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Speaker 1: The setup Episode three, Only Fools Russian.

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Speaker 2: The train is approaching the extension.

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Speaker 3: Please watch you and thank you again for confirming my

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Speaker 3: mental health sabbatical with the museum.

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Speaker 2: Of course, one, though, I must say I was surprised

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Speaker 2: to receive his call. If you're truly having continued issues

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Speaker 2: in the workplace, it's something we must talk about.

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Speaker 3: Well for Ananderny are on vacation.

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Speaker 2: Oh, I see a vacation already now.

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Speaker 4: One.

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Speaker 2: A vacation is distinctly different from a mental health sabbatical.

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Speaker 5: And it's both.

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Speaker 3: It's it's a vacation and it's also sabbatical. And I'm

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Speaker 3: so sorry I didn't give you more notice. This was

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Speaker 3: all kind of you know, last minute, but it's totally necessary.

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Speaker 3: Two birds one stone kind of thing, you know.

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Speaker 2: Hmm, all right, I am clearly surprised. But we can

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Speaker 2: continue our in person sessions when you return exactly.

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Speaker 5: That would be great.

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Speaker 3: Yes, of course, that sounds great and fantastic, And who knows,

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Speaker 3: you know, maybe next time you see me, I'll officially

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Speaker 3: have a boyfriend. Ah, I understand now, and understand what one.

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Speaker 2: No one is more ecstatic than I am that you're

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Speaker 2: finally stepping off the canvas and into the dating pool.

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Speaker 2: But I would advise you to keep at least one

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Speaker 2: firm for in reality, I'd recommend you manage your expectations

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Speaker 2: with Fernando carefully.

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Speaker 5: I'm sorry, expectations.

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Speaker 2: Did you let anyone else know where you're headed? All out? Perhaps?

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Speaker 2: Are you certain you feel safe?

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Speaker 3: Safe? I mean, what possible reason could I have not

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Speaker 3: to feel safe?

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Speaker 6: Right? Oh?

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Speaker 5: Shoot, sorry, that that's up. Well now I gotta go.

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Speaker 5: Thanks for the thanks for the advice. Okay, thank you, Auilla.

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Speaker 5: Are you okay? Do you need me to come back?

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Speaker 7: I know one more.

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Speaker 8: I'm just calling to hiking and to see how you're

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Speaker 8: romantic getaways going.

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Speaker 3: Okay, okay, well it's it's fine.

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Speaker 9: Good.

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Speaker 3: Yeah, great, Actually it's it's super.

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Speaker 2: Do you sound more nervous than usual?

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Speaker 5: I don't know.

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Speaker 3: I am great, so great, never never been better.

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Speaker 9: Actually, in the.

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Speaker 2: Less, you do not like?

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Speaker 9: Okay?

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Speaker 3: Okay, fine, fine, I guess I guess I'm just a

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Speaker 3: tiny bit worried I might be rushing into things with

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Speaker 3: this whole weekend get away. And am I maybe jumping

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Speaker 3: into all of this too quickly?

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Speaker 2: And from where did you get this stunted?

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Speaker 3: I don't know, I don't know from my ingrained a

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Speaker 3: version to risk in general, one.

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Speaker 8: Hue life is about taking risks. I think this trip

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Speaker 8: is exactly what you need. Time away from the museum,

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Speaker 8: time away from your team, away from the city, and

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Speaker 8: time with Fernando.

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Speaker 5: Just a second, a second, Okay, I have to go away.

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Speaker 6: I love you.

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Speaker 2: Don't be afraid to tell Fernando how you feel.

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Speaker 9: Okay, I'll give him keys from.

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Speaker 2: Me, a long slow keys with That's enough.

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Speaker 7: Okay, Am I interrupting something?

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Speaker 3: Oh no, no, I was just talking to Boil she

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Speaker 3: she She says, Hi, Well that is really sweet of her.

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Speaker 7: Yeah, well, okay, Chili. Do we have a half hour

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Speaker 7: before we hit the station, and I want us to

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Speaker 7: review the plan. Mark is Elizabeth Livingston widower eighties eccentric cult.

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Speaker 6: Yeah.

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Speaker 9: Yes.

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Speaker 7: Her late husband, Richard was a huge fan of Margaret

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Speaker 7: Delano's early work.

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Speaker 3: Ms.

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Speaker 7: Livingston lives in an early nineteenth century mansion in Pocatico Hill.

