Speaker 1: With Jenny Garth and Tori Spelling. Hello, ladies, what why
Speaker 1: do you Why is your skin so perfect? Jenny? Because
Speaker 1: I gotta light on me. Wait you guys, you know
Speaker 1: I just had a birthday, right yeah, well yeah, thank
Speaker 1: you for your birthday, which is, by the way, I
Speaker 1: loved him, both of you. Um. I my mom, just
Speaker 1: my mom just referenced me as a mid century model.
Speaker 1: Oh no, just literally an hour ago in the kitchen
Speaker 1: she said, you're like a mid century modern. We all
Speaker 1: three of us are not models. Mid century modern. Yeah,
Speaker 1: you know the house like you're a mid century modern.
Speaker 1: Oh I thought at first you said a mid century model.
Speaker 1: That too, basically saying you know, I'm from the mid century.
Speaker 1: It's like the suburb mid century. Yeah. I'm not mad
Speaker 1: at that. Not. I do sometimes think about the fact that, like,
Speaker 1: how like if this is all we've got left, it
Speaker 1: went so fast, there's so much more modern then, Like
Speaker 1: the house isn't gonna stay and put It's gonna need maintenance.
Speaker 1: At some point. We're gonna kind to clean out your gutter. Oh,
Speaker 1: I clean away, because then I will be a beautiful
Speaker 1: specimen and people will be so excited to see me again.
Speaker 1: If I'm a mid century Everyone loved the mid Center.
Speaker 1: And then we just patch you up. You like our
Speaker 1: favorite movie to clean out? What all? We're good. We're
Speaker 1: good for another ten, I think. Yeah, I agree. Yeah,
Speaker 1: we got the Oh my gosh. I'm happy to see
Speaker 1: you guys. I'm happy I made it through another year
Speaker 1: to be here with you. Wow. Um, So did you
Speaker 1: have a drink on your birthday? I'm out of town,
Speaker 1: so I wasn't with her. You weren't with me. We
Speaker 1: haven't celebrated yet, but I'm making you celebrate with me
Speaker 1: when you get past a pie. I had one strawberry
Speaker 1: basil margharita, which was a lish at Cafe Hamana and Malibu. Oh,
Speaker 1: I love that place. Cindy and Randy, No, I didn't
Speaker 1: see them, they weren't there. The gerbs um and then
Speaker 1: at night I had some wine. We played poker and
Speaker 1: I had some wine. I'm impressed with you. That's cute.
Speaker 1: I didn't like it. I had to play poker. She's good.
Speaker 1: Oh yeah, no way, you guys. I never win at
Speaker 1: my home poker games. I won. You look real money? Yeah,
Speaker 1: it's like a twenty dollars buy in. Oh my god.
Speaker 1: Who I think I walked away with seventy eight dollars.
Speaker 1: I am. She never ceases to amaze you. Right, there's
Speaker 1: just things you're like keep because we've been to Vegas
Speaker 1: together and we didn't go play poker. That's a commitment.
Speaker 1: When you go to Vegas sitting sitting down at a
Speaker 1: bound as a commitment. Nobody wants to do that with you.
Speaker 1: So I'd never make people do that with me. I
Speaker 1: would do it. I would play blackjack with you. Do
Speaker 1: you play blackjack? No, that's more you don't. Don't you
Speaker 1: play jack? Tory will hit that. Yeah, my mind doesn't
Speaker 1: work that fast. I need to sit there and use
Speaker 1: my great poker face that I use pretty much every
Speaker 1: day in my life, This look that nobody knows what's
Speaker 1: going on in here, because quite often I don't know
Speaker 1: what's going on in here. So you're saying it works
Speaker 1: to your advantage. This is a good poker face. I
Speaker 1: want thought on my gravestone. You guys, she had a
Speaker 1: good poker face. It's really true, Tori. You don't is
Speaker 1: Tori's berry. Every means everything can't hide a thing. That's
Speaker 1: why we're you. That's what I said whenever anyone asked
Speaker 1: me about like there was like you know them, you
Speaker 1: know them in real life, and I'm like, yeah, they
Speaker 1: are opposites. Opposites but not. Okay, wait, let's talk about
Speaker 1: the show, Season four, episode nineteen the labors. Should we
Speaker 1: mention last week just for a moment? Wait, how are you?
