WEBVTT - Decisions, Drugs, and Divorce

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<v Speaker 1>With Jenny Garth and Tori Spelling. Hello, ladies, what why

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<v Speaker 1>do you Why is your skin so perfect? Jenny? Because

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<v Speaker 1>I gotta light on me. Wait you guys, you know

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<v Speaker 1>I just had a birthday, right yeah, well yeah, thank

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<v Speaker 1>you for your birthday, which is, by the way, I

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<v Speaker 1>loved him, both of you. Um. I my mom, just

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<v Speaker 1>my mom just referenced me as a mid century model.

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<v Speaker 1>Oh no, just literally an hour ago in the kitchen

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<v Speaker 1>she said, you're like a mid century modern. We all

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<v Speaker 1>three of us are not models. Mid century modern. Yeah,

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<v Speaker 1>you know the house like you're a mid century modern.

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<v Speaker 1>Oh I thought at first you said a mid century model.

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<v Speaker 1>That too, basically saying you know, I'm from the mid century.

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<v Speaker 1>It's like the suburb mid century. Yeah. I'm not mad

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<v Speaker 1>at that. Not. I do sometimes think about the fact that, like,

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<v Speaker 1>how like if this is all we've got left, it

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<v Speaker 1>went so fast, there's so much more modern then, Like

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<v Speaker 1>the house isn't gonna stay and put It's gonna need maintenance.

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<v Speaker 1>At some point. We're gonna kind to clean out your gutter. Oh,

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<v Speaker 1>I clean away, because then I will be a beautiful

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<v Speaker 1>specimen and people will be so excited to see me again.

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<v Speaker 1>If I'm a mid century Everyone loved the mid Center.

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<v Speaker 1>And then we just patch you up. You like our

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<v Speaker 1>favorite movie to clean out? What all? We're good. We're

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<v Speaker 1>good for another ten, I think. Yeah, I agree. Yeah,

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<v Speaker 1>we got the Oh my gosh. I'm happy to see

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<v Speaker 1>you guys. I'm happy I made it through another year

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<v Speaker 1>to be here with you. Wow. Um, So did you

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<v Speaker 1>have a drink on your birthday? I'm out of town,

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<v Speaker 1>so I wasn't with her. You weren't with me. We

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<v Speaker 1>haven't celebrated yet, but I'm making you celebrate with me

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<v Speaker 1>when you get past a pie. I had one strawberry

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<v Speaker 1>basil margharita, which was a lish at Cafe Hamana and Malibu. Oh,

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<v Speaker 1>I love that place. Cindy and Randy, No, I didn't

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<v Speaker 1>see them, they weren't there. The gerbs um and then

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<v Speaker 1>at night I had some wine. We played poker and

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<v Speaker 1>I had some wine. I'm impressed with you. That's cute.

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<v Speaker 1>I didn't like it. I had to play poker. She's good.

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<v Speaker 1>Oh yeah, no way, you guys. I never win at

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<v Speaker 1>my home poker games. I won. You look real money? Yeah,

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<v Speaker 1>it's like a twenty dollars buy in. Oh my god.

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<v Speaker 1>Who I think I walked away with seventy eight dollars.

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<v Speaker 1>I am. She never ceases to amaze you. Right, there's

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<v Speaker 1>just things you're like keep because we've been to Vegas

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<v Speaker 1>together and we didn't go play poker. That's a commitment.

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<v Speaker 1>When you go to Vegas sitting sitting down at a

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<v Speaker 1>bound as a commitment. Nobody wants to do that with you.

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<v Speaker 1>So I'd never make people do that with me. I

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<v Speaker 1>would do it. I would play blackjack with you. Do

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<v Speaker 1>you play blackjack? No, that's more you don't. Don't you

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<v Speaker 1>play jack? Tory will hit that. Yeah, my mind doesn't

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<v Speaker 1>work that fast. I need to sit there and use

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<v Speaker 1>my great poker face that I use pretty much every

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<v Speaker 1>day in my life, This look that nobody knows what's

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<v Speaker 1>going on in here, because quite often I don't know

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<v Speaker 1>what's going on in here. So you're saying it works

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<v Speaker 1>to your advantage. This is a good poker face. I

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<v Speaker 1>want thought on my gravestone. You guys, she had a

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<v Speaker 1>good poker face. It's really true, Tori. You don't is

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<v Speaker 1>Tori's berry. Every means everything can't hide a thing. That's

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<v Speaker 1>why we're you. That's what I said whenever anyone asked

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<v Speaker 1>me about like there was like you know them, you

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<v Speaker 1>know them in real life, and I'm like, yeah, they

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<v Speaker 1>are opposites. Opposites but not. Okay, wait, let's talk about

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<v Speaker 1>the show, Season four, episode nineteen the labors. Should we

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<v Speaker 1>mention last week just for a moment? Wait, how are you?

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<v Speaker 1>We can't just skip because the fans, the fans have spoken, okay,

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<v Speaker 1>rewind rewind about so we had we had Peppergate pepper Gate.

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<v Speaker 1>I was like, wait, Gate's not his last name, pepper Gate,

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<v Speaker 1>a little bit of a pepper Gate, Like, how do

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<v Speaker 1>you feel? So I processed it. I cried a lot,

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<v Speaker 1>and and then I tried to rational is it we're

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<v Speaker 1>talking about, you guys, the whole story that we were

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<v Speaker 1>told about something once the directors said about they missed it.

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<v Speaker 1>Just go back and listen. Go back. It's a good

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<v Speaker 1>one to go back and listen. Yea. And my favorite

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<v Speaker 1>part is the kind of behind the scenes afterwards where

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<v Speaker 1>I'm still upset about it and just looking at your

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<v Speaker 1>face because I know you so well. You're just like

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<v Speaker 1>I could tell you want to so like dive through

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<v Speaker 1>that screen and hug me and nurture me or kick

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<v Speaker 1>somebody's ass for me, and it just made me love

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<v Speaker 1>our friendship even more. But listen to it. It's a

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<v Speaker 1>wild episode. But we're still in talks to get that

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<v Speaker 1>director on because we just want to hear. I have

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<v Speaker 1>had email conversations with the director who says this didn't happen,

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<v Speaker 1>and fingers crossed. He's thinking about coming on our podcast

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<v Speaker 1>and telling his version, So let's hope that happens. So

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<v Speaker 1>stay tuned, Stay tuned. Thirty years is a long time

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<v Speaker 1>to remember something exactly. I will say that, like, I

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<v Speaker 1>don't know that anybody is. It's like your perception changes

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<v Speaker 1>in your course. I think it's exactly right, and maybe

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<v Speaker 1>it isn't. I mean, yeah, and everybody has their own perspective,

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<v Speaker 1>so who knows. But we'll see. We'll see, okay, and

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<v Speaker 1>I will kick his ass if it happened. M okay.

