1 00:00:00,080 --> 00:00:03,920 Speaker 1: Hey, Nick, Hey, I got Nick Wiger of dough Boys. 2 00:00:03,960 --> 00:00:05,840 Speaker 1: So nice to see you. Scott Ackerman. 3 00:00:06,000 --> 00:00:07,280 Speaker 2: We've met before, we've met. 4 00:00:07,360 --> 00:00:09,160 Speaker 1: We work, I mean we worked together. 5 00:00:09,240 --> 00:00:10,680 Speaker 2: We worked together for a while. 6 00:00:10,800 --> 00:00:15,520 Speaker 3: Yeah, yeah shows. Yeah, yeah, it's good to see you. Okay, yeah, 7 00:00:15,600 --> 00:00:16,639 Speaker 3: I'm gonna take off. 8 00:00:16,840 --> 00:00:18,920 Speaker 1: Okay, I was just about to take off. Who who 9 00:00:18,960 --> 00:00:19,880 Speaker 1: should take off first? 10 00:00:20,640 --> 00:00:22,360 Speaker 2: I mean I can go unless I mean what. 11 00:00:23,239 --> 00:00:25,439 Speaker 1: I hope we don't do one of those things where 12 00:00:25,480 --> 00:00:27,480 Speaker 1: we both try to fit through the door and we're 13 00:00:27,520 --> 00:00:30,000 Speaker 1: like stuck in a doorframe together. That would be so amas, 14 00:00:30,320 --> 00:00:33,080 Speaker 1: that would be I did. But now that I now 15 00:00:33,120 --> 00:00:35,280 Speaker 1: that I got you, though, yes, I do want to 16 00:00:35,280 --> 00:00:38,720 Speaker 1: say how excited I am that the dough Boys are 17 00:00:38,720 --> 00:00:40,000 Speaker 1: going to be on the Peak cast blast. 18 00:00:40,159 --> 00:00:42,200 Speaker 2: Very excit. Did you hear someone say well, well, well 19 00:00:42,479 --> 00:00:43,400 Speaker 2: if were you while you. 20 00:00:43,400 --> 00:00:46,560 Speaker 1: Were I thought that was you. No, that wasn't me, really, 21 00:00:46,560 --> 00:00:49,199 Speaker 1: I thought you were a bit You were saying what 22 00:00:49,240 --> 00:00:51,920 Speaker 1: you were going to say if we got trapped in 23 00:00:51,920 --> 00:00:55,640 Speaker 1: that doorway to get well, well, that's not you saying 24 00:00:55,640 --> 00:00:56,320 Speaker 1: that right now me. 25 00:00:56,440 --> 00:00:58,560 Speaker 2: No, like look at my mouth, I'm not saying well, 26 00:00:58,600 --> 00:00:59,000 Speaker 2: well I know. 27 00:00:59,040 --> 00:01:01,600 Speaker 1: But you're a master of entre reliquiest as well. Do 28 00:01:01,680 --> 00:01:02,720 Speaker 1: that in the writer's room. 29 00:01:02,560 --> 00:01:04,560 Speaker 2: All the time. I have that skill, but I'm not 30 00:01:04,800 --> 00:01:05,520 Speaker 2: using it right now. 31 00:01:05,520 --> 00:01:06,679 Speaker 1: You're not using your skill. 32 00:01:06,840 --> 00:01:10,600 Speaker 4: No, the sick genius. 33 00:01:09,640 --> 00:01:12,080 Speaker 2: I think the light is off at our corner. Let 34 00:01:12,080 --> 00:01:12,679 Speaker 2: me flick this on. 35 00:01:13,760 --> 00:01:18,720 Speaker 1: Oh well, well the Hollywood Handbook men. 36 00:01:18,880 --> 00:01:23,920 Speaker 5: Sean and Hayes, the man, sick genius, sons of bitches? 37 00:01:23,920 --> 00:01:26,480 Speaker 1: Who are you talking to? Are you talking to each other? 