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Speaker 7: That was nice, About a twenty minute drive from the

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Speaker 7: train station.

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Speaker 4: Got it.

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Speaker 3: Miss Livingston is our target.

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Speaker 7: She's our mark. The word you're looking for is mark,

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Speaker 7: right right?

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Speaker 5: Miss Livingston is our mark. Sorry, I will I won't

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Speaker 5: screw that up again.

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Speaker 7: Now are you doing great? Okay, I'm okay, hold on

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Speaker 7: just a second. Meet you have what you just have

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Speaker 7: a little what is it? There's a there's a piece

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Speaker 7: of fuzz in your in your scroll?

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Speaker 9: Was it there?

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Speaker 4: Yeah?

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Speaker 7: Let me let me just stuff who there? Got it?

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Speaker 4: Thanks?

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Speaker 3: Thanks for that.

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Speaker 7: Now, I've been thinking we should do a little warm

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Speaker 7: up before we get to Miss Living Stick.

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Speaker 3: Wait a warm up.

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Speaker 7: This is a last minute job and we haven't had

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Speaker 7: as much prep time as I will liked, So I'm

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Speaker 7: gonna need you to be on your toes, stay dynamic,

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Speaker 7: roll with the punches.

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Speaker 5: No, totally, totally, I can do that. Oh yeah, I'll

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Speaker 5: just go with the flood.

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Speaker 7: Right, But just in case, why don't we get you

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Speaker 7: into the right headspace? Okay, sure, than you try some

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Speaker 7: basic improvisational Techniqueah.

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Speaker 5: You got it?

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Speaker 6: Yeah?

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Speaker 5: Hit me.

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Speaker 7: All right, let's start with yes, and I'll start a

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Speaker 7: conversation and you respond by accepting what I've already said

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Speaker 7: and building upon it. No saying no, no, saying no

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Speaker 7: no no.

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Speaker 3: But you said no no. That's because we haven't started yet, right,

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Speaker 3: But okay, okay, Yes.

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Speaker 5: Let's begin.

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Speaker 7: Top of the morning to you. My name is Aidan O'Connor,

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Speaker 7: and yet you had some bugger. Must be the big

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Speaker 7: city lawyer hired by my family to help me with

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Speaker 7: my grand large.

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Speaker 9: In the case.

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Speaker 5: Correct, What holy crap? How are you so good at

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Speaker 5: that act? That is really incredible?

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Speaker 7: Well, I'm not sure what you're referring to, sir, but.

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Speaker 9: What are you talking about?

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Speaker 5: That is eerie? Honestly, you could be like from Dublin.

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Speaker 5: And I said, right, I'm not even kidding.

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Speaker 7: Okay, maybe we should try a different exercise.

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Speaker 6: Okay, that's what you want.

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Speaker 5: Yeah, well you can do this.

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Speaker 3: Okay, Yeah, easy for you to say. You're this worldly,

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Speaker 3: effortless central Daniel Craig guy, and I'm like this weird

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Speaker 3: awkward Melissa McCarthy.

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Speaker 4: So I care.

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Speaker 7: Yeah, but you're my weird awkward Melissa McCarthy's psideic great

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Speaker 7: and somehow now I'm blushing. Your dimples are showing the cute.

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Speaker 3: Okay, and now I'm blushing more.

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Speaker 9: So let's leave it.

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Speaker 7: You're overthinking. Yeah, just take a breath, follow my lead

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Speaker 7: when we get to Miss Livingston's Okay, trust me, you

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Speaker 7: got this.

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Speaker 3: Top of the Morning.

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Speaker 5: Taxic, so you too, Snowboy's the onld. Lady Livingston.

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Speaker 7: Missus Livingston hired us for a restoration job on one

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Speaker 7: of her pay.

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Speaker 10: Yeah, well you ought to be careful of there. Wait

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Speaker 10: on the street. Is that the old bat's one fazol

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Speaker 10: short of a fajoli?

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Speaker 9: Do we just get hate crime? I think so.

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Speaker 7: Don't worry, sir, we're professionals.

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Speaker 10: Professional ain't gonna save you when she comes at you

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Speaker 10: from behind with her dead husband's five iyron wam. I

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Speaker 10: don't like telling tales by the sea, but I heard

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Speaker 10: she often for the inheritance Miss Savage.

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Speaker 5: Oh who parks there?

