1
00:00:01,480 --> 00:00:05,280
Speaker 1: Are you leave in I you wanna way back home?

2
00:00:05,559 --> 00:00:07,520
Speaker 1: Either way, we want to be there.

3
00:00:09,560 --> 00:00:12,960
Speaker 2: Doesn't matter how much baggage you claim and give us

4
00:00:13,160 --> 00:00:18,440
Speaker 2: time and a terminol and gay a. We want to

5
00:00:18,480 --> 00:00:24,040
Speaker 2: send you off InStyle. We want to welcome you back home.

6
00:00:25,840 --> 00:00:27,160
Speaker 1: Tell us all about it.

7
00:00:27,400 --> 00:00:28,200
Speaker 3: We scared her?

8
00:00:28,400 --> 00:00:29,160
Speaker 1: Was it fine?

9
00:00:31,120 --> 00:00:31,280
Speaker 3: Now?

10
00:00:31,440 --> 00:00:51,000
Speaker 1: Porn? Do you need to ride? Do you need to ride?

11
00:00:51,680 --> 00:00:52,960
Speaker 3: Do you need to ride?

12
00:00:53,600 --> 00:00:56,960
Speaker 1: Do you need to ride? Do you need to ride?

13
00:00:57,560 --> 00:01:02,320
Speaker 1: Do you need to ride? Ride? Do you need.

14
00:01:08,720 --> 00:01:15,160
Speaker 3: With Karen and Chris welcome to Do you need a ride?

15
00:01:15,200 --> 00:01:16,080
Speaker 3: This is Chris.

16
00:01:15,840 --> 00:01:20,920
Speaker 1: Fairbanks and this is Karen Kilgaroth from our homes here

17
00:01:21,200 --> 00:01:22,440
Speaker 1: in southern California.

18
00:01:22,560 --> 00:01:25,480
Speaker 3: Yes, Quarantine style. Hello Karen, my friend.

19
00:01:26,080 --> 00:01:26,720
Speaker 1: Hello Chris?

20
00:01:26,760 --> 00:01:28,440
Speaker 3: How are you? I'm good? How are you?

21
00:01:28,840 --> 00:01:31,080
Speaker 1: I'm really good. Now that I've seen your hair, it's

22
00:01:31,160 --> 00:01:35,640
Speaker 1: gone from unwieldy wild to now it looks like you're

23
00:01:35,720 --> 00:01:39,479
Speaker 1: kind of styling and shaping it in its large, almost

24
00:01:39,560 --> 00:01:42,240
Speaker 1: like you have a really big perm from the late sixties.

25
00:01:42,280 --> 00:01:44,679
Speaker 3: This might blow your mind, but I did nothing to

26
00:01:44,760 --> 00:01:48,240
Speaker 3: shape or style it except wake up. I put some

27
00:01:48,720 --> 00:01:52,960
Speaker 3: I put some hair mask in it before bed, and

28
00:01:53,400 --> 00:01:56,440
Speaker 3: that's really been seeping into I just wanted to lay

29
00:01:56,480 --> 00:01:58,840
Speaker 3: down at some point. I've never grown my hair to

30
00:01:58,880 --> 00:02:03,000
Speaker 3: wear it. It actually defies gravity and goes down at

31
00:02:03,000 --> 00:02:04,760
Speaker 3: any point. I don't think it'll ever happen.

32
00:02:04,920 --> 00:02:08,960
Speaker 1: I don't think it can unless it's like two feet long,

33
00:02:09,120 --> 00:02:11,639
Speaker 1: because it would have like, how would it do it?

34
00:02:12,080 --> 00:02:12,680
Speaker 3: Uh?

35
00:02:12,880 --> 00:02:17,880
Speaker 1: Relaxers, should we get you some Queen Helene? Relax it?

36
00:02:18,080 --> 00:02:20,640
Speaker 3: When I did? She does she make collect the Paul

37
00:02:20,760 --> 00:02:26,079
Speaker 3: Ryan thing. I got my hair professionally straightened, oh right,

38
00:02:26,160 --> 00:02:28,640
Speaker 3: and it lasted for like two days. It wasn't quite

39
00:02:28,639 --> 00:02:32,120
Speaker 3: worth it, but it did. It was still wavy, and

40
00:02:32,160 --> 00:02:34,360
Speaker 3: I still had to bombard it with pomades.

41
00:02:35,639 --> 00:02:38,000
Speaker 1: And you know that's because your hair grows very fast.

42
00:02:38,280 --> 00:02:39,119
Speaker 1: Have you been told that?

43
00:02:39,400 --> 00:02:39,760
Speaker 2: Yeah?

44
00:02:40,000 --> 00:02:43,400
Speaker 3: And the weird thing is it grows fast on the side.

45
00:02:43,720 --> 00:02:47,560
Speaker 3: This is from a shaved side long on the top,

46
00:02:47,639 --> 00:02:51,679
Speaker 3: haircut grown out, And this is what grows the fastest.

47
00:02:51,800 --> 00:02:56,880
Speaker 3: Right in this quadrant, much faster than this side. Weird,

48
00:02:57,400 --> 00:03:00,840
Speaker 3: so much faster. This is a huge This is where

49
00:03:00,880 --> 00:03:03,000
Speaker 3: all the growth is. Of course there isn't as much

50
00:03:03,040 --> 00:03:07,240
Speaker 3: up here, but I'm not complaining. There's there's all people

51
00:03:07,320 --> 00:03:09,920
Speaker 3: out there and my I mean, I have other problems

52
00:03:10,080 --> 00:03:10,959
Speaker 3: I'm not bragging.

53
00:03:11,680 --> 00:03:15,079
Speaker 1: And some people don't think balding's a problem whatsoever.

54
00:03:14,800 --> 00:03:18,320
Speaker 3: Exactly, and I might be. I don't think it is. Yeah,

55
00:03:18,360 --> 00:03:21,000
Speaker 3: you can just shave your head and look like Jason Statham,

56
00:03:21,760 --> 00:03:26,920
Speaker 3: whose movies I've been watching on YouTube. I have watched

57
00:03:26,960 --> 00:03:31,160
Speaker 3: so many action movies I didn't realize and now it's

58
00:03:31,240 --> 00:03:35,840
Speaker 3: just suggesting more. And I'm down this Expendables wormhole. I

59
00:03:35,840 --> 00:03:37,320
Speaker 3: don't watch any comedy.

60
00:03:38,080 --> 00:03:41,800
Speaker 1: Don't ever go down an Expendables wormhole. It's never ending,

61
00:03:42,200 --> 00:03:43,440
Speaker 1: smells like mothballs.

62
00:03:43,880 --> 00:03:49,280
Speaker 3: Yeah, I've been watching way too many acts. I'm watching

63
00:03:49,320 --> 00:03:52,360
Speaker 3: Breaking Bad right now because I never watched it.

64
00:03:52,760 --> 00:03:53,520
Speaker 1: Very good show.

65
00:03:53,920 --> 00:03:56,280
Speaker 3: Yeah, now I can be part of those conversations from

66
00:03:56,360 --> 00:03:59,280
Speaker 3: years ago. I still don't know what happens.

67
00:04:00,840 --> 00:04:02,600
Speaker 1: He breaks down. What season are you on?

68
00:04:03,680 --> 00:04:08,160
Speaker 3: Very final? Season five, episode sixteen, probably the last one.

69
00:04:09,200 --> 00:04:12,080
Speaker 3: I'm about to see what happens. I don't think it

70
00:04:12,160 --> 00:04:12,680
Speaker 3: ends well.

71
00:04:14,000 --> 00:04:17,440
Speaker 1: Uh No, many meth stories don't end well, and this

72
00:04:17,480 --> 00:04:22,200
Speaker 1: one is no different. Yeah, but uh don't you love

73
00:04:22,240 --> 00:04:23,680
Speaker 1: the wife Skyler?

74
00:04:23,960 --> 00:04:28,040
Speaker 3: I do? Yeah, she's becoming it was The show reached

75
00:04:28,040 --> 00:04:32,000
Speaker 3: a point where no one was redeemable except the DEA

76
00:04:32,200 --> 00:04:34,960
Speaker 3: agent guy and It's like, you're not even supposed to

77
00:04:35,000 --> 00:04:37,279
Speaker 3: be rooting for him and I when the main characters

78
00:04:37,279 --> 00:04:41,360
Speaker 3: aren't likable, that whole pulp fiction syndrome. I kind of

79
00:04:41,400 --> 00:04:43,359
Speaker 3: tune out. I gotta like somebody.

80
00:04:44,160 --> 00:04:46,479
Speaker 1: Oh but I love Skyler, Yeah I do.

81
00:04:46,640 --> 00:04:50,320
Speaker 3: Now That's why I'm glad I'm watching the end because she's.

82
00:04:50,279 --> 00:04:52,359
Speaker 1: Oh, you like had a journey through where you're like

83
00:04:52,480 --> 00:04:53,239
Speaker 1: enough of that, lady.

84
00:04:53,320 --> 00:04:56,080
Speaker 3: It was a journey of liking and unliking and re

85
00:04:56,240 --> 00:04:57,040
Speaker 3: li liking.

86
00:04:58,240 --> 00:04:59,840
Speaker 1: Which is isn't that just like li?

87
00:05:00,440 --> 00:05:04,359
Speaker 3: It really is. It does with people too. It's so amazing.

88
00:05:05,080 --> 00:05:08,240
Speaker 1: Do you remember the scene where he throws the pizza

89
00:05:08,279 --> 00:05:12,039
Speaker 1: on the roof? Yes, spoiler alert, you know he did

90
00:05:12,040 --> 00:05:14,839
Speaker 1: that in one take. That just happened. Oh right, that's

91
00:05:14,880 --> 00:05:16,840
Speaker 1: how it turned out when he first tried to do it,

92
00:05:17,240 --> 00:05:18,920
Speaker 1: I was supposed to throw it somewhere else.

93
00:05:19,240 --> 00:05:21,400
Speaker 3: That's funny. I remember seeing that and wondering how the

94
00:05:21,400 --> 00:05:22,919
Speaker 3: hell he did that on purpose?

95
00:05:23,000 --> 00:05:27,520
Speaker 1: Yeah? And also, isn't Bob Odenkirk unbelievable in that show?

96
00:05:27,600 --> 00:05:31,320
Speaker 3: Yeah? He's the best. I remember a long time ago.

97
00:05:31,360 --> 00:05:34,040
Speaker 3: I can't remember. It was an audition that I knew.

98
00:05:34,040 --> 00:05:36,720
Speaker 3: I wouldn't get and there was all these people that

99
00:05:36,880 --> 00:05:41,120
Speaker 3: I look up to waiting and he was right before me.

100
00:05:41,320 --> 00:05:43,640
Speaker 3: I can't remember what it was, but back then, this

101
00:05:43,800 --> 00:05:48,480
Speaker 3: was before Breaking Dad, and I always and at the

102
00:05:48,600 --> 00:05:51,200
Speaker 3: kind of the peak of David Cross's career, and I

103
00:05:51,320 --> 00:05:54,520
Speaker 3: was always thought, just because he's my favorite from that

104
00:05:54,560 --> 00:05:58,560
Speaker 3: show you were on, mister yeah, mister that show you

105
00:05:58,600 --> 00:06:02,000
Speaker 3: were on to you, mister show is my father's name.

106
00:06:02,279 --> 00:06:04,800
Speaker 1: Mister show's my father. Call me, Please call me Karen.

107
00:06:06,120 --> 00:06:09,960
Speaker 3: But I'm like, man, why isn't he not He's always

108
00:06:10,160 --> 00:06:12,919
Speaker 3: been such a great actor. And then you know, I

109
00:06:13,000 --> 00:06:17,840
Speaker 3: predicted it. He owes me an apology or thank you,

110
00:06:17,839 --> 00:06:19,880
Speaker 3: you're welcome, Bob I was.

111
00:06:20,000 --> 00:06:22,680
Speaker 1: You know, sometimes when I see people that we know

112
00:06:22,760 --> 00:06:25,919
Speaker 1: from comedy in TV shows, that actually totally ruins it

113
00:06:25,920 --> 00:06:28,159
Speaker 1: for me, because all I can think about is them

114
00:06:28,480 --> 00:06:30,920
Speaker 1: getting it and how nervous they are or they don't

115
00:06:30,960 --> 00:06:34,120
Speaker 1: seem or that they're good actors comparatively or bad or

116
00:06:34,400 --> 00:06:37,039
Speaker 1: it just takes me out of it entirely. And so

117
00:06:37,200 --> 00:06:39,960
Speaker 1: I had that moment of like, oh no, but he was.

118
00:06:40,520 --> 00:06:45,279
Speaker 1: That character is so different than actually Bob Odenkirk. It's

119
00:06:45,320 --> 00:06:48,200
Speaker 1: so strange and it's like he's doing a comedy character

120
00:06:48,279 --> 00:06:51,479
Speaker 1: but not real but so real. Yeah, yeah, Like it

121
00:06:51,680 --> 00:06:54,040
Speaker 1: just made me so happy. Do you want to hear

122
00:06:54,080 --> 00:06:56,960
Speaker 1: some inside? This is a story you'll only hear here

123
00:06:57,000 --> 00:06:59,120
Speaker 1: on Do you need a ride? It's exclusive?

124
00:06:59,360 --> 00:07:01,360
Speaker 3: Yes, I do. I want to hear inside, scoop.

125
00:07:01,720 --> 00:07:04,880
Speaker 1: It's kind of hilarious. They did a Mister Show reunion

126
00:07:04,920 --> 00:07:06,320
Speaker 1: on Zoom the Zoom Tacular.

127
00:07:06,880 --> 00:07:08,400
Speaker 3: Oh recently, Okay.

128
00:07:08,760 --> 00:07:12,520
Speaker 1: It was Wednesday. I was invited to it. I said, yes,

129
00:07:12,560 --> 00:07:14,600
Speaker 1: I would love to do it. I thought it was

130
00:07:14,640 --> 00:07:18,120
Speaker 1: on Friday. I thought it was today. So I missed

131
00:07:18,160 --> 00:07:22,360
Speaker 1: it entirely, and like four minutes before it was starting,

132
00:07:22,480 --> 00:07:26,760
Speaker 1: Jill Tally called me to say and she texted me

133
00:07:26,880 --> 00:07:28,960
Speaker 1: after she called, but I was on the phone with

134
00:07:29,000 --> 00:07:32,680
Speaker 1: my friend and I saw that she called. And my

135
00:07:32,800 --> 00:07:34,800
Speaker 1: first the first thing that went through my head, which

136
00:07:34,840 --> 00:07:37,000
Speaker 1: is so embarrassing and stupid, but I'll say it anyway,

137
00:07:37,440 --> 00:07:40,000
Speaker 1: is I thought she was calling to wish me happy birthday,

138
00:07:40,400 --> 00:07:43,240
Speaker 1: which was Monday. So I had this It was like

139
00:07:43,360 --> 00:07:46,080
Speaker 1: very egoly, and then like people started texting me going

140
00:07:46,120 --> 00:07:47,920
Speaker 1: why aren't you on this? And then I was like,

141
00:07:48,440 --> 00:07:51,640
Speaker 1: oh god. And so it turned out when Bob asked me.

142
00:07:51,720 --> 00:07:54,160
Speaker 1: So Bob was the one. Bob was the organizer, which

143
00:07:54,200 --> 00:07:58,400
Speaker 1: is kind of hilarious, and he had my old email address.

144
00:07:58,600 --> 00:08:02,040
Speaker 1: So when I responded, I said, I'm so excited that

145
00:08:02,120 --> 00:08:05,680
Speaker 1: you asked me. I can't wait. Please use this email address.

146
00:08:05,720 --> 00:08:08,440
Speaker 1: It's my cat mail, it's my current one. Yeah, exactly,

147
00:08:08,800 --> 00:08:13,280
Speaker 1: Please don't use my earthlink anymore. And he didn't see it.

148
00:08:13,640 --> 00:08:17,320
Speaker 1: So then I was like, I was like, if I

149
00:08:17,360 --> 00:08:19,000
Speaker 1: don't hear from him, because I saw that it was

150
00:08:19,040 --> 00:08:20,880
Speaker 1: on the fifteenth, So I was like, well, if I

151
00:08:20,880 --> 00:08:23,280
Speaker 1: don't hear from him by Thursday, I'll just go check

152
00:08:23,520 --> 00:08:26,520
Speaker 1: my old email address again. Did I never use Yeah?

153
00:08:26,560 --> 00:08:29,160
Speaker 1: And then so that was just a plan in my head.

154
00:08:29,920 --> 00:08:32,760
Speaker 1: And so when those calls started coming in on Wednesday,

155
00:08:32,800 --> 00:08:35,400
Speaker 1: I was like, oh fuck, Like I should have checked

156
00:08:35,440 --> 00:08:36,959
Speaker 1: that email again because.

157
00:08:36,720 --> 00:08:39,520
Speaker 3: The were like what must be for my birthday? Like

158
00:08:39,559 --> 00:08:42,319
Speaker 3: the time you got that woman was giving you a balloon.

159
00:08:43,640 --> 00:08:47,080
Speaker 1: It was exactly the balloon bouquet, but in a phone

160
00:08:47,120 --> 00:08:49,679
Speaker 1: call where it was like, no, Jill's trying to call

161
00:08:49,720 --> 00:08:53,199
Speaker 1: you and give you bad news, and like it was

162
00:08:53,360 --> 00:08:54,600
Speaker 1: it was so embarrassing.

163
00:08:54,640 --> 00:08:57,040
Speaker 3: But anyway, you would have had to have learned lines

164
00:08:57,320 --> 00:09:00,560
Speaker 3: was the reunion just a chat or where there.

165
00:09:00,520 --> 00:09:03,120
Speaker 1: Was like a script. But when I got the email,

166
00:09:03,240 --> 00:09:05,880
Speaker 1: the original email was like script is coming, blah blah blah.

167
00:09:05,960 --> 00:09:08,560
Speaker 1: But then what I didn't the update I didn't get

168
00:09:08,600 --> 00:09:12,040
Speaker 1: was that the date changed and this script came and

169
00:09:12,280 --> 00:09:14,280
Speaker 1: a bunch of other stuff went and it was all

170
00:09:14,320 --> 00:09:16,960
Speaker 1: too The email that I own that only is like

171
00:09:17,320 --> 00:09:21,120
Speaker 1: Zappo's twenty five percent off one eight hundred flowers, Like

172
00:09:21,160 --> 00:09:24,600
Speaker 1: it's all basically coupons and bullshit. It's one of those

173
00:09:24,600 --> 00:09:26,040
Speaker 1: emails that I never look at.

174
00:09:26,280 --> 00:09:29,160
Speaker 3: Did it works really wid? Did it work the zoom

175
00:09:29,520 --> 00:09:31,000
Speaker 3: as well as these things work.

176
00:09:33,080 --> 00:09:35,320
Speaker 1: No, I was on the phone. Oh, then I was.

177
00:09:35,400 --> 00:09:36,960
Speaker 1: Then I was like, oh my god. Then I was

178
00:09:37,000 --> 00:09:39,720
Speaker 1: like scared. I was scared. Yeah, it was happening real time.

179
00:09:40,000 --> 00:09:41,480
Speaker 1: Then I was like, oh my god, they're going to

180
00:09:41,559 --> 00:09:43,320
Speaker 1: be so mad or they're going to think I'm an asshole.

181
00:09:43,679 --> 00:09:46,800
Speaker 1: And then Jill when when it was over, Jill texting

182
00:09:46,840 --> 00:09:49,240
Speaker 1: me back and she goes, oh, bob nose, he messed up.

183
00:09:49,640 --> 00:09:52,760
Speaker 1: It was really it was very sad and hilarious.

184
00:09:53,080 --> 00:09:56,680
Speaker 3: Will from the show, Yes, yeah, she's great.

185
00:09:56,760 --> 00:09:59,680
Speaker 1: She's like the main female cast. Yeah, yeah, yeah, yeah, yeah,

186
00:10:00,000 --> 00:10:03,520
Speaker 1: itally she's cool. I know it. It was, but apparently

187
00:10:03,559 --> 00:10:06,000
Speaker 1: it went great. I mean they threw it together. It

188
00:10:06,040 --> 00:10:09,840
Speaker 1: was for charity. I think they're re airing it so

189
00:10:09,880 --> 00:10:13,280
Speaker 1: people can watch it again sometime soon. And you know

190
00:10:13,480 --> 00:10:16,560
Speaker 1: it was they wrote a bunch of new sketches and

191
00:10:16,640 --> 00:10:19,040
Speaker 1: new stuff, so apparently it was great. Yeah.

192
00:10:19,400 --> 00:10:23,079
Speaker 3: I didn't think I would like watching sketch comedy on Zoom,

193
00:10:23,080 --> 00:10:26,360
Speaker 3: but I think I like it better than an audience laughing.

194
00:10:26,440 --> 00:10:29,319
Speaker 3: It turns out I don't like not only laugh tracks.

195
00:10:29,360 --> 00:10:32,880
Speaker 3: Oun't like live audiences. I'd rather watch people play their

196
00:10:32,920 --> 00:10:35,360
Speaker 3: part in living rooms. Maybe not with sketch, but when

197
00:10:35,400 --> 00:10:38,400
Speaker 3: someone's doing a one person character like they have been doing.

198
00:10:38,840 --> 00:10:41,400
Speaker 3: I've been enjoying SNL for the first time in years.

