WEBVTT - Re-Release: Colman Domingo

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<v Speaker 1>I'm just waiting for this is the this is now

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<v Speaker 1>the recycling truck that's gone on because the other guy

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<v Speaker 1>was just.

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<v Speaker 2>The regular trash.

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<v Speaker 1>Thank you, Johnny, Johnny, I see him out.

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<v Speaker 2>Great, Johnny's green, perfect. Great, there's another garbage.

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<v Speaker 1>Yeah, I don't know what. He's going back the other

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<v Speaker 1>way now. And something's happening in my little community. There's

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<v Speaker 1>a lot of trash happening.

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<v Speaker 2>There's a lot of garbage happening. You know what. It's

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<v Speaker 2>after the fourth of July.

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<v Speaker 1>That's probably You're exactly right. He's doing a double pass.

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<v Speaker 2>Great, he's like, Wow. People went crazy, especially since they

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<v Speaker 2>were finally able to be social, so there's lots of trash.

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<v Speaker 1>Hello, I'm mini driver and welcome to many questions. I've

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<v Speaker 1>always loved Bruce's questionnaiw. It was originally an eighteenth century

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<v Speaker 1>parlor game meant to reveal an individual's true nature. But

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<v Speaker 1>with so many questions, there wasn't really an opportunity to

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<v Speaker 1>expand on anything. So I took the format of Pruce's

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<v Speaker 1>questionnaire and adapted what I think are se one of

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<v Speaker 1>the most important questions you could ever ask someone they

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<v Speaker 1>are when and where were you happiest what is the

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<v Speaker 1>quality you like least about yourself? What relationship, real or fictionalized,

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<v Speaker 1>defines love for you? What question would you most like answered,

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<v Speaker 1>What person, place, or experience has shaped you the most?

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<v Speaker 1>What would be your last meal? And can you tell

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<v Speaker 1>me something in your life that has grown out of

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<v Speaker 1>a personal disaster. The more people we ask, the more

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<v Speaker 1>we begin to see what makes us similar and what

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<v Speaker 1>makes us individual. I've gathered a group of really remarkable

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<v Speaker 1>people who I am honored and humbled to have had

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<v Speaker 1>a chance to engage with. My guest today on many

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<v Speaker 1>questions is actor, producer and director Coleman do minga. Coleman

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<v Speaker 1>is what I would call a connector. He connects people

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<v Speaker 1>and ideas and moves through the world with a kind

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<v Speaker 1>of creative joy. I sometimes imagine him like a fairy

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<v Speaker 1>tale princess lost in the forest, where the path lights

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<v Speaker 1>up with every step that they take, and they're followed

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<v Speaker 1>by a gentle chorus of butterflies and birds. He is

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<v Speaker 1>pretty incandescent. We talked about life and love, and particularly

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<v Speaker 1>about change and how it's both a gift and a blight.

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<v Speaker 1>I left our conversation with a smile on my face

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<v Speaker 1>that has actually yet to recede. What person, place, or

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<v Speaker 1>experience has most altered your life?

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<v Speaker 2>Oh wow, I would say San Francisco. I moved to

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<v Speaker 2>San Francisco when I was twenty years old, and I

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<v Speaker 2>thought I was moving to San Francisco to become an artist.

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<v Speaker 2>That I became a man. I thought I was going

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<v Speaker 2>to become an actor. I became an artist there. It

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<v Speaker 2>was transformative to me because I moved there just did

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<v Speaker 2>redefine myself with very honest hat. A buddy who moved

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<v Speaker 2>to San Francisco after college and he was like, Hey,

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<v Speaker 2>I got this place in Nintendoline District. There's nothing but

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<v Speaker 2>you know, street walkers and dereluxts, you name it. In

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<v Speaker 2>the neighborhood. We live in a studio. You want to

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<v Speaker 2>come and live in a studio with us. I'm like, absolutely,

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<v Speaker 2>because that's what you do when you're twenty years old.

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<v Speaker 2>You live with four other dudes in a studio apartment.

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<v Speaker 2>And I literally slept in a closet. But it was

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<v Speaker 2>a place where I feel like I grew the most,

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<v Speaker 2>and I sort of redefined myself in every single way.

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<v Speaker 2>I grew my hair out, I started to do hippie

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<v Speaker 2>drum circles and do you know watsu and be on

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<v Speaker 2>the beach naked. I became another version of myself. I

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<v Speaker 2>became this weirdo artist boy. And then I got even

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<v Speaker 2>more focused in terms of like what I believed, my intentions,

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<v Speaker 2>where my purpose was, which was being an artist. So

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<v Speaker 2>San Francis go hold so much of my heart because

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<v Speaker 2>although I grew up in Philadelphia, I felt like I

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<v Speaker 2>was raised in San Francisco and I was there for

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<v Speaker 2>ten years. You were Yeah, I was in San Francisco

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<v Speaker 2>from ten ninety one to two thousand and one.

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<v Speaker 1>Wow. Yeah, did you become an act to that?

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<v Speaker 2>Yeah? I became an actor there. I had this inkling.

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<v Speaker 2>I took a few classes at the Walnut Street Theater

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<v Speaker 2>School in at Temple University, and then I moved to

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<v Speaker 2>San Francisco just you know, with questions and wanted to

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<v Speaker 2>try things. And then I started get cast and then

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<v Speaker 2>I had to actually learn about what I was actually doing.

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<v Speaker 2>So my productions were my conservatory, my books, my mind's

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<v Speaker 2>and my Stantaslavsky you name it by Udah Hagan. Respect

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<v Speaker 2>for acting. I learned blocking by doing it, by wondering

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<v Speaker 2>what is blocking? What are they writing on stage? So anyway,

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<v Speaker 2>I became a theater artist in San Francisco, and I

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<v Speaker 2>learned to respect the theater and respect craftsmanship, and you know,

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<v Speaker 2>I was securely in the theater for you know, I

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<v Speaker 2>would say twenty six years in my career was fully

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<v Speaker 2>majority ly up on the stage and writing for the

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<v Speaker 2>stage and direct Yeah. Wow, golly.

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<v Speaker 1>I always wanted to work in the theater and I

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<v Speaker 1>could just never get cast. I remember I lived. I

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<v Speaker 1>live around the corner from the Royal Court, which is

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<v Speaker 1>this amazing theater in London. This incredible artistic director at

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<v Speaker 1>the time of this guy called Max Stafford Clark. I

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<v Speaker 1>literally used to go and I'd talk my way in

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<v Speaker 1>through the theater and they'd be rehearsing in the studio whatever,

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<v Speaker 1>and I'd find my way to his office and I'd

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<v Speaker 1>be like hello, and he'd be like yes, and I'd

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<v Speaker 1>be like, I'm a local actor. I need to work.

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<v Speaker 1>I've auditioned a hundred times. Can you give me a job?

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<v Speaker 1>And he would look at my resume and he would go, yeah, well,

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<v Speaker 1>you've got no theater on here, and I was like, no,

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<v Speaker 1>I know, so we can we can get some theater

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<v Speaker 1>on there. I used to badger him and it was

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<v Speaker 1>so funny. I just never I don't know what it was.

