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Speaker 1: So I'm watching an episode of Matt About You where

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Speaker 1: Paul Riser trying to figure out the difference between khakis

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Speaker 1: and chinos. Oh, come on, like, Khaki's a color, but

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Speaker 1: chinos is like actually a style of pants. But there's

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Speaker 1: chino colored khakis but or no, sorry, there's khaki colored chinos.

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Speaker 1: But some people will call pants just khakis and are

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Speaker 1: those chinos? Or is khaki's also a type of pants.

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Speaker 1: That's a different type of pants. Anyway, I'm watching it

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Speaker 1: with John Pankou and I go, was this fun to film?

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Speaker 1: And he says, I'm not in this scene? So I

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Speaker 1: turned to hell and Hunt and I go, why is

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Speaker 1: John Bean?

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Speaker 2: Like this?

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Speaker 3: Was he in the scene?

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Speaker 4: I don't know, but I don't even think he knows. Yeah,

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Speaker 4: because you don't know, he probably.

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Speaker 1: Does because Paul is like, I need a nice new

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Speaker 1: pair of chinos, you know. And then it's like, I

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Speaker 1: don't know who he was talking to, but I know

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Speaker 1: that they say they either say like you mean like khakis,

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Speaker 1: or maybe it's the reverse. Uh oh, go ahead.

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Speaker 3: Welcome to Hollywood Handbook.

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Speaker 4: And it's that his guy taking him out and dropping

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Speaker 4: names in the red carpet lineback allways of this industry

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Speaker 4: we called showbiz.

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Speaker 3: We had an accident, yes, and.

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Speaker 1: That's putting it lightly. Uh. We had a megabig oopsie,

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Speaker 1: and it wound up being kind of a big smash

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Speaker 1: up for us.

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Speaker 4: So we had all our donor shout outs organized and

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Speaker 4: a nice.

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Speaker 1: Laminate and who if you're a show like ours, big

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Speaker 1: successful show, you got to hosts super busy. You got

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Speaker 1: a couple engineers very incompetent, and you need to organize

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Speaker 1: your donor shout outs and have them in a nice

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Speaker 1: neat file to pull out when you need them.

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Speaker 4: And laminate them in case an engineer put them in

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Speaker 4: the sink and gets yes.

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Speaker 1: And try to wash them. Who would you get, You

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Speaker 1: would get your intern in turn Andy?

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Speaker 3: Hey, Hi, I don't was that an introduction?

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Speaker 1: It kind of has to be now.

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Speaker 4: So we give our forms to in turn Andy, and

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Speaker 4: we say, take care of these, do not wash them.

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Speaker 3: They are not dirty.

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Speaker 1: Intern Andy. He sort of our cousin Ira here on

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Speaker 1: this show. Yeah, he's in and out of our lives.

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Speaker 1: He's kind of a loose cannon. He doesn't have his

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Speaker 1: feet on the ground the way me and Hayes do.

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Speaker 1: We care about him, but he tends to disappoint us.

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Speaker 4: And when you say in and out of our lives,

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Speaker 4: he was always He does not always get to be

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Speaker 4: part of the show, but he is always part of

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Speaker 4: the productions, just like organizing the scripts and like making

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Speaker 4: sure that everything is in place with the studio and

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Speaker 4: the production and all that. But one day recently and

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Speaker 4: we realized that Andy had lost all our donor shout outs,

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Speaker 4: and at the same time that we had lost Andy

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Speaker 4: as well.

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Speaker 3: M m yeah.

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Speaker 1: So first he lost the shout outs, which was bad enough.

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Speaker 1: Then we sent him out to look for him, and

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Speaker 1: we said, retrace your steps. We don't know what you've

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Speaker 1: been doing, but you do, we'll put this tracker on you.

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Speaker 1: When you find them, dial nine to one one. They'll

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Speaker 1: know what to do. So, unfortunately, an activity like putting

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Speaker 1: the batteries in a tracking device is exactly the type

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Speaker 1: of task we farm out to our intern. When you're

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Speaker 1: trying to track your intern who lost the donor shout outs,

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Speaker 1: it's not quite so simple, is it, intern Andy.

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Speaker 5: Yeah, I mean, I guess that's one way of thinking

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Speaker 5: about it. It's I didn't realize that the batteries were

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Speaker 5: not in there.

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Speaker 1: How would they have gotten in there if our intern

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Speaker 1: didn't put them in.

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Speaker 2: Sometimes you can buy things that come with batteries in.

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Speaker 3: It, okay, name one vision remote. No, it doesn't come

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Speaker 3: with the batteries.

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Speaker 2: Batteries your package separately. I've been doing it wrong this

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Speaker 2: whole time, and I guess you're doing it right.

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Speaker 1: Have you been? Have you been pushing the remote up

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Speaker 1: against the buttons on the TV itself in order to

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Speaker 1: change channels? Yeah, it's like going, what a great Wand

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Speaker 1: I don't have to use my fingers and get them

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Speaker 1: all mucky.

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Speaker 3: So where did you go? Andy?

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Speaker 4: We saw you sort of trundling out of the studio

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Speaker 4: that day. Well, first I trying to activate the gate

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Speaker 4: that's only for cars with your body by sort of making.

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Speaker 5: A car noise. Yeah, and it worked. I mean I

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Speaker 5: pushed the button and I made the car noise and

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Speaker 5: it just opened right up. So you know, I don't know,

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Speaker 5: it seems like I did that one right.

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Speaker 1: I opened it. Oh, because you saw you opened right up.

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Speaker 1: It was fifteen minutes of you being car.

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Speaker 3: Then Sean did think you work hard?

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Speaker 6: Right?

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Speaker 3: Yeah?

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Speaker 5: So I mean it ended up working out. So I

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Speaker 5: went to Vaughan's the you know, you could buy those

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Speaker 5: roast turkeys there, and those are actually a really great

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Speaker 5: deal because the grocery store actually loses money on those

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Speaker 5: because they're such a great deal.

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Speaker 2: But the smell just makes.

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Speaker 4: You saw the turkeys and you said, I'm one of

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Speaker 4: these as well. Sorry, sorry, I'm just a little upset.

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Speaker 1: But you went to Vaughn's. Now, when you say Vaughn's,

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Speaker 1: you mean the director of the Kingsman, Matthew vaugh Yeah.

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Speaker 2: I went over to Matthew Vaughn's place to get one

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Speaker 2: of those selling turkeys. Yeah, roast chicken.

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Speaker 5: Sorry, I had that, And yeah, so I mean he

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Speaker 5: loses money on it, but like people go over and

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Speaker 5: get so hungry that he ends up making enough to like,

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Speaker 5: you know, fund his projects.

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Speaker 4: He loses money on it, but he makes Yeah, he

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Speaker 4: makes so much money.

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Speaker 2: I'm just telling you what he told me. I don't know.

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Speaker 3: Okay, Okay, so you go to Matthew Vaughn's house before

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Speaker 3: you go on h thanks Chris Marshall donated. Yes we

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Speaker 3: found so oh yeah, yeah, but yeah, I'm sorry.

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Speaker 2: Spoiler.

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Speaker 3: The way this ends is we do find the we.

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Speaker 4: Do find Andy, and the shout outs yes right, Okay,

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Speaker 4: so you're looking inside. I guess you probably have to

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Speaker 4: tear open all the turkeys to see if you accidentally

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Speaker 4: left the shoutouts inside the turk.

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Speaker 5: When I get in on one of those, I just like,

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Speaker 5: you know, who knows what what could also get in

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Speaker 5: there the way I eat him?

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Speaker 4: Right?

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Speaker 3: Okay? No, luck? Yeah nothing.

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Speaker 5: I asked Matthew Vaughan too, and he just kept talking

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Speaker 5: about yes, like this new thing that he was working on,

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Speaker 5: like where he was going to do a documentary about

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Speaker 5: these chickens and like the roasting process and stuff, and I.

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Speaker 3: Just just not, you know, are you still a car at

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Speaker 3: this point? Uh?

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Speaker 2: If?

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Speaker 3: Yeah, I can be. I mean I'm doing no not now,

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Speaker 3: but I'm oh oh oh oh, I mean at.

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Speaker 2: This point at this story.

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Speaker 5: Honestly, like the line starts to kind of blur, like

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Speaker 5: it's hard for me to tell something car, And when you're.

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Speaker 1: Being a car as hard as you were being in

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Speaker 1: front of the gate, tough to just snap back into

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Speaker 1: being people.

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Speaker 3: Right. So, okay, so you screwed up, so you scoot

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Speaker 3: out from van and the gas get going.

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Speaker 2: Mm hmmm.

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Speaker 1: Hitting the gas is walking for you. So where two

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Speaker 1: knacks Andy, It's it was.

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Speaker 2: A weird I don't know exactly how to describe it.

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Speaker 2: It was like there's a lot of people.

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Speaker 5: I think there was more food there, but I didn't

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Speaker 5: eat because I was I was really.

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Speaker 2: Full from turkey. Yeah, they're chickens. I said it wrong earlier.

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Speaker 1: And so there's a lot of people. There's food thanks

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Speaker 1: to John. Is there any music?

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Speaker 2: J Dodg as well for his thanks?

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Speaker 3: So yeah, oh gosh, anyway, and there's food. There's what

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Speaker 3: about this one?

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Speaker 2: Go stupid, go dumb, dumb.

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Speaker 3: So there's people there, tell me when to go, tell

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Speaker 3: me when to go. I didn't mean to shout at all.

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Speaker 2: This are.

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Speaker 3: No, you don't get to do anything? Why no?

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Speaker 1: Is that where you ended up in the Bay Area?

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Speaker 3: Yeah?

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Speaker 2: I think so. I think I was at the Warfield

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Speaker 2: in San Francisco.

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Speaker 3: The Warfield.

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Speaker 1: You were at Marshall Warfield's home in San Francisco.

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Speaker 2: Huh Yeah. He said you knew you guys.

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Speaker 1: Marcia Warfield and your story is a man who said

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Speaker 1: they knew us even though she was one of the

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Speaker 1: main cast members of Night Court.

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Speaker 5: I was a woman then, yeah, uh, I got I

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Speaker 5: didn't know where I was and I didn't know I

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Speaker 5: was stacking two as you're trying.

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Speaker 1: To and this is a little bit there were a

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Speaker 1: lot of people there, and this is a little bit

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Speaker 1: of what was happening is we obviously were not able

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Speaker 1: to track Andy. When we would look at our sonar machine,

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Speaker 1: we got no blips whatsoever. We were getting no signal.

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Speaker 1: He hadn't called nine one one. We were sometimes.

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Speaker 3: As we kept to ask if they had heard from him.

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Speaker 1: Yeah, we were said, as Andy called or anything.

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Speaker 3: Yeah.

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Speaker 1: And so when we did actually get in touch with you,

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Speaker 1: which every once in a while, my next Dell would

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Speaker 1: sort of crackle the life and I would just say, like,

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Speaker 1: describe what's around you, and you would say, I see people,

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Speaker 1: I I And also.

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Speaker 2: One time you said I see dead people.

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Speaker 1: I smell air you said, which didn't help me at all.

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Speaker 1: One time you said, I think I hear a plane,

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Speaker 1: but it might not be a plane. And you had

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Speaker 1: the shout outs. I mean, I haven't seen you in

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Speaker 1: six months. You had the shout outs at one point,

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Speaker 1: and then you spend another two months traveling around with

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Speaker 1: the shoutouts, trying to make your way back to LA.

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Speaker 3: You lost the city of Los Angeles.

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Speaker 2: Did you know where you were? Los Angeles.

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Speaker 1: Did you know where you really? Funny, right, did you

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Speaker 1: know where you were at any particular point.

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Speaker 5: Not particularly No, I mean I was, yeah, like I

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Speaker 5: was the whole time I had this thing, and I

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Speaker 5: thought maybe you guys could hear me, and I was

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Speaker 5: like trying to talk into it. I was like leaving

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Speaker 5: little diaries for you to catch you up, and like, you.

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Speaker 1: Know, sometimes you were making porno sounds.

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Speaker 2: Well, you guys know me, you know, you know that's and.

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Speaker 1: He's a man of great appetites, from roast chicken to

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Speaker 1: porno stuff. He's rarely satiated. Sadd sator Bill sat right.

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Speaker 3: Yes, that's right. You know Andy. Andy is a hungry.

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Speaker 1: Boy, thanks Jack Brown and Spencer Thompson. So Andy's a hungry.

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Speaker 4: Boy, and he tends to follow his nose to places

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Speaker 4: when he smells flesh or food that he can sort

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Speaker 4: of bury himself in. And so I think maybe that

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Speaker 4: was sort of the key to your some of your

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Speaker 4: wandering m h.

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Speaker 5: I mean, yeah, when I get in a certain state,

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Speaker 5: like I'm just you know, putting the pedal to the metal.

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Speaker 4: Yeah, And I think a lot of the time, the

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Speaker 4: way you had maybe some of the porno sounds word,

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Speaker 4: just the way you have your next out direct connect right, yeah,

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Speaker 4: fixed sort of under your belly. Your belly is kind

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Speaker 4: of like pressing down. Ah, the button that sounds clip.

