1
00:00:00,000 --> 00:00:01,920
Speaker 1: You work on something for so long and you hold

2
00:00:01,960 --> 00:00:03,200
Speaker 1: on to it and you listen to it over and

3
00:00:03,200 --> 00:00:05,360
Speaker 1: over and over again before anybody else does, and then

4
00:00:05,960 --> 00:00:07,400
Speaker 1: you have to put it out and kind of trust

5
00:00:07,440 --> 00:00:11,319
Speaker 1: that your intuition about it is correct. And I think

6
00:00:11,560 --> 00:00:13,960
Speaker 1: for me, I feel excited because you know, this is

7
00:00:14,000 --> 00:00:17,360
Speaker 1: a conceptual record with storytelling and characters, and you know,

8
00:00:17,480 --> 00:00:19,600
Speaker 1: with a sound that I've grown up loving, that fifties

9
00:00:19,600 --> 00:00:20,439
Speaker 1: and sixties.

10
00:00:20,120 --> 00:00:21,400
Speaker 2: Yesh throwback sound sound.

11
00:00:21,520 --> 00:00:21,720
Speaker 3: Yeah.

12
00:00:21,880 --> 00:00:25,759
Speaker 1: So I feel honestly, like very excited, and there's like

13
00:00:25,800 --> 00:00:29,320
Speaker 1: a serious moment of surrender in actually putting out music,

14
00:00:29,360 --> 00:00:31,360
Speaker 1: and so I feel all hands out.

15
00:00:31,400 --> 00:00:35,040
Speaker 2: Do you know it takes a good amount of courage

16
00:00:35,159 --> 00:00:37,800
Speaker 2: to actually find something you love and then pursue it.

17
00:00:38,000 --> 00:00:41,560
Speaker 2: You really did that. You found something that you loved

18
00:00:41,600 --> 00:00:43,320
Speaker 2: that you were good at, and you went after it.

19
00:00:43,440 --> 00:00:45,199
Speaker 2: Just tell everybody about that a little bit.

20
00:00:45,479 --> 00:00:49,360
Speaker 1: Yeah, I'm you know, I went all throughout high school

21
00:00:49,360 --> 00:00:52,600
Speaker 1: playing music, and I used to lug around an amp,

22
00:00:52,640 --> 00:00:56,040
Speaker 1: a microphone and my guitar, and I was late to

23
00:00:57,000 --> 00:01:02,040
Speaker 1: every fifth period class because I uh, I was playing

24
00:01:02,200 --> 00:01:03,240
Speaker 1: through lunchtime and.

25
00:01:03,200 --> 00:01:05,280
Speaker 2: I was and that's not what the teachers wanted.

26
00:01:05,480 --> 00:01:08,520
Speaker 1: Yeah, No, it wasn't at all. And so you know,

27
00:01:08,680 --> 00:01:10,720
Speaker 1: I think it's just one of those things where you

28
00:01:10,920 --> 00:01:13,720
Speaker 1: kind of do something for so long because it just

29
00:01:13,840 --> 00:01:15,760
Speaker 1: kind of lights your fire a little bit, and then

30
00:01:15,800 --> 00:01:19,440
Speaker 1: you accidentally stumble into doing it as a career. Sometimes

31
00:01:19,480 --> 00:01:21,360
Speaker 1: I feel like the same. I don't know if it

32
00:01:21,360 --> 00:01:22,760
Speaker 1: was the same for you, but like you know, you

33
00:01:22,840 --> 00:01:25,400
Speaker 1: just falling.

34
00:01:24,160 --> 00:01:26,960
Speaker 2: Third period and fourth period and period there you go.

35
00:01:27,040 --> 00:01:28,880
Speaker 1: Yeah, and you know, I think you just fall in

36
00:01:28,920 --> 00:01:32,560
Speaker 1: love with something so much that it's it almost manifests

37
00:01:32,560 --> 00:01:35,440
Speaker 1: a career out of itself because it's just undeniable that

38
00:01:35,560 --> 00:01:38,120
Speaker 1: there's a love for it, you know. And I think

39
00:01:38,160 --> 00:01:41,280
Speaker 1: that for me, yeah, I think that manifestation was just

40
00:01:41,360 --> 00:01:46,280
Speaker 1: moving without having a plan and playing songs for people

41
00:01:46,480 --> 00:01:48,520
Speaker 1: without a plan whether or not they would like them

42
00:01:48,600 --> 00:01:51,880
Speaker 1: or not, and uh or an expectation really rather than

43
00:01:51,920 --> 00:01:52,280
Speaker 1: a plan.