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<v Speaker 1>I kept getting cast in television, and when you're young,

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<v Speaker 1>you know, obviously you've got to pay the bills, you

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<v Speaker 1>got to do whatever comes your way. But I never

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<v Speaker 1>got any of the theater work. I don't really have

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<v Speaker 1>many regrets, but that is definitely one of mine, is

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<v Speaker 1>that I'd read them a million times, but I never

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<v Speaker 1>got to play those women that I read.

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<v Speaker 2>It's not too late, I think you never know when

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<v Speaker 2>I don't know, maybe you've been just dating and holding

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<v Speaker 2>this in for so long, but maybe that theatrical experience

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<v Speaker 2>will now blossom out of you at this time.

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<v Speaker 1>Why not you never know? I had a dream. I

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<v Speaker 1>had a dream the other night. I'm not kidding. It

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<v Speaker 1>has never been my dream to play Juliet. By the way,

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<v Speaker 1>she's one of the least interesting women, right I've wanted

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<v Speaker 1>to play. I actually auditioned for drama school in the

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<v Speaker 1>role of Volumnia, Carilinus's mother. So I was seventeen playing,

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<v Speaker 1>you know, a woman in her late thirties early forties,

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<v Speaker 1>and they were so bemused. I think that's why they

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<v Speaker 1>kind of gave me a call back. They were like,

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<v Speaker 1>it's this weird child like playing a middle aged woman

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<v Speaker 1>with a grown up warrior son. Like what you do?

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<v Speaker 1>I was like, I saw Judy, don't do it. It

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<v Speaker 1>was amazing.

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<v Speaker 2>And they were like, if you.

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<v Speaker 1>Took it upon yourself to think.

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<v Speaker 2>That would be a good idea.

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<v Speaker 1>I had this dream the other night that I was

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<v Speaker 1>playing Juliet. It was so funny, and in one of

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<v Speaker 1>the scenes with Romeo, it was actually the scene where

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<v Speaker 1>they're respectively taking poison, and I sat up and went,

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<v Speaker 1>I want to be you, I don't want to be me.

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<v Speaker 1>Can we switch? And he said, well, yeah, but we're

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<v Speaker 1>both still going to die.

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<v Speaker 2>It was quite a cool dream that it's fantastic.

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<v Speaker 1>Oh my god, Where and when were you happiest?

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<v Speaker 2>Immediately? The first thing I think about is with my mother.

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<v Speaker 2>I think probably sitting in the kitchen of our row

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<v Speaker 2>home in Philadelphia around nineteen seventy nine. I'm probably doing

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<v Speaker 2>my homework at the kitchen table while my mother's cooking.

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<v Speaker 2>And when she would cook, like in the summer or

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<v Speaker 2>something like that, she would cook in her bra. She

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<v Speaker 2>was cooking her bra and her slip, and so I

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<v Speaker 2>just thought, I don't know that's where my mother cooks.

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<v Speaker 2>She gets very comfortable and she usually I can see

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<v Speaker 2>her frying chicken and she's sweating a little bit, but

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<v Speaker 2>she's also teaching me. She loved that I was curious

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<v Speaker 2>about how she did things in the kitchen and something

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<v Speaker 2>about that just with a mother's love and a kitchen.

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<v Speaker 2>My mother always just she was just a real cool,

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<v Speaker 2>fun sweet woman. She's no longer with us, and I'm

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<v Speaker 2>not seed to angelicize someone, but my mother was really awesome.

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<v Speaker 2>She was funny and fun and interesting and always curious

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<v Speaker 2>and inspiring me to be curious as well. So, you know,

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<v Speaker 2>late seventies, early ladies, sitting in the kitchen with my mom.

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<v Speaker 1>Do you think those are the cornerstones of happiness for you,

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<v Speaker 1>which is comfort and homeliness and feeling safe.

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<v Speaker 2>Yeah, I think many. That's why I tend to have

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<v Speaker 2>people over to any apartment or house that I've ever had.

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<v Speaker 2>I'm always the hub. People know that I will have

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<v Speaker 2>a dinner party just because come over for dinner. I

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<v Speaker 2>love to feed people. I have a beautiful garden pool,

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<v Speaker 2>and I want people over enjoying it at all times,

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<v Speaker 2>because I think that's what maybe I was taught that

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<v Speaker 2>you share these things, you always have a sense of

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<v Speaker 2>love and comfort and safety when you have people around.

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<v Speaker 1>I love that. It's so funny because you'd invited us

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<v Speaker 1>over on July fourth, and I wish I could have

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<v Speaker 1>got there, because your home does look absolutely spectacular. It

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<v Speaker 1>looks like it's set up for you to never leave.

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<v Speaker 2>It, you know what. Listen, we're the second owners after

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<v Speaker 2>the first owners built the house, and it was built

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<v Speaker 2>by a Jewish doctor and his wife in nineteen sixty four,

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<v Speaker 2>and he built it to be the house that he's

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<v Speaker 2>in forever, and he was until he was ill and

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<v Speaker 2>his wife was ill, and then the house went to

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<v Speaker 2>the children, and then they finally sold it to us.

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<v Speaker 2>And I feel, honestly like the caretaker of the house.

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<v Speaker 2>I feel less like, oh, I bought a house and

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<v Speaker 2>we made it our own. But I felt like I

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<v Speaker 2>wanted to love this house because you could tell it

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<v Speaker 2>was loved. You couldn't feel it. And when anyone comes

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<v Speaker 2>over to the house, they're like, oh, no one ever

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<v Speaker 2>wants to leave. By the way my party it started out,

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<v Speaker 2>I was like, oh, we'll have an afternoon hang. It

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<v Speaker 2>started at two o'clock and it didn't undil two thirty

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<v Speaker 2>in the morning.

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<v Speaker 1>Oh my god, I wish we'd come.

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<v Speaker 2>It's that house, I'm telling you, and it happens consistently.

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<v Speaker 2>I'm just like, no one ever wants to leave my house.

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<v Speaker 2>I want people to feel loved, and so I'm like,

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<v Speaker 2>take a nap. There, go jump in the pool, there,

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<v Speaker 2>go use this. There's lotions, whatever you need. The house

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<v Speaker 2>is open for you.

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<v Speaker 1>You know, it's a very particular thing being a host,

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<v Speaker 1>and there is a huge amount of generosity. And I

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<v Speaker 1>must say that's what I think of when I think

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<v Speaker 1>of you as an actor. Thank you, generosity. Being part

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<v Speaker 1>of a cast or a collection of actors, it's such

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<v Speaker 1>a particular mindset.

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<v Speaker 2>Well, you know, it's wild. I think I've always approached

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<v Speaker 2>what we do many as a service job, that we

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<v Speaker 2>truly are in service. And I think those routes started

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<v Speaker 2>in the theater, where it's like I knew the task,

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<v Speaker 2>I knew what the assignment was, which was to be

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<v Speaker 2>in service to the audience, to be in service to

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<v Speaker 2>the story, be in service to what we're creating, to

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<v Speaker 2>not come in with any preconceived notions, but do as

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<v Speaker 2>much as I can and then see what I bring

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<v Speaker 2>to the table and then welcome what someone else brings in.

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<v Speaker 2>To be honest, if I know one good thing about myself,

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<v Speaker 2>I may not be the best at many things, but

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<v Speaker 2>I know I'm a good host, and I know that.

