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Speaker 1: First of all, you don't know me. Were all about

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Speaker 1: that high school drama, Girl Drama, Girl, all about them

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Speaker 1: high school queens. We'll take you for a ride in

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Speaker 1: our comic Girl Cheering for the drama Queen's Girl Fashion,

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Speaker 1: but you'll tough go. You could sit with us Girl Drama, Queens, Drama,

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Speaker 1: Queen's Drama, Queen's Drama, Drama, Queen's Drama, Queen's Everybody. It's

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Speaker 1: episode twenty two. It's the season finale of season one,

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Speaker 1: One Tree Hill. Case you didn't know what show we

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Speaker 1: were all watching, It's One Tree. The episode is called

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Speaker 1: The Games That Play Us and it aired May eleventh,

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Speaker 1: two thousand and four. Somebody read us an opposite tell

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Speaker 1: us what happens in this episode, Sophia hit It says, okay, y'all.

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Speaker 1: Lucas and Nathan have to bear Dan's abuse as he

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Speaker 1: coaches them in the playoffs, pushing them both to the

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Speaker 1: breaking point. After Dan threatens her not cool, Hailey reconsiders

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Speaker 1: her relationship with Nathan, and Whitey learns that his medical

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Speaker 1: condition is serious and something left off the synopsis that

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Speaker 1: feels pretty important is that Lucas is moving to charm

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Speaker 1: Bang Deal really big deal. Didn't this feel like you

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Speaker 1: guys like they were prepping this for a series finale.

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Speaker 1: They were like, there's no promise that this thing's going

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Speaker 1: to keep going. Like, let's give everyone a happy ending.

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Speaker 1: So the happy endings of Haley and Nathan and Dev

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Speaker 1: and Keith finally hitting all that powerful energy, and finally

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Speaker 1: Brooke and Peyton ending up in bed together like everybody

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Speaker 1: got a happy ending, and Lucas left town, except we

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Speaker 1: left Karen and tears and Dan maybe dying, although that

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Speaker 1: might just be his my favorite you better hope I die.

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Speaker 1: I die. He's like having a heart attack or something.

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Speaker 1: I was like, what's going on. Something that I thought

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Speaker 1: was really cool as a device is that we basically

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Speaker 1: play aid this whole moment in time for all of

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Speaker 1: our characters and all of our little worlds in the

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Speaker 1: framework of the playoff game, And so the dialogue would

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Speaker 1: lead from the game back to a scene from the game,

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Speaker 1: to the cemetery from the game to Peyton's house, and like,

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Speaker 1: I don't know, it was it was a really cool divide,

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Speaker 1: like it I liked that you did. It was really confusing,

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Speaker 1: but eventually caught on because I didn't I forgot. So

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Speaker 1: I was watching this and I'm like, what is happening?

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Speaker 1: Why we keep this just all over the place? And

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Speaker 1: maybe it was just wasn't executed perfectly. I mean, you know,

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Speaker 1: God knows, when you're shooting a TV series and you're

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Speaker 1: prepping other episodes and you're dealing with lots of other stuff.

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Speaker 1: I understand how some you know, it's hard to get

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Speaker 1: meticulous at things like that, but it confused me until

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Speaker 1: about halfway through. I was like, you know what's funny.

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Speaker 1: I think I was so prepped for the playoff game

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Speaker 1: because the three of us have been like, but the player,

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Speaker 1: Lucas can't move away with Keith and play in the playoffs.

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Speaker 1: So I was really really ready for the game. Yeah, okay,

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Speaker 1: I want to talk about Lucas walking into Dan's office

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Speaker 1: of his own volition and saying, I guess I'm sorry

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Speaker 1: for resenting you, which I thought was honestly really unrealistic.

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Speaker 1: But the next thing he said what I really liked,

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Speaker 1: which because he was like, I'm sorry for resenting you

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Speaker 1: for not being there for me. Because I was like, no, well,

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Speaker 1: you shouldn't be apologizing to this guy. Why would you

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Speaker 1: do that? And I guess he's trying to be the

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Speaker 1: bigger person or do that for his own conscience sixteen

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Speaker 1: year old kid, or just be a sixteen yeard. But

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Speaker 1: that's what I was like, just sixteen year old boys

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Speaker 1: really like get that vulnerable and decide to go whatever.

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Speaker 1: But the next thing he said was something about what

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Speaker 1: did he say next? There was like a it was

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Speaker 1: a different apology, but it made sense. He went in

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Speaker 1: there and he said that thing about I'm sorry that

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Speaker 1: I resented you for not wanting to be in my life,

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Speaker 1: and I guess I never thanked you for saving That's

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Speaker 1: what it was. Yes, I really loved that. I really

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Speaker 1: appreciated that he was really tying up, trying to make emends,

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Speaker 1: tie up blues ends before he left and beat just

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Speaker 1: be a better man before he leaves town. I thought

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Speaker 1: that was really cool. Yeah. I liked the parallel also

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Speaker 1: that Lucas kind of you know, swallows his pride and

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Speaker 1: chooses to lean into his vulnerability with Dan, and it's

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Speaker 1: echoed as these boys are becoming friends and brothers later

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Speaker 1: with You and James in the Haley and Nathan moment

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Speaker 1: where he says, you know, my pride would tell me

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Speaker 1: to just say yeah, that's it and leave. But my

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Speaker 1: heart wants me to tell you that I love you

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Speaker 1: and then I'm not going to give up on us.

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Speaker 1: And and you see both of these. I mean, you're right,

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Speaker 1: these sixteen year old boys making very grown up moves

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Speaker 1: to be honest about how they feel, even though their

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Speaker 1: feelings are complicated. What was big of him to open

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Speaker 1: up a door for Dan? You know, everybody, it's like

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Speaker 1: so easy to vilify Dan, and if Luke is trying

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Speaker 1: to see the silver lining there, just to be like, hey,

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Speaker 1: in case you wanted to try to be that guy

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Speaker 1: again that you were at eighteen years old, like, here's

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Speaker 1: an opportunity for that. And it gets yeah, because we

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Speaker 1: all would love communities to go back and fix the

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Speaker 1: thing that we screwed up when we were young and dumb.

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Speaker 1: You know how many times do we get that chance?

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Speaker 1: And Keith gave that chance to Dan. Also in this episode,

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Speaker 1: when Keith says I'm leaving and you know, tries to

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Speaker 1: have one last moment of I don't know, reconciliation or

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Speaker 1: something something that the other moment that we just saw

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Speaker 1: with Luke and Nathan, you know, like, yeah, it was

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Speaker 1: so nice if they could just hug yeah, and Dan

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Speaker 1: gives him another sniper mark and I can't, can't do it. Yeah,

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Speaker 1: Dan really stabs at people in this episode. For me,

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Speaker 1: the the theatrical device of the juicy suits was incredibly powerful.

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Speaker 1: This because dead in that bed velvet Hailey at the

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Speaker 1: beginning of the episode in her own That's how we

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Speaker 1: knew she was about to get Yeah yeah, Dan, because

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Speaker 1: you were looking gorgeous like a snack, like a snack.

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Speaker 1: I almost said it, looking like a beautiful, juicy little snack.

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Speaker 1: When Dan does snip at you, and so then to

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Speaker 1: see it paralleled later with Barb just like I'm vulnerable

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Speaker 1: to juicy. Such is such a powerful thing. I feel

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Speaker 1: like we're going to have drama queen juicy suits. Y'all

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Speaker 1: better justice prep yourself. It happened done. We need to

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Speaker 1: d m those people on Instagram and figure it um

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Speaker 1: Dan's story. So Dan going to deb while she's crying

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Speaker 1: and signing the papers and that whole manipulative story about

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Speaker 1: I was going to leave you that day. And for Karen,

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Speaker 1: how about that super gus you told me you were pregnant.

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Speaker 1: I picked you, I picked you over the girl I

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Speaker 1: really loved so that was our first hint that he

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Speaker 1: really loved Karen. He went with the girl with the

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Speaker 1: most money, seemingly made his decision, the girl who dropped

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Speaker 1: him start his car empire. And then we know what

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Speaker 1: bugged me though, okay, it bugged me that after he

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Speaker 1: walked in and found Dun Dun Dun, Deb and Keith

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Speaker 1: wrapped up in the blankets, so hot, so hot, I

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Speaker 1: wanted to see more of it. Why did they make

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Speaker 1: us not watch that? Why didn't they? Right? They made

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Speaker 1: us like do every lingering kiss ever, we should have

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Speaker 1: gotten at least seven minutes seven minutes in heaven with Devin.

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Speaker 1: K wanted it, and Dan walks in and he sees

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Speaker 1: them and it was so vindicating, and then they both

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Speaker 1: go and try and apologize to him. He was like, man,

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Speaker 1: this guy has got people really wrapped around his finger,

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Speaker 1: Like why in the world he's stolen his brother's company.

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Speaker 1: He you know, has rubbed it in his face a

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Speaker 1: number of times that Karen doesn't want to be with him,

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Speaker 1: Like every dig Dan can get in he has. And

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Speaker 1: so I hope Deb had a whirl. I hope she

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Speaker 1: had a great time. I hope they earned it, you know,

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Speaker 1: they really did. That is a great point though, why

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Speaker 1: they're apologizing to him. I mean even it's it's so

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Speaker 1: hard in that scene we were referencing earlier to see

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Speaker 1: Dan be so cruel to Lucas and say, you know

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Speaker 1: you're already supposed to be on the court, you know,

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Speaker 1: go run win sprints like he physically punishes his boy

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Speaker 1: for being vulnerable. And then when Keith tries to talk

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Speaker 1: to him this one last chance before he leaves, that

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Speaker 1: it's such a gut punch when he says, oh, would

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Speaker 1: you do with the ring if your leave and you

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Speaker 1: must be proposed to care and she said no. I

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Speaker 1: was like, oh my god, brutal, Like why are these

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Speaker 1: people apologizing to this? Why are they Like is that

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Speaker 1: the right thing to do? Like do we have to

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Speaker 1: continually in our lives apologize to the dance Scots in

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Speaker 1: the world or struggle with this? Really struggle with this

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Speaker 1: because there's a huge part of me that's like I

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Speaker 1: want to be the better person. I want to not better,

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Speaker 1: Like my ego is saying I want to be better

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Speaker 1: than you. But if your better, Jake, it's that I'm bad.

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Speaker 1: I want to go to sleep at night knowing that

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Speaker 1: I've cleaned up any mess that's out there. You know,

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Speaker 1: if I feel like there's a mess and I have

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Speaker 1: any control over cleaning up some part of my portion

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Speaker 1: of it, regardless of what the other person has done

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Speaker 1: or said, my way of living, I try to clean

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Speaker 1: up my mess. Um. So I understand that. But also

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Speaker 1: there is also a codependent thing that kind of goes

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Speaker 1: along with that that I end up getting taken advantage

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Speaker 1: of a lot, I think because I do tend to

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Speaker 1: give people the benefit of the doubt, I too do

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Speaker 1: tend to you know, I don't want to be mean.

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Speaker 1: I don't want to step on anybody's toes. I don't

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Speaker 1: want to assume the worst. And so I do that

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Speaker 1: for long enough that you know that I end up

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Speaker 1: waking up and being like, wait, I'm being totally taken

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Speaker 1: advantage of. Why have I been allowing this to go

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Speaker 1: on for so long? Who does them to you? I'll

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Speaker 1: fight them. Do the list, you just pass it along.

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Speaker 1: It's my it's my whole life. And by the way,

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Speaker 1: that's I'm equally responsible because I allow it to happen.

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Speaker 1: And so that's the question of where why do deb

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Speaker 1: and Keith and Lucas and even Nathan sometimes like why

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Speaker 1: do all what is that about us that that makes

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Speaker 1: us feel that we need to perpetuate the cycle of

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Speaker 1: like allowing somebody to hurt us, and then we go

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Speaker 1: back and we're the ones who apologize even when they don't.

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Speaker 1: What is that? Yeah? Well I think you're right, though, Joy,

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Speaker 1: And perhaps I think you're right because I see myself

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Speaker 1: in the explanation you just offered. Are dead to me?

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Speaker 1: I hate your face. I need someone those boundaries, Hillary, Yeah,

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Speaker 1: we've been learning boundaries in our adult lives. Um. I

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Speaker 1: certainly think that for me, in trying to learn boundaries,

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Speaker 1: the thing that was the hardest to accept was not

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Speaker 1: everyone deserves the ever. Not everyone deserves you being the

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Speaker 1: bigger person to try to clean up everything, because it

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Speaker 1: puts you in a position where you're constantly afraid that

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Speaker 1: it's you, that you're failing, that you're doing something wrong.

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Speaker 1: And and really, what it takes me back to and

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Speaker 1: we've been we've all been talking about this dynamic with

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Speaker 1: him that is so well represented on our show, which

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Speaker 1: is probably why it hurts to watch. Those are abusive relationships,

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Speaker 1: Those are being in codependent relationships with Um users or

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Speaker 1: all the way up the ladder to narcissists. And I

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Speaker 1: think that it's like, uh, it's hard to know when

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Speaker 1: your desire to always figure out why something's happened and

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Speaker 1: learn from it and learn the lesson and heal from

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Speaker 1: it and make everybody be friends, Like do you really

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Speaker 1: have to do that with somebody like Dan Scott? I

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Speaker 1: don't think it's an optimism. It's a level of optimism

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Speaker 1: that's lovely. And I love being around optimistic people. And

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Speaker 1: for me, like as someone who's prone to say you

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Speaker 1: real fast, um, it is good for me to be

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Speaker 1: around optimistic people. And I like watching optimistic people. So

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Speaker 1: I like watching the characters in this episode try try again,

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Speaker 1: try and try again, um, and it may work out.