38 00:01:27,319 --> 00:01:31,600 Speaker 2: I wish I would love to talk to Hayes. You can't. 39 00:01:31,840 --> 00:01:34,320 Speaker 6: No, Instead, we got to talk to this sick fuck. 40 00:01:34,440 --> 00:01:36,080 Speaker 6: Look at you, you old. 41 00:01:36,120 --> 00:01:38,600 Speaker 2: Six out of a bit are you talking to? 42 00:01:39,280 --> 00:01:44,080 Speaker 6: You had me, You had me all this time, acting 43 00:01:44,200 --> 00:01:46,200 Speaker 6: like you don't want us to be in the beak 44 00:01:46,280 --> 00:01:46,959 Speaker 6: ass blast. 45 00:01:47,000 --> 00:01:48,320 Speaker 5: I played right into your hand. 46 00:01:48,400 --> 00:01:50,640 Speaker 4: I did a whole episode about how we weren't allowed to. 47 00:01:51,280 --> 00:01:54,160 Speaker 6: Sticking our fans on you, acting like we don't want 48 00:01:54,160 --> 00:01:55,480 Speaker 6: them to yell at you on Live. 49 00:01:55,680 --> 00:01:58,960 Speaker 1: I don't want you. I don't want you on it. 50 00:01:59,000 --> 00:02:01,040 Speaker 1: You're not the Why are. 51 00:02:00,880 --> 00:02:04,720 Speaker 2: We in the show? Yeah? There's so much are we. 52 00:02:04,840 --> 00:02:06,680 Speaker 1: Out of the show? I booked the entire show and 53 00:02:06,720 --> 00:02:07,240 Speaker 1: you're not in it. 54 00:02:07,320 --> 00:02:09,440 Speaker 2: You don't want it so bad? We're in it? We're 55 00:02:09,480 --> 00:02:10,320 Speaker 2: not in the show. 56 00:02:10,440 --> 00:02:11,560 Speaker 1: I'll tell you who show. 57 00:02:11,639 --> 00:02:13,280 Speaker 2: You could give up the ruse, I'll. 58 00:02:13,080 --> 00:02:15,080 Speaker 1: Tell you who's in the show. Comedy Bang bang, The 59 00:02:15,120 --> 00:02:19,440 Speaker 1: Andy Daily Pilot podcast project makes sense, huge show off book, 60 00:02:19,840 --> 00:02:21,240 Speaker 1: the improvised musical. 61 00:02:20,960 --> 00:02:24,800 Speaker 6: Prizing stars already probably bigger than we are doing it 62 00:02:24,800 --> 00:02:26,000 Speaker 6: for five years. 63 00:02:25,600 --> 00:02:28,200 Speaker 1: Growing shade, very popular, tours the country. 64 00:02:28,320 --> 00:02:30,680 Speaker 2: Yeah, and relevant teacher's. 65 00:02:30,280 --> 00:02:33,520 Speaker 1: Lounge you know, maybe uh not a smash hit but 66 00:02:33,680 --> 00:02:38,959 Speaker 1: objective then show and of course dough boys, who uh, Scott, 67 00:02:39,000 --> 00:02:40,480 Speaker 1: I have something I need to tell you. 68 00:02:41,160 --> 00:02:41,960 Speaker 2: Is it? Is it? 69 00:02:42,400 --> 00:02:43,160 Speaker 1: Can I guess? 70 00:02:43,520 --> 00:02:44,919 Speaker 2: Yeah? You can guess? Is it? 71 00:02:45,120 --> 00:02:46,160 Speaker 1: How much you care about me? 72 00:02:47,800 --> 00:02:48,680 Speaker 2: That's part of it? 73 00:02:48,760 --> 00:02:48,880 Speaker 5: Oh? 74 00:02:48,919 --> 00:02:51,000 Speaker 2: Good, Start with to hear that, Start with that? 75 00:02:51,120 --> 00:02:51,280 Speaker 1: Is it? 76 00:02:51,320 --> 00:02:54,119 Speaker 2: How much? Is it? How much money? The doboys Patreon mikes. 