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<v Speaker 2>That's why I become a director, because I know how

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<v Speaker 2>to throw a good party. I think there are skills

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<v Speaker 2>of yours that you need. You're like, oh no, I

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<v Speaker 2>know my parties are good because I know about the music,

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<v Speaker 2>who to invite, why to invite them, the kind of vibe.

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<v Speaker 2>I'm curating the whole thing, you know, and I'm leading

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<v Speaker 2>the vision and then just welcoming what everyone brings to it,

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<v Speaker 2>like bring something, bring a cake, bring nothing, bring your

0:11:56.320 --> 0:11:59.360
<v Speaker 2>bathings to but bring something that is going to help

0:11:59.440 --> 0:12:05.000
<v Speaker 2>generate this huge, I don't know, epic experiment of communication

0:12:05.120 --> 0:12:07.360
<v Speaker 2>and love. That's why I invited you, guys. I felt

0:12:07.360 --> 0:12:09.880
<v Speaker 2>like I knew what you would bring and whatever that is,

0:12:09.920 --> 0:12:10.360
<v Speaker 2>you know.

0:12:10.840 --> 0:12:15.479
<v Speaker 1>I would have bought ribs and a good attitude.

0:12:16.240 --> 0:12:20.400
<v Speaker 2>Oh yes, thank you for bringing the ribs. I appreciate that.

0:12:20.880 --> 0:12:24.160
<v Speaker 2>Pork ribs or beef ribs, many pork or beef pork ribs,

0:12:24.320 --> 0:12:26.640
<v Speaker 2>pork ribs, same here. Thank you I'm committed to pork.

0:12:26.640 --> 0:12:28.480
<v Speaker 2>I don't understand the beef ribs. Too big, too.

0:12:28.440 --> 0:12:31.160
<v Speaker 1>Much, too big, and too much.

0:12:30.960 --> 0:12:34.640
<v Speaker 2>Too big, too gaming exactly. Yes, thank you so many.

0:12:34.679 --> 0:12:36.120
<v Speaker 2>I knew you were invited to the cookout.

0:12:36.160 --> 0:12:40.439
<v Speaker 1>I know I'm coming to another cookout. I want to

0:12:40.480 --> 0:12:42.440
<v Speaker 1>stay at a party till two thirty in the morning.

0:12:42.559 --> 0:12:47.240
<v Speaker 1>That's amazing. It just kept going, Oh, I love it.

0:12:47.360 --> 0:12:49.760
<v Speaker 1>I love it when the right people won't leave. It's

0:12:49.800 --> 0:12:53.320
<v Speaker 1>the worst thing when the wrong people start. But then

0:12:53.360 --> 0:12:55.880
<v Speaker 1>you really have only yourself to blame for having invited

0:12:55.920 --> 0:12:59.720
<v Speaker 1>them in the first place. So you just talked about

0:13:00.080 --> 0:13:02.760
<v Speaker 1>being able to appreciate that about yourself, which I love

0:13:03.000 --> 0:13:05.839
<v Speaker 1>so much because it means that you can actually consciously

0:13:05.880 --> 0:13:08.280
<v Speaker 1>add that the things you know you like about yourself,

0:13:08.559 --> 0:13:10.720
<v Speaker 1>you can consciously bring them to the things that you

0:13:10.760 --> 0:13:23.240
<v Speaker 1>do in the way you move through the world. So

0:13:23.320 --> 0:13:28.440
<v Speaker 1>tell me what relationship, real or fictionalized, defines love for you.

0:13:29.440 --> 0:13:31.480
<v Speaker 2>I think, to be honest, I just have to say

0:13:31.480 --> 0:13:36.120
<v Speaker 2>to my husband, m Raoul is one of a kind.

0:13:36.480 --> 0:13:40.480
<v Speaker 2>I admire him. We've been together for seventeen years, and

0:13:40.520 --> 0:13:43.160
<v Speaker 2>I really admire him. It's not only just about our love,

0:13:43.720 --> 0:13:48.320
<v Speaker 2>but it's also about our brotherhood, about our friendship, about

0:13:48.320 --> 0:13:51.520
<v Speaker 2>our patients with each other, about a stepping outside of

0:13:51.559 --> 0:13:54.040
<v Speaker 2>the unit and saying what do you need? Where are you?

0:13:54.360 --> 0:13:57.959
<v Speaker 2>And he's gone off and saved whales turtles. He went

0:13:57.960 --> 0:14:00.120
<v Speaker 2>off and he went to a turtle arm custory. It

0:14:00.200 --> 0:14:01.839
<v Speaker 2>for a month. We didn't peak to each other for

0:14:01.880 --> 0:14:03.600
<v Speaker 2>a month because he was committed to this thing. I

0:14:03.640 --> 0:14:05.440
<v Speaker 2>went to London for a while for six months to

0:14:05.480 --> 0:14:08.000
<v Speaker 2>do a couple plays, and his schedule woudn't allow him

0:14:08.000 --> 0:14:09.960
<v Speaker 2>to be there. But I was like, go on your journey,

0:14:10.440 --> 0:14:13.040
<v Speaker 2>trust that I'm here for you. It doesn't fracture our

0:14:13.080 --> 0:14:16.040
<v Speaker 2>relationship as anything. It allows us to grow in another

0:14:16.080 --> 0:14:19.000
<v Speaker 2>way that it allows us to be independent in some way.

0:14:19.200 --> 0:14:21.320
<v Speaker 2>When we first met seventeen years ago, I'd been through

0:14:21.680 --> 0:14:25.840
<v Speaker 2>a couple other relationships and I was sort of exhausted

0:14:25.920 --> 0:14:28.480
<v Speaker 2>with presenting the person that you want me to be

0:14:28.520 --> 0:14:31.160
<v Speaker 2>at a relationship and actually denying actually who I was,

0:14:31.720 --> 0:14:34.240
<v Speaker 2>and vice versa. I was like, no, so actually I

0:14:34.280 --> 0:14:36.640
<v Speaker 2>became an interrogation when our first dates, it was like,

0:14:36.760 --> 0:14:38.160
<v Speaker 2>what are you really about? Who are you? What do

0:14:38.200 --> 0:14:40.000
<v Speaker 2>you really like? What do you want? Because I want

0:14:40.040 --> 0:14:42.280
<v Speaker 2>to know who you really were. Don't be afraid tell

0:14:42.320 --> 0:14:44.320
<v Speaker 2>me exactly the things that you think are ugly about

0:14:44.320 --> 0:14:46.200
<v Speaker 2>yourself that are beautiful and that you hope you can

0:14:46.280 --> 0:14:48.520
<v Speaker 2>be better. Because if we're really dealing with each other

0:14:48.520 --> 0:14:50.640
<v Speaker 2>in that way, that's real love. I think. I think

0:14:50.680 --> 0:14:53.840
<v Speaker 2>I'm experiencing real love with him because it does mean

0:14:54.000 --> 0:14:56.960
<v Speaker 2>we can truly be and exist and accept each other

0:14:57.000 --> 0:14:58.960
<v Speaker 2>for who we are and also inspire each other to

0:14:58.960 --> 0:14:59.640
<v Speaker 2>be a little different.

0:14:59.680 --> 0:15:02.920
<v Speaker 1>You know, do you think that it's different like that

0:15:03.000 --> 0:15:05.920
<v Speaker 1>what you just said, This is what real love is.

0:15:06.000 --> 0:15:07.600
<v Speaker 1>This is what it is I think I'm living in.

