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Speaker 1: What's that at the foot of my bed. It's spooky

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Speaker 1: and you I'm really sure it's dead. It's coming this way.

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Speaker 1: Wait a minute, he I ghost said, I Nandez.

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Speaker 2: Police.

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Speaker 1: Hey boo, it's me Raz and welcome to Ghosted by

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Speaker 1: Roz Hernandez. I like to talk to people that I

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Speaker 1: like about ghosts, aliens, cryptid creatures, anything freaky. I have

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Speaker 1: got on somebody that I really like. I mean, I

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Speaker 1: don't want to be dramatic by saying this, but he's

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Speaker 1: truly one of my favorite comedians, and I'm just gonna

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Speaker 1: go so far as to say one of the best

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Speaker 1: comedians of all time, a big inspiration to me. And

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Speaker 1: now someone that I feel like I can call a friend,

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Speaker 1: somebody that I met from this very podcast talking about ghosts.

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Speaker 1: Patton Oswalt. He is back on the show and I

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Speaker 1: hope he comes back again and we have many, many

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Speaker 1: more conversations like the one you're about to hear. But

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Speaker 1: before we get to that, I was looking through my email. God,

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Speaker 1: you should see the weird shit I get in that email.

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Speaker 1: Some of it is good weird, some of it is spooky.

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Speaker 1: Sometimes I get stories that are a little cute too.

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Speaker 1: This one right here is from Kelly. Kelly, thank you

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Speaker 1: so much for sending this to ghosted by Roz at

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Speaker 1: gmail dot com. Kelly writes, my house in Vermont sits

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Speaker 1: close to the road. When I'm washing dishes, I can

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Speaker 1: look out my sink window and see neighbors walking past.

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Speaker 1: They usually glance in and we exchange ways. It's not

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Speaker 1: super private, Okay, Kelly, I'm sorry this to me personally

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Speaker 1: sounds like my worst nightmare. But good for you. I mean,

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Speaker 1: it's charming. It really is. My sister Tracy visited us

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Speaker 1: in July and we took a trip to Bangor to

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Speaker 1: take the Stephen King Tour. It was a long drive

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Speaker 1: and when we arrived back home we were tired of sitting,

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Speaker 1: so Tracy, my husband Danny, and I stood around our

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Speaker 1: kitchen island eating pizza. I glanced over to the sink

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Speaker 1: window and I noticed my neighbor walking past, and I

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Speaker 1: waved to her. She was looking through the window back

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Speaker 1: and forth into the kitchen with a curious expression. She

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Speaker 1: hadn't met Tracy yet, so I assumed she was wondering

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Speaker 1: who she was. She waved, and when she caught my eye,

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Speaker 1: she continued on her walk. When she came back down

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Speaker 1: the road, we were outside and I called her over

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Speaker 1: to meet Tracy. I introduced them and made a remark

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Speaker 1: about our classy standing pizza dinner. She said, I thought

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Speaker 1: it must be a formal affair, since that man was

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Speaker 1: wearing a white shirt and necktie. I said, what man?

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Speaker 1: She said, the man in the kitchen standing at the

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Speaker 1: island with you. He was wearing a white shirt and necktie.

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Speaker 1: Where is he? I said, No one was there but

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Speaker 1: us three. She insisted that there was an older man

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Speaker 1: there about Danny's height. Tracy, Danny, and I were all

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Speaker 1: wearing black or dark gray T shirts. There was no

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Speaker 1: way any of us could have been perceived as wearing

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Speaker 1: a white shirt and tie. So who was the extra guest?

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Speaker 1: Our dad wore a white shirt and a tie six

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Speaker 1: days a week before he retired. He passed away two

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Speaker 1: years ago. The day of the stand up pizza dinner

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Speaker 1: was July tenth, my dad's birthday. He must have wanted

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Speaker 1: to celebrate with us. Later, I showed my neighbor a

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Speaker 1: photo of my dad and she confirmed that he was

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Speaker 1: the man standing in the kitchen with us. Oh my god,

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Speaker 1: that is such a beautiful story. I really loved that one.

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Speaker 1: And it's so mysterious because, like you, guys didn't see

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Speaker 1: him in the room with you, but somehow through the

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Speaker 1: glass your neighbor was able to. It's very mysterious. I

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Speaker 1: don't know how any of this stuff works, but I'm

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Speaker 1: here for it and I think it's a beautiful story.

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Speaker 1: So thank you Kelly for sending that. All right, I'm

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Speaker 1: going to talk to Patton Oswalt once again. He of

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Speaker 1: course needs no introduction. I mean, you've seen him on

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Speaker 1: so much TV. He's got his specials on Netflix. I mean,

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Speaker 1: it's the voice a rat, a two week a true

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Speaker 1: icon of comedy and one of the funniest people ever.

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Speaker 1: Here he is Patton Oswalt. And with the show, Oh

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Speaker 1: my God, everybody, I am joined by a repeat guys,

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Speaker 1: Patton Oswalt, Hello, how are you?

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Speaker 2: I am very good, Roz. Thank you so much for

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Speaker 2: having me back into the etheric, ghostly world of Ghosted.

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Speaker 1: Yes, ah, oh my god, it's such an honor to

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Speaker 1: have you on here. You and your lovely wife Meredith

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Speaker 1: were the first guests that I had when I like

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Speaker 1: changed the format because you know, it used to be

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Speaker 1: only people woul like ghost stories for the most part,

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Speaker 1: that's right, and I'm like, oh, I hope it's gonna work.

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Speaker 1: And then as soon as I was done with you guys,

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Speaker 1: I was like.

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Speaker 2: It works.

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Speaker 1: Oh my god, you said the bar Hi. You guys

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Speaker 1: were perfect.

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Speaker 2: That's very ironic, coming from the fact that, as I

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Speaker 2: said on my last appearance, I have never had any

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Speaker 2: kind of supernatural encounters and could not be more open

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Speaker 2: to it and have never had anything.

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Speaker 1: But that's why it's the beast like you're You're very

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Speaker 1: down to get weird. You're open, you're here for it. Also,

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Speaker 1: I heard from the internet that you're gonna be in

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Speaker 1: the Ghostbusters movie.

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Speaker 2: Weirdly enough. Yes, I spent the summer in London filming

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Speaker 2: the Ghostbusters movie. Got to hang out with Dan Aykroyd,

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Speaker 2: who's had nothing but supernatural encounters in his life.

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Speaker 1: Oh yeah, his whole family. Oh yeah, they're like paranormal royalty.

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Speaker 2: Porm royalty. Yeah, it's nuts. And we were in London

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Speaker 2: filming in a lot of old locations that had a

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Speaker 2: lot of creepiness to them, you know. But again, I

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Speaker 2: didn't encounter anything drove me crazy.

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Speaker 1: Even with dan Aykroyd there, well.

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Speaker 2: You know. I remember I told you the story of

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Speaker 2: a couple of summers ago. I was filming something on

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Speaker 2: the Queen Mary and everyone on the crew had a

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Speaker 2: supernatural encounter except for me. So they were setting up

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Speaker 2: a shot and I'm standing in front of this grand

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Speaker 2: staircase and then over in video village where I can't

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Speaker 2: see someone looking at the monitors said go up there,

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Speaker 2: we got to clear the background. There's a crew member upstairs.

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Speaker 2: Their shadows moving around, and a PA went up there

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Speaker 2: to clear the background, and then came up down and said, well,

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Speaker 2: there's no one up there, so I don't know what

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Speaker 2: you saw. And by the way, I had been hanging

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Speaker 2: out in video village and it felt like the minute

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Speaker 2: I got on my spot, all the spirits went, oh,

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Speaker 2: he's gone. Go over there, let's start messing around.

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Speaker 1: I bet you that that was the ghost of somebody

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Speaker 1: that was an aspiring extra. They wanted a SAG voucher. Yeah,

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Speaker 1: they were there trying to get a little airtime.

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Speaker 2: Get a little health insurance from me on the grave. Yes,

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Speaker 2: too late, now, buddy, you should have got that while

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Speaker 2: you were alive.

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Speaker 1: So also after your last appearance, you hooked me up

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Speaker 1: with your friend Darcy, who does a tour of a

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Speaker 1: place in Orange County that's a haunted. She does like

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Speaker 1: a ghost tour.

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Speaker 2: Oh that's right, Yeah.

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Speaker 1: The Kellogg House, which is so cool. Have you been?

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Speaker 2: Oh? Boy, no, I've never been to that, and I

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Speaker 2: hear it's crazy haunted.

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Speaker 1: Yeah that's what they say. I don't know. Maybe it

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Speaker 1: was because I had just talked to you, but the

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Speaker 1: ghosts they didn't want anything to do with me.

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Speaker 2: Yeah, They're like, she's going to go right to Pat

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Speaker 2: and no, we don't want any of this. I feel like,

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Speaker 2: here's what I how I equate it. I feel like

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Speaker 2: I'm the person that's in the nightclub or the bar

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Speaker 2: that's way too eager and it's giving off needy vibes

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Speaker 2: that everyone just keep the hell away. Yeah, he's going

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Speaker 2: to write a massive blog.

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Speaker 1: Oh yeah, it's gonna end up in one of your

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Speaker 1: specials or something.

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Speaker 2: Yes, So I got to learn to act like I

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Speaker 2: don't care, but I do. I want to see the

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Speaker 2: nether world, damn it.

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Speaker 1: I feel like there needs to be Do you remember

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Speaker 1: there's a show early two thousands that was like the

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Speaker 1: pick Up Artist or something, and it was like some

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Speaker 1: guy he had like a big old hat on and

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Speaker 1: he would like tell men like, here's how you get girls.

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Speaker 1: You gotta like act like you're not. Oh, I want

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Speaker 1: to be that. But for like people that want to

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Speaker 1: talk to.

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Speaker 2: Ghosts, Oh my god, teach ghost hunters pick up artist techniques.

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Speaker 1: Yeah, I'm sure it applies. I honestly do think that

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Speaker 1: that is true.

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Speaker 2: If you make contact with the Wiji board, wait three

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Speaker 2: days before you get back on the Wiji board, don't

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Speaker 2: immediately put your hand on the plan chet like make

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Speaker 2: them wait.

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Speaker 1: Yes, that's so desperate.

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Speaker 2: Yeah, exactly.

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Speaker 1: They don't want that.

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Speaker 2: No, they don't pick up artist techniques to meet spirits.

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Speaker 2: That's actually kind of brilliant.

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Speaker 1: Thank you. Can I share with you a case that

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Speaker 1: I did some research on.

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Speaker 2: Boy, sure, here we go.

