 1: I'm talking about you heard the next three birthdays where

1121
01:13:52,560 --> 01:13:57,120
Speaker 1: it is bomb fuck that. I'm definitely too much. I'm

1122
01:13:57,200 --> 01:14:02,040
Speaker 1: taking eleven years to finish this new album. Mhmm. In

1123
01:14:02,160 --> 01:14:04,880
Speaker 1: addition to what the new album is going to be

1124
01:14:05,160 --> 01:14:08,200
Speaker 1: as an experience in itself, and it's it's called extinction

1125
01:14:08,320 --> 01:14:17,600
Speaker 1: level Event to extinction. Thank you brother, And you know

1126
01:14:17,800 --> 01:14:20,200
Speaker 1: it's ill that you you know, the first song you

1127
01:14:20,280 --> 01:14:24,280
Speaker 1: bring up is is not what you asking for? Give

1128
01:14:24,320 --> 01:14:28,360
Speaker 1: it to me, bro. That's that was on extinction level one.

1129
01:14:28,680 --> 01:14:35,599
Speaker 1: That's that's a two year ago out. So two years later,

1130
01:14:36,479 --> 01:14:38,400
Speaker 1: you know, we're looking at the ship that's going on.

1131
01:14:40,560 --> 01:14:43,920
Speaker 1: I've been trying to tell you what are you talking about.

1132
01:14:44,360 --> 01:14:47,080
Speaker 1: I've just been time trying to tell nigga's about this

1133
01:14:47,320 --> 01:14:53,040
Speaker 1: time that's coming. Really let you already know. So check

1134
01:14:53,160 --> 01:14:56,280
Speaker 1: this that we had the big family, uh guilt from

1135
01:14:56,320 --> 01:14:59,760
Speaker 1: good in my mood. Yeah, at the exact moment when

1136
01:14:59,840 --> 01:15:04,040
Speaker 1: you brought the behold of Pale Horse book. Now we

1137
01:15:04,160 --> 01:15:07,800
Speaker 1: can tell me the story. We used to be. First

1138
01:15:07,840 --> 01:15:11,439
Speaker 1: of all, bigger the Dallas Austin. Yeah, we're real big us.

1139
01:15:12,280 --> 01:15:14,880
Speaker 1: That's super duper big up the Dallas Austin. I don't

1140
01:15:14,920 --> 01:15:19,880
Speaker 1: think people understand how significantly important he is to this

1141
01:15:20,080 --> 01:15:24,840
Speaker 1: culture and how the shift of the young black executive

1142
01:15:27,000 --> 01:15:32,439
Speaker 1: was ushered in really via him. M hm. A lot

1143
01:15:32,479 --> 01:15:36,040
Speaker 1: of maggas don't understand that Dallas Austin was eighteen years

1144
01:15:36,080 --> 01:15:40,799
Speaker 1: old with a four million oars facility called Dark Studio

1145
01:15:40,920 --> 01:15:43,000
Speaker 1: and they had like six seven million allars where for

1146
01:15:43,040 --> 01:15:48,080
Speaker 1: cars parked in front of that motherfucker at eighteen at

1147
01:15:48,080 --> 01:15:55,240
Speaker 1: the time. At the time, he had TLC three million,

1148
01:15:55,360 --> 01:15:58,920
Speaker 1: four millions sold another bad creation to three millions old

1149
01:15:59,439 --> 01:16:02,519
Speaker 1: boys him and ten millions sold Let's nigga was smacking

1150
01:16:02,560 --> 01:16:05,639
Speaker 1: the ship out of everybody and was still a child,

1151
01:16:07,720 --> 01:16:11,320
Speaker 1: and nobody was doing that motherfucker right he was. He

1152
01:16:11,439 --> 01:16:15,400
Speaker 1: was saying that ship without saying it with his bread

1153
01:16:15,680 --> 01:16:21,920
Speaker 1: and with his resume. And Clid Davis loved Dallas. Big

1154
01:16:22,000 --> 01:16:26,200
Speaker 1: up to Claude Davis too, but he loved Dallas Dallas.

1155
01:16:28,320 --> 01:16:30,960
Speaker 1: When I broke up with Leaders, Dallas reached out to

1156
01:16:31,040 --> 01:16:33,639
Speaker 1: me and told me to come to the Egg. Dallas

1157
01:16:33,720 --> 01:16:38,240
Speaker 1: gave me the flip Mode logo. Niggas don't even know

1158
01:16:38,360 --> 01:16:42,320
Speaker 1: that I got the flip Mode logo from Dallas because

1159
01:16:42,400 --> 01:16:46,639
Speaker 1: Dallas heard about Rampage and he was like, I love

1160
01:16:46,760 --> 01:16:48,600
Speaker 1: what you're doing. Bus, I think it's time for you

1161
01:16:48,720 --> 01:16:51,519
Speaker 1: to become an executive though, Like, let's do something with Dallas.

1162
01:16:52,000 --> 01:16:54,920
Speaker 1: I mean with Rampage. I'm gonna sign you to give

1163
01:16:54,920 --> 01:16:58,639
Speaker 1: you a production deal through routing. Just start like your

1164
01:16:58,760 --> 01:17:02,280
Speaker 1: your little label ship and let's put our Rampage. So

1165
01:17:02,400 --> 01:17:04,840
Speaker 1: I was like, I'm working with everything you're talking about.

1166
01:17:06,240 --> 01:17:08,400
Speaker 1: I'm still trying to figure out my next move because

1167
01:17:08,439 --> 01:17:10,360
Speaker 1: I still didn't have the courage enough to want to

1168
01:17:10,400 --> 01:17:12,960
Speaker 1: do a whole solo album. So I got on my

1169
01:17:13,080 --> 01:17:16,080
Speaker 1: feature game and when the leaders broke up and Nintly

1170
01:17:16,160 --> 01:17:19,080
Speaker 1: three to Nintly six my way of getting to the

1171
01:17:19,120 --> 01:17:20,880
Speaker 1: bad quick because I was the first one to have

1172
01:17:20,960 --> 01:17:23,519
Speaker 1: the channel leaders at the New School, so I had

1173
01:17:23,560 --> 01:17:26,839
Speaker 1: to find ways to feed my son. And I couldn't

1174
01:17:26,880 --> 01:17:28,320
Speaker 1: get it no more off for the leaders in the

1175
01:17:28,360 --> 01:17:32,960
Speaker 1: New School ship because the niggas he was over. So

1176
01:17:33,960 --> 01:17:35,840
Speaker 1: you know, I'm calling the studios to find how to

1177
01:17:35,920 --> 01:17:38,080
Speaker 1: win there. And at the time, you know, I was

1178
01:17:38,120 --> 01:17:41,439
Speaker 1: already popping from scenario. So niggas wanted to hear from

1179
01:17:41,479 --> 01:17:44,639
Speaker 1: buster rhymes, So I called Nigga Studio Sessions to find

1180
01:17:44,640 --> 01:17:52,360
Speaker 1: out the win there. Yeah, A pioneered the feature. I

1181
01:17:52,479 --> 01:17:57,360
Speaker 1: just said. I just said, I'm pioneered the feature talking

1182
01:17:57,400 --> 01:18:03,599
Speaker 1: about dominded that ship. Bumbass nigga. Put me on your

1183
01:18:03,760 --> 01:18:10,000
Speaker 1: ship because it's a bumbass nigga right now. But the way,

1184
01:18:10,080 --> 01:18:12,160
Speaker 1: the way, the way, the way that used to happen was,

1185
01:18:13,960 --> 01:18:15,559
Speaker 1: you know, I'm trying to make sure I find money

1186
01:18:15,920 --> 01:18:19,640
Speaker 1: feed my child. Call the studio sets to see you

1187
01:18:19,680 --> 01:18:25,720
Speaker 1: went there, find out the wind, then go to the

1188
01:18:25,800 --> 01:18:28,519
Speaker 1: bud spot at the time. This is before they to

1189
01:18:28,600 --> 01:18:31,920
Speaker 1: droll chronic. None of that ship ain't exist yet. Maybe

1190
01:18:31,960 --> 01:18:35,880
Speaker 1: you're just smoking endica sets skunk chocolate tie that type

1191
01:18:35,920 --> 01:18:40,240
Speaker 1: of ship. Everybody loved to burn the chocolate though. Take

1192
01:18:40,240 --> 01:18:43,519
Speaker 1: a hunted alice, it's about five twenty bags will get

1193
01:18:43,560 --> 01:18:46,559
Speaker 1: the slowest burning cigars and ship was called white Owls

1194
01:18:46,880 --> 01:18:53,320
Speaker 1: still to the day, slowest burning cigars, My nigger roll.

1195
01:18:53,360 --> 01:18:55,640
Speaker 1: I don't like this, just neither. It was harsh to motherfucker,

1196
01:18:56,000 --> 01:19:01,720
Speaker 1: but they burned slow. God damn nigga pussy tastes like

1197
01:19:01,760 --> 01:19:08,880
Speaker 1: a blunt. It's crazy. Yeah, but I would. I would

1198
01:19:08,920 --> 01:19:13,320
Speaker 1: go on these sessions and I pop up and I

1199
01:19:13,360 --> 01:19:16,519
Speaker 1: would just you know, I had a weird steaming and

1200
01:19:16,680 --> 01:19:19,200
Speaker 1: make it the smell that everybody wants smoke. Anybody wants smoke.

1201
01:19:20,120 --> 01:19:22,760
Speaker 1: Pass that ship around me, leaving without your button. While

1202
01:19:22,760 --> 01:19:25,760
Speaker 1: I'm making the smoking. You're in the corner right some ship.

1203
01:19:27,800 --> 01:19:29,719
Speaker 1: I get to doing a little grunt, a little dungeon

1204
01:19:29,800 --> 01:19:31,800
Speaker 1: dragon growling the corner. They want here with the funk.

1205
01:19:31,840 --> 01:19:42,920
Speaker 1: I'm moving to. Yeah about it, don't worry about it.

