WEBVTT - Episode 78: Candyman

0:00:08.240 --> 0:00:11.720
<v Speaker 1>Hey, how's it going. Welcome to Nerdifice Into with Danny

0:00:11.760 --> 0:00:14.640
<v Speaker 1>and Iffy. I'm iff you, waddy Way. Danny is at

0:00:14.720 --> 0:00:18.200
<v Speaker 1>New York City Comic Con, so it's just me and

0:00:18.320 --> 0:00:22.320
<v Speaker 1>my special guest, and I'm super excited. Our guest has

0:00:22.360 --> 0:00:24.479
<v Speaker 1>a mission and I'm happy to be a part of

0:00:24.520 --> 0:00:28.920
<v Speaker 1>that mission. We've interacted so much online. He's laid witness

0:00:28.960 --> 0:00:33.640
<v Speaker 1>to uh shots fired between me and Zig respectively for

0:00:33.800 --> 0:00:37.240
<v Speaker 1>the longest. We're talking about Jeff Trammell. How you doing.

0:00:37.520 --> 0:00:39.640
<v Speaker 1>Oh man, I'm good. Thank you so much for having me.

0:00:39.680 --> 0:00:42.080
<v Speaker 1>Oh man, No, thank you. I mean, you know, before

0:00:42.120 --> 0:00:43.880
<v Speaker 1>we even get into anything, I just want to talk about,

0:00:43.960 --> 0:00:46.879
<v Speaker 1>you know, everything that you've done. So you're the head

0:00:46.960 --> 0:00:49.360
<v Speaker 1>writer of Craig of the Creek, you know, and you've

0:00:49.400 --> 0:00:53.760
<v Speaker 1>came up through was it Nick's uh writing writing program,

0:00:53.880 --> 0:00:57.040
<v Speaker 1>so you you know your success story around all that.

0:00:57.160 --> 0:00:59.680
<v Speaker 1>And have you always wanted to do animation? H No?

0:01:00.000 --> 0:01:01.120
<v Speaker 1>And when I was a kid, I want to be

0:01:01.200 --> 0:01:04.720
<v Speaker 1>a pro wrestler. Uh. So I went after that for

0:01:04.720 --> 0:01:07.840
<v Speaker 1>a while and then I was like, oh, yeah, this

0:01:07.920 --> 0:01:12.119
<v Speaker 1>hurts a lot. I don't like feeling like an old

0:01:12.160 --> 0:01:14.920
<v Speaker 1>man with no back when uh when I wake up

0:01:14.959 --> 0:01:20.000
<v Speaker 1>at the age of eighteen. So I eventually moved into

0:01:20.080 --> 0:01:23.440
<v Speaker 1>like I went to a trade school in Michigan, UH,

0:01:23.480 --> 0:01:27.000
<v Speaker 1>where I studied like video production, and one day I

0:01:27.040 --> 0:01:29.280
<v Speaker 1>caught an episode at thirty Rock. I was like, okay, wait,

0:01:29.640 --> 0:01:32.000
<v Speaker 1>you can get paid right. No one told me this,

0:01:32.520 --> 0:01:34.039
<v Speaker 1>And you can do comedy and you don't have to

0:01:34.080 --> 0:01:37.560
<v Speaker 1>like write books. So that was kind of when I

0:01:37.640 --> 0:01:42.200
<v Speaker 1>like realigned my focus. And that was I was twenty

0:01:42.240 --> 0:01:45.679
<v Speaker 1>at the time, and uh, I took up writing, taught myself.

0:01:45.959 --> 0:01:50.200
<v Speaker 1>I didn't go to college, and then when uh I

0:01:50.280 --> 0:01:53.320
<v Speaker 1>was twenty five, applied for the Nick writing program, got in,

0:01:54.040 --> 0:01:58.440
<v Speaker 1>moved out here, uh and been out working in animation

0:01:58.520 --> 0:02:03.080
<v Speaker 1>for the last four years. Wow, that's so dope. So

0:02:03.120 --> 0:02:05.280
<v Speaker 1>what was it was? What was the first show you

0:02:05.280 --> 0:02:07.240
<v Speaker 1>worked on? The first show I ever worked on was

0:02:07.280 --> 0:02:10.720
<v Speaker 1>the show called Harvey Beaks at Nickelodeon. I was produced

0:02:10.800 --> 0:02:13.920
<v Speaker 1>or created by C. H. Greenblatt, who also created the

0:02:13.919 --> 0:02:18.360
<v Speaker 1>show Chowder what you might know. So, uh, that was

0:02:18.400 --> 0:02:20.520
<v Speaker 1>a great like start for me because the room was

0:02:20.560 --> 0:02:23.640
<v Speaker 1>like super welcoming and everyone taught me a lot, like

0:02:23.639 --> 0:02:26.160
<v Speaker 1>the perfect room for me to start in, and within

0:02:26.320 --> 0:02:28.240
<v Speaker 1>like two months in that room. They gave me a

0:02:28.240 --> 0:02:32.480
<v Speaker 1>freelance episode, which hardly ever happens. And uh, that was

0:02:32.520 --> 0:02:35.040
<v Speaker 1>the first show I worked on. Then I moved around too,

0:02:36.080 --> 0:02:40.160
<v Speaker 1>Nickelodeon's upcoming show Glitch Texts uh, and a bunch of

0:02:40.240 --> 0:02:43.680
<v Speaker 1>other shows that I can't name yet, but mainly Craig

0:02:43.720 --> 0:02:45.800
<v Speaker 1>of the Creek, where I started as the staff writer

0:02:46.080 --> 0:02:48.760
<v Speaker 1>for season one and got promoted the hat writer for

0:02:48.800 --> 0:02:53.160
<v Speaker 1>seasons two and three. Wow, well, big congrats is already

0:02:53.200 --> 0:02:57.440
<v Speaker 1>that with that dope resume. Uh So, what's something you're

0:02:57.480 --> 0:03:01.359
<v Speaker 1>you're you're seeking out about this week? So this might

0:03:01.440 --> 0:03:03.760
<v Speaker 1>be old for you, but I'm looking for people to

0:03:03.800 --> 0:03:07.360
<v Speaker 1>talk about it with. I just started reading and watching

0:03:07.480 --> 0:03:11.120
<v Speaker 1>my hero Academia. Oh yeah, now, so yeah, you know,

0:03:11.240 --> 0:03:14.880
<v Speaker 1>I'm not I'm I'm still season one so so so no,

0:03:15.040 --> 0:03:17.440
<v Speaker 1>we're we're ready. I'm gonna start chopping it up with

0:03:17.480 --> 0:03:20.200
<v Speaker 1>you on that. But you've been digging it, oh man.

0:03:20.360 --> 0:03:25.280
<v Speaker 1>I started reading it four days ago. Uh, and I'm

0:03:25.360 --> 0:03:29.960
<v Speaker 1>on chapter one and two. So yeah, I'm I'm getting

0:03:29.960 --> 0:03:35.360
<v Speaker 1>I'm digging it pretty much. You're you're deep in over me.

0:03:35.400 --> 0:03:38.000
<v Speaker 1>I just did twitch Con. I was down in San

0:03:38.040 --> 0:03:41.120
<v Speaker 1>Diego for twitch Con and Twitch Con is one of

0:03:41.160 --> 0:03:44.960
<v Speaker 1>the most exciting times a year for me. Now this

0:03:45.160 --> 0:03:47.680
<v Speaker 1>was my third one, and now I'm like, yeah, this

0:03:47.720 --> 0:03:50.440
<v Speaker 1>is this is my jam because it's crazy to see you,

0:03:50.480 --> 0:03:53.520
<v Speaker 1>like all the faces behind the screen name and meeting

0:03:53.560 --> 0:03:57.160
<v Speaker 1>everyone and just the energy around it. Like it's crazy.

0:03:57.160 --> 0:04:00.200
<v Speaker 1>You're walking around and you're seeing people and you think

0:04:00.280 --> 0:04:01.800
<v Speaker 1>you're like, oh, I know that person. You know, I

0:04:01.880 --> 0:04:05.800
<v Speaker 1>just watched their face while they played video games. So

0:04:05.840 --> 0:04:08.040
<v Speaker 1>I'm it's gonna be in San Diego next year and

0:04:08.040 --> 0:04:10.119
<v Speaker 1>I'm already looking forward to it. And I had fun

0:04:10.120 --> 0:04:13.080
<v Speaker 1>idea the season finale of my sneaker show on Twitch

0:04:13.120 --> 0:04:17.839
<v Speaker 1>fresh Stock and that went well. Puma laced me up

0:04:17.880 --> 0:04:21.120
<v Speaker 1>in these they're doing a collaboration with the Cloud nineties

0:04:21.160 --> 0:04:24.000
<v Speaker 1>Sports team, and they gave me like the shirt and

0:04:24.040 --> 0:04:26.839
<v Speaker 1>the sweatsuit that they're coming out for it and it's

0:04:26.880 --> 0:04:30.040
<v Speaker 1>not dropped until the tenth So you know, there's there's

0:04:30.080 --> 0:04:32.679
<v Speaker 1>nothing a sneaker had likes more than wearing some stuff

0:04:32.720 --> 0:04:35.000
<v Speaker 1>that people can't even get. Yeah, so I gotta get

0:04:35.040 --> 0:04:38.599
<v Speaker 1>on Twitch, that's what you're telling. Look, look, we'll talk

0:04:38.640 --> 0:04:40.760
<v Speaker 1>sneaks on Twitch. You know, we gotta get ready for

0:04:40.800 --> 0:04:43.599
<v Speaker 1>this next season. But yeah, no, so that was dope

0:04:43.600 --> 0:04:46.000
<v Speaker 1>for me and it was a good time. And now

0:04:46.080 --> 0:04:49.960
<v Speaker 1>it's like it's officially Spoketober. You know this episode, you know,

0:04:50.040 --> 0:04:51.800
<v Speaker 1>since I knew you were coming, I wanted it to

0:04:51.839 --> 0:04:55.480
<v Speaker 1>be you know, not only something spooky, but something black

0:04:55.520 --> 0:04:58.719
<v Speaker 1>and spooky. This is a property that you know, had

0:04:58.839 --> 0:05:02.320
<v Speaker 1>real prominence in the black community. I think the only

0:05:02.320 --> 0:05:04.680
<v Speaker 1>way I could have made this episode blacker is if

0:05:04.680 --> 0:05:07.320
<v Speaker 1>we did Tales from the Hood, which I kind of

0:05:07.360 --> 0:05:11.200
<v Speaker 1>am regretting not choosing that one. I will come back, yea.

0:05:13.320 --> 0:05:16.400
<v Speaker 1>But yeah, this is we're talking about candy Man, which

0:05:16.640 --> 0:05:19.320
<v Speaker 1>you know, before we even get into nitty gritty, you

0:05:19.400 --> 0:05:21.840
<v Speaker 1>were saying you haven't seen it in almost like twenty years.

0:05:22.040 --> 0:05:24.240
<v Speaker 1>It's been a long time. Same here. It's been a

0:05:24.279 --> 0:05:28.320
<v Speaker 1>while since I like even remembered candy Man. We lightly

0:05:28.360 --> 0:05:31.119
<v Speaker 1>touched on candy Man last year when we did Horrid Noir,

0:05:31.960 --> 0:05:34.560
<v Speaker 1>uh and we and we talked about that, but like

0:05:34.640 --> 0:05:37.320
<v Speaker 1>now we're gonna truly go in because it had like

0:05:38.000 --> 0:05:42.320
<v Speaker 1>an impact because it's so funny because we talked about like,

0:05:42.400 --> 0:05:45.760
<v Speaker 1>you know, needing representation and diversity now, but nineties had

0:05:45.800 --> 0:05:48.440
<v Speaker 1>a like big, like splash of diversity. You know, you

0:05:48.480 --> 0:05:53.279
<v Speaker 1>had family matters the Waynes Bros. You know, meteor Man,

0:05:54.120 --> 0:05:57.279
<v Speaker 1>you had blank Man, fresh Print, fresh Prints don't be

0:05:57.279 --> 0:05:59.560
<v Speaker 1>a medicine, South Central We drink can choose basically the

0:05:59.600 --> 0:06:03.000
<v Speaker 1>way In were pushing like diversity and they didn't have

0:06:03.080 --> 0:06:06.680
<v Speaker 1>to hire anyone because their family was so big. But

0:06:07.480 --> 0:06:09.479
<v Speaker 1>this was another one of those like splashes. And this

0:06:09.640 --> 0:06:12.640
<v Speaker 1>was a horror movie. I was centered around you know,

0:06:12.800 --> 0:06:16.800
<v Speaker 1>black culture, blackness and uh and everything. And I remember

0:06:17.080 --> 0:06:19.280
<v Speaker 1>instead of like I know, there was the Bloody Mary.

