WEBVTT - Didi DeStefano Meets World

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<v Speaker 1>So we're potentially going to be doing a lot of

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<v Speaker 1>live shows this year. Yeah. So I'm planning out, you know,

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<v Speaker 1>my year with my wife and I have a I

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<v Speaker 1>have a draft of an email that I started during

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<v Speaker 1>the pandemic that has expanded and I keep adding to

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<v Speaker 1>which is all the places I want to travel to

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<v Speaker 1>and all the things I want to see um. And

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<v Speaker 1>so I was referencing or trying figure out what where

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<v Speaker 1>we're going to travel to this year and what we're

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<v Speaker 1>gonna do um, And it made me curious, do you

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<v Speaker 1>guys have like places that you can't wait to go

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<v Speaker 1>to or like the number one? Because for me, like

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<v Speaker 1>number one personally, I can I just want to go

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<v Speaker 1>to Japan so bad, and no, I am dying to go,

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<v Speaker 1>but it's you know, I just I just I. But

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<v Speaker 1>I have so many other trips that I want to

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<v Speaker 1>do with Indie before he leaves. Because that's the other

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<v Speaker 1>thing is I'm realizing kids already eight, I only got

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<v Speaker 1>like eight more or ten more summer vacations where we

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<v Speaker 1>can travel together. So I have to prioritize based on like,

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<v Speaker 1>you know, activities we can do or things I want

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<v Speaker 1>to experience with him. And so Japan might have to

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<v Speaker 1>wait till after he's out of the house, but that's

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<v Speaker 1>like my number one spot, South Africa. I can't wait

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<v Speaker 1>to go to South Africa at some point. Yeah. Do

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<v Speaker 1>you guys have places like that? Are what do you got? Well?

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<v Speaker 1>I also really want to go to Japan. We were

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<v Speaker 1>going to go to Japan for my fortieth that was

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<v Speaker 1>going to be my fortieth birthday gift from husband producer

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<v Speaker 1>Jensen carp but I was then pregnant and I was like,

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<v Speaker 1>I don't really want to go to Japan when I'm pregnant,

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<v Speaker 1>and you know so, and we ended up not doing that.

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<v Speaker 1>So Japan is on my list. But then also there

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<v Speaker 1>are things like I want to play golf in Scotland,

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<v Speaker 1>so like that's that's one of my things. I also

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<v Speaker 1>want to drive on the Audubon um, so I have

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<v Speaker 1>like things like that that are like bucketless things for me.

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<v Speaker 1>I once saw the Northern lights from from Banff in Canada. Yeah,

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<v Speaker 1>but it wasn't like it was like what's that out there?

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<v Speaker 1>And then it was like, oh my gosh, those are

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<v Speaker 1>the Northern lights and it was, um it was like

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<v Speaker 1>you know, kind of hazy, like it was definitely the

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<v Speaker 1>Northern Lights, but it wasn't like that experience you think

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<v Speaker 1>of when you see the Northern Lights, and so I

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<v Speaker 1>want to just even seeing the little bit of it

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<v Speaker 1>that I saw. I want to specifically do al go

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<v Speaker 1>on a trip to see the Northern I would recommend

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<v Speaker 1>Iceland because I saw them in Iceland, and Iceland's great

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<v Speaker 1>to visit anyway, and they do boat trips or they

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<v Speaker 1>take you out over the water and you can see

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<v Speaker 1>them Morthern Lights. You go at the right time of year. Yeah.

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<v Speaker 1>So I did Japan. Japan's beautiful place. Um driving on

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<v Speaker 1>the Japan did the whole country ben Japan. I did Japan. Um.

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<v Speaker 1>The driving on the Audubonna is insane and a ton

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<v Speaker 1>of fun. Oh my god, really you've done that. Of course.

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<v Speaker 1>My whole family lives in Germany, so that's I mean,

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<v Speaker 1>my cousins, everybody. They're still outside of Hamburg, so we

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<v Speaker 1>go often. So cool. Haven't played golf in Scotland, but

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<v Speaker 1>spent some time there. We're going back this year, which

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<v Speaker 1>is going to be our big trip. The Northern Lights

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<v Speaker 1>is second on my list. I was supposed to see

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<v Speaker 1>them last year in February in Fairbanks, Alaska, which they

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<v Speaker 1>say is actually the best place to see them. And

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<v Speaker 1>then I had to cancel. I was going for a convention.

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<v Speaker 1>I had to cancel it. Um. But the number one

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<v Speaker 1>on my list has always been I want to touch

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<v Speaker 1>the pyramids in Egypt. I know, I know, are you

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<v Speaker 1>allowed to touch them? I don't know, They're the rub

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<v Speaker 1>I've done some cool things. I snuck under the stupid stuff,

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<v Speaker 1>but like, you know, snuck under the fence and hung

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<v Speaker 1>my legs over the the Grand Canyon, And I mean

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<v Speaker 1>I've done some stuff where it's it's been pretty neat. Um.

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<v Speaker 1>But yeah, Japan amazing, China's really nice. The parts I saw, Um,

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<v Speaker 1>But you've always been a big history buff and an archeology.

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<v Speaker 1>The Pyramids, the pyramids and just kind of the whole

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<v Speaker 1>value of the kings are are so up there for

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<v Speaker 1>me right now, it's yeah, I would absolutely love to

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<v Speaker 1>do that. But Sue and I, it's so funny because

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<v Speaker 1>we're the type of people where we love to travel,

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<v Speaker 1>but ten twelve days and that's our limit. We are

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<v Speaker 1>not like I want to be gone for a month

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<v Speaker 1>and a half, Like I'm not that we want to

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<v Speaker 1>get home, back to back to our house, I know, writer, Right,

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<v Speaker 1>I just go to New Zealand for an entire summer,

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<v Speaker 1>right right? Yeah, well that's the other thing. I do

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<v Speaker 1>think I could probably do that, like really moved somewhere

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<v Speaker 1>and know I'm there for an extended period of time,

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<v Speaker 1>and so I'm going to make a home here. Yeah.

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<v Speaker 1>But I agree with you writer that I mean will

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<v Speaker 1>if it's if it's a vacation really like eleven days

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<v Speaker 1>is and I start to get to a point where

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<v Speaker 1>I'm like, I miss my routine, I miss my stuff

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<v Speaker 1>being in my spot where I'm used to it being,

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<v Speaker 1>because we are big on that everything has a place yep.

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<v Speaker 1>So yeah, I want to live on the road, just

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<v Speaker 1>throw it all. I would not have a house if

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<v Speaker 1>it was up to me. Oh no, yeah, I need

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<v Speaker 1>I need the space. But that's what I mean. Obviously.

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<v Speaker 1>The dream that Sue and I have is we have

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<v Speaker 1>like an apartment in either Amsterdam or London and that's

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<v Speaker 1>your home base and then you just blanket the rest

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<v Speaker 1>of Europe. You want an apartment in Amsterdam that I

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<v Speaker 1>know somebody may be able to help you write apartment writer,

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<v Speaker 1>Can you very quickly for me just say the line

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<v Speaker 1>in Dutch? That you said on the show. Do you

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<v Speaker 1>still remember what it is? Yes? In Fight to Auditing,

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<v Speaker 1>you see this to Coop right, is there no? Yeah?

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<v Speaker 1>In Fight to this is everyone remember the Airbnb or

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<v Speaker 1>Airbnb the B and B episode and I spoke two

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<v Speaker 1>lines of Dutch, hoy hit did the loop and Z

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<v Speaker 1>for yourself? I mean air and see how light it is? Yeah,

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<v Speaker 1>we went to Amsterdam together. It was the only Dutch

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<v Speaker 1>we spoke. So we were on the airplane saying it

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<v Speaker 1>back and forth, did the loot? And then you would

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<v Speaker 1>say it when we'd go to like museums or wherever

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<v Speaker 1>we'd be out. I'd be like, oh, we should do

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<v Speaker 1>this yourself. And Coop means for oh my gosh, wow,

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<v Speaker 1>oh wow, wow wow. Welcome to Pod Meets World. I'm

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<v Speaker 1>Danielle Fischel, I'm writer Strong, and I'm Willfordale. So today's

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<v Speaker 1>episode is we are thrilled to have this guest. Dedi

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<v Speaker 1>to Stephano is a name that has organically come up

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<v Speaker 1>on this podcast numerous times and we've been waiting for

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<v Speaker 1>the perfect time for her to join us, and today is,

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<v Speaker 1>luckily that day. Dedi is one of the rare crew

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<v Speaker 1>members who includes actors who worked on Boy Meets World

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<v Speaker 1>from the unaired pilot right up until the series finale,

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<v Speaker 1>and then she even came back and joined us for

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<v Speaker 1>one season of Girl Meets World. She was the stage

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<v Speaker 1>assistant on the Ben Savage pilot and then eventually became

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<v Speaker 1>the third and then second stage manager for Boy Meets World.

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<v Speaker 1>And we weren't the only show she worked on. We

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<v Speaker 1>were just the best, so that, in addition to her

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<v Speaker 1>tireless work on Boy, she was one of our friends

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<v Speaker 1>and a face we could trust, and we just still

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<v Speaker 1>absolutely love her and trust her to this day. So

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<v Speaker 1>please welcome to the show. D D to Stephano Hello, Hello, Wow,

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<v Speaker 1>wonderful to see you. Wonderful. I really I don't know

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<v Speaker 1>how it's possible that every time we interview somebody that

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<v Speaker 1>we've known for thirty years, they turn on their camera

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<v Speaker 1>and I'm like, wait a minute, you look exactly the

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<v Speaker 1>way you did. Yes, yes, since i've known you, well,

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<v Speaker 1>you had you know, you were all young, and I

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<v Speaker 1>think you had ideas of what we looked like, and

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<v Speaker 1>now we just fell into a vie. We thought you

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<v Speaker 1>were old then, is that what you're saying? Okay, yeah,

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<v Speaker 1>I think that's true to like you know, because I,

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<v Speaker 1>like DD, I would have assumed, which is so weird

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<v Speaker 1>to think about. But I probably assumed that you were

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<v Speaker 1>the same age as like my parents, which isn't the

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<v Speaker 1>case at all. Like you were much younger than my parents, right,

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<v Speaker 1>I mean, I don't know. I can't. I don't know

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<v Speaker 1>how old your parents are, but I tell my classes

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<v Speaker 1>I'm one hundred years old. So did that? My parents

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<v Speaker 1>were born in nineteen thirteen. Wow, So my education and

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<v Speaker 1>film goes even before that. Wow. You guys remember some

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<v Speaker 1>of you. I used to get on you all the

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<v Speaker 1>time on stage about learn the history of your craft. Yeah,

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<v Speaker 1>this is not what acting is. Please find out about

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<v Speaker 1>who is responsible for you now? And I still say

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<v Speaker 1>the same things to my students today and they look

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<v Speaker 1>at me blankly, like what are you talking? Black and white? Yes,

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<v Speaker 1>thank you to do that. You know, am I remembering correctly? DD?

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<v Speaker 1>Did you have a sign or a bumper sticker or

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<v Speaker 1>something that said theater is life? Film? Wait? Was it was?

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<v Speaker 1>It was? Film is art, theater is life, Film is

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<v Speaker 1>artsion furniture. That wasn't. Oh my god, that's so funny

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<v Speaker 1>that you remember that. Yeah, because I was always kind

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<v Speaker 1>of confused by it. I was like, are we making

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<v Speaker 1>fun of television on our show? For work making a

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<v Speaker 1>television show? You were you were talking about TV. People

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<v Speaker 1>didn't catch it, But that's okay. You know what. I

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<v Speaker 1>loved television, Yeah, I absolutely love it. And I've listened

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<v Speaker 1>to you Will talking about how much you love the

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<v Speaker 1>sitcom format and all of that, and um, it's the

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<v Speaker 1>same way with me. But I go so far back.

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<v Speaker 1>When they talk about the golden Age of television, we're

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<v Speaker 1>talking about people that you've never heard of, Ernie Kovac's

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<v Speaker 1>Oh yeah, I mean these were when television first started.

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<v Speaker 1>And that's when I started to appreciate it. Aside from

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<v Speaker 1>the fact that my mother had been an actress and

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<v Speaker 1>all of that. They indoctrinated me and my sister about film,

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<v Speaker 1>about television, about entertainment. That was what life was all about.

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<v Speaker 1>I took to it more than my sister did. And

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<v Speaker 1>for me, Um, when we would go to the movie

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<v Speaker 1>when we were little kids, my mother loved all of

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<v Speaker 1>these oh these Roman type of warrior movies and you know,

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<v Speaker 1>they'd be in the middle of somewhere and they'd slice

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<v Speaker 1>off an arm and you know, or whatever. They were

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<v Speaker 1>gruesome for like a six year old kid to watch,

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<v Speaker 1>and I remember, Mommy, I don't want to go to

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<v Speaker 1>that movie anymore. And she said to me, let me

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<v Speaker 1>tell you how it's done, and she explained special effects

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<v Speaker 1>to me. And from that point on, every film that

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<v Speaker 1>I sat in, I sat with my arms crossed, judging

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<v Speaker 1>that wasn't very good. Yeah, I believe that, and that's

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<v Speaker 1>when I needed to get behind the camera. My mother

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<v Speaker 1>warned me and my sister don't ever get into entertainment,

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<v Speaker 1>and don't get into television or film. It'll break your heart.

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<v Speaker 1>And so I went into television and my sister went

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<v Speaker 1>into radio. Well, I actually want to talk about your

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<v Speaker 1>entry point into TV production because it's pretty unorthodox. So

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<v Speaker 1>what was your first job at ABC? My first job

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<v Speaker 1>at ABC, I managed the payroll department. When I wow,

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<v Speaker 1>and as I talked to your husband, the producer earlier,

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<v Speaker 1>I was brought up where my parents said, you can't

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<v Speaker 1>make change out of a dime. You know, you're an idiot,

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<v Speaker 1>and I really believed it. I couldn't And my parents

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<v Speaker 1>told you that. Well, that was one of the nicer

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<v Speaker 1>things that they've said to me. Okay, but anyway, okay, anyway,

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<v Speaker 1>let me tell you how I got the name d D.

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<v Speaker 1>One day, i'll tell you about that. But anyway, his

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<v Speaker 1>job opened up at ABC, and there were two jobs,

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<v Speaker 1>and one of them was a lot of fun, and

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<v Speaker 1>one of them was they had a payroll department. And

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<v Speaker 1>I knew that I did not know anything about money,

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<v Speaker 1>but I had I had to prove to these people

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<v Speaker 1>that I wasn't just a piece of fluff that wanted

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<v Speaker 1>to get into television and entertainment. I was not one

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<v Speaker 1>of those that I actually had a brain. So that's

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<v Speaker 1>what I did, and surprisingly enough, my parents were wrong.