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Speaker 1: Yes, it's clipped on your belt on the inside. Yes,

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Speaker 1: against your skin in the center.

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Speaker 3: Rest your belly on it. Yeah.

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Speaker 2: I've just kind of gotten used to that. So it's

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Speaker 2: sort of always on.

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Speaker 1: Yeah, and it's sometimes getting bumped against, you know, by

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Speaker 1: your you.

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Speaker 3: Know, did you say TBS which and now you realize

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Speaker 3: you've made a mistake.

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Speaker 2: Yeah? Oh yeah, that's right.

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Speaker 3: Was slightly off? Yeah, that's right.

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Speaker 2: That's kind of me too, but in a different you know,

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Speaker 2: like sexually.

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Speaker 1: Oh yeah, always turned on, slightly off in your tastes. Yeah,

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Speaker 1: name some things that arouse you that I might find surprising.

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Speaker 1: Oh and thanks, Joseph Zadlow.

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Speaker 3: How many do we skip? Yeah? Mitch Kappa? Yeah, and

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Speaker 3: Spencer Thompson. Did we get him?

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Speaker 1: I said him? Same again. I don't give a shit.

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Speaker 1: It's been like eight years.

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Speaker 3: What happened? Can I ask what happened to all the money?

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Speaker 1: That's right?

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Speaker 4: Okay, are going whatever order you want? At some point

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Speaker 4: there's the discussion of what turns you on to.

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Speaker 2: Jean that I might find surprising.

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Speaker 3: And what happened to all the money because we have

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Speaker 3: the names of these people, but I am curious what happened? Well,

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Speaker 3: we gave it, yeah, well, and and we also gave

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Speaker 3: Andy something of a slush fund going. We know that

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Speaker 3: getting these donor shout outs back, if anyone has found

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Speaker 3: them in acquired they're laminated, then somebody's gonna know they're

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Speaker 3: valuable and you might have to purchase them.

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Speaker 1: All of it was gone, the shout out money and

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Speaker 1: a lot of the slush fund that A's and I

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Speaker 1: contributed to.

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Speaker 5: Well, I mean, you have their names, so you could

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Speaker 5: like just no, that's great, and okay, you're gonna ask

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Speaker 5: them to send in more. You say we lost said sorry,

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Speaker 5: can you send another hundred?

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Speaker 1: What happened to the first money?

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Speaker 3: Okay?

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Speaker 5: Well, the two questions you asked me kind of relate

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Speaker 5: because I one of my things is the is the

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Speaker 5: Sacajawea dollars you know the little gold ones? Yeah, and

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Speaker 5: like when you go into a store and people won't

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Speaker 5: take them, like I like that sort of like you

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Speaker 5: know people the withholding of it.

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Speaker 2: Like humiliation.

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Speaker 1: And you know BDS, it's pretty famous on on this podcast.

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Speaker 2: At this point, what I say about yeah, bombs supposed

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Speaker 2: to blow your mind.

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Speaker 1: Yes, you got that bomb supped to blow your mind.

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Speaker 1: So that element of it too.

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Speaker 4: Yeah bd SB for you is right? Well, and owners

283
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Speaker 4: derived from Sagatuia money.

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Speaker 2: Yeah, that's I'm gonna start using that. I like that.

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Speaker 4: When will you be using it? How about asking me, yeah, well,

286
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Speaker 4: I'm no, I'm just going to do it. I thought

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Speaker 4: you were just like, no, here I go, I'm I'm

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Speaker 4: using it now.

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Speaker 1: Did you just tell your boss that you're going to

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Speaker 1: start using the thing that he came up with.

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Speaker 2: Thanks to Nick Bonadez Bonadese Nuts.

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Speaker 1: One thing that Andy also said to his boss earlier

293
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Speaker 1: was up your button around the corner.

294
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Speaker 4: I asked where he lived, and he said, up your

295
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Speaker 4: button around the corner.

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Speaker 1: And he said it real nasty.

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Speaker 2: And then he did a big he did a big sniff.

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Speaker 1: Yeah, he did a big sniff, like he thought he

299
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Speaker 1: was smelling dirty panties. Talk about how you're obsessed with that?

300
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Speaker 2: What what?

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Speaker 3: There's? What else is there to to say? There are

302
00:17:02,480 --> 00:17:05,040
Speaker 3: no for you. There are a lot of layers.

303
00:17:04,720 --> 00:17:06,960
Speaker 1: Because the way they get dirty is not the way

304
00:17:07,000 --> 00:17:13,439
Speaker 1: that I think most people normally picture as you make

305
00:17:13,520 --> 00:17:18,000
Speaker 1: them go through some sort of like food processing machine.

306
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Speaker 3: And you follow up on this in a second, But

307
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Speaker 3: I still haven't figured out what happened to all the money,

308
00:17:24,280 --> 00:17:27,480
Speaker 3: because yeah, I understand you converted on a second d dollars.

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Speaker 3: I understand every time every time you try to spend

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Speaker 3: that you are unable to.

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Speaker 2: Yeah, so we should still have that saka jeel.

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Speaker 4: Yes, but also it's up. But we do have to

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Speaker 4: come back to the food processing magine that you put

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Speaker 4: panties through to make them dirty. Right, Okay, well it

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Speaker 4: thanks to light and Bergen as well, but disriber what

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Speaker 4: we are coming back to is either the panty and

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Speaker 4: the food processing machine quick joke on laden Bergen.

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Speaker 3: Oh great, yeah, so we have to account for that

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Speaker 3: as well.

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Speaker 1: Yeah, mm hmm okay, hold on.

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Speaker 3: All right, okay, yeah, well we can I can do

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Speaker 3: my two things one of your things, and then Sean

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Speaker 3: can do his.

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Speaker 1: Well what I well, the area I'm working in, and

325
00:18:12,160 --> 00:18:14,280
Speaker 1: maybe Andy is our intern you can help me is

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00:18:15,080 --> 00:18:18,719
Speaker 1: ice bug right ahead. If you remember, that was in

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00:18:18,760 --> 00:18:22,520
Speaker 1: the trailer for the film Titanic, and Leidenbergen has berg

328
00:18:22,640 --> 00:18:29,280
Speaker 1: in it. So we must be able to get there? Yeah,

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Speaker 1: I now you help light b Bergen light and ahead?

330
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Speaker 2: Or are we?

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Speaker 3: Is it?

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Speaker 5: Just like I just keep thinking of Loud and Wayne right,

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Speaker 5: the third from all my favorite movies. Mm hmmm, like what? Uh, well,

334
00:18:52,560 --> 00:18:57,600
Speaker 5: I guess Knocked Up and then you and Knocked Up.

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Speaker 2: He loved that the women in that are shrew Yeah,

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Speaker 2: your relationship to that movie is horrifying. I like the

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Speaker 2: woman parts of that movie.

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Speaker 1: Yeah, what is it that you say about them that

339
00:19:11,760 --> 00:19:14,920
Speaker 1: they're shrews? Yeah, that's exactly right.

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Speaker 2: I heard that from somewhere. You love that.

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Speaker 4: Okay, so well we still have left to take care.

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00:19:22,240 --> 00:19:24,600
Speaker 4: We got the joke, I guess, and so we have

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Speaker 4: to take that panty fascination and uh what happened to

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Speaker 4: all this money that you tried to spend but you

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Speaker 4: couldn't Well.

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Speaker 5: Yeah, well okay, Well, I feel like saying that I

347
00:19:35,720 --> 00:19:38,800
Speaker 5: have a thing for dirty panties is not exactly accurate

348
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Speaker 5: because I feel like that makes people think that it's

349
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Speaker 5: like been worn by a person. But yeah, I buy

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00:19:44,600 --> 00:19:46,520
Speaker 5: them and then I put them through one of those

351
00:19:46,560 --> 00:19:48,200
Speaker 5: like Jacqueline juicers.

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Speaker 2: You remember those, They're really quiet. But what else do

353
00:19:51,560 --> 00:19:55,280
Speaker 2: you put in a juicer like carrots.

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Speaker 5: And kale and just like like a like half an apple.

355
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Speaker 5: You could just put the whole, like the the seeds

356
00:20:01,280 --> 00:20:03,040
Speaker 5: and like the stem, like you can put everything in

357
00:20:03,080 --> 00:20:05,320
Speaker 5: there and it just like strains it all out right.

358
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Speaker 3: And so then and then you drink the panties.

359
00:20:09,040 --> 00:20:12,080
Speaker 1: You're drinking panties. You're drinking dirty panties.

360
00:20:16,280 --> 00:20:17,000
Speaker 2: Yeah, I don't know.

361
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Speaker 3: I mean I think it's like, how many panties would

362
00:20:19,520 --> 00:20:20,840
Speaker 3: you say you've drink.

363
00:20:22,160 --> 00:20:27,800
Speaker 1: Today and don't And I'll know if you're lying too.

364
00:20:30,200 --> 00:20:33,000
Speaker 3: He's lying, he did say too, Big Ones.

365
00:20:32,960 --> 00:20:37,280
Speaker 1: Okay, And then Big Ones checked out what I could

366
00:20:37,359 --> 00:20:40,960
Speaker 1: tell Dank because I'm touching his I'm touching his neck

367
00:20:41,840 --> 00:20:44,400
Speaker 1: so I can feel his pulse, and when he said

368
00:20:44,440 --> 00:20:47,080
Speaker 1: to his pulse quickened like I'm lying. But then when

369
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Speaker 1: he said big Ones, it slowed down to a crawl.

370
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Speaker 4: Brian Reznik like the Nick from the TV show The Nick.

371
00:21:01,960 --> 00:21:04,679
Speaker 3: And so we're still we're following the money now, and

372
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Speaker 3: this is okay.

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Speaker 5: Yeah, basically I just found a place that that took

374
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Speaker 5: the dollars and I just like.

375
00:21:11,840 --> 00:21:14,879
Speaker 3: That must have been really dissatisfying. Honestly, it felt kind

376
00:21:14,880 --> 00:21:17,159
Speaker 3: of nice, like I settled down for a bit, like I,

377
00:21:17,480 --> 00:21:19,840
Speaker 3: you know, I just like found somebody that was special

378
00:21:19,880 --> 00:21:22,480
Speaker 3: and I could just like give them my dollars or

379
00:21:23,160 --> 00:21:26,640
Speaker 3: somebody's dollars, and I kind of just like, you know, well.

380
00:21:26,600 --> 00:21:28,440
Speaker 1: I'll tell you it was dollar dollars. It was it

381
00:21:28,520 --> 00:21:32,440
Speaker 1: was Paul Stevens dollars. Now you now, you Hayes, made

382
00:21:32,480 --> 00:21:35,040
Speaker 1: a mistake because you said we're following the money, which

383
00:21:35,080 --> 00:21:37,320
Speaker 1: makes Andy think of the phrase follow the money, which

384
00:21:37,359 --> 00:21:39,960
Speaker 1: makes Andy think of deep throat, which makes Andy think

385
00:21:39,960 --> 00:21:43,040
Speaker 1: of getting mysterious phone calls, which makes Andy think of

386
00:21:43,720 --> 00:21:50,080
Speaker 1: that's right, porno stuff. Now he probably could have gotten

387
00:21:50,119 --> 00:21:52,440
Speaker 1: there just from the phrase deep throat, but not.

388
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Speaker 3: Andy, No, not my generation. Yeah, who is this person?

389
00:22:00,600 --> 00:22:03,080
Speaker 3: Who's this woman? You know, like.

390
00:22:04,560 --> 00:22:07,080
Speaker 5: On Vermont Street there's at seven to eleven that doesn't

391
00:22:07,119 --> 00:22:12,199
Speaker 5: sell alcohol. They do take secondary of dollars like for

392
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Speaker 5: whatever you're gonna get.

393
00:22:14,160 --> 00:22:14,560
Speaker 2: Mm hmm.

394
00:22:15,480 --> 00:22:16,119
Speaker 3: Is this woman?

395
00:22:16,560 --> 00:22:20,879
Speaker 4: Can I make a guess? Okay, is this woman you

396
00:22:20,920 --> 00:22:27,760
Speaker 4: know a rotating taquito? Yeah?

397
00:22:28,920 --> 00:22:33,520
Speaker 3: Is this someone that you got evolved in like a

398
00:22:33,560 --> 00:22:36,680
Speaker 3: toxic relationship with potentially? Yeah?

399
00:22:37,160 --> 00:22:39,760
Speaker 5: I mean I don't know if it was talk like

400
00:22:39,840 --> 00:22:42,640
Speaker 5: I got something out of it too, Like I got

401
00:22:42,680 --> 00:22:45,520
Speaker 5: to spend time with somebody and like I just spent

402
00:22:45,760 --> 00:22:48,440
Speaker 5: you know, a few, like a thousand dollars.

403
00:22:48,400 --> 00:22:53,000
Speaker 1: From what I've heard just from you know, some of

404
00:22:53,000 --> 00:22:56,760
Speaker 1: my friends who work at that seven eleven. She had

405
00:22:56,840 --> 00:22:59,760
Speaker 1: a sister in law I guess who was a stale

406
00:22:59,800 --> 00:23:05,080
Speaker 1: bear claw and you got caught in the middle of

407
00:23:06,920 --> 00:23:10,840
Speaker 1: some sort of competition between the two of them that

408
00:23:10,960 --> 00:23:14,040
Speaker 1: left you ultimately.