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Speaker 1: I mean, I don't know what the hell happened season seven,

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Speaker 1: eight nine? So does Dan ever? Does he ever? Circle back?

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Speaker 1: Is all the effort worth something? In the end, We're

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Speaker 1: going to find out. I'll find out. I don't know it,

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Speaker 1: but we have a lot of optimistic kids here, and

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Speaker 1: I think, yeah, I had no idea how many of

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Speaker 1: our like signature moments and signature like lines were packed

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Speaker 1: into this. I forgot to so many major things. Well, okay,

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Speaker 1: here let me This is one of my favorite quotes

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Speaker 1: of the episode. Keith says to Karen, let someone discover

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Speaker 1: how staggering you are to it killed me and the

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Speaker 1: two of them to I know, I know, and the

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Speaker 1: two of them together, and the way that they this

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Speaker 1: is watching two pro actors go at it because it

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Speaker 1: was so under played. They did. They weren't like, they

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Speaker 1: weren't milking it. No one was chewing scenery. For those

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Speaker 1: of you out there who aren't the Thespians, chewing scenery

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Speaker 1: is like He's like, when somebody just kind of takes

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Speaker 1: a very minimal scene and then they literally, you know,

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Speaker 1: they would nobody actually does this, but you're chewing on

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Speaker 1: the scenery like you're just like making you're making a

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Speaker 1: meal out of something that's smaller than that. They just

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Speaker 1: were so simple and dropped into their bodies and all

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Speaker 1: the eye contact and that he could see all the

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Speaker 1: emotion was washing all over them. They just sat there

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Speaker 1: and felt it and then set their lines and it

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Speaker 1: was so beautiful. Yeah, that really was a hard scene

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Speaker 1: to watch because he's like, did you ever love me?

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Speaker 1: And she just can't, she can't say yes, and that's

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Speaker 1: It's like she let him be her partner for so

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Speaker 1: long because for her that was enough. You know, I

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Speaker 1: don't need somebody to sleep with. I just need somebody

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Speaker 1: to like maybe cook dinner with sometimes and help. She

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Speaker 1: needed help raising her child's and he but also talk

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Speaker 1: about allowing things to go on like he could have.

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Speaker 1: He could have pulled the plug on that at any

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Speaker 1: moment and said, look, if I'm not if we're not

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Speaker 1: going to be together, I can't participate in this. But

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Speaker 1: he didn't because he was. He was getting something wonderful

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Speaker 1: out of it too. You know, even though it wasn't romance,

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Speaker 1: there was something else that was deeper and was intimacy

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Speaker 1: them that they needed. It wasn't simiththy Yeah. I think

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Speaker 1: it can be complicated for you know, two people who

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Speaker 1: would theoretically be attracted to each other or date to

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Speaker 1: be best friends, you know. And it's interesting to see

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Speaker 1: the adult version of it because there's so many people

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Speaker 1: that I know and so many conversations we've all had

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Speaker 1: about like oh yeah, before I was like young enough

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Speaker 1: to discern, and I thought I was supposed to date

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Speaker 1: that person who is my friend. You know, you're engaged

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Speaker 1: to your friend. Dude, you guys are friends for how

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Speaker 1: long before? Yeah, I represented didn't see it. I um,

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Speaker 1: And sometimes you do the opposite. And it's like to

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Speaker 1: see these adults being, um, the opposite thing on so

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Speaker 1: many shows like ours, which is what all of our

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Speaker 1: characters do. Like the kids are trying to figure out

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Speaker 1: who do they love, who are they really supposed to

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Speaker 1: be with? And I love seeing the inverse intimacy of

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Speaker 1: Keith and Karen because they they love each other so deeply,

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Speaker 1: but they've not crossed that line. They've never given it

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Speaker 1: a shot. And it's almost like it's been so long

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Speaker 1: that that for her she can't imagine doing that. And

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Speaker 1: for him, it's been his secret. You know, he doesn't

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Speaker 1: have that problem. Um. Brooke and Peyton, because boy, and

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Speaker 1: they loved to cut into that shot of us in

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Speaker 1: the gym over and I did they did? What what

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Speaker 1: was this guy? We're just making eyes at each other.

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Speaker 1: I'm like, hey, you're still looking at me. I'm still

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Speaker 1: looking at you. And it just kept going over and over.

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Speaker 1: It was was it the same shot over and over?

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Speaker 1: I think it was the same shot multiple times. They

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Speaker 1: just want like, go back to it, go back to

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Speaker 1: it cut back to Brigan Peyton, but then like we're

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Speaker 1: in the bar together and we're just smiling, and then

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Speaker 1: we're in bed at the end and we're just smiling.

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Speaker 1: Let's do something great together. I didn't realize how I

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Speaker 1: was looking at you. Maybe, and maybe I did realize

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Speaker 1: how it's looking at you. But looking back on it,

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Speaker 1: you know, almost twenty years later, I'm just like, yeah, duh,

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Speaker 1: that is totally a Roman. They're just they're so happy

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Speaker 1: to be back together and they're so happy. So what

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Speaker 1: you're saying is that episodes ago you were like, God,

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Speaker 1: Peyton is so gay for Haley, and now Peyton's back

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Speaker 1: to me. In business, it's like Jake Lucas Haley bro everybody.

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Speaker 1: Changers are experts at just ripping our hearts out and

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Speaker 1: handing them to every single person who looks at us

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Speaker 1: the right way. Me love me. But also that is

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Speaker 1: like a real thing, like that whole used to joke,

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Speaker 1: uh in the last season on One Tree Hill, when

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Speaker 1: I was like single and like kind of dating around,

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Speaker 1: and I would we played this game, you know that

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Speaker 1: children's book Are You my mother? Oh? Yeah, So I

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Speaker 1: used to joke like, are you my husband? Are you

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Speaker 1: my husband? Are you my husband? Are you my husband?

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Speaker 1: With like like people in bars and things, Hillary saying

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Speaker 1: I literally I told that, Like every time I see

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Speaker 1: a man reading on the subway in New York, I'm like,

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Speaker 1: are you? It could be honestly, it's it's like, uh,

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Speaker 1: I don't know, because that spark of seeing someone for

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Speaker 1: the first time, or that spark of like recognizing someone

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Speaker 1: that maybe you've known for a little while but you've

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Speaker 1: never looked at that way, that's exciting, and I think

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Speaker 1: that could almost even be addicting, especially to someone like

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Speaker 1: Peyton who doesn't have a stable home, and so it's like,

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Speaker 1: are you gonna be my fix? Are you gonna be

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Speaker 1: my fix? Are you gonna be my fix? And Brooke

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Speaker 1: is the ultimate fix, like that's the person who has

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Speaker 1: loved her through everything. But I think that's also part

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Speaker 1: of the depth of Brook and Peyton's bond. Neither of

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Speaker 1: them knows what a healthy adult relationship. So both of

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Speaker 1: these right, they've had nothing modeled, and so of course

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Speaker 1: these girls get into a messy entanglement with the same

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Speaker 1: boy of course they love deeply, and an entanglement they

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Speaker 1: you know, they love deeply, and they and they and

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Speaker 1: they hurt deeply together because there are two little girls

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Speaker 1: who have never had an adult teach them how things

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Speaker 1: are supposed to go. So they're desperately looking for the

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Speaker 1: thing that feels like home. They're playing house. You know,

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Speaker 1: if we can just like if you have have a

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Speaker 1: house and I have half a house, if we just

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00:19:53,880 --> 00:19:57,360
Speaker 1: combine forces, then maybe we'll have like a whole situation.

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Speaker 1: Um and I, you know, knowing that we were on

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00:20:02,040 --> 00:20:04,000
Speaker 1: the bubble and we didn't know whether or not we

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00:20:04,000 --> 00:20:06,760
Speaker 1: were going to come back or not, I appreciate that

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00:20:06,760 --> 00:20:09,560
Speaker 1: that's the storyline that they chose for us. That it

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Speaker 1: wasn't like all of us ended up with Luke one

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Speaker 1: of like I ran off with Jake. It was like, no,

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00:20:14,400 --> 00:20:19,719
Speaker 1: this bond is the important end cap to this story. Yeah,

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00:20:19,960 --> 00:20:22,240
Speaker 1: so's the reason why, you guys, this friendship was just

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00:20:22,320 --> 00:20:24,840
Speaker 1: so epic on the show and and something that carried

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Speaker 1: so many people through I mean, I think that your

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Speaker 1: friendship was set an example for so many young women.

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Speaker 1: And you know, they just as much as Nathan and

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Speaker 1: Haley were this iconic couple, I think Brook and Peyton

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Speaker 1: were the iconic friendship friendship couple of the two thousands

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Speaker 1: and that shows up all the time, and fans we

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Speaker 1: never got a rainteller. Joy. Yeah, you guys had another rain.

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Speaker 1: I know. Unfortunately, I'm going to have to leave soon

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Speaker 1: because I have I'm in Nashville right now, and you

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00:20:54,920 --> 00:20:58,439
Speaker 1: guys friends out there listening. It's been a real pickle

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Speaker 1: trying to figure out our schedules because we've all got

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00:21:01,280 --> 00:21:05,360
Speaker 1: other other projects and children and you know, all these

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Speaker 1: other responsibilities and normally it's been so we find time,

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Speaker 1: but this week, for some reason, it was just really differs.

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Speaker 1: So anyway, this was our only kind of time slot

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Speaker 1: to get together. So you get me for the first

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Speaker 1: half hour, and then you get you got these other

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Speaker 1: two for the last. We're going to talk about and

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Speaker 1: making the thing. They're going to carry you out. But

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Speaker 1: before I go, I want to talk about that scene

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Speaker 1: with Nathan and Haley, because Okay, first of all, the

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Speaker 1: rain was so intense. It was like I was blinking

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Speaker 1: like I could not because James is so tall and

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Speaker 1: I my eyes. If you looked at them scene, I

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Speaker 1: couldn't even look up at it. I was just like

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Speaker 1: this pelts of rain. Somebody help me, diving into my

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Speaker 1: eyeballs um, but he looked so great in the rain,

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Speaker 1: by the way, him looking down with that angle and

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Speaker 1: that jaw and the rain just pouring in his face,

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Speaker 1: and he looked more like a man for the first time.

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Speaker 1: Totally agree. Yeah, I was, Yes, I was like, I

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00:22:06,760 --> 00:22:11,359
Speaker 1: was like, baby Jake, I know, I know what. Hell God,

380
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Speaker 1: I remember that day though. I remember the scene in

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Speaker 1: the cemetery, and I really remembered shooting this episode. Watching

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00:22:17,320 --> 00:22:21,040
Speaker 1: this back, I went, oh, I have visceral memories of this.

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Speaker 1: I remember being in the cemetery and how cold it

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Speaker 1: was that night and trying to you know, we were

385
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Speaker 1: just out there so late, and it was the first

386
00:22:27,880 --> 00:22:29,399
Speaker 1: time Chat and I had been able to do a

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00:22:29,400 --> 00:22:31,480
Speaker 1: long night scene and just hang out and chat together

388
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Speaker 1: in a really long time. So that was super fun.

389
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Speaker 1: But this, Yeah, the speech that Nathan gives Haley about

390
00:22:39,840 --> 00:22:43,080
Speaker 1: she's clearly threatened by a sexual relationship was the one

391
00:22:43,160 --> 00:22:46,640
Speaker 1: line that really bumped me. To bump you guys too,

392
00:22:46,720 --> 00:22:49,919
Speaker 1: or was it just me that you were threatened by

393
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Speaker 1: a sexual relationship? It was that you were irritated. It

394
00:22:53,600 --> 00:23:01,120
Speaker 1: was on his computer, like, bro, you had this on

395
00:23:01,160 --> 00:23:05,119
Speaker 1: your laptop currently. And also and by the way, they

396
00:23:05,119 --> 00:23:08,120
Speaker 1: could have chosen, you know, our our episode aired last

397
00:23:08,119 --> 00:23:10,800
Speaker 1: week all about the porn they could have chosen, like

398
00:23:11,040 --> 00:23:15,040
Speaker 1: websites that didn't sound as like raunchy as the one

399
00:23:16,840 --> 00:23:21,520
Speaker 1: like some high ed material for Nat. They really did.

