1 00:00:00,080 --> 00:00:01,960 Speaker 1: The next two people that have on the phone on 2 00:00:02,000 --> 00:00:04,440 Speaker 1: the phone, they're on the phone together because I've known 3 00:00:04,519 --> 00:00:07,720 Speaker 1: them for a long time. I find out one person 4 00:00:07,800 --> 00:00:09,240 Speaker 1: with being in of you, actually I got to have 5 00:00:09,400 --> 00:00:12,360 Speaker 1: the other girl on the phone because they both are 6 00:00:12,480 --> 00:00:15,600 Speaker 1: very special and they definitely wanted to speak to him simultaneously. 7 00:00:15,920 --> 00:00:18,479 Speaker 1: My next guest is a producer, actor, and director. She 8 00:00:18,560 --> 00:00:22,040 Speaker 1: has been honored with three a CP Image Awards for 9 00:00:22,160 --> 00:00:25,080 Speaker 1: work on The Steve Harvey Show. Not only has she 10 00:00:25,120 --> 00:00:28,440 Speaker 1: starred in several independent features, but she's also produced over 11 00:00:28,480 --> 00:00:33,000 Speaker 1: sixteen projects under her independent production company, Nina Holiday Entertainment, 12 00:00:33,000 --> 00:00:37,760 Speaker 1: with her producing partner cast Seekers Beatles. Please welcome to 13 00:00:37,880 --> 00:00:40,640 Speaker 1: money making conversation, both of them, Terry Jay Vaughn and 14 00:00:40,720 --> 00:00:48,240 Speaker 1: cast Seekers Beatles. But you know we're great. First of all, 15 00:00:48,280 --> 00:00:51,239 Speaker 1: thank you because of the fact that you know, in 16 00:00:51,240 --> 00:00:54,920 Speaker 1: this business you have to have I would tell people 17 00:00:55,160 --> 00:00:59,160 Speaker 1: multiple levels of income options, you know, whatever you want 18 00:00:59,200 --> 00:01:01,880 Speaker 1: to say it, because there's no guarantee that the path 19 00:01:01,920 --> 00:01:04,360 Speaker 1: that you're it could be cut off through the age 20 00:01:04,440 --> 00:01:06,640 Speaker 1: to be cut off, through the fact that they you 21 00:01:06,640 --> 00:01:08,720 Speaker 1: can get Taykak and be cut off, through the fact 22 00:01:08,800 --> 00:01:11,720 Speaker 1: that people say, hey, we're going in a different direction. 23 00:01:11,959 --> 00:01:14,200 Speaker 1: So what do you do when somebody says that, well, 24 00:01:14,280 --> 00:01:17,560 Speaker 1: you you you study your craft, you understand your craft, 25 00:01:17,640 --> 00:01:20,800 Speaker 1: and also you surround yourself with individuals who have like 26 00:01:20,959 --> 00:01:24,840 Speaker 1: minded of mentality about what you're trying to do with 27 00:01:24,880 --> 00:01:27,679 Speaker 1: your life. And that's what you guys to have done right. 28 00:01:27,720 --> 00:01:33,000 Speaker 1: Cast and Tear J definitely, UM. You know, you know 29 00:01:33,120 --> 00:01:36,880 Speaker 1: me for a very long time when I was you know, 30 00:01:36,880 --> 00:01:39,400 Speaker 1: I got my big break on the Steve Harvey Show. 31 00:01:39,880 --> 00:01:42,360 Speaker 1: And I say big break because I had been studying 32 00:01:42,560 --> 00:01:46,720 Speaker 1: and auditioning for a while before I ever landed that role. 33 00:01:47,080 --> 00:01:51,720 Speaker 1: But that is definitely the role that UM catapulted and 34 00:01:51,880 --> 00:01:56,440 Speaker 1: made people know who I was. UM. So, you know, 35 00:01:56,720 --> 00:02:00,360 Speaker 1: just spending all those years being an actress, you know, 36 00:02:00,440 --> 00:02:04,680 Speaker 1: showing up, auditioning and basically, you know, you do your 37 00:02:04,720 --> 00:02:07,800 Speaker 1: side of the job, which is to do the work, 38 00:02:07,880 --> 00:02:11,520 Speaker 1: to study the craft, to know the character and all that, 39 00:02:11,600 --> 00:02:14,440 Speaker 1: but you are not in control if somebody hired you 40 00:02:14,520 --> 00:02:18,080 Speaker 1: or time. And you know, that's cool when I was 41 00:02:18,120 --> 00:02:21,600 Speaker 1: in my twenties and early thirties, but at some point 42 00:02:22,240 --> 00:02:25,640 Speaker 1: I felt and I knew that I could not leave 43 00:02:25,760 --> 00:02:30,239 Speaker 1: my employment in the hands of other people. UM, and 44 00:02:30,360 --> 00:02:33,920 Speaker 1: you know this, this is very subjective. So you know, 45 00:02:34,000 --> 00:02:36,640 Speaker 1: I've always been business minded. And you know, when we 46 00:02:36,639 --> 00:02:39,360 Speaker 1: were on the Steve Harvey Show, Rajan, I would always 47 00:02:39,440 --> 00:02:42,680 Speaker 1: like hang around, ask questions. I talked to you guys 48 00:02:42,720 --> 00:02:46,680 Speaker 1: about money a lot about investing. Um. I was always 49 00:02:46,680 --> 00:02:48,880 Speaker 1: trying to well, can I write a script? Can I 50 00:02:48,919 --> 00:02:51,119 Speaker 1: do this? So I was always trying to take control 51 00:02:51,880 --> 00:02:55,520 Speaker 1: in some kind of way. And thank god I met 52 00:02:55,680 --> 00:03:05,000 Speaker 1: my soulmate in business, um miss miss prolific writer. Prolific writer. Okay, yes, yes, 53 00:03:06,000 --> 00:03:08,200 Speaker 1: And I kind of just drug her