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<v Speaker 1>I had an incredible attitude for MAC and within months

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<v Speaker 1>they started moving me around into different departments at ABC

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<v Speaker 1>and moving up and around, and that was Did you

0:12:26.559 --> 0:12:29.480
<v Speaker 1>ever think you'd end up working on sets? Oh? That

0:12:29.600 --> 0:12:32.120
<v Speaker 1>was my goal. That was my goal. Yeah, because I

0:12:32.160 --> 0:12:36.760
<v Speaker 1>was in the production office and every time I went

0:12:36.840 --> 0:12:38.760
<v Speaker 1>down on a set, because I was always on sets

0:12:38.760 --> 0:12:44.000
<v Speaker 1>at ABC all the time, and I used to watch

0:12:44.480 --> 0:12:48.360
<v Speaker 1>every department what did everybody do? Because there's so many

0:12:48.480 --> 0:12:52.080
<v Speaker 1>jobs on set that people aren't aware of. Ye, I think,

0:12:52.480 --> 0:12:55.600
<v Speaker 1>you know, O, G, I want to become an electrician

0:12:55.960 --> 0:12:58.600
<v Speaker 1>And they go to work at Irving Schmutz's electric shop.

0:12:58.800 --> 0:13:03.560
<v Speaker 1>They don't realize they can become an electric electrician in entertainment, right,

0:13:03.840 --> 0:13:07.320
<v Speaker 1>you can do whatever. These the crypts, the lights, the everything,

0:13:07.720 --> 0:13:14.440
<v Speaker 1>And I think, I'm sorry, crush, you can. I have

0:13:14.559 --> 0:13:17.960
<v Speaker 1>told everybody over the years, pick a job, and it

0:13:18.080 --> 0:13:23.880
<v Speaker 1>exists within the studio system. Firement. We have fire departments

0:13:23.960 --> 0:13:27.360
<v Speaker 1>on his studios. Yea, and no matter what it is,

0:13:27.440 --> 0:13:29.800
<v Speaker 1>want to dig a ditch, dig a ditch on a

0:13:29.920 --> 0:13:32.480
<v Speaker 1>cold stage instead of out in the middle of a freeway,

0:13:32.559 --> 0:13:37.320
<v Speaker 1>right right, you know, find your place. But anyway, um,

0:13:37.520 --> 0:13:39.880
<v Speaker 1>so you were put in charge of like full departments,

0:13:39.960 --> 0:13:42.200
<v Speaker 1>like hair and makeup departments, and you were just like

0:13:42.280 --> 0:13:47.079
<v Speaker 1>overseeing that. Yes, yes, I was scheduling the hair and

0:13:47.400 --> 0:13:51.760
<v Speaker 1>makeup and wardial people for every show that came into ABC. Wow. Wow, well,

0:13:51.880 --> 0:13:53.280
<v Speaker 1>can I do you mind if I asked when when

0:13:53.360 --> 0:13:54.719
<v Speaker 1>was this? Like? What were some of the shows that

0:13:54.760 --> 0:13:58.760
<v Speaker 1>you were involved in back in the day, Everything from

0:13:59.080 --> 0:14:01.560
<v Speaker 1>oh God, whatever we did on the ABC block from

0:14:01.640 --> 0:14:07.720
<v Speaker 1>Webster to Facts of Life. Who's the Boss? Well that

0:14:07.800 --> 0:14:10.440
<v Speaker 1>was later yeah, that was later on with Who's the Boss.

0:14:10.760 --> 0:14:13.920
<v Speaker 1>I even worked on the Dolly parton pilot, but it

0:14:14.000 --> 0:14:18.880
<v Speaker 1>wasn't Dolly Parton, it was their sister. Oh wow, incredible

0:14:18.960 --> 0:14:22.480
<v Speaker 1>things Webster. I think I mentioned that, just all kinds

0:14:22.520 --> 0:14:24.640
<v Speaker 1>of shows. So I did that for a while. But

0:14:24.680 --> 0:14:28.560
<v Speaker 1>at the same time, when they saw that I was

0:14:28.640 --> 0:14:32.600
<v Speaker 1>smarter than I looked, they started putting me in charge

0:14:32.680 --> 0:14:39.040
<v Speaker 1>of special entertainment. So that was the Academy Awards, the

0:14:39.080 --> 0:14:44.200
<v Speaker 1>American Music Award, anything that, yeah, whatever. ABC always did

0:14:44.200 --> 0:14:47.160
<v Speaker 1>the Academy Awards. So I did that show for eight years.

0:14:48.720 --> 0:14:50.880
<v Speaker 1>They always did the American Music Awards. It was at

0:14:51.040 --> 0:14:53.480
<v Speaker 1>Clark Production. I did that for eight years. One year

0:14:53.520 --> 0:14:55.400
<v Speaker 1>we got the Emmys. I did that. One year we've

0:14:55.440 --> 0:14:58.200
<v Speaker 1>got the Grammys. I got that. So I've always been

0:14:58.320 --> 0:15:01.880
<v Speaker 1>like in the middle of everything. That is like one

0:15:02.000 --> 0:15:04.440
<v Speaker 1>area of production that I would never want to be

0:15:04.520 --> 0:15:07.320
<v Speaker 1>a part of. Like Awards show scared the crap out

0:15:07.320 --> 0:15:09.120
<v Speaker 1>of me, Like because you have to do everything live,

0:15:09.320 --> 0:15:12.680
<v Speaker 1>there's so many guests, there's an actual audience. It's just

0:15:12.720 --> 0:15:16.440
<v Speaker 1>like the fact that those shows get pulled off without

0:15:16.480 --> 0:15:21.240
<v Speaker 1>a hitch. Most of the times there's usually musical accent

0:15:22.720 --> 0:15:26.240
<v Speaker 1>yes or so it's such a high wire act of craziness. Like, yeah,

0:15:26.280 --> 0:15:28.440
<v Speaker 1>I can't imagine. I can't imagine. I don't want to

0:15:28.440 --> 0:15:32.240
<v Speaker 1>tell of preparation. And what they would do is they

0:15:32.240 --> 0:15:36.400
<v Speaker 1>would build my office right off the stage, so everything

0:15:36.480 --> 0:15:38.200
<v Speaker 1>was happening right on the other side of the wall

0:15:38.240 --> 0:15:40.880
<v Speaker 1>on my office. And then when it came to the show,

0:15:41.960 --> 0:15:45.960
<v Speaker 1>everybody had a spot for me, and I was stage

0:15:46.040 --> 0:15:49.280
<v Speaker 1>right right behind the curtain. So for those years of

0:15:49.480 --> 0:15:51.720
<v Speaker 1>all of the eighties, you know, I would say, well,

0:15:51.760 --> 0:15:54.360
<v Speaker 1>look stage right behind the curtain. That's where I'm standing

0:15:54.400 --> 0:15:59.240
<v Speaker 1>with stunky little clipboard. You know, in doing that, I

0:15:59.280 --> 0:16:03.320
<v Speaker 1>had become very very jaded. I was tired. I'd done

0:16:03.360 --> 0:16:05.600
<v Speaker 1>a lot of it. There was so much work involved,

0:16:06.560 --> 0:16:09.560
<v Speaker 1>and I did. I had become very jaded. And this

0:16:09.760 --> 0:16:12.240
<v Speaker 1>one day I'm backstage in the middle of the show

0:16:13.120 --> 0:16:16.520
<v Speaker 1>and I'm just looking at my watch, like when is

0:16:16.560 --> 0:16:19.600
<v Speaker 1>this going to be over? And I don't know if

0:16:19.640 --> 0:16:22.240
<v Speaker 1>you know who this actor is, but it was Carrie Grand.

0:16:22.720 --> 0:16:24.840
<v Speaker 1>He was standing right across from me, right he was

0:16:24.840 --> 0:16:27.440
<v Speaker 1>looking at me, and he strikes up conversation with me

0:16:28.240 --> 0:16:31.320
<v Speaker 1>like a lot of them did. And as I'm talking

0:16:31.360 --> 0:16:35.480
<v Speaker 1>to him, I'm thinking, this is Carrie Grand. And most

0:16:35.520 --> 0:16:37.720
<v Speaker 1>people would sell their mothers just to be in the

0:16:37.800 --> 0:16:41.280
<v Speaker 1>same vicinity as Carrie Grant and he's talking to me

0:16:41.360 --> 0:16:44.200
<v Speaker 1>and we're having this one on one wonderful. Oh my god,

0:16:44.200 --> 0:16:48.560
<v Speaker 1>I'm at the Academy Awards. My life is more and

0:16:48.800 --> 0:16:56.080
<v Speaker 1>I credit Carrie with saving my peace of mind throughout that. Yeah, yeah,

0:16:56.200 --> 0:16:58.800
<v Speaker 1>it was wonderful. Well, eventually you ended up having kind

0:16:58.800 --> 0:17:02.560
<v Speaker 1>of a disappointing experience. Happened over at ABC. Do you

0:17:02.600 --> 0:17:07.040
<v Speaker 1>want to talk about that? It was I started one

0:17:07.080 --> 0:17:12.080
<v Speaker 1>of the very first sexual harassment lawsuits against the major network.

0:17:12.320 --> 0:17:14.800
<v Speaker 1>This was a very long time ago, and nobody really

0:17:14.880 --> 0:17:16.280
<v Speaker 1>knew what to do with me at the time that

0:17:16.480 --> 0:17:19.560
<v Speaker 1>with that lawsuit had scared them and I was just

0:17:19.720 --> 0:17:24.520
<v Speaker 1>me and I was fighting the network and for you.

0:17:24.720 --> 0:17:28.919
<v Speaker 1>Oh my god, that's five years of litigation. She was

0:17:28.960 --> 0:17:32.960
<v Speaker 1>trying to tell me that I was crazy because it's

0:17:33.000 --> 0:17:38.040
<v Speaker 1>okay for a man to grab a woman, and especially

0:17:38.080 --> 0:17:40.720
<v Speaker 1>the girls that he works with. Anyway, they tried to

0:17:40.760 --> 0:17:42.919
<v Speaker 1>say that I was a little nuts about that, and

0:17:42.960 --> 0:17:48.080
<v Speaker 1>I had issues. And eventually when the thing finally settled,

0:17:48.080 --> 0:17:53.520
<v Speaker 1>because I stated at ABC during the litigation, it was

0:17:54.280 --> 0:17:57.679
<v Speaker 1>really very difficult and I did not sue for money.

0:17:57.720 --> 0:18:00.840
<v Speaker 1>I sued for purpose. I wanted some, but he removed.

0:18:01.040 --> 0:18:03.960
<v Speaker 1>He was in charge of twelve women and he was

0:18:04.000 --> 0:18:06.919
<v Speaker 1>doing disgusting things, and so I wanted him removed from

0:18:07.000 --> 0:18:09.639
<v Speaker 1>his position. I didn't hear about money, but they didn't

0:18:09.640 --> 0:18:11.600
<v Speaker 1>remove him, and that was it, and they moved me.

0:18:12.640 --> 0:18:15.600
<v Speaker 1>I was you know, that's the way it was. You know,

0:18:16.720 --> 0:18:20.280
<v Speaker 1>this was decades before me too. Yeah. And then I

0:18:20.280 --> 0:18:24.040
<v Speaker 1>went to work for Shelley Duvolve on her film's Fairytale

0:18:24.080 --> 0:18:28.480
<v Speaker 1>Theater and Nightmare Classic stuff like that. I did that,

0:18:28.920 --> 0:18:34.320
<v Speaker 1>and then it was Arlene Grayson. I had known Arlene

0:18:34.960 --> 0:18:37.280
<v Speaker 1>for years from the time that I was working at ABC,

0:18:38.200 --> 0:18:41.480
<v Speaker 1>and she said, hey, we got this pilot. You know

0:18:41.560 --> 0:18:44.560
<v Speaker 1>you want to come work on it? And yeah, sure, okay,

0:18:44.680 --> 0:18:47.000
<v Speaker 1>I had no idea. What was you know, was it

0:18:47.080 --> 0:18:51.879
<v Speaker 1>the untitled Ben Savage project at that time exactly? And

0:18:51.960 --> 0:18:55.359
<v Speaker 1>everybody was like, who's that? Who is this? So yeah,

0:18:55.400 --> 0:18:58.720
<v Speaker 1>there was That was when I joined the group. And

0:18:58.880 --> 0:19:02.160
<v Speaker 1>you came into Boy Meets World. Your first position, because

0:19:02.200 --> 0:19:04.840
<v Speaker 1>you worked your way through many different positions on Boy

0:19:04.880 --> 0:19:07.720
<v Speaker 1>Meet's World, but your first position was stage manager, right

0:19:07.880 --> 0:19:12.720
<v Speaker 1>stage assistant. Stage Yeah. I hadn't joined Director's Guild yet, Okay,

0:19:12.760 --> 0:19:16.720
<v Speaker 1>so I was always backstage. Yeah, you know, the liaison

0:19:16.880 --> 0:19:19.280
<v Speaker 1>between the director. I was working a lot with David

0:19:19.320 --> 0:19:23.399
<v Speaker 1>Trainer and those day and and the production office and

0:19:23.520 --> 0:19:25.760
<v Speaker 1>you know, just getting all that stuff and you had

0:19:25.760 --> 0:19:32.080
<v Speaker 1>your own stand like on wed podium. Yes, it was

0:19:31.800 --> 0:19:35.080
<v Speaker 1>such a like nexus point for all of us. I

0:19:35.119 --> 0:19:38.040
<v Speaker 1>feel like that that it was was where we were.

0:19:38.080 --> 0:19:40.320
<v Speaker 1>It was like between craft service and walking around to

0:19:40.359 --> 0:19:43.280
<v Speaker 1>the front of the stage was DD's domain and let

0:19:43.359 --> 0:19:45.199
<v Speaker 1>so we just all sit there and talk and like

0:19:45.320 --> 0:19:48.080
<v Speaker 1>catch up and like it was just on one of

0:19:48.119 --> 0:19:51.040
<v Speaker 1>my you know, most cherished memories of my time on

0:19:51.080 --> 0:19:54.440
<v Speaker 1>Boy Meets World conversations with you, like, yeah, that podium

0:19:54.640 --> 0:19:57.480
<v Speaker 1>so much fun means a lot, thank you. Oh my god,

0:19:57.520 --> 0:19:59.320
<v Speaker 1>I have so many fun memories. It meant a lot

0:19:59.320 --> 0:20:01.680
<v Speaker 1>to me, it really did. It was It was important

0:20:01.680 --> 0:20:05.159
<v Speaker 1>to me. And you guys were so important to me

0:20:05.240 --> 0:20:08.639
<v Speaker 1>because I mean, you were young, and I knew what

0:20:08.720 --> 0:20:12.680
<v Speaker 1>the business was. Don't forget that. You may be talking

0:20:12.720 --> 0:20:16.040
<v Speaker 1>about it now and saying, oh, how could they? But

0:20:17.720 --> 0:20:21.160
<v Speaker 1>I came from a time that was so ugly that

0:20:21.440 --> 0:20:23.520
<v Speaker 1>by the time you got on stage it was much

0:20:23.600 --> 0:20:26.880
<v Speaker 1>much better, much right, Yeah, and now it's even better

0:20:27.040 --> 0:20:31.000
<v Speaker 1>than it was then, exactly exactly the way they took

0:20:31.080 --> 0:20:34.760
<v Speaker 1>advantage of actors, whether it was adults or kids or anything.