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<v Speaker 1>Back to the show, Season four, episode nineteen, Labors of

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<v Speaker 1>Love aired February second, nineteen ninety four. Synopsis. David dives

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<v Speaker 1>deeper into his addiction. Donna isn't good at tough love.

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<v Speaker 1>Brandon feels slighted when Dylan comes to the rescue, Andrea

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<v Speaker 1>makes a big decision and Lucinda is looking for a

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<v Speaker 1>friend with benefits. I love the way this show opened.

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<v Speaker 1>I felt I was like, uh, just that big wide

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<v Speaker 1>shot of seeing the street with all those nineties cars.

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<v Speaker 1>Very cool. It was the first, like one of the

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<v Speaker 1>first times where you're like, definitely this show was in

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<v Speaker 1>the nineties, like you couldn't deny it, you know, and

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<v Speaker 1>Beverly Hills in Beverly Hills, that is Beverly Hills. Loved

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<v Speaker 1>that opening. Good job director Jefferson Kibby. Was this the

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<v Speaker 1>first episode Jefferson Kibby directed, He went He went on

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<v Speaker 1>to be kind of one of our buddy buddy directors

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<v Speaker 1>as well. He I don't know, I feel like he's

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<v Speaker 1>done something else, but I afore this and writers Roseanne

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<v Speaker 1>Welsh and Christine Pettit. We know Christine Pettit, but Roseanne Welch,

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<v Speaker 1>Raquel Welch's daughter. Could it be sounds like Roseanne Roquel

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<v Speaker 1>my dad was friends with shook it comment Anyway, this

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<v Speaker 1>episode two was strife with you know, big heavy topics

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<v Speaker 1>to abortion and uh what was the other one? Well,

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<v Speaker 1>the business and all the business decisions with the heart attack,

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<v Speaker 1>the money, the ore. Pretty heavy episode. Wow, and have

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<v Speaker 1>to say, just watching this whole topic of um, Kelly

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<v Speaker 1>and Andrea going to the abortion, going to the doctor

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<v Speaker 1>getting like lining her up to get an abortion, all

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<v Speaker 1>the discussion of it just made me so honestly sick

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<v Speaker 1>to my stomach to know that it's hard to even

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<v Speaker 1>say this that in twenty twenty three, watching the show

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<v Speaker 1>back thirty some years later, women don't have the fucking

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<v Speaker 1>right yes to do what they want with their own bodies,

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<v Speaker 1>and it was just so upsetting and disturbing to me.

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<v Speaker 1>It really was. I'm glad you said that because I

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<v Speaker 1>felt the same way, like, wow, this really Even on

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<v Speaker 1>nine two one zero, they they had a topic, a

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<v Speaker 1>sensitive topic, and they show both sides of it, and

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<v Speaker 1>I don't know, I just really got me riled up. Yeah.

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<v Speaker 1>It was very um, I don't know what the word

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<v Speaker 1>is to to like, it's almost surreal because you're watching

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<v Speaker 1>the show from thirty years ago. Yeah, but the storyline

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<v Speaker 1>is almost more I almost like I'm getting like, look

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<v Speaker 1>at my I'm like chills because the storyline is more

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<v Speaker 1>important today, yeah than thirty years ago. It was very

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<v Speaker 1>out of body for me because it was like my

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<v Speaker 1>mind was going, I'm watching the show I don't know

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<v Speaker 1>what date it is, basically right, and it's like happening

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<v Speaker 1>to one of the one of the you know, characters

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<v Speaker 1>on a TV show, one one little character, you know.

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<v Speaker 1>But to think that it's not happening to one little character,

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<v Speaker 1>like that's affecting every woman in our country and right, well,

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<v Speaker 1>he might be turning one hundred years old this uh,

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<v Speaker 1>this year, my dad if he was with us, really,

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<v Speaker 1>but look at him, still has his finger on the

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<v Speaker 1>pulse of relevancy unfortunately. Yeah, and humans so more so

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<v Speaker 1>now than them. Yeah, and that crazy. They did it

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<v Speaker 1>well in this episode. I'm glad two females wrote it.

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<v Speaker 1>I feel like they had to. They had to do

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<v Speaker 1>that point. Yeah, and they didn't sugarcoat it or shy

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<v Speaker 1>away from digging into it. They really went for it

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<v Speaker 1>with all the details, like the discussions and the yeah

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<v Speaker 1>and the line like no, this can't happen today because

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<v Speaker 1>basically saying we're too busy. You're not the only one

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<v Speaker 1>in this situation. It was very um powerful without being preachy. Hmm.

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<v Speaker 1>It just felt it just felt eerie kind of. But

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<v Speaker 1>Kelly Taylor's really getting involved in people's business. She's really

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<v Speaker 1>sticking her nose in there. I mean, it's nice she's

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<v Speaker 1>helping Andrea. But then she goes home and kicks David

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<v Speaker 1>out of the apartment, and I thought that was good too.

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<v Speaker 1>She's You've been an advocate the last few episodes for

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<v Speaker 1>What's right? I know, yeah, what do you? What do

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<v Speaker 1>you guys think that Donna ran out with the wallet?

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<v Speaker 1>Oh Donna, I'm still I tell you not to give

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<v Speaker 1>him money. Yeah, sure did. And he was so sketchy

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<v Speaker 1>in that scene, and like you could see instantly that

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<v Speaker 1>he was going to take that money, just like immediately

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<v Speaker 1>to get his fixed. And Donna didn't see it. She

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<v Speaker 1>just loves him time blinded by love. You're becoming an enabler.

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<v Speaker 1>I was like this in real life with that bad boyfriend.

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<v Speaker 1>It's just two art imitating life, life imitating art. It

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<v Speaker 1>was hard for me to watch that scene because knowing

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<v Speaker 1>like I wish I could have gone back because the wallet,

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<v Speaker 1>the rent mine were much bigger stakes, like when I

0:12:25.960 --> 0:12:28.040
<v Speaker 1>gave him my brand new Porsche that he talked me

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<v Speaker 1>into buying. When I gave him twenty five thousand dollars

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<v Speaker 1>because he lost it at a poker game, and I

0:12:33.080 --> 0:12:35.120
<v Speaker 1>had to be he woke me up, and he's playing

0:12:35.120 --> 0:12:38.280
<v Speaker 1>with huge Hollywood producers, like took all my money, took

0:12:38.400 --> 0:12:43.760
<v Speaker 1>everything the Enabler timestake. So this triggers you, Yeah, can

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<v Speaker 1>you tell? Wow? I was like storyline. Then I realized

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<v Speaker 1>you're talking about real life. Oh my god. Yeah, no,

0:12:50.840 --> 0:12:58.040
<v Speaker 1>she's talking about real life people. Wow. Yeah, Enabler. This

0:12:58.080 --> 0:13:03.080
<v Speaker 1>episode was gnarly. That rug scene at the end was

0:13:03.440 --> 0:13:06.880
<v Speaker 1>very gnarly. I'm a needle. I'm surprised they were able

0:13:06.920 --> 0:13:11.800
<v Speaker 1>to show that on needles. I don't know. She just

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<v Speaker 1>does this, Amy does this every time. Oh no, I met.