into this side 54 00:03:08,200 --> 00:03:10,440 Speaker 1: of the business because you know, cast started off as 55 00:03:10,520 --> 00:03:15,839 Speaker 1: a novelist novel but they were so fantastic. I was like, oh, 56 00:03:15,960 --> 00:03:19,840 Speaker 1: deep be turned into the TV shows. He's like okay, 57 00:03:20,639 --> 00:03:23,000 Speaker 1: And we kind of have been together ever since, just 58 00:03:23,040 --> 00:03:26,200 Speaker 1: trying to carve out our own niche make our own way. 59 00:03:26,840 --> 00:03:29,919 Speaker 1: And we've been you know, rocking and rolling together for 60 00:03:30,360 --> 00:03:33,680 Speaker 1: over fourteen years now something like that, like fourteen things 61 00:03:33,800 --> 00:03:37,200 Speaker 1: been about fourteen, Yeah, you really had one kid. We 62 00:03:37,240 --> 00:03:39,240 Speaker 1: really had one kid between us and now now we 63 00:03:39,280 --> 00:03:44,080 Speaker 1: have five. Yeah, now we have five and now we 64 00:03:44,120 --> 00:03:49,440 Speaker 1: have four husbands between us. Started off with and then 65 00:03:49,880 --> 00:03:53,240 Speaker 1: I'm sick. Now told you I'm sick. You gotta be 66 00:03:53,320 --> 00:04:00,560 Speaker 1: laughing over here. You gotta stop stop stop stop, Okay, okay, 67 00:04:01,520 --> 00:04:03,760 Speaker 1: let me let me. You need to shut up, Ferry Jake, 68 00:04:03,960 --> 00:04:08,040 Speaker 1: now cast I be quiet. Let's talk about you know. 69 00:04:08,360 --> 00:04:09,840 Speaker 1: You know it's always I would tell you know, it's 70 00:04:10,320 --> 00:04:13,080 Speaker 1: she says, there's always that unknown person that's out there 71 00:04:13,160 --> 00:04:16,280 Speaker 1: just grinding. You did so many Hoodie awards with me, 72 00:04:16,880 --> 00:04:20,279 Speaker 1: you know, and and from a DUCTR standpoint, and you 73 00:04:20,400 --> 00:04:23,960 Speaker 1: was always he was always there, you know, it was 74 00:04:24,040 --> 00:04:26,960 Speaker 1: it was always cool whenever would from a person to 75 00:04:27,080 --> 00:04:30,719 Speaker 1: under standpoint talk about your your your your your ability 76 00:04:30,760 --> 00:04:32,880 Speaker 1: to your talents as a writer. Before I get back 77 00:04:32,880 --> 00:04:36,040 Speaker 1: to me this funny, ladies, I am a natural storyteller. Well, 78 00:04:36,040 --> 00:04:39,600 Speaker 1: I have to say, honestly, watching you, um you have 79 00:04:39,600 --> 00:04:42,440 Speaker 1: You've been such an inspiration. I would tell Terry all 80 00:04:42,440 --> 00:04:44,880 Speaker 1: the time when we would come back from the Neighborhood Awards. 81 00:04:44,880 --> 00:04:47,559 Speaker 1: I'm like, man that Shawan like he just makes things happen. 82 00:04:47,800 --> 00:04:50,320 Speaker 1: And I remember having a specific conversation with you because 83 00:04:50,640 --> 00:04:53,559 Speaker 1: I'm an artist, I'm a storyteller to my heart, um, 84 00:04:53,640 --> 00:04:56,560 Speaker 1: and I have over the years learned to become a businesswoman, 85 00:04:56,839 --> 00:04:59,640 Speaker 1: but watching you and having that conversation with you one 86 00:04:59,720 --> 00:05:02,000 Speaker 1: day in the middle of something. I don't know what 87 00:05:02,040 --> 00:05:04,800 Speaker 1: we were talking about, but you stopped me here like 88 00:05:04,839 --> 00:05:06,720 Speaker 1: does this have anything to do with money? And I'm like, 89 00:05:07,000 --> 00:05:10,360 Speaker 1: uh No, I don't think so, Rashawn, and you were like, look, 90 00:05:10,520 --> 00:05:14,480 Speaker 1: let me tell you when all conversations happened. They need 91 00:05:14,520 --> 00:05:15,960 Speaker 1: to be doing something with money. They need to be 92 00:05:16,000 --> 00:05:17,680 Speaker 1: going towards the money. They need be going towards the 93 00:05:17,680 --> 00:05:20,840 Speaker 1: finish line. And I at first was like, man, that's 94 00:05:20,880 --> 00:05:23,599 Speaker 1: not like okay, so you can't have regular conversations. But 95 00:05:23,680 --> 00:05:26,120 Speaker 1: I understood exactly what you were saying, and I took 96 00:05:26,160 --> 00:05:28,799 Speaker 1: that to heart. So I thank you for being candid 97 00:05:28,800 --> 00:05:31,200 Speaker 1: and being very honest with me because we took that. 98 00:05:31,240 --> 00:05:33,600 Speaker 1: I took that back to Terry and I remember telling 99 00:05:33,600 --> 00:05:35,159 Speaker 1: her and I'm like, and that's how we're gonna do 100 00:05:35,240 --> 00:05:37,960 Speaker 1: our conversations for Shawn said, conversations need to be going 101 00:05:37,960 --> 00:05:39,680 Speaker 1: towards the finished a lot of money. They need to 102 00:05:39,680 --> 00:05:41,880 Speaker 1: be heading towards the finished lot of business. That's how 103 00:05:41,880 --> 00:05:43,600 Speaker 1: we need to handle our business. So I just had 104 00:05:43,640 --> 00:05:46,720 Speaker 1: to say that before I talked about being a storyteller, 105 00:05:47,320 --> 00:05:51,640 Speaker 1: just thank you for always being honest and about that. 106 00:05:52,240 --> 00:05:54,400 Speaker 1: I can't tell you how many guests a couple of 107 00:05:54,400 --> 00:05:58,760 Speaker 1: the show said that and said that about me. I 108 00:05:58,800 --> 00:06:04,719 Speaker 1: don't think that's good, but it changes people's perspective, especially 109 00:06:04,839 --> 00:06:07,720 Speaker 1: sometimes in the African American community, we don't have those conversations. 