77 00:02:54,760 --> 00:02:57,800 Speaker 6: That was not going to be part of but because 78 00:02:57,800 --> 00:03:00,320 Speaker 6: when I hear it, Because when I hear I have 79 00:03:00,360 --> 00:03:02,720 Speaker 6: something to tell you, that's what I expect to hear. 80 00:03:02,960 --> 00:03:04,280 Speaker 2: What else is he thinking about it? 81 00:03:04,280 --> 00:03:06,200 Speaker 3: I kind of have a one track mind, And that's 82 00:03:06,520 --> 00:03:10,040 Speaker 3: raising the amount we make on Patreon. No, Scott, because 83 00:03:10,120 --> 00:03:13,160 Speaker 3: I care about you and the Pea cast blasts so much. 84 00:03:13,160 --> 00:03:15,600 Speaker 4: Sorry, raising the amount from what what's the number now? 85 00:03:16,080 --> 00:03:19,440 Speaker 3: Uh, it's it's a good We're making good money. Is 86 00:03:19,480 --> 00:03:23,720 Speaker 3: it did ever or it's kind of that. 87 00:03:23,680 --> 00:03:25,920 Speaker 1: Goes down down a little bit. I mean, is it 88 00:03:25,919 --> 00:03:27,359 Speaker 1: on track? Is it going up up up? 89 00:03:27,440 --> 00:03:30,359 Speaker 3: Or it's kind of like a little you know, they're 90 00:03:30,360 --> 00:03:32,760 Speaker 3: a little hitches where it goes down, but it's mostly 91 00:03:32,800 --> 00:03:34,840 Speaker 3: like a roller coaster that's on the ride. 92 00:03:34,840 --> 00:03:36,200 Speaker 1: Are you on automatic renewal? 93 00:03:37,040 --> 00:03:39,040 Speaker 2: I mean I I personally am no, But. 94 00:03:39,040 --> 00:03:41,120 Speaker 1: I mean is everyone who joined it on automatic? 95 00:03:41,280 --> 00:03:41,480 Speaker 2: Yeah? 96 00:03:42,280 --> 00:03:43,680 Speaker 1: So I think kind of a Yeah. 97 00:03:43,760 --> 00:03:46,120 Speaker 2: A chunk of our audience probably forgot about. 98 00:03:45,920 --> 00:03:47,600 Speaker 1: That you're doing it. Yeah, it doesn't even listen. 99 00:03:47,680 --> 00:03:49,880 Speaker 2: They have a five dollars recurring charge for something. 100 00:03:49,920 --> 00:03:52,560 Speaker 1: They're like, yeah, they don't even know what it is. 101 00:03:52,600 --> 00:03:53,880 Speaker 2: It shows up as something else. 102 00:03:54,080 --> 00:03:55,280 Speaker 1: Has it built to something else? 103 00:03:55,520 --> 00:03:57,240 Speaker 2: Like Entertainment Media inc? 104 00:03:57,360 --> 00:03:59,760 Speaker 1: Yeah, Gentlemen's Assurances Incorporated. 105 00:04:00,040 --> 00:04:03,080 Speaker 3: I was actually just shows up as Netflix subscription. Okay, 106 00:04:03,480 --> 00:04:06,200 Speaker 3: that's yeah, it's a little deceptive. L O L. 107 00:04:06,400 --> 00:04:09,600 Speaker 4: No way, he just. 108 00:04:09,720 --> 00:04:12,840 Speaker 1: L O L try it again, l O L. 109 00:04:15,800 --> 00:04:16,080 Speaker 2: Wow. 110 00:04:17,320 --> 00:04:19,360 Speaker 1: Anyway, Well, that's great to hear that you're making good money. 