1206
01:19:43,000 --> 01:19:47,560
Speaker 1: Keep smoking. They had they didn't forget versus did. It

1207
01:19:47,640 --> 01:19:51,280
Speaker 1: wasn't like yeah, I'm doing all of that exactly just

1208
01:19:51,479 --> 01:19:54,400
Speaker 1: like that I write. After I write my ship, I'm

1209
01:19:54,400 --> 01:19:56,559
Speaker 1: saying it to myself. But then I get to moments

1210
01:19:56,600 --> 01:19:58,400
Speaker 1: where I gotta do what I actually got to do

1211
01:19:58,520 --> 01:20:00,200
Speaker 1: on the verse in the booth. So if I after

1212
01:20:00,280 --> 01:20:02,200
Speaker 1: dungeon dragon ground in the middle of the verse, I'm

1213
01:20:02,200 --> 01:20:04,840
Speaker 1: gonna do it loud enough for the room to hear it,

1214
01:20:04,920 --> 01:20:09,880
Speaker 1: but not here. Then they want to hear what I'm saying. Okay,

1215
01:20:09,960 --> 01:20:11,360
Speaker 1: now I'll turn the mic on and go do it

1216
01:20:11,360 --> 01:20:14,599
Speaker 1: in the booth. I'll get it there. I spent my ship.

1217
01:20:16,080 --> 01:20:18,120
Speaker 1: They can't hear a song without that version. No more.

1218
01:20:19,760 --> 01:20:22,120
Speaker 1: We come back in the vocal in the control room,

1219
01:20:22,600 --> 01:20:24,400
Speaker 1: playing the ship three or four times in a row.

1220
01:20:24,520 --> 01:20:27,240
Speaker 1: Niggas it's high fine and anybody happy? The verse stupid,

1221
01:20:27,880 --> 01:20:32,800
Speaker 1: I leave Chris Lady, my nigg listen to his joint

1222
01:20:32,840 --> 01:20:37,680
Speaker 1: I did last night with such and such? Can you

1223
01:20:37,760 --> 01:20:40,360
Speaker 1: can you can you can you send that invoice for me? Please? Brother?

1224
01:20:41,720 --> 01:20:44,920
Speaker 1: He said, They invoice the lawyers, get the talking, come

1225
01:20:44,960 --> 01:20:46,920
Speaker 1: pick up the check from the label. Do that three

1226
01:20:46,960 --> 01:20:49,240
Speaker 1: or four times a week. The ship was very fucking

1227
01:20:49,360 --> 01:20:52,560
Speaker 1: lucrative ship, and I didn't have to split it with

1228
01:20:52,680 --> 01:20:55,599
Speaker 1: no crew, and I didn't have to recoup it from

1229
01:20:55,640 --> 01:20:58,920
Speaker 1: no budget. It was just my money for my motherfucking

1230
01:20:58,960 --> 01:21:01,320
Speaker 1: work that I was putting and just beating the pavement

1231
01:21:01,360 --> 01:21:04,639
Speaker 1: and grunted. But you know, at the end of the day,

1232
01:21:04,840 --> 01:21:09,559
Speaker 1: it was just doing. All of that led to Dallas

1233
01:21:09,600 --> 01:21:12,040
Speaker 1: seeing the way I was moving, and it was just like,

1234
01:21:13,320 --> 01:21:17,400
Speaker 1: you want some ship, let's do while you got this momentum,

1235
01:21:17,840 --> 01:21:21,439
Speaker 1: Let's put out an artist, but it's yours. I come

1236
01:21:21,479 --> 01:21:26,080
Speaker 1: out here, come to the rally office. I needed a

1237
01:21:26,160 --> 01:21:30,160
Speaker 1: company name, and I just went back to scenario remix

1238
01:21:30,240 --> 01:21:32,840
Speaker 1: and I was like, opening up your mouth if you

1239
01:21:33,000 --> 01:21:35,599
Speaker 1: want the food to get rude, flip Mode because I'm

1240
01:21:35,640 --> 01:21:40,160
Speaker 1: in the mood, had a hand. Yeah, man, I did

1241
01:21:40,240 --> 01:21:42,560
Speaker 1: get drunk up, blood coming out the nose. Give me

1242
01:21:42,640 --> 01:21:44,880
Speaker 1: your band AIChE. So I said flip Mode in that verse.

1243
01:21:45,840 --> 01:21:48,120
Speaker 1: So said, I'm gonna take flip Mode as the company name,

1244
01:21:48,720 --> 01:21:51,040
Speaker 1: and I told Dallas. Dallas came back with like six

1245
01:21:51,160 --> 01:21:54,880
Speaker 1: flip Mode logo options, and I chose the one that

1246
01:21:55,000 --> 01:21:58,880
Speaker 1: the world and ended up saying, so that's the first thing.

1247
01:21:59,160 --> 01:22:04,880
Speaker 1: Let's big up Dalla for that. Dallas. He helped me

1248
01:22:04,960 --> 01:22:08,920
Speaker 1: evolve into being an executive. Dallas did the same thing

1249
01:22:09,000 --> 01:22:13,720
Speaker 1: with Puff. When Andre Herrow let Puff go, Dallas called

1250
01:22:13,800 --> 01:22:16,320
Speaker 1: him and told him come to Dark Studio, come to

1251
01:22:16,439 --> 01:22:21,519
Speaker 1: the A bro introduced you to claud Davis bad Way

1252
01:22:21,680 --> 01:22:25,360
Speaker 1: was born. Dallas had everything to do with that too,

1253
01:22:25,920 --> 01:22:29,080
Speaker 1: because Dallas was to plug the Cloud. Because Dallas was

1254
01:22:29,160 --> 01:22:31,519
Speaker 1: the niggat that cloud was going to to get a

1255
01:22:31,560 --> 01:22:35,760
Speaker 1: little millions of records. So his hand was hotter than

1256
01:22:35,800 --> 01:22:41,759
Speaker 1: the motherfucker. When E. P. M. D broke up, Eric Sherman,

1257
01:22:41,800 --> 01:22:45,680
Speaker 1: I'm a fan, come to to a That's how Eric

1258
01:22:45,760 --> 01:22:49,120
Speaker 1: came down and ended up in a started death squad.

1259
01:22:49,200 --> 01:22:53,880
Speaker 1: Ship started producing for illegal little Jamla Leak. Remember them dudes.

1260
01:22:54,600 --> 01:22:56,960
Speaker 1: There's a group that was there was two little young

1261
01:22:57,120 --> 01:23:00,240
Speaker 1: boys at the time, he was like two up and

1262
01:23:00,320 --> 01:23:04,040
Speaker 1: thirteen years old. These little niggas was like Tyrists though

1263
01:23:04,800 --> 01:23:07,439
Speaker 1: he was in the strip club and has the strip

1264
01:23:08,000 --> 01:23:10,280
Speaker 1: chick to come back to the studio with them. When

1265
01:23:10,320 --> 01:23:12,120
Speaker 1: they come to the stool, they see these little niggas

1266
01:23:12,160 --> 01:23:15,000
Speaker 1: is around. Niggas like Puff and Buster Rhymes and Dallas.

1267
01:23:15,040 --> 01:23:18,920
Speaker 1: Austin Chicks was fascinated by Ship like that. They drinking,

1268
01:23:18,920 --> 01:23:21,320
Speaker 1: They get drunk, smoke weed knockout on a futon of

1269
01:23:21,360 --> 01:23:27,720
Speaker 1: some ship getting the club. These little niggas that take

1270
01:23:27,760 --> 01:23:31,439
Speaker 1: their cargo crash their ship up bringing back pocket and

1271
01:23:31,520 --> 01:23:34,360
Speaker 1: I had them wake up from the sleeping off the

1272
01:23:34,520 --> 01:23:36,960
Speaker 1: high thinking they crashed their own ship. And I said,

1273
01:23:36,960 --> 01:23:41,200
Speaker 1: these little niggas is illegal. Dallas said that that's what

1274
01:23:41,320 --> 01:23:44,360
Speaker 1: we're gonna name these niggas illegal. The name of the

1275
01:23:44,439 --> 01:23:48,639
Speaker 1: group became illegal. Eric Sherman started producing the Holy Ship

1276
01:23:48,840 --> 01:23:51,080
Speaker 1: and Dallas was producing their ship, and niggas is hard.

1277
01:23:51,800 --> 01:23:55,160
Speaker 1: Little Jamal ended up with Depth Squad, you know what

1278
01:23:55,200 --> 01:24:01,040
Speaker 1: I'm saying. And again Dallas was very instrumental in the

1279
01:24:01,400 --> 01:24:06,760
Speaker 1: evolution of Puff just being a dope a and all

1280
01:24:06,960 --> 01:24:11,599
Speaker 1: for Mary and Jodice into becoming an executive of CEO

1281
01:24:11,760 --> 01:24:15,400
Speaker 1: of his own company. Same ship with Eric Sermon, same

1282
01:24:15,439 --> 01:24:19,519
Speaker 1: ship with bust Rhymes. So back to get in goody

1283
01:24:19,600 --> 01:24:22,400
Speaker 1: mom all. At that time when we was in Dark Studio,

1284
01:24:23,040 --> 01:24:26,000
Speaker 1: we used to have these building sessions because you know,

1285
01:24:26,040 --> 01:24:28,000
Speaker 1: I'm a member of the Five Presentation of the Gods

1286
01:24:28,040 --> 01:24:30,960
Speaker 1: and Earths, so I was always into knowledge of self

1287
01:24:31,080 --> 01:24:34,719
Speaker 1: and just researching high sciences and things of that nature.

1288
01:24:35,280 --> 01:24:42,200
Speaker 1: And gift was always there. Gift was the first good

1289
01:24:42,400 --> 01:24:44,759
Speaker 1: MM member that I knew. He was always there because

1290
01:24:45,439 --> 01:24:49,240
Speaker 1: you know, his his the mother of his child. Um,

1291
01:24:50,400 --> 01:24:54,120
Speaker 1: the beautiful and incredible Joy. She was working very closely

1292
01:24:54,200 --> 01:24:59,560
Speaker 1: with Dallas at the time, so you know, I was

1293
01:24:59,640 --> 01:25:03,760
Speaker 1: always super cool with Joy. She's a royal empress to

1294
01:25:03,880 --> 01:25:05,600
Speaker 1: me as far as the talent and just as a

1295
01:25:05,720 --> 01:25:15,360
Speaker 1: human being. Give that control, yeah yeah, yeah yeah, and

1296
01:25:15,479 --> 01:25:18,639
Speaker 1: give gifts like my motherfucking brother. That's that's the God.