409
00:23:15,000 --> 00:23:15,560
Speaker 2: Scarred.

410
00:23:16,480 --> 00:23:21,480
Speaker 3: Yes, we heard a lot of reports about a carboy

411
00:23:22,640 --> 00:23:28,680
Speaker 3: mm hmm marrying the food mm hmmm at the seven

412
00:23:28,720 --> 00:23:29,200
Speaker 3: to eleven.

413
00:23:29,960 --> 00:23:32,680
Speaker 2: Yeah, that sounds accurate. That's yeah.

414
00:23:32,800 --> 00:23:35,000
Speaker 3: Like so you were very close by at this point.

415
00:23:35,240 --> 00:23:37,040
Speaker 2: Oh yeah, yeah, I was like right around the corner.

416
00:23:37,160 --> 00:23:39,560
Speaker 2: That's really see this up your button around the corner

417
00:23:39,640 --> 00:23:40,080
Speaker 2: thing again?

418
00:23:40,160 --> 00:23:43,920
Speaker 3: Oh no, Meanwhile, I know you couldn't see the big

419
00:23:43,960 --> 00:23:44,960
Speaker 3: sniff that he did.

420
00:23:45,680 --> 00:23:52,800
Speaker 1: He did a huge, huge sniff. And also when he

421
00:23:55,600 --> 00:24:01,520
Speaker 1: when he's being a car sometimes he'll offer me a

422
00:24:02,520 --> 00:24:09,840
Speaker 1: taketo from his tailpipe. He calls him tailpipe taketos. He

423
00:24:09,960 --> 00:24:11,680
Speaker 1: must have a dozen of them in there at any

424
00:24:11,720 --> 00:24:16,760
Speaker 1: given time. And so all of this sort of forming

425
00:24:16,800 --> 00:24:18,280
Speaker 1: one unified picture for me.

426
00:24:19,320 --> 00:24:22,960
Speaker 4: Thank you for Stuart Heritage for sending in the money

427
00:24:23,000 --> 00:24:23,400
Speaker 4: as well.

428
00:24:24,400 --> 00:24:28,879
Speaker 3: Okay, Andy, well, welcome home. You're safe now?

429
00:24:29,400 --> 00:24:32,000
Speaker 5: Yeah, I mean I don't know if I'm safe, but

430
00:24:32,080 --> 00:24:34,200
Speaker 5: like I'm I'm here, you know where I am at least,

431
00:24:34,320 --> 00:24:35,960
Speaker 5: so everyone's relieved.

432
00:24:36,440 --> 00:24:37,840
Speaker 3: What are you in danger from?

433
00:24:39,040 --> 00:24:42,400
Speaker 2: There's too many taketos in there, you guys. I'd hit

434
00:24:42,480 --> 00:24:42,919
Speaker 2: the limit.

435
00:24:44,119 --> 00:24:44,919
Speaker 3: You hit the limit?

436
00:24:45,040 --> 00:24:47,840
Speaker 1: Yeah, I said at least a dozen? Was I lowballing you?

437
00:24:48,280 --> 00:24:55,200
Speaker 5: Yeah, I'd probably like two to three dozen. Okay, yeah

438
00:24:55,200 --> 00:24:55,480
Speaker 5: I heard.

439
00:24:55,480 --> 00:24:57,280
Speaker 2: I could feel you on my pulse.

440
00:25:00,040 --> 00:25:00,480
Speaker 3: You're lying.

441
00:25:00,560 --> 00:25:00,760
Speaker 1: Yeah.

442
00:25:00,800 --> 00:25:02,520
Speaker 3: He gave me a look and I was like, yeah,

443
00:25:02,760 --> 00:25:07,400
Speaker 3: it was actually Baker's doesn't.

444
00:25:05,760 --> 00:25:08,680
Speaker 1: Yeah, don't violate the circle of trust, Foker.

445
00:25:09,920 --> 00:25:10,120
Speaker 3: Now.

446
00:25:12,960 --> 00:25:14,880
Speaker 4: And he also lost my mail I got. You lost

447
00:25:14,880 --> 00:25:19,800
Speaker 4: all my birthday surprises, the card I got from Anastasia

448
00:25:21,200 --> 00:25:24,840
Speaker 4: and the filthy gift that I got from Alan. It's

449
00:25:24,920 --> 00:25:28,399
Speaker 4: like three months ago and I'm just hearing about these now.

450
00:25:28,800 --> 00:25:32,200
Speaker 4: And the nice fish print that I got from Mark.

451
00:25:33,320 --> 00:25:34,720
Speaker 4: You lost them?

452
00:25:35,040 --> 00:25:35,240
Speaker 3: Yeah?

453
00:25:35,280 --> 00:25:37,480
Speaker 5: I had that, but that was like the one thing,

454
00:25:37,520 --> 00:25:39,840
Speaker 5: you know, you remember Castaway where he's got that one

455
00:25:39,880 --> 00:25:42,440
Speaker 5: package that he doesn't open that's like, you know, gives

456
00:25:42,480 --> 00:25:48,080
Speaker 5: him hope. Yeah, those your filthy gifts from all your

457
00:25:48,160 --> 00:25:49,800
Speaker 5: other fucked up fans.

458
00:25:49,920 --> 00:25:55,560
Speaker 1: Spoiler alert, Well, nobody watched Castaway. Now Andy's seen it.

459
00:25:57,119 --> 00:25:59,040
Speaker 3: Yeah, and he's like, I've seen it now, no one

460
00:25:59,040 --> 00:26:00,200
Speaker 3: else is allowed to see it.

461
00:26:00,359 --> 00:26:03,679
Speaker 1: Right, it's my movie. Well, you just tell me what

462
00:26:03,720 --> 00:26:11,479
Speaker 1: happens to them on every movie. Okay, go ahead, starting now. Okay,

463
00:26:13,000 --> 00:26:14,320
Speaker 1: don't start with Knocked Up?

464
00:26:16,920 --> 00:26:21,040
Speaker 2: That went well? They do like take the Baby Home.

465
00:26:21,320 --> 00:26:25,520
Speaker 3: Oh, isn't your hero in that movie? The guy? It doesn't.

466
00:26:25,640 --> 00:26:28,679
Speaker 3: Isn't he like a some kind of poor no entrepreneur?

467
00:26:29,920 --> 00:26:34,119
Speaker 2: Who is it? He's his favorite movie? It doesn't your favorite.

468
00:26:34,160 --> 00:26:36,160
Speaker 2: I don't know what happened to poor guys in it.

469
00:26:36,320 --> 00:26:39,000
Speaker 1: Come on, they're trying to make a friggin celeb.

470
00:26:39,160 --> 00:26:42,600
Speaker 2: Skin. Oh, mister Skin is my hero? Is that what

471
00:26:42,600 --> 00:26:43,680
Speaker 2: you're saying? Well?

472
00:26:45,160 --> 00:26:45,640
Speaker 1: Kind of?

473
00:26:48,000 --> 00:26:50,760
Speaker 5: I like that he has like a database of like

474
00:26:51,200 --> 00:26:52,639
Speaker 5: nude bodies.

475
00:26:52,800 --> 00:26:57,400
Speaker 4: That's yeah, that is your favorite. That's your favorite thing

476
00:26:57,400 --> 00:26:57,760
Speaker 4: about it?

477
00:26:58,200 --> 00:27:00,480
Speaker 3: Yeah? Doesn't he have any other quality to you?

478
00:27:01,440 --> 00:27:09,840
Speaker 2: I like his He has a nice smile. God Eddie

479
00:27:09,880 --> 00:27:11,360
Speaker 2: likes mister skin smile.

480
00:27:12,320 --> 00:27:15,040
Speaker 1: Sometimes I think Andy wants to make me throw up.

481
00:27:16,160 --> 00:27:18,000
Speaker 4: Well, we have a guest that we have to talk

482
00:27:18,040 --> 00:27:29,520
Speaker 4: to now, Yeah, Karen on Hollywood Handbook. So if you

483
00:27:29,520 --> 00:27:37,760
Speaker 4: can picture it, me, Christy Swanson, Cedric Yarborough at the

484
00:27:37,840 --> 00:27:38,520
Speaker 4: Art museum.

485
00:27:38,960 --> 00:27:39,800
Speaker 2: I've got the image.

486
00:27:40,240 --> 00:27:44,879
Speaker 4: I'm sitting in the gallery. They let me bring a

487
00:27:44,960 --> 00:27:48,560
Speaker 4: chair with me through the museum. It's not a wheel chair.

488
00:27:48,800 --> 00:27:51,119
Speaker 4: It is a chair. That's a chair that happens to roll,

489
00:27:51,320 --> 00:27:53,640
Speaker 4: just yes, and I can roll from room to room.

490
00:27:53,680 --> 00:27:57,080
Speaker 4: But I'm standing and I'm pushing the chair between rooms.

491
00:27:57,080 --> 00:27:59,560
Speaker 4: But then I sit down to it because if I'm

492
00:27:59,640 --> 00:28:02,639
Speaker 4: standing for too long, my knees start to kind of

493
00:28:03,240 --> 00:28:06,520
Speaker 4: descend down my legs, right, yes, they sort of my

494
00:28:06,600 --> 00:28:08,760
Speaker 4: knees just sort of slim their way down.

495
00:28:08,760 --> 00:28:10,120
Speaker 1: It's almost like a fireman's pole.

496
00:28:10,680 --> 00:28:13,640
Speaker 3: Yes, you know. And they do make that safe kind

497
00:28:13,720 --> 00:28:16,040
Speaker 3: of sat that's squeaky saying. Well, they appear to be

498
00:28:16,040 --> 00:28:23,000
Speaker 3: having just as much fun. So we're looking at the art.

499
00:28:22,200 --> 00:28:25,720
Speaker 4: And Cedric is like, oh, what interesting painting and all

500
00:28:25,920 --> 00:28:28,560
Speaker 4: this like all this right, and I can sort of

501
00:28:28,560 --> 00:28:31,480
Speaker 4: tell that he's just like pretending to get it, and

502
00:28:31,560 --> 00:28:33,919
Speaker 4: so then i'm and then they're like, hey, so what

503
00:28:33,920 --> 00:28:37,760
Speaker 4: do you think of the paint? And I say honestly,

504
00:28:37,800 --> 00:28:39,440
Speaker 4: I think my five year old could paint that.

505
00:28:39,680 --> 00:28:42,600
Speaker 1: Oh wow, hay.

506
00:28:44,080 --> 00:28:47,280
Speaker 4: And so Cedric was faced by that and did he

507
00:28:47,400 --> 00:28:50,760
Speaker 4: find his face? He well, he was attempting to fight

508
00:28:50,840 --> 00:28:53,000
Speaker 4: his face very early and down on his hands and

509
00:28:53,040 --> 00:28:57,200
Speaker 4: knees at that point. And he was like, you're you

510
00:28:57,240 --> 00:29:02,400
Speaker 4: don't your youngest child is thirty nine years old, And.

511
00:29:02,440 --> 00:29:07,680
Speaker 2: So I had to be like, no, he's not sure, Yeah,

512
00:29:07,760 --> 00:29:08,440
Speaker 2: he's five.

513
00:29:10,040 --> 00:29:12,880
Speaker 3: So it begins this whole thing where I like, what

514
00:29:12,960 --> 00:29:17,479
Speaker 3: constitutes like what is your child? Well, he's oh, go ahead,

515
00:29:17,600 --> 00:29:19,800
Speaker 3: he's set up. It became like a challenge where I

516
00:29:20,040 --> 00:29:21,680
Speaker 3: have to actually like follow through on this.

517
00:29:21,800 --> 00:29:26,240
Speaker 4: Now I have to go to fence dirt. It's like

518
00:29:26,400 --> 00:29:28,600
Speaker 4: you have to pretend that you are five years old.

519
00:29:29,720 --> 00:29:32,160
Speaker 4: It became clear like I didn't really realize what a

520
00:29:32,200 --> 00:29:34,120
Speaker 4: five year old dress is like, so I dressed aboup

521
00:29:34,120 --> 00:29:35,080
Speaker 4: like a little baby.

522
00:29:36,880 --> 00:29:39,040
Speaker 2: Right, it's just been so long, Yes.

523
00:29:39,880 --> 00:29:45,320
Speaker 4: But eventually we set up the painting challenge and he's

524
00:29:45,400 --> 00:29:50,360
Speaker 4: like trying to paint it exactly like the original one.

525
00:29:50,800 --> 00:29:52,959
Speaker 1: Oh, but that wasn't your point. It was that your

526
00:29:53,000 --> 00:29:55,000
Speaker 1: five year old could do something of the same quality

527
00:29:55,000 --> 00:29:56,920
Speaker 1: as the original one. No, my point was that he

528
00:29:56,920 --> 00:29:59,280
Speaker 1: could paint that exactly, that exact one, Like he could

529
00:29:59,280 --> 00:30:02,440
Speaker 1: copy it and not even copy it, but they could

530
00:30:02,480 --> 00:30:03,280
Speaker 1: paint it over it.

531
00:30:03,440 --> 00:30:05,200
Speaker 3: Yeah, that he could paint the original one.