44
00:01:52,320 --> 00:01:56,400
Speaker 2: But yeah, so yeah, well here is a song that

45
00:01:56,400 --> 00:01:58,000
Speaker 2: he is going to play that you're going to know

46
00:01:58,080 --> 00:02:00,600
Speaker 2: and recognize that puts you in a place. I mean,

47
00:02:00,640 --> 00:02:02,480
Speaker 2: it can take you away from things you're dealing with.

48
00:02:02,520 --> 00:02:04,160
Speaker 2: They can put you in a place, they can provide

49
00:02:04,160 --> 00:02:07,120
Speaker 2: that escapeism. I mean, music does that for all of

50
00:02:07,200 --> 00:02:10,200
Speaker 2: us throughout life. I mean, life is about different songs

51
00:02:10,200 --> 00:02:12,960
Speaker 2: and occasions, and these these songs become the soundtrack to

52
00:02:13,080 --> 00:02:15,799
Speaker 2: our lives. Yeah, just quickly tell us about Until I

53
00:02:15,800 --> 00:02:16,160
Speaker 2: Found You.

54
00:02:16,720 --> 00:02:20,639
Speaker 1: So I wrote Until I Found You, uh, about two

55
00:02:20,680 --> 00:02:23,520
Speaker 1: years ago. Now, wow, holy smokes, and it went straight

56
00:02:23,560 --> 00:02:26,400
Speaker 1: to number one and it went just you know, it's funny.

57
00:02:26,480 --> 00:02:28,639
Speaker 1: It it's a testament to the fact that you never

58
00:02:28,680 --> 00:02:31,320
Speaker 1: really know with these things, what's gonna happen, what's gonna happen,

59
00:02:31,320 --> 00:02:33,880
Speaker 1: because I mean it was there was a five month

60
00:02:33,919 --> 00:02:36,560
Speaker 1: period where there was nothing happening with that song and

61
00:02:36,880 --> 00:02:40,800
Speaker 1: it stood still, and I believed in it so much

62
00:02:41,200 --> 00:02:44,000
Speaker 1: and I was okay with where it was standing, and

63
00:02:44,000 --> 00:02:45,959
Speaker 1: then it just took off, and I think there was

64
00:02:46,040 --> 00:02:48,800
Speaker 1: a testament to the fact that we just you never know.

65
00:02:48,919 --> 00:02:52,440
Speaker 1: You never know, like where you know your love over

66
00:02:52,480 --> 00:02:56,240
Speaker 1: something is gonna take you, or how grand it'll actually

67
00:02:56,280 --> 00:02:59,000
Speaker 1: show up, you know, when you decide to go for it,

68
00:02:59,040 --> 00:03:02,440
Speaker 1: and uh, you know. And so that song, obviously, you know,

69
00:03:02,600 --> 00:03:06,280
Speaker 1: was written about Georgia, and now you know, the world

70
00:03:06,280 --> 00:03:09,200
Speaker 1: has kind of taken it into their own love stories,

71
00:03:09,240 --> 00:03:11,880
Speaker 1: and you know, people have sound to.

72
00:03:11,880 --> 00:03:14,839
Speaker 2: Tell you, my dog is named Georgia. And Georgia thinks

73
00:03:14,880 --> 00:03:19,919
Speaker 2: it's about her it is. Actually she obeys everything when

74
00:03:19,919 --> 00:03:21,520
Speaker 2: the song is on. What kind of dog is it?

75
00:03:21,520 --> 00:03:24,960
Speaker 2: It's a black lab Yes, amazing? All right, so we

76
00:03:25,000 --> 00:03:27,800
Speaker 2: are going to probably sing along awkwardly while you sing

77
00:03:27,840 --> 00:03:30,680
Speaker 2: it amazing, Haley, would you mind? You will sing along?

78
00:03:30,720 --> 00:03:30,880
Speaker 3: Right?

79
00:03:31,000 --> 00:03:31,480
Speaker 4: We'll try.

80
00:03:31,560 --> 00:03:34,680
Speaker 2: I mean, I'm not good, but I'll turn my mic down.

81
00:03:34,880 --> 00:03:37,080
Speaker 2: But here's Stephen Sanchez with his big hit until I

82
00:03:37,120 --> 00:03:39,200
Speaker 2: Found You amazing.

83
00:03:39,320 --> 00:03:46,800
Speaker 3: Thank you so much for that. Sweet Here we go,

84
00:04:00,520 --> 00:04:08,600
Speaker 3: Georgia rare me ub and all he want yo.

85
00:04:11,400 --> 00:04:20,640
Speaker 4: In mins o lady hold yer? How never lad you

86
00:04:20,960 --> 00:04:22,120
Speaker 4: go again?

87
00:04:23,400 --> 00:04:33,000
Speaker 3: Like I did o you to say, I would never

88
00:04:33,440 --> 00:04:40,240
Speaker 3: fall in love again until I found her. I said

89
00:04:40,279 --> 00:04:46,000
Speaker 3: I would never fall unless it's you I fall into.