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Speaker 1: Oh my god, I love how scared you is? This

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Speaker 1: is so fun. The last time I did this with you,

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Speaker 1: we had Jeff the talking mongoose, Yes, which there's a

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Speaker 1: weird story about mongoose ghosts that talked.

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Speaker 2: That said rude things, was apparently cursed and was very

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Speaker 2: rude and inappropriate.

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Speaker 1: Yes, a bitchy mongoose ghost. And this is also something

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Speaker 1: that spoke. This is the union screaming house.

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Speaker 2: Oh boy, and where is this located.

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Speaker 1: This is located in gorgeous Union.

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Speaker 2: Missouri, Union Missourra.

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Speaker 1: Have you played Union Missouri.

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Speaker 2: I have not played Union Missourra. But I have been

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Speaker 2: in Saint Louis, I've been in Kansas City, I've been

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Speaker 2: all through the Midwest. The Midwest is, from what I understand,

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Speaker 2: crazy haunted, not just with the dead but with the living.

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Speaker 2: Apparently the winds. There's an amazing documentary about folk horror,

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Speaker 2: the horror that comes out of like rural settings. Oh yeah,

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Speaker 2: and it's pre and a half hours long. It could

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Speaker 2: have been eight. I would have watched the whole thing.

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Speaker 2: It's so good. Woodland's dark in day something.

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Speaker 1: I forget it anyway, Yes, I think I remember seeing

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Speaker 1: that on shutter or something.

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Speaker 2: It's on shutter. But they talk about how the wind

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Speaker 2: over the plains Midwest drove people insane. It's non stop

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Speaker 2: and it makes people crazy out there. So yeah, Missouri,

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Speaker 2: that whole area. Absolutely, I believe that it's haunted. And

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Speaker 2: the fact that you're just said, screaming Union House, here

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Speaker 2: we go, here we go.

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Speaker 1: Yeah, the wind can keep these screaming goes away.

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Speaker 2: Yep.

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Speaker 1: So a book was written by the man that the

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Speaker 1: story revolves around.

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Speaker 2: Oh.

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Speaker 1: In two thousand and eight. It's called The Uninvited, The

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Speaker 1: True Story of the Union Screaming Houseoo. So there's been

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Speaker 1: a lot of details. I didn't read the book. I'm sorry,

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Speaker 1: I don't have time. But I did read a two

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Speaker 1: thousand and four piece that he wrote on legendsofamerica dot com.

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Speaker 2: Uh huh, which.

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Speaker 1: I should be on. Thank you.

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Speaker 2: Hell yeah.

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Speaker 1: So this was before he wrote the book, so he

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Speaker 1: kind of gives the beginning, middle, and ends.

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Speaker 2: Oh, okay, which I appreciate.

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Speaker 1: So this is back in May of two thousand and one.

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Speaker 1: His name is Stephen A. Chance.

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Speaker 2: Oh.

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Speaker 1: Stephen is a single father of three.

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Speaker 2: Okay, his lease is up.

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Speaker 1: He's desperately looking for a place to live, and he

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Speaker 1: and his daughter roll up to an open house, a white,

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Speaker 1: two story home. It's got original woodwork, all intact.

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Speaker 2: Oh.

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Speaker 1: The living room is decorated with cherubs, and it's two floors,

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Speaker 1: three bedrooms. The basement has an old butcher shower and

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Speaker 1: a fruit seller down there.

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Speaker 2: Wait, I'm sorry when you say butcher's shower, what does

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Speaker 2: that mean?

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Speaker 1: Oh, you know, we're a butcher showers.

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Speaker 2: So you got a butcher shower in the basement, as

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Speaker 2: one does. Of course, yeah.

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Speaker 1: It says the price is good. He really wanted this house.

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Speaker 1: He's like, I need this. It was pretty cheap for

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Speaker 1: what it was and they were living in an apartment

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Speaker 1: at the time and he had three kids, and he's like,

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Speaker 1: I want this house. So the landlady doing this open house,

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Speaker 1: she's a strange old lady, and he gives her his

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Speaker 1: application and she's like, do you understand the responsibilities that

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Speaker 1: come with owning an old house like this? And he's

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Speaker 1: like yeah, and she's like okay, And then a week

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Speaker 1: later she calls him he got the house. They go

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Speaker 1: to a restaurant they sign the papers, which he thought

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Speaker 1: was a little weird. Like he's like, I want to

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Speaker 1: go see the house, but she's like, m meet me

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Speaker 1: at Denny's and we'll go to this. So as he's

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Speaker 1: moving in, everything's going normal until somebody drives by and

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Speaker 1: they roll down their windows and they're like, I hope

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Speaker 1: you get along okay here, and then they just like

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Speaker 1: speed off.

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Speaker 2: That is the class Class sixth scene at the beginning

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Speaker 2: of every slasher and Haunted House movie where the kids

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Speaker 2: are going to the camp and there's the old weird guy.

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Speaker 2: That camp's got a death curse on it, like it.

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Speaker 2: That's the classic opening scene.

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Speaker 1: In this movie. I want to play the old lady.

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Speaker 1: Land Lady. I hope you're okay with this?

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Speaker 2: Oh, Abs, come on, are you kidding?

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Speaker 1: So first night is totally fine. Second day he notices

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Speaker 1: that all the doors in the rooms and stuff have

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Speaker 1: a hook and eye lock on the outside of them,

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Speaker 1: as if to keep something in the room, which is

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Speaker 1: a little suspicious. He's hanging up a painting. He's got

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Speaker 1: a painting of two angels, and he's like, oh, well,

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Speaker 1: it goes perfect with the decor of this living room.

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Speaker 1: So he's hanging it up and right after he walks away,

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Speaker 1: it just falls down.

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Speaker 2: Okay, like whatever, big deal.

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Speaker 1: But it happened twice.

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Speaker 2: Well that's right, then you're out run.

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Speaker 1: So the third time he puts it back up and

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Speaker 1: he feels a a gush of cold air by his

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Speaker 1: feet and it falls again, and he says that he

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Speaker 1: literally yelled out like girl stay. I don't know what

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Speaker 1: he said, but he said something.

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Speaker 2: I don't think he said girl, but yeah, he.

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Speaker 1: Said girl stay. He says that after he yelled out.

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Speaker 1: It listened.

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Speaker 2: Sure.

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Speaker 1: So then his daughter's playing outside and she's like, Daddy, look,

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Speaker 1: every time somebody walks by the house, they go on

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Speaker 1: the other side of the street as soon as they

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Speaker 1: get in front of the house. Nobody wanted to walk

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Speaker 1: right in front of the house, okay, And he's like,

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Speaker 1: let me see about this. So he goes out there.

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Speaker 1: He stayed for three hours, and he noticed that every

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Speaker 1: single person would cross the street, they didn't want to

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Speaker 1: walk in front of it. And he said that if

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Speaker 1: he was like, hey, hey, girl, they would turn their

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Speaker 1: heads down and nobody wanted anything to do with it.

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Speaker 2: Yikes.

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Speaker 1: So he also another thing, noticed that there's a tree

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Speaker 1: in the yard that has shedding leaves, even though it

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Speaker 1: was May and just the one tree a little weird.

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Speaker 2: Don't like it.

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Speaker 1: So anyway, it's starting to get scary now.

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Speaker 2: Yeah.

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Speaker 1: One day, while they're doing yard work, he tells his son,

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Speaker 1: go get the hose that's in the basement somewhere near

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Speaker 1: the butcher shower. The kid goes down there. He runs

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Speaker 1: up from downstairs without the hose. He has pete his

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Speaker 1: pants and he says that something big chased him up

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Speaker 1: the stairs. This is why I don't have kids. I

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Speaker 1: would have been like, get down there. Yeah, you are

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Speaker 1: younger and faster than me. You will be able to

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Speaker 1: outrun whatever that is me with my knees.

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Speaker 2: Oh you kidding. Yeah, I mean.

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Speaker 1: You're the man of the house. Have you moments like

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Speaker 1: this where you have to, like by default.

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Speaker 2: I've had a couple of moments where yeah, I mean,

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Speaker 2: you're supposed to, I guess, defend the homestead. But one

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Speaker 2: of the times when I had to defend the homestead,

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Speaker 2: my wife pushed her way past me and stormed out

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Speaker 2: in the yard with a baseball bat and started screaming

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Speaker 2: at someone while I trailed behind her. So, yeah, I mean,

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Speaker 2: I'm sure that if push came to shove, I might

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Speaker 2: stand up out of pure terror, but it wouldn't be

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Speaker 2: out of any kind of macho like if there were

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Speaker 2: weird noises in a basement, I wouldn't send my kid

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Speaker 2: down as bait. But I would also not go stand

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Speaker 2: aside everyone, I'm going downstairs, like that's not happening.

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Speaker 1: Did your daughter ever say like there's a monster in

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Speaker 1: my closet or like anything like that, because that's what

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Speaker 1: I would be gone right.

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Speaker 2: No, she never had any monster in the closeting. She

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Speaker 2: just had a lot of bad dream stuff where I

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Speaker 2: could just go, well, that's in your head, that can't

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Speaker 2: hurt you. You're just having a dream, and like I

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Speaker 2: can't go, well, I'll go into your dreams and fight

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Speaker 2: these monsters. So so far, I've been lucky to know

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Speaker 2: nothing weird under the bed.

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Speaker 1: This is why I don't have kids, probably never will.

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Speaker 2: You know, there's that classic I think it's a creepy

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Speaker 2: pasta story, super short story where a father goes into

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Speaker 2: his son's better midnight. The sun's really scared, it's like

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Speaker 2: what trolling. He's like, there's a there's a monster into

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Speaker 2: the bed and the fatherly does a classic well I'll

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Speaker 2: look under the bed and I'll make sure that there's

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00:18:07,840 --> 00:18:10,560
Speaker 2: nothing there. And he looks under the bed and under

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Speaker 2: the bed is his son going there's a monster up

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Speaker 2: in bed.

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Speaker 1: A oh my god.

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Speaker 2: Yeah exactly. So that's like, whoa is that?

347
00:18:24,480 --> 00:18:25,200
Speaker 1: Where it ends?

348
00:18:25,400 --> 00:18:27,639
Speaker 2: That's it. That's the story right there, all you need

349
00:18:27,760 --> 00:18:30,840
Speaker 2: because creepypasta is all about the shock, right. Some of

350
00:18:30,920 --> 00:18:32,240
Speaker 2: them are really well done.

351
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Speaker 1: That's the thing, though, I need to know what the

352
00:18:33,840 --> 00:18:36,679
Speaker 1: good ones are because I've wasted some time on some time.

353
00:18:36,800 --> 00:18:41,520
Speaker 1: I'm like, this creepy pasta is gluten free pasta. Right here,

354
00:18:41,800 --> 00:18:43,040
Speaker 1: this is not pasta.