0:15:07.880 --> 0:15:10.000
<v Speaker 1>Do you think it's very different to the idea that

0:15:10.040 --> 0:15:12.480
<v Speaker 1>you had growing up of what love was? Because I

0:15:12.560 --> 0:15:15.680
<v Speaker 1>know my love is. I can't believe it. I love

0:15:15.720 --> 0:15:18.200
<v Speaker 1>this person that I am with so much, but in

0:15:18.240 --> 0:15:20.360
<v Speaker 1>this way that I never thought love would be this,

0:15:20.560 --> 0:15:22.440
<v Speaker 1>but it is. I always thought it was something else,

0:15:22.480 --> 0:15:25.720
<v Speaker 1>and actually my previous thoughts were erroneous. It wasn't that.

0:15:26.520 --> 0:15:27.040
<v Speaker 1>It is this.

0:15:27.520 --> 0:15:29.600
<v Speaker 2>I agree, Mannie. I agree because I think a lot

0:15:29.600 --> 0:15:31.440
<v Speaker 2>of times were taught that with love you have to

0:15:31.480 --> 0:15:33.520
<v Speaker 2>give up something. I don't think it's about giving up,

0:15:33.520 --> 0:15:37.880
<v Speaker 2>It's about like being open to shift or grow. But

0:15:38.040 --> 0:15:41.040
<v Speaker 2>I think it's like I've always believed that love was available.

0:15:41.360 --> 0:15:43.560
<v Speaker 2>That's something that I know that some of my friends

0:15:43.680 --> 0:15:46.960
<v Speaker 2>have not thought or believed, or they come into believing, oh,

0:15:47.000 --> 0:15:49.000
<v Speaker 2>my relationship will be these things, and they have these

0:15:49.080 --> 0:15:50.880
<v Speaker 2>parameters set up. Oh it must be this, it must

0:15:50.880 --> 0:15:52.960
<v Speaker 2>look like this, and like you're creating something in your

0:15:52.960 --> 0:15:55.960
<v Speaker 2>own mind that doesn't exist. Because when you see that

0:15:56.080 --> 0:15:59.040
<v Speaker 2>thing and you have that spark, you have to accept

0:15:59.080 --> 0:16:03.120
<v Speaker 2>what is. And I think love is imperfect. You bend,

0:16:03.200 --> 0:16:05.840
<v Speaker 2>you grow, you cry, you hurt, you all that stuff.

0:16:05.880 --> 0:16:09.040
<v Speaker 2>But I think if there's the underpinnings of saying I'm

0:16:09.040 --> 0:16:11.560
<v Speaker 2>committed to wanting to do this, and explores this with

0:16:11.640 --> 0:16:17.800
<v Speaker 2>you and explore grace, explore kindness, openness. Someone told me

0:16:17.840 --> 0:16:21.640
<v Speaker 2>this many years ago and never forgot it. I asked

0:16:21.680 --> 0:16:24.440
<v Speaker 2>this older couple what was the key to their success

0:16:25.160 --> 0:16:27.040
<v Speaker 2>and they said, and I think this woman, she says,

0:16:27.080 --> 0:16:29.240
<v Speaker 2>you've got to be alone for the ride to know

0:16:29.280 --> 0:16:31.040
<v Speaker 2>that they're going to change and it's going to have

0:16:31.080 --> 0:16:34.560
<v Speaker 2>nothing to do with you. And that's okay. I think

0:16:34.600 --> 0:16:37.520
<v Speaker 2>that's what we have to love people, right, I mean, yeah.

0:16:37.320 --> 0:16:40.160
<v Speaker 1>You have to love them with loose hands that's it.

0:16:40.240 --> 0:16:42.480
<v Speaker 2>You can't be tight. I think the fear people always

0:16:42.480 --> 0:16:44.280
<v Speaker 2>think that someone's going to leave you. But I'm like,

0:16:44.280 --> 0:16:45.600
<v Speaker 2>if someone's gonna leave you, they're going to leave you.

0:16:45.600 --> 0:16:48.040
<v Speaker 2>It doesn't You can't hold tight to it. You just

0:16:48.080 --> 0:16:51.600
<v Speaker 2>have to invest and pour all the love and care

0:16:51.640 --> 0:16:54.720
<v Speaker 2>that you can to it and trust it it'll be

0:16:54.760 --> 0:16:57.080
<v Speaker 2>for the time that it's supposed to be. You know,

0:16:57.120 --> 0:16:59.560
<v Speaker 2>we hope things can be happily ever after, you know,

0:17:00.040 --> 0:17:03.680
<v Speaker 2>and told fairy tales. Happily ever after? Is that the truth?

0:17:04.040 --> 0:17:07.159
<v Speaker 2>That's the hope. I believe that's the wish. But you know,

0:17:07.200 --> 0:17:09.600
<v Speaker 2>maybe happily ever after a few years or a couple

0:17:09.600 --> 0:17:11.840
<v Speaker 2>of coffee or if you laughs, I don't know, or

0:17:11.960 --> 0:17:15.040
<v Speaker 2>fifty years.

0:17:14.040 --> 0:17:18.720
<v Speaker 1>It's really true. And we're never really asked to investigate

0:17:19.040 --> 0:17:22.119
<v Speaker 1>the fairytale. We're never asked to kind of cross examine it.

0:17:22.160 --> 0:17:23.879
<v Speaker 1>I know, I grew up with this idea that that

0:17:24.000 --> 0:17:26.920
<v Speaker 1>is what you do. You grow up, you fall in love,

0:17:27.680 --> 0:17:30.600
<v Speaker 1>that person loves you back, and then you have a baby.

0:17:31.119 --> 0:17:34.520
<v Speaker 1>And that is not how my life turned out at all. Right,

0:17:34.600 --> 0:17:37.360
<v Speaker 1>I grew up, did not fall in love, had a baby,

0:17:37.680 --> 0:17:40.879
<v Speaker 1>did fall in love, broke up with them fell in

0:17:40.960 --> 0:17:43.600
<v Speaker 1>love with someone else, but all the time sort of

0:17:43.640 --> 0:17:45.639
<v Speaker 1>mining for the parameters of what that love is, and

0:17:45.680 --> 0:17:48.280
<v Speaker 1>it's so far away from the initial idea. And you're right,

0:17:48.320 --> 0:17:51.040
<v Speaker 1>you have to keep growing, you have to keep doing

0:17:51.280 --> 0:17:54.040
<v Speaker 1>the personal excavation and allow your partner to do that

0:17:54.080 --> 0:17:54.360
<v Speaker 1>as well.

0:17:54.400 --> 0:17:57.280
<v Speaker 2>I think, yeah, because you never even know what your

0:17:57.359 --> 0:18:00.119
<v Speaker 2>family is supposed to look like exactly. I think. But

0:18:00.160 --> 0:18:02.120
<v Speaker 2>we're set up. We're thinking what you said, You're set

0:18:02.200 --> 0:18:04.800
<v Speaker 2>up thinking, oh, you fall in love, you have a child.