0:06:19.400 --> 0:06:22.640
<v Speaker 1>You can say the name three three times? Yeah, and

0:06:23.040 --> 0:06:25.400
<v Speaker 1>people said that for candy Man where I grew up,

0:06:25.520 --> 0:06:27.360
<v Speaker 1>like if you say candy Man in the mirror, he

0:06:27.400 --> 0:06:29.880
<v Speaker 1>comes and he kills you. But it's five times. Yeah,

0:06:29.880 --> 0:06:32.560
<v Speaker 1>it's five times in the actual movie. But but but

0:06:32.680 --> 0:06:35.039
<v Speaker 1>people were like three times in the mirror. Yeah. My

0:06:35.200 --> 0:06:38.480
<v Speaker 1>fiance is still won't say it really still today. Well

0:06:38.520 --> 0:06:40.240
<v Speaker 1>I was telling her about it yesterday. I was like, yeah,

0:06:40.279 --> 0:06:42.560
<v Speaker 1>so we're doing candy Man. She was like, you can

0:06:42.560 --> 0:06:46.240
<v Speaker 1>only say that name so many times. I was like,

0:06:46.440 --> 0:06:51.760
<v Speaker 1>it's not gonna She's like, still, she's not wrong. Yeah,

0:06:52.120 --> 0:06:54.360
<v Speaker 1>you know it could no one you know, knowing that

0:06:54.400 --> 0:06:58.240
<v Speaker 1>I know have said it five times, but here's the

0:06:58.320 --> 0:07:02.880
<v Speaker 1>nitty gritty from The Wicked. Did he uh? Candy Man

0:07:02.920 --> 0:07:07.560
<v Speaker 1>is a American supernatural slasher film written and directed by

0:07:07.560 --> 0:07:11.880
<v Speaker 1>Bernard Rose and starring Virginia Madsen, Tony Todd, Xander Berkeley

0:07:12.000 --> 0:07:15.040
<v Speaker 1>and Kassi Lemon's and Vanessa Williams. Based on the short

0:07:15.080 --> 0:07:18.560
<v Speaker 1>story The Forbidden by Clive Barker, the film follows a

0:07:18.600 --> 0:07:22.239
<v Speaker 1>graduate student in Chicago complete and a thesis on urban legend,

0:07:22.320 --> 0:07:25.240
<v Speaker 1>which leads her to the legend of Candy Man, the

0:07:25.280 --> 0:07:27.440
<v Speaker 1>ghost of an artist and son of a slave who

0:07:27.480 --> 0:07:31.600
<v Speaker 1>was murdered in the late nineteenth century. Which, yeah, that

0:07:31.680 --> 0:07:36.080
<v Speaker 1>was that was. It's it's so funny because I until

0:07:36.600 --> 0:07:39.960
<v Speaker 1>revisiting it in my adult life, was I really up

0:07:39.960 --> 0:07:43.960
<v Speaker 1>to date on like the backstory to canymnep? Yeah, Yeah,

0:07:44.120 --> 0:07:47.560
<v Speaker 1>it's real deep. I always just thought he was just

0:07:47.600 --> 0:07:53.440
<v Speaker 1>a scary man. Yeah. Then you find out why he's angry,

0:07:53.640 --> 0:07:58.440
<v Speaker 1>and he's angry because he loves white women. Like, let's

0:07:58.480 --> 0:08:01.280
<v Speaker 1>keep it funky. That's that's the story. If a black

0:08:01.280 --> 0:08:04.120
<v Speaker 1>guy loves white women so much, he's gonna kill you

0:08:04.200 --> 0:08:09.160
<v Speaker 1>four not wrong. Yeah, but there's all these other like,

0:08:09.560 --> 0:08:13.680
<v Speaker 1>um wild parts about it that I didn't know, like

0:08:13.760 --> 0:08:16.280
<v Speaker 1>the fact that it's from a story from Clive Barker's

0:08:16.640 --> 0:08:20.720
<v Speaker 1>that it has like serious horror roots, and then uh,

0:08:20.760 --> 0:08:25.760
<v Speaker 1>you know, then it got uh amped up. We'll say

0:08:25.920 --> 0:08:28.600
<v Speaker 1>so the Forbidden, so just so we'll look at the

0:08:28.800 --> 0:08:32.560
<v Speaker 1>Forbidden and then like already off that fuel. Candy Man.

0:08:32.960 --> 0:08:37.000
<v Speaker 1>The Forbidden is about the university student named Helen who's

0:08:37.040 --> 0:08:40.600
<v Speaker 1>doing a thesis on graffiti, and then she selects a rundown,

0:08:40.600 --> 0:08:43.679
<v Speaker 1>a state to focus her study. She noticed disturbing graffiti

0:08:43.720 --> 0:08:46.480
<v Speaker 1>in an abandoned building that makes references to an urban

0:08:46.559 --> 0:08:49.920
<v Speaker 1>legend known as candy Man. Further inquiries led her to

0:08:49.960 --> 0:08:53.000
<v Speaker 1>believe this is connected with recent murders and mutilations in

0:08:53.040 --> 0:08:57.080
<v Speaker 1>the neighborhood. Although the locals are seemingly reluctant to discuss

0:08:57.160 --> 0:09:00.720
<v Speaker 1>the incidents, She eventually encounters the candy Man himself, getting

0:09:00.760 --> 0:09:05.640
<v Speaker 1>notoriety by becoming his latest victim. And that's what that's

0:09:05.679 --> 0:09:09.000
<v Speaker 1>what happened with a candy Man. Yeah, it seems pretty

0:09:09.040 --> 0:09:11.720
<v Speaker 1>close to what candy Man is, except like it seems

0:09:11.760 --> 0:09:15.800
<v Speaker 1>like it just sent in short story form that the

0:09:15.920 --> 0:09:19.560
<v Speaker 1>ending is horrible anything, I mean, the ending The Candyman

0:09:20.160 --> 0:09:23.440
<v Speaker 1>actually isn't great, like not, you know, like it's not

0:09:23.480 --> 0:09:25.920
<v Speaker 1>a happy ending. But this one is just like in

0:09:26.000 --> 0:09:29.720
<v Speaker 1>a horror fashion of being like yeah, yeah, it's It's

0:09:29.760 --> 0:09:33.520
<v Speaker 1>basically like, this is a cautionary tale. Never say candy

0:09:33.520 --> 0:09:36.040
<v Speaker 1>man or you will die. Yeah, never say candy man,

0:09:36.120 --> 0:09:39.440
<v Speaker 1>even if you're doing the paper or a podcast. Yeah yeah,

0:09:39.480 --> 0:09:42.440
<v Speaker 1>I know, we gotta get a candy bank. Oh no,

0:09:44.080 --> 0:09:46.960
<v Speaker 1>we've definitely went over it. This is this is how

0:09:47.080 --> 0:09:53.200
<v Speaker 1>the key Impel version is gonna starts. Oh man, so um.

0:09:53.559 --> 0:09:56.320
<v Speaker 1>The film came to Fruition after a chance meeting between

0:09:56.360 --> 0:09:59.600
<v Speaker 1>director Rose and Clive Barker, who had recently completed his

0:09:59.640 --> 0:10:03.400
<v Speaker 1>own HM adaptation of Night Breed, and Rose express interest

0:10:03.480 --> 0:10:06.680
<v Speaker 1>in Barker's story that forbidden, and Barker agreed to license

0:10:06.720 --> 0:10:09.640
<v Speaker 1>the right. Where Barker's story revolved around themes of the

0:10:09.679 --> 0:10:13.920
<v Speaker 1>British class system in contemporary Liverpool, Rose chose to refit

0:10:13.960 --> 0:10:17.280
<v Speaker 1>the story to Cabrini Green public housing development in Chicago

0:10:17.360 --> 0:10:20.520
<v Speaker 1>instead focus on the themes race and social class and

0:10:20.559 --> 0:10:23.960
<v Speaker 1>inner city United States. So it seems like the difference

0:10:24.040 --> 0:10:27.320
<v Speaker 1>because I didn't get to crack open the actual book

0:10:27.520 --> 0:10:30.559
<v Speaker 1>Volume five of the Black Barker Book is that Candyman

0:10:30.679 --> 0:10:34.839
<v Speaker 1>was white and then the original candy Man. He was like, hey, bro,

0:10:35.280 --> 0:10:38.520
<v Speaker 1>gonna caut you with my hook. Sorry to all my

0:10:39.360 --> 0:10:43.240
<v Speaker 1>British listeners, all of them except Drake Levi, who I

0:10:43.280 --> 0:10:46.520
<v Speaker 1>hope to disrespect any chance I get, But every other

0:10:46.840 --> 0:10:53.120
<v Speaker 1>British listener I truly apologize. Um, there's just so many

0:10:53.240 --> 0:10:56.360
<v Speaker 1>inside jokes of people I'm slandering. I figured as much.

0:10:56.400 --> 0:10:59.000
<v Speaker 1>I was like, I'm not gonna pry. Yeah, Drake is

0:10:59.000 --> 0:11:03.000
<v Speaker 1>a member of my commune and he's uh black Londoner

0:11:03.040 --> 0:11:06.680
<v Speaker 1>who uh he hops, you know, he'll hop and play

0:11:06.760 --> 0:11:09.280
<v Speaker 1>with me, and it's like storms. He joins my discord

0:11:09.400 --> 0:11:12.960
<v Speaker 1>and just goes off like that's exactly like I wish

0:11:13.000 --> 0:11:16.080
<v Speaker 1>I was joking, because like I remember, it was him

0:11:16.160 --> 0:11:18.880
<v Speaker 1>and there's another guy in our community, Wolf Yahmi and

0:11:18.880 --> 0:11:23.600
<v Speaker 1>they're both black Londoners and they jumped in the discord

0:11:23.640 --> 0:11:27.720
<v Speaker 1>together and just started talking using slang words I've never

0:11:27.760 --> 0:11:30.600
<v Speaker 1>heard before, lots of in its thoughts of blood brov

0:11:31.480 --> 0:11:35.720
<v Speaker 1>Man deems. All of that. I was. It was fascinating.

0:11:35.760 --> 0:11:37.720
<v Speaker 1>I was like, this is this is what we might

0:11:38.000 --> 0:11:43.200
<v Speaker 1>must sound to black like yeah, bet naming. You know

0:11:43.280 --> 0:11:47.880
<v Speaker 1>you're gonna run that back, like what, Like I said,

0:11:47.920 --> 0:11:50.400
<v Speaker 1>this is gonna be a very black episode of Nerd Deficit.

0:11:50.520 --> 0:11:53.320
<v Speaker 1>I'm hoping that there's that kind of dialogue in the

0:11:53.440 --> 0:11:58.160
<v Speaker 1>upcoming Possible Candymen. Yeah, like if it's updated like that

0:11:58.240 --> 0:12:00.960
<v Speaker 1>and like just a bunch of s and stuff. Yeah,

0:12:03.320 --> 0:12:05.000
<v Speaker 1>So here I was that you were talking about the

0:12:05.080 --> 0:12:09.800
<v Speaker 1>social bit most Like, I know that that's gonna be

0:12:09.840 --> 0:12:13.679
<v Speaker 1>interesting because like it really like looking back on it

0:12:13.720 --> 0:12:17.200
<v Speaker 1>with adult eyes, they really were trying to say something,

0:12:17.400 --> 0:12:20.320
<v Speaker 1>but you know, it had a comment on social and

0:12:20.440 --> 0:12:24.400
<v Speaker 1>race issues as well as a white director can do.

0:12:24.720 --> 0:12:27.560
<v Speaker 1>You know, you can only you're only so limited, especially

0:12:27.600 --> 0:12:31.360
<v Speaker 1>like because really the foundation, I do respect how you

0:12:31.360 --> 0:12:34.160
<v Speaker 1>would like talking about like housing projects and all this stuff,

0:12:34.280 --> 0:12:37.439
<v Speaker 1>but it really is a cat to happen, especially something

0:12:37.480 --> 0:12:41.400
<v Speaker 1>as nuanced as projects, because anyone, any person of color

0:12:41.440 --> 0:12:44.520
<v Speaker 1>who's like grown up in the hood or trap or

0:12:44.559 --> 0:12:47.160
<v Speaker 1>whatever you want to call it, there's like such a

0:12:47.800 --> 0:12:51.000
<v Speaker 1>interesting take on it because like there are aspects of

0:12:51.040 --> 0:12:52.880
<v Speaker 1>it that are bad, there are aspects of it that

0:12:52.920 --> 0:12:54.959
<v Speaker 1>are home, and lots of times when you're from the

0:12:55.000 --> 0:12:57.680
<v Speaker 1>outside looking at it, you can only see the portion,

0:12:58.080 --> 0:13:00.160
<v Speaker 1>and that's how you kind of portray it. And that's

0:13:00.160 --> 0:13:02.640
<v Speaker 1>exactly how it was portrayed, because even watching that scene

0:13:02.640 --> 0:13:04.520
<v Speaker 1>again last en. I watched it again last night, and

0:13:04.480 --> 0:13:08.239
<v Speaker 1>the scene where they show up and they're like immediately

0:13:08.320 --> 0:13:11.240
<v Speaker 1>it's just like getting cat called and just a terrible place.