199
00:10:41,679 --> 00:10:43,840
Speaker 1: I like that's what we were saying, like that that

200
00:10:44,000 --> 00:10:47,160
Speaker 1: what's up with that sketch? There's stuff, there's stuff going

201
00:10:47,160 --> 00:10:49,440
Speaker 1: on where you know the effort that's being put in

202
00:10:49,520 --> 00:10:51,840
Speaker 1: and how hard it is, Like we have a hard

203
00:10:51,840 --> 00:10:55,520
Speaker 1: time just having a regular conversation because the timing is

204
00:10:55,559 --> 00:10:56,400
Speaker 1: so fucking weird.

205
00:10:56,480 --> 00:11:00,520
Speaker 3: Everyone appreciates it audience wise too, because they're also using

206
00:11:00,600 --> 00:11:04,000
Speaker 3: the same I love that everyone's using Zoom, except there's

207
00:11:04,040 --> 00:11:08,040
Speaker 3: one guy, Charles Zoom getting rich. I assume his name

208
00:11:08,160 --> 00:11:12,120
Speaker 3: is his last name is Zoom, like Tom Cruise, But

209
00:11:12,280 --> 00:11:15,240
Speaker 3: I yeah, I did the other day, I did a

210
00:11:15,280 --> 00:11:19,480
Speaker 3: morning show in Chicago. There's a woman named Lily that

211
00:11:19,679 --> 00:11:22,840
Speaker 3: likes our podcast and booked me on this show. I

212
00:11:22,880 --> 00:11:24,559
Speaker 3: had to get up at eight in the morning, and

213
00:11:25,880 --> 00:11:27,920
Speaker 3: they just wanted to see a tour of my apartment.

214
00:11:28,000 --> 00:11:31,880
Speaker 3: So it was over Zoom and they had a background

215
00:11:32,200 --> 00:11:34,240
Speaker 3: in each of They were in their living rooms too,

216
00:11:34,520 --> 00:11:36,480
Speaker 3: but they had a background, so it looked like I

217
00:11:36,559 --> 00:11:39,360
Speaker 3: was on a panel show. And it was so fun.

218
00:11:39,400 --> 00:11:43,840
Speaker 3: They were delightful people. But it opened with I'm like, well, look,

219
00:11:43,880 --> 00:11:46,320
Speaker 3: here's a clock my dad made. And I got up

220
00:11:46,559 --> 00:11:50,280
Speaker 3: and went to lean back to take a picture of

221
00:11:50,320 --> 00:11:54,599
Speaker 3: this clock, and I fell over, ironically, the other redwood

222
00:11:54,880 --> 00:11:59,080
Speaker 3: friend of it's this table and landed on this eagle

223
00:11:59,320 --> 00:12:03,000
Speaker 3: and it gabbed me in the ass and I fell back.

224
00:12:03,120 --> 00:12:05,400
Speaker 3: I hurt my hand skateboarding the other day, but not

225
00:12:05,520 --> 00:12:07,360
Speaker 3: as bad as I did when I fell over this

226
00:12:07,400 --> 00:12:10,960
Speaker 3: table and landed and it was swollen and bruised. I

227
00:12:11,000 --> 00:12:13,720
Speaker 3: think maybe I broke my hand. And they all laughed

228
00:12:13,800 --> 00:12:17,720
Speaker 3: they thought I was doing a pratfall. I'm like with it,

229
00:12:18,080 --> 00:12:21,439
Speaker 3: I did, I said, I really uh hurt my hand

230
00:12:21,559 --> 00:12:24,120
Speaker 3: just then I do believe And they're like, ha ha

231
00:12:24,760 --> 00:12:27,480
Speaker 3: uh physical comedy. I'm like, no, really, I didn't have

232
00:12:27,559 --> 00:12:30,400
Speaker 3: time to so it was throbbing and I was in

233
00:12:30,480 --> 00:12:34,400
Speaker 3: so much pain. But I did this twenty minute tour

234
00:12:34,480 --> 00:12:37,440
Speaker 3: of my home, of my wallpaper basically, and it was

235
00:12:37,480 --> 00:12:37,960
Speaker 3: so fun.

236
00:12:38,000 --> 00:12:40,880
Speaker 1: There is yeah, I'm sorry, did you is it? Because

237
00:12:40,880 --> 00:12:43,439
Speaker 1: they've been seeing your videos like on Instagram.

238
00:12:44,000 --> 00:12:47,760
Speaker 3: I think they know that. They listened to the host

239
00:12:47,800 --> 00:12:51,440
Speaker 3: one of the hosts, John and this woman Lily that

240
00:12:51,520 --> 00:12:54,079
Speaker 3: works for the show. They both listened to the podcast.

241
00:12:54,280 --> 00:12:54,720
Speaker 1: Wow.

242
00:12:55,480 --> 00:13:02,080
Speaker 3: And I hate that word when talking of about myself,

243
00:13:02,120 --> 00:13:03,960
Speaker 3: but I was a celebrity guest.

244
00:13:04,160 --> 00:13:07,600
Speaker 1: And gutting yourself above everyone. But here you are, Hey,

245
00:13:07,640 --> 00:13:11,760
Speaker 1: there you go. It's just, you know, it's something I'm

246
00:13:11,760 --> 00:13:14,280
Speaker 1: getting used to. But I was so this was broken.

247
00:13:14,360 --> 00:13:16,040
Speaker 1: It broke off the wing and the head.

248
00:13:16,080 --> 00:13:16,760
Speaker 3: I had a clue it.

249
00:13:17,280 --> 00:13:19,080
Speaker 1: How about we put that up on a high shelf

250
00:13:19,520 --> 00:13:20,280
Speaker 1: and get it people?

251
00:13:20,559 --> 00:13:23,800
Speaker 3: If you actually very dangerous looking.

252
00:13:24,480 --> 00:13:28,160
Speaker 1: It's a very poky wings out what an eagle Chris

253
00:13:28,200 --> 00:13:29,880
Speaker 1: is holding up right now. That looks like it would

254
00:13:29,920 --> 00:13:31,600
Speaker 1: be on President Trump's desk.

255
00:13:31,840 --> 00:13:34,559
Speaker 3: Yes, that's why I love it. It reminds me of that

256
00:13:34,720 --> 00:13:37,760
Speaker 3: time a real eagle attacked him.

257
00:13:39,320 --> 00:13:42,200
Speaker 1: And there's like that time he talk of salad on

258
00:13:42,280 --> 00:13:46,960
Speaker 1: Synco to Mile. Oh god, what what version of reality

259
00:13:47,000 --> 00:13:47,480
Speaker 1: are we in?

260
00:13:49,840 --> 00:13:52,959
Speaker 3: I love that it did cut I have. I can't

261
00:13:53,000 --> 00:13:56,280
Speaker 3: show my ass, of course, but there is an abrasion

262
00:13:56,960 --> 00:14:01,240
Speaker 3: from that bird. How great you go on? I said

263
00:14:01,280 --> 00:14:02,960
Speaker 3: to myself, that's right.

264
00:14:03,760 --> 00:14:08,960
Speaker 1: Never let him see you abraise the classic saying did

265
00:14:09,000 --> 00:14:10,840
Speaker 1: you have that haircut? Hairstyle?

266
00:14:11,200 --> 00:14:13,480
Speaker 3: I did? I did? I let him. I gave him

267
00:14:13,480 --> 00:14:14,320
Speaker 3: the whole package.

268
00:14:14,960 --> 00:14:19,080
Speaker 1: Nice. That's called entertainment. It's called being an entertainer.

269
00:14:19,440 --> 00:14:22,280
Speaker 3: That's entertainment. One of my favord houses by the.

270
00:14:22,280 --> 00:14:25,760
Speaker 1: Jam Oh I thought you meant the old the old

271
00:14:25,760 --> 00:14:31,040
Speaker 1: fashioned one. That's and the tame I did. My favorite

272
00:14:31,080 --> 00:14:35,360
Speaker 1: song is from a Follies from nineteen thirty five.

273
00:14:36,240 --> 00:14:38,840
Speaker 3: Oh yeah, you love that? Did you rag time?

274
00:14:39,720 --> 00:14:42,920
Speaker 1: That old thing? Didn't you do a stand up show

275
00:14:42,920 --> 00:14:43,600
Speaker 1: the other night too?

276
00:14:44,120 --> 00:14:46,880
Speaker 3: Lad? I have been, I've really been. At first, I

277
00:14:47,040 --> 00:14:50,680
Speaker 3: very much wasn't enjoying it because we're so used to

278
00:14:51,160 --> 00:14:54,320
Speaker 3: I especially am. If I don't hear people laughing, I

279
00:14:54,320 --> 00:14:57,920
Speaker 3: think I'm doing terribly even when I'm not. Yeah, I'm so.

280
00:14:58,040 --> 00:15:01,280
Speaker 3: This has been pretty good for me to just trust

281
00:15:01,520 --> 00:15:05,160
Speaker 3: that what I'm saying is working and plow through it.

282
00:15:05,240 --> 00:15:09,040
Speaker 3: And then all of a sudden it's solo podcast mode.

283
00:15:09,080 --> 00:15:12,600
Speaker 3: It's like, oh, it's like I'm just driving around talking

284
00:15:12,600 --> 00:15:15,320
Speaker 3: to myself. I can do that and later find out

285
00:15:15,360 --> 00:15:18,240
Speaker 3: that people like it. I don't need to know right now.

286
00:15:18,280 --> 00:15:19,520
Speaker 3: Why am I so impatient?

287
00:15:19,800 --> 00:15:22,680
Speaker 1: No? I know. It's almost like writing a letter or

288
00:15:22,880 --> 00:15:25,680
Speaker 1: being gossiped about. You hear about it after the fast.

289
00:15:25,440 --> 00:15:27,760
Speaker 3: Yeah yeah, or when it matters yeah, or being in

290
00:15:27,800 --> 00:15:30,600
Speaker 3: a relationship and you don't know until years later that

291
00:15:30,680 --> 00:15:36,000
Speaker 3: they loved you or hated you. Yeah. Yeah, that's fun too. Yeah.

292
00:15:36,040 --> 00:15:38,280
Speaker 3: So let us know if you hate us, but wait.

293
00:15:38,040 --> 00:15:42,160
Speaker 1: A few months, let's really put a pause on the hate.

294
00:15:43,000 --> 00:15:45,280
Speaker 1: Definitely let us know if you love us though. That'll

295
00:15:45,280 --> 00:15:47,000
Speaker 1: help us in these trying times.

296
00:15:47,120 --> 00:15:50,400
Speaker 3: Put a pause on the hate should be everywhere right now.

297
00:15:50,520 --> 00:15:53,920
Speaker 1: Put a pause on the hate until quarantine's over. Mens.

298
00:15:54,360 --> 00:15:57,480
Speaker 3: I also, my friend, I've been I agreed to do

299
00:15:57,520 --> 00:15:59,400
Speaker 3: this just so I would have a story, because it's

300
00:15:59,400 --> 00:16:03,920
Speaker 3: hard to have news for each of us to tell

301
00:16:03,960 --> 00:16:06,240
Speaker 3: when we're just sitting in our houses. I drove down

302
00:16:06,240 --> 00:16:10,960
Speaker 3: to Huntington Beach to check out a van that's going

303
00:16:11,000 --> 00:16:14,240
Speaker 3: to be modified into a dump truck for my very

304
00:16:14,280 --> 00:16:19,600
Speaker 3: good friend's business in Montana. He brings mulch and wood

305
00:16:19,680 --> 00:16:23,400
Speaker 3: chips to people's houses. It's an app called Little Dumps,

306
00:16:23,520 --> 00:16:26,600
Speaker 3: and they there's a truck down here that can't be

307
00:16:26,680 --> 00:16:29,920
Speaker 3: resold in California because it smog testing or it's diesel

308
00:16:30,040 --> 00:16:33,120
Speaker 3: or something. So for a very affordable price, they're going

309
00:16:33,200 --> 00:16:36,000
Speaker 3: to buy it. And I was thinking of driving it

310
00:16:36,160 --> 00:16:40,520
Speaker 3: to Montana, but then I started thinking about truck stops

311
00:16:39,960 --> 00:16:44,120
Speaker 3: and gas nozzles, and I feel like it's not safe

312
00:16:44,240 --> 00:16:46,240
Speaker 3: enough to do that yet. But I went down to

313
00:16:46,320 --> 00:16:49,000
Speaker 3: Huntington Beach and no one had a mask, and no

314
00:16:49,040 --> 00:16:51,720
Speaker 3: one won, no one was wearing a mask. It's fifty

315
00:16:51,800 --> 00:16:55,160
Speaker 3: minutes south and it's like another world. I saw kids

316
00:16:55,200 --> 00:17:01,000
Speaker 3: in the backs of trucks, and absolutely it's not just

317
00:17:01,080 --> 00:17:04,040
Speaker 3: the protesters there. It seemed like it was everyone because

318
00:17:04,080 --> 00:17:07,800
Speaker 3: their numbers are lower, and it was even the guy

319
00:17:07,840 --> 00:17:10,080
Speaker 3: that was selling the van had a mask, but it

320
00:17:10,119 --> 00:17:12,159
Speaker 3: wasn't on his face. And I'm like, Wow, you're the

321
00:17:12,200 --> 00:17:13,880
Speaker 3: only guy I've seen with a mask. He's like, well,

322
00:17:13,920 --> 00:17:16,439
Speaker 3: I know you're from Los Angeles, so I knew you

323
00:17:16,440 --> 00:17:20,080
Speaker 3: would have a mask, Like he was conscious of the difference.

324
00:17:20,200 --> 00:17:23,680
Speaker 1: Yeah, yeah, I don't. I feel like those the news

325
00:17:23,720 --> 00:17:27,520
Speaker 1: covering those protests, when it's like, you know, one hundred

326
00:17:27,560 --> 00:17:30,359
Speaker 1: people or whatever, it's the worst thing they could have

327
00:17:30,400 --> 00:17:34,320
Speaker 1: done because they're giving permission to people who were wouldn't

328
00:17:34,359 --> 00:17:36,679
Speaker 1: would normally have just followed the rules. Yeah, But then

329
00:17:36,720 --> 00:17:40,320
Speaker 1: they see people flawn flaunting the rules that way. Yeah,

330
00:17:40,359 --> 00:17:42,880
Speaker 1: and then they're like, well, then they're just buying into

331
00:17:42,960 --> 00:17:46,800
Speaker 1: the easiest rationale of it doesn't really matter, and it's

332
00:17:46,840 --> 00:17:50,560
Speaker 1: like it you can tell yourself anything you want, but

333
00:17:51,160 --> 00:17:53,119
Speaker 1: it does matter, and when people die. You know, the

334
00:17:53,480 --> 00:17:55,920
Speaker 1: in Huntington Beach and down that in Orange County, the

335
00:17:56,000 --> 00:17:59,320
Speaker 1: numbers went up six hundred and fifty percent the case

336
00:17:59,400 --> 00:18:03,600
Speaker 1: the amount of care went up that much. Two weeks

337
00:18:03,640 --> 00:18:06,560
Speaker 1: after those protests because people it was started going I'm

338
00:18:06,600 --> 00:18:07,280
Speaker 1: going to the beach.

339
00:18:07,480 --> 00:18:09,800
Speaker 3: I've been meaning to look that up, and it totally

340
00:18:09,840 --> 00:18:12,199
Speaker 3: makes sense. And the people I was seeing, they're normal

341
00:18:12,240 --> 00:18:16,399
Speaker 3: people that aren't defiantly yelling and saying this is my

342
00:18:16,560 --> 00:18:19,160
Speaker 3: riote as an American or anything. They just like you said,

343
00:18:19,200 --> 00:18:20,800
Speaker 3: they saw that on the news and they're like, well,

344
00:18:20,800 --> 00:18:22,080
Speaker 3: I'm not going to be a dick about it, but

345
00:18:22,119 --> 00:18:24,760
Speaker 3: if they aren't wearing a mask, I'm not well.

346
00:18:24,760 --> 00:18:27,359
Speaker 1: And the news isn't following up with the like putting

347
00:18:27,400 --> 00:18:30,280
Speaker 1: the report at the top of the news in the

348
00:18:30,320 --> 00:18:32,119
Speaker 1: same way that the protest was at the top of

349
00:18:32,160 --> 00:18:35,680
Speaker 1: the news. So it's like there's an actual direct correlation

350
00:18:35,800 --> 00:18:39,080
Speaker 1: in this direct effect, but they're not reporting on the effect.

351
00:18:39,200 --> 00:18:42,080
Speaker 1: So everyone's telling themselves it's fine, we can all carry

352
00:18:42,119 --> 00:18:44,680
Speaker 1: our guns around and everything's fine because we've decided this

353
00:18:44,720 --> 00:18:48,200
Speaker 1: is reality, and it's like it's not. It just isn't.

354
00:18:48,440 --> 00:18:51,480
Speaker 3: What's there a gun thing happening in conduct.

355
00:18:51,160 --> 00:18:54,040
Speaker 1: Well, that's the whole thing. When they were saying reopen everything,

356
00:18:54,040 --> 00:18:56,320
Speaker 1: and they were bringing and that was more. It didn't

357
00:18:56,320 --> 00:18:59,000
Speaker 1: happen in California as much as the crazy one in

358
00:18:59,040 --> 00:19:02,560
Speaker 1: Michigan and in different and like I think Colorado a

359
00:19:02,600 --> 00:19:06,600
Speaker 1: bunch of like you know, state capital type of sites

360
00:19:06,640 --> 00:19:08,960
Speaker 1: where people were just showing up with guns going reopen

361
00:19:09,040 --> 00:19:12,080
Speaker 1: the state, and it's just like it doesn't work that way.

362
00:19:12,440 --> 00:19:17,200
Speaker 3: Yeah, I'm proud of my little town, Missoula, Montana, which

363
00:19:17,240 --> 00:19:21,359
Speaker 3: happens to be a liberal place for Montana. And they

364
00:19:21,520 --> 00:19:25,040
Speaker 3: everyone's still following the rules. They're just you know, you

365
00:19:25,119 --> 00:19:29,760
Speaker 3: have to. Most businesses are still closed. Everyone's wearing masks,

366
00:19:30,000 --> 00:19:33,800
Speaker 3: and I think that that's what we should be doing.

367
00:19:33,840 --> 00:19:35,240
Speaker 1: Still.

368
00:19:35,240 --> 00:19:38,119
Speaker 3: I would love to drive up there in a dump truck,

369
00:19:38,200 --> 00:19:39,919
Speaker 3: but it's too scary for me.

370
00:19:40,760 --> 00:19:41,600
Speaker 1: It's pretty scary.

371
00:19:41,680 --> 00:19:41,920
Speaker 3: Yeah.

372
00:19:41,960 --> 00:19:44,560
Speaker 1: Well, it's just it's just such a question mark. And

373
00:19:44,600 --> 00:19:46,399
Speaker 1: that's the thing that just makes no sense. It's like

374
00:19:46,440 --> 00:19:49,159
Speaker 1: it's such now this world is divided into the people

375
00:19:49,160 --> 00:19:52,760
Speaker 1: who understand that the question mark is the threat, and

376
00:19:52,760 --> 00:19:54,880
Speaker 1: then there's the people who are taking the question mark.

377
00:19:55,000 --> 00:19:58,639
Speaker 1: Is that means nothing's happening. It's just like a horror movie.

378
00:19:58,640 --> 00:20:00,000
Speaker 1: It's exactly like a horror movie.

379
00:20:00,440 --> 00:20:02,720
Speaker 3: And I've been watching those two. I'm watching a lot

380
00:20:04,880 --> 00:20:08,440
Speaker 3: movies exactly about what's happening, to check the accuracy of

381
00:20:08,520 --> 00:20:10,960
Speaker 3: what they thought a pandemic would be ten years ago.

382
00:20:11,600 --> 00:20:13,800
Speaker 1: So did you watch Contagion because I just watched it.

383
00:20:13,760 --> 00:20:14,240
Speaker 3: The other night.

384
00:20:14,520 --> 00:20:15,680
Speaker 1: Sure, it's so bad.

385
00:20:16,040 --> 00:20:16,280
Speaker 3: Yeah.

386
00:20:16,440 --> 00:20:19,439
Speaker 1: The idea that the Renee Russo and Dustin Hoffman are

387
00:20:19,480 --> 00:20:23,240
Speaker 1: a married couple that are about to get doors Ludacris. Yeah,

388
00:20:23,320 --> 00:20:26,320
Speaker 1: Rene Russo is like one of the most perfect looking

389
00:20:26,359 --> 00:20:29,000
Speaker 1: women in all of the history of show business.

390
00:20:29,200 --> 00:20:34,760
Speaker 3: Yeah, it's as unbelievable, as unbelievable as uh as oh

391
00:20:34,800 --> 00:20:37,000
Speaker 3: who in Tutsi, Jessica Lang.

392
00:20:39,520 --> 00:20:42,760
Speaker 1: I mean I love Dustin Hoffman too, is great. I

393
00:20:42,800 --> 00:20:44,879
Speaker 1: think he's great and witty and stuff like that. But

394
00:20:44,920 --> 00:20:47,320
Speaker 1: then you're seeing in the Moor, You're like, hmm, you

395
00:20:47,359 --> 00:20:51,240
Speaker 1: couldn't have gotten oh Renaine Russo equivalent here?

396
00:20:51,440 --> 00:20:54,880
Speaker 3: Yeah, yeah, exactly. Yeah, there is a different problem there.

397
00:20:54,920 --> 00:20:57,320
Speaker 3: We can all love Dustin Hoffman, but no one's accusing

398
00:20:57,400 --> 00:20:58,359
Speaker 3: him of being hot.

