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Speaker 1: As you know, our buddy bald freak Rannie, he's leaving.

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Speaker 1: He's moving to Washington, d C to work for NPR.

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Speaker 1: Freaks Out. Ronnie has been one of those guys who's

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Speaker 1: worked with us for years. He's a guy who you

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Speaker 1: hear say thank you, thank you everybody out there in

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Speaker 1: radio land. I want to thank you so much. Want

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Speaker 1: to extend my hand. It's been twenty one years at

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Speaker 1: this place. Oh man, thank you, Ellis R. Rand. I'm

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Speaker 1: your number one fan. My name's Ronnie Scows and they

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Speaker 1: called me both freak. I ain't got no hand. I'm

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Speaker 1: a radio geek. I'm on an np are down NTC.

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Speaker 1: That's where all the nerds are. That's where you're hearing me.

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Speaker 1: It's been on a pleasure of time that I'll treasure,

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Speaker 1: gonna miss all my good friends, and he will measure up. Danielle,

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Speaker 1: Scary Jones in the Clown, Great t Dave Brownie, Nate

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Speaker 1: Froggy and my man Scotty Be of course the boy

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Speaker 1: Joss Webb. Girl Kathleen, You're written to Sam J. Kendrew

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Speaker 1: Garrett Visa for one last time, let's ut up the

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Speaker 1: show us the Rand. You know, I love you bro

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Speaker 1: Freak Town's Elvis Durrand in the morning shows. That is awesome. Wow,

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Speaker 1: that was that. If he had produced more stuff like that,

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Speaker 1: we would have paid him more to stay. That was awesome,

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Speaker 1: bald freak running. We love you so much, thanks for

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Speaker 1: being a part of our family and you will continue

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Speaker 1: to be Wow. Wow that was all. That was awesome.

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Speaker 1: Freak out. So tomorrow is tomorrow is last day? Or

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Speaker 1: don't do today day? Yeah? Yeah, he thought he'd take

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Speaker 1: all Friday. What are we gonna do? All right? When

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Speaker 1: he comes in, let's bring him in to say him. Okay, sure,

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Speaker 1: we'll welcome to the day. It is Thursday again. It

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Speaker 1: feels like a Friday and it's not a Friday yet.

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Speaker 1: But that's okay. Yeah, we're getting there. We're getting morn

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Speaker 1: to Danielle Daniels in a bad mood. She can't get

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Speaker 1: that ring off her finger. It's been two days and

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Speaker 1: her finger looks like a big cow's today with the

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Speaker 1: finger of the ring, well the ring and the hopefully

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Speaker 1: not the finger. Right, all right, Uh, what do we

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Speaker 1: want to start the show with today? Hit me with

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Speaker 1: some old school scary that's an ice cube? Okay, here

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Speaker 1: you can check stuff. Good. Yeah, welcome to the day.

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Speaker 1: Like I said, it is Thursday, but you don't treat

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Speaker 1: it like a Friday. Why not ball free Krani. He's

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Speaker 1: leaving us, he's treating today like a Friday. He's not

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Speaker 1: giving in tomorrow. That's it. When we quit this job,

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Speaker 1: we can take off a day. Yeah, I'll give you that.

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Speaker 1: What are they gonna do? Fire? Yes, exactly. That's my point.

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Speaker 1: You know what, my dad some of the some of

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Speaker 1: the incredible advice my dad gave me, and he gave

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Speaker 1: me lots of great advice. He said, you should work

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Speaker 1: at your job as if it's your last day and

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Speaker 1: just be kind of carefree and going there and just

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Speaker 1: do what you want to do. And if they don't

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Speaker 1: like it, tough toenails. You move on. That's some people,

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Speaker 1: if they acted like it was their last day, might

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Speaker 1: poop on the desk of the I'm not about to

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Speaker 1: take a big steamer on the desk. I'm just saying,

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Speaker 1: you know what, be a gentleman, be a lady, have respect,

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Speaker 1: But go in there and do your job like you

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Speaker 1: like it, like it's actually fun. Yes, I like that.

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Speaker 1: Why don't we try that today? Let's see what happens here?

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Speaker 1: Oh there's Oh look, there's producer Sam. She's on the

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Speaker 1: show today. She's sitting in Today. There's a Danielle. There's

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Speaker 1: Froggy and beautiful South Florida. They're sketty, they're straight Nate

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Speaker 1: walking around? What are you doing? Straight Nate? And get up? Okay,

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Speaker 1: Andrew's Oh, we have a very special edition of the Horoscopes.

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Speaker 1: It's it's the Enthusiasm, The Enthusiasm Horoscopes. Wait, the Positivity Partners. Yeah,

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Speaker 1: wait till you hear the Positivity Partners. First of all,

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Speaker 1: let's let's go. No, we'll wait till you hear it.

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Speaker 1: Let's go talk to Katie, our first caller of the day. Hello, Katie,

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Speaker 1: what's up with you? Hi? I'm so excited to start

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Speaker 1: talking to you guys. What took so long? How came

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Speaker 1: you're just now starting to talk to us? Well, I

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Speaker 1: call Austin that I can never get through to you guys.

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Speaker 1: I listen to you guys religiously every single morning. Wow.

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Speaker 1: I love that. So you say you listen religiously? Do

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Speaker 1: you like candles? And you kneels the whole I put

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Speaker 1: on the whole show. That all right? Well, look at Katie,

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Speaker 1: what's your day all about today? Tell us all about it? Well,

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Speaker 1: today is my last day teaching second grade at the

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Speaker 1: school on that because I'm moving, but I'm also getting

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Speaker 1: ready because I'm flying to Hawaii person tomorrow morning. Very nice. Well,

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Speaker 1: you know a lot of people are scratching Hawaii off

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Speaker 1: their list because of the volcano activity. But where are

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Speaker 1: you going? Which island? I'm going to Maui? Yeah. I

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Speaker 1: figured the volcanoes will drive over house away, so I'm

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Speaker 1: just gonna go head first. Yeah. The only dangerous part

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Speaker 1: about Maui is the road to Hannah. Don't take it.

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Speaker 1: Oh no, it's beautiful. What I did it last year?

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Speaker 1: It's corners. Oh god, it's like miserable. It's long, it's

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Speaker 1: like no, no, it's fun. It's it's beautiful. But it

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Speaker 1: just never ends. So where are you staying? Are you

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Speaker 1: near Lahina? Where are you staying in Maui? I think

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Speaker 1: you're gonna love it. You're gonna love it. Have it.

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Speaker 1: We're in the corner. We kind of want to poke you.

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Speaker 1: I know. Look, have a wonderful time in Hawaii. Katie.

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Speaker 1: Thanks for listening to us. We're gonna send you, uh

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Speaker 1: and Elvis during morning show. Shirt. Since you're the first

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Speaker 1: caller of the day, thank you for me will ruin it.

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Speaker 1: And if you don't know what that means, you gotta

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Speaker 1: find out on your own. All right. Well okay, oh yes,

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Speaker 1: I love that. All right, thank you. Hold on, Katie,

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Speaker 1: Let's go round the room. Froggy. We start with you.

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Speaker 1: What's on your mind before the show gets rolled in?

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Speaker 1: So yes, we're arguing, ready to leave. We have somebody

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Speaker 1: staying at our house to watch our pups. What do

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Speaker 1: you hide at your house when somebody comes to house? Sit?

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Speaker 1: Last night we were putting stuff away, like, well, why

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Speaker 1: why do we have to hut? Look, if you have

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Speaker 1: to hide stuff, then maybe you should reevaluate your life.

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Speaker 1: What I said, what are you hiding? Can you tell

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Speaker 1: her some things you don't want people to see? Okay,

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Speaker 1: I don't think she wants anybody to see she has

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Speaker 1: so she was a good thing. You're going on the

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Speaker 1: air talking about it. So now this person that's staying

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Speaker 1: there is gonna look for I'm guessing she's asleep right now.

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Speaker 1: Here's what I would do if I had stuff I

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Speaker 1: had to hide from the people watching my house, I

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Speaker 1: would turn I would hide it all in the open.

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Speaker 1: I would make it like a doorstop out of it.

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Speaker 1: You know what I'm saying. Yeah, I know, cramming under

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Speaker 1: the door. Think twice al right. So yeah, sometimes I

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Speaker 1: guess people have to hide things. I can't think of

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Speaker 1: one thing I need to hide in my house. If

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Speaker 1: someone was watching boring my life, I think it through.

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Speaker 1: How you doing today? A producer sandwich on your mind?

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Speaker 1: I'm good. I have a new obsession. Um, everyone knows

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Speaker 1: I'm kind of I'm a chicken little. I get scared

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Speaker 1: really easily. So I've never seen The Shining, but I

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Speaker 1: had one friend who told me, you've got to see it.

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Speaker 1: It's a great movie. I saw it a few days ago.

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Speaker 1: I'm obsessed. I'm three documentaries deep. Stanley Kubrick is a

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Speaker 1: freak of nature, and I can't believe I put it

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Speaker 1: off for so long. There's so many like messages and

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Speaker 1: different things to learn. It's so much more than a

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Speaker 1: horror movie. So if you like me and you haven't

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Speaker 1: seen it today, Shining is great. Watch it. It's pretty freaky.

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Speaker 1: Hey Danielle, what's up with you today? So I would

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Speaker 1: like to thank everybody for their concerns about my finger

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Speaker 1: and the ring. Yesterday, I got calls. I got people

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Speaker 1: on the street that said, hey, did you ever get

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Speaker 1: the ring off your finger? Will you tell everyone happened? Quickly?

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Speaker 1: There is no The ring is still on my finger.

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Speaker 1: It's just a little bit tighter than yesterday. So right

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Speaker 1: after the show today I will be taking care of that. Yeah,

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Speaker 1: it's been We're going on day number two of her

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Speaker 1: not being able to get her grandma's ring off her finger.

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Speaker 1: Maybe your grandmother has something to do. He doesn't want

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Speaker 1: it to leave my hand. I don't know. All right, Uh,

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Speaker 1: day three, we just have to amputate the whole finger.

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Speaker 1: Nor seriously, okay, which would you do? Would you allow

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Speaker 1: them to cut the ring off or cut your finger off?

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Speaker 1: I'm they going to cut the ring off because I

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Speaker 1: can always reset the stone if I have to. You

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Speaker 1: could always add a finger. Hey, you're scary. What's up

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Speaker 1: with you today? You know? In the spirit of that

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Speaker 1: ideal Carnegie who said catch them doing something right, Yes,

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Speaker 1: we have to give a shout out to Regal Regal Cinemas,

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Speaker 1: the movie people. They built a movie theater that opened

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Speaker 1: last night in a town in Long Island called lynn Brook.

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Speaker 1: They've been wanting this theater and needing it for commerce

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Speaker 1: to stimulate the economy for so long, and they did.

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Speaker 1: Not only did they open a theater, but they also

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Speaker 1: raised forty dollars for local charities in the process. They're

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Speaker 1: giving them a big the big check on stage yesterday

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Speaker 1: and I was there for that. So what's the of

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Speaker 1: the theater again, it's a it's a regal Lynn Brook.

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Speaker 1: They're looking up for the hometown. Yeah, that was really

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Speaker 1: cool of them. All right, scary thanks for giving them

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Speaker 1: a blue ribbon. All right, let's get into your horoscopes now. Okay,

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Speaker 1: so today it's a special edition of the Horoscopes. It's

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Speaker 1: the Positivity Partners. That's right. It's You're never gonna have

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Speaker 1: a bad day with us. No, well, no, not at

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Speaker 1: all so far. It's just brilliant. It's of course straightenate

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Speaker 1: and uh, Andrew my assistant, I'm here, Okay, listen to

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Speaker 1: the Positivity. Let's try this one out here we go.

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Speaker 1: All right, if it's your birthday today, you share it

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Speaker 1: with my favorite Chris Pratt and Andrew's favorite Lana del Rey.

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Speaker 1: Can't wait. Capricorn, be practical in your quest for happiness.

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Speaker 1: You will soon find a solid foundation in your life

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Speaker 1: your day, Atten Aquarius. You may be nervous about something upcoming,

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Speaker 1: but you should turn your fear into excitement. You are

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Speaker 1: sure to exceed your day. Atten Pisces. You're a people pleaser,

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Speaker 1: but remember that your happiness is also important. Finally, take

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Speaker 1: some time to do what you love your day. Atten,

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Speaker 1: this is crazy Aries. You may be so distracted by

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Speaker 1: so many things in your life. Be sure to stop

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Speaker 1: and smell the roses your day. Atten Taurus. You may

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Speaker 1: feel hot headed when dealing with certain people, so just

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Speaker 1: take a deep breath and proceed calmly your day. Atten Gemini.

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Speaker 1: You maybe feeling a little sluggish recently. Now is the

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Speaker 1: perfect opportunity to learn something new your day, Cancer, Big

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Speaker 1: changes are in the air. Keep your focus strong, and

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Speaker 1: things are guaranteed to be good your day, Atten Leo,

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Speaker 1: You're due for some serious relaxation. Take this time to

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Speaker 1: retreat yourself and self indulge your day. Attend. Everybody's getting

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Speaker 1: it's the positivity partners, Virgo. Allow yourself to accept whatever

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Speaker 1: gifts life is throwing your way. It's okay to be

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Speaker 1: excited for what's to come your day. Attend Libra, you

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Speaker 1: may be hitting a rough patch. Just choose your battles

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Speaker 1: carefully and be flexible. It will pass your day. Attend Scorpio,

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Speaker 1: don't be scared of choosing only what makes you happy.

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Speaker 1: You deserve it your day guess what. And Sagittarius, you're

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Speaker 1: full of anticipation, but be patient. All will be revealed

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Speaker 1: soon enough. Your days and those your Thursday mornings. The

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Speaker 1: Positivity Partners, Ladies, So someone just said a text, say

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Speaker 1: you sound like the Teletubbies. Thank you Tinky, Thank you Winky. Alright,

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Speaker 1: so Daniel, what do you think about the Positivity Partners

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Speaker 1: liked it? I mean I like that. I don't think

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Speaker 1: we can have tents for everyone every day. Maybe once

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Speaker 1: I like it. All right, we'll have a meeting later.

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Speaker 1: All right, thank you Positivity Partners. You guys ready, you guys,

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Speaker 1: ready for your Thursday. Thursday tell us Duran the Morning Show.

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Speaker 1: Saving money with Groupon has never been easier. Everything you

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Speaker 1: need to buy a book and save is in the app.

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Speaker 1: Easy save more and do more with just a couple

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Speaker 1: of taps, save up to a hundred dollars a week

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Speaker 1: on what you do every day. Download the app and

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Speaker 1: save Groupon Elvis Duran in the morning show. Alright, alright,

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Speaker 1: we're about to spend the Wheel of contests. Yesterday's was

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Speaker 1: so foul. We received so many complaints about Greg Ta

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Speaker 1: and the ping pong balls between his butt cheeks. The

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Speaker 1: number one complaint was from me to pick it out. Okay, okay, okay, Um,

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Speaker 1: I don't I don't even want to talk about it.

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Speaker 1: It was that disgusting. So today I'm hoping that the

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Speaker 1: wheel is a little more tame. We'll get into that

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Speaker 1: in a minute. Also, you know who's on the show today.

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Speaker 1: I'm so excited. Mike Shinoda is coming in of course

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Speaker 1: from Lincoln Park. He has his own music out now.

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Speaker 1: Uh and I saw him on CBS Sunday Morning the

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Speaker 1: other day. Again, another great guy. You know of course

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Speaker 1: Chester who has left us, What a fantastic guy he was.

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Speaker 1: And Mike Shinoda, I can't wait to meet him. You know,

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Speaker 1: Lincoln Park as a band, one of the best ever.

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Speaker 1: But his solo music is fantastic. So he's gonna be

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Speaker 1: on with us in a couple of hours. Um, let's

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Speaker 1: see what else are we doing today? What else you

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Speaker 1: want to do today? Straight? Now, you're the senior Executive

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Speaker 1: producer and the Positivity Partner. What should we we do today?

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Speaker 1: I think we should just have fun. Elvis and I

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Speaker 1: would love a Flush the format personally, but I'm sorry,

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Speaker 1: I'm sorry. Hold on, you hate Flush the Format against everything.

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Speaker 1: I could kind of get into it today. I think

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Speaker 1: today is a day I could kind of get I

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Speaker 1: think they would be Yeah, Daniel, he hates Flush the Format,

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Speaker 1: doesn't He's always yelling and pointing to his watch, like,

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Speaker 1: come on, I think you know, every once in a

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Speaker 1: while you have to take a break and relax and

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Speaker 1: enjoy a good Flush the Format. I like the new

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Speaker 1: Positivity Partner. I'm getting into it alright. Alright, uh, great tea.

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Speaker 1: Let's let's get into the Wheel of Games. Here we go, Okay,

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Speaker 1: all right, let me look at the wheel. There are

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Speaker 1: some new games on here. All right, we're gonna spend

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Speaker 1: the wheel if you want to play one of these games.

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Speaker 1: Whatever game it lands on, and god knows what it

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Speaker 1: will land on. Uh call us at one, eight, two,

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Speaker 1: four a game number one. It could land on yoga

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Speaker 1: or Indian restaurant. What is that? Well, today is National

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Speaker 1: Yoga Day. So I looked up a bunch of yoga terms,

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Speaker 1: and I also looked up Indian restaurants, so like I

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Speaker 1: would give you a term like let's see, like right,

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Speaker 1: and that what that means control breathing exactly. Now you know.

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Speaker 1: Our local um yoga expert, of course, is Sam producer Samantha. Yes,

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Speaker 1: so you could, you'd actually do it. You do a

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Speaker 1: great job playing this, love this game, all right, give

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Speaker 1: me another one? Okay, so we would go around the

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Speaker 1: room and do it. Give me another one? Oh, another one? Oh, sorry,

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Speaker 1: another one one. I would say, um Raja Da. That's

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Speaker 1: probably a Indian restaurant. Correct, that's right, it's a famous

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Speaker 1: Indian restaurant. So you yes, you could land on that.

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Speaker 1: I hope you don't. Another game you can land on

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Speaker 1: is called fake yawn. So we choose somebody out of

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Speaker 1: a hat and they do a fake yawn and then

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Speaker 1: our cold testing Jade would have to figure out who

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Speaker 1: did that fake you on like desk? All right? Okay,

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Speaker 1: like that, all right, put Jade on the phone. Let's

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Speaker 1: she maybe she likes one of these contests. Hi Jade,

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Speaker 1: how are you hi yourself? Well, I don't know so far.

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Speaker 1: The games on the wheel of games kind of lame.

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Speaker 1: Let's see the next The next game is one of

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Speaker 1: our old favorites is Stand on the Crapper. Have you

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Speaker 1: ever heard that game, Jade? No? I have it? Well, okay,

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Speaker 1: it's very simple. So my dad loves to go into

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Speaker 1: the bathroom for very long periods of time. So I've

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Speaker 1: given Scary Jones my home phone number. He will dial

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Speaker 1: it up live on the radio. Somebody will answer that phone.

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Speaker 1: You will decide when that person answers. Will they say, yes,

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Speaker 1: stand is on the crapper or no, stand is not

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Speaker 1: on the crapper? All right, we could land on that

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Speaker 1: or Jade the wheel could land on wet butt? How

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Speaker 1: does how does Jade play wet butt? For glamorous prizes

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Speaker 1: I have? I I went around here in the studio

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Speaker 1: and I wet one chair and there's three lined up.

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Speaker 1: So Elvis, you pick somebody like Scary Jones and he

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Speaker 1: has to choose one chair to sit down on. And

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Speaker 1: whoever's whatever chair is, you know, he gets his butt wet.

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Speaker 1: You know? Okay, boy, these games are getting better and better.

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Speaker 1: And finally, you couldn't land on a game called first

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Speaker 1: Days in History? What's that's just a history lesson? And

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Speaker 1: I give you um a certain thing that happened in history,

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Speaker 1: like today is National Yoga Day, and then you would

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Speaker 1: tell me that that is the first day, like today's

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Speaker 1: the day, it's the day. Okay, let's spend the wheel

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Speaker 1: off you. Are there any others we can choose from? No,

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Speaker 1: I'm sorry, I'm a little bit nervous. I'm a little

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Speaker 1: thrown off today. Why you're throwing off? I'll tell you

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Speaker 1: in a second. Yeah, we gotta wait, we gotta wait.

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Speaker 1: Here we go, here we go, And it looks like

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Speaker 1: it's gonna land on. Is stand on the crapper? This

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Speaker 1: is my favorite? No, wait a minute, so we're about

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Speaker 1: to call great tease step dead Stand Now, either he's

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Speaker 1: gonna be on the crapper or not. Do you think

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Speaker 1: he's on the crapper at this hour? Are not? Jade?

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Speaker 1: I think the crapper alright, alright, kind of early. This

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Speaker 1: could be the first of many. Let's call. Let's call

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Speaker 1: now a scares dialing it up and you never know,

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Speaker 1: maybe Stand will answer on the crapper. Phone might be

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Speaker 1: or that's a no, one's dialing. No, no, no, no,

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Speaker 1: it's actually dialing everybody? Why okay, are you sure it's dialing. Yes,

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Speaker 1: it's a weird phone. It doesn't sound like sound is

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Speaker 1: trust me? Okay, So so you think Stan is on

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Speaker 1: the crapper's alright, great, take it away. Maybe your mom

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Speaker 1: will answer, go m somebody's gonna answer anytime now. Hello, Hey, ma, Hey,

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Speaker 1: did you just wake up? How? How did you sleep?

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Speaker 1: You had a good good night's sleep. What do you

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Speaker 1: want from me? You just? I just I have one

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Speaker 1: I have one question for you. What I want to

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Speaker 1: know is stand on the crapper. Oh my god, he's

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Speaker 1: sleeping here. You woke me up? What is he sleeping

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Speaker 1: on the crapper? Is he sleeping up? He's sleeping? Can

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Speaker 1: you wake him up to say? Hid? Can you please

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Speaker 1: wake him up to say hi? You're out of your mind? Well,

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Speaker 1: but what I mean? I need this? This is yeah Dan.

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Speaker 1: He's getting up to say hello? Can you please mind?

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Speaker 1: We'd like to say did? He is getting angry? But

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Speaker 1: tell him that I say hello to him. He says hello. No,

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Speaker 1: I want to hear I want to I want to

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Speaker 1: hear his voice. I want to hear his voice. He

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Speaker 1: doesn't want to talk to you. All goodbye? You say goodbye?

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Speaker 1: Leave him alone? Okay, Hello, all right, he's not on

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Speaker 1: the crapper, so okay, when will he be on the

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Speaker 1: crap didn't win? I don't know. Thank you, all right,

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Speaker 1: say goodbye. He's not on the crapper. Well, Jade, I

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Speaker 1: got bad news. Stan is not on the crapper, and

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Speaker 1: you guessed he was in the crapper. So I'm sorry,

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Speaker 1: but that was a lot of fun. It sounds like

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Speaker 1: he is on the crapper. Mom is the cutest. Let's

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Speaker 1: send Jade and Elvis during warning show shirt. Shouldn't we

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Speaker 1: do that? Yeah? Absolutely, I think that's what you're gonna

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Speaker 1: win anywhere for me. Yeah, we'll ruin it for you,

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Speaker 1: all right, Jade, have a beautiful day to day. Okay, well,

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Speaker 1: thank you so much. Thank you. Hold on on a second. Yeah,

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Speaker 1: I don't know. I would have guessed no because it's

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Speaker 1: too early. Yeah, I mean, things aren't moving along yet

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Speaker 1: around Head doesn't even need to like drink some coffee

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Speaker 1: and like brew it up, you know what I'm saying.

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Speaker 1: You know, but he's an accountant. He likes to start early.

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Speaker 1: He like you know, has to get up and get

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Speaker 1: to the office and things. Okay, now, why are you

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Speaker 1: all beside yourself today? What's wrong? I don't know. Scary

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Speaker 1: am I like to say? Right? I don't think I

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Speaker 1: could say right now? No? No, no, no, we we

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Speaker 1: gotta take a break. Yeah, something has happened. What we

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Speaker 1: can't I'm we're being given the no sign by Nate.

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Speaker 1: Like Nate, why can't we talk about an issue? Okay,

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Speaker 1: to hold on? So you caused an issue accidentally accidentally?

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Speaker 1: Did it happen in the bathroom? You can say no,

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Speaker 1: it did not, It did not happen. You know. Look,

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Speaker 1: you can't go. Look, I'm I'm the only one on

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Speaker 1: the show that looks out for the listeners. And what

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Speaker 1: do you what you've done? You've planted a seed and

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Speaker 1: you started and now they're curious, and you can't let

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Speaker 1: our listeners down. Me getting Nate's attention to hold everybody,

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Speaker 1: hold on, let's not this wait. Let me just explain

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Speaker 1: what did you did you use the bathroom on the floor.

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Speaker 1: Let me let me please be the point person to explain. Okay, So,

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Speaker 1: and I can't believe we're doing this live in the

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Speaker 1: No no, no, no, no no. Should I take your

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Speaker 1: lead and not talk about this on the radio. No,

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Speaker 1: I will beat around the bush, will be fine, Now,

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Speaker 1: where's Nate comes. He's coming in. Something that happens Nate

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Speaker 1: round Hope. Please just let me talk to Nate. Nate,

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Speaker 1: are you telling me that I should trust you? We

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Speaker 1: should not talk about this radio Yeah, I'll tell you

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Speaker 1: as soon as we go to break. Okay, yeah, Nate.

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Speaker 1: The listeners are at there. It's opened the He opened

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Speaker 1: the box by saying something weird is going on, and

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Speaker 1: now everyone wants to know. Here's what I say. If you,

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Speaker 1: if you listen to the whole show, you'll know exactly

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Speaker 1: what happened today and just happened five minutes ago. You

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Speaker 1: have to you have to keep listening though. But it

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Speaker 1: was okay, alright, alright, okay, okay, I'm gonna trust Nate

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Speaker 1: on this. That's what they'll call it, tease of the

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Speaker 1: radio business. Mr Program Roundhead. I've had enough of you.

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Speaker 1: I just want to tell you now, I've I've really

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Speaker 1: screwed up things. You see. You shouldn't do that for

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Speaker 1: the now listen, listen. You can't do that. You can't

397
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Speaker 1: come on the show in front of listeners and say, oh,

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Speaker 1: there's something I gotta tell you and then you don't

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Speaker 1: tell them. You cannot do that. That's not good. But

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Speaker 1: all right, so, Mr program director, why is it important

401
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Speaker 1: to tease and radio well, because then they'll stick around,

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Speaker 1: like for example where it got a hangar off a

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Speaker 1: baron Bois and the biddle, but it's dead. I would

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Speaker 1: much rather listen to Dathan story later on what song

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Speaker 1: did you just say? What? That? That? That z baron Boris?

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Speaker 1: The biddle song is a great song. Okay, alright, let's

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Speaker 1: take a break and we'll regroup and maybe we can

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Speaker 1: find a way to get this on the We'll be

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Speaker 1: back right after this. Walkers and Talkers a podcast for

410
00:23:05,400 --> 00:23:11,960
Speaker 1: walking dead bands. You can't say anything but so stop.

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00:23:12,000 --> 00:23:15,600
Speaker 1: It recaps the latest news and interviews with members of

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Speaker 1: the cast, hosted by David Brody and his co host Jamie.

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Speaker 1: Walkers and Talkers listen on the I Heart Radio app

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Speaker 1: Elvis Duran in the morning show. All Right, here's the deal. Uh,

415
00:23:26,119 --> 00:23:27,600
Speaker 1: every once in a while, when I'm talking about my

416
00:23:27,640 --> 00:23:30,760
Speaker 1: favorite cookies, Tates Bake Shop cookies, I I just blurt

417
00:23:30,840 --> 00:23:32,840
Speaker 1: it out. I tell you I don't like sharing them. Yeah,

418
00:23:33,200 --> 00:23:36,000
Speaker 1: I opened the bag there for me and uh, but

419
00:23:36,080 --> 00:23:40,440
Speaker 1: then I'm I'm painted as this creature, this evil evil being.