0:13:11.320 --> 0:13:14.200
<v Speaker 1>And it's just like five dudes crowding around these women

0:13:14.200 --> 0:13:17.480
<v Speaker 1>and you're like Jesus Christ, what if why are you here?

0:13:19.679 --> 0:13:22.040
<v Speaker 1>But then also like you know, no, it's fine. They

0:13:22.080 --> 0:13:24.320
<v Speaker 1>think we're police and I'm like, well, no, you don't

0:13:24.360 --> 0:13:27.600
<v Speaker 1>look like police officers at all. What is happening here?

0:13:28.200 --> 0:13:31.080
<v Speaker 1>Like like I said, And that's what's so funny too.

0:13:31.120 --> 0:13:35.040
<v Speaker 1>It is like just the the the aspect. Like I remember,

0:13:35.120 --> 0:13:37.679
<v Speaker 1>so I grew up in Compton Um and then I

0:13:37.760 --> 0:13:41.520
<v Speaker 1>moved to Downey when I was in like I started

0:13:41.520 --> 0:13:46.080
<v Speaker 1>going to school in Downey in eighth grade, but I

0:13:46.120 --> 0:13:49.520
<v Speaker 1>didn't move to Downy to like tenth grade. But I

0:13:49.520 --> 0:13:52.040
<v Speaker 1>remember a lot of times, you know, from Downy, like

0:13:52.720 --> 0:13:55.800
<v Speaker 1>all the white people that I met would be like, oh,

0:13:55.840 --> 0:13:58.080
<v Speaker 1>if I walked in Compton, I'd get shot. And I

0:13:58.120 --> 0:14:00.480
<v Speaker 1>was like, yeah, yeah, there are gang member was waiting

0:14:00.480 --> 0:14:05.560
<v Speaker 1>at the board. Yeah, yeah, I mean, you know, uh,

0:14:05.600 --> 0:14:07.719
<v Speaker 1>you know, kudos to them, because I also did think

0:14:07.760 --> 0:14:10.280
<v Speaker 1>I could just walk in houses without knocking, because that's

0:14:10.320 --> 0:14:13.960
<v Speaker 1>what all the white people on TV did. So so

0:14:14.280 --> 0:14:16.640
<v Speaker 1>like I was like, we both were wrong, but you

0:14:16.679 --> 0:14:21.480
<v Speaker 1>were more wrong than I was. I was so sure.

0:14:21.520 --> 0:14:23.840
<v Speaker 1>I was so ready to get a ladder like claristics.

0:14:25.920 --> 0:14:29.040
<v Speaker 1>That would have been a horror movie real quick. You

0:14:29.200 --> 0:14:34.120
<v Speaker 1>imagine this thick Nigerian guy crawling into your room. Fantasy

0:14:34.160 --> 0:14:40.640
<v Speaker 1>for some nightmare for most. But uh but yeah, so

0:14:40.800 --> 0:14:43.840
<v Speaker 1>um so then they talk he licensed it, and they're like,

0:14:43.960 --> 0:14:47.240
<v Speaker 1>bet we're gonna make this. Um, We're gonna make this happen.

0:14:47.400 --> 0:14:50.120
<v Speaker 1>Let's get into production the screenplay, so the change of

0:14:50.120 --> 0:14:53.320
<v Speaker 1>set necessitated a change to certain elements for the film,

0:14:53.360 --> 0:14:57.760
<v Speaker 1>according to the journalists. According to journalists Steve Bagaria, one

0:14:57.800 --> 0:15:00.680
<v Speaker 1>source of inspiration may have been a pair of articles

0:15:00.720 --> 0:15:04.480
<v Speaker 1>he wrote for The Chicago Reader in seven and nineteen

0:15:04.560 --> 0:15:07.560
<v Speaker 1>ninety about the murder of Ruthie May McCoy, a resident

0:15:07.560 --> 0:15:11.520
<v Speaker 1>of Chicago's Abbot Homes housing project. Seven. McCoy had been

0:15:11.640 --> 0:15:14.840
<v Speaker 1>killed by an intruder who entered her apartment through an

0:15:14.880 --> 0:15:18.000
<v Speaker 1>opening behind the bathroom's medicine cabinet. This is gonna be

0:15:18.000 --> 0:15:22.480
<v Speaker 1>the first piece of information I'm anna rebuff, like like I'm, I'm,

0:15:22.680 --> 0:15:24.480
<v Speaker 1>I'm I'm gonna have to side out of this regard.

0:15:24.520 --> 0:15:27.040
<v Speaker 1>I was like, yeah, I wrote an article about someone

0:15:28.080 --> 0:15:30.360
<v Speaker 1>got murdered in a home invasion, Like yeah, that's a

0:15:30.360 --> 0:15:34.840
<v Speaker 1>lot that happened. That's a that's a textbook crime. My guy,

0:15:35.640 --> 0:15:37.840
<v Speaker 1>you're the one. You're the one who inspired this whole move,

0:15:38.440 --> 0:15:41.720
<v Speaker 1>Like I'm sure you know in Chicago they had a

0:15:41.720 --> 0:15:45.080
<v Speaker 1>few of those. I mean, I just love the fact that,

0:15:45.120 --> 0:15:47.080
<v Speaker 1>like he was like, well, I wrote this article once

0:15:48.720 --> 0:15:54.960
<v Speaker 1>and again in so clearly they ripped me on. You're

0:15:55.000 --> 0:16:02.320
<v Speaker 1>ripping yourself over. This is irrefutable, irrefutable evidence. And that's

0:16:02.360 --> 0:16:06.080
<v Speaker 1>what I love is that it's according to take him.

0:16:06.600 --> 0:16:11.200
<v Speaker 1>There was nobody the the Rose didn't say this. Barker

0:16:11.280 --> 0:16:13.880
<v Speaker 1>did not say this. He was like, nah, they stole

0:16:13.920 --> 0:16:15.880
<v Speaker 1>it from me. See this is what apps we get

0:16:15.880 --> 0:16:18.080
<v Speaker 1>info for Wikipedia, and why I like to get info

0:16:18.160 --> 0:16:22.160
<v Speaker 1>for because I feel like any official documentation on this

0:16:22.200 --> 0:16:25.240
<v Speaker 1>movie was not going to mention this one report. He's like, man,

0:16:26.320 --> 0:16:32.560
<v Speaker 1>I reported on crime in Chicago. You know, yeah, we

0:16:32.600 --> 0:16:37.960
<v Speaker 1>ain't got many of those were life that's like you

0:16:38.120 --> 0:16:41.160
<v Speaker 1>being like yo. So boys in the Hood ripped me

0:16:41.200 --> 0:16:46.000
<v Speaker 1>off because I grew up a comment. They ripped me

0:16:46.040 --> 0:16:48.800
<v Speaker 1>off based on a MySpace post I'd posted about living

0:16:48.840 --> 0:16:57.479
<v Speaker 1>in Compton in two thousand and five and two thousands alright,

0:16:57.560 --> 0:17:02.200
<v Speaker 1>so and it's such a like anecdote that I'm glad

0:17:02.240 --> 0:17:07.280
<v Speaker 1>it was added. So then, uh, there was some controversy

0:17:07.280 --> 0:17:11.040
<v Speaker 1>that the film was depicting racism and racial stereotypes. This

0:17:11.080 --> 0:17:16.160
<v Speaker 1>film based on that scene you just described. I don't

0:17:16.160 --> 0:17:21.440
<v Speaker 1>see what the problem is. You know what, just according

0:17:21.480 --> 0:17:24.159
<v Speaker 1>to Rose, I had to go and have a whole

0:17:24.200 --> 0:17:26.600
<v Speaker 1>set of meetings with the Inn double a CP because

0:17:26.600 --> 0:17:29.720
<v Speaker 1>the producer were so worried. And what they said to

0:17:29.760 --> 0:17:32.439
<v Speaker 1>me was they'd read the script. What they said to

0:17:32.440 --> 0:17:34.600
<v Speaker 1>me when they read the script was why are we

0:17:34.760 --> 0:17:44.120
<v Speaker 1>even having this meeting? You know? This is just good fun? Um.

0:17:44.119 --> 0:17:48.000
<v Speaker 1>This must be the National Advancement the National Association of

0:17:48.000 --> 0:17:54.400
<v Speaker 1>the Advancement of Caucasian People. Their argument was, why shouldn't

0:17:54.400 --> 0:18:04.240
<v Speaker 1>a black actor be a ghost? Why should black actor

0:18:04.320 --> 0:18:07.640
<v Speaker 1>play Freddy Kruger arondible elector? If you're saying that they

0:18:07.720 --> 0:18:10.959
<v Speaker 1>can't be it's really perverse, this is a horror movie.

0:18:11.200 --> 0:18:14.760
<v Speaker 1>According to Madison, I was and am now worried about

0:18:14.800 --> 0:18:18.040
<v Speaker 1>how people will respond. I don't think uh, I don't

0:18:18.040 --> 0:18:20.960
<v Speaker 1>think Spike Lee will like this film. To his defense,

0:18:21.000 --> 0:18:27.560
<v Speaker 1>he's right, because SPI don't like anything like yeah, that's

0:18:29.040 --> 0:18:33.960
<v Speaker 1>that's a that's an easy did I make it no trash?

0:18:34.040 --> 0:18:37.679
<v Speaker 1>Oh my gosh, this is great because I want to

0:18:37.720 --> 0:18:39.800
<v Speaker 1>know how much of that is true. I just love

0:18:39.840 --> 0:18:42.960
<v Speaker 1>the quote why shouldn't a black actor be a ghost?

0:18:44.720 --> 0:18:48.240
<v Speaker 1>It's like, imagine how much better Woo be Goldberg? But

0:18:48.359 --> 0:18:50.920
<v Speaker 1>it man, it's that a Patrick. I don't know, why

0:18:50.920 --> 0:18:54.760
<v Speaker 1>wouldn't she a ghost? Oh? This is Oh, this is

0:18:54.800 --> 0:18:57.760
<v Speaker 1>already off to the best start, because I mean this

0:18:57.840 --> 0:19:01.000
<v Speaker 1>is this is the amount of gravity to approached this movie.

0:19:01.200 --> 0:19:03.159
<v Speaker 1>But also it's like it's funny because it is like

0:19:03.520 --> 0:19:07.080
<v Speaker 1>a tin pole in the black community. It's important. It's

0:19:07.119 --> 0:19:10.840
<v Speaker 1>it's important to us because like we said, why shouldn't

0:19:10.840 --> 0:19:14.880
<v Speaker 1>black people be a ghost? Or a Freddie Rueger? Oh

0:19:15.000 --> 0:19:19.439
<v Speaker 1>my gosh, yeah this yeah, this this is great. This

0:19:19.520 --> 0:19:21.320
<v Speaker 1>is gonna be my most fun is just kind of

0:19:21.359 --> 0:19:25.119
<v Speaker 1>diving into sections of this because like I want to

0:19:25.119 --> 0:19:27.359
<v Speaker 1>know what script the in double a c P was reading,

0:19:28.720 --> 0:19:30.960
<v Speaker 1>you know, because also, like if you're in a script

0:19:31.040 --> 0:19:34.560
<v Speaker 1>you read enters the Avid Kinny projects, it probably doesn't

0:19:34.600 --> 0:19:36.359
<v Speaker 1>read the same as when you shot the scene of

0:19:36.400 --> 0:19:40.240
<v Speaker 1>four black dudes with sagging if rob wasn't that extra

0:19:40.440 --> 0:19:45.080
<v Speaker 1>descriptive script because on paper, yeah, why why not do

0:19:45.320 --> 0:19:50.080
<v Speaker 1>candy Man? Okay? Um, Now we got onto the filming, which,

0:19:50.440 --> 0:19:53.440
<v Speaker 1>although barker short story is set in his native Liverpool,

0:19:54.000 --> 0:19:56.040
<v Speaker 1>Rose decided that the film would be much better done

0:19:56.080 --> 0:19:59.320
<v Speaker 1>in the US, like we uh, like we said earlier. Um,

0:19:59.600 --> 0:20:02.879
<v Speaker 1>and he's scouted locations in Chicago and found Cabrini Green,

0:20:03.440 --> 0:20:06.600
<v Speaker 1>which was an incredible arena for horror, for a horror

0:20:06.600 --> 0:20:10.520
<v Speaker 1>movie because it was a place of such palpable fear.