399
00:20:59,400 --> 00:21:02,239
Speaker 1: Well you can't. I mean, I don't know. It's if

400
00:21:02,280 --> 00:21:03,879
Speaker 1: you're going to do that, then you have to build

401
00:21:03,920 --> 00:21:07,119
Speaker 1: in the love story much clearer. So what is it?

402
00:21:07,359 --> 00:21:09,200
Speaker 1: Why are they connected? Is it just disease?

403
00:21:09,680 --> 00:21:09,880
Speaker 3: Yeah?

404
00:21:10,000 --> 00:21:12,639
Speaker 1: Or do those two dogs that they own together? Also,

405
00:21:12,680 --> 00:21:14,880
Speaker 1: what about that poor little monkey that had so many

406
00:21:14,920 --> 00:21:17,439
Speaker 1: scenes in that movie and all that it was like

407
00:21:17,600 --> 00:21:22,239
Speaker 1: clear clearly being like shocked and scared and like there

408
00:21:22,240 --> 00:21:24,640
Speaker 1: were so many disturbing little monkey scenes.

409
00:21:25,720 --> 00:21:28,440
Speaker 3: Have you seen Project Decks If you want some disturbing

410
00:21:28,480 --> 00:21:33,120
Speaker 3: monkey scenes? In a great movie. You gotta see Project Decks.

411
00:21:33,359 --> 00:21:35,600
Speaker 1: Do you like monkey spinning in a big in a

412
00:21:35,680 --> 00:21:42,320
Speaker 1: big barrel? Yeah, in a big space.

413
00:21:43,119 --> 00:21:46,800
Speaker 3: Uh, monkey astronauts, we all know what you're talking about.

414
00:21:46,920 --> 00:21:49,040
Speaker 1: Thank you, thank you. Do you want to see a

415
00:21:49,040 --> 00:21:50,800
Speaker 1: monkey space camp? That's what I'm trying to say.

416
00:21:50,840 --> 00:21:52,879
Speaker 3: Do you want to see a monkey hooked up to

417
00:21:52,920 --> 00:21:56,000
Speaker 3: an oxygen tube floating around with joy.

418
00:21:56,640 --> 00:21:59,200
Speaker 1: Screaming at the top of his lungs, saying, please, don't

419
00:21:59,240 --> 00:22:01,160
Speaker 1: make me be an actor anymore. I want to pull

420
00:22:01,280 --> 00:22:03,160
Speaker 1: someone's face and genitals off.

421
00:22:03,640 --> 00:22:06,320
Speaker 3: You know, I worked with the tiny monkey from Friends.

422
00:22:06,840 --> 00:22:09,479
Speaker 3: I can't remember the monkey from Friends its name, but

423
00:22:09,560 --> 00:22:13,040
Speaker 3: Ross had a monkey and Marcel Marcel, thank you.

424
00:22:13,040 --> 00:22:13,600
Speaker 1: You're welcome.

425
00:22:13,720 --> 00:22:17,080
Speaker 3: That monkey is alive and well and difficult to work with.

426
00:22:18,359 --> 00:22:20,840
Speaker 3: It sounds like I'm it was for.

427
00:22:21,240 --> 00:22:22,400
Speaker 1: Much like David Swimmer.

428
00:22:22,600 --> 00:22:27,960
Speaker 3: Difficult. It's really full of himself, taller than.

429
00:22:27,880 --> 00:22:30,880
Speaker 1: You'd expect, constant screaming.

430
00:22:30,680 --> 00:22:34,560
Speaker 3: Yes, yes and uh, and has a pending lawsuit with

431
00:22:34,720 --> 00:22:37,560
Speaker 3: Jennifer Aniston. This monkey just kidding. I don't know that's

432
00:22:37,560 --> 00:22:41,520
Speaker 3: made up. Sorry David Swimmer, but this monkey, it really did.

433
00:22:41,560 --> 00:22:45,320
Speaker 3: The monkey did throw its poop at me. At one point, Yeah,

434
00:22:45,320 --> 00:22:48,200
Speaker 3: it's a fucking monkey. Yeah, it doesn't want to be there.

435
00:22:48,720 --> 00:22:51,400
Speaker 3: After a few days, though, I think the monkey could

436
00:22:51,400 --> 00:22:55,240
Speaker 3: tell that I liked it and wanted to be its friend,

437
00:22:55,240 --> 00:22:57,240
Speaker 3: and then it was nice and would like grab my

438
00:22:57,400 --> 00:23:00,359
Speaker 3: finger and stuff. I'm like, hi, I need to grab

439
00:23:00,400 --> 00:23:02,520
Speaker 3: my finger. And it really made me feel good. That's

440
00:23:02,520 --> 00:23:03,760
Speaker 3: all I wanted a monkey.

441
00:23:03,920 --> 00:23:06,880
Speaker 1: You you won that angry monkey over?

442
00:23:07,240 --> 00:23:10,160
Speaker 3: Yeah, yeah, I just want to win over the angry

443
00:23:10,240 --> 00:23:14,120
Speaker 3: monkeys same or anyone that goes like me. I will

444
00:23:14,160 --> 00:23:20,280
Speaker 3: focus on you until you like me, even if you're primates.

445
00:23:20,359 --> 00:23:22,320
Speaker 1: Like it's like how it happens in stand up where

446
00:23:22,480 --> 00:23:24,520
Speaker 1: you scan the audience and you only land on the

447
00:23:24,520 --> 00:23:27,440
Speaker 1: person that's just sneering at you. But it's a monkey

448
00:23:27,520 --> 00:23:29,240
Speaker 1: with its arms, girls, I will.

449
00:23:29,840 --> 00:23:31,880
Speaker 3: Oh god, I'm on to a show for an entire

450
00:23:31,920 --> 00:23:35,200
Speaker 3: audience of monkeys, just for the visual, not for the

451
00:23:35,240 --> 00:23:42,200
Speaker 3: way to make me feel. Yeah, monkeys, aren't you want

452
00:23:42,240 --> 00:23:45,280
Speaker 3: them to be your friend? I love them on video.

453
00:23:45,440 --> 00:23:48,119
Speaker 3: I wanted him to sit on my shoulder, but I

454
00:23:48,160 --> 00:23:50,719
Speaker 3: could tell at any moment he would just snap and

455
00:23:50,760 --> 00:23:54,040
Speaker 3: no one would be there to answer questions.

456
00:23:54,880 --> 00:23:58,040
Speaker 1: No, because also, even though there are those you were saying,

457
00:23:58,040 --> 00:24:00,919
Speaker 1: it's one of those little like a cat, not capuchin,

458
00:24:01,040 --> 00:24:04,560
Speaker 1: but this little monkey. Yeah monkey, we still need the

459
00:24:04,680 --> 00:24:05,560
Speaker 1: strength of ten men.

460
00:24:05,840 --> 00:24:06,960
Speaker 3: Oh totally.

461
00:24:08,480 --> 00:24:10,639
Speaker 1: Oh this could turn on me and just pull my

462
00:24:10,760 --> 00:24:13,640
Speaker 1: arm off just any minute. Also wait, sorry, going back

463
00:24:13,680 --> 00:24:16,359
Speaker 1: to the film Contagion, which when I started watching it,

464
00:24:16,359 --> 00:24:17,960
Speaker 1: there was something in me where I'm like, fuck it,

465
00:24:18,000 --> 00:24:20,840
Speaker 1: I'm watching this. I'm gonna make myself watch it like that.

466
00:24:20,920 --> 00:24:24,919
Speaker 1: It was gonna scare me or help me adjust to

467
00:24:24,960 --> 00:24:27,919
Speaker 1: this new normal blah blah blah whatever, and it was

468
00:24:28,200 --> 00:24:33,240
Speaker 1: just silly, kind of like Kevin. What about Kevin Spacey

469
00:24:33,320 --> 00:24:38,200
Speaker 1: with his red buzz cut? Oh yeah, Like I forgot that.

470
00:24:38,160 --> 00:24:41,880
Speaker 3: He was in that. Yeah, Yeah's there's a lot He's

471
00:24:41,920 --> 00:24:44,639
Speaker 3: hard to watch now, right because he was playing he

472
00:24:45,080 --> 00:24:48,200
Speaker 3: and this is a common theme for him, I think.

473
00:24:48,240 --> 00:24:52,159
Speaker 1: But it's like he's playing this smug asshole in this

474
00:24:52,240 --> 00:24:55,119
Speaker 1: way where it just stands out. It's like eats up

475
00:24:55,160 --> 00:24:57,360
Speaker 1: the scenery in this way. We're just like, why would

476
00:24:57,400 --> 00:24:59,399
Speaker 1: you all be friends if you talk this way.

477
00:24:59,359 --> 00:25:03,280
Speaker 3: To Dustin and if you went back to that set,

478
00:25:03,359 --> 00:25:06,280
Speaker 3: you know, the director was just like be yourself, Kevin.

479
00:25:08,240 --> 00:25:13,159
Speaker 1: What about how scary? Donald Sutherland is as that like nuts,

480
00:25:13,160 --> 00:25:16,160
Speaker 1: so general, that's just like kill the entire town.

481
00:25:16,480 --> 00:25:20,280
Speaker 3: He is so Yeah, he can really scare me in

482
00:25:20,320 --> 00:25:23,159
Speaker 3: a way no one can I blame invasion of the

483
00:25:23,200 --> 00:25:27,359
Speaker 3: body snatchers. Yes, he just brings the fear in me

484
00:25:27,560 --> 00:25:28,959
Speaker 3: in a way that Keiefer doesn't.

485
00:25:29,880 --> 00:25:33,080
Speaker 1: You're right, I think because I think Donald Sutherland. His

486
00:25:33,160 --> 00:25:37,160
Speaker 1: voice is so deep, his eyes are so big and bulgy,

487
00:25:37,960 --> 00:25:43,160
Speaker 1: and he enunciates really perfectly, and that to me is

488
00:25:43,200 --> 00:25:44,320
Speaker 1: the tryad of evil.

489
00:25:44,760 --> 00:25:48,359
Speaker 3: I've been meaning to start enunciating. I think it would help.

490
00:25:49,160 --> 00:25:52,480
Speaker 3: I'm going to start right now. Okay, Am I scary?

491
00:25:53,160 --> 00:25:54,960
Speaker 3: Am I scary to you? Look it up big? My

492
00:25:55,000 --> 00:25:56,000
Speaker 3: eyeballs are caring.

493
00:25:56,040 --> 00:25:57,119
Speaker 1: Those were some big eyes.

494
00:25:59,359 --> 00:26:01,440
Speaker 3: What about yeah, Karen.

495
00:26:01,240 --> 00:26:03,120
Speaker 1: Yes, yes see that's no good.

496
00:26:03,320 --> 00:26:06,160
Speaker 3: Oh if you people could see this video, I'm horrifying.

497
00:26:06,640 --> 00:26:10,200
Speaker 3: Karen Carrot, Okay, I'm done.

498
00:26:10,720 --> 00:26:12,840
Speaker 1: If you only got that you had a little top

499
00:26:12,920 --> 00:26:15,280
Speaker 1: hat embedded in your hair right now, that would make

500
00:26:15,320 --> 00:26:16,600
Speaker 1: it the area.

501
00:26:16,480 --> 00:26:19,640
Speaker 3: One somewhere in my apartment. It just pins in.

502
00:26:19,560 --> 00:26:23,159
Speaker 1: There, just just a little pin tiny.

503
00:26:23,680 --> 00:26:26,960
Speaker 3: Oh my, I'm so excited. My dollhouse arrives in one week.

504
00:26:27,040 --> 00:26:28,640
Speaker 3: I don't know why it's taking so long.

505
00:26:29,640 --> 00:26:32,840
Speaker 1: I have all Oh, I'll tell you. There's a pandemic.

506
00:26:33,000 --> 00:26:37,439
Speaker 3: That's right. Everyone is ordering dollhouses. Everyone has dollhouse fever.

507
00:26:38,280 --> 00:26:41,240
Speaker 1: This is the thing where whence big stuff happens, people

508
00:26:41,320 --> 00:26:44,760
Speaker 1: panic and they buy dollhouses. It's a way of comforting yourself.

509
00:26:45,359 --> 00:26:48,959
Speaker 1: Everyone's doing it. The whole dollhouse shelves are empty at

510
00:26:48,960 --> 00:26:53,160
Speaker 1: the grocery store. It happens every pandemic, this happens.

511
00:26:53,440 --> 00:26:56,080
Speaker 3: It's yeah, it's like we're confined to our houses, and

512
00:26:56,119 --> 00:26:58,000
Speaker 3: people are like, we have no choice but to go

513
00:26:58,080 --> 00:27:03,240
Speaker 3: even smaller. Yeah, I'm gonna confined myself to a miniature home.

514
00:27:03,560 --> 00:27:06,280
Speaker 1: That's actually it does kind of make sense. Like you're

515
00:27:06,320 --> 00:27:10,359
Speaker 1: in your house, and I'm sure most people are just like, oh,

516
00:27:10,440 --> 00:27:12,480
Speaker 1: I wish this house was bigger. But if you get

517
00:27:12,480 --> 00:27:16,280
Speaker 1: a dollhouse, there's a little perspective, there's a little gratitude attitude.

518
00:27:16,400 --> 00:27:19,280
Speaker 3: Yeah, maybe that's it. I'm just is my place small

519
00:27:19,400 --> 00:27:22,520
Speaker 3: now as compared to this dollhouse. It'll make me feel

520
00:27:22,520 --> 00:27:24,200
Speaker 3: better about my own house now.

521
00:27:24,240 --> 00:27:28,480
Speaker 1: I live in a palatial estate compared to this little house,

522
00:27:29,680 --> 00:27:31,040
Speaker 1: this tiny house for dolls.

523
00:27:31,280 --> 00:27:35,240
Speaker 3: Are you how was your mother's day? Did you do anything.

524
00:27:36,800 --> 00:27:41,879
Speaker 1: Everything was fine, everything was regular. Then I it was like,

525
00:27:42,000 --> 00:27:46,080
Speaker 1: you know, it's whatever. I kind of stayed off social

526
00:27:46,119 --> 00:27:48,320
Speaker 1: media a little bit. Then at the end of the day, yep,

527
00:27:48,520 --> 00:27:51,080
Speaker 1: I decided to do a social media post about my mom.

528
00:27:51,680 --> 00:27:51,960
Speaker 3: Yep.

529
00:27:53,520 --> 00:27:56,679
Speaker 1: But I took the secret behind the scenes fact. I

530
00:27:56,720 --> 00:27:58,760
Speaker 1: took a picture and it's of actually of my mom

531
00:27:58,800 --> 00:28:01,320
Speaker 1: and my sister because it's from nineteen sixty eight. Did

532
00:28:01,359 --> 00:28:03,600
Speaker 1: you see that because she has huge hair. She has

533
00:28:03,640 --> 00:28:06,879
Speaker 1: like a big old beehive. No, it's a little bigger

534
00:28:06,920 --> 00:28:09,439
Speaker 1: than yours. Yeah, And I basically just was like, I

535
00:28:09,440 --> 00:28:11,800
Speaker 1: miss my mom. She was the best, call your mom

536
00:28:11,880 --> 00:28:14,879
Speaker 1: if you can type of thing. But then the responses

537
00:28:15,000 --> 00:28:18,280
Speaker 1: to that is that is what made me sad, because

538
00:28:18,400 --> 00:28:21,720
Speaker 1: there's so many people that are just like us whose

539
00:28:21,760 --> 00:28:24,920
Speaker 1: moms have died either recently they haven't had them for

540
00:28:24,960 --> 00:28:27,440
Speaker 1: a while. Yeah, lots of people who have moms they

541
00:28:27,480 --> 00:28:29,800
Speaker 1: miss really bad. And they were people were telling me

542
00:28:29,840 --> 00:28:33,919
Speaker 1: little stories and posting pictures and it was very lovely,

543
00:28:34,040 --> 00:28:36,480
Speaker 1: but it was it was just like, you know, that's

544
00:28:36,520 --> 00:28:38,520
Speaker 1: how that holiday is. It's a little bittersweet.

545
00:28:38,640 --> 00:28:41,440
Speaker 3: Yeah, it was right my last Mother's Day, I just

546
00:28:41,520 --> 00:28:45,440
Speaker 3: had something to distract me, I guess, but this time,

547
00:28:45,760 --> 00:28:47,920
Speaker 3: just like you at like nine PM, I'm like, well,

548
00:28:47,960 --> 00:28:50,959
Speaker 3: I have to. I've been holding onto this video of

549
00:28:50,960 --> 00:28:53,040
Speaker 3: trying to make her laugh towards the end, and I

550
00:28:53,120 --> 00:28:55,560
Speaker 3: posted that and then the response is, like you said,

551
00:28:55,640 --> 00:28:59,040
Speaker 3: is what made me really think about her for days after.

552
00:28:59,240 --> 00:29:03,200
Speaker 3: But also so people kept sending me this same video

553
00:29:03,320 --> 00:29:05,640
Speaker 3: because I guess. I've talked about how my mom would

554
00:29:05,680 --> 00:29:09,200
Speaker 3: watch me skateboard secretly in the house, and I'd hear

555
00:29:09,240 --> 00:29:12,800
Speaker 3: her cheer when I would land something, and I'm so embarrassed,

556
00:29:12,800 --> 00:29:14,840
Speaker 3: and I'd even go in and tell her to stop

557
00:29:14,880 --> 00:29:19,360
Speaker 3: watching me, which is so silly now because how cool

558
00:29:19,440 --> 00:29:21,320
Speaker 3: is that that she would watch. But there's a video

559
00:29:21,360 --> 00:29:25,080
Speaker 3: of some this guy does a trick and this woman

560
00:29:25,240 --> 00:29:28,440
Speaker 3: pass her by loses her mind. She's jumping up and down.

561
00:29:28,560 --> 00:29:31,480
Speaker 3: She can't believe what she just saw. She drops her

562
00:29:31,520 --> 00:29:34,680
Speaker 3: bags and she's clapping, and then the skater comes up

563
00:29:34,680 --> 00:29:37,200
Speaker 3: the stairs and she hugs him. She was so she'd

564
00:29:37,240 --> 00:29:40,200
Speaker 3: never seen anything so excited. And then everyone sent me

565
00:29:40,240 --> 00:29:42,160
Speaker 3: that and said, that's how your mom would act.

566
00:29:42,920 --> 00:29:47,800
Speaker 1: Oh, that's there's one of a woman who does that

567
00:29:47,880 --> 00:29:50,640
Speaker 1: and she's telling him to try again. Is it that one?

568
00:29:50,800 --> 00:29:54,240
Speaker 3: Yeah, yeah, no, no, it's just the guy does the trick.

569
00:29:54,360 --> 00:29:57,400
Speaker 3: And then this woman is she justestarting. She just becomes

570
00:29:57,440 --> 00:30:02,120
Speaker 3: part of the video. She runs down thing with joy. Yeah,

571
00:30:02,240 --> 00:30:04,720
Speaker 3: it's it's the best I've been it.

572
00:30:05,720 --> 00:30:09,600
Speaker 1: I love that people. That's the effect of skateboarding. Did

573
00:30:09,640 --> 00:30:13,200
Speaker 1: you see that? I posted a video these three skateboarders

574
00:30:13,240 --> 00:30:16,440
Speaker 1: in Canada and I think it was Toronto or Montreal.

575
00:30:16,440 --> 00:30:18,480
Speaker 1: I can't remember, Sorry, Canada. I do that all the time.

576
00:30:18,520 --> 00:30:23,160
Speaker 1: But yeah, they because there's so little traffic on the freeway,

577
00:30:23,200 --> 00:30:25,640
Speaker 1: these three skateboarders just came to they were they were

578
00:30:25,640 --> 00:30:29,120
Speaker 1: skateboarding down the freeway, took an exit, and somebody filmed

579
00:30:29,160 --> 00:30:34,280
Speaker 1: them from uh like a high rise. So it was

580
00:30:34,320 --> 00:30:35,720
Speaker 1: the cool Did you see it?

581
00:30:35,840 --> 00:30:36,040
Speaker 3: Yeah?

582
00:30:36,040 --> 00:30:36,920
Speaker 1: It was so cool.

583
00:30:37,000 --> 00:30:40,400
Speaker 3: Headline was like police are investigating they like it was

584
00:30:40,480 --> 00:30:42,880
Speaker 3: they were looking for these criminals.

585
00:30:43,080 --> 00:30:47,280
Speaker 1: Yes, And then the guy that retweeted wrote we retweeted it,

586
00:30:47,720 --> 00:30:51,080
Speaker 1: wrote I've looked into this case and I find it

587
00:30:51,080 --> 00:30:54,840
Speaker 1: it's something like it totally shreds or fucking shreds or

588
00:30:55,280 --> 00:30:58,440
Speaker 1: something like that. That's so awesome. But I retweeted it

589
00:30:58,480 --> 00:30:59,680
Speaker 1: and it was that kind of thing of Like if

590
00:30:59,760 --> 00:31:02,600
Speaker 1: it was nineteen ninety eight, I would have never retweeted

591
00:31:02,600 --> 00:31:05,920
Speaker 1: that because I would be a poser scape. I have

592
00:31:05,960 --> 00:31:08,000
Speaker 1: nothing to do skateboarding, Like how dare you? But it's

593
00:31:08,000 --> 00:31:11,200
Speaker 1: like it just feels like these days you can kind

594
00:31:11,200 --> 00:31:13,200
Speaker 1: of like you're allowed to be a fan of things

595
00:31:13,400 --> 00:31:16,600
Speaker 1: without having to qualify to be a fan of something. Yeah.