420
00:23:40,560 --> 00:23:45,280
Speaker 1: That's not fair, and I'm teasing selfish. Problem is if

421
00:23:45,320 --> 00:23:48,600
Speaker 1: you put one down, the bag down, they're gone. And

422
00:23:48,680 --> 00:23:52,000
Speaker 1: then if you give somebody one, then everyone comes, Can

423
00:23:52,040 --> 00:23:53,760
Speaker 1: I have one? Can I have one? And then you

424
00:23:53,880 --> 00:23:57,439
Speaker 1: have none? So Tates bake Shop, you know they're deeply

425
00:23:57,480 --> 00:24:00,280
Speaker 1: delicious cookies. They taste homemade. I would go ahead and

426
00:24:00,320 --> 00:24:02,440
Speaker 1: say they are homemade, even though it's a home, looks

427
00:24:02,480 --> 00:24:05,679
Speaker 1: like a factory. Anyway, keep him for yourself. Give them

428
00:24:05,680 --> 00:24:08,600
Speaker 1: as a gift. Go to Tates bakeshop dot com. If

429
00:24:08,680 --> 00:24:12,200
Speaker 1: you use the promo code Elvis, you save money. Yeah,

430
00:24:12,840 --> 00:24:14,560
Speaker 1: so send them to yourself and don't share. If you

431
00:24:14,600 --> 00:24:17,719
Speaker 1: don't want to send them as as as gifts, let

432
00:24:17,800 --> 00:24:20,520
Speaker 1: them eat their own. Taste Bakeshop cookies. I've never met

433
00:24:20,560 --> 00:24:25,000
Speaker 1: a cookie that made me so angry because it's that good.

434
00:24:25,280 --> 00:24:34,560
Speaker 1: Tastes baker Elvis Durrand in the Morning Show. So all right,

435
00:24:34,600 --> 00:24:37,640
Speaker 1: so at last we left you. There's some drama going

436
00:24:37,680 --> 00:24:40,200
Speaker 1: on with great t and they still won't tell me

437
00:24:40,280 --> 00:24:43,119
Speaker 1: what happens. I get the feelings something bad happened, and

438
00:24:43,280 --> 00:24:45,200
Speaker 1: but how come you guys won't talk to me about it?

439
00:24:46,080 --> 00:24:50,560
Speaker 1: And me we just can't say, we're trying, we're trying

440
00:24:50,600 --> 00:24:52,960
Speaker 1: to remedy the problem in the background. Okay, let me

441
00:24:53,000 --> 00:24:55,040
Speaker 1: ask you this. Does that have anything to do with

442
00:24:55,119 --> 00:24:58,000
Speaker 1: the fact that I just got a notification? You know,

443
00:24:58,000 --> 00:25:00,200
Speaker 1: because every time I charged something or someone are just

444
00:25:00,320 --> 00:25:03,159
Speaker 1: something on my American Express card, it gives me a notification.

445
00:25:04,000 --> 00:25:08,520
Speaker 1: I just bought a toilet at Home Depot. I just

446
00:25:08,640 --> 00:25:10,480
Speaker 1: want to say, for the record, I didn't mean it

447
00:25:10,560 --> 00:25:13,400
Speaker 1: was not my faults. Quiet might never been your fault,

448
00:25:13,480 --> 00:25:16,959
Speaker 1: but you did it. Okay, hold on my assistant Andrew.

449
00:25:17,520 --> 00:25:19,399
Speaker 1: Is he has my card? Let's see what's going on.

450
00:25:19,560 --> 00:25:24,640
Speaker 1: Is he on the phone? Andrew? Hello, Andrew? Why did

451
00:25:24,680 --> 00:25:27,359
Speaker 1: you just go to Home Depot? Hey? Did you go

452
00:25:27,440 --> 00:25:31,520
Speaker 1: to Home Depot and charge a toilet on my American Express? Yes?

453
00:25:31,640 --> 00:25:35,560
Speaker 1: I can't say why. Well, you you know that they

454
00:25:35,640 --> 00:25:38,720
Speaker 1: send the receipt to me. You actually obviously told them

455
00:25:38,760 --> 00:25:46,439
Speaker 1: to email the receipt. It came to me, So all right,

456
00:25:46,920 --> 00:25:49,000
Speaker 1: thank you. Okay. I don't want to I don't want

457
00:25:49,000 --> 00:25:52,959
Speaker 1: to go by. I don't want to know how much

458
00:25:53,040 --> 00:25:55,520
Speaker 1: is a new toilet cost. I don't know. So all

459
00:25:55,560 --> 00:26:03,520
Speaker 1: I know is I, well, what toilet was broken? I

460
00:26:03,600 --> 00:26:05,760
Speaker 1: want to toilet. It was not my fault. But how

461
00:26:06,800 --> 00:26:08,879
Speaker 1: do you break a toilet. I've been around for forty

462
00:26:08,920 --> 00:26:10,880
Speaker 1: two years. They never broken a toilet. Hold on, guys,

463
00:26:10,960 --> 00:26:13,359
Speaker 1: we'll get the building to replace it. No, it's that

464
00:26:13,480 --> 00:26:16,480
Speaker 1: we're not We're not responsible for the toilet. Great, great

465
00:26:16,520 --> 00:26:19,160
Speaker 1: team broke a different toilet. Alright, let's get in, let's

466
00:26:19,160 --> 00:26:22,160
Speaker 1: get into the Danielle record. We'll have another meeting during

467
00:26:22,200 --> 00:26:25,280
Speaker 1: the song. He broke a different Here we go, Danielle,

468
00:26:25,280 --> 00:26:27,960
Speaker 1: what's going on? Okay, Well, first of all, we have

469
00:26:28,119 --> 00:26:31,920
Speaker 1: to say congratulations to our boy Charlemagne. He's gonna be

470
00:26:32,000 --> 00:26:34,960
Speaker 1: hosting a series of four interview specials for HBO called

471
00:26:35,040 --> 00:26:38,840
Speaker 1: The Gray Area, and that will be premiering later this year.

472
00:26:39,160 --> 00:26:40,960
Speaker 1: We're so happy for him. He that is so cool.

473
00:26:41,040 --> 00:26:42,840
Speaker 1: He's such a nice guy and he's so talented, so

474
00:26:42,960 --> 00:26:46,960
Speaker 1: I love he's an amazing, amazing interviewer. So yeah, Charlemagne

475
00:26:47,359 --> 00:26:49,639
Speaker 1: that they've ordered a series of four of these interviews

476
00:26:50,080 --> 00:26:53,000
Speaker 1: for The Gray Area, right, and Charlemagne's gonna kick it.

477
00:26:53,200 --> 00:26:55,240
Speaker 1: It's gonna be incredible. So proud of him, and you

478
00:26:55,320 --> 00:26:57,359
Speaker 1: know that they'll wind up ordering more because he's just

479
00:26:57,400 --> 00:27:00,320
Speaker 1: going to be so fantastic, So it's gonna be great. Okay. So,

480
00:27:00,359 --> 00:27:02,920
Speaker 1: I don't know if you saw Pete Davidson on the

481
00:27:03,119 --> 00:27:06,280
Speaker 1: Tonight Show talking about how cool it is that he

482
00:27:06,480 --> 00:27:10,080
Speaker 1: landed Ariana Grande. It's so funny walking down the street

483
00:27:10,240 --> 00:27:15,760
Speaker 1: because like dudes walking by and they're like, yeah, let

484
00:27:15,800 --> 00:27:17,800
Speaker 1: me see that. Derek get a commercial where it was

485
00:27:17,880 --> 00:27:22,800
Speaker 1: like retiring and everybody, yeah, some dude with me. He

486
00:27:22,880 --> 00:27:27,200
Speaker 1: was like, yo, man, you like gave me hope. I

487
00:27:27,240 --> 00:27:32,760
Speaker 1: don't know. It was such a cute, endearing interview. It

488
00:27:32,880 --> 00:27:34,520
Speaker 1: really is. If you get a chance, check it out.

489
00:27:34,520 --> 00:27:36,600
Speaker 1: We're gonna put it up later on Today at Elvis

490
00:27:36,640 --> 00:27:38,840
Speaker 1: durand dot Com. It sounds like you're warming up to

491
00:27:38,920 --> 00:27:41,200
Speaker 1: their relationship. Well, you know, I didn't poo poo it

492
00:27:41,320 --> 00:27:43,560
Speaker 1: to begin with. You know, whatever it is, it is,

493
00:27:43,880 --> 00:27:46,720
Speaker 1: you hope it lasts. But it's very cute to see

494
00:27:46,720 --> 00:27:49,160
Speaker 1: how excited he really is about being with her. It's

495
00:27:49,240 --> 00:27:51,320
Speaker 1: really really cute. And he blushes a couple of times

496
00:27:51,359 --> 00:27:54,480
Speaker 1: in the interview, so it's really cute. ABC has a

497
00:27:54,480 --> 00:27:56,840
Speaker 1: show coming out in Augus. It's called Castaway. Sounds like

498
00:27:56,880 --> 00:28:00,399
Speaker 1: a cross between Survivor and Lost Contestants Will try to

499
00:28:00,440 --> 00:28:03,800
Speaker 1: survive on a string of little Indonesian islands, and the

500
00:28:03,960 --> 00:28:06,600
Speaker 1: action is going to be mixed with flashbacks of the

501
00:28:06,640 --> 00:28:09,879
Speaker 1: contestants lives before they left the show. I don't know

502
00:28:09,920 --> 00:28:12,080
Speaker 1: how that's gonna work, but that's what they're doing for us.

503
00:28:12,280 --> 00:28:14,479
Speaker 1: Remember Lost, That was a great show. Yeah, a lot

504
00:28:14,520 --> 00:28:17,840
Speaker 1: of people were lost watching Lost, because I never was lost.

505
00:28:17,920 --> 00:28:19,600
Speaker 1: I got it. It got a little crazy at the

506
00:28:19,720 --> 00:28:23,240
Speaker 1: end there uh Cubs released relief picture. Brandon Morrow is

507
00:28:23,320 --> 00:28:26,760
Speaker 1: headed to the disabled list with back spasms. So here's

508
00:28:26,800 --> 00:28:30,800
Speaker 1: what happened. He heard himself taking off his pants. He

509
00:28:30,880 --> 00:28:32,639
Speaker 1: says he got his right leg off and then the

510
00:28:32,760 --> 00:28:34,680
Speaker 1: left one just left, like the spasm in his back.

511
00:28:34,960 --> 00:28:38,000
Speaker 1: But baseball players get injuries like this all the time,

512
00:28:38,160 --> 00:28:40,920
Speaker 1: carrying a suitcase, stepping off a bus, falling down a

513
00:28:41,000 --> 00:28:44,800
Speaker 1: dugout staircase, walking in the backyard, throwing a glove in

514
00:28:44,840 --> 00:28:47,240
Speaker 1: the dug out, punching a door, being hit by it

515
00:28:47,400 --> 00:28:50,640
Speaker 1: by a spider. It's a dangerous, dangerous line of work

516
00:28:50,680 --> 00:28:54,440
Speaker 1: being a baseball it is. But I was with Froggy

517
00:28:54,520 --> 00:28:56,400
Speaker 1: once when he threw his back out out of nowhere.

518
00:28:56,440 --> 00:28:59,440
Speaker 1: He was brushing his teeth and he couldn't move five

519
00:28:59,520 --> 00:29:03,200
Speaker 1: minutes later. So people get these strange injuries all the time. Uh.

520
00:29:03,240 --> 00:29:05,960
Speaker 1: And speaking of baseball injuries, a Phillies fan was injured

521
00:29:06,000 --> 00:29:09,000
Speaker 1: at a game Froggy, don't laugh after being hit in

522
00:29:09,080 --> 00:29:13,480
Speaker 1: the head by a flying hot dog. The team's mascot

523
00:29:13,560 --> 00:29:16,720
Speaker 1: had just shot it out of the cannon. She is okay.

524
00:29:16,840 --> 00:29:22,200
Speaker 1: She did get hit right between the eyes. She went

525
00:29:22,240 --> 00:29:25,080
Speaker 1: to the hospital. She is okay, Thank gosh, I got

526
00:29:25,120 --> 00:29:27,800
Speaker 1: a black eyelid. That way. One doesn't nickname in high

527
00:29:27,800 --> 00:29:30,200
Speaker 1: schooler cannon. Wait a minute, A weener hit you in

528
00:29:30,240 --> 00:29:33,360
Speaker 1: the phase and you've got a black guy more than once.

529
00:29:34,400 --> 00:29:36,960
Speaker 1: George Cluney and Am Cluney just donated a hundred thousand

530
00:29:36,960 --> 00:29:39,880
Speaker 1: dollars to help migrant children separated from their parents and

531
00:29:40,080 --> 00:29:43,040
Speaker 1: Jack atting off. Yesterday he tweeted out saying he was

532
00:29:43,080 --> 00:29:45,680
Speaker 1: going to match anyone who donates up to ten thou dollars.

533
00:29:45,760 --> 00:29:48,200
Speaker 1: I have retweeted that for you so you can reach

534
00:29:48,240 --> 00:29:51,200
Speaker 1: out to him and UH and help out. Let's see

535
00:29:51,200 --> 00:29:53,880
Speaker 1: the Gong Show second season premiere of That Goes Down tonight.

536
00:29:54,000 --> 00:29:56,800
Speaker 1: Match game is on. Uh. You have the series premiere

537
00:29:56,880 --> 00:30:00,200
Speaker 1: of Take two Over on a MC a BC. So sorry.

538
00:30:00,240 --> 00:30:02,479
Speaker 1: Lip Sync battle is on tonight as well. You've got

539
00:30:02,560 --> 00:30:06,480
Speaker 1: Shania Twain tribute, Nicole Scherzinger and Derek huff is on there.

540
00:30:06,800 --> 00:30:10,800
Speaker 1: And it's NBA Draft. The Phoenix Suns will get your

541
00:30:10,840 --> 00:30:15,600
Speaker 1: first pick tonight. Okay, so great team broke a toilet

542
00:30:15,680 --> 00:30:17,080
Speaker 1: in the bathroom and I have to pay for it.

543
00:30:17,120 --> 00:30:22,040
Speaker 1: I still don't understand this. It wasn't exactly in the bathroom. Okay,

544
00:30:22,160 --> 00:30:24,120
Speaker 1: So I don't understand. How do you take a toilet

545
00:30:24,200 --> 00:30:27,320
Speaker 1: out of the bathroom and break it? I'm not getting this.

546
00:30:27,600 --> 00:30:33,520
Speaker 1: Can someone tell him what happened? He's getting pissed. Evidently

547
00:30:33,640 --> 00:30:35,840
Speaker 1: there was some kind of promotion and I just found

548
00:30:35,880 --> 00:30:39,800
Speaker 1: out about it now from Sharman. So Sharman wanted us

549
00:30:39,840 --> 00:30:42,560
Speaker 1: to love there. No, they're sending us their new song

550
00:30:42,840 --> 00:30:47,280
Speaker 1: exactly to make your booty smile song correct, and they

551
00:30:47,360 --> 00:30:51,200
Speaker 1: also have a breath what's the name of the song? Oh?

552
00:30:51,320 --> 00:30:52,800
Speaker 1: I love it. It's a great song. But what does

553
00:30:52,840 --> 00:30:54,160
Speaker 1: it have to do? What does this have to do

554
00:30:54,240 --> 00:30:56,440
Speaker 1: with the toilet? Well, they also sent us a brand

555
00:30:56,480 --> 00:30:59,800
Speaker 1: new promotional state of the art toilet to be on

556
00:31:00,000 --> 00:31:03,000
Speaker 1: display here so that we can look and marvel at

557
00:31:03,000 --> 00:31:05,560
Speaker 1: the brand new toilet, very expensive. Well, so how did

558
00:31:05,600 --> 00:31:08,320
Speaker 1: you break it? So Nate said, can you go get

559
00:31:08,480 --> 00:31:12,160
Speaker 1: Jeff the engineer's dolly and can you wield the toilet in?

560
00:31:12,320 --> 00:31:15,120
Speaker 1: And revealed it to me. How sweet of them? So

561
00:31:15,200 --> 00:31:21,880
Speaker 1: what you broke our gift toilet? So what happened was alright,

562
00:31:22,080 --> 00:31:24,280
Speaker 1: I'm starting to get you didn't You didn't break a

563
00:31:24,400 --> 00:31:27,320
Speaker 1: radio station toilet. You broke a toilet that Sharman gave

564
00:31:27,400 --> 00:31:32,680
Speaker 1: me as a gift. My face was on the toilet.

565
00:31:32,720 --> 00:31:34,680
Speaker 1: Did you take a picture at least before you broke it? No,

566
00:31:34,840 --> 00:31:37,200
Speaker 1: I didn't know it's gonna break it. I put it on. Okay,

567
00:31:37,240 --> 00:31:39,800
Speaker 1: by the way, great tea. I think it's probably best

568
00:31:39,840 --> 00:31:44,520
Speaker 1: if you just stopped talking. Nate. My picture the Charmant,

569
00:31:45,200 --> 00:31:48,880
Speaker 1: beautifully decorated Elvis by Sharmon. Did you take a picture

570
00:31:49,400 --> 00:31:52,600
Speaker 1: well of the of the wreckage? Yes, we only know

571
00:31:52,640 --> 00:31:55,880
Speaker 1: at the after, not before. Guys, let me just finish

572
00:31:55,920 --> 00:31:59,000
Speaker 1: a sentence. Did you take a picture of my face

573
00:31:59,080 --> 00:32:02,920
Speaker 1: on the toilet before or it was shattered? No, because

574
00:32:03,040 --> 00:32:05,040
Speaker 1: we were going to take a picture of everything when

575
00:32:05,080 --> 00:32:06,880
Speaker 1: we unveiled it in the studio, and it was supposed

576
00:32:06,920 --> 00:32:09,000
Speaker 1: to be this great unveiling of a toilet, a new

577
00:32:09,120 --> 00:32:14,520
Speaker 1: song by Sharmon and calmed down, broke the toilet, let me,

578
00:32:14,680 --> 00:32:19,440
Speaker 1: let me put the pieces together, and so many pieces.

579
00:32:20,240 --> 00:32:23,200
Speaker 1: You should have seen Nate's face when he realized that

580
00:32:23,320 --> 00:32:27,400
Speaker 1: this happened. It was so funny that it looks like

581
00:32:27,480 --> 00:32:31,840
Speaker 1: Humpty Dumpty after the fall. Okay, here's what we do. Okay,

582
00:32:31,920 --> 00:32:35,840
Speaker 1: here's what we do. Let's all calm down. Well, coming

583
00:32:36,000 --> 00:32:38,640
Speaker 1: back next, let's play the Let's play the new Sharman song.

584
00:32:38,800 --> 00:32:41,120
Speaker 1: Because I love them. That was very kind of them.

585
00:32:41,520 --> 00:32:44,920
Speaker 1: And you know, look, uh, the important thing is no

586
00:32:45,040 --> 00:32:48,600
Speaker 1: one got hurt, right, Okay, but this is the first

587
00:32:48,640 --> 00:32:52,400
Speaker 1: time he has done this. Remember le touch things. Remember

588
00:32:52,440 --> 00:32:55,520
Speaker 1: the time he crashed the vespa we were giving aways

589
00:32:55,560 --> 00:32:57,640
Speaker 1: a prize. Yeah, he crashed a new vest with scooter.

590
00:32:57,960 --> 00:33:01,240
Speaker 1: It had just it was a vestment promotion. And remember

591
00:33:01,280 --> 00:33:04,160
Speaker 1: when they gave him that Mercedes Benz and he crashed

592
00:33:04,160 --> 00:33:08,760
Speaker 1: it into his brand new Lexus. I love how he was.

593
00:33:08,920 --> 00:33:11,160
Speaker 1: He was doing a deal with both Alexis and Mercedes.

594
00:33:11,240 --> 00:33:15,320
Speaker 1: He crashed one into the other. At all. Right, look,

595
00:33:16,080 --> 00:33:20,280
Speaker 1: let's turn this negative into a positive. It's okay, I'm

596
00:33:20,400 --> 00:33:23,040
Speaker 1: so appreciative that the people at Sharmon were sweet enough

597
00:33:23,080 --> 00:33:24,800
Speaker 1: to send me a toilet with my picture on it.

598
00:33:24,880 --> 00:33:26,880
Speaker 1: I'm sure someone there has a picture of it. We

599
00:33:27,240 --> 00:33:29,800
Speaker 1: could salvage your Your face is a little broken, but

600
00:33:29,920 --> 00:33:32,200
Speaker 1: we could salvage your face a little bit, right, It's

601
00:33:32,240 --> 00:33:34,120
Speaker 1: not that big of a deal. Calm down, Gregory, you

602
00:33:34,200 --> 00:33:36,480
Speaker 1: may speak now. Okay. I just want to say to

603
00:33:36,680 --> 00:33:39,800
Speaker 1: people that are listening to Sharmon, I love Sharmon. I

604
00:33:39,920 --> 00:33:42,560
Speaker 1: love everything, I love people, I love toilets. I would

605
00:33:42,600 --> 00:33:49,160
Speaker 1: never destroy We know that did to dismantle it. You

606
00:33:49,280 --> 00:33:52,000
Speaker 1: didn't dismantle it. You shattered it into a billion pieces

607
00:33:52,080 --> 00:33:55,160
Speaker 1: when I turned my back and back dismantle. Let's let's

608
00:33:55,160 --> 00:33:58,720
Speaker 1: take a break, just like you did the toilet, and

609
00:34:03,600 --> 00:34:06,120
Speaker 1: it was your fault, but you didn't do it on purpose.

610
00:34:08,520 --> 00:34:11,799
Speaker 1: Let's take a break and we'll be back and we'll

611
00:34:12,280 --> 00:34:17,279
Speaker 1: fix this next. Okay, here we go, Elvis Duran in

612
00:34:17,320 --> 00:34:20,719
Speaker 1: the Morning Show. In today's connected world, it takes just

613
00:34:20,920 --> 00:34:23,799
Speaker 1: one week link and your personal information can get into

614
00:34:23,840 --> 00:34:26,200
Speaker 1: the wrong hands. Good thing. New life Block with Norton

615
00:34:26,719 --> 00:34:30,239
Speaker 1: now has protection for your identity and devices. Join at

616
00:34:30,280 --> 00:34:32,800
Speaker 1: life block dot com and use promo code Elvis for

617
00:34:32,840 --> 00:34:37,560
Speaker 1: an extra temper cent off your first year, Elvis Durand

618
00:34:37,600 --> 00:34:40,239
Speaker 1: in the Morning Show. Alright, a new toilet is on

619
00:34:40,320 --> 00:34:45,000
Speaker 1: the way. By the way, toilets aren't cheap, No, they're

620
00:34:45,040 --> 00:34:47,440
Speaker 1: not if you get them used, though there's there's a discount.

621
00:34:48,640 --> 00:34:52,840
Speaker 1: We don't want to pre own toilet. Thank you to Okay,

622
00:34:52,880 --> 00:34:55,080
Speaker 1: so thanks to our friends at Sharman, they did send

623
00:34:55,120 --> 00:34:58,960
Speaker 1: out a beautifully decorated toilet. That great tea smash. The

624
00:34:59,040 --> 00:35:02,000
Speaker 1: Smithereens love that that word Smith Reeen's So we sent

625
00:35:02,440 --> 00:35:05,360
Speaker 1: you guys, sent Andrew out. He's bringing a replacement toilet.

626
00:35:05,640 --> 00:35:07,479
Speaker 1: This is like when you're a kid and your kitten

627
00:35:07,520 --> 00:35:09,000
Speaker 1: disappears on your mom and dad have to go out

628
00:35:09,040 --> 00:35:13,480
Speaker 1: and find one that looks just like that kittenish Yeah,

629
00:35:13,600 --> 00:35:15,400
Speaker 1: so you know those are easier to match. But anyway,

630
00:35:15,440 --> 00:35:17,640
Speaker 1: so you guys thought you could just sneak a new

631
00:35:17,719 --> 00:35:19,480
Speaker 1: toilet in here and I wouldn't have known the difference.

632
00:35:19,520 --> 00:35:21,160
Speaker 1: But we got to the bottom of that now. I

633
00:35:21,200 --> 00:35:24,279
Speaker 1: didn't wait anyway, So thanks to Charman, they have a

634
00:35:24,360 --> 00:35:27,640
Speaker 1: new song. I'll call it. Is it booty Smile? Okay,

635
00:35:27,760 --> 00:35:31,560
Speaker 1: but what was the first song they sent Shiny heiny. Yes, okay,

636
00:35:31,640 --> 00:35:34,879
Speaker 1: here's what I want to do. I want I want

637
00:35:34,960 --> 00:35:38,520
Speaker 1: the power of the listener to select their favorite Charman song.

638
00:35:39,760 --> 00:35:45,080
Speaker 1: I know they're both cute. Uh, shiny Heine is the original.

639
00:35:45,160 --> 00:35:47,680
Speaker 1: We played that when a couple of months ago, and

640
00:35:47,719 --> 00:35:52,120
Speaker 1: then Booty Smile is the new one. All right, and

641
00:35:52,280 --> 00:35:54,160
Speaker 1: you'll get to vote, and I'll tell you how to

642
00:35:54,239 --> 00:35:56,960
Speaker 1: vote for your favorite. Let's start with shiny Heini. Here

643
00:35:57,040 --> 00:36:06,320
Speaker 1: we go, cleaner Bush, Yeah, give me the cleaner. That

644
00:36:06,520 --> 00:36:13,759
Speaker 1: average chiny is so shiny, so shy and shiny, so

645
00:36:14,040 --> 00:36:23,719
Speaker 1: shy shiny. There you go. I mean that's such a

646
00:36:23,760 --> 00:36:25,719
Speaker 1: good one. I don't know how they can improve upon.

647
00:36:26,160 --> 00:36:29,320
Speaker 1: I agree. Okay, okay, okay, well hold on, that's the original,

648
00:36:29,360 --> 00:36:32,520
Speaker 1: that's shiny Heiny. But look, as you know, we're in

649
00:36:32,800 --> 00:36:35,200
Speaker 1: the business to pick the hits. Yeah, I think we

650
00:36:35,280 --> 00:36:37,680
Speaker 1: could have a new one. This is called Booty Smile

651
00:36:37,760 --> 00:36:42,120
Speaker 1: from Sharmonne. Listen to this one. I got a s

652
00:36:44,200 --> 00:36:50,000
Speaker 1: my own star. I got a shot too. Yeah, the

653
00:36:50,080 --> 00:36:54,320
Speaker 1: ceps magnifique Sean and I'll just talk so cozy. I'm grinning,

654
00:36:54,520 --> 00:37:07,160
Speaker 1: cheek the cheek sine. Alright, so ultrasoft. Okay, so we

655
00:37:07,280 --> 00:37:10,160
Speaker 1: have shiny heiny or booty smile. Here's how you vote.

656
00:37:10,200 --> 00:37:12,480
Speaker 1: I set this up this morning. You wonder what I

657
00:37:12,560 --> 00:37:15,680
Speaker 1: do in my spare time. It's I want you to

658
00:37:15,880 --> 00:37:21,600
Speaker 1: hashtag tweet from the seat and then either say shiny

659
00:37:21,680 --> 00:37:29,200
Speaker 1: heinie or booty smile. Alright, right now? Can we vote? Yes? Absolutely? Right?

660
00:37:29,560 --> 00:37:31,759
Speaker 1: But I just think one one is going to be

661
00:37:31,920 --> 00:37:34,080
Speaker 1: number one and then one's gonna be No. Number two.

662
00:37:34,160 --> 00:37:36,759
Speaker 1: It's just they can't both win, you know what I'm saying.

663
00:37:37,680 --> 00:37:41,800
Speaker 1: So here's again, it's shiny Heinie or booty smile, and

664
00:37:41,920 --> 00:37:46,439
Speaker 1: you hashtag tweet from the seat. Okay, let's see which

665
00:37:46,440 --> 00:37:49,879
Speaker 1: one is number one or number two in the world

666
00:37:49,880 --> 00:37:51,920
Speaker 1: of Sharmon, being number two is a winner as well.