0:20:35.040 --> 0:20:37.800
<v Speaker 1>It was a really dirty business. And I was worried

0:20:38.040 --> 0:20:40.439
<v Speaker 1>for you guys. So that's all. I just tried to

0:20:40.480 --> 0:20:45.840
<v Speaker 1>be that person. You know you were. You were totally

0:20:45.880 --> 0:20:47.760
<v Speaker 1>that person for us. You were you were you You

0:20:47.800 --> 0:20:50.680
<v Speaker 1>made it easier for everything, even just you know, getting

0:20:50.720 --> 0:20:53.239
<v Speaker 1>on set and getting to work and all that kind

0:20:53.280 --> 0:20:54.719
<v Speaker 1>of stuff. You always let us know that you were

0:20:54.720 --> 0:20:57.200
<v Speaker 1>there for whatever we needed. And you know, you just

0:20:57.200 --> 0:20:59.879
<v Speaker 1>made it very easy in a way, Ddy because of

0:21:00.040 --> 0:21:03.200
<v Speaker 1>your position, you know, because you know, we talk about

0:21:03.240 --> 0:21:05.840
<v Speaker 1>somebody who had a great influence on us, like David Traynor,

0:21:05.920 --> 0:21:08.800
<v Speaker 1>but like David never met our parents for instance. You know,

0:21:08.920 --> 0:21:11.960
<v Speaker 1>like like, but you would talk to our parents. You

0:21:12.000 --> 0:21:15.800
<v Speaker 1>knew our parents are siblings, everything about us, You knew

0:21:15.840 --> 0:21:19.640
<v Speaker 1>everything about our you know, because we would Yeah we

0:21:19.640 --> 0:21:22.520
<v Speaker 1>weren't working, we were talking, or we weren't working, or

0:21:22.560 --> 0:21:25.119
<v Speaker 1>we weren't in school, we were hanging out with you. Yeah.

0:21:25.280 --> 0:21:27.320
<v Speaker 1>That's what I remember more than anything, is like just

0:21:27.400 --> 0:21:29.920
<v Speaker 1>how many you know, all those conversations and like, yeah,

0:21:29.960 --> 0:21:32.480
<v Speaker 1>you were such a source of because you knew everything

0:21:32.480 --> 0:21:33.879
<v Speaker 1>that was going on on set, you know everything that

0:21:33.920 --> 0:21:36.199
<v Speaker 1>was going on production wise, because you were savvy to

0:21:36.240 --> 0:21:38.280
<v Speaker 1>all the actual work, but then you also knew what

0:21:38.320 --> 0:21:40.959
<v Speaker 1>was going on with everybody personally. Yeah, it's such an

0:21:40.960 --> 0:21:46.760
<v Speaker 1>interesting position. Yeah, that's when Dan Yale started calling me Deeds. Yeah. Yeah,

0:21:46.840 --> 0:21:53.119
<v Speaker 1>thirty years What do you remember from taping the original pilot?

0:21:53.160 --> 0:21:55.720
<v Speaker 1>Do you remember feeling like that you had a feeling

0:21:55.720 --> 0:21:57.040
<v Speaker 1>one way or the other about whether or not it

0:21:57.080 --> 0:22:00.159
<v Speaker 1>was going to get picked up? I know this, I

0:22:00.280 --> 0:22:03.880
<v Speaker 1>don't remember. I remember a quote you said, Oh my god,

0:22:03.920 --> 0:22:07.119
<v Speaker 1>I don't know that. I don't know that it is

0:22:07.160 --> 0:22:17.159
<v Speaker 1>on the final What did you guys have last I

0:22:17.200 --> 0:22:20.399
<v Speaker 1>had worked on several shows, several pilots, and all of

0:22:20.400 --> 0:22:23.160
<v Speaker 1>that by this time. So at the end of this

0:22:23.480 --> 0:22:25.960
<v Speaker 1>I said, this sucker is never going to go anywhere.

0:22:27.080 --> 0:22:31.080
<v Speaker 1>Start writing something new, Michael, Oh my god, this is

0:22:31.119 --> 0:22:34.120
<v Speaker 1>going to hit like a lead bomb. And you said

0:22:34.359 --> 0:22:36.119
<v Speaker 1>on the video You're like, nothing's going to happen with

0:22:36.160 --> 0:22:41.800
<v Speaker 1>this bomb. That's what I remember, and um so I

0:22:41.840 --> 0:22:43.960
<v Speaker 1>was so delighted, you know, when it came back and

0:22:44.000 --> 0:22:45.800
<v Speaker 1>I thought, okay, well, let's try to get through that

0:22:45.840 --> 0:22:49.600
<v Speaker 1>first season at least, and then that was when things change.

0:22:49.640 --> 0:22:52.080
<v Speaker 1>That's when will You came in and Rusty came in.

0:22:53.280 --> 0:22:55.800
<v Speaker 1>We didn't know. I certainly did not know there was

0:22:55.840 --> 0:22:57.520
<v Speaker 1>going to be a you know, who was coming in

0:22:57.520 --> 0:23:02.160
<v Speaker 1>to replace who or what? Right? But um uh it

0:23:02.280 --> 0:23:05.399
<v Speaker 1>was as the season went on, a um, it was

0:23:05.440 --> 0:23:09.240
<v Speaker 1>always kind of like a surprise, right, you know, I

0:23:09.240 --> 0:23:11.919
<v Speaker 1>it was always a surprise. But once the changes had

0:23:11.960 --> 0:23:14.639
<v Speaker 1>been made and the final cast was set, Like, what

0:23:14.680 --> 0:23:19.800
<v Speaker 1>do you remember were your first impressions of all of us? Oh? Well,

0:23:19.840 --> 0:23:22.320
<v Speaker 1>I'm so sorry. I really like that other guy, Harry. No,

0:23:24.680 --> 0:23:36.240
<v Speaker 1>I did too. Just um, impressions of you innocence? Yeah, yeah,

0:23:37.040 --> 0:23:42.120
<v Speaker 1>wide eyed and wonderful and I was already jaded and

0:23:42.560 --> 0:23:48.200
<v Speaker 1>bitter off that way to us at all. I can

0:23:48.240 --> 0:23:50.760
<v Speaker 1>tell you not to speak for everybody, but it was you.

0:23:50.760 --> 0:23:54.520
<v Speaker 1>You were always that kind of nurturing mothering. Oh well,

0:23:54.680 --> 0:23:57.920
<v Speaker 1>but I will say she was a realist. Oh you

0:23:58.240 --> 0:24:00.399
<v Speaker 1>like there was a level of like your tell it

0:24:00.440 --> 0:24:03.200
<v Speaker 1>to me straight. Yeah, you know, you're like, you're not

0:24:03.200 --> 0:24:06.639
<v Speaker 1>gonna pull your punches about like what you think of

0:24:06.680 --> 0:24:09.399
<v Speaker 1>the pilot or you know, like anything. You were never

0:24:09.760 --> 0:24:13.280
<v Speaker 1>you were never coddling or fate in that way for

0:24:13.440 --> 0:24:16.760
<v Speaker 1>a safe space. Yes, that's the thing. You were always

0:24:16.760 --> 0:24:19.640
<v Speaker 1>a safe space and a social safe space. Yeah, which

0:24:19.720 --> 0:24:24.000
<v Speaker 1>was great. Yeah, you always were. And um, but that's

0:24:24.000 --> 0:24:26.000
<v Speaker 1>pretty much. I had to be very careful not to

0:24:26.040 --> 0:24:29.720
<v Speaker 1>spread my bitterness to you. In fact, I had some

0:24:29.880 --> 0:24:33.840
<v Speaker 1>artwork I remember that I would not show rider because

0:24:34.320 --> 0:24:38.560
<v Speaker 1>it was so disturbing because I used to be an artist. Yeah,

0:24:39.000 --> 0:24:42.439
<v Speaker 1>and um there was a picture that Ryder was like,

0:24:42.440 --> 0:24:44.280
<v Speaker 1>oh please let me see what this is. Let me

0:24:44.320 --> 0:24:46.480
<v Speaker 1>see and I wouldn't show it to you. It was

0:24:46.480 --> 0:24:48.639
<v Speaker 1>a very disturbing piece. I had it hanging in my

0:24:48.720 --> 0:24:52.159
<v Speaker 1>living room and when I when I got married, Scott

0:24:52.240 --> 0:24:55.399
<v Speaker 1>said to me, could you take that down? It's a

0:24:55.400 --> 0:25:00.960
<v Speaker 1>little too much much so but you know, so there

0:25:01.200 --> 0:25:03.160
<v Speaker 1>was that in me and I just like I said,

0:25:03.200 --> 0:25:06.040
<v Speaker 1>I didn't want to spread it to you. I you know,

0:25:06.080 --> 0:25:09.040
<v Speaker 1>I was also very very thankful. You know. This is

0:25:09.080 --> 0:25:14.080
<v Speaker 1>the other thing too. During that time, after my UH lawsuit,

0:25:14.359 --> 0:25:18.320
<v Speaker 1>my sexual harassment lawsuit with ABC, I was blacklisted for

0:25:18.480 --> 0:25:25.639
<v Speaker 1>many years. I couldn't get a job anywhere, and um,

0:25:24.800 --> 0:25:27.200
<v Speaker 1>um that I ain't up married. When I was working

0:25:27.200 --> 0:25:30.600
<v Speaker 1>for Shelley Duval, I got married, and all of a

0:25:30.600 --> 0:25:32.560
<v Speaker 1>sudden they didn't know who I was. I changed my

0:25:32.640 --> 0:25:37.560
<v Speaker 1>last name and wow, what happened to be this? Yeah,

0:25:37.560 --> 0:25:41.080
<v Speaker 1>and then when Michael hired me, I warned him and

0:25:41.119 --> 0:25:43.360
<v Speaker 1>I said, look, I'm on a blacklist right now, and

0:25:43.760 --> 0:25:45.680
<v Speaker 1>you know, this could really mess things up. And he said,

0:25:45.760 --> 0:25:47.800
<v Speaker 1>I don't care. I don't He said, let them try

0:25:47.800 --> 0:25:49.560
<v Speaker 1>to stop me. You know you're with me, And that

0:25:49.600 --> 0:25:51.800
<v Speaker 1>was the end of that. That's great that. I was

0:25:51.920 --> 0:25:54.879
<v Speaker 1>very thankful for that. Yeah. So all you gotta do

0:25:54.960 --> 0:25:59.320
<v Speaker 1>if you're in some trouble, just change your name to

0:25:59.400 --> 0:26:02.960
<v Speaker 1>feel free. Just feel freedle, feel freed it and you're good.

0:26:03.680 --> 0:26:16.600
<v Speaker 1>I love it. So you described really briefly what a

0:26:16.640 --> 0:26:18.720
<v Speaker 1>stage assistant does. That you were kind of the liaison

0:26:18.760 --> 0:26:21.680
<v Speaker 1>between the production office and the stage and doing all

0:26:21.680 --> 0:26:24.480
<v Speaker 1>of that, and then you eventually became our third and

0:26:24.520 --> 0:26:27.320
<v Speaker 1>then our second stage manager. Will you explain what a

0:26:27.359 --> 0:26:30.600
<v Speaker 1>stage manager does? Okay, it's in film they call it

0:26:30.640 --> 0:26:33.720
<v Speaker 1>an assistant director. When you use videotape, it's called a

0:26:33.800 --> 0:26:37.480
<v Speaker 1>stage manager. So in my case, it's a third stage manager.

0:26:37.480 --> 0:26:39.320
<v Speaker 1>I'm in charge of all of the extras that come

0:26:39.320 --> 0:26:43.879
<v Speaker 1>in the background actors and so you get an order.

0:26:44.119 --> 0:26:46.879
<v Speaker 1>Every week. He's usually like, you know, anywhere from thirty

0:26:46.920 --> 0:26:51.000
<v Speaker 1>to forty people that they're coming in. I would come

0:26:51.040 --> 0:26:53.840
<v Speaker 1>in on my day off and watch your blocking on

0:26:53.920 --> 0:26:56.800
<v Speaker 1>your run throughs and figure out who's going where to

0:26:56.880 --> 0:27:02.080
<v Speaker 1>witch locker, and then I directed that night. I'd figure

0:27:02.119 --> 0:27:05.160
<v Speaker 1>out everybody where everybody was going, and then the next

0:27:05.240 --> 0:27:08.199
<v Speaker 1>morning I'd come in and give everybody a script, all

0:27:08.240 --> 0:27:11.080
<v Speaker 1>the background actors a script and give them their blocking

0:27:11.119 --> 0:27:13.400
<v Speaker 1>for the scenes. So then I would have heard them

0:27:13.520 --> 0:27:16.040
<v Speaker 1>over to stage, bring them back and do all of that.

0:27:16.200 --> 0:27:19.840
<v Speaker 1>So that was pretty much my thing. We've talked about

0:27:19.840 --> 0:27:22.040
<v Speaker 1>the choreography that it takes to do that, the kind

0:27:22.080 --> 0:27:25.320
<v Speaker 1>of dance that's happening behind us. Yeah, as we're in scenes,

0:27:25.400 --> 0:27:27.720
<v Speaker 1>especially in big scenes like you know the hallway scenes

0:27:27.800 --> 0:27:30.920
<v Speaker 1>or chubby scenes, where it's everything has to be this

0:27:30.960 --> 0:27:32.600
<v Speaker 1>is the line. You're gonna walk on, you're gonna walk

0:27:32.640 --> 0:27:34.240
<v Speaker 1>from here to here, you're gonna pick up a burger

0:27:34.240 --> 0:27:36.520
<v Speaker 1>at the you know, the front cabinet, you're gonna walk

0:27:36.520 --> 0:27:38.320
<v Speaker 1>over here, you're gonna walk behind, you're gonna sit here,

0:27:38.480 --> 0:27:42.080
<v Speaker 1>And takes so much thought because it got to be people. Yeah,

0:27:42.119 --> 0:27:45.280
<v Speaker 1>you have to have coordinated enough pass you know, people passing,

0:27:45.320 --> 0:27:47.920
<v Speaker 1>so it feels like a crowd without it actually being

0:27:48.000 --> 0:27:50.720
<v Speaker 1>much of a crowd. Yes, such a complicated being able

0:27:50.760 --> 0:27:52.879
<v Speaker 1>to spot them when they walk in the door, if

0:27:52.880 --> 0:27:55.399
<v Speaker 1>they're going to take direction, or if they're not going

0:27:55.440 --> 0:27:57.320
<v Speaker 1>to be around. So there were some people that would

0:27:57.359 --> 0:28:01.520
<v Speaker 1>be like, you know, likely be in chubbies. Yeah, um uh,

0:28:01.760 --> 0:28:04.000
<v Speaker 1>I'd say, here's a men, you sit down. That's it.