Speaker 1: We can't just skip because the fans, the fans have spoken, okay,
Speaker 1: rewind rewind about so we had we had Peppergate pepper Gate.
Speaker 1: I was like, wait, Gate's not his last name, pepper Gate,
Speaker 1: a little bit of a pepper Gate, Like, how do
Speaker 1: you feel? So I processed it. I cried a lot,
Speaker 1: and and then I tried to rational is it we're
Speaker 1: talking about, you guys, the whole story that we were
Speaker 1: told about something once the directors said about they missed it.
Speaker 1: Just go back and listen. Go back. It's a good
Speaker 1: one to go back and listen. Yea. And my favorite
Speaker 1: part is the kind of behind the scenes afterwards where
Speaker 1: I'm still upset about it and just looking at your
Speaker 1: face because I know you so well. You're just like
Speaker 1: I could tell you want to so like dive through
Speaker 1: that screen and hug me and nurture me or kick
Speaker 1: somebody's ass for me, and it just made me love
Speaker 1: our friendship even more. But listen to it. It's a
Speaker 1: wild episode. But we're still in talks to get that
Speaker 1: director on because we just want to hear. I have
Speaker 1: had email conversations with the director who says this didn't happen,
Speaker 1: and fingers crossed. He's thinking about coming on our podcast
Speaker 1: and telling his version, So let's hope that happens. So
Speaker 1: stay tuned, Stay tuned. Thirty years is a long time
Speaker 1: to remember something exactly. I will say that, like, I
Speaker 1: don't know that anybody is. It's like your perception changes
Speaker 1: in your course. I think it's exactly right, and maybe
Speaker 1: it isn't. I mean, yeah, and everybody has their own perspective,
Speaker 1: so who knows. But we'll see. We'll see, okay, and
Speaker 1: I will kick his ass if it happened. M okay.
Speaker 1: Back to the show, Season four, episode nineteen, Labors of
Speaker 1: Love aired February second, nineteen ninety four. Synopsis. David dives
Speaker 1: deeper into his addiction. Donna isn't good at tough love.
Speaker 1: Brandon feels slighted when Dylan comes to the rescue, Andrea
Speaker 1: makes a big decision and Lucinda is looking for a
Speaker 1: friend with benefits. I love the way this show opened.
Speaker 1: I felt I was like, uh, just that big wide
Speaker 1: shot of seeing the street with all those nineties cars.
Speaker 1: Very cool. It was the first, like one of the
Speaker 1: first times where you're like, definitely this show was in
Speaker 1: the nineties, like you couldn't deny it, you know, and
Speaker 1: Beverly Hills in Beverly Hills, that is Beverly Hills. Loved
Speaker 1: that opening. Good job director Jefferson Kibby. Was this the
Speaker 1: first episode Jefferson Kibby directed, He went He went on
Speaker 1: to be kind of one of our buddy buddy directors
Speaker 1: as well. He I don't know, I feel like he's
Speaker 1: done something else, but I afore this and writers Roseanne
Speaker 1: Welsh and Christine Pettit. We know Christine Pettit, but Roseanne Welch,
Speaker 1: Raquel Welch's daughter. Could it be sounds like Roseanne Roquel
Speaker 1: my dad was friends with shook it comment Anyway, this
Speaker 1: episode two was strife with you know, big heavy topics
Speaker 1: to abortion and uh what was the other one? Well,
Speaker 1: the business and all the business decisions with the heart attack,
Speaker 1: the money, the ore. Pretty heavy episode. Wow, and have
Speaker 1: to say, just watching this whole topic of um, Kelly
Speaker 1: and Andrea going to the abortion, going to the doctor
Speaker 1: getting like lining her up to get an abortion, all
Speaker 1: the discussion of it just made me so honestly sick
Speaker 1: to my stomach to know that it's hard to even
Speaker 1: say this that in twenty twenty three, watching the show
Speaker 1: back thirty some years later, women don't have the fucking
Speaker 1: right yes to do what they want with their own bodies,
Speaker 1: and it was just so upsetting and disturbing to me.
Speaker 1: It really was. I'm glad you said that because I
Speaker 1: felt the same way, like, wow, this really Even on
Speaker 1: nine two one zero, they they had a topic, a
Speaker 1: sensitive topic, and they show both sides of it, and
Speaker 1: I don't know, I just really got me riled up. Yeah.