667
00:37:52,040 --> 00:37:55,080
Speaker 1: You know without number two there would be no Sharmon.

668
00:37:55,840 --> 00:37:59,000
Speaker 1: So once again, hashtag tweet from the seat either shiny

669
00:37:59,040 --> 00:38:02,440
Speaker 1: Heinie or Bootyne. Okay, I need some time over, I know,

670
00:38:02,760 --> 00:38:04,880
Speaker 1: I don't know yet. I want to hear them more. Hey,

671
00:38:04,920 --> 00:38:08,359
Speaker 1: I was talking to producer Samantha last night about that show.

672
00:38:08,440 --> 00:38:12,959
Speaker 1: It's a Netflix documentary movie. It's a movie. It's called

673
00:38:13,080 --> 00:38:18,400
Speaker 1: The Nightmare. It's about sleep paralysis. I have never experienced this,

674
00:38:18,520 --> 00:38:22,040
Speaker 1: but a lot of people I know have have you Yes, Okay,

675
00:38:22,080 --> 00:38:25,880
Speaker 1: so Samantha, you've experienced, uh, sleep paralysis. That's why this

676
00:38:26,120 --> 00:38:29,080
Speaker 1: Netflix showed the nightmare actually kind of hit home with you. Right, Yeah.

677
00:38:29,160 --> 00:38:31,440
Speaker 1: What was crazy was I I didn't even realize that

678
00:38:31,560 --> 00:38:35,279
Speaker 1: I had sufferard quote unquote from sleep paralysis until I

679
00:38:35,360 --> 00:38:37,920
Speaker 1: saw the documentary. It took like other people putting the

680
00:38:37,960 --> 00:38:40,840
Speaker 1: pieces of the puzzle together. So it's kind of like

681
00:38:41,000 --> 00:38:44,759
Speaker 1: having a nightmare, but you know you're awake, so there's

682
00:38:44,840 --> 00:38:47,760
Speaker 1: nothing you can really do about it. And if Daniel

683
00:38:47,760 --> 00:38:49,759
Speaker 1: is looking to be like that's very weird, you haven't

684
00:38:49,760 --> 00:38:52,440
Speaker 1: experienced that, It doesn't make any sense. I'm saying, just

685
00:38:52,600 --> 00:38:55,680
Speaker 1: move just just yeah, you would think right, No, there

686
00:38:55,719 --> 00:38:57,239
Speaker 1: were a couple of times my mom had to come

687
00:38:57,320 --> 00:38:59,080
Speaker 1: into my room as a kid because I was making

688
00:38:59,120 --> 00:39:01,440
Speaker 1: weird noises. The next morning, I was like, what do

689
00:39:01,520 --> 00:39:03,359
Speaker 1: you mean you didn't see the shadow in my room?

690
00:39:03,440 --> 00:39:05,840
Speaker 1: It was there, It was there, and and that so

691
00:39:06,040 --> 00:39:09,120
Speaker 1: you remember it the next day. I remember it now,

692
00:39:09,880 --> 00:39:12,800
Speaker 1: sleep ahead because I know there are you know, the nightmares,

693
00:39:12,920 --> 00:39:17,160
Speaker 1: the really bad nightmares, night terrors that you don't remember

694
00:39:17,200 --> 00:39:19,799
Speaker 1: when you wake up. Yeah, yeah, this is different. Now

695
00:39:19,920 --> 00:39:23,040
Speaker 1: there okay, there is Uh, maybe Nate knows more about this.

696
00:39:23,080 --> 00:39:25,680
Speaker 1: I don't know. And if you saw this show, The Nightmare,

697
00:39:25,719 --> 00:39:28,920
Speaker 1: maybe they explained it. There's a scientific reason why you

698
00:39:29,080 --> 00:39:32,040
Speaker 1: open your eyes. You're in bed, you just can't move.

699
00:39:32,120 --> 00:39:35,960
Speaker 1: It's called you know, it's paralysis. Yeah, you're you're paralyzed,

700
00:39:36,000 --> 00:39:39,040
Speaker 1: but you're fully conscious about everything that's going on around you.

701
00:39:39,239 --> 00:39:42,320
Speaker 1: You're fully conscious. However, you don't have any muscle control,

702
00:39:42,600 --> 00:39:45,000
Speaker 1: but your mind is awake. So things that you hear

703
00:39:45,120 --> 00:39:48,080
Speaker 1: happening in in your room, in whatever place you happen

704
00:39:48,120 --> 00:39:51,040
Speaker 1: to be, you start your mind starts to work in

705
00:39:51,120 --> 00:39:54,080
Speaker 1: a way that it's it starts assuming things, so you

706
00:39:54,160 --> 00:39:57,480
Speaker 1: assume someone is coming to get you. And I've actually

707
00:39:57,520 --> 00:40:00,320
Speaker 1: experienced this twice and is probably the most hor afying

708
00:40:00,400 --> 00:40:02,480
Speaker 1: thing I've ever gone through. What happened? What happened to you?

709
00:40:02,600 --> 00:40:04,600
Speaker 1: So I was sitting, I was laying in bed, and

710
00:40:04,640 --> 00:40:07,600
Speaker 1: I was asleep, and then I felt like I woke

711
00:40:07,719 --> 00:40:12,239
Speaker 1: up and apparently my neighbor upstairs had come home and

712
00:40:12,440 --> 00:40:14,839
Speaker 1: there was she was wearing shoes and you know, there's

713
00:40:14,880 --> 00:40:17,120
Speaker 1: hardwood floor, so I heard her walking. But in the

714
00:40:17,280 --> 00:40:19,279
Speaker 1: state I was in my mind was awake, but my

715
00:40:19,360 --> 00:40:22,080
Speaker 1: body couldn't move. I felt like somebody was walking into

716
00:40:22,160 --> 00:40:25,879
Speaker 1: my room, in through my apartment into my room, next

717
00:40:25,920 --> 00:40:28,080
Speaker 1: to my bed, and I couldn't move. I couldn't move,

718
00:40:28,200 --> 00:40:31,160
Speaker 1: and I thought somebody was just hovering over me because

719
00:40:31,239 --> 00:40:33,640
Speaker 1: it sounded like she was there. And you're telling the

720
00:40:33,880 --> 00:40:37,759
Speaker 1: entire time, you're telling yourself, wake up, wake up, wake up,

721
00:40:37,920 --> 00:40:42,080
Speaker 1: and you can't wake up. And it's horrifying thing. Your

722
00:40:42,160 --> 00:40:44,600
Speaker 1: mind is awake, but your body is not responding. It's

723
00:40:44,719 --> 00:40:48,279
Speaker 1: I can't even The sensation is something that I don't

724
00:40:48,360 --> 00:40:51,279
Speaker 1: ever ever want to feel again. It's horrifying. Well, a

725
00:40:51,320 --> 00:40:53,200
Speaker 1: lot of people are texting in and they've experienced it

726
00:40:53,239 --> 00:40:55,000
Speaker 1: as well, so those of those who haven't, like Froggy,

727
00:40:55,000 --> 00:40:58,279
Speaker 1: if you ever experienced leap paralysis, and I haven't, No, no,

728
00:40:58,440 --> 00:41:01,640
Speaker 1: but it totally makes sense to me though. Yeah, it's

729
00:41:01,719 --> 00:41:04,440
Speaker 1: it's it's it's weird. It's like you're halfway between a

730
00:41:04,480 --> 00:41:06,839
Speaker 1: sleep and awake basically right Like I was having these

731
00:41:06,960 --> 00:41:10,120
Speaker 1: nightmares and I remember I was standing up in my

732
00:41:10,239 --> 00:41:12,279
Speaker 1: bed and my mom came and picked me up and

733
00:41:12,360 --> 00:41:14,279
Speaker 1: carried me out, like there was no point in time

734
00:41:14,480 --> 00:41:16,800
Speaker 1: where I suddenly woke up to me. I was awake

735
00:41:16,880 --> 00:41:19,960
Speaker 1: the entire time. I just couldn't do anything online. Five

736
00:41:20,080 --> 00:41:25,520
Speaker 1: is Samantha Another Samantha another one. So Samantha, you actually

737
00:41:25,680 --> 00:41:28,640
Speaker 1: you seem pretty happy considering what you went through. Samantha

738
00:41:28,680 --> 00:41:31,719
Speaker 1: says she thought demons were sitting on her chest and

739
00:41:31,840 --> 00:41:34,480
Speaker 1: she was wide awake and but she couldn't move. Is

740
00:41:34,719 --> 00:41:38,040
Speaker 1: that what happened to you? Under said. I was like

741
00:41:38,480 --> 00:41:41,480
Speaker 1: at the time, I was very like involved with my

742
00:41:41,680 --> 00:41:45,800
Speaker 1: church and everything, and I thought for years until I

743
00:41:45,920 --> 00:41:48,040
Speaker 1: learned about this, that what was happening to me in

744
00:41:48,040 --> 00:41:50,520
Speaker 1: the middle of the night, that like there was literal

745
00:41:50,680 --> 00:41:53,040
Speaker 1: demons coming and sitting on my chest, because that's what

746
00:41:53,160 --> 00:41:56,200
Speaker 1: it felt like. I would be awake and my eyes

747
00:41:56,239 --> 00:41:58,320
Speaker 1: are closed and I can't move, and it felt like

748
00:41:58,440 --> 00:42:01,600
Speaker 1: there was something like able just like sitting on my

749
00:42:01,800 --> 00:42:05,200
Speaker 1: chest and like putting pressure on me and like almost

750
00:42:05,280 --> 00:42:08,160
Speaker 1: like hissing in my space, and I would be just

751
00:42:08,280 --> 00:42:12,759
Speaker 1: like terrified and trying to wake myself up. And like

752
00:42:12,920 --> 00:42:15,839
Speaker 1: there were times I actually two times that I woke

753
00:42:15,960 --> 00:42:19,400
Speaker 1: up screaming, but I was like able to wake myself

754
00:42:19,560 --> 00:42:23,120
Speaker 1: up and I was screaming. And it was five years

755
00:42:23,200 --> 00:42:25,960
Speaker 1: later that I heard about sleep aroalysis and I was like,

756
00:42:26,080 --> 00:42:28,600
Speaker 1: oh my gosh, those were not demons. That was like

757
00:42:31,480 --> 00:42:35,320
Speaker 1: hissing demons on her chest. So, like like Nate explained,

758
00:42:35,960 --> 00:42:39,040
Speaker 1: is you you can't move, so you start assuming the

759
00:42:39,160 --> 00:42:41,560
Speaker 1: worst is happening, and so you were assuming there were

760
00:42:41,640 --> 00:42:43,960
Speaker 1: demons on your chest. Wow, all right, well do you

761
00:42:44,000 --> 00:42:46,480
Speaker 1: still do you still experience those things? How long ago

762
00:42:46,520 --> 00:42:48,880
Speaker 1: did that happen to you, Samantha? No, So here's the

763
00:42:48,960 --> 00:42:53,240
Speaker 1: weird thing that since I stopped being like as involved

764
00:42:53,280 --> 00:42:55,279
Speaker 1: in the church as I was, I was actually like

765
00:42:55,360 --> 00:42:59,200
Speaker 1: working there. Once I stopped doing that, it stopped happening

766
00:42:59,280 --> 00:43:01,719
Speaker 1: to me. So really weird that it wasn't until like

767
00:43:02,640 --> 00:43:05,719
Speaker 1: years later after I wasn't working like a ministry full time,

768
00:43:05,760 --> 00:43:08,920
Speaker 1: that I stopped experiencing it. And I haven't experienced it. Then,

769
00:43:09,120 --> 00:43:11,200
Speaker 1: well wait a minute, then maybe you did have hissing

770
00:43:11,280 --> 00:43:15,520
Speaker 1: demons on your chest. I don't know. I would have

771
00:43:15,760 --> 00:43:17,800
Speaker 1: to believe that it was just sleep paralysis, and that

772
00:43:17,920 --> 00:43:19,360
Speaker 1: was all my mind because I don't want to be

773
00:43:19,480 --> 00:43:23,680
Speaker 1: thinking about let's not rule out hissing demons. All right, Well,

774
00:43:23,800 --> 00:43:26,400
Speaker 1: thank you, Samantha. You sound like you're very chipper considering

775
00:43:26,440 --> 00:43:28,600
Speaker 1: what's what's happened to you? Hold hold on one second,

776
00:43:28,600 --> 00:43:32,560
Speaker 1: thanks for listening online. Six is shy and shy sort

777
00:43:32,600 --> 00:43:34,440
Speaker 1: of describes the same thing you said. It was like

778
00:43:34,560 --> 00:43:39,320
Speaker 1: a brick on your chest. Right. Yes, I was in

779
00:43:39,440 --> 00:43:41,480
Speaker 1: school at the time, and I was taking a nap

780
00:43:41,560 --> 00:43:44,719
Speaker 1: in my apartment. And I left my apartment unlocked because

781
00:43:44,719 --> 00:43:47,320
Speaker 1: I knew the guys were coming to spray the whole apartment.

782
00:43:48,160 --> 00:43:50,719
Speaker 1: And so I was sleeping and I could hear the

783
00:43:50,800 --> 00:43:55,120
Speaker 1: door open. I could hear footsteps on my carpet, like

784
00:43:55,280 --> 00:43:59,200
Speaker 1: someone approaching my room. And then I felt someone hovering

785
00:43:59,320 --> 00:44:02,360
Speaker 1: over me, like are looking down on me, holding holding

786
00:44:02,400 --> 00:44:06,080
Speaker 1: a brick on my chest. So I remember being in

787
00:44:06,200 --> 00:44:08,680
Speaker 1: my room, but not where I was at in my room,

788
00:44:09,520 --> 00:44:12,680
Speaker 1: and I was trying so hard to move and turned

789
00:44:12,800 --> 00:44:15,320
Speaker 1: in their direction to see where they were at. And

790
00:44:15,440 --> 00:44:19,080
Speaker 1: I actually woke up to me sitting up and turning

791
00:44:19,239 --> 00:44:22,600
Speaker 1: so hard and spitting across my entire room. My God,

792
00:44:23,600 --> 00:44:26,399
Speaker 1: all right, So here's what I think if this ever

793
00:44:26,480 --> 00:44:28,080
Speaker 1: happened to me, I would be afraid to go back

794
00:44:28,120 --> 00:44:31,160
Speaker 1: to sleep. I would be I would stay awake, morning, noon,

795
00:44:31,239 --> 00:44:33,759
Speaker 1: and night, waiting for little people to tie me down

796
00:44:33,800 --> 00:44:35,919
Speaker 1: to my bed. This sounds like how Freddy Krueger gets

797
00:44:35,960 --> 00:44:41,160
Speaker 1: into your night. I know, like what the thin line

798
00:44:41,160 --> 00:44:44,360
Speaker 1: between actual nightmares and sleep paralysis, but it's it's the

799
00:44:44,400 --> 00:44:46,759
Speaker 1: strangest thing, all right. Well, listen, shy, you don't get

800
00:44:46,840 --> 00:44:49,920
Speaker 1: this now, dude? Does this still happen to you? No,

801
00:44:50,200 --> 00:44:53,839
Speaker 1: just the one time? Thank goodness, never mind. I don't

802
00:44:53,840 --> 00:44:55,080
Speaker 1: want to be part of this at all. And you,

803
00:44:55,400 --> 00:44:57,040
Speaker 1: I don't think you'd be surprised to know that. We

804
00:44:57,160 --> 00:44:59,959
Speaker 1: have hundreds of text messages coming through right now people

805
00:45:00,400 --> 00:45:03,840
Speaker 1: say they've experienced basically the same thing. So there you

806
00:45:03,920 --> 00:45:05,920
Speaker 1: have it. Yeah, I just thought it was bad dreams.

807
00:45:05,960 --> 00:45:08,560
Speaker 1: I've learned so much and I hate it. Thanks for

808
00:45:08,640 --> 00:45:12,320
Speaker 1: listening to us. Question, do you think sleep paralysis is

809
00:45:12,360 --> 00:45:19,560
Speaker 1: related to morning would? I would not get excited about

810
00:45:19,600 --> 00:45:22,839
Speaker 1: sleep paralysis. No, I'm not saying. I'm not saying it's

811
00:45:22,880 --> 00:45:25,880
Speaker 1: the same thing. I'm just saying, you know, morning would.

812
00:45:26,000 --> 00:45:27,520
Speaker 1: If you're a guy, you know what I'm talking about.

813
00:45:27,560 --> 00:45:29,600
Speaker 1: It's like a little ghost that kind of creeps up

814
00:45:29,640 --> 00:45:31,719
Speaker 1: into your into your life in the morning, and you

815
00:45:31,800 --> 00:45:34,680
Speaker 1: didn't invite it. It just shows up, all right that

816
00:45:34,800 --> 00:45:38,600
Speaker 1: this morning me too? Oh my God, No, I don't

817
00:45:38,640 --> 00:45:40,840
Speaker 1: have it. It doesn't happen every day, but this morning

818
00:45:40,880 --> 00:45:43,319
Speaker 1: it was like a really yeah, you know it's it's

819
00:45:43,480 --> 00:45:47,520
Speaker 1: really today. How do you get rid of it? You don't,

820
00:45:47,680 --> 00:45:49,440
Speaker 1: It has to get rid of itself. Yes, scary. So

821
00:45:49,520 --> 00:45:51,640
Speaker 1: my question is what do you call it when you

822
00:45:51,760 --> 00:45:54,760
Speaker 1: wake up and you are fully conscious, but you physically

823
00:45:54,880 --> 00:45:57,120
Speaker 1: can't move like a couple of your limbs Like we

824
00:45:57,280 --> 00:46:02,040
Speaker 1: just told you. That's called you're holding her down? Scary letter. Leave.

825
00:46:02,200 --> 00:46:08,560
Speaker 1: That's not a doctor now. That means your your arms asleep,

826
00:46:08,600 --> 00:46:13,919
Speaker 1: you slept on it wrong or something paralysis. Yeah, so, Nate,

827
00:46:14,080 --> 00:46:17,560
Speaker 1: you have the scientific explanation or morning wood morning wood? Yes, Well,

828
00:46:17,600 --> 00:46:20,480
Speaker 1: one of the explanations is that there's a valve on

829
00:46:20,719 --> 00:46:24,960
Speaker 1: the penis, right that once it's okay, you can say,

830
00:46:25,040 --> 00:46:29,160
Speaker 1: let's all say the word together. Once the penis is erect,

831
00:46:29,239 --> 00:46:31,400
Speaker 1: it shuts off the valve that makes you pee. So,

832
00:46:31,680 --> 00:46:34,600
Speaker 1: in essence, getting morning wood prevents you from wedding the bed.

833
00:46:36,880 --> 00:46:40,600
Speaker 1: That's one of the explanations. All right, Well, Amen's sister,

834
00:46:40,760 --> 00:46:43,920
Speaker 1: I like it. It serves two purposes. It keeps you

835
00:46:43,960 --> 00:46:49,080
Speaker 1: from wedding to bed, and it's it's mighty impressive. Oh,

836
00:46:49,760 --> 00:46:56,799
Speaker 1: I like how you say that scary? Is that how

837
00:46:56,840 --> 00:47:07,960
Speaker 1: they taught you to say it? He said, by like yeah, uh, anyway,

838
00:47:08,160 --> 00:47:10,360
Speaker 1: I've learned a lot today. It's like freaking Mr Wizards

839
00:47:10,400 --> 00:47:13,200
Speaker 1: in here telling us what's going on in our lives. Yes, Samantha,

840
00:47:13,640 --> 00:47:17,040
Speaker 1: thank you, I'm realizing. Well, thanks for telling us about

841
00:47:17,040 --> 00:47:19,480
Speaker 1: the Netflix. It's now. Is it a documentary or a movie?

842
00:47:19,520 --> 00:47:22,719
Speaker 1: I'm confused. Okay, it's called The Nightmare. So if you

843
00:47:22,880 --> 00:47:27,120
Speaker 1: are having or if you've ever experienced, uh paralysis, sleep paralysis,

844
00:47:27,120 --> 00:47:29,800
Speaker 1: you should check it out. By the way, yesterday speaking

845
00:47:29,840 --> 00:47:32,440
Speaker 1: of a Netflix, we started quite the storm about that

846
00:47:32,719 --> 00:47:36,319
Speaker 1: documentary called The Staircase or called Staircase. More and more

847
00:47:36,400 --> 00:47:40,120
Speaker 1: people are bending it, loving it, and it's by the way,

848
00:47:40,200 --> 00:47:41,960
Speaker 1: it's it's an investment of time, and there are a

849
00:47:42,040 --> 00:47:44,560
Speaker 1: lot of episodes, and I watched a few more last night.

850
00:47:44,640 --> 00:47:49,000
Speaker 1: And it's another one of those twisty turney storylines. It's

851
00:47:49,080 --> 00:47:53,840
Speaker 1: just what it's crazy like the Mirror where each episode

852
00:47:53,920 --> 00:47:55,960
Speaker 1: is different. No, no, no, no, it's a documentary. It's

853
00:47:55,960 --> 00:47:58,440
Speaker 1: a real life. It's a real life story and investigation

854
00:47:58,840 --> 00:48:01,080
Speaker 1: of a murder. I'll leave it that. It's called staircase.

855
00:48:01,160 --> 00:48:04,239
Speaker 1: It's insane. Okay, it's crazy, all right? Should we take

856
00:48:04,280 --> 00:48:06,840
Speaker 1: a break? Yeah, all right. We are continuing with our

857
00:48:06,880 --> 00:48:08,640
Speaker 1: tag team phone taps. As you know, are are really

858
00:48:08,719 --> 00:48:10,640
Speaker 1: good friend bald freak Ronnie, who's been with our show

859
00:48:10,680 --> 00:48:13,799
Speaker 1: for twenty years. He was a master at these phone

860
00:48:13,840 --> 00:48:16,279
Speaker 1: taps tag teaming with other members of the show. We

861
00:48:16,360 --> 00:48:18,319
Speaker 1: have another one of his phone taps coming up. We're

862
00:48:18,360 --> 00:48:20,520
Speaker 1: honoring him because this is his last day with us.

863
00:48:20,560 --> 00:48:23,000
Speaker 1: He's moving to Washington, d C. To work for NPR.

864
00:48:23,920 --> 00:48:26,799
Speaker 1: Uh not as intellectually stimulating as our show, but he'll

865
00:48:26,800 --> 00:48:29,480
Speaker 1: have a good time. So scary. Who is he tag

866
00:48:29,600 --> 00:48:32,560
Speaker 1: teaming within the phone tap? Next me? This is his

867
00:48:32,680 --> 00:48:35,680
Speaker 1: favorite of all of the Patrick Fitzgerald Gerald Fitzpatrick's here

868
00:48:35,840 --> 00:48:37,840
Speaker 1: all beautiful, it's his favorite. Coming up right after this,

869
00:48:39,320 --> 00:48:42,600
Speaker 1: Jali Subdatis is Kanye West. Hello, This is hey. I'm

870
00:48:42,680 --> 00:48:45,000
Speaker 1: Charlie Poos. How are you doing? This is Wendy Williams,

871
00:48:46,320 --> 00:48:50,239
Speaker 1: Elvis durand Elvis Duran and the movie Show. As you know,

872
00:48:50,400 --> 00:48:53,160
Speaker 1: we're all obsessed with Tate's bake Shop cookies, but now

873
00:48:53,280 --> 00:48:56,680
Speaker 1: we're more obsessed with their tiny cookies. It's tiny Tates

874
00:48:56,800 --> 00:48:59,440
Speaker 1: from Tate's Bake Shop, a single serve bag of Tate's

875
00:48:59,520 --> 00:49:03,160
Speaker 1: Thin Speech chcolate chip cookies, the perfect snack. Visit tates

876
00:49:03,280 --> 00:49:07,719
Speaker 1: Bake Shop dot com. Promo code Elvis for Off. This

877
00:49:08,320 --> 00:49:14,680
Speaker 1: is Elvis Durant in the Morning Show. So yeah, all excited.

878
00:49:14,840 --> 00:49:17,520
Speaker 1: Mike Shinodah unbelievable music from him. He's coming in to

879
00:49:17,560 --> 00:49:19,560
Speaker 1: talk about it. He's been through a whole heck of

880
00:49:19,600 --> 00:49:22,520
Speaker 1: a lot this past year. We're gonna play his music

881
00:49:22,600 --> 00:49:26,439
Speaker 1: and talk to him. Coming up about forty minutes, thirty minutes.

882
00:49:26,520 --> 00:49:28,200
Speaker 1: My god, look at that. Every time it is, Hey,

883
00:49:28,320 --> 00:49:31,480
Speaker 1: we're gonna get into your Thursday phone tap. It's the

884
00:49:31,760 --> 00:49:35,040
Speaker 1: Tag team phone tap with Bald Freak Rannie. I wish

885
00:49:35,080 --> 00:49:36,480
Speaker 1: he was here, we could talk to him, and now

886
00:49:36,719 --> 00:49:39,160
Speaker 1: he I thought he said he was coming in earlier today. Well, no,

887
00:49:39,320 --> 00:49:41,320
Speaker 1: he doesn't matter. It doesn't matter his last day. What

888
00:49:41,400 --> 00:49:44,520
Speaker 1: does he care? He doesn't care. So Bald Freak Rannie,

889
00:49:44,560 --> 00:49:48,200
Speaker 1: who also did this incredible farewell song, we'll play it

890
00:49:48,239 --> 00:49:51,959
Speaker 1: for you in like thirty minutes. Anyway, he was really

891
00:49:52,040 --> 00:49:54,880
Speaker 1: great at these Tag Team phone taps during his twenty

892
00:49:54,960 --> 00:49:57,080
Speaker 1: years with our show. He is leaving now to move

893
00:49:57,120 --> 00:49:58,960
Speaker 1: to Washington, d C. We're going going to miss him

894
00:49:59,080 --> 00:50:02,800
Speaker 1: very much. But he leaves us, leaves us with this

895
00:50:02,920 --> 00:50:05,200
Speaker 1: body of work, as we call it, the Tag team

896
00:50:05,239 --> 00:50:08,240
Speaker 1: phone tap, and this one's with Who's this with me? Scary?

897
00:50:09,120 --> 00:50:12,320
Speaker 1: I Like, here's it with me? Scary? You know, scary

898
00:50:12,440 --> 00:50:21,040
Speaker 1: j Scary. Here we go, so brave. This as his

899
00:50:21,160 --> 00:50:23,680
Speaker 1: last day here, this is his favorite phone tap, A

900
00:50:23,719 --> 00:50:27,080
Speaker 1: tag team phone tap from the great bald freak RANI.

901
00:50:27,160 --> 00:50:34,560
Speaker 1: Here we go phone tap, Elvis, Elvis durand Elvis Durant.

902
00:50:34,640 --> 00:50:37,400
Speaker 1: Phone tap. All right, So how long ago was it

903
00:50:37,480 --> 00:50:40,920
Speaker 1: when we were introduced to Patrick Fitzgerald and Gerald Fitzpatrick.

904
00:50:41,400 --> 00:50:44,960
Speaker 1: They're back, So here we go today's phone tap. This

905
00:50:45,080 --> 00:50:48,120
Speaker 1: could be interesting, scary? What's it all about? Monique emailed

906
00:50:48,200 --> 00:50:50,879
Speaker 1: us to phone tap her husband and her daughter, both

907
00:50:50,960 --> 00:50:53,400
Speaker 1: of them. Turns out they've been having trouble with their

908
00:50:53,440 --> 00:50:55,560
Speaker 1: satellite dish in the house and they've been through a

909
00:50:55,640 --> 00:50:57,600
Speaker 1: lot of the the text walking them through on the

910
00:50:57,680 --> 00:51:00,560
Speaker 1: phone all their issues and unfortunately couldn't be off that way.

911
00:51:00,600 --> 00:51:02,960
Speaker 1: So they've been waiting on a callback for a further solution.