355
00:18:43,400 --> 00:18:45,680
Speaker 2: This creepy pasta is a little overcooked.

356
00:18:45,960 --> 00:18:50,560
Speaker 1: This is zucchini noodles, zoodles. This is not any real pasta.

357
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Speaker 2: Fuck zoodles, fuck zoodles.

358
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Speaker 1: Okay, I know it's all like old school gender normsy

359
00:18:57,480 --> 00:19:00,920
Speaker 1: like whatever, but I'm gonna come out and say right now,

360
00:19:01,240 --> 00:19:03,720
Speaker 1: of all the reasons I transition, it's shit like that.

361
00:19:03,840 --> 00:19:06,960
Speaker 1: This is the number one reason that I transition is

362
00:19:06,960 --> 00:19:11,080
Speaker 1: because I'm not being no man of the house, none

363
00:19:11,119 --> 00:19:11,320
Speaker 1: of that.

364
00:19:11,640 --> 00:19:14,960
Speaker 2: So hang on, you're saying that ghosts and the supernatural

365
00:19:15,080 --> 00:19:17,600
Speaker 2: is one of the reasons you transitioned.

366
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Speaker 1: Just the idea of man of the house, right right,

367
00:19:21,800 --> 00:19:24,680
Speaker 1: You're like, fuck that. I'm not doing any of that, right,

368
00:19:24,840 --> 00:19:28,320
Speaker 1: I'm not going to home deep. But I will say nowadays,

369
00:19:28,359 --> 00:19:30,399
Speaker 1: when I go to home depot, it's so much better

370
00:19:30,640 --> 00:19:34,120
Speaker 1: because before, like I don't know how to fix anything.

371
00:19:34,200 --> 00:19:36,920
Speaker 1: I know how to I break everything. And so if

372
00:19:36,960 --> 00:19:42,439
Speaker 1: I go just the like it's just all this gender

373
00:19:42,480 --> 00:19:45,119
Speaker 1: norm shit that is like so oh no, I get it.

374
00:19:45,200 --> 00:19:47,400
Speaker 1: You know how many times I bought something and then

375
00:19:47,560 --> 00:19:50,040
Speaker 1: I get home and I'm like, it's the wrong size.

376
00:19:50,119 --> 00:19:52,600
Speaker 1: I should have googled what a screwdriver looks like.

377
00:19:52,680 --> 00:19:55,560
Speaker 2: Well, also, I imagine before you transitioned, you were tall

378
00:19:55,760 --> 00:19:59,399
Speaker 2: and slender, but also muscular and looked competent. Right, I'm

379
00:19:59,440 --> 00:20:03,480
Speaker 2: a man who looks incompetent. So I never get bothered

380
00:20:03,480 --> 00:20:07,520
Speaker 2: with that shit you unfortunately tall, Like, oh that that

381
00:20:07,560 --> 00:20:09,399
Speaker 2: guy knows? Hey, what kind of do I get a

382
00:20:09,440 --> 00:20:11,640
Speaker 2: tea boult or an end bolt here? Like? Oh God,

383
00:20:11,720 --> 00:20:16,000
Speaker 2: let me alone? So yeah, exactly, I never get those questions.

384
00:20:16,240 --> 00:20:18,640
Speaker 1: I'm always praying that the one lesbian that works there

385
00:20:18,800 --> 00:20:21,600
Speaker 1: is on shift. And sometimes you get there she's not there,

386
00:20:21,880 --> 00:20:24,840
Speaker 1: and then I'm stuck. Right, But nowadays, Oh, I go

387
00:20:24,920 --> 00:20:26,879
Speaker 1: in there, I put on a red lipstick.

388
00:20:27,080 --> 00:20:29,320
Speaker 2: Oh yeah, I pad my bra.

389
00:20:29,480 --> 00:20:33,280
Speaker 1: And I'm like, who wants to help me? I need

390
00:20:33,280 --> 00:20:38,240
Speaker 1: a ham? Okay. So back to this man, what he

391
00:20:38,320 --> 00:20:41,040
Speaker 1: decides to do. Oh yeah, yeah, he goes down there

392
00:20:41,760 --> 00:20:43,920
Speaker 1: with the kids, and I don't blame him.

393
00:20:44,080 --> 00:20:47,840
Speaker 2: Oh Jesus, Okay, he brings a couple, brings the kids

394
00:20:47,920 --> 00:20:48,360
Speaker 2: with him.

395
00:20:48,840 --> 00:20:53,120
Speaker 1: I love it perfect, And he says he doesn't find anything. Okay,

396
00:20:53,240 --> 00:20:57,080
Speaker 1: So at this point the painting is fallen, You're noticing

397
00:20:57,119 --> 00:20:59,879
Speaker 1: the neighbors. It's a little weird at this point.

398
00:21:00,000 --> 00:21:02,159
Speaker 2: Maybe ask if the house has a history, or go

399
00:21:02,200 --> 00:21:04,560
Speaker 2: to the local library, Like why is he doing it

400
00:21:04,600 --> 00:21:05,679
Speaker 2: all piecemeal like this?

401
00:21:06,280 --> 00:21:11,000
Speaker 1: He's single father three trying to you know, it seems

402
00:21:11,000 --> 00:21:13,439
Speaker 1: like a tough situation when people get in these situations

403
00:21:13,440 --> 00:21:16,040
Speaker 1: because they're like, fuck, I just signed the lease and

404
00:21:16,359 --> 00:21:18,879
Speaker 1: we just did all this move That's another thing. I

405
00:21:18,920 --> 00:21:21,640
Speaker 1: hate moving. So wherever I'm going, I'm staying.

406
00:21:21,880 --> 00:21:24,040
Speaker 2: That's it right right right by the way.

407
00:21:24,080 --> 00:21:26,280
Speaker 1: All this stuff has happened only in the first week.

408
00:21:26,520 --> 00:21:28,080
Speaker 2: Jesus dude.

409
00:21:28,680 --> 00:21:33,080
Speaker 1: So another thing that happened. They keep finding that when

410
00:21:33,119 --> 00:21:36,119
Speaker 1: they come home, the lights are on, all the lights.

411
00:21:36,560 --> 00:21:39,120
Speaker 1: So one morning the two boys go in the car

412
00:21:39,200 --> 00:21:42,320
Speaker 1: before school and he and his daughter go around. They

413
00:21:42,400 --> 00:21:45,040
Speaker 1: check all the lights. They make sure, okay, all the

414
00:21:45,119 --> 00:21:47,680
Speaker 1: lights are off, no one's keeping them on. They get

415
00:21:47,720 --> 00:21:49,920
Speaker 1: home and all the lights are on. That would piss

416
00:21:50,000 --> 00:21:51,240
Speaker 1: me off. Who's paying for that?

417
00:21:51,560 --> 00:21:53,040
Speaker 2: Now? That's costing you money?

418
00:21:53,200 --> 00:21:53,720
Speaker 1: Exactly.

419
00:21:54,040 --> 00:21:54,600
Speaker 2: Yeah.

420
00:21:54,720 --> 00:21:57,240
Speaker 1: But one cost that they don't have to worry about

421
00:21:57,480 --> 00:22:01,320
Speaker 1: is the air conditioning because the living is thirty degrees

422
00:22:01,359 --> 00:22:02,560
Speaker 1: cooler than everywhere else.

423
00:22:02,840 --> 00:22:05,160
Speaker 2: Ooh, well, that's actually kind of convenient.

424
00:22:05,480 --> 00:22:08,000
Speaker 1: That's nice. There's been some days lately where I'm like,

425
00:22:08,040 --> 00:22:10,400
Speaker 1: if a ghost wants to come in here just for

426
00:22:10,560 --> 00:22:14,639
Speaker 1: like a couple hours in cold spots, exactly.

427
00:22:14,520 --> 00:22:17,000
Speaker 2: Is that the way to solve global warming? This help

428
00:22:17,119 --> 00:22:17,359
Speaker 2: us go.

429
00:22:17,520 --> 00:22:20,080
Speaker 1: This is why mary Anne Williamson needs to win. I

430
00:22:20,119 --> 00:22:22,679
Speaker 1: feel like this is she would do.

431
00:22:25,680 --> 00:22:25,760
Speaker 2: So.

432
00:22:26,320 --> 00:22:28,120
Speaker 1: He notices that all the lights are out. He goes

433
00:22:28,160 --> 00:22:30,880
Speaker 1: around the house. He's literally working up a sweat trying

434
00:22:30,880 --> 00:22:32,800
Speaker 1: to figure out how are these lights again? Another thing

435
00:22:32,840 --> 00:22:34,240
Speaker 1: I wouldn't be able. I don't know what a damn

436
00:22:34,240 --> 00:22:36,960
Speaker 1: breaker box says whatever. He's trying to figure out why

437
00:22:36,960 --> 00:22:39,280
Speaker 1: the lights are on, can't figure it out. He's sweating.

438
00:22:39,440 --> 00:22:41,399
Speaker 1: That's when he goes into the room and his daughter's like,

439
00:22:41,440 --> 00:22:43,560
Speaker 1: it's thirty degrees or she shouldn't say, but she's like,

440
00:22:43,600 --> 00:22:46,000
Speaker 1: it's colder in here. And then he goes into the

441
00:22:46,080 --> 00:22:48,440
Speaker 1: living room and he notices it is and as he's

442
00:22:48,440 --> 00:22:51,640
Speaker 1: in there, this is the first time that he feels

443
00:22:52,080 --> 00:22:55,880
Speaker 1: a presence. He feels like an electrical current going through

444
00:22:55,880 --> 00:22:59,119
Speaker 1: his body. Oh boy, this was the first night they

445
00:22:59,160 --> 00:23:02,760
Speaker 1: all slept together there in the same room.

446
00:23:02,840 --> 00:23:03,119
Speaker 2: Yep.

447
00:23:03,560 --> 00:23:07,359
Speaker 1: So another time, one night, they're sitting in the living room.

448
00:23:07,840 --> 00:23:10,720
Speaker 1: He's about to go the next morning on a work

449
00:23:10,800 --> 00:23:12,880
Speaker 1: trip and the kids are gonna stay with their grandma.

450
00:23:13,400 --> 00:23:17,080
Speaker 1: He sees by the corner of his eye, like some movement,

451
00:23:17,400 --> 00:23:18,920
Speaker 1: and they're all just sitting in the living room, you

452
00:23:18,960 --> 00:23:21,720
Speaker 1: know whatever. He sees like some movement, and he looks

453
00:23:21,760 --> 00:23:25,639
Speaker 1: over and there is the figure of a man, but

454
00:23:25,680 --> 00:23:28,439
Speaker 1: it's made out of dark mist. It's kind of like

455
00:23:28,520 --> 00:23:33,720
Speaker 1: swirling around classic totally. He looks away, he looks back.