Speaker 1: It was very um, I don't know what the word
Speaker 1: is to to like, it's almost surreal because you're watching
Speaker 1: the show from thirty years ago. Yeah, but the storyline
Speaker 1: is almost more I almost like I'm getting like, look
Speaker 1: at my I'm like chills because the storyline is more
Speaker 1: important today, yeah than thirty years ago. It was very
Speaker 1: out of body for me because it was like my
Speaker 1: mind was going, I'm watching the show I don't know
Speaker 1: what date it is, basically right, and it's like happening
Speaker 1: to one of the one of the you know, characters
Speaker 1: on a TV show, one one little character, you know.
Speaker 1: But to think that it's not happening to one little character,
Speaker 1: like that's affecting every woman in our country and right, well,
Speaker 1: he might be turning one hundred years old this uh,
Speaker 1: this year, my dad if he was with us, really,
Speaker 1: but look at him, still has his finger on the
Speaker 1: pulse of relevancy unfortunately. Yeah, and humans so more so
Speaker 1: now than them. Yeah, and that crazy. They did it
Speaker 1: well in this episode. I'm glad two females wrote it.
Speaker 1: I feel like they had to. They had to do
Speaker 1: that point. Yeah, and they didn't sugarcoat it or shy
Speaker 1: away from digging into it. They really went for it
Speaker 1: with all the details, like the discussions and the yeah
Speaker 1: and the line like no, this can't happen today because
Speaker 1: basically saying we're too busy. You're not the only one
Speaker 1: in this situation. It was very um powerful without being preachy. Hmm.
Speaker 1: It just felt it just felt eerie kind of. But
Speaker 1: Kelly Taylor's really getting involved in people's business. She's really
Speaker 1: sticking her nose in there. I mean, it's nice she's
Speaker 1: helping Andrea. But then she goes home and kicks David
Speaker 1: out of the apartment, and I thought that was good too.
Speaker 1: She's You've been an advocate the last few episodes for
Speaker 1: What's right? I know, yeah, what do you? What do
Speaker 1: you guys think that Donna ran out with the wallet?
Speaker 1: Oh Donna, I'm still I tell you not to give
Speaker 1: him money. Yeah, sure did. And he was so sketchy
Speaker 1: in that scene, and like you could see instantly that
Speaker 1: he was going to take that money, just like immediately
Speaker 1: to get his fixed. And Donna didn't see it. She
Speaker 1: just loves him time blinded by love. You're becoming an enabler.
Speaker 1: I was like this in real life with that bad boyfriend.
Speaker 1: It's just two art imitating life, life imitating art. It
Speaker 1: was hard for me to watch that scene because knowing
Speaker 1: like I wish I could have gone back because the wallet,
Speaker 1: the rent mine were much bigger stakes, like when I
Speaker 1: gave him my brand new Porsche that he talked me
Speaker 1: into buying. When I gave him twenty five thousand dollars
Speaker 1: because he lost it at a poker game, and I
Speaker 1: had to be he woke me up, and he's playing
Speaker 1: with huge Hollywood producers, like took all my money, took
Speaker 1: everything the Enabler timestake. So this triggers you, Yeah, can
Speaker 1: you tell? Wow? I was like storyline. Then I realized
Speaker 1: you're talking about real life. Oh my god. Yeah, no,
Speaker 1: she's talking about real life people. Wow. Yeah, Enabler. This
Speaker 1: episode was gnarly. That rug scene at the end was
Speaker 1: very gnarly. I'm a needle. I'm surprised they were able
Speaker 1: to show that on needles. I don't know. She just
Speaker 1: does this, Amy does this every time. Oh no, I met.
Speaker 1: Why is the drugs? Why are they going to need im?
Speaker 1: Because because that's what you were once. You can't get
Speaker 1: it high from snorting it or ingesting it, you start
Speaker 1: shooting it. That's what happens. That's I don't know about
Speaker 1: drugs like that. That's the evolution. Yeah, because I watched
Speaker 1: this episode of nine or two and oh I learned right, dang.
Speaker 1: And the guy, the guy that's on there was a
Speaker 1: friend of all of ours, like we all. I couldn't
Speaker 1: remember his name, bo Jesse Deeler guy. Was it Jesse?