1297
01:25:18,880 --> 01:25:21,559
Speaker 1: You know what I'm saying. George Clinton at the time

1298
01:25:22,160 --> 01:25:25,880
Speaker 1: was coming through and he was busting our head with

1299
01:25:26,000 --> 01:25:28,160
Speaker 1: so much high signs because he started hitting us with

1300
01:25:28,200 --> 01:25:31,840
Speaker 1: shit about how when they was doing their parlier Man

1301
01:25:31,920 --> 01:25:35,120
Speaker 1: Funkadelic concerts and they was landing the Mothership on stage

1302
01:25:35,160 --> 01:25:37,320
Speaker 1: that FED used to pull up to try to investigate

1303
01:25:37,400 --> 01:25:40,200
Speaker 1: what was these niggers trying to tell people because that

1304
01:25:40,360 --> 01:25:43,840
Speaker 1: Area fifty one ship was supposed to be classified. The

1305
01:25:43,960 --> 01:25:47,320
Speaker 1: niggas was doing that ship in their shows and you know,

1306
01:25:47,479 --> 01:25:49,400
Speaker 1: talking that ship in their music, and it just seemed

1307
01:25:49,439 --> 01:25:52,519
Speaker 1: like they was tapping into some ship that was obviously

1308
01:25:52,600 --> 01:25:54,680
Speaker 1: letting the powers that being feel like they needed to

1309
01:25:54,760 --> 01:25:58,720
Speaker 1: pull up, so they do. They don't just pull up

1310
01:25:58,920 --> 01:26:00,800
Speaker 1: they need to get the figure out the fun you

1311
01:26:00,880 --> 01:26:03,719
Speaker 1: getting into it to talk. So it was like George

1312
01:26:03,800 --> 01:26:07,679
Speaker 1: was sharing those stories with us, and the crazy ship

1313
01:26:07,840 --> 01:26:09,560
Speaker 1: was as he was sharing them stories with us. He

1314
01:26:09,760 --> 01:26:12,200
Speaker 1: put me onto this book Behold the Pale Horse, written

1315
01:26:12,880 --> 01:26:17,360
Speaker 1: by William J. Cooper. I think he was a former

1316
01:26:17,479 --> 01:26:21,640
Speaker 1: naval briefing team. He ended up getting killed too. But

1317
01:26:22,000 --> 01:26:24,920
Speaker 1: the ill Ship is this book was the book that

1318
01:26:25,120 --> 01:26:32,720
Speaker 1: really took what I was already dealing with as five,

1319
01:26:34,320 --> 01:26:37,280
Speaker 1: dealing with the God Nation, the Nation of the Guards

1320
01:26:37,320 --> 01:26:39,960
Speaker 1: and Earth and studying my ship and combining it with

1321
01:26:40,120 --> 01:26:43,439
Speaker 1: this ship which was some whole other ship, and it

1322
01:26:43,600 --> 01:26:46,240
Speaker 1: just changed my whole perspective, which is what turned my

1323
01:26:46,400 --> 01:26:52,040
Speaker 1: albums into the Coming when disaster strikes, extinction level of

1324
01:26:52,080 --> 01:26:57,200
Speaker 1: band anarchy, Genesis. No, no, it ain't Genesis, it ain't

1325
01:26:57,240 --> 01:27:02,800
Speaker 1: safe No more big bang, like this continuing storyline that's

1326
01:27:02,840 --> 01:27:08,120
Speaker 1: connected by the silver lining, never deviating from what the

1327
01:27:08,240 --> 01:27:11,920
Speaker 1: concept is and what the content is. And I'm just

1328
01:27:12,040 --> 01:27:14,800
Speaker 1: adding these new different chapters to this book of Eli.

1329
01:27:15,800 --> 01:27:22,640
Speaker 1: You feel me so so so so so It's like

1330
01:27:24,120 --> 01:27:26,439
Speaker 1: George Clinton did that to me. That's the effect he

1331
01:27:26,520 --> 01:27:28,759
Speaker 1: had on me. Between the ship that he was schooling

1332
01:27:28,800 --> 01:27:32,880
Speaker 1: me with and that book and gift, being that he

1333
01:27:33,000 --> 01:27:37,320
Speaker 1: was around this ship, I gave gift the book and

1334
01:27:37,640 --> 01:27:40,360
Speaker 1: he took it to them. Good Hm, all of my

1335
01:27:40,520 --> 01:27:45,720
Speaker 1: brothers over there, cool Joe Clo. And when he when

1336
01:27:45,760 --> 01:27:50,200
Speaker 1: they got that book, it just turned them into something else.

1337
01:27:51,280 --> 01:27:54,240
Speaker 1: So therapy was born, and they started dealing with the

1338
01:27:54,360 --> 01:27:59,519
Speaker 1: fucking who's knocking at the window and then the videos

1339
01:27:59,600 --> 01:28:02,679
Speaker 1: nigga paying for their food with the bar cold scans,

1340
01:28:03,720 --> 01:28:05,560
Speaker 1: and now when you're dealing with what's going on in

1341
01:28:05,680 --> 01:28:08,479
Speaker 1: hand with these niggas talking about these mandated vaccinations and

1342
01:28:08,520 --> 01:28:10,479
Speaker 1: all of this wild ship and Trump at the fun

1343
01:28:10,640 --> 01:28:14,400
Speaker 1: debate talking about you could get two hundred vaccinations done

1344
01:28:14,439 --> 01:28:17,559
Speaker 1: to day because I'm a deploy the military to give

1345
01:28:17,600 --> 01:28:20,479
Speaker 1: it the niggas. And what the military niggas got to

1346
01:28:20,560 --> 01:28:23,439
Speaker 1: do with giving the nigga vaccination shot is beyond me.

1347
01:28:24,080 --> 01:28:27,280
Speaker 1: But I'm just saying this information was fascinating back then,

1348
01:28:29,160 --> 01:28:31,240
Speaker 1: never knowing whether or not it was gonna be true

1349
01:28:31,400 --> 01:28:34,320
Speaker 1: or come to life, but just the idea and what

1350
01:28:34,560 --> 01:28:38,320
Speaker 1: if people was fucking with niggas And I was drawn

1351
01:28:38,400 --> 01:28:41,680
Speaker 1: to that ship, so you know, getting them took it.

1352
01:28:41,760 --> 01:28:45,920
Speaker 1: They ran with it. Even out Cash I believe started

1353
01:28:45,960 --> 01:28:47,920
Speaker 1: to really get into that ship because they were Southern

1354
01:28:47,960 --> 01:28:51,760
Speaker 1: realistic Cadillac music at first, and then they turned into

1355
01:28:51,840 --> 01:29:07,680
Speaker 1: this and watch the book Third Row. Yeah, but but

1356
01:29:07,840 --> 01:29:10,920
Speaker 1: you know all of that too is the showmanship. You

1357
01:29:10,960 --> 01:29:13,120
Speaker 1: know what I'm saying that it was showmanship. It was

1358
01:29:13,200 --> 01:29:16,120
Speaker 1: not being comfortable trying to just do the regular Negga

1359
01:29:16,200 --> 01:29:20,600
Speaker 1: ship with the baseball fittage in the baseball jersey, you know,

1360
01:29:20,720 --> 01:29:22,880
Speaker 1: and the tem boots, like we could do that all day.

1361
01:29:22,960 --> 01:29:26,920
Speaker 1: But you know, there was a nation of motherfucker's that

1362
01:29:27,040 --> 01:29:29,200
Speaker 1: really want to go out there and show Nigga's how

1363
01:29:29,240 --> 01:29:32,200
Speaker 1: they really feel and how they really be thinking, and

1364
01:29:32,320 --> 01:29:36,120
Speaker 1: how we be imaginating ship, and what if we could

1365
01:29:36,160 --> 01:29:41,640
Speaker 1: pull those off? What what would the reaction really be

1366
01:29:41,760 --> 01:29:45,240
Speaker 1: if we just did it and Nigga's just didn't with

1367
01:29:45,400 --> 01:29:49,040
Speaker 1: the chest out like fucking whatever whatever that our coming

1368
01:29:49,080 --> 01:29:50,800
Speaker 1: is gonna be, it's gonna be. But I'm a nose dive,

1369
01:29:50,880 --> 01:29:53,559
Speaker 1: head first without a parachute. Fuck it. However, the way

1370
01:29:53,600 --> 01:29:56,080
Speaker 1: I land, that's what it's gonna be. It didn't get

1371
01:29:56,120 --> 01:29:59,080
Speaker 1: to that point. I don't want to say that it

1372
01:29:59,200 --> 01:30:01,120
Speaker 1: was just me. This is before me, you know, what

1373
01:30:01,280 --> 01:30:03,240
Speaker 1: George Clinton and them was on that. But as far

1374
01:30:03,280 --> 01:30:05,920
Speaker 1: as hip hop is concerned, you know what I'm saying,

1375
01:30:06,080 --> 01:30:12,000
Speaker 1: I pulled from Cold Crushing and and Furious five because

1376
01:30:12,000 --> 01:30:13,680
Speaker 1: when you look at them, they was dressing up some

1377
01:30:14,160 --> 01:30:16,640
Speaker 1: on some ship that was wild too. They had them

1378
01:30:16,760 --> 01:30:21,479
Speaker 1: fucking feathers on and the fucking shoulder padge looking crazy Nick,

1379
01:30:21,600 --> 01:30:23,360
Speaker 1: but they was Yeah, they was pulling all of that

1380
01:30:23,400 --> 01:30:26,400
Speaker 1: ship though real ship on the album might work. That's

1381
01:30:26,400 --> 01:30:31,680
Speaker 1: how million million niggasigas are standing up a group of

1382
01:30:31,800 --> 01:30:36,280
Speaker 1: old pictures of your uncle girls ship because everybody handed

1383
01:30:36,439 --> 01:30:39,240
Speaker 1: one uncle who had bullshit, but it was clean at

1384
01:30:39,280 --> 01:30:46,240
Speaker 1: that morning. That but I'm saying, like you did that

1385
01:30:46,360 --> 01:30:49,080
Speaker 1: buzz like you remember. I don't remember what the video was,

1386
01:30:49,200 --> 01:30:51,800
Speaker 1: but you was dressed like one of the niggas. Chris

1387
01:30:51,920 --> 01:30:58,080
Speaker 1: Tucker was fighting the rush hour. You had like some Japanese. Yeah,

1388
01:31:00,040 --> 01:31:06,519
Speaker 1: she show up for Buster Ship Warrior. But I just

1389
01:31:06,640 --> 01:31:08,080
Speaker 1: was trying to you know, I was just trying to

1390
01:31:08,200 --> 01:31:11,560
Speaker 1: maximize it all. I mean, no, I ain't so no

1391
01:31:11,720 --> 01:31:25,840
Speaker 1: damn about it was closed. I'm telling you boy, he

1392
01:31:25,920 --> 01:31:30,559
Speaker 1: had that keeping the buck. We had the Flower regular

1393
01:31:30,600 --> 01:31:33,600
Speaker 1: ship for the street like we we I didn't like

1394
01:31:33,920 --> 01:31:38,920
Speaker 1: Avarex leather spinoffs. That was bullshe ship I did sweatsuits.

