WEBVTT - Tramell Tillman

0:00:00.160 --> 0:00:02.040
<v Speaker 1>I need to let my hair down a little bit.

0:00:02.080 --> 0:00:04.760
<v Speaker 1>I need to let loose. I'm gonna take my tie

0:00:04.800 --> 0:00:07.200
<v Speaker 1>off and I'm gonna put on this turtleneck because I

0:00:07.240 --> 0:00:09.560
<v Speaker 1>like this turtleneck. I look good in this turtleneck. It

0:00:09.640 --> 0:00:12.639
<v Speaker 1>helps me move, you know, it helps you move obviously,

0:00:12.680 --> 0:00:15.600
<v Speaker 1>and he let's go. Yeah. Yeah, it's a secret power.

0:00:15.760 --> 0:00:26.520
<v Speaker 1>It's a it's a stretchable fabric. Oh yeah, it's hi.

0:00:26.920 --> 0:00:29.400
<v Speaker 1>My name Mr Melt Tillman and I played mill Check

0:00:29.600 --> 0:00:41.080
<v Speaker 1>on Severn. Hi everybody, and welcome back as always too

0:00:41.400 --> 0:00:45.040
<v Speaker 1>off the beat. I am your host Brian baum Gartner,

0:00:45.240 --> 0:00:50.840
<v Speaker 1>and oh am my giddy today I am. I am

0:00:50.960 --> 0:00:54.680
<v Speaker 1>very excited. Um. You should know this that recently I

0:00:54.760 --> 0:01:00.120
<v Speaker 1>have become obsessed with my new favorite show, Severance on

0:01:00.320 --> 0:01:04.360
<v Speaker 1>Apple TV Plus. Now. If you're not familiar with Severance, one,

0:01:04.400 --> 0:01:07.680
<v Speaker 1>you should be. But two. It's about a tech company

0:01:07.800 --> 0:01:13.880
<v Speaker 1>called Lumen that severs employees work and home lives, essentially

0:01:13.920 --> 0:01:19.319
<v Speaker 1>creating two versions of well, one person. It's a very

0:01:19.360 --> 0:01:24.680
<v Speaker 1>fascinating and interesting take on office life, and man, it

0:01:24.720 --> 0:01:29.640
<v Speaker 1>goes places that you would never expect, which brings me

0:01:29.920 --> 0:01:35.920
<v Speaker 1>to why I'm giddy. Today's guest, the Amazing Trammel Tillman.

0:01:36.160 --> 0:01:41.160
<v Speaker 1>Now he plays the super creepy but somehow charming lumen

0:01:41.240 --> 0:01:45.760
<v Speaker 1>supervisor Seth mill Check his character is. He has some

0:01:45.800 --> 0:01:48.280
<v Speaker 1>of the most interesting scenes in the whole series. And

0:01:48.560 --> 0:01:51.640
<v Speaker 1>I am not gonna spoil too much today, but if

0:01:51.680 --> 0:01:55.640
<v Speaker 1>you don't want to know anything about anything that happens

0:01:55.640 --> 0:01:58.080
<v Speaker 1>in the show, maybe go watch it and then come

0:01:58.120 --> 0:02:01.160
<v Speaker 1>back and then you'll run back here to listen to

0:02:01.200 --> 0:02:05.720
<v Speaker 1>this episode. We dive into severance casting filming some of

0:02:05.760 --> 0:02:11.079
<v Speaker 1>those iconic scenes. Did anyone say m d E? And

0:02:11.320 --> 0:02:14.720
<v Speaker 1>we discuss the optics and design of the show and

0:02:14.840 --> 0:02:18.600
<v Speaker 1>so much more. We'll also get into Trammel's background and

0:02:18.720 --> 0:02:23.200
<v Speaker 1>why he believes that art changes lives. It is my

0:02:23.560 --> 0:02:29.560
<v Speaker 1>sincere pleasure to introduce to all of you my new bestie,

0:02:29.800 --> 0:02:39.280
<v Speaker 1>Trammel Tillman. Bubble and Squeak. I love it, Bubble and

0:02:39.360 --> 0:02:45.640
<v Speaker 1>Squeak on Bubble and Squeaker Cookie at every month left

0:02:45.840 --> 0:03:02.680
<v Speaker 1>over from the nut before travel. What is happening, my friend?

0:03:02.800 --> 0:03:08.640
<v Speaker 1>What's going on? I am so happy that you're here.

0:03:09.560 --> 0:03:14.240
<v Speaker 1>I've come clean about something. I love this show so much.