400
00:23:22,040 --> 00:23:25,200
Speaker 1: But I just it begged me because she wasn't I

401
00:23:25,240 --> 00:23:27,240
Speaker 1: don't think she was threatened by a sexual relation. What

402
00:23:27,359 --> 00:23:30,959
Speaker 1: would be threatened that? That's so insulting. Actually literally Peyton

403
00:23:31,040 --> 00:23:35,840
Speaker 1: drops her off to that scene. For me, I was like,

404
00:23:35,880 --> 00:23:40,240
Speaker 1: they're together. Oh yeah, wa if you were threatened, why

405
00:23:40,280 --> 00:23:44,040
Speaker 1: am I dropping you off? Like why yeah, Like that's

406
00:23:44,040 --> 00:23:47,040
Speaker 1: clearly not it. And what what bugged me about it

407
00:23:47,119 --> 00:23:50,040
Speaker 1: is it was again going back to the device of

408
00:23:50,119 --> 00:23:52,080
Speaker 1: like you shouldn't care about the sex because you have

409
00:23:52,200 --> 00:23:55,640
Speaker 1: my heart, And I was like, no, it's not about

410
00:23:55,760 --> 00:23:59,040
Speaker 1: the fact that this is a person who's been sexual Sure,

411
00:23:59,119 --> 00:24:01,800
Speaker 1: that can make you feel a little nervous about your

412
00:24:01,840 --> 00:24:06,600
Speaker 1: own whatever, But the whole point is that she's upset

413
00:24:06,960 --> 00:24:11,159
Speaker 1: that there has been a lot about sexual activity that

414
00:24:11,280 --> 00:24:15,359
Speaker 1: doesn't include and this is someone who clearly has a

415
00:24:15,440 --> 00:24:17,720
Speaker 1: very high view of sex. She doesn't see it as

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00:24:18,960 --> 00:24:21,520
Speaker 1: a commodity to trade or something that is you know,

417
00:24:21,640 --> 00:24:25,000
Speaker 1: for her, this is something that she really values and

418
00:24:25,040 --> 00:24:27,040
Speaker 1: puts puts a high value in because it really is

419
00:24:27,080 --> 00:24:31,959
Speaker 1: meaningful to her. And you know that's complicated when you're

420
00:24:31,960 --> 00:24:35,000
Speaker 1: in a relationship with someone who hasn't functioned with sex

421
00:24:35,040 --> 00:24:38,240
Speaker 1: in that way. Um, and who knows, you know, how

422
00:24:38,280 --> 00:24:41,359
Speaker 1: things can change for for Nathan or how things have

423
00:24:41,520 --> 00:24:43,720
Speaker 1: changed for him. But I just thought that was really

424
00:24:43,720 --> 00:24:48,040
Speaker 1: the wrong line to choose. And I remember feeling like, guys,

425
00:24:48,080 --> 00:24:50,399
Speaker 1: I hate this line. Can't we change it? But it

426
00:24:50,440 --> 00:24:53,080
Speaker 1: wasn't my line, so it wasn't up to me. It's

427
00:24:53,119 --> 00:24:57,800
Speaker 1: so hard to change someone else's dialogue, like yeah, so

428
00:24:57,840 --> 00:24:59,480
Speaker 1: I just had to like, Okay, Hayley, it's going to

429
00:24:59,560 --> 00:25:02,800
Speaker 1: forgive him. I guess I will say props to James

430
00:25:03,440 --> 00:25:07,600
Speaker 1: because he took some lines that were gross and and

431
00:25:07,720 --> 00:25:10,360
Speaker 1: that device of like you have my heart that we've

432
00:25:10,400 --> 00:25:12,919
Speaker 1: been complaining about for weeks, just being like come on,

433
00:25:13,200 --> 00:25:17,440
Speaker 1: like have a real conversation, and and he was he

434
00:25:17,640 --> 00:25:22,240
Speaker 1: was to your point, like he brought a man's energy

435
00:25:22,320 --> 00:25:26,440
Speaker 1: to it, he brought his vulnerability to it. He he

436
00:25:26,840 --> 00:25:29,880
Speaker 1: he sort of got over the worst of the dialogue

437
00:25:30,040 --> 00:25:34,199
Speaker 1: as quickly as possible and leaned into the apologies and

438
00:25:34,280 --> 00:25:37,160
Speaker 1: into how he wasn't going to be a typical guy

439
00:25:37,200 --> 00:25:39,600
Speaker 1: who just sat in his pride and said we'll forget

440
00:25:39,640 --> 00:25:42,000
Speaker 1: it and and he brought all this other stuff to it.

441
00:25:42,200 --> 00:25:46,040
Speaker 1: I was really impressive. You know, he was eighteen years old,

442
00:25:46,160 --> 00:25:48,760
Speaker 1: like doing that scene and what a what a g

443
00:25:49,000 --> 00:25:52,240
Speaker 1: our friend is He threw away the bad lines. He

444
00:25:52,320 --> 00:25:54,520
Speaker 1: was like if I just see him really fast and

445
00:25:54,560 --> 00:25:58,480
Speaker 1: like yeah, and then he leaned into the good lines

446
00:25:58,560 --> 00:26:02,240
Speaker 1: and it was It was really sweet to watch because

447
00:26:02,240 --> 00:26:04,119
Speaker 1: even though I, you know, I feel for you in

448
00:26:04,119 --> 00:26:06,359
Speaker 1: that moment, joy and like I didn't like that either,

449
00:26:06,720 --> 00:26:09,200
Speaker 1: I still came away from that scene going I really

450
00:26:09,240 --> 00:26:12,840
Speaker 1: like that. I like that he chose vulnerability as a team.

451
00:26:13,160 --> 00:26:15,919
Speaker 1: It's just realistic too, by the way, because nobody just

452
00:26:16,000 --> 00:26:19,359
Speaker 1: changes their mind and it's rare that someone will change

453
00:26:19,359 --> 00:26:21,119
Speaker 1: their mind on a dime and everything's going to be

454
00:26:21,119 --> 00:26:23,520
Speaker 1: perfect all of a sudden. So it's fine that he

455
00:26:24,240 --> 00:26:26,440
Speaker 1: had to find you know, that was sort of where

456
00:26:26,480 --> 00:26:29,520
Speaker 1: the line that he could come to to make sense

457
00:26:29,520 --> 00:26:31,600
Speaker 1: of it, to keep moving forward and you know, give

458
00:26:31,640 --> 00:26:34,040
Speaker 1: him space to grow. I guess I don't know, am

459
00:26:34,040 --> 00:26:37,639
Speaker 1: I being too gener no? But you ended that scene perfectly.

460
00:26:37,720 --> 00:26:42,280
Speaker 1: I mean the will if you have to, was yeah,

461
00:26:42,480 --> 00:26:44,359
Speaker 1: and it was such a good kiss. And then we

462
00:26:44,359 --> 00:26:46,280
Speaker 1: were in his house and that bra from Edge of

463
00:26:46,359 --> 00:26:49,080
Speaker 1: Urge because the whole thing about that you have to

464
00:26:49,119 --> 00:26:52,439
Speaker 1: tell the bra story. Oh my god, you guys. In

465
00:26:52,520 --> 00:26:56,480
Speaker 1: my notes, I literally have that satin bra and on

466
00:26:56,520 --> 00:27:01,760
Speaker 1: my notes sheet, Joy, you looked so hot that probably

467
00:27:01,760 --> 00:27:04,240
Speaker 1: they wanted me in a regular bra. And it was

468
00:27:04,280 --> 00:27:06,439
Speaker 1: twenty one. I had never been in a regular bra

469
00:27:06,560 --> 00:27:09,760
Speaker 1: on TV before. I mean, now I'd be totally naked.

470
00:27:09,800 --> 00:27:11,119
Speaker 1: I don't have a problem with it, but you know,

471
00:27:11,200 --> 00:27:15,160
Speaker 1: whatever given, But yeah, at least I have no shame left,

472
00:27:15,240 --> 00:27:17,600
Speaker 1: Like I'll take all the roles Kate Winslet doesn't want.

473
00:27:18,000 --> 00:27:24,320
Speaker 1: But I You're like, paint me like one of your friends.

474
00:27:24,359 --> 00:27:28,240
Speaker 1: But back then, you know, I was. I was definitely

475
00:27:28,480 --> 00:27:30,359
Speaker 1: really nervous about that. I didn't want to be in

476
00:27:30,400 --> 00:27:34,800
Speaker 1: a bra on TV, and so I didn't know what

477
00:27:34,840 --> 00:27:37,120
Speaker 1: to do. And we found this sort of sports bra

478
00:27:37,520 --> 00:27:41,000
Speaker 1: thing that was satin, so it looked like something Haley

479
00:27:41,000 --> 00:27:44,679
Speaker 1: would wear. Um, but I do remember filming that scene

480
00:27:44,840 --> 00:27:50,080
Speaker 1: and it was, uh, I couldn't wear nipple pads because

481
00:27:50,119 --> 00:27:55,000
Speaker 1: they would have shown through the satin. And so you know,

482
00:27:56,200 --> 00:27:57,840
Speaker 1: it was a little cold in there when I went in,

483
00:27:58,000 --> 00:28:03,960
Speaker 1: and I remember, God, I'm trying to remember exactly what happened,

484
00:28:03,960 --> 00:28:08,399
Speaker 1: but I know that our director, I specifically, was like, listen,

485
00:28:08,560 --> 00:28:11,280
Speaker 1: I really don't like I'm in satin and my nipples

486
00:28:11,280 --> 00:28:12,840
Speaker 1: are going to show through this, and I really am

487
00:28:12,920 --> 00:28:16,400
Speaker 1: uncomfortable with that. Can you please just like shoot above it,

488
00:28:16,520 --> 00:28:19,680
Speaker 1: just make sure you're like or or just wait until

489
00:28:19,840 --> 00:28:22,440
Speaker 1: like it swarms up and it warms up a little

490
00:28:22,480 --> 00:28:26,120
Speaker 1: in here. And he said, no problem, absolutely, and then

491
00:28:27,440 --> 00:28:29,840
Speaker 1: they just sucking did whatever they wanted to do. That's

492
00:28:29,880 --> 00:28:32,240
Speaker 1: what they did around it. And I was so upset.

493
00:28:32,280 --> 00:28:35,240
Speaker 1: I was so upset because honestly, I could have chosen

494
00:28:35,640 --> 00:28:38,239
Speaker 1: a padded bra that at least it would have been

495
00:28:38,240 --> 00:28:40,040
Speaker 1: like a bikini top, but then I wouldn't have been

496
00:28:40,080 --> 00:28:42,400
Speaker 1: so exposed. But the fact that you can totally see

497
00:28:42,400 --> 00:28:45,200
Speaker 1: my nipples through that shirt and it was a satin

498
00:28:45,280 --> 00:28:47,320
Speaker 1: there beautiful. Hey, I got great boobs. I'm so happy

499
00:28:47,320 --> 00:28:50,680
Speaker 1: about them. But I'm so happy about them that needs

500
00:28:50,680 --> 00:28:55,920
Speaker 1: to be on a shirt. I'm so happy about that's right.

501
00:28:56,200 --> 00:28:59,240
Speaker 1: But at twenty one, I was like, oh my god,

502
00:29:01,600 --> 00:29:04,200
Speaker 1: it's a big deal. But you but you were scary.

503
00:29:04,840 --> 00:29:10,800
Speaker 1: You looked so beautiful and so innocent, but also it

504
00:29:10,920 --> 00:29:13,720
Speaker 1: was clear this is a girl coming into her own,

505
00:29:14,200 --> 00:29:17,920
Speaker 1: she's making decisions on her own, making a decision. I

506
00:29:17,960 --> 00:29:20,080
Speaker 1: thought that you played all of that really really well,

507
00:29:20,800 --> 00:29:24,479
Speaker 1: you know, and and it's iconic for for the you know,

508
00:29:24,960 --> 00:29:28,840
Speaker 1: cannon of the show. It's this episode you two kissing

509
00:29:28,880 --> 00:29:32,800
Speaker 1: in the rain and then getting married that carries through

510
00:29:32,840 --> 00:29:35,840
Speaker 1: the rest of the series. Lucas has such a good

511
00:29:35,840 --> 00:29:39,040
Speaker 1: reaction at the end when I'm like, we got married

512
00:29:39,160 --> 00:29:43,200
Speaker 1: last night and dropped the bomb, and Hayley and Nathan

513
00:29:43,280 --> 00:29:50,560
Speaker 1: just like like, it's cute, but Lucas was like, oh yeah,

514
00:29:50,800 --> 00:29:55,040
Speaker 1: you two. Honestly, we're so giddy and cute in that cute.

515
00:29:55,280 --> 00:29:58,400
Speaker 1: I remember getting those pages. Don't remember when they gave

516
00:29:58,480 --> 00:30:00,480
Speaker 1: us the pages were in red. The last like ten

517
00:30:00,520 --> 00:30:03,240
Speaker 1: pages of the episode were in red. In the script, yes,

518
00:30:03,280 --> 00:30:07,440
Speaker 1: because people were leaking our scripts for they were getting

519
00:30:07,520 --> 00:30:11,720
Speaker 1: leaked and the red pages with the black ink couldn't

520
00:30:11,760 --> 00:30:15,280
Speaker 1: be zero that's right, everything would disappear. So they gave

521
00:30:15,360 --> 00:30:17,920
Speaker 1: us the end of the of the episode in red

522
00:30:18,040 --> 00:30:20,040
Speaker 1: so it wouldn't get leaked. Onto the end. I was

523
00:30:20,120 --> 00:30:22,440
Speaker 1: in my trailer when I read this and I when

524
00:30:22,440 --> 00:30:24,640
Speaker 1: I saw that line, Haley was like, we got married

525
00:30:24,720 --> 00:30:26,640
Speaker 1: last night. I beats it out of my trail because

526
00:30:26,720 --> 00:30:29,000
Speaker 1: James and I shared a trailer and I busted out

527
00:30:29,000 --> 00:30:30,680
Speaker 1: of my trailer and I ran. I banged on his story,

528
00:30:30,800 --> 00:30:36,520
Speaker 1: like teach, what did he say? He was like, yeah,

529
00:30:36,560 --> 00:30:40,800
Speaker 1: I can't believe it. Crazy but that we could have

530
00:30:40,920 --> 00:30:44,480
Speaker 1: ended the show and everything was wrapped up. Everything was

531
00:30:44,560 --> 00:30:47,680
Speaker 1: nice and tidy. You two getting married was the hook

532
00:30:47,840 --> 00:30:51,600
Speaker 1: where people were like, wait, what this? It was smart

533
00:30:51,600 --> 00:30:54,440
Speaker 1: and back. It was very smart. It was very smart.