Speaker 1: That sounds right? Drug Jesse Christopher Bo Jesse Christopher So
Speaker 1: he was also an actor, really hot actor, but he
Speaker 1: also would run clubs in La like promoter and did
Speaker 1: he do Saturday night fevers? That ring a bell here
Speaker 1: the club does not line up if he and Brian
Speaker 1: were friends the club the movie The club in Hollywood.
Speaker 1: It's about the right time Saturday night fever. But Brian
Speaker 1: and him might have run a club together promoted called
Speaker 1: Oh I'm blanking, I don't know whoa he was Alexa.
Speaker 1: He was the reckless younger brother of Patrick Swayze in
Speaker 1: Point Break. Yeah, he was a hottie, but he was
Speaker 1: kind of a little bit of a little dark in
Speaker 1: real life. We were like, oh wow, yeah, he's he's
Speaker 1: the promoter of that club, Like boy, that's that's his
Speaker 1: first name? Bo Jesse. Yeah wait you god, literally, how
Speaker 1: do we find this guy? Oh my god? Find him?
Speaker 1: He was so hot under Brian still friends with him. Yeah.
Speaker 1: That scene though, was really intense. Oh and I felt
Speaker 1: like this is the first time they've gone that dark
Speaker 1: on the show, like that dark into drug abuse. And
Speaker 1: I mean I was kind of glad that they did
Speaker 1: to scare kids, because it scared me just watching it.
Speaker 1: Something that stands out to me in this episode is
Speaker 1: the relationship between Andrea and Kelly. We haven't seen that
Speaker 1: so much. Yeah, we've seen like little sprinklings of it.
Speaker 1: I think we've established that they but that Kelly is
Speaker 1: somebody that Andrea goes to in situation. But Andrea goes
Speaker 1: to Donna too. I'm never really seen her go to Brenda.
Speaker 1: But now it makes sense because Kelly's gotten I got
Speaker 1: a lot more experience with real life tough issues, and
Speaker 1: this is one of the biggest tough issues that a
Speaker 1: young girl could probably face. So it makes sense that
Speaker 1: she would go to somebody like this character to like
Speaker 1: have her hold her hand through it. And I thought
Speaker 1: it was so sweet when the doctor called her into
Speaker 1: the office and she said, would you come with me?
Speaker 1: I thought that was really touching. You know what stands
Speaker 1: out to me about Kelly. She's very loyal. She told
Speaker 1: no one. This was not like something she went back
Speaker 1: and you know, a group of girls like that, you
Speaker 1: might say, oh, don't I have to tell you something,
Speaker 1: but you can't tell, you know, Like, she really just
Speaker 1: stayed loyal and she's like a she's a very good friend.
Speaker 1: And I feel the same thing about the way she's
Speaker 1: handling the David situation. Yeah, you don't play with Kelly.
Speaker 1: You know, she's pretty straightforward. But I mean, I think
Speaker 1: that the way she's handling the David situation, the drug use,
Speaker 1: think is the way you should handle it. But it
Speaker 1: does seem a little harsh, a little just it seems
Speaker 1: like it's colored a little bit by Kelly's experiences from
Speaker 1: her mom in the past, So that makes it come
Speaker 1: off as harsh to David because it's the first time
Speaker 1: she's dealing with it with David. But I guess that's
Speaker 1: the right way to go about it. Kind of tough love. Yeah,
Speaker 1: the juxtaposition between Domina and Kelly is like enabler tough love.
Speaker 1: It's like, yeah, I'm not sure what they're supposed to do.
Speaker 1: This guy is got drugs in their home, I know,
Speaker 1: and then he goes to work to get more. And
Speaker 1: then the boss, the DJ guy, what's his name, Howard
Speaker 1: Howard Howard fires him and he's the one that got
Speaker 1: him hooked on the drug. Well good, he can handle
Speaker 1: his drugs. He couldn't. He's out of there. Sorry, pal,
Speaker 1: I don't know. I was watching so much Kelly face
Speaker 1: this time. This episode there was just so many Kelly faces.
Speaker 1: I was like, the only thing I really wanted was
Speaker 1: somebody to give that girl some contour because she's so
Speaker 1: freaking white and like moon face, like so white. I
Speaker 1: just wanted to cut the cheek bones just a little.