0:20:11.400 --> 0:20:17.200
<v Speaker 1>What does that mean? Like thet he was a white

0:20:17.200 --> 0:20:20.360
<v Speaker 1>person walking around south side Chicago and was like, oh,

0:20:20.400 --> 0:20:27.119
<v Speaker 1>this is scary. I am afraid right now. This is

0:20:27.200 --> 0:20:30.760
<v Speaker 1>this is the perfect setting because all I can imagine

0:20:31.000 --> 0:20:34.879
<v Speaker 1>is this like young white guy in a beret walking

0:20:34.880 --> 0:20:38.919
<v Speaker 1>around south side Chicago and doing the finger things. Directors,

0:20:39.520 --> 0:20:42.840
<v Speaker 1>Oh my god, this is horrifying. Yeah, this is scary. Yeah,

0:20:42.960 --> 0:20:45.439
<v Speaker 1>this is it. This is where we make it, alright,

0:20:45.440 --> 0:20:48.480
<v Speaker 1>we're gonna be diving in some more with Candy Man.

0:20:48.520 --> 0:20:54.040
<v Speaker 1>We're already off to this is fun and spooky, spooked over,

0:20:54.560 --> 0:20:57.920
<v Speaker 1>but we're gonna hear from some of these uh these

0:20:58.000 --> 0:21:09.760
<v Speaker 1>these sponsors, uh commercials. We'll be right back, Welcome back

0:21:09.760 --> 0:21:12.639
<v Speaker 1>to narrative. EM I'm if you wait, sitting across from me,

0:21:12.720 --> 0:21:17.240
<v Speaker 1>Jeff Trammel, and we are looking into the modern black

0:21:17.280 --> 0:21:21.119
<v Speaker 1>masterpiece candy Man. H this is this has been the

0:21:21.160 --> 0:21:23.480
<v Speaker 1>most fun and that's that's what I wanted to do.

0:21:23.640 --> 0:21:27.400
<v Speaker 1>Is because I speaked over. We go over scary, scary things,

0:21:27.400 --> 0:21:29.680
<v Speaker 1>and there are lots of fun scary things. But it's

0:21:29.840 --> 0:21:35.280
<v Speaker 1>crazy to look back on candy Man because it really

0:21:35.359 --> 0:21:38.600
<v Speaker 1>is like like I'm not like I'm saying it when

0:21:38.640 --> 0:21:40.720
<v Speaker 1>we're saying a lot of funny things, but I'm not joking.

0:21:40.720 --> 0:21:43.680
<v Speaker 1>And how big of a impact candy Man has a

0:21:43.920 --> 0:21:46.640
<v Speaker 1>black I mean, there's nothing. What's the other like big

0:21:46.640 --> 0:21:50.000
<v Speaker 1>black horror movie besides tell Us from the Yeah, I

0:21:50.000 --> 0:21:51.959
<v Speaker 1>think that's it, right, Yeah, I think it's candy Man

0:21:52.000 --> 0:21:58.960
<v Speaker 1>until along and um uh get out. So yeah, there's

0:21:59.000 --> 0:22:02.239
<v Speaker 1>been nothing for us. Yeah, Yeah, it was either this

0:22:02.320 --> 0:22:10.080
<v Speaker 1>or acrimony from Tyler Perry scariest movie for a different reason.

0:22:12.400 --> 0:22:17.160
<v Speaker 1>Oh oh man, so uh so, so, so we went

0:22:17.200 --> 0:22:21.880
<v Speaker 1>to Chicago. He was scared. Now we're talking such an

0:22:21.880 --> 0:22:26.239
<v Speaker 1>excellent like now you're caught up. You're caught up. Uh So,

0:22:26.280 --> 0:22:30.280
<v Speaker 1>Now we get to the casting, which is wilder than

0:22:30.720 --> 0:22:36.120
<v Speaker 1>we were ready for. So Eddie Murphy was the original

0:22:36.200 --> 0:22:39.240
<v Speaker 1>choice for the role of candy Man, but his filmmakers

0:22:39.280 --> 0:22:42.320
<v Speaker 1>could not afford him, which means both the film was

0:22:42.359 --> 0:22:44.800
<v Speaker 1>off to a great start, but also he's not the

0:22:44.880 --> 0:22:48.760
<v Speaker 1>choice like, well, and the biggest comedy star is gonna

0:22:48.800 --> 0:22:56.440
<v Speaker 1>be our horror guy. I'm gonna till you That's that's

0:22:56.440 --> 0:22:59.160
<v Speaker 1>how I learned My Eddie Murphy impression needs some tightening up.

0:22:59.200 --> 0:23:01.879
<v Speaker 1>But you know I got the point. I mean, at

0:23:01.920 --> 0:23:05.680
<v Speaker 1>least you did it, so I didn't have to. Uh So,

0:23:05.800 --> 0:23:08.200
<v Speaker 1>according to time, I met with Bernard Rose, who's a

0:23:08.240 --> 0:23:11.440
<v Speaker 1>brilliant mind and a great director, and I wanted to say,

0:23:11.520 --> 0:23:14.440
<v Speaker 1>uh and I wanted to say it was a higher

0:23:14.480 --> 0:23:17.160
<v Speaker 1>but I just people can't tell me, oh, You'll never

0:23:17.240 --> 0:23:19.000
<v Speaker 1>be able to shake this. And he said, you know,

0:23:19.119 --> 0:23:20.919
<v Speaker 1>I'm gonna do the best I can and go with that.

0:23:21.280 --> 0:23:23.040
<v Speaker 1>I knew when I read it. I saw the beats

0:23:23.040 --> 0:23:25.280
<v Speaker 1>and stuff. I knew things like that hadn't been filmed before,

0:23:25.280 --> 0:23:27.000
<v Speaker 1>so that was interesting and I always wanted to find

0:23:27.000 --> 0:23:30.600
<v Speaker 1>my own personal Phantom of the Opera. Todd negotiated a

0:23:30.640 --> 0:23:33.600
<v Speaker 1>bonus of one thousand dollars for every beast thing he

0:23:33.720 --> 0:23:41.159
<v Speaker 1>suffered well filming. He was stung twenty three times. I

0:23:41.200 --> 0:23:44.919
<v Speaker 1>mean that's smart. He's like, Yo, you gotta pay me

0:23:44.960 --> 0:23:47.359
<v Speaker 1>a rack every time I get stuff. But also like,

0:23:47.400 --> 0:23:49.600
<v Speaker 1>how do you do you just lie or do they

0:23:49.680 --> 0:23:52.359
<v Speaker 1>check you for standing? I know when you're talking money,

0:23:52.440 --> 0:23:54.800
<v Speaker 1>like talking about a rack, I got stung a million.

0:23:58.720 --> 0:24:01.200
<v Speaker 1>I'm just saying I'm at the doctor right now. Kiss.

0:24:01.720 --> 0:24:03.439
<v Speaker 1>You know it's the Naties. So I can't send you

0:24:03.560 --> 0:24:08.119
<v Speaker 1>like a picture. I left my polaroid in my in

0:24:08.240 --> 0:24:13.000
<v Speaker 1>my catillec, so you're gonna have to believe me. I'm

0:24:13.119 --> 0:24:18.280
<v Speaker 1>calling you on a landline. Oh my gosh. So that's

0:24:18.280 --> 0:24:21.000
<v Speaker 1>how we got So that's how we got um. Todd

0:24:21.760 --> 0:24:25.640
<v Speaker 1>and then Virginia Madson was friends with director Bernard and

0:24:25.720 --> 0:24:30.040
<v Speaker 1>his then wife Alexander Pig and Matson was original was

0:24:30.080 --> 0:24:33.200
<v Speaker 1>originally to play the role of Helen's friend Bernie. While

0:24:33.240 --> 0:24:36.359
<v Speaker 1>I'm Pig was to play Helen, so he's gonna cast

0:24:36.359 --> 0:24:38.760
<v Speaker 1>his wife. Yeah. Yeah. The choice was then made to

0:24:38.800 --> 0:24:42.119
<v Speaker 1>make the character of Bernie African Americans, so Mattson lost

0:24:42.160 --> 0:24:49.200
<v Speaker 1>the part. Diversity strikes again. As shooting was about to commence,

0:24:49.240 --> 0:24:51.600
<v Speaker 1>Peg discovered that she was pregnant, so the role of

0:24:51.640 --> 0:24:55.720
<v Speaker 1>Heaven Helen was offered to Mattson. Had Mattson been unable

0:24:55.800 --> 0:24:58.800
<v Speaker 1>to step into the role, producer Alan Pole was partial

0:24:58.880 --> 0:25:03.920
<v Speaker 1>to say wait. So he was like, first, it's gonna

0:25:03.960 --> 0:25:06.800
<v Speaker 1>be my wife, and then he was like, she's pregnant though,

0:25:06.840 --> 0:25:09.119
<v Speaker 1>so the second it's gonna be her, Yeah, her homie,

0:25:09.119 --> 0:25:13.160
<v Speaker 1>and then the homie couldn't do it. Sandy bull What

0:25:13.520 --> 0:25:17.280
<v Speaker 1>I can't talk about, are you kidding me? Is this

0:25:17.359 --> 0:25:21.879
<v Speaker 1>early Sandra Bullet because Sandra Bullock and Sandra Bullet and

0:25:21.960 --> 0:25:27.200
<v Speaker 1>she's sitting behind the director's wife and man, that that

0:25:27.320 --> 0:25:30.840
<v Speaker 1>old tell that tells you everything you need, Towood, that

0:25:30.960 --> 0:25:35.280
<v Speaker 1>tells you everything. Sandra Bullock. Oh man. So the film

0:25:35.359 --> 0:25:38.440
<v Speaker 1>score was composed by Philip Glass, and according to Glass,

0:25:38.840 --> 0:25:41.560
<v Speaker 1>is to become It has become a classic. So I

0:25:41.560 --> 0:25:44.120
<v Speaker 1>still make money from that score to checks every year.

0:25:44.200 --> 0:25:50.200
<v Speaker 1>What a flex a stand a kid. It's like, yeah,

0:25:50.240 --> 0:25:53.960
<v Speaker 1>I'm still making racks, stay getting money on his candy Man.

0:25:54.000 --> 0:25:58.679
<v Speaker 1>I'm sorry hired me because I make classes. Do you

0:25:58.800 --> 0:26:01.280
<v Speaker 1>know the candy Man theme off the top of your head? No,

0:26:03.560 --> 0:26:06.040
<v Speaker 1>not at all. I couldn't if that was a gun

0:26:06.080 --> 0:26:09.120
<v Speaker 1>in my head. I'm dead. I don't know that. I'm

0:26:09.160 --> 0:26:13.000
<v Speaker 1>just going here it comes Canny. I'm gonna, I'm gonna,

0:26:13.040 --> 0:26:15.520
<v Speaker 1>I'm gonna see if we can find it on Spotify

0:26:15.680 --> 0:26:18.000
<v Speaker 1>to get it. And here I am contributed to that

0:26:18.160 --> 0:26:22.520
<v Speaker 1>check right now, candy Man, candy Man main theme from

0:26:22.600 --> 0:26:25.800
<v Speaker 1>candy Man. So it does because this isn't even his right,

0:26:26.000 --> 0:26:29.800
<v Speaker 1>this isn't even the track. It's from Halloween themes, so

0:26:29.840 --> 0:26:31.880
<v Speaker 1>that and so he definitely has some cloud when he's

0:26:31.880 --> 0:26:36.800
<v Speaker 1>getting uh copied by Halloween and I'm with a banger.

0:26:37.200 --> 0:26:47.199
<v Speaker 1>Here we go, prepare. It's pretty close to what you

0:26:47.240 --> 0:26:53.520
<v Speaker 1>were doing. I mean, I feel like he gets checks

0:26:53.600 --> 0:26:57.280
<v Speaker 1>from from like dub step tracks, because that sounds like

0:26:57.359 --> 0:27:00.000
<v Speaker 1>every the beginning to every dub step song I've heard

0:27:00.119 --> 0:27:05.360
<v Speaker 1>to my life. He just needed like, oh my god,

0:27:05.200 --> 0:27:10.280
<v Speaker 1>do do look well we'll ask a producer Dan if

0:27:10.320 --> 0:27:14.040
<v Speaker 1>he used that in this Gladiators track. He's probably gonna

0:27:14.080 --> 0:27:26.000
<v Speaker 1>be like, yeah, oh my god, this is the best. Oh,

0:27:26.160 --> 0:27:28.919
<v Speaker 1>here we go. He's talking, he's he's putting numbers on

0:27:28.960 --> 0:27:31.800
<v Speaker 1>the board. Tony Todd confirmed in an interview with I

0:27:31.920 --> 0:27:35.720
<v Speaker 1>g N that a limited edition featuring seventy copies of

0:27:35.720 --> 0:27:42.200
<v Speaker 1>the film soundtrack was released in February. Two souls that

0:27:43.280 --> 0:27:47.520
<v Speaker 1>can still have seven thousand, hundred ninety nine copies sitting

0:27:47.560 --> 0:27:56.360
<v Speaker 1>in the trunk. You ain't talking about all that, huh, Yeah, alright,

0:27:56.600 --> 0:27:59.639
<v Speaker 1>let's talk about this release. Baby. So The Cannyman had

0:27:59.640 --> 0:28:06.080
<v Speaker 1>its world premiere at the Toronto International Film to tiff Baby.