90
00:04:47,320 --> 00:04:54,320
Speaker 3: I was lost within the darkness, but then I found her.

91
00:04:54,839 --> 00:04:56,479
Speaker 2: I found y.

92
00:05:00,040 --> 00:05:16,960
Speaker 4: M Georgia pulled me in. I asked to love once again.

93
00:05:17,400 --> 00:05:18,240
Speaker 3: You fall.

94
00:05:19,600 --> 00:05:26,560
Speaker 4: Caughtcha. I'll ever let you go again.

95
00:05:27,640 --> 00:05:33,200
Speaker 3: I got did oh you to say.

96
00:05:33,360 --> 00:05:40,120
Speaker 4: I would never fall in love again until I found her.

97
00:05:40,920 --> 00:05:46,040
Speaker 3: I said I would never fall unless it's you I

98
00:05:46,400 --> 00:05:52,920
Speaker 3: fall into. I was lost within the darkness, but then

99
00:05:53,120 --> 00:05:55,440
Speaker 3: I found her.

100
00:05:56,000 --> 00:05:57,640
Speaker 2: I found you.

101
00:06:18,920 --> 00:06:21,760
Speaker 4: All together now, I would.

102
00:06:21,680 --> 00:06:27,720
Speaker 3: Never fall lovegain until I found.

103
00:06:27,600 --> 00:06:33,360
Speaker 4: Her, I said, I would never fallen less. It's you

104
00:06:33,960 --> 00:06:35,320
Speaker 4: I've fallen into.

105
00:06:36,600 --> 00:06:43,160
Speaker 3: I was lost within the darkness, but then I found her.

106
00:06:44,080 --> 00:06:45,680
Speaker 3: I found you.

107
00:06:52,839 --> 00:07:00,200
Speaker 2: Mm hmmm, you would have fought Thanks so much if

108
00:07:00,240 --> 00:07:03,800
Speaker 2: you make it look so easy, dude, that's such a

109
00:07:03,839 --> 00:07:04,760
Speaker 2: beautiful song.

110
00:07:04,839 --> 00:07:05,520
Speaker 4: Thank you so much.

111
00:07:05,520 --> 00:07:07,560
Speaker 2: You're gonna play that for the rest of your life

112
00:07:08,000 --> 00:07:10,880
Speaker 2: every single time you're on stage. I know, I know

113
00:07:11,040 --> 00:07:14,320
Speaker 2: the next one hundred years and I know. Yeah. So,

114
00:07:14,480 --> 00:07:16,640
Speaker 2: anybody at the desk have any questions before Stephen does

115
00:07:16,680 --> 00:07:21,320
Speaker 2: one more song? Sydney or Hate Any questions anybody? No,

116
00:07:21,560 --> 00:07:23,640
Speaker 2: just want to do another song? So is this one

117
00:07:23,640 --> 00:07:24,920
Speaker 2: that's gonna be on the album on Friday?

118
00:07:25,160 --> 00:07:25,440
Speaker 3: Yeah?

119
00:07:25,560 --> 00:07:28,560
Speaker 1: Yeah, So, I mean it's a it's a continuation of

120
00:07:28,600 --> 00:07:30,480
Speaker 1: the sound, but also it's the start of the story.

121
00:07:30,560 --> 00:07:33,760
Speaker 1: You know that song in particular, because this being a

122
00:07:33,760 --> 00:07:37,440
Speaker 1: Conception record, there are characters and a and a story

123
00:07:37,480 --> 00:07:42,280
Speaker 1: of the uh love life and the you know, unfortunate

124
00:07:42,280 --> 00:07:45,960
Speaker 1: demise of the troubadour Sanchez who falls in love with Evangeline,

125
00:07:45,960 --> 00:07:48,080
Speaker 1: who happens to be the girlfriend of a mob boss

126
00:07:48,160 --> 00:07:48,840
Speaker 1: named Hunter.

127
00:07:49,040 --> 00:07:50,360
Speaker 2: Is this going to be a Netflix series.

128
00:07:50,560 --> 00:07:53,520
Speaker 1: I mean, gosh it, it sort of feels that way

129
00:07:53,560 --> 00:07:55,920
Speaker 1: with the way that we've been recording these videos. But uh,

130
00:07:56,280 --> 00:07:58,400
Speaker 1: I'm really excited for it. And so that song is

131
00:07:58,440 --> 00:08:01,560
Speaker 1: kind of the start of the troubadour's career in this story.

132
00:08:01,640 --> 00:08:03,240
Speaker 2: No one knows, is that the one you're talking about?

133
00:08:03,280 --> 00:08:04,360
Speaker 4: Oh until I found you?

134
00:08:04,360 --> 00:08:06,960
Speaker 1: So I found but no one knows, No one knows.