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<v Speaker 1>Why is the drugs? Why are they going to need im?

0:13:19.000 --> 0:13:22.080
<v Speaker 1>Because because that's what you were once. You can't get

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<v Speaker 1>it high from snorting it or ingesting it, you start

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<v Speaker 1>shooting it. That's what happens. That's I don't know about

0:13:29.320 --> 0:13:33.240
<v Speaker 1>drugs like that. That's the evolution. Yeah, because I watched

0:13:33.280 --> 0:13:36.320
<v Speaker 1>this episode of nine or two and oh I learned right, dang.

0:13:36.720 --> 0:13:39.520
<v Speaker 1>And the guy, the guy that's on there was a

0:13:39.559 --> 0:13:43.400
<v Speaker 1>friend of all of ours, like we all. I couldn't

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<v Speaker 1>remember his name, bo Jesse Deeler guy. Was it Jesse?

0:13:49.000 --> 0:13:53.120
<v Speaker 1>That sounds right? Drug Jesse Christopher Bo Jesse Christopher So

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<v Speaker 1>he was also an actor, really hot actor, but he

0:13:57.040 --> 0:14:02.480
<v Speaker 1>also would run clubs in La like promoter and did

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<v Speaker 1>he do Saturday night fevers? That ring a bell here

0:14:06.320 --> 0:14:09.520
<v Speaker 1>the club does not line up if he and Brian

0:14:09.640 --> 0:14:15.679
<v Speaker 1>were friends the club the movie The club in Hollywood.

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<v Speaker 1>It's about the right time Saturday night fever. But Brian

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<v Speaker 1>and him might have run a club together promoted called

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<v Speaker 1>Oh I'm blanking, I don't know whoa he was Alexa.

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<v Speaker 1>He was the reckless younger brother of Patrick Swayze in

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<v Speaker 1>Point Break. Yeah, he was a hottie, but he was

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<v Speaker 1>kind of a little bit of a little dark in

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<v Speaker 1>real life. We were like, oh wow, yeah, he's he's

0:14:51.520 --> 0:14:56.280
<v Speaker 1>the promoter of that club, Like boy, that's that's his

0:14:56.400 --> 0:15:01.200
<v Speaker 1>first name? Bo Jesse. Yeah wait you god, literally, how

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<v Speaker 1>do we find this guy? Oh my god? Find him?

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<v Speaker 1>He was so hot under Brian still friends with him. Yeah.

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<v Speaker 1>That scene though, was really intense. Oh and I felt

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<v Speaker 1>like this is the first time they've gone that dark

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<v Speaker 1>on the show, like that dark into drug abuse. And

0:15:23.000 --> 0:15:24.680
<v Speaker 1>I mean I was kind of glad that they did

0:15:24.760 --> 0:15:27.600
<v Speaker 1>to scare kids, because it scared me just watching it.

0:15:40.800 --> 0:15:43.120
<v Speaker 1>Something that stands out to me in this episode is

0:15:43.160 --> 0:15:47.280
<v Speaker 1>the relationship between Andrea and Kelly. We haven't seen that

0:15:47.800 --> 0:15:51.160
<v Speaker 1>so much. Yeah, we've seen like little sprinklings of it.

0:15:51.200 --> 0:15:55.800
<v Speaker 1>I think we've established that they but that Kelly is

0:15:55.800 --> 0:15:58.880
<v Speaker 1>somebody that Andrea goes to in situation. But Andrea goes

0:15:58.920 --> 0:16:01.520
<v Speaker 1>to Donna too. I'm never really seen her go to Brenda.

0:16:01.600 --> 0:16:05.720
<v Speaker 1>But now it makes sense because Kelly's gotten I got

0:16:05.760 --> 0:16:09.240
<v Speaker 1>a lot more experience with real life tough issues, and

0:16:09.320 --> 0:16:12.320
<v Speaker 1>this is one of the biggest tough issues that a

0:16:12.360 --> 0:16:14.880
<v Speaker 1>young girl could probably face. So it makes sense that

0:16:14.920 --> 0:16:17.080
<v Speaker 1>she would go to somebody like this character to like

0:16:18.520 --> 0:16:19.960
<v Speaker 1>have her hold her hand through it. And I thought

0:16:19.960 --> 0:16:22.920
<v Speaker 1>it was so sweet when the doctor called her into

0:16:22.960 --> 0:16:25.960
<v Speaker 1>the office and she said, would you come with me?

0:16:26.080 --> 0:16:29.240
<v Speaker 1>I thought that was really touching. You know what stands

0:16:29.240 --> 0:16:33.240
<v Speaker 1>out to me about Kelly. She's very loyal. She told

0:16:33.360 --> 0:16:36.960
<v Speaker 1>no one. This was not like something she went back

0:16:37.000 --> 0:16:41.280
<v Speaker 1>and you know, a group of girls like that, you

0:16:41.360 --> 0:16:43.080
<v Speaker 1>might say, oh, don't I have to tell you something,

0:16:43.080 --> 0:16:46.080
<v Speaker 1>but you can't tell, you know, Like, she really just

0:16:46.160 --> 0:16:52.000
<v Speaker 1>stayed loyal and she's like a she's a very good friend.

0:16:53.600 --> 0:16:55.880
<v Speaker 1>And I feel the same thing about the way she's

0:16:55.920 --> 0:17:00.119
<v Speaker 1>handling the David situation. Yeah, you don't play with Kelly.

0:17:01.200 --> 0:17:08.720
<v Speaker 1>You know, she's pretty straightforward. But I mean, I think

0:17:08.720 --> 0:17:11.600
<v Speaker 1>that the way she's handling the David situation, the drug use,

0:17:11.720 --> 0:17:14.959
<v Speaker 1>think is the way you should handle it. But it

0:17:15.000 --> 0:17:19.879
<v Speaker 1>does seem a little harsh, a little just it seems

0:17:19.920 --> 0:17:22.760
<v Speaker 1>like it's colored a little bit by Kelly's experiences from

0:17:22.960 --> 0:17:25.720
<v Speaker 1>her mom in the past, So that makes it come

0:17:25.760 --> 0:17:28.480
<v Speaker 1>off as harsh to David because it's the first time

0:17:28.480 --> 0:17:30.880
<v Speaker 1>she's dealing with it with David. But I guess that's

0:17:30.880 --> 0:17:36.600
<v Speaker 1>the right way to go about it. Kind of tough love. Yeah,

0:17:36.760 --> 0:17:41.720
<v Speaker 1>the juxtaposition between Domina and Kelly is like enabler tough love.