0:18:04.840 --> 0:18:06.840
<v Speaker 2>It becomes this sort of thing. But no one even

0:18:06.880 --> 0:18:08.920
<v Speaker 2>knows that maybe you fall in love, you have a child,

0:18:09.000 --> 0:18:13.280
<v Speaker 2>you don't have that love, you have another relationship that

0:18:13.400 --> 0:18:15.320
<v Speaker 2>you become best friends with the person you made that

0:18:15.400 --> 0:18:17.560
<v Speaker 2>child with, or whatever. Maybe your family is supposed to

0:18:17.600 --> 0:18:20.560
<v Speaker 2>look like this whole other creation based on the actual

0:18:20.600 --> 0:18:23.480
<v Speaker 2>reality the people that are involved in it, instead of

0:18:23.520 --> 0:18:27.320
<v Speaker 2>some ideological thing, this fairy tale looming over all of us.

0:18:27.640 --> 0:18:31.119
<v Speaker 1>You know, that's I'm so interested in. How do we

0:18:31.119 --> 0:18:33.520
<v Speaker 1>disseminate what other good ideas to hang on to and

0:18:33.560 --> 0:18:35.720
<v Speaker 1>what are the ones that we should really go Nah,

0:18:35.840 --> 0:18:38.240
<v Speaker 1>that's not going to serve me, because you can only

0:18:38.240 --> 0:18:42.040
<v Speaker 1>do it by living it. Really, and then circumstance will

0:18:42.040 --> 0:18:43.439
<v Speaker 1>slap you in the face and go, that was a

0:18:43.480 --> 0:18:45.040
<v Speaker 1>really terrible idea to have hung on to you for

0:18:45.080 --> 0:18:47.160
<v Speaker 1>so many years, and now here we are.

0:18:48.480 --> 0:18:51.000
<v Speaker 2>Well, that's any good drama, right, Isn't that the human condition?

0:18:51.080 --> 0:18:54.240
<v Speaker 2>I think it was Martin knocks and great showrunner. She said,

0:18:54.680 --> 0:18:59.360
<v Speaker 2>a great story is a great protagonist. That is one

0:19:00.040 --> 0:19:02.919
<v Speaker 2>and commit it to a wrong idea of themselves.

0:19:03.280 --> 0:19:05.960
<v Speaker 1>Ha ha ha. I love that.

0:19:06.280 --> 0:19:08.679
<v Speaker 2>Inn it's about the film or the series or something

0:19:08.720 --> 0:19:10.960
<v Speaker 2>that's trying to challenge them to change.

0:19:11.760 --> 0:19:14.040
<v Speaker 1>That is really good.

0:19:14.280 --> 0:19:16.800
<v Speaker 2>Well, I always attached to an idea about ourselves that

0:19:16.880 --> 0:19:18.679
<v Speaker 2>we have to smash and have to let go of.

0:19:18.760 --> 0:19:20.920
<v Speaker 2>At some point you have to realize how long is

0:19:20.960 --> 0:19:23.720
<v Speaker 2>it serving you? Is this really serving you? Are you happy?

0:19:23.840 --> 0:19:24.920
<v Speaker 2>Are you getting what you want?

0:19:25.280 --> 0:19:27.280
<v Speaker 1>But you're probably lucky if you get to smash it

0:19:27.400 --> 0:19:29.879
<v Speaker 1>or even have the impetus to do that, because a

0:19:29.880 --> 0:19:32.800
<v Speaker 1>lot of times I think people will use the quick

0:19:32.800 --> 0:19:37.040
<v Speaker 1>fixes to stop feeling bad about that thing. And all

0:19:37.080 --> 0:19:39.719
<v Speaker 1>of the available stuff that we have in our world

0:19:40.119 --> 0:19:44.240
<v Speaker 1>of consumption, various things from addictive to non addictive, but

0:19:44.280 --> 0:19:48.159
<v Speaker 1>repetitive behaviors becomes such a sort of immediate way of

0:19:48.200 --> 0:19:52.480
<v Speaker 1>dealing with it, rather than going question the fundamental idea

0:19:52.520 --> 0:19:54.840
<v Speaker 1>about why you want to keep doing this thing and

0:19:54.880 --> 0:19:55.920
<v Speaker 1>if it serves you.

0:19:55.840 --> 0:19:58.600
<v Speaker 2>I have a question for you. I think by like, say,

0:19:58.640 --> 0:20:02.199
<v Speaker 2>let's say, by smashing these things many if you like,

0:20:02.240 --> 0:20:04.080
<v Speaker 2>I don't know, how have you been as a person

0:20:04.160 --> 0:20:05.920
<v Speaker 2>when it comes to change?

0:20:06.280 --> 0:20:10.919
<v Speaker 1>Terrible? Terrible, really terrible terrible with change?

0:20:11.400 --> 0:20:15.000
<v Speaker 2>I say to myself, if you change, change everything, I

0:20:15.000 --> 0:20:17.919
<v Speaker 2>think it's I have a fearlessness with that. And somehow

0:20:17.920 --> 0:20:19.919
<v Speaker 2>it served me because I think I checked. All I

0:20:19.920 --> 0:20:22.679
<v Speaker 2>have is my gut to trust that. So why has

0:20:22.680 --> 0:20:24.520
<v Speaker 2>it been difficult for you? You know what?

0:20:24.720 --> 0:20:28.080
<v Speaker 1>Because because I actually feel exactly how you do, which

0:20:28.119 --> 0:20:30.760
<v Speaker 1>is if I have a gut feeling about something, I

0:20:30.800 --> 0:20:33.120
<v Speaker 1>have to act on that, and that has often meant

0:20:33.280 --> 0:20:37.600
<v Speaker 1>in gendering change. But the change itself I loathe. It

0:20:37.640 --> 0:20:40.879
<v Speaker 1>feels unstable and terrible and queasy and like like I

0:20:40.920 --> 0:20:44.480
<v Speaker 1>have permanent sea sickness, and it's powerful, but I have

0:20:44.640 --> 0:20:48.920
<v Speaker 1>this terrible volition to do it. And I think that's

0:20:48.960 --> 0:20:50.439
<v Speaker 1>one of the things, like if I could wave a

0:20:50.480 --> 0:20:52.920
<v Speaker 1>magic wand and change something about myself, it would be

0:20:53.560 --> 0:20:57.280
<v Speaker 1>to more readily embrace change to love it. Nothing in

0:20:57.280 --> 0:21:01.000
<v Speaker 1>life is stasis. Nothing. Everything is cant the moving and evolving.

0:21:01.080 --> 0:21:02.600
<v Speaker 1>So get on board, woman.

0:21:03.600 --> 0:21:06.040
<v Speaker 2>That's come on, man, get on. That's exactly it.

0:21:06.359 --> 0:21:06.880
<v Speaker 1>Come on.

0:21:07.680 --> 0:21:10.239
<v Speaker 2>It's so it's so true. I remember I moved from

0:21:10.280 --> 0:21:12.119
<v Speaker 2>New York years ago and people were so like, I

0:21:12.160 --> 0:21:15.200
<v Speaker 2>had a rent stabilized apartment. I had a wonderful career

0:21:15.200 --> 0:21:16.679
<v Speaker 2>in New York, and people felt like, why why do

0:21:16.680 --> 0:21:18.440
<v Speaker 2>you want to leave New York? You got a rent

0:21:18.400 --> 0:21:19.320
<v Speaker 2>stable apartment.

0:21:19.840 --> 0:21:21.560
<v Speaker 1>And I was like, you know what, you got a

0:21:21.640 --> 0:21:22.600
<v Speaker 1>job in an apartment.