912
00:51:03,719 --> 00:51:06,719
Speaker 1: So we figured we'd step in and pretend to be

913
00:51:06,920 --> 00:51:10,080
Speaker 1: that solution. So your phone tapping, there's two of you

914
00:51:10,160 --> 00:51:12,279
Speaker 1: phone tapping two people. That's right, this is a double

915
00:51:12,360 --> 00:51:14,520
Speaker 1: double All right, here we go. Let's see what happens

916
00:51:14,560 --> 00:51:17,919
Speaker 1: in today's phone tep. Listen it. Hello, Hi, I'm looking

917
00:51:18,000 --> 00:51:22,120
Speaker 1: for Marcella Boston. This is where please? Yes, Hi, how

918
00:51:22,200 --> 00:51:25,400
Speaker 1: are you? My name is Patrick Fitzgerald from How are

919
00:51:25,440 --> 00:51:29,239
Speaker 1: you Today? Um? Good? I could be a little better

920
00:51:29,280 --> 00:51:32,040
Speaker 1: if I was watching the Real Housewives. But no signal yet?

921
00:51:32,840 --> 00:51:34,799
Speaker 1: Some notes on your account? Yeah, I told a couple

922
00:51:34,800 --> 00:51:36,879
Speaker 1: of people. Um, I keep getting the same error seven

923
00:51:36,960 --> 00:51:39,560
Speaker 1: seven one searching for signals? Are you looking at your

924
00:51:39,600 --> 00:51:41,959
Speaker 1: receiver right now? Yeah, I've already done that like seven times.

925
00:51:42,160 --> 00:51:44,480
Speaker 1: There's a little red button in there, okay that you're

926
00:51:44,480 --> 00:51:47,239
Speaker 1: gonna pull down the tray and you're gonna press that. Yeah,

927
00:51:47,239 --> 00:51:49,239
Speaker 1: I know I've done this a million times. It's like

928
00:51:49,320 --> 00:51:51,719
Speaker 1: five of you already. Did you pull the plug on

929
00:51:51,880 --> 00:51:54,680
Speaker 1: the television and waiting? We've turned on the TV, we've

930
00:51:54,719 --> 00:51:57,640
Speaker 1: turned it off. We pressed the button, and you're not

931
00:51:57,680 --> 00:52:00,759
Speaker 1: gonna plug everything. They don't like thinking about that game.

932
00:52:00,800 --> 00:52:02,759
Speaker 1: Do me a favorite. Press that red button. Press the

933
00:52:02,760 --> 00:52:05,480
Speaker 1: red button again. I'm not pressing the button let me

934
00:52:05,560 --> 00:52:07,800
Speaker 1: talk to them, um and listen, Can I talk to

935
00:52:07,840 --> 00:52:10,439
Speaker 1: somebody different before my dad drives me crazy? Here? Hold

936
00:52:10,520 --> 00:52:12,840
Speaker 1: on one second. I know the person you're gonna hear

937
00:52:13,080 --> 00:52:16,000
Speaker 1: me on the phone over there or something I'm gonna

938
00:52:16,000 --> 00:52:20,680
Speaker 1: go down to. They're chansferring me. Just wait for a minute,

939
00:52:20,760 --> 00:52:23,520
Speaker 1: Just wait a minute. Customer service, Gerald Fitzpatrick speaking, How

940
00:52:23,560 --> 00:52:26,480
Speaker 1: may I help you? Didn't I just speak to you? Listen?

941
00:52:26,719 --> 00:52:29,960
Speaker 1: My daughter is she's not getting any service, and you

942
00:52:30,040 --> 00:52:32,400
Speaker 1: guys keep giving her the run around. You keep transporting

943
00:52:32,440 --> 00:52:35,360
Speaker 1: her everywhere, and you're sending her to different places and

944
00:52:35,480 --> 00:52:37,320
Speaker 1: no really wants the helpless sir, is your name on

945
00:52:37,320 --> 00:52:38,960
Speaker 1: the account? Is your daughter's name on the account? Can

946
00:52:39,000 --> 00:52:43,240
Speaker 1: I have your name? Please? Yes? And what's her name? Marcella? Marcella?

947
00:52:44,000 --> 00:52:46,040
Speaker 1: Is that with one or two? Else? You have the

948
00:52:46,080 --> 00:52:48,040
Speaker 1: accounting part of you? Why are we doing this again?

949
00:52:48,400 --> 00:52:52,799
Speaker 1: My name is Gerald Fitzpatrick. What was the other guy's nat? Hey?

950
00:52:52,840 --> 00:52:54,840
Speaker 1: What that was his name? You're the same guy was

951
00:52:54,880 --> 00:52:57,239
Speaker 1: talking to weren't you? She was just talking to you

952
00:52:57,520 --> 00:52:59,480
Speaker 1: and you told her to hit the reset button. You

953
00:52:59,560 --> 00:53:02,120
Speaker 1: give me a supervisor, or you give me a manager.

954
00:53:03,120 --> 00:53:06,359
Speaker 1: Something you or someone came out here, Come out here

955
00:53:06,360 --> 00:53:08,720
Speaker 1: and give us a hand. My goodness, Have you pressed

956
00:53:08,760 --> 00:53:11,200
Speaker 1: the red reset button? Yes? I already did. You already

957
00:53:11,239 --> 00:53:15,240
Speaker 1: told me. We just went through this conversation. Is like, sir,

958
00:53:15,600 --> 00:53:17,400
Speaker 1: this is the first I'm speaking with you. Have you

959
00:53:17,520 --> 00:53:20,080
Speaker 1: pulled the power cord out of the back of the box. No,

960
00:53:20,320 --> 00:53:22,359
Speaker 1: we're not pulling the power and it's not said it's

961
00:53:22,360 --> 00:53:24,000
Speaker 1: not on plug? Is that all you know how to do?

962
00:53:24,440 --> 00:53:25,840
Speaker 1: Is that all they tell you? If you don't know

963
00:53:25,920 --> 00:53:29,000
Speaker 1: what you're doing, Give me something that knows what they're doing. Okay,

964
00:53:29,040 --> 00:53:35,040
Speaker 1: hold on one second. Here, this is Patrick Fitzgerald. I

965
00:53:35,120 --> 00:53:38,160
Speaker 1: told you the transformator manager. I just got this call.

966
00:53:38,239 --> 00:53:40,800
Speaker 1: This call just came to me here. Nothing, you're the

967
00:53:40,880 --> 00:53:42,880
Speaker 1: same guy I was just talking to right now. I

968
00:53:42,920 --> 00:53:44,719
Speaker 1: don't know what you're talking about, sir. All I know

969
00:53:45,080 --> 00:53:47,760
Speaker 1: is that error seven seven one is caused by weather?

970
00:53:49,640 --> 00:53:51,799
Speaker 1: Is there snow or ice build up on the dish

971
00:53:52,480 --> 00:53:56,719
Speaker 1: in Miami? Agrees all the time over here. So there's

972
00:53:56,760 --> 00:53:59,960
Speaker 1: no ice problem, is what you're saying? It's Miami isn't

973
00:54:00,000 --> 00:54:07,319
Speaker 1: of the problem? Oh no, what this best department? Hope

974
00:54:07,320 --> 00:54:10,279
Speaker 1: it's Patrick speaking. Did you just press the whole button? Run?

975
00:54:10,320 --> 00:54:12,560
Speaker 1: Around your desk and then come back and answer the phone. Man,

976
00:54:12,600 --> 00:54:16,480
Speaker 1: this call is just transferred to me. Your name, I've

977
00:54:16,520 --> 00:54:19,360
Speaker 1: given you my name as Dyne. Are you Mrs morrisell

978
00:54:21,080 --> 00:54:24,600
Speaker 1: each other? This is Patrick Fitzgerald. Why are you asking

979
00:54:24,680 --> 00:54:26,640
Speaker 1: me the same question twice? I don't know what you're

980
00:54:26,680 --> 00:54:29,520
Speaker 1: talking about. Now I need you to examine your cable

981
00:54:30,320 --> 00:54:32,080
Speaker 1: far and I'm driving over. This is who is that?

982
00:54:32,200 --> 00:54:35,560
Speaker 1: Your your brother? That is my father who is extremely angry.

983
00:54:35,760 --> 00:54:38,160
Speaker 1: Oh he sounds very close in age to you. Troubleshooting

984
00:54:38,200 --> 00:54:41,840
Speaker 1: Gerald Fitzpatrick speaking hello, Hello, you introduce yourself to me

985
00:54:41,960 --> 00:54:45,120
Speaker 1: one more time. Man, Hello, I'm gonna kill you. Man

986
00:54:45,400 --> 00:54:49,120
Speaker 1: if you work at that building. That's Larry Fitzgerald, whatever

987
00:54:49,480 --> 00:54:51,120
Speaker 1: your name. I understand you're upset. I'm going to go

988
00:54:51,239 --> 00:54:54,640
Speaker 1: down there. Whoever is in it, I'm going to stab him.

989
00:54:55,080 --> 00:54:58,760
Speaker 1: Not I understand. Have you checked your Lenva cable? Sometimes

990
00:54:58,800 --> 00:55:01,719
Speaker 1: in god weather conditions and at both ends you can

991
00:55:03,440 --> 00:55:05,160
Speaker 1: on the back of the console. Two of them on

992
00:55:05,200 --> 00:55:06,719
Speaker 1: the phone. What do you guys do it? Over? Are

993
00:55:06,719 --> 00:55:11,320
Speaker 1: you guys sitting on each other? That each other? This

994
00:55:11,480 --> 00:55:14,120
Speaker 1: is Patrick Fitzgerald, sir. This is General Fitzpatrick. Can help

995
00:55:14,160 --> 00:55:16,600
Speaker 1: you I'm going to your heart. You hear me? Are

996
00:55:16,640 --> 00:55:18,360
Speaker 1: you want to rip my heart out? I want to

997
00:55:18,400 --> 00:55:20,000
Speaker 1: tear it out of your phone? Sir? Why would you

998
00:55:20,000 --> 00:55:21,279
Speaker 1: want to do such a thing to my heart? We

999
00:55:21,320 --> 00:55:24,200
Speaker 1: don't want violence here. You guys are too do you

1000
00:55:24,280 --> 00:55:29,160
Speaker 1: hear me? YouTube's sitting around people pay good money to

1001
00:55:29,200 --> 00:55:33,120
Speaker 1: your company, bitches. My name is Patrick Fitzgerald, sir, and

1002
00:55:33,320 --> 00:55:36,759
Speaker 1: I am the manager. Okay, sir, We're going to send

1003
00:55:36,800 --> 00:55:38,640
Speaker 1: a service check out in about two hours from right now,

1004
00:55:38,640 --> 00:55:40,680
Speaker 1: so unfortunately we don't have anyone available to come out

1005
00:55:40,680 --> 00:55:43,600
Speaker 1: there today. Is that? Okay? How you just totally school

1006
00:55:43,680 --> 00:55:46,200
Speaker 1: to the same time. Okay, I'll tell you what. We're

1007
00:55:46,200 --> 00:55:48,440
Speaker 1: gonna take four days of television off of your bill.

1008
00:55:48,480 --> 00:55:50,160
Speaker 1: We're going to credit that back to you, sir. I'm

1009
00:55:50,160 --> 00:55:53,440
Speaker 1: saying that your bill is overdue. At least you can do, sir.

1010
00:55:53,520 --> 00:55:55,799
Speaker 1: I didn't offer any credits. It's it appears that your

1011
00:55:55,800 --> 00:55:58,880
Speaker 1: account is overdue. Are you taking it away? Would you

1012
00:55:59,080 --> 00:56:01,560
Speaker 1: record these phone call? You record them? Look them back?

1013
00:56:01,760 --> 00:56:04,239
Speaker 1: And didn't you know that you gave me a credit? Sir?

1014
00:56:04,320 --> 00:56:05,960
Speaker 1: We don't record these phone calls. This phone call is

1015
00:56:06,000 --> 00:56:10,919
Speaker 1: being recorded for quality assurance. There's too talking. I don't

1016
00:56:10,920 --> 00:56:13,360
Speaker 1: hear anybody except sir. This is Gerald Fitzpatrics is Patrick

1017
00:56:13,360 --> 00:56:19,160
Speaker 1: Fitzgerald's I understand your general fitz Patrick Fitzgerald. And you've

1018
00:56:19,200 --> 00:56:21,279
Speaker 1: been phone tapped. And you've been phone tapped. You've been

1019
00:56:21,320 --> 00:56:27,120
Speaker 1: phone tapped. You've been both of you. What Eric, Your

1020
00:56:27,160 --> 00:56:31,120
Speaker 1: wife Monique put us up to it. She's tapping both

1021
00:56:31,200 --> 00:56:34,239
Speaker 1: you and your daughter. My name is Gary Jones, and

1022
00:56:34,280 --> 00:56:37,719
Speaker 1: I'm Ronnie. Why are you laughing? What's the it's going on?

1023
00:56:38,160 --> 00:56:45,240
Speaker 1: What's going on? Mom? Is a jeans? Have an idea

1024
00:56:45,320 --> 00:56:47,440
Speaker 1: for a phone tab? Go to Ellis Durand dot com.

1025
00:56:47,520 --> 00:56:49,440
Speaker 1: Click on the phone tap tab, tell us what you

1026
00:56:49,480 --> 00:56:52,480
Speaker 1: want to do. This phone table was prerecorded with permission

1027
00:56:52,520 --> 00:56:57,680
Speaker 1: granted by all participants Elvis Durand Phone tab on Elvis

1028
00:56:57,800 --> 00:57:01,200
Speaker 1: Durand in the Morning showld Man, thank you, ball freak Rannie.

1029
00:57:01,239 --> 00:57:03,600
Speaker 1: That was awesome. You two scary. Hey, So let's talk

1030
00:57:03,600 --> 00:57:06,960
Speaker 1: about LifeLock dot com. Let me give you another example

1031
00:57:07,160 --> 00:57:11,360
Speaker 1: of hackers getting your private information. I don't know if

1032
00:57:11,400 --> 00:57:14,080
Speaker 1: you've ever heard of my heritage. It's it's a genealogy

1033
00:57:14,160 --> 00:57:18,439
Speaker 1: DNA testing site. Yep, they broke into that. Your email

1034
00:57:18,480 --> 00:57:26,960
Speaker 1: addresses encrypted password, more than ninety two million passwords. It's

1035
00:57:27,040 --> 00:57:30,720
Speaker 1: so ridiculous. So it involves users who signed up to

1036
00:57:31,400 --> 00:57:34,760
Speaker 1: my Heritage up to October twenty six of last year.

1037
00:57:35,160 --> 00:57:38,360
Speaker 1: So another breach, and I'm sure there are many breaches

1038
00:57:38,400 --> 00:57:40,200
Speaker 1: we don't even know about. That's why life flock is

1039
00:57:40,240 --> 00:57:43,360
Speaker 1: so important. New life Flock identity theft protection with the

1040
00:57:43,440 --> 00:57:47,360
Speaker 1: added power of our already trusted Norton security, helps protect

1041
00:57:47,440 --> 00:57:51,480
Speaker 1: against threats to our identity and our devices, stuff we

1042
00:57:51,600 --> 00:57:53,560
Speaker 1: can't see or fix on our own. And the cool

1043
00:57:53,600 --> 00:57:55,880
Speaker 1: thing about LifeLock is they have people there who can

1044
00:57:56,000 --> 00:57:58,760
Speaker 1: work to fix these things. No one can stop all

1045
00:57:58,840 --> 00:58:01,200
Speaker 1: cyber threats, no one can prevent all identity theft for

1046
00:58:01,280 --> 00:58:05,480
Speaker 1: monitor transactions, but new live Flock with Norton Security can

1047
00:58:05,560 --> 00:58:08,880
Speaker 1: uncover threats we might miss. They know what they're doing.

1048
00:58:09,240 --> 00:58:11,560
Speaker 1: Check it out for yourself. Go to LifeLock dot com

1049
00:58:11,960 --> 00:58:15,720
Speaker 1: or call one LifeLock. Use the promo code Elvis. You

1050
00:58:15,840 --> 00:58:18,520
Speaker 1: got an extra ten percent off your first year. It's

1051
00:58:18,560 --> 00:58:21,680
Speaker 1: now more important than ever to join up. That's promo

1052
00:58:21,800 --> 00:58:24,720
Speaker 1: code Elvis for ten percent off at LifeLock dot com.

1053
00:58:29,880 --> 00:58:33,760
Speaker 1: Story in the Morning Show, So Excited Mike Shinoda is

1054
00:58:33,840 --> 00:58:35,520
Speaker 1: on the way of course from Lincoln Park. And of

1055
00:58:35,640 --> 00:58:39,520
Speaker 1: course his new album Post Traumatic. It's causing quiet astir

1056
00:58:39,600 --> 00:58:43,320
Speaker 1: it's his first solo album, and uh I saw an

1057
00:58:43,440 --> 00:58:47,200
Speaker 1: interview with him on CBS Sunday Morning the other day. Fascinating.

1058
00:58:47,640 --> 00:58:50,880
Speaker 1: You know what, here is true, true proof that an

1059
00:58:51,040 --> 00:58:55,560
Speaker 1: artist takes real life experiences, turns them into art to

1060
00:58:55,760 --> 00:58:58,040
Speaker 1: music and it shares it with the world. And his

1061
00:58:58,240 --> 00:59:00,160
Speaker 1: music is great. I can't wait to talk to him,

1062
00:59:00,160 --> 00:59:03,080
Speaker 1: not only to thank him for an amazing, amazing Lincoln Park,

1063
00:59:03,160 --> 00:59:05,720
Speaker 1: but this amazing solo album as well. So Mike Shinoda

1064
00:59:05,760 --> 00:59:08,520
Speaker 1: coming up in a few minutes. Also, so have we

1065
00:59:08,600 --> 00:59:10,600
Speaker 1: heard from Sharmon are they? Are they okay with the

1066
00:59:10,640 --> 00:59:13,320
Speaker 1: fact that the gift toilet with my face on it

1067
00:59:13,680 --> 00:59:16,040
Speaker 1: was shattered into a million pieces? We haven't heard from

1068
00:59:16,080 --> 00:59:19,240
Speaker 1: them yet. However, Andrew, your assistant successfully went to home

1069
00:59:19,320 --> 00:59:22,200
Speaker 1: depot and purchased a new toilet. How much? How much

1070
00:59:22,240 --> 00:59:28,720
Speaker 1: was the toilet's expensive? That's actually pretty reasonable. Look at

1071
00:59:28,760 --> 00:59:30,680
Speaker 1: all the use it gets, Daniel, I think that's that's

1072
00:59:30,680 --> 00:59:33,760
Speaker 1: a pretty good price. Think of when it gets rid of,

1073
00:59:33,920 --> 00:59:36,560
Speaker 1: that's actually a pretty good pince. I would pay top

1074
00:59:36,600 --> 00:59:39,240
Speaker 1: dollar for that anyway, So thank you to Charmon. All right,

1075
00:59:39,280 --> 00:59:42,040
Speaker 1: so they also sent a new song as a gift,

1076
00:59:42,320 --> 00:59:44,720
Speaker 1: which I think is much better than a toilet. The

1077
00:59:44,800 --> 00:59:48,120
Speaker 1: original Sharman song that we released on our show was

1078
00:59:48,240 --> 00:59:53,240
Speaker 1: called Shiny Heini, and then the new ones called Booty Smile,

1079
00:59:53,960 --> 00:59:56,280
Speaker 1: and so we we asked for you to vote what

1080
00:59:56,320 --> 00:59:59,640
Speaker 1: should we play them? Real quick? Okay, here's the original.

1081
00:59:59,720 --> 01:00:09,240
Speaker 1: This is Shiny Heiny, No, just cleaner. Bush just gives

1082
01:00:09,280 --> 01:00:12,760
Speaker 1: me the cleaner that ever. Shiny. It is so shiny,

1083
01:00:14,320 --> 01:00:21,640
Speaker 1: He's so sholy, Shiny's so shor and shiny. Here's my

1084
01:00:21,680 --> 01:00:27,040
Speaker 1: favorite part right here. All right, okay, okay, that's a

1085
01:00:27,160 --> 01:00:29,360
Speaker 1: song number one from Charman. That's the original that we

1086
01:00:29,400 --> 01:00:31,440
Speaker 1: played several months ago called Shiny Heiny. This is the

1087
01:00:31,480 --> 01:00:34,480
Speaker 1: new one. It's released today. You can't even buy this

1088
01:00:34,560 --> 01:00:39,200
Speaker 1: on iTunes. It's an exclusive for us today. It's called

1089
01:00:39,240 --> 01:00:41,640
Speaker 1: Booty Smile. Let's see what you think about this one. Okay,

1090
01:00:41,680 --> 01:00:48,480
Speaker 1: this is song number two. I got my own, So

1091
01:00:49,920 --> 01:00:55,680
Speaker 1: I gotta to the Ceps magnifique Sean and I'll just

1092
01:00:55,760 --> 01:01:02,160
Speaker 1: talk so czy. I'm grinning, cheek the cheek you is

1093
01:01:02,240 --> 01:01:06,840
Speaker 1: it nice? That's a good driving song. Alright, so I

1094
01:01:06,920 --> 01:01:08,720
Speaker 1: want you to vote. I set this up just for

1095
01:01:08,840 --> 01:01:12,680
Speaker 1: voting hashtag tweet from the seat, and once again, Elvis,

1096
01:01:12,680 --> 01:01:14,640
Speaker 1: I would just like to say, for the record, I

1097
01:01:14,760 --> 01:01:18,800
Speaker 1: do apologize. Okay, let's focus on what we need to do. Uh.

1098
01:01:19,040 --> 01:01:20,760
Speaker 1: You need to vote for the first song. You could

1099
01:01:20,960 --> 01:01:23,040
Speaker 1: vote for song one or song to or you can

1100
01:01:23,120 --> 01:01:27,360
Speaker 1: say Booty Smile which is the second song, or Shiny Heiny,

1101
01:01:27,400 --> 01:01:31,520
Speaker 1: which is the first song. It's hashtag tweet from the seat. Look,

1102
01:01:31,640 --> 01:01:36,080
Speaker 1: you've broken so many sponsors things. Remember that we were

1103
01:01:36,080 --> 01:01:38,760
Speaker 1: going to give away a Vespa so great Tea took

1104
01:01:38,800 --> 01:01:40,240
Speaker 1: it out the day we're supposed to give it away

1105
01:01:40,240 --> 01:01:42,640
Speaker 1: and he wrecked it live on the air. That is correct,

1106
01:01:44,640 --> 01:01:46,720
Speaker 1: right right in front of the person who won it.

1107
01:01:46,880 --> 01:01:52,040
Speaker 1: He wrecked the brand fault again. It rained that morning

1108
01:01:52,120 --> 01:01:56,080
Speaker 1: was a little slick. I do recall when I was

1109
01:01:56,120 --> 01:01:57,880
Speaker 1: a kid, I was working at the gas station and

1110
01:01:57,880 --> 01:02:00,640
Speaker 1: I was talking to a lady that came in, friendly woman,

1111
01:02:00,680 --> 01:02:01,800
Speaker 1: and I said, all right, bye bye, I have a

1112
01:02:01,920 --> 01:02:04,120
Speaker 1: nice day, and I left the pump in the back

1113
01:02:04,200 --> 01:02:08,560
Speaker 1: of her car and think my boat and gasoline was

1114
01:02:08,640 --> 01:02:13,800
Speaker 1: just now. You really are a mess. Okay, So if

1115
01:02:13,840 --> 01:02:15,720
Speaker 1: you want to see the destruction. If you want to

1116
01:02:15,720 --> 01:02:18,200
Speaker 1: see this this shattered toilet, it's on the Elvis Durant

1117
01:02:18,240 --> 01:02:21,720
Speaker 1: Show and staff Elvis Durand Show on Instagram. Go check

1118
01:02:21,760 --> 01:02:25,920
Speaker 1: it out. But there was also the time he reversed

1119
01:02:26,240 --> 01:02:32,040
Speaker 1: his promotional Mercedes into his promotional Lexus and the other

1120
01:02:32,200 --> 01:02:34,280
Speaker 1: car was there. I did I should have moved it.

1121
01:02:34,360 --> 01:02:36,080
Speaker 1: I was told to move it and I forgot it,

1122
01:02:36,120 --> 01:02:40,560
Speaker 1: but he didn't. Look. You can't think about those things

1123
01:02:40,600 --> 01:02:43,160
Speaker 1: when you leave at the IA at the Iowa State Fair.

1124
01:02:43,320 --> 01:02:47,440
Speaker 1: At the Iowa State Fair, you you practically broke the

1125
01:02:47,840 --> 01:02:52,200
Speaker 1: nose off of the butter cow. I was pushed into it.

1126
01:02:52,320 --> 01:02:55,280
Speaker 1: That was not my fault. He broke. You broke a

1127
01:02:55,400 --> 01:02:58,160
Speaker 1: roller coaster at six Flags. You've broken everything, okay, and

1128
01:02:58,480 --> 01:03:01,880
Speaker 1: I will. You broke my own awards, the Lifetime Achieving

1129
01:03:02,240 --> 01:03:04,440
Speaker 1: I got a Lifetime Achieving award. He broke it. Okay,

1130
01:03:04,480 --> 01:03:06,840
Speaker 1: that did slip out of my hands again. I apologize

1131
01:03:06,880 --> 01:03:08,480
Speaker 1: up and down for much for that one. And you

1132
01:03:08,560 --> 01:03:10,840
Speaker 1: know what, You're right though. He did ruin that roller coaster.

1133
01:03:10,880 --> 01:03:14,520
Speaker 1: Remember he threw up all over the roller coaster, brand

1134
01:03:14,520 --> 01:03:17,240
Speaker 1: new roller coaster and they had like spray it Okay,

1135
01:03:17,400 --> 01:03:20,040
Speaker 1: I threw up, but that was because Elvis, you made

1136
01:03:20,080 --> 01:03:22,640
Speaker 1: me ride the joker a second time. I said, I

1137
01:03:23,160 --> 01:03:26,560
Speaker 1: get off all right, in all fairness, Scary broke a dolphin. Yeah,

1138
01:03:27,600 --> 01:03:30,640
Speaker 1: how about that? That was a mistake. And then you

1139
01:03:30,880 --> 01:03:35,280
Speaker 1: fell on a baby dolphin at Atlantis and then and

1140
01:03:35,320 --> 01:03:36,840
Speaker 1: you know what happened. And I've told you the story

1141
01:03:36,920 --> 01:03:38,680
Speaker 1: over and over and now the dolphin can only swim

1142
01:03:38,760 --> 01:03:41,480
Speaker 1: to the left. But that was the only thing that

1143
01:03:41,520 --> 01:03:45,960
Speaker 1: I've ever broke going down circles anyway, Awards, we talked

1144
01:03:46,000 --> 01:03:48,720
Speaker 1: about that. Worry about that. So okay, moving forward, Thank

1145
01:03:48,760 --> 01:03:50,880
Speaker 1: you so much to Sharmon. And we're counting the votes

1146
01:03:50,920 --> 01:03:53,240
Speaker 1: now to see if Shiny Heney is still number one

1147
01:03:53,640 --> 01:03:56,280
Speaker 1: or if now the number one song is um the

1148
01:03:56,360 --> 01:03:58,040
Speaker 1: new one. So we'll get into that in a minute

1149
01:03:58,320 --> 01:04:01,800
Speaker 1: and get you the answers. Let's see what Danielle alright,

1150
01:04:01,800 --> 01:04:04,360
Speaker 1: get into it. What do you have? Okay, So, uh,

1151
01:04:04,800 --> 01:04:08,200
Speaker 1: Solo did not so well at the box office. We

1152
01:04:08,280 --> 01:04:11,720
Speaker 1: know that a Star Wars story. Yeah, so it may

1153
01:04:11,800 --> 01:04:15,440
Speaker 1: be the last Star Wars story that Lucasfilm ever tells.