0:17:41.800 --> 0:17:45.440
<v Speaker 1>It's like, yeah, I'm not sure what they're supposed to do.

0:17:45.520 --> 0:17:49.359
<v Speaker 1>This guy is got drugs in their home, I know,

0:17:49.480 --> 0:17:51.199
<v Speaker 1>and then he goes to work to get more. And

0:17:51.240 --> 0:17:56.680
<v Speaker 1>then the boss, the DJ guy, what's his name, Howard

0:17:57.359 --> 0:18:02.000
<v Speaker 1>Howard Howard fires him and he's the one that got

0:18:02.080 --> 0:18:07.520
<v Speaker 1>him hooked on the drug. Well good, he can handle

0:18:07.600 --> 0:18:10.480
<v Speaker 1>his drugs. He couldn't. He's out of there. Sorry, pal,

0:18:12.480 --> 0:18:14.360
<v Speaker 1>I don't know. I was watching so much Kelly face

0:18:14.440 --> 0:18:17.680
<v Speaker 1>this time. This episode there was just so many Kelly faces.

0:18:17.760 --> 0:18:21.320
<v Speaker 1>I was like, the only thing I really wanted was

0:18:21.400 --> 0:18:25.760
<v Speaker 1>somebody to give that girl some contour because she's so

0:18:26.240 --> 0:18:31.600
<v Speaker 1>freaking white and like moon face, like so white. I

0:18:31.640 --> 0:18:33.520
<v Speaker 1>just wanted to cut the cheek bones just a little.

0:18:33.680 --> 0:18:38.000
<v Speaker 1>Ah see, it is so wrong. I literally was like,

0:18:38.160 --> 0:18:42.040
<v Speaker 1>I loved her and she's so beautiful. Yeah, I'm like

0:18:42.080 --> 0:18:46.480
<v Speaker 1>a contour tour on her? Isn't that interesting? Contour not

0:18:46.600 --> 0:18:51.560
<v Speaker 1>a thing? Then? Now now you can't live without it? Right?

0:18:51.840 --> 0:18:54.639
<v Speaker 1>So funny that you're saying that because I actually wrote

0:18:54.640 --> 0:19:01.160
<v Speaker 1>in my notes, great makeup on this show, because to me,

0:19:01.760 --> 0:19:07.880
<v Speaker 1>everybody looks very natural. The boys, I liked it. Everybody

0:19:07.880 --> 0:19:10.359
<v Speaker 1>looked real good point. Yes, there was a lot of

0:19:10.400 --> 0:19:14.240
<v Speaker 1>close up shots in this episode. I literally wrote in

0:19:14.280 --> 0:19:20.680
<v Speaker 1>my notes, great makeup. Makeup is so my literally wrote down,

0:19:20.760 --> 0:19:24.440
<v Speaker 1>give that girl some contour. I think too, when you're

0:19:24.440 --> 0:19:26.640
<v Speaker 1>watching it so different because you're watching your cells where

0:19:26.680 --> 0:19:31.399
<v Speaker 1>I'm just like completely sucked into these the whole thing, Like,

0:19:31.440 --> 0:19:33.119
<v Speaker 1>I don't know what you're supposed to do about David.

0:19:33.400 --> 0:19:39.120
<v Speaker 1>He's a total train wreck, and Donna's apologizing all the time.

0:19:39.119 --> 0:19:43.359
<v Speaker 1>I'm sorry. Oh, it's painful to watch and he's like

0:19:43.520 --> 0:19:49.280
<v Speaker 1>fiending so hard. He's like, Tori, what's going through your

0:19:49.320 --> 0:19:55.720
<v Speaker 1>mind when you're watching Donna? The forty nine year old

0:19:55.840 --> 0:19:58.960
<v Speaker 1>me is like, she's pathetic, but I regrets to that

0:19:59.000 --> 0:20:01.359
<v Speaker 1>in moments in my life anyway. It's hard you go

0:20:01.440 --> 0:20:05.680
<v Speaker 1>back to your old ways. She's pathetic, she's in love.

0:20:05.840 --> 0:20:10.280
<v Speaker 1>She has no one to guide her. I think like

0:20:10.440 --> 0:20:13.080
<v Speaker 1>her parents, she doesn't have a great mother figure example,

0:20:13.760 --> 0:20:15.840
<v Speaker 1>not that she would ever tell her mother, but there's

0:20:15.880 --> 0:20:18.520
<v Speaker 1>no there's no one strong. I mean, the strongest person

0:20:18.520 --> 0:20:21.480
<v Speaker 1>in her life is Kelly, you know. And Kelly's trying

0:20:21.480 --> 0:20:23.160
<v Speaker 1>to handle it at the same time the best way

0:20:23.200 --> 0:20:26.399
<v Speaker 1>she knows how to handle it. So it's it's a

0:20:26.520 --> 0:20:30.119
<v Speaker 1>very good point. It's so interesting, like when you just

0:20:30.160 --> 0:20:33.760
<v Speaker 1>said that before, how you said sometimes at forty nine

0:20:33.880 --> 0:20:35.680
<v Speaker 1>and I hate that you can still say forty nine.

0:20:35.680 --> 0:20:38.439
<v Speaker 1>By the way, not for long, my friend. You know

0:20:38.560 --> 0:20:43.360
<v Speaker 1>it's coming up the big five. Oh. It's so interesting

0:20:43.400 --> 0:20:48.160
<v Speaker 1>because you say you regress back to that same quality

0:20:48.240 --> 0:20:50.680
<v Speaker 1>issue in your real life, because I am the same

0:20:50.720 --> 0:20:53.159
<v Speaker 1>way as Kelly is in my real life. Like I'm

0:20:53.280 --> 0:20:57.520
<v Speaker 1>very straightforward, I'm very like tough. I can be very

0:20:57.560 --> 0:21:00.399
<v Speaker 1>tough love. I can be very brass tacks about things,

0:21:01.200 --> 0:21:05.439
<v Speaker 1>and I have to work on that personally because it

0:21:05.440 --> 0:21:07.280
<v Speaker 1>doesn't there's a time and a place for that, and

0:21:07.440 --> 0:21:11.040
<v Speaker 1>sometimes it can be abrasive, and sometimes people don't. People

0:21:11.480 --> 0:21:14.080
<v Speaker 1>just don't like it. But you're saying that you have

0:21:14.160 --> 0:21:17.520
<v Speaker 1>the same challenges, Like you can go into your life

0:21:17.560 --> 0:21:19.600
<v Speaker 1>where you say sorry for things that you're not sorry for.