0:21:22.640 --> 0:21:24.920
<v Speaker 2>Why you got a job an apartment. You're working on Broadway,

0:21:24.920 --> 0:21:28.640
<v Speaker 2>you're doing doing, Shut up. But I felt like New York,

0:21:29.119 --> 0:21:31.879
<v Speaker 2>like I trusted that New York was just not my

0:21:32.040 --> 0:21:35.120
<v Speaker 2>vibe right then and there, I thought like, I'm not growing.

0:21:35.320 --> 0:21:38.160
<v Speaker 2>I feel the winds of change coming and I've got

0:21:38.160 --> 0:21:40.320
<v Speaker 2>to go with it. And so at some point I

0:21:40.480 --> 0:21:42.439
<v Speaker 2>just I'll think about it for a moment. But then

0:21:42.440 --> 0:21:43.920
<v Speaker 2>at some point I just cut it all off and

0:21:44.000 --> 0:21:46.280
<v Speaker 2>I give up the apartment. And people are like, no

0:21:46.320 --> 0:21:48.280
<v Speaker 2>one gives up a rent stabilized apartment in New York.

0:21:48.320 --> 0:21:50.800
<v Speaker 2>You hang on to it and until they pull it out.

0:21:50.800 --> 0:21:53.560
<v Speaker 2>A claw under your dead hand, you know. But I

0:21:53.600 --> 0:21:55.240
<v Speaker 2>was like, I gotta go. I said, I gotta trust

0:21:55.240 --> 0:21:58.000
<v Speaker 2>that there's more I gotta trust, And you know, then

0:21:58.040 --> 0:22:01.400
<v Speaker 2>I got a rent and Los Angeles that I never

0:22:01.520 --> 0:22:04.520
<v Speaker 2>would ever imagine paying for because I was kind of like,

0:22:04.560 --> 0:22:06.600
<v Speaker 2>you know, I was a working artist. I never I

0:22:06.640 --> 0:22:08.240
<v Speaker 2>just thought in a company of working class family. I

0:22:08.280 --> 0:22:10.160
<v Speaker 2>felt like, oh, we don't spend that kind of money

0:22:10.160 --> 0:22:12.680
<v Speaker 2>in an apartment. But I decided to do that because

0:22:12.680 --> 0:22:15.719
<v Speaker 2>I thought, let me trust the universe, that the universe

0:22:15.720 --> 0:22:18.480
<v Speaker 2>will provide because this is what I need. And then

0:22:18.520 --> 0:22:21.080
<v Speaker 2>it kept providing that. So I think maybe that's because

0:22:21.119 --> 0:22:23.840
<v Speaker 2>I've done the math of it. Now after living in

0:22:23.840 --> 0:22:26.200
<v Speaker 2>this body for fifty one years, I've done the math,

0:22:26.440 --> 0:22:28.840
<v Speaker 2>and I see that when you trust your gut, when

0:22:28.880 --> 0:22:31.920
<v Speaker 2>you go with that feeling, it works out. I feel

0:22:31.920 --> 0:22:33.679
<v Speaker 2>like I feel like I'm starting my own church right

0:22:33.720 --> 0:22:34.720
<v Speaker 2>here on your podcast.

0:22:35.600 --> 0:22:37.400
<v Speaker 1>I love it. I feel like you have a philosophy

0:22:37.400 --> 0:22:40.040
<v Speaker 1>that is underwritten by New York real estate. I mean,

0:22:40.080 --> 0:22:43.480
<v Speaker 1>it's it's a pretty interesting way I'm kind of feeling.

0:22:43.520 --> 0:22:48.160
<v Speaker 1>I'm trying to figure out the stabilize your life.

0:22:48.720 --> 0:22:57.160
<v Speaker 2>Stabilize your life with from real estate to.

0:22:56.040 --> 0:22:59.600
<v Speaker 1>From real estate to real good vibes.

0:23:00.600 --> 0:23:03.959
<v Speaker 2>There we go. That's good, perfect, I'll take it.

0:23:16.160 --> 0:23:18.520
<v Speaker 1>What question would you most like answered?

0:23:19.080 --> 0:23:21.920
<v Speaker 2>Wow, that's a great question because I think that's a

0:23:23.040 --> 0:23:28.440
<v Speaker 2>question of the heart. Is there heaven? Hmm? And will

0:23:28.520 --> 0:23:32.879
<v Speaker 2>I truly see my loved ones again? Because you know,

0:23:32.920 --> 0:23:36.280
<v Speaker 2>I've lost some really terrific people in my life. One

0:23:36.359 --> 0:23:40.120
<v Speaker 2>recently one of my dear friends Ari, and I lost

0:23:40.160 --> 0:23:43.440
<v Speaker 2>my parents. And you know what I love, I love

0:23:43.520 --> 0:23:45.800
<v Speaker 2>so deeply because I feel like I've been attracted to

0:23:46.400 --> 0:23:50.000
<v Speaker 2>I don't know these dreamers, these people who believe in magic.

0:23:50.760 --> 0:23:52.800
<v Speaker 2>One was my mom, other was my dad. One of

0:23:52.840 --> 0:23:55.600
<v Speaker 2>my best friends Ari. And you wonder, You're like, are

0:23:55.640 --> 0:23:58.560
<v Speaker 2>you there? Are you in another realm Am? I just

0:23:58.720 --> 0:24:02.600
<v Speaker 2>hoping and wishing and believing. But I want to know

0:24:02.800 --> 0:24:05.679
<v Speaker 2>is that is that true? Do we really go to

0:24:05.720 --> 0:24:09.040
<v Speaker 2>the other place? Are you watching over? Are you listening?

0:24:09.480 --> 0:24:11.439
<v Speaker 2>Are you speaking to me? Are you walking with me?

0:24:12.160 --> 0:24:14.720
<v Speaker 1>I wonder if knowing, would you know how when we

0:24:14.760 --> 0:24:17.760
<v Speaker 1>find magical things out as people, and then there's that

0:24:17.840 --> 0:24:20.720
<v Speaker 1>moment of starting to put it into practice and it's

0:24:20.720 --> 0:24:24.680
<v Speaker 1>incredible and amazing, and then pretty soon this magical thing

0:24:25.040 --> 0:24:28.080
<v Speaker 1>becomes part of your daily life, and it no longer

0:24:28.119 --> 0:24:33.080
<v Speaker 1>becomes special and magical. It just becomes part of the kutaden.

0:24:33.200 --> 0:24:36.040
<v Speaker 1>And I wonder if we just can't hold that much

0:24:36.080 --> 0:24:39.480
<v Speaker 1>information and keep it as magical as it's supposed to

0:24:39.480 --> 0:24:43.240
<v Speaker 1>be down here on Earth in all of this thick

0:24:43.359 --> 0:24:46.359
<v Speaker 1>vibration of being in a physical body on a planet,

0:24:46.440 --> 0:24:49.760
<v Speaker 1>and that that whole etheric idea like that, we couldn't

0:24:49.760 --> 0:24:52.040
<v Speaker 1>hold it without corrupting it in a way.

0:24:53.080 --> 0:24:56.520
<v Speaker 2>Wow, I think that's very valid. As humans, we do

0:24:57.119 --> 0:24:59.480
<v Speaker 2>corrupt the magic.

