1 00:00:00,080 --> 00:00:14,600 Speaker 1: Yeah. So this podcast has been so fun and so 2 00:00:15,640 --> 00:00:20,080 Speaker 1: crazy because now I'm really thinking about what was going 3 00:00:20,120 --> 00:00:22,040 Speaker 1: on at the time, and in many cases it feels 4 00:00:22,079 --> 00:00:26,400 Speaker 1: like yesterday. So it's about Tom. It's funny because I 5 00:00:26,400 --> 00:00:28,880 Speaker 1: guess it's about time that I think back to these 6 00:00:28,960 --> 00:00:32,839 Speaker 1: episodes and what was going on in real life, and 7 00:00:32,880 --> 00:00:36,600 Speaker 1: I remember that the reason that that trip was in Miami. 8 00:00:37,520 --> 00:00:39,720 Speaker 1: I could be mixing two stories. It might have been 9 00:00:39,800 --> 00:00:42,559 Speaker 1: because I just had a medical issue, like a profuse 10 00:00:42,640 --> 00:00:45,480 Speaker 1: bleeding issue, where there was another reason. But we never 11 00:00:45,520 --> 00:00:47,880 Speaker 1: got the great great trips to begin with, and then 12 00:00:48,800 --> 00:00:52,280 Speaker 1: there was always some problem that would happen that would 13 00:00:52,320 --> 00:00:55,000 Speaker 1: make it that we we had to end up just 14 00:00:55,040 --> 00:00:56,959 Speaker 1: like going somewhere close that looked like we were far, 15 00:00:57,360 --> 00:00:59,880 Speaker 1: because if you think about the Berserk Shears, you're driving 16 00:01:00,040 --> 00:01:03,160 Speaker 1: two hours to get the same number of episodes as 17 00:01:03,200 --> 00:01:07,920 Speaker 1: if you're flying ten hours. So we were so entertaining 18 00:01:08,000 --> 00:01:12,800 Speaker 1: that it didn't matter really where we were that we 19 00:01:12,840 --> 00:01:15,399 Speaker 1: would deliver the episodes. And one time we went to 20 00:01:15,480 --> 00:01:19,119 Speaker 1: Atlantic City and it was explosive. I mean, we don't 21 00:01:19,160 --> 00:01:20,840 Speaker 1: really have to go far. We could probably just go 22 00:01:21,000 --> 00:01:24,520 Speaker 1: to New Jersey and stay in a hotel and deliver 23 00:01:24,600 --> 00:01:26,280 Speaker 1: the same thing as we as if we went to 24 00:01:26,319 --> 00:01:28,800 Speaker 1: Turks and Caicos, which was a crazy episode in and 25 00:01:28,840 --> 00:01:31,960 Speaker 1: of itself. But on this occasion we went to Miami, 26 00:01:32,160 --> 00:01:34,920 Speaker 1: which would disappoint people like Ramona who always wanted this 27 00:01:35,000 --> 00:01:37,080 Speaker 1: to be the big trip. She'd get her hot bathing 28 00:01:37,120 --> 00:01:40,600 Speaker 1: suits out, spray tan, do her wardrobe, and she was 29 00:01:40,640 --> 00:01:43,200 Speaker 1: ready to go, and she would stay somewhere later with 30 00:01:43,280 --> 00:01:46,080 Speaker 1: Sonya or go earlier. I mean, she made a meal 31 00:01:46,160 --> 00:01:49,000 Speaker 1: out of these trips. Okay, no one ever made a 32 00:01:49,040 --> 00:01:52,960 Speaker 1: meal out of a Housewives trip like a Ramona singer, 33 00:01:53,480 --> 00:01:55,600 Speaker 1: mark my words. Ask anyone who's ever worked with her. 34 00:01:55,840 --> 00:01:57,840 Speaker 1: For her, it was it was a real trip. She's 35 00:01:57,880 --> 00:02:00,880 Speaker 1: going to Morocco, and she's going somewhere before or somewhere 36 00:02:00,880 --> 00:02:02,920 Speaker 1: else after. She's staying with Sony, other going on a 37 00:02:02,920 --> 00:02:05,960 Speaker 1: different part of Mexico. I mean, God bless, she's an 38 00:02:06,120 --> 00:02:09,040 Speaker 1: iconic housewife. I was the opposite. No one ever made 39 00:02:09,120 --> 00:02:11,239 Speaker 1: less of a meal. I would come a day late, 40 00:02:11,320 --> 00:02:14,280 Speaker 1: leave a day early, and pack it into three days 41 00:02:14,280 --> 00:02:17,800 Speaker 1: and peace out as the producers. So in Miami, it 42 00:02:17,840 --> 00:02:25,120 Speaker 1: was about Tom and Luan was engaged to Tom, and 43 00:02:25,160 --> 00:02:27,440 Speaker 1: I don't know what my relationship with her was then. 44 00:02:27,480 --> 00:02:29,720 Speaker 1: I think I said it in the episode. We weren't 45 00:02:29,720 --> 00:02:32,639 Speaker 1: best friends, we weren't enemies, were just on the show together. 46 00:02:32,720 --> 00:02:35,640 Speaker 1: I'd come back. We were totally fine. We've had some 47 00:02:35,680 --> 00:02:37,280 Speaker 1: issues in the past, they were never really that big, 48 00:02:37,320 --> 00:02:39,760 Speaker 1: and none of our issues ever really were anything, and 49 00:02:39,800 --> 00:02:41,760 Speaker 1: when you think about it, like they never really there 50 00:02:41,800 --> 00:02:43,919 Speaker 1: were all much to do about nothing. But this time 51 00:02:43,919 --> 00:02:47,639 Speaker 1: it was much ado about Tom and I think at 52 00:02:47,639 --> 00:02:50,200 Speaker 1: this time I was friends with Carol, good friends with Carol, 53 00:02:50,680 --> 00:02:52,840 Speaker 1: and Carol and Luam were very much on the outs 54 00:02:53,560 --> 00:02:59,320 Speaker 1: because I think their fight stemmed from Luanne taking issue 55 00:02:59,320 --> 00:03:03,000 Speaker 1: with Carol stealing her chef from her kitchen because Carol 56 00:03:03,120 --> 00:03:05,320 Speaker 1: was at Luanne's and Adam was in the kitchen and 57 00:03:05,600 --> 00:03:07,280 Speaker 1: Carol ended up looking up with him, and that was 58 00:03:07,320 --> 00:03:11,000 Speaker 1: a big, big point of contention for years. And Adam 59 00:03:11,200 --> 00:03:15,120 Speaker 1: was Noel's friend, Luan's son's friend. So that was messy 60 00:03:15,160 --> 00:03:17,760 Speaker 1: and just very housewives e and very television and something 61 00:03:17,760 --> 00:03:19,440 Speaker 1: that in real life probably would't matter that much, but 62 00:03:19,480 --> 00:03:20,960 Speaker 1: you know, you need to make these shows, so that 63 00:03:21,000 --> 00:03:23,560 Speaker 1: seemed like a good conflict. So I think that was 64 00:03:23,600 --> 00:03:27,079 Speaker 1: like what was going on then, So Carol definitely wasn't 65 00:03:27,080 --> 00:03:29,680 Speaker 1: good friends of Land at that time. They had been previously, 66 00:03:30,760 --> 00:03:33,800 Speaker 1: and when the name Lou came that that started without 67 00:03:33,800 --> 00:03:40,040 Speaker 1: that Carol Heather Kristin Era and the relationship seemed ridiculous, 68 00:03:40,120 --> 00:03:42,160 Speaker 1: I'll say that. I mean, it just seemed like a 69 00:03:42,240 --> 00:03:44,560 Speaker 1: she a pet relationship that just you added water, and 70 00:03:44,560 --> 00:03:46,760 Speaker 1: all of a sudden they were just engaged and getting 71 00:03:46,760 --> 00:03:48,960 Speaker 1: married and it was all a whirlwind romance. But it 72 00:03:49,000 --> 00:03:52,240 Speaker 1: happens to the best of us, it's happened, and Nicky Hilton, 73 00:03:52,280 --> 00:03:55,920 Speaker 1: it's happened to Britney Spears, it's it happens. So they 74 00:03:55,960 --> 00:03:57,960 Speaker 1: were off to the races. But it did seem very 75 00:03:58,040 --> 00:04:02,160 Speaker 1: forced and very unnatural, and TV will do that to you. 76 00:04:02,200 --> 00:04:04,280 Speaker 1: It could have been because of the show. Who knows. 77 00:04:04,320 --> 00:04:06,120 Speaker 1: It could have been the pomp and circumstance the show 78 00:04:06,120 --> 00:04:08,000 Speaker 1: makes things more exciting. Could have been the shows paying 79 00:04:08,000 --> 00:04:10,840 Speaker 1: for the wedding. I don't God only knows what it was. 80 00:04:10,880 --> 00:04:12,400 Speaker 1: And I don't actually think the show did pay for 81 00:04:12,440 --> 00:04:15,680 Speaker 1: the wedding. But I don't remember if the wedding was televised. 