0:21:19.800 --> 0:21:27.000
<v Speaker 1>You have no reason to apologize for. Embedded in us

0:21:27.040 --> 0:21:33.600
<v Speaker 1>these characteristics that we are we still have as growing women,

0:21:34.040 --> 0:21:37.919
<v Speaker 1>is wow. Well, the part of me that's in Donna

0:21:38.000 --> 0:21:41.320
<v Speaker 1>that I regress back to was always part of me,

0:21:41.480 --> 0:21:45.160
<v Speaker 1>though Donna just developed her every week, so she came

0:21:45.200 --> 0:21:48.879
<v Speaker 1>out more. I don't know if that was because I

0:21:48.920 --> 0:21:50.760
<v Speaker 1>didn't know you before, Kelly, So I don't know if

0:21:50.800 --> 0:21:54.520
<v Speaker 1>that any of those traits were a part of Jenny's

0:21:54.560 --> 0:21:59.880
<v Speaker 1>personality and it came out more. Really, I sneezed yes

0:22:00.160 --> 0:22:03.280
<v Speaker 1>day and apologize and I even stopped and I was like,

0:22:03.320 --> 0:22:05.639
<v Speaker 1>I look around, like, what the hell? And that's so

0:22:06.320 --> 0:22:10.000
<v Speaker 1>fascinating to me because I'm thinking about this this director

0:22:10.520 --> 0:22:13.600
<v Speaker 1>that were we were talking about earlier, and this incident

0:22:13.680 --> 0:22:16.680
<v Speaker 1>that may or may not have happened. I literally can

0:22:16.800 --> 0:22:20.280
<v Speaker 1>see you guys talking to him, with Jenny being Kelly

0:22:20.560 --> 0:22:23.800
<v Speaker 1>and Tori being Donna, and Tori saying, oh, I'm sorry

0:22:24.359 --> 0:22:27.600
<v Speaker 1>for something, you know what I mean, and Jenny being like, no,

0:22:30.080 --> 0:22:32.560
<v Speaker 1>so did what came first? The chicken or the egg?

0:22:33.640 --> 0:22:36.520
<v Speaker 1>Like she's saying the chicken came first, or no, the egg,

0:22:37.000 --> 0:22:40.160
<v Speaker 1>her egg came first? And what about you? I don't

0:22:40.160 --> 0:22:47.280
<v Speaker 1>remember being like as um determined and you know, as

0:22:47.280 --> 0:22:51.800
<v Speaker 1>strong as I as my character Kelly was at that age,

0:22:52.640 --> 0:22:56.040
<v Speaker 1>do you think you became Kelly? I think I in

0:22:56.040 --> 0:23:00.359
<v Speaker 1>a lot of ways, I had to just to survive

0:23:00.480 --> 0:23:03.199
<v Speaker 1>on my own in this business. I didn't have you know,

0:23:04.040 --> 0:23:07.440
<v Speaker 1>tour was lucky enough to have her dad there too.

0:23:08.040 --> 0:23:10.280
<v Speaker 1>She'd been in the like in the industry, she knew

0:23:10.280 --> 0:23:12.439
<v Speaker 1>what was happening. I was. I had no idea what

0:23:12.480 --> 0:23:14.639
<v Speaker 1>I was doing in the industry, and I had nobody

0:23:14.680 --> 0:23:17.480
<v Speaker 1>watching out for me other than Randy, my manager. So

0:23:18.280 --> 0:23:23.879
<v Speaker 1>I feel like I had to Kelly up in life.

0:23:24.600 --> 0:23:28.359
<v Speaker 1>It's fascinating, but I like I like it. I like

0:23:28.680 --> 0:23:32.320
<v Speaker 1>I like just interesting. I like them both. But I

0:23:32.480 --> 0:23:35.080
<v Speaker 1>totally see what you're saying, and it's like, you really

0:23:35.080 --> 0:23:38.720
<v Speaker 1>can't have one without the other. I don't know that

0:23:38.760 --> 0:23:42.280
<v Speaker 1>it would have played so well with Kelly being tough

0:23:42.320 --> 0:23:48.760
<v Speaker 1>if Donna wasn't chasing after with the checkbook. No, it's

0:23:48.840 --> 0:23:53.720
<v Speaker 1>literally funny. It's like transferred into even like our business

0:23:53.760 --> 0:23:56.640
<v Speaker 1>relationship as we've gotten old, or like just our dealings

0:23:56.640 --> 0:23:59.679
<v Speaker 1>with all the things that we do together. It's not

0:23:59.760 --> 0:24:03.639
<v Speaker 1>like that extreme, but there's little essence of that aversion

0:24:04.640 --> 0:24:07.720
<v Speaker 1>through vain. It's so fun kind of good cop, bad cop,

0:24:07.920 --> 0:24:10.119
<v Speaker 1>and kind of at the heart of it, like you

0:24:10.160 --> 0:24:12.640
<v Speaker 1>are who you are. You can work on your shit.

0:24:14.119 --> 0:24:17.960
<v Speaker 1>She's not. You work on your ship, but like you

0:24:18.000 --> 0:24:21.720
<v Speaker 1>still are who you are essentially and as funny how

0:24:21.760 --> 0:24:24.960
<v Speaker 1>it does like trickle out. I think it's interesting this

0:24:25.040 --> 0:24:28.080
<v Speaker 1>conversation because you're right, like if I had to describe

0:24:28.119 --> 0:24:31.199
<v Speaker 1>each of you in one word, do it well, No,

0:24:31.320 --> 0:24:36.080
<v Speaker 1>you do have that like, no, you're right about it.

0:24:36.119 --> 0:24:38.399
<v Speaker 1>But then at the same time, I do think Tory

0:24:38.520 --> 0:24:42.719
<v Speaker 1>can be tough. Oh yes, and Jenny is a pile

0:24:42.760 --> 0:24:46.320
<v Speaker 1>of mush, sweetest thing on the planet. Yeah, totally, yes,

0:24:46.520 --> 0:24:52.600
<v Speaker 1>we totally have. That's why it works, you really is.

0:24:52.640 --> 0:24:55.199
<v Speaker 1>It's usually not at the same time that we have

0:24:55.280 --> 0:24:59.520
<v Speaker 1>those qualities. You know what I mean Jen, like, you

0:24:59.520 --> 0:25:01.840
<v Speaker 1>can meet off and I can be like sweet, no,

0:25:01.840 --> 0:25:04.520
<v Speaker 1>no, no no no, but when I get like, no, we're

0:25:04.520 --> 0:25:06.600
<v Speaker 1>doing this business wise, You're like, bud, it is it?

