1 00:00:03,400 --> 00:00:12,440 Speaker 1: With Jenny Garth and Tori Spelling. Hello, ladies, what why 2 00:00:12,440 --> 00:00:15,560 Speaker 1: do you Why is your skin so perfect? Jenny? Because 3 00:00:16,160 --> 00:00:20,200 Speaker 1: I gotta light on me. Wait you guys, you know 4 00:00:20,239 --> 00:00:23,040 Speaker 1: I just had a birthday, right yeah, well yeah, thank 5 00:00:23,079 --> 00:00:24,919 Speaker 1: you for your birthday, which is, by the way, I 6 00:00:25,040 --> 00:00:29,960 Speaker 1: loved him, both of you. Um. I my mom, just 7 00:00:30,800 --> 00:00:35,440 Speaker 1: my mom just referenced me as a mid century model. 8 00:00:36,040 --> 00:00:39,680 Speaker 1: Oh no, just literally an hour ago in the kitchen 9 00:00:41,479 --> 00:00:46,120 Speaker 1: she said, you're like a mid century modern. We all 10 00:00:46,120 --> 00:00:49,560 Speaker 1: three of us are not models. Mid century modern. Yeah, 11 00:00:49,600 --> 00:00:52,800 Speaker 1: you know the house like you're a mid century modern. 12 00:00:52,960 --> 00:00:55,800 Speaker 1: Oh I thought at first you said a mid century model. 13 00:00:56,960 --> 00:01:01,160 Speaker 1: That too, basically saying you know, I'm from the mid century. 14 00:01:01,320 --> 00:01:04,800 Speaker 1: It's like the suburb mid century. Yeah. I'm not mad 15 00:01:04,840 --> 00:01:08,480 Speaker 1: at that. Not. I do sometimes think about the fact that, like, 16 00:01:09,840 --> 00:01:12,440 Speaker 1: how like if this is all we've got left, it 17 00:01:12,480 --> 00:01:18,080 Speaker 1: went so fast, there's so much more modern then, Like 18 00:01:18,520 --> 00:01:21,400 Speaker 1: the house isn't gonna stay and put It's gonna need maintenance. 19 00:01:21,440 --> 00:01:25,360 Speaker 1: At some point. We're gonna kind to clean out your gutter. Oh, 20 00:01:25,400 --> 00:01:29,000 Speaker 1: I clean away, because then I will be a beautiful 21 00:01:29,280 --> 00:01:31,679 Speaker 1: specimen and people will be so excited to see me again. 22 00:01:31,760 --> 00:01:33,840 Speaker 1: If I'm a mid century Everyone loved the mid Center. 23 00:01:35,160 --> 00:01:37,679 Speaker 1: And then we just patch you up. You like our 24 00:01:37,720 --> 00:01:44,720 Speaker 1: favorite movie to clean out? What all? We're good. We're 25 00:01:44,760 --> 00:01:47,920 Speaker 1: good for another ten, I think. Yeah, I agree. Yeah, 26 00:01:47,960 --> 00:01:52,440 Speaker 1: we got the Oh my gosh. I'm happy to see 27 00:01:52,440 --> 00:01:54,280 Speaker 1: you guys. I'm happy I made it through another year 28 00:01:54,320 --> 00:02:01,920 Speaker 1: to be here with you. Wow. Um, So did you 29 00:02:02,280 --> 00:02:05,400 Speaker 1: have a drink on your birthday? I'm out of town, 30 00:02:05,440 --> 00:02:07,400 Speaker 1: so I wasn't with her. You weren't with me. We 31 00:02:07,440 --> 00:02:10,800 Speaker 1: haven't celebrated yet, but I'm making you celebrate with me 32 00:02:10,880 --> 00:02:16,160 Speaker 1: when you get past a pie. I had one strawberry 33 00:02:16,240 --> 00:02:20,919 Speaker 1: basil margharita, which was a lish at Cafe Hamana and Malibu. Oh, 34 00:02:20,960 --> 00:02:26,600 Speaker 1: I love that place. Cindy and Randy, No, I didn't 35 00:02:26,600 --> 00:02:31,240 Speaker 1: see them, they weren't there. The gerbs um and then 36 00:02:31,720 --> 00:02:36,720 Speaker 1: at night I had some wine. We played poker and 37 00:02:36,760 --> 00:02:40,640 Speaker 1: I had some wine. I'm impressed with you. That's cute. 38 00:02:39,320 --> 00:02:44,800 Speaker 1: I didn't like it. I had to play poker. She's good. 39 00:02:45,120 --> 00:02:48,600 Speaker 1: Oh yeah, no way, you guys. I never win at 40 00:02:48,639 --> 00:02:54,200 Speaker 1: my home poker games. I won. You look real money? Yeah, 41 00:02:54,240 --> 00:02:56,560 Speaker 1: it's like a twenty dollars buy in. Oh my god. 42 00:02:58,160 --> 00:03:02,120 Speaker 1: Who I think I walked away with seventy eight dollars. 43 00:03:02,880 --> 00:03:06,440 Speaker 1: I am. She never ceases to amaze you. Right, there's 44 00:03:06,440 --> 00:03:10,520 Speaker 1: just things you're like keep because we've been to Vegas 45 00:03:10,560 --> 00:03:13,639 Speaker 1: together and we didn't go play poker. That's a commitment. 46 00:03:13,680 --> 00:03:17,280 Speaker 1: When you go to Vegas sitting sitting down at a 47 00:03:16,639 --> 00:03:19,480 Speaker 1: bound as a commitment. Nobody wants to do that with you. 48 00:03:19,560 --> 00:03:21,400 Speaker 1: So I'd never make people do that with me. I 49 00:03:21,400 --> 00:03:23,320 Speaker 1: would do it. I would play blackjack with you. Do 50 00:03:23,320 --> 00:03:26,359 Speaker 1: you play blackjack? No, that's more you don't. Don't you 51 00:03:26,400 --> 00:03:31,840 Speaker 1: play jack? Tory will hit that. Yeah, my mind doesn't 52 00:03:31,840 --> 00:03:33,560 Speaker 1: work that fast. I need to sit there and use 53 00:03:33,639 --> 00:03:37,680 Speaker 1: my great poker face that I use pretty much every 54 00:03:37,720 --> 00:03:41,760 Speaker 1: day in my life, This look that nobody knows what's 55 00:03:41,800 --> 00:03:44,440 Speaker 1: going on in here, because quite often I don't know 56 00:03:44,520 --> 00:03:48,120 Speaker 1: what's going on in here. So you're saying it works 57 00:03:48,240 --> 00:03:51,360 Speaker 1: to your advantage. This is a good poker face. I 58 00:03:51,480 --> 00:03:54,080 Speaker 1: want thought on my gravestone. You guys, she had a 59 00:03:54,080 --> 00:03:57,960 Speaker 1: good poker face. It's really true, Tori. You don't is 60 00:03:58,520 --> 00:04:08,200 Speaker 1: Tori's berry. Every means everything can't hide a thing. That's 61 00:04:08,240 --> 00:04:11,280 Speaker 1: why we're you. That's what I said whenever anyone asked 62 00:04:11,280 --> 00:04:13,320 Speaker 1: me about like there was like you know them, you 63 00:04:13,320 --> 00:04:15,240 Speaker 1: know them in real life, and I'm like, yeah, they 64 00:04:15,280 --> 00:04:22,960 Speaker 1: are opposites. Opposites but not. Okay, wait, let's talk about 65 00:04:23,000 --> 00:04:27,640 Speaker 1: the show, Season four, episode nineteen the labors. Should we 66 00:04:27,720 --> 00:04:31,120 Speaker 1: mention last week just for a moment? Wait, how are you? 67 00:04:31,680 --> 00:04:35,680 Speaker 1: We can't just skip because the fans, the fans have spoken, okay, 68 00:04:35,800 --> 00:04:41,799 Speaker 1: rewind rewind about so we had we had Peppergate pepper Gate. 69 00:04:42,720 --> 00:04:45,719 Speaker 1: I was like, wait, Gate's not his last