0:28:06.160 --> 0:28:09.199
<v Speaker 1>This was a tiff opening film, son, and it was

0:28:09.240 --> 0:28:13.000
<v Speaker 1>part of its Midnight Madness lineup. What is that? I

0:28:13.000 --> 0:28:15.199
<v Speaker 1>don't know. It seems like Tiffic was getting wild in

0:28:15.240 --> 0:28:18.040
<v Speaker 1>the nineties and then it was released in October on

0:28:18.080 --> 0:28:25.960
<v Speaker 1>October where it made twenty five point seven million budget.

0:28:26.320 --> 0:28:30.640
<v Speaker 1>Al right, the budget was eight to nine million five.

0:28:31.240 --> 0:28:36.840
<v Speaker 1>I mean, well you get the guarantee twenty for black people. Yeah, yeah,

0:28:36.920 --> 0:28:39.240
<v Speaker 1>we're gonna show us. So, so you that was you?

0:28:39.240 --> 0:28:43.400
<v Speaker 1>You made uh you made a free throw. You didn't

0:28:43.400 --> 0:28:46.320
<v Speaker 1>think it, but I mean that's a huge come up. Um,

0:28:47.520 --> 0:28:49.720
<v Speaker 1>we should have known. I know, yeah, yeah they did.

0:28:49.760 --> 0:28:54.719
<v Speaker 1>I but now stop with a critical response. So Ron

0:28:54.800 --> 0:28:58.560
<v Speaker 1>Tomato has it at se a fifty three survey critics,

0:28:59.080 --> 0:29:01.720
<v Speaker 1>with an average eating of six point three to ten.

0:29:02.480 --> 0:29:07.880
<v Speaker 1>The Curicum consensus raids though it though it ultimately sacrifices

0:29:07.920 --> 0:29:11.080
<v Speaker 1>some mystery in the name of gory thrills, Candyman is

0:29:11.120 --> 0:29:15.000
<v Speaker 1>a nuanced, effectively chilling tell that benefits from an interesting

0:29:15.040 --> 0:29:18.720
<v Speaker 1>premise and some fine performances. Yeah, that's the one thing

0:29:18.760 --> 0:29:20.920
<v Speaker 1>you want to hear about a horror movie that you mean,

0:29:21.000 --> 0:29:24.080
<v Speaker 1>it's like, yes, it's it's nuanced. I mean, I really

0:29:24.080 --> 0:29:27.920
<v Speaker 1>got to think about it a bit, but is great. Yeah.

0:29:28.360 --> 0:29:31.720
<v Speaker 1>Oh man, let's talk about our homie Ebert, because that's

0:29:31.800 --> 0:29:35.240
<v Speaker 1>that's you know, he's not holding back. Ebert wrote, elements

0:29:35.240 --> 0:29:37.520
<v Speaker 1>of the plot may not hold up in clear in

0:29:37.560 --> 0:29:41.160
<v Speaker 1>the clear light of day, but that didn't bother me much.

0:29:41.480 --> 0:29:44.000
<v Speaker 1>What I liked was a horror movie that was scaring

0:29:44.000 --> 0:29:47.240
<v Speaker 1>me with ideas and gore instead of simply with gore.

0:29:47.440 --> 0:29:50.400
<v Speaker 1>All right, that'd be bad. So that it's okay. They

0:29:50.440 --> 0:29:53.680
<v Speaker 1>did good. We got Kevin Thomas from that like times,

0:29:53.680 --> 0:29:57.320
<v Speaker 1>though he called it. Clive Barker's worst to date, and

0:29:57.400 --> 0:30:01.080
<v Speaker 1>he says it quickly becomes as repellent as it is preposterous.

0:30:01.160 --> 0:30:06.920
<v Speaker 1>But honestly, I can't slander this man. I was gonna say, honestly,

0:30:07.080 --> 0:30:13.480
<v Speaker 1>he could just be a racist. Kevin Thomas's lawyer contacting

0:30:13.520 --> 0:30:18.720
<v Speaker 1>the podcast. So I did not say that. Oh sometimes

0:30:18.840 --> 0:30:21.400
<v Speaker 1>once sooner or later. Um, how stuff works is gonna

0:30:21.400 --> 0:30:24.680
<v Speaker 1>pull the plug on my mouth. So the film came

0:30:24.720 --> 0:30:28.240
<v Speaker 1>in at number seventy five on bravos One Scariest Movie Moments,

0:30:28.240 --> 0:30:30.760
<v Speaker 1>and the character can Deman Can even number eight on

0:30:30.840 --> 0:30:34.760
<v Speaker 1>Bloody Disgustings Top thirteen Slashers in Horror Movie History, and

0:30:34.840 --> 0:30:39.440
<v Speaker 1>ranked the same on Hugo's Top eleven Slashers. Uh. Tony Todd,

0:30:39.680 --> 0:30:42.640
<v Speaker 1>the actor who played Candy Man, made number fifty three

0:30:42.640 --> 0:30:46.760
<v Speaker 1>on Retro Crushes a hundred Greatest Horror Movie Performances for

0:30:46.840 --> 0:30:49.440
<v Speaker 1>his role. The film appears in two sections of films

0:30:49.720 --> 0:30:52.680
<v Speaker 1>dot org's Greatest Scary Movie Moments and Scenes and Greatest

0:30:52.720 --> 0:30:57.240
<v Speaker 1>Movie Twist Spoilers and Surprise Endings. Um, and that's that's

0:30:57.280 --> 0:30:59.320
<v Speaker 1>that's just all about the movie. I guess we gotta

0:30:59.400 --> 0:31:02.400
<v Speaker 1>kind of talk about the plot. I noticed we talked everything. Also,

0:31:02.480 --> 0:31:04.760
<v Speaker 1>we got to talk about here's one thing about candy

0:31:04.760 --> 0:31:08.120
<v Speaker 1>Man that I wanted that I just remember that messed

0:31:08.120 --> 0:31:12.040
<v Speaker 1>me up. So this is the poster. Yeah, I don't

0:31:12.080 --> 0:31:14.560
<v Speaker 1>like that. I don't like that. But what does this

0:31:14.640 --> 0:31:19.160
<v Speaker 1>poster also look like? A coaster of Candyman shows a

0:31:19.240 --> 0:31:22.200
<v Speaker 1>bee crawling into an eye and it looks very similar,

0:31:22.280 --> 0:31:25.239
<v Speaker 1>and it's like a very washed out white eye, and

0:31:25.280 --> 0:31:27.960
<v Speaker 1>it looks a lot like the Silence of the Lamb, Like,

0:31:28.440 --> 0:31:32.840
<v Speaker 1>uh one, Silence of the Lamb came out, this came

0:31:32.840 --> 0:31:39.560
<v Speaker 1>out in So I'm just saying somebody was copying somebody.

0:31:39.600 --> 0:31:42.080
<v Speaker 1>I mean, maybe it's just one guy who's doing it. Yeah,

0:31:42.120 --> 0:31:43.840
<v Speaker 1>he's like and he's like, all right, well we got

0:31:44.280 --> 0:31:46.280
<v Speaker 1>James and a giant peach. We don't want a peach

0:31:46.360 --> 0:31:51.120
<v Speaker 1>on somebody knows, like, looks son that did you see

0:31:51.160 --> 0:31:53.080
<v Speaker 1>the numbers that Silence of the Lamb was doing. Put

0:31:53.080 --> 0:31:56.840
<v Speaker 1>a bug on a white face. Don't don't do nothing else.

0:31:56.880 --> 0:31:59.160
<v Speaker 1>Put a bug on the face, because that's what we

0:31:59.240 --> 0:32:03.720
<v Speaker 1>gotta do. So basically, the plot of Cannyman has Helen Lyle,

0:32:03.920 --> 0:32:05.880
<v Speaker 1>who is a graduate student. This is very much the

0:32:05.920 --> 0:32:08.440
<v Speaker 1>same as the short story who was researching urban legends

0:32:08.440 --> 0:32:10.720
<v Speaker 1>and here about the local story of Candyman. The legend

0:32:10.760 --> 0:32:13.760
<v Speaker 1>came that claims that Candyman can be summoned by saying

0:32:13.760 --> 0:32:16.360
<v Speaker 1>his name five times while face can mirror, whereupon he

0:32:16.360 --> 0:32:19.479
<v Speaker 1>will kill the summoner with a hook jammed in the

0:32:19.480 --> 0:32:22.880
<v Speaker 1>bloody stump of his right arm. She encounters two cleaning

0:32:22.960 --> 0:32:25.920
<v Speaker 1>ladies who tell her about Ruthie Jean, a resident of

0:32:25.960 --> 0:32:30.360
<v Speaker 1>the notorious Cabrini greenhousing project, who they claim was killed

0:32:30.360 --> 0:32:33.800
<v Speaker 1>by candy Man. Helen's research turns up twenty five other

0:32:33.920 --> 0:32:37.480
<v Speaker 1>mayor other murders in the area similar to Ruthie Jeans.

0:32:37.880 --> 0:32:41.719
<v Speaker 1>Later that evening, Helen and her friend Bernadette Walsh, skeptical

0:32:41.800 --> 0:32:44.960
<v Speaker 1>of candy Man's existence, call candy Man's name into the

0:32:44.960 --> 0:32:50.040
<v Speaker 1>mirror in Helen's bathroom and nothing happens. Helen learns from

0:32:50.240 --> 0:32:53.400
<v Speaker 1>Professor Philip Purcell that Candyman was the son of a slave.

0:32:53.680 --> 0:32:57.280
<v Speaker 1>Here we go, here's the juice of the origin of Cannyman.

0:32:57.440 --> 0:33:00.560
<v Speaker 1>Cannyman was the son of a slave who became posterous

0:33:00.720 --> 0:33:05.000
<v Speaker 1>after developing a system for mass producing shoes in Civil War.

0:33:07.480 --> 0:33:09.840
<v Speaker 1>So candy Man is a son of a slave who

0:33:09.880 --> 0:33:20.880
<v Speaker 1>makes sneakers candy during the Yo man the katy once Yo,

0:33:21.000 --> 0:33:24.000
<v Speaker 1>I need them during the Civil War. He grew up

0:33:24.000 --> 0:33:26.320
<v Speaker 1>in a polite society and became a well known artist,

0:33:26.320 --> 0:33:30.080
<v Speaker 1>sought after for his talent in producing portraits. After falling

0:33:30.080 --> 0:33:32.680
<v Speaker 1>in love and with and fathering a child with a

0:33:32.760 --> 0:33:36.400
<v Speaker 1>white woman, he was hired to paint. In eighteen nine,

0:33:37.280 --> 0:33:40.160
<v Speaker 1>Candyman was set upon by a lynch mob hired by

0:33:40.200 --> 0:33:43.479
<v Speaker 1>his lover's father. They cut off his painting hand and

0:33:43.520 --> 0:33:46.600
<v Speaker 1>replaced it with a hook. He was smeared with honey

0:33:46.800 --> 0:33:51.280
<v Speaker 1>stolen from an apiary, attracting hungry, hungry bees, which stung

0:33:51.360 --> 0:33:53.840
<v Speaker 1>him to death. A long way to go to just

0:33:53.960 --> 0:33:56.640
<v Speaker 1>kill him, man. Yeah, His corpse was burned into pirate

0:33:56.640 --> 0:33:59.280
<v Speaker 1>and his ashes were scattered across the area where Cabrini

0:33:59.400 --> 0:34:05.800
<v Speaker 1>break states. So it was like, first off, take his hand,

0:34:06.600 --> 0:34:08.759
<v Speaker 1>m he can't paint no more. Also, we're gonna kill him,

0:34:08.840 --> 0:34:15.640
<v Speaker 1>but he can't paint no more and heaving buster. Then

0:34:16.160 --> 0:34:18.040
<v Speaker 1>then they was like, all right, we cut off his hand,

0:34:18.080 --> 0:34:20.200
<v Speaker 1>what can you do? Not Well, I got it, honey,

0:34:22.040 --> 0:34:24.560
<v Speaker 1>So we stole some funny bro and you know what

0:34:24.640 --> 0:34:28.160
<v Speaker 1>I know, bees like honey, they're gonna sting him. We're

0:34:28.160 --> 0:34:32.520
<v Speaker 1>gonna stay him to death. Then we're gonna burn his corpse,

0:34:32.880 --> 0:34:35.200
<v Speaker 1>and then we're just gonna sprinkle his ashes. And they're like, well,

0:34:35.400 --> 0:34:38.440
<v Speaker 1>he did put in his wheel that he wanted his

0:34:38.480 --> 0:34:42.959
<v Speaker 1>ashes sp and we know you gotta respect the will,

0:34:43.280 --> 0:34:45.359
<v Speaker 1>even if we linched, and we gotta respect that will.