1395
01:31:39,000 --> 01:31:42,479
Speaker 1: I did thenim shoots like that makes we're regular, Like

1396
01:31:46,720 --> 01:31:48,920
Speaker 1: I might have to custom ship. We stopped doing that

1397
01:31:48,960 --> 01:31:52,880
Speaker 1: a while and you ain't you ain't never live you

1398
01:31:55,760 --> 01:32:07,320
Speaker 1: ros That's how you get me. That's gonna be our

1399
01:32:07,400 --> 01:32:13,320
Speaker 1: clothes land DC Bump. We got to talk about how

1400
01:32:13,400 --> 01:32:17,200
Speaker 1: you slid on the track with Maraq here and literally

1401
01:32:17,360 --> 01:32:20,120
Speaker 1: slid on the track man, and thank you brother. She

1402
01:32:20,800 --> 01:32:26,120
Speaker 1: is incredible. First and foremost, congrats sloop to Malaya. She

1403
01:32:26,280 --> 01:32:28,519
Speaker 1: got a whole lot of incredible ship going on. I

1404
01:32:28,560 --> 01:32:31,680
Speaker 1: think she just put out an album October second that

1405
01:32:31,760 --> 01:32:34,439
Speaker 1: she is moving and shaking, streaming crazy. She just put

1406
01:32:34,479 --> 01:32:36,960
Speaker 1: out a book that she is the number one top

1407
01:32:37,320 --> 01:32:40,880
Speaker 1: selling book in the world right now in her season

1408
01:32:40,960 --> 01:32:45,439
Speaker 1: coming up, motherfucker right Christmas, nobody can't funk with her. No,

1409
01:32:51,680 --> 01:32:55,080
Speaker 1: she she's she got the crown for that forever though

1410
01:32:57,120 --> 01:33:00,080
Speaker 1: forever in my mind. And the only two songs you

1411
01:33:00,160 --> 01:33:03,080
Speaker 1: really now, like she came up with a happy Birthday

1412
01:33:03,120 --> 01:33:05,920
Speaker 1: song like for real, like that ship will never die,

1413
01:33:06,520 --> 01:33:09,600
Speaker 1: that that that Christmas joint. So it's like big up

1414
01:33:09,640 --> 01:33:14,599
Speaker 1: the Mariah First and Foremost and ship. But um that song, bro,

1415
01:33:15,080 --> 01:33:18,320
Speaker 1: I got the beat from Rick Rock, my brother big

1416
01:33:18,439 --> 01:33:22,439
Speaker 1: up the Rick Rock out there, and the motherfucked him. Yeah,

1417
01:33:23,120 --> 01:33:25,439
Speaker 1: you know what I'm saying, salute to my brother Rick Rock.

1418
01:33:25,960 --> 01:33:27,760
Speaker 1: Me and split Star was on a tall bush one

1419
01:33:27,840 --> 01:33:34,080
Speaker 1: time driving across country New York. Split. He mean, I

1420
01:33:34,200 --> 01:33:38,640
Speaker 1: think it's split with me, the whole journey split right.

1421
01:33:38,800 --> 01:33:46,479
Speaker 1: Riding shot down with me brother a couple of times

1422
01:33:46,479 --> 01:33:51,840
Speaker 1: he didn't lean on the back of the chair like yeah,

1423
01:33:51,880 --> 01:33:54,599
Speaker 1: now we There was a period that I wasn't working

1424
01:33:54,640 --> 01:33:56,160
Speaker 1: with the plane. I just wasn't in the mood to

1425
01:33:56,200 --> 01:33:57,640
Speaker 1: get on the plane. I'm mean, getting tired of that

1426
01:33:57,760 --> 01:34:02,280
Speaker 1: whole plane ship sometimes, you know, just take your shoes

1427
01:34:02,320 --> 01:34:06,479
Speaker 1: off and all of that. Hi. Yeah, so you know

1428
01:34:06,880 --> 01:34:10,840
Speaker 1: it was I just, uh, I think the story that

1429
01:34:10,920 --> 01:34:13,639
Speaker 1: broke the camel's back for me. One time's plane took

1430
01:34:13,640 --> 01:34:15,720
Speaker 1: a dip that felt like that ship dropped like ten

1431
01:34:15,840 --> 01:34:20,120
Speaker 1: thousand feet. I thought Niggas was definitely finished. And that

1432
01:34:20,280 --> 01:34:22,280
Speaker 1: was the last flight for about three or four years.

1433
01:34:23,120 --> 01:34:26,960
Speaker 1: Built me some tall busses from the frame, brand new,

1434
01:34:27,600 --> 01:34:30,000
Speaker 1: everything beautiful, and that ship exactly how I wanted the

1435
01:34:30,080 --> 01:34:34,200
Speaker 1: motherfucker's and we would live on them ships and drive

1436
01:34:34,960 --> 01:34:37,160
Speaker 1: from New York to l A with two of the

1437
01:34:37,360 --> 01:34:40,920
Speaker 1: most incredible toll bus drivers in the planet. The only

1438
01:34:41,000 --> 01:34:44,640
Speaker 1: time these motherfucker's we stopped was the fuel of motherfucker's

1439
01:34:44,680 --> 01:34:48,280
Speaker 1: that they used the bathroom. But overall it was a

1440
01:34:48,360 --> 01:34:50,960
Speaker 1: relaxing drive. He was able to rest, you know what

1441
01:34:50,960 --> 01:34:52,320
Speaker 1: I'm saying. A lot of the time, I think it's

1442
01:34:52,320 --> 01:34:54,600
Speaker 1: just grounded so much you wanted until you in a

1443
01:34:54,720 --> 01:34:56,760
Speaker 1: situation where you ain't got no choice but to sit

1444
01:34:56,840 --> 01:34:59,840
Speaker 1: your grass down. You're working too exhausting, you know what.

1445
01:34:59,840 --> 01:35:02,920
Speaker 1: I'm champ. So we're on the bus and you know,

1446
01:35:03,000 --> 01:35:05,040
Speaker 1: while we're riding, a lot of the time, we're playing

1447
01:35:05,080 --> 01:35:07,800
Speaker 1: the video games and ship were watching wild movies, getting

1448
01:35:07,800 --> 01:35:09,760
Speaker 1: our dads. We're listening to the wild Beach thinkers are

1449
01:35:09,760 --> 01:35:13,640
Speaker 1: sending us left and right. Yeah, we definitely had a

1450
01:35:13,640 --> 01:35:15,479
Speaker 1: stew on the bus. We got the butt on the bus,

1451
01:35:15,560 --> 01:35:17,599
Speaker 1: We got the lick on the bus. But but everything

1452
01:35:17,760 --> 01:35:21,320
Speaker 1: is just cozy. Niggers is riding out and the beat

1453
01:35:21,400 --> 01:35:28,120
Speaker 1: came on and I just started singing this ship with split.

1454
01:35:28,280 --> 01:35:30,559
Speaker 1: We just started bugging out like on some joke. Ship

1455
01:35:31,760 --> 01:35:36,800
Speaker 1: and when the melody was done for the hook and

1456
01:35:36,880 --> 01:35:39,920
Speaker 1: the words are done for the hook, we knew the

1457
01:35:40,040 --> 01:35:43,479
Speaker 1: ship was a smash, you know what I'm saying. Figuring

1458
01:35:43,520 --> 01:35:47,040
Speaker 1: out who to do it now, I was just like,

1459
01:35:47,200 --> 01:35:50,040
Speaker 1: this definitely can't be no record where we we don't

1460
01:35:50,080 --> 01:35:54,080
Speaker 1: get one of the crime de crime queens of this

1461
01:35:54,200 --> 01:35:57,080
Speaker 1: ship to do. We can't play with that, like, we

1462
01:35:57,160 --> 01:35:59,600
Speaker 1: gotta make sure we get the right queen for this.

1463
01:36:00,280 --> 01:36:04,280
Speaker 1: And Mariah at that time, it was just the most

1464
01:36:04,640 --> 01:36:08,439
Speaker 1: incredible choice. And she was already my friend, and she

1465
01:36:08,680 --> 01:36:12,080
Speaker 1: was She's already like super easy to do ship with.

1466
01:36:12,880 --> 01:36:16,400
Speaker 1: You just gotta make sure you accommodate the boss lady

1467
01:36:16,439 --> 01:36:19,320
Speaker 1: the way she needs the queen when she pull up.

1468
01:36:19,400 --> 01:36:21,960
Speaker 1: You gotta have your ship together, you know what I'm saying,

1469
01:36:22,680 --> 01:36:26,280
Speaker 1: And and you know rightfully. So she earned the write

1470
01:36:26,320 --> 01:36:30,920
Speaker 1: to passage to you know, to get that without negotiation

1471
01:36:31,080 --> 01:36:35,840
Speaker 1: or complaining. So once I sent her the joint and

1472
01:36:35,920 --> 01:36:38,120
Speaker 1: she heard it, man, she was all the way on

1473
01:36:38,240 --> 01:36:41,000
Speaker 1: board and that she was so beautiful. She got that

1474
01:36:41,040 --> 01:36:44,080
Speaker 1: ship done super quick, turned it around. And it's ill

1475
01:36:44,160 --> 01:36:46,160
Speaker 1: because it was the first time that I ever learned

1476
01:36:46,200 --> 01:36:50,200
Speaker 1: about vocal rests. Like there was times I needed to

1477
01:36:50,280 --> 01:36:53,800
Speaker 1: talk to her about her approving the levels to the song,

1478
01:36:53,880 --> 01:36:55,559
Speaker 1: and we was mixing the ship and you know, we're

1479
01:36:55,560 --> 01:36:57,839
Speaker 1: sending it back to just get over the approval processes

1480
01:36:57,880 --> 01:37:00,040
Speaker 1: all done so we could send it the master and

1481
01:37:00,080 --> 01:37:02,879
Speaker 1: getting master and counting into the label request to Clarences

1482
01:37:02,920 --> 01:37:05,639
Speaker 1: and all of that. For about two weeks we couldn't

1483
01:37:05,640 --> 01:37:08,720
Speaker 1: get it a talk. She was like, you can only

1484
01:37:08,800 --> 01:37:11,560
Speaker 1: text me, you can't talk to me. And at the

1485
01:37:11,600 --> 01:37:15,000
Speaker 1: time I didn't understand that kind of felt like I

1486
01:37:15,160 --> 01:37:18,240
Speaker 1: was getting shipped on. You was there and Queen, you