name, pepper Gate, 70 00:04:46,240 --> 00:04:48,159 Speaker 1: a little bit of a pepper Gate, Like, how do 71 00:04:48,160 --> 00:04:57,559 Speaker 1: you feel? So I processed it. I cried a lot, 72 00:04:58,160 --> 00:05:01,160 Speaker 1: and and then I tried to rational is it we're 73 00:05:01,200 --> 00:05:05,200 Speaker 1: talking about, you guys, the whole story that we were 74 00:05:05,240 --> 00:05:09,080 Speaker 1: told about something once the directors said about they missed it. 75 00:05:10,240 --> 00:05:12,560 Speaker 1: Just go back and listen. Go back. It's a good 76 00:05:12,560 --> 00:05:15,520 Speaker 1: one to go back and listen. Yea. And my favorite 77 00:05:15,600 --> 00:05:18,960 Speaker 1: part is the kind of behind the scenes afterwards where 78 00:05:19,000 --> 00:05:21,960 Speaker 1: I'm still upset about it and just looking at your 79 00:05:22,000 --> 00:05:25,200 Speaker 1: face because I know you so well. You're just like 80 00:05:25,320 --> 00:05:28,080 Speaker 1: I could tell you want to so like dive through 81 00:05:28,080 --> 00:05:30,560 Speaker 1: that screen and hug me and nurture me or kick 82 00:05:30,640 --> 00:05:34,040 Speaker 1: somebody's ass for me, and it just made me love 83 00:05:34,080 --> 00:05:37,320 Speaker 1: our friendship even more. But listen to it. It's a 84 00:05:37,440 --> 00:05:46,359 Speaker 1: wild episode. But we're still in talks to get that 85 00:05:46,440 --> 00:05:49,240 Speaker 1: director on because we just want to hear. I have 86 00:05:49,400 --> 00:05:54,960 Speaker 1: had email conversations with the director who says this didn't happen, 87 00:05:55,720 --> 00:05:59,680 Speaker 1: and fingers crossed. He's thinking about coming on our podcast 88 00:05:59,720 --> 00:06:02,520 Speaker 1: and telling his version, So let's hope that happens. So 89 00:06:03,800 --> 00:06:07,200 Speaker 1: stay tuned, Stay tuned. Thirty years is a long time 90 00:06:07,240 --> 00:06:11,000 Speaker 1: to remember something exactly. I will say that, like, I 91 00:06:11,040 --> 00:06:17,360 Speaker 1: don't know that anybody is. It's like your perception changes 92 00:06:17,400 --> 00:06:20,680 Speaker 1: in your course. I think it's exactly right, and maybe 93 00:06:20,680 --> 00:06:24,600 Speaker 1: it isn't. I mean, yeah, and everybody has their own perspective, 94 00:06:24,760 --> 00:06:31,479 Speaker 1: so who knows. But we'll see. We'll see, okay, and 95 00:06:31,560 --> 00:06:39,520 Speaker 1: I will kick his ass if it happened. M okay. 96 00:06:40,600 --> 00:06:44,279 Speaker 1: Back to the show, Season four, episode nineteen, Labors of 97 00:06:44,320 --> 00:06:49,080 Speaker 1: Love aired February second, nineteen ninety four. Synopsis. David dives 98 00:06:49,160 --> 00:06:52,960 Speaker 1: deeper into his addiction. Donna isn't good at tough love. 99 00:06:53,160 --> 00:06:56,440 Speaker 1: Brandon feels slighted when Dylan comes to the rescue, Andrea 100 00:06:56,520 --> 00:07:00,880 Speaker 1: makes a big decision and Lucinda is looking for a 101 00:07:00,880 --> 00:07:06,440 Speaker 1: friend with benefits. I love the way this show opened. 102 00:07:07,200 --> 00:07:10,160 Speaker 1: I felt I was like, uh, just that big wide 103 00:07:10,160 --> 00:07:12,800 Speaker 1: shot of seeing the street with all those nineties cars. 104 00:07:12,880 --> 00:07:14,960 Speaker 1: Very cool. It was the first, like one of the 105 00:07:15,000 --> 00:07:17,640 Speaker 1: first times where you're like, definitely this show was in 106 00:07:17,680 --> 00:07:20,840 Speaker 1: the nineties, like you couldn't deny it, you know, and 107 00:07:21,320 --> 00:07:25,840 Speaker 1: Beverly Hills in Beverly Hills, that is Beverly Hills. Loved 108 00:07:25,840 --> 00:07:29,680 Speaker 1: that opening. Good job director Jefferson Kibby. Was this the 109 00:07:29,720 --> 00:07:33,880 Speaker 1: first episode Jefferson Kibby directed, He went He went on 110 00:07:33,960 --> 00:07:36,760 Speaker 1: to be kind of one of our buddy buddy directors 111 00:07:36,800 --> 00:07:39,240 Speaker 1: as well. He I don't know, I feel like he's 112 00:07:39,480 --> 00:07:44,160 Speaker 1: done something else, but I afore this and writers Roseanne 113 00:07:44,160 --> 00:07:48,760 Speaker 1: Welsh and Christine Pettit. We know Christine Pettit, but Roseanne Welch, 114 00:07:50,520 --> 00:07:55,040 Speaker 1: Raquel Welch's daughter. Could it be sounds like Roseanne Roquel 115 00:07:56,000 --> 00:08:02,000 Speaker 1: my dad was friends with shook it comment Anyway, this 116 00:08:02,040 --> 00:08:06,680 Speaker 1: episode two was strife with you know, big heavy topics 117 00:08:06,760 --> 00:08:12,440 Speaker 1: to abortion and uh what was the other one? Well, 118 00:08:12,440 --> 00:08:16,600 Speaker 1: the business and all the business decisions with the heart attack, 119 00:08:16,720 --> 00:08:23,200 Speaker 1: the money, the ore. Pretty heavy episode. Wow, and have 120 00:08:23,360 --> 00:08:28,400 Speaker 1: to say, just watching this whole topic of um, Kelly 121 00:08:28,640 --> 00:08:32,000 Speaker 1: and Andrea going to the abortion, going to the doctor 122 00:08:32,000 --> 00:08:34,760 Speaker 1: getting like lining her up to get an abortion, all 123 00:08:34,800 --> 00:08:39,400 Speaker 1: the discussion of it just made me so honestly sick 124 00:08:39,480 --> 00:08:45,680 Speaker 1: to my stomach to know that it's hard to even 125 00:08:45,720 --> 00:08:50,439 Speaker 1: say this that in twenty twenty three, watching the show 126 00:08:50,480 --> 00:08:54,040 Speaker 1: back thirty some years later, women don't have the fucking 127 00:08:54,120 --> 00:08:57,480 Speaker 1: right yes to do what they want with their own bodies, 128 00:08:58,080 --> 00:09:01,439 Speaker 1: and it was just so upsetting and disturbing to me. 129 00:09:01,520 --> 00:09:06,320 Speaker 1: It really was. I'm glad you said that because I 130 00:09:06,360 --> 00:09:11,040 Speaker 1: felt the same way, like, wow, this really Even on 131 00:09:11,160 --> 00:09:15,640 Speaker 1: nine two one zero, they they had a topic, a 132 00:09:15,760 --> 00:09:18,480 Speaker 1: sensitive topic, and they show both sides of it, and 133 00:09:20,679 --> 00:09:24,080 Speaker 1: I don't know, I just really got me riled up. Yeah. 134 00:09:24,120 --> 00:09:26,440 Speaker 1: It was very um, I don't know what the word 135 00:09:26,559 --> 00:09:30,559 Speaker 1: is to to like, it's almost surreal because you're watching 136 00:09:30,559 --> 00:09:35,640 Speaker 1: the show from thirty years ago. Yeah, but the storyline 137 00:09:35,760 --> 00:09:38,160 Speaker 1: is almost more I almost like I'm getting like, look 138 00:09:38,200 --> 00:09:41,720 Speaker 1: at my I'm like chills because the storyline is more 139 00:09:41,840 --> 00:09:46,400 Speaker 1: important today, yeah than thirty years ago. It was very 140 00:09:46,720 --> 00:09:49,240 Speaker 1: out of body for me because it was like my 141 00:09:49,400 --> 00:09:52,360 Speaker 1: mind was going, I'm watching the show I don't know 142 00:09:52,400 --> 00:09:55,760 Speaker 1: what date it is, basically right, and it's like happening 143 00:09:55,760 --> 00:09:58,800 Speaker 1: to one of the one of the you know, characters 144 00:09:58,840 --> 00:10:02,160 Speaker 1: on a TV show, one one little character, you know. 145 00:10:02,280 --> 00:10:05,200 Speaker 1: But to think that it's not happening to one little character, 146 00:10:05,320 --> 00:10:10,080 Speaker 1: like that's affecting every woman in our country and right, well, 147 00:10:10,280 --> 00:10:13,440 Speaker 1: he might be turning one hundred years old this uh, 148 00:10:13,679 --> 00:10:16,680 Speaker 1: this year, my dad if he was with us, really, 149 00:10:16,760 --> 00:10:19,760 Speaker 1: but look at him, still has his finger on the 150 00:10:19,760 --> 00:10:27,960 Speaker 1: pulse of relevancy unfortunately. Yeah, and humans so more so 151 00:10:28,080 --> 00:10:31,640 Speaker 1: now than them. Yeah, and that crazy. They did it 152 00:10:31,760 --> 00:10:34,560 Speaker 1: well in this episode. I'm glad two females wrote it. 153 00:10:34,600 --> 00:10:36,800 Speaker 1: I feel like they had to. They had to do 154 00:10:36,960 --> 00:10:41,600 Speaker 1: that point. Yeah, and they didn't sugarcoat it or shy 155 00:10:41,679 --> 00:10:45,720 Speaker 1: away from digging into it. They really went for it 156 00:10:45,760 --> 00:10:54,000 Speaker 1: with all the details, like the discussions and the yeah 157 00:10:54,080 --> 00:10:58,720 Speaker 1: and the line like no, this can't happen today because 158 00:10:59,120 --> 00:11:03,920 Speaker 1: basically saying we're too busy. You're not the only one 159 00:11:03,960 --> 00:11:09,720 Speaker 1: in this situation. It was very um powerful without being preachy. Hmm. 160 00:11:10,120 --> 00:11:14,960 Speaker 1: It just felt it just felt eerie kind of. But 161 00:11:15,360 --> 00:11:19,840 Speaker 1: Kelly Taylor's really getting involved in people's business. She's really 162 00:11:20,080 --> 00:11:22,320 Speaker 1: sticking her nose in there. I mean, it's nice she's 163 00:11:22,320 --> 00:11:24,320 Speaker 1: helping Andrea. But then she goes home and kicks David 164 00:11:24,360 --> 00:11:29,559 Speaker 1: out of the apartment, and I thought that was good too. 165 00:11:30,440 --> 00:11:34,560 Speaker 1: She's You've been an advocate the last few episodes for 166 00:11:34,679 --> 00:11:39,840 Speaker 1: What's right? I know, yeah, what do you? What do 167 00:11:39,920 --> 00:11:42,600 Speaker 1: you guys think that Donna ran out with the wallet? 168 00:11:43,800 --> 00:11:48,839 Speaker 1: Oh Donna, I'm still I tell you not to give 169 00:11:48,920 --> 00:11:54,239 Speaker 1: him money. Yeah, sure did. And he was so sketchy 170 00:11:54,280 --> 00:11:56,800 Speaker 1: in that scene, and like you could see instantly that 171 00:11:56,840 --> 00:11:59,720 Speaker 1: he was going to take that money, just like immediately 172 00:11:59,800 --> 00:12:02,480 Speaker 1: to get his fixed. And Donna didn't see it. She 173 00:12:02,600 --> 00:12:08,040 Speaker 1: just loves him time blinded by love. You're becoming an enabler. 174 00:12:08,120 --> 00:12:10,719 Speaker 1: I was like this in real life with that bad boyfriend. 175 00:12:11,640 --> 00:12:16,200 Speaker 1: It's just two art imitating life, life imitating art. It 176 00:12:16,280 --> 00:12:18,440 Speaker 1: was hard for me to watch that scene because knowing 177 00:12:18,520 --> 00:12:21,920 Speaker 1: like I wish I could have gone back because the wallet, 178 00:12:22,080 --> 00:12:25,920 Speaker 1: the rent mine were much bigger stakes, like when I 179 00:12:25,960 --> 00:12:28,040 Speaker 1: gave him my brand new Porsche that he talked me 180 00:12:28,040 --> 00:12:31,160 Speaker 1: into buying. When I gave him twenty five thousand dollars 181 00:12:31,160 --> 00:12:33,040 Speaker 1: because he lost it at a poker game, and I 182 00:12:33,080 --> 00:12:35,120 Speaker 1: had to be he woke me up, and he's playing 183 00:12:35,120 --> 00:12:38,280 Speaker 1: with huge Hollywood producers, like took all my money, took 184 00:12:38,400 --> 00:12:43,760 Speaker 1: everything the Enabler timestake. So this triggers you, Yeah, can 185 00:12:43,800 --> 00:12:48,640 Speaker 1: you tell? Wow? I was like storyline. Then I realized 186 00:12:48,640 --> 00:12:50,719 Speaker 1: you're talking about real life. Oh my god. Yeah, no, 187 00:12:50,840 --> 00:12:58,040 Speaker 1: she's talking about real life people. Wow. Yeah, Enabler. This 188 00:12:58,080 --> 00:13:03,080 Speaker 1: episode was gnarly. That rug scene at the end was 189 00:13:03,440 --> 00:13:06,880 Speaker 1: very gnarly. I'm a needle. I'm surprised they were able 190 00:13:06,920 --> 00:13:11,800 Speaker 1: to show that on needles. I don't know. She just 191 00:13:11,840 --> 00:13:15,600 Speaker 1: does this, Amy does this every time. Oh no, I met. 192 00:13:15,760 --> 00:13:19,000 Speaker 1: Why is the drugs? Why are they going to need im? 193 00:13:19,000 --> 00:13:22,080 Speaker 1: Because because that's what you were once. You can't get 194 00:13:22,120 --> 00:13:25,480 Speaker 1: it high from snorting it or ingesting it, you start 195 00:13:25,520 --> 00:13:29,280 Speaker 1: shooting it. That's what happens. That's I don't know about 196 00:13:29,320 --> 00:13:33,240 Speaker 1: drugs like that. That's the evolution. Yeah, because I watched 197 00:13:33,280 --> 00:13:36,320 Speaker 1: this episode of nine or two and oh I learned right, dang. 198 00:13:36,720 --> 00:13:39,520 Speaker 1: And the guy, the guy that's on there was a 199 00:13:39,559 --> 00:13:43,400 Speaker 1: friend of all of ours, like we all. I couldn't 200 00:13:43,440 --> 00:13:48,720 Speaker 1: remember his name, bo Jesse Deeler guy. Was it Jesse? 201 00:13:49,000 --> 00:13:53,120 Speaker 1: That sounds right? Drug Jesse Christopher Bo Jesse Christopher So 202 00:13:53,240 --> 00:13:56,880 Speaker 1: he was also an actor, really hot actor, but he 203 00:13:57,040 --> 00:14:02,480 Speaker 1: also would run clubs in La like promoter and did 204 00:14:02,520 --> 00:14:05,640 Speaker 1: he do Saturday night fevers? That ring a bell here 205 00:14:06,320 --> 00:14:09,520 Speaker 1: the club does not line up if he and Brian 206 00:14:09,640 --> 00:14:15,679 Speaker 1: were friends the club the movie The club in Hollywood. 