0:28:04.720 --> 0:28:07.119
<v Speaker 1>Now you can make the opening cross to take us

0:28:07.119 --> 0:28:09.600
<v Speaker 1>into the scene. So you can, you know, you have

0:28:09.840 --> 0:28:12.600
<v Speaker 1>to make a snap judgment on who's going to be

0:28:12.640 --> 0:28:15.680
<v Speaker 1>there for you and who's just going to be sitting around.

0:28:16.040 --> 0:28:18.560
<v Speaker 1>We were just talking. So there is an extra. But

0:28:18.600 --> 0:28:21.879
<v Speaker 1>we're now season two and we you know, knew a

0:28:21.880 --> 0:28:23.840
<v Speaker 1>lot of our extras from season one, but now that

0:28:23.840 --> 0:28:26.440
<v Speaker 1>we're in season two and they're older, we really recognize

0:28:26.440 --> 0:28:29.040
<v Speaker 1>a lot of the extras and we're curious. One of

0:28:29.080 --> 0:28:33.520
<v Speaker 1>them was from France and he had a thick French accent.

0:28:33.720 --> 0:28:37.960
<v Speaker 1>Oh god, yeah, his name was Michel, Michel Michelle. That's right.

0:28:38.120 --> 0:28:40.240
<v Speaker 1>So how did you just remember that where you just

0:28:40.480 --> 0:28:43.040
<v Speaker 1>remember I don't know, it just hit me, but yeah,

0:28:44.320 --> 0:28:47.240
<v Speaker 1>we called him Noose because he was from the town

0:28:47.280 --> 0:28:49.920
<v Speaker 1>of Noose and France. Yeah, so other than his name

0:28:49.920 --> 0:28:56.320
<v Speaker 1>and where he's from, you don't know anything about him. Yeah,

0:28:56.360 --> 0:29:00.360
<v Speaker 1>so security number flips open everyone. So that was the

0:29:00.440 --> 0:29:02.080
<v Speaker 1>question I was going to ask you, which writer just

0:29:02.160 --> 0:29:05.880
<v Speaker 1>asked you remember his name? But writer answered, yeah, here's

0:29:05.880 --> 0:29:08.800
<v Speaker 1>a real mystery that we have we're really trying to

0:29:08.800 --> 0:29:11.720
<v Speaker 1>get to the bottom of. We've been waiting to ask

0:29:11.760 --> 0:29:13.720
<v Speaker 1>you this because you are, I think the only person

0:29:13.800 --> 0:29:17.560
<v Speaker 1>who could have any keys to this clue. Do you

0:29:17.680 --> 0:29:23.120
<v Speaker 1>remember anything about the janitor from the end? Then there

0:29:23.200 --> 0:29:28.920
<v Speaker 1>was sean episode Yes I will, I will solve the mystery. Okay,

0:29:29.000 --> 0:29:33.000
<v Speaker 1>they solve this mystery for us. Okay. It was basically

0:29:33.000 --> 0:29:36.920
<v Speaker 1>a background. It was a job, that's it. And when

0:29:36.920 --> 0:29:40.160
<v Speaker 1>it came to things like that, the first a d

0:29:40.480 --> 0:29:43.240
<v Speaker 1>Steve Hayfer, would put me in charge pick somebody out,

0:29:43.280 --> 0:29:45.920
<v Speaker 1>you know, so I could pick people out for certain roles.

0:29:46.200 --> 0:29:48.280
<v Speaker 1>And I happened to pick out somebody for the role.

0:29:48.840 --> 0:29:50.560
<v Speaker 1>And I knew that it was going to lead into

0:29:50.600 --> 0:29:54.240
<v Speaker 1>something that was just something about it. It was written cleverly. Yeah,

0:29:54.280 --> 0:29:55.800
<v Speaker 1>And I said, this is not going to be a

0:29:55.800 --> 0:29:58.640
<v Speaker 1>one shot deal. There's going They're going to do this again,

0:29:59.240 --> 0:30:02.360
<v Speaker 1>and I had to this gentleman that was really sharp,

0:30:02.440 --> 0:30:05.280
<v Speaker 1>and I'd seen him before and he was very helpful,

0:30:05.320 --> 0:30:07.560
<v Speaker 1>and I thought, you know what, I'm going to have

0:30:07.800 --> 0:30:10.600
<v Speaker 1>him do this this role because I also knew that

0:30:10.640 --> 0:30:12.600
<v Speaker 1>I could give him a voucher which would help him

0:30:12.640 --> 0:30:15.160
<v Speaker 1>get him to SAG and he would get more money.

0:30:15.200 --> 0:30:18.680
<v Speaker 1>And I wanted to help this guy out. So I

0:30:18.800 --> 0:30:21.600
<v Speaker 1>brought him over to the producers and they looked at

0:30:21.640 --> 0:30:24.920
<v Speaker 1>him and went, yeah, no, it's not what we had

0:30:24.960 --> 0:30:30.520
<v Speaker 1>in mind. And they picked another guy and that so

0:30:30.600 --> 0:30:36.400
<v Speaker 1>the first guy was background. After that they hired an actor. Wow,

0:30:36.760 --> 0:30:39.640
<v Speaker 1>they picked it, so it was an actor and then

0:30:39.840 --> 0:30:43.200
<v Speaker 1>still had no lines. It was just the first episode

0:30:43.400 --> 0:30:45.680
<v Speaker 1>was a background. And did he end up speaking? Did

0:30:45.720 --> 0:30:48.560
<v Speaker 1>he speak in the episode? No? No, no? Yeah? Yeah? Wow?

0:30:48.840 --> 0:30:51.400
<v Speaker 1>All right, Well where was his name and where was

0:30:51.440 --> 0:30:59.760
<v Speaker 1>he from? Yeah? Number was yeah. So and then toward

0:30:59.800 --> 0:31:02.880
<v Speaker 1>the end of Boy Meet's World, probably your least, your

0:31:02.960 --> 0:31:05.200
<v Speaker 1>least favorite time of Boy Meets World was having to

0:31:05.240 --> 0:31:08.200
<v Speaker 1>wrangle us from our dressing rooms and bring us down

0:31:08.240 --> 0:31:11.760
<v Speaker 1>to stage. It was not my worst time. I loved it.

0:31:13.080 --> 0:31:19.360
<v Speaker 1>It truly was, and I have great memories of that too. Um,

0:31:19.560 --> 0:31:24.160
<v Speaker 1>I have letters from you guys, letters from Danielle and

0:31:24.240 --> 0:31:28.040
<v Speaker 1>from writer. Um, yeah, I didn't letters. No, you never,

0:31:30.000 --> 0:31:34.640
<v Speaker 1>I didn't write letters. Yes, I remember, probably poems. I

0:31:34.680 --> 0:31:39.160
<v Speaker 1>wrote poems. I wrote a poem for you. I remember that. Yeah, cheese.

0:31:39.440 --> 0:31:42.360
<v Speaker 1>In fact, let me give you a don't read it.

0:31:42.480 --> 0:31:45.760
<v Speaker 1>I don't. I'm not going to read it. Are you kidding? No,

0:31:45.840 --> 0:31:52.880
<v Speaker 1>I'm going to show you something. Yes the show. Yeah,

0:31:53.160 --> 0:31:56.720
<v Speaker 1>was that from you? Yes, that was what the poem

0:31:56.760 --> 0:32:01.840
<v Speaker 1>was about. Is that true? Yeah, you gave it to

0:32:01.880 --> 0:32:04.040
<v Speaker 1>me at the wrap and I've had it all this time,

0:32:05.240 --> 0:32:10.719
<v Speaker 1>so funny, Oh my god, during that during taping. I

0:32:10.720 --> 0:32:13.120
<v Speaker 1>mean when we would when we would start the season,

0:32:13.760 --> 0:32:16.440
<v Speaker 1>you and I writer would do a little ceremony over

0:32:16.600 --> 0:32:20.240
<v Speaker 1>this necklace and you'd put it on, and then when

0:32:20.240 --> 0:32:22.440
<v Speaker 1>the show would go down on hiatus, you'd go through

0:32:22.440 --> 0:32:24.640
<v Speaker 1>a ceremony and you put it on me and I

0:32:24.760 --> 0:32:34.160
<v Speaker 1>keep it through the summer. But yes, you wrote poetry

0:32:34.200 --> 0:32:37.160
<v Speaker 1>for me and Danielle. I've got a couple of your

0:32:37.240 --> 0:32:39.560
<v Speaker 1>letters during the time that you did not want to

0:32:39.560 --> 0:32:44.360
<v Speaker 1>be there anymore. And I remember, especially when we were

0:32:44.440 --> 0:32:49.320
<v Speaker 1>in the college years, and remember the the patio that

0:32:49.440 --> 0:32:52.720
<v Speaker 1>was off the main Yeah, like that student union was

0:32:52.760 --> 0:32:55.920
<v Speaker 1>a broke yeah yeah yeah student union yeah, so um

0:32:55.960 --> 0:32:59.320
<v Speaker 1>And in the scene, you do your scene in the

0:32:59.360 --> 0:33:01.960
<v Speaker 1>student union. Then you'd walk out the door and sit

0:33:02.200 --> 0:33:05.720
<v Speaker 1>outside in that little brick to area and make like

0:33:05.760 --> 0:33:08.800
<v Speaker 1>you were studying and writing and studying, but what you

0:33:08.840 --> 0:33:11.640
<v Speaker 1>were doing was writing. Me. Later, I remember writing, yeah,

0:33:11.680 --> 0:33:14.280
<v Speaker 1>sat down and be like, dear D's so sweet. They

0:33:14.320 --> 0:33:16.959
<v Speaker 1>called cut and I take you back to the dressing

0:33:17.040 --> 0:33:22.760
<v Speaker 1>room when you go here, and it was yeah, yeah,

0:33:23.040 --> 0:33:26.360
<v Speaker 1>tell us one of your favorite stories from working with us, Like,

0:33:26.400 --> 0:33:29.160
<v Speaker 1>what are some of your favorite memories? Okay, Well, before

0:33:29.200 --> 0:33:33.600
<v Speaker 1>I get into all y'all, I want to talk about Ben. Okay, Okay.

0:33:34.520 --> 0:33:37.560
<v Speaker 1>Ben was one of the most amazing people that I

0:33:37.600 --> 0:33:40.520
<v Speaker 1>had seen. Okay, when I was just the stage assistant,

0:33:40.560 --> 0:33:43.320
<v Speaker 1>sitting backstage all the time, I used to watch he

0:33:43.440 --> 0:33:46.400
<v Speaker 1>was like barely eleven on the pilot and I would

0:33:46.440 --> 0:33:51.080
<v Speaker 1>watch him just spinning around, eating, joking, singing and doing

0:33:51.080 --> 0:33:54.240
<v Speaker 1>whatever you're doing, and then they call action, boom, he's

0:33:54.280 --> 0:33:57.360
<v Speaker 1>in a character. Then when I became the second stage

0:33:57.360 --> 0:33:59.600
<v Speaker 1>manager and it's up to me to queue you guys

0:33:59.640 --> 0:34:03.960
<v Speaker 1>on too, said yeah, and I'd be back there you know,

0:34:04.000 --> 0:34:06.640
<v Speaker 1>I'd always have the script on my clipboard. You need

0:34:06.680 --> 0:34:08.600
<v Speaker 1>to go over your lines, you know, whatever you needed

0:34:08.640 --> 0:34:10.680
<v Speaker 1>to do, and I'd be back there with Ben Ben

0:34:10.719 --> 0:34:14.239
<v Speaker 1>you need to refresh, no bo and he's dancing and

0:34:14.560 --> 0:34:17.040
<v Speaker 1>jumping around and then as soon as I kill him,

0:34:18.360 --> 0:34:21.279
<v Speaker 1>there he was. Yeah. He was truly amazing in that,

0:34:21.360 --> 0:34:24.520
<v Speaker 1>and he was in every every scene he carried the show.

0:34:24.520 --> 0:34:26.640
<v Speaker 1>We've talked about that. I mean, just how how he

0:34:26.719 --> 0:34:28.799
<v Speaker 1>had that weight on his shoulders from eleven years old

0:34:29.120 --> 0:34:30.960
<v Speaker 1>and nailed it every time. And now we're going back

0:34:31.000 --> 0:34:34.800
<v Speaker 1>and kind of watching his performance. He's phenomenal. He really was.

0:34:34.600 --> 0:34:36.279
<v Speaker 1>It was just that kind of thing to be so

0:34:36.440 --> 0:34:39.759
<v Speaker 1>young and in tune of things, you know, or at

0:34:39.800 --> 0:34:44.120
<v Speaker 1>least in tune with his character in a scene. Yes, there,

0:34:44.239 --> 0:34:46.120
<v Speaker 1>that's what he was truly in tune with. I don't

0:34:46.120 --> 0:34:49.200
<v Speaker 1>know that everything else, but he was. He was something. Okay,

0:34:49.280 --> 0:34:52.839
<v Speaker 1>So some of my favorite times were when we would

0:34:52.880 --> 0:34:58.040
<v Speaker 1>start the show. You had your screen that staying our

0:34:58.120 --> 0:35:00.279
<v Speaker 1>cast screen. Do you remember the Buddha to have to

0:35:00.360 --> 0:35:04.480
<v Speaker 1>kiss the Buddha? Yep, I forgot, I forgot. I forgot

0:35:04.480 --> 0:35:07.200
<v Speaker 1>about the Buddha. There's something else I wanted to talk

0:35:07.200 --> 0:35:10.200
<v Speaker 1>to you about too, after the Buddha, but keep going, okay, okay, yeah,

0:35:10.239 --> 0:35:13.200
<v Speaker 1>so I had that little Buddha attached to my fanny pack,

0:35:14.280 --> 0:35:16.719
<v Speaker 1>so you do back there, and do you know we

0:35:16.800 --> 0:35:20.040
<v Speaker 1>kiss the Buddha. Steve hay for and I. I bought

0:35:20.080 --> 0:35:22.799
<v Speaker 1>him one of those you know those memorial candles, you know,

0:35:24.040 --> 0:35:27.160
<v Speaker 1>I bought him one and it was Elvis and so

0:35:27.160 --> 0:35:29.720
<v Speaker 1>Steve and I would like the candle before the show

0:35:30.080 --> 0:35:32.080
<v Speaker 1>and go into the all this move and then that

0:35:32.120 --> 0:35:34.520
<v Speaker 1>would be our little private right and that was your

0:35:34.600 --> 0:35:39.120
<v Speaker 1>cast scream. That was our cat. Yeah. Yeah, So how

0:35:39.320 --> 0:35:42.799
<v Speaker 1>did the lobster start? Oh my god? You remember the

0:35:43.320 --> 0:35:48.880
<v Speaker 1>of coursester. Oh my god. So this is something our

0:35:48.920 --> 0:35:51.440
<v Speaker 1>listeners can actually look for, right, Yeah, it's hidden in

0:35:51.480 --> 0:35:53.319
<v Speaker 1>the set. If you give me a second, I will

0:35:53.320 --> 0:35:58.800
<v Speaker 1>get the lobster for you. Get the lobster. Get the lobster. Lobster.