82 00:04:15,680 --> 00:04:18,320 Speaker 1: I really don't remember anything. I don't know if that 83 00:04:18,320 --> 00:04:22,040 Speaker 1: wedding was televised. But anyway, so I think she had 84 00:04:22,040 --> 00:04:25,080 Speaker 1: an engagement party. Yes, she had an engagement pody party 85 00:04:25,560 --> 00:04:29,960 Speaker 1: on the boat and Palm Beach, and I found out 86 00:04:31,200 --> 00:04:33,600 Speaker 1: that Luanne and Tom are going down to Florida and 87 00:04:33,640 --> 00:04:36,640 Speaker 1: that they were having an engagement party on a boat. 88 00:04:37,160 --> 00:04:39,159 Speaker 1: And then we had our Miami trips, so she was 89 00:04:39,200 --> 00:04:41,720 Speaker 1: coming from Palm Beach down to Miami to be with us. 90 00:04:41,720 --> 00:04:46,200 Speaker 1: That's what I'm pretty sure. That's why Tom being out 91 00:04:46,600 --> 00:04:50,599 Speaker 1: at the Regency making out with someone that same time 92 00:04:50,680 --> 00:04:54,200 Speaker 1: was insane, Like it was the very week of his 93 00:04:54,680 --> 00:04:57,600 Speaker 1: their engagement party. So I'm laying in my bed on 94 00:04:58,240 --> 00:05:01,920 Speaker 1: Mercer Street in my apartment. So this person that I 95 00:05:02,000 --> 00:05:05,760 Speaker 1: knew from years ago that I reconnected with, not right 96 00:05:06,000 --> 00:05:10,120 Speaker 1: at this time, probably a couple a year before or 97 00:05:10,160 --> 00:05:12,840 Speaker 1: six to eight months before. We'd spend a little bit 98 00:05:12,839 --> 00:05:17,960 Speaker 1: of time together. This person, this person, I listen, it's 99 00:05:18,000 --> 00:05:19,600 Speaker 1: the Upper east Side, and I don't know how to 100 00:05:19,600 --> 00:05:22,760 Speaker 1: explain that to you, but this person lived on the 101 00:05:22,839 --> 00:05:27,120 Speaker 1: Upper east Side, and for some reason, that's the smallest 102 00:05:27,160 --> 00:05:29,000 Speaker 1: town in the world, and everybody on the Upper east 103 00:05:29,040 --> 00:05:31,159 Speaker 1: Side knows what everybody else is doing, and it's just 104 00:05:31,240 --> 00:05:34,600 Speaker 1: the same twenty restaurants that everyone goes to, and you 105 00:05:34,600 --> 00:05:37,600 Speaker 1: could probably see the same twenty hair salons or nail 106 00:05:37,680 --> 00:05:40,760 Speaker 1: places and or used to be barneys, and it's just 107 00:05:40,920 --> 00:05:44,320 Speaker 1: it's just a little world. So this person had mentioned 108 00:05:44,680 --> 00:05:50,320 Speaker 1: before Tom being a little shady in this regard. You 109 00:05:50,320 --> 00:05:52,880 Speaker 1: know that he was tripping the life fantastic and he 110 00:05:52,960 --> 00:05:56,240 Speaker 1: had a reputation, particularly on the Upper East Side, having 111 00:05:56,320 --> 00:05:59,159 Speaker 1: dated many people to people on our show, but also 112 00:06:00,000 --> 00:06:02,200 Speaker 1: going around a little bit. It's hard to say a 113 00:06:02,240 --> 00:06:04,760 Speaker 1: player because he doesn't exactly look like the player profile, 114 00:06:04,880 --> 00:06:09,000 Speaker 1: but you know that a breast side guy who wants 115 00:06:09,040 --> 00:06:10,400 Speaker 1: to be a player because he's got a couple of 116 00:06:10,480 --> 00:06:13,920 Speaker 1: dollars in his pocket. So this person had mentioned him 117 00:06:13,920 --> 00:06:16,599 Speaker 1: to me before. And obviously there's always a circle of 118 00:06:16,640 --> 00:06:19,760 Speaker 1: people that want to tell you things because you're on 119 00:06:19,800 --> 00:06:23,200 Speaker 1: the Housewives, and that just they somehow wanted to land 120 00:06:23,240 --> 00:06:25,760 Speaker 1: inside the show. They don't want to be on the show, 121 00:06:26,120 --> 00:06:27,560 Speaker 1: and they don't want their names to be on the show, 122 00:06:27,600 --> 00:06:30,719 Speaker 1: but they just want it to land inside the show. 123 00:06:30,800 --> 00:06:35,200 Speaker 1: Because a lot of what's happening on reality television is fraudulent. 124 00:06:35,320 --> 00:06:38,520 Speaker 1: It's either someone's rented their car and pretending that it's 125 00:06:38,560 --> 00:06:41,160 Speaker 1: really there's or their house, or they really bankrupt, or 126 00:06:41,200 --> 00:06:43,920 Speaker 1: they owe someone money, or they're cheating, and the people 127 00:06:44,560 --> 00:06:47,599 Speaker 1: that are close to them, that live close to them, 128 00:06:48,240 --> 00:06:51,440 Speaker 1: I know that what's airing to the rest of America 129 00:06:51,520 --> 00:06:55,400 Speaker 1: and internationally is bullshit, So it always bothers them. Think 130 00:06:55,440 --> 00:06:57,080 Speaker 1: about it. You're in a Call to sac and Jane 131 00:06:57,120 --> 00:07:01,280 Speaker 1: down the street is fronting and stunting on television, and 132 00:07:01,320 --> 00:07:03,280 Speaker 1: you know what everyone's seeing, and you're like, wait a second, 133 00:07:03,279 --> 00:07:04,960 Speaker 1: what are you talking. She cheating at her husband, They 134 00:07:04,960 --> 00:07:06,880 Speaker 1: have no money, that's not a real car. It's going 135 00:07:06,920 --> 00:07:09,560 Speaker 1: to annoy you because you probably don't like Jane, who 136 00:07:09,560 --> 00:07:11,440 Speaker 1: lives in your Call to Act to begin with. And 137 00:07:11,480 --> 00:07:14,000 Speaker 1: then you're seeing all this phoniness and that's very common 138 00:07:14,080 --> 00:07:16,800 Speaker 1: on the housewise, I can tell you that. So this 139 00:07:16,840 --> 00:07:21,320 Speaker 1: person knew both parties, and I couldn't believe it was 140 00:07:21,360 --> 00:07:25,480 Speaker 1: being portrayed in the media and on the show. I 141 00:07:25,480 --> 00:07:27,880 Speaker 1: guess this season prior, you know, it was so long ago. 142 00:07:29,080 --> 00:07:33,120 Speaker 1: So this person sent me a picture thinking it was 143 00:07:33,160 --> 00:07:35,760 Speaker 1: just like fodder, like fun. Thought didn't know. I'm going 144 00:07:35,760 --> 00:07:39,880 Speaker 1: down to Florida to this person's engagement celebration weekend and 145 00:07:40,040 --> 00:07:45,840 Speaker 1: sends me a text with a picture of Tom and 146 00:07:45,880 --> 00:07:49,560 Speaker 1: this woman making out, because in my mind, I'm like, 147 00:07:49,600 --> 00:07:51,360 Speaker 1: oh my god, I'm going down to Florida. I'm going 148 00:07:51,400 --> 00:07:54,400 Speaker 1: down to Florida to be like at our engagement party 149 00:07:54,440 --> 00:07:57,600 Speaker 1: and be on a weekend with her and going down there. 150 00:07:58,240 --> 00:08:00,760 Speaker 1: I told the producers that's whatever nobody does. You can 151 00:08:00,760 --> 00:08:02,400 Speaker 1: hate me or not. I wasn't, you know, I told 152 00:08:02,400 --> 00:08:05,880 Speaker 1: the producers. I did not. I don't know that I 153 00:08:05,960 --> 00:08:08,320 Speaker 1: told Carol. I don't remember. Maybe I told Carol and Ramona. 