1154
01:04:15,640 --> 01:04:18,960
Speaker 1: The production company has reportedly put plans for future standalone

1155
01:04:19,000 --> 01:04:23,080
Speaker 1: movies on hold following solos dismal box office performance. So

1156
01:04:23,240 --> 01:04:26,120
Speaker 1: we'll see. I told you there's a lot of revamped

1157
01:04:26,160 --> 01:04:28,160
Speaker 1: movies in the work or a lot of new uh

1158
01:04:28,480 --> 01:04:30,840
Speaker 1: Star Wars movies that they were talking about. I guess

1159
01:04:30,880 --> 01:04:33,840
Speaker 1: we'll have to see what happens with everything, um because

1160
01:04:33,960 --> 01:04:36,040
Speaker 1: you know it's not worth the money if no one's

1161
01:04:36,040 --> 01:04:38,800
Speaker 1: going to see it, right, Yeah, uh the Incredibles. Have

1162
01:04:38,920 --> 01:04:41,960
Speaker 1: you seen the New Incredibles yet? Ye? Hearing great things? Okay,

1163
01:04:42,080 --> 01:04:46,520
Speaker 1: So obviously in this version of The Incredibles, the person

1164
01:04:46,640 --> 01:04:50,560
Speaker 1: that you are really rooting for is Alasta girl, right,

1165
01:04:50,840 --> 01:04:52,840
Speaker 1: So she is like the main person in this and

1166
01:04:52,960 --> 01:04:56,800
Speaker 1: she's like kicks button whatever. The problem is people are

1167
01:04:56,840 --> 01:05:00,600
Speaker 1: paying too much attention to this cartoons. But in the movie,

1168
01:05:00,880 --> 01:05:03,640
Speaker 1: people are tweeting out about what a hot but this

1169
01:05:03,920 --> 01:05:06,840
Speaker 1: cartoon has, and they're missing the point that it's a

1170
01:05:06,920 --> 01:05:10,240
Speaker 1: badass girl kicking ass. They don't really want you to

1171
01:05:10,320 --> 01:05:13,000
Speaker 1: focus on her ass. I thought, Nicki Minaj, that's not

1172
01:05:13,120 --> 01:05:16,200
Speaker 1: Nicki Minaj's not Nicki Minaj. So they're asking people to

1173
01:05:16,320 --> 01:05:20,280
Speaker 1: please stop focusing on the wrong part of the movie. Okay, okay.

1174
01:05:20,720 --> 01:05:24,040
Speaker 1: Paul McCartney released two new songs yesterday announced a new

1175
01:05:24,120 --> 01:05:27,360
Speaker 1: album called Egypt Station will be coming out September seven,

1176
01:05:27,640 --> 01:05:29,920
Speaker 1: So if you're a fan, very exciting news. There's a

1177
01:05:30,040 --> 01:05:33,440
Speaker 1: new Ninja Turnles movie in the works, um so get

1178
01:05:33,480 --> 01:05:35,320
Speaker 1: ready for that one. And I don't know if you

1179
01:05:35,440 --> 01:05:37,600
Speaker 1: checked out the tonight show, but it was really cool

1180
01:05:37,880 --> 01:05:40,840
Speaker 1: um um. Pete Davidson was on there talking about ari

1181
01:05:40,960 --> 01:05:44,280
Speaker 1: Ari on the Grande and he was so cute talking.

1182
01:05:44,440 --> 01:05:46,640
Speaker 1: It really made you feel like he really likes her

1183
01:05:46,640 --> 01:05:48,959
Speaker 1: and he really cares about her. Here he's talking about

1184
01:05:49,000 --> 01:05:52,560
Speaker 1: the tattoo that they got for their engagement. That's the tattoo. Yes,

1185
01:05:52,720 --> 01:05:59,360
Speaker 1: I gotta yeah, I've seen it on the news. It's

1186
01:05:59,400 --> 01:06:05,000
Speaker 1: like a new I already read that's all. It's old.

1187
01:06:05,600 --> 01:06:09,440
Speaker 1: Yeah yeah, yeah, uh yeah. What we're talking about the

1188
01:06:09,960 --> 01:06:13,280
Speaker 1: fourth You know you can't say that word on television.

1189
01:06:13,880 --> 01:06:16,040
Speaker 1: Hey man, you asked me to be on here, like

1190
01:06:16,160 --> 01:06:17,720
Speaker 1: you know what I mean, Like I don't. I don't

1191
01:06:17,760 --> 01:06:20,840
Speaker 1: do these things very much. This is why, you know,

1192
01:06:21,160 --> 01:06:26,640
Speaker 1: you know, the rules are very I get back, you

1193
01:06:26,760 --> 01:06:29,080
Speaker 1: get fired from there. I can't get fired from your show.

1194
01:06:31,160 --> 01:06:34,240
Speaker 1: And he was also talking about how people come up

1195
01:06:34,280 --> 01:06:36,360
Speaker 1: to him on the street and like give him kudos

1196
01:06:36,480 --> 01:06:39,920
Speaker 1: for for getting Ariana Grande. It's so funny walking down

1197
01:06:39,960 --> 01:06:44,160
Speaker 1: the street because like dudes walking by and they're like, yeah,

1198
01:06:45,920 --> 01:06:48,040
Speaker 1: got me see that. Derek get a commercial and it's

1199
01:06:48,120 --> 01:06:51,120
Speaker 1: like retiring and everybody goes tips his head that it

1200
01:06:51,200 --> 01:06:53,600
Speaker 1: feels like that. Yeah, some dude come with me, was like, yo, man,

1201
01:06:53,760 --> 01:07:02,040
Speaker 1: you like gave me hope it'll think he's I think

1202
01:07:02,080 --> 01:07:04,160
Speaker 1: he's cute. Yeah, he's a cute guy. I think it's

1203
01:07:04,200 --> 01:07:06,560
Speaker 1: so cute how they love each other. It's so cute.

1204
01:07:07,160 --> 01:07:08,440
Speaker 1: So I don't know if you've been checking this out

1205
01:07:08,480 --> 01:07:11,480
Speaker 1: on Twitter, and people are reworking the titles of classic

1206
01:07:11,600 --> 01:07:15,560
Speaker 1: songs for millennials. So they said, we are the champions,

1207
01:07:15,720 --> 01:07:17,919
Speaker 1: should now be we aren't the champions, but we still

1208
01:07:17,960 --> 01:07:25,240
Speaker 1: deserve a trophy. Daniel, did you also hear there's a

1209
01:07:25,280 --> 01:07:27,640
Speaker 1: story out saying that I hate the term millennials. I

1210
01:07:27,640 --> 01:07:31,080
Speaker 1: hate putting people into pockets, but millennials are the worst tippers.

1211
01:07:31,080 --> 01:07:32,439
Speaker 1: As a matter of fact, a lot of them don't

1212
01:07:32,480 --> 01:07:37,400
Speaker 1: even tip. That's awful tip all right. Another song Smoking

1213
01:07:37,440 --> 01:07:39,439
Speaker 1: in the Boys Room would be vaping in the boys

1214
01:07:39,560 --> 01:07:43,480
Speaker 1: room nowadays. Strawberry Fields Forever, non GMO gluten free nut

1215
01:07:43,560 --> 01:07:47,680
Speaker 1: for you organic strawberry fields. Forever free bird would be

1216
01:07:47,800 --> 01:07:51,120
Speaker 1: gluten free bird of course, take on, me, Take On,

1217
01:07:53,360 --> 01:07:55,280
Speaker 1: And there's a whole bunch of others, so very very

1218
01:07:55,880 --> 01:07:57,920
Speaker 1: check them out when you get a chance. And tonight

1219
01:07:57,960 --> 01:08:01,280
Speaker 1: on television is the NBA dre after the Phoenix Suns

1220
01:08:01,320 --> 01:08:03,520
Speaker 1: will get the first pick. That means they were the worst.

1221
01:08:03,920 --> 01:08:06,280
Speaker 1: So I guess if at least if you're the worst,

1222
01:08:06,360 --> 01:08:08,400
Speaker 1: you get something good at the end of the season. Right.

1223
01:08:08,680 --> 01:08:11,880
Speaker 1: The Gong Show is there tonight. Also lip Sync Battle.

1224
01:08:11,880 --> 01:08:14,960
Speaker 1: They're going to do a little Swayne tribute. Hey, Jurassic

1225
01:08:15,200 --> 01:08:19,240
Speaker 1: is out tonight, right, Yeah, I already saw it. It's

1226
01:08:19,280 --> 01:08:21,439
Speaker 1: so good. That's what I heard. Our friend Patty saw

1227
01:08:22,000 --> 01:08:24,680
Speaker 1: she loved it. Hey, So Mike Shinoda is coming up next,

1228
01:08:24,720 --> 01:08:26,200
Speaker 1: so excited to talk to him. Have you heard his

1229
01:08:26,240 --> 01:08:31,360
Speaker 1: album yet? The music is fantastic, especially since you really

1230
01:08:31,479 --> 01:08:33,559
Speaker 1: understand where a lot of it's from. But I want

1231
01:08:33,640 --> 01:08:35,639
Speaker 1: him to explain it further. And what a nice guy.

1232
01:08:35,720 --> 01:08:38,320
Speaker 1: I saw him on CBS Sunday morning. He was unbelievable

1233
01:08:38,640 --> 01:08:40,120
Speaker 1: and I can't wait to talk to him. He's coming up.

1234
01:08:40,160 --> 01:08:42,599
Speaker 1: Do we need to take a Breaknework yes, take a break,

1235
01:08:42,720 --> 01:08:45,879
Speaker 1: all right. He's coming up next right yep, Mike Shinoda

1236
01:08:46,120 --> 01:08:48,760
Speaker 1: from Lincoln Park and now from Mike Shinoda his solo album.

1237
01:08:48,800 --> 01:08:53,280
Speaker 1: He's coming up right after this. This is Elvis Durand

1238
01:08:53,479 --> 01:08:57,599
Speaker 1: in the morning show. Blue Apron delivers farm fresh, perfectly

1239
01:08:57,640 --> 01:08:59,920
Speaker 1: portioned ingredients and step by step recipes so you can

1240
01:09:00,080 --> 01:09:03,000
Speaker 1: incredible meals at home, rediscover how fun cooking can be

1241
01:09:03,160 --> 01:09:06,400
Speaker 1: while reducing food waste and supporting sustainable farms and fisheries.

1242
01:09:06,600 --> 01:09:09,880
Speaker 1: Visit blue Apron dot com slash Elvis get your first

1243
01:09:10,040 --> 01:09:15,040
Speaker 1: three meals for free, a thirty dollar value. As you know,

1244
01:09:15,160 --> 01:09:19,160
Speaker 1: our buddy bald freak Rannie, he's leaving. He's moving to Washington,

1245
01:09:19,240 --> 01:09:24,400
Speaker 1: d C. To work for NPR. Freak Out. Ronnie has

1246
01:09:24,400 --> 01:09:26,320
Speaker 1: been one of those guys who's worked with us for years.

1247
01:09:26,800 --> 01:09:29,240
Speaker 1: He's the guy who you hear say thank you, thank

1248
01:09:29,280 --> 01:09:33,640
Speaker 1: you everybody out there in radio land. I want to

1249
01:09:33,680 --> 01:09:35,479
Speaker 1: thank you so much, want to extend my hand. It's

1250
01:09:35,520 --> 01:09:37,680
Speaker 1: been twenty one years at this place. Oh man, thank you.

1251
01:09:37,720 --> 01:09:39,960
Speaker 1: Ellis the rand I'm your number one fan. My name's

1252
01:09:40,040 --> 01:09:41,880
Speaker 1: Ronny Scales and they called me both freak. I ain't

1253
01:09:41,880 --> 01:09:43,920
Speaker 1: got no hand. I'm a radio gee, I'm on an

1254
01:09:44,000 --> 01:09:46,120
Speaker 1: mp A down Inn d C. That's where all the

1255
01:09:46,200 --> 01:09:47,960
Speaker 1: nerds are. That's where you're hearing me. It's been an

1256
01:09:47,960 --> 01:09:50,000
Speaker 1: on a pleasure of time that I'll tres. You're gonna

1257
01:09:50,040 --> 01:09:52,479
Speaker 1: miss all my good friends and pull measureup. Danielle, Scary

1258
01:09:52,560 --> 01:09:54,800
Speaker 1: Jones in the Clown, Great t Date, Brodie, Nate Froggy

1259
01:09:54,880 --> 01:09:57,080
Speaker 1: and my man Scotty Be of course the boy Joss Webb,

1260
01:09:57,120 --> 01:09:59,960
Speaker 1: Girl Kathleen, You're written to Sam J Kendrew Garrett VSA

1261
01:10:00,200 --> 01:10:06,720
Speaker 1: the last time, let's up the show you This ran

1262
01:10:06,960 --> 01:10:10,400
Speaker 1: in the Morning show. Thank you, bald freak RANI twenty

1263
01:10:10,479 --> 01:10:12,680
Speaker 1: years on our show. Now he's moving to NPR. What

1264
01:10:12,840 --> 01:10:19,240
Speaker 1: we just weren't intellectually stimulating enough for him? I was NPR.

1265
01:10:19,280 --> 01:10:22,320
Speaker 1: They talk about, you know, crickets, we talked about farts.

1266
01:10:22,520 --> 01:10:25,880
Speaker 1: It's a different different Hey. So the other day I

1267
01:10:26,000 --> 01:10:28,360
Speaker 1: was watching my one of my favorite shows, CBS Sunday Morning.

1268
01:10:28,400 --> 01:10:32,360
Speaker 1: They did an interview with Mike Shinoda, and uh, Mike,

1269
01:10:32,479 --> 01:10:34,080
Speaker 1: I gotta say thank you so much for coming in.

1270
01:10:34,360 --> 01:10:36,600
Speaker 1: That interview was fabulous. Didn't do you think they did

1271
01:10:36,640 --> 01:10:39,000
Speaker 1: a great job with that. I loved that. Yeah, and

1272
01:10:39,080 --> 01:10:41,519
Speaker 1: they and they I love the piece. I mean it

1273
01:10:41,600 --> 01:10:43,759
Speaker 1: could have been great with with or without me. They

1274
01:10:43,840 --> 01:10:49,280
Speaker 1: did an amazing piece, um about mental health and suicide awareness.

1275
01:10:49,960 --> 01:10:52,320
Speaker 1: Um yeah, it was awesome. It was great, and this

1276
01:10:52,439 --> 01:10:57,160
Speaker 1: album is fantastic. Of course, post Traumatic came out right,

1277
01:10:57,320 --> 01:10:59,840
Speaker 1: It just came out just on Friday. Yeah, I you

1278
01:11:00,320 --> 01:11:03,160
Speaker 1: I paid actual retail on iTunes for it. I'm going

1279
01:11:03,240 --> 01:11:06,559
Speaker 1: for it because Mike. Sometimes people say, you know, we'll

1280
01:11:06,560 --> 01:11:08,920
Speaker 1: just send it to you. I'm like, no, ill happily

1281
01:11:09,000 --> 01:11:10,599
Speaker 1: pay money for it. I want to be a part

1282
01:11:10,640 --> 01:11:12,760
Speaker 1: of the part of the plan. I feel bad like

1283
01:11:12,840 --> 01:11:15,120
Speaker 1: at this point, like you know, they give promo CDs

1284
01:11:15,160 --> 01:11:16,680
Speaker 1: to a lot of folks who are in you know,

1285
01:11:16,760 --> 01:11:18,840
Speaker 1: in music and radio and so on, and they give

1286
01:11:19,200 --> 01:11:21,840
Speaker 1: and I got a box of CDs. I started handing

1287
01:11:21,880 --> 01:11:23,760
Speaker 1: them out to some friends and I was like, we

1288
01:11:23,840 --> 01:11:26,559
Speaker 1: were all joking, like I don't even have a CD player,

1289
01:11:28,800 --> 01:11:30,720
Speaker 1: what is this? But it is I mean I do.

1290
01:11:30,920 --> 01:11:33,680
Speaker 1: I I have an art background, so the packaging is

1291
01:11:33,720 --> 01:11:36,479
Speaker 1: actually a thing for me, Like I are Lincoln Park

1292
01:11:36,520 --> 01:11:39,320
Speaker 1: fans know this, I always do. Um, you know, we

1293
01:11:39,439 --> 01:11:42,040
Speaker 1: we we take extra care and making a nice package

1294
01:11:42,160 --> 01:11:44,080
Speaker 1: so they you know, when they get the CD, it's

1295
01:11:44,080 --> 01:11:45,640
Speaker 1: like usually flip it open and take a look at

1296
01:11:45,680 --> 01:11:48,320
Speaker 1: all the art. Well what about vinyl? Is it out

1297
01:11:48,360 --> 01:11:50,720
Speaker 1: on vinyl? Not not at this point, no, but I

1298
01:11:50,960 --> 01:11:52,479
Speaker 1: do plan to do vinyl. And you know what, I

1299
01:11:52,600 --> 01:11:54,840
Speaker 1: also like about holding the actual CD, the thank you.

1300
01:11:55,680 --> 01:11:57,920
Speaker 1: You don't get that when you download something. I love

1301
01:11:58,000 --> 01:11:59,800
Speaker 1: to read the liner notes and the thing. You know,

1302
01:12:00,000 --> 01:12:02,040
Speaker 1: you know what we did what I did on this one,

1303
01:12:02,120 --> 01:12:04,200
Speaker 1: which I've never done before, and so far it's been

1304
01:12:04,240 --> 01:12:07,080
Speaker 1: working out really great. Is I did UM because I

1305
01:12:07,160 --> 01:12:09,679
Speaker 1: really wanted to feature the art on the actual physical

1306
01:12:10,040 --> 01:12:13,479
Speaker 1: UM package of the CD. We did digital liner notes

1307
01:12:13,800 --> 01:12:16,839
Speaker 1: and it's a whole you know micro sweb micro website

1308
01:12:17,240 --> 01:12:19,200
Speaker 1: that expands and you can see you know, credits, you

1309
01:12:19,200 --> 01:12:21,320
Speaker 1: can see all the lyrics and it's like it's you know,

1310
01:12:21,640 --> 01:12:24,160
Speaker 1: it's a lot. I mean, this album is sixteen songs

1311
01:12:24,479 --> 01:12:26,599
Speaker 1: and it's a lot of lyrics. So I really wanted

1312
01:12:26,640 --> 01:12:28,600
Speaker 1: people to I wanted people to have access to that

1313
01:12:28,720 --> 01:12:31,160
Speaker 1: even if they didn't have the CD or whatever. Well,

1314
01:12:31,160 --> 01:12:32,920
Speaker 1: I'm glad you released the a P. I mean, we

1315
01:12:33,040 --> 01:12:35,000
Speaker 1: we got like two or three songs of several months

1316
01:12:35,040 --> 01:12:37,000
Speaker 1: ago as well. It's like in December. When was that,

1317
01:12:37,040 --> 01:12:39,960
Speaker 1: I don't know, Yeah it was January. Yeah, but there

1318
01:12:40,120 --> 01:12:43,040
Speaker 1: is something so fantastic about holding it in your hand.

1319
01:12:43,120 --> 01:12:45,160
Speaker 1: And I'm talking about the CD, not your private parts.

1320
01:12:45,560 --> 01:12:49,920
Speaker 1: But also but I mean, but do you have a turntable?

1321
01:12:49,960 --> 01:12:53,120
Speaker 1: Do you actually listen to vinyl? I love it? As

1322
01:12:53,120 --> 01:12:55,640
Speaker 1: a matter of fact, I actually I think there's a

1323
01:12:55,680 --> 01:12:58,519
Speaker 1: Stevie Wonder album I have. There's like a whatever. I

1324
01:12:58,560 --> 01:13:00,960
Speaker 1: actually scratched it on perfect so I could hear the scratch.

1325
01:13:01,120 --> 01:13:07,760
Speaker 1: Oh that's because that's funny anyway. No, it's kind of stupid. No,

1326
01:13:07,880 --> 01:13:09,600
Speaker 1: that's the thing. It's a thing I used to. I

1327
01:13:09,720 --> 01:13:13,799
Speaker 1: grew up like sampling vinyl and and making like beats

1328
01:13:13,920 --> 01:13:15,880
Speaker 1: like you know I was. I grew up rapping, So

1329
01:13:16,400 --> 01:13:18,880
Speaker 1: I made beats out off of samples of vinyl and

1330
01:13:19,080 --> 01:13:21,599
Speaker 1: the dirty or the record the records were the better.

1331
01:13:21,680 --> 01:13:23,840
Speaker 1: The samples sound like you hear that grittiness, and I

1332
01:13:24,200 --> 01:13:26,400
Speaker 1: at one point I literally poured baby powder on a

1333
01:13:26,439 --> 01:13:28,600
Speaker 1: record to see if it would really like make it

1334
01:13:28,720 --> 01:13:31,560
Speaker 1: sound dirtier. It didn't really work. Well. No, if you

1335
01:13:31,680 --> 01:13:34,080
Speaker 1: if you listen to post Traumatic I I there's at

1336
01:13:34,160 --> 01:13:36,559
Speaker 1: least one song I you you hear a scratchy record

1337
01:13:36,600 --> 01:13:39,640
Speaker 1: in Yeah. I well, now what I do is UM

1338
01:13:40,439 --> 01:13:43,080
Speaker 1: like there I have like a UM you know, I've

1339
01:13:43,080 --> 01:13:46,920
Speaker 1: been collecting sounds and stuff on my UM on various

1340
01:13:46,920 --> 01:13:50,040
Speaker 1: samplers and laptop and whatever since I was like in

1341
01:13:50,160 --> 01:13:52,800
Speaker 1: high school. So UM, I do have a lot of

1342
01:13:52,880 --> 01:13:56,000
Speaker 1: samples of of what I just call noise. Like it's like, um,

1343
01:13:56,320 --> 01:13:58,519
Speaker 1: sometimes there's just like a hum or, like a crackle

1344
01:13:58,600 --> 01:14:00,320
Speaker 1: from a record. It it's just so that you can

1345
01:14:00,400 --> 01:14:02,400
Speaker 1: kind of add to it that gives it like a texture,

1346
01:14:02,520 --> 01:14:04,439
Speaker 1: and that that does you'll hear that on the record

1347
01:14:04,479 --> 01:14:07,320
Speaker 1: for sure. So Mike Shinoda's here, by the way. It's

1348
01:14:07,439 --> 01:14:10,880
Speaker 1: it's been about a year since we lost Chester Bennington, uh,

1349
01:14:11,240 --> 01:14:13,840
Speaker 1: and he took his life and it was just several

1350
01:14:13,920 --> 01:14:16,320
Speaker 1: months after he was sitting in that same chair which

1351
01:14:16,360 --> 01:14:19,120
Speaker 1: he came in to see us. And of course I

1352
01:14:19,320 --> 01:14:22,120
Speaker 1: can't imagine what it's like to go through that. I mean,

1353
01:14:22,240 --> 01:14:24,599
Speaker 1: Lincoln Park just such an important part of our lives,

1354
01:14:24,680 --> 01:14:27,240
Speaker 1: but it was your life, yeah, a lot of it,

1355
01:14:27,880 --> 01:14:30,040
Speaker 1: and so many memories you have of being on the

1356
01:14:30,160 --> 01:14:31,960
Speaker 1: road to them and writing with him. And I like

1357
01:14:32,080 --> 01:14:34,840
Speaker 1: how you said that, because that's true, Like I in

1358
01:14:35,000 --> 01:14:38,720
Speaker 1: this process, um Like, it's it's hard for anybody to

1359
01:14:38,840 --> 01:14:41,200
Speaker 1: lose a friend or or in in this case, he

1360
01:14:41,320 --> 01:14:43,439
Speaker 1: felt more like a brother. Like it was like, it's

1361
01:14:43,439 --> 01:14:47,400
Speaker 1: almost like losing a family member. Um I. I and

1362
01:14:47,520 --> 01:14:50,000
Speaker 1: I did. One of the first things that I had

1363
01:14:50,080 --> 01:14:53,920
Speaker 1: to like really look at was you know, just just

1364
01:14:54,080 --> 01:14:57,040
Speaker 1: looking at myself. I grew up, as I said before,

1365
01:14:57,160 --> 01:15:00,240
Speaker 1: you know, playing music and also painting and stuff and

1366
01:15:01,280 --> 01:15:04,599
Speaker 1: my entire when when when people think of like, oh,

1367
01:15:04,720 --> 01:15:07,760
Speaker 1: who is Mike, like they think of Lincoln Park, and

1368
01:15:07,880 --> 01:15:09,439
Speaker 1: when they think of Lincoln Park, they think of me,

1369
01:15:10,040 --> 01:15:13,679
Speaker 1: you know, vice versas. So I I in the early

1370
01:15:13,840 --> 01:15:16,560
Speaker 1: like about a year ago, I was really struggling with

1371
01:15:16,600 --> 01:15:21,479
Speaker 1: the idea that this part of my identity was changed

1372
01:15:22,000 --> 01:15:25,360
Speaker 1: or broken or couldn't you know, couldn't keep going Like

1373
01:15:25,360 --> 01:15:28,080
Speaker 1: I didn't know. I didn't know what to think about

1374
01:15:28,120 --> 01:15:30,800
Speaker 1: that because you know, in terms of the legacy of

1375
01:15:30,920 --> 01:15:33,280
Speaker 1: Lincoln Park and my stuff, it's been part of my

1376
01:15:33,439 --> 01:15:38,400
Speaker 1: identity for so long, right, So, um I was and

1377
01:15:38,479 --> 01:15:40,400
Speaker 1: I was scared to go in the studio. I was

1378
01:15:40,479 --> 01:15:43,559
Speaker 1: scared to do certain things that were related to the band.

1379
01:15:44,240 --> 01:15:46,880
Speaker 1: And I realized that if I kept like staying away

1380
01:15:46,960 --> 01:15:49,400
Speaker 1: from those things like so, for example, staying away from

1381
01:15:49,439 --> 01:15:52,640
Speaker 1: playing UM, guitar and piano. And I didn't even want

1382
01:15:52,640 --> 01:15:55,439
Speaker 1: to play music at that time. And I've not realized.