1487
01:37:18,280 --> 01:37:21,320
Speaker 1: don't want to talk to me, Like I don't understand

1488
01:37:21,400 --> 01:37:27,400
Speaker 1: this ship. But you know, sometimes especially when your voice

1489
01:37:27,439 --> 01:37:33,960
Speaker 1: is hoarse, you gotta such fucking mouth and let it

1490
01:37:34,040 --> 01:37:38,040
Speaker 1: heal itself. But her vocal rest and we ended up

1491
01:37:38,040 --> 01:37:44,080
Speaker 1: having the same vocal doctor. Um and he's incredible, um

1492
01:37:44,400 --> 01:37:48,320
Speaker 1: Dr Kessler, Big shout to Dr Kessler, But overall she

1493
01:37:48,640 --> 01:37:50,880
Speaker 1: was at vocal rest at this point in time. It

1494
01:37:51,040 --> 01:37:52,840
Speaker 1: was a weird experience for me because I could only

1495
01:37:52,880 --> 01:37:56,719
Speaker 1: speak to her via text and she really really really

1496
01:37:57,160 --> 01:38:01,040
Speaker 1: did not speak for like two weeks. I try wrapping

1497
01:38:01,080 --> 01:38:03,040
Speaker 1: my head around that, like even when you win a

1498
01:38:03,120 --> 01:38:05,760
Speaker 1: crib with your family or with your kids, or with

1499
01:38:05,880 --> 01:38:09,960
Speaker 1: your loved ones or whatever. No conversation, yell in the

1500
01:38:10,040 --> 01:38:11,920
Speaker 1: same crib and I got to write some ship down

1501
01:38:12,400 --> 01:38:13,960
Speaker 1: so I could tell you what I want you to do.

1502
01:38:14,200 --> 01:38:15,840
Speaker 1: I gotta text you some ship to tell you what

1503
01:38:15,920 --> 01:38:17,960
Speaker 1: I need you to do. Go go, go, get me

1504
01:38:18,080 --> 01:38:23,160
Speaker 1: some something to drink. Text like that was the first

1505
01:38:23,200 --> 01:38:26,160
Speaker 1: time I'm seeing this with her, and it was a

1506
01:38:26,280 --> 01:38:29,599
Speaker 1: valuable lesson because I ended up needing that same process

1507
01:38:29,960 --> 01:38:36,960
Speaker 1: years years and years later. And um, I started to

1508
01:38:37,040 --> 01:38:43,479
Speaker 1: frequently lose my voice two years ago, and Dr Kessler

1509
01:38:43,600 --> 01:38:45,120
Speaker 1: used to tell me I needed to go and vocal

1510
01:38:45,200 --> 01:38:48,479
Speaker 1: rest too. But I couldn't do that ship funk buster

1511
01:38:48,560 --> 01:39:04,880
Speaker 1: rhymes gonna keep his mouth motherfucking shut, because that didn't

1512
01:39:04,880 --> 01:39:07,080
Speaker 1: seem like being an artist, like even even with me,

1513
01:39:07,160 --> 01:39:08,680
Speaker 1: and I know I'd be doing like the stand up

1514
01:39:08,720 --> 01:39:10,560
Speaker 1: shoulder and I have to go to the studios and

1515
01:39:10,640 --> 01:39:13,720
Speaker 1: I'll be I know for a fact in my mind

1516
01:39:14,240 --> 01:39:17,680
Speaker 1: that is hurting me. I'm talking about literally hurting it.

1517
01:39:18,080 --> 01:39:20,919
Speaker 1: So people don't understand, like how I have to sometimes

1518
01:39:21,040 --> 01:39:22,680
Speaker 1: get off the road lawn that I want to go

1519
01:39:22,760 --> 01:39:24,360
Speaker 1: to the studio, but I literally have to go to

1520
01:39:24,400 --> 01:39:30,040
Speaker 1: sleep three days, booking on Thursday because I have all weekends.

1521
01:39:30,360 --> 01:39:32,320
Speaker 1: So it's a rap I get on the track. Is

1522
01:39:33,280 --> 01:39:37,640
Speaker 1: you see what I'm saying? So the vocalisting and that

1523
01:39:37,760 --> 01:39:39,320
Speaker 1: just put me in mind of like nigger, you have

1524
01:39:39,400 --> 01:39:46,560
Speaker 1: to continue, don't say nothing, and your voice at his

1525
01:39:46,640 --> 01:39:48,280
Speaker 1: prime when you wanted to do what you what you

1526
01:39:48,360 --> 01:39:50,840
Speaker 1: want to do. It's the best. You're in the studio

1527
01:39:50,880 --> 01:39:53,640
Speaker 1: and you just sound the best where you shut the

1528
01:39:53,720 --> 01:39:56,040
Speaker 1: funk up for two weeks. Ain't not telling who the fuck?

1529
01:39:56,120 --> 01:40:00,320
Speaker 1: You sound like your boys heal so much. You sound

1530
01:40:00,400 --> 01:40:13,720
Speaker 1: like you know, like I have shaved man every Christmas boy. No,

1531
01:40:13,920 --> 01:40:17,040
Speaker 1: that isn't it now? I appreciate it. But yeah, my

1532
01:40:17,320 --> 01:40:21,240
Speaker 1: Mariah Man's that's my that's my friend. I love her

1533
01:40:21,360 --> 01:40:23,320
Speaker 1: and I'm proud of her and congratulated with all the

1534
01:40:23,320 --> 01:40:25,280
Speaker 1: ship she got going on right now because she's doing

1535
01:40:25,960 --> 01:40:30,280
Speaker 1: an amazing job. And again, man, it's exciting to be

1536
01:40:30,360 --> 01:40:33,320
Speaker 1: talking about all of this ship because ship. Man, I

1537
01:40:33,760 --> 01:40:36,200
Speaker 1: don't know when this this interview going it, bro, but

1538
01:40:36,400 --> 01:40:42,559
Speaker 1: October thirtieth, eighteen days away from right now, I don't

1539
01:40:42,600 --> 01:40:46,960
Speaker 1: know when me fucking days is gonna be like coming

1540
01:40:47,000 --> 01:40:53,000
Speaker 1: out coming Okay, so what's the date on Friday Friday?

1541
01:40:53,160 --> 01:40:56,800
Speaker 1: What's the date? Today is the twelfth? Yeah, so in

1542
01:40:56,880 --> 01:40:59,880
Speaker 1: future today the sixteen, Friday the sixteen. Yeah, that's what

1543
01:41:00,080 --> 01:41:06,800
Speaker 1: the program anyway. Yeah, that's perfect timing. Um, So if

1544
01:41:06,880 --> 01:41:13,360
Speaker 1: today's the motherfucking the sixteen and today's the sixteen, then

1545
01:41:13,439 --> 01:41:19,040
Speaker 1: your motherfucker's got exactly two weeks in, two days before

1546
01:41:19,360 --> 01:41:23,360
Speaker 1: this album hit the street and shift the climate significantly,

1547
01:41:24,160 --> 01:41:27,479
Speaker 1: extinction level event to the wrath of God. I'm not

1548
01:41:27,720 --> 01:41:30,479
Speaker 1: coming to discuss anything outside of how much I am

1549
01:41:30,600 --> 01:41:40,920
Speaker 1: going to buss y'all motherfucking head wide open rap again.

1550
01:41:41,200 --> 01:41:46,200
Speaker 1: They can't wrap for ship. You know, you know, you know,

1551
01:41:47,000 --> 01:41:50,120
Speaker 1: I ain't gonna lie. It's it's it's so beautiful to

1552
01:41:50,200 --> 01:41:52,240
Speaker 1: be able to put out an album, and this time,

1553
01:41:52,960 --> 01:41:57,400
Speaker 1: especially dealing with speaking directly to the times. I take

1554
01:41:57,479 --> 01:42:01,320
Speaker 1: great pleasure and speaking directly to the times, especially when

1555
01:42:01,760 --> 01:42:04,559
Speaker 1: it's been a part of this storyline for the last

1556
01:42:05,320 --> 01:42:09,040
Speaker 1: twenty four years from the beginning of my solo career,

1557
01:42:09,240 --> 01:42:13,160
Speaker 1: not my group career, so twenty nine years of professionally

1558
01:42:13,240 --> 01:42:15,760
Speaker 1: doing it since the first Leaders album in ninety one,

1559
01:42:16,400 --> 01:42:20,960
Speaker 1: but four years since the first solo album in ninety six,

1560
01:42:22,800 --> 01:42:28,759
Speaker 1: so to go from the coming to win disaster strikes

1561
01:42:28,840 --> 01:42:32,160
Speaker 1: to extinction level event and then twenty two years later

1562
01:42:32,320 --> 01:42:35,560
Speaker 1: come with my first sequel album. I never did a

1563
01:42:35,600 --> 01:42:37,960
Speaker 1: part two to none of my albums. This is my

1564
01:42:38,080 --> 01:42:42,360
Speaker 1: first part two and this is my first album at

1565
01:42:42,479 --> 01:42:47,439
Speaker 1: retail in eleven years. So this is a big moment

1566
01:42:47,560 --> 01:42:53,679
Speaker 1: for me. And what I'm saying, I know, the fucker

1567
01:42:53,760 --> 01:42:57,400
Speaker 1: dropping in two weeks, in two days. What I can't

1568
01:42:57,439 --> 01:43:00,160
Speaker 1: wait you for coming and sitting with us and a

1569
01:43:00,200 --> 01:43:05,320
Speaker 1: lot of parties. Thank you King. I'm honored to be

1570
01:43:06,320 --> 01:43:08,920
Speaker 1: a part of y'all because I ain't gonna front. I

1571
01:43:08,960 --> 01:43:11,640
Speaker 1: don't watch the few interviews with y'all. Motherfucker's will be

1572
01:43:11,720 --> 01:43:15,640
Speaker 1: having me in a stool wol so so so so

1573
01:43:15,800 --> 01:43:18,680
Speaker 1: to be here and y'all. And the thing that I

1574
01:43:18,760 --> 01:43:20,840
Speaker 1: think is dope with what y'all do, y'all, but my

1575
01:43:21,080 --> 01:43:27,280
Speaker 1: motherfucker's how important it is to still laugh my nigger.

1576
01:43:28,200 --> 01:43:31,639
Speaker 1: I mean, it's wild fucking ship, this wild cowboys ship

1577
01:43:31,800 --> 01:43:35,439
Speaker 1: going on a white white people acting a little crazy,

1578
01:43:36,080 --> 01:43:41,280
Speaker 1: a little too crazy. You know the police department that

1579
01:43:41,400 --> 01:43:46,559
Speaker 1: can really fucking crazy, and you know black people out

1580
01:43:46,600 --> 01:43:49,160
Speaker 1: there trying to figure it out. But they're still doing

1581
01:43:49,160 --> 01:43:51,439
Speaker 1: a little bit of crazy ship they shouldn't be doing too.