0:25:06.960 --> 0:25:13.080
<v Speaker 1>We usually switch really episode this podcast, like Tory and

0:25:13.119 --> 0:25:15.880
<v Speaker 1>I got in trouble because we were off on our phones,

0:25:16.320 --> 0:25:18.440
<v Speaker 1>you know, and you want to please Jenny. I don't

0:25:18.440 --> 0:25:20.560
<v Speaker 1>want to be like I don't want to mess it up.

0:25:20.640 --> 0:25:24.280
<v Speaker 1>Like so you you both are these people, and I

0:25:24.400 --> 0:25:30.080
<v Speaker 1>understand it in the characters because ultimately they want to

0:25:30.880 --> 0:25:36.840
<v Speaker 1>like David is letting HELLI down, and he's letting Donna down,

0:25:36.960 --> 0:25:39.679
<v Speaker 1>and he doesn't care. Right now, he doesn't care, but

0:25:39.720 --> 0:25:44.239
<v Speaker 1>we'll see. I do think a couple of things. If

0:25:44.320 --> 0:25:46.800
<v Speaker 1>we may switch to Jesse for a second, who I

0:25:47.040 --> 0:25:51.800
<v Speaker 1>really cute? Yes, I saw that he was so cute,

0:25:51.800 --> 0:25:54.000
<v Speaker 1>but it did bother me when he said if you

0:25:54.080 --> 0:25:58.000
<v Speaker 1>go through with this, don't come back here. That was

0:25:58.240 --> 0:26:02.320
<v Speaker 1>kind of gnarly. Yeah, not cool. He was just I think,

0:26:02.480 --> 0:26:05.440
<v Speaker 1>really reeling with all his emotions in that moment because

0:26:05.720 --> 0:26:08.159
<v Speaker 1>he didn't think that that was even on the table

0:26:08.600 --> 0:26:10.840
<v Speaker 1>right for her to have an abortion, and certainly not

0:26:10.880 --> 0:26:13.520
<v Speaker 1>to have an abortion without discussing it with running the

0:26:13.600 --> 0:26:16.960
<v Speaker 1>father of the baby agree and he was in half,

0:26:16.960 --> 0:26:20.440
<v Speaker 1>you have no nothing you could do. You really can't

0:26:20.440 --> 0:26:25.119
<v Speaker 1>do anything. And she wasn't being fair by being like,

0:26:25.240 --> 0:26:28.160
<v Speaker 1>this is all about me. It's like it is about both.

0:26:28.400 --> 0:26:32.240
<v Speaker 1>He really stepped up, but then he says that harsh line.

0:26:32.240 --> 0:26:36.119
<v Speaker 1>But then he comes around. It was complicated as it

0:26:36.160 --> 0:26:39.879
<v Speaker 1>would be as it is. Yeah, now it's a little

0:26:39.880 --> 0:26:42.520
<v Speaker 1>bit with a bow kind of nine o two one zero. Yeah,

0:26:42.560 --> 0:26:45.280
<v Speaker 1>because then they go to the peach pit and not

0:26:45.640 --> 0:26:47.680
<v Speaker 1>they come in and they don't even like move out

0:26:47.680 --> 0:26:51.919
<v Speaker 1>of the doorway. It really bothered me. They just stood

0:26:51.920 --> 0:26:54.240
<v Speaker 1>in the doorway of the peach pit and announced it

0:26:54.280 --> 0:26:57.120
<v Speaker 1>to everyone. Couldn't we just sit down at a table

0:26:57.160 --> 0:27:00.800
<v Speaker 1>and now this right, they really take over that joint.

0:27:02.640 --> 0:27:05.960
<v Speaker 1>There are other customers. What did you think? Okay, did

0:27:06.000 --> 0:27:09.879
<v Speaker 1>something stand out to in that moment? Mm? I know

0:27:10.080 --> 0:27:15.480
<v Speaker 1>what when Brandon lip kisses fully lip kisses, Oh, that

0:27:15.520 --> 0:27:18.280
<v Speaker 1>didn't bother me. I loved it. What did he whisper

0:27:18.359 --> 0:27:19.800
<v Speaker 1>to her too? He lip kisses her and he's like,

0:27:19.800 --> 0:27:23.119
<v Speaker 1>I told you it would be okay, Yeah, something like

0:27:23.160 --> 0:27:37.960
<v Speaker 1>that all Brandon always knows. I thought this was a

0:27:37.960 --> 0:27:41.920
<v Speaker 1>good episode for Brandon too. Because I don't know. I

0:27:42.000 --> 0:27:47.640
<v Speaker 1>love it when um in the moment when he got

0:27:47.680 --> 0:27:49.720
<v Speaker 1>a little like but hurt that Dylan was going to

0:27:49.840 --> 0:27:52.680
<v Speaker 1>be buying the peach pit. Yes, I love it when

0:27:52.720 --> 0:27:58.119
<v Speaker 1>you get to see Brandon, I Jason the actor play

0:27:58.200 --> 0:28:03.600
<v Speaker 1>those little sentiments emotional moments because he's so good at it. Yes,

0:28:05.000 --> 0:28:08.520
<v Speaker 1>you really feel what? I don't know. He's just so subtle.

0:28:08.640 --> 0:28:12.000
<v Speaker 1>He's such a subtle actor and I just love watching him.

0:28:13.200 --> 0:28:17.320
<v Speaker 1>He isn't good enough of those, no, because he's too

0:28:17.359 --> 0:28:20.960
<v Speaker 1>busy being number one, running like he has to be

0:28:21.600 --> 0:28:24.280
<v Speaker 1>every man for the show and keep it together. I

0:28:24.359 --> 0:28:26.959
<v Speaker 1>love those moments and I love when he gets fired up.

0:28:27.320 --> 0:28:30.760
<v Speaker 1>Oh you know what I didn't love what make it out? Sextrey.

0:28:31.680 --> 0:28:37.639
<v Speaker 1>Brandon's sextry wrote with whoo oo, I put somewhere between

0:28:37.680 --> 0:28:40.000
<v Speaker 1>you and I love this because it was a real

0:28:40.120 --> 0:28:42.600
<v Speaker 1>close up of watching him make out with the hands

0:28:42.600 --> 0:28:46.840
<v Speaker 1>and ye know how he does it? She doesn't know? Yeah,

0:28:46.880 --> 0:28:49.840
<v Speaker 1>I do know, but honestly, I don't see a connection

0:28:49.880 --> 0:28:52.440
<v Speaker 1>between those two. What did you think of when he

0:28:52.480 --> 0:28:55.560
<v Speaker 1>went over there? There's no there's no chemistry. I don't

0:28:55.560 --> 0:29:07.360
<v Speaker 1>think it feels very fabricated. Yeah, yeah, what about um Emily. Hello, Brandon,

0:29:07.480 --> 0:29:10.640
<v Speaker 1>didn't you right? Didn't you promise yourself to wait for Emily?