534
00:30:54,640 --> 00:30:59,600
Speaker 1: Inquiring minds want to know, how's this marriage going to play? Book? Girls?

535
00:30:59,680 --> 00:31:02,600
Speaker 1: You talk about it amongst yourselves. I love you. I'm sorry,

536
00:31:03,480 --> 00:31:05,160
Speaker 1: what are you doing? We want to we want to

537
00:31:05,240 --> 00:31:07,840
Speaker 1: cheer on whatever you're working on. Oh thank you. I

538
00:31:07,880 --> 00:31:09,960
Speaker 1: am you did a show, did a show last night

539
00:31:10,000 --> 00:31:13,040
Speaker 1: in Nashville. And I have some writing sessions and recording

540
00:31:13,040 --> 00:31:15,720
Speaker 1: stuff that I've been just getting into. And there's just

541
00:31:15,760 --> 00:31:18,520
Speaker 1: so many schedules to juggle and I had so many

542
00:31:18,560 --> 00:31:19,959
Speaker 1: of these things already set up, and I'm only here

543
00:31:19,960 --> 00:31:23,120
Speaker 1: for a week. So unfortunately this is my only give

544
00:31:23,200 --> 00:31:26,080
Speaker 1: us our new favorite record. Joy, I love you, girls. Hey,

545
00:31:26,200 --> 00:31:28,920
Speaker 1: talk about how much good music there was in this episode,

546
00:31:28,920 --> 00:31:31,600
Speaker 1: by the way, because the music in this episode was amazing.

547
00:31:32,720 --> 00:31:35,680
Speaker 1: Talk about Okay and Brooklyn so delicious with all of

548
00:31:35,720 --> 00:31:38,560
Speaker 1: the stuff with Nikki and I love I love their

549
00:31:38,560 --> 00:31:41,520
Speaker 1: schemes and Okay, too many notes, I love you one

550
00:31:41,560 --> 00:31:53,960
Speaker 1: to three ravens never more, goodbye, goodbye, I love you. Well, yeah,

551
00:31:54,080 --> 00:31:58,000
Speaker 1: we have had like a bonkers week. Um yeah, what

552
00:31:58,000 --> 00:31:59,800
Speaker 1: can we say about Joy while she's not here? She'll

553
00:31:59,840 --> 00:32:02,520
Speaker 1: love that? Oh my god. You know what I loved

554
00:32:02,560 --> 00:32:07,880
Speaker 1: Okay because the thing I have written under the satin

555
00:32:07,920 --> 00:32:14,040
Speaker 1: bra and all caps is um, I loved Joy chose

556
00:32:14,120 --> 00:32:17,240
Speaker 1: to play that scene. I saw her do two things,

557
00:32:17,360 --> 00:32:21,400
Speaker 1: like they come in from the rain and Nathan gets undressed,

558
00:32:21,440 --> 00:32:28,240
Speaker 1: and she has this very beautiful, like feminine reaction to him,

559
00:32:28,280 --> 00:32:32,120
Speaker 1: like she she allows her attraction to take her by

560
00:32:32,160 --> 00:32:36,200
Speaker 1: surprise as Haley, and then she makes a distance. Is

561
00:32:36,360 --> 00:32:41,680
Speaker 1: this exactly? I saw her realize that for the first time,

562
00:32:41,960 --> 00:32:45,120
Speaker 1: because she's been attracted to Nathan as Haley for so long,

563
00:32:46,000 --> 00:32:50,240
Speaker 1: but for the first time, her attraction didn't make her uncomfortable,

564
00:32:50,720 --> 00:32:54,520
Speaker 1: and she realized she was ready. This time, she had

565
00:32:54,560 --> 00:32:58,320
Speaker 1: the power in that moment. And that's a lovely way

566
00:32:58,360 --> 00:33:00,640
Speaker 1: to be in control of your sexual ality is when

567
00:33:00,640 --> 00:33:05,280
Speaker 1: you feel in total control and you're hungry for it.

568
00:33:05,800 --> 00:33:07,320
Speaker 1: You know, no one wants to eat a meal when

569
00:33:07,360 --> 00:33:11,160
Speaker 1: they're not hungry. But but if you haven't had anything

570
00:33:11,200 --> 00:33:13,160
Speaker 1: all day and you're like, you know what, I'm going

571
00:33:13,200 --> 00:33:19,520
Speaker 1: to eat this entire plate of Nathan Great. I was

572
00:33:19,600 --> 00:33:25,000
Speaker 1: expecting for the analogy, but I'm with you, I'm just

573
00:33:25,000 --> 00:33:28,680
Speaker 1: going to eat that boy. Yeah. But here's my question

574
00:33:28,800 --> 00:33:31,720
Speaker 1: was why wasn't Haley cheering at the game? Did I

575
00:33:31,760 --> 00:33:37,200
Speaker 1: miss something like? Wasn't she on the squad? I? I

576
00:33:37,240 --> 00:33:40,160
Speaker 1: was wondering. Also, I think she just did the Sparkle

577
00:33:40,200 --> 00:33:43,640
Speaker 1: Classic with us and then we convinced her to be

578
00:33:43,880 --> 00:33:48,880
Speaker 1: on the squad for real in the later seasons. Has

579
00:33:48,920 --> 00:33:51,040
Speaker 1: she not cheered at a game? We're gonna need somebody

580
00:33:51,040 --> 00:33:52,680
Speaker 1: to weigh in on this. I was just like, I

581
00:33:52,720 --> 00:33:56,160
Speaker 1: don't think she did. Yeah, I don't think so. I

582
00:33:56,200 --> 00:33:59,200
Speaker 1: think it was just the Sparkle Classic either way, Frankly,

583
00:33:59,240 --> 00:34:01,440
Speaker 1: I was mad she wasn't down there with us winking

584
00:34:01,680 --> 00:34:07,920
Speaker 1: and smiling and hold hands. Um. It was interesting to

585
00:34:08,000 --> 00:34:13,040
Speaker 1: me that that they did decide to use the turn

586
00:34:13,160 --> 00:34:17,439
Speaker 1: and wink to you multiple times. I was like, are

587
00:34:17,760 --> 00:34:22,280
Speaker 1: are we using it as a flashback? Like what why

588
00:34:22,320 --> 00:34:26,359
Speaker 1: do we keep repeating this? But I realized I think

589
00:34:26,400 --> 00:34:29,680
Speaker 1: they did it not well as a device to try

590
00:34:29,719 --> 00:34:34,080
Speaker 1: to lead the audience on the mystery Brooke is going

591
00:34:34,120 --> 00:34:38,200
Speaker 1: to betray Peyton? You know? I mean that, me knowing

592
00:34:38,239 --> 00:34:41,640
Speaker 1: what's going to happen never bought the misdirect. Are there

593
00:34:41,680 --> 00:34:44,160
Speaker 1: people out there? They did, like, are there people out there?

594
00:34:44,280 --> 00:34:46,719
Speaker 1: If you if you guys really believed the Who's going

595
00:34:46,760 --> 00:34:48,759
Speaker 1: to betray Peyton? You need to send us a note

596
00:34:48,840 --> 00:34:54,200
Speaker 1: because yeah, fans, will you tell us? I mean, Brooks

597
00:34:54,200 --> 00:34:58,960
Speaker 1: a good actress shadow hanging out in the My God,

598
00:34:59,040 --> 00:35:02,360
Speaker 1: that was so could go out as soon as like,

599
00:35:02,440 --> 00:35:04,560
Speaker 1: as soon as that scene came on, I was like, whoa,

600
00:35:04,640 --> 00:35:08,040
Speaker 1: that's a choice we made in the makeup trailer. James Brooks,

601
00:35:08,200 --> 00:35:09,640
Speaker 1: I'm a grown up and I have a fake I

602
00:35:09,719 --> 00:35:13,880
Speaker 1: d eyeshadow. Yeah, don't I look twenty used to wear

603
00:35:13,920 --> 00:35:16,520
Speaker 1: a lot of lilac eyeshadow. Maybe it's time for that

604
00:35:16,600 --> 00:35:20,319
Speaker 1: to come back. Honestly, I have a lilac jacket that

605
00:35:20,360 --> 00:35:22,520
Speaker 1: I like so much, so maybe I should just do

606
00:35:22,560 --> 00:35:25,080
Speaker 1: a whole you used to match your makeup with your

607
00:35:25,080 --> 00:35:28,560
Speaker 1: clothes all the time. Oh yeah, that was like Kelly

608
00:35:28,640 --> 00:35:30,920
Speaker 1: Jefferson and I who y'all know, we've talked about our

609
00:35:30,960 --> 00:35:34,080
Speaker 1: wonderful makeup artist on the show that was That was

610
00:35:34,120 --> 00:35:36,120
Speaker 1: a Kelly Jefferson. She was like, I think, this girl

611
00:35:36,160 --> 00:35:39,440
Speaker 1: who's so into fashion but also is a teenager, I

612
00:35:39,440 --> 00:35:42,080
Speaker 1: would think it's really cool to match her eyeshadow too

613
00:35:42,080 --> 00:35:44,040
Speaker 1: her outfits. And I was like, I'm obsessed with this.

614
00:35:44,920 --> 00:35:47,360
Speaker 1: We're getting the note that it's season three that Hayley

615
00:35:47,400 --> 00:35:49,960
Speaker 1: became a cheerleader because Brooke asked her to join the

616
00:35:49,960 --> 00:35:54,960
Speaker 1: squad after newcomer Rachel Gettina tries to take over the squad. Hey,

617
00:35:55,000 --> 00:35:57,759
Speaker 1: all right, one of our favorite a good team that

618
00:35:57,840 --> 00:36:00,080
Speaker 1: helps us with this stuff. You want to talk a

619
00:36:00,160 --> 00:36:04,160
Speaker 1: little bit about all those scenes between Chad and James

620
00:36:04,320 --> 00:36:08,319
Speaker 1: because they they played so well together. Chad did such

621
00:36:08,320 --> 00:36:11,239
Speaker 1: a good job, James did such a good job. It's

622
00:36:11,280 --> 00:36:13,719
Speaker 1: like they had the whole will they or won't they

623
00:36:13,760 --> 00:36:17,120
Speaker 1: relationship this whole season. So for them to end up

624
00:36:17,160 --> 00:36:19,640
Speaker 1: in that space at the River Court in the end,

625
00:36:21,239 --> 00:36:25,400
Speaker 1: it was just I was so touched by it because

626
00:36:26,400 --> 00:36:31,080
Speaker 1: it ran this really beautiful arc of Nathan trying to

627
00:36:31,120 --> 00:36:38,000
Speaker 1: help Lucas rehab them sharing in all of this experience

628
00:36:38,040 --> 00:36:41,360
Speaker 1: of Dan and him just being so vicious with them

629
00:36:41,400 --> 00:36:45,960
Speaker 1: as the substitute coach, and then that beautiful night shot

630
00:36:46,000 --> 00:36:49,000
Speaker 1: on the river court where all of Walmington's lit up

631
00:36:49,960 --> 00:36:54,360
Speaker 1: and Nathan says, I never thought during that first game

632
00:36:54,920 --> 00:36:58,239
Speaker 1: that I'd be here feeling like this, I'm gonna miss you.

633
00:36:59,480 --> 00:37:02,600
Speaker 1: And when he says, you know, because you're a great

634
00:37:02,600 --> 00:37:05,839
Speaker 1: basketball player, and they both almost laughed but they don't,

635
00:37:06,560 --> 00:37:09,560
Speaker 1: and then he says, and you're my brother cried. I

636
00:37:09,640 --> 00:37:13,920
Speaker 1: was like, chili bumps up as you're talking about it. Yeah,

637
00:37:14,239 --> 00:37:19,040
Speaker 1: Like I'm actually like teary eyed again. It really watching them,

638
00:37:19,280 --> 00:37:23,759
Speaker 1: Lucas and Nathan have that moment, it really got me.

639
00:37:23,880 --> 00:37:28,440
Speaker 1: It was beautiful. It's sad to see Lucas's family that

640
00:37:28,480 --> 00:37:31,000
Speaker 1: he thought he had falling apart. I mean, he had

641
00:37:31,040 --> 00:37:35,360
Speaker 1: a maternal person and a paternal person and they're basically

642
00:37:35,400 --> 00:37:38,719
Speaker 1: splitting up and he's having to pick which person he's

643
00:37:38,719 --> 00:37:42,360
Speaker 1: going to go with. And so for him to finally

644
00:37:42,640 --> 00:37:48,479
Speaker 1: have this new solid family member who loves his best

645
00:37:48,520 --> 00:37:51,160
Speaker 1: friend and who cares about him and who stands up

646
00:37:51,280 --> 00:37:54,920
Speaker 1: for him to Dan in the locker room, Like Nathan's

647
00:37:54,440 --> 00:37:58,440
Speaker 1: fight with Dan and the locker room was it was

648
00:37:58,520 --> 00:38:02,600
Speaker 1: so bad, and him hauling Dan on being a coward

649
00:38:02,680 --> 00:38:05,879
Speaker 1: and not being a team player back then, and Dan

650
00:38:07,239 --> 00:38:10,920
Speaker 1: like being so ashamed in front of all those boys.