1383
01:15:55,439 --> 01:15:58,439
Speaker 1: The longer I waited, the more the anxiety built, and

1384
01:15:58,520 --> 01:16:00,400
Speaker 1: I needed to just get over it. So I went

1385
01:16:00,439 --> 01:16:02,720
Speaker 1: in the studio, you know, a couple of weeks later,

1386
01:16:03,240 --> 01:16:06,760
Speaker 1: and started just just jamming, just doing stuff, just doing

1387
01:16:06,840 --> 01:16:08,479
Speaker 1: it to do it, not to write a song, not

1388
01:16:08,640 --> 01:16:12,160
Speaker 1: to make anything that i'd record, just to play. But

1389
01:16:12,280 --> 01:16:14,400
Speaker 1: look at look what happened. It was the struggle of

1390
01:16:14,720 --> 01:16:17,360
Speaker 1: trying to figure out your identity. It turned into an album,

1391
01:16:17,439 --> 01:16:19,880
Speaker 1: even the honesty, and you can hear it. You can

1392
01:16:19,920 --> 01:16:21,799
Speaker 1: hear I hear it in some of the lyrics anyway,

1393
01:16:21,960 --> 01:16:24,120
Speaker 1: But I want you to hear something. When Chester was here,

1394
01:16:24,520 --> 01:16:28,640
Speaker 1: we talked about Lincoln Park's longevity, which I think is

1395
01:16:28,680 --> 01:16:31,040
Speaker 1: so important to hear because look, Lincoln Park's gonna be

1396
01:16:31,040 --> 01:16:33,479
Speaker 1: a part of our lives as well forever. Listen to

1397
01:16:33,560 --> 01:16:35,280
Speaker 1: what he had to say, This is really cool. Uh,

1398
01:16:35,640 --> 01:16:37,960
Speaker 1: longevity comes from what, in your opinion, how come you

1399
01:16:38,000 --> 01:16:41,040
Speaker 1: guys are still around? Uh? Well, I mean it comes

1400
01:16:41,080 --> 01:16:43,720
Speaker 1: from loving what you do. UM. And also I think

1401
01:16:43,760 --> 01:16:46,639
Speaker 1: for us, the fact that we've always been so open

1402
01:16:46,800 --> 01:16:53,000
Speaker 1: to just kind of write whatever we feel inspired to write, um,

1403
01:16:53,120 --> 01:16:56,280
Speaker 1: and not really locking ourselves into a specific place in

1404
01:16:56,439 --> 01:16:59,439
Speaker 1: terms of genre style. That's the thing that I think

1405
01:16:59,720 --> 01:17:02,240
Speaker 1: is is the most exciting for us. You know, and

1406
01:17:02,840 --> 01:17:04,240
Speaker 1: we just said it from the very beginning, but we

1407
01:17:04,360 --> 01:17:06,839
Speaker 1: really want to be a band that kind of melts

1408
01:17:07,080 --> 01:17:10,000
Speaker 1: the walls of genre and like and kind of becomes

1409
01:17:10,800 --> 01:17:15,120
Speaker 1: its own thing that can't really be explained maybe sung

1410
01:17:15,200 --> 01:17:17,479
Speaker 1: by song, but in terms of the body of work,

1411
01:17:18,479 --> 01:17:22,000
Speaker 1: by redefining what a band can do or what a

1412
01:17:22,040 --> 01:17:24,640
Speaker 1: group of musicians or her single artists can do with

1413
01:17:24,800 --> 01:17:26,920
Speaker 1: their own style, as long as it comes from the

1414
01:17:26,960 --> 01:17:30,400
Speaker 1: pure place, um, in an honest place, you know, you

1415
01:17:30,439 --> 01:17:33,160
Speaker 1: can write whatever you want. Wow. Just hearing his voice

1416
01:17:33,200 --> 01:17:34,800
Speaker 1: that we had such a great time with him that day,

1417
01:17:34,800 --> 01:17:36,920
Speaker 1: and I'm sure you look back at your moments with

1418
01:17:37,040 --> 01:17:39,360
Speaker 1: Chester that there there were the trying times, I'm sure

1419
01:17:39,360 --> 01:17:41,760
Speaker 1: as every family has. But you know, I just I

1420
01:17:41,840 --> 01:17:43,960
Speaker 1: smile when I hear his voice. So yeah, for me,

1421
01:17:44,320 --> 01:17:47,680
Speaker 1: it was that was that's I mean, I almost was

1422
01:17:48,080 --> 01:17:51,360
Speaker 1: enjoy I was like, just you know, I haven't heard

1423
01:17:51,400 --> 01:17:54,600
Speaker 1: that clip and it was Yeah, just hearing him is

1424
01:17:54,680 --> 01:17:58,240
Speaker 1: like I didn't, I didn't feel sad like I I've

1425
01:17:58,320 --> 01:18:03,040
Speaker 1: been really the um hearing his voice on a song

1426
01:18:03,240 --> 01:18:05,120
Speaker 1: or that or when we you know, in the I've

1427
01:18:05,160 --> 01:18:09,519
Speaker 1: done a couple of performances now and played UM. For example,

1428
01:18:09,560 --> 01:18:12,160
Speaker 1: I played in the end and I did it UM.

1429
01:18:12,240 --> 01:18:14,439
Speaker 1: I've been doing it just piano and vocal and letting

1430
01:18:14,479 --> 01:18:18,800
Speaker 1: the crowd sing all Chester's parts. And it's really, um,

1431
01:18:19,720 --> 01:18:22,840
Speaker 1: a beautiful moment, you know, it's a wonderful. Like the

1432
01:18:22,920 --> 01:18:27,439
Speaker 1: way they honor him is so special because they you know,

1433
01:18:27,520 --> 01:18:32,120
Speaker 1: people are just like um, they they're crying, you know,

1434
01:18:32,560 --> 01:18:35,640
Speaker 1: and and it's it's the way that the music has

1435
01:18:35,720 --> 01:18:38,200
Speaker 1: touched a lot of the fans. There's nothing like it.

1436
01:18:38,320 --> 01:18:39,840
Speaker 1: Like I don't even know if there's anything that I

1437
01:18:40,120 --> 01:18:41,800
Speaker 1: even have that kind of a connection with any of

1438
01:18:41,880 --> 01:18:46,040
Speaker 1: my favorite artists, which is weird, but well, but it's true.

1439
01:18:46,560 --> 01:18:50,120
Speaker 1: It's honesty because Lincoln Parked you guys one of my

1440
01:18:50,200 --> 01:18:53,080
Speaker 1: favorite shows of all time. But the album's album after

1441
01:18:53,160 --> 01:18:55,200
Speaker 1: album is just amazing. And when he was here, we

1442
01:18:55,400 --> 01:18:59,880
Speaker 1: felt like he he made us feel like we were

1443
01:19:00,000 --> 01:19:02,160
Speaker 1: being him a favor by interviewing him like he was

1444
01:19:02,240 --> 01:19:06,519
Speaker 1: just such a humble person, you know, And I feel

1445
01:19:06,560 --> 01:19:08,760
Speaker 1: like that's how the fans look at him as well,

1446
01:19:08,840 --> 01:19:12,360
Speaker 1: you know. But you know, Mike, so going through the

1447
01:19:12,400 --> 01:19:14,439
Speaker 1: struggle of trying to figure out who you are as

1448
01:19:14,479 --> 01:19:16,719
Speaker 1: an artist, what are you gonna do? But there's also

1449
01:19:16,840 --> 01:19:21,640
Speaker 1: this You're going from from a group of people who

1450
01:19:21,680 --> 01:19:24,320
Speaker 1: make decisions together to doing your own thing. So you're

1451
01:19:24,400 --> 01:19:26,880
Speaker 1: you're you're doing shows, you make your own decisions. And

1452
01:19:27,040 --> 01:19:30,120
Speaker 1: I actually heard that you actually are so spontaneous you

1453
01:19:30,160 --> 01:19:32,680
Speaker 1: could actually change a song on the fly. Now you

1454
01:19:32,720 --> 01:19:34,720
Speaker 1: don't have to go through the So what is that

1455
01:19:34,880 --> 01:19:37,439
Speaker 1: like for you? Now? Are you? Are you easily merging

1456
01:19:37,479 --> 01:19:40,479
Speaker 1: into that lane for yourself? I don't know easily. It's

1457
01:19:40,600 --> 01:19:44,639
Speaker 1: it's so for me. I knew that when I started

1458
01:19:44,720 --> 01:19:48,680
Speaker 1: making the songs, and I decided, um, you know, when

1459
01:19:48,720 --> 01:19:51,880
Speaker 1: the songs, the songs kind of just like almost like

1460
01:19:51,920 --> 01:19:54,760
Speaker 1: wrote themselves, like I felt like I was what I

1461
01:19:54,880 --> 01:19:58,960
Speaker 1: needed to do was just try and capture the moments

1462
01:19:59,040 --> 01:20:01,479
Speaker 1: that were actually happening, because I knew that the whole

1463
01:20:01,520 --> 01:20:04,680
Speaker 1: experience I was having was really weird and unique and

1464
01:20:05,160 --> 01:20:07,880
Speaker 1: powerful and sad and beautiful and all. It's just it

1465
01:20:08,000 --> 01:20:13,280
Speaker 1: really just like intense emotions and so UM. For example,

1466
01:20:13,360 --> 01:20:15,360
Speaker 1: one of the songs is called over Again, and I

1467
01:20:15,439 --> 01:20:18,080
Speaker 1: wrote and recorded the first verse of it on the

1468
01:20:18,200 --> 01:20:21,120
Speaker 1: day that we did our Hollywood Bowl tribute show for Chester,

1469
01:20:21,200 --> 01:20:23,600
Speaker 1: which was like maybe the most important, It's probably one

1470
01:20:23,600 --> 01:20:25,920
Speaker 1: of the most important shows we've ever done. So I

1471
01:20:26,320 --> 01:20:30,360
Speaker 1: woke up feeling so conflicted in all these emotions, and

1472
01:20:30,400 --> 01:20:33,160
Speaker 1: then I I also had all day to like, like

1473
01:20:33,240 --> 01:20:35,240
Speaker 1: all this time to kill and I and I was

1474
01:20:35,280 --> 01:20:36,680
Speaker 1: I knew it was going to drive me crazy. So

1475
01:20:36,720 --> 01:20:38,920
Speaker 1: I sat down and I wrote and recorded that verse,

1476
01:20:39,360 --> 01:20:42,000
Speaker 1: and then the next day, when the show was over,

1477
01:20:42,479 --> 01:20:44,519
Speaker 1: I had this like almost like let down that it

1478
01:20:44,600 --> 01:20:47,040
Speaker 1: was over, and I decided to write and record the

1479
01:20:47,120 --> 01:20:50,519
Speaker 1: second verse. So capturing those moments as they were happening

1480
01:20:51,560 --> 01:20:53,479
Speaker 1: was a big part of this album because I knew

1481
01:20:53,880 --> 01:20:56,080
Speaker 1: that it was a diary. I knew that at that

1482
01:20:56,160 --> 01:20:58,439
Speaker 1: point before I even had like even I didn't even

1483
01:20:58,520 --> 01:21:01,439
Speaker 1: have half an album, but it was like a diary

1484
01:21:01,439 --> 01:21:04,360
Speaker 1: of what was going on. The Other thing is that

1485
01:21:04,600 --> 01:21:08,920
Speaker 1: when you're going through something this powerful or traumatic or

1486
01:21:08,960 --> 01:21:13,320
Speaker 1: difficult UM, a lot of times you feel we feel

1487
01:21:13,360 --> 01:21:16,600
Speaker 1: out of control UM. And that could be whether you

1488
01:21:16,720 --> 01:21:20,240
Speaker 1: lose someone. It could be a big breakup. Um, it

1489
01:21:20,280 --> 01:21:22,280
Speaker 1: could be you know a number of things and you

1490
01:21:22,560 --> 01:21:24,960
Speaker 1: and and it's the out of control part that that

1491
01:21:26,120 --> 01:21:28,880
Speaker 1: makes you so crazy or hurt so much. And so

1492
01:21:29,720 --> 01:21:32,960
Speaker 1: you know, knowing that the album was very personal, and

1493
01:21:33,080 --> 01:21:35,120
Speaker 1: knowing that I needed to be kind of at the

1494
01:21:35,720 --> 01:21:38,519
Speaker 1: with the driver's wheel in both hands, I decided to

1495
01:21:38,600 --> 01:21:40,879
Speaker 1: do it solo. I decided to do it by myself,

1496
01:21:40,960 --> 01:21:43,240
Speaker 1: and I knew that that would enable me to make

1497
01:21:43,560 --> 01:21:45,360
Speaker 1: my own decisions and I wouldn't have to kind of

1498
01:21:45,479 --> 01:21:47,519
Speaker 1: like ask anyone else or check in with anyone and

1499
01:21:47,800 --> 01:21:50,880
Speaker 1: give me some feeling that I was at the wheel. Good.

1500
01:21:51,400 --> 01:21:53,080
Speaker 1: It's good for you, and you know, and you can

1501
01:21:53,120 --> 01:21:55,600
Speaker 1: hear it. By the way, Mike Shinoda is here his

1502
01:21:55,680 --> 01:21:58,880
Speaker 1: first solo album, post Traumatic. That's what we're talking about.

1503
01:21:59,160 --> 01:22:01,640
Speaker 1: And I so performing on the stage because you you

1504
01:22:01,720 --> 01:22:03,920
Speaker 1: guys always had so much doing fun doing it. I

1505
01:22:04,000 --> 01:22:06,240
Speaker 1: know you were on with Fallon yesterday. Did you did

1506
01:22:06,320 --> 01:22:08,840
Speaker 1: a show at Grammarcy last night? I mean, do you

1507
01:22:08,960 --> 01:22:10,640
Speaker 1: are you at a point now where you actually you

1508
01:22:10,840 --> 01:22:13,439
Speaker 1: feel like it's your show. You're in the center, even

1509
01:22:13,479 --> 01:22:16,559
Speaker 1: though you're surrounded by excellent artists that were backing you up.

1510
01:22:16,720 --> 01:22:19,200
Speaker 1: Do you feel like it's it's Mike Shinodah, it's you. Yeah,

1511
01:22:19,320 --> 01:22:23,200
Speaker 1: I mean I I wanna Um. I've only done before

1512
01:22:23,920 --> 01:22:27,840
Speaker 1: UM this album. I had done a handful of solo

1513
01:22:27,960 --> 01:22:32,560
Speaker 1: shows UM in between Lincoln Park shows and UM, I

1514
01:22:32,720 --> 01:22:35,200
Speaker 1: was doing them because they're so challenging, Like it's really

1515
01:22:35,360 --> 01:22:37,639
Speaker 1: a lot of pressure to be the only one on stage.

1516
01:22:37,880 --> 01:22:40,640
Speaker 1: If there's six guys on stage and somebody makes a mistake, like,

1517
01:22:41,120 --> 01:22:45,559
Speaker 1: chances are some other crowd was looking at somebody else else,

1518
01:22:45,800 --> 01:22:49,080
Speaker 1: you know, yeah, if I make a mistake, Like in

1519
01:22:49,120 --> 01:22:50,200
Speaker 1: the back of my head, I was like, oh, that

1520
01:22:50,320 --> 01:22:53,720
Speaker 1: was a big like I really screw that up. Like,

1521
01:22:54,120 --> 01:22:57,920
Speaker 1: but they were looking at RAB. They're looking at I

1522
01:22:58,000 --> 01:22:59,519
Speaker 1: can maybe I can get away with it. And I

1523
01:22:59,520 --> 01:23:01,280
Speaker 1: don't buy myself. It's like, oh, man, if I make

1524
01:23:01,320 --> 01:23:04,479
Speaker 1: a flight as mistake, they're going to see that. Um,

1525
01:23:04,640 --> 01:23:08,040
Speaker 1: They're definitely not looking at someone else and go ahead,

1526
01:23:08,080 --> 01:23:10,960
Speaker 1: go ahead, go ahead. Well I just with these shows though.

1527
01:23:11,479 --> 01:23:16,160
Speaker 1: In addition to that, like that feeling, I the fans know,

1528
01:23:16,360 --> 01:23:20,360
Speaker 1: they're like, I'm not I never got into this. Um.

1529
01:23:21,479 --> 01:23:23,360
Speaker 1: I'm not so much of a like look at me

1530
01:23:23,600 --> 01:23:25,760
Speaker 1: kind of guy, like I I got. I didn't get

1531
01:23:25,760 --> 01:23:29,880
Speaker 1: into this for that part of it. Um and other

1532
01:23:29,920 --> 01:23:32,040
Speaker 1: people get into music for different reasons, you know. They

1533
01:23:32,280 --> 01:23:35,920
Speaker 1: it's the money, the girls, the you know, and the

1534
01:23:36,040 --> 01:23:40,800
Speaker 1: fame or whatever. I was making music just to play

1535
01:23:40,880 --> 01:23:43,080
Speaker 1: for my friends and just to make it. Like That's

1536
01:23:43,120 --> 01:23:45,360
Speaker 1: how I've always operated and I and that's not to

1537
01:23:45,439 --> 01:23:48,240
Speaker 1: say that I don't appreciate the other things. It's just

1538
01:23:48,360 --> 01:23:50,120
Speaker 1: that when I get on stage to do this stuff,

1539
01:23:50,520 --> 01:23:53,040
Speaker 1: it's really about the like just playing the stuff and

1540
01:23:53,120 --> 01:23:55,880
Speaker 1: the connection that we get that I get from from

1541
01:23:55,920 --> 01:23:59,200
Speaker 1: being there with the fans. Wow, Like I don't you

1542
01:23:59,280 --> 01:24:01,280
Speaker 1: have a wedding ring on there? So you did? You?

1543
01:24:01,680 --> 01:24:05,439
Speaker 1: You got the girl? She's been with me, she's been

1544
01:24:05,520 --> 01:24:09,160
Speaker 1: writing out this whole thing since before we even got signed.

1545
01:24:09,240 --> 01:24:12,720
Speaker 1: So right, so let me get a little personal. If

1546
01:24:12,760 --> 01:24:14,920
Speaker 1: it goes to personal, let me know. So with everything

1547
01:24:14,960 --> 01:24:18,040
Speaker 1: you've been through with Lincoln Park, with Chester, with your

1548
01:24:18,080 --> 01:24:21,840
Speaker 1: struggle to find your identity and finding it, how how

1549
01:24:21,920 --> 01:24:25,120
Speaker 1: important has she been as your partner in the cockpit

1550
01:24:25,200 --> 01:24:28,080
Speaker 1: with you? I mean, can you talk about that for

1551
01:24:28,120 --> 01:24:31,240
Speaker 1: a second. Yeah, you're bonding. Are there any songs on

1552
01:24:31,400 --> 01:24:35,360
Speaker 1: this album that are really about that? Yeah? They're they're

1553
01:24:35,400 --> 01:24:39,240
Speaker 1: actually there is one song in particular. UM. But let

1554
01:24:39,320 --> 01:24:42,439
Speaker 1: me back up real quick. The you know Anna is UM,

1555
01:24:43,000 --> 01:24:45,360
Speaker 1: as you know as a lot of the Lincoln Park fans. No,

1556
01:24:45,560 --> 01:24:49,679
Speaker 1: she's UM. She's an author. She has a book called

1557
01:24:50,040 --> 01:24:53,320
Speaker 1: Learning Not to Drown, which is a young adult book,

1558
01:24:53,400 --> 01:24:56,080
Speaker 1: but it's I mean, it's great for adults as well,

1559
01:24:56,760 --> 01:24:59,599
Speaker 1: UM because it's a thoughtful and it's a smart book.

1560
01:25:00,000 --> 01:25:02,240
Speaker 1: It's about growing up with a brother in and out

1561
01:25:02,280 --> 01:25:05,280
Speaker 1: of prison and how that affects the Finance family dynamic.

1562
01:25:05,360 --> 01:25:07,240
Speaker 1: And it's about this girl Claire and what she goes through.

1563
01:25:07,800 --> 01:25:10,719
Speaker 1: UM Anna. You know, I say that only because Anna

1564
01:25:10,920 --> 01:25:15,080
Speaker 1: is a very UM. She's a really thoughtful person. She's UM.

1565
01:25:15,960 --> 01:25:22,280
Speaker 1: Also has always had this UM focus on mental health

1566
01:25:23,200 --> 01:25:26,080
Speaker 1: and has done talks you know when she doesn't ever

1567
01:25:26,200 --> 01:25:28,479
Speaker 1: use or talks to people, she often talks about UM

1568
01:25:28,640 --> 01:25:32,760
Speaker 1: mental health and the therapy that she went through UM

1569
01:25:33,240 --> 01:25:35,439
Speaker 1: and so you know, to go through this whole thing

1570
01:25:35,640 --> 01:25:38,280
Speaker 1: like we were both just going through it together. But

1571
01:25:38,400 --> 01:25:42,559
Speaker 1: she's a great ally because she's so UM. She's she's

1572
01:25:42,640 --> 01:25:46,120
Speaker 1: has that experience you know, UM and has different like

1573
01:25:46,240 --> 01:25:48,639
Speaker 1: almost like techniques and way of ways of looking things.

1574
01:25:48,680 --> 01:25:50,880
Speaker 1: That have helped me out and vice versa. I think,

1575
01:25:50,880 --> 01:25:52,639
Speaker 1: I mean we're just you know, is like with any

1576
01:25:52,720 --> 01:25:55,360
Speaker 1: good marriage, it's like you're a good team. And um,

1577
01:25:56,479 --> 01:26:00,160
Speaker 1: but you know it's it's uh, I would say this song.

1578
01:26:00,280 --> 01:26:02,320
Speaker 1: Getting back to the other part of what you asked,

1579
01:26:02,920 --> 01:26:06,559
Speaker 1: there's a song called World's on Fire on the record,

1580
01:26:06,640 --> 01:26:09,120
Speaker 1: and it's it's near the end of the album Post

1581
01:26:09,160 --> 01:26:14,240
Speaker 1: Traumatic As an album, it's sixteen songs, and the single

1582
01:26:14,320 --> 01:26:16,479
Speaker 1: that people are currently playing is crossing a line that's

1583
01:26:16,520 --> 01:26:19,080
Speaker 1: in the middle of the album because at the middle

1584
01:26:19,120 --> 01:26:21,040
Speaker 1: point in the album it goes from kind of looking

1585
01:26:21,080 --> 01:26:24,479
Speaker 1: backwards at the dark stuff to like looking forwards in

1586
01:26:24,560 --> 01:26:26,920
Speaker 1: the hope and the other things that are out there

1587
01:26:27,479 --> 01:26:31,040
Speaker 1: for for me or for somebody, for anybody. And uh,

1588
01:26:31,320 --> 01:26:34,280
Speaker 1: at one point, I don't usually write these like I

1589
01:26:34,360 --> 01:26:36,400
Speaker 1: kind of find it, you know, kind of cheesy to

1590
01:26:36,439 --> 01:26:39,519
Speaker 1: write like a song about like I love my family, um,

1591
01:26:40,000 --> 01:26:42,439
Speaker 1: even though I feel that way, And I found a

1592
01:26:42,520 --> 01:26:45,240
Speaker 1: way to say it in this song World's on Fire

1593
01:26:45,840 --> 01:26:49,439
Speaker 1: that um, I just felt natural and it was basically

1594
01:26:49,520 --> 01:26:51,680
Speaker 1: the World's on fire, but all I need is you

1595
01:26:52,479 --> 01:26:55,080
Speaker 1: right and and um. Actually she was listening to it

1596
01:26:55,160 --> 01:26:58,200
Speaker 1: in the car with my with our kids, and um,

1597
01:26:58,560 --> 01:27:00,599
Speaker 1: they were trying to figure out there there young seven

1598
01:27:00,680 --> 01:27:02,280
Speaker 1: and nine, they're trying to figure out, like what's this

1599
01:27:02,479 --> 01:27:05,200
Speaker 1: what are each of the songs about? And they were

1600
01:27:05,280 --> 01:27:09,080
Speaker 1: like completely baffled by that song was so cute. Didn't

1601
01:27:09,080 --> 01:27:12,080
Speaker 1: know what is that about? I mean, is that about

1602
01:27:12,120 --> 01:27:17,479
Speaker 1: the fires in California? And it's like, no, it's a metaphor,

1603
01:27:17,640 --> 01:27:19,880
Speaker 1: it means something else. What do you think it means?

1604
01:27:19,920 --> 01:27:25,360
Speaker 1: And they figured it out is it about us? I mean,

1605
01:27:25,479 --> 01:27:28,400
Speaker 1: so even if you didn't sell one album total, satisfied.

1606
01:27:30,680 --> 01:27:34,080
Speaker 1: So Mike Shinoda's uh solo album it's released, it's out.

1607
01:27:34,120 --> 01:27:36,920
Speaker 1: It's called post Traumatic, and it's so great to hear

1608
01:27:37,240 --> 01:27:39,040
Speaker 1: the background of the album. So when I listened to

1609
01:27:39,080 --> 01:27:41,360
Speaker 1: it again, its more sense. That's why I'm glad you

1610
01:27:41,400 --> 01:27:44,120
Speaker 1: spent time with us today. So, uh, is there ever

1611
01:27:44,240 --> 01:27:46,080
Speaker 1: a chance for you and when we compart to get

1612
01:27:46,080 --> 01:27:48,960
Speaker 1: back together and do anything anytime, anytime in the future.

1613
01:27:49,080 --> 01:27:51,200
Speaker 1: I mean, there's there's of course there's a chance. I'm

1614
01:27:51,360 --> 01:27:53,920
Speaker 1: we're so yeah, we talk, We talk all the time,

1615
01:27:54,040 --> 01:27:56,599
Speaker 1: and we don't have plans at this moment. I mean,

1616
01:27:57,160 --> 01:27:59,640
Speaker 1: I think some of the guys are still Um, you know,

1617
01:27:59,720 --> 01:28:03,120
Speaker 1: kind taking it easy and every i'd say everybody's doing well.

1618
01:28:04,120 --> 01:28:06,680
Speaker 1: Guys are doing well. Um, some of them are just

1619
01:28:06,760 --> 01:28:09,000
Speaker 1: not ready quite ready to be out there that way.

1620
01:28:09,640 --> 01:28:12,559
Speaker 1: And um, we have a lot of like important questions

1621
01:28:12,640 --> 01:28:15,080
Speaker 1: to answer before we figure that out. And when we

1622
01:28:15,200 --> 01:28:17,640
Speaker 1: when we answer some of those questions, we'll let everyone know. Well,

1623
01:28:17,720 --> 01:28:19,600
Speaker 1: thanks for not bottling it all up and putting it

1624
01:28:19,680 --> 01:28:22,320
Speaker 1: on an album for us to to experience. It's again

1625
01:28:22,400 --> 01:28:25,639
Speaker 1: post traumatic. Mike Shinoda, I'm i gotta play crossing a line.

1626
01:28:25,640 --> 01:28:27,599
Speaker 1: I want to play something and thank you so much

1627
01:28:27,640 --> 01:28:29,880
Speaker 1: for coming in. Thank you, and before you leave, take

1628
01:28:29,920 --> 01:28:34,240
Speaker 1: a picture with my big head. It's kind of it's

1629
01:28:34,320 --> 01:28:36,240
Speaker 1: kind of embarrassing, but it's kind of a thing. It's

1630
01:28:36,240 --> 01:28:38,880
Speaker 1: a thing. But Mike, it's such an honor to have

1631
01:28:39,000 --> 01:28:41,000
Speaker 1: you on. And may I personally say thank you for

1632
01:28:41,200 --> 01:28:44,080
Speaker 1: years and years of incredible music and art and this

1633
01:28:44,240 --> 01:28:46,680
Speaker 1: new album it really just makes all the sense in

1634
01:28:46,720 --> 01:28:48,360
Speaker 1: the world, and thank you very much for that. I

1635
01:28:48,400 --> 01:28:50,960
Speaker 1: appreciate it. Thank you, Mike Shinoda. This is crossing and

1636
01:28:51,000 --> 01:29:09,599
Speaker 1: thanks for coming to the official Twitter account of Elvis.

1637
01:29:10,080 --> 01:29:13,160
Speaker 1: Elvis Duran hit of Twitter and follow him now. This

1638
01:29:13,600 --> 01:29:17,160
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1639
01:29:17,280 --> 01:29:21,639
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1640
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1641
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1642
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Speaker 1: promo code Elvis off your next order. Elvis Duran in

1644
01:29:36,720 --> 01:29:41,080
Speaker 1: the Morning Show. So it's about twenty years ago. This

1645
01:29:41,200 --> 01:29:43,200
Speaker 1: guy comes and works for us at Z one hundred

1646
01:29:43,240 --> 01:29:48,400
Speaker 1: here in New York City. Bron Scalzo for me, and

1647
01:29:48,560 --> 01:29:52,120
Speaker 1: so uh Scary says, Yeah, this is a fund of

1648
01:29:52,200 --> 01:29:56,040
Speaker 1: mine who grew up with He's gonna come work with. Yeah,

1649
01:29:56,280 --> 01:29:58,800
Speaker 1: that's pretty much how it went down. So through years

1650
01:29:58,880 --> 01:30:02,160
Speaker 1: and years and years of uh god, sad moments with

1651
01:30:02,280 --> 01:30:05,600
Speaker 1: a superstorm rolling through and Ronnie losing his everything and

1652
01:30:06,200 --> 01:30:09,599
Speaker 1: bringing that up again, and then and then the happy

1653
01:30:09,680 --> 01:30:12,000
Speaker 1: days where he's drunk in the dance floor dancing with

1654
01:30:12,080 --> 01:30:16,040
Speaker 1: a toilet plunger on his head. Story it's true, and

1655
01:30:16,160 --> 01:30:19,880
Speaker 1: just years and years of music and bed ideas, but

1656
01:30:20,080 --> 01:30:23,120
Speaker 1: most of all friendship, Ronnie. It's been a great twenty

1657
01:30:23,200 --> 01:30:25,240
Speaker 1: years with you and now get your ass out of here,

1658
01:30:25,360 --> 01:30:28,639
Speaker 1: all right, So thank you so much. You guys want

1659
01:30:28,680 --> 01:30:30,519
Speaker 1: to say something to Ronnie. This is his last day.