0:35:59.040 --> 0:36:02.040
<v Speaker 1>You you don't remember lobster. We put it DEDI would

0:36:02.040 --> 0:36:04.360
<v Speaker 1>put it on a different place every It was in

0:36:04.440 --> 0:36:07.360
<v Speaker 1>all the sets. It's in every set of boy Meat's World.

0:36:07.440 --> 0:36:11.280
<v Speaker 1>After a certain season, she hid a lobster on set.

0:36:12.560 --> 0:36:17.320
<v Speaker 1>It's in it's on the set. There's a lobster everywhere, everywhere, everywhere.

0:36:17.760 --> 0:36:21.719
<v Speaker 1>It's like a little easter then she I think she

0:36:21.800 --> 0:36:24.239
<v Speaker 1>added in a lizard too. Wasn't there multiples? There was?

0:36:24.400 --> 0:36:27.200
<v Speaker 1>I just remember the lobster. Oh my god, I completely

0:36:27.200 --> 0:36:29.759
<v Speaker 1>forgot about the So in every episode she would just

0:36:29.800 --> 0:36:31.960
<v Speaker 1>pick a spot and put it there. If there's a

0:36:31.960 --> 0:36:34.279
<v Speaker 1>new set, I think it. Well, DEDI what was the

0:36:36.080 --> 0:36:41.239
<v Speaker 1>go lobster? Yeah? How did you get away with this?

0:36:42.160 --> 0:36:45.359
<v Speaker 1>I don't know. I was very, very careful, but it

0:36:45.440 --> 0:36:48.600
<v Speaker 1>was in like every scene in the last two two

0:36:48.920 --> 0:36:54.640
<v Speaker 1>or three seasons, ye seasons. In every scene, not every scene,

0:36:54.640 --> 0:37:01.200
<v Speaker 1>but most of them. It really depended on hide ability. Yeah.

0:37:01.239 --> 0:37:05.480
<v Speaker 1>So there is a scene where, well, for instance, Danielle,

0:37:05.520 --> 0:37:10.879
<v Speaker 1>when you and Ben have your the college dorm and

0:37:11.160 --> 0:37:13.640
<v Speaker 1>you have a closet. When you open the closet, there's

0:37:13.719 --> 0:37:18.160
<v Speaker 1>a shoe tree hanging from the closet. Yeah, and there's

0:37:18.200 --> 0:37:22.120
<v Speaker 1>also a lobster sticking out of one of these amazing

0:37:23.120 --> 0:37:25.719
<v Speaker 1>people are going to just now start binge watching our

0:37:29.640 --> 0:37:32.040
<v Speaker 1>Um Betsy. I used to love to do this to Betsy.

0:37:32.360 --> 0:37:35.279
<v Speaker 1>I would slide it in the kitchen drawers right she

0:37:35.520 --> 0:37:37.600
<v Speaker 1>was in the kitchen open up. There would be a

0:37:37.600 --> 0:37:43.560
<v Speaker 1>lobster in there. There's also a scene that really scared

0:37:43.640 --> 0:37:45.560
<v Speaker 1>me when I saw it aired, because I thought the

0:37:45.640 --> 0:37:48.640
<v Speaker 1>lobster was hidden very well. And it's a scene where

0:37:48.680 --> 0:37:53.760
<v Speaker 1>Bill is Is he dean? I think he's a dean

0:37:53.960 --> 0:37:58.800
<v Speaker 1>or or something. Anyway, it was a very serious type

0:37:58.800 --> 0:38:03.560
<v Speaker 1>of scene where he was talking to administrators or whatever.

0:38:03.600 --> 0:38:06.080
<v Speaker 1>I can't remember what the scene was. Anyway, there was

0:38:06.120 --> 0:38:10.440
<v Speaker 1>a whole floral arrangement behind him and you put it

0:38:11.200 --> 0:38:15.399
<v Speaker 1>and I stuck the lobster in the Oh my god,

0:38:15.480 --> 0:38:20.040
<v Speaker 1>did you see it? However, it glows in the darkness.

0:38:21.000 --> 0:38:24.239
<v Speaker 1>Close in the dark, so you see flower flower? What

0:38:24.400 --> 0:38:27.840
<v Speaker 1>is that flower flower flow? Oh my gosh, it it

0:38:27.960 --> 0:38:29.960
<v Speaker 1>glows in the dark. It's also on the it was

0:38:30.040 --> 0:38:32.680
<v Speaker 1>in the student it was either the student union or

0:38:32.719 --> 0:38:36.040
<v Speaker 1>the store at the college. And memory was always there, Yeah,

0:38:36.120 --> 0:38:38.840
<v Speaker 1>always there, I would pretty my gosh. I can't wait

0:38:38.920 --> 0:38:41.040
<v Speaker 1>for us to get to those episodes. Thank you, Thank

0:38:41.040 --> 0:38:43.120
<v Speaker 1>you for reminding me of this, because we're kind of

0:38:43.200 --> 0:38:46.200
<v Speaker 1>dreading getting to those those years of the just because

0:38:46.200 --> 0:38:48.200
<v Speaker 1>there are so many moments where like, oh man, we

0:38:48.239 --> 0:38:50.160
<v Speaker 1>don't even know what we're in for. But now I'll

0:38:50.160 --> 0:38:54.319
<v Speaker 1>get to focus on the lobster, lobster, lobster. He didn't

0:38:54.360 --> 0:38:56.480
<v Speaker 1>you hide other things too? There was was there another?

0:38:56.719 --> 0:38:58.920
<v Speaker 1>Was there a lizard? Or is it always just the lobster?

0:38:59.080 --> 0:39:02.120
<v Speaker 1>I always had to lose. It's around me. There's the

0:39:02.400 --> 0:39:05.399
<v Speaker 1>mind with the lobsters. I put out. Yeah, there's also

0:39:05.520 --> 0:39:08.640
<v Speaker 1>another scene, and this one really scared me. And I

0:39:08.640 --> 0:39:12.360
<v Speaker 1>think this was with you Rider and with Trina, okay,

0:39:12.440 --> 0:39:15.400
<v Speaker 1>and it would the wedding. I think it was Bill's

0:39:15.480 --> 0:39:19.239
<v Speaker 1>wedding and you and Trina are on you are on

0:39:19.280 --> 0:39:22.080
<v Speaker 1>the staircase. I believe you and Trina are standing by

0:39:22.239 --> 0:39:24.680
<v Speaker 1>the staircase and you would just had a fight in

0:39:24.719 --> 0:39:28.560
<v Speaker 1>the show and so but you're watching this very emotional moment,

0:39:28.920 --> 0:39:32.800
<v Speaker 1>you know between and your hands just kind of touch

0:39:33.520 --> 0:39:37.960
<v Speaker 1>on the staircase. Well the lobster is right below your

0:39:37.960 --> 0:39:42.879
<v Speaker 1>hands like that, but you couldn't see it. So here

0:39:42.920 --> 0:39:46.480
<v Speaker 1>I am, you know, because it's it's decorated with flowers

0:39:46.520 --> 0:39:49.759
<v Speaker 1>and all that stuff. So I'm watching the shooting of

0:39:49.800 --> 0:39:52.840
<v Speaker 1>it and the director decides to pull in on a

0:39:52.880 --> 0:39:56.640
<v Speaker 1>close up on the hands on the hands, and I

0:39:56.680 --> 0:40:00.759
<v Speaker 1>see a little bit of st aybody finds out to

0:40:00.840 --> 0:40:05.600
<v Speaker 1>do this. I'm dead, Yeah, I love the set department.

0:40:07.280 --> 0:40:09.960
<v Speaker 1>They knew about it, they did, Okay. I told a

0:40:10.040 --> 0:40:11.600
<v Speaker 1>couple of people about it. There were a couple of

0:40:11.719 --> 0:40:16.920
<v Speaker 1>cameramen that knew about it, and um uh one of

0:40:17.000 --> 0:40:20.359
<v Speaker 1>the set one of the set decorators, I believe, more

0:40:20.520 --> 0:40:25.879
<v Speaker 1>paths and crofts. Yeah, yeah, yeah, just so they knew,

0:40:26.080 --> 0:40:28.040
<v Speaker 1>like and you know, I got there, okay, I don't

0:40:28.040 --> 0:40:29.560
<v Speaker 1>want to move in their sets, and it was like,

0:40:30.440 --> 0:40:32.200
<v Speaker 1>let me hide this in there. So it was all,

0:40:32.480 --> 0:40:34.440
<v Speaker 1>you know, it was all okay. As far as I

0:40:34.520 --> 0:40:36.800
<v Speaker 1>can't believe either of you remember that. That's so fun. No,

0:40:36.960 --> 0:40:39.360
<v Speaker 1>but the second you said it, I remembered it. But no,

0:40:39.480 --> 0:40:42.080
<v Speaker 1>there's so much I don't remember. Oh my god. Yeah,

0:40:42.680 --> 0:40:45.560
<v Speaker 1>do you remember we had those audience members that would

0:40:45.600 --> 0:40:51.480
<v Speaker 1>come every single week scer family, your family, Your family

0:40:53.040 --> 0:40:56.520
<v Speaker 1>lovingly called them the stalkers. They and they loved it. Yeah,

0:40:56.560 --> 0:40:58.480
<v Speaker 1>they loved they called themselves as soccer to the point

0:40:58.520 --> 0:41:01.680
<v Speaker 1>where they were in the wedding episode. They were sitting

0:41:01.920 --> 0:41:07.560
<v Speaker 1>on Tapanga's side when Rory and Tapanga got married. Michael's

0:41:07.600 --> 0:41:10.200
<v Speaker 1>called yeah, because and he said to me, because I

0:41:10.280 --> 0:41:13.960
<v Speaker 1>had all the background people set towards sit and Michael says,

0:41:14.000 --> 0:41:16.680
<v Speaker 1>let's throw them in. This will make him hand I know. Yeah,

0:41:16.719 --> 0:41:19.279
<v Speaker 1>he loved he loved doing that. When Ryder and I

0:41:19.520 --> 0:41:23.440
<v Speaker 1>did the last we shot that video where everybody is

0:41:23.480 --> 0:41:26.480
<v Speaker 1>ten years later. The final joke is that we both

0:41:26.680 --> 0:41:29.719
<v Speaker 1>live with the Year family and they came and they

0:41:29.880 --> 0:41:32.480
<v Speaker 1>shot where we were shooting, and they came in. It's

0:41:32.600 --> 0:41:35.080
<v Speaker 1>us like wrestling and having a pillow fight. They were

0:41:35.160 --> 0:41:38.040
<v Speaker 1>the nicest people, and they came to every episode for

0:41:38.200 --> 0:41:40.520
<v Speaker 1>like five years. They ended up coming to Girl Meat's

0:41:40.520 --> 0:41:42.840
<v Speaker 1>World too. Not every single episode, but they came and

0:41:42.920 --> 0:41:45.799
<v Speaker 1>they visited. Yeah, they came to Girl MEA's World. That's great.

0:41:45.840 --> 0:41:58.719
<v Speaker 1>They were super nice people. Did you have You are

0:41:58.760 --> 0:42:01.560
<v Speaker 1>one of the very few people who had the experience

0:42:01.680 --> 0:42:05.839
<v Speaker 1>of being with us all seven years on Boy Meat's World. Yeah,

0:42:05.960 --> 0:42:10.919
<v Speaker 1>So what changes do you remember seeing in us, whether

0:42:11.040 --> 0:42:15.040
<v Speaker 1>that's professionally or personally either one but that maybe you

0:42:15.280 --> 0:42:18.440
<v Speaker 1>noticed and kind of just smiled to yourself about, or like,

0:42:18.719 --> 0:42:20.640
<v Speaker 1>what changes did you see in us over those seven years?

0:42:21.920 --> 0:42:25.799
<v Speaker 1>Definitely the burnout factor, yeah, desfinitely, not so much from

0:42:25.920 --> 0:42:28.960
<v Speaker 1>will Well you were like one of those little wind

0:42:29.000 --> 0:42:33.400
<v Speaker 1>up monkeys. It was just like you born. But the

0:42:33.520 --> 0:42:37.840
<v Speaker 1>burnout factor between you, Danielle and a Rider was serious.

0:42:37.960 --> 0:42:40.759
<v Speaker 1>And it hurt my heart to see that there was

0:42:40.920 --> 0:42:43.560
<v Speaker 1>nothing that I could do except listen to you, you know,

0:42:44.000 --> 0:42:47.080
<v Speaker 1>in the dressing room and you know or whatever, and

0:42:47.160 --> 0:42:49.360
<v Speaker 1>you would just you know, confide in me. And I

0:42:49.480 --> 0:42:53.040
<v Speaker 1>just kept thinking to myself, please get over this, because

0:42:53.120 --> 0:42:56.880
<v Speaker 1>you don't know, you don't know yet. Yes, this is

0:42:56.920 --> 0:43:00.399
<v Speaker 1>a good thing you're in. And but just my heart

0:43:00.440 --> 0:43:03.360
<v Speaker 1>to see you guys like that. Yeah, nothing, you know,

0:43:03.480 --> 0:43:05.280
<v Speaker 1>boy met world ended and we all kind of scattered

0:43:05.320 --> 0:43:06.920
<v Speaker 1>to the wind. We were able to talk to each

0:43:06.920 --> 0:43:08.560
<v Speaker 1>other a little bit years later and things like that.

0:43:08.640 --> 0:43:11.759
<v Speaker 1>But where did you go after? Boy? I went to

0:43:11.920 --> 0:43:16.000
<v Speaker 1>work on a see was it hype? I did some.

0:43:16.560 --> 0:43:19.440
<v Speaker 1>I worked on other shows. In fact, when we were up,

0:43:19.960 --> 0:43:22.440
<v Speaker 1>and you know, when we were introduction, we'd go down

0:43:22.480 --> 0:43:26.200
<v Speaker 1>on hiatus weeks, I'd work on another show. Okay, I

0:43:26.400 --> 0:43:30.680
<v Speaker 1>was sitting at home, So I worked on several other

0:43:30.719 --> 0:43:34.880
<v Speaker 1>shows during that time, so that when we finally did lockdown,

0:43:34.960 --> 0:43:37.759
<v Speaker 1>when we were done, I had just moved on to

0:43:37.880 --> 0:43:41.120
<v Speaker 1>working on several other shows and then worked for Anthony

0:43:41.200 --> 0:43:44.919
<v Speaker 1>Anderson on his he had a show for a year. Yeah, yeah,

0:43:45.040 --> 0:43:52.040
<v Speaker 1>and oh god, Riba McIntyre. I did that, just a

0:43:52.120 --> 0:43:56.640
<v Speaker 1>bunch of shows after that, and then I decided to

0:43:56.760 --> 0:44:00.520
<v Speaker 1>cry during the weekends. I had been coaching in coaching

0:44:01.440 --> 0:44:06.279
<v Speaker 1>through Chris Kayer. He got me involved in coaching, so

0:44:06.520 --> 0:44:10.440
<v Speaker 1>while we were in production, I on the weekends would

0:44:10.440 --> 0:44:14.920
<v Speaker 1>work with Chris Kayer his studio. And then he was

0:44:15.000 --> 0:44:17.880
<v Speaker 1>gone after the first season, I believe, Yeah, but he

0:44:18.040 --> 0:44:22.040
<v Speaker 1>and I continued our friendships, so I kept working for him,

0:44:22.480 --> 0:44:26.000
<v Speaker 1>and then I started taking over his classes. So in

0:44:26.200 --> 0:44:28.400
<v Speaker 1>two thousand and four, a lot of things have happened.