207 00:14:16,920 --> 00:14:20,720 Speaker 1: It's about the right time Saturday night fever. But Brian 208 00:14:20,840 --> 00:14:24,520 Speaker 1: and him might have run a club together promoted called 209 00:14:27,480 --> 00:14:34,359 Speaker 1: Oh I'm blanking, I don't know whoa he was Alexa. 210 00:14:35,560 --> 00:14:39,000 Speaker 1: He was the reckless younger brother of Patrick Swayze in 211 00:14:39,160 --> 00:14:45,200 Speaker 1: Point Break. Yeah, he was a hottie, but he was 212 00:14:45,320 --> 00:14:48,880 Speaker 1: kind of a little bit of a little dark in 213 00:14:48,920 --> 00:14:51,480 Speaker 1: real life. We were like, oh wow, yeah, he's he's 214 00:14:51,520 --> 00:14:56,280 Speaker 1: the promoter of that club, Like boy, that's that's his 215 00:14:56,400 --> 00:15:01,200 Speaker 1: first name? Bo Jesse. Yeah wait you god, literally, how 216 00:15:01,240 --> 00:15:03,920 Speaker 1: do we find this guy? Oh my god? Find him? 217 00:15:03,960 --> 00:15:09,000 Speaker 1: He was so hot under Brian still friends with him. Yeah. 218 00:15:09,080 --> 00:15:13,960 Speaker 1: That scene though, was really intense. Oh and I felt 219 00:15:14,000 --> 00:15:16,320 Speaker 1: like this is the first time they've gone that dark 220 00:15:16,440 --> 00:15:21,880 Speaker 1: on the show, like that dark into drug abuse. And 221 00:15:23,000 --> 00:15:24,680 Speaker 1: I mean I was kind of glad that they did 222 00:15:24,760 --> 00:15:27,600 Speaker 1: to scare kids, because it scared me just watching it. 223 00:15:40,800 --> 00:15:43,120 Speaker 1: Something that stands out to me in this episode is 224 00:15:43,160 --> 00:15:47,280 Speaker 1: the relationship between Andrea and Kelly. We haven't seen that 225 00:15:47,800 --> 00:15:51,160 Speaker 1: so much. Yeah, we've seen like little sprinklings of it. 226 00:15:51,200 --> 00:15:55,800 Speaker 1: I think we've established that they but that Kelly is 227 00:15:55,800 --> 00:15:58,880 Speaker 1: somebody that Andrea goes to in situation. But Andrea goes 228 00:15:58,920 --> 00:16:01,520 Speaker 1: to Donna too. I'm never really seen her go to Brenda. 229 00:16:01,600 --> 00:16:05,720 Speaker 1: But now it makes sense because Kelly's gotten I got 230 00:16:05,760 --> 00:16:09,240 Speaker 1: a lot more experience with real life tough issues, and 231 00:16:09,320 --> 00:16:12,320 Speaker 1: this is one of the biggest tough issues that a 232 00:16:12,360 --> 00:16:14,880 Speaker 1: young girl could probably face. So it makes sense that 233 00:16:14,920 --> 00:16:17,080 Speaker 1: she would go to somebody like this character to like 234 00:16:18,520 --> 00:16:19,960 Speaker 1: have her hold her hand through it. And I thought 235 00:16:19,960 --> 00:16:22,920 Speaker 1: it was so sweet when the doctor called her into 236 00:16:22,960 --> 00:16:25,960 Speaker 1: the office and she said, would you come with me? 237 00:16:26,080 --> 00:16:29,240 Speaker 1: I thought that was really touching. You know what stands 238 00:16:29,240 --> 00:16:33,240 Speaker 1: out to me about Kelly. She's very loyal. She told 239 00:16:33,360 --> 00:16:36,960 Speaker 1: no one. This was not like something she went back 240 00:16:37,000 --> 00:16:41,280 Speaker 1: and you know, a group of girls like that, you 241 00:16:41,360 --> 00:16:43,080 Speaker 1: might say, oh, don't I have to tell you something, 242 00:16:43,080 --> 00:16:46,080 Speaker 1: but you can't tell, you know, Like, she really just 243 00:16:46,160 --> 00:16:52,000 Speaker 1: stayed loyal and she's like a she's a very good friend. 244 00:16:53,600 --> 00:16:55,880 Speaker 1: And I feel the same thing about the way she's 245 00:16:55,920 --> 00:17:00,119 Speaker 1: handling the David situation. Yeah, you don't play with Kelly. 246 00:17:01,200 --> 00:17:08,720 Speaker 1: You know, she's pretty straightforward. But I mean, I think 247 00:17:08,720 --> 00:17:11,600 Speaker 1: that the way she's handling the David situation, the drug use, 248 00:17:11,720 --> 00:17:14,959 Speaker 1: think is the way you should handle it. But it 249 00:17:15,000 --> 00:17:19,879 Speaker 1: does seem a little harsh, a little just it seems 250 00:17:19,920 --> 00:17:22,760 Speaker 1: like it's colored a little bit by Kelly's experiences from 251 00:17:22,960 --> 00:17:25,720 Speaker 1: her mom in the past, So that makes it come 252 00:17:25,760 --> 00:17:28,480 Speaker 1: off as harsh to David because it's the first time 253 00:17:28,480 --> 00:17:30,880 Speaker 1: she's dealing with it with David. But I guess that's 254 00:17:30,880 --> 00:17:36,600 Speaker 1: the right way to go about it. Kind of tough love. Yeah, 255 00:17:36,760 --> 00:17:41,720 Speaker 1: the juxtaposition between Domina and Kelly is like enabler tough love. 256 00:17:41,800 --> 00:17:45,440 Speaker 1: It's like, yeah, I'm not sure what they're supposed to do. 257 00:17:45,520 --> 00:17:49,359 Speaker 1: This guy is got drugs in their home, I know, 258 00:17:49,480 --> 00:17:51,199 Speaker 1: and then he goes to work to get more. And 259 00:17:51,240 --> 00:17:56,680 Speaker 1: then the boss, the DJ guy, what's his name, Howard 260 00:17:57,359 --> 00:18:02,000 Speaker 1: Howard Howard fires him and he's the one that got 261 00:18:02,080 --> 00:18:07,520 Speaker 1: him hooked on the drug. Well good, he can handle 262 00:18:07,600 --> 00:18:10,480 Speaker 1: his drugs. He couldn't. He's out of there. Sorry, pal, 263 00:18:12,480 --> 00:18:14,360 Speaker 1: I don't know. I was watching so much Kelly face 264 00:18:14,440 --> 00:18:17,680 Speaker 1: this time. This episode there was just so many Kelly faces. 265 00:18:17,760 --> 00:18:21,320 Speaker 1: I was like, the only thing I really wanted was 266 00:18:21,400 --> 00:18:25,760 Speaker 1: somebody to give that girl some contour because she's so 267 00:18:26,240 --> 00:18:31,600 Speaker 1: freaking white and like moon face, like so white. I 268 00:18:31,640 --> 00:18:33,520 Speaker 1: just wanted to cut the cheek bones just a little. 269 00:18:33,680 --> 00:18:38,000 Speaker 1: Ah see, it is so wrong. I literally was like, 270 00:18:38,160 --> 00:18:42,040 Speaker 1: I loved her and she's so beautiful. Yeah, I'm like 271 00:18:42,080 --> 00:18:46,480 Speaker 1: a contour tour on her? Isn't that interesting? Contour not 272 00:18:46,600 --> 00:18:51,560 Speaker 1: a thing? Then? Now now you can't live without it? Right? 