111 00:04:19,440 --> 00:04:22,080 Speaker 3: Yeah, we're doing well. But here here's the thing, because 112 00:04:22,120 --> 00:04:26,080 Speaker 3: I care about you. When the Pea cast blasts so much. 113 00:04:25,480 --> 00:04:27,159 Speaker 1: Be so fun, I cannot wait to see what you 114 00:04:27,160 --> 00:04:28,120 Speaker 1: guys have planned. 115 00:04:28,279 --> 00:04:30,520 Speaker 2: Mitch and I had a conversation and we were like, 116 00:04:30,760 --> 00:04:32,640 Speaker 2: it's fun. Who should we? Yeah, it was fun. 117 00:04:32,720 --> 00:04:34,479 Speaker 3: It was not for the podcast. We didn't know it 118 00:04:34,520 --> 00:04:36,240 Speaker 3: was off my it was off Mic. It was just 119 00:04:36,560 --> 00:04:37,120 Speaker 3: I would love to. 120 00:04:39,320 --> 00:04:41,520 Speaker 4: I wish I did that with my podcast co host. 121 00:04:41,520 --> 00:04:44,960 Speaker 2: I'd love to talk to off Mike. Imagine the ship 122 00:04:45,000 --> 00:04:45,840 Speaker 2: we get into. 123 00:04:45,960 --> 00:04:50,080 Speaker 4: Dude, we'd be chopping it up. Man, that's trouble. 124 00:04:51,160 --> 00:04:53,360 Speaker 3: But so we we were like, well, how can we 125 00:04:53,880 --> 00:04:56,560 Speaker 3: squash this beef that is out there? 126 00:04:56,720 --> 00:04:58,479 Speaker 1: Is that part of your show? You squashed beef? 127 00:04:58,600 --> 00:05:02,239 Speaker 3: We eat beef, and we wash beef, and and we 128 00:05:02,240 --> 00:05:03,400 Speaker 3: we realized the way we could do that. 129 00:05:04,680 --> 00:05:05,800 Speaker 2: What are you talking about beef? 130 00:05:05,839 --> 00:05:08,920 Speaker 3: Squash this beef that's going on with with you, with 131 00:05:08,960 --> 00:05:10,320 Speaker 3: you and the handbook. 132 00:05:09,920 --> 00:05:12,320 Speaker 1: Men, Well, let me tell you it's not. It's kind 133 00:05:12,320 --> 00:05:14,880 Speaker 1: of a one sided beef. They're very very upset at me, 134 00:05:15,000 --> 00:05:17,000 Speaker 1: and I don't care about it at all. Okay, I 135 00:05:17,080 --> 00:05:19,240 Speaker 1: just don't care to engage with them on this kind 136 00:05:19,279 --> 00:05:19,520 Speaker 1: of thing. 137 00:05:19,680 --> 00:05:23,279 Speaker 6: Yeah for me, son of a bitch, doubt. 138 00:05:24,000 --> 00:05:26,800 Speaker 1: I think I said once, and I truly mean it. 139 00:05:26,880 --> 00:05:31,240 Speaker 1: Hollywood Handbooks has the most annoying fan base in podcasting, 140 00:05:31,279 --> 00:05:33,320 Speaker 1: and I don't know what fan base. 141 00:05:33,120 --> 00:05:37,160 Speaker 2: Didn't even hear that, so they didn't even notice it. 142 00:05:37,200 --> 00:05:38,080 Speaker 1: They didn't notice it. 143 00:05:38,400 --> 00:05:39,720 Speaker 2: It was like the buzzing of a. 144 00:05:39,640 --> 00:05:41,920 Speaker 6: Freaking mosquito to them, and they squashed it and they 145 00:05:42,000 --> 00:05:44,560 Speaker 6: never paid attention to it or reacted to it at all. 146 00:05:44,720 --> 00:05:48,040 Speaker 5: Okay, No, when it comes to whether or not our 147 00:05:48,080 --> 00:05:50,200 Speaker 5: fan base is listened to you, let's just say it's 148 00:05:50,200 --> 00:05:50,839 Speaker 5: been a while. 