154 00:08:08,360 --> 00:08:09,760 Speaker 1: I don't remember. I think it came out in the 155 00:08:09,760 --> 00:08:12,920 Speaker 1: story that I told Carol or Ramona, and the producers 156 00:08:12,920 --> 00:08:14,200 Speaker 1: wanted me to say it right away, like say it 157 00:08:14,280 --> 00:08:16,080 Speaker 1: right away, and I didn't want to ruin the weekend, 158 00:08:16,120 --> 00:08:17,600 Speaker 1: and I didn't want it to be like I'm dumping 159 00:08:17,600 --> 00:08:18,960 Speaker 1: this now because I want this to be with the 160 00:08:19,000 --> 00:08:22,240 Speaker 1: weekend is about and I could. I didn't know when 161 00:08:22,320 --> 00:08:24,120 Speaker 1: to say this and how to say it, and I 162 00:08:24,640 --> 00:08:28,360 Speaker 1: we were in all these scenes with everybody, and I 163 00:08:28,440 --> 00:08:30,760 Speaker 1: was trying to pick up clues. Oh, and I think 164 00:08:30,800 --> 00:08:32,760 Speaker 1: that's why I asked her if she was in an 165 00:08:32,760 --> 00:08:34,800 Speaker 1: open relationship, because you know how it is the messenger 166 00:08:34,840 --> 00:08:37,160 Speaker 1: is gonna get shot, and I thought, maybe this is 167 00:08:37,200 --> 00:08:39,160 Speaker 1: okay with them to each his own. I'm not judgmental 168 00:08:39,160 --> 00:08:41,880 Speaker 1: about nontraditional relationships. Maybe this is like the way they roll, 169 00:08:41,960 --> 00:08:43,640 Speaker 1: and I don't want and all that met all that 170 00:08:43,720 --> 00:08:45,320 Speaker 1: is gonna happen. I'm gonna get it in the middle 171 00:08:45,320 --> 00:08:46,960 Speaker 1: of this and be the messenger that gets shot, which 172 00:08:47,000 --> 00:08:49,839 Speaker 1: is what happened anyway. So I really didn't know how 173 00:08:49,840 --> 00:08:52,040 Speaker 1: to enter and play double dutch. I was like So, 174 00:08:52,080 --> 00:08:55,720 Speaker 1: I was trying to ask her different questions, and I 175 00:08:55,840 --> 00:08:57,800 Speaker 1: just my mind kept playing tricks on me, like if 176 00:08:57,800 --> 00:08:59,600 Speaker 1: I television, i'd be like, oh, it doesn't matter, we 177 00:08:59,800 --> 00:09:02,000 Speaker 1: have an open relationship, or I don't know. So I 178 00:09:02,120 --> 00:09:04,720 Speaker 1: ended up telling her, and then I didn't want to 179 00:09:04,760 --> 00:09:06,679 Speaker 1: live in it. You know. It was sort of like 180 00:09:06,760 --> 00:09:10,200 Speaker 1: her intervention. Someone called me to go over to her 181 00:09:10,280 --> 00:09:13,120 Speaker 1: house years later. I'll tell that story another time. And 182 00:09:13,160 --> 00:09:15,319 Speaker 1: I ended up immersed, just like everything else. If I 183 00:09:15,320 --> 00:09:18,680 Speaker 1: do really, I'm immersed. If I do any project, I'm immersed. 184 00:09:18,720 --> 00:09:20,439 Speaker 1: So I was immersed in this now and I kind 185 00:09:20,440 --> 00:09:22,520 Speaker 1: of didn't want to be. I don't want to be. 186 00:09:22,559 --> 00:09:24,360 Speaker 1: I just wanted to dump it and walk away. I 187 00:09:24,360 --> 00:09:27,200 Speaker 1: wanted to play hot Potato, and you knew you were 188 00:09:27,200 --> 00:09:29,600 Speaker 1: gonna be shot. I was a messenger that got shot 189 00:09:29,600 --> 00:09:32,600 Speaker 1: in Luan was the woman who doesn't want to know. 190 00:09:32,800 --> 00:09:35,080 Speaker 1: And I guess there's about half the people don't really 191 00:09:35,080 --> 00:09:37,280 Speaker 1: want to know. So the question is would you want 192 00:09:37,280 --> 00:09:41,320 Speaker 1: to know? And she forgave him, and cheaters are going 193 00:09:41,360 --> 00:09:45,240 Speaker 1: to cheat, and I respect the fact that she believed 194 00:09:45,240 --> 00:09:47,800 Speaker 1: in love and she wanted to love him, and who knows. 195 00:09:47,840 --> 00:09:50,040 Speaker 1: It's a it's a weird age. You feel like you're 196 00:09:50,080 --> 00:09:54,360 Speaker 1: not gonna sign somebody again. She found somebody and they 197 00:09:54,360 --> 00:09:56,280 Speaker 1: were like minded in certain ways of both like to 198 00:09:56,360 --> 00:09:58,360 Speaker 1: travel and I don't know, and that's to be to 199 00:09:58,440 --> 00:10:00,880 Speaker 1: be honest, that's when the show in real life are 200 00:10:00,920 --> 00:10:03,160 Speaker 1: blurred because let's discuss this. So here's the real thing. 201 00:10:03,880 --> 00:10:08,120 Speaker 1: In my quote unquote real life. I'm not friendly with Louanne, 202 00:10:08,800 --> 00:10:12,040 Speaker 1: so I don't talk to Luanne. So would I tell 203 00:10:12,120 --> 00:10:15,200 Speaker 1: her this now? Like I probably wouldn't, But I also 204 00:10:15,280 --> 00:10:17,000 Speaker 1: wouldn't be going on a trip with her to Miami. 205 00:10:17,880 --> 00:10:20,360 Speaker 1: So now I'm like in this weird And it's so 206 00:10:20,440 --> 00:10:24,000 Speaker 1: funny because there was a quote I think page six 207 00:10:24,000 --> 00:10:26,160 Speaker 1: where Andy was like, I'm just shocked she's doing this 208 00:10:26,640 --> 00:10:30,320 Speaker 1: podcast because you know, she thought The Housewives was toxic. 209 00:10:31,120 --> 00:10:34,120 Speaker 1: I don't think they're not mutually exclusive. I do think 210 00:10:34,120 --> 00:10:36,680 Speaker 1: The Housewives is toxic. And I'm doing this podcast because 211 00:10:36,679 --> 00:10:39,480 Speaker 1: I get to have these conversations and give you clarification 212 00:10:39,559 --> 00:10:41,560 Speaker 1: on Colra on something that was happening. So it's like 213 00:10:41,920 --> 00:10:44,400 Speaker 1: Bethany should have told, she shouldn't have told. But I'm 214 00:10:44,440 --> 00:10:46,839 Speaker 1: not friends. I wasn't really friends. I was really friends 215 00:10:46,840 --> 00:10:48,960 Speaker 1: with Carol, I was really friends with Jill, and I 216 00:10:49,040 --> 00:10:52,040 Speaker 1: was really friends with Dorinda. You know, um and I 217 00:10:52,080 --> 00:10:54,000 Speaker 1: am and I love Sonya like I am friends with 218 00:10:54,040 --> 00:10:56,240 Speaker 1: Sonia and I you know, I have a lot of 219 00:10:56,240 --> 00:10:59,760 Speaker 1: respect for uh, Dorinda and Housewives and other cities, and 220 00:10:59,800 --> 00:11:02,200 Speaker 1: I Kyle for years and all this stuff. But even 221 00:11:02,240 --> 00:11:04,480 Speaker 1: if you were friends with someone, getting on the show 222 00:11:04,520 --> 00:11:07,000 Speaker 1: as someone is very tricky. And you see that with 223 00:11:07,200 --> 00:11:09,240 Speaker 1: Kyle and her own sister. You said, up with Melissa 224 00:11:09,320 --> 00:11:11,400 Speaker 1: and her sister in law and Melissa and her own brother. 225 00:11:11,559 --> 00:11:15,079 Speaker 1: So trust me, these things don't happen because it's not complicated. 226 00:11:15,120 --> 00:11:19,240 Speaker 1: So Luanne and I we're not friends. Off camera, people 227 00:11:19,280 --> 00:11:22,240 Speaker 1: forge friendships for the camera because they need alliances, and 228 00:11:22,440 --> 00:11:26,200 Speaker 1: you know it's it's a dangerous, scary game. So it's 229 00:11:26,200 --> 00:11:31,560 Speaker 1: this fictitious hypothetical situation. Should you tell Luanne in what world? 230 00:11:31,559 --> 00:11:35,520 Speaker 1: In the world where I'm on television being produced and 231 00:11:35,559 --> 00:11:37,839 Speaker 1: have forged friendships and text people, And I think it's 232 00:11:37,880 --> 00:11:39,959 Speaker 1: real because it is real in the moment, So like 233 00:11:40,440 --> 00:11:44,920 Speaker 1: it's real in the moment when um, I'm in Puerto 234 00:11:45,040 --> 00:11:47,400 Speaker 1: Rico and I'm seeing people up to their ankles in 235 00:11:47,600 --> 00:11:50,679 Speaker 1: in in filthy water, but like that's not my all 236 00:11:50,760 --> 00:11:53,679 Speaker 1: the time life. You become very present in that. If 237 00:11:53,679 --> 00:11:55,640 Speaker 1: I'm sitting in at dinner with Luanne and I'm present 238 00:11:55,720 --> 00:11:57,600 Speaker 1: in it, I know her, I've gotten to know her 239 00:11:57,640 --> 00:12:00,040 Speaker 1: better because I'm on a show with her. But this 240 00:12:00,120 --> 00:12:03,760 Speaker 1: is a hypothetical situation that's now happened. It's it brings 241 00:12:03,800 --> 00:12:06,600 Speaker 1: theory into the reality because now I have to tell 242 00:12:06,679 --> 00:12:09,080 Speaker 1: Luan on a show. Because also you can't hold information 243 00:12:09,120 --> 00:12:11,839 Speaker 1: on a show, like it just doesn't work like that. 244 00:12:12,360 --> 00:12:16,200 Speaker 1: If if if someone's husband is cheating, it's coming onto 245 00:12:16,200 --> 00:12:18,679 Speaker 1: the show. It's just like it's just an unwritten rule 246 00:12:19,240 --> 00:12:23,160 Speaker 1: with everyone. You've seen a thousand times someone's bankrupt, but 247 00:12:23,200 --> 00:12:24,840 Speaker 1: they say they have money. You have to say it 248 00:12:25,240 --> 00:12:28,640 Speaker 1: someone you know about the lawsuit. There's a lawsuit that's happening. 