110 00:06:08,040 --> 00:06:11,240 Speaker 1: So to have that conversation and for you to say that, UM, 111 00:06:11,279 --> 00:06:13,119 Speaker 1: it does me a lot. And so it touches people, 112 00:06:13,120 --> 00:06:15,640 Speaker 1: and it makes people change the way that they think, 113 00:06:15,760 --> 00:06:19,240 Speaker 1: which ultimately helps their business. So you know, that's just 114 00:06:19,320 --> 00:06:22,240 Speaker 1: kudos to you for that. But yes, Terry drives me 115 00:06:22,279 --> 00:06:25,160 Speaker 1: along in this business. I was very consent being a nice, 116 00:06:25,200 --> 00:06:29,120 Speaker 1: little quiet novel writer in a cabin somewhere. UM, I 117 00:06:29,120 --> 00:06:31,000 Speaker 1: wouldn't have I wouldn't have it any other way. But 118 00:06:31,120 --> 00:06:34,280 Speaker 1: I am a natural storyteller, and I just loved the right. 119 00:06:34,480 --> 00:06:37,760 Speaker 1: I loved right. I'm very blessed and thankful that, UM, 120 00:06:37,800 --> 00:06:40,280 Speaker 1: I have an amazing community where the words can actually 121 00:06:40,320 --> 00:06:42,200 Speaker 1: get out of my head and actually move forward and 122 00:06:42,279 --> 00:06:46,520 Speaker 1: turned into something aside from words. UM. But it's just 123 00:06:47,480 --> 00:06:50,320 Speaker 1: I was put here to write. I was. I know 124 00:06:50,400 --> 00:06:52,200 Speaker 1: that I know the conversations I have with God, I 125 00:06:52,240 --> 00:06:54,240 Speaker 1: know that that's what I was put here to do. 126 00:06:54,839 --> 00:06:57,560 Speaker 1: So I'm just trying to be obedient and create good 127 00:06:57,600 --> 00:07:01,760 Speaker 1: stories that people can be inspired. Heard from watching cool 128 00:07:01,839 --> 00:07:05,400 Speaker 1: let me let me she's amazing. She's amazing. I get 129 00:07:05,400 --> 00:07:08,039 Speaker 1: that all the time about myself and money, and I 130 00:07:08,160 --> 00:07:10,480 Speaker 1: tried to I don't tell people this. You know, when 131 00:07:10,480 --> 00:07:13,960 Speaker 1: people call me, they cannot ask me what I'm doing. 132 00:07:15,960 --> 00:07:17,800 Speaker 1: I know what I'm doing. Don't do you can't. You 133 00:07:17,840 --> 00:07:20,320 Speaker 1: can't call me and say, raschem was up? What you're doing? 134 00:07:22,160 --> 00:07:24,320 Speaker 1: Why you asking? Dude? You're calling me? You know, I 135 00:07:24,440 --> 00:07:27,000 Speaker 1: really don't have time to go down a day to 136 00:07:27,080 --> 00:07:29,720 Speaker 1: day description of what I'm doing. So what what's what's 137 00:07:29,760 --> 00:07:33,080 Speaker 1: up with the conversation? And so because you you have value, 138 00:07:33,240 --> 00:07:35,800 Speaker 1: and so once you realize you have value, then your 139 00:07:35,880 --> 00:07:38,720 Speaker 1: your your conversation shifts to what the conversation should be 140 00:07:38,760 --> 00:07:41,760 Speaker 1: about money. If it's about money, and guess what, we're 141 00:07:41,760 --> 00:07:44,040 Speaker 1: gonna talk a long time on the phone. You know, 142 00:07:44,120 --> 00:07:46,640 Speaker 1: if it's about what I'm doing or telling me I'm 143 00:07:46,680 --> 00:07:49,760 Speaker 1: being successful? Pretty much know that I really do. And 144 00:07:49,800 --> 00:07:52,240 Speaker 1: that's not being arrogant, because that's why you're calling me, 145 00:07:52,760 --> 00:07:55,120 Speaker 1: and that's why that's why things are being posted about me. 146 00:07:55,360 --> 00:07:58,400 Speaker 1: It's a plan of action that I've created so people 147 00:07:58,400 --> 00:08:02,600 Speaker 1: can understand why your only why am I interviewing YouTube 148 00:08:02,600 --> 00:08:04,800 Speaker 1: on the phone to day because you created a money 149 00:08:04,880 --> 00:08:08,880 Speaker 1: making conversation about your brand and that's important for people 150 00:08:08,880 --> 00:08:11,040 Speaker 1: to understanding. Let's let's talk about this brand right quickly. 151 00:08:12,200 --> 00:08:14,920 Speaker 1: Terry made her directing debut. She directed the episode of 152 00:08:14,960 --> 00:08:18,560 Speaker 1: Bounce TVs Man and Wife starring David and Tamila Main 153 00:08:18,960 --> 00:08:21,480 Speaker 1: which there were two of my funniest people in the world. 154 00:08:22,240 --> 00:08:25,640 Speaker 1: Uh BT on tw seventeen, is currently streaming all platforms. 