596
00:31:16,680 --> 00:31:20,959
Speaker 3: Yeah, and even maybe more specifically, it seems like it

597
00:31:21,080 --> 00:31:24,120
Speaker 3: is something that if you're doing it alone, plus they

598
00:31:24,120 --> 00:31:27,000
Speaker 3: were all six feet apart, it's something that is okay

599
00:31:27,040 --> 00:31:30,440
Speaker 3: to do right now. Yeah, yeah, because you're by yourself.

600
00:31:30,480 --> 00:31:32,440
Speaker 3: And even golfing you have to go to a place,

601
00:31:32,520 --> 00:31:35,040
Speaker 3: go to a parking lot, go to a you have

602
00:31:35,120 --> 00:31:37,560
Speaker 3: to be around people. So you see someone golfing, it's

603
00:31:37,640 --> 00:31:41,280
Speaker 3: like too soon. But skateboarding you really don't have to

604
00:31:41,480 --> 00:31:45,280
Speaker 3: be around anyone. You can be by yourself. Yeah, but

605
00:31:45,400 --> 00:31:47,200
Speaker 3: I've been doing it, and I have to admit I

606
00:31:47,200 --> 00:31:49,600
Speaker 3: don't wear a mask so someone could come up to me,

607
00:31:50,480 --> 00:31:51,560
Speaker 3: but I can skate away.

608
00:31:52,560 --> 00:31:55,160
Speaker 1: True, you have an escape roAP. Also, don't you just

609
00:31:55,240 --> 00:31:57,360
Speaker 1: have a mask like around your neck or are you

610
00:31:57,440 --> 00:32:00,040
Speaker 1: and your buddies? You can't do it because there's a

611
00:32:00,080 --> 00:32:01,640
Speaker 1: serious masculinity issue.

612
00:32:01,720 --> 00:32:04,640
Speaker 3: Oh no, no, everyone has. It's just in the back pocket.

613
00:32:04,680 --> 00:32:06,600
Speaker 3: But it is kind of hard to breathe. Like I've

614
00:32:06,600 --> 00:32:09,800
Speaker 3: been trying to jog, which I'm terrible at. I forgot

615
00:32:09,840 --> 00:32:12,560
Speaker 3: how to run and my lungs are the worst. But

616
00:32:12,720 --> 00:32:16,080
Speaker 3: I I have it down like that, Yeah, and then

617
00:32:16,080 --> 00:32:17,720
Speaker 3: if anyone comes up, I put it on.

618
00:32:18,440 --> 00:32:22,040
Speaker 1: Yeah, that's same. I've been taking walks around my neighborhood

619
00:32:22,040 --> 00:32:24,000
Speaker 1: and I just keep it on my wrist because there's

620
00:32:24,040 --> 00:32:26,719
Speaker 1: almost no one around, and then if someone comes you

621
00:32:26,760 --> 00:32:29,720
Speaker 1: throw that thing on. But it is hard to breathe,

622
00:32:29,800 --> 00:32:34,040
Speaker 1: and it is such a strange adjustment, Like I think

623
00:32:34,080 --> 00:32:36,560
Speaker 1: people expect themselves to just be immediately fine with it,

624
00:32:36,560 --> 00:32:38,760
Speaker 1: where it's like, no, you're wearing a fucking mask. It's

625
00:32:38,840 --> 00:32:43,000
Speaker 1: totally weird. It's totally weird. It's not normal.

626
00:32:43,240 --> 00:32:47,640
Speaker 3: Yeah, there's a weird confidence though, Like the times I've

627
00:32:47,640 --> 00:32:49,960
Speaker 3: been driving with a mask and someone looks over at

628
00:32:50,000 --> 00:32:54,960
Speaker 3: me as far as they know, you're so beautiful underneath that.

629
00:32:56,200 --> 00:33:00,840
Speaker 3: My jawline could you could crack as with it? It's

630
00:33:00,880 --> 00:33:04,560
Speaker 3: so sharp. But really I'm just hiding behind a mask.

631
00:33:04,600 --> 00:33:06,400
Speaker 3: I think that's why men have beards.

632
00:33:07,960 --> 00:33:10,080
Speaker 1: Yes, yeah, some Yes.

633
00:33:09,920 --> 00:33:14,720
Speaker 3: My mask is my beard a person that I'm pretending

634
00:33:14,760 --> 00:33:17,000
Speaker 3: to be a relationship with that you're.

635
00:33:16,880 --> 00:33:18,560
Speaker 1: That you're just justifying things too.

636
00:33:18,840 --> 00:33:22,680
Speaker 3: Yes, yes, ah is not the term. Yeah, you're pretending

637
00:33:23,120 --> 00:33:27,720
Speaker 3: you have a beard. I'm pretending my mask is my girlfriend.

638
00:33:27,720 --> 00:33:29,200
Speaker 3: Never mind you guys.

639
00:33:32,040 --> 00:33:33,920
Speaker 1: That you're saying that you meant.

640
00:33:35,200 --> 00:33:37,240
Speaker 3: I think I use the term wrong. Oh my god.

641
00:33:37,360 --> 00:33:41,440
Speaker 3: Have you seen the the Netflix documentary about the Circus

642
00:33:41,440 --> 00:33:45,920
Speaker 3: of Books that you know me on Sunset it is?

643
00:33:45,920 --> 00:33:48,920
Speaker 3: I've always driven by it and I always heard yeah,

644
00:33:48,960 --> 00:33:51,720
Speaker 3: that's mainly a porn store, but the story behind it

645
00:33:51,800 --> 00:33:55,120
Speaker 3: and the family that owned it is amazing. You should

646
00:33:55,520 --> 00:33:55,880
Speaker 3: very much.

647
00:33:55,880 --> 00:33:56,520
Speaker 1: I gotta watch it.

648
00:33:56,600 --> 00:33:57,000
Speaker 3: Yeah. Yeah.

649
00:33:57,080 --> 00:33:58,760
Speaker 1: Is it just called Circus of Books.

650
00:33:58,520 --> 00:34:01,600
Speaker 3: Yes, and it's just a family, normal family that in

651
00:34:01,720 --> 00:34:06,800
Speaker 3: it was a a a place for gay men to

652
00:34:06,920 --> 00:34:09,799
Speaker 3: not only get buy things, but hang out. Like there

653
00:34:09,840 --> 00:34:13,080
Speaker 3: was a whole social scene that happened there. And I

654
00:34:13,080 --> 00:34:15,880
Speaker 3: think there was another location, maybe in West Hollywood. They

655
00:34:15,960 --> 00:34:19,080
Speaker 3: kept jumping back and forth to the different locations. I

656
00:34:19,120 --> 00:34:19,959
Speaker 3: guess there's there.

657
00:34:19,840 --> 00:34:22,560
Speaker 1: Were two locations, but or at least at least two

658
00:34:22,640 --> 00:34:26,560
Speaker 1: because I in the nineties we went to the Circus

659
00:34:26,560 --> 00:34:30,399
Speaker 1: of Books you know, Margaret Chow was always like, we've

660
00:34:30,440 --> 00:34:32,279
Speaker 1: got to go in there. Her parents owned a porn

661
00:34:32,320 --> 00:34:35,400
Speaker 1: store in San Francisco. Oh so that's like, yeah, that's her,

662
00:34:36,000 --> 00:34:38,160
Speaker 1: that's her background. But she would go and get you know,

663
00:34:38,280 --> 00:34:43,080
Speaker 1: like those big, like amazing photography books that were kind

664
00:34:43,080 --> 00:34:46,080
Speaker 1: of like Maple Thorpy but other photographers or whatever. And

665
00:34:46,120 --> 00:34:47,920
Speaker 1: I remember just standing in there with her kind of

666
00:34:47,960 --> 00:34:50,600
Speaker 1: like every everything. I would turn and be like, oh, yeah, totally,

667
00:34:50,800 --> 00:34:52,279
Speaker 1: and then like open a book and then I would

668
00:34:52,320 --> 00:34:55,440
Speaker 1: just yeah, shut it and turn turn away because I

669
00:34:55,480 --> 00:34:57,120
Speaker 1: was just like, this isn't I don't think this is

670
00:34:57,200 --> 00:35:00,839
Speaker 1: for me. A lot of this stuff is not for me. Yeah.

671
00:35:00,920 --> 00:35:03,239
Speaker 3: Yeah, I feel like a poser there too. It's like

672
00:35:03,360 --> 00:35:04,400
Speaker 3: I don't I shouldn't.

673
00:35:04,440 --> 00:35:05,040
Speaker 1: It's tough.

674
00:35:05,360 --> 00:35:07,520
Speaker 3: Yeah, you this is your place to hang out. Why

675
00:35:07,600 --> 00:35:08,880
Speaker 3: am I here being a poser?

676
00:35:09,920 --> 00:35:12,400
Speaker 1: And you know, when I was like in my twenties

677
00:35:12,440 --> 00:35:15,080
Speaker 1: in San Francisco, almost all my friends were gay men,

678
00:35:15,560 --> 00:35:18,319
Speaker 1: so I would go to like gay bars with them,

679
00:35:18,880 --> 00:35:21,160
Speaker 1: and sometimes there would be guys that would just like

680
00:35:21,200 --> 00:35:23,640
Speaker 1: be giving me really dirty looks, like well I was

681
00:35:23,640 --> 00:35:26,759
Speaker 1: in the clubhouse and I shouldn't be there, yeah, which

682
00:35:26,800 --> 00:35:28,799
Speaker 1: was a tiny bit heartbreaking to me. But it is

683
00:35:28,840 --> 00:35:30,839
Speaker 1: that thing where it's like you're trying you. You've been

684
00:35:31,280 --> 00:35:33,960
Speaker 1: a marginalized person all your life, and now you've got

685
00:35:34,000 --> 00:35:37,160
Speaker 1: your like clubhouse. You don't want some fucking some straight

686
00:35:37,320 --> 00:35:41,440
Speaker 1: you know, some gal with too much lipliner on just

687
00:35:41,480 --> 00:35:42,719
Speaker 1: standing around staring at you.

688
00:35:42,800 --> 00:35:45,080
Speaker 3: I've been meaning to address that with you. You were

689
00:35:45,239 --> 00:35:46,759
Speaker 3: way too much flipliner back then.

690
00:35:47,239 --> 00:35:50,680
Speaker 1: Plot that lipliner. It's too late. I can't do anything

691
00:35:50,719 --> 00:35:52,880
Speaker 1: about it. These are mistakes of the past.

692
00:35:53,040 --> 00:35:56,200
Speaker 3: You can't go back in time. Yeah, it's I love

693
00:35:56,360 --> 00:35:59,680
Speaker 3: that movie. It talks to all these adult actors and

694
00:36:00,640 --> 00:36:02,600
Speaker 3: it is the coolest. Watch it if you.

695
00:36:02,600 --> 00:36:04,879
Speaker 1: Haven't, I'm definitely gonna watch it. I can't wait because

696
00:36:04,920 --> 00:36:06,839
Speaker 1: there's I watched one the other day and it's like

697
00:36:06,880 --> 00:36:09,600
Speaker 1: it's new on Netflix, and it was it was because

698
00:36:09,640 --> 00:36:11,959
Speaker 1: I woke. I keep waking up at four in the morning, Steve,

699
00:36:12,000 --> 00:36:13,800
Speaker 1: and that's when the other night I gave you notes

700
00:36:13,800 --> 00:36:16,440
Speaker 1: on our our episode. I made a whole thing and

701
00:36:16,480 --> 00:36:17,919
Speaker 1: it was I was up at four in the morning

702
00:36:18,000 --> 00:36:21,040
Speaker 1: and these notes of about different things. I said. I

703
00:36:21,120 --> 00:36:23,400
Speaker 1: was just like, can you just snip this? And I

704
00:36:23,400 --> 00:36:26,920
Speaker 1: wrote like four notes they came to me almost like

705
00:36:26,960 --> 00:36:29,080
Speaker 1: a dream. It was insane. So I like got up

706
00:36:29,080 --> 00:36:30,520
Speaker 1: and wrote those down because I was like, I will

707
00:36:30,560 --> 00:36:32,360
Speaker 1: definitely forget these if I don't write them down. And

708
00:36:32,400 --> 00:36:36,200
Speaker 1: then I was just completely awake, you know, yes exactly.

709
00:36:36,239 --> 00:36:39,000
Speaker 1: It was like my my sleeping. Once my mind could rest,

710
00:36:39,120 --> 00:36:41,120
Speaker 1: it was like, and now this is what you said wrong,

711
00:36:41,400 --> 00:36:44,640
Speaker 1: take it out. But but then I got it because

712
00:36:44,640 --> 00:36:46,200
Speaker 1: I was like, now I'm up, I'm gonna eat some

713
00:36:46,280 --> 00:36:49,200
Speaker 1: cereal yep, because I have any excuse to eat cereal

714
00:36:50,040 --> 00:36:51,120
Speaker 1: every day or night.

715
00:36:51,200 --> 00:36:53,279
Speaker 3: Oh that's so funny. I've been waking up at four

716
00:36:53,360 --> 00:36:56,560
Speaker 3: and eating cereal too. I don't know why, and experiencing

717
00:36:56,600 --> 00:37:00,239
Speaker 3: that clarity, like having ideas in that moment, and in

718
00:37:00,280 --> 00:37:01,960
Speaker 3: a way, you don't have it when you wake up

719
00:37:01,960 --> 00:37:05,240
Speaker 3: at nine or ten or eleven or noon, no whatever.

720
00:37:05,719 --> 00:37:08,960
Speaker 1: My therapist told me, four am is a very creative

721
00:37:09,000 --> 00:37:11,560
Speaker 1: time for the brain. And if you wake up, don't

722
00:37:11,600 --> 00:37:14,919
Speaker 1: just immediately go oh, I have insomnia. It's bad. Don't

723
00:37:14,920 --> 00:37:17,279
Speaker 1: decide it's bad. Yeah, just wake up and listen to

724
00:37:17,320 --> 00:37:19,600
Speaker 1: what your brain's trying to tell you, and like definitely

725
00:37:19,680 --> 00:37:21,880
Speaker 1: keep a notebook or something and write stuff down.

726
00:37:21,800 --> 00:37:23,799
Speaker 3: Yep, I've been doing that too. And I've also been

727
00:37:23,840 --> 00:37:26,479
Speaker 3: waking up at six when I go skateboarding with these

728
00:37:26,800 --> 00:37:29,600
Speaker 3: guys with our masks, say in our back pockets, we

729
00:37:29,719 --> 00:37:33,120
Speaker 3: need at seven am. So I usually don't wake up

730
00:37:33,160 --> 00:37:35,840
Speaker 3: at six for anything, and so now a few times

731
00:37:35,840 --> 00:37:38,640
Speaker 3: a week, so it's my whole sleep cycle. I've just

732
00:37:38,680 --> 00:37:42,880
Speaker 3: given myself permission to nap whenever. I slept yes all

733
00:37:43,000 --> 00:37:45,239
Speaker 3: day the other day and I was awake all night

734
00:37:45,280 --> 00:37:47,920
Speaker 3: and finished my poster for my special that I want

735
00:37:47,960 --> 00:37:51,640
Speaker 3: to show you guys. But ooh, I was like thinking

736
00:37:51,640 --> 00:37:54,640
Speaker 3: more clearly in the middle of the night, and it

737
00:37:54,680 --> 00:37:58,040
Speaker 3: came easier to design that than it was during the day.

738
00:37:58,160 --> 00:38:01,279
Speaker 3: During the day, I wanted to put it off, and uh,

739
00:38:01,840 --> 00:38:04,960
Speaker 3: it's oddly a time to focus. We should be able

740
00:38:05,040 --> 00:38:06,600
Speaker 3: to sleep whenever we want.

741
00:38:07,760 --> 00:38:12,200
Speaker 1: We can. Ben Franklin apparently that's that was his whole system.

742
00:38:12,360 --> 00:38:13,960
Speaker 1: He would get up at four in the morning and

743
00:38:14,000 --> 00:38:17,040
Speaker 1: complete do a bunch of work and like that. There's

744
00:38:17,080 --> 00:38:20,000
Speaker 1: a whole belief system. And it's like there's circadian rhythms

745
00:38:20,080 --> 00:38:23,319
Speaker 1: or something, and maybe I'm just naming things whatever, but

746
00:38:23,760 --> 00:38:26,239
Speaker 1: it's something about that where like your brain is to

747
00:38:26,280 --> 00:38:29,120
Speaker 1: have has a whole different like schedule that if you

748
00:38:29,239 --> 00:38:32,120
Speaker 1: follow it and just let it be creative when it

749
00:38:32,120 --> 00:38:34,880
Speaker 1: feels like being creative. But my point was when I

750
00:38:34,920 --> 00:38:37,239
Speaker 1: got out, I got up, ate my cereal, turned on

751
00:38:37,320 --> 00:38:39,480
Speaker 1: Netflix and there was this new thing on and it

752
00:38:39,560 --> 00:38:42,160
Speaker 1: was basically a bunch. It was like a documentary about

753
00:38:42,200 --> 00:38:49,040
Speaker 1: hallucinogenics and or hallucinogens. Right, isn't it good? I was

754
00:38:49,239 --> 00:38:52,680
Speaker 1: Normally I'd be like, I care, Yeah, I just go through.

755
00:38:53,800 --> 00:38:59,040
Speaker 1: I love He's so cool. Those stories were insane.

756
00:38:58,520 --> 00:39:02,000
Speaker 3: That he pot stories. He made me want to do

757
00:39:02,040 --> 00:39:04,320
Speaker 3: pi A A P eighty O.

758
00:39:05,360 --> 00:39:06,840
Speaker 1: Don't don't you'll go crazy.

759
00:39:06,840 --> 00:39:10,600
Speaker 3: One I made some pie because the Sting's payote stories.

760
00:39:11,080 --> 00:39:15,240
Speaker 3: It was Yeah, I loved that. It's good.

761
00:39:15,480 --> 00:39:18,919
Speaker 1: Yeah, and also those like it was really entertaining because

762
00:39:18,920 --> 00:39:21,200
Speaker 1: I heard Ben Stiller tell that story about taking too

763
00:39:21,280 --> 00:39:24,200
Speaker 1: much acid and and calling his dad, which is the

764
00:39:24,400 --> 00:39:27,080
Speaker 1: It's just such a funny story and his like calling

765
00:39:27,160 --> 00:39:30,480
Speaker 1: Jerry Stiller when you're on acid, R I P. Jerry Stiller.

766
00:39:30,719 --> 00:39:32,719
Speaker 1: Yeah you were a legend.

767
00:39:32,840 --> 00:39:35,080
Speaker 3: Yeah. He had just passed when I watched that, And

768
00:39:35,120 --> 00:39:37,680
Speaker 3: so it was so sweet that story that him telling

769
00:39:37,760 --> 00:39:38,400
Speaker 3: him it's going to.

770
00:39:38,440 --> 00:39:40,520
Speaker 1: Be okay, it's gonna.

771
00:39:40,280 --> 00:39:42,840
Speaker 3: Be and he thought he thought he was going to

772
00:39:42,880 --> 00:39:43,480
Speaker 3: be in trouble.

773
00:39:43,560 --> 00:39:47,600
Speaker 1: But yeah, and if he said it was like when

774
00:39:47,640 --> 00:39:49,920
Speaker 1: I smoked a pal mall and threw up then, so

775
00:39:50,000 --> 00:39:53,160
Speaker 1: I was like, it's not like that. It's such a

776
00:39:53,160 --> 00:39:53,920
Speaker 1: good story.

777
00:39:54,040 --> 00:39:57,160
Speaker 3: Yeah. Yeah, I loved watching that. I loved all the

778
00:39:57,239 --> 00:39:59,640
Speaker 3: reenactments in the animation. It was really cool.

779
00:40:00,480 --> 00:40:05,200
Speaker 1: Also, some of the day that Jerry Stiller died, someone

780
00:40:05,239 --> 00:40:08,440
Speaker 1: posted some outtakes from Seinfeld and that there was a

781
00:40:08,520 --> 00:40:13,120
Speaker 1: scene between a Lane and Jerry Stiller. You were saying

782
00:40:14,120 --> 00:40:17,800
Speaker 1: a piece of me, yes, And the way she laughs,

783
00:40:17,840 --> 00:40:20,759
Speaker 1: she's trying so hard. She's such a pro and her

784
00:40:20,840 --> 00:40:22,600
Speaker 1: laugh is funny in and of it stuff like that,

785
00:40:23,680 --> 00:40:27,480
Speaker 1: but she can't fucking keep it together. It's the that's

786
00:40:27,680 --> 00:40:30,520
Speaker 1: I love outtakes anyway. Yeah, go watch that if you're

787
00:40:30,600 --> 00:40:34,360
Speaker 1: if you're feeling low, go watch some fucking Jerry Stiller outtakes.

788
00:40:34,400 --> 00:40:35,319
Speaker 1: You'll love it.

789
00:40:35,400 --> 00:40:38,279
Speaker 3: Oh, I mean, And while that was happening, Jason Alexander

790
00:40:38,360 --> 00:40:40,919
Speaker 3: was he was crawling on the floor. He couldn't even

791
00:40:41,000 --> 00:40:43,080
Speaker 3: control his ability to sit.

792
00:40:43,880 --> 00:40:46,360
Speaker 1: It is. I love the things. The extra that was

793
00:40:46,400 --> 00:40:49,400
Speaker 1: sitting next to Jason Alexander is just trying to like

794
00:40:49,640 --> 00:40:51,880
Speaker 1: not get in trouble herself because you know, and stuff

795
00:40:51,880 --> 00:40:56,080
Speaker 1: like that, because if she starts laughing, like the stars

796
00:40:56,080 --> 00:40:58,520
Speaker 1: can do whatever they want. But those extras, if you

797
00:40:58,600 --> 00:41:00,840
Speaker 1: get in on it, like you're with them too, you

798
00:41:00,880 --> 00:41:02,920
Speaker 1: will get fired immediately. They'll just pull you.