0:03:14.680 --> 0:03:19.800
<v Speaker 1>I cannot tell you how much I was traveling and

0:03:19.880 --> 0:03:22.360
<v Speaker 1>I finished the series, and I'm like, at thirty five,

0:03:22.360 --> 0:03:26.000
<v Speaker 1>thou feet and I start firing off this missive email,

0:03:26.280 --> 0:03:29.960
<v Speaker 1>I'm like, we gotta get tromel. I told Wendy Malick,

0:03:30.120 --> 0:03:33.639
<v Speaker 1>the genius Wendy Malick and John Ham and some people

0:03:33.720 --> 0:03:36.560
<v Speaker 1>that I've had the opportunity to work with before and know,

0:03:37.400 --> 0:03:40.200
<v Speaker 1>and I told them that I started this podcast because

0:03:40.240 --> 0:03:42.640
<v Speaker 1>I wanted to talk to them like I wanted. I

0:03:42.680 --> 0:03:46.120
<v Speaker 1>wanted to get really deep in terms of their process

0:03:46.200 --> 0:03:49.440
<v Speaker 1>and their story and and the moments that define them.

0:03:49.480 --> 0:03:52.320
<v Speaker 1>But really it's I wanted to talk to you. I

0:03:52.360 --> 0:03:58.160
<v Speaker 1>didn't know it at the time, but a little bit,

0:03:58.440 --> 0:04:03.920
<v Speaker 1>but after after after seeing Severance, it was really about

0:04:03.960 --> 0:04:07.640
<v Speaker 1>about you. We're gonna talk plenty about Severance, but I

0:04:07.680 --> 0:04:10.400
<v Speaker 1>really wanted to learn a little bit about you and

0:04:10.640 --> 0:04:14.680
<v Speaker 1>what sort of helped define you in in your earlier

0:04:14.760 --> 0:04:16.880
<v Speaker 1>life and in your career and how you sort of

0:04:16.960 --> 0:04:20.719
<v Speaker 1>got to where you are today. I understand you grew

0:04:20.760 --> 0:04:24.240
<v Speaker 1>up in in Maryland? Is that right? I did? I did.

0:04:24.320 --> 0:04:27.200
<v Speaker 1>I grew up in Largo, Maryland, UM, which is in

0:04:27.440 --> 0:04:31.120
<v Speaker 1>p g County, and at the time in the eighties,

0:04:31.160 --> 0:04:35.119
<v Speaker 1>it's was one of the richest black counties in America,

0:04:35.200 --> 0:04:39.560
<v Speaker 1>and there's still pockets of PG County that that hold

0:04:39.760 --> 0:04:46.120
<v Speaker 1>a high population of black affluents in that area. Okay, yeah, yeah, yeah,

0:04:46.279 --> 0:04:48.320
<v Speaker 1>there's a hop, skip and a jump into d C

0:04:48.920 --> 0:04:53.160
<v Speaker 1>from d C. Okay, a lot of politicians there, tons.

0:04:53.400 --> 0:04:55.640
<v Speaker 1>I mean, I was probably neighbors with a few of them,

0:04:55.680 --> 0:05:00.680
<v Speaker 1>you know, like so far away. You know, there's a

0:05:00.720 --> 0:05:03.680
<v Speaker 1>scene of a lot of excellence, if you will, in

0:05:03.720 --> 0:05:08.960
<v Speaker 1>that community. I was neighbors with entrepreneurs and around principles

0:05:09.000 --> 0:05:12.479
<v Speaker 1>and teachers, educators, you know, were like so everything was

0:05:12.520 --> 0:05:17.880
<v Speaker 1>about growth, expansion and excellence. Okay, when you were ten

0:05:17.960 --> 0:05:21.200
<v Speaker 1>years old, this is how the story goes. You were

0:05:21.200 --> 0:05:25.640
<v Speaker 1>in a church Christmas production and you first got the

0:05:25.680 --> 0:05:28.679
<v Speaker 1>bug about being an actor. Is that right? That's true.

0:05:29.040 --> 0:05:32.760
<v Speaker 1>That's true. I was a very shy kid, and my

0:05:32.800 --> 0:05:37.920
<v Speaker 1>mom recognized talent that I have of performing, and I

0:05:37.920 --> 0:05:42.320
<v Speaker 1>would always perform by myself alone. She thought that it

0:05:42.400 --> 0:05:44.200
<v Speaker 1>was very important for me to be involved in the

0:05:44.279 --> 0:05:46.680
<v Speaker 1>church because she grew up in the church as did

0:05:46.800 --> 0:05:50.960
<v Speaker 1>my father. There was an opportunity for her to be

0:05:51.040 --> 0:05:53.080
<v Speaker 1>a part of a play, and she felt this was

0:05:53.360 --> 0:05:56.560
<v Speaker 1>wonderful because there's so many characters in my family, and

0:05:56.720 --> 0:05:59.160
<v Speaker 1>we all liked the Spotlight in one way or the other,

0:05:59.240 --> 0:06:03.880
<v Speaker 1>whether or not we admit it, you know, um. And

0:06:03.960 --> 0:06:07.000
<v Speaker 1>with that, they needed someone to play her son, and

0:06:07.040 --> 0:06:12.320
<v Speaker 1>what better person to play her son than so right exactly?