0:44:28.440 --> 0:44:30.560
<v Speaker 1>At that point. That's when I opened up my own

0:44:30.640 --> 0:44:34.920
<v Speaker 1>studio and coaching ever since. That's great. So wow, almost

0:44:35.000 --> 0:44:39.759
<v Speaker 1>twenty years Yeah. Wow. When we went to go see

0:44:39.880 --> 0:44:44.040
<v Speaker 1>Chris at his Christmas store, he brought out the big

0:44:44.160 --> 0:44:45.800
<v Speaker 1>sign that we all took a picture with, and it

0:44:45.920 --> 0:44:49.200
<v Speaker 1>was it was from you to Chris, and we got

0:44:49.239 --> 0:44:53.080
<v Speaker 1>to see your signature, and just seeing your writing brought

0:44:53.160 --> 0:44:55.560
<v Speaker 1>back just a flood of memories for me. I was like,

0:44:55.719 --> 0:44:58.560
<v Speaker 1>there's my deeds, his handwriting. But you think you wrote

0:44:58.680 --> 0:45:00.680
<v Speaker 1>you know, I don't remember. There was a joke on

0:45:00.760 --> 0:45:02.279
<v Speaker 1>it too. I think I took a picture of it.

0:45:02.320 --> 0:45:05.400
<v Speaker 1>You of course probably But the other joke was he

0:45:05.520 --> 0:45:08.800
<v Speaker 1>thought all of you signed it. That's so funny. No,

0:45:08.960 --> 0:45:12.480
<v Speaker 1>it's from it's from you too, Chris, and it's uh, yeah,

0:45:12.600 --> 0:45:15.879
<v Speaker 1>it's signed. It's it's so cute. That's nice that he has.

0:45:15.920 --> 0:45:18.759
<v Speaker 1>That's yeah. I really credit him. I learned a lot

0:45:18.960 --> 0:45:21.200
<v Speaker 1>from him, and I think I coached with him for

0:45:21.280 --> 0:45:23.440
<v Speaker 1>eight or nine years. You know, I started taking over

0:45:23.480 --> 0:45:25.719
<v Speaker 1>these classes, so I did. I learned an awful lot

0:45:25.800 --> 0:45:28.040
<v Speaker 1>from him, and I learned things that I wanted to

0:45:28.080 --> 0:45:30.480
<v Speaker 1>do and things that I didn't want to do classes.

0:45:30.760 --> 0:45:33.400
<v Speaker 1>That's really what I came. Do you do you primarily

0:45:33.440 --> 0:45:37.960
<v Speaker 1>coach kids or adults too, primarily? Yeah, but I still have.

0:45:38.200 --> 0:45:41.480
<v Speaker 1>You know, it's an interesting Several of the kids that

0:45:41.560 --> 0:45:44.680
<v Speaker 1>I used to coach years ago, they left me when

0:45:44.680 --> 0:45:46.840
<v Speaker 1>they were like twelve years old or now in their twenties,

0:45:46.920 --> 0:45:48.640
<v Speaker 1>and they're getting in touch with me and they want

0:45:48.680 --> 0:45:51.560
<v Speaker 1>me to coach them now. That's so great, awesome, Yes,

0:45:51.640 --> 0:45:54.160
<v Speaker 1>it's nice. So um. One of them made a very

0:45:54.200 --> 0:45:56.719
<v Speaker 1>funny statement and she says, get I'm sorry I didn't

0:45:56.760 --> 0:46:00.680
<v Speaker 1>get tall. You know, I'm only five four, And I said, well,

0:46:00.719 --> 0:46:04.319
<v Speaker 1>I'm not five four, because she thought I was very

0:46:04.440 --> 0:46:07.680
<v Speaker 1>very tall, she remembers me when she was ten years

0:46:07.760 --> 0:46:11.560
<v Speaker 1>of course, oh of course, I mean, deed, you are you?

0:46:11.840 --> 0:46:15.359
<v Speaker 1>Are we about the same size? Five one? Okay? Yeah,

0:46:15.400 --> 0:46:16.719
<v Speaker 1>I know I was gonna say, you're actually like four

0:46:16.760 --> 0:46:21.279
<v Speaker 1>to eleven, aren't you? Kay? Okay, you and my mom?

0:46:21.400 --> 0:46:23.560
<v Speaker 1>You and my mom? How dare you say I'm anything

0:46:23.640 --> 0:46:27.760
<v Speaker 1>less than five feet five feet to the Yeah? Okay,

0:46:27.840 --> 0:46:32.080
<v Speaker 1>So Easton our super fan knows exactly what it says.

0:46:32.120 --> 0:46:33.600
<v Speaker 1>It's on the back of the sign. It says to

0:46:33.800 --> 0:46:39.319
<v Speaker 1>my third ex husband, which is perfect and very very

0:46:39.480 --> 0:46:43.840
<v Speaker 1>very very deed. I love it. Yeah, yeah, it's very sweet.

0:46:44.120 --> 0:46:48.880
<v Speaker 1>We were very good friends, but you know, that's life.

0:46:49.400 --> 0:46:54.400
<v Speaker 1>Thirty years later, looking back on boy Meets World, what

0:46:55.239 --> 0:46:57.560
<v Speaker 1>what are your thoughts? What are your feelings? What comes

0:46:57.600 --> 0:46:59.239
<v Speaker 1>to you when you think about your time on Boy

0:46:59.280 --> 0:47:03.279
<v Speaker 1>Meets World? As many shows as I worked in over

0:47:03.360 --> 0:47:06.839
<v Speaker 1>the years, even before Boyne's World, you know, like whether

0:47:06.920 --> 0:47:11.120
<v Speaker 1>it was Who's the Boss, Facts of Life, Married with Children,

0:47:11.280 --> 0:47:14.960
<v Speaker 1>all these shows that I worked on, this was the one,

0:47:16.080 --> 0:47:23.040
<v Speaker 1>This was Home. It was you guys were absolutely wonderful.

0:47:23.480 --> 0:47:29.600
<v Speaker 1>Betsy and Rusty were just so such great people. Bill

0:47:29.760 --> 0:47:33.840
<v Speaker 1>Daniels that I think being with Bill was the hardest

0:47:33.960 --> 0:47:38.239
<v Speaker 1>for me in that I and I was every day

0:47:38.360 --> 0:47:40.759
<v Speaker 1>of the week. I wanted to fan out here and

0:47:40.920 --> 0:47:43.680
<v Speaker 1>I wanted to say, oh my god, you're both Daniels.

0:47:44.080 --> 0:47:47.319
<v Speaker 1>It was like that, right, Sanuel swear, Oh my god,

0:47:47.600 --> 0:47:50.200
<v Speaker 1>everything that he had done. Yeah, and I couldn't. I

0:47:50.320 --> 0:47:53.520
<v Speaker 1>had to keep cool because and I were pretty close, right,

0:47:53.680 --> 0:47:56.520
<v Speaker 1>you know, we had a really nice relationship. Bill and

0:47:56.600 --> 0:48:01.000
<v Speaker 1>I And if he knew how much meant to me

0:48:01.280 --> 0:48:04.560
<v Speaker 1>at that time, I would have been embarrassed, right, But

0:48:05.120 --> 0:48:09.440
<v Speaker 1>but I was so taken by that man everything that

0:48:09.520 --> 0:48:11.360
<v Speaker 1>he did. So we used to spend a lot of

0:48:11.440 --> 0:48:14.200
<v Speaker 1>time talking about, you know, the old days of show

0:48:14.239 --> 0:48:17.680
<v Speaker 1>business and stuff like when he met Bonnie and I

0:48:17.920 --> 0:48:21.399
<v Speaker 1>was he was just a just a special, special man,

0:48:22.160 --> 0:48:24.719
<v Speaker 1>so much so that when we went when we went

0:48:24.760 --> 0:48:27.279
<v Speaker 1>on to Girl Meets World and I was there on

0:48:27.360 --> 0:48:31.680
<v Speaker 1>the first season and he came into guests, That's when

0:48:31.840 --> 0:48:33.839
<v Speaker 1>they called me and they said, Diddy, would you meet

0:48:33.920 --> 0:48:36.880
<v Speaker 1>Bill and bring him into the set because I was

0:48:36.960 --> 0:48:41.120
<v Speaker 1>a stab stabilizing factor for him. Wow. Yeah, just so

0:48:41.440 --> 0:48:44.160
<v Speaker 1>for that, Yeah, that was a big deal for me.

0:48:45.520 --> 0:48:49.640
<v Speaker 1>You kids were It was just the whole feeling the

0:48:49.760 --> 0:48:54.040
<v Speaker 1>whole mood of the show was wonderful. I Um, Michael was,

0:48:54.520 --> 0:48:59.520
<v Speaker 1>you know, very family oriented, and he was absolutely like that.

0:48:59.719 --> 0:49:01.399
<v Speaker 1>You know, you never knew when he was going to pop,

0:49:01.440 --> 0:49:03.160
<v Speaker 1>when he was going to scream, or when he was

0:49:03.200 --> 0:49:06.840
<v Speaker 1>going to hug you. Yeah, that's who he was. But

0:49:07.040 --> 0:49:09.880
<v Speaker 1>let me tell you it's like that in the real world,

0:49:10.160 --> 0:49:12.760
<v Speaker 1>or being like that in the real world. I can't

0:49:12.800 --> 0:49:15.640
<v Speaker 1>tell you how many director's producers that I've worked with

0:49:16.120 --> 0:49:18.759
<v Speaker 1>that would no sooner slap you down than hire you

0:49:18.880 --> 0:49:21.360
<v Speaker 1>the next day because they need you. Yeah, just the

0:49:21.440 --> 0:49:23.839
<v Speaker 1>way it is. Michael was never that harsh because you've

0:49:23.880 --> 0:49:27.400
<v Speaker 1>always had his And this is during Boy Meets World.

0:49:27.640 --> 0:49:29.920
<v Speaker 1>Let me preface that by saying, this is during Boy

0:49:30.000 --> 0:49:33.040
<v Speaker 1>Meet's World. He was very protective of the kids, okay,

0:49:33.360 --> 0:49:38.560
<v Speaker 1>and his crew. Yeah, he's also very protective of his crewe. Yeah. So,

0:49:40.760 --> 0:49:42.640
<v Speaker 1>I mean. One of the things my mom always talks

0:49:42.640 --> 0:49:46.960
<v Speaker 1>about that she's so appreciated is that she remembers thinking,

0:49:47.080 --> 0:49:49.640
<v Speaker 1>like we I think it must have been on one

0:49:49.680 --> 0:49:51.400
<v Speaker 1>of the other sets I had been on before I

0:49:51.440 --> 0:49:53.080
<v Speaker 1>got to Boy Meet's World, which there had only been

0:49:53.080 --> 0:49:56.279
<v Speaker 1>a handful of them. My mom remembers walking across set

0:49:56.400 --> 0:49:58.800
<v Speaker 1>really early in the morning, probably getting me to the schoolroom,

0:49:59.120 --> 0:50:02.880
<v Speaker 1>and they're being crew around working, you know, working overnight,

0:50:02.920 --> 0:50:05.040
<v Speaker 1>probably doing set deck, and they were just cursing up

0:50:05.080 --> 0:50:07.759
<v Speaker 1>a storm. And it was my mom's first real thing

0:50:07.840 --> 0:50:10.880
<v Speaker 1>of like, oh, yeah, this is a real adult environment

0:50:11.080 --> 0:50:12.880
<v Speaker 1>and my kid is now going to be in this

0:50:13.000 --> 0:50:15.000
<v Speaker 1>adult environment and I'm not used to that. And she

0:50:15.120 --> 0:50:17.319
<v Speaker 1>remembers thinking like, gosh, don't they know there's kids around.

0:50:17.320 --> 0:50:18.960
<v Speaker 1>They should they should be adjusting the way they're talking

0:50:18.960 --> 0:50:21.600
<v Speaker 1>because there's kids around. And then when we got to

0:50:21.719 --> 0:50:24.399
<v Speaker 1>Boy Meet's World, it wasn't like that. On Boy Meets World,

0:50:24.600 --> 0:50:29.480
<v Speaker 1>the actual the environment was very much this is a

0:50:29.560 --> 0:50:32.120
<v Speaker 1>kid's environment. But one of the things I liked that

0:50:32.160 --> 0:50:34.120
<v Speaker 1>you mentioned, Deed even about Chris Kier, that you had

0:50:34.200 --> 0:50:35.680
<v Speaker 1>learned a lot from him things you wanted to do

0:50:35.719 --> 0:50:37.640
<v Speaker 1>and things you didn't want to do. I always I

0:50:37.719 --> 0:50:40.000
<v Speaker 1>think some of the best teachers are teachers that you

0:50:40.080 --> 0:50:43.480
<v Speaker 1>actually learn, you know, both from very you know, I

0:50:44.040 --> 0:50:47.399
<v Speaker 1>can't even tell you how many amazing things I learned

0:50:47.440 --> 0:50:49.600
<v Speaker 1>from Michael on Boy Meet's World. Have They come up

0:50:49.640 --> 0:50:51.719
<v Speaker 1>all the time when we talk about episodes, we just

0:50:51.960 --> 0:50:54.080
<v Speaker 1>you know, didn't we just recapped the episode where Korey

0:50:54.080 --> 0:50:56.680
<v Speaker 1>into Penga fall asleep, and it was the first real

0:50:56.800 --> 0:50:59.400
<v Speaker 1>lesson I got on not playing angry and how to

0:50:59.480 --> 0:51:01.960
<v Speaker 1>actually be impactful. And you know, I mean some of

0:51:02.040 --> 0:51:04.120
<v Speaker 1>the some of the greatest lessons of my life came

0:51:04.200 --> 0:51:06.440
<v Speaker 1>from from Michael Jacobs and then you know, some of

0:51:06.520 --> 0:51:09.160
<v Speaker 1>them also were thinking ways I don't want to behave

0:51:09.280 --> 0:51:12.920
<v Speaker 1>on a set exactly exactly, And that's you know, and

0:51:13.320 --> 0:51:15.359
<v Speaker 1>once again, every show that I've ever worked on, when

0:51:15.400 --> 0:51:17.719
<v Speaker 1>they've had a kid there, that's the first thing the

0:51:17.800 --> 0:51:21.000
<v Speaker 1>ad screams out to the crew. Child on set, watch

0:51:21.080 --> 0:51:24.680
<v Speaker 1>your mouth ye five minutes, none of them it comes out.