155 00:08:25,920 --> 00:08:31,040 Speaker 1: She she's She's directed uh romantic comedies, She's directed female 156 00:08:31,080 --> 00:08:35,120 Speaker 1: buddy comedies. You know all this is female driven? Is 157 00:08:35,120 --> 00:08:37,720 Speaker 1: that a drawing a genre that you want to control 158 00:08:38,120 --> 00:08:40,720 Speaker 1: to this brand that we create over here can be 159 00:08:41,000 --> 00:08:44,360 Speaker 1: a pro because Girls Trips when that movie came out, 160 00:08:44,400 --> 00:08:46,920 Speaker 1: went straight through the over a hundred million dollars made 161 00:08:47,000 --> 00:08:51,360 Speaker 1: uh Tiffany hattish uh a major star in the in 162 00:08:51,400 --> 00:08:54,240 Speaker 1: the film industry. Is that is that's it's that's true, 163 00:08:54,240 --> 00:09:00,600 Speaker 1: It's that's the niche direction for your production company. Terry. Absolutely, UM. 164 00:09:00,640 --> 00:09:02,960 Speaker 1: You know, we we write and want to tell stories 165 00:09:03,000 --> 00:09:06,600 Speaker 1: about what we know about UM and we know all 166 00:09:06,600 --> 00:09:09,280 Speaker 1: about being women. We know all about coming of age, 167 00:09:09,360 --> 00:09:12,200 Speaker 1: we know all about heartbreak, we know all about trying 168 00:09:12,240 --> 00:09:15,520 Speaker 1: to be businesswomen, we know all all the plethora of 169 00:09:15,720 --> 00:09:19,840 Speaker 1: stories that that try through the life of a woman 170 00:09:20,080 --> 00:09:22,360 Speaker 1: and all the different things that we have to deal 171 00:09:22,400 --> 00:09:26,720 Speaker 1: with being mother's wife, just the gammuck. There's never thinking 172 00:09:26,760 --> 00:09:29,480 Speaker 1: stories in the life of a woman, and so we 173 00:09:29,600 --> 00:09:33,400 Speaker 1: want to tap into that and there's a market that 174 00:09:33,920 --> 00:09:36,880 Speaker 1: wants to be fed. We want to women of color 175 00:09:37,000 --> 00:09:40,280 Speaker 1: want to see stories that resemble them, stories that they 176 00:09:40,320 --> 00:09:43,360 Speaker 1: can relate to. Stories that's being told by people that 177 00:09:43,400 --> 00:09:46,559 Speaker 1: look like them and not being told from the perspective 178 00:09:46,600 --> 00:09:50,200 Speaker 1: of somebody that really has no clue. That's just you know, 179 00:09:50,559 --> 00:09:54,440 Speaker 1: going by what they see on TV, or creating images 180 00:09:54,559 --> 00:09:57,520 Speaker 1: that they want us to take in that are not 181 00:09:57,640 --> 00:10:01,440 Speaker 1: necessarily representative of who we are. Are. Um So that 182 00:10:01,679 --> 00:10:04,640 Speaker 1: is the goal for our company is we want to 183 00:10:04,760 --> 00:10:09,600 Speaker 1: keep feeding that audience because they're there, because it's who 184 00:10:09,640 --> 00:10:12,920 Speaker 1: we are, and we feel like we have a responsibility 185 00:10:13,040 --> 00:10:16,240 Speaker 1: to do so because if we don't, you know who, 186 00:10:16,320 --> 00:10:18,520 Speaker 1: no one's gonna do it. No one's gonna do it, 187 00:10:18,640 --> 00:10:20,400 Speaker 1: or they are told by men and not to say 188 00:10:20,440 --> 00:10:24,320 Speaker 1: men can't tell a story. However, authenticity is very important 189 00:10:24,400 --> 00:10:26,480 Speaker 1: and I think the best stories, the things we watched 190 00:10:26,520 --> 00:10:30,360 Speaker 1: that we love, they come from authentic place. And Terry 191 00:10:30,640 --> 00:10:33,200 Speaker 1: has often said, you know, the impact that she had 192 00:10:33,280 --> 00:10:38,440 Speaker 1: being Levita um Alixate on Steve Harvey made such an 193 00:10:38,440 --> 00:10:41,480 Speaker 1: impact with so many young women because these young women 194 00:10:41,480 --> 00:10:44,160 Speaker 1: and young girls, they need to see, they need to 195 00:10:44,240 --> 00:10:47,480 Speaker 1: have something to aspire to that is outside the reality realm. 196 00:10:47,559 --> 00:10:49,559 Speaker 1: And unfortunately we do see a lot of brown women 197 00:10:49,640 --> 00:10:52,680 Speaker 1: in reality TV, but there are other options out there. 198 00:10:52,679 --> 00:10:54,640 Speaker 1: And as our that's our goal as me in the 199 00:10:54,720 --> 00:10:57,800 Speaker 1: Holiday It's like, we want to tell stories that young 200 00:10:57,840 --> 00:10:59,800 Speaker 1: people can look up to and be like, wow, this 201 00:10:59,880 --> 00:11:02,160 Speaker 1: is real. These are women. That's my mom, that's my aunt, 202 00:11:02,320 --> 00:11:05,880 Speaker 1: that's my sister, um and and right now there's a big, 203 00:11:05,920 --> 00:11:09,720 Speaker 1: big hole for that market. Absolutely. Before we go to 204 00:11:09,800 --> 00:11:13,960 Speaker 1: the break, Uh, Terry, please tell us what Nina Holiday 205 00:11:14,080 --> 00:11:17,439 Speaker 1: Entertainment that name? Where did it come from? So when 206 00:11:17,520 --> 00:11:21,480 Speaker 1: Cat and I first got together, um, we were you know, 207 00:11:21,679 --> 00:11:27,120 Speaker 1: very artistic women and I'm a huge man of Billy 208 00:11:27,240 --> 00:11:31,040 Speaker 1: Holiday and she's a huge fan of Nina Simone. So 209 00:11:31,160 --> 00:11:34,240 Speaker 1: we decided to name our company after those two trail 210 00:11:34,360 --> 00:11:37,400 Speaker 1: blazing women because we felt like we were about to 211 00:11:37,400 --> 00:11:44,439 Speaker 1: blaze some trails in Hollywood and be misunderstood like they were. Yeah, yeah, 212 00:11:44,679 --> 00:11:47,040 Speaker 1: I can't understand that. You know, you know what, y'all 213 00:11:47,080 --> 00:11:49,880 Speaker 1: believe me when I see Because I wanted to ask 214 00:11:49,960 --> 00:11:54,040 Speaker 1: the question about directing because you know, it's it's it. 215 00:11:54,040 --> 00:11:57,400 Speaker 1: It's a thing that can be accomplished. It's something I've 216 00:11:57,400 --> 00:12:02,160 Speaker 1: never really done, is direct I've super fies ep chose 217 00:12:02,559 --> 00:12:05,080 Speaker 1: understand the principles of directive. But when we come back, 218 00:12:05,600 --> 00:12:08,520 Speaker 1: because this course is coming straight to you, Terry, what 219 00:12:08,800 --> 00:12:13,080 Speaker 1: is a director and how does one grow grow the 220 00:12:13,120 --> 00:12:18,240 Speaker 1: skills to be a great director? Just Rachhard McDonald. You're 221 00:12:18,240 --> 00:12:21,679 Speaker 1: listening to money making conversations, and of course I'm the host. 222 00:12:22,920 --> 00:12:25,920 Speaker 1: That's why you're listening to me now. Before we went 223 00:12:25,960 --> 00:12:28,080 Speaker 1: on a break, I was directing the question straight to 224 00:12:28,200 --> 00:12:31,280 Speaker 1: Terry j Vonn and it was regard to directing. And 225 00:12:31,800 --> 00:12:34,520 Speaker 1: because that's because of the fact that it's like in 226 00:12:34,600 --> 00:12:37,600 Speaker 1: anything over the years, if you look at athletics, you know, 227 00:12:37,720 --> 00:12:42,280 Speaker 1: the black quarterbacks wouldn't consider it a position that would 228 00:12:42,280 --> 00:12:46,000 Speaker 1: be available to athletes of color. Middle linebacker wasn't a 229 00:12:46,040 --> 00:12:49,160 Speaker 1: position of color a center, wasn't the position of color? 230 00:12:49,600 --> 00:12:53,360 Speaker 1: Certain people say that then BO involved a certain intellect, 231 00:12:53,400 --> 00:12:57,280 Speaker 1: a certain skills, set, a certain a certain a certain mentality, 232 00:12:57,640 --> 00:13:00,480 Speaker 1: authenticity to the craft. And when I so when I 233 00:13:00,520 --> 00:13:03,960 Speaker 1: see individuals like you're starting to master it and starting 234 00:13:03,960 --> 00:13:06,960 Speaker 1: to expand beyond that, I really wanted to take a 235 00:13:06,960 --> 00:13:09,640 Speaker 1: moment it just get into your head. Terry from a 236 00:13:09,760 --> 00:13:11,840 Speaker 1: director and standpoint, what does it take to be a 237 00:13:11,880 --> 00:13:17,840 Speaker 1: really good director? UM? So for me, it's first of all, 238 00:13:17,880 --> 00:13:22,040 Speaker 1: respecting the craft, like you said, UM, respecting the craft 239 00:13:22,360 --> 00:13:27,920 Speaker 1: of actors as well as the craft of UM storytelling. 240 00:13:28,679 --> 00:13:31,920 Speaker 1: And I think that because I come from the world 241 00:13:32,000 --> 00:13:36,680 Speaker 1: of acting and I've always been very adamant about about 242 00:13:36,760 --> 00:13:40,440 Speaker 1: taking that craft seriously as much fun as it can be, 243 00:13:40,760 --> 00:13:44,360 Speaker 1: and these really fun characters that I've gotten to play, 244 00:13:44,480 --> 00:13:46,840 Speaker 1: it is a craft and it's something that I've taken 245 00:13:46,880 --> 00:13:49,840 Speaker 1: seriously the moment I decided I wanted to be an actor. 246 00:13:50,679 --> 00:13:55,439 Speaker 1: And I think because I'm sensitive to what it takes 247 00:13:55,520 --> 00:13:59,439 Speaker 1: for an actor to deliver UM. Just the things that 248 00:13:59,480 --> 00:14:03,360 Speaker 1: we put our minds and our bodies and our hearts 249 00:14:03,400 --> 00:14:06,959 Speaker 1: through to create characters that are realistic for you, that 250 00:14:07,080 --> 00:14:10,400 Speaker 1: sound that are grounded and can take you on an 251 00:14:10,400 --> 00:14:12,840 Speaker 1: emotional roller coaster. I know what it takes for an 252 00:14:12,880 --> 00:14:15,520 Speaker 1: actors to do that, and I think that's what makes 253 00:14:15,520 --> 00:14:18,800 Speaker 1: me a really great director. It's because I respect that 254 00:14:18,920 --> 00:14:21,800 Speaker 1: in the actor and I want to talk them through 255 00:14:21,920 --> 00:14:25,920 Speaker 1: it and I'm fighting for them to deliver something that 256 00:14:26,080 --> 00:14:28,280 Speaker 1: is authentic that I know when they see it, they'll 257 00:14:28,320 --> 00:14:30,040 Speaker 1: be proud of it, and I know when the audience 258 00:14:30,200 --> 00:14:32,880 Speaker 1: is that they'll be affected by it. UM. And there's 259 00:14:32,920 --> 00:14:36,920 Speaker 1: you know, there's different kinds of directors. I definitely say 260 00:14:36,920 --> 00:14:39,840 Speaker 1: that I am an actor's director because of that, because 261 00:14:39,960 --> 00:14:42,560 Speaker 1: I give so much respect to the actor, and there 262 00:14:42,600 --> 00:14:46,040 Speaker 1: are some directors that are