0:06:12.400 --> 0:06:16.080
<v Speaker 1>You know, I was kicking and screaming, you know, Brian,

0:06:16.240 --> 0:06:18.680
<v Speaker 1>I did not want to do it. I cried, I

0:06:18.800 --> 0:06:23.200
<v Speaker 1>boo hooed, But there was nowhere around it. Can't tell mom, no,

0:06:23.560 --> 0:06:26.799
<v Speaker 1>especially age of ten. And I got on that stage

0:06:27.360 --> 0:06:29.719
<v Speaker 1>and I had one line in one direction to say

0:06:29.760 --> 0:06:32.920
<v Speaker 1>hello and sit on the couch. And from that moment

0:06:33.080 --> 0:06:37.160
<v Speaker 1>it clicked. Really I didn't know what this thing was

0:06:37.240 --> 0:06:39.760
<v Speaker 1>that that got me, but it did right then in

0:06:39.800 --> 0:06:41.400
<v Speaker 1>the moment, and I wanted to do more of it.

0:06:41.720 --> 0:06:45.120
<v Speaker 1>So then did you start auditioning for plays? You started

0:06:45.160 --> 0:06:48.800
<v Speaker 1>doing plays as a young person. I continue within the church.

0:06:49.600 --> 0:06:51.480
<v Speaker 1>I got my start in the church, doing a lot

0:06:51.520 --> 0:06:56.080
<v Speaker 1>of theater, and eventually, you know, veering out and doing

0:06:56.680 --> 0:07:00.800
<v Speaker 1>professional served as an extra on the wire. Yes you

0:07:00.839 --> 0:07:05.120
<v Speaker 1>remember that show, well, yes, I remember that show. It's

0:07:05.160 --> 0:07:07.839
<v Speaker 1>one of the one of the greatest shows of all time.

0:07:08.480 --> 0:07:12.120
<v Speaker 1>How old were you when that happen? Yeah, I was

0:07:12.160 --> 0:07:14.640
<v Speaker 1>about that age, I was about that age, I sat

0:07:14.800 --> 0:07:18.880
<v Speaker 1>probably two rolls behind Wendell Pierce. It was a scene

0:07:19.440 --> 0:07:22.080
<v Speaker 1>at a baseball game, you know. Wendell Pierce and I

0:07:22.120 --> 0:07:24.320
<v Speaker 1>cannot remember the other actors he was sitting next to,

0:07:24.400 --> 0:07:27.600
<v Speaker 1>but they were having a conversation and I was thinking,

0:07:27.720 --> 0:07:32.000
<v Speaker 1>I'm sitting a couple of rows behind Wendel Pierce. Is

0:07:32.040 --> 0:07:36.360
<v Speaker 1>that this is really cool? And tried not to still

0:07:36.360 --> 0:07:44.000
<v Speaker 1>focus actors work. Yeah, it's amazing how quickly you You're

0:07:44.040 --> 0:07:47.160
<v Speaker 1>no longer sitting two rows behind Wendell Pierce. If you can,

0:07:47.520 --> 0:07:53.960
<v Speaker 1>if you're a distraction, I mean right right absolutely? Now

0:07:54.040 --> 0:07:59.600
<v Speaker 1>I read you. You ended up going to Xavier University

0:08:00.080 --> 0:08:06.680
<v Speaker 1>there in Louisiana. You were there when Hurricane Katrina decimated

0:08:06.840 --> 0:08:09.760
<v Speaker 1>the city, which I want to talk about. But you

0:08:09.840 --> 0:08:13.200
<v Speaker 1>were studying to become an orthopedic surgeon. Is this is this?