249 00:12:28,679 --> 00:12:30,080 Speaker 1: You have to say it. You have to say it 250 00:12:30,120 --> 00:12:32,839 Speaker 1: all mentioned all, mentioned it all. You have to mention 251 00:12:32,880 --> 00:12:35,160 Speaker 1: it all on reality TV. So that's this weird world 252 00:12:35,240 --> 00:12:39,319 Speaker 1: where people judge the actions of housewives that are acting 253 00:12:39,600 --> 00:12:43,800 Speaker 1: under this false pretense, not because it's lying and not 254 00:12:43,840 --> 00:12:48,079 Speaker 1: because it's not real, just because it's hypothetical. It's happening 255 00:12:48,120 --> 00:12:51,480 Speaker 1: because someone's put you in this experiment where Ramona, myself, 256 00:12:51,520 --> 00:12:53,920 Speaker 1: and luand are in the same friend group, and that's 257 00:12:53,960 --> 00:12:57,319 Speaker 1: just not the case in real life. So that's why 258 00:12:57,880 --> 00:13:01,360 Speaker 1: reality television is different, and that's why it can't be 259 00:13:01,400 --> 00:13:05,800 Speaker 1: held to the same standards. And that's why I left, 260 00:13:07,320 --> 00:13:10,360 Speaker 1: and that's why I'm here talking about it. So I 261 00:13:10,400 --> 00:13:12,440 Speaker 1: like clarifying all this because I forget about it and 262 00:13:12,440 --> 00:13:16,560 Speaker 1: I forget what it was like. And I'm an analytical person, 263 00:13:17,000 --> 00:13:20,120 Speaker 1: so I definitely don't want to talk about trash. I 264 00:13:20,160 --> 00:13:24,000 Speaker 1: just want to talk about reality. Andy Cohen and I 265 00:13:24,200 --> 00:13:25,719 Speaker 1: do you have any idea how any beach walks and 266 00:13:25,760 --> 00:13:28,680 Speaker 1: conversations and text Andy Cohen and I have about the 267 00:13:28,720 --> 00:13:32,640 Speaker 1: housewife since I left it's of the ship we talk about. 268 00:13:32,920 --> 00:13:34,920 Speaker 1: I'll just throw them random text and be like, why 269 00:13:35,040 --> 00:13:37,800 Speaker 1: is you know what happened with this person? Why did 270 00:13:37,840 --> 00:13:40,200 Speaker 1: that person say that? Is this real? Did that person 271 00:13:40,240 --> 00:13:42,480 Speaker 1: really mean that? Does this seem to be the case? 272 00:13:42,640 --> 00:13:45,520 Speaker 1: Did that person really do it? That's what our textual 273 00:13:45,880 --> 00:13:49,520 Speaker 1: relationship is about. So Andy is the first person to 274 00:13:49,559 --> 00:13:51,280 Speaker 1: know that just because I left the house boys doesn't 275 00:13:51,280 --> 00:13:53,400 Speaker 1: mean I stopped talking about it, because we talked about 276 00:13:53,400 --> 00:14:04,640 Speaker 1: it a lot. Hi, everybody, I'm Tyler Florence and I'm 277 00:14:04,640 --> 00:14:06,880 Speaker 1: Wells Adams were the hosts of the new podcast Two 278 00:14:06,920 --> 00:14:09,160 Speaker 1: Dudes in the Kitchen. You might be asking yourself, why 279 00:14:09,200 --> 00:14:12,760 Speaker 1: do these guys have a podcast? Because we love food. 280 00:14:13,120 --> 00:14:15,080 Speaker 1: You and I have known each other for a while. 281 00:14:15,200 --> 00:14:17,240 Speaker 1: We got a chance to click together on television on 282 00:14:17,320 --> 00:14:19,600 Speaker 1: Food Network back in the day, and uh, I gotta 283 00:14:19,640 --> 00:14:22,160 Speaker 1: tell you there's no two better guys are more equipped 284 00:14:22,160 --> 00:14:24,240 Speaker 1: to take you, guys on a journey through the kitchen. 285 00:14:24,320 --> 00:14:26,840 Speaker 1: It's all about great recipes, It's all about connecting with 286 00:14:26,920 --> 00:14:30,480 Speaker 1: fantastic techniques and having a great time. Why you're doing it. 287 00:14:30,640 --> 00:14:33,120 Speaker 1: It's a podcast for you, for you to call into, 288 00:14:33,400 --> 00:14:35,720 Speaker 1: give us your feedback and We're here to answer your 289 00:14:35,800 --> 00:14:38,040 Speaker 1: questions and kind of get those kitchen burners fired up. 290 00:14:38,080 --> 00:14:39,640 Speaker 1: I got a lot of questions just because I'm not 291 00:14:39,960 --> 00:14:42,720 Speaker 1: nearly as good as a chef as you are. So 292 00:14:42,880 --> 00:14:44,760 Speaker 1: I'm gonna be asking you a lot of questions, and 293 00:14:44,920 --> 00:14:46,360 Speaker 1: you guys out there can ask him as well. It's 294 00:14:46,400 --> 00:14:47,720 Speaker 1: gonna be a lot of fun. We're gonna learn a lot, 295 00:14:47,720 --> 00:14:49,600 Speaker 1: and you know what, most importantly, we're gonna eat good. 296 00:14:49,640 --> 00:14:51,600 Speaker 1: We're gonna eat good. Man, eat good in the neighborhood. Man, 297 00:14:51,640 --> 00:14:53,280 Speaker 1: We're here for you. Listen to two dudes in the 298 00:14:53,360 --> 00:14:56,360 Speaker 1: kitchen on the I Heart radio app, Apple podcasts or 299 00:14:56,400 --> 00:15:03,440 Speaker 1: wherever you listen to podcasts. Yeah, this was such a 300 00:15:03,480 --> 00:15:08,280 Speaker 1: crazy situation because you I knew I was walking into 301 00:15:09,000 --> 00:15:12,680 Speaker 1: a ship storm. I'm on a show. The nature of 302 00:15:12,720 --> 00:15:14,440 Speaker 1: the beast of being on a show is we're supposed 303 00:15:14,440 --> 00:15:18,880 Speaker 1: to be revealing ourselves. The nature of this process, sorry, 304 00:15:19,400 --> 00:15:23,840 Speaker 1: if this is going to be disappointing, is that you're 305 00:15:23,840 --> 00:15:27,280 Speaker 1: not really friends with these people. It's very hard for 306 00:15:27,320 --> 00:15:30,200 Speaker 1: them to cast shows where people are really friends in 307 00:15:30,240 --> 00:15:32,640 Speaker 1: groups that everybody would want to do it, that you 308 00:15:32,680 --> 00:15:34,600 Speaker 1: would even do it with your friends. It just doesn't 309 00:15:34,600 --> 00:15:36,640 Speaker 1: work out, and then if all your friends are similar 310 00:15:36,640 --> 00:15:39,160 Speaker 1: to you, they're not going to cast a bunch of views. 311 00:15:39,200 --> 00:15:40,720 Speaker 1: So all of us are so different, they need to 312 00:15:40,720 --> 00:15:43,720 Speaker 1: cast different people. But they really would like brought they 313 00:15:43,800 --> 00:15:47,560 Speaker 1: being Bravo and casting that people do have a natural connection. 314 00:15:47,800 --> 00:15:52,240 Speaker 1: But look, Housewives started and at one point, you know, 315 00:15:52,400 --> 00:15:54,920 Speaker 1: I was the only legally married person there on the 316 00:15:54,960 --> 00:15:58,160 Speaker 1: Real Housewives of New York City. So it's kind of 317 00:15:59,640 --> 00:16:04,880 Speaker 1: it's real because you're put into situations and reacting in 318 00:16:04,880 --> 00:16:07,760 Speaker 1: a real way, but the situations that you're put into 319 00:16:08,000 --> 00:16:12,680 Speaker 1: are not real, So that's what makes it challenging. Garcel 320 00:16:12,840 --> 00:16:16,720 Speaker 1: Bouvet and Erica aren't hanging out in a regular on 321 00:16:16,760 --> 00:16:21,040 Speaker 1: a regular basis. Luanne and I aren't the same type 322 00:16:21,040 --> 00:16:24,520 Speaker 1: of person, nor a Ramona and I. And in a 323 00:16:24,640 --> 00:16:29,440 Speaker 1: sense though what is authentic. Jill, Ramona and Luan did 324 00:16:29,600 --> 00:16:35,480 Speaker 1: run in overlapping circles. They have friends in common. That 325 00:16:35,520 --> 00:16:38,000 Speaker 1: makes it a little more interesting also for birthday parties 326 00:16:38,040 --> 00:16:41,520 Speaker 1: and just a natural progression. I was an outlier. I 327 00:16:41,560 --> 00:16:43,680 Speaker 1: was