more interested in how their 263 00:14:46,120 --> 00:14:50,920 Speaker 1: camera moves and and you know, the different looking shots. UM. 264 00:14:51,000 --> 00:14:55,120 Speaker 1: For me, I'm I'm completely an actor's director, and I 265 00:14:56,120 --> 00:14:59,640 Speaker 1: see the vision when I'm reading the script or reading 266 00:14:59,640 --> 00:15:02,720 Speaker 1: the scene, I do visualize and I leave it up 267 00:15:02,720 --> 00:15:05,480 Speaker 1: to my DP to create what that vision is that 268 00:15:05,640 --> 00:15:09,360 Speaker 1: I see. UM, So I can focus on my work 269 00:15:09,400 --> 00:15:12,000 Speaker 1: with the actor. And you know, if I see something 270 00:15:12,000 --> 00:15:16,240 Speaker 1: that I don't like, I'm um strongly opinionated about. Now, 271 00:15:16,280 --> 00:15:17,920 Speaker 1: I don't like the way that shot looks. You need 272 00:15:18,000 --> 00:15:21,120 Speaker 1: to fix that angle. Whereas when I first started, I wasn't. 273 00:15:21,520 --> 00:15:25,640 Speaker 1: I was very timid about saying that shot seems weird 274 00:15:25,720 --> 00:15:29,760 Speaker 1: because I couldn't really verbalize why it felt weird to me. Um. 275 00:15:29,760 --> 00:15:32,480 Speaker 1: But like you said, because I've been, you know, able 276 00:15:32,560 --> 00:15:35,240 Speaker 1: to I'm I think I'm on like movie number six 277 00:15:35,240 --> 00:15:38,560 Speaker 1: now or seven. Um, so I'm able to hone the 278 00:15:38,600 --> 00:15:42,040 Speaker 1: craft more and get better and get more confident. Um. 279 00:15:42,080 --> 00:15:46,040 Speaker 1: But the one thing that that I love that you know, 280 00:15:46,120 --> 00:15:50,680 Speaker 1: working with actors like uh, Sherry Sheperd and Wendy Rochel 281 00:15:50,840 --> 00:15:55,760 Speaker 1: Robinson and Janny Hubert and John Amos, people that I 282 00:15:55,840 --> 00:16:00,400 Speaker 1: admire and love look up to. For them to say 283 00:16:00,520 --> 00:16:03,040 Speaker 1: they love working with me, that I'm one of their 284 00:16:03,080 --> 00:16:07,200 Speaker 1: favorite directors, that is what matters to me. I mean, 285 00:16:07,520 --> 00:16:11,240 Speaker 1: you you you do through our working actors and actress 286 00:16:11,240 --> 00:16:13,880 Speaker 1: Oh yeah, this is what they do. You know, they 287 00:16:13,920 --> 00:16:16,440 Speaker 1: go out there, they resonated. If they're not working, something's 288 00:16:16,480 --> 00:16:19,280 Speaker 1: wrong because they go in there. You know, they just 289 00:16:19,320 --> 00:16:21,320 Speaker 1: they just picked you know, I want to have on 290 00:16:21,320 --> 00:16:23,880 Speaker 1: my show. I wanted this, you know. So that's really 291 00:16:23,960 --> 00:16:26,560 Speaker 1: you know, and cause I'm fans of all the names 292 00:16:26,560 --> 00:16:29,000 Speaker 1: that you throughout and it's really important. So, so if 293 00:16:29,000 --> 00:16:32,720 Speaker 1: please explain to me the working relationships between you and 294 00:16:32,840 --> 00:16:39,960 Speaker 1: kaz at Nina Holiday Entertainment. Um, we're family, We're sisters. 295 00:16:40,040 --> 00:16:44,320 Speaker 1: We argue, we disagree, we come together. We have a 296 00:16:44,440 --> 00:16:47,920 Speaker 1: vision that we both want to see and sometimes are 297 00:16:48,880 --> 00:16:52,600 Speaker 1: our path of getting there. Might you might want to 298 00:16:52,600 --> 00:16:54,120 Speaker 1: go this way to get there. I might want to 299 00:16:54,120 --> 00:16:56,000 Speaker 1: go this way to get there. And so we just 300 00:16:56,040 --> 00:16:58,640 Speaker 1: talked about it and come to an agreement on how 301 00:16:58,680 --> 00:17:01,880 Speaker 1: we're going to get there. But the big thing is 302 00:17:01,920 --> 00:17:06,919 Speaker 1: that we have the same vision of where we're going. Cash, 303 00:17:07,200 --> 00:17:10,960 Speaker 1: let me hear your first Terry just tells me what 304 00:17:11,040 --> 00:17:19,200 Speaker 1: were you're heading? You know, I'm so easy going. You 305 00:17:19,280 --> 00:17:25,240 Speaker 1: know she is strange all this. I don't know where 306 00:17:25,280 --> 00:17:27,200 Speaker 1: she gets to the timid. I don't know where she 307 00:17:27,359 --> 00:17:30,639 Speaker 1: gets word tim you said, you know it's timming on 308 00:17:30,680 --> 00:17:35,560 Speaker 1: the shot. I'm going like, who's she talking to? No? Yea, 309 00:17:35,880 --> 00:17:42,200 Speaker 1: you know that's fall bull crap idiots. Like the thing 310 00:17:42,280 --> 00:17:44,400 Speaker 1: is I am this This is why it really works, 311 00:17:44,440 --> 00:17:46,399 Speaker 1: to get really really work. Um, we do have the 312 00:17:46,440 --> 00:17:50,000 Speaker 1: same vision. Terry is definitely more practical and definitely more airing. 