651
00:38:11,920 --> 00:38:18,600
Speaker 1: Tis like, I'm good, that's fine, I have to leave.

652
00:38:19,000 --> 00:38:24,680
Speaker 1: I mean, the that relationship Nathan and Luke was something

653
00:38:24,719 --> 00:38:26,880
Speaker 1: that was fun to watch because it's not like, I mean,

654
00:38:26,960 --> 00:38:29,719
Speaker 1: at that point were we all hanging out outside of work.

655
00:38:29,840 --> 00:38:31,239
Speaker 1: I think by the end of the season, we were

656
00:38:31,239 --> 00:38:33,359
Speaker 1: all just like working twenty hour days and going home

657
00:38:34,080 --> 00:38:38,520
Speaker 1: and going to sleep. And so Chad James's relationship, the

658
00:38:38,560 --> 00:38:41,040
Speaker 1: way they were able to just come to work and

659
00:38:41,120 --> 00:38:45,440
Speaker 1: lock into that without they weren't living together at that point.

660
00:38:46,080 --> 00:38:48,960
Speaker 1: Uh yeah, It's just they made it look so easy.

661
00:38:49,239 --> 00:38:53,279
Speaker 1: Just Okay, we're gonna love each other now and they're

662
00:38:53,360 --> 00:38:58,319
Speaker 1: walking talks are really strong. Um. Hailey scene with Chad though,

663
00:38:58,600 --> 00:39:03,720
Speaker 1: was for me the saddest scene where she's like, I'm scared,

664
00:39:04,800 --> 00:39:06,239
Speaker 1: what do you mean You're not going to be here?

665
00:39:06,360 --> 00:39:08,200
Speaker 1: And then she starts listening all this stuff that I

666
00:39:08,239 --> 00:39:10,160
Speaker 1: like to do. She's like, who's gonna go thrift store

667
00:39:10,160 --> 00:39:12,520
Speaker 1: shopping with me and who's gonna go get dumb records?

668
00:39:12,520 --> 00:39:20,000
Speaker 1: And I'm just like Hi, It's like hill, Yeah, I mean,

669
00:39:21,560 --> 00:39:23,920
Speaker 1: I still don't understand Lucas moving away. I don't know

670
00:39:24,000 --> 00:39:27,600
Speaker 1: why that was part of like I always think there's

671
00:39:27,640 --> 00:39:31,080
Speaker 1: like a double reason why they do stuff. Was it

672
00:39:31,120 --> 00:39:33,239
Speaker 1: because Chad was doing a movie? They knew he was

673
00:39:33,320 --> 00:39:34,839
Speaker 1: doing a movie, and they knew they couldn't bring him

674
00:39:34,840 --> 00:39:40,439
Speaker 1: back right away? I don't really know, but I think

675
00:39:40,480 --> 00:39:43,839
Speaker 1: he is back right away. I really think that they

676
00:39:44,920 --> 00:39:48,880
Speaker 1: but that they used that. You know, Haley and Nathan

677
00:39:48,920 --> 00:39:52,640
Speaker 1: getting married was a cliffhanger. Lucas going away with Keith

678
00:39:52,840 --> 00:39:55,920
Speaker 1: was a cliffhanger. By the way, when you said, you know,

679
00:39:55,960 --> 00:39:58,120
Speaker 1: inquiring minds want to know what's going to happen with

680
00:39:58,120 --> 00:40:00,880
Speaker 1: this married teenage couple, and are minds want to know

681
00:40:00,920 --> 00:40:05,919
Speaker 1: who left a serial killer envelope on Peyton's door? That's right?

682
00:40:07,239 --> 00:40:09,319
Speaker 1: I was like, what is that? Who left that? And guys,

683
00:40:09,360 --> 00:40:12,680
Speaker 1: I really don't remember? And so I think that they

684
00:40:12,760 --> 00:40:16,840
Speaker 1: wanted with every kind of couplet, they wanted us to

685
00:40:16,920 --> 00:40:19,560
Speaker 1: have these cliff hairs. Dan's having a heart attack, Deb

686
00:40:19,600 --> 00:40:23,600
Speaker 1: finds him, Karen and Deb have been at the game together.

687
00:40:23,719 --> 00:40:27,279
Speaker 1: And that's so lay because when we first see them,

688
00:40:27,360 --> 00:40:30,880
Speaker 1: we don't know that Dan has told Deb this story

689
00:40:31,200 --> 00:40:33,600
Speaker 1: of I didn't want me with you, I was leaving

690
00:40:33,600 --> 00:40:36,560
Speaker 1: you to go back to Karen, and Deb still chooses

691
00:40:36,719 --> 00:40:40,160
Speaker 1: to sit with Karen at the game that Dan is coaching.

692
00:40:40,480 --> 00:40:44,720
Speaker 1: That is some deep drama in a small town. Well,

693
00:40:45,360 --> 00:40:48,560
Speaker 1: and I almost feel like because him saying that to her,

694
00:40:49,760 --> 00:40:53,560
Speaker 1: you know, she realizes that she's been just as screwed

695
00:40:53,640 --> 00:40:57,319
Speaker 1: over by him as Karen was. Well, yeah, because I

696
00:40:57,360 --> 00:41:01,200
Speaker 1: mean she talks about the first time she him. How

697
00:41:01,200 --> 00:41:04,200
Speaker 1: many times have there been? Do we think? I don't know?

698
00:41:06,520 --> 00:41:09,960
Speaker 1: Almost got me? So she talks out the first time

699
00:41:10,000 --> 00:41:12,920
Speaker 1: she tried to leave him, and then she gets like

700
00:41:12,960 --> 00:41:16,800
Speaker 1: suckered back into it and that sinking feeling of knowing

701
00:41:17,440 --> 00:41:19,439
Speaker 1: I was almost out of this, but I came back

702
00:41:19,440 --> 00:41:22,719
Speaker 1: because I thought you really loved me. And now you're

703
00:41:22,760 --> 00:41:25,760
Speaker 1: telling me this whole time I was pick number two,

704
00:41:26,480 --> 00:41:29,240
Speaker 1: Like I could have gone off without feeling guilty before.

705
00:41:30,800 --> 00:41:35,000
Speaker 1: It's gross. It is really Yeah, Well, she gets her,

706
00:41:35,080 --> 00:41:38,760
Speaker 1: she gets her payback. With the keith of it all.

707
00:41:38,760 --> 00:41:41,960
Speaker 1: Why yeah, I still I stand by it. We got robbed.

708
00:41:42,080 --> 00:41:45,120
Speaker 1: I wanted to see Barbara and Craig schefferd make out

709
00:41:45,440 --> 00:41:49,000
Speaker 1: so bad because there was so much chemistry. Do you

710
00:41:49,000 --> 00:41:52,799
Speaker 1: think it's like a director's cut somewhere. We gotta ask

711
00:41:52,840 --> 00:41:56,080
Speaker 1: Barb like did they actually shoot a love scene? Did

712
00:41:56,080 --> 00:41:59,919
Speaker 1: it not make it? Because remember our scripts were so long,

713
00:42:00,200 --> 00:42:04,839
Speaker 1: you guys, we would shoot so much stuff that would

714
00:42:04,840 --> 00:42:06,880
Speaker 1: get cut down. I get so pissed. I did a

715
00:42:06,880 --> 00:42:10,319
Speaker 1: whole storyline once. There's an episode in season two I

716
00:42:10,360 --> 00:42:13,960
Speaker 1: think that I'm not in because I shot an entire

717
00:42:14,080 --> 00:42:16,440
Speaker 1: like storyline that was separate from everyone else about me

718
00:42:16,480 --> 00:42:20,040
Speaker 1: going to hang out with this foster kid. And I

719
00:42:20,120 --> 00:42:23,359
Speaker 1: remember episode it wasn't in. I'm like, we worked for

720
00:42:23,440 --> 00:42:25,759
Speaker 1: days on this, but it was just because we didn't

721
00:42:25,760 --> 00:42:28,120
Speaker 1: have any like well, we just we didn't have time.

722
00:42:28,440 --> 00:42:30,080
Speaker 1: That was always the thing. We didn't have time. I

723
00:42:30,120 --> 00:42:33,000
Speaker 1: remember when we did the in season three, the school

724
00:42:33,000 --> 00:42:38,360
Speaker 1: shooting episode, and I got to shoot this amazing monologue

725
00:42:38,400 --> 00:42:41,239
Speaker 1: just having a meltdown about you know what all these

726
00:42:41,239 --> 00:42:43,640
Speaker 1: news reporters were doing when like my best friend was

727
00:42:43,680 --> 00:42:46,160
Speaker 1: inside and how this was the worst day of our lives,

728
00:42:46,160 --> 00:42:48,160
Speaker 1: and like they were just trying to get sound bites

729
00:42:49,200 --> 00:42:52,000
Speaker 1: and they were like, yeah, we loved it. We didn't

730
00:42:52,000 --> 00:42:54,120
Speaker 1: have time, so they put it on the extra scenes

731
00:42:54,200 --> 00:42:56,759
Speaker 1: on the DVD at the end of the season. I

732
00:42:56,840 --> 00:43:00,960
Speaker 1: was like, cool, I'm really glad, I really glad. I'm

733
00:43:01,000 --> 00:43:03,440
Speaker 1: prepared for that, and just left my whole heart on

734
00:43:03,480 --> 00:43:06,600
Speaker 1: the floor. Though for like streaming services, do they have

735
00:43:06,719 --> 00:43:09,480
Speaker 1: extra scenes like that we used to have on the DVDs?

736
00:43:09,880 --> 00:43:12,960
Speaker 1: Is that a thing? Oh my god, I don't I

737
00:43:12,960 --> 00:43:15,120
Speaker 1: don't know either. I don't know how it could be,

738
00:43:15,280 --> 00:43:17,520
Speaker 1: Like do you have to own the DVD in order

739
00:43:17,560 --> 00:43:21,480
Speaker 1: to get all that bonus footage. Let's talk about Barry

740
00:43:21,520 --> 00:43:26,000
Speaker 1: a little bit, because by the scene that he has

741
00:43:26,000 --> 00:43:29,160
Speaker 1: when Luke comes to see him, it's clear that like

742
00:43:29,880 --> 00:43:32,399
Speaker 1: he's having more trouble than Luke is having. Luke's doing

743
00:43:33,040 --> 00:43:35,040
Speaker 1: all the right things. He's going around, he's saying goodbye

744
00:43:35,120 --> 00:43:38,480
Speaker 1: to everyone, he's being an adult, you know, or is

745
00:43:38,680 --> 00:43:41,239
Speaker 1: as much adult as he can be, and he's trying

746
00:43:41,239 --> 00:43:44,680
Speaker 1: to right all the wrongs. And you see this coach

747
00:43:44,719 --> 00:43:48,080
Speaker 1: who doesn't have any children of his own, and who

748
00:43:48,080 --> 00:43:50,200
Speaker 1: knows what this boy is going through and has watched

749
00:43:50,200 --> 00:43:53,640
Speaker 1: his trajectory go from like smiling real big, like You're

750
00:43:53,640 --> 00:43:56,720
Speaker 1: gonna be great. Take care of Keith Man. I love you, guys.

751
00:43:57,600 --> 00:43:59,839
Speaker 1: We find out that Keith has like gone to sit

752
00:44:00,000 --> 00:44:03,320
Speaker 1: with Whitey after every single home game win or lose,

753
00:44:04,400 --> 00:44:07,040
Speaker 1: when when Chad leans in and hugs him and we

754
00:44:07,160 --> 00:44:11,920
Speaker 1: see his face just crack over Chad's shoulder and then

755
00:44:12,000 --> 00:44:15,640
Speaker 1: he has to regroup as Chad pulls back out. They

756
00:44:15,680 --> 00:44:20,880
Speaker 1: were so good together. Yeah, and Barry, I mean, what

757
00:44:21,000 --> 00:44:25,680
Speaker 1: a force like man. Now as an adult, I'm like, God,

758
00:44:25,680 --> 00:44:27,440
Speaker 1: I wish I'd just gone to work on all the

759
00:44:27,520 --> 00:44:33,439
Speaker 1: days Barry was working and I was. He was. He

760
00:44:33,600 --> 00:44:37,960
Speaker 1: was like a champion, like a nationally ranked champion in

761
00:44:38,040 --> 00:44:40,880
Speaker 1: like the Jeopardy game that they play in Bars, the

762
00:44:40,920 --> 00:44:43,600
Speaker 1: trivia game. I remember that I was there for some

763
00:44:43,640 --> 00:44:46,319
Speaker 1: of those nights. The other thing I noticed, too, is

764
00:44:46,360 --> 00:44:49,960
Speaker 1: that Barry Corbin has the most beautiful hands on the planet.

765
00:44:50,120 --> 00:44:52,839
Speaker 1: Did you see him holding the basketball? And he's got

766
00:44:52,840 --> 00:44:57,399
Speaker 1: these like angelic soft looking hands he does, which doesn't

767
00:44:57,440 --> 00:44:59,719
Speaker 1: make any sense because he's been like a ranch guy

768
00:45:00,080 --> 00:45:02,760
Speaker 1: kind of life. What is that, Mike? What does he do?