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Speaker 10: Come on? Okay, give me schoozy gentlemen, but I'll have

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Speaker 10: to let you boys off here. There's a damn moving

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Speaker 10: van's glocking missus Livingston's driveway. Yeah, I'm talking to you.

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Speaker 10: He's gonna have to go running up that hill to

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Speaker 10: get to her.

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Speaker 7: I love that song. Yeah me too, Thank you, sir,

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Speaker 7: Keep the.

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Speaker 10: Change, goluck and God bless gents.

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Speaker 5: Bye bye, gonna need it?

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Speaker 7: Do you usually don't? Okay? Okay, well here we go.

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Speaker 7: You remember the plan?

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Speaker 3: Yes, yes, of course, yes, we're find our restorers sent

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Speaker 3: by the museum to between Vietri su mare. And once

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Speaker 3: we're inside, i'll distract missus Linston with a barage of

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Speaker 3: questions and insurance forms while.

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Speaker 7: You stick out the house.

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Speaker 3: Yes, yes, and make sure we're alone and locate the piece.

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Speaker 3: And once she's done filling everything out, we'll explain we

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Speaker 3: need the painting to ourselves for a few hours to

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Speaker 3: do our work. And once it's you and me and

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Speaker 3: the Delano, we're home free.

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Speaker 5: What what are you looking at?

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Speaker 10: What?

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Speaker 7: What what are you looking I'm sorry, I'm sorry, I

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Speaker 7: just I like seeing you like this, all excited and passionate.

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Speaker 3: Oh well, thank you?

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Speaker 6: All right?

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Speaker 7: Ready?

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Speaker 5: Ready, yes, hardly a right?

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Speaker 7: Wait Richard? Who's Richard? Her husband? I thought he was dead?

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Speaker 9: Though at last you've all right, and I see the

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Speaker 9: right time. The spirits are mad and restless today.

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Speaker 11: Please come in, come, in, come, in, come in, Richard, dear,

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Speaker 11: don't be shy.

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Speaker 5: The spiritual advisors are here. Come and join us.

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Speaker 9: Darling, the spiritual advisorensibly over the moon that you too

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Speaker 9: could make it on such short notice. I purchased all

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Speaker 9: the necessities you mentioned in our email correspondences. Of course,

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Speaker 9: Sage Juniper, sacred moon water, even acquired an authentic mill

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Speaker 9: glass crystal ball from a fortune telleren Rhine back.

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Speaker 7: Oh right, that's not that's the place. How wonderful, Miss Livingstone.

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Speaker 7: I can already sense the positive orrors emanating from the

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Speaker 7: spiritual entities residing in this house. Me too, Truly, they

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Speaker 7: are very pleased with all the effort you put.

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Speaker 9: In, all of them marvelous. Now, just let me pop

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Speaker 9: into the study and grab the pillow sun so before

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Speaker 9: we begin, I'll be back in half a tick of

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Speaker 9: a landstade.

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Speaker 7: Oh what's going on? Okay, we're scrapping the art restores

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Speaker 7: and adapting clearly.

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Speaker 9: But I don't think I can just think one, just

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Speaker 9: be you just don't think, don't think, just be, don't think.

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Speaker 5: Just can't I don't think. I can't Just.

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Speaker 9: Hi through the sacred smoke of the Pilotho. We lived

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Speaker 9: the liminal there between the earth.

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Speaker 3: And Wow, that's a lot of smoke, isn't it. Should

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Speaker 3: we turn off for smoke detectors because as my eyes

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Speaker 3: are getting watery.

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Speaker 9: Richard says, the smoke detectors have been dead for years.

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Speaker 9: Now let's start with a tour of the house. Shall

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Speaker 9: beach and I must warn you here in the back parler.

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Speaker 9: You must be extraordinarily cautious. The in room spirit doesn't

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Speaker 9: appreciate masculine energies. I'd recommend cleansing this room from the hallway.

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Speaker 3: Oh, just quite a quick question in in room spirit.

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Speaker 9: That the small child who lives inside the walls, well,

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Speaker 9: the spirit of a small child bashed to death with

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Speaker 9: a baking pen by her older brother, so the story goes,

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Speaker 9: and now she detests men. Isn't that right? Richard?

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Speaker 7: Excuse me, miss Livingston. The spirits tend to congregate around

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Speaker 7: objects with which they feel they have an emotional connection,

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Speaker 7: something that ties them to the physical point. To be

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Speaker 7: a room with old keepsakes, pieces of art, perhaps several.