not friends with any of these people. I knew 328 00:16:43,880 --> 00:16:48,200 Speaker 1: I had met Jill and that was it. I had 329 00:16:48,360 --> 00:16:52,640 Speaker 1: met Jill. So now you're on a show with people 330 00:16:52,800 --> 00:16:55,720 Speaker 1: that you aren't and you become friends with them through 331 00:16:55,760 --> 00:16:58,440 Speaker 1: this process because you have dinner on television in front 332 00:16:58,440 --> 00:17:02,600 Speaker 1: of a camera with other people, and you enjoy yourself 333 00:17:02,680 --> 00:17:04,240 Speaker 1: because you're having a nice meal and you're having a 334 00:17:04,280 --> 00:17:07,040 Speaker 1: nice conversation, and you do get to know people, and 335 00:17:07,080 --> 00:17:09,800 Speaker 1: you do go to events of theirs. That's what's crazy too. 336 00:17:09,920 --> 00:17:12,280 Speaker 1: People are invited to people's weddings that would never be 337 00:17:12,320 --> 00:17:15,760 Speaker 1: invited to their weddings, but the producers insist that you 338 00:17:15,800 --> 00:17:18,040 Speaker 1: invite them to your bachelortte party. And you get frustrated 339 00:17:18,040 --> 00:17:19,840 Speaker 1: because like that wouldn't happen, but you would sign up 340 00:17:19,840 --> 00:17:22,199 Speaker 1: for the show. It's a circular reference. You sign up 341 00:17:22,200 --> 00:17:23,800 Speaker 1: for the show. You have to be real and you 342 00:17:23,800 --> 00:17:25,879 Speaker 1: have to engage with these people and you have to 343 00:17:25,880 --> 00:17:28,440 Speaker 1: shoot these scenes. It also becomes a double dip one 344 00:17:28,480 --> 00:17:32,159 Speaker 1: stop shop. Okay, you know, I don't entertain really that 345 00:17:32,280 --> 00:17:34,080 Speaker 1: much a lot. I have nice China. I want to 346 00:17:34,119 --> 00:17:36,040 Speaker 1: show off my house. The show is going to deal 347 00:17:36,080 --> 00:17:38,159 Speaker 1: with most of it. Sure, we'll have a party at 348 00:17:38,160 --> 00:17:40,240 Speaker 1: my house with these people. As if this is who 349 00:17:40,240 --> 00:17:42,080 Speaker 1: I would invite over for the holidays. It's not. But 350 00:17:42,160 --> 00:17:44,760 Speaker 1: you do within the show and you end up enjoying 351 00:17:44,800 --> 00:17:46,600 Speaker 1: yourself because you get dressed up, you put makeup on, 352 00:17:46,720 --> 00:17:48,520 Speaker 1: you have a drink, you're talking to people, you're shooting 353 00:17:48,520 --> 00:17:50,600 Speaker 1: a show. You're doing ten things at once, but none 354 00:17:50,600 --> 00:17:52,760 Speaker 1: of them are based what your normal life would be 355 00:17:52,760 --> 00:17:54,679 Speaker 1: before or after. And anybody who says it is is 356 00:17:54,680 --> 00:17:56,399 Speaker 1: not telling the truth. And that's just the fact of 357 00:17:56,440 --> 00:18:01,040 Speaker 1: the matter. So, yes, people forge friendships through the process. 358 00:18:01,200 --> 00:18:05,639 Speaker 1: That does happen. It's rare, um, it's rare, and I 359 00:18:05,680 --> 00:18:08,600 Speaker 1: give them credit for ending up being able to work together. 360 00:18:08,680 --> 00:18:11,480 Speaker 1: And then it gets challenging because they're working together and 361 00:18:11,560 --> 00:18:14,800 Speaker 1: something comes out, and it's hard to watch someone else 362 00:18:14,840 --> 00:18:16,800 Speaker 1: be an authentic and it's hard to sign up for 363 00:18:16,840 --> 00:18:20,160 Speaker 1: this process and watch someone else be dishonest about something, 364 00:18:20,200 --> 00:18:24,080 Speaker 1: even if they're your closest relative. It's annoying to look 365 00:18:24,080 --> 00:18:26,320 Speaker 1: at someone like, that's not what are you talking about, 366 00:18:26,600 --> 00:18:29,480 Speaker 1: because then you're getting dirty in there. Not So let's 367 00:18:29,480 --> 00:18:33,440 Speaker 1: just say, what's happening with Kyle and Cathy. This is 368 00:18:33,480 --> 00:18:36,360 Speaker 1: a speculation, it's just an example. Or Teresa and Melissa, 369 00:18:36,440 --> 00:18:40,840 Speaker 1: whatever it is, they've known each other for years. It 370 00:18:40,880 --> 00:18:43,240 Speaker 1: becomes awkward and it's coming out because other people will 371 00:18:43,240 --> 00:18:45,520 Speaker 1: hold you accountable other people on the show. Wait a second, 372 00:18:45,520 --> 00:18:47,840 Speaker 1: we're not going to talk about that. And then also 373 00:18:47,960 --> 00:18:50,640 Speaker 1: you're getting dirty you've been doing the show for years, 374 00:18:50,720 --> 00:18:53,360 Speaker 1: or you're bringing it all out there and you're you know, 375 00:18:53,480 --> 00:18:55,960 Speaker 1: getting taking hits and you're watching someone else not take 376 00:18:55,960 --> 00:18:58,600 Speaker 1: any hits. And then and you're you're you're supposed to 377 00:18:58,640 --> 00:19:01,720 Speaker 1: protect people and they signed up for the show too, 378 00:19:01,800 --> 00:19:04,040 Speaker 1: that's what the show is. So I say all this 379 00:19:04,160 --> 00:19:08,399 Speaker 1: to say that with lu Anne, could I have called 380 00:19:08,440 --> 00:19:11,640 Speaker 1: her separately off the show. I'm sure I could have. 381 00:19:12,000 --> 00:19:13,880 Speaker 1: It's not even part of what was going on. It's 382 00:19:13,880 --> 00:19:16,280 Speaker 1: almost like a fraudulent relationship to begin with her and Tom. 383 00:19:16,320 --> 00:19:18,440 Speaker 1: It started and it started on the show pretty much. 384 00:19:18,440 --> 00:19:20,040 Speaker 1: I mean, she didn't meet him on the show. It 385 00:19:20,080 --> 00:19:22,280 Speaker 1: started because Dorinda introduced her to him, and then it 386 00:19:22,400 --> 00:19:24,399 Speaker 1: perpetuated on the show and he came on the show. 387 00:19:24,560 --> 00:19:26,520 Speaker 1: He signed up for this too. Like if people are 388 00:19:26,560 --> 00:19:28,280 Speaker 1: not even part of this and have never showed up 389 00:19:28,280 --> 00:19:30,400 Speaker 1: on the show, like someone's child, We're not gonna start 390 00:19:30,400 --> 00:19:32,720 Speaker 1: talking with Sonya's daughter who's never been on the show, 391 00:19:33,080 --> 00:19:35,480 Speaker 1: and you know it's just a child. But if someone's 392 00:19:35,520 --> 00:19:39,240 Speaker 1: person has never been on the show. You know that's 393 00:19:39,280 --> 00:19:41,800 Speaker 1: not really fair game. You can't come on the show 394 00:19:41,840 --> 00:19:43,520 Speaker 1: and it's all fun and games. Like Tom can't just 395 00:19:43,560 --> 00:19:45,040 Speaker 1: come on the show and be like, yes, I'm rich 396 00:19:45,080 --> 00:19:47,600 Speaker 1: and I'm a bachelor and I'm engaged and then you know, 397 00:19:47,720 --> 00:19:49,520 Speaker 1: something happens and then it's not on the show. You 398 00:19:49,560 --> 00:19:51,520 Speaker 1: can't have it both ways, and you can't play stupid 399 00:19:51,520 --> 00:19:53,720 Speaker 1: and smart at the same time. So Tom was brought 400 00:19:53,760 --> 00:19:58,560 Speaker 1: into the show by Luanne Dorinda adjacent. No fault to Dorenda. Now, 401 00:19:58,600 --> 00:20:01,440 Speaker 1: their engagement is a character. They're on the show. Their 402 00:20:01,520 --> 00:20:04,159 Speaker 1: marriage and the mistake that she's about to make is 403 00:20:04,160 --> 00:20:07,000 Speaker 1: a character on the show. So you know what, you're 404 00:20:07,080 --> 00:20:10,200 Speaker 1: damn right, I'm going to mention it all. So that's 405 00:20:10,240 --> 00:20:12,640 Speaker 1: why I didn't say it is slightly. We can't pick 406 00:20:12,680 --> 00:20:14,800 Speaker 1: and choose. Believe me, if it was me, it would 407 00:20:14,800 --> 00:20:17,959 Speaker 1: be the same thing. You're up for grabs. So that's why, 408 00:20:18,000 --> 00:20:21,040 