0:34:46.080 --> 0:34:51.160
<v Speaker 1>And we're gonna sprinkle the ashes everywhere this plot is wild.

0:34:53.320 --> 0:34:56.279
<v Speaker 1>Sprinkle his ashes and that and and and essentially they

0:34:56.360 --> 0:35:00.160
<v Speaker 1>just yanked Poulter guyst They're like, it's all right, so

0:35:00.239 --> 0:35:03.160
<v Speaker 1>that's the So, yeah, pulled your guys. You you were you,

0:35:04.520 --> 0:35:07.239
<v Speaker 1>you live on the barrel ground of natives. What if

0:35:07.239 --> 0:35:12.240
<v Speaker 1>we take that use it for this. You just sprinkled slave.

0:35:14.640 --> 0:35:18.360
<v Speaker 1>I mean, just keep coming. We built the projects on

0:35:18.440 --> 0:35:21.879
<v Speaker 1>top of it. Okay, let me ask you something because again,

0:35:21.920 --> 0:35:23.920
<v Speaker 1>I started watching this movie last night. I didn't finish

0:35:23.960 --> 0:35:28.560
<v Speaker 1>it for multiple reasons. I was busy, it was I

0:35:28.640 --> 0:35:34.000
<v Speaker 1>was busy. But okay, do they explain where he got

0:35:34.040 --> 0:35:36.880
<v Speaker 1>the hook from? And do they explain why his name

0:35:36.920 --> 0:35:40.239
<v Speaker 1>is can't even uh, well, the hook it's they said

0:35:40.280 --> 0:35:42.359
<v Speaker 1>they shoved it, the hook and the stump when they

0:35:42.440 --> 0:35:47.440
<v Speaker 1>cut his arm off and lynched. Why that that is

0:35:47.600 --> 0:35:50.080
<v Speaker 1>a wild thing. But I cut his hand off and

0:35:50.080 --> 0:35:52.080
<v Speaker 1>put a hook on it. Ha ha, alright, we're gonna

0:35:52.920 --> 0:35:54.800
<v Speaker 1>we're gonna burn you. Don't We're gonna burn you the

0:35:54.880 --> 0:35:59.279
<v Speaker 1>dust and sprinkle you all over. Okay, maybe I need

0:35:59.320 --> 0:36:01.200
<v Speaker 1>to rewatch you. Who knows? Maybe that was his family

0:36:01.360 --> 0:36:05.080
<v Speaker 1>was like we gotta sprinkle. I don't know, that is wild.

0:36:05.680 --> 0:36:08.800
<v Speaker 1>So Helen decides to write a thesis on how the

0:36:08.840 --> 0:36:12.320
<v Speaker 1>residence of Cabrina Breen used the Candyman legend to cope

0:36:12.360 --> 0:36:15.839
<v Speaker 1>with the hardships of living there. She and Bernadette entered

0:36:15.840 --> 0:36:18.800
<v Speaker 1>the housing project to visit the scene of Ruthie Jean's murders.

0:36:18.840 --> 0:36:21.680
<v Speaker 1>There they meet Anne Marie McCoy, one of the residents,

0:36:21.719 --> 0:36:24.360
<v Speaker 1>and a young boy named Jake, who tells Helen the

0:36:24.400 --> 0:36:27.960
<v Speaker 1>disturbing story of a child who was castrated in a

0:36:28.000 --> 0:36:32.680
<v Speaker 1>public restroom by candy Man. While Helen explores the Rundown restroom,

0:36:32.719 --> 0:36:35.120
<v Speaker 1>she is attacked by a gang leader who carries a

0:36:35.160 --> 0:36:38.920
<v Speaker 1>hook and is assumed has assumed candy Man's moniker in

0:36:39.000 --> 0:36:51.680
<v Speaker 1>order to enhance his street correct. I love when white

0:36:51.719 --> 0:36:55.319
<v Speaker 1>people write gang violence name like he was a Rick

0:36:55.440 --> 0:37:00.279
<v Speaker 1>Ross I'm candy Man, but I like that his something

0:37:00.480 --> 0:37:03.000
<v Speaker 1>like for street cramps to be like, oh man, not

0:37:03.000 --> 0:37:06.279
<v Speaker 1>not um um, young killer. Ain't hard enough candy Man,

0:37:07.200 --> 0:37:11.680
<v Speaker 1>that's mr to blow your brains out. Not rough enough

0:37:11.760 --> 0:37:18.640
<v Speaker 1>candy Man, little shooter. Nah, candy Man, and I carry

0:37:18.680 --> 0:37:25.759
<v Speaker 1>a hook for some reason. This is great um. Helen

0:37:25.840 --> 0:37:28.520
<v Speaker 1>survives the assault and is able to identify her attacker

0:37:28.560 --> 0:37:31.160
<v Speaker 1>to the police, who believe him to be responsible for

0:37:31.200 --> 0:37:35.000
<v Speaker 1>the killings attributed to Candyman. Helen tells Jake that Candyman

0:37:35.120 --> 0:37:38.600
<v Speaker 1>is a made up character that isn't real. In a

0:37:38.640 --> 0:37:41.719
<v Speaker 1>parking garage, Helen is confronted by the real candy Man,

0:37:41.920 --> 0:37:46.480
<v Speaker 1>who explains that since Helen has discredited his lesson, he

0:37:46.600 --> 0:37:51.279
<v Speaker 1>must shut innocent blood to perpetuate belief in himself and

0:37:51.440 --> 0:37:55.040
<v Speaker 1>continue his existence. Are you trying to not make people

0:37:55.040 --> 0:38:00.600
<v Speaker 1>believe in me? Also, I love that a coast from

0:38:00.600 --> 0:38:03.400
<v Speaker 1>slave times comes back to the future and wants to

0:38:03.480 --> 0:38:08.360
<v Speaker 1>kill more black people, Like that's really you ain't catching

0:38:08.360 --> 0:38:10.360
<v Speaker 1>no white bodies because that'd be the number one on

0:38:10.440 --> 0:38:13.560
<v Speaker 1>my list after what happened to me. I'd be in

0:38:14.160 --> 0:38:17.000
<v Speaker 1>from get in Chicago. I'm going to Manhattan, sex and

0:38:17.120 --> 0:38:20.440
<v Speaker 1>the city is not being made because Samantha carry they

0:38:20.480 --> 0:38:25.720
<v Speaker 1>all done. I might smash Somemantha actually me and Samantha

0:38:25.719 --> 0:38:29.680
<v Speaker 1>getting married, but the rest of them done. Oh my gosh,

0:38:29.800 --> 0:38:35.560
<v Speaker 1>this is wild. God. Oh yeah, this is great. Okay,

0:38:35.760 --> 0:38:39.320
<v Speaker 1>Uh about sheddings in blood so people can believe in them.

0:38:39.440 --> 0:38:41.799
<v Speaker 1>I wish, By the way, another borrowed the concept because

0:38:41.840 --> 0:38:44.600
<v Speaker 1>apparently the only way to defeat Freddy Krueger is to

0:38:44.640 --> 0:38:47.680
<v Speaker 1>not believe, so so this is also we're borrowing from

0:38:47.680 --> 0:38:52.960
<v Speaker 1>Freddy Krueger, and we've borrowed from Poulter Geist. Uh. Helen

0:38:53.040 --> 0:38:55.880
<v Speaker 1>blacks out and wakes up in Anne Marie's apartment covered

0:38:55.880 --> 0:39:02.239
<v Speaker 1>in blood, and Marie whose dog has been decapitated. Lot, yeah,

0:39:02.280 --> 0:39:08.000
<v Speaker 1>we gotta go to break. When we get back, hopefully

0:39:08.000 --> 0:39:11.800
<v Speaker 1>we'll find out why this dog with the Oh my god,

0:39:11.920 --> 0:39:23.800
<v Speaker 1>this is wild. I'll see you in a second. Welcome

0:39:23.800 --> 0:39:28.800
<v Speaker 1>back to Nertifficent. We can't handle this, um if you wadway.

0:39:29.120 --> 0:39:32.240
<v Speaker 1>Jeff Trammell right over there, we're reading through the plot

0:39:32.239 --> 0:39:34.480
<v Speaker 1>of Candy Man. I'm glad we waited this long ado it.

0:39:34.640 --> 0:39:38.040
<v Speaker 1>I'm glad we got all the making of the all

0:39:38.080 --> 0:39:40.359
<v Speaker 1>that out of the way. Because the plot itself needs

0:39:40.400 --> 0:39:43.840
<v Speaker 1>to be dived into. Because also another thing to remember

0:39:44.320 --> 0:39:46.439
<v Speaker 1>while we're going through this plot is Key and Peele

0:39:46.560 --> 0:39:49.319
<v Speaker 1>is rebooting this, So it's gonna be keep I keep

0:39:49.320 --> 0:39:53.040
<v Speaker 1>calling Key and people, Jordan Peele my bad, Jordan's y'all,

0:39:53.080 --> 0:39:56.200
<v Speaker 1>y'all together for the rest of my life. Jordan Peele

0:39:56.280 --> 0:39:58.840
<v Speaker 1>is remaking this. It's gonna be fun to see what

0:39:58.920 --> 0:40:01.000
<v Speaker 1>he decides to keep and what he gets rid of.

0:40:01.239 --> 0:40:08.120
<v Speaker 1>And I think it's gonna be along. Let's got a

0:40:08.120 --> 0:40:16.640
<v Speaker 1>lot of the Chopper block if I'm reading. Oh my gosh,

0:40:16.920 --> 0:40:21.800
<v Speaker 1>all right, Um, So the dog has been decapitated and

0:40:22.120 --> 0:40:26.319
<v Speaker 1>Amory's baby Anthony is missing, and she attacks Helen. In

0:40:26.360 --> 0:40:30.120
<v Speaker 1>the midst of defending herself, Helen is arrested by the police. Trevor,

0:40:30.239 --> 0:40:33.120
<v Speaker 1>Helen's husband, bills her out of jail, but candy Man

0:40:33.160 --> 0:40:36.279
<v Speaker 1>appears to Helen again and cuts her neck, causing her

0:40:36.320 --> 0:40:38.520
<v Speaker 1>to bleed to a point of unconsciousness, so she blacks

0:40:38.520 --> 0:40:42.000
<v Speaker 1>out again. Bernadette appears at the apartment and is murdered

0:40:42.040 --> 0:40:45.560
<v Speaker 1>by candy Man, who frames Helen for the murder. Helen

0:40:45.640 --> 0:40:49.640
<v Speaker 1>is sedated and placed in a psychiatric hospital after a

0:40:49.680 --> 0:40:51.960
<v Speaker 1>month's stay at the hospital, Helen is interviewed by a

0:40:52.000 --> 0:40:55.839
<v Speaker 1>psychologist in preparation for upcoming trial. She attempts to prove

0:40:55.840 --> 0:41:00.239
<v Speaker 1>her innocence by summoning Candyman, who kills the psychologist else

0:41:00.280 --> 0:41:05.080
<v Speaker 1>Helen to escape, making it harder to prove Wait a minute, wait, wait, wait,

0:41:05.560 --> 0:41:08.480
<v Speaker 1>wasn't his goal to prove that he is a real thing?

0:41:09.160 --> 0:41:14.600
<v Speaker 1>So why is he putting all these murders? I don't understand. Oh,

0:41:15.160 --> 0:41:17.680
<v Speaker 1>I'm starting to remember last time I read this plot,

0:41:17.960 --> 0:41:20.800
<v Speaker 1>and just you ain't ready. That's all I'm gonna say.