769
00:45:02,480 --> 00:45:04,800
Speaker 1: Does he go home at night and like put basselin

770
00:45:04,880 --> 00:45:07,680
Speaker 1: on him and stick him in socks? What if Barry

771
00:45:07,719 --> 00:45:10,480
Speaker 1: got manicures on a regular basis. That would be fun.

772
00:45:12,080 --> 00:45:16,520
Speaker 1: I want Barry Corbin to become a TikTok influencer so badly,

773
00:45:17,200 --> 00:45:19,560
Speaker 1: just like teach us stuff, Barry, how do we take

774
00:45:19,600 --> 00:45:24,400
Speaker 1: care of our of our hands and horses? Hands and

775
00:45:24,440 --> 00:45:29,080
Speaker 1: horses with Barry hands and horses done? Um? Okay with

776
00:45:29,239 --> 00:45:31,359
Speaker 1: it's the new. It's the new, Bob Ross and I'm

777
00:45:31,520 --> 00:45:36,839
Speaker 1: so ready for um. You know what was fun to um?

778
00:45:36,840 --> 00:45:40,520
Speaker 1: Speaking of the world of basketball on our show, I

779
00:45:40,640 --> 00:45:45,680
Speaker 1: got so geeked to see Brendan Kurs. Oh that's everyone

780
00:45:46,400 --> 00:45:52,680
Speaker 1: is guys. Brendan Kersh are sweet sweet basketball coordinator who

781
00:45:52,680 --> 00:45:56,040
Speaker 1: had been a basketball coach, who's just the loveliest man,

782
00:45:56,280 --> 00:45:59,960
Speaker 1: played the like you know, locker room medic in this episode,

783
00:46:00,480 --> 00:46:03,960
Speaker 1: and Brendan was with us through the entire course of

784
00:46:04,000 --> 00:46:08,440
Speaker 1: our show. One of James's best friends, Brendan kersh and

785
00:46:08,520 --> 00:46:11,879
Speaker 1: Lisa Goldstein, who played Millicent in the later seasons, ended

786
00:46:11,920 --> 00:46:17,040
Speaker 1: up getting married. Like isn't it crazy? Like such, he's

787
00:46:17,160 --> 00:46:21,560
Speaker 1: such a such a good suite, just like one Tree

788
00:46:21,600 --> 00:46:25,120
Speaker 1: Hill guy, I babysat his daughter for like five years.

789
00:46:25,120 --> 00:46:28,000
Speaker 1: Oh my god, I love that man. And I forgot.

790
00:46:28,120 --> 00:46:29,799
Speaker 1: This was his first time on camera and it was

791
00:46:29,840 --> 00:46:31,799
Speaker 1: so fun to see him, and he, by the way,

792
00:46:31,920 --> 00:46:34,120
Speaker 1: was a good actor. He did a good job. Like

793
00:46:34,600 --> 00:46:36,480
Speaker 1: I was like, oh my god, Brendan Kersh can act.

794
00:46:36,560 --> 00:46:45,719
Speaker 1: Could have heard more of this. As the seasons went on,

795
00:46:45,760 --> 00:46:48,200
Speaker 1: we got to to put more and more of our

796
00:46:48,239 --> 00:46:52,200
Speaker 1: own personal experiences into the show, and I think by

797
00:46:52,239 --> 00:46:54,320
Speaker 1: the time we reached this episode, we were so sick

798
00:46:54,680 --> 00:46:57,960
Speaker 1: of just shaking our pom poms at the games and

799
00:46:58,040 --> 00:47:02,839
Speaker 1: just going yeah, cool, oh yeah. The chance that we

800
00:47:02,840 --> 00:47:05,319
Speaker 1: were doing were real chance that I was doing in

801
00:47:05,400 --> 00:47:08,360
Speaker 1: high school at Park View, And so when I I

802
00:47:08,520 --> 00:47:12,800
Speaker 1: totally forgot that that we were doing like real cheers

803
00:47:13,040 --> 00:47:14,560
Speaker 1: that I knew that, I was like, guys, if we

804
00:47:14,640 --> 00:47:17,640
Speaker 1: do this, And so as we're doing like, let's go

805
00:47:17,840 --> 00:47:21,880
Speaker 1: Ravens in this episode, in my mind, I'm like, let's

806
00:47:21,880 --> 00:47:25,080
Speaker 1: go Patriots, And then when we say Ravens, I'm used,

807
00:47:25,400 --> 00:47:27,719
Speaker 1: I'm just like, hold on a second, my reality is

808
00:47:27,840 --> 00:47:31,560
Speaker 1: melding here. Um. But it was cool that we could

809
00:47:31,640 --> 00:47:34,200
Speaker 1: just like say, what are we supposed to be doing here? Oh?

810
00:47:34,239 --> 00:47:37,080
Speaker 1: I know, let's just do this. It's super easy, super fast,

811
00:47:37,680 --> 00:47:40,720
Speaker 1: and and to have two different high schools to claim.

812
00:47:41,120 --> 00:47:42,880
Speaker 1: The Other thing that was really weird for me is

813
00:47:42,920 --> 00:47:47,719
Speaker 1: that Lucas missing the shot is exactly what happened in

814
00:47:47,760 --> 00:47:51,320
Speaker 1: our state championship game at Parkfet High School in football

815
00:47:51,360 --> 00:47:55,040
Speaker 1: my senior year. We went to States. We had been

816
00:47:55,120 --> 00:47:58,040
Speaker 1: undefeated for years, like all four years of high school,

817
00:47:58,080 --> 00:48:01,520
Speaker 1: totally undefeated. We go in the championship game is on

818
00:48:01,840 --> 00:48:04,600
Speaker 1: a college field where the goal posts are just a

819
00:48:04,600 --> 00:48:07,120
Speaker 1: little bit narrower than they are in a high school field,

820
00:48:07,880 --> 00:48:11,080
Speaker 1: and it came down to a field goal. One point

821
00:48:11,640 --> 00:48:15,600
Speaker 1: is all we needed, and this sweet, sweet boy who

822
00:48:15,640 --> 00:48:21,040
Speaker 1: shall remain nameless, was our kicker, and the ball hit

823
00:48:21,320 --> 00:48:24,279
Speaker 1: the goal post the same way that Lucas's shot hits

824
00:48:24,320 --> 00:48:28,959
Speaker 1: the rim there and knowing that that kid just wants

825
00:48:29,000 --> 00:48:33,000
Speaker 1: to crawl into a hole and die, and so I

826
00:48:33,080 --> 00:48:36,040
Speaker 1: ran across the field and kissed him, um, which is

827
00:48:36,120 --> 00:48:41,960
Speaker 1: usually how I fixed things. But no one kissed Lucas. No,

828
00:48:42,000 --> 00:48:44,520
Speaker 1: he's just no. He had to go to the locker

829
00:48:44,600 --> 00:48:47,080
Speaker 1: room and get yelled at by day. I appreciate that

830
00:48:47,239 --> 00:48:51,640
Speaker 1: neither Brook or Peyton felt it was their responsibility. You know,

831
00:48:53,040 --> 00:48:56,319
Speaker 1: Nathan taps him on the shoulder, they're there, pal, and

832
00:48:56,440 --> 00:49:01,200
Speaker 1: everyone just lets him sit on the floor of the gym. Yeah,

833
00:49:02,560 --> 00:49:06,640
Speaker 1: and you you you have. I got plans tonight. I'm

834
00:49:06,680 --> 00:49:10,080
Speaker 1: so sorry. She's like, I'm getting married tonight. Everyone thinks

835
00:49:10,120 --> 00:49:12,759
Speaker 1: I've been talking about sex this whole time, but I'm

836
00:49:12,800 --> 00:49:15,160
Speaker 1: getting married. That is nuts. Did you know anybody that

837
00:49:15,239 --> 00:49:18,759
Speaker 1: was married super young like that? Like we had a

838
00:49:18,760 --> 00:49:21,040
Speaker 1: lot of chicks have babies in high school. That was

839
00:49:21,160 --> 00:49:25,800
Speaker 1: really common, but nobody. I don't think anybody was married.

840
00:49:26,840 --> 00:49:29,960
Speaker 1: She carried a duffel bag to Yeah, the duffel bag.

841
00:49:30,040 --> 00:49:31,960
Speaker 1: I was like, where are they going? Are they eloping?

842
00:49:31,960 --> 00:49:34,440
Speaker 1: Are they going to Vegas? Like, what's happening. I'm just

843
00:49:34,440 --> 00:49:36,600
Speaker 1: gonna wrap this little dress up, put a duffel bag.

844
00:49:36,640 --> 00:49:39,919
Speaker 1: No one will know. I'm gone. Where are her parents? Well?

845
00:49:39,960 --> 00:49:43,480
Speaker 1: Do you remember that in later seasons? Maybe it's in

846
00:49:43,520 --> 00:49:46,360
Speaker 1: season two, there's like flashbacks to their wedding and you

847
00:49:46,400 --> 00:49:49,439
Speaker 1: find out their parents. Oh my god, her parents were

848
00:49:49,440 --> 00:49:53,879
Speaker 1: there because they had to give them permission. So here's

849
00:49:53,880 --> 00:49:56,359
Speaker 1: what's crazy. I didn't I didn't remember almost any of

850
00:49:56,360 --> 00:50:00,440
Speaker 1: this episode, aside from are like winking, wink your face,

851
00:50:01,600 --> 00:50:04,840
Speaker 1: Like I forgot that that you know we did the

852
00:50:04,880 --> 00:50:07,520
Speaker 1: misdirect and that we plotted the whole thing to send

853
00:50:07,600 --> 00:50:11,920
Speaker 1: Nikki across, Like I have a sense memory of that.

854
00:50:12,040 --> 00:50:14,439
Speaker 1: And also, yeah, but we used to go drinking there,

855
00:50:14,520 --> 00:50:18,640
Speaker 1: so I could have it could have been any Thursday night,

856
00:50:18,680 --> 00:50:21,320
Speaker 1: Like I don't know that we were on set, but yeah,

857
00:50:21,480 --> 00:50:26,279
Speaker 1: I really remember, I think because we were all so like,

858
00:50:26,400 --> 00:50:30,600
Speaker 1: oh my god, they're getting married. I remember so much

859
00:50:31,239 --> 00:50:34,520
Speaker 1: of the Nathan and Haley marriage storyline. I don't remember

860
00:50:34,560 --> 00:50:38,160
Speaker 1: any of my own. Yeah, it is bonkers to me

861
00:50:38,719 --> 00:50:41,319
Speaker 1: that we went with it and like stuck with it

862
00:50:41,360 --> 00:50:44,280
Speaker 1: for years and then it worked, like it truly worked

863
00:50:45,080 --> 00:50:47,960
Speaker 1: and sent a really strange expectation for the rest of

864
00:50:48,000 --> 00:50:51,160
Speaker 1: the country of like, girl just made that kid, It'll

865
00:50:51,200 --> 00:50:53,239
Speaker 1: be fine. But then I guess death must have signed

866
00:50:53,280 --> 00:50:57,560
Speaker 1: the paperwork too, right, I don't know, because she went

867
00:50:57,600 --> 00:51:00,560
Speaker 1: to that basketball game knowing that Nathan was be married

868
00:51:00,600 --> 00:51:03,120
Speaker 1: after the basketball game and that she was going to

869
00:51:03,200 --> 00:51:05,880
Speaker 1: go burn Dan stuff and have sex with Keith. Like

870
00:51:05,960 --> 00:51:09,319
Speaker 1: that's a whole bag of weird. It's a lot that

871
00:51:09,320 --> 00:51:12,239
Speaker 1: I'm gonna have trouble analyzing. Also, I just want to

872
00:51:12,320 --> 00:51:14,759
Speaker 1: keep going back to our glancing at each other. How

873
00:51:14,800 --> 00:51:17,680
Speaker 1: came us glancing at each other isn't a meme yet,

874
00:51:18,120 --> 00:51:21,080
Speaker 1: Like I just feel like I need that to be

875
00:51:21,120 --> 00:51:23,040
Speaker 1: the meme that we are the gift or whatever the

876
00:51:23,120 --> 00:51:25,279
Speaker 1: kids call it. Are there gifts? I feel like we

877
00:51:25,360 --> 00:51:29,040
Speaker 1: deserve gifts of us just looking at each other. Yeah,

878
00:51:29,120 --> 00:51:32,200
Speaker 1: I also feel like we need we need more like

879
00:51:33,320 --> 00:51:36,400
Speaker 1: gift stickers like an Instagram. Where are all the gifts

880
00:51:36,400 --> 00:51:38,520
Speaker 1: of our show? And those little stickers? So I don't know,

881
00:51:40,000 --> 00:51:43,560
Speaker 1: you know what I mean? Crafts and crafts, young technologically

882
00:51:43,600 --> 00:51:47,680
Speaker 1: brilliant listeners, Can you help us solve this mystery? The

883
00:51:47,760 --> 00:51:50,640
Speaker 1: greatest line of the whole show, besides the one about

884
00:51:50,719 --> 00:51:54,040
Speaker 1: Karen being staggering, you know what it is. I know

885
00:51:54,120 --> 00:51:58,440
Speaker 1: what it is Karen saying the line, and I didn't

886
00:51:58,480 --> 00:52:01,960
Speaker 1: remember where it came from because it became such a

887
00:52:02,040 --> 00:52:06,120
Speaker 1: thing in our show that it was ubiquitous. It was

888
00:52:06,160 --> 00:52:10,160
Speaker 1: who we were. And to see them Karen and tears,

889
00:52:10,239 --> 00:52:13,120
Speaker 1: not wanting to say goodbye to her son and saying

890
00:52:13,239 --> 00:52:20,399
Speaker 1: there is only one tree hill and it's your Oh oh,

891
00:52:20,880 --> 00:52:25,920
Speaker 1: even I was so. I was so just like shot

892
00:52:25,960 --> 00:52:28,920
Speaker 1: in the heart by it. I took my notes and

893
00:52:29,000 --> 00:52:33,160
Speaker 1: I capitalized the words that she really emphasized with her intonation.