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Speaker 9: In fact, Richard and I are adamant collectors. O. Excellent,

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Speaker 9: dear Richard. I'll bring them to the upstairs gallery.

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Speaker 7: Excellent, Richard, it was great.

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Speaker 3: The shirt does talk a lot, oh, missus Lyndingston. This

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Speaker 3: room is a perfect example of early eighteenth century Dutch

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Speaker 3: homestead architecture. The exposed oak beams are exquisite.

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Speaker 9: Oh, Richard cares for those beams are religiously. He pulls

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Speaker 9: out that step ladder and oils them by hand twice

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Speaker 9: a week.

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Speaker 3: It's actually how it sounds like Richard loved and loves

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Speaker 3: this house as much as you do.

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Speaker 6: He does.

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Speaker 5: Did I'm sure you you miss him a lot.

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Speaker 9: Enough, deallydlling Let me show you the heart of the

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Speaker 9: livingstone manner to the upstairs gallery we go?

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Speaker 5: What is that infernal rackets?

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Speaker 7: Oh my, I am so sorry, my sincere apologies, missus Livingston,

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Speaker 7: but I should take this call. I'll meet you two

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Speaker 7: upstairs in a minute.

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Speaker 6: Okay, is the painting in hand?

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Speaker 2: Fernando almost making up excuses because you're incapable of getting

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Speaker 2: the job done.

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Speaker 7: Why are you on the line.

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Speaker 2: Oh, relax, This is still a family business man family,

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Speaker 2: whether you like it or not.

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Speaker 7: Hang up, You hang up, No, you hang up. It's

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Speaker 7: my call you.

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Speaker 6: I'm about three seconds away from hanging you both up

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Speaker 6: by your approach myself.

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Speaker 5: Now.

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Speaker 2: First ly, Fernando, who is we?

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Speaker 6: Yeah?

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Speaker 2: Cuz I thought you said partners slowed you down. You

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Speaker 2: hire an independent contractor for this job?

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Speaker 7: No, and I meant we as in you and me, Dad.

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Speaker 7: We are just about to secure the painting. I'll have

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Speaker 7: it in hand within the hour. Mark my words.

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Speaker 6: Fine, Now, I'm sure I don't have to remind you

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Speaker 6: about our upcoming lunch with Leonard Burton in two days.

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Speaker 6: Leonard is a valuable buyer and everything must go smoothly

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Speaker 6: with the Dilano for him. No hiccups, no excuses, and

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Speaker 6: no distractions.

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Speaker 2: Any distractions you might want to share with us, Fernando, No, I.

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Speaker 7: Have my eyes on the prize.

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Speaker 6: Excellent, excellent. We don't want to repeat of surrech on

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Speaker 6: our hands, now, do we?

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Speaker 2: I certainly don't. And I have all the faith in you, Fernando,

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Speaker 2: my dear cousin, especially now that the clock is ticking

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Speaker 2: forty eight hours tick talk TikTok.

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Speaker 7: I swear to God, you're trying to get in my

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Speaker 7: head and it is not going to work.

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Speaker 6: Made up two days, Fernando, I'm counting on you.

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Speaker 7: Oh God, come on, where is it? Where is it?

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Speaker 10: Enough?

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Speaker 3: Now?

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Speaker 7: How many damn doors are in this house?

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Speaker 12: Can I help you?

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Speaker 10: Sir?

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Speaker 7: Jesus? I thought the house was empty? Wait are you?

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Speaker 12: Are you Richard Benson, the Livingston's bottler?

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Speaker 7: Okay, mm well, missus Livingston didn't mention she had a brother.

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Speaker 7: I see, I'm one of the spiritual advisors helping plans.

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Speaker 12: The home and I ensure Livingstone House runs smoothly and

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Speaker 12: that intruders don't end up in places they shouldn't write.

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Speaker 7: That's not threatening at all. Well, I appreciate your vigilance,

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Speaker 7: but I'm simply making my rounds.

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Speaker 12: And what exactly are you doing in this particular wing.

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Speaker 7: Well, I sensed the strong pool eminating from somewhere nearby,

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Speaker 7: perhaps a room with historical artifacts or documents, or.

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Speaker 12: It seems you're looking for the upstairs gallery right though

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Speaker 12: it's quite a conundrum seeing as missus Livingston keeps that

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Speaker 12: room under strict lock and key.

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Speaker 7: Well, that should be a problem. I can cleanse through

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Speaker 7: a closed door if need be.