273 00:18:51,840 --> 00:18:54,639 Speaker 1: So funny that you're saying that because I actually wrote 274 00:18:54,640 --> 00:19:01,160 Speaker 1: in my notes, great makeup on this show, because to me, 275 00:19:01,760 --> 00:19:07,880 Speaker 1: everybody looks very natural. The boys, I liked it. Everybody 276 00:19:07,880 --> 00:19:10,359 Speaker 1: looked real good point. Yes, there was a lot of 277 00:19:10,400 --> 00:19:14,240 Speaker 1: close up shots in this episode. I literally wrote in 278 00:19:14,280 --> 00:19:20,680 Speaker 1: my notes, great makeup. Makeup is so my literally wrote down, 279 00:19:20,760 --> 00:19:24,440 Speaker 1: give that girl some contour. I think too, when you're 280 00:19:24,440 --> 00:19:26,640 Speaker 1: watching it so different because you're watching your cells where 281 00:19:26,680 --> 00:19:31,399 Speaker 1: I'm just like completely sucked into these the whole thing, Like, 282 00:19:31,440 --> 00:19:33,119 Speaker 1: I don't know what you're supposed to do about David. 283 00:19:33,400 --> 00:19:39,120 Speaker 1: He's a total train wreck, and Donna's apologizing all the time. 284 00:19:39,119 --> 00:19:43,359 Speaker 1: I'm sorry. Oh, it's painful to watch and he's like 285 00:19:43,520 --> 00:19:49,280 Speaker 1: fiending so hard. He's like, Tori, what's going through your 286 00:19:49,320 --> 00:19:55,720 Speaker 1: mind when you're watching Donna? The forty nine year old 287 00:19:55,840 --> 00:19:58,960 Speaker 1: me is like, she's pathetic, but I regrets to that 288 00:19:59,000 --> 00:20:01,359 Speaker 1: in moments in my life anyway. It's hard you go 289 00:20:01,440 --> 00:20:05,680 Speaker 1: back to your old ways. She's pathetic, she's in love. 290 00:20:05,840 --> 00:20:10,280 Speaker 1: She has no one to guide her. I think like 291 00:20:10,440 --> 00:20:13,080 Speaker 1: her parents, she doesn't have a great mother figure example, 292 00:20:13,760 --> 00:20:15,840 Speaker 1: not that she would ever tell her mother, but there's 293 00:20:15,880 --> 00:20:18,520 Speaker 1: no there's no one strong. I mean, the strongest person 294 00:20:18,520 --> 00:20:21,480 Speaker 1: in her life is Kelly, you know. And Kelly's trying 295 00:20:21,480 --> 00:20:23,160 Speaker 1: to handle it at the same time the best way 296 00:20:23,200 --> 00:20:26,399 Speaker 1: she knows how to handle it. So it's it's a 297 00:20:26,520 --> 00:20:30,119 Speaker 1: very good point. It's so interesting, like when you just 298 00:20:30,160 --> 00:20:33,760 Speaker 1: said that before, how you said sometimes at forty nine 299 00:20:33,880 --> 00:20:35,680 Speaker 1: and I hate that you can still say forty nine. 300 00:20:35,680 --> 00:20:38,439 Speaker 1: By the way, not for long, my friend. You know 301 00:20:38,560 --> 00:20:43,360 Speaker 1: it's coming up the big five. Oh. It's so interesting 302 00:20:43,400 --> 00:20:48,160 Speaker 1: because you say you regress back to that same quality 303 00:20:48,240 --> 00:20:50,680 Speaker 1: issue in your real life, because I am the same 304 00:20:50,720 --> 00:20:53,159 Speaker 1: way as Kelly is in my real life. Like I'm 305 00:20:53,280 --> 00:20:57,520 Speaker 1: very straightforward, I'm very like tough. I can be very 306 00:20:57,560 --> 00:21:00,399 Speaker 1: tough love. I can be very brass tacks about things, 307 00:21:01,200 --> 00:21:05,439 Speaker 1: and I have to work on that personally because it 308 00:21:05,440 --> 00:21:07,280 Speaker 1: doesn't there's a time and a place for that, and 309 00:21:07,440 --> 00:21:11,040 Speaker 1: sometimes it can be abrasive, and sometimes people don't. People 310 00:21:11,480 --> 00:21:14,080 Speaker 1: just don't like it. But you're saying that you have 311 00:21:14,160 --> 00:21:17,520 Speaker 1: the same challenges, Like you can go into your life 312 00:21:17,560 --> 00:21:19,600 Speaker 1: where you say sorry for things that you're not sorry for. 313 00:21:19,800 --> 00:21:27,000 Speaker 1: You have no reason to apologize for. Embedded in us 314 00:21:27,040 --> 00:21:33,600 Speaker 1: these characteristics that we are we still have as growing women, 315 00:21:34,040 --> 00:21:37,919 Speaker 1: is wow. Well, the part of me that's in Donna 316 00:21:38,000 --> 00:21:41,320 Speaker 1: that I regress back to was always part of me, 317 00:21:41,480 --> 00:21:45,160 Speaker 1: though Donna just developed her every week, so she came 318 00:21:45,200 --> 00:21:48,879 Speaker 1: out more. I don't know if that was because I 319 00:21:48,920 --> 00:21:50,760 Speaker 1: didn't know you before, Kelly, So I don't know if 320 00:21:50,800 --> 00:21:54,520 Speaker 1: that any of those traits were a part of Jenny's 321 00:21:54,560 --> 00:21:59,880 Speaker 1: personality and it came out more. Really, I sneezed yes 322 00:22:00,160 --> 00:22:03,280 Speaker 1: day and apologize and I even stopped and I was like, 323 00:22:03,320 --> 00:22:05,639 Speaker 1: I look around, like, what the hell? And that's so 324 00:22:06,320 --> 00:22:10,000 Speaker 1: fascinating to me because I'm thinking about this this director 325 00:22:10,520 --> 00:22:13,600 Speaker 1: that were we were talking about earlier, and this incident 326 00:22:13,680 --> 00:22:16,680 Speaker 1: that may or may not have happened. I literally can 327 00:22:16,800 --> 00:22:20,280 Speaker 1: see you guys talking to him, with Jenny being Kelly 328 00:22:20,560 --> 00:22:23,800 Speaker 1: and Tori being Donna, and Tori saying, oh, I'm sorry 329 00:22:24,359 --> 00:22:27,600 Speaker 1: for something, you know what I mean, and Jenny being like, no, 330 00:22:30,080 --> 00:22:32,560 Speaker 1: so did what came first? The chicken or the egg? 331 00:22:33,640 --> 00:22:36,520 Speaker 1: Like she's saying the chicken came first, or no, the egg, 332 00:22:37,000 --> 00:22:40,160 Speaker 1: her egg came first? And what about you? I don't 333 00:22:40,160 --> 00:22:47,280 Speaker 1: remember being like as um determined and you know, as 334 00:22:47,280 --> 00:22:51,800 Speaker 1: strong as I as my character Kelly was at that age, 335 00:22:52,640 --> 00:22:56,040 Speaker 1: do you think you became Kelly? I think I in 336 00:22:56,040 --> 00:23:00,359 Speaker 1: a lot of ways, I had to just to survive 337 00:23:00,480 --> 00:23:03,199 Speaker 1: on my own in this business. I didn't have you know, 338 00:23:04,040 --> 00:23:07,440 Speaker 1: tour was lucky enough to have her dad there too. 339 00:23:08,040 --> 00:23:10,280 Speaker 1: She'd been in the like in the industry, she knew 340 00:23:10,280 --> 00:23:12,439 