799
00:41:03,200 --> 00:41:05,320
Speaker 3: And guess no one ever saw her again.

800
00:41:06,680 --> 00:41:10,800
Speaker 1: She was She was actually killed that night. Was Larry David.

801
00:41:11,080 --> 00:41:17,879
Speaker 3: Yep, yeah, by Jason. He's played murderers very well. Think

802
00:41:17,920 --> 00:41:20,640
Speaker 3: about it, Yes, speaking.

803
00:41:20,280 --> 00:41:22,440
Speaker 1: A murderer's the bad guy and pretty woman.

804
00:41:22,800 --> 00:41:25,600
Speaker 3: I hadn't seen it since I was twelve or thirteen,

805
00:41:25,640 --> 00:41:27,880
Speaker 3: but I watched Misery the other day and it's a

806
00:41:28,120 --> 00:41:29,760
Speaker 3: perfect movie.

807
00:41:30,040 --> 00:41:31,359
Speaker 1: I haven't seen it in so long.

808
00:41:31,480 --> 00:41:34,240
Speaker 3: It rewatch it and it ends up in a way

809
00:41:35,280 --> 00:41:37,880
Speaker 3: that I really didn't expect it to.

810
00:41:38,360 --> 00:41:41,480
Speaker 1: I I need to start making a list. Chris, you

811
00:41:41,760 --> 00:41:45,120
Speaker 1: have Rex, Chris, I rapped it.

812
00:41:45,400 --> 00:41:50,160
Speaker 3: There is only one there is. I do have some issues.

813
00:41:50,520 --> 00:41:53,400
Speaker 3: I mean, everyone's seen it, so it's I'm not spoiling anything.

814
00:41:53,560 --> 00:41:57,120
Speaker 3: But he crashes his car in the beginning right and

815
00:41:57,160 --> 00:42:00,920
Speaker 3: then is randomly found by Kathy Bates happens to be

816
00:42:01,000 --> 00:42:04,920
Speaker 3: this stalker of his. She doesn't throw tacks in the

817
00:42:05,000 --> 00:42:09,280
Speaker 3: road or somehow set up a situation. He just randomly

818
00:42:09,800 --> 00:42:12,799
Speaker 3: finds his biggest fan who happens to be a psychopath

819
00:42:13,160 --> 00:42:15,560
Speaker 3: out in the middle of the woods. The chances of

820
00:42:15,600 --> 00:42:19,000
Speaker 3: that happening are It's impossible.

821
00:42:19,680 --> 00:42:22,480
Speaker 1: It is impossible. Yeah, yeah, I thought you were questioning that.

822
00:42:22,880 --> 00:42:25,560
Speaker 3: I just feel like in the Moo. It's a perfect movie,

823
00:42:25,560 --> 00:42:27,399
Speaker 3: by the way, and I'm sure the book is great.

824
00:42:27,440 --> 00:42:31,000
Speaker 3: I don't read, but if I kind of wanted her

825
00:42:31,040 --> 00:42:33,600
Speaker 3: to somehow be responsible for his car wreck, that's a

826
00:42:34,280 --> 00:42:36,640
Speaker 3: like a spike strip like the cops use or something.

827
00:42:36,640 --> 00:42:39,279
Speaker 1: You know, you should look into what Stephen King wrote

828
00:42:39,280 --> 00:42:42,319
Speaker 1: in the book because sometimes right they pull things out,

829
00:42:42,400 --> 00:42:44,680
Speaker 1: or they don't, they cut scenes or whatever.

830
00:42:44,800 --> 00:42:47,440
Speaker 3: Maybe she was responding, Yeah, it seems like something Stephen

831
00:42:47,520 --> 00:42:49,759
Speaker 3: King wouldn't overlook, you know, since I know him so

832
00:42:49,840 --> 00:42:51,120
Speaker 3: well personally.

833
00:42:51,200 --> 00:42:52,840
Speaker 1: Steve, he'd never overlook that.

834
00:42:52,920 --> 00:42:56,200
Speaker 3: Steve, he is a man of details. Do you know that?

835
00:42:56,280 --> 00:42:58,400
Speaker 1: Okay, we'd have two stories for you. Hold on, let

836
00:42:58,440 --> 00:43:04,440
Speaker 1: me write down forget this second one first of all

837
00:43:04,480 --> 00:43:07,120
Speaker 1: the first ones past. Stephen King wrote Kojo in an

838
00:43:07,160 --> 00:43:10,960
Speaker 1: Alcoholic Blackout, which is one of my favorite factoids of

839
00:43:11,000 --> 00:43:12,440
Speaker 1: all time, Like he did you know that?

840
00:43:12,520 --> 00:43:14,959
Speaker 3: He came out he He's like, what's this? Oh it's great.

841
00:43:15,000 --> 00:43:18,160
Speaker 1: Yeah, he does not remember writing Kujo at all. Oh my,

842
00:43:18,280 --> 00:43:22,200
Speaker 1: he doesn't Remembuh. This is a b point to that story,

843
00:43:22,280 --> 00:43:25,680
Speaker 1: not the second story. Parts of Kujo were filmed in

844
00:43:25,760 --> 00:43:30,680
Speaker 1: Pedaluma and along Yeah, along Butdega Avenue. When the when

845
00:43:30,719 --> 00:43:33,840
Speaker 1: they're driving to the mechanics house they drive Basically it

846
00:43:33,880 --> 00:43:35,960
Speaker 1: was the way home from school for us. So when

847
00:43:36,000 --> 00:43:38,080
Speaker 1: I saw that movie, I was like, oh my god,

848
00:43:38,200 --> 00:43:40,480
Speaker 1: it was like I saw a celebrity, but it was

849
00:43:40,520 --> 00:43:43,400
Speaker 1: the street we used to drive down constantly. So I

850
00:43:43,480 --> 00:43:45,520
Speaker 1: love that movie and that story. It's very close to

851
00:43:45,520 --> 00:43:45,879
Speaker 1: my heart.

852
00:43:46,160 --> 00:43:49,640
Speaker 3: Yeah, wow, there's there was something else I watched recently

853
00:43:49,680 --> 00:43:52,840
Speaker 3: that took place in Pataluma. Quick list all the movies.

854
00:43:53,680 --> 00:43:58,480
Speaker 1: Well, Panky So Got married? Get American Graffiti. Uh with

855
00:43:58,600 --> 00:44:01,399
Speaker 1: the one Goonies you had a shit ton of them?

856
00:44:01,560 --> 00:44:03,520
Speaker 1: Wait is it Goodies or no? What's the one where

857
00:44:03,560 --> 00:44:06,960
Speaker 1: they all build a spaceship and fly away? Oh? Explorers

858
00:44:07,560 --> 00:44:10,359
Speaker 1: Explorers with a hill by my dad's house.

859
00:44:11,320 --> 00:44:12,279
Speaker 3: Yes? Yeah.

860
00:44:12,320 --> 00:44:14,640
Speaker 1: And Ethan Hawk. I believe baby Ethan Hawks in that.

861
00:44:14,760 --> 00:44:18,360
Speaker 3: Yeah, they were both little chubby boys, and I that

862
00:44:18,560 --> 00:44:22,200
Speaker 3: movie sticks out. Whoever the girl? He liked this girl

863
00:44:22,239 --> 00:44:24,799
Speaker 3: and that's when they first made the I mean that

864
00:44:24,840 --> 00:44:27,000
Speaker 3: movie takes a dive once they go to outer space

865
00:44:27,040 --> 00:44:29,360
Speaker 3: and there's aliens. It's like, oh, come on, yeah, but

866
00:44:30,040 --> 00:44:33,160
Speaker 3: he was like floating or at her window. Whoever this

867
00:44:33,360 --> 00:44:37,000
Speaker 3: child actress was that that was my age. When I've

868
00:44:37,080 --> 00:44:40,040
Speaker 3: watched this movie, I would have dreams about whoever that was.

869
00:44:40,120 --> 00:44:41,799
Speaker 3: I don't even know who she was, but as a

870
00:44:41,800 --> 00:44:44,880
Speaker 3: little kid, such a crush on the Did she have

871
00:44:44,960 --> 00:44:45,399
Speaker 3: red hair?

872
00:44:45,880 --> 00:44:48,400
Speaker 1: Was it Carrie Green, the girl that was in Lucas?

873
00:44:49,160 --> 00:44:51,759
Speaker 3: It may have been her, or it may have been

874
00:44:54,280 --> 00:44:55,640
Speaker 3: the Peterson girl.

875
00:44:55,440 --> 00:45:01,400
Speaker 1: The girl from from Can't Buy Me loves Amanda Peterson.

876
00:45:01,040 --> 00:45:03,960
Speaker 3: Amanda Pearson. Yeah, and she has a sad story. She

877
00:45:04,120 --> 00:45:07,400
Speaker 3: like she just died, that she became a drug person

878
00:45:07,480 --> 00:45:10,200
Speaker 3: and her mugshots are hard to look at because I

879
00:45:10,320 --> 00:45:12,839
Speaker 3: was I had such a crutch on her too, and

880
00:45:13,120 --> 00:45:16,120
Speaker 3: no one was supportive and nice door after that it

881
00:45:16,239 --> 00:45:17,160
Speaker 3: makes me feel bad.

882
00:45:17,360 --> 00:45:20,319
Speaker 1: Well, it's I mean, that's a classic. You know, she

883
00:45:20,480 --> 00:45:23,640
Speaker 1: was like couldn't have been more almost like as I

884
00:45:23,719 --> 00:45:25,120
Speaker 1: was growing up and you were growing up, like she

885
00:45:25,239 --> 00:45:26,799
Speaker 1: was like the popular girl because she was like a

886
00:45:26,880 --> 00:45:29,960
Speaker 1: teen girl in movies. That was the girl everyone likes.

887
00:45:29,960 --> 00:45:32,680
Speaker 1: So in Patrick Dempsey and Can't Buy Me Love, he's

888
00:45:32,920 --> 00:45:35,360
Speaker 1: doing everything in the world to get around this girl.

889
00:45:35,520 --> 00:45:36,760
Speaker 3: He's mowing lawns.

890
00:45:37,520 --> 00:45:40,959
Speaker 1: He's such a tragic nerd. And at the same time

891
00:45:41,000 --> 00:45:44,120
Speaker 1: you buys her whatever, Yeah she is. She was so

892
00:45:44,280 --> 00:45:47,680
Speaker 1: charming too. She was such a like lovely She wasn't

893
00:45:47,719 --> 00:45:49,759
Speaker 1: like the popular girl that's like hot. She was like

894
00:45:49,800 --> 00:45:54,400
Speaker 1: a believable pretty, nice girl. Yeah you know, no, she was.

895
00:45:55,280 --> 00:45:58,720
Speaker 1: Amanda was her last year, right, aman, Amanda Peterson?

896
00:45:58,880 --> 00:46:01,680
Speaker 3: Yeah, yeah, I already stopped desociating.

897
00:46:03,000 --> 00:46:06,080
Speaker 1: Okay, but sorry, Who's what's the guy's name? This is

898
00:46:06,080 --> 00:46:09,000
Speaker 1: my second story. What's the guy's name that was in

899
00:46:09,120 --> 00:46:13,560
Speaker 1: Misery Ship James Cot Buy Me Love? Yes, James Conn Okay,

900
00:46:14,080 --> 00:46:18,879
Speaker 1: Chris is your recommendation list so far? Misery, Can't Buy

901
00:46:18,920 --> 00:46:20,560
Speaker 1: Me Love? Circus of books?

902
00:46:20,840 --> 00:46:26,239
Speaker 3: Yes, all very worth. I stand behind those. Maybe not

903
00:46:26,320 --> 00:46:28,279
Speaker 3: Can't Buy Me Love. It's it's just if you want

904
00:46:28,320 --> 00:46:30,839
Speaker 3: to watch just to make sure that you would have

905
00:46:30,880 --> 00:46:33,280
Speaker 3: a crush on that girl as a young boy, then watch.

906
00:46:33,360 --> 00:46:37,560
Speaker 3: But yeah, I do remember. Also, Patrick Dempsey had a

907
00:46:37,600 --> 00:46:40,520
Speaker 3: shirt while he is mowing lawns. His T shirt was

908
00:46:40,600 --> 00:46:44,480
Speaker 3: that you are here and there's an arrow pointing in

909
00:46:44,560 --> 00:46:49,120
Speaker 3: the universe yes, or or pointing to our universe in

910
00:46:49,160 --> 00:46:52,840
Speaker 3: the Milky Way, or vice versa. Sorry, I don't know

911
00:46:52,920 --> 00:46:57,320
Speaker 3: much about space except I like monkeys. But here is

912
00:46:57,360 --> 00:47:03,120
Speaker 3: a comic JR. Brow that years go patented that design

913
00:47:03,400 --> 00:47:06,920
Speaker 3: that you are here T shirt design, and at a

914
00:47:06,960 --> 00:47:10,600
Speaker 3: time where people weren't just ripping off designs, it was copyrighted.

915
00:47:10,640 --> 00:47:12,680
Speaker 3: And people are like, darn, I wish I thought of

916
00:47:12,719 --> 00:47:15,000
Speaker 3: it because it was the late eighties or whatever. And

917
00:47:15,040 --> 00:47:17,279
Speaker 3: he made a lot of money off that you are

918
00:47:17,400 --> 00:47:18,880
Speaker 3: here space shirt.

919
00:47:19,480 --> 00:47:20,240
Speaker 1: That's awesome.

920
00:47:20,440 --> 00:47:22,960
Speaker 3: Yeah, yeah, he's a he's a friend of mine. Just

921
00:47:23,160 --> 00:47:26,560
Speaker 3: he's still in Austin making very funny videos lately.

922
00:47:29,360 --> 00:47:32,200
Speaker 1: Also, well that the camp by Me Love reminded me.

923
00:47:32,840 --> 00:47:36,040
Speaker 1: If you've never seen the movie Angus, which is basically

924
00:47:36,120 --> 00:47:38,000
Speaker 1: the nineties version of Camp by Me Love but a

925
00:47:38,040 --> 00:47:43,399
Speaker 1: different situation. It's such a good movie. N Lucas No

926
00:47:43,400 --> 00:47:46,840
Speaker 1: No Lucas is an eighties movie. Yeah, yeah, all the

927
00:47:47,040 --> 00:47:49,920
Speaker 1: all the greats. The Cory's went on a writer Charlie

928
00:47:49,920 --> 00:47:54,840
Speaker 1: Sheen Kerry Green, and that was also carry Green. Yeah,

929
00:47:54,920 --> 00:47:57,040
Speaker 1: it was Kerry Green because she was she was basically

930
00:47:57,520 --> 00:47:59,320
Speaker 1: like a different version of Amanda Peter. She was like

931
00:47:59,360 --> 00:48:02,040
Speaker 1: kind of a redhead, maybe a tiny yeah, yeah, yeah,

932
00:48:02,080 --> 00:48:05,440
Speaker 1: but that was one of win Ona Writer's first movies

933
00:48:05,480 --> 00:48:07,120
Speaker 1: and went on A writer is from Petaluma.

934
00:48:07,480 --> 00:48:07,879
Speaker 3: Oh wow.

935
00:48:07,920 --> 00:48:11,000
Speaker 1: So we watched her, you know, we tracked I personally

936
00:48:11,080 --> 00:48:13,600
Speaker 1: especially tracked her career as just like look at her

937
00:48:13,680 --> 00:48:17,080
Speaker 1: doing a real movie, you know, and then you know her. No,

938
00:48:17,200 --> 00:48:20,960
Speaker 1: she went to a public school, but everyone knew of

939
00:48:21,000 --> 00:48:24,600
Speaker 1: her because but she left when she was like maybe fifteen,

940
00:48:25,440 --> 00:48:27,680
Speaker 1: and she hated our town and she hated her school

941
00:48:27,920 --> 00:48:29,839
Speaker 1: so like she did, she did not have a good time.

942
00:48:30,360 --> 00:48:32,719
Speaker 3: She was such a goth. She was the girl from

943
00:48:32,719 --> 00:48:33,560
Speaker 3: Beatle Juice.

944
00:48:33,800 --> 00:48:36,160
Speaker 1: She was she was, she really was.

945
00:48:36,360 --> 00:48:38,720
Speaker 3: Yeah. When I went to auditioned for things in Austin,

946
00:48:38,920 --> 00:48:43,280
Speaker 3: renee Zellweger zel Weger, how do you say her name? Anyway,

947
00:48:43,400 --> 00:48:51,600
Speaker 3: she got the hometown hero of all the casting places. Yeah.

948
00:48:51,040 --> 00:48:53,640
Speaker 1: It's fun to be able to like cheer for your

949
00:48:53,640 --> 00:48:55,920
Speaker 1: person because they were like That means like maybe something

950
00:48:55,920 --> 00:48:56,719
Speaker 1: could happen to me.

951
00:48:58,480 --> 00:49:02,120
Speaker 3: Purfect went to my high school for year. That means

952
00:49:02,160 --> 00:49:02,840
Speaker 3: I have hope.

953
00:49:03,360 --> 00:49:06,480
Speaker 1: Look at Chris, he's really found his light listeners. Chris

954
00:49:06,520 --> 00:49:08,480
Speaker 1: turned toward a lamp as you said that, and you

955
00:49:08,520 --> 00:49:10,720
Speaker 1: looked like Judy Garland and a star is born.

956
00:49:10,880 --> 00:49:14,840
Speaker 3: I've been doing enough Quarantine comedy shows that I have

957
00:49:14,880 --> 00:49:17,560
Speaker 3: a whole light set up and a tripod in my bedroom,

958
00:49:17,880 --> 00:49:19,719
Speaker 3: so I really I can do it too. Flight.

959
00:49:20,000 --> 00:49:24,600
Speaker 1: It meant the world to me. Wow, you did it too, Yeah,

960
00:49:24,600 --> 00:49:26,279
Speaker 1: because the suns are fucking there again.

961
00:49:26,400 --> 00:49:29,640
Speaker 3: That looks that you look great? Was that sun? Wow?

962
00:49:30,640 --> 00:49:33,279
Speaker 1: It meant the world to me. It hurts my eyes, yes,

963
00:49:33,480 --> 00:49:36,320
Speaker 1: but you know it's gonna look it's going to it

964
00:49:37,360 --> 00:49:42,120
Speaker 1: worth it. But anyway, if you haven't seen the movie Angus,

965
00:49:42,160 --> 00:49:45,040
Speaker 1: it's from the mid nineties, it's so great. It's like

966
00:49:45,080 --> 00:49:48,360
Speaker 1: the Pain of high School. It's so good, and it's

967
00:49:48,480 --> 00:49:52,040
Speaker 1: it's like it's not the typical teen movie. It's like

968
00:49:52,480 --> 00:49:53,080
Speaker 1: really good.

969
00:49:53,160 --> 00:49:54,960
Speaker 3: I'm writing down Angus.

970
00:49:54,960 --> 00:49:57,680
Speaker 1: Angus, it's great. Okay, But here's are you ready for

971
00:49:57,760 --> 00:50:01,560
Speaker 1: my story about James Kant? So I worked on Ellen

972
00:50:01,760 --> 00:50:04,880
Speaker 1: and that we would do bits. We would force these celebrities.

973
00:50:04,920 --> 00:50:07,120
Speaker 1: They would get booked just to be doing promos for

974
00:50:07,160 --> 00:50:08,919
Speaker 1: their TV shows and their movies. And then we would

975
00:50:08,920 --> 00:50:11,719
Speaker 1: force them to do comedy bits. So James Cohn was

976
00:50:11,800 --> 00:50:15,560
Speaker 1: on what was that show? Was it called Las Vegas?

977
00:50:15,600 --> 00:50:16,160
Speaker 1: Do you remember?

978
00:50:16,360 --> 00:50:18,600
Speaker 3: Yeah, he was.

979
00:50:18,560 --> 00:50:20,400
Speaker 1: On the show called Las Vegas, so he was there.

980
00:50:20,760 --> 00:50:22,799
Speaker 1: And then the comedy bit we were doing because it

981
00:50:22,800 --> 00:50:25,120
Speaker 1: was like Oscar season, so we were making people do

982
00:50:25,200 --> 00:50:29,880
Speaker 1: improvisational Oscar acceptance speeches. It was very but all you

983
00:50:29,920 --> 00:50:32,520
Speaker 1: had to do was read the teleprompter, right, So, and

984
00:50:32,560 --> 00:50:35,080
Speaker 1: I think we based I can't, I can't remember, but anyway,

985
00:50:35,160 --> 00:50:36,400
Speaker 1: I was the one that had to go out and

986
00:50:36,440 --> 00:50:39,279
Speaker 1: brief James Kahn, and I now that I think about it,

987
00:50:39,320 --> 00:50:42,879
Speaker 1: I think the producer, because normally the celebrity producer would

988
00:50:42,920 --> 00:50:44,520
Speaker 1: take care of all of that and we would just

989
00:50:45,040 --> 00:50:47,360
Speaker 1: do the comedy bits and give them to the producers.

990
00:50:47,360 --> 00:50:49,360
Speaker 1: But I think the comedy producers like, don't make me

991
00:50:49,440 --> 00:50:51,440
Speaker 1: explain it to him, like you have to go do it.

