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Speaker 1: Which is interesting watching where everyone.

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Speaker 2: Walk in it it's funny you throw at.

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Speaker 1: You know, like it tells its own story, doesn't people?

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Speaker 2: Yeah, seeing where people land is this like incredibly informative

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Speaker 2: witness test. Who's a psycho, who's an asshole, who's a

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Speaker 2: freak show?

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Speaker 1: And just how we's a complete fuck up?

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Speaker 3: And like you and I landed in the love see

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Speaker 3: nothing weird about that.

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Speaker 1: It's fine with me.

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Speaker 4: Can I say something yet? Or do I have to wait.

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Speaker 1: Until how many episodes? That's my question?

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Speaker 3: Like sorry to answer your question with a question, how

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Speaker 3: many is it going to take before you just kind

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Speaker 3: of know what is going on?

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Speaker 4: Well, it's just every time I come in here, it's

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Speaker 4: usually like a bonus episode, So it's like, you guys

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Speaker 4: really like a sleep at the Wheel kind of vibes.

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Speaker 1: And we did have to downgrade it to a free.

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Speaker 2: And looking forward to your next solo episode with us,

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Speaker 2: which will also likely be a bonus episode.

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Speaker 4: I'm just gonna make it on the main grid.

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Speaker 1: Yeah.

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Speaker 2: But in terms of of course whether or not you

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Speaker 2: can say something, we're so loose here. It's really about

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Speaker 2: the listener's experience and not like whether we get interrupted,

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Speaker 2: because as you mentioned you have been here before. I

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Speaker 2: would ask you to be certain that you have something

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Speaker 2: to say.

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Speaker 4: I do. I feel like I do every time I come.

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Speaker 4: I really feel like I'd love for you to be certain.

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Speaker 4: But yeah, I know, and I want to be Yeah,

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Speaker 4: I have something to say, but okay.

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Speaker 1: And I just have to say I say what I

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Speaker 1: want to. I would have been like, I just want

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Speaker 1: to say so.

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Speaker 4: Much faster, get to say what I wanted to say.

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Speaker 5: I'm not I'm not her protector.

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Speaker 1: I know that we cleared that yell.

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Speaker 4: I'm getting yelled at an I g comments he will

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Speaker 4: protect me?

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Speaker 5: Your wife? Oh like you own her?

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Speaker 2: Yeah she's our is what the commenters are saying.

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Speaker 5: Yeah, yeah, she's we own her through you do.

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Speaker 4: You guys feel like you own your wives.

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Speaker 2: All wives are sort of a community property, you know,

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Speaker 2: like once one becomes a wife, like your wife, it's

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Speaker 2: like she's a wife now.

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Speaker 4: In the community.

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Speaker 1: I love a wife.

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Speaker 5: These are the limitations of language which we were talking

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Speaker 5: about before. The conversation we were having before we started

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Speaker 5: recording was way better than that.

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Speaker 4: You guys, but I just want to that's not even

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Speaker 4: what I had to say. I know that you like

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Speaker 4: separated us. First of all, I know we're on the

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Speaker 4: same couch, but I feel very separated from him. And

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Speaker 4: then you a lot when I came in.

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Speaker 2: Yeah, I just never hear it that I know, if

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Speaker 2: you know another word, he was.

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Speaker 4: He was sitting there already, he was on the love seat.

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Speaker 1: I just want you to know, like I said, nothing

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Speaker 1: worried about it.

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Speaker 4: Then I'm like to that. So then Tim's is here

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Speaker 4: and I go, I'm just to sit over there.

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Speaker 2: You guys, you know people you said where? You said where?

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Speaker 2: You said, where should I sit? I see that you

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Speaker 2: guys are separating us. And you pointed because Tim had already.

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Speaker 4: Sat I didn't see this microphone and you.

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Speaker 2: Kind of and you kind of pointed here, and I

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Speaker 2: was like, and what did I say? I don't give

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Speaker 2: a fuck.

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Speaker 3: And I don't want to talk about any of this.

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Speaker 3: I don't know why we're and I didn't even get.

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Speaker 4: To say what I wanted to say.

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Speaker 5: So I still haven't said what I wanted to say.

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Speaker 5: Go ahead, okay, but Sean's sitting down first.

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Speaker 2: Because I'm fucking here.

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Speaker 1: This is I want to know if this is it?

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Speaker 1: This is okay?

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Speaker 3: Then can we skip this and get to whatever the

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Speaker 3: you want to say is I am like.

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Speaker 2: I sat down. That's some act of aggression being on

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Speaker 2: time Jesus Christ.

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Speaker 1: But I just I mean the dynamic you guys.

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Speaker 3: You guys haven't hosted that many episodes together, right, Like

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Speaker 3: how my podcast episodes have you done together together?

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Speaker 4: Yeah?

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Speaker 5: And honestly, gues is six.

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Speaker 4: Yeah, we've done eleven. A lot of collaborating on.

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Speaker 2: The mic, you know, and how many of you done separated?

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Speaker 2: Fucking all you want to talk about? We're separated?

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Speaker 1: Man? Well?

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Speaker 2: Yeah, you the mic reaches over there, over sit right

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Speaker 2: next to him. There's no one else, There's no one

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Speaker 2: else there.

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Speaker 4: We're just not used to being that far apart. When

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Speaker 4: we record at home, I'm usually I'm usually on top

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Speaker 4: of him sort of just like you know, like booster

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Speaker 4: seat style.

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Speaker 3: And you guys have a home studio set up. Yeah, okay,

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Speaker 3: and so this is like not a business to you

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Speaker 3: or like what is?

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Speaker 2: Well?

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Speaker 1: What is it?

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Speaker 4: I have such a grindset that when I wake I

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Speaker 4: am in work mode And what I would think you're

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Speaker 4: in is your office.

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Speaker 5: Yeah, yeah, bloom where you're planted.

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Speaker 3: Mm hmm, Bloomberg, Bloomberg where you are plant like a

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Speaker 3: physical plant, like the industrial Goldbergs.

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Speaker 1: Goldbergs.

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Speaker 5: Yeah, it comes back to business for us. But that's

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Speaker 5: not what I wanted to say. But that is either

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Speaker 5: I haven't been invited since pre.

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Speaker 1: COVID we wanted definitely not true.

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Speaker 5: That's absolutely true. He hasn't even been I haven't been

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Speaker 5: invited since.

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Speaker 2: On the onto this show. You.

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Speaker 5: Yeah, but that's what are we.

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Speaker 1: Talking about, flagrant We need people on that show.

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Speaker 5: I do episodes of flagrant ones in my sleep. I'm

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Speaker 5: just pinball like pinballing, like sports ideas.

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Speaker 3: We have not figured out a booking strategy for our

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Speaker 3: sports programming until now. We actually do have one that

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Speaker 3: we discovered today, which is Carl does a viral impression

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Speaker 3: of a famous athlete and that famous athlete is charmed

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Speaker 3: by it and reaches out via Instagram DMS to do

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Speaker 3: our sports show.

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Speaker 1: So now we won't be needing you anymore. We actually

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Speaker 1: have coming up.

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Speaker 2: And the other instance was one of the most famous

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Speaker 2: people to ever reach out, you know, directly to us

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Speaker 2: about doing the show, who we don't have a personal

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Speaker 2: connection to I think, reached out and asked to do

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Speaker 2: Hollywood Handbook. Yeah, the main show that Hayes and I

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Speaker 2: have done for twenty five years or something. And then

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Speaker 2: and then Kevin immediately pivoted that to a different show,

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Speaker 2: was like, would you like to have this guest on

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Speaker 2: this other show? And then we had to go like,

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Speaker 2: well we do both Like one is like everyone can

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Speaker 2: hear it if they want. The other one is strictly

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Speaker 2: for pay packs. Yes, so, and this is.

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Speaker 1: What you want to that's what you wanted to say,

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Speaker 1: you have.

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Speaker 4: I think you wanted to say, we can do celebrity

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Speaker 4: impressions if you guys need us to to get people on.

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Speaker 2: If that's gonna yes, if they're going to charge celebrity,

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Speaker 2: I think that your impressions and I haven't heard them yet,

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Speaker 2: will be perceived as cruel.

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Speaker 5: Now if you tee us up the wrong way, Yeah,

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Speaker 5: give me a celebrity and I'll do it right now

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Speaker 5: and we'll see if it's cruel for the basketball.

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Speaker 2: Somebody who we'd love to have on the Basketball show?

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Speaker 4: I guess, Okaret, all right, I don't know any basketball players,

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Speaker 4: so you can't get you guys, can't give me one

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Speaker 4: of them?

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Speaker 2: Well, could you do? Larsa Pippen?

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Speaker 5: See, that's cruel, that's a horror. That's your teeing are

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Speaker 5: up for failure.

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Speaker 2: With the finger.

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Speaker 4: Don't do that.

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Speaker 1: You're only her protection.

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Speaker 3: When she has a chance to really shine, then that's

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Speaker 3: the time to come in and like, oh, we have

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Speaker 3: to protect this.

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Speaker 2: I gotta squash this too much oxygen out of the room.

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Speaker 5: She was going to shine too hard with a larsssion.

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Speaker 1: It turns out.

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Speaker 2: It's not a fucking zero some game, man. She can

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Speaker 2: do a great larsa pip impression and then you can

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Speaker 2: come in with your things.

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Speaker 1: They are all zero subgames. That's okay. That yes, that

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Speaker 1: is a zero subject. Some of them are not.

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Speaker 3: You're even done, see see tim, I don't think so

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Speaker 3: who are you talking to?

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Speaker 2: You?

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Speaker 4: Do you think the other housewives? Okaywives Miami? Yeah she's

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Speaker 4: on there. Yeah, she's with Michael.

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Speaker 2: She's on all kinds of things, you know what I mean.

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Speaker 2: That's so, that's what makes it, that's what makes her

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Speaker 2: so great.

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Speaker 1: So you could be Michael Jordan's son.

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Speaker 5: You want me to be Jeffrey Jordan's Yes, this is

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Speaker 5: not setting me up for success.

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Speaker 1: Why not? Grandpa got murdered.

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Speaker 4: Talk about the grandpa.

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Speaker 2: That's suddenly now the only thing you want to bring

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Speaker 2: up like this is why it's going to be perceived

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Speaker 2: as cruel, Like he's not gonna want to come on

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Speaker 2: when you want to talk about talking about being murdered.

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Speaker 2: It's like that's a you're saying insanely traumatic experience.

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Speaker 5: That wasn't going to be the crux of my impression.

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Speaker 3: But he's not successful because, like I mean, he does

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Speaker 3: like style stuffed.

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Speaker 4: You don't know they have a podcast together, and arsa, Yeah,

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Speaker 4: I'm not. I'm surprised how much I do know about

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Speaker 4: these two. He was not a he reads the podcast.

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Speaker 4: We'll do the podcast.

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Speaker 3: Probably more than sixty episodes together. I'm just saying, And

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Speaker 3: they haven't even been together that log.

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Speaker 2: Hey, they probably could sit on different parts of a

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Speaker 2: couch and may not even have a derail the entire

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Speaker 2: fucking situation.