Speaker 1: Ah see, it is so wrong. I literally was like,
Speaker 1: I loved her and she's so beautiful. Yeah, I'm like
Speaker 1: a contour tour on her? Isn't that interesting? Contour not
Speaker 1: a thing? Then? Now now you can't live without it? Right?
Speaker 1: So funny that you're saying that because I actually wrote
Speaker 1: in my notes, great makeup on this show, because to me,
Speaker 1: everybody looks very natural. The boys, I liked it. Everybody
Speaker 1: looked real good point. Yes, there was a lot of
Speaker 1: close up shots in this episode. I literally wrote in
Speaker 1: my notes, great makeup. Makeup is so my literally wrote down,
Speaker 1: give that girl some contour. I think too, when you're
Speaker 1: watching it so different because you're watching your cells where
Speaker 1: I'm just like completely sucked into these the whole thing, Like,
Speaker 1: I don't know what you're supposed to do about David.
Speaker 1: He's a total train wreck, and Donna's apologizing all the time.
Speaker 1: I'm sorry. Oh, it's painful to watch and he's like
Speaker 1: fiending so hard. He's like, Tori, what's going through your
Speaker 1: mind when you're watching Donna? The forty nine year old
Speaker 1: me is like, she's pathetic, but I regrets to that
Speaker 1: in moments in my life anyway. It's hard you go
Speaker 1: back to your old ways. She's pathetic, she's in love.
Speaker 1: She has no one to guide her. I think like
Speaker 1: her parents, she doesn't have a great mother figure example,
Speaker 1: not that she would ever tell her mother, but there's
Speaker 1: no there's no one strong. I mean, the strongest person
Speaker 1: in her life is Kelly, you know. And Kelly's trying
Speaker 1: to handle it at the same time the best way
Speaker 1: she knows how to handle it. So it's it's a
Speaker 1: very good point. It's so interesting, like when you just
Speaker 1: said that before, how you said sometimes at forty nine
Speaker 1: and I hate that you can still say forty nine.
Speaker 1: By the way, not for long, my friend. You know
Speaker 1: it's coming up the big five. Oh. It's so interesting
Speaker 1: because you say you regress back to that same quality
Speaker 1: issue in your real life, because I am the same
Speaker 1: way as Kelly is in my real life. Like I'm
Speaker 1: very straightforward, I'm very like tough. I can be very
Speaker 1: tough love. I can be very brass tacks about things,
Speaker 1: and I have to work on that personally because it
Speaker 1: doesn't there's a time and a place for that, and
Speaker 1: sometimes it can be abrasive, and sometimes people don't. People
Speaker 1: just don't like it. But you're saying that you have
Speaker 1: the same challenges, Like you can go into your life
Speaker 1: where you say sorry for things that you're not sorry for.
Speaker 1: You have no reason to apologize for. Embedded in us
Speaker 1: these characteristics that we are we still have as growing women,
Speaker 1: is wow. Well, the part of me that's in Donna
Speaker 1: that I regress back to was always part of me,
Speaker 1: though Donna just developed her every week, so she came
Speaker 1: out more. I don't know if that was because I
Speaker 1: didn't know you before, Kelly, So I don't know if
Speaker 1: that any of those traits were a part of Jenny's
Speaker 1: personality and it came out more. Really, I sneezed yes
Speaker 1: day and apologize and I even stopped and I was like,
Speaker 1: I look around, like, what the hell? And that's so
Speaker 1: fascinating to me because I'm thinking about this this director
Speaker 1: that were we were talking about earlier, and this incident
Speaker 1: that may or may not have happened. I literally can
Speaker 1: see you guys talking to him, with Jenny being Kelly
Speaker 1: and Tori being Donna, and Tori saying, oh, I'm sorry
Speaker 1: for something, you know what I mean, and Jenny being like, no,
Speaker 1: so did what came first? The chicken or the egg?
Speaker 1: Like she's saying the chicken came first, or no, the egg,
Speaker 1: her egg came first? And what about you? I don't
Speaker 1: remember being like as um determined and you know, as
Speaker 1: strong as I as my character Kelly was at that age,
Speaker 1: do you think you became Kelly? I think I in
Speaker 1: a lot of ways, I had to just to survive
Speaker 1: on my own in this business. I didn't have you know,
Speaker 1: tour was lucky enough to have her dad there too.