456
00:23:33,760 --> 00:23:36,520
Speaker 1: It's still there. Which is that's supposed to work. You're

457
00:23:36,520 --> 00:23:37,440
Speaker 1: supposed to look away.

458
00:23:37,600 --> 00:23:38,320
Speaker 2: Oh, you're right.

459
00:23:39,160 --> 00:23:41,240
Speaker 1: Yeah, So it's still there, he says. It starts to

460
00:23:41,320 --> 00:23:44,520
Speaker 1: kind of moving walking, and then it just vanishes. He

461
00:23:44,600 --> 00:23:48,080
Speaker 1: decides to keep calm. He's like, all right, kids, we're

462
00:23:48,080 --> 00:23:51,359
Speaker 1: going to grandma's now. And so they get into the

463
00:23:51,400 --> 00:23:55,439
Speaker 1: car and his son goes, Daddy, look the basement monster

464
00:23:55,640 --> 00:24:00,280
Speaker 1: is standing in the upstairs window. So sure enough he

465
00:24:00,359 --> 00:24:03,119
Speaker 1: looks and that same figure that he just saw was

466
00:24:03,240 --> 00:24:04,159
Speaker 1: looking out the window.

467
00:24:04,400 --> 00:24:05,280
Speaker 2: Figure at the window.

468
00:24:05,480 --> 00:24:09,160
Speaker 1: Oh boy, so patten, in the words of the great

469
00:24:09,400 --> 00:24:12,560
Speaker 1: John kinones, what would you do?

470
00:24:12,840 --> 00:24:16,520
Speaker 2: I mean? Except for it scaring the kids. It doesn't

471
00:24:16,560 --> 00:24:19,199
Speaker 2: seem to be overtly like if it's trying to get

472
00:24:19,240 --> 00:24:21,440
Speaker 2: people out of the house, it's not doing a good job.

473
00:24:21,800 --> 00:24:25,280
Speaker 2: It only knows how to minorly annoy people, Like it's

474
00:24:25,320 --> 00:24:27,639
Speaker 2: not making the walls bleed. It's not. I mean, I

475
00:24:27,640 --> 00:24:30,159
Speaker 2: guess it could disturb your sleep, but I mean, the

476
00:24:30,200 --> 00:24:32,679
Speaker 2: first thing I would do is look into the history

477
00:24:32,680 --> 00:24:34,439
Speaker 2: of the house. I'd either ask the neighbors to go

478
00:24:34,440 --> 00:24:36,280
Speaker 2: to the library. Was there a murder, was there some

479
00:24:36,400 --> 00:24:40,399
Speaker 2: kind of thing? But the ghost needs to up its ghostgame, right.

480
00:24:40,520 --> 00:24:44,200
Speaker 2: It's not great at what it's doing right now. Remember

481
00:24:44,240 --> 00:24:46,560
Speaker 2: the Maitlands and Beetlejuice, So they don't really know how

482
00:24:46,600 --> 00:24:48,520
Speaker 2: to haunt a house all that well, like they're just

483
00:24:48,560 --> 00:24:49,560
Speaker 2: so corny.

484
00:24:49,200 --> 00:24:52,679
Speaker 1: With it exactly they were new yeah yeah, yeah. So

485
00:24:52,840 --> 00:24:55,160
Speaker 1: but say you do find out there was a murder

486
00:24:55,320 --> 00:24:56,760
Speaker 1: or whatever, what do you do with that?

487
00:24:57,480 --> 00:25:01,640
Speaker 2: Uh? Whush? Maybe get your money back from the wheel term.

488
00:25:02,000 --> 00:25:04,400
Speaker 2: Is there a way to get like either a reduction

489
00:25:04,640 --> 00:25:07,960
Speaker 2: in what the you know, mortgage is or if you're

490
00:25:07,960 --> 00:25:11,119
Speaker 2: determined to stay, make it worth your while. If not,

491
00:25:11,480 --> 00:25:14,560
Speaker 2: leave and try to get like a bonus or damages, right,

492
00:25:14,680 --> 00:25:16,400
Speaker 2: and get another place. You know what I mean.

493
00:25:16,720 --> 00:25:19,760
Speaker 1: It's kind of state by state, right, I believe the

494
00:25:19,880 --> 00:25:22,240
Speaker 1: different laws on I don't know what it is in Mizori,

495
00:25:22,920 --> 00:25:26,840
Speaker 1: but I think that some states they do have to

496
00:25:26,880 --> 00:25:28,720
Speaker 1: disclose if anything happened.

497
00:25:28,880 --> 00:25:29,280
Speaker 2: Wow.

498
00:25:29,680 --> 00:25:31,600
Speaker 1: Well, okay, it's funny you bring.

499
00:25:31,440 --> 00:25:33,600
Speaker 2: This up because ooh ooh what happens?

500
00:25:34,080 --> 00:25:38,280
Speaker 1: He is, you know, rifling around his shed and he

501
00:25:38,560 --> 00:25:41,959
Speaker 1: finds some old belongings of different people.

502
00:25:42,280 --> 00:25:44,200
Speaker 2: Oh shit.

503
00:25:44,480 --> 00:25:47,520
Speaker 1: He's like, all right, I'm gonna call that creepy, weird

504
00:25:47,560 --> 00:25:51,840
Speaker 1: old landlady. This is my second scene in this movie.

505
00:25:52,160 --> 00:25:56,359
Speaker 1: And he asks her, like, all right, it's a little

506
00:25:56,400 --> 00:26:01,640
Speaker 1: weird that. Has anyone ever reported a go? And by

507
00:26:01,640 --> 00:26:03,800
Speaker 1: the way, do you ever ask have you ever asked

508
00:26:03,840 --> 00:26:05,320
Speaker 1: that when you move into a place?

509
00:26:05,640 --> 00:26:08,560
Speaker 2: I have asked, what the especially in Hollywood? You want

510
00:26:08,560 --> 00:26:10,160
Speaker 2: to know anyone famous live here?

511
00:26:10,200 --> 00:26:12,560
Speaker 1: Okay, wait a second, have you ever lived in a

512
00:26:12,640 --> 00:26:15,680
Speaker 1: house that was somebody famous's house? That's amazing?

513
00:26:15,920 --> 00:26:17,960
Speaker 2: No. No, never lived in anybody. But I have a

514
00:26:17,960 --> 00:26:20,480
Speaker 2: lot of friends who have houses where they're like, oh, yeah,

515
00:26:20,480 --> 00:26:22,399
Speaker 2: at one point this person lived here. I had a

516
00:26:22,400 --> 00:26:25,000
Speaker 2: friend that lived in Roddy McDowell's house.

517
00:26:25,440 --> 00:26:25,800
Speaker 1: Cool.

518
00:26:26,560 --> 00:26:28,760
Speaker 2: Yeah, and he was just like, based on the number

519
00:26:28,760 --> 00:26:30,640
Speaker 2: of gay parties that happened in this house, I could

520
00:26:30,680 --> 00:26:32,680
Speaker 2: take a cup of the pool water to a lab

521
00:26:32,720 --> 00:26:34,040
Speaker 2: and regrow tab hunter.

522
00:26:34,440 --> 00:26:36,560
Speaker 1: Ah.

523
00:26:36,680 --> 00:26:39,560
Speaker 2: That was Dana Gould's joke about that. But like Roddy

524
00:26:39,600 --> 00:26:43,080
Speaker 2: McDowell hosted genuinely amazing parties, we would screen things. So

525
00:26:43,119 --> 00:26:44,639
Speaker 2: the history of the house was incredible.

526
00:26:44,720 --> 00:26:46,880
Speaker 1: I love that, and I believe that that vibe can

527
00:26:46,960 --> 00:26:47,720
Speaker 1: stay around.

528
00:26:47,880 --> 00:26:50,320
Speaker 2: Yes, Like, you know, have you ever lived in a

529
00:26:50,359 --> 00:26:52,960
Speaker 2: place where there was a death or someone famous or

530
00:26:53,000 --> 00:26:54,200
Speaker 2: a haunting or something like that?

531
00:26:54,480 --> 00:26:56,920
Speaker 1: Not that I know it, but I've always asked every

532
00:26:56,920 --> 00:26:59,000
Speaker 1: place I go. And you know what's so funny. I

533
00:26:59,119 --> 00:27:02,920
Speaker 1: was just thinking last night about when I moved into

534
00:27:02,920 --> 00:27:06,800
Speaker 1: this place. I asked my landlord, is this place haunted?

535
00:27:07,080 --> 00:27:11,160
Speaker 1: I said, legally I have to ask, yeah, yeah, And

536
00:27:11,400 --> 00:27:15,400
Speaker 1: he was truly weird about He was like, no, what

537
00:27:16,720 --> 00:27:19,000
Speaker 1: And I was like, how long did the person live

538
00:27:19,040 --> 00:27:22,040
Speaker 1: here before? And he said, oh, like a really long time.

539
00:27:22,080 --> 00:27:24,000
Speaker 1: He's like, all the people that have lived here have

540
00:27:24,080 --> 00:27:26,000
Speaker 1: stayed for a really long time. They love it.

541
00:27:26,320 --> 00:27:26,840
Speaker 2: Oh.

542
00:27:26,880 --> 00:27:29,880
Speaker 1: But what I realized last night was I didn't ever

543
00:27:30,000 --> 00:27:35,879
Speaker 1: ask did the person move out? Oh shit, or is

544
00:27:35,920 --> 00:27:39,680
Speaker 1: this the last place that they were breathing. I don't know.

545
00:27:40,000 --> 00:27:42,600
Speaker 2: The phrase anyone who's ever lived here has stayed for

546
00:27:42,640 --> 00:27:44,800
Speaker 2: a long time is weirdly ominous.

547
00:27:45,160 --> 00:27:47,400
Speaker 1: So back to the story. So when he asked her,

548
00:27:47,760 --> 00:27:51,280
Speaker 1: has anyone ever reported a ghost, she's a little dodgy

549
00:27:51,600 --> 00:27:56,120
Speaker 1: and she's like, what goes? Uh huh? What's that? And

550
00:27:56,680 --> 00:28:00,320
Speaker 1: she does say, well, the last two tenants only stayed

551
00:28:00,320 --> 00:28:03,360
Speaker 1: here for a short time. One of them left their

552
00:28:03,400 --> 00:28:07,119
Speaker 1: belongings and never came back for him, and then another

553
00:28:07,160 --> 00:28:09,199
Speaker 1: one left in the middle of the night, never to

554
00:28:09,320 --> 00:28:12,960
Speaker 1: return again. Wouldn't answer phone calls in anything. She's like,

555
00:28:13,000 --> 00:28:14,400
Speaker 1: but I don't know about a ghost.