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Speaker 4: We're just not used to being a part. Tim and

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Speaker 4: I every restaurant we go to, we as to sit

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Speaker 4: on the same side of the table.

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Speaker 1: Yeah, and do you have a table that has like

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Speaker 1: a really tiny side? Yeah, that's what I said. Do

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Speaker 1: you have this this side is very like this side

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Speaker 1: feels it has a bigness to it. Do you have

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Speaker 1: a tiny side.

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Speaker 4: Like we just we just want one chair.

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Speaker 2: Please, Yeah?

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Speaker 4: Yeah?

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Speaker 2: Is there like a triangle table and we can both

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Speaker 2: be sitting just at one corner of it together.

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Speaker 5: Dad, that's my Jeffrey Jordan.

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Speaker 1: That's Jeffrey Jordan's. Yeah, okay, he might like it.

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Speaker 5: He might if.

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Speaker 2: Finally somebody's going right at it. We mainly know him

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Speaker 2: because of his dad, yeah, you know, and everyone tiptoes

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Speaker 2: around it. We all act like Jeffrey Jordan in his

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Speaker 2: own right. Is this like stylish, you know, celebutante. But

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Speaker 2: the fact is when we talk about this on the show,

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Speaker 2: a lot see something of a nipple baby.

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Speaker 4: Do you see nipple?

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Speaker 1: M h yeah, yeah, yeah, sutured to the nipple.

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Speaker 5: It's a nice way of saying titty baby.

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Speaker 2: What it's nippletism. It's not that crazy like a lot

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Speaker 2: of industries are. Actually you do what your parents did?

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Speaker 5: Ye, lawyers, bankers, doctors, retail.

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Speaker 4: Mm hmm what do your guys' parents do?

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Speaker 2: I guess hmmm.

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Speaker 1: Shit, my old man, Jesus Christ.

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Speaker 2: Now you're now you're gonna get me going. This will

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Speaker 2: be a whole other kind of show, you old man.

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Speaker 4: You're already crying over there, Sean, Yeah, I guess.

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Speaker 3: If I followed in my old man's footsteps, I would

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Speaker 3: be uh imprinting them on my own ass, because that's

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Speaker 3: what he did.

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Speaker 1: That's the truth.

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Speaker 5: Brother, talk about pay pigs, So he just he made

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Speaker 5: money by tattooing his own ass.

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Speaker 3: No, yeah, yeah, you will stand the phrasing.

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Speaker 2: I can see how you got there.

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Speaker 1: He would do. Yeah, a little bit of the old

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Speaker 1: soft shoe on my ass every day. Yeah might.

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Speaker 2: I'll be moon walking up and down my butt cheeks

250
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Speaker 2: about twice a week, you know what I mean, leaving

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Speaker 2: big old bootprints.

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Speaker 3: So if I were to follow in his footsteps, I

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Speaker 3: would have to sort of curl my feet around, and.

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Speaker 1: It's got to press them up against my own ass, wearing.

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Speaker 2: Shoes, put on a thriller on the jukebox, and just,

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Speaker 2: uh you know, just moon walk up and down those

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Speaker 2: butt cheeks of mine. Not not the pleasant experience.

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Speaker 5: Yet they put you through college, didn't they. That's how

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Speaker 5: they got you through school.

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Speaker 2: Say it, thank you, thank you, you shaped mem Yeah.

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Speaker 4: You changed me, You made me the man I am today.

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Speaker 5: But I bet he did change you too. Every once

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Speaker 5: in a while.

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Speaker 3: Yeah, I'd have to change my pants after pressing his uh,

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Speaker 3: size nines, all them.

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Speaker 2: I couldn't.

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Speaker 5: I got a tall mom. Mm hmm, you got a

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Speaker 5: tall mom.

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Speaker 3: Both of them sort of very very big up top,

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Speaker 3: and they sort of recede to a point.

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Speaker 4: Is they triangle.

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Speaker 1: Triangle reverse reverse?

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Speaker 2: You know, you know weeble's wobble, but they don't fall down.

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Speaker 2: Well not the case with my dad. He fell down

275
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Speaker 2: a lot. Yeah, didn't really wobble either, just flat down.

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Speaker 2: And you know what I mean, Jesus.

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Speaker 1: To spin them so they stay up.

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Speaker 2: The first time I saw a top heavy magazine, I

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Speaker 2: thought it was about my dad boy when I when

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Speaker 2: I bought it, because I thought he'd be proud. But

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Speaker 2: I had a whole magazine, had a whole magazine, Like

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Speaker 2: I said, I said, Dad, you know I found a

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Speaker 2: magazine about you. Well, there go those size knides with

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Speaker 2: the same sized dad. There go those size knides, you know,

285
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Speaker 2: just trotting and a and a tinkering around on the

286
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Speaker 2: old back pockets of my Levi's jeans lee jeans.

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Speaker 5: So would they kick you or do they just step

288
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Speaker 5: on your ass?

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Speaker 3: It would just uh, you know how in reality shows

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Speaker 3: they talk about you would like mug somebody's face rather

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Speaker 3: than like actually hit them, so he was kind of

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Speaker 3: make sure it was like yeah, it was like pressed

293
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Speaker 3: up against there and then do just a.

294
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Speaker 2: Little I'd lie down, face down on the ground, you

295
00:13:57,480 --> 00:13:59,160
Speaker 2: know what I mean, And he'd put one of those

296
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Speaker 2: uh Arthur Murray dance Steppa mats over the back of

297
00:14:03,960 --> 00:14:07,079
Speaker 2: my legs and yeah, on top of my lee jeans,

298
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Speaker 2: you know, and just yeah, yeah, I tell you the truth. Yeah,

299
00:14:15,400 --> 00:14:17,719
Speaker 2: Aim wasn't always so good. Somebody when walking back in

300
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Speaker 2: my head switched my whole damn face down.

301
00:14:20,800 --> 00:14:23,080
Speaker 4: Pretty bad trauma, honestly.

302
00:14:23,280 --> 00:14:25,600
Speaker 2: Well, he also was falling down all the time, you

303
00:14:25,600 --> 00:14:26,400
Speaker 2: know what I mean.

304
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Speaker 5: High center of gravity.

305
00:14:30,560 --> 00:14:34,960
Speaker 2: But it's not ideal. It's not good. But Jesus Christ,

306
00:14:34,960 --> 00:14:37,400
Speaker 2: he asked me about my old man, and you got

307
00:14:37,440 --> 00:14:40,120
Speaker 2: your sending me back boof down memory lane.

308
00:14:43,640 --> 00:14:47,480
Speaker 3: Who do you know what I think is like getting

309
00:14:47,560 --> 00:14:49,600
Speaker 3: us all in this word like we're in this weird place,

310
00:14:49,800 --> 00:14:51,840
Speaker 3: aren't we show is feeling weird.

311
00:14:51,640 --> 00:14:54,000
Speaker 2: It's feeling weird. Lily's never even said what she thought

312
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Speaker 2: she was going to say.

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00:14:54,840 --> 00:14:57,080
Speaker 4: I was just going to say that you were seated there,

314
00:14:58,120 --> 00:14:59,760
Speaker 4: and then I was like, oh, I guess I should

315
00:14:59,800 --> 00:15:01,360
Speaker 4: probab I think we did get to that.

316
00:15:01,520 --> 00:15:04,360
Speaker 1: No we didn't get to the about that for a while.

317
00:15:04,400 --> 00:15:06,600
Speaker 4: No, we didn't get to the primaris. I'm going to

318
00:15:06,640 --> 00:15:08,800
Speaker 4: actually go sit over there. When I saw that there

319
00:15:08,840 --> 00:15:10,960
Speaker 4: was a microphone over here, I was like, I'm gonna

320
00:15:10,960 --> 00:15:13,120
Speaker 4: go sit over here. And then you came in and

321
00:15:13,160 --> 00:15:16,320
Speaker 4: you sat over there, and I remember being like, oh, okay,

322
00:15:17,040 --> 00:15:18,520
Speaker 4: so they're gonna be on that Cotch're not gonna be

323
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Speaker 4: on this yet.

324
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Speaker 5: Mm hmm.

325
00:15:21,000 --> 00:15:22,800
Speaker 1: That's what you that's what you really want to say

326
00:15:22,800 --> 00:15:23,320
Speaker 1: the whole time.

327
00:15:23,440 --> 00:15:24,680
Speaker 4: Yeah, I was holding about it.

328
00:15:24,600 --> 00:15:27,640
Speaker 3: Okay, And why did you remember that? Because what was

329
00:15:27,640 --> 00:15:29,960
Speaker 3: your motivation for you for remembering that that happened?

330
00:15:30,000 --> 00:15:32,080
Speaker 4: I just felt like everyone was so separated.

331
00:15:32,400 --> 00:15:35,000
Speaker 2: I'm always you know, people always ask, you know, actors

332
00:15:35,000 --> 00:15:37,800
Speaker 2: and stuff, how they memorize their lines, and you know,

333
00:15:37,880 --> 00:15:40,400
Speaker 2: that's not that mysterious to me, Like you read the script,

334
00:15:40,440 --> 00:15:43,000
Speaker 2: your practice, But whenever I talk to you, I go,

335
00:15:43,080 --> 00:15:45,960
Speaker 2: how did you remember to say that? Because it doesn't

336
00:15:45,960 --> 00:15:48,720
Speaker 2: seem like it's like connected to anything else we talked about.

337
00:15:48,760 --> 00:15:51,280
Speaker 2: It doesn't seem like it has enough inherent value you

338
00:15:51,320 --> 00:15:55,200
Speaker 2: know that it would come back up. But like I'm like, yeah,

339
00:15:55,240 --> 00:15:56,960
Speaker 2: that's more interesting to me is like, how did you

340
00:15:57,000 --> 00:15:57,480
Speaker 2: remember that?

341
00:15:57,600 --> 00:15:59,920
Speaker 4: Well, yeah, no, I just like, I guess let.

342
00:15:59,840 --> 00:16:04,680
Speaker 6: Me speak for you, because that's such a UCB question

343
00:16:05,040 --> 00:16:08,560
Speaker 6: where it's just like game premise, right answer, wrong answer,

344
00:16:08,680 --> 00:16:10,280
Speaker 6: don't think but there's a right answer.

345
00:16:10,320 --> 00:16:12,160
Speaker 5: So if you think the wrong thing, then you're wrong.

346
00:16:12,440 --> 00:16:13,440
Speaker 5: But don't think, well.

347
00:16:13,280 --> 00:16:15,840
Speaker 2: Don't think iron, it's iron iron.

348
00:16:16,040 --> 00:16:19,760
Speaker 5: Oh that's unfortunate. The foundation of the entire thing is irony.

349
00:16:19,880 --> 00:16:20,640
Speaker 2: That's cogic.

350
00:16:20,800 --> 00:16:21,480
Speaker 1: That's tragic.

351
00:16:21,600 --> 00:16:28,200
Speaker 2: Yeah, theater is irony. Yeah, I think that's actually the stretch.

352
00:16:28,320 --> 00:16:30,320
Speaker 5: There's a guy on first. You're in the stretch right now.