0:25:00.240 --> 0:25:03.720
<v Speaker 1>Right, we kind of do, And maybe reaching for it

0:25:03.760 --> 0:25:07.280
<v Speaker 1>is better watching this and feeling like, you know, when

0:25:07.320 --> 0:25:10.080
<v Speaker 1>I go and try and find my mom, I really

0:25:10.119 --> 0:25:11.760
<v Speaker 1>have to feel for her. I have to let go

0:25:11.840 --> 0:25:14.040
<v Speaker 1>of all of the shit that I've been thinking about

0:25:14.040 --> 0:25:16.679
<v Speaker 1>in the day, and I have to connect with nature

0:25:17.000 --> 0:25:19.399
<v Speaker 1>or she always used to tell me to admire the

0:25:19.440 --> 0:25:23.240
<v Speaker 1>infinite sky, and I wonder if that that is as

0:25:23.280 --> 0:25:25.280
<v Speaker 1>pure as it could ever be, and that if someone

0:25:25.400 --> 0:25:27.919
<v Speaker 1>could tell me if there was a heaven, I probably

0:25:27.920 --> 0:25:31.399
<v Speaker 1>only ruin it by it then just being another thing.

0:25:31.240 --> 0:25:34.720
<v Speaker 2>In my purse, just another place that you know, kind

0:25:34.720 --> 0:25:36.720
<v Speaker 2>of yeah, And you're right, because maybe I feel like

0:25:36.720 --> 0:25:39.760
<v Speaker 2>you're saying, maybe I want to know because I'm reaching

0:25:39.760 --> 0:25:42.560
<v Speaker 2>out towards it and it's a burning question in my heart.

0:25:42.560 --> 0:25:45.160
<v Speaker 2>But it also keeps us in that realm of magic

0:25:46.040 --> 0:25:49.760
<v Speaker 2>and that dimension of space and time and transcendence and

0:25:49.880 --> 0:25:51.480
<v Speaker 2>the things that we don't know. Maybe you're right, it's

0:25:51.520 --> 0:25:53.920
<v Speaker 2>maybe maybe we're not supposed to know everything.

0:25:54.040 --> 0:25:55.879
<v Speaker 1>Maybe that's it, And it's in the not knowing that

0:25:55.960 --> 0:25:59.520
<v Speaker 1>you can actually stay connected to spirit and that if

0:25:59.520 --> 0:26:02.280
<v Speaker 1>we drag it down here it wouldn't be that. I

0:26:02.280 --> 0:26:03.880
<v Speaker 1>don't know. I've been giving it a lot of thought

0:26:03.880 --> 0:26:07.080
<v Speaker 1>because my mama died quite recently, and I'm thinking about

0:26:07.240 --> 0:26:09.880
<v Speaker 1>what I think about all the time. Actually, but I'm

0:26:09.880 --> 0:26:11.600
<v Speaker 1>glad that you think about it too. I'm glad that

0:26:11.640 --> 0:26:13.119
<v Speaker 1>it's one of those things that we wrestle with.

0:26:13.200 --> 0:26:15.600
<v Speaker 2>I think, yeah, because I think I don't know. I'd

0:26:15.640 --> 0:26:18.320
<v Speaker 2>like to believe, as we know of people who have

0:26:18.440 --> 0:26:22.520
<v Speaker 2>experienced a tremendous loss, especially mothers. I know when I

0:26:22.560 --> 0:26:25.080
<v Speaker 2>lost my mother. My mother was my best friend, and

0:26:25.760 --> 0:26:28.800
<v Speaker 2>when she passed, a sound came out of my body

0:26:28.840 --> 0:26:31.160
<v Speaker 2>that I don't think i'll ever hear again or want

0:26:31.160 --> 0:26:34.480
<v Speaker 2>to hear. It was animalistic. It felt like something that

0:26:34.600 --> 0:26:37.720
<v Speaker 2>was being severed in some way, shape or form. And

0:26:37.760 --> 0:26:42.480
<v Speaker 2>then I think have constantly been like like, I know

0:26:42.800 --> 0:26:46.359
<v Speaker 2>and feel her presence and all that happens in the world,

0:26:46.520 --> 0:26:49.680
<v Speaker 2>all the people that are sort of gentle reminders of her.

0:26:49.920 --> 0:26:52.400
<v Speaker 2>I do understand that it is a thing. I guess

0:26:52.440 --> 0:26:55.200
<v Speaker 2>you're not supposed to know until you do know, because

0:26:55.200 --> 0:26:57.720
<v Speaker 2>I think you're supposed to have some faith that there

0:26:57.800 --> 0:27:00.080
<v Speaker 2>is more. I think that's what keeps you mo mo

0:27:00.080 --> 0:27:02.439
<v Speaker 2>moving forward, because you know what the end is. We

0:27:02.480 --> 0:27:05.000
<v Speaker 2>all know what the end is. It's very clear what

0:27:05.040 --> 0:27:08.040
<v Speaker 2>the end is. It's definitive that we all will die,

0:27:08.760 --> 0:27:11.840
<v Speaker 2>but there's a promise that we will live on and

0:27:11.880 --> 0:27:14.400
<v Speaker 2>we will see each other again. And so I think

0:27:14.400 --> 0:27:17.879
<v Speaker 2>we keep moving through space with the hope that I

0:27:17.960 --> 0:27:19.600
<v Speaker 2>want to see that person again until I get that.

0:27:19.680 --> 0:27:21.840
<v Speaker 2>I'm going to keep doing things out down on this

0:27:21.920 --> 0:27:26.280
<v Speaker 2>plane and hopefully making a difference, leaving some fingerprints on things,

0:27:26.880 --> 0:27:30.320
<v Speaker 2>and making hopefully the spaces that we're in rich and

0:27:30.359 --> 0:27:32.359
<v Speaker 2>full before it's our turn. But we want to know

0:27:32.400 --> 0:27:34.160
<v Speaker 2>that when it's our turn, that someone's there, that you're

0:27:34.160 --> 0:27:36.480
<v Speaker 2>not alone, and that's something we don't know. We just

0:27:36.520 --> 0:27:37.720
<v Speaker 2>have to have faith and believe.

0:27:38.119 --> 0:27:41.239
<v Speaker 1>Yeah, exactly, and maybe that faith is what can make

0:27:41.320 --> 0:27:43.720
<v Speaker 1>being here a little freer because it's like, we just

0:27:43.760 --> 0:27:46.639
<v Speaker 1>get this one as far as we know. So play.

0:27:47.320 --> 0:27:49.160
<v Speaker 2>Can I ask you a question, Manny? Can I ask

0:27:49.200 --> 0:27:49.680
<v Speaker 2>you a question?

0:27:49.960 --> 0:27:50.440
<v Speaker 1>Yeah?

0:27:50.880 --> 0:27:55.359
<v Speaker 2>When your mother passed you were very close, am I right? Yeah?

0:27:56.080 --> 0:27:58.879
<v Speaker 2>Where do you think the love goes? What do you

0:27:58.880 --> 0:27:59.600
<v Speaker 2>do with that love?