1582
01:43:52,680 --> 01:43:56,200
Speaker 1: But for the most part, you know, to be able

1583
01:43:56,240 --> 01:43:58,559
Speaker 1: to see that there is a struggle that's being fought

1584
01:43:58,640 --> 01:44:05,479
Speaker 1: every day on some very real focused agenda ship amongst

1585
01:44:05,520 --> 01:44:09,240
Speaker 1: the common man that's just out here trying to find

1586
01:44:09,280 --> 01:44:11,639
Speaker 1: their way because they don't took all types of civil

1587
01:44:11,640 --> 01:44:15,840
Speaker 1: liberties away from niggas, literally telling niggas you get in

1588
01:44:15,920 --> 01:44:20,720
Speaker 1: trouble if you breathe freely. I never lived. I never

1589
01:44:20,760 --> 01:44:22,360
Speaker 1: thought that I would live to see the day that

1590
01:44:22,439 --> 01:44:27,680
Speaker 1: a nigga would turn breathing freely into a mandate that

1591
01:44:27,880 --> 01:44:30,559
Speaker 1: really ain't even passed legislatively as a law and make

1592
01:44:30,640 --> 01:44:34,200
Speaker 1: it like a crime. I'm not saying no, be conscious

1593
01:44:34,280 --> 01:44:38,200
Speaker 1: enough to be careful. Self preservation is obviously the first

1594
01:44:38,200 --> 01:44:42,240
Speaker 1: survival instinct. Like a motherfucker, you better be careful. Like

1595
01:44:42,360 --> 01:44:46,040
Speaker 1: a motherfucker, you better deal with self preservation. But you

1596
01:44:46,200 --> 01:44:50,640
Speaker 1: also need to remember every man has to live and

1597
01:44:50,720 --> 01:44:55,080
Speaker 1: dine in his own iniquity, which means that whatevery choice

1598
01:44:55,120 --> 01:44:59,519
Speaker 1: comes an invoice. What part of living is living if

1599
01:44:59,560 --> 01:45:04,040
Speaker 1: a mom sucking out of there living with proper understanding understanding.

1600
01:45:04,040 --> 01:45:07,120
Speaker 1: It's the best part. It's the absence of confusion. Niggers

1601
01:45:07,120 --> 01:45:10,799
Speaker 1: are just going along with ship and complying willingly without

1602
01:45:10,840 --> 01:45:15,000
Speaker 1: asking any questions. Ship. We ain't trying to understand some

1603
01:45:15,200 --> 01:45:17,519
Speaker 1: real ship. Like Okay, I'm gonna put this mask on

1604
01:45:17,600 --> 01:45:19,960
Speaker 1: just because Nigga's told me to. I want to. I

1605
01:45:20,080 --> 01:45:22,280
Speaker 1: want some real information on it because I really want

1606
01:45:22,320 --> 01:45:28,160
Speaker 1: to live. I know scientifically, there is some infractions with

1607
01:45:28,320 --> 01:45:31,560
Speaker 1: putting this mask on and recycling the carbon monoxide that

1608
01:45:31,640 --> 01:45:35,000
Speaker 1: you exhale. Is it common monoxide of common dock side?

1609
01:45:37,120 --> 01:45:39,920
Speaker 1: Common dogs are cool, so you know we yeah, we

1610
01:45:39,920 --> 01:45:43,760
Speaker 1: ain't supposed to inhale or recycle what you breathe out.

1611
01:45:43,920 --> 01:45:47,960
Speaker 1: Ain't supposed to do that, Like that's just not Yeah,

1612
01:45:48,000 --> 01:45:49,920
Speaker 1: it's just not what you're supposed to do. You don't

1613
01:45:49,920 --> 01:45:52,200
Speaker 1: eat your own ship. You don't piss and drinking on piss.

1614
01:45:52,240 --> 01:45:56,120
Speaker 1: You don't inhale what your body gives gets out of

1615
01:45:56,200 --> 01:46:00,320
Speaker 1: its system. So you know, I think you know want that,

1616
01:46:00,600 --> 01:46:04,240
Speaker 1: and then your children doing that some some sort of

1617
01:46:04,360 --> 01:46:06,560
Speaker 1: side effect. There's gonna be some damage done in that.

1618
01:46:07,960 --> 01:46:10,000
Speaker 1: But if you're really just supposed to be protecting yourself

1619
01:46:10,040 --> 01:46:12,360
Speaker 1: from this crazy ship, let us do the ship with

1620
01:46:12,560 --> 01:46:15,880
Speaker 1: some real substantials, information that can be backed up by

1621
01:46:16,000 --> 01:46:19,320
Speaker 1: some truth that can't be disputed or challenged, because niggers

1622
01:46:19,360 --> 01:46:22,040
Speaker 1: really do want to live and motherfucker's really want to

1623
01:46:22,280 --> 01:46:24,479
Speaker 1: find a solution on how to get past this ship.

1624
01:46:24,800 --> 01:46:27,479
Speaker 1: But to just be indefinitely telling motherfucker's all type of

1625
01:46:27,560 --> 01:46:31,200
Speaker 1: inconsistent ship. And you know, the regular man that just

1626
01:46:31,320 --> 01:46:33,760
Speaker 1: want to go and earn an honest living can't even

1627
01:46:33,800 --> 01:46:36,280
Speaker 1: go do that because you know, took the fucking you

1628
01:46:36,400 --> 01:46:39,200
Speaker 1: don't shut all businesses down, right, man, we can't even

1629
01:46:39,280 --> 01:46:54,120
Speaker 1: have We just get passage be the way with them now.

1630
01:46:54,240 --> 01:46:56,800
Speaker 1: But but but overall, without getting too off the deep

1631
01:46:56,880 --> 01:46:59,400
Speaker 1: end with the deep ship, I just again, I love

1632
01:46:59,520 --> 01:47:01,519
Speaker 1: to balance that y'all find and still give him on

1633
01:47:01,640 --> 01:47:05,439
Speaker 1: fucker's feel good energy because with all this crazy ship

1634
01:47:05,560 --> 01:47:07,880
Speaker 1: going on, the motherfucker dude gotta remember you need to

1635
01:47:07,960 --> 01:47:10,040
Speaker 1: sometimes take a break from that ship. Let the second

1636
01:47:10,080 --> 01:47:13,760
Speaker 1: string nigers go in and fight, and you need to recharge, go,

1637
01:47:14,000 --> 01:47:15,760
Speaker 1: learn to laugh and live a little bit and get

1638
01:47:15,800 --> 01:47:17,519
Speaker 1: to some feel good energy so that you can get

1639
01:47:17,560 --> 01:47:20,080
Speaker 1: back to the fight with some fuel again, you know

1640
01:47:20,080 --> 01:47:21,840
Speaker 1: what I'm saying. So I salute you all for that.

1641
01:47:27,320 --> 01:47:29,439
Speaker 1: That made something. Man, it needs something to get them

1642
01:47:29,520 --> 01:47:32,120
Speaker 1: type of accolades from people to your status because you know,

1643
01:47:32,240 --> 01:47:35,160
Speaker 1: we started doing with respect, I love you know what

1644
01:47:35,160 --> 01:47:36,920
Speaker 1: I mean for each other and just you know, knowing

1645
01:47:37,000 --> 01:47:38,519
Speaker 1: that we had something to get to the world. But

1646
01:47:38,600 --> 01:47:40,960
Speaker 1: to get recognition from somebody who has been in the

1647
01:47:41,040 --> 01:47:43,240
Speaker 1: game for as long as you haven't had knowledge that

1648
01:47:43,280 --> 01:47:45,320
Speaker 1: you haven't seen as many things come and go as

1649
01:47:45,360 --> 01:47:53,960
Speaker 1: you have. I mean the world manip there watching it moment.

1650
01:47:54,120 --> 01:47:56,400
Speaker 1: Like even when you were young, it was still another

1651
01:47:56,520 --> 01:47:59,760
Speaker 1: hip hop level. Even my generation don't even know nothing

1652
01:47:59,800 --> 01:48:03,080
Speaker 1: about question what I'm saying these stories like I gotta

1653
01:48:03,080 --> 01:48:05,600
Speaker 1: go look at all these niggas up. You had a

1654
01:48:05,680 --> 01:48:13,680
Speaker 1: song with technow I'm gonna call you, I'm gonna callize you.

1655
01:48:18,960 --> 01:48:22,360
Speaker 1: Just to add that that just be closed on some

1656
01:48:22,800 --> 01:48:25,240
Speaker 1: like like I say, bro, like we've been doing this.

1657
01:48:25,360 --> 01:48:27,320
Speaker 1: When do you hear to miss you and bust the ramp?

1658
01:48:27,760 --> 01:48:33,000
Speaker 1: YEA yeah, yeah, that's crazy to Twister, that's hell yeah

1659
01:48:33,000 --> 01:48:36,439
Speaker 1: because he got he got a whole the whole catalog

1660
01:48:36,560 --> 01:48:39,840
Speaker 1: of him just literally just swiss. Let's get this verses

1661
01:48:39,880 --> 01:48:42,719
Speaker 1: together and start sucking playing. That sounds like it's already

1662
01:48:42,760 --> 01:48:45,519
Speaker 1: on an album. My brother Swiss Is, that's my fucking

1663
01:48:46,200 --> 01:48:48,920
Speaker 1: swiss Is, like my mom just that's one of my

1664
01:48:49,520 --> 01:48:54,439
Speaker 1: closest brothers in this music industry ship, professionally and personally.

1665
01:48:54,520 --> 01:48:57,120
Speaker 1: That that's a brother that I could call when I'm

1666
01:48:57,160 --> 01:48:59,400
Speaker 1: really having a headache but a personal issue, and I

1667
01:48:59,479 --> 01:49:02,280
Speaker 1: could get some guys from any younger than me. He's

1668
01:49:02,320 --> 01:49:10,719
Speaker 1: just a super smart, very very intelligent, and very resourceful brother.