353
00:16:30,360 --> 00:16:34,040
Speaker 5: That's bad. That's uncomfortable. She was deconstructing ideas.

354
00:16:34,160 --> 00:16:35,560
Speaker 4: Yea, it was deconstructing ideas.

355
00:16:36,240 --> 00:16:36,800
Speaker 1: So you the.

356
00:16:36,720 --> 00:16:38,800
Speaker 5: Audience, she's treating you as a smart person who can

357
00:16:38,800 --> 00:16:40,800
Speaker 5: figure that out. But you're saying I'm too stupid. I

358
00:16:40,840 --> 00:16:43,480
Speaker 5: need irony. That's uncomfortable for me.

359
00:16:43,520 --> 00:16:45,160
Speaker 2: I wouldn't mind a little bit of it.

360
00:16:45,400 --> 00:16:47,200
Speaker 5: Well, it can get the especially after.

361
00:16:47,120 --> 00:16:50,800
Speaker 2: This whole dealing with all this stuff with my dad. Dad,

362
00:16:50,800 --> 00:16:52,600
Speaker 2: it is basically the same exact guy.

363
00:16:53,600 --> 00:16:54,280
Speaker 5: That's a good move.

364
00:16:57,600 --> 00:16:59,240
Speaker 1: We were both talking about it at the same time.

365
00:16:59,280 --> 00:16:59,840
Speaker 1: There's a lot.

366
00:17:00,080 --> 00:17:02,400
Speaker 5: But this is a good seed. These are non UCB moves.

367
00:17:02,400 --> 00:17:04,399
Speaker 5: This is nice. You went emotion. You went back to

368
00:17:04,440 --> 00:17:08,800
Speaker 5: a place of emotion. Still going. I'm still going. Thanks

369
00:17:08,880 --> 00:17:12,560
Speaker 5: so much yet.

370
00:17:11,080 --> 00:17:13,399
Speaker 4: To be able to feel like free and stuff?

371
00:17:13,480 --> 00:17:15,280
Speaker 5: Okay, yeah, good good.

372
00:17:15,520 --> 00:17:17,440
Speaker 4: I feel so good. I feel like I really got

373
00:17:17,440 --> 00:17:20,399
Speaker 4: my ideas out. But I did want to talk about

374
00:17:20,400 --> 00:17:21,000
Speaker 4: another thing.

375
00:17:21,880 --> 00:17:23,399
Speaker 3: I just want to just to I don't want to

376
00:17:23,480 --> 00:17:27,120
Speaker 3: let this u c B slander just like me put

377
00:17:27,160 --> 00:17:31,679
Speaker 3: out there. Yeah, okay, I just want to say, scoreboard chief,

378
00:17:32,440 --> 00:17:34,320
Speaker 3: how much moldering real estate?

379
00:17:34,440 --> 00:17:40,000
Speaker 1: Does your theater have moldering? Yeah? How much have a

380
00:17:40,080 --> 00:17:40,920
Speaker 1: sham style?

381
00:17:41,480 --> 00:17:44,440
Speaker 5: Like we talked about the private equity The three different

382
00:17:44,440 --> 00:17:47,120
Speaker 5: private equity firms that own the places that we came

383
00:17:47,200 --> 00:17:47,800
Speaker 5: up at.

384
00:17:48,080 --> 00:17:53,960
Speaker 1: Oh sure, but better than the others are thriving.

385
00:17:54,240 --> 00:17:57,200
Speaker 2: El Ron Hubbard shuddered.

386
00:17:57,280 --> 00:17:59,480
Speaker 5: Do you think you think I came up at Iowett?

387
00:17:59,560 --> 00:18:02,600
Speaker 5: We hold you think I came up at io West.

388
00:18:02,880 --> 00:18:04,960
Speaker 5: I'm gonna let the replies speak for me.

389
00:18:05,040 --> 00:18:05,440
Speaker 1: I don't.

390
00:18:06,000 --> 00:18:08,400
Speaker 5: I'm not even dipping my toes in this Io West.

391
00:18:08,480 --> 00:18:11,240
Speaker 1: That's not what I'm channel at iow West.

392
00:18:11,240 --> 00:18:16,720
Speaker 3: I think is actually competitive when it comes to dust gatherers.

393
00:18:17,760 --> 00:18:24,640
Speaker 4: Io West is a horrifying nightmare that should have burned

394
00:18:24,920 --> 00:18:26,600
Speaker 4: down like Second City almost did.

395
00:18:26,880 --> 00:18:33,320
Speaker 3: My understanding about your theater is that it has some

396
00:18:33,480 --> 00:18:36,199
Speaker 3: real estate that it is just still kind of in.

397
00:18:37,920 --> 00:18:40,200
Speaker 4: Are you talking about the mall that Second City is in.

398
00:18:41,160 --> 00:18:43,639
Speaker 1: Yeah, I mean it's like right.

399
00:18:43,480 --> 00:18:50,520
Speaker 4: The huge like entertainment that building that Io is now

400
00:18:50,560 --> 00:18:51,400
Speaker 4: in in Chicago.

401
00:18:52,640 --> 00:18:54,880
Speaker 3: When I think of IO, I think of the one

402
00:18:55,560 --> 00:18:57,199
Speaker 3: of Io West. I think of the one that is

403
00:18:57,280 --> 00:19:02,240
Speaker 3: right on Hollywood BOULEVARDID.

404
00:19:00,600 --> 00:19:03,000
Speaker 1: Like, open a door one day and there's a clown

405
00:19:03,160 --> 00:19:03,800
Speaker 1: car of.

406
00:19:05,320 --> 00:19:06,320
Speaker 4: What are you talking about?

407
00:19:06,440 --> 00:19:07,679
Speaker 1: Cross punks? Kids?

408
00:19:09,480 --> 00:19:12,520
Speaker 4: Talking about Second City on Hollywood where when you would

409
00:19:12,560 --> 00:19:14,720
Speaker 4: open the door there'd be that sterwell that smelled like

410
00:19:14,760 --> 00:19:17,719
Speaker 4: piston ship. You're not talking about that. You're talking about

411
00:19:18,440 --> 00:19:23,240
Speaker 4: Iowa West where there was like a bunch of people

412
00:19:23,359 --> 00:19:25,160
Speaker 4: selling guns underneath the building.

413
00:19:25,920 --> 00:19:27,080
Speaker 5: Are you calling them cross punk?

414
00:19:29,119 --> 00:19:29,960
Speaker 4: You're talking about.

415
00:19:31,359 --> 00:19:33,680
Speaker 5: They might be in the m I don't think that.

416
00:19:34,480 --> 00:19:34,879
Speaker 1: I didn't.

417
00:19:36,440 --> 00:19:38,560
Speaker 2: I actually thought I the whole time thought we were

418
00:19:38,600 --> 00:19:42,159
Speaker 2: talking about the ground links. I can't speak to the

419
00:19:42,960 --> 00:19:43,879
Speaker 2: character work.

420
00:19:44,200 --> 00:19:47,240
Speaker 4: Oh, you're right, I would love to talk about characters.

421
00:19:47,320 --> 00:19:49,119
Speaker 5: Is the one place I didn't study but I do admire.

422
00:19:49,160 --> 00:19:50,680
Speaker 5: It's okay, I love characters.

423
00:19:51,040 --> 00:19:54,240
Speaker 2: You really, Actually I never have anybody I'm doing. Nobody's

424
00:19:54,240 --> 00:19:55,600
Speaker 2: playing loud music next to me.

425
00:19:56,240 --> 00:19:59,280
Speaker 3: I think you're trading off the ground links without realizing music.

426
00:19:59,760 --> 00:20:01,960
Speaker 3: I think are going into these rooms and I think

427
00:20:02,040 --> 00:20:02,760
Speaker 3: people are.

428
00:20:02,800 --> 00:20:03,800
Speaker 5: They think I'm ground links.

429
00:20:03,880 --> 00:20:04,679
Speaker 1: I think they're.

430
00:20:04,400 --> 00:20:07,119
Speaker 3: Picking up a ground thing, and I think, like you do,

431
00:20:08,480 --> 00:20:10,959
Speaker 3: the honest thing to do would be to like just

432
00:20:11,080 --> 00:20:13,719
Speaker 3: up top you. Like, I understand what everyone is thinking,

433
00:20:13,760 --> 00:20:16,440
Speaker 3: but like, no, no, no ground links training.

434
00:20:16,800 --> 00:20:18,960
Speaker 5: Just because how I dress in public. What you're saying

435
00:20:19,000 --> 00:20:20,960
Speaker 5: is I dress in public like groundlingks dress on stage.

436
00:20:21,440 --> 00:20:22,200
Speaker 5: That's what you're saying.

437
00:20:23,359 --> 00:20:26,440
Speaker 2: I'm just saying it's I don't know about in public,

438
00:20:26,640 --> 00:20:29,719
Speaker 2: but like, yeah, when you're at a professional at an

439
00:20:29,760 --> 00:20:32,919
Speaker 2: audition or when you're meeting with like a director or something.

440
00:20:33,440 --> 00:20:34,960
Speaker 1: I'm not saying you're aware of this.

441
00:20:35,480 --> 00:20:38,520
Speaker 5: I mean I am aware to a certain every single kid.

442
00:20:40,240 --> 00:20:42,800
Speaker 5: I just auditioned for Paradise, all right, and I thought

443
00:20:42,800 --> 00:20:44,119
Speaker 5: it was a good idea to wear a wig and

444
00:20:44,160 --> 00:20:46,640
Speaker 5: a neck brace. And you think that makes me look

445
00:20:46,640 --> 00:20:47,199
Speaker 5: like a groundling.

446
00:20:49,880 --> 00:20:51,600
Speaker 3: And I can understand why it would be in your

447
00:20:51,640 --> 00:20:55,040
Speaker 3: interest to deny after like you've been pulling this off

448
00:20:55,080 --> 00:20:57,680
Speaker 3: for a long time, and so like now that there's

449
00:20:57,720 --> 00:20:59,400
Speaker 3: a mic in front of you and it's being recorded,

450
00:20:59,440 --> 00:21:00,600
Speaker 3: that's what I would do too.

451
00:21:00,960 --> 00:21:03,160
Speaker 4: No, ten, and let me go out and speak for ten.

452
00:21:03,520 --> 00:21:07,040
Speaker 4: This is true to him, like we have to get separted.

453
00:21:07,160 --> 00:21:10,399
Speaker 4: Like I can't be seen with like a groundling right now.

454
00:21:10,760 --> 00:21:13,040
Speaker 4: It's just wouldn't be good for me in terms of

455
00:21:13,080 --> 00:21:14,960
Speaker 4: like my career and stuff and like where I'm heading.

456
00:21:15,080 --> 00:21:19,000
Speaker 2: The timing would be kind of bad just for the groundling,

457
00:21:19,040 --> 00:21:21,359
Speaker 2: which is you know, the wig in the neck brace.

458
00:21:22,800 --> 00:21:29,000
Speaker 2: I don't know what's that groundlings? Maybe a little maybe

459
00:21:29,040 --> 00:21:34,440
Speaker 2: a little yeah, and THEO can we hear the voice now?