Speaker 1: and that's why everyone's bankruptcies and cheating and lawsuits and all. 409 00:20:21,040 --> 00:20:23,080 Speaker 1: The ship comes up. And that's why in normal life, 410 00:20:23,080 --> 00:20:24,720 Speaker 1: it doesn't come up and pick up and drop off, 411 00:20:24,720 --> 00:20:27,000 Speaker 1: you know, like, oh, hey, I heard your fucking your 412 00:20:27,040 --> 00:20:29,720 Speaker 1: sister's husband it doesn't come up because they didn't sign 413 00:20:29,800 --> 00:20:32,359 Speaker 1: up for this process. This is a group that signed 414 00:20:32,480 --> 00:20:35,320 Speaker 1: up for this process. You know. I tried to explain 415 00:20:35,359 --> 00:20:38,320 Speaker 1: to somebody that if I see somebody annoying and my 416 00:20:38,400 --> 00:20:41,320 Speaker 1: daughter's school like a drop off, I'm not gonna be like, Wow, 417 00:20:41,760 --> 00:20:44,800 Speaker 1: that's an interesting choice of blush color. But guess what, 418 00:20:45,040 --> 00:20:47,160 Speaker 1: you're on The Housewives. You damn fucking right, it's gonna 419 00:20:47,160 --> 00:20:48,960 Speaker 1: come up because that's what the show is. That's the 420 00:20:49,040 --> 00:20:51,640 Speaker 1: nature of the past. It's use your outside voice. It's 421 00:20:51,680 --> 00:20:55,399 Speaker 1: hide nothing, be vulnerole, be honest, be open, and hide 422 00:20:55,480 --> 00:20:59,000 Speaker 1: nothing and let no one else hide anything. So if 423 00:20:59,040 --> 00:21:01,680 Speaker 1: I know that Tim Lee tried on wedding dresses ahead 424 00:21:01,720 --> 00:21:03,800 Speaker 1: of her wedding, I like, Tinsley, I don't care. Do 425 00:21:03,880 --> 00:21:06,840 Speaker 1: whatever you want, cross dress, where your wedding dressed, to 426 00:21:06,880 --> 00:21:09,080 Speaker 1: the gym. It's not my goddamn business. I'm on a 427 00:21:09,119 --> 00:21:11,240 Speaker 1: show where this is the point. Tinsley and I are 428 00:21:11,280 --> 00:21:13,200 Speaker 1: not do not know each other outside of the show. 429 00:21:13,240 --> 00:21:15,840 Speaker 1: We met on the show. So you gotta bring it up, 430 00:21:15,840 --> 00:21:18,840 Speaker 1: you gotta mention it all. That's what everybody's doing, that's 431 00:21:18,880 --> 00:21:20,879 Speaker 1: what goes on. So yes, I mentioned it all. But 432 00:21:20,920 --> 00:21:23,800 Speaker 1: I knew coming in that if I'm gonna mention this picture, 433 00:21:24,480 --> 00:21:26,760 Speaker 1: I better fucking come correct and have my receipts, which 434 00:21:26,760 --> 00:21:29,439 Speaker 1: is why I had the time stamp. You can look up. 435 00:21:29,480 --> 00:21:31,880 Speaker 1: I never knew this the time stamp. You know the question, 436 00:21:31,880 --> 00:21:33,719 Speaker 1: what time was this? Oh, that couldn't have been. He 437 00:21:33,760 --> 00:21:35,720 Speaker 1: was in a Halloween costume with another woman at a 438 00:21:35,760 --> 00:21:37,600 Speaker 1: bar at that time, Like you had to have your 439 00:21:37,600 --> 00:21:40,280 Speaker 1: ship tight. So I knew the time stamp. And then 440 00:21:40,359 --> 00:21:43,680 Speaker 1: I called the restaurant and bluffed them into telling me, yeah, 441 00:21:43,720 --> 00:21:46,120 Speaker 1: they were here for a long time, and she paid 442 00:21:46,160 --> 00:21:48,320 Speaker 1: the bill because I acted like I knew you got 443 00:21:48,320 --> 00:21:50,240 Speaker 1: If you're catching so much cheating or doing something, you 444 00:21:50,280 --> 00:21:53,160 Speaker 1: have all the details. Doesn't have to be on reality television. 445 00:21:53,320 --> 00:21:55,879 Speaker 1: If you decide you're gonna tell somebody, you better know 446 00:21:56,040 --> 00:21:59,040 Speaker 1: everything because you're gonna get shot. And I knew i'd 447 00:21:59,080 --> 00:22:01,480 Speaker 1: be the messenger that get shot. How could I not? 448 00:22:02,040 --> 00:22:04,000 Speaker 1: And it played exactly how I thought. She'd be nice 449 00:22:04,040 --> 00:22:05,600 Speaker 1: in the beginning, and then she'd go off and be 450 00:22:05,640 --> 00:22:07,920 Speaker 1: back to hypnotize and want to be with him, and 451 00:22:08,359 --> 00:22:11,000 Speaker 1: that's okay, it happens, and you know, there you go, 452 00:22:11,040 --> 00:22:14,959 Speaker 1: and you saw it all come to fruition at the party, uh, 453 00:22:15,040 --> 00:22:18,480 Speaker 1: the Sinco de Mayo party. So that's what happened. I 454 00:22:18,560 --> 00:22:20,800 Speaker 1: happened to be and it's great, yes, And of course 455 00:22:21,400 --> 00:22:23,040 Speaker 1: you know I took such an interest in her life. 456 00:22:23,040 --> 00:22:24,679 Speaker 1: They thought at one point she thought that I got 457 00:22:24,720 --> 00:22:28,879 Speaker 1: a private private investigator, there would be like five thousand dollars. 458 00:22:28,880 --> 00:22:30,560 Speaker 1: You're gonna spend five thousand dollars to see what the 459 00:22:30,560 --> 00:22:33,439 Speaker 1: fun Tom's doing. It was just crazy. That's what happens 460 00:22:33,440 --> 00:22:36,920 Speaker 1: on reality TV because most people are lying about something. 461 00:22:36,960 --> 00:22:40,520 Speaker 1: I've seen on this show, lying about having a car, 462 00:22:40,920 --> 00:22:44,679 Speaker 1: lying about plastic surgery, lying about how much money you have, 463 00:22:45,240 --> 00:22:48,040 Speaker 1: lying about your house and the situation with the mortgage, 464 00:22:48,119 --> 00:22:50,720 Speaker 1: or whether you really I've seen lying every which way 465 00:22:50,800 --> 00:22:54,560 Speaker 1: but Sunday upside down. Okay, that's I've just seen it 466 00:22:54,640 --> 00:22:58,880 Speaker 1: in so many different ways. So everybody that's a viewer, 467 00:22:59,359 --> 00:23:02,240 Speaker 1: all the people on the show have quote unquote friends 468 00:23:02,280 --> 00:23:06,920 Speaker 1: and freenemies and enemies watching and they are like, what. 469 00:23:07,880 --> 00:23:11,200 Speaker 1: It drove people crazy. When we first launched that people 470 00:23:11,200 --> 00:23:14,440 Speaker 1: were calling themselves socialites. New York Magazine wrote an article 471 00:23:14,440 --> 00:23:18,560 Speaker 1: about them being social It made the real social lites crazy. 472 00:23:18,640 --> 00:23:20,760 Speaker 1: They were so frustrated. And I've seen some of them. 473 00:23:20,760 --> 00:23:22,600 Speaker 1: I saw them at the after party for the met 474 00:23:22,760 --> 00:23:25,320 Speaker 1: Galla one year, and they were like, oh my god, 475 00:23:25,400 --> 00:23:27,800 Speaker 1: dolling like because they're the real social lits, which is 476 00:23:27,840 --> 00:23:31,040 Speaker 1: also a different shade of bullshit. Tinsley is now played 477 00:23:31,040 --> 00:23:34,439 Speaker 1: in both ponds. She's played in quote unquote real social 478 00:23:34,480 --> 00:23:38,160 Speaker 1: lites just as big a bunch of Fronten and Stunton 479 00:23:38,760 --> 00:23:43,560 Speaker 1: Phoe bullshit superficial losers as we are. They're just real 480 00:23:43,640 --> 00:23:45,800 Speaker 1: social lights. And Tensely was a real social lite in 481 00:23:45,960 --> 00:23:48,800 Speaker 1: w magazine and all that ship. She's played both sides. 