532
00:30:06,320 --> 00:30:08,560
Speaker 1: Can I ask a quick question, what was Christy Swanson

533
00:30:08,560 --> 00:30:09,440
Speaker 1: doing this whole time?

534
00:30:11,200 --> 00:30:16,240
Speaker 4: She interesting, she sort of got caught up with one

535
00:30:16,280 --> 00:30:20,120
Speaker 4: of the guards, the museum guards, wanting to show up,

536
00:30:20,320 --> 00:30:24,120
Speaker 4: like when she sees like any kind of authority figure,

537
00:30:24,160 --> 00:30:26,760
Speaker 4: she sort of wants to go buffy on him, right,

538
00:30:26,960 --> 00:30:27,840
Speaker 4: original buffy.

539
00:30:28,160 --> 00:30:28,480
Speaker 3: Yes.

540
00:30:28,960 --> 00:30:31,360
Speaker 4: And so she's just sort of like standing next to

541
00:30:31,400 --> 00:30:36,840
Speaker 4: the guard just like sort of vaguely doing moves, you know,

542
00:30:37,040 --> 00:30:40,640
Speaker 4: just sort of waiting for him to like try to

543
00:30:40,680 --> 00:30:43,640
Speaker 4: stop her from doing the hands. Her hands are just

544
00:30:43,720 --> 00:30:47,400
Speaker 4: kind of vaguely doing these like the beginnings of moves.

545
00:30:47,400 --> 00:30:51,840
Speaker 2: Right, getting into pre karate poses.

546
00:30:53,040 --> 00:30:58,400
Speaker 1: Yes, wow, well yeah, And then just to wrap it

547
00:30:58,440 --> 00:31:01,720
Speaker 1: up quickly, did your five year old and I'm using

548
00:31:01,800 --> 00:31:03,400
Speaker 1: quotes paint.

549
00:31:03,160 --> 00:31:12,000
Speaker 3: That all right? No, Hey, welcome to I was an

550
00:31:12,000 --> 00:31:16,080
Speaker 3: industry show bag I can call show change and as

551
00:31:16,120 --> 00:31:18,320
Speaker 3: part of it is being able to change speed and.

552
00:31:19,360 --> 00:31:21,360
Speaker 1: You go up ahead of me, and then the caboose

553
00:31:21,360 --> 00:31:22,720
Speaker 1: comes into the station as well.

554
00:31:23,840 --> 00:31:28,280
Speaker 3: I'm Hayes and Sean. We haven't introduced ourselves. Hey, I'm

555
00:31:28,280 --> 00:31:31,680
Speaker 3: Haze and I'm not. It's like what I should it.

556
00:31:31,680 --> 00:31:34,880
Speaker 3: It's been probably forty five episodes. I think since we've

557
00:31:35,360 --> 00:31:36,200
Speaker 3: introduced ourselves.

558
00:31:36,200 --> 00:31:39,560
Speaker 1: Now we don't say our names as much. And uh,

559
00:31:39,720 --> 00:31:41,960
Speaker 1: that's a mistake because we are getting new listeners all

560
00:31:41,960 --> 00:31:44,600
Speaker 1: the time. We're always so happy to have more people

561
00:31:44,800 --> 00:31:46,760
Speaker 1: come and just sort of join the party. And if

562
00:31:46,800 --> 00:31:52,320
Speaker 1: you picture a hot tub, that's huge. Uh, and it's

563
00:31:52,320 --> 00:31:54,240
Speaker 1: also a time machine. That's kind of how we think

564
00:31:54,280 --> 00:31:58,600
Speaker 1: of our show. We've got a guess here for doing

565
00:31:58,680 --> 00:32:03,080
Speaker 1: it talking to and have interview and fun, and that

566
00:32:03,400 --> 00:32:07,160
Speaker 1: is what we're gonna sort of bridge into with a

567
00:32:07,240 --> 00:32:10,440
Speaker 1: nice segue now where we say the guest's name and

568
00:32:10,480 --> 00:32:15,880
Speaker 1: then she says hi, and then probably Hayes. We'll start

569
00:32:15,920 --> 00:32:20,480
Speaker 1: talking to her or maybe she'll have some like follow

570
00:32:20,520 --> 00:32:25,440
Speaker 1: up question on Hayes's museum story. But anyway, I hope

571
00:32:25,880 --> 00:32:30,400
Speaker 1: without further ado, let's just get into it and I'm

572
00:32:30,440 --> 00:32:33,040
Speaker 1: going to take a quick sip of water and hopefully

573
00:32:33,080 --> 00:32:33,640
Speaker 1: it doesn't.

574
00:32:33,440 --> 00:32:34,080
Speaker 3: Take too long.

575
00:32:35,360 --> 00:32:36,800
Speaker 2: Glog glog, glog, glog glood.

576
00:32:39,520 --> 00:32:44,880
Speaker 7: Karen Cougarrett, Hi Ayyes, we'd have a quick question. Was

577
00:32:44,920 --> 00:32:48,800
Speaker 7: this at the Norton Simon Museum over in Pasadena? Yes, yeah,

578
00:32:48,880 --> 00:32:50,360
Speaker 7: I could just pictured in my mind.

579
00:32:50,200 --> 00:32:50,680
Speaker 8: As you were doing.

580
00:32:50,720 --> 00:32:52,040
Speaker 3: There are so many people there.

581
00:32:52,080 --> 00:32:54,480
Speaker 4: I wish so many people didn't know about this because

582
00:32:54,480 --> 00:32:56,160
Speaker 4: it did end up being embarrassing for me.

583
00:32:56,360 --> 00:33:00,360
Speaker 1: And then did you also ever clarify what the rolling

584
00:33:00,440 --> 00:33:04,480
Speaker 1: chair had to do with the latter half.

585
00:33:04,280 --> 00:33:04,880
Speaker 2: Of the story.

586
00:33:05,520 --> 00:33:07,560
Speaker 4: Oh, I didn't mean that for that to be set up.

587
00:33:08,000 --> 00:33:10,720
Speaker 4: I just said that I was sitting. I thought people

588
00:33:10,760 --> 00:33:12,720
Speaker 4: might be confused that I was sitting and looking at

589
00:33:12,720 --> 00:33:14,800
Speaker 4: the the paintings.

590
00:33:14,920 --> 00:33:16,560
Speaker 8: Just yeah, but you were rolling.

591
00:33:17,080 --> 00:33:20,160
Speaker 4: Yes, In reality, I was sitting and sort of slowly

592
00:33:20,240 --> 00:33:21,480
Speaker 4: rolling because the.

593
00:33:21,400 --> 00:33:26,959
Speaker 3: Wheels are so well oiled that it is impossible for

594
00:33:27,120 --> 00:33:28,880
Speaker 3: the chair to ever be stationary.

595
00:33:29,080 --> 00:33:29,240
Speaker 2: Right.

596
00:33:29,960 --> 00:33:34,000
Speaker 1: Yeah, you know so much of storytelling is painting a picture. Yeah,

597
00:33:34,080 --> 00:33:37,320
Speaker 1: and especially when I got about paint picture.

598
00:33:37,480 --> 00:33:39,960
Speaker 8: Yeah, I mean painting a picture about a museum.

599
00:33:40,680 --> 00:33:43,480
Speaker 2: Right, It's like it really does tripping out.

600
00:33:43,720 --> 00:33:45,040
Speaker 3: It really totally doesn't.

601
00:33:44,800 --> 00:33:48,000
Speaker 1: Know it is. It's like, yeah, it's like when a

602
00:33:48,080 --> 00:33:54,560
Speaker 1: mirrors inside itself. So what is the thing about us

603
00:33:54,640 --> 00:33:58,880
Speaker 1: that we all love to explore? Uh and talk with

604
00:33:59,800 --> 00:34:03,800
Speaker 1: it's obviously going to happen on the podcast and it's

605
00:34:04,560 --> 00:34:12,000
Speaker 1: right now starting. So Karen, you do podcast and it's

606
00:34:12,120 --> 00:34:15,320
Speaker 1: from Farah? Is that because it's so wild?

607
00:34:15,960 --> 00:34:20,600
Speaker 7: Yes, we knew that if we did a murder podcast,

608
00:34:20,840 --> 00:34:24,120
Speaker 7: we would need to be housed in a place that

609
00:34:24,200 --> 00:34:27,200
Speaker 7: could not contain us. And Fair Audio was that place,

610
00:34:27,800 --> 00:34:28,760
Speaker 7: if that makes sense.

611
00:34:29,160 --> 00:34:36,520
Speaker 1: Yeah, definitely, that's where all the baddest motherfuckers go to

612
00:34:36,560 --> 00:34:42,480
Speaker 1: make their show. And uh, well I'm not jealous because

613
00:34:42,480 --> 00:34:44,000
Speaker 1: we have a great setup over here.

614
00:34:44,160 --> 00:34:44,640
Speaker 8: It's amazing.

615
00:34:44,680 --> 00:34:47,840
Speaker 1: We don't always it's good. We don't maybe get the

616
00:34:47,840 --> 00:34:50,799
Speaker 1: recognition we deserve. I don't know if you saw the

617
00:34:50,800 --> 00:34:54,920
Speaker 1: wall of shoes with hosts on them, Oh that's painted outside.

618
00:34:54,960 --> 00:34:56,680
Speaker 1: But well, I have been.

619
00:34:56,600 --> 00:34:59,880
Speaker 7: Staring at this table which is just just packed with

620
00:35:00,239 --> 00:35:04,719
Speaker 7: names and signatures, and that alone just shows me the

621
00:35:04,800 --> 00:35:08,680
Speaker 7: amount of celebrity strength that has come through these recording rooms.

622
00:35:08,760 --> 00:35:11,879
Speaker 1: It screams quality, doesn't it. Why there's just.

623
00:35:11,840 --> 00:35:15,640
Speaker 7: This casual desperation about it of get my name on there,

624
00:35:15,840 --> 00:35:19,239
Speaker 7: let me be seen, which I really respond to.

625
00:35:19,640 --> 00:35:24,000
Speaker 1: Well, and when you're recording a podcast with no celebrities,

626
00:35:24,920 --> 00:35:28,920
Speaker 1: you still can feel like this is a famous podcast.

627
00:35:29,120 --> 00:35:31,640
Speaker 8: Could use your signature that you use at the bank.

628
00:35:31,840 --> 00:35:33,239
Speaker 1: Gligor was here.

629
00:35:35,440 --> 00:35:38,280
Speaker 8: Katie Kranitz was also here in block letters.

630
00:35:38,400 --> 00:35:38,680
Speaker 2: M H.

631
00:35:39,640 --> 00:35:42,319
Speaker 1: Nelson Franklin. I mean he had a whole arc on

632
00:35:42,360 --> 00:35:46,520
Speaker 1: the Miller's. So at this point it's like, all right, well,

633
00:35:46,640 --> 00:35:49,360
Speaker 1: maybe it doesn't matter that I don't have these huge

634
00:35:49,440 --> 00:35:53,239
Speaker 1: mega credits because I'm sort of in the same neighborhood

635
00:35:53,239 --> 00:35:53,920
Speaker 1: as these guys.

636
00:35:53,920 --> 00:35:57,040
Speaker 7: But it's aspirational if you look at it and you say,

637
00:35:57,040 --> 00:35:59,359
Speaker 7: this is where I want to be. I want to

638
00:35:59,440 --> 00:36:02,680
Speaker 7: find like a quarter inch spot where I can sign

639
00:36:02,800 --> 00:36:05,040
Speaker 7: my name and inspire people one day in the future.

640
00:36:05,120 --> 00:36:06,759
Speaker 1: And Karen, if you'd like to do that, we can

641
00:36:06,800 --> 00:36:08,560
Speaker 1: absolutely talk to engineer Cody.

642
00:36:08,960 --> 00:36:11,200
Speaker 7: Okay, I mean that'd be if you could put in

643
00:36:11,239 --> 00:36:12,200
Speaker 7: a word that'd be amazing.

644
00:36:12,320 --> 00:36:12,560
Speaker 3: Yeah.

645
00:36:12,600 --> 00:36:14,960
Speaker 1: I can definitely get involved in Engineer Cody. Do we

646
00:36:15,040 --> 00:36:19,399
Speaker 1: have anything coming up? Is there any real estate that's

647
00:36:19,440 --> 00:36:22,040
Speaker 1: supposed to be freeing up anytime soon?

648
00:36:22,920 --> 00:36:23,760
Speaker 3: Like office space?

649
00:36:25,920 --> 00:36:29,120
Speaker 4: No, Cody has been thinking a lot about the movie

650
00:36:29,160 --> 00:36:29,840
Speaker 4: office space.

651
00:36:30,080 --> 00:36:33,360
Speaker 6: Oh right, Like you want a cubicle in the office

652
00:36:33,360 --> 00:36:36,359
Speaker 6: somewhere that you can take one wall off and push

653
00:36:36,400 --> 00:36:37,480
Speaker 6: it and have a window.

654
00:36:37,600 --> 00:36:39,640
Speaker 8: Wait, no, hold, on, I am interested in this.

655
00:36:40,719 --> 00:36:43,560
Speaker 2: I am oh, well she does want a cubicle.