460
00:21:36,400 --> 00:21:36,600
Speaker 1: Now?

461
00:21:36,880 --> 00:21:43,520
Speaker 5: Now? Now? I bought another British car in America.

462
00:21:44,240 --> 00:21:47,560
Speaker 1: Oh, because I.

463
00:21:47,520 --> 00:21:49,280
Speaker 5: Get in the car and the steering wheels over here

464
00:21:49,400 --> 00:21:51,280
Speaker 5: on the I get in the driver's side and I'm like,

465
00:21:51,400 --> 00:21:53,520
Speaker 5: oh that's.

466
00:21:53,359 --> 00:21:54,639
Speaker 2: Uh yeah not again.

467
00:21:54,840 --> 00:21:55,240
Speaker 1: Yeah.

468
00:21:55,280 --> 00:21:57,200
Speaker 5: Well, when they open it up to improv, that's where

469
00:21:57,240 --> 00:21:57,439
Speaker 5: I go.

470
00:21:57,840 --> 00:22:00,240
Speaker 4: I think he's going to get it was.

471
00:22:00,240 --> 00:22:05,959
Speaker 5: For Paradise, about the project, the Paradise Audition.

472
00:22:06,119 --> 00:22:07,359
Speaker 4: Yeah, have you seen the show?

473
00:22:08,840 --> 00:22:10,440
Speaker 2: I haven't watched it.

474
00:22:10,600 --> 00:22:12,120
Speaker 4: Okay, so you've seen it.

475
00:22:12,880 --> 00:22:19,119
Speaker 2: I haven't watched it, but obviously I mean it's yeah, yeah.

476
00:22:18,760 --> 00:22:20,960
Speaker 5: Well everything's about the president in the first season, and

477
00:22:21,000 --> 00:22:24,960
Speaker 5: the second season is about the vice president in the worldlypse.

478
00:22:25,119 --> 00:22:26,760
Speaker 5: That's who I was going That's who I was going

479
00:22:26,800 --> 00:22:27,640
Speaker 5: for it with.

480
00:22:27,600 --> 00:22:28,800
Speaker 1: A wigan and neck brace.

481
00:22:29,119 --> 00:22:32,240
Speaker 7: But the apocalypse president and the vice President of America,

482
00:22:35,240 --> 00:22:37,800
Speaker 7: you know, would actually be a pretty interesting story point

483
00:22:37,800 --> 00:22:40,800
Speaker 7: where he's like, the public will never accept this, you know,

484
00:22:41,320 --> 00:22:43,920
Speaker 7: and now I'm betraying my country here. I am one

485
00:22:43,920 --> 00:22:49,439
Speaker 7: of the main leaders, you know, if not the main one, Okay,

486
00:22:50,480 --> 00:22:53,199
Speaker 7: and then you're and then you're like, oh, this is

487
00:22:53,200 --> 00:22:56,159
Speaker 7: a huge scandal. Not only that I don't know how

488
00:22:56,200 --> 00:22:57,560
Speaker 7: to drive this kookie thing.

489
00:22:58,960 --> 00:23:02,760
Speaker 4: I think I did a really good reading with Tim.

490
00:23:01,560 --> 00:23:03,639
Speaker 5: On Lily's always trying to book from behind me.

491
00:23:03,720 --> 00:23:05,320
Speaker 4: I'm trying to book from behind the camera.

492
00:23:05,600 --> 00:23:07,960
Speaker 1: And sorry, who was that?

493
00:23:09,119 --> 00:23:12,879
Speaker 4: Yeah, that's usually what Tim's feedback is. The reader was

494
00:23:12,960 --> 00:23:16,800
Speaker 4: something else. Yeah, she was loud. I get that one

495
00:23:16,840 --> 00:23:20,000
Speaker 4: a lot. Yeah, she was really close to the camera. Yeah,

496
00:23:21,960 --> 00:23:22,960
Speaker 4: saw her a couple of times.

497
00:23:23,160 --> 00:23:25,399
Speaker 2: There's a really mean teacher in this season.

498
00:23:27,160 --> 00:23:30,200
Speaker 1: Based on his eyeline, she's really moving around back there.

499
00:23:31,160 --> 00:23:32,800
Speaker 4: Well, It's other thing is because the camera is set

500
00:23:32,840 --> 00:23:34,919
Speaker 4: up sort of high, you don't really see me, so

501
00:23:34,960 --> 00:23:36,480
Speaker 4: you kind of see the top of my head coming

502
00:23:36,680 --> 00:23:38,480
Speaker 4: in and out of the out of frame.

503
00:23:38,600 --> 00:23:40,720
Speaker 2: We always being in our head against wall trying to

504
00:23:40,720 --> 00:23:42,040
Speaker 2: find this mean teacher.

505
00:23:43,240 --> 00:23:45,640
Speaker 5: I always make the choice. I always make the choice

506
00:23:45,640 --> 00:23:47,240
Speaker 5: to be looking up at a character.

507
00:23:48,680 --> 00:23:51,080
Speaker 4: Yeah, Tim's always looking like almost to this guy. And

508
00:23:51,119 --> 00:23:53,000
Speaker 4: then I'll come in and I'll be like, do you

509
00:23:53,080 --> 00:23:54,680
Speaker 4: need to get your get out of here?

510
00:23:55,040 --> 00:23:57,920
Speaker 2: It's such a great trick to see more youthful. I mean,

511
00:23:57,920 --> 00:24:00,280
Speaker 2: this industry is obsessed with youth, and it's all was like,

512
00:24:00,320 --> 00:24:01,080
Speaker 2: what's your age range?

513
00:24:01,119 --> 00:24:01,840
Speaker 1: What do you play? Well?

514
00:24:01,840 --> 00:24:05,080
Speaker 2: Not only that, it's just like all of a sudden,

515
00:24:05,200 --> 00:24:08,840
Speaker 2: you're I mean, you're a little kid as soon as

516
00:24:08,880 --> 00:24:12,480
Speaker 2: you're doing this. If I'm talking to you business man, yeah,

517
00:24:12,680 --> 00:24:17,479
Speaker 2: but if I'm talking to you, I don't know what

518
00:24:17,520 --> 00:24:18,320
Speaker 2: the line was.

519
00:24:21,240 --> 00:24:24,320
Speaker 3: And the decision makers are and they're thinking about their

520
00:24:24,440 --> 00:24:25,359
Speaker 3: kids at home.

521
00:24:25,480 --> 00:24:32,280
Speaker 4: Yeah, yeah, you look down, you look down. I'm a scientist.

522
00:24:32,960 --> 00:24:35,639
Speaker 2: I do yeah, I do that. I do that for

523
00:24:35,680 --> 00:24:38,720
Speaker 2: a fantasy type of show, like a Game of Thrones

524
00:24:38,760 --> 00:24:41,240
Speaker 2: type show, where I might be able to play a giant,

525
00:24:41,440 --> 00:24:43,760
Speaker 2: and so the idea of like getting you know, me

526
00:24:44,359 --> 00:24:49,720
Speaker 2: above the who would be on that show a witch? Yeah,

527
00:24:49,880 --> 00:24:54,359
Speaker 2: it's me over the witch, right, yeah. And I'm about

528
00:24:54,359 --> 00:24:57,280
Speaker 2: to squeeze her to death in the power of my hand,

529
00:24:57,440 --> 00:24:59,879
Speaker 2: you know. And I'm looking straight down at her and

530
00:25:00,080 --> 00:25:03,480
Speaker 2: I'm doing I'm no good at voices. You're the voice guy.

531
00:25:03,560 --> 00:25:10,240
Speaker 2: How might the giant sound something like that?

532
00:25:10,320 --> 00:25:11,400
Speaker 1: Right? Yeah?

533
00:25:11,720 --> 00:25:13,800
Speaker 5: Because his tongue is so this tongue is giant too.

534
00:25:15,440 --> 00:25:18,280
Speaker 4: He did that in his audition for something recently.

535
00:25:18,320 --> 00:25:21,040
Speaker 5: Actually leave the Weapon five.

536
00:25:22,880 --> 00:25:23,240
Speaker 4: Drama.

537
00:25:23,560 --> 00:25:27,160
Speaker 2: Wow, we're getting back in there and Mel's directing, writing

538
00:25:27,280 --> 00:25:28,480
Speaker 2: and playing both roles.

539
00:25:28,520 --> 00:25:29,000
Speaker 1: Is that right?

540
00:25:29,160 --> 00:25:29,920
Speaker 5: Yeah, that's right.

541
00:25:30,000 --> 00:25:33,600
Speaker 3: And they're doing the top gun thing where they go

542
00:25:33,680 --> 00:25:37,000
Speaker 3: see Danny Glover but he's like not speaking and they

543
00:25:37,040 --> 00:25:38,160
Speaker 3: just say, like, you're really sick.

544
00:25:38,240 --> 00:25:40,159
Speaker 1: I hope you be okay.

545
00:25:40,359 --> 00:25:42,800
Speaker 2: I need I need your advice now more than ever, Danny,

546
00:25:43,000 --> 00:25:47,800
Speaker 2: don't give me. Just write it down. I'll leave the room.

547
00:25:47,880 --> 00:25:49,920
Speaker 2: You write it down, I'll come back in. I'll read it,

548
00:25:52,480 --> 00:25:54,080
Speaker 2: don't you dare all good?

549
00:25:55,119 --> 00:25:56,399
Speaker 5: I don't want to say what what I was going

550
00:25:56,480 --> 00:26:01,000
Speaker 5: to say? That's really disrespectful to Danny clo not No.

551
00:26:01,320 --> 00:26:02,959
Speaker 5: What I was going to say, what you guys were

552
00:26:02,960 --> 00:26:03,560
Speaker 5: saying was great.

553
00:26:03,760 --> 00:26:06,000
Speaker 2: Yeah, and you said, don't you dare.

554
00:26:06,520 --> 00:26:12,440
Speaker 4: Don't you get over the delivery, don't keep steing up.

555
00:26:15,359 --> 00:26:18,000
Speaker 2: Try to get out of that bed, a little bitch.

556
00:26:18,160 --> 00:26:19,520
Speaker 2: You're gonna taste steel.

557
00:26:19,640 --> 00:26:22,280
Speaker 1: Yeah, you're too old. You're getting too old for this.

558
00:26:24,160 --> 00:26:26,000
Speaker 2: I'm looking over I'm looking over him.

559
00:26:25,880 --> 00:26:29,560
Speaker 4: Too, yeah, looking down. Yeah, this is a great angle

560
00:26:29,600 --> 00:26:30,320
Speaker 4: for me. I've learned too.

561
00:26:32,359 --> 00:26:35,440
Speaker 1: I was tucking that chin and mm hmmm.

562
00:26:35,600 --> 00:26:37,520
Speaker 4: Well, no one really talks about chin work.

563
00:26:38,000 --> 00:26:38,919
Speaker 2: Actually this is.

564
00:26:40,720 --> 00:26:41,040
Speaker 4: Like this.

565
00:26:43,040 --> 00:26:44,480
Speaker 5: Yeah, yeah, your feet out.