1660
01:30:31,160 --> 01:30:33,920
Speaker 1: It's you know, Ronnie and I came up the same way,

1661
01:30:34,200 --> 01:30:37,519
Speaker 1: like we've been together for all these years. And we

1662
01:30:37,680 --> 01:30:39,400
Speaker 1: used to sit in my office when I had a

1663
01:30:39,520 --> 01:30:41,120
Speaker 1: huge office back in the day when we were in

1664
01:30:41,200 --> 01:30:44,520
Speaker 1: Jersey City, remember, and we used to just sing songs

1665
01:30:44,680 --> 01:30:47,559
Speaker 1: and whenever I would go whenever I go into his studio.

1666
01:30:47,640 --> 01:30:51,000
Speaker 1: He's so much like me because we we make a

1667
01:30:51,080 --> 01:30:53,280
Speaker 1: song out of everything. So you know, my grandmother would

1668
01:30:53,280 --> 01:30:55,439
Speaker 1: say close the door, and she would saying, that's how

1669
01:30:55,520 --> 01:30:58,519
Speaker 1: Ronnie and I are. So when we're recording commercials together,

1670
01:30:58,880 --> 01:31:02,840
Speaker 1: if you hear the takes, its us singing dumb things together,

1671
01:31:02,880 --> 01:31:04,920
Speaker 1: and we always have such a great time. So I'm

1672
01:31:05,000 --> 01:31:08,599
Speaker 1: so great. Well, you know, Ronnie always insisted on having

1673
01:31:08,840 --> 01:31:12,680
Speaker 1: a keyboard in his production room. Always remember that. You

1674
01:31:12,720 --> 01:31:15,479
Speaker 1: actually when you had to save your piano from your

1675
01:31:15,520 --> 01:31:19,080
Speaker 1: house that was doomed after the superstorm, you actually stored

1676
01:31:19,120 --> 01:31:22,479
Speaker 1: it in your production room thanks to your generosity, Elvis Duran,

1677
01:31:22,560 --> 01:31:25,320
Speaker 1: thank you very much for that. Right now, you sound

1678
01:31:25,360 --> 01:31:27,439
Speaker 1: like you're on a telephone. I am. Now I'm in

1679
01:31:27,520 --> 01:31:29,960
Speaker 1: this studio. I'm going to sing a song, so I'm

1680
01:31:30,000 --> 01:31:32,080
Speaker 1: at a vocal. Mike talked to Jeff at the engineer

1681
01:31:32,600 --> 01:31:39,840
Speaker 1: that Samantha. Samantha's crying. Damn it. You guys worked so

1682
01:31:39,920 --> 01:31:43,360
Speaker 1: closely together. Yeah, after my first semester here as a

1683
01:31:43,439 --> 01:31:46,600
Speaker 1: phone up, I was Ronnie's intern for a few semesters

1684
01:31:47,160 --> 01:31:51,560
Speaker 1: and then his assistant after that. And um, one of

1685
01:31:51,680 --> 01:31:55,519
Speaker 1: my very favorite things about Ronnie is when you're forced

1686
01:31:55,600 --> 01:31:57,920
Speaker 1: to be with someone for so long, like in a

1687
01:31:58,000 --> 01:32:01,360
Speaker 1: working situation, sometimes you just scept that as your relationship.

1688
01:32:02,040 --> 01:32:04,880
Speaker 1: But Ronnie has never been that kind of person, like

1689
01:32:04,960 --> 01:32:07,120
Speaker 1: he'd go out of his way to make a bond

1690
01:32:07,200 --> 01:32:10,040
Speaker 1: with you because he wants to. So we probably know

1691
01:32:10,120 --> 01:32:13,280
Speaker 1: a lot more about each other than we should. But

1692
01:32:13,800 --> 01:32:16,720
Speaker 1: you know, it wasn't until you know, we've found out

1693
01:32:16,800 --> 01:32:19,320
Speaker 1: he was leaving the I'm like, crap, it's a real

1694
01:32:19,920 --> 01:32:23,240
Speaker 1: sole connection on its right out now now you know.

1695
01:32:23,360 --> 01:32:26,160
Speaker 1: And of course, Jake, Jake, you were an intern for

1696
01:32:26,280 --> 01:32:33,680
Speaker 1: Ronnie too? Did we all intern for ron Sorry? I

1697
01:32:33,800 --> 01:32:40,040
Speaker 1: interned with him for four semesters. That's was quite the

1698
01:32:40,160 --> 01:32:43,439
Speaker 1: lovely experience. Anything you want to say to Jake, I mean, Jake,

1699
01:32:43,479 --> 01:32:44,920
Speaker 1: you want to say anything to Ronnie? No, I just

1700
01:32:45,000 --> 01:32:47,680
Speaker 1: wanted to say thank you because Ronnie was a well

1701
01:32:47,720 --> 01:32:50,160
Speaker 1: still is a huge mentor. Why are you playing music

1702
01:32:50,280 --> 01:32:54,559
Speaker 1: like this traumatic? He was he still is a huge

1703
01:32:54,640 --> 01:32:57,519
Speaker 1: mentor to me, and I'm very appreciative of him because

1704
01:32:57,560 --> 01:33:00,360
Speaker 1: he's a big reason that I'm here today. And uh,

1705
01:33:00,920 --> 01:33:09,439
Speaker 1: I'm happy to see him thriving, enjoying. So as you see, Ronnie,

1706
01:33:09,439 --> 01:33:12,880
Speaker 1: you've touched everyone's lives here. But scary, scary is the

1707
01:33:12,920 --> 01:33:15,040
Speaker 1: guy who dragged you in here. So scary, what do

1708
01:33:15,040 --> 01:33:17,120
Speaker 1: you want to say to your friend? No tears shed

1709
01:33:17,240 --> 01:33:22,200
Speaker 1: here because you look at any music. Now, thirty two years,

1710
01:33:22,240 --> 01:33:24,479
Speaker 1: I've known this guy, and uh, you know, we've been

1711
01:33:24,560 --> 01:33:27,920
Speaker 1: We went to middle school together, high school together, college together.

1712
01:33:28,160 --> 01:33:30,560
Speaker 1: We worked at the same college radio station together. This

1713
01:33:30,640 --> 01:33:32,439
Speaker 1: is the speech he's been given for thirty two years.

1714
01:33:32,600 --> 01:33:34,639
Speaker 1: If nobody and you know what, and now and we're

1715
01:33:34,640 --> 01:33:37,120
Speaker 1: working together, they're gonna be the first time after today

1716
01:33:37,240 --> 01:33:39,840
Speaker 1: that we're not going to see each other every single day.

1717
01:33:39,880 --> 01:33:42,559
Speaker 1: It's gonna be weird. But you know what, we are

1718
01:33:42,600 --> 01:33:45,320
Speaker 1: such great friends. We have such a strong bond. Listen,

1719
01:33:45,520 --> 01:33:47,280
Speaker 1: we will Well, I know we'll hang out a lot.

1720
01:33:47,439 --> 01:33:50,840
Speaker 1: We you know, I'm a what do you know? Guarantees? Anyway,

1721
01:33:51,160 --> 01:33:53,200
Speaker 1: we do that bro trip you guys do every year.

1722
01:33:53,280 --> 01:33:55,639
Speaker 1: We're going on the Brooklyn Boys baseball trip. I will

1723
01:33:55,640 --> 01:33:58,120
Speaker 1: be in Pittsburgh together this weekend. Well, that's the whole point,

1724
01:33:58,200 --> 01:34:01,439
Speaker 1: you know what, And this is what what people want

1725
01:34:01,479 --> 01:34:04,080
Speaker 1: to know about what happens behind the scenes. We hear

1726
01:34:04,120 --> 01:34:06,360
Speaker 1: you guys on the show every day. What do you

1727
01:34:06,439 --> 01:34:08,240
Speaker 1: do off the show? Well, on the show and off

1728
01:34:08,240 --> 01:34:10,320
Speaker 1: the show, it's always a show for us. We're always on,

1729
01:34:11,000 --> 01:34:13,120
Speaker 1: even if the microphones aren't on, We're still trying to

1730
01:34:13,120 --> 01:34:15,320
Speaker 1: outdo each other and joke around with each other, have

1731
01:34:15,439 --> 01:34:18,120
Speaker 1: fun with each other. We are quite the family and

1732
01:34:18,800 --> 01:34:22,000
Speaker 1: as we have been for so long. Uh and Ronnie,

1733
01:34:22,240 --> 01:34:25,920
Speaker 1: thank you so much for many many years being our brother.

1734
01:34:26,040 --> 01:34:28,080
Speaker 1: But that's not over. You're still our brother, just because

1735
01:34:28,080 --> 01:34:30,800
Speaker 1: you're moving to Washington, DC when I get fired, I'll

1736
01:34:30,800 --> 01:34:34,120
Speaker 1: be back next year. I hate when people leave the show.

1737
01:34:34,360 --> 01:34:37,759
Speaker 1: I do. I hate it. Move well beyond these walls

1738
01:34:38,360 --> 01:34:41,120
Speaker 1: right important to know. I gotta be honest. I love

1739
01:34:41,160 --> 01:34:43,000
Speaker 1: it when people leave the show. I think it's fabulous.

1740
01:34:43,720 --> 01:34:46,000
Speaker 1: I have an announcement to make okay, you gotta hurt

1741
01:34:48,439 --> 01:34:52,479
Speaker 1: With that said, Ronnie is going to give us his

1742
01:34:52,680 --> 01:34:55,400
Speaker 1: last performance for this go round. This is my first

1743
01:34:55,479 --> 01:34:57,360
Speaker 1: I've done many performances here, but this is my first

1744
01:34:57,400 --> 01:35:00,240
Speaker 1: and last solo performance Elvis Tour. And uh it's a

1745
01:35:00,280 --> 01:35:01,840
Speaker 1: cover song. I know a lot of people who come

1746
01:35:01,920 --> 01:35:04,720
Speaker 1: up here do cover songs from popular artists. This is

1747
01:35:04,880 --> 01:35:07,240
Speaker 1: an up and comer from Marlborough, New Jersey. Greg T

1748
01:35:07,439 --> 01:35:10,439
Speaker 1: D frat Boy. He wrote a new he wrote a

1749
01:35:10,479 --> 01:35:13,200
Speaker 1: song and I'm covering it. It's called Time passes Bottle,

1750
01:35:16,520 --> 01:35:18,759
Speaker 1: Great t D Frat Boy, one of the most prolific

1751
01:35:18,840 --> 01:35:20,800
Speaker 1: songwriters out there. It's kind of like a Dell one,

1752
01:35:21,240 --> 01:35:24,439
Speaker 1: Great t D Frat Boy to Lionel Ritchie three. So

1753
01:35:24,720 --> 01:35:28,000
Speaker 1: I'm excited to sung in college. The song is gonna

1754
01:35:28,040 --> 01:35:40,919
Speaker 1: make sense, alright, bald freak, Here we go half asleep

1755
01:35:44,280 --> 01:35:53,960
Speaker 1: morning stops to Tim moves by James Don't Disappear, pointed

1756
01:35:54,040 --> 01:36:02,400
Speaker 1: lyrics and Luisa and as time is in our side,

1757
01:36:03,280 --> 01:36:08,840
Speaker 1: thank you for the reburb. Tie passes by all over

1758
01:36:09,040 --> 01:36:17,519
Speaker 1: the good and bad Tie passes by. We're happy with sad.

1759
01:36:25,640 --> 01:36:30,719
Speaker 1: Everyone says that the ride is good. The Wong is bad.

1760
01:36:32,680 --> 01:36:38,519
Speaker 1: Stop listen how we stayed and where we stand out

1761
01:36:39,880 --> 01:36:47,120
Speaker 1: hurts when you say goodbye, kills when wear apart. He

1762
01:36:47,160 --> 01:36:52,960
Speaker 1: didn't need to make you cry. I wanna see your stone.

1763
01:36:54,600 --> 01:37:03,559
Speaker 1: Tie passes by, all over, good and bad Ti passes by.

1764
01:37:05,320 --> 01:37:17,879
Speaker 1: We're happy and said it's all an illusion. Goodbye everybody,

1765
01:37:19,600 --> 01:37:28,160
Speaker 1: Goodbye Daniel Manaro and Webb Girl, Kathleen, you're at Sir

1766
01:37:28,439 --> 01:37:39,080
Speaker 1: Ramaro thanks to beat soho cooled Hey coast for John. Yeah,

1767
01:37:39,240 --> 01:37:47,120
Speaker 1: your friendship is man quite alone, Hey produced saying I've

1768
01:37:47,160 --> 01:37:49,800
Speaker 1: watched you throw up. I'm so proud of you, man,

1769
01:37:49,920 --> 01:37:56,479
Speaker 1: I don't shake the snake need and Andrew Pools the

1770
01:37:56,640 --> 01:38:03,479
Speaker 1: greatest guys right, and how could I forget my mad

1771
01:38:03,600 --> 01:38:11,200
Speaker 1: scottyp Hey, Froggy and Brody and Garret feed Well you

1772
01:38:11,360 --> 01:38:18,080
Speaker 1: may no longer know me. Thanks for everything you've done

1773
01:38:18,200 --> 01:38:23,880
Speaker 1: for me, he scary. Hey, great tea. We did the

1774
01:38:24,080 --> 01:38:28,559
Speaker 1: off air show, jack Aloup. If you are my favorite bros.

1775
01:38:29,520 --> 01:38:32,880
Speaker 1: If you have the finest bozos that I ever know,

1776
01:38:33,680 --> 01:38:40,880
Speaker 1: he help us to How could I ever repay you? Man? Well?

1777
01:38:40,960 --> 01:38:51,240
Speaker 1: I can't. I love you, Elvis Big Finish because you

1778
01:38:51,400 --> 01:38:57,920
Speaker 1: saved my ass and you never even got to touch it.

1779
01:38:58,920 --> 01:39:07,679
Speaker 1: I hope you are continue to trust you. Who's Ronney?

1780
01:39:07,800 --> 01:39:11,240
Speaker 1: They said, and they smiled, and they're special way. Who's Ronney?

1781
01:39:14,040 --> 01:39:16,880
Speaker 1: Who's Rodney? They said, and they smiled, and then they

1782
01:39:17,000 --> 01:39:19,479
Speaker 1: turned the page. Who's Ronney? They said, sing with me.

1783
01:39:21,280 --> 01:39:24,960
Speaker 1: Who's right? They said, and they smiled in their special way.

1784
01:39:25,040 --> 01:39:31,120
Speaker 1: Who's right? They said? Who's Ronning? They said, and they smiled,

1785
01:39:31,160 --> 01:39:33,679
Speaker 1: and then they turned the page. Who's Rodney? They said

1786
01:39:33,760 --> 01:39:38,479
Speaker 1: at the time, Who's Rodney? They said, Then they smiled.

1787
01:39:38,640 --> 01:39:44,040
Speaker 1: Isn't that special way? Who's right? They said? Who's Rodney?

1788
01:39:44,160 --> 01:39:46,960
Speaker 1: They said, Then they smiled. Then they turned the page.

1789
01:39:47,000 --> 01:39:55,519
Speaker 1: Who's Ronney? They said? That was me? Goodbye, everybody, Thank you.

1790
01:40:00,400 --> 01:40:08,000
Speaker 1: Like that song? So glasses up, Hippit, Parade ball Freak Rannie,

1791
01:40:08,040 --> 01:40:13,519
Speaker 1: We love you, and lifetime and the show continues after this.

1792
01:40:15,800 --> 01:40:18,840
Speaker 1: The Brooklyn Boys Podcast with Scary and Brody. That's not

1793
01:40:19,120 --> 01:40:21,400
Speaker 1: with Brody and Scar I'm Scary, you're Brody. It's the

1794
01:40:21,439 --> 01:40:24,040
Speaker 1: Brooklyn Boys Podcast. But it's not about Brooklyn. It's about us.

1795
01:40:24,200 --> 01:40:26,479
Speaker 1: We're from Brooklyn. We talk about everything, and we debate

1796
01:40:26,520 --> 01:40:29,720
Speaker 1: a lot of things. We debate everything. Stop yelling. I'm

1797
01:40:29,760 --> 01:40:36,920
Speaker 1: not yelling are you getting loud? The Brooklyn Boys podcast

1798
01:40:37,200 --> 01:40:39,600
Speaker 1: on the I Heart Radio app at least ran in

1799
01:40:39,640 --> 01:40:47,720
Speaker 1: the morning show. And I think the employee of the

1800
01:40:47,800 --> 01:40:51,240
Speaker 1: day is my assistant Andrew, who scurried out to Jersey

1801
01:40:51,360 --> 01:40:54,120
Speaker 1: City through the Holland Tunnel to buy another toilet to

1802
01:40:54,200 --> 01:40:58,000
Speaker 1: replace the toilet there was a gift from Sharman. The

1803
01:40:58,160 --> 01:41:00,599
Speaker 1: Great Tea shattered in a billion pieces. By the way,

1804
01:41:00,680 --> 01:41:02,360
Speaker 1: hands off the toilet round head. You're not allowed to

1805
01:41:02,360 --> 01:41:04,880
Speaker 1: get me. Don't touch the ball. It was accidentally and

1806
01:41:04,960 --> 01:41:07,280
Speaker 1: I didn't do it on purpose. And by the way,

1807
01:41:07,360 --> 01:41:10,519
Speaker 1: you have to see this. We have the security video

1808
01:41:11,200 --> 01:41:16,879
Speaker 1: capturing Greg te shattering the toilet. It is okay Tea's reaction.

1809
01:41:17,000 --> 01:41:19,080
Speaker 1: Oh my gosh. You gotta go see it. It's at

1810
01:41:19,160 --> 01:41:23,840
Speaker 1: Elvis Durant on Instagram. At Elvis duran Instagram. Go see

1811
01:41:23,960 --> 01:41:27,840
Speaker 1: this right now when when when called Nate over to

1812
01:41:29,040 --> 01:41:33,360
Speaker 1: see the carnage. It's incredible. At Elvis Durant on instant.

1813
01:41:33,479 --> 01:41:36,720
Speaker 1: You gotta check it out. Whether did you see the

1814
01:41:36,880 --> 01:41:41,280
Speaker 1: brand name of the toilet Glacier Bay, Glacier Bay. It's

1815
01:41:41,320 --> 01:41:44,040
Speaker 1: a Glacier Bay toilet. Does it make you wonder the

1816
01:41:44,080 --> 01:41:46,360
Speaker 1: people at the toilet company going. Let's call this one

1817
01:41:46,560 --> 01:41:50,320
Speaker 1: Glacier Bay. It sounds like you're on a in the

1818
01:41:50,400 --> 01:41:53,519
Speaker 1: Bahamas and you have a little cocktail in hand or

1819
01:41:53,640 --> 01:41:59,439
Speaker 1: something you would see while on Norwegian cruise Bliss, Alaska. Yes,

1820
01:41:59,760 --> 01:42:04,000
Speaker 1: look Glacier Bay toilet. Anyway, Thank you so much to Sharmon.

1821
01:42:04,280 --> 01:42:06,600
Speaker 1: Do we know which one of their songs one? The

1822
01:42:06,680 --> 01:42:10,960
Speaker 1: Big Sherman's Song contest? The votes is still being tabulated, Elvis. Yeah,

1823
01:42:11,000 --> 01:42:13,160
Speaker 1: I still like Shiny Heiny. I liked the old school,

1824
01:42:13,160 --> 01:42:15,960
Speaker 1: so I don't know. I kind of like the new one. Yeah,

1825
01:42:16,040 --> 01:42:20,080
Speaker 1: it's a close number two. Thank you so much to Charmon.

1826
01:42:20,120 --> 01:42:23,240
Speaker 1: We appreciate it. And great tea. Don't get near the toilet.

1827
01:42:23,360 --> 01:42:24,800
Speaker 1: And this is all I'm gonna hear now. I'm never

1828
01:42:24,840 --> 01:42:27,800
Speaker 1: gonna live this down. All right, let's go round the room. Uh,

1829
01:42:28,000 --> 01:42:29,800
Speaker 1: we'll start with you, Daniel. What's on your mind today?

1830
01:42:29,880 --> 01:42:32,439
Speaker 1: So when you find something in the refrigerator and has

1831
01:42:32,520 --> 01:42:36,920
Speaker 1: like the expliration date, that's just say you shouldn't eat

1832
01:42:36,960 --> 01:42:40,320
Speaker 1: it after this date, right, I mean you, Technically it

1833
01:42:40,439 --> 01:42:43,400
Speaker 1: depends on the item itself. What did you do? It

1834
01:42:43,479 --> 01:42:45,760
Speaker 1: was a piece of cheese and it didn't smell bad,

1835
01:42:45,960 --> 01:42:49,080
Speaker 1: but it was past the expiration date. So I was like,

1836
01:42:49,960 --> 01:42:53,360
Speaker 1: and then I ate it and it was fine. I'm fine, right, yeah,

1837
01:42:53,360 --> 01:42:55,680
Speaker 1: you're fine. Like I'm not gonna grow mold inside of me.

1838
01:42:56,479 --> 01:42:59,080
Speaker 1: Some of the most expensive cheeses have mold on them.

1839
01:42:59,160 --> 01:43:05,160
Speaker 1: I would think, you're fine, or maybe penicillin inside of that. Okay,

1840
01:43:05,360 --> 01:43:07,920
Speaker 1: that's expired bread. I know you're good. I think if

1841
01:43:07,960 --> 01:43:09,920
Speaker 1: you sniff it, it smells fine. I wouldn't worry about

1842
01:43:09,960 --> 01:43:12,360
Speaker 1: unless it's like a year, you know, wasn't that. It

1843
01:43:12,680 --> 01:43:16,120
Speaker 1: wasn't that long. So producer Samantha, what's on your mind today?

1844
01:43:16,240 --> 01:43:18,640
Speaker 1: So I've decided I need to spend a little bit

1845
01:43:18,680 --> 01:43:20,880
Speaker 1: of time and try and get back to the way

1846
01:43:20,920 --> 01:43:23,240
Speaker 1: I used to be when I was a kid, because

1847
01:43:23,280 --> 01:43:26,600
Speaker 1: when you're a kid, you're absolutely fearless. I got this

1848
01:43:26,720 --> 01:43:29,080
Speaker 1: thing called a goof board, and it's like a surfboard

1849
01:43:29,240 --> 01:43:32,280
Speaker 1: for land, Like it rolls around and you're surfing on concrete,

1850
01:43:32,720 --> 01:43:36,880
Speaker 1: and I am, isn't that like a skateboard? Skateboard is? No,

1851
01:43:37,040 --> 01:43:39,160
Speaker 1: it doesn't have wheels. It's just on a PBC pipe,

1852
01:43:39,200 --> 01:43:42,240
Speaker 1: so you could wipe out. And that kind of steers

1853
01:43:42,280 --> 01:43:44,160
Speaker 1: me like I'm very hesitant. I hold onto the wall

1854
01:43:44,200 --> 01:43:46,519
Speaker 1: and stuff. I went to the park and kids were

1855
01:43:46,560 --> 01:43:48,840
Speaker 1: just saying, can I play? Can I play? They had

1856
01:43:49,040 --> 01:43:51,880
Speaker 1: no fear of falling off, and they were fine. Every

1857
01:43:51,960 --> 01:43:54,920
Speaker 1: time you fall off, you get a little boo boo.

1858
01:43:55,000 --> 01:43:59,839
Speaker 1: It happens. Yeah, I don't know why. Who's gonna kiss him? Daniel?

1859
01:44:00,200 --> 01:44:01,920
Speaker 1: I get drunk and get boo boos all the time.

1860
01:44:02,200 --> 01:44:05,680
Speaker 1: I'm living on the Hey, Froggy, what's up with you today? Well?

1861
01:44:05,720 --> 01:44:07,600
Speaker 1: All this, you know, I realized that this morning on

1862
01:44:07,680 --> 01:44:09,360
Speaker 1: the way to work, I thought I left my phone

1863
01:44:09,400 --> 01:44:12,519
Speaker 1: at home. And so I get to work, get inside,

1864
01:44:12,600 --> 01:44:14,160
Speaker 1: and I'm like, oh crap, I left my phone at home.

1865
01:44:14,160 --> 01:44:16,080
Speaker 1: And the first thing that goes through my mind is Okay,

1866
01:44:16,160 --> 01:44:17,960
Speaker 1: what's on my phone that I don't want anybody to see?

1867
01:44:18,000 --> 01:44:19,320
Speaker 1: And who could be calling me and say that? And

1868
01:44:19,320 --> 01:44:20,439
Speaker 1: then I went back to my car and I had

1869
01:44:20,520 --> 01:44:22,559
Speaker 1: my phone. So if you leave your phone at home,

1870
01:44:22,800 --> 01:44:24,600
Speaker 1: make sure that there's nothing on your phone that you

1871
01:44:24,640 --> 01:44:28,040
Speaker 1: don't want anybody else. That's the story. You just announced

1872
01:44:28,120 --> 01:44:30,719
Speaker 1: the world you have some bad stuff on your phone.

1873
01:44:30,800 --> 01:44:32,840
Speaker 1: Yeah I'm not saying I do, but it makes you

1874
01:44:33,000 --> 01:44:35,560
Speaker 1: think is there anything on that it could be misconstrued.

1875
01:44:35,720 --> 01:44:38,120
Speaker 1: Is there anything on that you have to explain? I'll

1876
01:44:38,160 --> 01:44:40,439
Speaker 1: be very very very very honest with you. There is

1877
01:44:40,520 --> 01:44:43,280
Speaker 1: not one thing on my phone that I would be

1878
01:44:43,360 --> 01:44:45,479
Speaker 1: embarrassed for anyone to see. Don't you think you should

1879
01:44:45,479 --> 01:44:47,280
Speaker 1: live your life like that? Keep it clean? Kids. The

1880
01:44:47,360 --> 01:44:49,240
Speaker 1: only thing I have our pictures of Greg Ta when

1881
01:44:49,280 --> 01:44:52,120
Speaker 1: he takes his clothes off in the studio. You got

1882
01:44:52,200 --> 01:44:57,920
Speaker 1: some explaning to do with those. I don't even have that. Today.

1883
01:44:58,200 --> 01:45:01,400
Speaker 1: I found a very polite way to deal with telemarketers

1884
01:45:01,439 --> 01:45:03,360
Speaker 1: to get them out of your hair because of a

1885
01:45:03,479 --> 01:45:06,560
Speaker 1: rule that there exists in this country, and that is

1886
01:45:06,680 --> 01:45:10,200
Speaker 1: you cannot call somebody in America past nine pm. That

1887
01:45:10,320 --> 01:45:13,760
Speaker 1: is a federal regulation. So when they call you at

1888
01:45:13,760 --> 01:45:16,960
Speaker 1: any time during the day, you say, um, yeah, can

1889
01:45:17,000 --> 01:45:19,759
Speaker 1: you call back after nine pm? And then they cordially

1890
01:45:19,840 --> 01:45:23,240
Speaker 1: say yes, but knowing that they really can't, and that's

1891
01:45:23,280 --> 01:45:26,560
Speaker 1: your out right there call back after nine they never do.

1892
01:45:26,880 --> 01:45:28,439
Speaker 1: I didn't know that was a law. I'm sure they

1893
01:45:28,479 --> 01:45:33,040
Speaker 1: follow the laws. Well. Yesterday and I wanted to kill someone,

1894
01:45:33,680 --> 01:45:35,679
Speaker 1: the phone rang and I was in a dead sleep.