894
00:52:33,440 --> 00:52:35,920
Speaker 1: One and home and I was like, man, this is

895
00:52:39,000 --> 00:52:40,920
Speaker 1: well and it's the thing that like people bring us,

896
00:52:41,680 --> 00:52:44,560
Speaker 1: you know, things to sign at conventions, and that is

897
00:52:44,840 --> 00:52:47,960
Speaker 1: always there. And it was really like the first time

898
00:52:49,000 --> 00:52:52,520
Speaker 1: the title of our show made sense. Um, we've done.

899
00:52:53,120 --> 00:52:56,520
Speaker 1: Everyone's like one tree Hill. What Everyone's like, why is it?

900
00:52:57,560 --> 00:52:59,319
Speaker 1: They're like, if we're going to wrap this up, we've

901
00:52:59,360 --> 00:53:03,440
Speaker 1: got to make sense of this. Um. But yes, it

902
00:53:03,560 --> 00:53:08,000
Speaker 1: is an iconic line from the show, amongst a ton

903
00:53:08,080 --> 00:53:13,239
Speaker 1: of other iconic material in this episode. Um. You know,

904
00:53:14,480 --> 00:53:17,239
Speaker 1: if it had ended here, it could it would have

905
00:53:17,280 --> 00:53:21,160
Speaker 1: been Okay. I'm so glad it didn't. Um. But I

906
00:53:21,160 --> 00:53:23,120
Speaker 1: feel like we were put in a really like healthy

907
00:53:23,160 --> 00:53:25,719
Speaker 1: spot that it wasn't like trauma. So many of our

908
00:53:25,760 --> 00:53:29,040
Speaker 1: cliffhangers in later seasons were all about trauma, and the

909
00:53:29,080 --> 00:53:32,680
Speaker 1: cliffhangers here were just really about feelings and well, I

910
00:53:32,680 --> 00:53:35,479
Speaker 1: guess Dan's going through some trauma but we don't really care. Yeah,

911
00:53:35,480 --> 00:53:39,920
Speaker 1: it feels like karmac retribution on Dan's part. Fine, fine,

912
00:53:39,960 --> 00:53:43,200
Speaker 1: I don't care. Let him Dan, Dan. Hey, do we

913
00:53:43,239 --> 00:53:51,560
Speaker 1: have any listener questions hit us? I think we do. Um. Oh, man, girl,

914
00:53:52,280 --> 00:53:55,800
Speaker 1: this is this is savage. Christine, what should trying to

915
00:53:55,840 --> 00:54:00,200
Speaker 1: say here, what was your favorite and least favorite? It's

916
00:54:00,239 --> 00:54:03,480
Speaker 1: season one style, can I say everything? No, girl, you

917
00:54:03,600 --> 00:54:09,080
Speaker 1: rocked a halter top. You in a halter top was deadly. Yeah,

918
00:54:09,280 --> 00:54:11,520
Speaker 1: you know what I did like Actually, now that, now

919
00:54:11,560 --> 00:54:13,680
Speaker 1: that I'm thinking about it, the Night of the Boy

920
00:54:13,719 --> 00:54:18,839
Speaker 1: Toy auction brooks little like sixties super outfit. I loved that,

921
00:54:19,440 --> 00:54:25,120
Speaker 1: but like the super low rise Hawaiian print skirts that

922
00:54:25,320 --> 00:54:28,200
Speaker 1: have nothing to do with actual Hawaii, and like bad

923
00:54:28,280 --> 00:54:33,360
Speaker 1: tank tops, God just bury them, plase or burn them strift.

924
00:54:33,400 --> 00:54:35,400
Speaker 1: It was a really difficult thing to navigate. I have

925
00:54:35,480 --> 00:54:41,319
Speaker 1: a very long torso it's an incredibly long You're no,

926
00:54:42,280 --> 00:54:45,360
Speaker 1: you're you're not doing yourself very kindly. You are just

927
00:54:45,520 --> 00:54:48,920
Speaker 1: very long. You are like a long, lean, elegant person.

928
00:54:49,440 --> 00:54:52,520
Speaker 1: My belly button doesn't sit where other people's belly button sits,

929
00:54:52,600 --> 00:54:55,880
Speaker 1: So when you have low rise things on the shirt

930
00:54:56,000 --> 00:54:57,799
Speaker 1: covers the belly button, then all you see is it's

931
00:54:57,880 --> 00:55:01,400
Speaker 1: just like strip a lash and it's not cute. And

932
00:55:01,440 --> 00:55:04,200
Speaker 1: every other girl had cute little belly buttons with their

933
00:55:04,200 --> 00:55:07,680
Speaker 1: little piercings and things hanging out. Oh god, mid just

934
00:55:07,840 --> 00:55:13,480
Speaker 1: are so hard. We're never going back to that right. No, no, no,

935
00:55:13,680 --> 00:55:18,360
Speaker 1: just although I did, I did definitely see some things

936
00:55:18,760 --> 00:55:22,919
Speaker 1: hitting the inner webs about how like fashion shows now

937
00:55:22,960 --> 00:55:25,640
Speaker 1: that things are back from COVID, Like people are doing

938
00:55:25,719 --> 00:55:27,880
Speaker 1: low right there, like the nineties are back and I'm like,

939
00:55:27,960 --> 00:55:34,120
Speaker 1: not for me or two thousand four or whatever they are. No,

940
00:55:34,560 --> 00:55:38,600
Speaker 1: we had those Rock and Republic genes and they were

941
00:55:38,719 --> 00:55:41,799
Speaker 1: so low. But that's the waist is not what held

942
00:55:41,800 --> 00:55:44,520
Speaker 1: the pant up. It's that the thighs were so tight

943
00:55:45,080 --> 00:55:48,640
Speaker 1: that the butt, the but part could be as like

944
00:55:48,719 --> 00:55:51,560
Speaker 1: open and weekly as possible. It's just the thighs held

945
00:55:51,600 --> 00:55:55,319
Speaker 1: everything up. It was a rough time, guys. It's it's

946
00:55:55,360 --> 00:55:57,720
Speaker 1: a it's a no for me. Yeah, I mean okay,

947
00:55:57,719 --> 00:55:59,759
Speaker 1: so your favorite was the sixties? What did you like?

948
00:56:00,200 --> 00:56:02,520
Speaker 1: What did you like for Peyton? Obviously where we know

949
00:56:02,640 --> 00:56:05,719
Speaker 1: you're not a fan of the Geese, there was a

950
00:56:05,719 --> 00:56:07,640
Speaker 1: lot of sorting out with Peyton. I think in the

951
00:56:07,760 --> 00:56:10,440
Speaker 1: season two I just wear thermal shirts and baby T

952
00:56:10,600 --> 00:56:17,719
Speaker 1: shirts the entire season, which is not my favorite thing either. Um. Yeah,

953
00:56:17,000 --> 00:56:22,560
Speaker 1: I was uncomfortable so much on this show until Carol

954
00:56:22,680 --> 00:56:27,600
Speaker 1: showed up in what season four? Um, I think that's yeah,

955
00:56:27,840 --> 00:56:31,040
Speaker 1: I kind of I always too, because I'm not good

956
00:56:31,040 --> 00:56:33,960
Speaker 1: at fashion in real life. I was so hesitant to

957
00:56:34,000 --> 00:56:37,279
Speaker 1: give my opinion on anything because it was like, well,

958
00:56:37,320 --> 00:56:39,200
Speaker 1: I don't know, like I don't know, you guys tell

959
00:56:39,239 --> 00:56:41,720
Speaker 1: me what I should be wearing. And as I've gotten older,

960
00:56:41,760 --> 00:56:44,879
Speaker 1: I've learned that that's not a great idea unless it's

961
00:56:44,960 --> 00:56:47,520
Speaker 1: you putting me in a power suit, like you're the

962
00:56:47,560 --> 00:56:54,040
Speaker 1: only person addressed my body with its long, weird doors. Okay, yeah,

963
00:56:54,200 --> 00:56:56,600
Speaker 1: I mean I liked fashion on other people. Joy had

964
00:56:56,719 --> 00:57:01,320
Speaker 1: so many good looks, like her clothes. I honestly, Haley's

965
00:57:01,320 --> 00:57:04,040
Speaker 1: clothes were I know, they put her in that stupid hat,

966
00:57:04,280 --> 00:57:07,640
Speaker 1: they made up for it. Mostly her clothes were the best. Yeah.

967
00:57:07,680 --> 00:57:09,640
Speaker 1: She had that pretty and pink moment with the party

968
00:57:09,640 --> 00:57:14,040
Speaker 1: in Nathan's apartment and the dinner party with Nathan's family

969
00:57:14,239 --> 00:57:17,640
Speaker 1: was super cute. And her little foxy juicy seen this

970
00:57:17,760 --> 00:57:22,400
Speaker 1: episode well, and that cute like tank top peeking out

971
00:57:22,480 --> 00:57:27,360
Speaker 1: from that wide yeah last episode. I loved that. I'd

972
00:57:27,360 --> 00:57:29,960
Speaker 1: wear that now. Yeah, I'm telling she's a time traveler.

973
00:57:31,160 --> 00:57:33,920
Speaker 1: Yeah she really know all right, Thanks Christine for pointing

974
00:57:33,920 --> 00:57:39,160
Speaker 1: out our weaknesses. I appreciate you. We got another question

975
00:57:39,320 --> 00:57:43,200
Speaker 1: from page. She says, what was your schedule like when filming?

976
00:57:43,440 --> 00:57:46,480
Speaker 1: In between filming? Did you have a break between seasons

977
00:57:46,520 --> 00:57:51,160
Speaker 1: and what did you do for fun during that time? Um? Yeah,

978
00:57:51,200 --> 00:57:54,160
Speaker 1: we had a hiatus after every year, and so if

979
00:57:54,200 --> 00:57:56,920
Speaker 1: this aired in May, that means we would have shot

980
00:57:57,000 --> 00:58:02,280
Speaker 1: it in March ish April, March April. Yeah, because we

981
00:58:02,320 --> 00:58:03,840
Speaker 1: didn't have a long lead time, we would always go

982
00:58:03,920 --> 00:58:07,800
Speaker 1: till the end of April. So we ended filming not

983
00:58:07,960 --> 00:58:10,080
Speaker 1: knowing if we were going to be picked up because

984
00:58:10,120 --> 00:58:13,080
Speaker 1: they don't normally pick you up until end of May,

985
00:58:13,240 --> 00:58:15,800
Speaker 1: beginning of June, you know, Like, but then you've got

986
00:58:15,800 --> 00:58:18,040
Speaker 1: to be back at work July t which I know

987
00:58:18,160 --> 00:58:21,760
Speaker 1: because it was always two days after pay. So we

988
00:58:21,880 --> 00:58:24,200
Speaker 1: ended not really knowing what was going to happen. And

989
00:58:24,240 --> 00:58:26,000
Speaker 1: it's like, well do I go and try to book

990
00:58:26,000 --> 00:58:29,560
Speaker 1: a job, Like what do I do? What do you

991
00:58:29,640 --> 00:58:33,400
Speaker 1: do this summer after season one? Well, it's so hard

992
00:58:33,480 --> 00:58:38,760
Speaker 1: to try to book a job because most jobs won't

993
00:58:39,080 --> 00:58:42,120
Speaker 1: take you because your TV show has a thing called

994
00:58:42,160 --> 00:58:46,520
Speaker 1: first position, meaning they're the ones who basically own you.