566
00:26:44,840 --> 00:26:47,800
Speaker 4: Like this, this is actually that's dice.

567
00:26:48,000 --> 00:26:48,720
Speaker 5: That's a good angle.

568
00:26:48,840 --> 00:26:52,040
Speaker 4: That's good because if we were doing it, if we

569
00:26:52,040 --> 00:26:54,640
Speaker 4: were doing a scene like we were breaking up, that's

570
00:26:54,680 --> 00:26:56,560
Speaker 4: the kind of face you want to you want to make,

571
00:26:56,800 --> 00:26:57,480
Speaker 4: like be making.

572
00:26:57,520 --> 00:26:58,760
Speaker 2: I think, I go, yeah, I go.

573
00:26:59,200 --> 00:27:00,639
Speaker 5: Well, you'll never get this again.

574
00:27:01,520 --> 00:27:02,320
Speaker 2: And I'm doing this.

575
00:27:02,600 --> 00:27:03,640
Speaker 4: Yeah, that's really good.

576
00:27:03,760 --> 00:27:08,040
Speaker 2: Yea A little gives it goodbye?

577
00:27:09,720 --> 00:27:10,080
Speaker 1: But is it?

578
00:27:10,160 --> 00:27:12,760
Speaker 3: Are we worried? Like is it going forward? Like is

579
00:27:12,800 --> 00:27:16,400
Speaker 3: the project like it was like with everything going on?

580
00:27:16,560 --> 00:27:18,920
Speaker 1: Is it even? Yeah? Is it even?

581
00:27:19,040 --> 00:27:20,480
Speaker 4: Like you mean the tariffs?

582
00:27:21,359 --> 00:27:24,159
Speaker 3: I mean, well, well we're all talking about right without

583
00:27:24,200 --> 00:27:26,640
Speaker 3: saying and we're all talking about the terriffs.

584
00:27:26,680 --> 00:27:31,320
Speaker 2: Dancing We've been basically doing an impression of me and hey,

585
00:27:31,400 --> 00:27:34,200
Speaker 2: is his dad dancing around it all day? Like, why

586
00:27:34,200 --> 00:27:36,960
Speaker 2: don't we go ahead and stop dancing and actually just

587
00:27:37,080 --> 00:27:40,359
Speaker 2: discuss the tariff situation, which I think a lot of

588
00:27:40,440 --> 00:27:49,320
Speaker 2: our Look, we've created a listenership that is of above

589
00:27:49,359 --> 00:27:52,600
Speaker 2: average intelligence. Hmm. I wonder why the people that find

590
00:27:52,640 --> 00:27:59,040
Speaker 2: this show are smart. Okay, they're actually way way, way

591
00:27:59,240 --> 00:28:03,879
Speaker 2: way there, curve wrecking geniuses. But a lot of them

592
00:28:03,920 --> 00:28:07,840
Speaker 2: have been asking what's a tariff? What's going on? Why

593
00:28:08,000 --> 00:28:11,919
Speaker 2: is that happening? How does money work? What are these percentages?

594
00:28:12,160 --> 00:28:14,600
Speaker 2: Some of the names of these countries? Are these countries

595
00:28:14,760 --> 00:28:15,399
Speaker 2: or what are they?

596
00:28:15,560 --> 00:28:17,720
Speaker 1: I can't see who you're pointing to.

597
00:28:19,040 --> 00:28:21,520
Speaker 3: Happy to try and answer this question if I if

598
00:28:21,600 --> 00:28:23,760
Speaker 3: I can, but I cannot see who you're pointing.

599
00:28:23,800 --> 00:28:26,760
Speaker 2: Is this guy allowed? The email I get most often

600
00:28:26,880 --> 00:28:29,920
Speaker 2: most of the time is is this guy allowed? And

601
00:28:30,560 --> 00:28:34,080
Speaker 2: can't I can't. Yeah, I can't necessarily respond to that.

602
00:28:34,920 --> 00:28:37,360
Speaker 1: And they're still they might not actually be allowed.

603
00:28:37,480 --> 00:28:41,160
Speaker 2: They're so inquisitive and they're and they're actually it's beautiful,

604
00:28:41,320 --> 00:28:43,960
Speaker 2: you know, the way they like watch the curiosity. Their

605
00:28:44,040 --> 00:28:46,800
Speaker 2: brains are these sponges, you know. I mean they love

606
00:28:47,000 --> 00:28:51,360
Speaker 2: to learn. But when you just get an email no

607
00:28:51,880 --> 00:28:54,960
Speaker 2: return address most subjects.

608
00:28:54,600 --> 00:28:54,800
Speaker 5: And it.

609
00:28:56,800 --> 00:29:02,600
Speaker 2: Says this allowed, and it's really really hard to deal

610
00:29:02,680 --> 00:29:04,680
Speaker 2: with that. So we thought this could be a good opportunity.

611
00:29:04,760 --> 00:29:07,760
Speaker 2: Who better to talk about the tariffs than both of you?

612
00:29:08,280 --> 00:29:10,360
Speaker 3: But we know a lot about the tariffs, and I

613
00:29:10,520 --> 00:29:12,880
Speaker 3: love don't you love when media tries to talk about this?

614
00:29:13,720 --> 00:29:16,760
Speaker 1: Don't you just love like literature and actually tried.

615
00:29:17,440 --> 00:29:22,600
Speaker 4: This is how I feel about it. That's how I feel, really.

616
00:29:22,520 --> 00:29:23,120
Speaker 1: Funny like that.

617
00:29:23,440 --> 00:29:28,880
Speaker 2: It's perfect. I mean, it's it's actually the ultimate evidence

618
00:29:29,080 --> 00:29:33,080
Speaker 2: of hubris in this country is actually when the media

619
00:29:33,200 --> 00:29:36,120
Speaker 2: tries to talk about this stuff, which has me, uh

620
00:29:36,960 --> 00:29:40,440
Speaker 2: basically laughing like Lily just did, yeah to me.

621
00:29:40,600 --> 00:29:45,200
Speaker 4: It's it's just like the epitome of the uh of

622
00:29:45,320 --> 00:29:47,720
Speaker 4: controversy when you start with stuff like that.

623
00:29:49,360 --> 00:29:53,120
Speaker 5: Whether I'm in a liberal circle, conservative circle, independent circle.

624
00:29:54,800 --> 00:29:56,920
Speaker 2: More and more of them, there's more and more of them,

625
00:29:57,800 --> 00:29:59,200
Speaker 2: and I don't blame.

626
00:29:59,000 --> 00:30:01,720
Speaker 5: Them, huh uh. I mean everything is political, but they

627
00:30:01,760 --> 00:30:05,360
Speaker 5: don't like politics, and I get that, but the same

628
00:30:05,880 --> 00:30:09,760
Speaker 5: line kills in every single place, the math math.

629
00:30:09,840 --> 00:30:17,080
Speaker 1: And yes, that's so they go nuts, they go wild,

630
00:30:18,200 --> 00:30:21,800
Speaker 1: they go I mean, and what's funny about that is

631
00:30:21,880 --> 00:30:25,200
Speaker 1: like it actually is. It actually is math. And that's

632
00:30:25,280 --> 00:30:30,680
Speaker 1: why like to say it like that. It's like to

633
00:30:30,720 --> 00:30:31,240
Speaker 1: bring it back.

634
00:30:31,360 --> 00:30:34,240
Speaker 2: I didn't study trained everywhere everywhere.

635
00:30:34,520 --> 00:30:39,120
Speaker 4: You did, but you know we did. We crown links.

636
00:30:39,200 --> 00:30:40,680
Speaker 5: You didn't do I didn't do groundlings.

637
00:30:40,720 --> 00:30:42,120
Speaker 4: Yeah, you better not have done.

638
00:30:42,760 --> 00:30:45,120
Speaker 3: He goes into these rooms saying like, oh, where do

639
00:30:45,200 --> 00:30:47,120
Speaker 3: you train. He's like, oh, I've been everywhere, and like,

640
00:30:47,920 --> 00:30:50,960
Speaker 3: just to keep it. I can't keep their head in

641
00:30:51,040 --> 00:30:51,440
Speaker 3: that ground.

642
00:30:51,560 --> 00:30:53,160
Speaker 2: Yeah, he's not going to he's not going to give

643
00:30:53,240 --> 00:30:57,440
Speaker 2: up the game, and and and and I do. I

644
00:30:57,720 --> 00:31:00,360
Speaker 2: am thinking back to when you were talking about uc

645
00:31:00,560 --> 00:31:03,720
Speaker 2: BE trashing them actually for saying that there's a right

646
00:31:03,800 --> 00:31:04,719
Speaker 2: and wrong answer.

647
00:31:05,000 --> 00:31:06,320
Speaker 5: I was trashing you, not the theater.

648
00:31:07,920 --> 00:31:10,840
Speaker 1: But good luck, because there's all because there's a lot

649
00:31:10,880 --> 00:31:12,720
Speaker 1: of trash of that theater as it is.

650
00:31:13,000 --> 00:31:20,600
Speaker 8: Oh yeah, Actually, my favorite it's is when I used

651
00:31:20,640 --> 00:31:24,080
Speaker 8: to get off the stage and Sean, Okay, I think I.

652
00:31:24,120 --> 00:31:25,920
Speaker 2: Knew that at the time that that was what was

653
00:31:26,000 --> 00:31:26,320
Speaker 2: going on.

654
00:31:27,000 --> 00:31:29,400
Speaker 5: No, it's okay, it's all right. This was all in jest,

655
00:31:29,640 --> 00:31:31,120
Speaker 5: you know, was the uc B tactic?

656
00:31:31,200 --> 00:31:32,200
Speaker 1: It was I it was I wrong.

657
00:31:32,360 --> 00:31:34,640
Speaker 4: I missed the trash at U s B. You used

658
00:31:34,680 --> 00:31:37,760
Speaker 4: to come off the stage and immediately you get hit

659
00:31:37,880 --> 00:31:42,600
Speaker 4: with this whiff of dumpster that was nay ten feet

660
00:31:42,600 --> 00:31:43,040
Speaker 4: away from me.

661
00:31:43,840 --> 00:31:45,520
Speaker 1: You're talking about back and it was a dumpster.

662
00:31:45,760 --> 00:31:50,960
Speaker 4: And that's truth, and not multiple dumpsters, multiple like huge

663
00:31:51,280 --> 00:31:56,200
Speaker 4: jugs of grease of fire hazard.

664
00:31:57,800 --> 00:31:58,400
Speaker 1: I miss it.

665
00:32:00,040 --> 00:32:02,000
Speaker 2: First time I saw Jos of Grease magazine.

666
00:32:02,080 --> 00:32:05,240
Speaker 5: I actually thought you thought your dad was in it.

667
00:32:05,520 --> 00:32:10,239
Speaker 2: I actually thought, oh, this is you know, I had

668
00:32:10,400 --> 00:32:12,600
Speaker 2: learned my lesson from Top Heavy bringing that to my dad.