656
00:36:43,640 --> 00:36:46,920
Speaker 8: Yes, there's I want two things.

657
00:36:46,920 --> 00:36:48,840
Speaker 3: Starting to look like he maybe over promised.

658
00:36:49,360 --> 00:36:51,000
Speaker 2: He'd bit off more than he could chew here.

659
00:36:51,160 --> 00:36:53,279
Speaker 7: You always have to know that someone could say yes

660
00:36:53,320 --> 00:36:54,080
Speaker 7: to your suggestions.

661
00:36:54,120 --> 00:36:56,839
Speaker 1: Well, and he's he's only seen the first half of

662
00:36:56,840 --> 00:36:59,360
Speaker 1: office space too, so he's not sure what the consequences

663
00:36:59,360 --> 00:37:00,440
Speaker 1: will be if right.

664
00:37:00,480 --> 00:37:02,200
Speaker 7: When it comes to the damn it feels going to

665
00:37:02,200 --> 00:37:04,000
Speaker 7: be a gangster party's like, I can't handle this.

666
00:37:04,200 --> 00:37:07,120
Speaker 1: Yeah, yeah, cleaning a fish in the office. That's not

667
00:37:07,239 --> 00:37:07,920
Speaker 1: work stuff.

668
00:37:08,000 --> 00:37:10,080
Speaker 8: The fuck is happening.

669
00:37:10,880 --> 00:37:17,040
Speaker 3: Now, Karen? What explaining murder? Go ahead?

670
00:37:17,680 --> 00:37:23,560
Speaker 8: Yes, thank you perfectly put. It's just that.

671
00:37:23,520 --> 00:37:27,080
Speaker 7: Thing where a human decides to take the life of

672
00:37:27,120 --> 00:37:27,880
Speaker 7: another human.

673
00:37:28,680 --> 00:37:32,160
Speaker 3: And what about killing as well?

674
00:37:33,000 --> 00:37:37,920
Speaker 8: Right about and on killing. I feel like it's a

675
00:37:38,000 --> 00:37:42,840
Speaker 8: thing that people do to other people. Sometimes it's planned,

676
00:37:43,640 --> 00:37:44,400
Speaker 8: sometimes it's not.

677
00:37:44,560 --> 00:37:45,400
Speaker 3: And it can be scary.

678
00:37:45,600 --> 00:37:48,200
Speaker 8: It's often scary, true, true, m M.

679
00:37:49,440 --> 00:37:51,920
Speaker 1: It can be fun to think about scary things, can't it.

680
00:37:52,680 --> 00:37:53,239
Speaker 8: I like it.

681
00:37:54,480 --> 00:37:57,360
Speaker 1: One thing, when you said taking the life of another person,

682
00:37:57,640 --> 00:37:59,759
Speaker 1: I at first thought I've taken the life of so

683
00:37:59,800 --> 00:38:03,080
Speaker 1: many people. Oh yeah, as an actor.

684
00:38:03,880 --> 00:38:06,520
Speaker 3: H who are some of those people?

685
00:38:06,719 --> 00:38:06,959
Speaker 2: Yeah?

686
00:38:07,120 --> 00:38:11,439
Speaker 1: Oh happy Loman.

687
00:38:13,640 --> 00:38:15,440
Speaker 8: Uh huh.

688
00:38:15,600 --> 00:38:18,160
Speaker 1: Matt Merbles was the name of my character of Parks

689
00:38:18,160 --> 00:38:19,320
Speaker 1: and reci looked at Grizzle.

690
00:38:23,600 --> 00:38:24,280
Speaker 8: He was a killer.

691
00:38:24,440 --> 00:38:28,040
Speaker 1: Fritz, the community college acting teacher, also a murderer.

692
00:38:28,600 --> 00:38:31,240
Speaker 2: No, no, no, no, But I took his life.

693
00:38:31,640 --> 00:38:35,800
Speaker 1: I mean I gave him life, but also I started

694
00:38:35,840 --> 00:38:39,879
Speaker 1: occupying his life. I ceased to be Sean clements.

695
00:38:40,320 --> 00:38:42,280
Speaker 2: Did you take writer?

696
00:38:42,640 --> 00:38:43,040
Speaker 1: Go ahead?

697
00:38:43,040 --> 00:38:46,040
Speaker 3: What did you take his life? Twice? Oh?

698
00:38:46,520 --> 00:38:52,279
Speaker 1: Who Fritz? Yeah, yeah twice. Uh, but that's not how

699
00:38:52,360 --> 00:39:00,200
Speaker 1: you meant. And so when doing killing? What's the best?

700
00:39:00,800 --> 00:39:04,440
Speaker 8: This podcast is being translated from German. Right, well, what's happening?

701
00:39:04,920 --> 00:39:05,280
Speaker 2: Okay?

702
00:39:06,600 --> 00:39:06,920
Speaker 3: For me?

703
00:39:07,040 --> 00:39:12,239
Speaker 7: What best is, I would say, is a murderer, a

704
00:39:12,280 --> 00:39:17,279
Speaker 7: serial killer who plans, not this passion. Oh I drank

705
00:39:17,320 --> 00:39:18,680
Speaker 7: a bunch of beer and I'm going to shoot you

706
00:39:18,760 --> 00:39:21,600
Speaker 7: in the face with a shotgun because you disrespected me.

707
00:39:22,040 --> 00:39:24,399
Speaker 8: Instead, is that your fear?

708
00:39:25,040 --> 00:39:27,960
Speaker 2: Oh I thought that you were saying that you might

709
00:39:28,000 --> 00:39:28,719
Speaker 2: do that for real.

710
00:39:28,840 --> 00:39:31,120
Speaker 8: That's my training. Oh, it makes it real.

711
00:39:31,160 --> 00:39:36,920
Speaker 7: But I instead, like a planned, methodical killer who picks

712
00:39:36,920 --> 00:39:40,279
Speaker 7: his victims for a certain reason, in a certain way.

713
00:39:40,320 --> 00:39:41,200
Speaker 8: I just think that's fast.

714
00:39:41,320 --> 00:39:43,919
Speaker 1: One thing I don't get beer doesn't make me want

715
00:39:43,920 --> 00:39:46,600
Speaker 1: to do that, man, it just makes me want to

716
00:39:46,680 --> 00:39:51,920
Speaker 1: fucking party more. Yeah, isn't partying so awesome?

717
00:39:53,120 --> 00:39:57,239
Speaker 7: I mean as a thirty year alcoholic, I would say absolutely.

718
00:39:57,440 --> 00:39:57,760
Speaker 3: Yeah.

719
00:39:57,840 --> 00:40:01,240
Speaker 4: Yes, So your podcast is favorite murder. But what about

720
00:40:01,440 --> 00:40:02,920
Speaker 4: your favorite partying?

721
00:40:03,640 --> 00:40:07,120
Speaker 8: Oh, like great partying I've done in the past.

722
00:40:06,920 --> 00:40:07,839
Speaker 3: What's your favorite one?

723
00:40:07,920 --> 00:40:10,160
Speaker 1: You even mentioned you how to party tonight and I

724
00:40:10,200 --> 00:40:12,640
Speaker 1: was listening to your podcasts and the first story you

725
00:40:12,680 --> 00:40:16,000
Speaker 1: tell us about making friends at a party. Yes, So

726
00:40:16,160 --> 00:40:18,480
Speaker 1: it's like, how many parties are we talking about here?

727
00:40:19,239 --> 00:40:20,040
Speaker 8: At least seven?

728
00:40:21,120 --> 00:40:24,239
Speaker 7: So I've been to so many parties I've I've lived

729
00:40:24,239 --> 00:40:27,200
Speaker 7: here for so long and parties are a major part

730
00:40:27,440 --> 00:40:29,319
Speaker 7: of my life and what I do.

731
00:40:29,440 --> 00:40:30,239
Speaker 8: And even if I.

732
00:40:30,239 --> 00:40:33,800
Speaker 7: Don't get fucked up at the party, I'm still partying.

733
00:40:33,920 --> 00:40:37,680
Speaker 1: Yeah, you know, and still fucked up. Shit can go down, Yeah,

734
00:40:37,880 --> 00:40:38,960
Speaker 1: yeah it does.

735
00:40:39,640 --> 00:40:42,160
Speaker 3: Somebody put the takes shoes, put their feet in the pool.

736
00:40:43,600 --> 00:40:47,040
Speaker 3: I've seen that, m I heard about it. It's nuts.

737
00:40:47,360 --> 00:40:48,960
Speaker 2: Yeah, just to check the temp.

738
00:40:49,840 --> 00:40:54,360
Speaker 1: So murders can be something for a podcast or for

739
00:40:54,440 --> 00:40:56,640
Speaker 1: real life, but can't they also be a TV or

740
00:40:56,680 --> 00:40:57,240
Speaker 1: a movie.

741
00:40:57,520 --> 00:40:59,040
Speaker 8: Oh, I think they often can be.

742
00:40:59,320 --> 00:41:01,879
Speaker 1: And that's what we're here to talk about. In a way,

743
00:41:03,200 --> 00:41:07,840
Speaker 1: Why is a movie so good when it has a killer?

744
00:41:08,160 --> 00:41:13,080
Speaker 1: Like what's the uh oh caring?

745
00:41:13,400 --> 00:41:13,640
Speaker 3: Right?

746
00:41:14,840 --> 00:41:18,120
Speaker 1: That gave me the willies just hearing that name. Yeah,

747
00:41:19,000 --> 00:41:19,560
Speaker 1: go ahead.

748
00:41:19,719 --> 00:41:22,440
Speaker 7: Well his staring, I think is probably the first thing

749
00:41:22,480 --> 00:41:27,600
Speaker 7: you thought of, just the staring case, just so much,

750
00:41:28,320 --> 00:41:33,320
Speaker 7: so much eye contact, unbreaking, unyielding eye contact.

751
00:41:34,760 --> 00:41:37,040
Speaker 8: Is is that something a lot of killers do?

752
00:41:37,760 --> 00:41:43,000
Speaker 1: Yeah, they stare? Yeah, I bet they do so. All right,

753
00:41:43,040 --> 00:41:44,960
Speaker 1: So Hannibal Lecter one down.

754
00:41:45,719 --> 00:41:50,520
Speaker 4: What about when the TV could actually be the killer?

755
00:41:50,600 --> 00:41:54,080
Speaker 2: Like video killed the Radio Star my favorite murder.

756
00:41:54,200 --> 00:41:55,280
Speaker 8: Now that did happen?

757
00:41:55,560 --> 00:41:57,600
Speaker 3: Yes? What Kuba Gooding Jr?

758
00:41:58,239 --> 00:42:02,160
Speaker 2: Oh who did he kill? No, he's the radio he's

759
00:42:02,200 --> 00:42:03,040
Speaker 2: the radio star.

760
00:42:03,239 --> 00:42:05,919
Speaker 1: Yeah, that's right.

761
00:42:06,600 --> 00:42:11,359
Speaker 8: That's when he played a homeless, retarded right.

762
00:42:11,640 --> 00:42:15,040
Speaker 1: I remember I think won the football game, yes.

763
00:42:14,719 --> 00:42:16,760
Speaker 8: In essence, with the help of Ed Harris.

764
00:42:17,160 --> 00:42:19,600
Speaker 1: So, yes, he was the radio star and then video

765
00:42:19,719 --> 00:42:23,880
Speaker 1: killed him. Now I think the video release of radio

766
00:42:24,200 --> 00:42:28,200
Speaker 1: is what killed him. So it's sort of a weird circular,

767
00:42:28,600 --> 00:42:30,480
Speaker 1: kind of kind of a causal.

768
00:42:30,120 --> 00:42:33,719
Speaker 3: Loop, yeah, which is really Yeah, I remember when that

769
00:42:33,840 --> 00:42:37,879
Speaker 3: video came out. Yeah, that was really the end of it.

770
00:42:39,000 --> 00:42:40,640
Speaker 8: I thought it was snow Dogs.

771
00:42:41,000 --> 00:42:44,319
Speaker 4: No, that video was good. That had some some good

772
00:42:44,320 --> 00:42:47,080
Speaker 4: stuff and at the end, yeah, yeah, that had some

773
00:42:47,120 --> 00:42:47,880
Speaker 4: of the best dogs.

774
00:42:47,880 --> 00:42:52,160
Speaker 1: It tested through the roof. What about when video killed

775
00:42:52,160 --> 00:42:58,520
Speaker 1: the Radio Flyer star, Oh, Elijah Wood died? Well, no,

776
00:42:59,640 --> 00:43:04,719
Speaker 1: but he he's he's not doesn't look really healthy, does he.

777
00:43:04,719 --> 00:43:07,680
Speaker 8: He's not vital. No, he's not thriving.

778
00:43:08,200 --> 00:43:09,520
Speaker 1: He doesn't appear to have.

779
00:43:10,960 --> 00:43:17,399
Speaker 3: A robust physical life, right, Karen, Can you settle an

780
00:43:18,360 --> 00:43:19,600
Speaker 3: argument between me and Sean.

781
00:43:20,680 --> 00:43:22,520
Speaker 4: It's not a big fighting argument, but it is a

782
00:43:22,520 --> 00:43:25,319
Speaker 4: discussion we've been having for a while. You've gotten to

783
00:43:25,320 --> 00:43:27,399
Speaker 4: know us a little bit now, and so you look

784
00:43:27,440 --> 00:43:30,439
Speaker 4: at us, between me and Sean.