Speaker 1: She'd been in the like in the industry, she knew
Speaker 1: what was happening. I was. I had no idea what
Speaker 1: I was doing in the industry, and I had nobody
Speaker 1: watching out for me other than Randy, my manager. So
Speaker 1: I feel like I had to Kelly up in life.
Speaker 1: It's fascinating, but I like I like it. I like
Speaker 1: I like just interesting. I like them both. But I
Speaker 1: totally see what you're saying, and it's like, you really
Speaker 1: can't have one without the other. I don't know that
Speaker 1: it would have played so well with Kelly being tough
Speaker 1: if Donna wasn't chasing after with the checkbook. No, it's
Speaker 1: literally funny. It's like transferred into even like our business
Speaker 1: relationship as we've gotten old, or like just our dealings
Speaker 1: with all the things that we do together. It's not
Speaker 1: like that extreme, but there's little essence of that aversion
Speaker 1: through vain. It's so fun kind of good cop, bad cop,
Speaker 1: and kind of at the heart of it, like you
Speaker 1: are who you are. You can work on your shit.
Speaker 1: She's not. You work on your ship, but like you
Speaker 1: still are who you are essentially and as funny how
Speaker 1: it does like trickle out. I think it's interesting this
Speaker 1: conversation because you're right, like if I had to describe
Speaker 1: each of you in one word, do it well, No,
Speaker 1: you do have that like, no, you're right about it.
Speaker 1: But then at the same time, I do think Tory
Speaker 1: can be tough. Oh yes, and Jenny is a pile
Speaker 1: of mush, sweetest thing on the planet. Yeah, totally, yes,
Speaker 1: we totally have. That's why it works, you really is.
Speaker 1: It's usually not at the same time that we have
Speaker 1: those qualities. You know what I mean Jen, like, you
Speaker 1: can meet off and I can be like sweet, no,
Speaker 1: no, no no no, but when I get like, no, we're
Speaker 1: doing this business wise, You're like, bud, it is it?
Speaker 1: We usually switch really episode this podcast, like Tory and
Speaker 1: I got in trouble because we were off on our phones,
Speaker 1: you know, and you want to please Jenny. I don't
Speaker 1: want to be like I don't want to mess it up.
Speaker 1: Like so you you both are these people, and I
Speaker 1: understand it in the characters because ultimately they want to
Speaker 1: like David is letting HELLI down, and he's letting Donna down,
Speaker 1: and he doesn't care. Right now, he doesn't care, but
Speaker 1: we'll see. I do think a couple of things. If
Speaker 1: we may switch to Jesse for a second, who I
Speaker 1: really cute? Yes, I saw that he was so cute,
Speaker 1: but it did bother me when he said if you
Speaker 1: go through with this, don't come back here. That was
Speaker 1: kind of gnarly. Yeah, not cool. He was just I think,
Speaker 1: really reeling with all his emotions in that moment because
Speaker 1: he didn't think that that was even on the table
Speaker 1: right for her to have an abortion, and certainly not
Speaker 1: to have an abortion without discussing it with running the
Speaker 1: father of the baby agree and he was in half,
Speaker 1: you have no nothing you could do. You really can't
Speaker 1: do anything. And she wasn't being fair by being like,
Speaker 1: this is all about me. It's like it is about both.
Speaker 1: He really stepped up, but then he says that harsh line.
Speaker 1: But then he comes around. It was complicated as it
Speaker 1: would be as it is. Yeah, now it's a little
Speaker 1: bit with a bow kind of nine o two one zero. Yeah,
Speaker 1: because then they go to the peach pit and not
Speaker 1: they come in and they don't even like move out
Speaker 1: of the doorway. It really bothered me. They just stood
Speaker 1: in the doorway of the peach pit and announced it
Speaker 1: to everyone. Couldn't we just sit down at a table
Speaker 1: and now this right, they really take over that joint.