556
00:28:15,640 --> 00:28:17,240
Speaker 2: But I don't know about a ghost.

557
00:28:18,200 --> 00:28:20,760
Speaker 1: So he's on the phone with his mom one night

558
00:28:21,080 --> 00:28:25,320
Speaker 1: and the doors are rattling around the house and he's like,

559
00:28:25,440 --> 00:28:29,400
Speaker 1: all right, kids, stop horsing around. And it gets more

560
00:28:29,440 --> 00:28:32,639
Speaker 1: intense and they're like, you know, rattling, bang and whatever,

561
00:28:33,200 --> 00:28:36,200
Speaker 1: and he's like, stop and knock it off. His daughter

562
00:28:36,359 --> 00:28:39,480
Speaker 1: like comes in. She's like, I'm reading my book and

563
00:28:39,520 --> 00:28:41,880
Speaker 1: my two brothers are sleeping. What are you talking about.

564
00:28:42,680 --> 00:28:48,000
Speaker 1: Instantly the temperature drops, he feels the electrical rush back

565
00:28:48,040 --> 00:28:51,800
Speaker 1: in his body and he smells a terrible odor. He

566
00:28:51,920 --> 00:28:54,960
Speaker 1: checks his panties. It's not coming from him. I added that.

567
00:28:54,960 --> 00:28:56,920
Speaker 2: Part, and that's that's a very human thing to do.

568
00:28:57,040 --> 00:29:01,640
Speaker 1: So he hears a screaming of a man and it's

569
00:29:01,680 --> 00:29:06,560
Speaker 1: getting intensely louder and louder. The whole house comes alive.

570
00:29:06,840 --> 00:29:10,120
Speaker 1: Shake it. His daughter is screaming in her room. He

571
00:29:10,200 --> 00:29:12,720
Speaker 1: goes up there and it is locked. He cannot get

572
00:29:12,760 --> 00:29:14,680
Speaker 1: it open. He's trying, he's doing ever. He going to

573
00:29:14,800 --> 00:29:17,440
Speaker 1: bust it open, and he hears some of them coming

574
00:29:17,520 --> 00:29:20,720
Speaker 1: behind him. He finally gets in there. She is literally

575
00:29:20,760 --> 00:29:24,959
Speaker 1: in shock. He grabs her, gets the boys. They run outside.

576
00:29:25,000 --> 00:29:29,480
Speaker 1: Everyone's screaming. They're here in the same male screaming coming

577
00:29:29,520 --> 00:29:32,200
Speaker 1: from inside the house. They go into the car and

578
00:29:32,200 --> 00:29:35,000
Speaker 1: they're just like looking at the house and they see

579
00:29:35,080 --> 00:29:38,760
Speaker 1: the dark figure pacing around looking for them.

580
00:29:39,440 --> 00:29:42,400
Speaker 2: Okay, first off, better job ghost. That's a little more

581
00:29:42,400 --> 00:29:43,360
Speaker 2: aggressive and creepy.

582
00:29:43,560 --> 00:29:45,920
Speaker 1: Yeah. Everything else was a dress rehearsal.

583
00:29:45,840 --> 00:29:48,640
Speaker 2: Yes, exactly. Yeah, he was trying out some new material.

584
00:29:48,720 --> 00:29:51,120
Speaker 2: Didn't work. Yeah, went back to the classic stuff because

585
00:29:51,120 --> 00:29:53,520
Speaker 2: that is classically scary as shit.

586
00:29:53,840 --> 00:29:56,840
Speaker 1: Totally. Yeah, He's like, you know this worked the last

587
00:29:56,840 --> 00:29:57,840
Speaker 1: two people.

588
00:29:57,760 --> 00:30:00,960
Speaker 2: That stuff, I'm fucking gone. You got me there, Well,

589
00:30:01,160 --> 00:30:02,200
Speaker 2: you can't live.

590
00:30:02,640 --> 00:30:05,480
Speaker 1: That's unlivable. Now where does it go from there? You

591
00:30:05,480 --> 00:30:07,800
Speaker 1: know it's only going to get worse. They never came back,

592
00:30:07,840 --> 00:30:10,600
Speaker 1: except he did come back to get belongings, and he

593
00:30:10,680 --> 00:30:13,000
Speaker 1: brought people with him, and every time they did, they

594
00:30:13,040 --> 00:30:15,720
Speaker 1: heard a whisper, they heard, you know, all kinds of stuff.

595
00:30:16,040 --> 00:30:19,040
Speaker 1: And again this was in two thousand and four. He

596
00:30:19,080 --> 00:30:21,880
Speaker 1: has since written a book, and apparently his book goes

597
00:30:21,880 --> 00:30:24,440
Speaker 1: into way more detail, like there's a lot more to it.

598
00:30:24,560 --> 00:30:26,520
Speaker 2: Did anyone move in after him?

599
00:30:26,800 --> 00:30:29,840
Speaker 1: It's as if your psychic, the way you ask me

600
00:30:30,200 --> 00:30:32,280
Speaker 1: the questions that I got ready for you.

601
00:30:32,560 --> 00:30:33,200
Speaker 2: Here we go.

602
00:30:33,880 --> 00:30:39,400
Speaker 1: So he says, that's someone he knows. Saw a family

603
00:30:39,600 --> 00:30:42,200
Speaker 1: running out of the house in their Jammy's in the

604
00:30:42,240 --> 00:30:45,880
Speaker 1: middle of the night with the cops driving up. Wow,

605
00:30:46,320 --> 00:30:48,560
Speaker 1: this was in two thousand and four. He also says,

606
00:30:48,560 --> 00:30:51,600
Speaker 1: in two thousand and four, apparently the landlady couldn't get

607
00:30:51,640 --> 00:30:53,680
Speaker 1: anyone to stay there, so she turned it into a

608
00:30:53,720 --> 00:30:59,960
Speaker 1: dog kennel. So that's those poor dogs. That's horrible.

609
00:31:00,840 --> 00:31:02,480
Speaker 2: Yeah, that's not good.

610
00:31:02,920 --> 00:31:06,560
Speaker 1: Yeah, the scream and the bargain. That is the story

611
00:31:06,720 --> 00:31:08,800
Speaker 1: of the Union Screaming House.

612
00:31:09,240 --> 00:31:10,080
Speaker 2: Hell yeah it is.

613
00:31:20,120 --> 00:31:23,120
Speaker 1: Can I can I show you a haunted doll?

614
00:31:23,800 --> 00:31:27,160
Speaker 2: Oh god, Roz. This is where I have some problems

615
00:31:27,200 --> 00:31:31,400
Speaker 2: with you. And we talked about this last time. Haunted objects,

616
00:31:31,600 --> 00:31:36,000
Speaker 2: haunted mirrors. There's all kinds of haunted objects everywhere, and

617
00:31:36,120 --> 00:31:40,880
Speaker 2: you actively troll eBay at whatever. I don't know where

618
00:31:40,920 --> 00:31:41,800
Speaker 2: you find this ship.

619
00:31:42,000 --> 00:31:43,240
Speaker 1: Yeah, a lot of times it's eba.

620
00:31:43,760 --> 00:31:46,520
Speaker 2: Yeah, you're the Sarah McLaughlin of haunted dolls. You are

621
00:31:46,560 --> 00:31:48,160
Speaker 2: adopting these fucking things.

622
00:31:48,400 --> 00:31:51,480
Speaker 1: Now I'm not adopting them, I'm just talking about them.

623
00:31:51,880 --> 00:31:54,840
Speaker 2: Maybe it's safe because because this is over zoom, so

624
00:31:54,880 --> 00:31:58,000
Speaker 2: I've got like two levels of separation going on, so

625
00:31:58,040 --> 00:31:59,400
Speaker 2: this should be okay, right.

626
00:31:59,440 --> 00:32:03,600
Speaker 1: Oh yeah, you're fine. Also, stay in your you know, desperation.

627
00:32:03,720 --> 00:32:04,880
Speaker 1: I want to see a ghost.

628
00:32:05,120 --> 00:32:07,440
Speaker 2: Oh shit, you're right. Wait wait wait ooh let me

629
00:32:07,480 --> 00:32:10,360
Speaker 2: see this haunted doll. I can't wait. Maybe this spirit

630
00:32:10,360 --> 00:32:13,920
Speaker 2: will jump into me. Yay, let's do it, do it? Okay, good,

631
00:32:14,240 --> 00:32:15,960
Speaker 2: now we're safe, go ahead and do it.

632
00:32:16,240 --> 00:32:18,680
Speaker 1: All right, it's time for a segment I like to

633
00:32:18,720 --> 00:32:26,440
Speaker 1: call the dolls are living. So this doll does not

634
00:32:26,560 --> 00:32:31,960
Speaker 1: have a name. She's got no bids currently twenty dollars, Jieha.

635
00:32:32,080 --> 00:32:34,640
Speaker 1: Could you throw up the doll for us please?

636
00:32:35,800 --> 00:32:41,400
Speaker 2: There we go Ooh well, okay, first off, this is

637
00:32:41,440 --> 00:32:45,600
Speaker 2: clearly made in more modern times. Yes, those weird dark

638
00:32:45,680 --> 00:32:47,320
Speaker 2: circles in the eyes you notice that?

639
00:32:47,840 --> 00:32:48,680
Speaker 1: Yeah?

640
00:32:48,840 --> 00:32:50,600
Speaker 2: Yeah, like the doll has insomnia.

641
00:32:50,920 --> 00:32:53,080
Speaker 1: Yeah, it's not good lighting for the doll.

642
00:32:53,680 --> 00:32:56,480
Speaker 2: This one doesn't creep me out as badly as the

643
00:32:56,520 --> 00:32:58,760
Speaker 2: one you showed me on my last appearance, because this

644
00:32:58,800 --> 00:33:02,800
Speaker 2: doesn't have that weird antique the near. Yes, a lot

645
00:33:02,800 --> 00:33:04,920
Speaker 2: of these dolls, they are clearly antique. A lot of

646
00:33:04,920 --> 00:33:09,640
Speaker 2: them are handmade. This is clearly polyurethane rubber mass produced.

647
00:33:10,200 --> 00:33:10,920
Speaker 1: Yeah.

648
00:33:11,000 --> 00:33:12,840
Speaker 2: Why do they say this doll is haunted?

649
00:33:13,120 --> 00:33:17,680
Speaker 1: Well, and this doll too, like beautiful eyes, she is

650
00:33:18,200 --> 00:33:23,840
Speaker 1: Joe roganbald. Yeah, but this one allegedly has a demon.