669
00:32:12,640 --> 00:32:15,040
Speaker 2: I thought, oh, this is about UCB, my favorite theater,

670
00:32:15,080 --> 00:32:16,800
Speaker 2: and I brought it to the teachers, thinking they'd be

671
00:32:16,840 --> 00:32:22,640
Speaker 2: proud of me. Oh no, Well Matt Besser put on

672
00:32:22,800 --> 00:32:26,320
Speaker 2: his size seven shoes, and.

673
00:32:26,680 --> 00:32:30,239
Speaker 5: You know, do you have an impression of him?

674
00:32:32,720 --> 00:32:36,120
Speaker 1: Do I have an impression of That's a good question.

675
00:32:36,560 --> 00:32:37,440
Speaker 4: Yeah, I thought you did.

676
00:32:38,000 --> 00:32:39,680
Speaker 1: Go I can go. Look, i'd have to go home.

677
00:32:39,720 --> 00:32:41,840
Speaker 4: I got emails from you taking that you have a

678
00:32:41,920 --> 00:32:42,520
Speaker 4: really good ones.

679
00:32:42,560 --> 00:32:44,280
Speaker 1: I have to like go through the emails.

680
00:32:45,200 --> 00:32:50,240
Speaker 3: I got so many, I'm telling I get so many

681
00:32:50,280 --> 00:32:52,840
Speaker 3: emails from these guys, like because I'm telling me, we

682
00:32:52,960 --> 00:32:55,240
Speaker 3: go back and forth so much on like what guy?

683
00:32:55,600 --> 00:32:58,920
Speaker 5: You know, what's the guy that's a comedy email?

684
00:32:59,480 --> 00:33:04,320
Speaker 1: What guy? Yes exactly. I'm like, you have to give

685
00:33:04,480 --> 00:33:06,880
Speaker 1: some more information. I really do want to help you.

686
00:33:06,960 --> 00:33:10,680
Speaker 4: It sounds important, it is important, and I can't wait

687
00:33:10,720 --> 00:33:11,120
Speaker 4: to watch it.

688
00:33:11,320 --> 00:33:13,560
Speaker 5: But they'd like to stump you. Don't you think that

689
00:33:13,960 --> 00:33:17,440
Speaker 5: some part of getting those emails is your listeners testing

690
00:33:17,520 --> 00:33:19,560
Speaker 5: your intelligence and being like are they still at the

691
00:33:19,600 --> 00:33:20,280
Speaker 5: top of their game?

692
00:33:20,800 --> 00:33:21,760
Speaker 1: Am I is?

693
00:33:21,840 --> 00:33:22,320
Speaker 5: He allowed?

694
00:33:23,080 --> 00:33:25,240
Speaker 2: Boy, I wouldn't put that past our listeners. They're a

695
00:33:25,320 --> 00:33:25,920
Speaker 2: sharp bunch.

696
00:33:29,040 --> 00:33:30,680
Speaker 1: They're really clever.

697
00:33:30,960 --> 00:33:33,400
Speaker 2: That's something our listeners might do. Boy, that that could

698
00:33:33,480 --> 00:33:36,720
Speaker 2: work on me because coming from my listeners, I'm so trusting.

699
00:33:38,000 --> 00:33:38,240
Speaker 1: Boy.

700
00:33:38,440 --> 00:33:43,560
Speaker 2: That's sneaky man. For my listeners to do that, Damn,

701
00:33:44,080 --> 00:33:46,400
Speaker 2: you might have bust this whole thing wide open and

702
00:33:46,560 --> 00:33:50,400
Speaker 2: to the listeners. A fair play to you, good sirson

703
00:33:50,480 --> 00:33:58,120
Speaker 2: and and and lady. Yes, no, that's uh, that's right.

704
00:33:58,200 --> 00:34:00,560
Speaker 2: They might have been testing me here, I am I

705
00:34:00,600 --> 00:34:01,720
Speaker 2: walked right into the trap.

706
00:34:05,760 --> 00:34:06,640
Speaker 1: Wholly.

707
00:34:08,320 --> 00:34:10,399
Speaker 4: You know this happens a lot with us.

708
00:34:13,040 --> 00:34:16,320
Speaker 1: And who's who's who's us just in this case, I know,

709
00:34:16,480 --> 00:34:18,040
Speaker 1: but tell everyone else who us is.

710
00:34:18,239 --> 00:34:20,560
Speaker 4: I just wanted to go back to something I wanted

711
00:34:20,560 --> 00:34:23,120
Speaker 4: to say at the beginning of the show. When I

712
00:34:23,239 --> 00:34:27,160
Speaker 4: came in and I kind of was getting seated, there

713
00:34:27,320 --> 00:34:30,920
Speaker 4: wasn't any like drinks. So I remember after I took

714
00:34:30,960 --> 00:34:33,720
Speaker 4: a seat, I said, Kevin, I'm gonna go get some drinks.

715
00:34:33,800 --> 00:34:36,240
Speaker 4: You remember that, Kevin?

716
00:34:37,120 --> 00:34:39,959
Speaker 2: Yes, no, I remember what you said. What you said

717
00:34:40,120 --> 00:34:43,480
Speaker 2: was I'm going to get a water, right, do you

718
00:34:43,600 --> 00:34:44,000
Speaker 2: want one?

719
00:34:44,040 --> 00:34:44,319
Speaker 5: You said?

720
00:34:44,560 --> 00:34:46,200
Speaker 4: And then I turned to you and I said, you

721
00:34:46,320 --> 00:34:50,400
Speaker 4: look all hydrated up because you have multiple drinks. And

722
00:34:50,480 --> 00:34:53,360
Speaker 4: then I went and I got a Lacroix and I

723
00:34:53,400 --> 00:34:55,759
Speaker 4: got one for Tim. And I remember sitting back down.

724
00:34:55,920 --> 00:34:57,200
Speaker 2: How did you remember to say this?

725
00:34:58,280 --> 00:35:01,520
Speaker 4: And you weren't even here yet, Hayes Sean.

726
00:35:01,320 --> 00:35:05,560
Speaker 5: Don't do it, man, don't reopen this wound. Don't do

727
00:35:05,719 --> 00:35:07,279
Speaker 5: it man, what do you what?

728
00:35:09,120 --> 00:35:11,960
Speaker 2: I don't know, I don't know.

729
00:35:12,560 --> 00:35:15,560
Speaker 5: See he's being the bigger man, go.

730
00:35:15,680 --> 00:35:16,440
Speaker 1: On and that.

731
00:35:17,280 --> 00:35:21,040
Speaker 2: And I just remember as well, you said de Lacroix

732
00:35:21,080 --> 00:35:21,879
Speaker 2: as well you had.

733
00:35:21,880 --> 00:35:24,120
Speaker 4: Gotten Yeah, I had gotten the Croy and I got

734
00:35:24,200 --> 00:35:29,440
Speaker 4: one for ten. I remember it's been drift and I

735
00:35:29,719 --> 00:35:34,120
Speaker 4: remember sitting and going, Okay, we're going to start soon

736
00:35:35,960 --> 00:35:38,640
Speaker 4: and then and then Hayes got here a little while

737
00:35:38,680 --> 00:35:38,960
Speaker 4: after that.

738
00:35:39,600 --> 00:35:39,960
Speaker 2: Mm hm.

739
00:35:40,360 --> 00:35:42,719
Speaker 3: But we have to have this conversation because like just

740
00:35:42,800 --> 00:35:45,400
Speaker 3: when it comes to drinks and like being able to

741
00:35:45,480 --> 00:35:47,560
Speaker 3: drink different things, like we are going to have to

742
00:35:47,640 --> 00:35:48,759
Speaker 3: be able to understand.

743
00:35:49,640 --> 00:35:52,239
Speaker 2: How much what are you going to be able to drink?

744
00:35:52,320 --> 00:35:56,480
Speaker 2: Now what I have seen from and obviously it's there

745
00:35:56,520 --> 00:35:58,359
Speaker 2: will be a little bit of sticker shock, But when

746
00:35:58,400 --> 00:36:01,920
Speaker 2: you really when you think about what's going to be

747
00:36:01,960 --> 00:36:05,480
Speaker 2: coming into us, it's you have to the math will

748
00:36:05,600 --> 00:36:07,680
Speaker 2: math in terms of what goes out. But from what

749
00:36:07,800 --> 00:36:11,520
Speaker 2: I've seen, eight pack of LACROI will be thirty.

750
00:36:11,360 --> 00:36:15,359
Speaker 4: Thousand dollars And actually that is what my numbers show

751
00:36:15,360 --> 00:36:15,840
Speaker 4: as well.

752
00:36:16,040 --> 00:36:18,920
Speaker 1: Unless you know, I think like where to go to.

753
00:36:19,320 --> 00:36:22,080
Speaker 3: Like something about Lacroix that's interesting is it's one of

754
00:36:22,160 --> 00:36:27,480
Speaker 3: the easiest things to huck over a wall. That is

755
00:36:27,760 --> 00:36:31,120
Speaker 3: so smart a lot thinking about things that are just

756
00:36:31,280 --> 00:36:33,960
Speaker 3: like supremely huckable.

757
00:36:34,200 --> 00:36:37,760
Speaker 2: You could throw one from Cuba to Miami.

758
00:36:38,480 --> 00:36:39,319
Speaker 1: Oh yeah, I mean you.

759
00:36:39,360 --> 00:36:41,320
Speaker 4: Can toss they're really aerodynamic.

760
00:36:42,160 --> 00:36:42,640
Speaker 1: Oh yeah.

761
00:36:42,640 --> 00:36:45,640
Speaker 3: If you can get like a perfect spiral on one,

762
00:36:45,680 --> 00:36:48,160
Speaker 3: which I can. Yeah, and I could actually put one

763
00:36:48,600 --> 00:36:51,960
Speaker 3: through your forehead. And I'm not looking at anyone.

764
00:36:52,560 --> 00:36:55,760
Speaker 4: When I actually thought I was being direct eye contact

765
00:36:55,800 --> 00:36:55,960
Speaker 4: with you.

766
00:36:56,080 --> 00:36:58,319
Speaker 1: That's why I looked the stream. I thought, because that's

767
00:36:58,880 --> 00:36:59,800
Speaker 1: that's just for everyone.

768
00:37:00,040 --> 00:37:04,759
Speaker 2: And though yeah I could, that's a that's so that

769
00:37:05,000 --> 00:37:08,600
Speaker 2: no one listeners, everyone should be aware of can put

770
00:37:08,640 --> 00:37:09,560
Speaker 2: it through someone's forehead.

771
00:37:09,920 --> 00:37:15,120
Speaker 4: Michael Jordan's I took that personally, I was not, okay.

772
00:37:14,880 --> 00:37:15,920
Speaker 2: Well, now maybe he comes on.

773
00:37:16,320 --> 00:37:19,960
Speaker 1: I think none of the cameras right now, But can

774
00:37:19,960 --> 00:37:20,960
Speaker 1: you imagine.

775
00:37:20,680 --> 00:37:23,160
Speaker 2: What I'd be so excited.