149 00:05:51,360 --> 00:05:52,320 Speaker 1: Okay, Well, I. 150 00:05:52,240 --> 00:05:54,560 Speaker 2: Really they don't even know what that is. They don't know, 151 00:05:54,680 --> 00:05:55,159 Speaker 2: they don't know. 152 00:05:55,320 --> 00:05:57,240 Speaker 1: I really wouldn't know, because I have a block list 153 00:05:57,320 --> 00:06:00,000 Speaker 1: for whomever follows you guys, I've muted. Oh wow. 154 00:06:00,120 --> 00:06:02,080 Speaker 2: So but but I am upset with you. 155 00:06:02,160 --> 00:06:04,240 Speaker 5: I am upset that I didn't see that you were 156 00:06:04,279 --> 00:06:06,680 Speaker 5: ten steps ahead of me the whole damn time, you 157 00:06:06,880 --> 00:06:07,599 Speaker 5: chess master. 158 00:06:07,880 --> 00:06:09,360 Speaker 1: I really don't know what you're talking about. 159 00:06:10,000 --> 00:06:13,480 Speaker 5: I hate being a pawn on Scott Ackerman's board. I 160 00:06:14,279 --> 00:06:17,760 Speaker 5: this fucker led me right to the promised land, man, 161 00:06:18,320 --> 00:06:20,239 Speaker 5: and now I can do whatever I want. 162 00:06:20,560 --> 00:06:23,200 Speaker 1: I don't know what promised land, what what board. 163 00:06:23,000 --> 00:06:26,159 Speaker 4: The other end of the when the chess the chess board. 164 00:06:26,200 --> 00:06:29,000 Speaker 1: All right, guys, I'm done with your ridiculous anyway, Nick, 165 00:06:29,080 --> 00:06:30,120 Speaker 1: I'll see you at the peak. 166 00:06:29,960 --> 00:06:33,760 Speaker 3: Cast our guests or Shawn and Hayes where the dope boys, 167 00:06:33,760 --> 00:06:35,480 Speaker 3: guess are Shawn and Hayes. The Hollywood hand Book is 168 00:06:35,480 --> 00:06:36,960 Speaker 3: going to be at the peak cast as if you 169 00:06:37,120 --> 00:06:43,960 Speaker 3: get mad and yes, what stalemate, what it's true, It's true. 170 00:06:43,800 --> 00:06:47,279 Speaker 1: In my home where my children sleep. 171 00:06:48,000 --> 00:06:50,919 Speaker 2: The peak cast blast is going to be what's happening 172 00:06:50,960 --> 00:06:53,320 Speaker 2: in your home? That's where it's a metaphor. 173 00:06:53,400 --> 00:06:54,200 Speaker 1: It's a metaphor. 174 00:06:54,760 --> 00:06:56,360 Speaker 2: Are you saying this is my house? 175 00:06:56,560 --> 00:06:59,159 Speaker 4: Are you staying at the end? Yeah, it's nice. 176 00:06:59,320 --> 00:07:03,440 Speaker 5: Yeah, I split up. The pool is such a scene. 177 00:07:02,720 --> 00:07:08,039 Speaker 1: I need a little little distance between the relationship between 178 00:07:08,040 --> 00:07:09,400 Speaker 1: me and cool up and then I can kind of 179 00:07:09,440 --> 00:07:16,120 Speaker 1: fully activate into anyway. No, this is terrible. Look, I 180 00:07:16,160 --> 00:07:19,520 Speaker 1: look you guys know yeah that I don't like you guys, 181 00:07:19,720 --> 00:07:22,320 Speaker 1: And anytime we get down into a parking lot, I 182 00:07:22,440 --> 00:07:26,240 Speaker 1: let you have it. And I'm a different guy, and 183 00:07:26,280 --> 00:07:29,360 Speaker 1: I am just ripping into you guys, and I'm just 184 00:07:29,440 --> 00:07:33,200 Speaker 1: I'm the meanest, meanest person. So to have you, Nick, 185 00:07:33,480 --> 00:07:37,480 Speaker 1: a person that I've always respected and admired to go behind. 