1669
01:49:11,360 --> 01:49:13,320
Speaker 1: And he's a giver, you know what I'm saying. And

1670
01:49:13,400 --> 01:49:16,400
Speaker 1: that's another thing that's important for niggas to here instead

1671
01:49:16,439 --> 01:49:18,400
Speaker 1: of talking all of this ship about what another nigga

1672
01:49:18,400 --> 01:49:20,360
Speaker 1: ain't got in on. I'm gonna shoot you want to

1673
01:49:20,360 --> 01:49:22,720
Speaker 1: throw up in a nigger face. It's too easy for

1674
01:49:22,800 --> 01:49:25,639
Speaker 1: me to stunt on niggas too, from jewelry, the car

1675
01:49:25,720 --> 01:49:27,760
Speaker 1: shipped to all of that. Niggas no my rep when

1676
01:49:27,800 --> 01:49:29,760
Speaker 1: it comes to all of that. But I just think

1677
01:49:29,800 --> 01:49:31,599
Speaker 1: in these times, we just need to make a little

1678
01:49:31,640 --> 01:49:34,080
Speaker 1: more of a conscious effort. I'm not saying don't have fun.

1679
01:49:34,240 --> 01:49:36,800
Speaker 1: Have fun. I'm gonna still with my ship and Shane too,

1680
01:49:37,320 --> 01:49:38,800
Speaker 1: you know what I'm saying. But what I'm saying is,

1681
01:49:39,240 --> 01:49:43,320
Speaker 1: you know let's let's kind of stop including in the narrative.

1682
01:49:43,840 --> 01:49:46,120
Speaker 1: You know that we could be there to keep each

1683
01:49:46,160 --> 01:49:49,000
Speaker 1: other up. You know what I'm saying, salute to my

1684
01:49:49,120 --> 01:49:51,360
Speaker 1: brother's scarf Face because he needs us a lot right now.

1685
01:49:52,040 --> 01:49:57,240
Speaker 1: You know what I'm saying, I love scarf Face. I

1686
01:49:57,280 --> 01:49:59,320
Speaker 1: want to thank bun By forgetting me on the phone

1687
01:49:59,360 --> 01:50:02,920
Speaker 1: with scarf Face when I got the kite about what

1688
01:50:03,040 --> 01:50:06,280
Speaker 1: the situation was recently, and we've been on the phone

1689
01:50:06,400 --> 01:50:10,400
Speaker 1: speaking pretty much every day since then. And you know,

1690
01:50:10,600 --> 01:50:13,200
Speaker 1: I'm gonna do everything in my power to be an

1691
01:50:13,280 --> 01:50:17,160
Speaker 1: incredible and a and a very powerful resource to scar

1692
01:50:17,360 --> 01:50:19,760
Speaker 1: Face because Face was one of the brothers back at

1693
01:50:19,880 --> 01:50:21,760
Speaker 1: ninety one when I went on the PE tour, the

1694
01:50:21,880 --> 01:50:24,160
Speaker 1: leaders in the New School and Nigga used to come

1695
01:50:24,160 --> 01:50:26,320
Speaker 1: out there with this green leather suit on in the

1696
01:50:26,400 --> 01:50:28,720
Speaker 1: middle of the Ghetto Boys performance and it was like

1697
01:50:28,800 --> 01:50:31,800
Speaker 1: eleven of us on stage, Leaders, Son of Berserk and

1698
01:50:31,840 --> 01:50:35,560
Speaker 1: the hell Raisers, Trial Public Enemy Kid and played Ohtown

1699
01:50:35,640 --> 01:50:40,000
Speaker 1: three five seven, fucking iced Tea. Nigga like this tour

1700
01:50:40,160 --> 01:50:43,560
Speaker 1: was so legendary and Pe headlined and brought all of

1701
01:50:43,680 --> 01:50:45,960
Speaker 1: us out and Scarfish to come out there with this

1702
01:50:46,120 --> 01:50:49,240
Speaker 1: green leather suit with the with the cane in the

1703
01:50:49,360 --> 01:50:54,240
Speaker 1: top hat Mr. Mr Scarf Things and Nigga when that

1704
01:50:54,439 --> 01:51:02,840
Speaker 1: came on the hole lose their ship and it was

1705
01:51:02,920 --> 01:51:04,840
Speaker 1: just the spotlight so you couldn't even see the face

1706
01:51:05,000 --> 01:51:07,800
Speaker 1: because the shadow of the brim from the hat was

1707
01:51:08,120 --> 01:51:11,680
Speaker 1: dark when made his face dark. But he just had

1708
01:51:11,760 --> 01:51:17,120
Speaker 1: that walk, came out on Niggers on Godfather Gangster ship

1709
01:51:17,720 --> 01:51:21,120
Speaker 1: and would sledge hammer the venue in the middle of

1710
01:51:21,160 --> 01:51:24,040
Speaker 1: the scarf the Ghetto boys set because they would come

1711
01:51:24,080 --> 01:51:26,080
Speaker 1: and do their group ship. I really, do you do

1712
01:51:26,160 --> 01:51:28,200
Speaker 1: some of his solo ship bush with Billy do some

1713
01:51:28,280 --> 01:51:32,200
Speaker 1: of his solo ship uh rest in peace Bushwick and

1714
01:51:32,360 --> 01:51:36,400
Speaker 1: motherfucking scarf face with sledge hammer that ship. And these

1715
01:51:36,439 --> 01:51:38,280
Speaker 1: were shipps that I was blessed to be a part of.

1716
01:51:38,439 --> 01:51:41,160
Speaker 1: So to have that kind of history with the bro

1717
01:51:41,840 --> 01:51:45,280
Speaker 1: and we've still been able to have that brotherhood all

1718
01:51:45,320 --> 01:51:48,560
Speaker 1: these years later. Damn their thirty years. Man, it's like

1719
01:51:49,560 --> 01:51:52,519
Speaker 1: we can't sit there and watch and not be able

1720
01:51:52,560 --> 01:51:56,400
Speaker 1: to be crutches and keep each other up. So you know,

1721
01:51:56,479 --> 01:52:00,280
Speaker 1: I'm just saying that to say every generation, every mom,

1722
01:52:00,680 --> 01:52:03,720
Speaker 1: you know, even the generations after us, like be them

1723
01:52:03,760 --> 01:52:05,840
Speaker 1: resources for each other. You know what I'm saying, because

1724
01:52:05,880 --> 01:52:08,080
Speaker 1: at the end of the day, no matter how proud

1725
01:52:08,200 --> 01:52:11,880
Speaker 1: niggas want to act like they are, motherfucker's need niggas

1726
01:52:11,920 --> 01:52:14,640
Speaker 1: need each other sometimes, you know what I'm saying. You

1727
01:52:14,720 --> 01:52:18,679
Speaker 1: gotta be there, uh YouTube clips you in the studio

1728
01:52:18,800 --> 01:52:21,600
Speaker 1: with Timberland and then he was like, ain't making no

1729
01:52:21,840 --> 01:52:23,840
Speaker 1: you know basically, Oh yeah, And I started working with

1730
01:52:23,920 --> 01:52:28,280
Speaker 1: the keyboard and press that ship. That motherfucker Timberland just

1731
01:52:28,400 --> 01:52:30,000
Speaker 1: heard me press that. He knew what the funk he

1732
01:52:30,120 --> 01:52:32,080
Speaker 1: was doing. Though he knew we had all of them

1733
01:52:32,360 --> 01:52:35,880
Speaker 1: tucking tricks and treats up for the damn keyboard, and

1734
01:52:35,960 --> 01:52:37,800
Speaker 1: he knew I was doing. Once I started working with it,

1735
01:52:37,840 --> 01:52:39,280
Speaker 1: he knew I was going to stumble on one of

1736
01:52:39,320 --> 01:52:42,880
Speaker 1: them ship that was gonna motherfucked me up. And it did.

1737
01:52:44,120 --> 01:52:46,400
Speaker 1: We got to it, and that motherfucker made the joint.

1738
01:52:46,439 --> 01:52:50,160
Speaker 1: I actually wrote versus for that. I wrote versus for it.

1739
01:52:50,240 --> 01:52:52,240
Speaker 1: We didn't finish the song with I think I laid

1740
01:52:52,320 --> 01:52:56,000
Speaker 1: one versus something, but we never went back to it. Yeah,

1741
01:52:56,040 --> 01:52:59,439
Speaker 1: that's a lost file now. But overall, again, I thank

1742
01:52:59,520 --> 01:53:02,000
Speaker 1: y'all for having me. You know again, I'm I'm gonna

1743
01:53:02,040 --> 01:53:05,000
Speaker 1: plug it. Extinction level event too, so we're gonna plug

1744
01:53:05,960 --> 01:53:09,640
Speaker 1: note we are. Wait did you know that this podcast

1745
01:53:09,840 --> 01:53:13,160
Speaker 1: was voted the number one podcast amongst black people with

1746
01:53:13,280 --> 01:53:21,640
Speaker 1: no cable right. No, it is incredible because Congratulations appreciates

1747
01:53:22,000 --> 01:53:34,800
Speaker 1: that we're coming fun nigga little niggas now and y'all

1748
01:53:34,840 --> 01:53:38,720
Speaker 1: suck with me all the little niggas. Hey, Hey, this

1749
01:53:38,800 --> 01:53:43,760
Speaker 1: is why I get my ship from crazy. That is

1750
01:53:43,760 --> 01:53:47,880
Speaker 1: how you're soundings. Well, folks, there you have it. Bust

1751
01:53:47,960 --> 01:53:50,000
Speaker 1: the rhymes here live on the A five South Show.

1752
01:53:50,560 --> 01:54:00,519
Speaker 1: Good Night, Let's see you guys next Friday Boat two weeks.

1753
01:54:01,160 --> 01:54:06,600
Speaker 1: Thank you, and we gotta take a picture just like

1754
01:54:07,080 --> 01:54:11,160
Speaker 1: the first iconic like moment on the eighty five. We

1755
01:54:11,160 --> 01:54:14,960
Speaker 1: don't have a lot of them on this get looking

1756
01:54:15,000 --> 01:54:24,400
Speaker 1: like smirk, don't y'all y'all just to be able to

1757
01:54:24,520 --> 01:54:26,519
Speaker 1: like you don't understand. No, you probably don't get it,

1758
01:54:26,600 --> 01:54:29,080
Speaker 1: but we grew up watching you and to be sitting

1759
01:54:29,160 --> 01:54:34,160
Speaker 1: here to school didn't wish you where it's like it is.