0:51:24.760 --> 0:51:27.000
<v Speaker 1>I mean just that, you know, it's like it's a

0:51:27.080 --> 0:51:31.400
<v Speaker 1>construction site basically, you know, so everybody slips and they

0:51:31.400 --> 0:51:34.120
<v Speaker 1>always go home. I'm sorry, sorry, but no, but not

0:51:34.320 --> 0:51:37.600
<v Speaker 1>on not on BOYD. That did not happen. Everybody was

0:51:37.719 --> 0:51:42.279
<v Speaker 1>very aware. And I think also, and this is for

0:51:42.480 --> 0:51:48.680
<v Speaker 1>you guys, I think the crew loved you and respected you. Yeah.

0:51:49.600 --> 0:51:52.440
<v Speaker 1>I think they did too. I hope it's I hope

0:51:52.480 --> 0:51:56.960
<v Speaker 1>it's because they felt loved and respected by us. Yeah, mutual,

0:51:57.280 --> 0:52:00.560
<v Speaker 1>felt mutual, and when everyone treated us like which was

0:52:00.640 --> 0:52:03.960
<v Speaker 1>so great, like I never felt condescended to. In fact,

0:52:04.000 --> 0:52:08.239
<v Speaker 1>I remember I remember if somebody came on like a

0:52:08.360 --> 0:52:11.239
<v Speaker 1>guest star or for whatever reason, we would have somebody new.

0:52:11.719 --> 0:52:14.160
<v Speaker 1>I remember turning to Ben and being like, oh, they're

0:52:14.160 --> 0:52:15.680
<v Speaker 1>going to treat us like kids, or like, well we

0:52:15.760 --> 0:52:17.960
<v Speaker 1>were talking about with the photoshoots. You know we have

0:52:18.000 --> 0:52:20.400
<v Speaker 1>these photographers. You know, the kids want to jump. It

0:52:20.560 --> 0:52:23.440
<v Speaker 1>was like that attitude, like we would never be condescended to.

0:52:23.600 --> 0:52:26.600
<v Speaker 1>Everybody on our set was so cool and treated us

0:52:26.640 --> 0:52:30.239
<v Speaker 1>like adults, and we responded in kind. I mean, I had,

0:52:30.840 --> 0:52:34.760
<v Speaker 1>you know, really wonderful friendships with so many people. Yeah yeah, okay.

0:52:34.880 --> 0:52:37.480
<v Speaker 1>Tried to do everything that he could for you ride

0:52:37.560 --> 0:52:39.239
<v Speaker 1>or when it came down to the poetry, I mean,

0:52:39.520 --> 0:52:42.120
<v Speaker 1>there was so much talk upstairs about trying to appease you.

0:52:42.960 --> 0:52:46.120
<v Speaker 1>You're not even aware of that. There was like, look,

0:52:46.160 --> 0:52:49.040
<v Speaker 1>this kid is going through so much and he's really talented,

0:52:49.160 --> 0:52:52.840
<v Speaker 1>and there was a lot of that going on, and

0:52:53.840 --> 0:52:56.680
<v Speaker 1>you know, and then Will and I remember being on

0:52:56.920 --> 0:52:59.240
<v Speaker 1>stage and if it would be something that just didn't

0:52:59.280 --> 0:53:02.120
<v Speaker 1>work and that and I remember color writers going, well

0:53:02.239 --> 0:53:07.160
<v Speaker 1>make it funny. Oh yeah, yeah. King really trusted you

0:53:07.239 --> 0:53:09.879
<v Speaker 1>and they no, they did, No, they did. And again

0:53:09.960 --> 0:53:13.240
<v Speaker 1>we're The thing that's interesting as we're kind of learning

0:53:13.280 --> 0:53:16.320
<v Speaker 1>our way through everything that we went through is most

0:53:16.400 --> 0:53:17.960
<v Speaker 1>of the memories that we have, and I mean it's

0:53:17.960 --> 0:53:20.040
<v Speaker 1>the vast majorial speak myself, most of the memories I have,

0:53:20.120 --> 0:53:23.200
<v Speaker 1>the vast majority are great. I mean they're phenomenal, and

0:53:23.280 --> 0:53:25.960
<v Speaker 1>they were nurturing and it was a wonderful set to

0:53:26.040 --> 0:53:29.160
<v Speaker 1>be on and we had it was you know, especially

0:53:29.200 --> 0:53:32.239
<v Speaker 1>towards the end, it was um kind of pooling all

0:53:32.280 --> 0:53:35.400
<v Speaker 1>of our creativity and we were you know, knew the blocking,

0:53:35.480 --> 0:53:36.880
<v Speaker 1>so we could kind of hey, what if I did this,

0:53:37.000 --> 0:53:40.200
<v Speaker 1>what if I did that? And it became much more collaborative.

0:53:40.239 --> 0:53:42.080
<v Speaker 1>It was wonderful. But then we're hearing about, you know,

0:53:42.160 --> 0:53:45.520
<v Speaker 1>other things that we were kept were kept away from us,

0:53:45.719 --> 0:53:48.120
<v Speaker 1>things that you know, people went out of their way

0:53:48.200 --> 0:53:51.120
<v Speaker 1>to make sure that the kids weren't inundated with that.

0:53:51.719 --> 0:53:54.000
<v Speaker 1>You know, as we're learning about it now, some of

0:53:54.040 --> 0:53:56.359
<v Speaker 1>it was not very healthy. But again, we didn't see

0:53:56.400 --> 0:53:58.600
<v Speaker 1>a lot of that stuff, so it is kind of

0:53:58.719 --> 0:54:01.680
<v Speaker 1>learning about it after the fact. But for the most part,

0:54:01.800 --> 0:54:05.160
<v Speaker 1>the actual going to set every day and getting to

0:54:05.239 --> 0:54:08.640
<v Speaker 1>work with everybody in Hayfer and you and Lynn McCracken

0:54:08.800 --> 0:54:11.480
<v Speaker 1>and our directors, and it was just it was a

0:54:11.719 --> 0:54:14.360
<v Speaker 1>watch a lot of child actors can't say, yeah, you know,

0:54:14.640 --> 0:54:17.480
<v Speaker 1>like you have a conversations or you read about are

0:54:17.880 --> 0:54:20.239
<v Speaker 1>Like a lot of sets did not have that, and

0:54:20.680 --> 0:54:24.640
<v Speaker 1>they were very fraught places for children to be in.

0:54:24.960 --> 0:54:27.520
<v Speaker 1>And Michael would often get us together and I'll never

0:54:27.560 --> 0:54:29.799
<v Speaker 1>forget this, and it was an incredible lesson. He would

0:54:29.800 --> 0:54:33.200
<v Speaker 1>often get us together and say two things. Remember this

0:54:33.520 --> 0:54:36.600
<v Speaker 1>ends ye and remember you may never find this again.

0:54:36.800 --> 0:54:39.520
<v Speaker 1>And both of those things were hugely important lessons. And

0:54:39.600 --> 0:54:41.280
<v Speaker 1>he was never harsh with saying it. He just wanted

0:54:41.320 --> 0:54:43.840
<v Speaker 1>us to remind us that this wasn't forever. Enjoy it

0:54:43.960 --> 0:54:46.800
<v Speaker 1>because it could be gone tomorrow. And that's what happens

0:54:46.800 --> 0:54:49.520
<v Speaker 1>in the show. It literally was gone tomorrow. You're Thursday

0:54:49.600 --> 0:54:51.120
<v Speaker 1>night we did the show and Friday it was gone.

0:54:51.160 --> 0:54:53.799
<v Speaker 1>That's after seven years. So he was he was very

0:54:53.880 --> 0:54:56.919
<v Speaker 1>good at imparting that wisdom to us a lot of times.

0:54:57.200 --> 0:55:00.120
<v Speaker 1>And yeah, and we had our writers that they just

0:55:00.320 --> 0:55:03.880
<v Speaker 1>loved writing for you. They really did. Yeah, they you know,

0:55:04.000 --> 0:55:06.920
<v Speaker 1>they knew your strengths and weeks and you know, they

0:55:06.960 --> 0:55:11.040
<v Speaker 1>could fun find those funny places easier because you because

0:55:11.040 --> 0:55:13.600
<v Speaker 1>you thank you so much. You know. It was it

0:55:13.760 --> 0:55:17.000
<v Speaker 1>was always chaos and it just turned out to be

0:55:17.400 --> 0:55:20.359
<v Speaker 1>a thing of beauty in the end, you know. And yeah,

0:55:20.400 --> 0:55:22.279
<v Speaker 1>it was much to that, like I'll speak to that

0:55:22.400 --> 0:55:26.239
<v Speaker 1>where Yeah, like I said, the burnout factor was what

0:55:26.400 --> 0:55:28.200
<v Speaker 1>made me sad with you guys, because I did. I

0:55:28.280 --> 0:55:30.000
<v Speaker 1>just want to say that same thing. This is going

0:55:30.040 --> 0:55:32.680
<v Speaker 1>to be gone tomorrow. Yeah, it's hard for it's hard

0:55:32.719 --> 0:55:36.600
<v Speaker 1>for uh eighteen nineteen twenty year olds. Writer and I

0:55:36.800 --> 0:55:38.759
<v Speaker 1>we've talked about it that, you know, gosh, we wish

0:55:38.800 --> 0:55:42.120
<v Speaker 1>we could go back and say, like, listen, sure, relax,

0:55:43.920 --> 0:55:47.400
<v Speaker 1>there isn't there isn't a different or maybe there is

0:55:47.400 --> 0:55:49.880
<v Speaker 1>a different life, but it's where you just live in

0:55:50.000 --> 0:55:52.319
<v Speaker 1>your moment, stop trying to think about all the things

0:55:52.360 --> 0:55:54.080
<v Speaker 1>you're missing out on, the things you should be doing

0:55:54.200 --> 0:55:56.560
<v Speaker 1>or the other things. Like there's time for that. You

0:55:56.640 --> 0:55:58.879
<v Speaker 1>will do all of that. It will be there. Writer

0:55:59.000 --> 0:56:00.440
<v Speaker 1>was still going to get to go to college. I

0:56:00.560 --> 0:56:02.880
<v Speaker 1>was still going to get to do absolutely nothing like

0:56:03.520 --> 0:56:05.800
<v Speaker 1>there was there was, which was all I wanted to

0:56:05.880 --> 0:56:08.040
<v Speaker 1>do was just can I just please do nothing? Um?

0:56:08.280 --> 0:56:09.799
<v Speaker 1>And so there would there would be time for all

0:56:09.840 --> 0:56:11.480
<v Speaker 1>of that. Like I wish we could go back and

0:56:11.520 --> 0:56:13.719
<v Speaker 1>tell ourselves, like, just live in this moment because you're

0:56:13.760 --> 0:56:15.719
<v Speaker 1>never You're not going to get this back except for

0:56:15.760 --> 0:56:17.960
<v Speaker 1>thirty years from now. When you guys do Pod Me's World, Yeah,

0:56:18.040 --> 0:56:20.960
<v Speaker 1>you get a taste of it again and so now

0:56:21.000 --> 0:56:23.120
<v Speaker 1>we get to do it a little differently. That's true

0:56:23.160 --> 0:56:26.200
<v Speaker 1>of life. Yeah, you always look back and said, why

0:56:26.239 --> 0:56:28.960
<v Speaker 1>didn't I enjoy that? Why didn't I enjoy that moment?

0:56:29.440 --> 0:56:31.239
<v Speaker 1>You know with my husband or my wife or why

0:56:31.280 --> 0:56:34.880
<v Speaker 1>didn't That is part of life when you're in it.

0:56:35.600 --> 0:56:37.920
<v Speaker 1>We're in a vacuum. You don't see how good you

0:56:38.000 --> 0:56:40.359
<v Speaker 1>have it and exactly you know what is it twenty

0:56:40.440 --> 0:56:45.000
<v Speaker 1>twenty hindsight and you actually respect everything looks a little rosier. Yeah,

0:56:45.080 --> 0:56:47.520
<v Speaker 1>you get the ugly parts and sometimes youngly parts get

0:56:47.600 --> 0:56:50.480
<v Speaker 1>bigger and you know that's it. But it's it's that way,

0:56:50.560 --> 0:56:53.160
<v Speaker 1>you know. I want to speak to something that I

0:56:53.280 --> 0:56:56.880
<v Speaker 1>had heard in the last pod last couple times. So

0:56:57.000 --> 0:57:00.720
<v Speaker 1>it was aired um and it was it was funny

0:57:00.840 --> 0:57:05.960
<v Speaker 1>that they were making when they make references to things

0:57:06.040 --> 0:57:09.960
<v Speaker 1>that you don't understand. Daniel's red Gelope. Yeah, all of that, right,

0:57:10.040 --> 0:57:12.879
<v Speaker 1>and he's like, Will said, yeah, seven year old really

0:57:12.920 --> 0:57:17.200
<v Speaker 1>relates to that. Understand, in those days, we didn't have Disney,

0:57:17.280 --> 0:57:21.120
<v Speaker 1>Nickelodeon and all of that. It was ABC and it

0:57:21.320 --> 0:57:24.560
<v Speaker 1>was family time. Yeah, the parents sat with the children

0:57:24.600 --> 0:57:28.480
<v Speaker 1>and watched the show sometimes with grandparents and grandparents. The

0:57:28.560 --> 0:57:30.959
<v Speaker 1>jokes were not written for the kids. Yeah, the jokes

0:57:31.000 --> 0:57:33.280
<v Speaker 1>are written for the adults. No. We talked about that

0:57:33.360 --> 0:57:38.120
<v Speaker 1>with Saint Eligius, that which Billy exactly, very good of

0:57:38.200 --> 0:57:41.080
<v Speaker 1>you will to remember that. Yeah, it was that. It

0:57:41.240 --> 0:57:43.560
<v Speaker 1>was that kind of We love having a grandpa on

0:57:43.600 --> 0:57:47.040
<v Speaker 1>the show with us because we find that the grandpa

0:57:47.200 --> 0:57:51.440
<v Speaker 1>will uh finds those jokes that young writer and I

0:57:51.560 --> 0:57:55.640
<v Speaker 1>don't understand the best grandpa ever, that's right, best grandpa ever.

0:57:57.120 --> 0:57:58.960
<v Speaker 1>So Ded, I know, I know people are going to

0:57:59.040 --> 0:58:01.080
<v Speaker 1>want to know where they can find you. And you

0:58:01.880 --> 0:58:04.360
<v Speaker 1>you started DD's Real Actors back in two thousand and

0:58:04.400 --> 0:58:06.960
<v Speaker 1>four and now you are the head coach with the

0:58:07.120 --> 0:58:11.040
<v Speaker 1>LA Acting Academy in Phoenix, and so where can people

0:58:11.160 --> 0:58:14.200
<v Speaker 1>find you? Can people do zoom lessons with you? Yes,

0:58:14.480 --> 0:58:18.640
<v Speaker 1>they can do zoom with me. Um um. I don't

0:58:18.680 --> 0:58:22.560
<v Speaker 1>have a social platform so to speak in fact, Danielle,

0:58:22.640 --> 0:58:24.960
<v Speaker 1>you are the one that forced me to join Facebook.