0:08:13.400 --> 0:08:16.480
<v Speaker 1>Is this right? Yes? That is correct. So at this

0:08:16.520 --> 0:08:19.840
<v Speaker 1>point you had given up, or at least temporarily put

0:08:19.880 --> 0:08:22.480
<v Speaker 1>on hold, your desire to be an actor, and you

0:08:22.520 --> 0:08:25.800
<v Speaker 1>wanted to be a smarty pants basically did that I

0:08:25.840 --> 0:08:29.280
<v Speaker 1>wanted to be at Yeah? Well, the thing was, I

0:08:29.320 --> 0:08:31.000
<v Speaker 1>was told at a young age that I would never

0:08:31.040 --> 0:08:33.720
<v Speaker 1>make it. You know, they said that only two percent

0:08:34.240 --> 0:08:38.840
<v Speaker 1>of actors or people aspiring to become actors have a

0:08:38.960 --> 0:08:41.680
<v Speaker 1>thriving career in it. And I didn't want to wait

0:08:41.720 --> 0:08:44.160
<v Speaker 1>tables for the rest of my life. That's what I

0:08:44.240 --> 0:08:48.559
<v Speaker 1>was told. I was encouraged to find a career that

0:08:48.840 --> 0:08:55.199
<v Speaker 1>would foster a steady financial lifestyle. So I was told

0:08:55.240 --> 0:09:00.920
<v Speaker 1>that I should get into computers, into business, law, or medicine.

0:09:01.720 --> 0:09:04.760
<v Speaker 1>I enjoyed science. I thought it was really cool. I

0:09:04.840 --> 0:09:07.360
<v Speaker 1>love the idea of helping people, so that was the

0:09:07.440 --> 0:09:10.560
<v Speaker 1>route that I figured I would go in. And I

0:09:10.600 --> 0:09:15.000
<v Speaker 1>was around so many doctors, especially black doctors, and they

0:09:15.040 --> 0:09:20.280
<v Speaker 1>were always the pinnacle of success in the community. So

0:09:20.840 --> 0:09:22.640
<v Speaker 1>that was the route I wanted to go in, or

0:09:22.679 --> 0:09:26.200
<v Speaker 1>so I thought. But what was interesting, Brian, is that

0:09:26.760 --> 0:09:30.040
<v Speaker 1>performing was always there. You know, even when I was

0:09:30.080 --> 0:09:32.280
<v Speaker 1>in high school, I was still performing. When I was

0:09:32.320 --> 0:09:36.000
<v Speaker 1>at Xavier University, I got sucked into doing a musical,

0:09:36.240 --> 0:09:41.520
<v Speaker 1>a random musical, like for a play at Xavier University.

0:09:41.840 --> 0:09:44.840
<v Speaker 1>I still very much loved it, but I knew that

0:09:44.920 --> 0:09:47.480
<v Speaker 1>it wasn't something that was gonna feed me financially, and

0:09:47.520 --> 0:09:50.200
<v Speaker 1>I was scared to walk into it. So I said,

0:09:50.240 --> 0:09:53.080
<v Speaker 1>you know, being a doctor isn't so bad it could

0:09:53.280 --> 0:09:59.360
<v Speaker 1>you know, it's not like it's hard, right, So that's

0:09:59.400 --> 0:10:02.480
<v Speaker 1>the easiest path you could take, right, Like, what, it's

0:10:02.520 --> 0:10:06.439
<v Speaker 1>no problem totally. It's funny. My dad was a doctor,

0:10:06.520 --> 0:10:11.120
<v Speaker 1>and so for me it was the reverse. I was like, yeah,

0:10:11.440 --> 0:10:14.320
<v Speaker 1>that seems like a lot of school. I don't know,

0:10:14.480 --> 0:10:17.600
<v Speaker 1>that seems like that seems like a lot of school.

0:10:18.160 --> 0:10:20.120
<v Speaker 1>And I did not have the interest in science, and

0:10:20.160 --> 0:10:23.760
<v Speaker 1>it sounds like you did. So yeah, I decided pretty

0:10:23.760 --> 0:10:27.160
<v Speaker 1>young that that was not for me. So explained to

0:10:27.160 --> 0:10:29.880
<v Speaker 1>me what happened, So the hurricane had did Xavier shut

0:10:29.920 --> 0:10:32.320
<v Speaker 1>down or did you decide you needed to get out

0:10:32.320 --> 0:10:35.719
<v Speaker 1>of there? Or what happened? So, okay, we gotta back up.

0:10:35.760 --> 0:10:39.040
<v Speaker 1>So there's a whole meeting story within that. So while

0:10:39.040 --> 0:10:42.079
<v Speaker 1>I was at Xavier University, I was studying biology PREMIT.

0:10:42.760 --> 0:10:46.640
<v Speaker 1>I was doing better in biology PREMIT than many of

0:10:46.640 --> 0:10:50.760
<v Speaker 1>my colleagues who are doctors. Now that's right, that's that's wild.

0:10:51.000 --> 0:10:54.400
<v Speaker 1>But I hated chemistry LAP. I had a kim lab

0:10:54.520 --> 0:10:56.400
<v Speaker 1>and I hated it. I did not want to do this.