785
00:43:31,320 --> 00:43:33,719
Speaker 2: Which of us is Mike and which of us is Dave?

786
00:43:34,239 --> 00:43:39,480
Speaker 8: Mm, I'm gonna have to go Hayes, Dave, Sean Mike.

787
00:43:39,680 --> 00:43:47,640
Speaker 2: Yes, Yes, that's actually fine.

788
00:43:47,880 --> 00:43:49,319
Speaker 8: I just went with my gut.

789
00:43:50,920 --> 00:43:55,319
Speaker 1: You're not mad, it's actually fine. Uh, happy to be

790
00:43:55,360 --> 00:43:58,799
Speaker 1: wrong in this case? Happy for Hayes is Dave?

791
00:43:59,120 --> 00:44:01,279
Speaker 8: The winner? Is that the one to be.

792
00:44:01,480 --> 00:44:04,320
Speaker 3: In this case? Dave is me? And I am the winner?

793
00:44:04,400 --> 00:44:09,160
Speaker 1: Yess Okay, it's easier for you. I don't know if

794
00:44:09,160 --> 00:44:13,279
Speaker 1: you would have been able to take being Mike. I

795
00:44:13,280 --> 00:44:14,680
Speaker 1: don't know if you could carry that weight.

796
00:44:16,320 --> 00:44:19,400
Speaker 4: Well, does this mean you're going to go around like

797
00:44:20,440 --> 00:44:22,399
Speaker 4: going back to all the people that you've like made

798
00:44:22,480 --> 00:44:25,399
Speaker 4: this claim to and like saying that you.

799
00:44:25,360 --> 00:44:30,600
Speaker 1: Were wrong individually face to face. Yes, well those were

800
00:44:30,640 --> 00:44:37,040
Speaker 1: the terms. Well, thanks Karen for settling in. Its honestly

801
00:44:37,080 --> 00:44:40,399
Speaker 1: a relief to have that cleared up. I was happy

802
00:44:40,480 --> 00:44:43,560
Speaker 1: to and I'm just I'm not mad about who want.

803
00:44:43,560 --> 00:44:45,080
Speaker 1: I don't care. I'm not asking you to change it.

804
00:44:45,239 --> 00:44:48,400
Speaker 1: Do you feel like you maybe said Dave because Hayes's

805
00:44:48,440 --> 00:44:50,640
Speaker 1: name is Hayes Dave import.

806
00:44:51,840 --> 00:44:52,480
Speaker 8: No, I didn't know.

807
00:44:52,520 --> 00:44:53,520
Speaker 3: And my middle name is Mike.

808
00:44:55,320 --> 00:44:58,400
Speaker 7: I mean your middle name influenced it, but I wouldn't

809
00:44:58,400 --> 00:44:59,640
Speaker 7: say it was the deciding factor.

810
00:45:00,000 --> 00:45:01,120
Speaker 1: I'm talking into a mic.

811
00:45:01,400 --> 00:45:03,200
Speaker 8: And yeah, there's Mike's all around us.

812
00:45:04,400 --> 00:45:05,839
Speaker 3: Well, that was my original point.

813
00:45:05,880 --> 00:45:07,440
Speaker 2: And Hayes is sitting on a davenport.

814
00:45:10,080 --> 00:45:12,880
Speaker 3: They needed nice girls and they got how Messes.

815
00:45:16,120 --> 00:45:18,799
Speaker 1: Yeah, which is never you know, and that is a

816
00:45:18,800 --> 00:45:24,520
Speaker 1: thing that can really happen. So one thing about murders

817
00:45:24,880 --> 00:45:31,440
Speaker 1: is they can be real psychos. And speaking of psychos,

818
00:45:32,400 --> 00:45:36,600
Speaker 1: we were thinking maybe the three of us, just to

819
00:45:36,640 --> 00:45:39,439
Speaker 1: make sure we're all safe in here, an engineer code

820
00:45:39,480 --> 00:45:43,480
Speaker 1: can play too, should give each other a psychopath test.

821
00:45:43,560 --> 00:45:48,080
Speaker 1: Oh yeah, yeah, so yeah, yeah, You being the expert,

822
00:45:48,200 --> 00:45:53,000
Speaker 1: maybe would ask the first question okay, and then maybe Hayes,

823
00:45:53,400 --> 00:45:56,560
Speaker 1: being the dave of the group, would be kind of

824
00:45:56,600 --> 00:46:00,600
Speaker 1: the leader and he would ask the second question and

825
00:46:00,640 --> 00:46:03,000
Speaker 1: everyone has to answer and no lying.

826
00:46:04,239 --> 00:46:06,680
Speaker 4: And that's the main rule is you can't lie about

827
00:46:06,880 --> 00:46:09,360
Speaker 4: if you are going to be a psychopath.

828
00:46:08,960 --> 00:46:11,160
Speaker 1: Or right, And if you're telling a lie, then Kevin,

829
00:46:11,160 --> 00:46:14,520
Speaker 1: the new photographer is a going to be able to tell.

830
00:46:14,719 --> 00:46:15,919
Speaker 3: I like, is Kevin still okay?

831
00:46:15,960 --> 00:46:19,719
Speaker 4: I would like Kevin to stay where I can see him?

832
00:46:19,960 --> 00:46:21,440
Speaker 4: And now this is a new I know, this is

833
00:46:21,440 --> 00:46:23,880
Speaker 4: a new arrangement. No, I don't want that, you know,

834
00:46:24,000 --> 00:46:24,960
Speaker 4: it's funny Kevin.

835
00:46:25,080 --> 00:46:28,120
Speaker 7: That's the first question of the psychopath test. Can you

836
00:46:28,160 --> 00:46:30,040
Speaker 7: handle a photographer being behind you?

837
00:46:30,719 --> 00:46:33,600
Speaker 2: And the answer clearly, are you okay with Kevin sneaking

838
00:46:33,680 --> 00:46:34,160
Speaker 2: up on you?

839
00:46:34,280 --> 00:46:34,520
Speaker 6: Right?

840
00:46:34,640 --> 00:46:35,080
Speaker 8: And you are?

841
00:46:35,840 --> 00:46:39,040
Speaker 7: You just answered without knowing and you're a total psychopath?

842
00:46:39,719 --> 00:46:40,799
Speaker 3: Is that the like?

843
00:46:40,960 --> 00:46:42,000
Speaker 1: What a sick of?

844
00:46:42,239 --> 00:46:44,200
Speaker 3: That's the only question for you?

845
00:46:44,680 --> 00:46:48,560
Speaker 1: Yeah, this sick fuck, who let this sick fuck in

846
00:46:48,640 --> 00:46:53,200
Speaker 1: my studio? I'm supposed to like Kevin sitting behind me? Yeah, well,

847
00:46:53,280 --> 00:46:55,600
Speaker 1: can I be honest about something? I really don't want

848
00:46:55,680 --> 00:46:56,640
Speaker 1: him sitting behind me.

849
00:46:58,960 --> 00:47:00,319
Speaker 3: Because you can't lie.

850
00:47:00,840 --> 00:47:02,239
Speaker 2: Well, yeah, so.

851
00:47:02,160 --> 00:47:04,720
Speaker 1: It might be that your freaking psycho as well. Well,

852
00:47:04,840 --> 00:47:07,040
Speaker 1: I didn't know I was such a sick fuck. I'm

853
00:47:07,040 --> 00:47:10,880
Speaker 1: so disappointed in myself. Shame, no wonder. I like so

854
00:47:11,000 --> 00:47:12,160
Speaker 1: much of the stuff I like.

855
00:47:12,600 --> 00:47:14,480
Speaker 7: It's hard to do that mirror work, you know what

856
00:47:14,520 --> 00:47:15,960
Speaker 7: I mean, and just really look.

857
00:47:16,040 --> 00:47:17,279
Speaker 8: Yeah, you look at it.

858
00:47:17,360 --> 00:47:18,560
Speaker 1: I hate going inward.

859
00:47:18,760 --> 00:47:19,040
Speaker 7: I know.

860
00:47:19,160 --> 00:47:21,160
Speaker 1: I always want to blame something out there.

861
00:47:21,600 --> 00:47:22,440
Speaker 8: Of course you do.

862
00:47:22,560 --> 00:47:25,160
Speaker 1: And when I side, I want to take something from

863
00:47:25,200 --> 00:47:26,720
Speaker 1: outside and fill that hole.

864
00:47:27,200 --> 00:47:31,800
Speaker 4: And often your reflection is smiling, even when you're being sad.

865
00:47:31,920 --> 00:47:39,120
Speaker 1: Oh god, what a freaking lying, sick fuck. So that

866
00:47:39,280 --> 00:47:43,400
Speaker 1: was the first question, and Dave from the two of us,

867
00:47:43,719 --> 00:47:45,520
Speaker 1: do you want to ask the second question?

868
00:47:46,200 --> 00:47:53,400
Speaker 3: Yeah, mind's the scenario. Uh, you go to the food store.

869
00:47:54,120 --> 00:47:59,560
Speaker 3: Oh okay, okay, you step on the.

870
00:48:00,160 --> 00:48:03,400
Speaker 1: Pad carter basket? Am I grabbing a cart? Orm I

871
00:48:03,400 --> 00:48:07,000
Speaker 1: grabbing a basket? Well you only I'm at the food store.

872
00:48:07,040 --> 00:48:07,640
Speaker 2: How much do I.

873
00:48:07,600 --> 00:48:14,719
Speaker 4: Need you you only need one piece of fruit, so cart,

874
00:48:16,120 --> 00:48:22,400
Speaker 4: you get your cart, you bring it in. You get

875
00:48:23,080 --> 00:48:26,240
Speaker 4: a cherry, but it keeps falling through the cart.

876
00:48:27,320 --> 00:48:30,439
Speaker 3: Naturally the holes are too big. You run it over

877
00:48:30,480 --> 00:48:36,200
Speaker 3: a bunch of times. What uh? You call over the attendant.

878
00:48:38,280 --> 00:48:40,000
Speaker 8: So you're at a very high end grocery store.

879
00:48:40,120 --> 00:48:42,160
Speaker 3: Yes, okay, And the.

880
00:48:44,719 --> 00:48:47,040
Speaker 2: Says, yes, sir, what can I help you with?

881
00:48:47,239 --> 00:48:50,080
Speaker 3: Yeah? How do you respond?

882
00:48:52,880 --> 00:48:53,880
Speaker 2: Hey, what the hell?

883
00:48:54,760 --> 00:48:58,000
Speaker 1: Or wait, hang on, it's me yeah, okay, hold on.

884
00:48:59,840 --> 00:49:07,640
Speaker 1: I was being Fritz, the acting teacher. So how do

885
00:49:07,680 --> 00:49:09,880
Speaker 1: I respond? I've run over the cherry a couple of times,

886
00:49:10,000 --> 00:49:12,080
Speaker 1: and I've gone and so at this point I turned

887
00:49:12,080 --> 00:49:15,720
Speaker 1: and I went, come Arera, Come Arera to whoever was nearby,

888
00:49:16,239 --> 00:49:19,600
Speaker 1: And an attendant has reported. I guess what I would

889
00:49:19,680 --> 00:49:25,400
Speaker 1: say is, was Engineer Cody here bending the bars on

890
00:49:25,440 --> 00:49:29,680
Speaker 1: my cart? Because I find that when the bars are

891
00:49:29,680 --> 00:49:32,439
Speaker 1: too wide on a cart a lot of times, it's

892
00:49:32,440 --> 00:49:39,680
Speaker 1: because Cody has beaten me to the grocery uh cart, Yes,

893
00:49:41,239 --> 00:49:43,719
Speaker 1: and he's able to bend the bars with some machine

894
00:49:43,800 --> 00:49:46,360
Speaker 1: tool he has, Yeah, pliers.

895
00:49:47,520 --> 00:49:47,920
Speaker 3: I don't.

896
00:49:48,239 --> 00:49:50,759
Speaker 4: He was trying to commit Greek to me that it

897
00:49:50,800 --> 00:49:54,839
Speaker 4: was that it was phenomenon that he was being phenomenon.

898
00:49:54,680 --> 00:49:59,440
Speaker 1: Yes that he was doing, Yes, yes, phenomenon the angel

899
00:49:59,480 --> 00:50:00,160
Speaker 1: from hell.

900
00:50:00,280 --> 00:50:04,400
Speaker 4: Yeah, but all you would do like he would use

901
00:50:04,440 --> 00:50:06,520
Speaker 4: the pliers with one hand and but just be like

902
00:50:07,040 --> 00:50:09,160
Speaker 4: touching his temple with the other ad like he was

903
00:50:09,160 --> 00:50:11,320
Speaker 4: doing it with his brain. And the first couple of

904
00:50:11,360 --> 00:50:13,080
Speaker 4: times it did fool me, but.

905
00:50:13,160 --> 00:50:15,319
Speaker 2: Yeah, it drew it really drew my eye up to

906
00:50:15,440 --> 00:50:16,000
Speaker 2: his temple.