482 00:23:49,000 --> 00:23:51,359 Speaker 1: She's done that. She knows that's just as big a 483 00:23:51,400 --> 00:23:54,240 Speaker 1: bunch of bullshit as this is. The real social lits 484 00:23:54,320 --> 00:23:57,320 Speaker 1: just aren't allowed to buy their husbands do it, or 485 00:23:57,400 --> 00:24:00,000 Speaker 1: by their family names do it, or they think they're 486 00:24:00,000 --> 00:24:02,840 Speaker 1: above it, and they couldn't possibly. But the real social 487 00:24:02,920 --> 00:24:06,200 Speaker 1: lights were so frustrated by the pot the phocial lights, 488 00:24:06,560 --> 00:24:10,720 Speaker 1: the focial lights drove them nuts because they think they're real. Oh, 489 00:24:10,760 --> 00:24:13,080 Speaker 1: there may be bigger losers over there, and I know 490 00:24:13,200 --> 00:24:15,280 Speaker 1: them all, and I know them both. I can't it's 491 00:24:15,280 --> 00:24:19,200 Speaker 1: just different losers. And that's why when certain people come 492 00:24:19,240 --> 00:24:22,320 Speaker 1: from oh, a real fashion person or a real this, 493 00:24:22,480 --> 00:24:24,160 Speaker 1: and they come on the Housewives and they think they're 494 00:24:24,160 --> 00:24:27,400 Speaker 1: gonna be a cut above because they're real. That's different. 495 00:24:27,640 --> 00:24:30,720 Speaker 1: They come on and there's still lunatics and crazy and 496 00:24:30,760 --> 00:24:33,439 Speaker 1: bat shit, and we will crack open someone's crazy like 497 00:24:33,480 --> 00:24:36,960 Speaker 1: a goddamn panada you saw, like Kelly was, Kelly was 498 00:24:36,960 --> 00:24:40,800 Speaker 1: a real model marriage gil Ben Simon. All that stuff 499 00:24:40,840 --> 00:24:43,200 Speaker 1: sounds good when they're coming in. Then they come in 500 00:24:43,400 --> 00:24:46,760 Speaker 1: and they're like, oh fuck, I've been found out. Nothing 501 00:24:46,760 --> 00:24:50,359 Speaker 1: will crack open someone's true character, Like the house was 502 00:24:50,400 --> 00:24:52,359 Speaker 1: like a real fucking pinata, whether we're friends with the 503 00:24:52,400 --> 00:24:54,400 Speaker 1: other people or not. So I said what I said, 504 00:24:54,400 --> 00:24:56,040 Speaker 1: I mentioned at all, and I would do it again 505 00:24:56,080 --> 00:24:57,840 Speaker 1: if I were on that show. But I am not. 506 00:25:08,280 --> 00:25:11,800 Speaker 1: I left the Housewives. It wasn't good for me, and 507 00:25:11,880 --> 00:25:16,000 Speaker 1: it wasn't what I walked into all those years ago. Also, sorry, 508 00:25:16,040 --> 00:25:18,680 Speaker 1: not sorry. The biggest thing that ever happened wasn't I'm 509 00:25:18,720 --> 00:25:21,280 Speaker 1: up here, you're down here, or a table flip like 510 00:25:21,400 --> 00:25:24,119 Speaker 1: crazy ship has gone on. So yes, I left that. 511 00:25:24,320 --> 00:25:26,879 Speaker 1: I don't want to be there. That's my own choice. 512 00:25:27,080 --> 00:25:29,320 Speaker 1: You know what else is my own choice to talk 513 00:25:29,359 --> 00:25:34,000 Speaker 1: about it and reflect on my experience years later, iconic 514 00:25:34,080 --> 00:25:38,119 Speaker 1: episodes and also like in my on my Own terms, 515 00:25:38,160 --> 00:25:41,359 Speaker 1: on my own show, I when I was there, I 516 00:25:41,400 --> 00:25:44,200 Speaker 1: had no control. I didn't produce the show. I didn't 517 00:25:44,200 --> 00:25:46,880 Speaker 1: decide the trips. I didn't decide the restaurants. I didn't 518 00:25:46,880 --> 00:25:48,720 Speaker 1: decide what we were doing. I didn't decide who I 519 00:25:48,720 --> 00:25:51,280 Speaker 1: get to hang out with. I had an experience where 520 00:25:51,520 --> 00:25:54,879 Speaker 1: I cast somebody. I gave this person. It happened a 521 00:25:54,880 --> 00:25:58,480 Speaker 1: couple of times, and right before filming I found out 522 00:25:58,520 --> 00:26:00,679 Speaker 1: that that person was going to be on the show. Like, 523 00:26:00,720 --> 00:26:02,239 Speaker 1: no one's gonna tell me that the person that I 524 00:26:02,240 --> 00:26:03,720 Speaker 1: brought in? Why did I even go out of my 525 00:26:03,760 --> 00:26:05,320 Speaker 1: way to cast all those people? It makes you feel 526 00:26:05,320 --> 00:26:08,680 Speaker 1: insulted in like a loser, right. It makes you feel 527 00:26:08,680 --> 00:26:10,399 Speaker 1: like you're the last one to know. Kelly Rippe has 528 00:26:10,400 --> 00:26:14,320 Speaker 1: described finding out on air that she um that her 529 00:26:14,359 --> 00:26:18,560 Speaker 1: hosts worry they're leaving or you know, being replaced or something. 530 00:26:18,640 --> 00:26:21,280 Speaker 1: On air she found out like a schmuck. I felt 531 00:26:21,280 --> 00:26:24,080 Speaker 1: like the schmuck, Like, wait, what, I have not no 532 00:26:24,200 --> 00:26:28,600 Speaker 1: control where ponds, where puppets, no sheep, no control no 533 00:26:28,680 --> 00:26:32,919 Speaker 1: control over editing. Something terrible happens, something's discussed about somebody 534 00:26:32,960 --> 00:26:36,680 Speaker 1: you love that's really damaging. No, it doesn't matter. I 535 00:26:36,760 --> 00:26:40,240 Speaker 1: can't beg They don't care. You say something by accident 536 00:26:40,320 --> 00:26:43,160 Speaker 1: that's terrible, could have ruined your life, gets you canceled, 537 00:26:43,200 --> 00:26:45,960 Speaker 1: affect everything you built in your life. Don't know you 538 00:26:46,000 --> 00:26:49,560 Speaker 1: have no control over that. Okay. I have seen Ramona 539 00:26:49,720 --> 00:26:52,920 Speaker 1: beg plead and cry. I have seen Kyle beg plead 540 00:26:53,000 --> 00:26:55,000 Speaker 1: and cry. They don't want that stuff take put in there. 541 00:26:55,000 --> 00:26:57,680 Speaker 1: It affects their lives and their family. Doesn't fucking matter. 542 00:26:57,760 --> 00:27:00,600 Speaker 1: They don't have the power to take it out. They 543 00:27:00,640 --> 00:27:05,240 Speaker 1: made a mistake. Mistakes are great for reality television. Mistakes 544 00:27:05,280 --> 00:27:09,199 Speaker 1: are what make reality television thrive. Someone is off the 545 00:27:09,200 --> 00:27:12,119 Speaker 1: wagon and they go back on. Get the cameras up. 546 00:27:12,760 --> 00:27:15,960 Speaker 1: Someone's an addict and they're doing what you know, they're 547 00:27:15,960 --> 00:27:18,760 Speaker 1: not supposed to be doing as an addict. Get the cameras. 548 00:27:19,119 --> 00:27:21,239 Speaker 1: You know. That's just that's been that's what it is. 549 00:27:21,400 --> 00:27:23,840 Speaker 1: That is not what we're doing here. So let's just 550 00:27:24,119 --> 00:27:25,879 Speaker 1: so that was not on my own terms. This is 551 00:27:25,880 --> 00:27:29,359 Speaker 1: on my own terms. Another thing, listen to the show. 552 00:27:29,720 --> 00:27:32,240 Speaker 1: It's that a trash and grabbed ever a trashing people 553 00:27:32,280 --> 00:27:36,080 Speaker 1: were giving color and breaking things down. We're talking and 554 00:27:36,480 --> 00:27:38,960 Speaker 1: I'm reflecting on an experience and my alma mater. I've 555 00:27:39,000 --> 00:27:41,200 Speaker 1: a right to talk about something I experience. I didn't 556 00:27:41,200 --> 00:27:44,199 Speaker 1: know I was in the Handmaid's Tale and housewives and 557 00:27:44,240 --> 00:27:48,280 Speaker 1: Housewives hosts are gonna, you know, scold me because I 558 00:27:48,280 --> 00:27:50,359 Speaker 1: did think it was toxic and I did leave, and 559 00:27:50,359 --> 00:27:54,399 Speaker 1: I explained very very nicely why I left. I didn't 560 00:27:54,400 --> 00:27:56,360 Speaker 1: say it's a ship box. I didn't say I said 561 00:27:56,640 --> 00:27:58,960 Speaker 1: it's toxic and it wasn't where I wanted to be. 562 00:27:59,080 --> 00:28:01,080 Speaker 1: That's what I've said in the US. That's the truth 563 00:28:01,560 --> 00:28:03,760 Speaker 1: over here. You leave your college, maybe it wasn't a 564 00:28:03,760 --> 00:28:06,280 Speaker 1: good experience. You can you're still allowed. And I thought, 565 00:28:06,280 --> 00:28:09,479 Speaker 1: ine with freedom of speech to talk about the college 566 00:28:09,480 --> 00:28:12,240 Speaker 1: you left. You were on you know, a TV show 567 00:28:12,320 --> 00:28:14,320 Speaker 1: years ago. You were unsaved. But by the belt, I 568 00:28:14,359 --> 00:28:16,560 Speaker 1: said to Mario, maybe that wasn't his best time of 569 00:28:16,600 --> 00:28:18,679 Speaker 1: his life. He's still allowed as a grown ass man 570 00:28:18,760 --> 00:28:20,639 Speaker 1: to talk about say by the belt, like go on 571 00:28:20,720 --> 00:28:22,840 Speaker 1: and on. You had a job you hated, You're allowed 572 00:28:22,880 --> 00:28:24,480 Speaker 1: to talk about it. You had a marriage, or next 573 00:28:24,560 --> 00:28:27,560 Speaker 1: you hated, you had a teacher, You're you hated or 574 00:28:27,640 --> 00:28:29,160 Speaker 1: you didn't like, or that you didn't want to beat 575 00:28:29,160 --> 00:28:31,760 Speaker 1: you not even hated. You had a job that you 576 00:28:31,840 --> 00:28:35,600 Speaker 1: chose to leave last I checked out of Gill Lead. 577 00:28:35,640 --> 00:28:39,400 Speaker 1: You're allowed to talk about that job, So I am 578 00:28:39,440 --> 00:28:43,840 Speaker 1: allowed to talk about my former life. That was a 579 00:28:43,920 --> 00:28:45,880 Speaker 1: quarter of my life. Did I get a lot bot 580 00:28:45,960 --> 00:28:47,600 Speaker 1: of me? Was? Did I go to the invasion of 581 00:28:47,600 --> 00:28:49,960 Speaker 1: the body Snatchers and they removed part of my brain? 