0:41:21.000 --> 0:41:24.160
<v Speaker 1>You are not and will never be ready, because now

0:41:24.200 --> 0:41:28.680
<v Speaker 1>I'm remembering what happens, and I remember why it raced

0:41:28.680 --> 0:41:34.520
<v Speaker 1>out of my memory. So she returns home and briefly

0:41:34.520 --> 0:41:37.160
<v Speaker 1>confronts Trevor, who is now living with Stacy, one of

0:41:37.239 --> 0:41:42.040
<v Speaker 1>his female undergraduate student students. Helen then flees to Cabrini

0:41:42.120 --> 0:41:45.880
<v Speaker 1>Green to confront Candy Man and locate Anthony. Finding murals

0:41:46.120 --> 0:41:49.879
<v Speaker 1>depicting candy Man's lynching. Helen tracks down candy Man, who

0:41:49.880 --> 0:41:53.120
<v Speaker 1>tells her to surrender to him to ensure the baby's safety.

0:41:53.560 --> 0:41:55.600
<v Speaker 1>So candy Man has the baby. Baby has been missing

0:41:55.640 --> 0:41:58.920
<v Speaker 1>for a month. A month at this point, Yeah, a

0:41:59.000 --> 0:42:03.080
<v Speaker 1>month of baby. That's a toddler, that's no longer a baby.

0:42:03.120 --> 0:42:04.959
<v Speaker 1>It's his baby. You don't get to give it back

0:42:05.840 --> 0:42:13.759
<v Speaker 1>that baby for him up baby, all facts on the

0:42:13.800 --> 0:42:16.759
<v Speaker 1>bad diet. Yeah, that's your baby now, don't try and

0:42:16.800 --> 0:42:22.040
<v Speaker 1>give it back. Offering Helen immortal immortality, Candyman opens his

0:42:22.120 --> 0:42:26.480
<v Speaker 1>coat to reveal a rib cage wreathing bees and kisses her.

0:42:26.960 --> 0:42:30.320
<v Speaker 1>After candy Man vanishes with Anthony, Helen finds a mural

0:42:30.360 --> 0:42:34.600
<v Speaker 1>of candy Man alongside his lover, Caroline Sullivan, who bears

0:42:34.600 --> 0:42:41.280
<v Speaker 1>a striking resemblance to Helen. This this in a message

0:42:41.360 --> 0:42:44.520
<v Speaker 1>left by candy Man imply that Helen is a reincarnation

0:42:44.560 --> 0:42:48.120
<v Speaker 1>of Sullivan. Candy Man promises to release Anthony of Helen

0:42:48.160 --> 0:42:52.440
<v Speaker 1>helps him insight fear among Cabrini Green's residents. However, in

0:42:52.520 --> 0:42:55.440
<v Speaker 1>order to feed his own legend, candy Man re nags

0:42:55.520 --> 0:42:58.560
<v Speaker 1>and attempts to immolate them all in a bonfire. When

0:42:58.719 --> 0:43:01.840
<v Speaker 1>is lit by the residents, Helen manages to save Anthony

0:43:01.880 --> 0:43:04.200
<v Speaker 1>while candy Man is destroyed in the fire, but Helen

0:43:04.280 --> 0:43:08.879
<v Speaker 1>ultimately succumbs to severe burns. The residents, including Anne, Marie,

0:43:08.960 --> 0:43:11.719
<v Speaker 1>and Jake pay their respects at her funeral, with Jake

0:43:11.760 --> 0:43:16.480
<v Speaker 1>tossing candy Man's hook into her grave. Why I mean,

0:43:16.480 --> 0:43:22.480
<v Speaker 1>why sprinkle of slave's ashes? Uh. Afterwards, Trevor and grief

0:43:22.480 --> 0:43:25.800
<v Speaker 1>and guilt over Helen's death, faces his best bathroom mirror

0:43:25.960 --> 0:43:30.240
<v Speaker 1>and says Helen's name five times. As a result, Helen's

0:43:30.320 --> 0:43:33.840
<v Speaker 1>vengeful spirit is summoned and kills Trevor with candy Man's hook,

0:43:34.239 --> 0:43:37.040
<v Speaker 1>leaving his body to be found by Stacy and candy

0:43:37.120 --> 0:43:40.520
<v Speaker 1>Man's former layer. A new mural of Helen with her

0:43:40.640 --> 0:43:44.160
<v Speaker 1>hair ablaze is seen, showing she has now entered folklore

0:43:44.640 --> 0:43:48.239
<v Speaker 1>the end. So what I just learned from that? If

0:43:48.239 --> 0:43:51.760
<v Speaker 1>he said her name five times, she came, then candy

0:43:51.760 --> 0:43:57.239
<v Speaker 1>Man is this man's god given name, his parents or

0:43:57.560 --> 0:44:00.600
<v Speaker 1>a slave master or someone was like yo name candy

0:44:00.640 --> 0:44:05.160
<v Speaker 1>candy Man Johnson's candy Man Johnson right there, candy Man

0:44:05.280 --> 0:44:08.160
<v Speaker 1>Berth all Emel Johnson. And you know he does some

0:44:08.280 --> 0:44:10.640
<v Speaker 1>good pains. You get a candy Man Bertha all of

0:44:10.680 --> 0:44:15.160
<v Speaker 1>New Johnson painting. You better put that on the wall. Yeah,

0:44:15.320 --> 0:44:19.760
<v Speaker 1>everything about this is wild. The like protagonist essentially dies

0:44:20.120 --> 0:44:22.400
<v Speaker 1>becomes the villain at the end, which you know. I

0:44:22.440 --> 0:44:25.319
<v Speaker 1>will say it is a solid twist, but the road

0:44:25.400 --> 0:44:27.879
<v Speaker 1>to get there is way wild. I mean, I don't

0:44:27.960 --> 0:44:30.560
<v Speaker 1>see why we have to body a dog in this process.

0:44:31.160 --> 0:44:33.879
<v Speaker 1>That poor dog. That's all I could think about. Uh.

0:44:33.920 --> 0:44:36.440
<v Speaker 1>And then and then like he kind of flips the

0:44:36.440 --> 0:44:38.719
<v Speaker 1>script on her, like he was like, yeah, yeah, baby,

0:44:38.760 --> 0:44:41.000
<v Speaker 1>I want you, But you slashed her neck a few

0:44:41.040 --> 0:44:44.320
<v Speaker 1>hours ago, So what did you really want? Wasn't her?

0:44:44.719 --> 0:44:48.480
<v Speaker 1>Oh my god, everything about this movie? What what is

0:44:48.560 --> 0:44:56.600
<v Speaker 1>Keegan Mike up? That was almost Eddie Murphy and Sandra

0:44:56.680 --> 0:45:02.280
<v Speaker 1>Bullock with enough people backing out. So here's the thing. Okay,

0:45:02.560 --> 0:45:04.840
<v Speaker 1>I'm not gonna like tear this movie apart, but I

0:45:05.600 --> 0:45:10.120
<v Speaker 1>feel like we already have. If the only reason candy

0:45:10.160 --> 0:45:14.280
<v Speaker 1>Man goes to that area is because they sprinkled his ashes,

0:45:14.320 --> 0:45:17.600
<v Speaker 1>and what became that area, why did Helen come back

0:45:17.600 --> 0:45:20.719
<v Speaker 1>to her home to murder him, unless someone took her

0:45:20.760 --> 0:45:24.080
<v Speaker 1>ashes to that home. My thing is, if Canny make

0:45:24.080 --> 0:45:27.600
<v Speaker 1>it just dyeing a fire, how hasn't he been bodied yet?

0:45:27.640 --> 0:45:31.480
<v Speaker 1>Because obviously this man is not immortal. This man can

0:45:31.520 --> 0:45:34.719
<v Speaker 1>be killed. He died in the fire. This man could

0:45:34.760 --> 0:45:38.920
<v Speaker 1>be shot by the mini guns available in this project.

0:45:40.440 --> 0:45:43.200
<v Speaker 1>He has no one tried that? Why did candy Man

0:45:43.320 --> 0:45:47.080
<v Speaker 1>not trying to kill the folk candy Man the gangster

0:45:47.320 --> 0:45:50.640
<v Speaker 1>candy Man. I'm sure he's just got a quick kill scene.

0:45:50.680 --> 0:45:53.920
<v Speaker 1>I'm sure you had to. You had You can't introduce

0:45:54.000 --> 0:45:56.719
<v Speaker 1>him character like that, and we don't see him dies

0:45:56.800 --> 0:46:01.280
<v Speaker 1>about we would just get um. Yeah, there's there's many

0:46:01.320 --> 0:46:04.800
<v Speaker 1>many questions I have. Once again, I'm still going to revisit.

0:46:04.880 --> 0:46:09.320
<v Speaker 1>Why if you are back in civil weare war slave

0:46:09.440 --> 0:46:12.319
<v Speaker 1>times for very you know, I don't even know if

0:46:12.360 --> 0:46:16.560
<v Speaker 1>Kennyman made it Juneteenth. Uh, I don't even think he

0:46:16.680 --> 0:46:18.879
<v Speaker 1>made it. Why are you coming back and killing black

0:46:18.880 --> 0:46:21.239
<v Speaker 1>people like you should have died? If that's if that's

0:46:21.280 --> 0:46:23.840
<v Speaker 1>how you handle your your greef. I mean, it seems

0:46:23.880 --> 0:46:27.680
<v Speaker 1>like he would only kill white people, especially like white men,

0:46:27.840 --> 0:46:29.359
<v Speaker 1>right because he was in love with a white woman.

0:46:29.760 --> 0:46:31.960
<v Speaker 1>So yeah, why is he killing and then after all

0:46:32.000 --> 0:46:34.399
<v Speaker 1>these years still fall for a white woman who would

0:46:34.400 --> 0:46:38.120
<v Speaker 1>have learned, didn't even get didn't want to try one sister,

0:46:38.640 --> 0:46:42.040
<v Speaker 1>going to change your life. I've been sitting there eating

0:46:42.080 --> 0:46:46.600
<v Speaker 1>good you are running back to Helen? Is this a

0:46:46.640 --> 0:46:54.480
<v Speaker 1>movie about me? Uh? So, here's the other thing we

0:46:54.560 --> 0:46:58.440
<v Speaker 1>know about the film. In September of two thousand and eighteen,

0:46:58.440 --> 0:47:00.279
<v Speaker 1>it was announced that Jordan Peele was in talks to

0:47:00.320 --> 0:47:04.520
<v Speaker 1>produce the sequel. Oh, it's a sequel, son, I'm hoping

0:47:04.520 --> 0:47:10.120
<v Speaker 1>it's a reboot, Yeah, through Monkey Paul Production. Uh. And

0:47:10.239 --> 0:47:14.640
<v Speaker 1>Todd stated in a two eighteen interview with Nightmare on

0:47:14.680 --> 0:47:18.319
<v Speaker 1>Film Street, I'd rather have him do it, someone with intelligence.

0:47:19.080 --> 0:47:22.879
<v Speaker 1>It's gonna be thoughtful, uh, and dig into the whole

0:47:22.960 --> 0:47:24.960
<v Speaker 1>racial makeup of who Candy Man is and why he

0:47:24.960 --> 0:47:30.920
<v Speaker 1>existed in the first place. That is a very late shot. Yeah,

0:47:30.600 --> 0:47:35.600
<v Speaker 1>that definitely is a shot all shots. Uh. And then

0:47:35.760 --> 0:47:37.960
<v Speaker 1>in November, it was confirmed that Peel was going to

0:47:38.000 --> 0:47:42.000
<v Speaker 1>produce the film with Universally MGM partner with When Rosenfield

0:47:42.040 --> 0:47:45.239
<v Speaker 1>to co produce. The film is going to serve as

0:47:45.239 --> 0:47:50.160
<v Speaker 1>a spiritual sequel, Oh, taking place in the new gentrified

0:47:50.239 --> 0:47:54.239
<v Speaker 1>Cabrini Green. So he's already fixing it. Oh yeah, He's like,

0:47:54.280 --> 0:48:00.000
<v Speaker 1>we're not even gonna touch Yeah. Yeah, I'm loving it already.

0:48:00.400 --> 0:48:03.840
<v Speaker 1>So then, Um, in two thousand nineteen, we thought la

0:48:03.960 --> 0:48:06.920
<v Speaker 1>Keith was going to uh possibly start in the film,

0:48:06.920 --> 0:48:11.799
<v Speaker 1>but it actually uh turns out that I think yeah,

0:48:11.880 --> 0:48:16.240
<v Speaker 1>in February two thousand, nineteen. Yaha, abdul Matine is gonna

0:48:16.320 --> 0:48:18.920
<v Speaker 1>play the titular character, it says in talks about I

0:48:18.920 --> 0:48:20.640
<v Speaker 1>know he's doing it because he just did a post

0:48:21.840 --> 0:48:26.319
<v Speaker 1>about it. Um. But yeah, yeah was an aquaman. Uh,

0:48:26.360 --> 0:48:29.240
<v Speaker 1>he was in us. He was he was the older

0:48:29.320 --> 0:48:35.200
<v Speaker 1>he was um playing Lupetea's dad. Yeah yeah um. And

0:48:35.320 --> 0:48:37.759
<v Speaker 1>now if his next is gonna be candy Man, so

0:48:37.840 --> 0:48:41.520
<v Speaker 1>he shout out to yah yah yeah. Oh he was

0:48:41.560 --> 0:48:46.280
<v Speaker 1>on the get down as Clarence Cadillac. Uh. Caldwell played

0:48:46.360 --> 0:48:53.080
<v Speaker 1>Omar in Handmade Sale. He was, oh, Carlin st striking Vipers. Yeah.