Speaker 1: There are other customers. What did you think? Okay, did
Speaker 1: something stand out to in that moment? Mm? I know
Speaker 1: what when Brandon lip kisses fully lip kisses, Oh, that
Speaker 1: didn't bother me. I loved it. What did he whisper
Speaker 1: to her too? He lip kisses her and he's like,
Speaker 1: I told you it would be okay, Yeah, something like
Speaker 1: that all Brandon always knows. I thought this was a
Speaker 1: good episode for Brandon too. Because I don't know. I
Speaker 1: love it when um in the moment when he got
Speaker 1: a little like but hurt that Dylan was going to
Speaker 1: be buying the peach pit. Yes, I love it when
Speaker 1: you get to see Brandon, I Jason the actor play
Speaker 1: those little sentiments emotional moments because he's so good at it. Yes,
Speaker 1: you really feel what? I don't know. He's just so subtle.
Speaker 1: He's such a subtle actor and I just love watching him.
Speaker 1: He isn't good enough of those, no, because he's too
Speaker 1: busy being number one, running like he has to be
Speaker 1: every man for the show and keep it together. I
Speaker 1: love those moments and I love when he gets fired up.
Speaker 1: Oh you know what I didn't love what make it out? Sextrey.
Speaker 1: Brandon's sextry wrote with whoo oo, I put somewhere between
Speaker 1: you and I love this because it was a real
Speaker 1: close up of watching him make out with the hands
Speaker 1: and ye know how he does it? She doesn't know? Yeah,
Speaker 1: I do know, but honestly, I don't see a connection
Speaker 1: between those two. What did you think of when he
Speaker 1: went over there? There's no there's no chemistry. I don't
Speaker 1: think it feels very fabricated. Yeah, yeah, what about um Emily. Hello, Brandon,
Speaker 1: didn't you right? Didn't you promise yourself to wait for Emily?
Speaker 1: Where are the frigs? She nobody cares about anybody these days,
Speaker 1: not one hundred percent that Brandon and Lucien to have
Speaker 1: no chemistry because she's so sort of cool and hot
Speaker 1: that maybe you feel zero. I'll tell you who she
Speaker 1: has chemistry with, and I'll leave it at that. Dylan, well, mhm,
Speaker 1: and I'll leave it at that. I'm sort of back
Speaker 1: to the dry thing we talked. I think we talked
Speaker 1: about this a little bit. I wonder it must have
Speaker 1: been so hard for her personally to play these scenes
Speaker 1: like the the torn like gonna get an abortion, scenes
Speaker 1: like I could just feel it made me cry, Like, yeah,
Speaker 1: that storyline must have been so hard for because she
Speaker 1: was pregnant. I r L. You know that's talking to
Speaker 1: the baby scene. It was a good episode. It was.
Speaker 1: It was really good. I'm glad that Nat made it
Speaker 1: out of the surgery. Okay, he looked this, Uh, pretty
Speaker 1: good for having just had open heart surgery. I say,
Speaker 1: because I've seen a man after that and they don't
Speaker 1: look like that. Very sweet. When he said, I'm talking
Speaker 1: to my boys. Uh, and very very cute in the
Speaker 1: hospital hallway when the boys turned around and they walk
Speaker 1: away and you see their cute little butts. Yeah, I
Speaker 1: liked that shot. I think my only flag on the
Speaker 1: play in this episode was when you are at the
Speaker 1: dorm with Andrea having this real heart to heart and
Speaker 1: she's basically having a meltdown and you're eating Chinese food
Speaker 1: and boom, all of a sudden, you're out of her
Speaker 1: time to go. Well, you don't relate. It was we
Speaker 1: had a big day ahead of us. You know, I
Speaker 1: needed to get some sleep to be ready for that.
Speaker 1: Oh you know. It was a red flag for me
Speaker 1: in this episode in the scene in the peach pit.
Speaker 1: Another part of that scene when she announces it and
Speaker 1: then all of a sudden, Dylan pulls out a canister
Speaker 1: of breadsticks from nowhere and then they're the cigars. The
Speaker 1: peach pits never served a breadstick. That's not on the menu.
Speaker 1: I thought there were pencils. At first. I was like,
Speaker 1: what's happening. That would have made more sense, like a
Speaker 1: bowl of pencils by the cash register. I don't know breadstick.
Speaker 1: I will also say, though, I thought Brenda Samon Brenda.
Speaker 1: I thought Shamon slash Brenda was very sweet and cute
Speaker 1: and smiley in this episode. Like, there were some moments
Speaker 1: where I'm like, there's a scene where when when the
Speaker 1: baby announcement, she's very cute looking, and she was cute
Speaker 1: to brand. She seems happy, Yeah, yeah, happy, like she
Speaker 1: seems like when you're happy in your real life. It
Speaker 1: kind of oozes onto the screen through your characters overalls
Speaker 1: and a few outfits that I thought were so amazing overalls.