1760
01:54:34,240 --> 01:54:37,320
Speaker 1: It showed you the dreams come true. Because if somebody

1761
01:54:37,360 --> 01:54:39,720
Speaker 1: would have told any of us when we first started

1762
01:54:39,720 --> 01:54:41,280
Speaker 1: doing this that one day man you're gonna be able

1763
01:54:41,280 --> 01:54:42,680
Speaker 1: to sit down and chop it up with the nigger

1764
01:54:42,720 --> 01:54:57,600
Speaker 1: that made this running like this front like me. It's

1765
01:54:57,640 --> 01:55:00,280
Speaker 1: just like, man, it's the most amazing ship ever because

1766
01:55:00,640 --> 01:55:03,320
Speaker 1: as a young man watching you growing up to know that,

1767
01:55:03,480 --> 01:55:05,600
Speaker 1: you know, like all that shitty laying out right there,

1768
01:55:05,680 --> 01:55:08,280
Speaker 1: like the bad magazines and and all that, it's like,

1769
01:55:08,800 --> 01:55:10,160
Speaker 1: you know what I mean. To be able to sit

1770
01:55:10,280 --> 01:55:12,480
Speaker 1: here and be amongst you and have you give us

1771
01:55:13,120 --> 01:55:17,240
Speaker 1: love is like my next This is crazy. Thank you

1772
01:55:17,360 --> 01:55:21,520
Speaker 1: so much, man, thank you King, Thank you so much.

1773
01:55:22,120 --> 01:55:24,760
Speaker 1: God willing to continues. It ain't on God willing. He's

1774
01:55:24,800 --> 01:55:31,360
Speaker 1: going to all of our footsteps. I'm told for thirty

1775
01:55:31,400 --> 01:55:34,480
Speaker 1: if you better mother, believe that on my baby birthday.

1776
01:55:34,520 --> 01:55:49,400
Speaker 1: So I'm going to That's that's what just sucked a

1777
01:55:49,560 --> 01:55:52,520
Speaker 1: nice for me to come getting down. I want to

1778
01:55:52,560 --> 01:55:57,200
Speaker 1: come over there getting the wig. We can't do nothing

1779
01:55:57,200 --> 01:56:02,280
Speaker 1: to night because of my kids. Just fucking kids. They'd

1780
01:56:02,440 --> 01:56:06,400
Speaker 1: sleep in it way. Fucking kids. I didn't let him

1781
01:56:06,440 --> 01:56:12,240
Speaker 1: get in my weight. Fucking kids. That's the fact I

1782
01:56:12,360 --> 01:56:16,480
Speaker 1: brought them kids with a bag full of snacks. Suck

1783
01:56:16,560 --> 01:56:22,320
Speaker 1: them kids, Fuck them kids, sucking kids. Fucking kids with

1784
01:56:22,480 --> 01:56:27,960
Speaker 1: a bag full of snacks. Fuck the kid, kid, one

1785
01:56:28,040 --> 01:56:30,960
Speaker 1: of them kids. Suck them kids with a bag full

1786
01:56:31,000 --> 01:56:38,840
Speaker 1: of snacks. I came over here like a kid did that?

1787
01:56:41,240 --> 01:56:44,240
Speaker 1: Which one? All this one? I need to see that one?

1788
01:56:45,200 --> 01:56:54,360
Speaker 1: Hey boy boy, how this look at my brain? Check

1789
01:56:54,400 --> 01:56:58,120
Speaker 1: out the middle. That ship is hilarious. In the middle,

1790
01:56:58,240 --> 01:57:01,320
Speaker 1: it's put nothing the metal that's funnier. You know, I'm seling.

1791
01:57:01,320 --> 01:57:05,280
Speaker 1: I'm just trying. They see the like rish on point right,

1792
01:57:09,200 --> 01:57:16,160
Speaker 1: you may look like booty holes, he's yeah, ha, hilarious,

1793
01:57:17,040 --> 01:57:26,160
Speaker 1: look like archiddy on you dri drifter ha that that

1794
01:57:26,280 --> 01:57:29,680
Speaker 1: key ignition arcade. Dude got be looking like kills on

1795
01:57:29,800 --> 01:57:34,280
Speaker 1: that motherfucker. They got a collar looking like you're working

1796
01:57:34,280 --> 01:57:36,920
Speaker 1: out on what's up? And they got a tune in

1797
01:57:37,000 --> 01:57:39,600
Speaker 1: it right here in the end, he said, they got

1798
01:57:39,640 --> 01:57:45,320
Speaker 1: out looking like booty holes. Booty hole, that's hilarious. I

1799
01:57:45,360 --> 01:57:53,640
Speaker 1: don't know that in here, like you know, you look

1800
01:57:53,680 --> 01:57:56,280
Speaker 1: like you said get me a piece, get your bite,

1801
01:58:01,560 --> 01:58:11,080
Speaker 1: look like you look like that. That sounds like the

1802
01:58:11,200 --> 01:58:13,720
Speaker 1: beginning of the mood trying to commit the robbery. And

1803
01:58:13,760 --> 01:58:18,880
Speaker 1: she ain't gonna right. I can tell you too, he said,

1804
01:58:18,920 --> 01:58:24,320
Speaker 1: black and you got that nigg a little short from

1805
01:58:24,400 --> 01:58:35,280
Speaker 1: chew me and Martin. Yeah, and the show's cold in mind.

1806
01:58:35,280 --> 01:58:51,280
Speaker 1: Turn this thing I'm doing the ad lives. Welcome into

1807
01:58:51,520 --> 01:58:54,120
Speaker 1: the new world. I am booked for a new girl.

1808
01:58:54,320 --> 01:58:56,920
Speaker 1: If you are hurt that I am him. Let's go

1809
01:58:57,120 --> 01:59:01,400
Speaker 1: for a swim, not in the pool, but in your room.

1810
01:59:02,400 --> 01:59:04,720
Speaker 1: Won't you make me drool when I eat your cool

1811
01:59:04,760 --> 01:59:10,240
Speaker 1: fiit cool and cool? And after I get fixed to real,

1812
01:59:10,600 --> 01:59:13,080
Speaker 1: I'm going to pull out my big as it can

1813
01:59:13,160 --> 01:59:18,480
Speaker 1: you going togi lick lick lick out cooji, real good

1814
01:59:19,640 --> 01:59:23,600
Speaker 1: lick lick you will give it a lugi. What's up, sir?

1815
01:59:25,520 --> 01:59:38,560
Speaker 1: Real good? Hell? No, no, no, what's that is it? Oh? Man? Yes, sir?

1816
01:59:39,040 --> 01:59:59,840
Speaker 1: How you living? Always? All the ways? Even full? After

1817
02:00:00,000 --> 02:00:04,920
Speaker 1: tell them? I said, mad all that's come on man,

1818
02:00:08,040 --> 02:00:11,720
Speaker 1: you know what we are trying to make this house

1819
02:00:11,760 --> 02:00:18,400
Speaker 1: at home. Hold on, bitch, let me see them tips work.

1820
02:00:20,360 --> 02:00:28,080
Speaker 1: Oh yeah, I said, hold on, bitch, hold on girl.

1821
02:00:30,560 --> 02:00:34,640
Speaker 1: Give me some of that pussy baby. I give me

1822
02:00:34,720 --> 02:00:38,920
Speaker 1: some of that pussy gerl Give me some of that

1823
02:00:39,040 --> 02:00:46,200
Speaker 1: pussy baby. Give me some of that pussy girl. Give

1824
02:00:46,240 --> 02:00:50,280
Speaker 1: me some of that pussy baby baby. Give me some

1825
02:00:50,360 --> 02:00:55,360
Speaker 1: of that pussinger. Give me some of that plussy baby.

1826
02:00:57,600 --> 02:01:02,560
Speaker 1: Give me some of apples, figer Oro. When you just

1827
02:01:02,760 --> 02:01:06,480
Speaker 1: came outside, I've seen that you were dancing. I wanted

1828
02:01:06,600 --> 02:01:08,960
Speaker 1: some of that pussy, so I took my chance by

1829
02:01:09,040 --> 02:01:13,480
Speaker 1: asking me some of that pussy baby. Give me some

1830
02:01:13,560 --> 02:01:19,080
Speaker 1: of that pussy gar. If you want to be my friend,

1831
02:01:19,440 --> 02:01:23,360
Speaker 1: then give me some Again. I'm tired of asking. I'm

1832
02:01:23,400 --> 02:01:25,360
Speaker 1: just gonna ask you when give me some of that

1833
02:01:25,480 --> 02:01:33,040
Speaker 1: pussy baby. Give me some of that pussy gerl. The

1834
02:01:33,240 --> 02:01:36,960
Speaker 1: last time Dad I had it, it was automatic. You

1835
02:01:37,120 --> 02:01:39,280
Speaker 1: told me to go touch it, so I had to

1836
02:01:39,320 --> 02:01:42,080
Speaker 1: reach out and grab him and give me that pussy bababy.

1837
02:01:44,080 --> 02:01:48,480
Speaker 1: Give me some of that pussyger Give me some of

1838
02:01:48,560 --> 02:01:53,240
Speaker 1: that pussy baby. Give me some of that pussy gar.

1839
02:01:55,960 --> 02:01:58,760
Speaker 1: When I take you out, there's it, and I'll just

1840
02:01:58,880 --> 02:02:01,520
Speaker 1: take my chance in and I won't hold your hand

1841
02:02:01,560 --> 02:02:04,560
Speaker 1: because I'm not your boyfriend. Give me somebody that plusty

1842
02:02:04,640 --> 02:02:11,280
Speaker 1: baby baby, give me some of that puss Seger, Give

1843
02:02:11,320 --> 02:02:16,480
Speaker 1: me some of that pussy baby baby. Give me somebody apples, Steger.

1844
02:02:19,440 --> 02:02:23,880
Speaker 1: I'm living amazing. How are you, bro? Welcome to the

1845
02:02:23,960 --> 02:02:28,160
Speaker 1: trap man. I guess we're gonna get you right, here.

1846
02:02:28,400 --> 02:02:30,320
Speaker 1: Ca't gonna get your shut up. Yeah cat, you getting

1847
02:02:30,320 --> 02:02:51,720
Speaker 1: them good. Bust a bus ship everything, A pusy baby, baby,

1848
02:02:53,760 --> 02:02:59,560
Speaker 1: give me somebody apple seeger last time that you gave

1849
02:02:59,640 --> 02:03:02,080
Speaker 1: me so um, I don't want to touch it, but

1850
02:03:02,280 --> 02:03:04,680
Speaker 1: now you try to get it to me because it's

1851
02:03:04,760 --> 02:03:08,160
Speaker 1: in my budget. You know that you don't want to.

1852
02:03:08,680 --> 02:03:28,480
Speaker 1: I might. Oh god, y'all, are you just be living

1853
02:03:28,600 --> 02:03:31,040
Speaker 1: time right now? Oh wow