0:10:56.800 --> 0:10:58.720
<v Speaker 1>And the best thing about kim lab was the fact

0:10:58.720 --> 0:11:02.600
<v Speaker 1>that I could watch the color's check age. So from

0:11:02.679 --> 0:11:05.840
<v Speaker 1>there I had decided that there's there's gotta be something

0:11:05.840 --> 0:11:08.200
<v Speaker 1>else that I can do. But then I remembered in

0:11:08.280 --> 0:11:12.400
<v Speaker 1>high school I was very involved in like doing social events,

0:11:12.480 --> 0:11:15.240
<v Speaker 1>so I figured, okay, publicity. So I changed my major

0:11:15.440 --> 0:11:18.720
<v Speaker 1>into mass communications, so I would figure that I would

0:11:18.720 --> 0:11:21.680
<v Speaker 1>get into advertising and publicity and so and so forth

0:11:21.720 --> 0:11:25.720
<v Speaker 1>and so on. Unfortunately, we hit a financial snag. My

0:11:25.800 --> 0:11:28.240
<v Speaker 1>mom had gave me a phone call and said, I

0:11:28.280 --> 0:11:31.440
<v Speaker 1>can no longer help you financially with college because we

0:11:31.520 --> 0:11:35.720
<v Speaker 1>lost our home, homeless work closed, basically we lost everything.

0:11:36.360 --> 0:11:39.559
<v Speaker 1>With that, I had to find a way to finance school.

0:11:40.000 --> 0:11:42.920
<v Speaker 1>Xavier University, while it's a wonderful university, was just so

0:11:43.040 --> 0:11:47.000
<v Speaker 1>out of my pocket because it's a private Catholic school,

0:11:47.160 --> 0:11:50.679
<v Speaker 1>you know. So my mom suggested, along with my sister

0:11:50.720 --> 0:11:54.160
<v Speaker 1>who was in Mississippi, Jackson, Mississippi, to go to Jackson

0:11:54.240 --> 0:11:56.800
<v Speaker 1>State because they have a communications program you could be

0:11:56.800 --> 0:12:00.240
<v Speaker 1>a part of and it's cheaper. I was hesitant about that.

0:12:00.440 --> 0:12:02.920
<v Speaker 1>I wanted to go to Howard University. I got accepted

0:12:02.960 --> 0:12:05.319
<v Speaker 1>into Howard University, but I didn't get a big enough

0:12:05.360 --> 0:12:10.200
<v Speaker 1>scholarship to go to Howard University. So right before Katrina hit.

0:12:10.400 --> 0:12:13.079
<v Speaker 1>I said, you know, I'll go to Jackson State. I'll

0:12:13.120 --> 0:12:14.679
<v Speaker 1>give it a year, but then I'm gonna come back

0:12:14.679 --> 0:12:17.600
<v Speaker 1>to Xavier because I really love it there. So I

0:12:17.679 --> 0:12:21.080
<v Speaker 1>ended up going to Jackson State. Hurricane Katrina came along,

0:12:21.480 --> 0:12:25.440
<v Speaker 1>and it not only hit Xavier, not only hit New Orleans,

0:12:25.440 --> 0:12:28.880
<v Speaker 1>but it came up to Jackson, Mississippi. So it's almost

0:12:28.880 --> 0:12:31.840
<v Speaker 1>like the storm just followed me right on up, you know.

0:12:32.559 --> 0:12:35.559
<v Speaker 1>And that's not funny. I don't know why I laughed

0:12:35.559 --> 0:12:40.600
<v Speaker 1>at that. It was the image. It was yeah, yeah, yeah,

0:12:40.679 --> 0:12:46.360
<v Speaker 1>yeah yeah, but it was devastating. Was also incredibly ironic.

0:12:46.480 --> 0:12:48.440
<v Speaker 1>And what was interesting is that while I was at

0:12:48.480 --> 0:12:52.600
<v Speaker 1>Jackson State, there was some students that came up to

0:12:52.720 --> 0:12:56.319
<v Speaker 1>Jackson State from Xavier to continue their education because they

0:12:56.320 --> 0:12:59.640
<v Speaker 1>were offering those kind of programs across Xavier students. They

0:12:59.640 --> 0:13:03.160
<v Speaker 1>were most sister schools that were set up. You know,

0:13:03.160 --> 0:13:05.760
<v Speaker 1>there are people who went to Brown, Harvard, you know,

0:13:05.840 --> 0:13:09.040
<v Speaker 1>Howard and the like. So I had friends from Xavier

0:13:09.160 --> 0:13:13.560
<v Speaker 1>that were experiencing Jackson State along with me, which made

0:13:13.559 --> 0:13:15.560
<v Speaker 1>it a great time. And I ended up falling in

0:13:15.600 --> 0:13:18.800
<v Speaker 1>love with Jackson State and have such an appreciation for

0:13:18.880 --> 0:13:21.960
<v Speaker 1>the school and the education the environment there. Yeah, and

0:13:22.040 --> 0:13:25.240
<v Speaker 1>you graduated from there. I did. I graduated summa cum

0:13:25.280 --> 0:13:29.520
<v Speaker 1>laude Jackson State University. See there's this body pants thing again.