992
00:50:52,040 --> 00:50:54,640
Speaker 1: And I went out and was like, mister con we

993
00:50:54,760 --> 00:50:57,160
Speaker 1: just we're just doing this. It's an Oscar acceptance bit,

994
00:50:57,360 --> 00:50:59,080
Speaker 1: and you just look straight into this thing and I'm

995
00:50:59,160 --> 00:51:02,879
Speaker 1: like explaining it. I'm like halfway through explaining it, which

996
00:51:02,920 --> 00:51:06,200
Speaker 1: I in retrospect didn't need to explain almost anything. This

997
00:51:06,239 --> 00:51:08,560
Speaker 1: man's been in show business for forty years already.

998
00:51:09,520 --> 00:51:11,600
Speaker 3: They're going to play music, You're going to be wearing

999
00:51:11,600 --> 00:51:12,800
Speaker 3: a tucked they'll hang.

1000
00:51:12,719 --> 00:51:16,000
Speaker 1: Right, they'll be at you. Yeah, there'll be a lighting cue.

1001
00:51:16,160 --> 00:51:17,759
Speaker 1: Just wait for that. Like I don't have to tell

1002
00:51:17,840 --> 00:51:19,920
Speaker 1: James con how to do a two minute bit on

1003
00:51:20,000 --> 00:51:24,120
Speaker 1: a talk show and so and meanwhile, the audience is dancing,

1004
00:51:24,160 --> 00:51:26,920
Speaker 1: the music is playing. It's very very loud, and so

1005
00:51:27,400 --> 00:51:28,960
Speaker 1: he and I are the only ones that can hear

1006
00:51:29,040 --> 00:51:32,520
Speaker 1: this conversation. And midway through my sense, he turns and goes,

1007
00:51:32,680 --> 00:51:37,640
Speaker 1: let's sorry to fuck up like scarmed it, and I

1008
00:51:37,840 --> 00:51:40,560
Speaker 1: just turned and midsense, I just turned and walked away

1009
00:51:40,920 --> 00:51:44,360
Speaker 1: because it was fucking hilarious.

1010
00:51:44,480 --> 00:51:48,080
Speaker 3: Yes, was he fully angry or was he kind of kid?

1011
00:51:48,200 --> 00:51:49,960
Speaker 1: I don't know. Yes, I mean, I'm sure he was

1012
00:51:50,000 --> 00:51:53,279
Speaker 1: just frustrated and it was really loud, and he just

1013
00:51:53,320 --> 00:51:55,319
Speaker 1: wanted to lead like he didn't want to do. I'm

1014
00:51:55,320 --> 00:51:58,440
Speaker 1: sure he did. Hidio already done two segments of interview,

1015
00:51:58,880 --> 00:52:01,799
Speaker 1: then we make him stay for a third segment to

1016
00:52:02,000 --> 00:52:04,239
Speaker 1: you know, and do a dumb comedy bit that like

1017
00:52:04,320 --> 00:52:06,719
Speaker 1: he he probably said no to, and they tricked him

1018
00:52:06,719 --> 00:52:08,200
Speaker 1: into doing it anyway, you know what I mean, Like

1019
00:52:08,280 --> 00:52:11,719
Speaker 1: it's like it's not fun for those people. It was

1020
00:52:12,040 --> 00:52:14,920
Speaker 1: so hilarious and I was kind of shaken after and

1021
00:52:14,920 --> 00:52:16,759
Speaker 1: then I was like, oh wait, that kind of is

1022
00:52:16,760 --> 00:52:17,880
Speaker 1: the best thing of all time.

1023
00:52:18,320 --> 00:52:23,840
Speaker 3: Yeah, no, let's read. But much like his son Scottie,

1024
00:52:23,880 --> 00:52:27,920
Speaker 3: he is a tiny person, right. I just know Kathy

1025
00:52:27,960 --> 00:52:30,920
Speaker 3: Bates was like towering over him in Misery.

1026
00:52:31,760 --> 00:52:33,440
Speaker 1: I think he didn't seem tiny to me.

1027
00:52:33,520 --> 00:52:37,040
Speaker 3: He was in bed most of the movie. Yeah.

1028
00:52:37,160 --> 00:52:39,239
Speaker 1: I think you were thinking that him laying down was

1029
00:52:39,280 --> 00:52:41,480
Speaker 1: his height, and that's not it. That's not true.

1030
00:52:41,640 --> 00:52:44,919
Speaker 3: He's a disembodied shoulders and head right they no, no, no,

1031
00:52:45,000 --> 00:52:46,399
Speaker 3: a body, Oh no, oh.

1032
00:52:46,320 --> 00:52:48,200
Speaker 1: No, no no, no, he can stand. You should see his

1033
00:52:48,239 --> 00:52:49,879
Speaker 1: other films. He's got a ton of them.

1034
00:52:50,080 --> 00:52:51,040
Speaker 3: He has a body.

1035
00:52:51,560 --> 00:52:54,360
Speaker 1: He is a body, a Torso Limeley.

1036
00:52:54,400 --> 00:52:57,040
Speaker 3: James Kahan has a body everything.

1037
00:52:57,239 --> 00:53:02,480
Speaker 1: Yes, Chris into the Light, James Cohn's body. It's like

1038
00:53:02,560 --> 00:53:03,799
Speaker 1: another person's pot.

1039
00:53:04,080 --> 00:53:07,439
Speaker 3: Wow, it's got brighter. I didn't The Sun is Going

1040
00:53:07,480 --> 00:53:10,640
Speaker 3: Down as Sweet podcast I that movie that I've talked

1041
00:53:10,640 --> 00:53:13,280
Speaker 3: about all too much where the Scorpion was in my Pants.

1042
00:53:13,560 --> 00:53:17,840
Speaker 3: Scott con was also in that was he. Yeah, he

1043
00:53:18,040 --> 00:53:18,560
Speaker 3: was one of.

1044
00:53:18,520 --> 00:53:21,680
Speaker 1: The Wait was this the film Outlaws?

1045
00:53:22,239 --> 00:53:23,440
Speaker 3: American Outlaws?

1046
00:53:23,560 --> 00:53:27,200
Speaker 1: Yes, American Outlaws. I've seen it probably ten times.

1047
00:53:27,440 --> 00:53:29,000
Speaker 3: Are you kidding? Yeah?

1048
00:53:29,000 --> 00:53:31,680
Speaker 1: The thing's always on It used to always be on cable.

1049
00:53:31,760 --> 00:53:34,480
Speaker 3: It's funny. Yeah, it's like The poor Man's Young Guns.

1050
00:53:35,840 --> 00:53:39,279
Speaker 1: Yeah, or The dumb Man's Tombstone.

1051
00:53:40,920 --> 00:53:45,040
Speaker 3: I think everyone involved in, including the director who made Flubber,

1052
00:53:45,400 --> 00:53:46,319
Speaker 3: would agree.

1053
00:53:46,719 --> 00:53:49,799
Speaker 1: Yeah, but no one would do really quick, can we

1054
00:53:49,840 --> 00:53:52,520
Speaker 1: put that? Can we really quick put Tombstone on your

1055
00:53:52,680 --> 00:53:55,680
Speaker 1: recommendation list? Because Tombstone, if you haven't seen it with

1056
00:53:55,760 --> 00:53:58,359
Speaker 1: Val Kilmer, I'm your Huckleberry, is one of the best

1057
00:53:58,440 --> 00:53:59,000
Speaker 1: movies ever.

1058
00:53:59,280 --> 00:54:00,279
Speaker 3: Yes, yes it is.

1059
00:54:00,360 --> 00:54:03,360
Speaker 1: Okay, we're putting that down to Yes, it is the best.

1060
00:54:03,719 --> 00:54:08,040
Speaker 3: Val Kilmer at his peak was a man that I

1061
00:54:08,080 --> 00:54:12,719
Speaker 3: was enamored of. I want it is amazing. Yeah, that

1062
00:54:12,719 --> 00:54:16,720
Speaker 3: that combined with real genius. He could do everything he could.

1063
00:54:17,160 --> 00:54:19,080
Speaker 3: He could hear kick cancer.

1064
00:54:20,040 --> 00:54:22,400
Speaker 1: Did you see that or read that article in the

1065
00:54:22,400 --> 00:54:23,440
Speaker 1: New York Times about him?

1066
00:54:23,680 --> 00:54:23,879
Speaker 3: No?

1067
00:54:24,800 --> 00:54:26,800
Speaker 1: Oh you got I'll send it to you. It's amazing.

1068
00:54:26,920 --> 00:54:29,560
Speaker 1: It's kind of about his whole career and in his

1069
00:54:29,640 --> 00:54:32,240
Speaker 1: life and the different things he's tried to do and stuff.

1070
00:54:32,280 --> 00:54:34,920
Speaker 1: But like he was an actor from Juilliard. He's one

1071
00:54:34,920 --> 00:54:38,520
Speaker 1: of the most talented actors you know, Hollywood's ever seen.

1072
00:54:38,760 --> 00:54:42,440
Speaker 1: But because he was he was method and he was

1073
00:54:42,520 --> 00:54:45,600
Speaker 1: you know like he was he made it difficult for

1074
00:54:46,120 --> 00:54:48,160
Speaker 1: people because he was like when he was Jim Morrison.

1075
00:54:48,239 --> 00:54:49,760
Speaker 1: He was Jim Morrison the whole.

1076
00:54:49,560 --> 00:54:52,719
Speaker 3: Time, right, you know, oh that thing where that kind

1077
00:54:52,719 --> 00:54:56,720
Speaker 3: of shit the camera off, you're making everyone uncomfortable.

1078
00:54:56,120 --> 00:55:00,000
Speaker 1: Yes, exact clear, exactly. But then they in this article

1079
00:55:00,239 --> 00:55:02,560
Speaker 1: was cool because the woman who wrote it I believe

1080
00:55:02,600 --> 00:55:05,279
Speaker 1: it was a woman. She's kind of going over each

1081
00:55:05,400 --> 00:55:08,960
Speaker 1: role and then you realize, like, oh, yeah, he's unbelievably good,

1082
00:55:09,000 --> 00:55:12,839
Speaker 1: Like she's talking about him plant his character in Top

1083
00:55:12,920 --> 00:55:16,799
Speaker 1: Gun made that movie. Yeah, like because he grounded it

1084
00:55:16,840 --> 00:55:18,360
Speaker 1: and it was so real. But he and he was

1085
00:55:18,400 --> 00:55:20,520
Speaker 1: doing all this stuff, but he wasn't saying anything, and

1086
00:55:20,600 --> 00:55:23,640
Speaker 1: like how you know what a great presence he is.

1087
00:55:23,760 --> 00:55:27,360
Speaker 3: Yeah, yeah, even and like all the all the different

1088
00:55:27,400 --> 00:55:30,359
Speaker 3: films he did, Willow is good that the first Top

1089
00:55:30,400 --> 00:55:35,640
Speaker 3: Secret is like the for the brothers that made Naked Gun,

1090
00:55:35,680 --> 00:55:38,319
Speaker 3: who are they again? Yep, I forget their name.

1091
00:55:39,080 --> 00:55:42,160
Speaker 1: There's like a there's a Z in there, there's a y. Yeah,

1092
00:55:42,200 --> 00:55:43,960
Speaker 1: the ones that made airplane.

1093
00:55:44,320 --> 00:55:51,960
Speaker 3: Yeah. The Zeldner, said Zechaszek. Jason sidekis Zucker Brothers.

1094
00:55:51,880 --> 00:55:57,399
Speaker 1: Is Zucker brother Goddamn wait sorry, real genius and real

1095
00:55:57,520 --> 00:55:59,560
Speaker 1: genius and top secret are going on.

1096
00:55:59,600 --> 00:56:03,040
Speaker 3: Your real genius is going on? My red I wanted

1097
00:56:03,080 --> 00:56:06,439
Speaker 3: to be him. He's cool, he's funny, and then he's

1098
00:56:06,480 --> 00:56:09,319
Speaker 3: also smart in school, which is something I never was

1099
00:56:09,400 --> 00:56:12,600
Speaker 3: but wanted to be. H. Yeah, it's the best. It's

1100
00:56:12,640 --> 00:56:15,800
Speaker 3: the best. I love that movie. There's so many throwaway

1101
00:56:15,840 --> 00:56:19,000
Speaker 3: lines that are great funny lines and it still holds up.

1102
00:56:21,360 --> 00:56:23,800
Speaker 1: Wait, were you trying to tell an American outlaw story?

1103
00:56:24,040 --> 00:56:26,440
Speaker 3: Oh? I'm sorry, yeah, I uh that's okay.

1104
00:56:26,480 --> 00:56:27,399
Speaker 1: I interrupted you.

1105
00:56:27,440 --> 00:56:33,960
Speaker 3: No, I went Scotti kon. James Khan's son is into skateboarding.

1106
00:56:34,040 --> 00:56:36,799
Speaker 3: I guess he was a skateboarder. And I was at

1107
00:56:36,840 --> 00:56:40,280
Speaker 3: some event on the Fox lot where that fake street

1108
00:56:40,880 --> 00:56:43,200
Speaker 3: that they have of all the building facades. They had

1109
00:56:43,200 --> 00:56:47,200
Speaker 3: a skate contest, like a street contest there, and uh,

1110
00:56:47,600 --> 00:56:50,400
Speaker 3: and I was there just watching because I used to

1111
00:56:50,440 --> 00:56:53,560
Speaker 3: work there, and he was just watching skateboarding. And I

1112
00:56:53,600 --> 00:56:55,799
Speaker 3: went up to him because I knew this, and I

1113
00:56:55,880 --> 00:56:58,719
Speaker 3: know no one knows this about that movie, but I went, hi,

1114
00:56:58,840 --> 00:57:01,880
Speaker 3: I was an extra American Outlaws. Did you know a

1115
00:57:01,920 --> 00:57:06,120
Speaker 3: horse died? And it still says at the end of

1116
00:57:06,160 --> 00:57:09,080
Speaker 3: the movie no animals were harmed in this. And he

1117
00:57:09,120 --> 00:57:12,520
Speaker 3: looked at me like his father. He looked at me

1118
00:57:12,600 --> 00:57:16,600
Speaker 3: like I was accusing him of a horse murderer. He's like, what,

1119
00:57:16,880 --> 00:57:20,560
Speaker 3: I'm like, you were in American Outlaws, right, He's like, yeah,

1120
00:57:20,560 --> 00:57:22,680
Speaker 3: one day a horse died and I saw it happen

1121
00:57:23,160 --> 00:57:27,160
Speaker 3: and it wasn't And he's like all right, and he

1122
00:57:27,360 --> 00:57:30,320
Speaker 3: just like walked away. I've never felt stupider in my life,

1123
00:57:31,640 --> 00:57:33,920
Speaker 3: but much like you, I feel like I'm on his

1124
00:57:34,080 --> 00:57:37,680
Speaker 3: side in retrospect. Yeah, I mean, it was weird of

1125
00:57:37,800 --> 00:57:40,160
Speaker 3: me to go up and say dead horse to his face.

1126
00:57:40,440 --> 00:57:43,200
Speaker 1: It was what did you want him to do?

1127
00:57:43,680 --> 00:57:46,600
Speaker 3: He's like, I wanted him to go that's really interesting.

1128
00:57:46,760 --> 00:57:49,240
Speaker 3: My name is Scotty. Do you want to hang out sometime?

1129
00:57:50,160 --> 00:57:51,400
Speaker 3: Is that so much to ask?

1130
00:57:52,000 --> 00:57:53,000
Speaker 1: Yes? Too much?

1131
00:57:53,520 --> 00:57:53,760
Speaker 3: Yeah?

1132
00:57:54,080 --> 00:57:54,560
Speaker 1: Too much.

1133
00:57:55,160 --> 00:57:57,400
Speaker 3: I just wanted him to say, oh, weird, Yeah, I

1134
00:57:57,400 --> 00:57:59,680
Speaker 3: heard about a dead horse one an interesting thing. I'm

1135
00:57:59,720 --> 00:58:03,160
Speaker 3: glad you came up and brought that up. That's all

1136
00:58:03,200 --> 00:58:03,720
Speaker 3: I wanted.

1137
00:58:04,400 --> 00:58:06,840
Speaker 1: I'm glad you reminded me of one of my favorite

1138
00:58:06,880 --> 00:58:09,560
Speaker 1: times and one of my saddest times. You seem like

1139
00:58:09,600 --> 00:58:13,240
Speaker 1: a deep skateboarder to me. What's your name? Is that

1140
00:58:13,280 --> 00:58:14,000
Speaker 1: your real hair?

1141
00:58:14,480 --> 00:58:18,720
Speaker 3: Yeah? I would have loved to keep going, Karen, I'm

1142
00:58:18,760 --> 00:58:19,800
Speaker 3: imagining Scotty.

1143
00:58:20,000 --> 00:58:22,800
Speaker 1: Okay, now I'm Scotty Kahan. Hurry the fuck up, He

1144
00:58:23,120 --> 00:58:25,840
Speaker 1: says that constantly hearted.

1145
00:58:25,240 --> 00:58:26,600
Speaker 3: That that's more of what happened.

1146
00:58:26,680 --> 00:58:31,440
Speaker 1: Yes, he used to do plays near my old house

1147
00:58:31,960 --> 00:58:37,800
Speaker 1: into Luca Lake, at the Scotti Er James Scotti. He like,

1148
00:58:37,840 --> 00:58:39,440
Speaker 1: I think he either wrote a play or he's in

1149
00:58:39,520 --> 00:58:42,120
Speaker 1: a play. So I saw him like walking to his

1150
00:58:42,120 --> 00:58:45,680
Speaker 1: car a couple times, and I remember like just kind

1151
00:58:45,680 --> 00:58:47,720
Speaker 1: of spotting him and drive not carrying at all and

1152
00:58:47,800 --> 00:58:52,000
Speaker 1: not looking and then going. You like, your lifelong dream

1153
00:58:52,240 --> 00:58:55,000
Speaker 1: as a child was to work and live in Los

1154
00:58:55,000 --> 00:58:57,680
Speaker 1: Angeles and in Hollywood and be in show business. And

1155
00:58:57,720 --> 00:59:00,680
Speaker 1: now you are, and now you have these things around you,

1156
00:59:00,720 --> 00:59:04,760
Speaker 1: and you you're you're so jaded and you're so over it.

1157
00:59:04,800 --> 00:59:07,880
Speaker 1: Like even even Scott CON's not good enough for you. Now,

1158
00:59:07,960 --> 00:59:08,840
Speaker 1: what has happened to you?

1159
00:59:08,960 --> 00:59:12,320
Speaker 3: I know I'd like to I think I was just

1160
00:59:12,680 --> 00:59:14,400
Speaker 3: too excited and I seemed weird.

1161
00:59:15,480 --> 00:59:16,800
Speaker 1: No, I wasn't only at you. I was saying that

1162
00:59:16,840 --> 00:59:21,920
Speaker 1: about myself. Oh, I was saying that I was that way. Oh, okay,

1163
00:59:22,320 --> 00:59:25,040
Speaker 1: I'm not lecturing you. I think it was very natural

1164
00:59:25,080 --> 00:59:27,640
Speaker 1: of you too. That was your one in what else

1165
00:59:27,680 --> 00:59:28,240
Speaker 1: would you do?

1166
00:59:28,560 --> 00:59:32,800
Speaker 3: Yeah, And to be clear, I was standing watching something

1167
00:59:32,840 --> 00:59:35,920
Speaker 3: and looked over and he was inches from me and

1168
00:59:35,960 --> 00:59:38,640
Speaker 3: no one was around him, and it only it seemed

1169
00:59:38,880 --> 00:59:41,840
Speaker 3: like it was okay to start a conversation. But it wasn't.

1170
00:59:42,240 --> 00:59:42,720
Speaker 3: It wasn't.

1171
00:59:42,760 --> 00:59:45,800
Speaker 1: I like to imagine it that your eyes were big

1172
00:59:45,840 --> 00:59:47,480
Speaker 1: and white and crazy, like when you were doing an

1173
00:59:47,480 --> 00:59:50,560
Speaker 1: impression of Donald Sutherland earlier. Yeah, and that's what made

1174
00:59:50,640 --> 00:59:51,040
Speaker 1: him go.

1175
00:59:51,280 --> 00:59:54,360
Speaker 3: Used to live in Austin, Texas, where that movie was filmed,

1176
00:59:54,440 --> 00:59:59,360
Speaker 3: you know, the one, the Cowboy one.

1177
01:00:00,080 --> 01:00:03,120
Speaker 1: And then he's like, wow, you have amazing diction. What's

1178
01:00:03,160 --> 01:00:03,600
Speaker 1: your name?

1179
01:00:05,680 --> 01:00:08,919
Speaker 3: Obviously I'm not from Texas, as you can tell by

1180
01:00:08,960 --> 01:00:09,520
Speaker 3: my diction.

1181
01:00:11,160 --> 01:00:14,000
Speaker 1: Weird and I both e standardized American accent.

1182
01:00:15,000 --> 01:00:19,200
Speaker 3: Clarice's you just keep calling him.

1183
01:00:19,160 --> 01:00:23,080
Speaker 1: Clarice's Hey, what's up, Clary's.

1184
01:00:23,400 --> 01:00:27,240
Speaker 3: Hello, Clary's You can hear the horses crying and you

1185
01:00:27,400 --> 01:00:33,040
Speaker 3: Claries just three security guard men grabbing me.

1186
01:00:33,280 --> 01:00:35,680
Speaker 1: Scott Concerts crying because you called them a girl's name.

1187
01:00:35,840 --> 01:00:36,600
Speaker 1: God damn it.