Speaker 1: And then when she's in class with the cute sweater
Speaker 1: in the pants. Okay, guys, in the last ten minutes,
Speaker 1: he might have felt me a little distracted here, maybe, okay,
Speaker 1: because you know, and Jen knows, when I get on
Speaker 1: something and I can't remember it, I go nuts. And
Speaker 1: still I just figured it out, and I'm so Brian
Speaker 1: was friends with bo Jesse. Brian brought him onto the show.
Speaker 1: Brian had a nightclub called Ballistic. I couldn't remember the
Speaker 1: name Ballistic, and it was like a dance kind of
Speaker 1: and he would do it like it would be like
Speaker 1: a club one night a week, Yeah, one night a week.
Speaker 1: He would host it. It would be his club, and
Speaker 1: bow Jesse was a part of that, and I'm doing
Speaker 1: all Does anybody feel it's weird that bow Jesse Slash
Speaker 1: whatever his character's name is, literally has a drug den
Speaker 1: in his dorm right there, knock knock knock, Yeah right,
Speaker 1: And I thought the same thing. Let's he will have
Speaker 1: a lot of stories. We will find him and it's
Speaker 1: just like there's like just this mess going on in
Speaker 1: that room. And then the show ends on lu send
Speaker 1: it and Jason and Brandon and I fell asleep because
Speaker 1: yet without that yeah really, yeah, it's like those movies
Speaker 1: that have three endings and you're like, yeah, I was.
Speaker 1: It could have been over at the Andrea or the
Speaker 1: drug den, none of the drug did lucend Gaddy here? Yeah,
Speaker 1: we did go from the High I would have slipped
Speaker 1: the order. I maybe would have gone drug Den to
Speaker 1: Lucinda's and then back to the peach pit because that
Speaker 1: seemed like a nail, because we did go from the
Speaker 1: peach Pit back to the drug den to the gnarliest
Speaker 1: scene I've ever seen on nine o two on like
Speaker 1: full drugs and like were they going to inject needles
Speaker 1: in between toes? Yes, they took off your everybody's like
Speaker 1: take off your shoes your boy. First of all, I
Speaker 1: don't want to see all those feets gross mast yeah
Speaker 1: really fast. I know we have to go. But Hallie
Speaker 1: and Dylan are just thriving. But are they thriving? I
Speaker 1: think they're so sweet. Are they together? I don't even
Speaker 1: know anymore. They're not together enough to not be thriving.
Speaker 1: Some juicy stuff is coming up. There's thriving. He's so like,
Speaker 1: it's all good right now, right now, bomb, Okay, guys happen. Oh,
Speaker 1: let's rate it. Let's what's their homework? Jen? Oh, you
Speaker 1: don't have your paper? You can. We can use fingers today.
Speaker 1: Let's rate it. Um, I can do it. H whoa
Speaker 1: you gave Oh? I thought you gave it a ten.
Speaker 1: You give a nine. I gave it an eight. You
Speaker 1: gave it a seven. Two hard hitting ones back to
Speaker 1: back to back. Surprising because you know, people do want
Speaker 1: to be entertained a little bit and not be like heavy.
Speaker 1: It's getting real real, like yeah, yeah, I think it's
Speaker 1: going to be heavy next week too. Oh man? Really
Speaker 1: next week is episode twenty season four, Scared Very Straight.
Speaker 1: So that's either going to be about David and his
Speaker 1: drug addiction or one of the characters is going to
Speaker 1: come out as gay? Yeah, pretty much. I hope that's it,
Speaker 1: really do, really really do, because that would be fun.
Speaker 1: This season's good, it is. Yeah. I feel like we've
Speaker 1: been watching season four forever. Isn't it funny? This one
Speaker 1: has gone on forever. Every time I go on the
Speaker 1: Paramount Plus to find the episode to watch, I'm like, wait,
Speaker 1: what that was in season four? I can't believe. And
Speaker 1: it's still got a long way to go. It has,
Speaker 1: My lord, there's tony something episodes in this season. Oh
Speaker 1: that's good. That's good for the buds up. See you
Speaker 1: guys next week. Love you guys. By