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Speaker 12: I suppose that's acceptable. Down the hallway too, lefts right,

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Speaker 12: another left, right, and then left again, up the spiral staircase,

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Speaker 12: turn left right, second door, down the.

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Speaker 7: Hall right, I mean left, I mean I got it.

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Speaker 7: Thank you, Benson, very helpful, i'd you young man. Wait sorry, Benson,

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Speaker 7: wasn't two left and then a ride? Or two rights?

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Speaker 7: And Benson?

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Speaker 6: Wait?

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Speaker 7: Hello? All right?

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Speaker 4: Another left, one more right, just two more lefts and okay, focus, Fernando,

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Speaker 4: the room should be right right here. Standard residential knoblock,

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Speaker 4: no electric backwiring. Okay, this is like shooting fish in

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Speaker 4: a barrel. Come to daddy, Margaret de Lano. No, no, no, no, no, no, no,

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Speaker 4: no no no.

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Speaker 7: This can't be, this can't Where the hell is it?

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Speaker 5: Where the hell is it?

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Speaker 9: I didn't have a bathing suit, but that wasn't going

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Speaker 9: to stop me from diving off that fishing boat with

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Speaker 9: just my courage and my dignity to keep me afloat,

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Speaker 9: so I stripped down naked.

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Speaker 5: Oh wow, wow, missus.

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Speaker 3: Let me stand what a riveting and very visual story.

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Speaker 3: Very visual.

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Speaker 9: Richard taught me that we only get one earthly life,

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Speaker 9: may as well live it fully.

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Speaker 3: You sounds just like my Mayauela.

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Speaker 9: Are you. Are you close with your grandmother?

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Speaker 3: Oh yeah, she's my best friend.

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Speaker 9: How fortunate my granddaughter Clara rarely visits me anymore. She's

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Speaker 9: always gallivanting with those no good friends of hers. She's

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Speaker 9: just moved to Brooklyn. Actually, I gave her a couple

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Speaker 9: of landscape paintings to furnish her new apartment. Of course,

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Speaker 9: she thinks party flyers are art here. Yes, take a look,

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Speaker 9: see what you think.

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Speaker 3: I'm sorry, party flyers? Oh oh unicorn? Party Save a horse,

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Speaker 3: ride a unicorn doors at eleven passwords best.

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Speaker 9: Yet seems terribly cross to me, but Clara says the

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Speaker 9: giving of the invitation is a piece of performance art itself.

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Speaker 9: Oh I suppose I should answer that? Oh have I

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Speaker 9: miss having good old bencing around coming? Just wait?

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Speaker 5: But you are? I think I found some rules.

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Speaker 2: Alana was going.

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Speaker 3: I know you know, yes, missus Lidcy gave it a wish.

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Speaker 9: You must be mistaken.

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Speaker 7: Oh we have to go. Oh my god, are we

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Speaker 7: about to get caught?

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Speaker 5: I would be so bad in jail. The window, the what.

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Speaker 7: We jump? It's only twenty foot drop and there's an

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Speaker 7: awning white below.

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Speaker 5: I can't do that. But I can't make that chomp.

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Speaker 7: I can't. I can't do that.

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Speaker 5: I have very brittle bone that we jumped.

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Speaker 7: Now where the chicks are?

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Speaker 9: Now?

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Speaker 7: No, the police don't make me one two three?

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Speaker 5: Oh my god, Oh my god, I'm alive. I'm alive.

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Speaker 5: Oh I think this firs hum alife.

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Speaker 9: Oh my god, where are we going?

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Speaker 7: Come on, keep moving, keep moving anywhere that's not down.

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Speaker 7: We need to find that paint. Time is running out,

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Speaker 7: and somehow we've lost this goddamn thing again.

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Speaker 5: No, no, no, no, it's not gone.

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00:19:53,600 --> 00:19:56,440
Speaker 3: It's a Brookoln What Yeah, missus Lideson said she gave

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Speaker 3: it to her granddaughter Clara, a bunch of her landscape.

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00:19:59,000 --> 00:20:02,440
Speaker 9: Paintings, and there was the movie truck Brooklyn movers. The

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Speaker 9: Delano was on the truck.

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00:20:03,680 --> 00:20:04,159
Speaker 5: Oh that's it.

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Speaker 7: We're going back to the city and we're getting this

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Speaker 7: done tonight. No more wild goose chases, no more stupid distractions.