995
00:58:47,360 --> 00:58:49,160
Speaker 1: And so if you get another job and then your

996
00:58:49,160 --> 00:58:51,920
Speaker 1: TV show gets picked up, then the job you're working

997
00:58:51,960 --> 00:58:56,960
Speaker 1: on is just screwed. So it was really hard. It

998
00:58:57,040 --> 00:59:00,520
Speaker 1: was really hard to find jobs that would fit in

999
00:59:00,520 --> 00:59:04,560
Speaker 1: that tiny hiatus window of May June because nothing, nothing

1000
00:59:04,600 --> 00:59:07,840
Speaker 1: gets done before July ninth, because it's the fourth of

1001
00:59:07,920 --> 00:59:11,200
Speaker 1: July in the US, So you had to kind of

1002
00:59:11,240 --> 00:59:14,680
Speaker 1: try to find something that would fit in there. And

1003
00:59:14,720 --> 00:59:18,320
Speaker 1: so yeah, I was like running around, you know, trying

1004
00:59:18,320 --> 00:59:20,760
Speaker 1: to work on little movies and learn stuff. And it

1005
00:59:20,840 --> 00:59:23,040
Speaker 1: definitely took me a couple of years, Like like you

1006
00:59:23,080 --> 00:59:25,640
Speaker 1: were saying with feedback with fashion, it took me a

1007
00:59:25,640 --> 00:59:28,880
Speaker 1: couple of years to be like, oh, yeah, I probably

1008
00:59:28,920 --> 00:59:31,400
Speaker 1: shouldn't go do a job just because it shoots in

1009
00:59:31,480 --> 00:59:34,680
Speaker 1: my hiatus. If the script, girl, I'm not actually gonna

1010
00:59:34,760 --> 00:59:37,280
Speaker 1: learn anything there. But I was like, you know, twenty

1011
00:59:37,360 --> 00:59:40,320
Speaker 1: and I didn't know anything. So I made some really

1012
00:59:40,360 --> 00:59:44,800
Speaker 1: great movies and some that were not so great. But

1013
00:59:44,840 --> 00:59:47,160
Speaker 1: that's just part of the Yeah, I mean, that was

1014
00:59:47,280 --> 00:59:49,720
Speaker 1: the summer after Season one, I went and did my

1015
00:59:49,840 --> 00:59:55,280
Speaker 1: very first movie with Jason Ritter and Autumn Research and

1016
00:59:55,440 --> 01:00:00,120
Speaker 1: Beth Grant and Alison Janny and Cheryl Hines. Incredible was

1017
01:00:00,200 --> 01:00:03,400
Speaker 1: like summer camp and it was such an easy, chill

1018
01:00:03,520 --> 01:00:06,200
Speaker 1: set and our set had been so spastic that I

1019
01:00:06,280 --> 01:00:10,040
Speaker 1: was just like, what the heck is this? And like,

1020
01:00:10,360 --> 01:00:14,480
Speaker 1: Jason was number one on the call sheet on that movie,

1021
01:00:14,080 --> 01:00:19,000
Speaker 1: A perfect human. He's a perfect human, and he was

1022
01:00:19,040 --> 01:00:22,000
Speaker 1: such a good leader, and I I felt like I

1023
01:00:22,120 --> 01:00:25,960
Speaker 1: learned a lot from him just about like empathy on

1024
01:00:26,040 --> 01:00:29,840
Speaker 1: set and not knowing what everyone's going through and making

1025
01:00:29,880 --> 01:00:33,120
Speaker 1: everything real light, like he keeps stuff light, but he's

1026
01:00:33,120 --> 01:00:35,840
Speaker 1: still really caring. And so that was a perfect person

1027
01:00:35,960 --> 01:00:38,120
Speaker 1: for me to work with after the chaos of One

1028
01:00:38,160 --> 01:00:41,720
Speaker 1: Tree Hole because it really was like bananas on our set,

1029
01:00:42,240 --> 01:00:45,600
Speaker 1: and that was a safe place to land. Plus I

1030
01:00:45,640 --> 01:00:49,000
Speaker 1: went to Tennessee where a drink moonshine for the first time.

1031
01:00:49,160 --> 01:00:52,280
Speaker 1: That was pretty cool. And we would send karaoke at

1032
01:00:52,280 --> 01:00:57,480
Speaker 1: the Papa top Um. So I felt like I picked

1033
01:00:57,520 --> 01:01:00,280
Speaker 1: those hiatus jobs just based on where they were, mean,

1034
01:01:00,840 --> 01:01:03,200
Speaker 1: because it was like New Orleans. You and I both

1035
01:01:03,200 --> 01:01:05,800
Speaker 1: did that. We both did New Orleans. We live in

1036
01:01:05,840 --> 01:01:08,600
Speaker 1: New Orleans for the summer. Yeah, I was like, I

1037
01:01:08,640 --> 01:01:11,680
Speaker 1: want to go there by done um, So yeah, it

1038
01:01:11,760 --> 01:01:15,360
Speaker 1: was you know, I think it was important for us

1039
01:01:15,400 --> 01:01:19,320
Speaker 1: to take breaks because we were shooting a show about

1040
01:01:19,320 --> 01:01:21,800
Speaker 1: school and we were shooting it kind of during like

1041
01:01:22,040 --> 01:01:24,880
Speaker 1: school year, and then we'd get our summers off, and

1042
01:01:24,960 --> 01:01:27,440
Speaker 1: so I still felt like I was in high school

1043
01:01:27,520 --> 01:01:32,160
Speaker 1: until we were what we were following the same cycle.

1044
01:01:32,640 --> 01:01:34,720
Speaker 1: By the way, I still kind of followed that cycle,

1045
01:01:35,160 --> 01:01:40,680
Speaker 1: like I do nothing. It's actually so funny. I remember

1046
01:01:40,760 --> 01:01:43,560
Speaker 1: Joy and I once we were like sitting around talking

1047
01:01:43,800 --> 01:01:46,800
Speaker 1: one night. We were like, hasn't been kind of weird?

1048
01:01:46,840 --> 01:01:48,840
Speaker 1: Do you think? Do you think are we like a

1049
01:01:48,880 --> 01:01:51,520
Speaker 1: little emotionally stunted because we were basically in high school

1050
01:01:51,600 --> 01:01:55,120
Speaker 1: til we were yes, yes, does it? Does it hold

1051
01:01:55,200 --> 01:01:57,120
Speaker 1: you back? And I was like, I don't know, maybe

1052
01:01:57,120 --> 01:02:00,200
Speaker 1: that's why we feel young and foxy and fabulous, Like

1053
01:02:00,600 --> 01:02:02,960
Speaker 1: maybe it's a positive thing. But yeah, it was very

1054
01:02:03,000 --> 01:02:07,920
Speaker 1: weird to to sort of repeat high school for the

1055
01:02:08,120 --> 01:02:12,760
Speaker 1: decade after high school. I mean, it's crazy. I tried

1056
01:02:12,800 --> 01:02:14,920
Speaker 1: to explain. I've got all these people helping me with

1057
01:02:14,960 --> 01:02:17,400
Speaker 1: the renovation here, Like there's house painters and there's like

1058
01:02:17,440 --> 01:02:20,200
Speaker 1: carpenters and things, and they're all twenty five, and I

1059
01:02:20,240 --> 01:02:23,080
Speaker 1: think like, hey man, we're peers. And then I realized

1060
01:02:23,360 --> 01:02:29,280
Speaker 1: I'm the old lady. They're like, hey, you're like my

1061
01:02:29,320 --> 01:02:32,840
Speaker 1: mom's age, and I'm just cool, tell me more kids.

1062
01:02:33,560 --> 01:02:37,400
Speaker 1: You're like, Wow, Mom's age, Mom's and I are hanging out.

1063
01:02:37,520 --> 01:02:48,720
Speaker 1: You guys like jin Blossoms. What baby? You want to

1064
01:02:48,720 --> 01:02:50,360
Speaker 1: spin a wheel? I want to get you to bed.

1065
01:02:50,800 --> 01:02:55,000
Speaker 1: I've been working so hard. I'm so proud of you

1066
01:02:54,520 --> 01:02:57,720
Speaker 1: than I mean same. I just wish I had a

1067
01:02:57,720 --> 01:03:00,240
Speaker 1: little time off and I could come help you. Lasyalo

1068
01:03:01,560 --> 01:03:08,800
Speaker 1: all right, wheel most likely to win the Nobel Peace Prize,

1069
01:03:10,000 --> 01:03:14,480
Speaker 1: I mean probably you. You're the advocate. So Fie is like,

1070
01:03:14,560 --> 01:03:17,080
Speaker 1: is there a problem? I'm here to solve it? Check

1071
01:03:17,120 --> 01:03:20,480
Speaker 1: out the hook while my DJ disolves it. Oh my god, dear,

1072
01:03:20,880 --> 01:03:24,280
Speaker 1: I know you are a problem solver, and you are

1073
01:03:24,320 --> 01:03:30,720
Speaker 1: tenacious and infatiguable, and you have already made such a

1074
01:03:30,720 --> 01:03:32,920
Speaker 1: difference in so many people's lives. I think that's kind

1075
01:03:32,920 --> 01:03:34,600
Speaker 1: of like a no DA. So you don't get to

1076
01:03:34,600 --> 01:03:37,680
Speaker 1: fight me on that. That's a big duh. But you

1077
01:03:37,720 --> 01:03:39,840
Speaker 1: get to pick the person the character in the show.

1078
01:03:41,160 --> 01:03:44,960
Speaker 1: H gosh. I'm just trying to sit here and swallow

1079
01:03:45,800 --> 01:03:49,200
Speaker 1: you more than anybody. I was wearing my I'm a

1080
01:03:49,280 --> 01:03:54,920
Speaker 1: Voter shirt yesterday. Today I'm wearing my Tyler Hilton's shirt, Like, honestly,

1081
01:03:55,000 --> 01:03:57,400
Speaker 1: what would I do with that our cast to give

1082
01:03:57,440 --> 01:04:00,240
Speaker 1: me clothes. I love it. I love it. The urch

1083
01:04:00,360 --> 01:04:04,800
Speaker 1: is so good. Um gosh, a character on our show.

1084
01:04:05,800 --> 01:04:08,240
Speaker 1: I would most likely win the Nobel Peace Prize. I mean,

1085
01:04:08,360 --> 01:04:11,440
Speaker 1: is it weird that Karen comes to mind? Like, I

1086
01:04:11,480 --> 01:04:14,480
Speaker 1: don't know why. I'm just like she was the most

1087
01:04:14,520 --> 01:04:18,760
Speaker 1: together person who was doing things like gentle Like in

1088
01:04:18,800 --> 01:04:21,440
Speaker 1: the grown up years, was there anybody doing anything like

1089
01:04:21,560 --> 01:04:29,280
Speaker 1: political or advocacy. We didn't really get into politics. I mean,

1090
01:04:29,560 --> 01:04:32,240
Speaker 1: mouth in the grown up years becomes a journal. Okay,

1091
01:04:32,480 --> 01:04:37,360
Speaker 1: so probably always big mouth. It's always mouth, but that's

1092
01:04:37,360 --> 01:04:40,480
Speaker 1: because he's perfect, like the rest of us are a mess.

1093
01:04:40,520 --> 01:04:43,560
Speaker 1: But you know he would he would probably be here.

1094
01:04:43,640 --> 01:04:46,120
Speaker 1: I love it. He would like he would tell some

1095
01:04:46,280 --> 01:04:48,800
Speaker 1: crazy story. He'd win a Pulitzer, and then he'd win

1096
01:04:48,800 --> 01:04:50,480
Speaker 1: a Nobel Peace Prize and all would be right to

1097
01:04:50,720 --> 01:04:56,520
Speaker 1: cover some like crazy injustice, shine a light on it. Okay,

1098
01:04:56,720 --> 01:05:01,560
Speaker 1: I'm into that, don't you think, set Um. I'm excited

1099
01:05:01,600 --> 01:05:04,000
Speaker 1: to come back for season two. I'm gonna level with you,

1100
01:05:04,400 --> 01:05:06,080
Speaker 1: We're gonna have to address my hair in season two

1101
01:05:06,080 --> 01:05:08,240
Speaker 1: because I burnt it all off the summer between one

1102
01:05:08,280 --> 01:05:11,160
Speaker 1: and two. So once I get over that hurdle. It's

1103
01:05:11,160 --> 01:05:14,040
Speaker 1: an emotional block for me. Um, I can't wait to

1104
01:05:14,040 --> 01:05:16,920
Speaker 1: get into it because season two is bonkers. It's funny.

1105
01:05:16,960 --> 01:05:19,400
Speaker 1: I don't remember season two because we were having a

1106
01:05:19,400 --> 01:05:25,840
Speaker 1: really good time. Um, I love you so much. I

1107
01:05:25,840 --> 01:05:27,400
Speaker 1: want you to go get some rest. I want all

1108
01:05:27,440 --> 01:05:29,720
Speaker 1: of you to rest up, because season two is going

1109
01:05:29,760 --> 01:05:33,680
Speaker 1: to be a banger. Episode one is the desperate Kingdom

1110
01:05:33,720 --> 01:05:39,400
Speaker 1: of Love. God. That's okay, let's get desperate. Friends, We

1111
01:05:39,520 --> 01:05:47,400
Speaker 1: love you. We'll get desperate, but in a fun way. Hey,

1112
01:05:47,400 --> 01:05:49,760
Speaker 1: thanks for listening. Don't forget to leave us a review.

1113
01:05:50,040 --> 01:05:53,120
Speaker 1: You can also follow us on Instagram at Drama Queens

1114
01:05:53,200 --> 01:05:56,680
Speaker 1: o th h or email us at Drama Queens at

1115
01:05:56,680 --> 01:06:01,040
Speaker 1: I heart radio dot com. See you next time. We

1116
01:06:01,200 --> 01:06:04,360
Speaker 1: are all about that high school drama. Girl Drama, Girl,

1117
01:06:04,400 --> 01:06:07,560
Speaker 1: all about them high school queens. We'll take you for

1118
01:06:07,640 --> 01:06:11,000
Speaker 1: a ride in our comic Girl Cheering for the Right Tea,

1119
01:06:11,160 --> 01:06:14,640
Speaker 1: Drama Queens, Jews, My girl up Girl Fashion, but your

1120
01:06:14,680 --> 01:06:17,280
Speaker 1: tough girls. You could sit with us Girl Drama Queens,

1121
01:06:17,360 --> 01:06:22,000
Speaker 1: Drama Queens, Drama, Queen's Drama, Drama, Queen's Drama Queens