0:13:29.600 --> 0:13:36.440
<v Speaker 1>I knew it. Yeah. So you graduate from Jackson State

0:13:37.280 --> 0:13:41.640
<v Speaker 1>with your mass communications degree and then what you decide

0:13:41.960 --> 0:13:45.240
<v Speaker 1>that maybe you're not done with acting. No, it's still there.

0:13:45.440 --> 0:13:48.000
<v Speaker 1>The acting bug is is still around. And while I

0:13:48.040 --> 0:13:50.599
<v Speaker 1>was while I was that Jackson State, I was connected

0:13:50.640 --> 0:13:54.640
<v Speaker 1>to the head of the acting department, Dr Mark G. Henderson.

0:13:54.920 --> 0:14:00.520
<v Speaker 1>And I remember while I was doing a speech competition

0:14:00.600 --> 0:14:03.840
<v Speaker 1>with my fraternity, he came along and helped me with

0:14:04.000 --> 0:14:07.440
<v Speaker 1>the speech competition, ended up winning the competition. I'm under

0:14:07.480 --> 0:14:10.360
<v Speaker 1>his tutelage, and he asked me, why are you not

0:14:10.559 --> 0:14:13.040
<v Speaker 1>part of the drama program here at Jackson State. And

0:14:13.120 --> 0:14:16.640
<v Speaker 1>at that time, Brian, because I believed and getting heavily involved.

0:14:16.679 --> 0:14:18.600
<v Speaker 1>That was my upbringing to get involved as much as

0:14:18.640 --> 0:14:21.080
<v Speaker 1>you can. I was in s g A. I was

0:14:21.160 --> 0:14:24.440
<v Speaker 1>part of the Out five Fraternity Incorporated organization. I was

0:14:24.520 --> 0:14:26.840
<v Speaker 1>part of the Kids College Freedom School projects, so I

0:14:26.920 --> 0:14:29.400
<v Speaker 1>was working with kids. I also had part time jobs.

0:14:29.440 --> 0:14:31.600
<v Speaker 1>I had so much going on, I didn't have time

0:14:32.040 --> 0:14:34.840
<v Speaker 1>to do any acting and I was involved in the

0:14:34.880 --> 0:14:38.240
<v Speaker 1>church at Jackson, Mississippi, New Horizon Church. You know, I

0:14:38.280 --> 0:14:42.080
<v Speaker 1>don't have time. What When I graduated, I got offered

0:14:42.080 --> 0:14:45.240
<v Speaker 1>a job working with kids college Freedom School Project, and

0:14:45.280 --> 0:14:49.320
<v Speaker 1>as wonderful as those kids were, I hated being there.

0:14:49.720 --> 0:14:52.480
<v Speaker 1>And I hated being there because I wasn't doing what

0:14:52.680 --> 0:14:54.960
<v Speaker 1>I love to do. And what I love to do

0:14:55.720 --> 0:15:00.600
<v Speaker 1>was form, tell stories, act, seeing dance. Right. So, I

0:15:00.640 --> 0:15:03.280
<v Speaker 1>remember having a conversation with Dr Mark G. Henderson and

0:15:03.320 --> 0:15:05.760
<v Speaker 1>he sat me down and he said, Trammel, you don't

0:15:05.760 --> 0:15:08.040
<v Speaker 1>look happy. Are you happy? I said no, Why are

0:15:08.040 --> 0:15:10.280
<v Speaker 1>you not happy? He asked me, and he said, if

0:15:10.280 --> 0:15:12.240
<v Speaker 1>I had to wager our guest, I don't think that

0:15:12.280 --> 0:15:13.920
<v Speaker 1>you are doing the thing that you love to do.

0:15:14.000 --> 0:15:17.680
<v Speaker 1>You light up when it comes to performing. And I said, well,

0:15:17.880 --> 0:15:19.440
<v Speaker 1>I can't do this. I'm not gonna have the money

0:15:19.440 --> 0:15:20.840
<v Speaker 1>for this. I'm not going to have this. I'm not

0:15:20.840 --> 0:15:23.520
<v Speaker 1>talented enough. I don't you know all of these excuses.