582 00:28:50,600 --> 00:28:52,280 Speaker 1: So I'm not going to talk about something that was 583 00:28:52,320 --> 00:28:55,720 Speaker 1: a quarter of my life. Ladies and gentlemen like, what, Yeah, 584 00:28:55,800 --> 00:28:57,880 Speaker 1: that's my alma mater, and I also made that as 585 00:28:57,960 --> 00:29:00,600 Speaker 1: much as that made me a different caliber person has 586 00:29:00,640 --> 00:29:02,880 Speaker 1: gone on since me to try to do what I've 587 00:29:02,920 --> 00:29:05,440 Speaker 1: done and ask the producers. They've said that so good, 588 00:29:05,480 --> 00:29:07,360 Speaker 1: I've paved the way. But I'm allowed to talk about 589 00:29:07,360 --> 00:29:11,880 Speaker 1: the way that I paved. Next thing. I am not 590 00:29:12,040 --> 00:29:17,040 Speaker 1: a disgruntled employee that was fired. Many podcasts and many 591 00:29:17,080 --> 00:29:20,400 Speaker 1: you know, many podcasts or many people go on to 592 00:29:20,440 --> 00:29:23,240 Speaker 1: talk about that experience. They've been fired. They have a 593 00:29:23,400 --> 00:29:26,360 Speaker 1: skewed perspective. They're not happy, they want to be there, 594 00:29:26,360 --> 00:29:30,200 Speaker 1: they're angry, they're frustrated, they want to give snark. I 595 00:29:30,240 --> 00:29:33,720 Speaker 1: want to celebrate the craziness and how funny and ridiculous 596 00:29:33,720 --> 00:29:35,680 Speaker 1: it was at its best, by the way, many of 597 00:29:35,680 --> 00:29:38,520 Speaker 1: these episodes I'm doing, or when it was at its best, 598 00:29:38,800 --> 00:29:41,240 Speaker 1: you don't see me talking right now that Jen Shaw 599 00:29:41,640 --> 00:29:45,320 Speaker 1: scamming people, allegedly scamming people through a telemarketing scheme. I 600 00:29:45,360 --> 00:29:48,560 Speaker 1: don't find that to be can't be and amusing. I 601 00:29:48,600 --> 00:29:50,440 Speaker 1: haven't seen that show, but from what it sounds like, 602 00:29:50,480 --> 00:29:53,560 Speaker 1: it doesn't sound fun. So if you're gonna come for me, 603 00:29:54,640 --> 00:29:56,840 Speaker 1: you better come with everything you got. And if you're 604 00:29:56,840 --> 00:29:58,880 Speaker 1: gonna take a shot at this bee, you're better not 605 00:29:59,000 --> 00:30:08,320 Speaker 1: motherfucking miss because this time you all missed. So about 606 00:30:08,400 --> 00:30:12,320 Speaker 1: Tom is about a man who who was stupid enough 607 00:30:12,360 --> 00:30:15,840 Speaker 1: to cheat, who was drinking, which is something he seemed 608 00:30:16,000 --> 00:30:20,680 Speaker 1: to do very often and in volume, and a woman 609 00:30:21,200 --> 00:30:25,720 Speaker 1: that truth be told. I wasn't happy to deliver that news. 610 00:30:25,760 --> 00:30:27,720 Speaker 1: Many times I will not lie on house as you're 611 00:30:27,800 --> 00:30:29,719 Speaker 1: kind of like, wow, you want to stick it to somebody. 612 00:30:29,920 --> 00:30:31,560 Speaker 1: This was not one of those times I was. I 613 00:30:31,600 --> 00:30:33,960 Speaker 1: felt badly for her. A woman of a certain age 614 00:30:34,080 --> 00:30:36,200 Speaker 1: wants to be in a relationship met a guy he 615 00:30:36,280 --> 00:30:38,520 Speaker 1: seemed to check some boxes had a couple of dollars. 616 00:30:38,840 --> 00:30:40,400 Speaker 1: You know, lives in New York. Who likes to run 617 00:30:40,400 --> 00:30:42,560 Speaker 1: around like the Jets, that likes to drink like the party, 618 00:30:42,600 --> 00:30:44,760 Speaker 1: like to travel, is very social at night like it 619 00:30:44,800 --> 00:30:47,200 Speaker 1: seemed like a good fit. Wants to get married again, 620 00:30:47,520 --> 00:30:50,760 Speaker 1: loves to be loved. Luanna's a hopeless romantic. Now she's 621 00:30:50,800 --> 00:30:53,000 Speaker 1: going down the wrong road. I was still on the 622 00:30:53,040 --> 00:30:54,840 Speaker 1: worst road in my life, and I couldn't even really 623 00:30:54,880 --> 00:30:57,920 Speaker 1: talk about it. So you're watching someone walk into a 624 00:30:58,040 --> 00:31:00,959 Speaker 1: fire and you want to tell them not to walk in. 625 00:31:01,160 --> 00:31:03,280 Speaker 1: It happened years later, which we'll get into about an 626 00:31:03,280 --> 00:31:08,000 Speaker 1: intervention with lan I. I staged an intervention. Everybody involved 627 00:31:08,000 --> 00:31:10,880 Speaker 1: will verify that I was leading the charge. I took 628 00:31:11,000 --> 00:31:12,800 Speaker 1: days of my life. I got her paid for a 629 00:31:12,840 --> 00:31:14,480 Speaker 1: reunion that she would never have gotten paid for. I 630 00:31:14,520 --> 00:31:16,920 Speaker 1: got her sent to rehab and it paid for and 631 00:31:16,960 --> 00:31:20,320 Speaker 1: she left early. And I don't do anything half ass. 632 00:31:20,360 --> 00:31:22,320 Speaker 1: So I walked into this and I didn't want her 633 00:31:22,360 --> 00:31:24,480 Speaker 1: to marry him. I thought I was helping her, and 634 00:31:24,480 --> 00:31:27,000 Speaker 1: you see what happened years later. But we all make mistakes. 635 00:31:27,040 --> 00:31:30,320 Speaker 1: She was the woman who didn't want to know, and 636 00:31:30,680 --> 00:31:32,160 Speaker 1: you know she might have been a woman that doesn't 637 00:31:32,160 --> 00:31:34,200 Speaker 1: really care about fidelity that much, and that's her body 638 00:31:34,200 --> 00:31:37,440 Speaker 1: and her choice also, So I said what I said, 639 00:31:37,440 --> 00:31:41,840 Speaker 1: I did what I did. It was an explosive, crazy, iconic, 640 00:31:42,240 --> 00:31:46,840 Speaker 1: high rating episode because usually these episodes that are multiple, 641 00:31:47,640 --> 00:31:51,400 Speaker 1: multiple to be continued episodes, or usually these trips that 642 00:31:51,400 --> 00:31:54,080 Speaker 1: are multiple to be continued episodes, you have to go 643 00:31:54,120 --> 00:31:55,680 Speaker 1: all the way to France to get that kind of drama. 644 00:31:55,720 --> 00:31:57,560 Speaker 1: That was pretty insane, and it didn't unfold the way 645 00:31:57,560 --> 00:31:58,920 Speaker 1: that I thought it would. I can't believe it. It It 646 00:31:59,040 --> 00:32:01,680 Speaker 1: was crazy that that happened, but it happened. And truth 647 00:32:01,760 --> 00:32:04,200 Speaker 1: is stranger than fiction. So Luann didn't want to know, 648 00:32:04,480 --> 00:32:09,040 Speaker 1: and it was all about time. I will be watching 649 00:32:09,400 --> 00:32:13,960 Speaker 1: It's About Tom with Kevin Nealon, so we are going 650 00:32:14,000 --> 00:32:16,680 Speaker 1: to break down this episode and it's going to be 651 00:32:17,400 --> 00:32:19,960 Speaker 1: one for the ages, one for the books, an amazing