907
00:50:16,239 --> 00:50:20,279
Speaker 7: Yeah, which is the distraction that And meanwhile he stole

908
00:50:20,320 --> 00:50:20,760
Speaker 7: your watch.

909
00:50:22,600 --> 00:50:24,760
Speaker 2: Yes, that's right, it is focus.

910
00:50:25,360 --> 00:50:28,279
Speaker 1: Yes, it's all about focus.

911
00:50:28,719 --> 00:50:31,000
Speaker 8: I would have said to the attendant, clean this up

912
00:50:31,080 --> 00:50:31,480
Speaker 8: right now.

913
00:50:33,320 --> 00:50:37,200
Speaker 3: Well it was the secret was the attendant is a woman.

914
00:50:37,960 --> 00:50:43,239
Speaker 1: Ah, And that really truly revealed some of my sexism,

915
00:50:43,280 --> 00:50:45,080
Speaker 1: where I thought only a man.

916
00:50:44,960 --> 00:50:46,480
Speaker 2: Can work in a food store.

917
00:50:48,120 --> 00:50:51,239
Speaker 3: And now I think it's Cody's If we're going around.

918
00:50:50,960 --> 00:50:55,080
Speaker 1: So sick of being so psycho psycho like this.

919
00:50:55,120 --> 00:50:58,080
Speaker 8: Yeah, it's nuts.

920
00:50:58,680 --> 00:51:01,880
Speaker 1: Yeah, I can't trust myself to be with myself, Cody,

921
00:51:01,960 --> 00:51:02,680
Speaker 1: isn't it your turn?

922
00:51:02,760 --> 00:51:02,960
Speaker 3: Now?

923
00:51:03,040 --> 00:51:05,760
Speaker 6: Sure I would have run over the cherry with the cart,

924
00:51:06,520 --> 00:51:07,960
Speaker 6: but as I hit that already happened.

925
00:51:08,160 --> 00:51:10,440
Speaker 2: No, but scenario that already happened.

926
00:51:11,200 --> 00:51:13,520
Speaker 6: It would have gotten jammed because of the pit, So

927
00:51:13,560 --> 00:51:15,480
Speaker 6: the pit would have gotten all lodged up in the

928
00:51:15,560 --> 00:51:17,320
Speaker 6: little chassis.

929
00:51:16,880 --> 00:51:20,160
Speaker 1: And the scenario Hayes described, that's what you just said

930
00:51:20,320 --> 00:51:23,759
Speaker 1: is the point at which the question began. Like you

931
00:51:23,960 --> 00:51:26,480
Speaker 1: just walked us up to the point where you're supposed

932
00:51:26,480 --> 00:51:29,000
Speaker 1: to answer and said I would have and then described

933
00:51:29,040 --> 00:51:29,480
Speaker 1: it again.

934
00:51:30,440 --> 00:51:30,960
Speaker 7: What is that?

935
00:51:31,360 --> 00:51:34,040
Speaker 3: This of a psycho deesth? Yeah?

936
00:51:34,080 --> 00:51:34,759
Speaker 1: What does that mean?

937
00:51:34,800 --> 00:51:40,080
Speaker 4: What if we really do discover something genuinely problematic.

938
00:51:39,440 --> 00:51:40,600
Speaker 3: With with Cody?

939
00:51:42,120 --> 00:51:45,560
Speaker 1: I mean it's we're going to discover, as we often do,

940
00:51:45,840 --> 00:51:48,719
Speaker 1: some level of disorder. Whether it's being a psychopath, I

941
00:51:48,719 --> 00:51:52,080
Speaker 1: don't know, but it's definitely not being a normal dude.

942
00:51:52,400 --> 00:51:56,480
Speaker 8: He did say chassis, which I found upsetting.

943
00:51:57,640 --> 00:52:02,000
Speaker 1: He tried, he's got this motor cycle man persona. He's

944
00:52:02,040 --> 00:52:07,040
Speaker 1: been trying to really sell us, asked us.

945
00:52:08,280 --> 00:52:10,520
Speaker 3: Everything everything as a chassy.

946
00:52:10,640 --> 00:52:14,840
Speaker 1: Now, yeah, he's he described, Yeah, he describes the chassis

947
00:52:14,960 --> 00:52:16,040
Speaker 1: on like a.

948
00:52:16,120 --> 00:52:17,000
Speaker 2: Cup of coffee.

949
00:52:18,880 --> 00:52:20,800
Speaker 8: That's tiresome, Cody.

950
00:52:20,960 --> 00:52:23,520
Speaker 3: But it is actually your turn to ask a question.

951
00:52:23,600 --> 00:52:25,960
Speaker 2: No, that's where that's where it ends. Okay, I think

952
00:52:26,040 --> 00:52:29,520
Speaker 2: that's actually but isn't it your turn to ask a question?

953
00:52:29,640 --> 00:52:29,839
Speaker 3: Yeah?

954
00:52:32,120 --> 00:52:34,239
Speaker 8: I thought he meant that that's where his participation.

955
00:52:34,400 --> 00:52:36,120
Speaker 3: That's what I thought too, and I was willing to

956
00:52:36,280 --> 00:52:36,799
Speaker 3: accept that.

957
00:52:38,160 --> 00:52:39,120
Speaker 2: Mine's a scenario.

958
00:52:39,360 --> 00:52:44,239
Speaker 6: Oh okay, great, Okay, So you're up in a hot

959
00:52:44,280 --> 00:52:47,600
Speaker 6: air balloon and you can see so far and wide

960
00:52:48,480 --> 00:52:52,880
Speaker 6: the great beautiful nation and its countryside.

961
00:52:54,680 --> 00:52:57,680
Speaker 3: Both yeah, oh my god.

962
00:52:58,080 --> 00:53:01,520
Speaker 6: Now suddenly there's a grocery store tenant up there with you,

963
00:53:02,680 --> 00:53:07,000
Speaker 6: and he's concerned about how you were destroying the food

964
00:53:07,080 --> 00:53:08,240
Speaker 6: in his grocery store.

965
00:53:08,360 --> 00:53:10,759
Speaker 4: Okay, Now, remember the one thing we established about the

966
00:53:10,800 --> 00:53:12,839
Speaker 4: grocery store attendant is that it's a woman.

967
00:53:13,920 --> 00:53:17,160
Speaker 1: Mm hmm. Well, well, but this may be a different

968
00:53:17,160 --> 00:53:19,560
Speaker 1: grocery store attendant because we all know when Cody says

969
00:53:19,600 --> 00:53:22,000
Speaker 1: you can see the great beautiful nation, he's talking about

970
00:53:22,000 --> 00:53:23,800
Speaker 1: North Korea.

971
00:53:25,320 --> 00:53:27,239
Speaker 8: And women are not allowed in hot air balloons in

972
00:53:27,239 --> 00:53:27,840
Speaker 8: North Korea.

973
00:53:28,080 --> 00:53:31,200
Speaker 1: Well, it's just a yeah, it's a completely different culture

974
00:53:31,239 --> 00:53:33,040
Speaker 1: over there, and he it's not.

975
00:53:33,120 --> 00:53:34,439
Speaker 3: We're not saying that's good or bad.

976
00:53:34,520 --> 00:53:36,120
Speaker 2: No, right, we don't take sides on this at all,

977
00:53:36,360 --> 00:53:37,040
Speaker 2: just reporting this.

978
00:53:37,040 --> 00:53:38,239
Speaker 3: It's just how they do things, and.

979
00:53:38,200 --> 00:53:40,239
Speaker 1: We have a suspicion that it might be better than

980
00:53:40,280 --> 00:53:41,120
Speaker 1: people are saying.

981
00:53:41,440 --> 00:53:43,920
Speaker 2: Yes, but we don't want to come down either way.

982
00:53:44,120 --> 00:53:44,600
Speaker 3: We don't know.

983
00:53:44,680 --> 00:53:46,560
Speaker 2: Yes, we're not saying it's bad. We might be saying

984
00:53:46,600 --> 00:53:49,719
Speaker 2: that it is good. Oh yeah, and we probably are.

985
00:53:50,520 --> 00:53:53,640
Speaker 3: But because they could pop the balloon with their nails.

986
00:53:54,280 --> 00:53:54,760
Speaker 2: Mm hmmm.

987
00:53:56,760 --> 00:54:03,200
Speaker 1: So so Cody does that? Does the information the information helps?

988
00:54:03,480 --> 00:54:06,719
Speaker 1: It helps you with your scenario. That's great because.

989
00:54:08,120 --> 00:54:11,480
Speaker 6: So you're a Communist in the balloon because you're in

990
00:54:11,520 --> 00:54:15,040
Speaker 6: North Korea and the tendant wants to know why you

991
00:54:15,080 --> 00:54:16,160
Speaker 6: were wrecking his food up.

992
00:54:16,760 --> 00:54:18,200
Speaker 2: So you know, how do you answer that?

993
00:54:18,200 --> 00:54:20,200
Speaker 3: What do you say to him?

994
00:54:20,520 --> 00:54:25,080
Speaker 2: Okay, because you broke his food that day?

995
00:54:25,239 --> 00:54:28,239
Speaker 1: I guess what, well, I guess. The fortunate thing for

996
00:54:28,360 --> 00:54:33,280
Speaker 1: me is I know that we're all in the same scenario,

997
00:54:33,880 --> 00:54:36,480
Speaker 1: so I will probably blame it on Karen.

998
00:54:37,360 --> 00:54:37,760
Speaker 3: Hmmm.

999
00:54:39,880 --> 00:54:42,440
Speaker 4: That's right, because it did happen, I guess to all

1000
00:54:42,480 --> 00:54:44,960
Speaker 4: of us mhm, since we all got asked the question.

1001
00:54:45,200 --> 00:54:47,600
Speaker 7: Yeah, so we're all in a hot air balloon basket

1002
00:54:47,719 --> 00:54:52,120
Speaker 7: together with a male North Korean attendance in North Korea

1003
00:54:52,840 --> 00:54:56,400
Speaker 7: and he's confronting all of us about the fruit that

1004
00:54:56,400 --> 00:54:56,920
Speaker 7: got broken.

1005
00:54:57,080 --> 00:54:59,360
Speaker 2: Yeah, the fruit gotten a right smash up.

1006
00:54:59,480 --> 00:55:00,799
Speaker 8: It got wrecked up.

1007
00:55:00,880 --> 00:55:03,560
Speaker 6: It's very small balloon too, and a very small basket.

1008
00:55:04,040 --> 00:55:05,280
Speaker 6: The basket's too small.

1009
00:55:05,920 --> 00:55:08,760
Speaker 3: I'm just good, A little confused by how this question

1010
00:55:08,920 --> 00:55:12,040
Speaker 3: started off in such a different place for mine and

1011
00:55:12,200 --> 00:55:16,640
Speaker 3: ended up in exactly the big essentially the same questions.

1012
00:55:16,800 --> 00:55:19,040
Speaker 8: Yeah, that's what happens with scenarios, though, you know.

1013
00:55:19,200 --> 00:55:21,760
Speaker 3: Yeah, it always doesn't.

1014
00:55:22,040 --> 00:55:24,640
Speaker 8: Yeah, they just bring you back around to the same spot.

1015
00:55:24,719 --> 00:55:26,440
Speaker 3: Yeah, to the grocery store thing.

1016
00:55:28,239 --> 00:55:29,600
Speaker 8: So we don't have to answer that question.

1017
00:55:29,760 --> 00:55:31,920
Speaker 1: Yeah, I guess we've already kind of answered it. So

1018
00:55:32,040 --> 00:55:38,879
Speaker 1: I guess mine won't be a scenario. But what then,

1019
00:55:39,000 --> 00:55:44,120
Speaker 1: I so, I guess I'll just posit a fictional situation.

1020
00:55:47,040 --> 00:55:53,040
Speaker 1: Two fathers and two sons go fishing together. Each of

1021
00:55:53,080 --> 00:55:59,959
Speaker 1: them catches a fish. They sell it to the food store.

1022
00:56:00,080 --> 00:56:07,760
Speaker 1: Are you run over it with your car?

1023
00:56:09,080 --> 00:56:11,040
Speaker 3: I see, I don't know if you noticed this. It

1024
00:56:11,120 --> 00:56:17,840
Speaker 3: did end up being another scenario. One's a grandfather. Wait.

1025
00:56:18,239 --> 00:56:20,279
Speaker 1: Oh, sorry, what what are you getting at?

1026
00:56:20,360 --> 00:56:23,239
Speaker 3: No, I'm sorry, that is actually different. Yes, yeah, that

1027
00:56:23,320 --> 00:56:24,080
Speaker 3: is different.

1028
00:56:23,800 --> 00:56:24,279
Speaker 2: Than I thought.

1029
00:56:24,960 --> 00:56:26,520
Speaker 1: It's only three.

1030
00:56:26,239 --> 00:56:30,279
Speaker 4: So I I pulled another psycho move.

1031
00:56:31,239 --> 00:56:31,760
Speaker 6: Mm hmmm.

1032
00:56:33,920 --> 00:56:37,120
Speaker 1: So I guess we're finding that we're complete psychopaths.

1033
00:56:38,520 --> 00:56:40,120
Speaker 8: I think the evidence is here.