0:29:11.240 --> 0:29:16.200
<v Speaker 1>Where are the frigs? She nobody cares about anybody these days,

0:29:17.960 --> 0:29:20.320
<v Speaker 1>not one hundred percent that Brandon and Lucien to have

0:29:20.400 --> 0:29:23.280
<v Speaker 1>no chemistry because she's so sort of cool and hot

0:29:23.280 --> 0:29:27.120
<v Speaker 1>that maybe you feel zero. I'll tell you who she

0:29:27.200 --> 0:29:33.160
<v Speaker 1>has chemistry with, and I'll leave it at that. Dylan, well, mhm,

0:29:35.120 --> 0:29:41.000
<v Speaker 1>and I'll leave it at that. I'm sort of back

0:29:41.040 --> 0:29:42.320
<v Speaker 1>to the dry thing we talked. I think we talked

0:29:42.320 --> 0:29:43.640
<v Speaker 1>about this a little bit. I wonder it must have

0:29:43.680 --> 0:29:46.280
<v Speaker 1>been so hard for her personally to play these scenes

0:29:46.320 --> 0:29:50.720
<v Speaker 1>like the the torn like gonna get an abortion, scenes

0:29:50.840 --> 0:29:54.520
<v Speaker 1>like I could just feel it made me cry, Like, yeah,

0:29:54.640 --> 0:29:56.520
<v Speaker 1>that storyline must have been so hard for because she

0:29:56.600 --> 0:29:59.800
<v Speaker 1>was pregnant. I r L. You know that's talking to

0:29:59.880 --> 0:30:04.440
<v Speaker 1>the baby scene. It was a good episode. It was.

0:30:04.520 --> 0:30:06.800
<v Speaker 1>It was really good. I'm glad that Nat made it

0:30:06.840 --> 0:30:10.160
<v Speaker 1>out of the surgery. Okay, he looked this, Uh, pretty

0:30:10.200 --> 0:30:13.880
<v Speaker 1>good for having just had open heart surgery. I say,

0:30:14.240 --> 0:30:17.200
<v Speaker 1>because I've seen a man after that and they don't

0:30:17.240 --> 0:30:19.680
<v Speaker 1>look like that. Very sweet. When he said, I'm talking

0:30:19.680 --> 0:30:23.560
<v Speaker 1>to my boys. Uh, and very very cute in the

0:30:23.600 --> 0:30:26.080
<v Speaker 1>hospital hallway when the boys turned around and they walk

0:30:26.120 --> 0:30:30.120
<v Speaker 1>away and you see their cute little butts. Yeah, I

0:30:30.160 --> 0:30:33.120
<v Speaker 1>liked that shot. I think my only flag on the

0:30:33.160 --> 0:30:35.960
<v Speaker 1>play in this episode was when you are at the

0:30:36.080 --> 0:30:39.760
<v Speaker 1>dorm with Andrea having this real heart to heart and

0:30:39.760 --> 0:30:42.360
<v Speaker 1>she's basically having a meltdown and you're eating Chinese food

0:30:42.400 --> 0:30:46.080
<v Speaker 1>and boom, all of a sudden, you're out of her

0:30:49.840 --> 0:30:55.800
<v Speaker 1>time to go. Well, you don't relate. It was we

0:30:55.880 --> 0:30:58.360
<v Speaker 1>had a big day ahead of us. You know, I

0:30:58.440 --> 0:31:00.400
<v Speaker 1>needed to get some sleep to be ready for that.

0:31:00.520 --> 0:31:02.960
<v Speaker 1>Oh you know. It was a red flag for me

0:31:03.000 --> 0:31:05.920
<v Speaker 1>in this episode in the scene in the peach pit.

0:31:06.000 --> 0:31:09.959
<v Speaker 1>Another part of that scene when she announces it and

0:31:10.000 --> 0:31:13.400
<v Speaker 1>then all of a sudden, Dylan pulls out a canister

0:31:13.440 --> 0:31:18.520
<v Speaker 1>of breadsticks from nowhere and then they're the cigars. The

0:31:18.560 --> 0:31:23.320
<v Speaker 1>peach pits never served a breadstick. That's not on the menu.

0:31:25.040 --> 0:31:27.200
<v Speaker 1>I thought there were pencils. At first. I was like,

0:31:27.280 --> 0:31:29.640
<v Speaker 1>what's happening. That would have made more sense, like a

0:31:29.680 --> 0:31:34.040
<v Speaker 1>bowl of pencils by the cash register. I don't know breadstick.

0:31:34.120 --> 0:31:38.720
<v Speaker 1>I will also say, though, I thought Brenda Samon Brenda.

0:31:42.640 --> 0:31:46.680
<v Speaker 1>I thought Shamon slash Brenda was very sweet and cute

0:31:46.760 --> 0:31:50.760
<v Speaker 1>and smiley in this episode. Like, there were some moments

0:31:50.800 --> 0:31:54.040
<v Speaker 1>where I'm like, there's a scene where when when the

0:31:54.080 --> 0:31:59.360
<v Speaker 1>baby announcement, she's very cute looking, and she was cute

0:31:59.360 --> 0:32:03.280
<v Speaker 1>to brand. She seems happy, Yeah, yeah, happy, like she

0:32:03.360 --> 0:32:06.880
<v Speaker 1>seems like when you're happy in your real life. It

0:32:06.960 --> 0:32:11.080
<v Speaker 1>kind of oozes onto the screen through your characters overalls

0:32:11.440 --> 0:32:14.720
<v Speaker 1>and a few outfits that I thought were so amazing overalls.

0:32:14.720 --> 0:32:16.959
<v Speaker 1>And then when she's in class with the cute sweater

0:32:17.000 --> 0:32:24.880
<v Speaker 1>in the pants. Okay, guys, in the last ten minutes,

0:32:24.880 --> 0:32:30.320
<v Speaker 1>he might have felt me a little distracted here, maybe, okay,

0:32:30.520 --> 0:32:32.880
<v Speaker 1>because you know, and Jen knows, when I get on

0:32:32.920 --> 0:32:37.720
<v Speaker 1>something and I can't remember it, I go nuts. And

0:32:38.040 --> 0:32:46.520
<v Speaker 1>still I just figured it out, and I'm so Brian

0:32:46.880 --> 0:32:51.160
<v Speaker 1>was friends with bo Jesse. Brian brought him onto the show.