0:15:23.720 --> 0:15:26.240
<v Speaker 1>And then he said, are you done? And I said, yes,

0:15:28.400 --> 0:15:30.600
<v Speaker 1>Go do the thing that you love to do. Go

0:15:30.760 --> 0:15:32.800
<v Speaker 1>do the thing that you love to do, and everything

0:15:32.800 --> 0:15:35.320
<v Speaker 1>else will fall into place. And he encouraged me to

0:15:35.320 --> 0:15:37.280
<v Speaker 1>go to grad school. And in order to getting grad

0:15:37.320 --> 0:15:40.160
<v Speaker 1>school you have to audition, right, So then in order

0:15:40.200 --> 0:15:42.640
<v Speaker 1>to audition, I was a part of urda's which is

0:15:42.680 --> 0:15:48.600
<v Speaker 1>the United Residents Theater Association casting call for graduate schools.

0:15:49.000 --> 0:15:52.760
<v Speaker 1>So I auditioned for that in Chicago. Ended up getting

0:15:52.760 --> 0:15:55.440
<v Speaker 1>a lot of attention from the grad school programs there,

0:15:55.800 --> 0:15:59.000
<v Speaker 1>got the attention from the University of Iowa, received a

0:15:59.040 --> 0:16:02.080
<v Speaker 1>full scholarship to go to the University of Iowa. At

0:16:02.120 --> 0:16:05.200
<v Speaker 1>the last minute, Brian, when I was supposed to get

0:16:05.240 --> 0:16:07.200
<v Speaker 1>on the plane to leave or get in the car

0:16:07.240 --> 0:16:08.320
<v Speaker 1>and leave, I don't even know how I was going

0:16:08.360 --> 0:16:12.040
<v Speaker 1>to get to Iowa. The financial portion fell through, and

0:16:12.080 --> 0:16:15.080
<v Speaker 1>it wasn't from the institution what it was. It was

0:16:15.120 --> 0:16:17.040
<v Speaker 1>for me. All of a sudden, like all the money

0:16:17.120 --> 0:16:21.360
<v Speaker 1>was gone. I called the head of the program at

0:16:21.360 --> 0:16:23.760
<v Speaker 1>the University of Iowa and said, listen, this is my situation.

0:16:23.840 --> 0:16:25.920
<v Speaker 1>He said, we've gave We've given you all the money

0:16:25.960 --> 0:16:27.880
<v Speaker 1>we can give you. I don't know how we can

0:16:27.920 --> 0:16:30.240
<v Speaker 1>help you. He asked me, said Terrell, are you coming?

0:16:30.520 --> 0:16:31.880
<v Speaker 1>And I said, I don't know how to get there.

0:16:32.240 --> 0:16:34.720
<v Speaker 1>He said, well, I have to resend the offer. So

0:16:35.240 --> 0:16:40.760
<v Speaker 1>after the entire church community congratulated me on leaving to

0:16:40.760 --> 0:16:44.320
<v Speaker 1>go the University of Iowa. I ended up not going

0:16:44.400 --> 0:16:47.680
<v Speaker 1>to the University of Iowa and just stayed in Jackson,

0:16:47.680 --> 0:16:52.160
<v Speaker 1>Mississippi and worked and worked and worked until I could

0:16:52.160 --> 0:16:54.800
<v Speaker 1>have enough money to get out of Jackson, Mississippi to

0:16:54.840 --> 0:16:57.880
<v Speaker 1>go pursue my dreams on another level. But it gave

0:16:57.920 --> 0:17:01.440
<v Speaker 1>me an opportunity, Brian, because that I was able to

0:17:01.480 --> 0:17:04.680
<v Speaker 1>work with New Stage Theater to get some regional theater credits.

0:17:04.920 --> 0:17:07.600
<v Speaker 1>I was able to work with j V Productions and

0:17:07.640 --> 0:17:12.000
<v Speaker 1>they offered me more training and more the legs to

0:17:12.160 --> 0:17:16.880
<v Speaker 1>grow and find to my craft experience experience, Yes, yeah,

0:17:16.960 --> 0:17:18.719
<v Speaker 1>And how long were you there? How how long did

0:17:18.760 --> 0:17:21.000
<v Speaker 1>you end up done staying in Jackson. I got there

0:17:21.040 --> 0:17:23.520
<v Speaker 1>two thousand five and I left in two thousand eleven.

0:17:23.560 --> 0:17:26.200
<v Speaker 1>And you went to Tennessee and I went to Tennessee.