651
00:33:24,400 --> 00:33:28,640
Speaker 1: Oh so this person wrote, I got this doll from

652
00:33:28,680 --> 00:33:32,680
Speaker 1: my friend who didn't know a demon's soul was attached.

653
00:33:34,080 --> 00:33:37,320
Speaker 1: I cleaned up the doll not knowing and ended up

654
00:33:37,360 --> 00:33:41,320
Speaker 1: making her mad. She scratched the shit out of my arm,

655
00:33:41,720 --> 00:33:44,200
Speaker 1: but I made peace with her once I made her

656
00:33:44,240 --> 00:33:47,200
Speaker 1: the dress that she's wearing. I would keep her, but

657
00:33:47,480 --> 00:33:50,640
Speaker 1: she is not getting along with the other spirits in

658
00:33:50,680 --> 00:33:54,320
Speaker 1: my home, and I need peace in the home. She

659
00:33:54,400 --> 00:33:58,320
Speaker 1: seems to be understanding, but she needs respect. If you

660
00:33:58,400 --> 00:34:01,480
Speaker 1: do not show her respect, I'm sure she will become

661
00:34:01,520 --> 00:34:04,680
Speaker 1: your nightmare. So please only take her if you will

662
00:34:04,720 --> 00:34:06,440
Speaker 1: take care of her properly.

663
00:34:07,040 --> 00:34:09,799
Speaker 2: I gotta think a demon that chows that doll to

664
00:34:09,840 --> 00:34:13,920
Speaker 2: hop into is not the most powerful or intelligent demon.

665
00:34:13,960 --> 00:34:16,880
Speaker 2: There are creepier dolls that you can haunt. That is

666
00:34:16,920 --> 00:34:18,640
Speaker 2: such a generic looking doll.

667
00:34:19,120 --> 00:34:21,560
Speaker 1: Maybe it's the only doll they had.

668
00:34:22,080 --> 00:34:24,480
Speaker 2: Maybe, but that would be like, how can I put this?

669
00:34:24,880 --> 00:34:29,319
Speaker 2: That would be like haunting a cheesecake factory? Why, Like

670
00:34:29,480 --> 00:34:31,960
Speaker 2: there are creepy old houses you can jump into. But

671
00:34:31,960 --> 00:34:34,000
Speaker 2: you're right, maybe that's the only thing that this thing

672
00:34:34,040 --> 00:34:34,920
Speaker 2: had available.

673
00:34:35,160 --> 00:34:38,799
Speaker 1: That's a technique, though, you go where you're not expected.

674
00:34:39,160 --> 00:34:44,359
Speaker 1: You know, maybe you'll get more results, maybe you'll scare more.

675
00:34:44,600 --> 00:34:46,200
Speaker 1: But I don't know. I also think of it. I've

676
00:34:46,239 --> 00:34:48,640
Speaker 1: made this comparison before. It's sort of like sometimes you

677
00:34:48,719 --> 00:34:51,680
Speaker 1: see a sad video of a hermit crab that's now

678
00:34:52,000 --> 00:34:54,960
Speaker 1: stuck in a seven up can because like that's all

679
00:34:55,000 --> 00:34:58,360
Speaker 1: they had they didn't have a shell anywhere.

680
00:34:58,840 --> 00:35:03,160
Speaker 2: Okay, ask your producer. There is either a picture or

681
00:35:03,200 --> 00:35:06,760
Speaker 2: a video of a hermit crab, and all they had

682
00:35:06,960 --> 00:35:11,000
Speaker 2: to use as a shell was a doll's head, like

683
00:35:11,040 --> 00:35:15,160
Speaker 2: a baby doll head. And it is the creepiest goddamn

684
00:35:15,200 --> 00:35:18,960
Speaker 2: thing you've ever seen. Creepy doll, but with crab legs

685
00:35:18,960 --> 00:35:19,840
Speaker 2: coming out the bottom.

686
00:35:20,800 --> 00:35:23,399
Speaker 1: How ironic that I just made that comparison?

687
00:35:23,719 --> 00:35:24,640
Speaker 2: Yes, exactly.

688
00:35:25,160 --> 00:35:27,080
Speaker 1: Gee, do you any chance have that?

689
00:35:28,520 --> 00:35:30,279
Speaker 2: Yes? There it is?

690
00:35:31,400 --> 00:35:37,480
Speaker 1: Oh my god, Nope, nope. Honestly, it's kind of fabulous.

691
00:35:37,560 --> 00:35:40,440
Speaker 1: It looks like the doll has like a really cool,

692
00:35:41,000 --> 00:35:44,640
Speaker 1: like punk rock hair. Oh yeah, wait a minute, it's

693
00:35:44,719 --> 00:35:45,560
Speaker 1: kind of orange.

694
00:35:45,960 --> 00:35:48,080
Speaker 2: Yeah, you know what, I don't hate that.

695
00:35:48,560 --> 00:35:50,719
Speaker 1: Yeah, if you look at it like that. It also

696
00:35:50,800 --> 00:35:54,160
Speaker 1: kind of reminds me of that scene in It, the

697
00:35:54,200 --> 00:35:57,359
Speaker 1: original one where they're like at the Chinese restaurant and

698
00:35:57,360 --> 00:35:59,560
Speaker 1: they have fortune cookies and one of them is like

699
00:35:59,560 --> 00:36:00,080
Speaker 1: a little.

700
00:36:03,440 --> 00:36:05,920
Speaker 2: Or that scene in John Carpenter's The Thing where the

701
00:36:05,920 --> 00:36:09,200
Speaker 2: shevered head suddenly sprouts legs and antenna and then walks away.

702
00:36:09,840 --> 00:36:15,320
Speaker 1: Yes, well, Patten, can I play you some ghost voices?

703
00:36:15,760 --> 00:36:20,480
Speaker 2: Oh? Yes, do it? It's time for evp.

704
00:36:21,320 --> 00:36:27,120
Speaker 1: Or e ev pase. All right, Patton, you know how

705
00:36:27,160 --> 00:36:31,080
Speaker 1: this works. I go to TikTok YouTube wherever or people

706
00:36:31,120 --> 00:36:34,440
Speaker 1: can send them to me, and I find electronic voice

707
00:36:34,480 --> 00:36:38,440
Speaker 1: phenomena alleged recordings of ghosts speaking, and I'm going to

708
00:36:38,520 --> 00:36:40,520
Speaker 1: play you two of them. I want you to tell

709
00:36:40,520 --> 00:36:42,880
Speaker 1: me what you think this ghost is saying, and then

710
00:36:42,920 --> 00:36:46,120
Speaker 1: I'll give you some options, the correct answer being what

711
00:36:46,280 --> 00:36:49,120
Speaker 1: the person that posts it believes it's saying. So this

712
00:36:49,239 --> 00:36:55,320
Speaker 1: first one is from Sequaria Underscore Raven on TikTok okay,

713
00:36:55,560 --> 00:37:01,160
Speaker 1: and it's at an abandoned school in Kentuck. Oh boy,

714
00:37:01,680 --> 00:37:03,520
Speaker 1: all right, what is it saying?

715
00:37:08,320 --> 00:37:08,840
Speaker 2: Oh?

716
00:37:08,920 --> 00:37:14,640
Speaker 1: That is aggressive? Yeah, it's I'm gonna play it again.

717
00:37:18,920 --> 00:37:25,279
Speaker 2: Oh wait a minute, I'll do it again. It's like,

718
00:37:25,360 --> 00:37:28,839
Speaker 2: don't take yourself back, or don't take don't take that

719
00:37:28,920 --> 00:37:33,480
Speaker 2: book back, like it's angry that something is being taken. Oh,

720
00:37:33,600 --> 00:37:35,839
Speaker 2: or like the way that someone like is lecturing you.

721
00:37:35,880 --> 00:37:39,680
Speaker 2: Don't you ever do? Like it has that rhythm to it,

722
00:37:39,960 --> 00:37:40,919
Speaker 2: Yes it does.

723
00:37:41,080 --> 00:37:45,160
Speaker 1: Well, here's some options. Okay, if that's not what they thought.

724
00:37:45,440 --> 00:37:49,840
Speaker 1: Is it A. I said my name's Matt. Is it B?

725
00:37:50,719 --> 00:37:56,880
Speaker 1: I just said that? C turn up the ther mustat

726
00:37:57,160 --> 00:38:02,920
Speaker 1: or d I was gonna eat that. Okay, here we go.

727
00:38:08,000 --> 00:38:11,960
Speaker 2: It's the second one. Yes, I just said that, Yes,

728
00:38:12,520 --> 00:38:13,200
Speaker 2: I just said that.

729
00:38:13,800 --> 00:38:15,840
Speaker 1: I hate that tone.

730
00:38:16,520 --> 00:38:18,640
Speaker 2: It feels like the idea of that's a ghost or

731
00:38:18,640 --> 00:38:21,040
Speaker 2: that's a spirit that's stuck in a moment, a loop

732
00:38:21,120 --> 00:38:23,480
Speaker 2: of pure rage, and they're just going to relive that

733
00:38:23,640 --> 00:38:26,720
Speaker 2: moment totally. That's when they exist forever.

734
00:38:27,040 --> 00:38:30,080
Speaker 1: And I'm sure somebody was like, ooh, it's you know,

735
00:38:30,239 --> 00:38:32,480
Speaker 1: I don't know, it's cold in here, and then the

736
00:38:32,520 --> 00:38:34,120
Speaker 1: ghost was like, yeah, I just said that.

737
00:38:34,520 --> 00:38:38,320
Speaker 2: Right, oh boy. And it sounds young. It sounds like

738
00:38:38,360 --> 00:38:42,880
Speaker 2: a pissed off teenager. M imagine being a powdy teenager

739
00:38:42,920 --> 00:38:43,640
Speaker 2: for eternity.

740
00:38:44,200 --> 00:38:48,560
Speaker 1: I absolutely know what that's like. So here's another one.

741
00:38:49,200 --> 00:38:53,200
Speaker 1: This is from at two seventy nine to four. Jess

742
00:38:53,920 --> 00:39:04,120
Speaker 1: on TikTok. What is it say? It's way more whispered.

743
00:39:04,360 --> 00:39:10,440
Speaker 2: Yeah, yeah, hang on one more time, one more time.

744
00:39:13,800 --> 00:39:16,279
Speaker 1: I don't like it because of how's like a It

745
00:39:16,280 --> 00:39:18,600
Speaker 1: reminds me of like the Poulter guy, like when you're

746
00:39:18,760 --> 00:39:23,000
Speaker 1: talking through the TV. It has like that layered thing

747
00:39:23,040 --> 00:39:24,239
Speaker 1: to it. Wait, let me play it again.

748
00:39:27,640 --> 00:39:30,239
Speaker 2: It sounds like it's saying exactly, this is.