1188
01:00:37,520 --> 01:00:40,400
Speaker 3: You're not allowed to find out how fragile he was.

1189
01:00:41,560 --> 01:00:45,880
Speaker 1: He's a playwright and a sensitive soul. Oh, Scotty Scotty,

1190
01:00:46,720 --> 01:00:54,479
Speaker 1: Connie Stuffy Cottie. Oh, I'm just also picturing. It's really

1191
01:00:54,480 --> 01:00:57,560
Speaker 1: funny to just start. Anytime you see friends or family,

1192
01:00:57,600 --> 01:00:59,720
Speaker 1: you just say hello, Clarice, Hello, Ca.

1193
01:01:02,480 --> 01:01:06,600
Speaker 3: Why is and are you offended by it? Everyone? I don't.

1194
01:01:06,720 --> 01:01:09,400
Speaker 3: I'm being honest. I don't know what it means, but

1195
01:01:09,480 --> 01:01:13,360
Speaker 3: it's the new boomer or something where people say, yeah, okay,

1196
01:01:13,400 --> 01:01:16,120
Speaker 3: simmer down, Karen, Karen. It's now the go to name

1197
01:01:16,200 --> 01:01:17,480
Speaker 3: for what please.

1198
01:01:17,240 --> 01:01:20,880
Speaker 1: Expect for for racist white women, or for basically kind

1199
01:01:20,920 --> 01:01:25,920
Speaker 1: of for like republican white women who act like the

1200
01:01:25,960 --> 01:01:29,400
Speaker 1: world is supposed to be always operating in their benefit

1201
01:01:29,440 --> 01:01:32,680
Speaker 1: at all times. It started with those women who would

1202
01:01:32,680 --> 01:01:35,640
Speaker 1: call the police on black children who were like selling

1203
01:01:35,680 --> 01:01:39,480
Speaker 1: water on the sidewalk, or you know people, those women

1204
01:01:39,480 --> 01:01:42,280
Speaker 1: that kept getting caught on video calling the police because

1205
01:01:42,400 --> 01:01:45,440
Speaker 1: a black family was at a pool, or because they

1206
01:01:45,440 --> 01:01:48,560
Speaker 1: were teenagers standing in a park or whatever, and it

1207
01:01:48,640 --> 01:01:51,000
Speaker 1: was like those videos kept hitting more and more, and

1208
01:01:51,040 --> 01:01:55,920
Speaker 1: then someone started calling those women Karens, and now that's.

1209
01:01:55,880 --> 01:01:58,280
Speaker 3: You got it. I loved your name. You don't want that, no,

1210
01:01:58,360 --> 01:01:58,960
Speaker 3: I love it all.

1211
01:01:59,040 --> 01:02:02,680
Speaker 1: I love negative, I love positive attention. But I think

1212
01:02:02,680 --> 01:02:06,000
Speaker 1: it's really funny because it is. My name is very

1213
01:02:06,080 --> 01:02:08,919
Speaker 1: much like on the Way Out anyway. It's a very

1214
01:02:09,120 --> 01:02:11,160
Speaker 1: like you were born in the seventies kind of name

1215
01:02:11,840 --> 01:02:12,880
Speaker 1: Karen and Chris.

1216
01:02:13,120 --> 01:02:15,400
Speaker 3: Do you how many friends did you have named Karen

1217
01:02:15,440 --> 01:02:17,520
Speaker 3: where it's like Karen number two or people called you

1218
01:02:17,640 --> 01:02:18,680
Speaker 3: kel gaff.

1219
01:02:18,360 --> 01:02:20,960
Speaker 1: Or there was like a couple Karens in my school,

1220
01:02:21,080 --> 01:02:23,520
Speaker 1: but then it kind of like faded. I don't meet

1221
01:02:23,600 --> 01:02:24,760
Speaker 1: that many anymore.

1222
01:02:25,200 --> 01:02:27,560
Speaker 3: I would be in a group of six friends and

1223
01:02:27,720 --> 01:02:31,959
Speaker 3: chances are half of us would be named Chris. Maybe

1224
01:02:32,040 --> 01:02:35,000
Speaker 3: it's a Northwest trend, but mid.

1225
01:02:35,200 --> 01:02:37,600
Speaker 1: Chris was very common. Chris was super common.

1226
01:02:37,640 --> 01:02:39,360
Speaker 3: I had so many Chris friends.

1227
01:02:39,640 --> 01:02:43,000
Speaker 1: Yeah, Chris. And Jennifer was the name that everyone had

1228
01:02:43,040 --> 01:02:45,120
Speaker 1: when I was growing up as a girl named.

1229
01:02:45,000 --> 01:02:50,560
Speaker 3: Yeah, Jennifer is way up there, Yeah Jennifer Chris what

1230
01:02:52,560 --> 01:02:56,480
Speaker 3: I just and I always wanted a nickname. I always experimented,

1231
01:02:56,600 --> 01:02:59,200
Speaker 3: you know, I made my parents call me Scott for

1232
01:02:59,680 --> 01:03:02,520
Speaker 3: about a month until I was tired of it. CJ.

1233
01:03:02,680 --> 01:03:06,000
Speaker 3: My name is Christopher James. I always wanted to be

1234
01:03:06,080 --> 01:03:09,440
Speaker 3: a nickname. CJ is perfect, CJ Fairbanks, It rolls off

1235
01:03:09,480 --> 01:03:12,960
Speaker 3: the tongue, and I never, even though I'm surrounded by

1236
01:03:13,000 --> 01:03:15,360
Speaker 3: other chrises, no one would call me STJ.

1237
01:03:16,080 --> 01:03:20,160
Speaker 1: It's because, well, because any any how old were you

1238
01:03:20,160 --> 01:03:21,400
Speaker 1: when you came up with this plan?

1239
01:03:22,080 --> 01:03:25,360
Speaker 3: Uh, the honest to call me Scott? I was in kindergarten,

1240
01:03:25,440 --> 01:03:26,480
Speaker 3: so four or five? No?

1241
01:03:26,360 --> 01:03:28,720
Speaker 1: No, no, not Scott, but the CJ plan.

1242
01:03:29,160 --> 01:03:32,400
Speaker 3: Oh well, that's the other thing. I think. My friend

1243
01:03:32,480 --> 01:03:35,440
Speaker 3: Carl everyone called him CJ, so then there would have

1244
01:03:35,480 --> 01:03:38,880
Speaker 3: been two cjs. So I guess I guess I have

1245
01:03:38,960 --> 01:03:39,840
Speaker 3: Carl to blame.

1246
01:03:40,760 --> 01:03:43,560
Speaker 1: But how how old were you? I'm saying, Oh.

1247
01:03:43,560 --> 01:03:45,800
Speaker 3: Yeah, high school? I wanted to be CJ.

1248
01:03:46,600 --> 01:03:49,520
Speaker 1: Especially I think in that that's the prime age where

1249
01:03:49,640 --> 01:03:52,080
Speaker 1: if somebody comes forward with kind of a vulnerable like

1250
01:03:52,160 --> 01:03:54,920
Speaker 1: I've got an idea about how I can really stand

1251
01:03:54,960 --> 01:03:57,720
Speaker 1: out and shine, Oh yeah, it's your friend's job to

1252
01:03:57,840 --> 01:04:00,919
Speaker 1: crush you in that scenario, at least in the time

1253
01:04:00,960 --> 01:04:03,200
Speaker 1: I was growing up, Because it's like, oh, I've picked

1254
01:04:03,200 --> 01:04:05,520
Speaker 1: a new name. Everybody do what I say. It's like,

1255
01:04:05,560 --> 01:04:07,840
Speaker 1: not only will we not do what you say, but

1256
01:04:07,920 --> 01:04:10,760
Speaker 1: you will regret ever exposing a hope or dream to us.

1257
01:04:11,040 --> 01:04:14,840
Speaker 3: Yeah it's over. Yeah, Yeah, you can't give yourself the name.

1258
01:04:15,440 --> 01:04:19,040
Speaker 1: No, they can't. You can't. You can't act like you

1259
01:04:19,120 --> 01:04:23,040
Speaker 1: can control what other people see you as or how

1260
01:04:23,080 --> 01:04:25,600
Speaker 1: they are going to do anything towards you. You just can't.

1261
01:04:26,000 --> 01:04:27,320
Speaker 1: That's a very child, a.

1262
01:04:27,360 --> 01:04:33,120
Speaker 3: Child of respect that people just called me, Chris. Yeah,

1263
01:04:33,360 --> 01:04:36,640
Speaker 3: maybe that's in retrospect. I'm going to call you what

1264
01:04:36,720 --> 01:04:38,800
Speaker 3: your parents called you, because you know why, you're a

1265
01:04:38,800 --> 01:04:39,680
Speaker 3: stand up guy.

1266
01:04:40,040 --> 01:04:42,120
Speaker 1: Because your father's a good man and your mother is

1267
01:04:42,160 --> 01:04:43,840
Speaker 1: a strong and dedicated person.

1268
01:04:44,040 --> 01:04:48,720
Speaker 3: And my friend Chris Lamb, everyone called him Slammer, or

1269
01:04:48,800 --> 01:04:51,160
Speaker 3: they called him swanny. I don't want to tell you

1270
01:04:51,240 --> 01:04:53,400
Speaker 3: why they called him swanny. It's because he had a

1271
01:04:53,400 --> 01:04:56,520
Speaker 3: big penis and they saw in gym class and Ian

1272
01:04:56,560 --> 01:05:00,280
Speaker 3: Lovely said it looked like a swan's neck, it was

1273
01:05:00,320 --> 01:05:03,400
Speaker 3: so big, So they called him swanny. What if you

1274
01:05:03,400 --> 01:05:06,760
Speaker 3: had a nickname that also was an advertisement? That's all

1275
01:05:06,800 --> 01:05:07,360
Speaker 3: I wanted.

1276
01:05:07,920 --> 01:05:10,480
Speaker 1: That's a great Sorry, It's way better than c J.

1277
01:05:10,920 --> 01:05:11,720
Speaker 1: That's amazing.

1278
01:05:12,320 --> 01:05:17,960
Speaker 3: Calling me big Dick CJ. C J.

1279
01:05:18,200 --> 01:05:22,800
Speaker 1: Dickerson anything everybody I take on.

1280
01:05:23,800 --> 01:05:28,040
Speaker 3: I'd say, called Christopher Richards and I'd take anything any

1281
01:05:28,160 --> 01:05:29,160
Speaker 3: version of dick.

1282
01:05:29,520 --> 01:05:35,000
Speaker 1: Now, Swanny is an amazing Separate from the amazing compliment

1283
01:05:35,040 --> 01:05:38,640
Speaker 1: and congratulations to Swanny because isn't nice for him.

1284
01:05:38,440 --> 01:05:40,720
Speaker 3: But ever appreciated it to this day.

1285
01:05:40,600 --> 01:05:42,840
Speaker 1: He didn't like it. No, self conscious.

1286
01:05:42,960 --> 01:05:45,600
Speaker 3: I don't want people to know I have this giant hangar.

1287
01:05:47,720 --> 01:05:51,120
Speaker 1: What's the problem. I don't make problems where there aren't problems.

1288
01:05:51,120 --> 01:05:53,880
Speaker 1: Swanny exactly got it made in the shade.

1289
01:05:53,960 --> 01:05:56,600
Speaker 3: Swanni, come on, swan Man, come on.

1290
01:05:56,840 --> 01:05:59,600
Speaker 1: But that name, separate from the reason, is a great

1291
01:05:59,680 --> 01:06:02,000
Speaker 1: nick Swannye, yeah, yeah, it is.

1292
01:06:02,200 --> 01:06:02,560
Speaker 3: It is.

1293
01:06:02,720 --> 01:06:05,440
Speaker 1: They had nicknames in my high school because there was

1294
01:06:05,560 --> 01:06:08,680
Speaker 1: My high school was all bullies. That was like almost required,

1295
01:06:08,680 --> 01:06:12,320
Speaker 1: and everyone had the bully everybody and the boys especially

1296
01:06:12,440 --> 01:06:14,840
Speaker 1: They would make up nicknames. And you're like, I don't know,

1297
01:06:14,920 --> 01:06:16,440
Speaker 1: I don't want to know why you're calling him that

1298
01:06:16,560 --> 01:06:19,680
Speaker 1: every single person had a nickname, like they called people.

1299
01:06:20,080 --> 01:06:22,480
Speaker 1: There was some one guy they called Juice and like

1300
01:06:23,080 --> 01:06:25,800
Speaker 1: they only I only ever heard his name is Juice.

1301
01:06:25,840 --> 01:06:28,040
Speaker 1: And then years later my sister said she was somewhere

1302
01:06:28,040 --> 01:06:29,800
Speaker 1: and they're like, yeah, you know Mark, you know Mark,

1303
01:06:29,800 --> 01:06:32,520
Speaker 1: because they're all like at that point thirty five or forty,

1304
01:06:32,880 --> 01:06:34,600
Speaker 1: and she's like, I don't know who you're talking about.

1305
01:06:34,680 --> 01:06:37,040
Speaker 1: And then finally someone else is like, Laura, it's Juice

1306
01:06:37,080 --> 01:06:38,880
Speaker 1: and she's like, oh, yeah, yeah, Juice, I know Juice.

1307
01:06:38,920 --> 01:06:42,360
Speaker 1: Like it was like that, like insane. You would get

1308
01:06:42,360 --> 01:06:45,800
Speaker 1: your nickname, you know, the fourth month of freshman year,

1309
01:06:45,920 --> 01:06:48,320
Speaker 1: and that's all you were called for the rest of school.

1310
01:06:48,360 --> 01:06:50,840
Speaker 3: Yeah. I think you had to play football or something.

1311
01:06:50,920 --> 01:06:53,440
Speaker 3: There was a kid, Ryan Salisbury in my school. They

1312
01:06:53,480 --> 01:06:57,400
Speaker 3: called him Sauce and I thought, Sauce, catch it, Sauce.

1313
01:06:57,600 --> 01:06:59,800
Speaker 3: I'm like, wow, why is no one calling me so

1314
01:07:01,040 --> 01:07:04,040
Speaker 3: because I'm not catching any balls. Yep.

1315
01:07:04,240 --> 01:07:07,480
Speaker 1: You can't just pick other people to nickname.

1316
01:07:07,320 --> 01:07:10,439
Speaker 3: I swear. I tried to get him started. I'm like, hey,

1317
01:07:11,000 --> 01:07:13,560
Speaker 3: when we go by this group of people in the hallway,

1318
01:07:13,560 --> 01:07:15,960
Speaker 3: do you mind just calling me CJ? And no one

1319
01:07:16,000 --> 01:07:17,480
Speaker 3: would do it. Damn it.

1320
01:07:19,000 --> 01:07:20,880
Speaker 1: They were like, we gotta kick this guy out of

1321
01:07:20,880 --> 01:07:21,640
Speaker 1: our group of friends.

1322
01:07:21,720 --> 01:07:25,160
Speaker 3: I guess I'm so nerdy, just another Chris.

1323
01:07:25,600 --> 01:07:27,720
Speaker 1: Could you call me CJ? For just a little while.

1324
01:07:27,720 --> 01:07:30,880
Speaker 1: Everyone's like, well, since you're asking, no, the answer is

1325
01:07:30,880 --> 01:07:34,400
Speaker 1: a firm no. Maybe one day, could you call me

1326
01:07:34,480 --> 01:07:38,439
Speaker 1: Swany too? No, No, Swanny too.

1327
01:07:38,640 --> 01:07:39,600
Speaker 3: Swany part two?

1328
01:07:41,240 --> 01:07:46,040
Speaker 1: Please could you call me Swanny too? Electric Bugaloo. It'll

1329
01:07:46,120 --> 01:07:48,000
Speaker 1: take a long time, but it'll be so worth it

1330
01:07:48,080 --> 01:07:48,680
Speaker 1: in terms of.

1331
01:07:48,720 --> 01:07:52,320
Speaker 3: Social calling, Swanny too. Call in Revenge of the Goose,

1332
01:07:54,040 --> 01:07:57,959
Speaker 3: call me gooseman. Please call me goose man. I'll show

1333
01:07:57,960 --> 01:07:58,400
Speaker 3: it to you.

1334
01:07:58,600 --> 01:07:59,960
Speaker 1: I'll show it to you and Jim.

1335
01:08:00,240 --> 01:08:07,640
Speaker 3: If you just call me goose goose which bring us

1336
01:08:08,000 --> 01:08:10,080
Speaker 3: brings us right back to val Kilmer.

1337
01:08:11,240 --> 01:08:14,040
Speaker 1: Well, sorry, we have to put electric break into Electric

1338
01:08:14,080 --> 01:08:15,080
Speaker 1: Boogloo on your list.

1339
01:08:15,760 --> 01:08:18,479
Speaker 3: Yeah, there, that's number one. We watched it over and

1340
01:08:18,520 --> 01:08:22,760
Speaker 3: over our senior year. Everyone does some performance in the

1341
01:08:22,800 --> 01:08:26,920
Speaker 3: auditorium for the entire school, and Ross, the guy that

1342
01:08:27,000 --> 01:08:29,160
Speaker 3: I went to look at the dump truck for, and

1343
01:08:29,160 --> 01:08:35,720
Speaker 3: Andy and I, uh, we put together a breakdance performance

1344
01:08:35,960 --> 01:08:40,560
Speaker 3: along to Sea Is for Cookie by Cookie Monster. Oh,

1345
01:08:40,600 --> 01:08:44,600
Speaker 3: and we actually Ross learned he was like doing he

1346
01:08:44,680 --> 01:08:49,799
Speaker 3: did like a gymnastics move, and mostly we were spinning.

1347
01:08:50,600 --> 01:08:54,320
Speaker 3: But I learned the diving worm like we practice, we rehearsed,

1348
01:08:54,360 --> 01:08:57,400
Speaker 3: we put more effort into this performance than anything. And

1349
01:08:57,439 --> 01:08:59,840
Speaker 3: then when we did it for the whole school at

1350
01:08:59,840 --> 01:09:03,200
Speaker 3: the end, and I guess this is why we chose

1351
01:09:03,320 --> 01:09:05,959
Speaker 3: see it's for cookie. At the end, we threw cookies

1352
01:09:06,000 --> 01:09:09,960
Speaker 3: into the audience, but they they were backlit because the

1353
01:09:10,040 --> 01:09:12,479
Speaker 3: lights were all on stage and the auditorium was dark.

1354
01:09:12,520 --> 01:09:16,320
Speaker 3: So we were just pelting children. I think our principal

1355
01:09:16,360 --> 01:09:18,759
Speaker 3: got a cookie like in the forehead. We were hitting.

1356
01:09:19,400 --> 01:09:22,240
Speaker 3: We got in trouble. We've won the competition, by the way,

1357
01:09:22,680 --> 01:09:24,479
Speaker 3: but then we had to stay after school and clean

1358
01:09:24,520 --> 01:09:25,400
Speaker 3: all these cookies.

1359
01:09:26,479 --> 01:09:28,519
Speaker 1: So they were just loose cookies. They weren't like it

1360
01:09:28,520 --> 01:09:30,120
Speaker 1: wasn't like here's a little bag of cookies.

1361
01:09:30,200 --> 01:09:33,200
Speaker 3: We cracked open a sleeve and tossed them like frisbees.

1362
01:09:34,560 --> 01:09:36,960
Speaker 3: We were belting them. We should have done more of

1363
01:09:37,000 --> 01:09:40,080
Speaker 3: a rainbow throw. We were throwing them like throwing stars.

1364
01:09:40,160 --> 01:09:41,639
Speaker 3: We just got we were nerves.

1365
01:09:41,640 --> 01:09:43,760
Speaker 1: You're excited. Yeah. There had a lot of energy, a

1366
01:09:43,760 --> 01:09:44,160
Speaker 1: lout of.

1367
01:09:44,320 --> 01:09:48,600
Speaker 3: Yeah, yeah, yeah yeah. And after that bug, after.

1368
01:09:50,000 --> 01:09:52,200
Speaker 1: After that performance, you didn't go could you call me

1369
01:09:52,240 --> 01:09:54,559
Speaker 1: the worm? Did you see me do the worm? I'm

1370
01:09:54,560 --> 01:09:55,280
Speaker 1: gonna be the worm?

1371
01:09:55,360 --> 01:09:58,439
Speaker 3: Please? What if I show you my pain is well,

1372
01:09:59,280 --> 01:10:06,040
Speaker 3: oh no that I don't know. No, please stop calling

1373
01:10:06,040 --> 01:10:08,240
Speaker 3: me the worm. I know I asked, I know, I

1374
01:10:08,280 --> 01:10:08,880
Speaker 3: asked you too.

1375
01:10:10,640 --> 01:10:13,439
Speaker 1: I swear this is the last nickname request I'm gonna submit.

1376
01:10:13,880 --> 01:10:17,080
Speaker 1: Your friends are just like, please stop talking to us.

1377
01:10:17,240 --> 01:10:22,280
Speaker 3: No, we're not gonna call you captain, big worm. Captain,

1378
01:10:22,320 --> 01:10:24,920
Speaker 3: how about captain? Take off that hat.

1379
01:10:25,120 --> 01:10:29,400
Speaker 1: No you're not a captain. Please, this is stolen valor.

1380
01:10:31,080 --> 01:10:35,280
Speaker 1: We did a when I was a junior, Me and

1381
01:10:35,560 --> 01:10:39,240
Speaker 1: Michelle Knowles and Christina Davis did a dance to the

1382
01:10:39,320 --> 01:10:42,400
Speaker 1: song Our Love Is Chemical, which was in the movie

1383
01:10:42,479 --> 01:10:45,880
Speaker 1: Nine and a half Weeks. We made it up. It

1384
01:10:45,960 --> 01:10:49,720
Speaker 1: was for the talent show and we it was such

1385
01:10:49,760 --> 01:10:53,800
Speaker 1: a hit and I don't know why. I don't know why.