1034
00:56:40,239 --> 00:56:44,920
Speaker 1: Who's safe around us? No one, no one, no, I

1035
00:56:44,920 --> 00:56:51,800
Speaker 1: would say, no one, No one is actually safe. Hmmm,

1036
00:56:54,719 --> 00:57:01,400
Speaker 1: that's so difficult for me, because, holy Karen, what do

1037
00:57:01,480 --> 00:57:02,600
Speaker 1: you see this on the table?

1038
00:57:02,640 --> 00:57:02,839
Speaker 7: Here?

1039
00:57:03,840 --> 00:57:04,839
Speaker 1: Kevin, get a picture of this?

1040
00:57:04,920 --> 00:57:08,480
Speaker 8: Oh my god, it says my favorite murder.

1041
00:57:08,560 --> 00:57:12,439
Speaker 1: That's my podcast and it's Frank Einstein pointing at us

1042
00:57:14,719 --> 00:57:18,760
Speaker 1: right next to it. Is that even possible?

1043
00:57:18,960 --> 00:57:22,320
Speaker 3: How did your podcast, your podcast sign the table?

1044
00:57:22,440 --> 00:57:25,960
Speaker 1: How did your faral audio podcast make its way under

1045
00:57:26,000 --> 00:57:26,840
Speaker 1: the Earwolf table?

1046
00:57:26,960 --> 00:57:31,920
Speaker 7: You guys, it's so popular that I think there are

1047
00:57:32,360 --> 00:57:36,680
Speaker 7: people with pens going around Los Angeles and just signing

1048
00:57:36,720 --> 00:57:38,480
Speaker 7: furniture on our behests.

1049
00:57:39,280 --> 00:57:44,240
Speaker 4: Oh no, is it saying that the table is its

1050
00:57:44,240 --> 00:57:45,040
Speaker 4: favorite murder?

1051
00:57:45,640 --> 00:57:50,040
Speaker 8: Yes, this table is. Is there a serious loss of life?

1052
00:57:50,960 --> 00:57:51,440
Speaker 3: Wow?

1053
00:57:51,680 --> 00:57:52,800
Speaker 8: Yeah?

1054
00:57:53,280 --> 00:57:58,400
Speaker 1: One thing I want to say, do you have to

1055
00:57:58,520 --> 00:58:00,800
Speaker 1: be kind of a psycho? Do you work in a

1056
00:58:00,840 --> 00:58:04,120
Speaker 1: field like we do? I mean, think about it. I'm

1057
00:58:04,120 --> 00:58:09,880
Speaker 1: taking other wren's lives on a TV screen. I'm creating

1058
00:58:10,120 --> 00:58:13,840
Speaker 1: entire worlds and then sometimes ripping them down just as easily.

1059
00:58:14,600 --> 00:58:16,720
Speaker 1: And you guys are both doing some of this too.

1060
00:58:17,960 --> 00:58:21,120
Speaker 1: Is it only psychos that can actually succeed in the

1061
00:58:21,160 --> 00:58:24,680
Speaker 1: cutthroat world of Hollywood, and it's.

1062
00:58:25,080 --> 00:58:25,720
Speaker 3: Chicken or egg?

1063
00:58:25,880 --> 00:58:32,120
Speaker 4: Where am I doing my business? And is my business

1064
00:58:32,200 --> 00:58:35,160
Speaker 4: becoming me a psycho because of.

1065
00:58:36,960 --> 00:58:42,680
Speaker 1: Job activities or is this psycho going to the business

1066
00:58:43,480 --> 00:58:46,120
Speaker 1: it's starting it.

1067
00:58:46,120 --> 00:58:47,520
Speaker 8: It's almost like a chicken eggs.

1068
00:58:47,880 --> 00:58:50,560
Speaker 1: Well, it's like a chicken versus an egg, chicken eggs?

1069
00:58:50,960 --> 00:58:56,040
Speaker 1: You know, do I have to kill this egg or

1070
00:58:56,040 --> 00:58:57,800
Speaker 1: do I wait for it to grow up and kill me?

1071
00:58:59,200 --> 00:59:04,080
Speaker 7: I mean, it's definitely a kill or be killed chicken

1072
00:59:04,160 --> 00:59:05,040
Speaker 7: situation here.

1073
00:59:05,560 --> 00:59:07,200
Speaker 8: I mean everybody who moves here knows that.

1074
00:59:08,880 --> 00:59:11,880
Speaker 7: And I think when you jump in to the art

1075
00:59:11,960 --> 00:59:16,080
Speaker 7: of play, you have to lose your mind. I think

1076
00:59:16,120 --> 00:59:20,120
Speaker 7: you have to, don't you think you can't keep the

1077
00:59:20,720 --> 00:59:22,120
Speaker 7: normal boxes around you?

1078
00:59:22,480 --> 00:59:28,720
Speaker 1: Thank you, thank you, thank you. That's so comforting to

1079
00:59:28,760 --> 00:59:32,080
Speaker 1: hear someone else reflect my own thoughts back to me

1080
00:59:33,040 --> 00:59:36,120
Speaker 1: in a much more poetic way. I knew that I

1081
00:59:36,200 --> 00:59:38,200
Speaker 1: was playing, and I knew I was making art, but

1082
00:59:38,280 --> 00:59:38,800
Speaker 1: the art.

1083
00:59:38,720 --> 00:59:43,880
Speaker 4: Of play and so do you have to become a baby.

1084
00:59:43,520 --> 00:59:45,640
Speaker 3: As well as being a psycho? Ah?

1085
00:59:45,720 --> 00:59:48,120
Speaker 7: Oh, I don't think that would hurt you know, psycho

1086
00:59:48,240 --> 00:59:52,320
Speaker 7: baby probably has the most power in terms of fantasy,

1087
00:59:53,400 --> 00:59:58,000
Speaker 7: right and going into that realm of presentation.

1088
00:59:57,680 --> 01:00:02,240
Speaker 1: Like Chucky when I watch or problem child who look

1089
01:00:02,360 --> 01:00:08,120
Speaker 1: like Chucky. I think these psycho babies probably grow up

1090
01:00:08,160 --> 01:00:11,120
Speaker 1: to be the most powerful showrunners in Hollywood.

1091
01:00:12,120 --> 01:00:18,200
Speaker 2: Yeah, Steve love a Tan, Yeah, I guess my example.

1092
01:00:18,200 --> 01:00:19,000
Speaker 2: Would it really fit?

1093
01:00:19,880 --> 01:00:20,240
Speaker 7: I don't know.

1094
01:00:20,280 --> 01:00:20,880
Speaker 8: I think it did.

1095
01:00:21,240 --> 01:00:28,560
Speaker 1: I think they both fit Bemlexler. So anyways, uh oh, Cody,

1096
01:00:28,600 --> 01:00:29,680
Speaker 1: did you have one more question for.

1097
01:00:29,680 --> 01:00:31,160
Speaker 2: The psychopath test?

1098
01:00:31,200 --> 01:00:33,720
Speaker 6: Did you guys know you can buy a real chicken online?

1099
01:00:34,360 --> 01:00:37,720
Speaker 6: Wait a minute, for ten dollars, you can buy a whole.

1100
01:00:37,600 --> 01:00:40,120
Speaker 2: Chicken, living, real chicken.

1101
01:00:40,480 --> 01:00:43,600
Speaker 8: Alive, real. I understand the real part.

1102
01:00:44,560 --> 01:00:46,120
Speaker 2: Yeah, real, it's.

1103
01:00:45,920 --> 01:00:47,960
Speaker 1: Still it's just an authentic chicken.

1104
01:00:50,600 --> 01:00:51,600
Speaker 8: Is it a man made chicken?

1105
01:00:51,680 --> 01:00:54,880
Speaker 2: It's a brown real chicken. Does it a brown chicken?

1106
01:00:55,360 --> 01:00:57,240
Speaker 8: Did the eyes blink? That's my question.

1107
01:00:57,400 --> 01:01:00,600
Speaker 1: It's a brown real chicken. Great question to the eyes blink,

1108
01:01:00,960 --> 01:01:03,520
Speaker 1: because if they don't, it might be a psycho like Hanniballecter.

1109
01:01:05,840 --> 01:01:07,200
Speaker 8: That's a sociopathic chicken.

1110
01:01:07,960 --> 01:01:08,479
Speaker 2: It's real.

1111
01:01:08,840 --> 01:01:11,320
Speaker 8: Okay, God damn it. That's the wrong answer.

1112
01:01:11,480 --> 01:01:16,200
Speaker 1: And it's walking around and oh wow. For people who

1113
01:01:16,400 --> 01:01:21,320
Speaker 1: didn't get to see Cody go into the very beginnings

1114
01:01:21,360 --> 01:01:25,880
Speaker 1: of a chicken pose and then abandon it, deciding that

1115
01:01:26,280 --> 01:01:29,520
Speaker 1: even in the context of being very silly with his friends,

1116
01:01:29,800 --> 01:01:30,919
Speaker 1: it was gonna be too much.

1117
01:01:31,000 --> 01:01:36,200
Speaker 3: It was one big move what Violet thrust.

1118
01:01:36,120 --> 01:01:39,040
Speaker 8: Then immediately put a target on his forehead. He knew,

1119
01:01:39,360 --> 01:01:40,760
Speaker 8: he knew that that was the wrong move.

1120
01:01:40,920 --> 01:01:43,080
Speaker 1: Yes, I mean I would have liked to see a

1121
01:01:43,240 --> 01:01:49,960
Speaker 1: slow motion close up on his face deciding to make

1122
01:01:50,040 --> 01:01:53,400
Speaker 1: the move. And I think around the time his thumbs

1123
01:01:53,440 --> 01:01:57,919
Speaker 1: were hitting the armpit region his face going holy shit,

1124
01:01:58,000 --> 01:02:00,560
Speaker 1: what the fuck am I doing right now to do

1125
01:02:00,600 --> 01:02:01,959
Speaker 1: a freaking chicken move?

1126
01:02:02,280 --> 01:02:02,960
Speaker 8: Don't do it?

1127
01:02:05,120 --> 01:02:08,120
Speaker 1: Can I tell my body in time to bail? Oh good,

1128
01:02:08,160 --> 01:02:10,480
Speaker 1: I don't think anyone saw it. Oh no, they're talking

1129
01:02:10,560 --> 01:02:11,000
Speaker 1: about it.

1130
01:02:14,960 --> 01:02:16,240
Speaker 2: Karen, real chick.

1131
01:02:18,280 --> 01:02:21,400
Speaker 4: Thank you so much for being to do the show.

1132
01:02:22,360 --> 01:02:25,480
Speaker 4: Who who is Gareff?

1133
01:02:27,640 --> 01:02:30,040
Speaker 8: I guess Gareff would be.

1134
01:02:32,200 --> 01:02:35,600
Speaker 7: When you break my last name down, it means pure

1135
01:02:35,680 --> 01:02:38,640
Speaker 7: little church on a hill, and so I think that

1136
01:02:38,640 --> 01:02:41,400
Speaker 7: would probably be the hill owner back in the old

1137
01:02:41,440 --> 01:02:44,680
Speaker 7: country of Ireland would probably be who Gareff was?

1138
01:02:45,760 --> 01:02:47,360
Speaker 8: Hell, yeah, they own a hill.

1139
01:02:47,480 --> 01:02:51,440
Speaker 1: Can I give you some advice, I'd love it. You

1140
01:02:51,480 --> 01:02:57,920
Speaker 1: should aspire for Gareff to be the ego. Yeah, the

1141
01:02:58,040 --> 01:02:59,280
Speaker 1: ego must be killed.

1142
01:03:00,680 --> 01:03:01,920
Speaker 2: The ego is your enemy.

1143
01:03:02,160 --> 01:03:06,000
Speaker 1: Yes, ram Das says something so fascinating.

1144
01:03:08,080 --> 01:03:08,600
Speaker 3: I don't know.

1145
01:03:08,920 --> 01:03:13,959
Speaker 1: I can't I don't know what he says, but when

1146
01:03:14,000 --> 01:03:18,640
Speaker 1: he's talking, I am all ears. Yeah. So if you

1147
01:03:18,720 --> 01:03:20,800
Speaker 1: could Karen kill ego.

1148
01:03:22,360 --> 01:03:23,680
Speaker 2: Wow, that's powerful.

1149
01:03:24,280 --> 01:03:26,240
Speaker 7: Now I know what I'm gonna sign this table ass

1150
01:03:26,600 --> 01:03:36,480
Speaker 7: ah tell me? Oh, I'm I've probably just put Paul F.

1151
01:03:36,520 --> 01:03:38,760
Speaker 7: Tompkins because it's all over this thing.

1152
01:03:38,960 --> 01:03:41,640
Speaker 1: Oh yeah, okay, we could stand to have another one

1153
01:03:41,640 --> 01:03:49,640
Speaker 1: of those. Yeah, bye bye.

1154
01:03:52,480 --> 01:03:55,240
Speaker 5: This has been an ear Wolf production, executive produced by

1155
01:03:55,240 --> 01:03:57,760
Speaker 5: Scott Ackerman, Adam Sachs, and Chris Bannont.

1156
01:03:57,880 --> 01:04:05,920
Speaker 1: For more information and content, visit ear Wolf dot comm