749
00:39:30,160 --> 00:39:31,840
Speaker 1: Going to be a new thing for the network.

750
00:39:32,040 --> 00:39:34,560
Speaker 2: Exactly right, Oh that should be the.

751
00:39:36,239 --> 00:39:37,600
Speaker 1: Well that's not what they believe.

752
00:39:37,880 --> 00:39:39,200
Speaker 2: Okay, what are the options?

753
00:39:39,440 --> 00:39:46,520
Speaker 1: Is that a oopsie shot? B? Hold on one sec? C?

754
00:39:47,520 --> 00:39:49,840
Speaker 2: Who is that? Or D?

755
00:39:50,719 --> 00:39:54,680
Speaker 1: And just like that? Maybe they have a subscription to Max.

756
00:39:55,520 --> 00:39:58,400
Speaker 2: I think it's I think it's C. Who is that?

757
00:40:02,160 --> 00:40:03,160
Speaker 1: Yes?

758
00:40:03,360 --> 00:40:06,120
Speaker 2: Yeah? Who is that? Maybe? You know there's that theory

759
00:40:06,200 --> 00:40:09,160
Speaker 2: that when we contact ghosts in a way, we're haunting

760
00:40:09,200 --> 00:40:12,640
Speaker 2: them because it's someone time and they're hearing a weird voice.

761
00:40:12,920 --> 00:40:15,400
Speaker 2: So that's someone in the future with a kind of

762
00:40:15,400 --> 00:40:18,520
Speaker 2: Ouiji board or something like, who is that? What was

763
00:40:18,520 --> 00:40:20,520
Speaker 2: that voice? I think that's what's going on.

764
00:40:21,760 --> 00:40:22,359
Speaker 1: I hate it.

765
00:40:22,480 --> 00:40:26,160
Speaker 2: Oh, I fucking love this. Well, how is this not

766
00:40:26,239 --> 00:40:28,000
Speaker 2: a game show? All right? Anyway? Go ahead?

767
00:40:28,280 --> 00:40:30,400
Speaker 1: Well not an EVP. Just one more quick little thing.

768
00:40:30,480 --> 00:40:34,680
Speaker 1: Oh I just I'll throw out a couple of things.

769
00:40:34,719 --> 00:40:36,520
Speaker 1: And I'm just curious if you have, you know, any

770
00:40:36,680 --> 00:40:38,480
Speaker 1: anything to say about these things.

771
00:40:38,560 --> 00:40:39,319
Speaker 2: Oh sure, sure.

772
00:40:39,760 --> 00:40:40,800
Speaker 1: Superstitions.

773
00:40:42,520 --> 00:40:46,360
Speaker 2: There's this great phrase superstition brings bad luck. Like in

774
00:40:46,400 --> 00:40:50,640
Speaker 2: other words, if you follow a superstition, you are creating

775
00:40:51,320 --> 00:40:54,360
Speaker 2: the structure to have, then bad luck hit you because

776
00:40:54,360 --> 00:40:57,880
Speaker 2: you can't follow the structures of a superstition forever. In

777
00:40:57,920 --> 00:41:00,880
Speaker 2: other words, bad luck doesn't exist until you put the

778
00:41:00,920 --> 00:41:03,840
Speaker 2: superstition around it. So it's like when a when a

779
00:41:03,880 --> 00:41:07,600
Speaker 2: ballplayer is in a pennant race and the wins the

780
00:41:07,600 --> 00:41:09,960
Speaker 2: first game. So it's like, Okay, I'm not changing these socks.

781
00:41:10,280 --> 00:41:13,719
Speaker 2: Then the socks create the condition that Okay, well then

782
00:41:13,719 --> 00:41:16,840
Speaker 2: if you change the socks, then you're you're destroyed. I

783
00:41:16,880 --> 00:41:20,160
Speaker 2: take a reverse view of superstition. If you bring rituals in,

784
00:41:20,640 --> 00:41:21,919
Speaker 2: superstition follows them.

785
00:41:22,200 --> 00:41:23,880
Speaker 1: So do you have superstitions?

786
00:41:24,480 --> 00:41:27,120
Speaker 2: I do, and I'd rather not talk about them. No,

787
00:41:27,239 --> 00:41:29,360
Speaker 2: you don't have to, but I do have them.

788
00:41:29,600 --> 00:41:32,160
Speaker 1: But so you do believe in that sort of thing,

789
00:41:32,239 --> 00:41:32,600
Speaker 1: and you.

790
00:41:32,680 --> 00:41:36,920
Speaker 2: Oh yes, I mean superstition is rubbing shoulders with OCD.

791
00:41:37,320 --> 00:41:41,040
Speaker 2: I think it's just another version of it. OCD is

792
00:41:41,040 --> 00:41:45,120
Speaker 2: the scientific name we put onto superstition, and a lot

793
00:41:45,120 --> 00:41:47,359
Speaker 2: of superstition is about It's like when you don't tell

794
00:41:47,360 --> 00:41:50,040
Speaker 2: anyone your mantra if you meditate. So I just I

795
00:41:50,080 --> 00:41:52,799
Speaker 2: feel like if I reveal what the superstition is, then

796
00:41:52,840 --> 00:41:54,560
Speaker 2: that gives bad luck free range to do whatever the

797
00:41:54,600 --> 00:41:57,800
Speaker 2: fuck it wants. It makes the It makes the rituals powerless.

798
00:41:57,400 --> 00:42:00,000
Speaker 1: Which is a superstition in itself.

799
00:41:59,520 --> 00:42:02,080
Speaker 2: Which is an another fucking super goddamn it.

800
00:42:02,200 --> 00:42:05,640
Speaker 1: Raz You're right, yeah, fuck if I'm up for a

801
00:42:05,760 --> 00:42:08,680
Speaker 1: job or something, I'm like, you can't tell anyone, it'll

802
00:42:08,760 --> 00:42:09,680
Speaker 1: ruin it or whatever.

803
00:42:09,920 --> 00:42:12,000
Speaker 2: Yes, I don't want to jinx it to you. Hang out.

804
00:42:12,120 --> 00:42:15,400
Speaker 2: You also have superstitious structures and rituals.

805
00:42:14,920 --> 00:42:20,160
Speaker 1: Filled filled to the brim with superstitions. And there's certain

806
00:42:20,200 --> 00:42:22,440
Speaker 1: things like before I go on stage, like I just

807
00:42:22,480 --> 00:42:24,880
Speaker 1: gotta I always have to do it. Oh yeah, but

808
00:42:25,080 --> 00:42:29,920
Speaker 1: I try not to do like something where like my

809
00:42:30,040 --> 00:42:32,279
Speaker 1: lucky underwear or whatever. I try not to do like

810
00:42:32,320 --> 00:42:34,680
Speaker 1: that kind of a thing because like what if I

811
00:42:34,719 --> 00:42:38,560
Speaker 1: didn't have it, Oh my god, like then I'll panic exactly.

812
00:42:38,880 --> 00:42:41,479
Speaker 1: So it's more like mental things or like little things

813
00:42:41,520 --> 00:42:45,680
Speaker 1: that I can do, or like not saying certain things

814
00:42:45,760 --> 00:42:47,840
Speaker 1: like that I'm up for a job or whatever. Like

815
00:42:47,880 --> 00:42:48,480
Speaker 1: it's more like that.

816
00:42:48,800 --> 00:42:50,520
Speaker 2: It doesn't have to do with any object that you

817
00:42:50,560 --> 00:42:52,680
Speaker 2: have to have with you, because that leads to disaster.

818
00:42:52,760 --> 00:42:55,480
Speaker 2: I feel like an object always gets forgotten.

819
00:42:55,120 --> 00:42:55,719
Speaker 1: That's the thing.

820
00:42:55,880 --> 00:42:56,000
Speaker 2: Uh.

821
00:42:56,000 --> 00:43:00,720
Speaker 1: Oh, I do have a Lucky Ring. Oh really Yeah,

822
00:43:00,800 --> 00:43:03,279
Speaker 1: but I like to tell my because I know that

823
00:43:03,400 --> 00:43:05,480
Speaker 1: thing that you had said, and I like to think

824
00:43:05,840 --> 00:43:08,560
Speaker 1: if I don't have it, I still I still have

825
00:43:08,960 --> 00:43:13,359
Speaker 1: whatever the power within me. Yeah. Wait, so I saw

826
00:43:13,480 --> 00:43:17,120
Speaker 1: you went to Stonehenge. Do you have any paranormal theories

827
00:43:17,160 --> 00:43:17,680
Speaker 1: about that?

828
00:43:18,360 --> 00:43:22,319
Speaker 2: My god, there are so many paranormal theories about Stonehenge

829
00:43:22,360 --> 00:43:26,200
Speaker 2: that it is a weird much like the Pyramids. It's

830
00:43:26,200 --> 00:43:28,920
Speaker 2: a power focusing point. I guess. Other people say that

831
00:43:29,120 --> 00:43:31,600
Speaker 2: it has to do with how they told time or

832
00:43:31,600 --> 00:43:34,640
Speaker 2: the sun. Again, I don't know enough about it. I

833
00:43:34,680 --> 00:43:38,120
Speaker 2: do know we had just missed the winter solstice. We

834
00:43:38,120 --> 00:43:41,080
Speaker 2: were there. It was after Christmas that we went there,

835
00:43:41,480 --> 00:43:44,080
Speaker 2: and our tour guy was like, yeah, if you'd been

836
00:43:44,080 --> 00:43:46,600
Speaker 2: here on the twenty first, every it is. This is

837
00:43:46,640 --> 00:43:52,200
Speaker 2: the biggest freak magnet on the planet. They come from

838
00:43:52,440 --> 00:43:57,720
Speaker 2: miles around and you just missed it. No, No, I'm sorry,

839
00:43:57,800 --> 00:44:01,040
Speaker 2: that's wrong. We were there on the twentieth and we

840
00:44:01,080 --> 00:44:04,279
Speaker 2: could see all of the camper vans and caravans were

841
00:44:04,280 --> 00:44:06,279
Speaker 2: lining up, and our tour guy was like, if you

842
00:44:06,320 --> 00:44:10,360
Speaker 2: stayed another day tomorrow, it gets insane out here for

843
00:44:10,440 --> 00:44:14,000
Speaker 2: the spring and autumn. Equinox and the summer and winter

844
00:44:14,080 --> 00:44:16,400
Speaker 2: solstice that's when Stonehenge goes nuts.

845
00:44:16,680 --> 00:44:18,520
Speaker 1: I want to do that. That sos fun.