1386
01:10:53,920 --> 01:10:56,080
Speaker 1: It was just really good. I think we just did

1387
01:10:56,160 --> 01:10:58,040
Speaker 1: really good moves and we were it was kind of

1388
01:10:58,040 --> 01:11:01,160
Speaker 1: cool and the song was cool and it was like

1389
01:11:01,240 --> 01:11:03,600
Speaker 1: this like Harack kind of thing at the end. It

1390
01:11:03,680 --> 01:11:07,000
Speaker 1: was so exciting, and then my sister goes. Dad's mad.

1391
01:11:07,040 --> 01:11:08,320
Speaker 1: He thought that dance was dirty.

1392
01:11:10,280 --> 01:11:11,560
Speaker 3: It's ruined everything.

1393
01:11:13,080 --> 01:11:14,720
Speaker 1: It was like two because we were doing you know

1394
01:11:15,120 --> 01:11:18,400
Speaker 1: kind of it was, you know, nineteen eighty seven. I think,

1395
01:11:18,439 --> 01:11:21,839
Speaker 1: so it's gyrations and stuff like that. He did not approve.

1396
01:11:22,000 --> 01:11:23,360
Speaker 1: He did not like it at all.

1397
01:11:23,720 --> 01:11:26,559
Speaker 3: Yeah, I haven't stopped to think if my parents were

1398
01:11:26,560 --> 01:11:28,440
Speaker 3: in the audience. Now I'm embarrassed.

1399
01:11:30,680 --> 01:11:31,719
Speaker 1: Were your parents in the audience.

1400
01:11:31,840 --> 01:11:33,479
Speaker 3: That's not how we taught you. What's that?

1401
01:11:34,400 --> 01:11:36,439
Speaker 1: Was there a beat under cus for cookie or were

1402
01:11:36,479 --> 01:11:37,759
Speaker 1: you being like funny?

1403
01:11:38,479 --> 01:11:40,960
Speaker 3: We were trying really hard to be funny.

1404
01:11:41,040 --> 01:11:44,280
Speaker 1: Yeah, yeah, but you'd won. We were on the way.

1405
01:11:44,320 --> 01:11:45,200
Speaker 1: You were right.

1406
01:11:45,520 --> 01:11:47,680
Speaker 3: They I think they were like, wait a minute, they

1407
01:11:47,800 --> 01:11:51,680
Speaker 3: actually all learned to break dance. I still pull out

1408
01:11:51,680 --> 01:11:52,920
Speaker 3: those moves to this day.

1409
01:11:54,439 --> 01:11:57,799
Speaker 1: Oh, Chris, I stole your bid on. We did a miniesot.

1410
01:11:57,960 --> 01:12:01,519
Speaker 1: We recorded a miniesod for my favorite murder and Stephen

1411
01:12:01,560 --> 01:12:04,439
Speaker 1: what was the word it was? Georgia said something and

1412
01:12:04,439 --> 01:12:08,160
Speaker 1: then it remin Oh it was something about pot remember,

1413
01:12:08,240 --> 01:12:13,599
Speaker 1: and then it was like the leg I started doing

1414
01:12:13,600 --> 01:12:16,360
Speaker 1: the Zion bit and then I'm like, oh shit, I'm stealing.

1415
01:12:16,400 --> 01:12:18,559
Speaker 1: This is a bit from Chris Fairbanks from You Need

1416
01:12:18,680 --> 01:12:20,880
Speaker 1: to Rydal But I had to give you credit.

1417
01:12:21,200 --> 01:12:23,919
Speaker 3: And my special, I mean I almost called my comedy

1418
01:12:23,960 --> 01:12:27,400
Speaker 3: special Mount Zion, but I think it would be triggering

1419
01:12:27,760 --> 01:12:31,840
Speaker 3: for people. Uh it was, But yeah, legalize it. God,

1420
01:12:31,880 --> 01:12:34,720
Speaker 3: I shouldn't get like that. I wish that we had

1421
01:12:34,720 --> 01:12:36,280
Speaker 3: this conversation a year ago.

1422
01:12:36,920 --> 01:12:37,240
Speaker 1: I know.

1423
01:12:37,760 --> 01:12:40,720
Speaker 3: But in conclusion, I mean, we're we're doing. I am that.

1424
01:12:40,800 --> 01:12:41,400
Speaker 1: Yeah, We're done.

1425
01:12:41,439 --> 01:12:44,840
Speaker 3: That special will be on Amazon in about a week

1426
01:12:44,880 --> 01:12:45,280
Speaker 3: and a half.

1427
01:12:46,000 --> 01:12:48,160
Speaker 1: Is that true? Chris? Okay, what's the name? What name

1428
01:12:48,200 --> 01:12:48,800
Speaker 1: did you land on?

1429
01:12:49,120 --> 01:12:51,640
Speaker 3: Well? I know that you had maybe didn't think it

1430
01:12:51,680 --> 01:12:54,280
Speaker 3: was the best, but it is a Once you see

1431
01:12:54,320 --> 01:12:58,679
Speaker 3: the opening and and the packaging of it, it'll be

1432
01:12:59,120 --> 01:13:02,120
Speaker 3: it's just a nonsense. It's called Rescue Cactus.

1433
01:13:02,520 --> 01:13:03,479
Speaker 1: Rescue Cactus.

1434
01:13:03,560 --> 01:13:06,360
Speaker 3: Yes, it's just a silly name. Yeah. I thought about

1435
01:13:06,360 --> 01:13:08,559
Speaker 3: it's going to be called bad timing, and then I

1436
01:13:08,560 --> 01:13:12,439
Speaker 3: thought that was maybe negative. Yeah yeah, like wait, I

1437
01:13:13,560 --> 01:13:15,960
Speaker 3: timing is all I have bad writing, but I'm not

1438
01:13:16,000 --> 01:13:20,160
Speaker 3: gonna call it that. So it's called Rescue pat And

1439
01:13:20,200 --> 01:13:23,600
Speaker 3: it looks it looks good on the poster, and it

1440
01:13:23,720 --> 01:13:27,800
Speaker 3: makes sense after you watch the special. Most names of specials,

1441
01:13:27,840 --> 01:13:29,280
Speaker 3: you have to watch it and then you're like, oh,

1442
01:13:29,280 --> 01:13:30,400
Speaker 3: that's why it was called that.

1443
01:13:31,080 --> 01:13:32,880
Speaker 1: Well, and as long as we get the name out

1444
01:13:32,920 --> 01:13:35,960
Speaker 1: to our listeners, who will then tell five loved ones

1445
01:13:36,040 --> 01:13:39,080
Speaker 1: or friends the same name and then everyone will watch it.

1446
01:13:39,280 --> 01:13:43,400
Speaker 3: Yeah, we'll make it, yeah officially once we're but it

1447
01:13:43,439 --> 01:13:46,920
Speaker 3: is finished. The edit was finished today and the color

1448
01:13:47,000 --> 01:13:50,280
Speaker 3: correction and the subtitles and all that fun stuff.

1449
01:13:50,360 --> 01:13:54,479
Speaker 1: Yeah, I can't wait. You have to definitely please text

1450
01:13:54,600 --> 01:13:58,640
Speaker 1: Steven that information about like where it's premiering and the

1451
01:13:58,720 --> 01:14:00,680
Speaker 1: name and everything, so that we remember to say it

1452
01:14:00,720 --> 01:14:03,080
Speaker 1: on my favorite murder. Oh that'll be amazing, so many

1453
01:14:03,160 --> 01:14:04,040
Speaker 1: more people hear it.

1454
01:14:04,320 --> 01:14:09,000
Speaker 3: Thank you, Karen, and I mean and a it's this

1455
01:14:09,240 --> 01:14:14,400
Speaker 3: lady way. Oh you're such a Karen, I mean my friend.

1456
01:14:14,560 --> 01:14:17,200
Speaker 1: Thanks Karen, Thanks Karen, your name.

1457
01:14:19,280 --> 01:14:22,519
Speaker 3: We were talking about the names of specials. We were

1458
01:14:22,520 --> 01:14:25,400
Speaker 3: talking about cactus. We're talking about bad timing. We're talking

1459
01:14:25,400 --> 01:14:27,400
Speaker 3: about legalize.

1460
01:14:27,280 --> 01:14:31,800
Speaker 1: Legalize it whatever it was, it wasn't worth it. LegalZoom

1461
01:14:31,960 --> 01:14:37,080
Speaker 1: dot com, legal zoom dot com. All right, are we done?

1462
01:14:36,880 --> 01:14:37,519
Speaker 3: I got it.

1463
01:14:38,040 --> 01:14:40,679
Speaker 1: There's nine movie recommendations. I don't know what more people

1464
01:14:40,720 --> 01:14:41,240
Speaker 1: want from you.

1465
01:14:41,439 --> 01:14:43,799
Speaker 3: Yeah, get to watching Misery.

1466
01:14:44,920 --> 01:14:47,719
Speaker 1: Misery is number one. Oh. I put the movie Magic

1467
01:14:47,840 --> 01:14:49,920
Speaker 1: as number two, even though I didn't say it out loud,

1468
01:14:49,920 --> 01:14:52,360
Speaker 1: and I don't know why. It's like I want to

1469
01:14:52,400 --> 01:14:55,559
Speaker 1: remind myself to watch the movie Magic. Because it's about

1470
01:14:55,600 --> 01:14:59,400
Speaker 1: a demon ventriloquist dummy from and Anthony Hopkins is the star.

1471
01:15:00,240 --> 01:15:01,680
Speaker 3: I'm watching them. You never seen me?

1472
01:15:01,800 --> 01:15:05,360
Speaker 1: Hang up, it's really it's good. It's from the seventies.

1473
01:15:05,720 --> 01:15:09,160
Speaker 1: It's creepy. It's like all the things you need as

1474
01:15:09,200 --> 01:15:10,040
Speaker 1: a creepy movie.

1475
01:15:10,080 --> 01:15:13,240
Speaker 3: Did you say Hopkins are Hopper? Dennis Hoppin, Anthony.

1476
01:15:12,880 --> 01:15:15,080
Speaker 1: Hopkins, Anthony Hopkins?

1477
01:15:15,160 --> 01:15:17,200
Speaker 3: Oh, Hopkins and Hopper? Did they ever do it?

1478
01:15:17,200 --> 01:15:21,400
Speaker 1: Hello? Hello Clarice, Oh hello, k that's what made me

1479
01:15:21,400 --> 01:15:23,160
Speaker 1: put it on there. That's what we think of it.

1480
01:15:25,320 --> 01:15:28,240
Speaker 3: Quizmed, I'm pretty sure.

1481
01:15:28,800 --> 01:15:31,720
Speaker 1: I'm pretty shirt's Anthony Hopkins almost positive, Yeah, because the

1482
01:15:32,160 --> 01:15:36,160
Speaker 1: doll looks like him. Very disturbing. Yeah right, it's totally

1483
01:15:36,240 --> 01:15:43,040
Speaker 1: sun sundown like so good.

1484
01:15:43,080 --> 01:15:48,200
Speaker 3: Did you see you bound that day? Is that what

1485
01:15:48,240 --> 01:15:48,800
Speaker 3: you were saying?

1486
01:15:49,000 --> 01:15:51,120
Speaker 1: Mayor me or meor meor meir me or me or

1487
01:15:51,200 --> 01:15:53,960
Speaker 1: me or meor maor meer another great, let's put that on.

1488
01:15:54,040 --> 01:15:56,679
Speaker 1: Gord's Gold is number ten on the recommendation list.

1489
01:15:57,120 --> 01:15:59,360
Speaker 3: You guys have a busy, busy weekend.

1490
01:16:01,840 --> 01:16:04,639
Speaker 1: We go totally off the movie list and.

1491
01:16:04,840 --> 01:16:08,360
Speaker 3: To plug with you, Karen, No, I.

1492
01:16:08,280 --> 01:16:10,880
Speaker 1: Don't think so well. Oh that's what I was going

1493
01:16:10,920 --> 01:16:13,280
Speaker 1: to say is because you and I talked about your

1494
01:16:14,000 --> 01:16:16,839
Speaker 1: the name of your special, which again is Rescue Cactus.

1495
01:16:16,840 --> 01:16:19,400
Speaker 1: But for a little while I was arguing for bad timing.

1496
01:16:19,400 --> 01:16:21,920
Speaker 1: But I was going to say, don't listen to me

1497
01:16:22,600 --> 01:16:24,679
Speaker 1: because and I don't think I told you the story

1498
01:16:24,760 --> 01:16:28,799
Speaker 1: last time. But when they were naming Mister Show, David

1499
01:16:28,920 --> 01:16:30,679
Speaker 1: was it was one night we were at a live

1500
01:16:30,680 --> 01:16:32,559
Speaker 1: show we were all doing together, and David was going

1501
01:16:32,600 --> 01:16:35,360
Speaker 1: around and taking a poll of all of his friends

1502
01:16:35,400 --> 01:16:38,240
Speaker 1: and saying, what do you think we should name this show?

1503
01:16:38,680 --> 01:16:41,920
Speaker 1: Should we name it Mister Show or Grand National Championships?

1504
01:16:42,200 --> 01:16:45,040
Speaker 1: And I was like, it has to be Grand National Championships.

1505
01:16:45,080 --> 01:16:48,719
Speaker 1: Obviously that's the way better name. It's such a good name.

1506
01:16:49,000 --> 01:16:51,200
Speaker 1: And he's like okay, And then of course they didn't

1507
01:16:51,479 --> 01:16:53,840
Speaker 1: and clearly mister Show is a way better name. But

1508
01:16:53,960 --> 01:16:57,559
Speaker 1: like I was so sure, I was positive it needed

1509
01:16:57,600 --> 01:16:59,160
Speaker 1: to be Grand National Championships.

1510
01:16:59,200 --> 01:17:01,280
Speaker 3: I was going to it's just clung if it's a

1511
01:17:01,320 --> 01:17:03,800
Speaker 3: lot of words, I wanted it to be at least

1512
01:17:03,840 --> 01:17:06,800
Speaker 3: one word, if not two, And I for a while

1513
01:17:06,840 --> 01:17:09,800
Speaker 3: it was going to be emotional support comedian because I thought, oh,

1514
01:17:09,840 --> 01:17:13,000
Speaker 3: people will click on that because those are trending words

1515
01:17:13,080 --> 01:17:15,439
Speaker 3: or what you know, it's you can think about it

1516
01:17:15,479 --> 01:17:18,519
Speaker 3: forever and need I mentioned, but we did a sketch

1517
01:17:18,560 --> 01:17:22,640
Speaker 3: show in Austin called The hyper Jackson Chamber, which we

1518
01:17:22,680 --> 01:17:25,280
Speaker 3: thought was amazing, and then after a while I'm like, oh,

1519
01:17:25,400 --> 01:17:29,919
Speaker 3: so many words. You know. Yeah, mister show is like elbow.

1520
01:17:30,000 --> 01:17:32,320
Speaker 3: It's a linguist would suggest it.

1521
01:17:32,320 --> 01:17:36,480
Speaker 1: It's simple, clean, small compact, travel size.

1522
01:17:36,320 --> 01:17:39,439
Speaker 3: Sharp, constantine, clariss a cellar door.

1523
01:17:39,479 --> 01:17:41,000
Speaker 1: It's it's the cellar door.

1524
01:17:41,280 --> 01:17:43,559
Speaker 3: It's a vowel with peaks and valleys.

1525
01:17:45,800 --> 01:17:47,800
Speaker 1: And also, no one really gives a shit about the title.

1526
01:17:47,800 --> 01:17:49,720
Speaker 1: You're right, it's likely they need to know how to

1527
01:17:49,800 --> 01:17:52,599
Speaker 1: find you. Half the time they'll be searching by your

1528
01:17:52,680 --> 01:17:57,639
Speaker 1: name anyway. But Rescue Cactus, Rescue Cactus. Just everybody remember

1529
01:17:57,760 --> 01:17:59,240
Speaker 1: Amazon Rescue Cactus.

1530
01:17:59,280 --> 01:18:02,360
Speaker 3: Thank you, Carrien. Yeah, you're welcome.

1531
01:18:02,840 --> 01:18:04,120
Speaker 1: And you're welcome.

1532
01:18:05,960 --> 01:18:10,679
Speaker 3: To put in questions for future episodes. Oh yes, let's

1533
01:18:10,720 --> 01:18:12,320
Speaker 3: do the fun.

1534
01:18:12,439 --> 01:18:16,519
Speaker 1: So and our logic here is we found out that

1535
01:18:16,600 --> 01:18:19,559
Speaker 1: our numbers go way up when you guys get to

1536
01:18:19,600 --> 01:18:22,479
Speaker 1: ask us questions that we answer, which we should also

1537
01:18:22,520 --> 01:18:25,040
Speaker 1: think of other ways people can participate that way, so

1538
01:18:25,080 --> 01:18:29,000
Speaker 1: that they feel engaged. And it's not just us remembering

1539
01:18:29,080 --> 01:18:30,680
Speaker 1: things and telling them to.

1540
01:18:30,960 --> 01:18:32,599
Speaker 3: Their movies for them to watch later.

1541
01:18:32,880 --> 01:18:38,320
Speaker 1: Yes, exactly. So yeah, if you have questions or you know,

1542
01:18:38,439 --> 01:18:41,560
Speaker 1: and it's not you know, we've done lots of Q

1543
01:18:41,680 --> 01:18:45,000
Speaker 1: and A. You can ask us anything anything you want,

1544
01:18:45,160 --> 01:18:47,360
Speaker 1: or talk or bring up anything you want and have

1545
01:18:47,439 --> 01:18:48,880
Speaker 1: us talk about it or whatever. It doesn't have to

1546
01:18:48,920 --> 01:18:51,680
Speaker 1: be like a probing what was it like when you

1547
01:18:51,720 --> 01:18:54,400
Speaker 1: were eleven? It can just truly be like, what's your

1548
01:18:54,439 --> 01:18:57,360
Speaker 1: favorite type of couch? And I will tell you a

1549
01:18:57,439 --> 01:19:04,360
Speaker 1: fucking leather sectional and all that fast and see do

1550
01:19:04,400 --> 01:19:07,200
Speaker 1: you see why the number skyrocket this kind of back

1551
01:19:07,240 --> 01:19:10,560
Speaker 1: and forth podcast.

1552
01:19:09,640 --> 01:19:12,439
Speaker 3: That that interactions like that, I'll take us to the

1553
01:19:12,439 --> 01:19:13,280
Speaker 3: top of the church.

1554
01:19:13,680 --> 01:19:17,920
Speaker 1: Look out, Hey, guess what, CJ, You and me are

1555
01:19:17,920 --> 01:19:21,439
Speaker 1: going to the top of the charts. Karen and CJ

1556
01:19:21,840 --> 01:19:25,360
Speaker 1: making it great. So write in your questions call me

1557
01:19:25,439 --> 01:19:34,080
Speaker 1: goose neck. Wait, sorry, do we write am in? Steve

1558
01:19:34,120 --> 01:19:36,320
Speaker 1: and everyone knows how to do it at this point, right, Yeah,

1559
01:19:36,320 --> 01:19:38,519
Speaker 1: I think we'll have J make a social post and

1560
01:19:38,560 --> 01:19:42,759
Speaker 1: you can just comment on Twitter, Facebook and Instagram. Awesome, perfect,

1561
01:19:42,880 --> 01:19:44,160
Speaker 1: thank you, thank you all right?

1562
01:19:44,160 --> 01:19:46,760
Speaker 3: Great? Sorry, Chris you've been listening to Do you need

1563
01:19:46,800 --> 01:19:49,880
Speaker 3: a ride? My name is CJ. Swannee bear Pangs.

1564
01:19:52,760 --> 01:19:54,439
Speaker 1: E y N d U I n A.

1565
01:19:58,000 --> 01:19:58,879
Speaker 3: I leave.

1566
01:20:00,560 --> 01:20:01,840
Speaker 1: Way back home.

1567
01:20:02,080 --> 01:20:07,240
Speaker 2: Either way we want to be there. Doesn't matter how

1568
01:20:07,320 --> 01:20:11,480
Speaker 2: much baggage you claim and give us time and a

1569
01:20:11,640 --> 01:20:16,840
Speaker 2: terminol and gay. We want to send you off instart.

1570
01:20:18,240 --> 01:20:23,120
Speaker 1: We want to welcome you back home. Tell us all

1571
01:20:23,120 --> 01:20:23,760
Speaker 1: about it.

1572
01:20:23,920 --> 01:20:24,720
Speaker 3: We scared her?

1573
01:20:24,920 --> 01:20:28,280
Speaker 1: Was it fine? Melbourne?

1574
01:20:44,200 --> 01:20:45,519
Speaker 3: Do you need to ride?

1575
01:20:46,200 --> 01:20:47,599
Speaker 1: Do you need to ride?

1576
01:20:48,200 --> 01:20:49,519
Speaker 3: Do you need to ride?

1577
01:20:50,120 --> 01:20:53,479
Speaker 1: Do you need to ride? Do you need to ride?

1578
01:20:54,080 --> 01:20:57,439
Speaker 1: Do you need to ride? Do you ride?

1579
01:20:58,040 --> 01:20:58,960
Speaker 2: Do you need.

1580
01:21:00,439 --> 01:21:06,240
Speaker 3: A little Peter with Karen and Chriss