313 00:17:50,400 --> 00:17:53,160 Speaker 1: So I stay in my head and I constantly throw 314 00:17:53,200 --> 00:17:54,760 Speaker 1: things at are. I'm constantly like, what do we do this? 315 00:17:54,800 --> 00:17:56,080 Speaker 1: Why don't we do this? Why don't we do this? 316 00:17:56,200 --> 00:17:58,600 Speaker 1: What about this? What about this? And she's able to 317 00:17:58,640 --> 00:18:01,480 Speaker 1: take that and formula, Okay, this is a plan, so 318 00:18:01,520 --> 00:18:04,720 Speaker 1: we'll start with this. This is what people are looking for. Um, 319 00:18:04,760 --> 00:18:07,159 Speaker 1: this is how we'll go out. So it really it 320 00:18:07,240 --> 00:18:11,159 Speaker 1: really works really really well. Um. She definitely is the 321 00:18:11,240 --> 00:18:15,280 Speaker 1: more vocal presence. I would remain kind of in my 322 00:18:15,440 --> 00:18:18,399 Speaker 1: own space if I could, but she has thankfully helped 323 00:18:18,400 --> 00:18:20,720 Speaker 1: me can kind of drag me out of that space. 324 00:18:20,760 --> 00:18:23,040 Speaker 1: Because again, the brand is very important, and both of 325 00:18:23,080 --> 00:18:26,479 Speaker 1: our roles are equally you know, as important. Um, But 326 00:18:26,560 --> 00:18:28,320 Speaker 1: it's the vision. It's like, at the end of the day, 327 00:18:28,320 --> 00:18:31,000 Speaker 1: we know when we got together, we said we're going 328 00:18:31,080 --> 00:18:34,240 Speaker 1: to change the culture. Like I remember playing this day 329 00:18:34,280 --> 00:18:37,040 Speaker 1: sitting in her house and in Los Angeles, and we 330 00:18:37,080 --> 00:18:39,120 Speaker 1: started this company and we said, we're just gonna start 331 00:18:39,119 --> 00:18:41,440 Speaker 1: shooting stuff and we're gonna make stories about women and 332 00:18:41,480 --> 00:18:44,080 Speaker 1: we're gonna change the culture and we're gonna change history. 333 00:18:44,320 --> 00:18:47,000 Speaker 1: And that's gonna be that and that has constantly been 334 00:18:47,280 --> 00:18:51,919 Speaker 1: our goal. But if I'm going that's coming out, So 335 00:18:52,000 --> 00:18:54,080 Speaker 1: you know, we won't get to just love Fast and 336 00:18:54,160 --> 00:18:57,000 Speaker 1: not promote the movie. Deal Center. I need a date 337 00:18:57,080 --> 00:19:01,440 Speaker 1: for meals on TV one on Sunday, December eight m Eastern, 338 00:19:01,760 --> 00:19:05,119 Speaker 1: sixth Central, followed by an our car Encore presentation at 339 00:19:05,200 --> 00:19:10,320 Speaker 1: nine pm at eight Central, nine Eastern and eighth Central. Um, 340 00:19:10,400 --> 00:19:16,040 Speaker 1: Dear Santa, I need a date expound. So that is 341 00:19:16,080 --> 00:19:18,840 Speaker 1: a project. I've been really blessed because I have really 342 00:19:19,240 --> 00:19:23,080 Speaker 1: great relationships in this business. Um, and not just you 343 00:19:23,160 --> 00:19:29,880 Speaker 1: and Steve, I have other great relations Reagan, Reagan, Parenthood. 344 00:19:29,359 --> 00:19:33,800 Speaker 1: That World Films is actually the production company for that movie, 345 00:19:34,119 --> 00:19:39,840 Speaker 1: and um, I I that is my I have four 346 00:19:40,000 --> 00:19:46,000 Speaker 1: Christmas movies airing. This Christmas cast has written three of them. 347 00:19:46,440 --> 00:19:53,600 Speaker 1: She did not write this one, Dear Santa. Them. Oh yeah, 348 00:19:53,720 --> 00:19:56,400 Speaker 1: you wrote two of them. Okay, yeah, she wrote two 349 00:19:56,400 --> 00:20:02,680 Speaker 1: of them. So you have. You have four Christmas movies airing, 350 00:20:03,119 --> 00:20:05,600 Speaker 1: but I only have information on on one of them 351 00:20:06,359 --> 00:20:08,639 Speaker 1: for this interview. So well I can fill you in. 352 00:20:11,440 --> 00:20:14,280 Speaker 1: So and I'll do them in order of this. I mean, 353 00:20:14,359 --> 00:20:17,399 Speaker 1: my soldial media sold gonna be packed. It's gonna be 354 00:20:17,440 --> 00:20:20,480 Speaker 1: all Terry J all time, all the time, as it shipping, 355 00:20:20,840 --> 00:20:25,040 Speaker 1: as it shipping, so here we go. So on November 356 00:20:26,160 --> 00:20:31,360 Speaker 1: on the ET, uh, I gotta get all these things together. Um, 357 00:20:31,440 --> 00:20:35,360 Speaker 1: Christmas Bells will air. And that's the one I did 358 00:20:35,400 --> 00:20:39,560 Speaker 1: with John Amos and Janny Hubert, uh, Dominique Perry and 359 00:20:39,640 --> 00:20:44,080 Speaker 1: Raven Goodwin. And that airs on the t November. On 360 00:20:44,200 --> 00:20:49,240 Speaker 1: November thirty, air Hip Hop Holiday, which is a Nina 361 00:20:49,320 --> 00:20:55,040 Speaker 1: holiday production that cast did, right, and that is um 362 00:20:55,080 --> 00:20:57,960 Speaker 1: airing on BT at eight o'clock on November thirty, and 363 00:20:58,000 --> 00:21:02,800 Speaker 1: that starts wind be Rachel Robinson to Rhonda Jones, Andre Spiller. 364 00:21:04,480 --> 00:21:11,840 Speaker 1: And then on December seven airs Oh my god, okay, 365 00:21:11,960 --> 00:21:16,440 Speaker 1: Christmas bills, hip Hop Holiday. Um, cass, what is it? Oh? 366 00:21:16,840 --> 00:21:22,240 Speaker 1: Twas the Chaos before Christmas. I'm sorry, you so busy 367 00:21:22,320 --> 00:21:25,920 Speaker 1: you can't remember everything. I'm sorry, I'm sorry. I'm sorry. 