186 00:07:37,160 --> 00:07:42,240 Speaker 5: My back like this, it hurtsmire about Nick. 187 00:07:43,200 --> 00:07:44,200 Speaker 2: I mean I like him. 188 00:07:44,560 --> 00:07:48,600 Speaker 1: I mean I okay, it was a little weird. I 189 00:07:48,600 --> 00:07:52,000 Speaker 1: mean there are attributes that funny guy. Yeah, I mean 190 00:07:52,040 --> 00:07:54,280 Speaker 1: he's had a great relationship with his wife for a while. 191 00:07:54,360 --> 00:07:58,120 Speaker 3: That's it's going pretty that's great. Yeah, I mean I'm 192 00:07:58,160 --> 00:08:00,520 Speaker 3: also staying at the Ace Hotel. Now, Oh yeah, I 193 00:08:00,520 --> 00:08:02,640 Speaker 3: gotta see you at the pool. Well yeah, yeah, we'll 194 00:08:02,680 --> 00:08:06,680 Speaker 3: be there. But yeah, we got we got the Hollywood Handbook. 195 00:08:06,680 --> 00:08:11,080 Speaker 1: Guys, they're gonna. 196 00:08:09,360 --> 00:08:11,040 Speaker 2: He knows that it was his whole plan. 197 00:08:11,120 --> 00:08:11,800 Speaker 1: Did I not put it? 198 00:08:11,840 --> 00:08:15,720 Speaker 6: And now we're doing an ad for it our show? 199 00:08:16,000 --> 00:08:19,480 Speaker 5: Somebody cut these strings off me? The puppet master geppetto 200 00:08:19,640 --> 00:08:22,560 Speaker 5: Ackerman over here actually making me dance? 201 00:08:22,680 --> 00:08:24,600 Speaker 1: Is damn? Did I not put a clause into the 202 00:08:24,640 --> 00:08:26,800 Speaker 1: contract next to the exclusivity clause? 203 00:08:26,920 --> 00:08:28,640 Speaker 3: Let me let me actually have the contract in front 204 00:08:28,640 --> 00:08:30,440 Speaker 3: of me. Let me go ahead and flip this flip 205 00:08:30,480 --> 00:08:33,880 Speaker 3: through this okay, exclusivity clause. Yeah, we can't put this 206 00:08:33,960 --> 00:08:36,920 Speaker 3: on the dough Boys double Patreon. For six months, we 207 00:08:37,000 --> 00:08:39,920 Speaker 3: discussed that that was the thing. We we agreed to uh. Oh, here, 208 00:08:40,080 --> 00:08:41,840 Speaker 3: this is gonna be a double here, this is going 209 00:08:41,920 --> 00:08:43,200 Speaker 3: to be a doub Yeah, we're gonna play. 210 00:08:45,400 --> 00:08:47,400 Speaker 1: But you think that will bump the numbers, I promise you. 211 00:08:47,520 --> 00:08:50,320 Speaker 2: We're hoping it. We're hoping it. We'll probably release it 212 00:08:50,360 --> 00:08:51,320 Speaker 2: just after the first of the month. 213 00:08:52,160 --> 00:08:54,640 Speaker 1: With all his money. Now, I can't even imagine him 214 00:08:54,640 --> 00:08:55,120 Speaker 1: with money. 