Speaker 1: what was happening. I was. I had no idea what 341 00:23:12,480 --> 00:23:14,639 Speaker 1: I was doing in the industry, and I had nobody 342 00:23:14,680 --> 00:23:17,480 Speaker 1: watching out for me other than Randy, my manager. So 343 00:23:18,280 --> 00:23:23,879 Speaker 1: I feel like I had to Kelly up in life. 344 00:23:24,600 --> 00:23:28,359 Speaker 1: It's fascinating, but I like I like it. I like 345 00:23:28,680 --> 00:23:32,320 Speaker 1: I like just interesting. I like them both. But I 346 00:23:32,480 --> 00:23:35,080 Speaker 1: totally see what you're saying, and it's like, you really 347 00:23:35,080 --> 00:23:38,720 Speaker 1: can't have one without the other. I don't know that 348 00:23:38,760 --> 00:23:42,280 Speaker 1: it would have played so well with Kelly being tough 349 00:23:42,320 --> 00:23:48,760 Speaker 1: if Donna wasn't chasing after with the checkbook. No, it's 350 00:23:48,840 --> 00:23:53,720 Speaker 1: literally funny. It's like transferred into even like our business 351 00:23:53,760 --> 00:23:56,640 Speaker 1: relationship as we've gotten old, or like just our dealings 352 00:23:56,640 --> 00:23:59,679 Speaker 1: with all the things that we do together. It's not 353 00:23:59,760 --> 00:24:03,639 Speaker 1: like that extreme, but there's little essence of that aversion 354 00:24:04,640 --> 00:24:07,720 Speaker 1: through vain. It's so fun kind of good cop, bad cop, 355 00:24:07,920 --> 00:24:10,119 Speaker 1: and kind of at the heart of it, like you 356 00:24:10,160 --> 00:24:12,640 Speaker 1: are who you are. You can work on your shit. 357 00:24:14,119 --> 00:24:17,960 Speaker 1: She's not. You work on your ship, but like you 358 00:24:18,000 --> 00:24:21,720 Speaker 1: still are who you are essentially and as funny how 359 00:24:21,760 --> 00:24:24,960 Speaker 1: it does like trickle out. I think it's interesting this 360 00:24:25,040 --> 00:24:28,080 Speaker 1: conversation because you're right, like if I had to describe 361 00:24:28,119 --> 00:24:31,199 Speaker 1: each of you in one word, do it well, No, 362 00:24:31,320 --> 00:24:36,080 Speaker 1: you do have that like, no, you're right about it. 363 00:24:36,119 --> 00:24:38,399 Speaker 1: But then at the same time, I do think Tory 364 00:24:38,520 --> 00:24:42,719 Speaker 1: can be tough. Oh yes, and Jenny is a pile 365 00:24:42,760 --> 00:24:46,320 Speaker 1: of mush, sweetest thing on the planet. Yeah, totally, yes, 366 00:24:46,520 --> 00:24:52,600 Speaker 1: we totally have. That's why it works, you really is. 367 00:24:52,640 --> 00:24:55,199 Speaker 1: It's usually not at the same time that we have 368 00:24:55,280 --> 00:24:59,520 Speaker 1: those qualities. You know what I mean Jen, like, you 369 00:24:59,520 --> 00:25:01,840 Speaker 1: can meet off and I can be like sweet, no, 370 00:25:01,840 --> 00:25:04,520 Speaker 1: no, no no no, but when I get like, no, we're 371 00:25:04,520 --> 00:25:06,600 Speaker 1: doing this business wise, You're like, bud, it is it? 372 00:25:06,960 --> 00:25:13,080 Speaker 1: We usually switch really episode this podcast, like Tory and 373 00:25:13,119 --> 00:25:15,880 Speaker 1: I got in trouble because we were off on our phones, 374 00:25:16,320 --> 00:25:18,440 Speaker 1: you know, and you want to please Jenny. I don't 375 00:25:18,440 --> 00:25:20,560 Speaker 1: want to be like I don't want to mess it up. 376 00:25:20,640 --> 00:25:24,280 Speaker 1: Like so you you both are these people, and I 377 00:25:24,400 --> 00:25:30,080 Speaker 1: understand it in the characters because ultimately they want to 378 00:25:30,880 --> 00:25:36,840 Speaker 1: like David is letting HELLI down, and he's letting Donna down, 379 00:25:36,960 --> 00:25:39,679 Speaker 1: and he doesn't care. Right now, he doesn't care, but 380 00:25:39,720 --> 00:25:44,239 Speaker 1: we'll see. I do think a couple of things. If 381 00:25:44,320 --> 00:25:46,800 Speaker 1: we may switch to Jesse for a second, who I 382 00:25:47,040 --> 00:25:51,800 Speaker 1: really cute? Yes, I saw that he was so cute, 383 00:25:51,800 --> 00:25:54,000 Speaker 1: but it did bother me when he said if you 384 00:25:54,080 --> 00:25:58,000 Speaker 1: go through with this, don't come back here. That was 385 00:25:58,240 --> 00:26:02,320 Speaker 1: kind of gnarly. Yeah, not cool. He was just I think, 386 00:26:02,480 --> 00:26:05,440 Speaker 1: really reeling with all his emotions in that moment because 387 00:26:05,720 --> 00:26:08,159 Speaker 1: he didn't think that that was even on the table 388 00:26:08,600 --> 00:26:10,840 Speaker 1: right for her to have an abortion, and certainly not 389 00:26:10,880 --> 00:26:13,520 Speaker 1: to have an abortion without discussing it with running the 390 00:26:13,600 --> 00:26:16,960 Speaker 1: father of the baby agree and he was in half, 391 00:26:16,960 --> 00:26:20,440 Speaker 1: you have no nothing you could do. You really can't 392 00:26:20,440 --> 00:26:25,119 Speaker 1: do anything. And she wasn't being fair by being like, 393 00:26:25,240 --> 00:26:28,160 Speaker 1: this is all about me. It's like it is about both. 394 00:26:28,400 --> 00:26:32,240 Speaker 1: He really stepped up, but then he says that harsh line. 395 00:26:32,240 --> 00:26:36,119 Speaker 1: But then he comes around. It was complicated as it 396 00:26:36,160 --> 00:26:39,879 Speaker 1: would be as it is. Yeah, now it's a little 397 00:26:39,880 --> 00:26:42,520 Speaker 1: bit with a bow kind of nine o two one zero. Yeah, 398 00:26:42,560 --> 00:26:45,280 Speaker 1: because then they go to the peach pit and not 399 00:26:45,640 --> 00:26:47,680 Speaker 1: they come in and they don't even like move out 400 00:26:47,680 --> 00:26:51,919 Speaker 1: of the doorway. It really bothered me. They just stood 401 00:26:51,920 --> 00:26:54,240 Speaker 1: in the doorway of the peach pit and announced it 402 00:26:54,280 --> 00:26:57,120 Speaker 1: to everyone. Couldn't we just sit down at a table 403 00:26:57,160 --> 00:27:00,800 Speaker 1: and now this right, they really take over that joint. 