368 00:21:26,040 --> 00:21:29,440 Speaker 1: That's the Chaos before Christmas. Aaron d T at eight o'clock. 369 00:21:29,560 --> 00:21:32,600 Speaker 1: That was written by Cass Seaters Beatles. It was produced 370 00:21:32,600 --> 00:21:37,280 Speaker 1: by Octed Productions, another independent production company based out of Washington, 371 00:21:37,359 --> 00:21:41,400 Speaker 1: d C. But that's the one that's starring Terry Sheppard, Uh, 372 00:21:41,480 --> 00:21:48,280 Speaker 1: Cynthia McWilliams, a Seon Crockett, and Victoria Raw. It's really funny. Um, 373 00:21:48,440 --> 00:21:52,680 Speaker 1: so that airs on b et uh December seven at 374 00:21:52,720 --> 00:21:57,199 Speaker 1: eight and then December eight at seven o'clock. As you 375 00:21:57,280 --> 00:22:00,760 Speaker 1: were saying, sir, airs, Dear Santa, I need a Date 376 00:22:01,840 --> 00:22:04,760 Speaker 1: on the TV one at seven o'clock and then it 377 00:22:04,840 --> 00:22:08,040 Speaker 1: re errs again at nine o'clock and that starts ray J, 378 00:22:09,160 --> 00:22:13,359 Speaker 1: Reagan Gomez and Marie Johnson, who I loved and she 379 00:22:13,480 --> 00:22:18,000 Speaker 1: was Hollos their mother, and it was I'm just so blessed. 380 00:22:18,000 --> 00:22:21,119 Speaker 1: It's gonna be a very terry Christmas. That's you know, 381 00:22:21,160 --> 00:22:24,840 Speaker 1: that's just the title alone. It sounds funny. Dear Santa, 382 00:22:24,920 --> 00:22:29,879 Speaker 1: I need a Date gives what their premise is. So 383 00:22:30,359 --> 00:22:34,280 Speaker 1: Reagan Gomez and ray J. They play brother and sister 384 00:22:35,040 --> 00:22:38,359 Speaker 1: and they're being pressured by their mother and their father 385 00:22:38,400 --> 00:22:42,560 Speaker 1: and mother uh to have to get in a relationship. 386 00:22:42,600 --> 00:22:45,439 Speaker 1: They want they want grandkids, and their kids are like 387 00:22:45,480 --> 00:22:49,359 Speaker 1: forty years old. They're not dating anybody seriously. So the 388 00:22:49,680 --> 00:22:53,440 Speaker 1: siblings make a bet that they will be the ones 389 00:22:53,560 --> 00:22:57,160 Speaker 1: to bring home of a date, of they will find 390 00:22:57,200 --> 00:23:00,320 Speaker 1: love by Christmas time and bring home a date. So 391 00:23:00,440 --> 00:23:03,280 Speaker 1: we get to watch them as they go through the 392 00:23:03,359 --> 00:23:07,480 Speaker 1: journey of dating all these people, um and just a 393 00:23:07,560 --> 00:23:10,880 Speaker 1: climate of how dating goes now on the apps and stuff. 394 00:23:11,520 --> 00:23:16,200 Speaker 1: And it's some really funny performances in this movie. I 395 00:23:16,200 --> 00:23:18,400 Speaker 1: don't know if you guys are familiar with the simone, 396 00:23:18,600 --> 00:23:21,280 Speaker 1: but she does a cameo in this movie and she 397 00:23:21,560 --> 00:23:25,520 Speaker 1: killed it. She is so funny. Um, so I'm really 398 00:23:25,920 --> 00:23:28,160 Speaker 1: thank Oh it's a hilarious movie. You guys are gonna 399 00:23:28,160 --> 00:23:31,399 Speaker 1: love it. Well. First of all, love I got four 400 00:23:31,640 --> 00:23:34,560 Speaker 1: sizzle clips, sizzle real clips of trailers. You gotta get 401 00:23:34,600 --> 00:23:38,480 Speaker 1: to me, four banners, you gotta get to me. Um. 402 00:23:38,480 --> 00:23:40,960 Speaker 1: This is what money making conversations about is by promoting 403 00:23:40,960 --> 00:23:43,199 Speaker 1: a brand of people I know and don't know. In 404 00:23:43,200 --> 00:23:46,680 Speaker 1: this case, I know both of YouTube YouTube both thoroughly 405 00:23:47,000 --> 00:23:50,440 Speaker 1: longtime relationship. Just a little side note. My daughter, who 406 00:23:50,480 --> 00:23:54,560 Speaker 1: you hear way back in the day. She's a she's 407 00:23:54,600 --> 00:23:59,399 Speaker 1: a junior in college now national sidety student. Uh you know, 408 00:23:59,480 --> 00:24:02,040 Speaker 1: she blew out a neat playing tennis on the tennis circuit. 409 00:24:02,119 --> 00:24:05,600 Speaker 1: But she's I was just about to say, no, she's 410 00:24:05,760 --> 00:24:08,399 Speaker 1: you know she uh she uh walked away. I was 411 00:24:08,440 --> 00:24:12,000 Speaker 1: a third major injury. But she's doing great. I I 412 00:24:12,080 --> 00:24:13,760 Speaker 1: you know, my wife loves you to day. If she 413 00:24:13,800 --> 00:24:18,440 Speaker 1: always bus to the Dry Dry Dry came to the house. 414 00:24:18,520 --> 00:24:20,920 Speaker 1: You know, it's like the first big celebrity to keep 415 00:24:20,960 --> 00:24:25,639 Speaker 1: to the house was Terry J. Vaugh But she's doing great, 416 00:24:25,720 --> 00:24:28,359 Speaker 1: and uh, I would tell you I'm big fans, and 417 00:24:28,520 --> 00:24:32,200 Speaker 1: uh let's let's let's do we will do some business 418 00:24:32,320 --> 00:24:35,040 Speaker 1: in twenty I promise you. I promise you. I know 419 00:24:35,040 --> 00:24:39,320 Speaker 1: where my life is going about money making conversations and 420 00:24:39,359 --> 00:24:42,080 Speaker 1: YouTube lateis are money making conversations.