0:28:02.000 --> 0:28:06.560
<v Speaker 1>Good Lord? Well, the funny thing is, I don't feel

0:28:06.600 --> 0:28:10.960
<v Speaker 1>like it's gone anywhere. I feel like, in a way,

0:28:11.080 --> 0:28:15.439
<v Speaker 1>it has become distilled because the fact that she's not

0:28:15.560 --> 0:28:19.159
<v Speaker 1>here to kind of talk about all the stuff, so

0:28:19.280 --> 0:28:21.399
<v Speaker 1>all the bad stuff, all the difficult stuff, all the

0:28:21.440 --> 0:28:28.160
<v Speaker 1>amazing stuff life in general, because all of that has disappeared. Really,

0:28:28.200 --> 0:28:31.240
<v Speaker 1>what's been left in this kind of relief is the

0:28:31.280 --> 0:28:35.639
<v Speaker 1>grace and the laughter and the humor, and all of that,

0:28:35.720 --> 0:28:40.280
<v Speaker 1>for me is love. And I feel it so intensely,

0:28:40.440 --> 0:28:43.440
<v Speaker 1>And even though I can't talk to her and tell her,

0:28:43.920 --> 0:28:45.760
<v Speaker 1>I feel like that was the gift that she left

0:28:45.800 --> 0:28:50.080
<v Speaker 1>me with was what survives of us is love? Like

0:28:50.160 --> 0:28:53.400
<v Speaker 1>that is quite literally what survives of us is that

0:28:54.120 --> 0:28:56.880
<v Speaker 1>vibration and that feeling. And to be able to give

0:28:56.920 --> 0:28:59.600
<v Speaker 1>that to your children and for them to continue to

0:28:59.640 --> 0:29:03.480
<v Speaker 1>feel after you're physically not here anymore. I think that's

0:29:03.520 --> 0:29:03.960
<v Speaker 1>the point.

0:29:05.000 --> 0:29:08.000
<v Speaker 2>I think passing the baton right, yeah on.

0:29:08.080 --> 0:29:10.880
<v Speaker 1>H And I was explaining that to my son the

0:29:10.920 --> 0:29:15.040
<v Speaker 1>other day, and I think it was really amazing being

0:29:15.080 --> 0:29:17.320
<v Speaker 1>able to tell him, and I know he won't forget.

0:29:17.600 --> 0:29:20.280
<v Speaker 1>I have all of this love, all of this love

0:29:20.360 --> 0:29:25.600
<v Speaker 1>that mom left me with, and it's so incredible to

0:29:25.640 --> 0:29:27.760
<v Speaker 1>be able to tell you about that love and that

0:29:27.880 --> 0:29:31.040
<v Speaker 1>when you see it, you'll know it. You'll see because

0:29:31.040 --> 0:29:33.800
<v Speaker 1>you'll recognize it in you, and then you'll have it,

0:29:34.480 --> 0:29:36.520
<v Speaker 1>and so it goes on, and so it goes on.

0:29:40.920 --> 0:29:43.200
<v Speaker 1>I don't know. I'm sorry you lost your mum and

0:29:43.240 --> 0:29:45.120
<v Speaker 1>your dad. I mean, we all do it. It just

0:29:45.440 --> 0:29:46.320
<v Speaker 1>it's just what happens.

0:29:47.160 --> 0:29:49.880
<v Speaker 2>We do, we do, and you know it's for those

0:29:49.880 --> 0:29:53.440
<v Speaker 2>who haven't, if anyone's listening out there who haven't, and

0:29:53.640 --> 0:29:56.760
<v Speaker 2>I think it terrifies them knowing that if it happened,

0:29:56.840 --> 0:29:59.280
<v Speaker 2>they don't know what they would do. Yeah, And I'm

0:29:59.320 --> 0:30:02.760
<v Speaker 2>always telling people, well you will. I grieved and I

0:30:02.880 --> 0:30:05.680
<v Speaker 2>leaned into it. My friend Melissa was the one who

0:30:05.680 --> 0:30:07.360
<v Speaker 2>gave me the advice I said, because I felt like

0:30:07.400 --> 0:30:09.360
<v Speaker 2>I was such a good son. I loved being a son.

0:30:09.840 --> 0:30:12.800
<v Speaker 2>I loved my parents, And she said, you're going to

0:30:12.840 --> 0:30:15.760
<v Speaker 2>pour that love into everything that you do, and so

0:30:15.800 --> 0:30:18.440
<v Speaker 2>I think that, I know that, I know it was

0:30:18.440 --> 0:30:22.200
<v Speaker 2>a definitive moment in my life where the choice was

0:30:22.480 --> 0:30:25.640
<v Speaker 2>to use that love with even more conviction, and like

0:30:25.680 --> 0:30:28.040
<v Speaker 2>you're saying, to distill it, to say that this is

0:30:28.120 --> 0:30:33.760
<v Speaker 2>what purposes, what my intentions are, Who I love, how

0:30:33.800 --> 0:30:37.400
<v Speaker 2>I love. Not that I flitted it around, but I

0:30:37.400 --> 0:30:40.800
<v Speaker 2>guess I did. I just had it was more out there.

0:30:41.960 --> 0:30:45.200
<v Speaker 1>Yeah, it focuses you, Like that's the thing when you

0:30:45.360 --> 0:30:47.719
<v Speaker 1>lose someone, even though you don't lose them, but when

0:30:47.760 --> 0:30:50.600
<v Speaker 1>they are physically gone, it is so focused because you

0:30:50.640 --> 0:30:55.560
<v Speaker 1>so clearly feel what it is that you felt about them. Yeah,

0:30:55.640 --> 0:30:58.880
<v Speaker 1>it certainly made me question all the stuff that I

0:30:58.920 --> 0:31:01.880
<v Speaker 1>gave a lot of energy to that really didn't deserve

0:31:01.920 --> 0:31:04.479
<v Speaker 1>that energy and didn't need it and didn't require it.

0:31:04.720 --> 0:31:05.440
<v Speaker 2>Done with that.

0:31:07.600 --> 0:31:12.840
<v Speaker 1>Right, you can see Coleman in Zola, which is in

0:31:12.960 --> 0:31:19.000
<v Speaker 1>theaters now and it's honestly the most radical and best

0:31:19.160 --> 0:31:23.240
<v Speaker 1>film of the year in my opinion, maybe in many years.

0:31:24.080 --> 0:31:28.560
<v Speaker 1>Run don't walk to see it. And Candy Man which

0:31:28.720 --> 0:31:36.400
<v Speaker 1>is released on August the twenty seventh. This year, Mini

0:31:36.480 --> 0:31:40.640
<v Speaker 1>Questions is hosted and written by Me Mini Driver, Supervising

0:31:40.720 --> 0:31:47.640
<v Speaker 1>producer Aaron Kaufman, Producer Morgan Levoy, Research assistant Marissa Brown.

0:31:48.880 --> 0:31:54.600
<v Speaker 1>Original music Sorry Baby by Mini Driver, Additional music by

0:31:54.600 --> 0:31:59.800
<v Speaker 1>Aaron Kaufman, Executive produced by Me Mini Driver. Special thanks

0:32:00.080 --> 0:32:05.840
<v Speaker 1>to Jim Nikolay, Will Pearson, Addison O'Day, Lisa Castella and

0:32:05.840 --> 0:32:11.600
<v Speaker 1>Annika Oppenheim at w kPr, Dala Pescador, Kate Driver and

0:32:11.680 --> 0:32:16.840
<v Speaker 1>Jason Weinberg, and for constantly solicited tech support, Henry Driver,