776
00:37:23,520 --> 00:37:26,440
Speaker 5: Such a famous basketball player, You tease who you wanted

777
00:37:26,480 --> 00:37:27,960
Speaker 5: to get on the show or something that you had

778
00:37:28,040 --> 00:37:30,520
Speaker 5: gotten on the show, and and then you didn't. You

779
00:37:30,600 --> 00:37:33,399
Speaker 5: gave no specifics, not even hints, so that we could

780
00:37:33,480 --> 00:37:36,800
Speaker 5: kind of guess who the celebrity guest was the biggest

781
00:37:36,800 --> 00:37:38,560
Speaker 5: person that had ever been on that And now.

782
00:37:38,840 --> 00:37:41,919
Speaker 3: And now I wonder if that's what people are asking

783
00:37:41,960 --> 00:37:46,120
Speaker 3: when they say what guy that they're say what guy

784
00:37:46,320 --> 00:37:47,600
Speaker 3: is going to be on the show next?

785
00:37:47,840 --> 00:37:50,080
Speaker 1: Oh? Yeah, and they just fell.

786
00:37:50,719 --> 00:37:53,680
Speaker 2: But when they say is this allowed or is he allowed?

787
00:37:54,680 --> 00:37:55,200
Speaker 1: Is that guy?

788
00:37:55,400 --> 00:37:57,840
Speaker 2: Is that guy allowed? Is that guy allowed to be

789
00:37:57,960 --> 00:38:02,920
Speaker 2: on the show. So yeah, and I don't know anything.

790
00:38:03,000 --> 00:38:07,760
Speaker 2: He's banned from the show for gambling, smoking conspiracy theory

791
00:38:10,840 --> 00:38:13,080
Speaker 2: I could throw at Lacroix pretty far too. And one

792
00:38:13,120 --> 00:38:15,680
Speaker 2: thing I'm thinking about doing with the tariffs is inventing

793
00:38:15,800 --> 00:38:19,920
Speaker 2: like a product called Lacroix wings that is like you

794
00:38:20,000 --> 00:38:23,439
Speaker 2: can kind of snap the cans into you know, sort

795
00:38:23,480 --> 00:38:28,160
Speaker 2: of a makeshift like the airplane. Uh, and it'll it'll

796
00:38:28,280 --> 00:38:32,520
Speaker 2: just glide it just that little bit further and uh.

797
00:38:32,880 --> 00:38:35,440
Speaker 2: And another thing on Lacroix. You know why they make

798
00:38:35,520 --> 00:38:39,520
Speaker 2: that flavors, don't you? Beaver Anus gland?

799
00:38:40,360 --> 00:38:44,640
Speaker 1: WHOA, Yeah, well they knew why they make that flavors.

800
00:38:44,800 --> 00:38:47,719
Speaker 2: Yeah, that's how they That's why they flavor that was

801
00:38:47,760 --> 00:38:51,680
Speaker 2: shocked flavor I got. Beaver anis gland.

802
00:38:51,880 --> 00:38:53,160
Speaker 5: That's how they make that flavor.

803
00:38:54,520 --> 00:38:58,520
Speaker 4: That's how they run it. They run it through the gland. Yeah,

804
00:38:58,640 --> 00:38:59,719
Speaker 4: it's supposed to be really good for you.

805
00:38:59,840 --> 00:39:04,160
Speaker 2: It's sounds made up, but actually our listeners will know

806
00:39:04,360 --> 00:39:06,799
Speaker 2: enough to actually go look it up. Well, there they

807
00:39:06,920 --> 00:39:09,400
Speaker 2: are brainy acts.

808
00:39:09,640 --> 00:39:11,840
Speaker 4: You know how RFK is like changing all the oils

809
00:39:11,880 --> 00:39:14,040
Speaker 4: and stuff, which is really good. In case I got

810
00:39:14,080 --> 00:39:16,640
Speaker 4: your email that you love RFK and stuff about that,

811
00:39:17,080 --> 00:39:19,759
Speaker 4: and I just feel like having I sent it to.

812
00:39:19,800 --> 00:39:21,400
Speaker 1: A lot of you act like I was. You're the

813
00:39:21,480 --> 00:39:22,160
Speaker 1: early I gen'er.

814
00:39:22,200 --> 00:39:23,680
Speaker 4: Really personal that you sent it to me.

815
00:39:24,640 --> 00:39:26,200
Speaker 3: I don't know why you would do that. It was

816
00:39:26,239 --> 00:39:28,440
Speaker 3: like a huge email. And I said at the beginning's BCC.

817
00:39:28,600 --> 00:39:30,720
Speaker 3: But I said at the beginning, like this email is huge.

818
00:39:31,600 --> 00:39:33,399
Speaker 4: I just felt like it was for me because when

819
00:39:33,440 --> 00:39:35,640
Speaker 4: I read it, I was like, this is so good

820
00:39:35,640 --> 00:39:38,080
Speaker 4: to read about, like all the oils that he's getting

821
00:39:38,200 --> 00:39:42,440
Speaker 4: changed at like McDonald's and stuff like that. And and

822
00:39:43,320 --> 00:39:45,880
Speaker 4: one of the things that he's like instrumental in getting is.

823
00:39:47,880 --> 00:39:54,440
Speaker 2: Be like in schools into school, oh where the mean

824
00:39:54,480 --> 00:39:59,400
Speaker 2: teacher works. If you if you book it, lucky lucky

825
00:39:59,560 --> 00:40:03,120
Speaker 2: if I did, we'll see, yeah, we will. And I

826
00:40:03,280 --> 00:40:05,759
Speaker 2: love this competition between the two of you. Hey, maybe

827
00:40:05,840 --> 00:40:09,879
Speaker 2: instead of spin drift, that should say a marital rift, right,

828
00:40:10,480 --> 00:40:14,240
Speaker 2: because it's you guys are so competitive with one another.

829
00:40:14,480 --> 00:40:17,759
Speaker 4: Wow, But you know it's good, right, No, it's good.

830
00:40:17,800 --> 00:40:19,840
Speaker 4: A competition. Competition is healthy.

831
00:40:20,640 --> 00:40:21,640
Speaker 5: We competize each other.

832
00:40:22,440 --> 00:40:25,440
Speaker 4: Yeah, and when I'm compatting with him, you guys should

833
00:40:25,440 --> 00:40:28,360
Speaker 4: see it. I mean the fires alive, and well, no.

834
00:40:28,480 --> 00:40:31,120
Speaker 2: Need to be afraid of a little healthy competition.

835
00:40:31,080 --> 00:40:32,359
Speaker 4: When you're competting, when.

836
00:40:32,280 --> 00:40:34,800
Speaker 5: You're a competitor, Yeah, that's what happens.

837
00:40:35,280 --> 00:40:38,160
Speaker 4: It gets really fun in there in the self tape room.

838
00:40:38,160 --> 00:40:39,040
Speaker 4: I'm talking about.

839
00:40:41,080 --> 00:40:48,719
Speaker 2: The tariffs are so crazy, because they're so crazy, they

840
00:40:48,719 --> 00:40:52,840
Speaker 2: could actually work. And I get really frustrated when I

841
00:40:52,960 --> 00:40:54,000
Speaker 2: see people who.

842
00:40:55,560 --> 00:40:56,400
Speaker 1: I haven't even.

843
00:40:56,280 --> 00:40:59,239
Speaker 2: Actually thought about it or read about it, just having

844
00:40:59,280 --> 00:41:01,799
Speaker 2: this knee your reaction of like, oh, I didn't vote

845
00:41:01,800 --> 00:41:04,640
Speaker 2: for this guy, and so this isn't smart. But Tim,

846
00:41:04,719 --> 00:41:11,000
Speaker 2: you were saying before we started to record that it's

847
00:41:11,040 --> 00:41:12,760
Speaker 2: actually the best plan of all time?

848
00:41:13,160 --> 00:41:14,839
Speaker 4: Was this when I was getting the drinks.

849
00:41:16,320 --> 00:41:19,560
Speaker 5: Yeah, yeah, you left and that those few maybe that

850
00:41:19,760 --> 00:41:21,000
Speaker 5: thirty seconds or whatever.

851
00:41:21,160 --> 00:41:23,160
Speaker 2: I spit this hot takeout and then you had and

852
00:41:23,280 --> 00:41:24,920
Speaker 2: you had actually a way to break it down. That

853
00:41:25,120 --> 00:41:28,320
Speaker 2: was like sort of a pretty cool metaphor.

854
00:41:29,440 --> 00:41:32,720
Speaker 5: They're talking long term, short term pain, long term benefit,

855
00:41:33,600 --> 00:41:38,080
Speaker 5: and medium term in between those two things. Time just

856
00:41:38,239 --> 00:41:41,560
Speaker 5: like normal right time flag term right, So we're talking

857
00:41:41,560 --> 00:41:45,880
Speaker 5: at all, Yeah, diameter of this circle. We're on one point,

858
00:41:46,320 --> 00:41:49,000
Speaker 5: but you spin it. The globe is yeah, yeah, it's

859
00:41:49,000 --> 00:41:50,040
Speaker 5: a globe So it's a globe.

860
00:41:50,080 --> 00:41:51,040
Speaker 2: You were talking about the globe.

861
00:41:51,160 --> 00:41:53,480
Speaker 5: Yeah, this is the globe. Is I mean, it seems infinite,

862
00:41:53,520 --> 00:41:57,480
Speaker 5: but technically it's a finite amount of these circles in

863
00:41:57,560 --> 00:42:01,680
Speaker 5: every single direction exactly three, right, So you don't know

864
00:42:01,800 --> 00:42:04,920
Speaker 5: where exactly on the time continuum of this globe and

865
00:42:05,000 --> 00:42:09,360
Speaker 5: these circles short, medium, long, is it may have already

866
00:42:09,600 --> 00:42:12,880
Speaker 5: worked on another part of the globe.

867
00:42:13,160 --> 00:42:16,319
Speaker 2: Yes, and well, and it's it's so interesting you bring

868
00:42:16,440 --> 00:42:19,240
Speaker 2: up the globe because it is about actually the planet

869
00:42:19,360 --> 00:42:23,000
Speaker 2: and the country. Yes, yes, So it's almost a direct

870
00:42:23,480 --> 00:42:26,640
Speaker 2: you know, comparison to the globe that we live on.

871
00:42:27,080 --> 00:42:29,440
Speaker 5: One for one. Yeah, yeah, it's one for one.

872
00:42:30,000 --> 00:42:32,560
Speaker 3: So and talk about like a product being in one

873
00:42:32,600 --> 00:42:34,640
Speaker 3: country and then being in another country. That's basically what

874
00:42:34,680 --> 00:42:36,280
Speaker 3: we're talking about, right, it's a globe.

875
00:42:36,360 --> 00:42:37,919
Speaker 2: Yeah, let's say placeholder.

876
00:42:38,280 --> 00:42:40,680
Speaker 1: It looks infinite, but it's actually just these different circles.

877
00:42:40,800 --> 00:42:41,200
Speaker 5: Exactly.

878
00:42:41,400 --> 00:42:43,520
Speaker 1: If you take an apple, for example.

879
00:42:43,239 --> 00:42:45,279
Speaker 2: And placeholder will say apple, and you.