1895
01:45:35,720 --> 01:45:38,240
Speaker 1: I picked it up. Hello, she is Marjorie. There, May

1896
01:45:38,240 --> 01:45:40,280
Speaker 1: I speak to Marjorie. I said, I think you have

1897
01:45:40,360 --> 01:45:43,000
Speaker 1: the wrong number, and then she says, that's okay. I

1898
01:45:43,080 --> 01:45:45,800
Speaker 1: just wanted to talk to anyone. Hey, uh, have you

1899
01:45:45,840 --> 01:45:49,600
Speaker 1: ever thought about donating money to blah blah blah. It

1900
01:45:49,760 --> 01:45:52,719
Speaker 1: was a robo call. It was a recording of someone

1901
01:45:52,880 --> 01:45:57,960
Speaker 1: pretending to be asking for Marjorie. I wanted to leave

1902
01:45:58,120 --> 01:46:02,840
Speaker 1: the phone and go. They hate it, and they got me.

1903
01:46:06,479 --> 01:46:07,960
Speaker 1: You know, they used to do that with us. They

1904
01:46:08,000 --> 01:46:11,240
Speaker 1: would have us record these things that would call people Hi,

1905
01:46:11,320 --> 01:46:13,920
Speaker 1: I'm Elvis Durant from Z one hundred. Listen for the

1906
01:46:13,920 --> 01:46:16,599
Speaker 1: phrase that pays tomorrow morning at and it would leave

1907
01:46:16,640 --> 01:46:19,800
Speaker 1: these messages on their voicemail. Well that was great until

1908
01:46:19,840 --> 01:46:22,200
Speaker 1: someone played it back on Howard Stern Show and I

1909
01:46:22,240 --> 01:46:25,600
Speaker 1: felt like like a total ask So I don't do

1910
01:46:25,720 --> 01:46:27,160
Speaker 1: those anymore. That's something they asked me to do that

1911
01:46:27,200 --> 01:46:33,160
Speaker 1: I'm like, no, not having draw the lines done. Deal.

1912
01:46:33,840 --> 01:46:35,960
Speaker 1: All right, let's get feel goods on with the producer

1913
01:46:36,040 --> 01:46:39,080
Speaker 1: Samantha Sam. What are we feeling good about today? Okay? So,

1914
01:46:39,479 --> 01:46:43,400
Speaker 1: there is nothing I love more than people helping other people.

1915
01:46:43,560 --> 01:46:45,280
Speaker 1: And the only way to make that better is if

1916
01:46:45,320 --> 01:46:48,559
Speaker 1: it's kids. So these two brothers, the Bashion and Brandson.

1917
01:46:48,600 --> 01:46:50,639
Speaker 1: Their only ten and twelve years old, and they loved

1918
01:46:50,960 --> 01:46:54,320
Speaker 1: fashion their whole existence, which we know it's very long.

1919
01:46:54,720 --> 01:46:57,479
Speaker 1: So they used those powers for good. They started this

1920
01:46:57,600 --> 01:47:02,280
Speaker 1: company called Kids Kids Helping Kids, and what they do

1921
01:47:02,479 --> 01:47:05,840
Speaker 1: is they design different kinds of socks with various charities.

1922
01:47:06,320 --> 01:47:09,160
Speaker 1: So if you buy the socks, they donate of all

1923
01:47:09,240 --> 01:47:12,160
Speaker 1: of the you know money who whatever charity you're buying for.

1924
01:47:12,760 --> 01:47:15,439
Speaker 1: So not only can you go buy your ten dollar

1925
01:47:15,520 --> 01:47:17,640
Speaker 1: pair of socks and do something good, but if you

1926
01:47:17,720 --> 01:47:19,799
Speaker 1: have a charity, you can reach out and just design

1927
01:47:20,000 --> 01:47:23,639
Speaker 1: something with them. So these kids are ten years old. Yeah,

1928
01:47:23,720 --> 01:47:26,280
Speaker 1: the CEO is ten years old and like the sales

1929
01:47:27,560 --> 01:47:30,720
Speaker 1: when I was ten, I couldn't even spell ceo. I

1930
01:47:30,760 --> 01:47:32,519
Speaker 1: don't know what we're doing with our lives, but we're

1931
01:47:32,560 --> 01:47:34,200
Speaker 1: behind the bar. So how do we order some of

1932
01:47:34,280 --> 01:47:36,479
Speaker 1: these socks? So you can link over at Elvis Strand

1933
01:47:36,520 --> 01:47:38,559
Speaker 1: dot com key word feel goods. I'll send you there.

1934
01:47:38,720 --> 01:47:41,720
Speaker 1: But it's called are You Kidding? Kids Helping Kids? So

1935
01:47:41,800 --> 01:47:43,559
Speaker 1: you can go to are You Kidding Socks dot com

1936
01:47:43,640 --> 01:47:45,559
Speaker 1: and get them from there. Come on, let's support these kids.

1937
01:47:47,320 --> 01:47:49,760
Speaker 1: Durand dot com. Thank you, Samantha, you think. I gotta

1938
01:47:49,800 --> 01:47:51,120
Speaker 1: tell you. I had dinner with a good friend of

1939
01:47:51,160 --> 01:47:55,400
Speaker 1: mine last night who had a pretty scary uh breast

1940
01:47:55,479 --> 01:47:58,880
Speaker 1: cancer scare. And we're talking about how she's now going

1941
01:47:59,000 --> 01:48:03,040
Speaker 1: out and doing eaches for breast cancer awareness and breast

1942
01:48:03,080 --> 01:48:06,960
Speaker 1: cancer UH foundations and this and that, and talking about

1943
01:48:07,000 --> 01:48:09,519
Speaker 1: how life is so precious now and she really tried.

1944
01:48:09,760 --> 01:48:12,360
Speaker 1: She finally is appreciating life for what it is and

1945
01:48:12,400 --> 01:48:14,599
Speaker 1: living one day at a time. And once again, every

1946
01:48:14,640 --> 01:48:16,439
Speaker 1: time I have a conversation with someone who's been through this,

1947
01:48:16,560 --> 01:48:19,560
Speaker 1: I asked the question, how can we get people to

1948
01:48:19,680 --> 01:48:22,800
Speaker 1: live that same kind of life without having to go

1949
01:48:22,960 --> 01:48:26,120
Speaker 1: through a cancer scare? How do how do I understand

1950
01:48:26,439 --> 01:48:30,760
Speaker 1: the true way to appreciate life without living in my

1951
01:48:30,920 --> 01:48:34,240
Speaker 1: darkest days? We always, and we so often let the

1952
01:48:34,280 --> 01:48:36,960
Speaker 1: little things bother us so much, and it takes something

1953
01:48:37,200 --> 01:48:39,320
Speaker 1: huge to hit us in the head to realize, oh

1954
01:48:39,360 --> 01:48:44,400
Speaker 1: my gosh, stop it. Okay, So remember the family members

1955
01:48:44,439 --> 01:48:47,559
Speaker 1: you love, the friends that you cherish. You've given been

1956
01:48:47,600 --> 01:48:52,240
Speaker 1: given the gift of speaking language and communicating and appreciating

1957
01:48:52,479 --> 01:48:55,599
Speaker 1: artwork and eating foods that make your eyes roll back

1958
01:48:55,640 --> 01:48:58,280
Speaker 1: in your head, getting buzzed with your friends and having

1959
01:48:58,320 --> 01:49:01,439
Speaker 1: a great time. Never ate those things. For granted, you

1960
01:49:01,640 --> 01:49:05,799
Speaker 1: don't have to be threatened by the possibility of losing

1961
01:49:05,880 --> 01:49:08,720
Speaker 1: your life because of illness or whatever. You can live

1962
01:49:08,800 --> 01:49:13,599
Speaker 1: your life, uh, beyond the fullest without having to live

1963
01:49:13,680 --> 01:49:15,280
Speaker 1: dark days. We'll keep that in mind. I was thinking

1964
01:49:15,320 --> 01:49:17,120
Speaker 1: about that all last night, So maybe I need to

1965
01:49:17,160 --> 01:49:20,599
Speaker 1: remind us and myself of that from time to do. Yeah.

1966
01:49:20,920 --> 01:49:23,840
Speaker 1: With that said, uh, think about it and talk about

1967
01:49:23,840 --> 01:49:25,760
Speaker 1: it with someone today, we gotta take a break. We'll

1968
01:49:25,760 --> 01:49:30,360
Speaker 1: be right back. The Morning Show's official YouTube channel. Go

1969
01:49:30,520 --> 01:49:34,559
Speaker 1: to YouTube search Elvis Durant Show and subscribe Today Elvis

1970
01:49:34,640 --> 01:49:37,760
Speaker 1: Duran in the Morning Show. My crazy work hours can

1971
01:49:37,800 --> 01:49:39,720
Speaker 1: make it hard to get a good night's rest. If

1972
01:49:39,760 --> 01:49:41,720
Speaker 1: you're like me and have looked for a sleep aid

1973
01:49:41,920 --> 01:49:44,360
Speaker 1: that doesn't make you groggy, you gotta try the new

1974
01:49:44,479 --> 01:49:48,760
Speaker 1: sequal pure zs Melatonin gummies. They're great and they're drug free,

1975
01:49:49,000 --> 01:49:54,040
Speaker 1: so you can fall asleep naturally. Elvis Durant. The Elvis

1976
01:49:54,120 --> 01:49:57,240
Speaker 1: Durant phone Tap. All right, So how long ago was

1977
01:49:57,320 --> 01:50:00,920
Speaker 1: it when we were introduced to Patrick Fitzgerald and Gerald Fitzpatrick.

1978
01:50:01,360 --> 01:50:04,920
Speaker 1: They're back, So here we go today's phone tap. This

1979
01:50:05,040 --> 01:50:08,120
Speaker 1: could be interesting. Scary. What's it all about? Monique emailed

1980
01:50:08,200 --> 01:50:10,840
Speaker 1: us to phone tap her husband and her daughter, both

1981
01:50:10,960 --> 01:50:13,240
Speaker 1: of them. It turns out they've been having trouble with

1982
01:50:13,280 --> 01:50:15,439
Speaker 1: their satellite dish in the house, and they've been through

1983
01:50:15,479 --> 01:50:17,519
Speaker 1: a lot of the the text walking them through on

1984
01:50:17,560 --> 01:50:19,920
Speaker 1: the phone all their issues, and unfortunately they couldn't be

1985
01:50:19,960 --> 01:50:21,799
Speaker 1: solved that way. So they've been waiting on a callback

1986
01:50:21,880 --> 01:50:25,080
Speaker 1: for a further solution. So we figured we'd step in

1987
01:50:25,160 --> 01:50:29,519
Speaker 1: and pretend to be that solution. So your phone tapping,

1988
01:50:29,560 --> 01:50:31,600
Speaker 1: there's two of you phone tapping two people. That's right.

1989
01:50:31,680 --> 01:50:33,600
Speaker 1: This is a double double all right, here we go.

1990
01:50:33,720 --> 01:50:37,400
Speaker 1: Let's see what happens in today's phone tap. Listen it. Hello, Hi,

1991
01:50:37,479 --> 01:50:42,120
Speaker 1: I'm looking for Marcella law is where please? Hi? How

1992
01:50:42,200 --> 01:50:45,400
Speaker 1: are you? My name is Patrick Fitzgerald from How are

1993
01:50:45,439 --> 01:50:49,240
Speaker 1: you Today? Oh good, I could be a little better

1994
01:50:49,280 --> 01:50:51,800
Speaker 1: if I was watching The Real Housewives. But no signal

1995
01:50:51,880 --> 01:50:55,320
Speaker 1: at some notes on your account? Yeah, a couple of people. Um,

1996
01:50:55,360 --> 01:50:58,000
Speaker 1: I keep getting the same error seven seven one searching

1997
01:50:58,080 --> 01:51:00,639
Speaker 1: for signals? Are you looking at your receiver right now? Yeah?

1998
01:51:00,640 --> 01:51:02,719
Speaker 1: I've already done that like seven times. There's a little

1999
01:51:02,800 --> 01:51:04,880
Speaker 1: red button in there. Okay, that you're gonna, you know,

2000
01:51:05,000 --> 01:51:07,200
Speaker 1: pull down the tray and you're gonna press that. Yeah,

2001
01:51:07,240 --> 01:51:09,240
Speaker 1: I know, I've done this a million times. It's like

2002
01:51:09,280 --> 01:51:11,680
Speaker 1: five of you already. Did you pull the plug on

2003
01:51:11,840 --> 01:51:14,320
Speaker 1: the television and the thing we've turned on the TV,

2004
01:51:14,479 --> 01:51:17,559
Speaker 1: we've turned it off. We pressed the button, and you're

2005
01:51:17,560 --> 01:51:19,600
Speaker 1: not gonna plug everything? Given a second, they don't. They

2006
01:51:19,600 --> 01:51:21,400
Speaker 1: don't want to get out of that. Do me a favorite,

2007
01:51:21,400 --> 01:51:24,240
Speaker 1: Press that red button. Press the red button again. I'm

2008
01:51:24,280 --> 01:51:26,760
Speaker 1: not pressing the button. Let me talk to them, um

2009
01:51:26,840 --> 01:51:28,640
Speaker 1: and listen, Can I talk to somebody different before my

2010
01:51:28,680 --> 01:51:31,680
Speaker 1: dad drives me crazy? Here? Hold on one second, but

2011
01:51:31,760 --> 01:51:33,320
Speaker 1: I know the person you're gonna let me. He's on

2012
01:51:33,400 --> 01:51:36,240
Speaker 1: the phone over there or something. I'm gonna go down

2013
01:51:36,280 --> 01:51:39,479
Speaker 1: to the don't want to do they're rand salling me.

2014
01:51:39,720 --> 01:51:42,360
Speaker 1: Just wait for a minute, Just wait a minute. Customer service,

2015
01:51:42,400 --> 01:51:45,000
Speaker 1: Gerald Fitzpatrick speaking, How may I help you? Didn't I

2016
01:51:45,080 --> 01:51:48,040
Speaker 1: just speak to you? Listen. My daughter is she's not

2017
01:51:48,120 --> 01:51:50,880
Speaker 1: getting any service, and you guys keep giving her the

2018
01:51:50,920 --> 01:51:53,800
Speaker 1: run around. You keep transporting her everywhere, and you send

2019
01:51:53,840 --> 01:51:56,120
Speaker 1: them her to different places and no really wants the

2020
01:51:56,200 --> 01:51:57,920
Speaker 1: helpless Sir, is your name on the account is your

2021
01:51:57,960 --> 01:52:00,400
Speaker 1: daughter's name on the account? Can I have your name? Please? Yes?

2022
01:52:00,479 --> 01:52:04,479
Speaker 1: And what's her name? Marcella? Marcella? Is that with one

2023
01:52:04,560 --> 01:52:06,880
Speaker 1: or two? Else? You have the accounting part of you?

2024
01:52:06,920 --> 01:52:09,560
Speaker 1: Why are we doing this again? My name is Gerald Fitzpatrick.

2025
01:52:10,400 --> 01:52:13,000
Speaker 1: But what was the other guy's nat? Hey? What that?

2026
01:52:14,040 --> 01:52:15,640
Speaker 1: You're the same guy I was talking to, weren't you?

2027
01:52:16,120 --> 01:52:18,080
Speaker 1: She was just talking to you, and you told her

2028
01:52:18,120 --> 01:52:20,720
Speaker 1: to hit the reset button. You give me a supervisor,

2029
01:52:21,040 --> 01:52:24,880
Speaker 1: or you give me a manager. Something of you or

2030
01:52:25,000 --> 01:52:26,720
Speaker 1: someone came out here. Come out here and give us

2031
01:52:26,720 --> 01:52:30,040
Speaker 1: a hand. My goodness, Have you pressed the red reset button? Yes?

2032
01:52:30,120 --> 01:52:32,080
Speaker 1: I already did. You already told me. We just went

2033
01:52:32,160 --> 01:52:35,920
Speaker 1: through this conversation like seconds ago. Sir, this is the

2034
01:52:35,960 --> 01:52:37,960
Speaker 1: first I'm speaking with you. Have you pulled the power

2035
01:52:38,080 --> 01:52:40,479
Speaker 1: cord out of the back of the box. No, we're

2036
01:52:40,520 --> 01:52:42,360
Speaker 1: not pulling the power And it's not a reset, it's

2037
01:52:42,360 --> 01:52:44,000
Speaker 1: not an unplug. Is that all you know how to do?

2038
01:52:44,439 --> 01:52:45,840
Speaker 1: Is that all they tell you? If you don't know

2039
01:52:45,920 --> 01:52:49,000
Speaker 1: what you're doing, give me something that knows what they're doing. Okay,

2040
01:52:49,040 --> 01:52:55,040
Speaker 1: hold on one second. Here, this is Patrick Fitzgerald. I

2041
01:52:55,120 --> 01:52:58,160
Speaker 1: told you to transformator manager. I just got this call.

2042
01:52:58,240 --> 01:53:01,040
Speaker 1: This call just came to me here. You're the same

2043
01:53:01,120 --> 01:53:03,120
Speaker 1: guy I was just talking to right now. I don't

2044
01:53:03,120 --> 01:53:05,120
Speaker 1: know what you're talking about, sir. All I know is

2045
01:53:05,360 --> 01:53:09,680
Speaker 1: that error seven seven one is caused by weather? Is

2046
01:53:09,720 --> 01:53:13,080
Speaker 1: there snow or ice build up on the dish? Miami

2047
01:53:14,080 --> 01:53:17,599
Speaker 1: degrees all the time over here, So there's no ice problem,

2048
01:53:17,680 --> 01:53:25,479
Speaker 1: is what you're saying. It's Miami never Oh no, what

2049
01:53:26,360 --> 01:53:28,800
Speaker 1: this Bett Department? Geral P. It's Patrick speaking. Did you

2050
01:53:28,920 --> 01:53:31,000
Speaker 1: just press the whole button, run around your desk and

2051
01:53:31,040 --> 01:53:32,840
Speaker 1: then come back and answer the phone. Man, this call

2052
01:53:32,960 --> 01:53:36,800
Speaker 1: is just transferred to me. Your name, I've given you

2053
01:53:36,920 --> 01:53:41,360
Speaker 1: my name as Dyne. Are you Mrs morrisell each other?

2054
01:53:41,640 --> 01:53:44,840
Speaker 1: This is Patrick Fitzgerald. Why are you asking me the

2055
01:53:44,880 --> 01:53:47,519
Speaker 1: same question twice? I don't know what you're talking about. Now.

2056
01:53:47,640 --> 01:53:51,320
Speaker 1: I need you to examine your cable and i'm driving

2057
01:53:51,320 --> 01:53:53,400
Speaker 1: over this is who is that your your brother? That

2058
01:53:53,600 --> 01:53:56,360
Speaker 1: is my father who is extremely angry. Oh he sounds

2059
01:53:56,479 --> 01:54:00,479
Speaker 1: very close in age to you. Troubleshooting Gerald Fitzpatrick speaking, Hello, Hello,

2060
01:54:00,640 --> 01:54:03,479
Speaker 1: you introduce yourself to me one more time. Man, Hello,

2061
01:54:03,960 --> 01:54:06,120
Speaker 1: I'm gonna kill you man if you work at that

2062
01:54:06,200 --> 01:54:10,599
Speaker 1: building that's Larry Fitzgerald, whatever your name. Understand you're upset.

2063
01:54:10,680 --> 01:54:12,920
Speaker 1: I'm going to go down there. Whoever is with a

2064
01:54:13,000 --> 01:54:15,960
Speaker 1: fits in it, I'm gonna stab him, not I understand.

2065
01:54:16,000 --> 01:54:19,040
Speaker 1: Have you checked your l Enva cable sometimes in bad

2066
01:54:19,040 --> 01:54:23,560
Speaker 1: weather conditions at both ends, sir, you can on the

2067
01:54:23,600 --> 01:54:25,519
Speaker 1: back of the console. The two of them on the phone.

2068
01:54:25,680 --> 01:54:27,000
Speaker 1: What are you guys do it? Over there? You guys

2069
01:54:27,160 --> 01:54:32,680
Speaker 1: sitting on each other's that each other? This is Patrick Fitzgerald, sir,

2070
01:54:32,800 --> 01:54:34,760
Speaker 1: This is Generald Fitzpatrick can help you. I'm going to

2071
01:54:34,800 --> 01:54:36,680
Speaker 1: whip your heart out. Do you hear me? Are you

2072
01:54:36,800 --> 01:54:38,560
Speaker 1: want to rip my heart out? I want to tear

2073
01:54:38,640 --> 01:54:40,120
Speaker 1: it out of your phone? Sir? Why would you want

2074
01:54:40,120 --> 01:54:41,480
Speaker 1: to do such a thing to my heart? We don't

2075
01:54:41,520 --> 01:54:44,480
Speaker 1: want violence here. You guys are too do you hear me?

2076
01:54:44,720 --> 01:54:51,120
Speaker 1: YouTube's sitting around people. They pay good money in your company, bitches.

2077
01:54:51,240 --> 01:54:54,080
Speaker 1: My name is Patrick Fitzgerald, sir, and I am the manager.

2078
01:54:54,240 --> 01:54:56,760
Speaker 1: Your name is Patrick. Okay, sir, we're going to send

2079
01:54:56,800 --> 01:54:58,600
Speaker 1: a service check out in about two hours from right now,

2080
01:54:58,640 --> 01:55:00,520
Speaker 1: so unfortunately we don't have anyone of aailable to come

2081
01:55:00,520 --> 01:55:02,920
Speaker 1: out there. Today? Is that? Okay? What how you just

2082
01:55:03,040 --> 01:55:05,880
Speaker 1: totally schooled to at the same time. Okay, I'll tell

2083
01:55:05,880 --> 01:55:07,960
Speaker 1: you what. We're gonna take four days of television off

2084
01:55:08,040 --> 01:55:09,920
Speaker 1: of your bill. We're going to credit that back to you. Sir.

2085
01:55:10,000 --> 01:55:12,680
Speaker 1: I'm saying that your bill is overdue. At least you

2086
01:55:12,720 --> 01:55:14,960
Speaker 1: could do, Sir. I don't offer any credits. It's it

2087
01:55:15,040 --> 01:55:18,280
Speaker 1: appears that your account is overdue. Now you taking it away.

2088
01:55:18,600 --> 01:55:20,920
Speaker 1: Would you record these phone calls? You record them to

2089
01:55:21,040 --> 01:55:23,160
Speaker 1: look back? And didn't you know that you gave me

2090
01:55:23,240 --> 01:55:25,480
Speaker 1: a credit? Sir? We don't record these phone calls. This

2091
01:55:25,520 --> 01:55:30,320
Speaker 1: phone call is being recorded for quality assurance. There's talking.

2092
01:55:30,640 --> 01:55:33,080
Speaker 1: I don't hear anybody except sir. This is jennal Is

2093
01:55:33,080 --> 01:55:39,280
Speaker 1: Patrick Fitzinger. I understand your Patrick Fitzgerald. And you've been

2094
01:55:39,320 --> 01:55:41,840
Speaker 1: phone tapped, and you've been phone tapped. You've been phone tapped.

2095
01:55:41,880 --> 01:55:47,879
Speaker 1: You've been both of you. What Eric your wife Monique

2096
01:55:47,920 --> 01:55:52,200
Speaker 1: put us up to its tapping, both you and your daughter.

2097
01:55:52,640 --> 01:55:55,840
Speaker 1: My name is Gary Jones and I'm Ronnie. Why are

2098
01:55:55,840 --> 01:56:01,520
Speaker 1: you laughing? What it's going on? What's on mom's ads?

2099
01:56:05,440 --> 01:56:09,520
Speaker 1: Oh my god, I want to go down there and

2100
01:56:09,600 --> 01:56:15,400
Speaker 1: hurt someone. That was amazing. Recorded with permission granted by

2101
01:56:15,400 --> 01:56:20,640
Speaker 1: all participation, Ellie Durand Felon Tadward on Ellie Durand in

2102
01:56:20,680 --> 01:56:27,760
Speaker 1: the Morning Show. So Mike Shinodah his album Post Traumatic

2103
01:56:27,880 --> 01:56:30,280
Speaker 1: wasn't that unbelievable? It was so great to have him on.

2104
01:56:30,480 --> 01:56:32,760
Speaker 1: Such a nice guy. I know, his music is so

2105
01:56:32,880 --> 01:56:36,160
Speaker 1: powerful and look at everything he's been through this past year.

2106
01:56:36,320 --> 01:56:38,800
Speaker 1: And you can hear that and more on his album.

2107
01:56:39,120 --> 01:56:40,960
Speaker 1: So I go pick it up. It's called post Traumatical,

2108
01:56:40,960 --> 01:56:43,160
Speaker 1: like I said, And you can hear that interview again

2109
01:56:43,240 --> 01:56:47,040
Speaker 1: later in Our Mercedes Been Summer Event Interview Lounge on

2110
01:56:47,200 --> 01:56:50,440
Speaker 1: demand at I Heart Radio. All Right, Danielle, Danielle, report,

2111
01:56:50,480 --> 01:56:52,240
Speaker 1: what do you have? Al Right? So ABC has a

2112
01:56:52,280 --> 01:56:54,960
Speaker 1: show coming out in August. It's called Castaway. It sounds

2113
01:56:55,000 --> 01:56:58,160
Speaker 1: like a cross between survivor and lost. Contestants will try

2114
01:56:58,200 --> 01:57:01,120
Speaker 1: to survive on a string of little Indonesian islands, and

2115
01:57:01,240 --> 01:57:03,839
Speaker 1: the action will be mixed with flashbacks of the contestants

2116
01:57:03,960 --> 01:57:06,360
Speaker 1: lives before they left for the show. Sounds like it

2117
01:57:06,440 --> 01:57:10,000
Speaker 1: might be pretty interesting to check out. SO Clubs Relief Picture.

2118
01:57:10,080 --> 01:57:13,360
Speaker 1: Brandon Morrow is headed to the disabled list with back spasms.

2119
01:57:13,680 --> 01:57:16,920
Speaker 1: He hurt himself taking off his pants. He said he

2120
01:57:17,040 --> 01:57:19,080
Speaker 1: got his right leg off and then the left one

2121
01:57:19,160 --> 01:57:21,440
Speaker 1: just kind of left a spasm in his back. Baseball

2122
01:57:21,480 --> 01:57:24,680
Speaker 1: players actually get injuries like this a lot, carrying a suitcase,

2123
01:57:24,720 --> 01:57:27,920
Speaker 1: stepping off a bus, falling down the dug outstairs, walking

2124
01:57:27,960 --> 01:57:30,839
Speaker 1: in the backyard, throwing a glove in the dugout, punching

2125
01:57:30,920 --> 01:57:33,240
Speaker 1: a door, and you know what, even froggy I was

2126
01:57:33,360 --> 01:57:35,520
Speaker 1: at his house when he was brushing his teeth and

2127
01:57:35,640 --> 01:57:38,400
Speaker 1: his back just went out. So you gotta be careful, uh.

2128
01:57:38,480 --> 01:57:41,120
Speaker 1: Speaking of baseball injuries, a Phillies fan was injured at

2129
01:57:41,160 --> 01:57:42,760
Speaker 1: a game after being hit in the head by a

2130
01:57:42,840 --> 01:57:45,960
Speaker 1: flying hot dog. The team's mascot had just shot it

2131
01:57:46,000 --> 01:57:49,000
Speaker 1: out of a cannon. Not funny, scary. She's okay, but

2132
01:57:49,240 --> 01:57:51,560
Speaker 1: she got hit right between the eyes. She went to

2133
01:57:52,840 --> 01:57:55,600
Speaker 1: the scary she could have choked to death. Then she

2134
01:57:55,720 --> 01:57:58,800
Speaker 1: went to the hospital. Thankfully, she is okay. And George

2135
01:57:58,840 --> 01:58:01,000
Speaker 1: Clooney and a Mall Clooney just donated a hundred thousand

2136
01:58:01,040 --> 01:58:04,000
Speaker 1: dollars to help migrant children separated from their parents, as

2137
01:58:04,080 --> 01:58:08,200
Speaker 1: did as did Jack antonof yesterday. He's matching anybody's donation

2138
01:58:08,320 --> 01:58:15,080
Speaker 1: up to ten thousand dollars. Hello, thanks good Morry obvious

2139
01:58:15,160 --> 01:58:16,360
Speaker 1: to Ran in the morning show