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00:20:09,760 --> 00:20:21,000
Speaker 7: It ends tonight. Three minutes. I can't believe we missed

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Speaker 7: that train by three goddamn minutes.

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Speaker 3: Well this is quaint Pocantico palace bed and breakfast, not terrible. Right, yeah, okay,

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Speaker 3: but you've seen.

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Speaker 7: I'm fine, okay, just oh no, oh no, no, no, no,

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Speaker 7: no no.

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Speaker 3: I told the receptionist two beds. You heard me say,

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00:20:37,960 --> 00:20:41,560
Speaker 3: two beds, right, I can't, I should, I should. Just

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00:20:41,880 --> 00:20:43,600
Speaker 3: I'm sure the reception hast just made a mistake, and

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00:20:43,640 --> 00:20:44,600
Speaker 3: we can call and just tell her.

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00:20:44,800 --> 00:20:47,880
Speaker 7: Just sleep on the floor, okay, next to Jesus Christ.

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00:20:47,920 --> 00:20:48,640
Speaker 7: Is that a bloodstain?

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00:20:48,760 --> 00:20:50,280
Speaker 5: No, no, no, no, no, you can't sleep on the floor.

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00:20:50,359 --> 00:20:50,720
Speaker 5: No you can't.

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00:20:50,800 --> 00:20:51,520
Speaker 6: You can't do that.

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00:20:51,640 --> 00:20:53,920
Speaker 5: No, I just I mean we could just maybe, you know,

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Speaker 5: we could share.

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00:20:57,640 --> 00:21:00,520
Speaker 7: Fine, fine, I'll just I'll take the right side.

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Speaker 5: Great. Perfect, that's that's that's great, and you know that

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Speaker 5: that totally works.

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Speaker 9: Okay.

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Speaker 3: Yeah, so I was thinking that, oh well that was

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Speaker 3: I was just I was gonna say that this whole

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Speaker 3: con has kind of prevented us from having a proper date,

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Speaker 3: you know, so I thought, maybe if we have some

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Speaker 3: time tomorrow, we finding.

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Speaker 7: The painting is our only priority right now, no more distractions.

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Speaker 5: Right of course, both are thinking.

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Speaker 9: Mm hmmmm mm hmmm.

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00:21:45,640 --> 00:21:45,840
Speaker 5: Yeah.

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Speaker 7: Yeah, I second thought, I will take the floor.

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Speaker 5: What are you sure?

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Speaker 7: Good night one?

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Speaker 3: All right, sure, good night, I guess.

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Speaker 1: The Setup was produced by Sonro in partnership with Iheart's

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00:22:12,440 --> 00:22:16,840
Speaker 1: Michael Tura podcast Network. Created and written by Ivy Marie

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00:22:16,960 --> 00:22:23,200
Speaker 1: and Philippe Baugen, directed by Bettina Lopez, Produced by Luis

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00:22:23,320 --> 00:22:29,760
Speaker 1: Luardo Castillo, developed by Bettina Lopez, story editing by Nick Milanes.

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00:22:31,040 --> 00:22:35,399
Speaker 1: Executive produced by Harvey Gien and Christian Navarro. Connel Byrne

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00:22:35,480 --> 00:22:39,280
Speaker 1: and Giselle Banss for iHeart and Camilla Victoriano and Joshua

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Speaker 1: Weinstein for Sonro. Performances in this episode by Harvey Gillen,

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Speaker 1: Christian Navarro, Danielle Alonso, J. D. Garfield, Sheila Sheila Corci,

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Speaker 1: Sharon Powers, Philippe Baugen and Aaron Leddock.

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Speaker 9: Are.

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Speaker 1: Production and supervising managers are Gustavo Rila and Keeren sa Chaidis.

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00:23:03,960 --> 00:23:08,320
Speaker 1: Recording engineering and sound design by Luin Idigoying, Juan Dias

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Speaker 1: and Andres Bayena. Casting and coordination by Ansley Martinez and

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00:23:13,440 --> 00:23:18,800
Speaker 1: Alex Gonzilez. Voices recorded at The Invisible Studios in Los Angeles,

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Speaker 1: The Relic Room in New York, and Cabby Sound Studios

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Speaker 1: in Albuquerque, New Mexico, with engineering by Lester Dangler, Brett Tubin,

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Speaker 1: and Colin Unkerlier. If you're enjoying the setup, please subscribe, rate,

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Speaker 1: and review our show wherever you're listening