880
00:42:45,400 --> 00:42:47,279
Speaker 3: Use a hair dryer to kind of float it up

881
00:42:47,320 --> 00:42:50,760
Speaker 3: in the air like a like a pretty strong hair dryer,

882
00:42:52,120 --> 00:43:01,200
Speaker 3: APUs world turning around to the point where the country

883
00:43:01,280 --> 00:43:06,120
Speaker 3: that it was in underneath it will become a different country.

884
00:43:06,480 --> 00:43:10,719
Speaker 1: Wow, and only like like twenty minutes or something, it'll

885
00:43:10,800 --> 00:43:12,040
Speaker 1: like be turned around.

886
00:43:13,440 --> 00:43:14,160
Speaker 4: That's really smart.

887
00:43:14,400 --> 00:43:16,440
Speaker 5: That's exactly what I said while you were getting the water.

888
00:43:16,719 --> 00:43:16,959
Speaker 1: Wow.

889
00:43:17,600 --> 00:43:19,319
Speaker 4: But he wasn't here yet when I was getting the water.

890
00:43:19,360 --> 00:43:20,719
Speaker 4: But I many was working that in his car.

891
00:43:20,920 --> 00:43:21,359
Speaker 1: He was here.

892
00:43:21,520 --> 00:43:22,759
Speaker 5: He came in and then he went back out, and

893
00:43:22,800 --> 00:43:23,920
Speaker 5: then you came in and then he came back.

894
00:43:24,040 --> 00:43:24,480
Speaker 4: Oh okay.

895
00:43:25,320 --> 00:43:30,960
Speaker 2: You think about how there's volcanoes under the ocean, that's crazy.

896
00:43:31,080 --> 00:43:34,040
Speaker 1: You think of that as being like like on land

897
00:43:34,239 --> 00:43:35,600
Speaker 1: weird or something. Yeah.

898
00:43:35,920 --> 00:43:39,560
Speaker 4: Well, and you know how everybody's saying like, oh, we're

899
00:43:39,560 --> 00:43:43,040
Speaker 4: not gonna have any like everything's so expensive, you.

900
00:43:43,080 --> 00:43:46,080
Speaker 2: Don't have anything. Yeah, I'm like or any money.

901
00:43:46,880 --> 00:43:53,680
Speaker 4: I don't need materials, material goods. I love to like

902
00:43:54,760 --> 00:43:57,279
Speaker 4: like buy like, for example, I'll buy like a whole

903
00:43:57,360 --> 00:44:00,920
Speaker 4: thing of chicken wings from for I'm like Albertson's.

904
00:44:01,080 --> 00:44:01,680
Speaker 1: This is such a.

905
00:44:01,719 --> 00:44:05,359
Speaker 2: Perfect example of exactly what we wanted to talk about today, Yes,

906
00:44:05,480 --> 00:44:07,920
Speaker 2: which is we don't need material goods. Now, we'll go

907
00:44:08,080 --> 00:44:12,000
Speaker 2: get a whole thing of chicken wings. Like your fulfillment

908
00:44:12,280 --> 00:44:15,160
Speaker 2: is where you find it. And the fact that the

909
00:44:15,280 --> 00:44:18,960
Speaker 2: country is so panicked. Yes, and some of these pea

910
00:44:19,080 --> 00:44:22,480
Speaker 2: brains are going, I won't have my materials.

911
00:44:22,040 --> 00:44:22,839
Speaker 4: My material goods.

912
00:44:22,960 --> 00:44:25,759
Speaker 2: And it's like, just well, have you tried getting a

913
00:44:25,800 --> 00:44:27,000
Speaker 2: whole thing of chicken wings?

914
00:44:27,160 --> 00:44:29,440
Speaker 4: Exactly? Because once I take those back home and I

915
00:44:29,520 --> 00:44:31,399
Speaker 4: sort of put them into different bags and I'll sort

916
00:44:31,440 --> 00:44:33,480
Speaker 4: of keep them in different places around the house.

917
00:44:34,360 --> 00:44:35,200
Speaker 2: You're hiding them.

918
00:44:35,400 --> 00:44:39,719
Speaker 4: I feel like I don't need a new shirt, I

919
00:44:39,840 --> 00:44:45,520
Speaker 4: don't need gas, I don't need you know, rent.

920
00:44:45,520 --> 00:44:51,320
Speaker 2: Obviously, phone, computer, television, uh, you know, couch house.

921
00:44:51,680 --> 00:44:52,440
Speaker 4: Yeah, like this is.

922
00:44:52,440 --> 00:44:55,680
Speaker 2: Stuff that people get so obsessed with. It's so material,

923
00:44:55,840 --> 00:44:59,640
Speaker 2: so material, and if and a full thing of chicken

924
00:45:00,320 --> 00:45:02,080
Speaker 2: like you said, yeah, it can be.

925
00:45:02,120 --> 00:45:03,000
Speaker 1: A whole need.

926
00:45:04,280 --> 00:45:06,440
Speaker 3: So the whole thing at chicken wings and a hat

927
00:45:06,520 --> 00:45:11,040
Speaker 3: from a podcast you give me that, I'm happy.

928
00:45:12,360 --> 00:45:16,600
Speaker 2: I'm a happy little boy. Yeah, satisfied customer.

929
00:45:17,120 --> 00:45:21,200
Speaker 1: Is all from a podcast. The whole thing at chicken

930
00:45:21,239 --> 00:45:22,760
Speaker 1: Wing I got, Yeah.

931
00:45:23,480 --> 00:45:24,360
Speaker 5: My last.

932
00:45:26,000 --> 00:45:29,879
Speaker 2: Thirty how much of the chicken wings probably that's only

933
00:45:29,920 --> 00:45:33,040
Speaker 2: twenty nine bucks, which is great, signing back four of them?

934
00:45:33,520 --> 00:45:34,640
Speaker 1: We got three. I need all that.

935
00:45:35,160 --> 00:45:36,080
Speaker 2: There's three of them there.

936
00:45:37,080 --> 00:45:39,480
Speaker 3: It's from you know, it's from a different from South Sudan.

937
00:45:39,640 --> 00:45:46,280
Speaker 3: So like we're getting we're getting busy boned on these tariffs.

938
00:45:46,960 --> 00:45:47,640
Speaker 1: With these hats.

939
00:45:48,360 --> 00:45:49,640
Speaker 4: Yeah, are you really Yeah?

940
00:45:50,520 --> 00:45:55,520
Speaker 1: Inside out we are getting turned into goo.

941
00:45:56,360 --> 00:45:59,800
Speaker 2: Yeah, upside down, man, I've been I'm having flashbacks to

942
00:45:59,800 --> 00:46:04,080
Speaker 2: get my little keyster moon walked on, because that's what

943
00:46:04,120 --> 00:46:05,359
Speaker 2: they're doing financially.

944
00:46:06,239 --> 00:46:06,560
Speaker 1: That's it.

945
00:46:06,760 --> 00:46:08,440
Speaker 2: Man bruises on.

946
00:46:08,719 --> 00:46:09,640
Speaker 1: The but cheese.

947
00:46:11,400 --> 00:46:13,359
Speaker 5: I mean, I hope that I wouldn't lie. I hope

948
00:46:13,360 --> 00:46:15,960
Speaker 5: the fans are appreciative, right, because you put on quality problems.

949
00:46:16,400 --> 00:46:17,040
Speaker 5: You're taking.

950
00:46:19,800 --> 00:46:23,520
Speaker 2: These are kings and queens, salt of the earth, but

951
00:46:23,760 --> 00:46:29,799
Speaker 2: also elite. Yeah, intelligentsia. You know the coffee place, uh

952
00:46:29,880 --> 00:46:31,840
Speaker 2: huh yeah, that's named after our fans.

953
00:46:32,080 --> 00:46:35,040
Speaker 4: I'm also like, I don't need coffee anymore once the

954
00:46:35,120 --> 00:46:39,560
Speaker 4: tariffs come. Yes, oh my god, everyone's so obsessive.

955
00:46:40,480 --> 00:46:42,279
Speaker 2: I want to be able to drink drinks. I like,

956
00:46:42,520 --> 00:46:46,719
Speaker 2: I want to buy stuff. I like, yeah, literally have

957
00:46:47,040 --> 00:46:51,080
Speaker 2: milk and chicken, like it's what's on a farm.

958
00:46:51,960 --> 00:46:55,240
Speaker 4: We got back to your roots, chicken and milk.

959
00:46:55,360 --> 00:46:57,800
Speaker 2: So we get the chicken wings, we get the milk.

960
00:46:58,000 --> 00:47:00,959
Speaker 2: All of a sudden, we're having like a great time

961
00:47:01,080 --> 00:47:02,440
Speaker 2: with our family and friends.

962
00:47:02,719 --> 00:47:03,600
Speaker 1: And that's the kind of.

963
00:47:03,640 --> 00:47:06,239
Speaker 3: Oil we need to be consuming more instead of these

964
00:47:06,320 --> 00:47:11,240
Speaker 3: like seed oils which are actually really fucking dangerous, chicken

965
00:47:11,320 --> 00:47:12,640
Speaker 3: oil and milk oil.

966
00:47:12,840 --> 00:47:15,680
Speaker 2: Chicken oil and milk oil. You look at seed oils,

967
00:47:15,920 --> 00:47:18,520
Speaker 2: what are they part of trees? What a trees do?

968
00:47:19,600 --> 00:47:26,200
Speaker 2: Absolutely jack fucking nothing, like never seen one do anything.

969
00:47:26,880 --> 00:47:30,880
Speaker 2: Not only can't dunk a basketball, but just like I

970
00:47:31,160 --> 00:47:31,920
Speaker 2: can't even.

971
00:47:31,800 --> 00:47:36,919
Speaker 3: Really the one thing I can do, I can throw

972
00:47:37,040 --> 00:47:40,920
Speaker 3: lacrose so it will actually fix itself into a tree

973
00:47:41,320 --> 00:47:45,160
Speaker 3: and start like tapping the sap from the tree and

974
00:47:45,280 --> 00:47:52,080
Speaker 3: so that it comes out there pure grade a maple cerus.

975
00:47:52,160 --> 00:47:56,120
Speaker 3: This is interesting one shot. This is interesting lacroix. And

976
00:47:56,200 --> 00:47:58,680
Speaker 3: you think it like pompa mouse is like the funny flavor.

977
00:47:59,080 --> 00:48:00,880
Speaker 3: It doesn't actually connected.

978
00:48:02,120 --> 00:48:04,880
Speaker 2: No, yeah, the weight's off. It's the beaver ainial gland

979
00:48:05,120 --> 00:48:08,239
Speaker 2: the connected and question and this is you guys can

980
00:48:08,280 --> 00:48:12,680
Speaker 2: weigh in, but for our listeners too. Sap is that

981
00:48:12,880 --> 00:48:15,359
Speaker 2: a tree's blood or cum?

982
00:48:18,239 --> 00:48:18,560
Speaker 1: Alright?

983
00:48:18,880 --> 00:48:19,480
Speaker 5: Not mucus?

984
00:48:21,560 --> 00:48:22,680
Speaker 1: Hollywood, Hamburg