404 00:27:02,640 --> 00:27:05,960 Speaker 1: There are other customers. What did you think? Okay, did 405 00:27:06,000 --> 00:27:09,879 Speaker 1: something stand out to in that moment? Mm? I know 406 00:27:10,080 --> 00:27:15,480 Speaker 1: what when Brandon lip kisses fully lip kisses, Oh, that 407 00:27:15,520 --> 00:27:18,280 Speaker 1: didn't bother me. I loved it. What did he whisper 408 00:27:18,359 --> 00:27:19,800 Speaker 1: to her too? He lip kisses her and he's like, 409 00:27:19,800 --> 00:27:23,119 Speaker 1: I told you it would be okay, Yeah, something like 410 00:27:23,160 --> 00:27:37,960 Speaker 1: that all Brandon always knows. I thought this was a 411 00:27:37,960 --> 00:27:41,920 Speaker 1: good episode for Brandon too. Because I don't know. I 412 00:27:42,000 --> 00:27:47,640 Speaker 1: love it when um in the moment when he got 413 00:27:47,680 --> 00:27:49,720 Speaker 1: a little like but hurt that Dylan was going to 414 00:27:49,840 --> 00:27:52,680 Speaker 1: be buying the peach pit. Yes, I love it when 415 00:27:52,720 --> 00:27:58,119 Speaker 1: you get to see Brandon, I Jason the actor play 416 00:27:58,200 --> 00:28:03,600 Speaker 1: those little sentiments emotional moments because he's so good at it. Yes, 417 00:28:05,000 --> 00:28:08,520 Speaker 1: you really feel what? I don't know. He's just so subtle. 418 00:28:08,640 --> 00:28:12,000 Speaker 1: He's such a subtle actor and I just love watching him. 419 00:28:13,200 --> 00:28:17,320 Speaker 1: He isn't good enough of those, no, because he's too 420 00:28:17,359 --> 00:28:20,960 Speaker 1: busy being number one, running like he has to be 421 00:28:21,600 --> 00:28:24,280 Speaker 1: every man for the show and keep it together. I 422 00:28:24,359 --> 00:28:26,959 Speaker 1: love those moments and I love when he gets fired up. 423 00:28:27,320 --> 00:28:30,760 Speaker 1: Oh you know what I didn't love what make it out? Sextrey. 424 00:28:31,680 --> 00:28:37,639 Speaker 1: Brandon's sextry wrote with whoo oo, I put somewhere between 425 00:28:37,680 --> 00:28:40,000 Speaker 1: you and I love this because it was a real 426 00:28:40,120 --> 00:28:42,600 Speaker 1: close up of watching him make out with the hands 427 00:28:42,600 --> 00:28:46,840 Speaker 1: and ye know how he does it? She doesn't know? Yeah, 428 00:28:46,880 --> 00:28:49,840 Speaker 1: I do know, but honestly, I don't see a connection 429 00:28:49,880 --> 00:28:52,440 Speaker 1: between those two. What did you think of when he 430 00:28:52,480 --> 00:28:55,560 Speaker 1: went over there? There's no there's no chemistry. I don't 431 00:28:55,560 --> 00:29:07,360 Speaker 1: think it feels very fabricated. Yeah, yeah, what about um Emily. Hello, Brandon, 432 00:29:07,480 --> 00:29:10,640 Speaker 1: didn't you right? Didn't you promise yourself to wait for Emily? 433 00:29:11,240 --> 00:29:16,200 Speaker 1: Where are the frigs? She nobody cares about anybody these days, 434 00:29:17,960 --> 00:29:20,320 Speaker 1: not one hundred percent that Brandon and Lucien to have 435 00:29:20,400 --> 00:29:23,280 Speaker 1: no chemistry because she's so sort of cool and hot 436 00:29:23,280 --> 00:29:27,120 Speaker 1: that maybe you feel zero. I'll tell you who she 437 00:29:27,200 --> 00:29:33,160 Speaker 1: has chemistry with, and I'll leave it at that. Dylan, well, mhm, 438 00:29:35,120 --> 00:29:41,000 Speaker 1: and I'll leave it at that. I'm sort of back 439 00:29:41,040 --> 00:29:42,320 Speaker 1: to the dry thing we talked. I think we talked 440 00:29:42,320 --> 00:29:43,640 Speaker 1: about this a little bit. I wonder it must have 441 00:29:43,680 --> 00:29:46,280 Speaker 1: been so hard for her personally to play these scenes 442 00:29:46,320 --> 00:29:50,720 Speaker 1: like the the torn like gonna get an abortion, scenes 443 00:29:50,840 --> 00:29:54,520 Speaker 1: like I could just feel it made me cry, Like, yeah, 444 00:29:54,640 --> 00:29:56,520 Speaker 1: that storyline must have been so hard for because she 445 00:29:56,600 --> 00:29:59,800 Speaker 1: was pregnant. I r L. You know that's talking to 446 00:29:59,880 --> 00:30:04,440 Speaker 1: the baby scene. It was a good episode. It was. 447 00:30:04,520 --> 00:30:06,800 Speaker 1: It was really good. I'm glad that Nat made it 448 00:30:06,840 --> 00:30:10,160 Speaker 1: out of the surgery. Okay, he looked this, Uh, pretty 449 00:30:10,200 --> 00:30:13,880 Speaker 1: good for having just had open heart surgery. I say, 450 00:30:14,240 --> 00:30:17,200 Speaker 1: because I've seen a man after that and they don't 451 00:30:17,240 --> 00:30:19,680 Speaker 1: look like that. Very sweet. When he said, I'm talking 452 00:30:19,680 --> 00:30:23,560 Speaker 1: to my boys. Uh, and very very cute in the 453 00:30:23,600 --> 00:30:26,080 Speaker 1: hospital hallway when the boys turned around and they walk 454 00:30:26,120 --> 00:30:30,120 Speaker 1: away and you see their cute little butts. Yeah, I 455 00:30:30,160 --> 00:30:33,120 Speaker 1: liked that shot. I think my only flag on the 456 00:30:33,160 --> 00:30:35,960 Speaker 1: play in this episode was when you are at the 457 00:30:36,080 --> 00:30:39,760 Speaker 1: dorm with Andrea having this real heart to heart and 458 00:30:39,760 --> 00:30:42,360 Speaker 1: she's basically having a meltdown and you're eating Chinese food 459 00:30:42,400 --> 00:30:46,080 Speaker 1: and boom, all of a sudden, you're out of her 460 00:30:49,840 --> 00:30:55,800 Speaker 1: time to go. Well, you don't relate. It was we 461 00:30:55,880 --> 00:30:58,360 Speaker 1: had a big day ahead of us. You know, I 462 00:30:58,440 --> 00:31:00,400 Speaker 1: needed to get some sleep to be ready for that. 463 00:31:00,520 --> 00:31:02,960 Speaker 1: Oh you know. It was a red flag for me 464 00:31:03,000 --> 00:31:05,920 Speaker 1: in this episode in the scene in the peach pit. 465 00:31:06,000 --> 00:31:09,959 Speaker 1: Another part of that scene when she announces it and 466 00:31:10,000 --> 00:31:13,400 Speaker 1: then all of a sudden, Dylan pulls out a canister 467 00:31:13,440 --> 00:31:18,520 Speaker 1: of breadsticks from nowhere and then they're the cigars. The 468 00:31:18,560 --> 00:31:23,320 Speaker 1: peach pits never served a breadstick. That's not on the menu. 469 00:31:25,040 --> 00:31:27,200 Speaker 1: I thought there were pencils. At first. I was like, 470 00:31:27,280 --> 00:31:29,640 Speaker 1: what's happening. That would have made more sense, like a 471 00:31:29,680 --> 00:31:34,040 Speaker 1: bowl of pencils by the cash register. I don't know breadstick. 472 00:31:34,120 --> 00:31:38,720 Speaker 1: I will also say, though, I thought Brenda Samon Brenda. 473 00:31:42,640 --> 00:31:46,680 Speaker 1: I thought Shamon slash Brenda was very sweet and cute 474 00:31:46,760 --> 00:31:50,760 Speaker 1: and smiley in this episode. Like, there were some moments 475 00:31:50,800 --> 00:31:54,040 Speaker 1: where I'm like, there's a scene where when when the 476 00:31:54,080 --> 00:31:59,360 Speaker 1: baby announcement, she's very cute looking, and she was cute 477 00:31:59,360 --> 00:32:03,280 Speaker 1: to brand. She seems happy, Yeah, yeah, happy, like she 478 00:32:03,360 --> 00:32:06,880 Speaker 1: seems like when you're happy in your real life. It 479 00:32:06,960 --> 00:32:11,080 Speaker 1: kind of oozes onto the screen through your characters overalls 480 00:32:11,440 --> 00:32:14,720 Speaker 1: and a few outfits that I thought were so amazing overalls. 