846
00:44:19,200 --> 00:44:22,799
Speaker 2: Yeah, but I don't know enough about Stonehenge and lay

847
00:44:22,800 --> 00:44:24,799
Speaker 2: lines and all that stuff, but I do know that

848
00:44:24,840 --> 00:44:28,440
Speaker 2: it was its significant pagan And again, you got to

849
00:44:28,480 --> 00:44:31,239
Speaker 2: watch that documentary. I think it's called Woodland's Dark and

850
00:44:31,360 --> 00:44:32,279
Speaker 2: Days Bewitched.

851
00:44:32,600 --> 00:44:35,120
Speaker 1: Yes, but did you feel a vibe?

852
00:44:35,480 --> 00:44:40,319
Speaker 2: No? Because I was so jet lagged, and so I

853
00:44:40,360 --> 00:44:43,080
Speaker 2: think that's what kept me off of any kind of vibe.

854
00:44:43,800 --> 00:44:46,920
Speaker 2: I have felt weird vibes places. Again, never been haunted,

855
00:44:46,960 --> 00:44:49,800
Speaker 2: but I've been places where I'm like, clearly, something fucked

856
00:44:49,880 --> 00:44:52,439
Speaker 2: up has happened here. Like I got a background tour

857
00:44:52,480 --> 00:44:56,520
Speaker 2: of Alcatraz once and I was like, this is like bad.

858
00:44:56,880 --> 00:45:00,080
Speaker 2: The architecture itself is designed to affect you men to

859
00:45:00,160 --> 00:45:04,400
Speaker 2: lee and physically totally. And whoever designed Alcatraz was a sadist.

860
00:45:04,640 --> 00:45:06,279
Speaker 1: I was just thinking, like it would be such an

861
00:45:06,280 --> 00:45:09,520
Speaker 1: interesting study or whatever to like be blindfolded and put

862
00:45:09,520 --> 00:45:13,320
Speaker 1: in a place and knowing it's Alcatraz or knowing whatever.

863
00:45:13,480 --> 00:45:17,160
Speaker 1: I'm sure that effects, right, But I wonder, you know,

864
00:45:17,239 --> 00:45:19,319
Speaker 1: just going to a place if any of us can

865
00:45:19,360 --> 00:45:22,200
Speaker 1: be like, it feels like something bad happened here. You know,

866
00:45:22,400 --> 00:45:22,640
Speaker 1: I don't.

867
00:45:22,840 --> 00:45:25,920
Speaker 2: Yeah, We've all been places where there like, okay, something

868
00:45:26,000 --> 00:45:27,040
Speaker 2: shitty went down here.

869
00:45:27,080 --> 00:45:31,680
Speaker 1: Oh totally. There's certain places I've performed sometimes where I'm like,

870
00:45:31,960 --> 00:45:34,760
Speaker 1: what is this vibe?

871
00:45:35,280 --> 00:45:38,400
Speaker 2: I'm actually about to go down to San Diego for

872
00:45:38,400 --> 00:45:40,479
Speaker 2: the Comic Con later this month, and there's a big

873
00:45:40,520 --> 00:45:43,920
Speaker 2: hotel there called the Hotel Coronado, which you will famously

874
00:45:43,920 --> 00:45:47,160
Speaker 2: remember from Some Like It hot It's where Joey Brown

875
00:45:47,320 --> 00:45:50,000
Speaker 2: and all of Joey Ross and all of the bachelors

876
00:45:50,040 --> 00:45:51,680
Speaker 2: are waiting to hook up with young women.

877
00:45:51,960 --> 00:45:53,360
Speaker 1: Oh, I know all about it.

878
00:45:53,680 --> 00:45:56,880
Speaker 2: And the Coronado is supposed to be crazy haunted, and

879
00:45:56,920 --> 00:46:00,640
Speaker 2: people who never had ghost encounters still go there and go, oh,

880
00:46:00,680 --> 00:46:03,320
Speaker 2: there's a vibe something went down there.

881
00:46:03,760 --> 00:46:06,920
Speaker 1: You know what. One time, this was in my early twenties,

882
00:46:07,000 --> 00:46:11,600
Speaker 1: I was dating an older gentleman and he was like,

883
00:46:12,160 --> 00:46:15,160
Speaker 1: I got the weekend free. We could go anywhere where

884
00:46:15,160 --> 00:46:17,360
Speaker 1: do you want to go? And I was like, Hotel

885
00:46:17,480 --> 00:46:18,279
Speaker 1: the Cornett.

886
00:46:20,840 --> 00:46:21,120
Speaker 2: Yep.

887
00:46:21,440 --> 00:46:26,360
Speaker 1: We went and there was no ghosts, but there is

888
00:46:26,440 --> 00:46:30,040
Speaker 1: a room that is like the haunted Room. The woman

889
00:46:30,160 --> 00:46:31,920
Speaker 1: that haunts the place. I want to say. Her name

890
00:46:32,000 --> 00:46:35,080
Speaker 1: is Kate Morgan. I think it was her name. Anyway,

891
00:46:36,360 --> 00:46:39,880
Speaker 1: maybe you can request to go into the room something

892
00:46:40,400 --> 00:46:42,479
Speaker 1: for some content so you can come back.

893
00:46:42,760 --> 00:46:44,520
Speaker 2: You got to start taking this on the road and

894
00:46:44,560 --> 00:46:47,520
Speaker 2: do like live shows or like a live broadcast.

895
00:46:47,880 --> 00:46:50,560
Speaker 1: Don't you worry it's all in the plane.

896
00:46:50,719 --> 00:46:53,439
Speaker 2: Oh okay, well what about you?

897
00:46:53,680 --> 00:46:55,920
Speaker 1: That's about it. But what's going on with you? What

898
00:46:55,960 --> 00:46:56,880
Speaker 1: do you want people to know?

899
00:46:57,600 --> 00:46:59,960
Speaker 2: It's already been out a month. My new trade paper

900
00:47:00,040 --> 00:47:03,440
Speaker 2: are Back Minor Threats, collecting the first four issues of

901
00:47:03,440 --> 00:47:06,839
Speaker 2: my dark Horse comic. Minor Threats, is available in comic

902
00:47:06,840 --> 00:47:09,000
Speaker 2: bookstores and bookstores. I hope you buy it at a

903
00:47:09,000 --> 00:47:12,120
Speaker 2: comic bookstore or bookstore. If you got to buy it online,

904
00:47:12,120 --> 00:47:15,120
Speaker 2: go to bookshop dot org. And then in about a

905
00:47:15,200 --> 00:47:19,320
Speaker 2: month from now, I'll be announcing my fall tour, new dates,

906
00:47:19,840 --> 00:47:24,480
Speaker 2: new cities, so stay tuned for that. oOoOO yeah, it's

907
00:47:24,520 --> 00:47:25,080
Speaker 2: all coming.

908
00:47:25,480 --> 00:47:29,320
Speaker 1: This is amazing. Thank you so much, Patten Roz.

909
00:47:29,440 --> 00:47:34,400
Speaker 2: As always, this is fascinating, horrifying, very uncomfortable. Please have

910
00:47:34,560 --> 00:47:35,680
Speaker 2: me back in a few months.

911
00:47:35,840 --> 00:47:42,719
Speaker 1: I would want nothing more. Thank you so much. To

912
00:47:42,840 --> 00:47:47,160
Speaker 1: Baton Oswald. I hope to have more conversations with him

913
00:47:47,480 --> 00:47:51,600
Speaker 1: and all kinds of guests very soon. Next week. I

914
00:47:51,640 --> 00:47:54,640
Speaker 1: will be back. You know what I like. I always

915
00:47:54,680 --> 00:47:59,360
Speaker 1: appreciate when people send me that they heard some celebrity

916
00:47:59,480 --> 00:48:02,840
Speaker 1: talked about their ghost experience or someone that they like.

917
00:48:02,960 --> 00:48:05,879
Speaker 1: I like suggestions. I like you know, people go, hey,

918
00:48:05,880 --> 00:48:07,920
Speaker 1: have you ever talked to this person or that person?

919
00:48:08,160 --> 00:48:10,960
Speaker 1: I love that kind of stuff. Funny people, cool people,

920
00:48:11,080 --> 00:48:13,399
Speaker 1: you get the vibe. You see what it is. If

921
00:48:13,440 --> 00:48:15,360
Speaker 1: you have any of those, you know, send it to

922
00:48:15,440 --> 00:48:19,879
Speaker 1: my Gmail or tag me on Instagram or something like that.

923
00:48:20,560 --> 00:48:23,520
Speaker 1: You know how to find me. All right, I'll be

924
00:48:23,600 --> 00:48:27,800
Speaker 1: back next week. I love you all, both living and dead.

925
00:48:28,320 --> 00:48:30,920
Speaker 1: But if I didn't ask you to haunt me, don't

926
00:48:31,040 --> 00:48:42,200
Speaker 1: haunt me. Hey By, this has been an exactly right production.

927
00:48:42,560 --> 00:48:46,160
Speaker 1: Want to share your paranormal experience on the podcast. I

928
00:48:46,239 --> 00:48:49,920
Speaker 1: read stories out loud and sometimes I'll even call you,

929
00:48:50,200 --> 00:48:54,280
Speaker 1: so email me at ghosted by Raz at gmail dot com.

930
00:48:54,440 --> 00:48:56,880
Speaker 1: You can send a DM or voice message to the

931
00:48:56,920 --> 00:49:00,840
Speaker 1: show's instagram at ghosted by Roz. Give us a follow

932
00:49:00,840 --> 00:49:05,080
Speaker 1: while you're there, and follow me Roz on Instagram at

933
00:49:05,239 --> 00:49:09,680
Speaker 1: roz Hernandez and on TikTok and Twitter at It's Roz Hernandez.

934
00:49:10,280 --> 00:49:15,560
Speaker 1: My senior producer is the startling Jiha Lee. Associate producer

935
00:49:15,719 --> 00:49:19,880
Speaker 1: is the alarming Alex Chief. This episode was mixed and

936
00:49:20,000 --> 00:49:24,800
Speaker 1: sound designed by the eery Edson Choi. My guest booker

937
00:49:24,920 --> 00:49:29,759
Speaker 1: is the petrifying Patrick Kuttner. Additional production support from the

938
00:49:29,840 --> 00:49:34,480
Speaker 1: hair raising Hannah Kyle Crighton. My theme music is by

939
00:49:34,520 --> 00:49:40,120
Speaker 1: the spine chilling Brendan Lynch Salomon. Artwork by the Spooky

940
00:49:40,560 --> 00:49:48,320
Speaker 1: Vanessa Lilac. Photography by the terrifying Elizabeth Karen. Executive produced

941
00:49:48,560 --> 00:49:54,440
Speaker 1: by the chilling Karen Kilgareth, the Spooky Georgia hart Stark,

942
00:49:54,680 --> 00:49:57,680
Speaker 1: and the frightening Danielle Kramer