135
00:08:07,000 --> 00:08:08,760
Speaker 1: It's kind of the you know, this realization that you know,

136
00:08:09,440 --> 00:08:11,360
Speaker 1: the reality that stands before them is that, you know,

137
00:08:12,720 --> 00:08:15,600
Speaker 1: Evangeline is dating a mobster and he'll stop at nothing

138
00:08:15,640 --> 00:08:19,560
Speaker 1: to prevent seems like, yeah, bad judgment, very bad judgment

139
00:08:19,560 --> 00:08:22,240
Speaker 1: on the Truebadour's part, and uh, but they fall in

140
00:08:22,240 --> 00:08:25,680
Speaker 1: love and it's kind of you know, the fear becomes

141
00:08:25,680 --> 00:08:30,080
Speaker 1: obsolete in his arms, you know, towards the circumstance, and

142
00:08:30,280 --> 00:08:34,040
Speaker 1: you know, this song is kind of the two sarcastically

143
00:08:34,120 --> 00:08:36,360
Speaker 1: dreaming of the life that they would have together if

144
00:08:36,400 --> 00:08:44,720
Speaker 1: they escaped. You know this this terrible situation. And I

145
00:08:44,800 --> 00:08:45,959
Speaker 1: love this song so much.

146
00:08:46,080 --> 00:08:46,880
Speaker 4: And we did it with.

147
00:08:46,880 --> 00:08:50,120
Speaker 1: An artist, Nam Leave, who's amazing, and I really hope

148
00:08:50,160 --> 00:08:50,880
Speaker 1: you enjoy it.

149
00:08:51,080 --> 00:08:51,400
Speaker 5: Right here.

150
00:08:51,400 --> 00:08:53,920
Speaker 2: It is No one Knows. Steven Sanchez I might take

151
00:08:53,920 --> 00:08:54,520
Speaker 2: these off.

152
00:08:54,360 --> 00:08:56,520
Speaker 1: Actually, because I just want to hear everybody.

153
00:09:00,160 --> 00:09:00,360
Speaker 5: Through.

154
00:09:38,480 --> 00:09:48,839
Speaker 3: No one knows the trouble honey, who weepen through? No

155
00:09:48,920 --> 00:09:58,240
Speaker 3: one knows the trouble honey, Who we've been through? When

156
00:09:58,320 --> 00:10:04,679
Speaker 3: I loved you in the cold, when you cursed an

157
00:10:05,080 --> 00:10:13,559
Speaker 3: me bold, when you broke my old guitar, when you

158
00:10:13,880 --> 00:10:24,040
Speaker 3: crash my brand new car, Nor nous the trouble honey,

159
00:10:24,360 --> 00:10:25,840
Speaker 3: Who we've been through?

160
00:10:27,000 --> 00:10:28,360
Speaker 4: Oh home, ye.

161
00:10:29,679 --> 00:10:36,200
Speaker 3: Still and all I love you, baby, you see right through?

162
00:10:39,160 --> 00:10:47,720
Speaker 3: When I ready to the age, Then he pushed me off.

163
00:10:49,280 --> 00:10:58,560
Speaker 4: When I tried to tell you, and you cl me all.

164
00:11:00,520 --> 00:11:07,959
Speaker 3: Lonely nights I've cried to There's no truth I had

165
00:11:08,040 --> 00:11:15,079
Speaker 3: hide from you, nor I've never lie to you, and

166
00:11:15,320 --> 00:11:27,679
Speaker 3: I've said that I needy, nor no the trouble.

167
00:11:27,640 --> 00:11:32,640
Speaker 4: Honey we've been through? Oh home.

168
00:11:34,280 --> 00:11:40,720
Speaker 3: Still, No, I love you, baby, I see right through.

169
00:11:44,240 --> 00:11:54,040
Speaker 3: He's still a picture my lucket lucky peny in my pocket.

170
00:11:54,760 --> 00:12:03,320
Speaker 4: Still I hate you, and you're talken to so cup.

171
00:12:10,360 --> 00:12:16,400
Speaker 3: Nor noms the trouble honey we've been so?

172
00:12:17,760 --> 00:12:18,679
Speaker 4: Oh home?

173
00:12:20,400 --> 00:12:29,880
Speaker 3: Still, No, I love you, baby, She ries, Oh home,

174
00:12:39,440 --> 00:12:40,880
Speaker 3: Oh home.

175
00:13:00,240 --> 00:13:17,360
Speaker 5: Dude, Yeah, thank you, Steven Sanchez.

176
00:13:17,440 --> 00:13:20,319
Speaker 2: That's beautiful man. Can't wait to hear that that sets

177
00:13:20,320 --> 00:13:21,680
Speaker 2: it up? Can't we hear the rest of the ap