0:48:53.160 --> 0:48:55.800
<v Speaker 1>So you remember that He's been in a lot of stuff.

0:48:55.840 --> 0:48:57.839
<v Speaker 1>Oh yeah, So it's gonna be fun to see us

0:48:57.880 --> 0:49:00.680
<v Speaker 1>see his take on the Candy Man. Um. And I'm

0:49:00.719 --> 0:49:04.239
<v Speaker 1>super excited for that. I did, like we've I mean,

0:49:04.280 --> 0:49:05.920
<v Speaker 1>you heard us read through it. You know that it

0:49:06.000 --> 0:49:10.200
<v Speaker 1>has ups and has downs. I mean, what what do

0:49:10.239 --> 0:49:12.600
<v Speaker 1>you think, Jeff? What are you excited for the new one?

0:49:12.640 --> 0:49:14.640
<v Speaker 1>Do you have any thoughts, something you wish they hope

0:49:14.680 --> 0:49:17.440
<v Speaker 1>to visit or not. I mean, I'm very excited for

0:49:17.480 --> 0:49:20.960
<v Speaker 1>the new one. I am curious in the other sequels

0:49:21.520 --> 0:49:26.520
<v Speaker 1>if Helen's in them. You know that is that is interesting? Yeah,

0:49:26.560 --> 0:49:30.960
<v Speaker 1>because they kind of do like give her, um, you

0:49:31.000 --> 0:49:34.960
<v Speaker 1>know that she has the She's the new candy candy Man.

0:49:35.080 --> 0:49:38.560
<v Speaker 1>The Candy Woman, followed by two sequels, candy Man Farewell

0:49:38.680 --> 0:49:41.400
<v Speaker 1>to the Flesh and candy Man Day of the Dead.

0:49:41.760 --> 0:49:44.399
<v Speaker 1>So let's see what farewell to the Flesh. Well, i'd

0:49:44.400 --> 0:49:47.360
<v Speaker 1>see a woman on this poster. So yeah, so on

0:49:47.400 --> 0:49:53.280
<v Speaker 1>this one. Uh Coleman Tarrant father new school teacher murder

0:49:53.320 --> 0:49:56.600
<v Speaker 1>while investigating the desk of three Men Candyman. One year later,

0:49:56.640 --> 0:49:59.560
<v Speaker 1>three years after the Candyman murders in Chicago, candy Man

0:50:00.040 --> 0:50:03.000
<v Speaker 1>is revealed to be Daniel Robertail, the son of a slave.

0:50:03.040 --> 0:50:05.399
<v Speaker 1>Oh it's a new son of a new slave. It's

0:50:05.400 --> 0:50:10.160
<v Speaker 1>a different Candyman. It's a different Gainey Man. Um. Yeah,

0:50:10.160 --> 0:50:13.680
<v Speaker 1>it says Ginny Man is revealed to be Daniel Robertail,

0:50:14.040 --> 0:50:16.400
<v Speaker 1>son of a slave on a plantation in New Orleans.

0:50:16.640 --> 0:50:20.880
<v Speaker 1>Daniel was chosen by a wealthy landover the only slaves

0:50:20.920 --> 0:50:23.760
<v Speaker 1>could take the moniker of candy Man. You just pass

0:50:23.800 --> 0:50:27.760
<v Speaker 1>it down like the flash, but it takes one. Oh

0:50:28.000 --> 0:50:31.000
<v Speaker 1>you gotta be a slave. Uh yeah he was and

0:50:31.320 --> 0:50:33.400
<v Speaker 1>he was also a painter. He painted culture of his

0:50:33.520 --> 0:50:36.560
<v Speaker 1>daughter Caroline, resulting in an affair between the two. After

0:50:36.600 --> 0:50:39.840
<v Speaker 1>Caroline became pregnant, Carlin's father organized a lynch mob to

0:50:39.920 --> 0:50:42.479
<v Speaker 1>hut down Daniel. This is just the same movie cut

0:50:42.520 --> 0:50:45.840
<v Speaker 1>off his right hand coat of honey from a nearby

0:50:45.920 --> 0:50:56.319
<v Speaker 1>b hug. It seems like, seems like back then, it's

0:50:56.320 --> 0:51:01.360
<v Speaker 1>only one way to do a black man who sleeps

0:51:01.400 --> 0:51:05.640
<v Speaker 1>with your wife. You cut off his head, you cover

0:51:05.719 --> 0:51:09.160
<v Speaker 1>room and honey. My father did it. My father's father

0:51:09.280 --> 0:51:14.200
<v Speaker 1>did it, and we're not changing the thing. Yeah. Yeah,

0:51:14.200 --> 0:51:18.160
<v Speaker 1>So it's in this movie has a separate incident of

0:51:18.320 --> 0:51:21.759
<v Speaker 1>someone and for some reason they're also a painter. That's

0:51:21.840 --> 0:51:25.080
<v Speaker 1>that's also what I like, is also a painter, And

0:51:25.239 --> 0:51:27.839
<v Speaker 1>yeah they they got lynch. And then there's the Day

0:51:27.840 --> 0:51:31.319
<v Speaker 1>of the Dead candy man. So it's not it's not

0:51:31.400 --> 0:51:34.319
<v Speaker 1>the same guy. Not the same guy. So, several years

0:51:34.320 --> 0:51:36.800
<v Speaker 1>after the events of the second film, the ghostly serial

0:51:36.840 --> 0:51:39.120
<v Speaker 1>killer returns once again from beyond the grave, this time

0:51:39.200 --> 0:51:55.799
<v Speaker 1>during the eve of Day of the Dead in l a. Um. Yeah, oh,

0:51:55.840 --> 0:52:00.680
<v Speaker 1>I have no no, no, no clue. Um, But yeah,

0:52:00.680 --> 0:52:06.799
<v Speaker 1>it seems like this time is the same same Katy Baby,

0:52:07.719 --> 0:52:10.200
<v Speaker 1>it's the same one from the first one, same, the

0:52:10.239 --> 0:52:12.600
<v Speaker 1>same one for the second one. So Tony Todd only

0:52:12.600 --> 0:52:17.280
<v Speaker 1>played Candyman and one of three movies A yeah, because

0:52:17.320 --> 0:52:19.960
<v Speaker 1>because this one is a new one, and I think

0:52:20.000 --> 0:52:22.520
<v Speaker 1>Todd might have been like, I ain't coming back for that. No, no,

0:52:22.680 --> 0:52:24.680
<v Speaker 1>Tony Todd, No, this is the first kiddy Man. I'm

0:52:24.680 --> 0:52:29.360
<v Speaker 1>looking at my bag. So maybe I'm gonna choose to

0:52:29.400 --> 0:52:34.560
<v Speaker 1>believe that they're two different funniers. If there's two different

0:52:34.600 --> 0:52:36.800
<v Speaker 1>if if that was just the way back then you

0:52:36.920 --> 0:52:45.200
<v Speaker 1>cut his right hand off. That's it. Jeez, Louise, oh man, Jeff,

0:52:45.239 --> 0:52:47.480
<v Speaker 1>thank you so much for coming on chatting with me.

0:52:47.600 --> 0:52:51.279
<v Speaker 1>This was the most fun scary episode that I think

0:52:51.280 --> 0:52:55.399
<v Speaker 1>I'm gonna do in my life. Where can people find you?

0:52:56.400 --> 0:52:58.839
<v Speaker 1>Thank you for having me. Uh, people can find me

0:52:59.120 --> 0:53:03.560
<v Speaker 1>at Mr Jeff Trammel on Twitter and Instagram. U J

0:53:03.680 --> 0:53:06.040
<v Speaker 1>E F F t R A M M E L

0:53:06.239 --> 0:53:09.080
<v Speaker 1>L MR with an m R. I spelled it all.

0:53:09.200 --> 0:53:10.759
<v Speaker 1>I don't I don't know I did it that way.

0:53:11.000 --> 0:53:15.240
<v Speaker 1>You guys knew if someone does a candy Man counter,

0:53:15.520 --> 0:53:17.919
<v Speaker 1>please let us know how much? How many times he said,

0:53:18.560 --> 0:53:21.279
<v Speaker 1>let us know how dead we are. Anything you want

0:53:21.280 --> 0:53:25.719
<v Speaker 1>to promote, make people check out. Man, Um, I mean,

0:53:26.080 --> 0:53:28.600
<v Speaker 1>Craig of the Creek is a show on Cartoon Network.

0:53:28.600 --> 0:53:32.440
<v Speaker 1>You can watch on Cartoon Network app uh new premier

0:53:33.040 --> 0:53:36.680
<v Speaker 1>for Halloween this year or this yeah this month, coming

0:53:36.719 --> 0:53:40.360
<v Speaker 1>out soon, so check that out. If you follow me

0:53:40.400 --> 0:53:43.880
<v Speaker 1>on Twitter, I'm sure I'll tweet about it. Um. Also,

0:53:45.160 --> 0:53:47.799
<v Speaker 1>thank you so much for having me. I'm trying to

0:53:47.880 --> 0:53:51.440
<v Speaker 1>do twenty podcast this year, which doesn't sound like a

0:53:51.480 --> 0:53:54.239
<v Speaker 1>big goal when you're like Paul if Tompkins or somebody.

0:53:54.320 --> 0:53:57.719
<v Speaker 1>But when you're just weak. Yeah, when you're just like me,

0:53:58.400 --> 0:54:01.840
<v Speaker 1>uh not not the easiest thing. I'm currently at ten. Thanks, Iffy,

0:54:01.960 --> 0:54:04.800
<v Speaker 1>So thank you so much for having me again. Yeah,

0:54:04.880 --> 0:54:06.640
<v Speaker 1>a lot of people came through when I posted about

0:54:06.680 --> 0:54:09.920
<v Speaker 1>on Twitter, Gabriel some other people. You were like, yo,

0:54:10.000 --> 0:54:13.200
<v Speaker 1>come on tomorrow. Yeah I three. I can. I can

0:54:13.239 --> 0:54:17.320
<v Speaker 1>at least get three ticks because I do have legitimate

0:54:17.440 --> 0:54:20.960
<v Speaker 1>have three podcasts. Uh so yeah, I'll be talking to

0:54:20.960 --> 0:54:25.040
<v Speaker 1>about those other two. Um. Yeah, you've done like you know,

0:54:25.040 --> 0:54:27.759
<v Speaker 1>if people Craig of the Creek really jumping out at you.

0:54:28.040 --> 0:54:30.839
<v Speaker 1>You did the Sailor Moon inspired character that like lit

0:54:30.840 --> 0:54:33.719
<v Speaker 1>the on five. Yeah, you have you have you done

0:54:33.719 --> 0:54:36.920
<v Speaker 1>a DBC inspired character yet or DBC inspired We do

0:54:36.960 --> 0:54:40.919
<v Speaker 1>a lot of DBC references, but we haven't done one

0:54:41.280 --> 0:54:44.920
<v Speaker 1>yet that we're going to do one. Yeah, come through,

0:54:45.600 --> 0:54:48.680
<v Speaker 1>you know a thousand percent at least DBZ or Jojo.

0:54:48.800 --> 0:54:52.640
<v Speaker 1>I'll hit you with both of us, oh man, and

0:54:52.800 --> 0:54:55.040
<v Speaker 1>you know me. If you away on Twitter and Instagram,

0:54:55.080 --> 0:54:59.120
<v Speaker 1>if D's on Twitch, Uh yeah, let's uh just keep

0:54:59.320 --> 0:55:02.160
<v Speaker 1>hopping the disc chord Discord dot g G slash Salt

0:55:02.239 --> 0:55:05.239
<v Speaker 1>Squad if you want to keep the conversation going flickery

0:55:05.360 --> 0:55:08.799
<v Speaker 1>my mom always keeping the footnotes in there. Uh. If

0:55:08.840 --> 0:55:10.759
<v Speaker 1>you don't want to, just click on the footnotes being

0:55:10.880 --> 0:55:14.040
<v Speaker 1>on in the app. Uh. And yeah, thanks for listening

0:55:14.040 --> 0:55:18.120
<v Speaker 1>and us always stay nerdy.