0:32:51.880 --> 0:32:58.360
<v Speaker 1>Brian had a nightclub called Ballistic. I couldn't remember the

0:32:58.480 --> 0:33:01.320
<v Speaker 1>name Ballistic, and it was like a dance kind of

0:33:01.320 --> 0:33:03.280
<v Speaker 1>and he would do it like it would be like

0:33:03.720 --> 0:33:07.440
<v Speaker 1>a club one night a week, Yeah, one night a week.

0:33:07.480 --> 0:33:09.640
<v Speaker 1>He would host it. It would be his club, and

0:33:09.680 --> 0:33:12.480
<v Speaker 1>bow Jesse was a part of that, and I'm doing

0:33:12.520 --> 0:33:15.560
<v Speaker 1>all Does anybody feel it's weird that bow Jesse Slash

0:33:15.600 --> 0:33:18.400
<v Speaker 1>whatever his character's name is, literally has a drug den

0:33:18.560 --> 0:33:23.840
<v Speaker 1>in his dorm right there, knock knock knock, Yeah right,

0:33:25.240 --> 0:33:30.120
<v Speaker 1>And I thought the same thing. Let's he will have

0:33:30.160 --> 0:33:34.040
<v Speaker 1>a lot of stories. We will find him and it's

0:33:34.080 --> 0:33:39.560
<v Speaker 1>just like there's like just this mess going on in

0:33:39.600 --> 0:33:43.200
<v Speaker 1>that room. And then the show ends on lu send

0:33:43.240 --> 0:33:46.840
<v Speaker 1>it and Jason and Brandon and I fell asleep because

0:33:46.960 --> 0:33:52.200
<v Speaker 1>yet without that yeah really, yeah, it's like those movies

0:33:52.200 --> 0:33:54.880
<v Speaker 1>that have three endings and you're like, yeah, I was.

0:33:54.920 --> 0:33:58.840
<v Speaker 1>It could have been over at the Andrea or the

0:33:58.920 --> 0:34:05.880
<v Speaker 1>drug den, none of the drug did lucend Gaddy here? Yeah,

0:34:05.880 --> 0:34:08.480
<v Speaker 1>we did go from the High I would have slipped

0:34:08.520 --> 0:34:11.520
<v Speaker 1>the order. I maybe would have gone drug Den to

0:34:11.719 --> 0:34:14.319
<v Speaker 1>Lucinda's and then back to the peach pit because that

0:34:14.360 --> 0:34:17.600
<v Speaker 1>seemed like a nail, because we did go from the

0:34:17.600 --> 0:34:20.640
<v Speaker 1>peach Pit back to the drug den to the gnarliest

0:34:21.320 --> 0:34:24.520
<v Speaker 1>scene I've ever seen on nine o two on like

0:34:25.360 --> 0:34:27.880
<v Speaker 1>full drugs and like were they going to inject needles

0:34:27.880 --> 0:34:32.000
<v Speaker 1>in between toes? Yes, they took off your everybody's like

0:34:32.040 --> 0:34:36.000
<v Speaker 1>take off your shoes your boy. First of all, I

0:34:36.040 --> 0:34:42.759
<v Speaker 1>don't want to see all those feets gross mast yeah

0:34:43.000 --> 0:34:45.520
<v Speaker 1>really fast. I know we have to go. But Hallie

0:34:45.600 --> 0:34:49.799
<v Speaker 1>and Dylan are just thriving. But are they thriving? I

0:34:49.880 --> 0:34:52.799
<v Speaker 1>think they're so sweet. Are they together? I don't even

0:34:52.840 --> 0:34:56.560
<v Speaker 1>know anymore. They're not together enough to not be thriving.

0:34:57.560 --> 0:35:01.839
<v Speaker 1>Some juicy stuff is coming up. There's thriving. He's so like,

0:35:02.719 --> 0:35:11.359
<v Speaker 1>it's all good right now, right now, bomb, Okay, guys happen. Oh,

0:35:11.440 --> 0:35:17.480
<v Speaker 1>let's rate it. Let's what's their homework? Jen? Oh, you

0:35:17.520 --> 0:35:21.160
<v Speaker 1>don't have your paper? You can. We can use fingers today.

0:35:21.239 --> 0:35:28.600
<v Speaker 1>Let's rate it. Um, I can do it. H whoa

0:35:28.719 --> 0:35:31.120
<v Speaker 1>you gave Oh? I thought you gave it a ten.

0:35:32.800 --> 0:35:34.200
<v Speaker 1>You give a nine. I gave it an eight. You

0:35:34.239 --> 0:35:39.040
<v Speaker 1>gave it a seven. Two hard hitting ones back to

0:35:39.120 --> 0:35:43.440
<v Speaker 1>back to back. Surprising because you know, people do want

0:35:43.480 --> 0:35:46.480
<v Speaker 1>to be entertained a little bit and not be like heavy.

0:35:46.520 --> 0:35:51.040
<v Speaker 1>It's getting real real, like yeah, yeah, I think it's

0:35:51.040 --> 0:35:54.160
<v Speaker 1>going to be heavy next week too. Oh man? Really

0:35:54.280 --> 0:36:00.360
<v Speaker 1>next week is episode twenty season four, Scared Very Straight.

0:36:01.360 --> 0:36:03.520
<v Speaker 1>So that's either going to be about David and his

0:36:04.160 --> 0:36:06.440
<v Speaker 1>drug addiction or one of the characters is going to

0:36:06.520 --> 0:36:10.640
<v Speaker 1>come out as gay? Yeah, pretty much. I hope that's it,

0:36:10.800 --> 0:36:13.439
<v Speaker 1>really do, really really do, because that would be fun.

0:36:15.400 --> 0:36:19.960
<v Speaker 1>This season's good, it is. Yeah. I feel like we've

0:36:20.000 --> 0:36:23.600
<v Speaker 1>been watching season four forever. Isn't it funny? This one

0:36:23.640 --> 0:36:26.400
<v Speaker 1>has gone on forever. Every time I go on the

0:36:26.400 --> 0:36:29.560
<v Speaker 1>Paramount Plus to find the episode to watch, I'm like, wait,

0:36:29.600 --> 0:36:32.360
<v Speaker 1>what that was in season four? I can't believe. And

0:36:32.440 --> 0:36:34.959
<v Speaker 1>it's still got a long way to go. It has,

0:36:35.040 --> 0:36:44.480
<v Speaker 1>My lord, there's tony something episodes in this season. Oh

0:36:42.200 --> 0:36:48.360
<v Speaker 1>that's good. That's good for the buds up. See you

0:36:48.440 --> 0:36:53.800
<v Speaker 1>guys next week. Love you guys. By