481 00:32:14,720 --> 00:32:16,959 Speaker 1: And then when she's in class with the cute sweater 482 00:32:17,000 --> 00:32:24,880 Speaker 1: in the pants. Okay, guys, in the last ten minutes, 483 00:32:24,880 --> 00:32:30,320 Speaker 1: he might have felt me a little distracted here, maybe, okay, 484 00:32:30,520 --> 00:32:32,880 Speaker 1: because you know, and Jen knows, when I get on 485 00:32:32,920 --> 00:32:37,720 Speaker 1: something and I can't remember it, I go nuts. And 486 00:32:38,040 --> 00:32:46,520 Speaker 1: still I just figured it out, and I'm so Brian 487 00:32:46,880 --> 00:32:51,160 Speaker 1: was friends with bo Jesse. Brian brought him onto the show. 488 00:32:51,880 --> 00:32:58,360 Speaker 1: Brian had a nightclub called Ballistic. I couldn't remember the 489 00:32:58,480 --> 00:33:01,320 Speaker 1: name Ballistic, and it was like a dance kind of 490 00:33:01,320 --> 00:33:03,280 Speaker 1: and he would do it like it would be like 491 00:33:03,720 --> 00:33:07,440 Speaker 1: a club one night a week, Yeah, one night a week. 492 00:33:07,480 --> 00:33:09,640 Speaker 1: He would host it. It would be his club, and 493 00:33:09,680 --> 00:33:12,480 Speaker 1: bow Jesse was a part of that, and I'm doing 494 00:33:12,520 --> 00:33:15,560 Speaker 1: all Does anybody feel it's weird that bow Jesse Slash 495 00:33:15,600 --> 00:33:18,400 Speaker 1: whatever his character's name is, literally has a drug den 496 00:33:18,560 --> 00:33:23,840 Speaker 1: in his dorm right there, knock knock knock, Yeah right, 497 00:33:25,240 --> 00:33:30,120 Speaker 1: And I thought the same thing. Let's he will have 498 00:33:30,160 --> 00:33:34,040 Speaker 1: a lot of stories. We will find him and it's 499 00:33:34,080 --> 00:33:39,560 Speaker 1: just like there's like just this mess going on in 500 00:33:39,600 --> 00:33:43,200 Speaker 1: that room. And then the show ends on lu send 501 00:33:43,240 --> 00:33:46,840 Speaker 1: it and Jason and Brandon and I fell asleep because 502 00:33:46,960 --> 00:33:52,200 Speaker 1: yet without that yeah really, yeah, it's like those movies 503 00:33:52,200 --> 00:33:54,880 Speaker 1: that have three endings and you're like, yeah, I was. 504 00:33:54,920 --> 00:33:58,840 Speaker 1: It could have been over at the Andrea or the 505 00:33:58,920 --> 00:34:05,880 Speaker 1: drug den, none of the drug did lucend Gaddy here? Yeah, 506 00:34:05,880 --> 00:34:08,480 Speaker 1: we did go from the High I would have slipped 507 00:34:08,520 --> 00:34:11,520 Speaker 1: the order. I maybe would have gone drug Den to 508 00:34:11,719 --> 00:34:14,319 Speaker 1: Lucinda's and then back to the peach pit because that 509 00:34:14,360 --> 00:34:17,600 Speaker 1: seemed like a nail, because we did go from the 510 00:34:17,600 --> 00:34:20,640 Speaker 1: peach Pit back to the drug den to the gnarliest 511 00:34:21,320 --> 00:34:24,520 Speaker 1: scene I've ever seen on nine o two on like 512 00:34:25,360 --> 00:34:27,880 Speaker 1: full drugs and like were they going to inject needles 513 00:34:27,880 --> 00:34:32,000 Speaker 1: in between toes? Yes, they took off your everybody's like 514 00:34:32,040 --> 00:34:36,000 Speaker 1: take off your shoes your boy. First of all, I 515 00:34:36,040 --> 00:34:42,759 Speaker 1: don't want to see all those feets gross mast yeah 516 00:34:43,000 --> 00:34:45,520 Speaker 1: really fast. I know we have to go. But Hallie 517 00:34:45,600 --> 00:34:49,799 Speaker 1: and Dylan are just thriving. But are they thriving? I 518 00:34:49,880 --> 00:34:52,799 Speaker 1: think they're so sweet. Are they together? I don't even 519 00:34:52,840 --> 00:34:56,560 Speaker 1: know anymore. They're not together enough to not be thriving. 520 00:34:57,560 --> 00:35:01,839 Speaker 1: Some juicy stuff is coming up. There's thriving. He's so like, 521 00:35:02,719 --> 00:35:11,359 Speaker 1: it's all good right now, right now, bomb, Okay, guys happen. Oh, 522 00:35:11,440 --> 00:35:17,480 Speaker 1: let's rate it. Let's what's their homework? Jen? Oh, you 523 00:35:17,520 --> 00:35:21,160 Speaker 1: don't have your paper? You can. We can use fingers today. 524 00:35:21,239 --> 00:35:28,600 Speaker 1: Let's rate it. Um, I can do it. H whoa 525 00:35:28,719 --> 00:35:31,120 Speaker 1: you gave Oh? I thought you gave it a ten. 526 00:35:32,800 --> 00:35:34,200 Speaker 1: You give a nine. I gave it an eight. You 527 00:35:34,239 --> 00:35:39,040 Speaker 1: gave it a seven. Two hard hitting ones back to 528 00:35:39,120 --> 00:35:43,440 Speaker 1: back to back. Surprising because you know, people do want 529 00:35:43,480 --> 00:35:46,480 Speaker 1: to be entertained a little bit and not be like heavy. 530 00:35:46,520 --> 00:35:51,040 Speaker 1: It's getting real real, like yeah, yeah, I think it's 531 00:35:51,040 --> 00:35:54,160 Speaker 1: going to be heavy next week too. Oh man? Really 532 00:35:54,280 --> 00:36:00,360 Speaker 1: next week is episode twenty season four, Scared Very Straight. 533 00:36:01,360 --> 00:36:03,520 Speaker 1: So that's either going to be about David and his 534 00:36:04,160 --> 00:36:06,440 Speaker 1: drug addiction or one of the characters is going to 535 00:36:06,520 --> 00:36:10,640 Speaker 1: come out as gay? Yeah, pretty much. I hope that's it, 536 00:36:10,800 --> 00:36:13,439 Speaker 1: really do, really really do, because that would be fun. 537 00:36:15,400 --> 00:36:19,960 Speaker 1: This season's good, it is. Yeah. I feel like we've 538 00:36:20,000 --> 00:36:23,600 Speaker 1: been watching season four forever. Isn't it funny? This one 539 00:36:23,640 --> 00:36:26,400 Speaker 1: has gone on forever. Every time I go on the 540 00:36:26,400 --> 00:36:29,560 Speaker 1: Paramount Plus to find the episode to watch, I'm like, wait, 541 00:36:29,600 --> 00:36:32,360 Speaker 1: what that was in season four? I can't believe. And 542 00:36:32,440 --> 00:36:34,959 Speaker 1: it's still got a long way to go. It has, 543 00:36:35,040 --> 00:36:44,480 Speaker 1: My lord, there's tony something episodes in this season. Oh 544 00:36:42,200 --> 00:36:48,360 Speaker 1: that's good. That's good for the buds up. See you 545 00:36:48,440 --> 00:36:53,800 Speaker 1: guys next week. Love you guys. By