0:58:25.120 --> 0:58:27.760
<v Speaker 1>Book years ago. It was like, I don't want any

0:58:27.840 --> 0:58:30.360
<v Speaker 1>part of it, and you made me join. Now I

0:58:30.480 --> 0:58:32.280
<v Speaker 1>haven't been on Facebook and I don't even know how long.

0:58:32.320 --> 0:58:34.720
<v Speaker 1>It's a right no, because you made me join Insta

0:58:35.960 --> 0:58:39.600
<v Speaker 1>and I am not, so I don't. Yeah, she's just trying.

0:58:39.840 --> 0:58:42.200
<v Speaker 1>She's still trying to get me on my Space and omeigal.

0:58:42.240 --> 0:58:46.200
<v Speaker 1>So don't worry about now, d D. I insisted follow

0:58:46.280 --> 0:58:48.440
<v Speaker 1>on Instagram so she can follow along with my children

0:58:48.680 --> 0:58:50.840
<v Speaker 1>children exactly. Yeah, because I have a private account for

0:58:50.880 --> 0:58:55.320
<v Speaker 1>my kids, so I have UM on Facebook. I do

0:58:55.560 --> 0:59:01.520
<v Speaker 1>have a DD's Real Actors Pay Real is our everyone correct?

0:59:01.760 --> 0:59:07.760
<v Speaker 1>Correct and or d D stephano I. The only friends

0:59:07.840 --> 0:59:11.360
<v Speaker 1>that I have on my Facebook page are the people

0:59:11.520 --> 0:59:13.680
<v Speaker 1>from the show that I've worked with, or other other

0:59:13.800 --> 0:59:16.800
<v Speaker 1>writers or producers. I think I've got maybe forty friends.

0:59:17.200 --> 0:59:19.560
<v Speaker 1>I don't want a friend of people because it's not

0:59:19.800 --> 0:59:22.800
<v Speaker 1>what I do. And here's the thing too, I am

0:59:22.920 --> 0:59:28.120
<v Speaker 1>old school. I am crewe. You are the stars. I

0:59:28.280 --> 0:59:31.280
<v Speaker 1>don't like to talk about. Oh look I just worked

0:59:31.320 --> 0:59:33.240
<v Speaker 1>with this kid and they booked blah blah blah, and

0:59:33.400 --> 0:59:35.360
<v Speaker 1>now they got this, and they got that I am

0:59:35.440 --> 0:59:38.360
<v Speaker 1>not that person. Somebody who just what was it the

0:59:38.440 --> 0:59:41.640
<v Speaker 1>owner of the company had just posted something about me

0:59:41.920 --> 0:59:44.200
<v Speaker 1>being a rock star because several of my kids had

0:59:44.240 --> 0:59:46.800
<v Speaker 1>booked major things in the last couple of months. And

0:59:46.880 --> 0:59:49.120
<v Speaker 1>I go back and I said, I'm not the rock star.

0:59:49.320 --> 0:59:52.720
<v Speaker 1>The kids at the rock star. And so that's why

0:59:52.920 --> 0:59:55.840
<v Speaker 1>I don't. I don't like to boast and say, oh

0:59:55.960 --> 0:59:59.600
<v Speaker 1>look what I did, I'm having such a wonderful life. No,

1:00:00.120 --> 1:00:03.080
<v Speaker 1>I'm just we'll boast for you. I was just going

1:00:03.120 --> 1:00:04.920
<v Speaker 1>to say, he may not like to boast, but we

1:00:05.000 --> 1:00:06.800
<v Speaker 1>will do it for you. And we're going to boast

1:00:06.840 --> 1:00:09.400
<v Speaker 1>for you. You know, just tell you. I mean, we

1:00:09.640 --> 1:00:12.200
<v Speaker 1>told you when you first joined. But like you are

1:00:12.280 --> 1:00:15.600
<v Speaker 1>just such a such I mean one of my I

1:00:15.720 --> 1:00:18.120
<v Speaker 1>don't even know how to describe it, not biggest, not whatever.

1:00:18.440 --> 1:00:21.920
<v Speaker 1>You are one of the most constant and regular memories

1:00:22.080 --> 1:00:24.800
<v Speaker 1>for me. And not just you, but the way I

1:00:25.080 --> 1:00:28.280
<v Speaker 1>felt around you, and the fact that I did without

1:00:28.440 --> 1:00:32.600
<v Speaker 1>even the slightest hesitation, I trusted you one hundred and

1:00:32.680 --> 1:00:35.280
<v Speaker 1>ten percent. I trusted you with everything. I shared everything

1:00:35.360 --> 1:00:38.120
<v Speaker 1>with you, good bad, highs lows, and you were such

1:00:38.160 --> 1:00:40.640
<v Speaker 1>a safe wonderful place for us to just walk in,

1:00:41.240 --> 1:00:43.560
<v Speaker 1>leave the chaos of the world behind, and be with

1:00:43.720 --> 1:00:47.000
<v Speaker 1>our deeds. And you know, I just we love you

1:00:47.400 --> 1:00:50.440
<v Speaker 1>so much. Thank you well, d d thank you so

1:00:50.560 --> 1:00:52.600
<v Speaker 1>much for being here with us. Thank you for joining us.

1:00:53.000 --> 1:00:59.400
<v Speaker 1>It's been like visiting with my friends. I know we

1:00:59.520 --> 1:01:03.120
<v Speaker 1>used to go to lunch, remember that. And you moved

1:01:03.160 --> 1:01:07.080
<v Speaker 1>to Phoenix. I don't bring it up to her, don't.

1:01:08.120 --> 1:01:12.720
<v Speaker 1>I had an incredible opportunity to buy property and do

1:01:12.920 --> 1:01:16.400
<v Speaker 1>this job. It was incredible, Yeah, and I went for it.

1:01:16.720 --> 1:01:20.960
<v Speaker 1>You have to. I wake up every morning going this

1:01:21.160 --> 1:01:25.480
<v Speaker 1>is a bad dream, right ye were You're still on

1:01:25.520 --> 1:01:29.000
<v Speaker 1>those felis up until you left? Yeah, yeah, of course

1:01:30.640 --> 1:01:36.040
<v Speaker 1>I will drive that street and not think of you. Yes,

1:01:36.600 --> 1:01:39.200
<v Speaker 1>I love that place. Well, yeah, I think about it

1:01:39.280 --> 1:01:42.200
<v Speaker 1>every single time. I loved it. Writer. I still keep

1:01:42.280 --> 1:01:45.680
<v Speaker 1>up with your mom and dad, you know I still

1:01:46.280 --> 1:01:47.800
<v Speaker 1>you still talk to my mom all the time. I

1:01:47.880 --> 1:01:49.720
<v Speaker 1>talked to your mom all the time. You don't talk

1:01:49.760 --> 1:01:52.000
<v Speaker 1>to my parents. But that's I never did. Attorney for

1:01:52.120 --> 1:01:56.320
<v Speaker 1>Dell attorney, the attorney for Dell, an attorney for Dell. Yeah,

1:01:57.200 --> 1:02:01.600
<v Speaker 1>but it's just incredible. So Neil has all the information

1:02:01.880 --> 1:02:04.720
<v Speaker 1>you know, goods and stuff. So I'll share the emails,

1:02:04.760 --> 1:02:08.200
<v Speaker 1>the phone numbers, you guys. Yeah, yeah, yeah, well deeds,

1:02:08.240 --> 1:02:12.000
<v Speaker 1>we love you. I love you, thank you for making

1:02:12.040 --> 1:02:15.360
<v Speaker 1>those years some of the best of my life. Actually

1:02:16.440 --> 1:02:19.800
<v Speaker 1>right up there right likewise, yeah, right back at you.

1:02:19.920 --> 1:02:21.720
<v Speaker 1>I feel the same way. Thank you. I love you,

1:02:23.280 --> 1:02:27.520
<v Speaker 1>love you. By oh boy. Of course I got emotional

1:02:27.600 --> 1:02:32.720
<v Speaker 1>again saying about two dead inside. I don't feel the

1:02:32.800 --> 1:02:35.160
<v Speaker 1>way you guys feel. I love it and I miss

1:02:35.240 --> 1:02:37.400
<v Speaker 1>these people and I'm so happy. I just don't cry.

1:02:37.520 --> 1:02:41.400
<v Speaker 1>I never do, yeah, crying everything every movie. I just

1:02:42.320 --> 1:02:44.320
<v Speaker 1>I used to feel bad about it. Now now I'll

1:02:44.320 --> 1:02:48.040
<v Speaker 1>be driving in the car with indeed and and a

1:02:48.120 --> 1:02:51.520
<v Speaker 1>song will come on, I'll just start crying. I'm so

1:02:51.840 --> 1:02:53.560
<v Speaker 1>s two or three things that make me cry, and

1:02:53.600 --> 1:02:57.240
<v Speaker 1>it's they're rare, so I know I'll give out there

1:02:57.400 --> 1:02:58.720
<v Speaker 1>Sometimes out there wakes me up in the middle of

1:02:58.720 --> 1:03:00.560
<v Speaker 1>the night because he's completely potty to now, and he

1:03:00.640 --> 1:03:01.720
<v Speaker 1>wakes me up in the middle of the night to

1:03:01.720 --> 1:03:03.080
<v Speaker 1>go to the bathroom because he's still in his crib.

1:03:03.320 --> 1:03:05.640
<v Speaker 1>And I'll get him up to and just giving him

1:03:05.720 --> 1:03:07.800
<v Speaker 1>that hug at like two o'clock in the morning and

1:03:07.840 --> 1:03:10.040
<v Speaker 1>he's all warm, and he's in his little snuggly seat

1:03:10.080 --> 1:03:13.360
<v Speaker 1>see sleepsac and I'll just start crying. Yeah, hug him

1:03:13.400 --> 1:03:14.920
<v Speaker 1>and he's like, you know, I don't want him to know.

1:03:15.000 --> 1:03:17.840
<v Speaker 1>Thankfully it's dark. But yeah, I cried everything, man. Just yeah.

1:03:17.840 --> 1:03:19.000
<v Speaker 1>I think if I woke up in the middle of

1:03:19.000 --> 1:03:21.000
<v Speaker 1>the night and realized I had kids, i'd cry too.

1:03:22.000 --> 1:03:28.520
<v Speaker 1>So yeah, that's true. That was amazing. She I miss her.

1:03:28.640 --> 1:03:33.760
<v Speaker 1>I miss her. Yeah, exactly the same. Weird so great. Ye. Yeah,

1:03:33.840 --> 1:03:36.240
<v Speaker 1>I have to like go visit her in Phoenix or

1:03:36.280 --> 1:03:37.840
<v Speaker 1>see her and we should all go. We'll go, We'll

1:03:37.880 --> 1:03:39.840
<v Speaker 1>go and just hang out in Phoenix. I would love that,

1:03:39.840 --> 1:03:41.640
<v Speaker 1>and she would love that. Are you kidding me? Um?

1:03:42.080 --> 1:03:46.720
<v Speaker 1>We should have to bring a podium. Ye stand up, Yes, exactly,

1:03:47.240 --> 1:03:49.320
<v Speaker 1>that is the way to do it. I can't wait

1:03:49.440 --> 1:03:53.560
<v Speaker 1>for hashtag look for the lobster. I can't wait. I'm

1:03:53.800 --> 1:03:57.000
<v Speaker 1>so excited you remembered that. Well, man, I'm so glad

1:03:57.040 --> 1:04:00.520
<v Speaker 1>you remembered that. Thank god you brought that about the Buddha. Yeah,

1:04:00.600 --> 1:04:02.880
<v Speaker 1>and there's so many things and because the necklace is

1:04:02.920 --> 1:04:09.000
<v Speaker 1>there and everything there with us for all of that stuff,

1:04:09.040 --> 1:04:11.520
<v Speaker 1>she was she was the the other cast member. I

1:04:11.600 --> 1:04:14.000
<v Speaker 1>mean she really was. And yeah, the whole thing with

1:04:14.080 --> 1:04:17.240
<v Speaker 1>your necklace rider. That one so crazy because I remember

1:04:17.280 --> 1:04:19.240
<v Speaker 1>there's one. There's a blue and white one that I

1:04:19.320 --> 1:04:22.120
<v Speaker 1>start wearing, but the silver one I wore all seven

1:04:22.240 --> 1:04:26.160
<v Speaker 1>seasons and I hadn't. I completely forgot where I got it, obviously,

1:04:26.280 --> 1:04:28.320
<v Speaker 1>and then I forgot what happened to it. So I'm

1:04:28.360 --> 1:04:31.160
<v Speaker 1>sitting here going like, yeah, like it must have been

1:04:31.200 --> 1:04:33.640
<v Speaker 1>special to me. Where did it go? And there it is? Wow,

1:04:33.760 --> 1:04:36.400
<v Speaker 1>she still has That's so amazing. That's even cooler than

1:04:36.480 --> 1:04:40.439
<v Speaker 1>the leather jacket. Well, now, okay, that's a good idea.

1:04:40.480 --> 1:04:42.360
<v Speaker 1>We'll go to do an episode from Phoenix. Okay, I

1:04:42.480 --> 1:04:44.880
<v Speaker 1>like that idea. We got to do it. Uh. Thank

1:04:44.920 --> 1:04:46.320
<v Speaker 1>you all for being with us for this episode of

1:04:46.360 --> 1:04:48.200
<v Speaker 1>Pod Meets World. As always, you can follow us on

1:04:48.280 --> 1:04:50.560
<v Speaker 1>Instagram pod Meets World Show. You can send us your

1:04:50.600 --> 1:04:53.280
<v Speaker 1>emails pod meets World Show at gmail dot com and

1:04:53.680 --> 1:05:00.080
<v Speaker 1>we have March Magda pod meets Worldshow dot com and

1:05:00.320 --> 1:05:03.560
<v Speaker 1>we'll send us out. We love you all, pod dismissed.

1:05:05.600 --> 1:05:08.320
<v Speaker 1>Pod Meets World is an iHeart podcast produced and hosted

1:05:08.360 --> 1:05:12.440
<v Speaker 1>by Danielle Fischel, Wilfordelle and Ryder Strong Executive producers, Jensencarp

1:05:12.480 --> 1:05:16.000
<v Speaker 1>and Amy Sugarman, executive in Charger Production, Danielle Romo, producer

1:05:16.080 --> 1:05:19.720
<v Speaker 1>and editor, Tara Supboch producer, Jackie Rodriguez, engineer and Boy

1:05:19.800 --> 1:05:22.360
<v Speaker 1>Meets World superfan Easton Allen. Our theme song is by

1:05:22.480 --> 1:05:24.600
<v Speaker 1>Kyle Morton of Typhoon and you can follow us on

1:05:24.680 --> 1:05:28.240
<v Speaker 1>Instagram at Podmeats World Show or email us at Podmeets

1:05:28.280 --> 1:05:29.840
<v Speaker 1>World Show at gmail dot com