215 00:08:55,679 --> 00:08:57,000 Speaker 4: He doesn't look like he has. 216 00:09:00,640 --> 00:09:01,640 Speaker 2: Okay, I get the contract. 217 00:09:01,679 --> 00:09:03,920 Speaker 3: The relevant section of the contract here it says, uh 218 00:09:04,000 --> 00:09:05,040 Speaker 3: I Scott Ackerman. 219 00:09:05,360 --> 00:09:06,560 Speaker 1: Yeah that sounds like me. 220 00:09:06,720 --> 00:09:09,120 Speaker 3: Yeah, I got something I would say, declare that the 221 00:09:09,200 --> 00:09:12,800 Speaker 3: dough Boys, by writ of signing this contract, agree to 222 00:09:12,840 --> 00:09:15,199 Speaker 3: have their guests be Sean. 223 00:09:15,000 --> 00:09:18,320 Speaker 2: And Hayes the Hollywood Handbook. Guys, you son of a bitch. 224 00:09:18,080 --> 00:09:18,520 Speaker 1: This was here. 225 00:09:18,600 --> 00:09:22,760 Speaker 2: You're playing the whole time playing well well well. 226 00:09:23,679 --> 00:09:28,160 Speaker 5: No, I already have reacted to this already at the 227 00:09:28,280 --> 00:09:32,280 Speaker 5: very beginning of this, but just hearing you now to it, 228 00:09:33,080 --> 00:09:34,079 Speaker 5: Oh shit. 229 00:09:34,200 --> 00:09:38,440 Speaker 1: Yeah you guys, uh I noticed we're playing two dimensional chess. 230 00:09:38,480 --> 00:09:42,480 Speaker 3: Wow, And uh I said, let's add a little. 231 00:09:42,160 --> 00:09:43,839 Speaker 1: Thing called a dimension onto this. 232 00:09:44,000 --> 00:09:46,160 Speaker 2: And he doesn't walk with a limp anymore. 233 00:09:46,400 --> 00:09:51,000 Speaker 5: Yeah, God, and his zippo is cool. Yeah what Yeah, 234 00:09:51,040 --> 00:09:55,120 Speaker 5: he's lighting his zippo. What's yeah smoking cigarette? 235 00:09:55,200 --> 00:09:56,760 Speaker 1: Uh huh what yeah? 236 00:09:56,840 --> 00:10:02,600 Speaker 2: What Kayser say? This is and he was parking lot 237 00:10:02,679 --> 00:10:03,840 Speaker 2: Scott all along. 238 00:10:04,120 --> 00:10:04,920 Speaker 1: That's right, parking. 239 00:10:04,960 --> 00:10:06,360 Speaker 2: We were always in there. 240 00:10:06,440 --> 00:10:10,840 Speaker 1: You've just been got my parking lot Scott. Sorry. 241 00:10:10,920 --> 00:10:11,319 Speaker 6: Boys. 242 00:10:11,400 --> 00:10:14,640 Speaker 1: I'll see you down next to my space. Okay, I 243 00:10:14,640 --> 00:10:18,040 Speaker 1: think my parking space space, not the website. 244 00:10:18,200 --> 00:10:20,040 Speaker 2: Sure, yeah, that hasn't been up for a while. 245 00:10:20,440 --> 00:10:23,760 Speaker 1: What would be the music, Yeah, yeah, exactly. But I'll 246 00:10:23,760 --> 00:10:26,000 Speaker 1: see you down in the lot, boys, and I'll see 247 00:10:26,040 --> 00:10:27,400 Speaker 1: you at the peak ass blast. 248 00:10:28,559 --> 00:10:28,920 Speaker 2: Okay. 249 00:10:29,000 --> 00:10:31,679 Speaker 6: I wanted I thought it was a good opportunity for 250 00:10:32,400 --> 00:10:33,240 Speaker 6: I wanted to do. 251 00:10:33,240 --> 00:10:36,880 Speaker 1: I thought you'd do a show for charity.