0:17:26.560 --> 0:17:30.200
<v Speaker 1>And I went to Tennessee because the head of acting

0:17:30.240 --> 0:17:34.159
<v Speaker 1>there saw me at Urda's in two thousand nine and

0:17:34.440 --> 0:17:38.480
<v Speaker 1>thought I was too green, which he was right. I

0:17:38.520 --> 0:17:40.520
<v Speaker 1>didn't want to admit a time, but he was right.

0:17:41.359 --> 0:17:45.760
<v Speaker 1>He reached out to me early two thousand eleven and said, hey,

0:17:45.840 --> 0:17:47.719
<v Speaker 1>we may I don't know if you remember me from

0:17:47.720 --> 0:17:49.679
<v Speaker 1>the University of Tennessee, but we may have a slot

0:17:49.760 --> 0:17:53.520
<v Speaker 1>for you. I said, Hey, okay, let's go. This is

0:17:53.560 --> 0:17:55.920
<v Speaker 1>my opportunity. It's my ticket to move on and get

0:17:55.960 --> 0:17:59.000
<v Speaker 1>and get some grad food training. Two weeks go by,

0:17:59.080 --> 0:18:01.320
<v Speaker 1>I didn't hear from him. He then reaches out and

0:18:01.359 --> 0:18:04.480
<v Speaker 1>says to me, Oh, I'm sorry, the position has been filled.

0:18:04.520 --> 0:18:07.640
<v Speaker 1>We don't have a slot for you. So I'm devastated.

0:18:08.040 --> 0:18:10.560
<v Speaker 1>So that I get I put myself on this plan, Brian,

0:18:10.640 --> 0:18:12.800
<v Speaker 1>I said, this is what I'm gonna do. I am

0:18:12.840 --> 0:18:15.320
<v Speaker 1>gonna save up money and I'm gonna put myself on

0:18:15.400 --> 0:18:17.960
<v Speaker 1>a little tour. I'm gonna go to New York. I'm

0:18:18.000 --> 0:18:20.359
<v Speaker 1>gonna go to Atlanta, I'm gonna go to New Orleans,

0:18:20.440 --> 0:18:23.280
<v Speaker 1>and I'm gonna submit my resume and just see what happens.

0:18:23.560 --> 0:18:26.399
<v Speaker 1>So I'm saving I'm taking jobs after jobs after jobs

0:18:26.400 --> 0:18:30.639
<v Speaker 1>after job, and would you believe June of two thousand

0:18:30.680 --> 0:18:34.439
<v Speaker 1>and eleven, who calls me the head of acting at

0:18:34.440 --> 0:18:40.879
<v Speaker 1>the University of Tennessee. Edie says to me, Hi, I

0:18:40.920 --> 0:18:44.960
<v Speaker 1>don't know if you remember me, but I'm the head

0:18:45.000 --> 0:18:47.920
<v Speaker 1>of acting at the University Tennessee. I've been thinking about

0:18:47.960 --> 0:18:50.040
<v Speaker 1>you for six months. What do you mean if I

0:18:50.119 --> 0:18:56.639
<v Speaker 1>remember you, Edie said. He said, listen, I know I

0:18:56.720 --> 0:18:59.680
<v Speaker 1>kind of pulled your leg earlier, but I'm serious. We

0:18:59.760 --> 0:19:03.280
<v Speaker 1>do a slot. You would start in the fall eleven.

0:19:03.640 --> 0:19:07.920
<v Speaker 1>If you're interested, come on up to Tennessee and let's

0:19:07.920 --> 0:19:10.520
<v Speaker 1>go from there and audition and let's go from there.

0:19:10.880 --> 0:19:12.720
<v Speaker 1>So I said, you know what, let's give it a shot.

0:19:13.880 --> 0:19:17.200
<v Speaker 1>And in July I went up there and I auditioned

0:19:17.840 --> 0:19:20.480
<v Speaker 1>and they offered me a slot right then on the spot.

0:19:20.760 --> 0:19:41.679
<v Speaker 1>That's awesome. M What did grad school gift to you?

0:19:42.240 --> 0:19:46.520
<v Speaker 1>I would say confidence. I would say the development of

0:19:46.560 --> 0:19:50.639
<v Speaker 1>a thick skin. Because my graduate program was connected to

0:19:51.040 --> 0:19:53.879
<v Speaker 1>the Clarence Brown Theater, so it's a regional theater and

0:19:54.000 --> 0:19:58.520
<v Speaker 1>part of their mission is to connect students with professional artists.

0:19:58.560 --> 0:20:02.240
<v Speaker 1>So we had the opportunity to work with professional artists

0:20:02.240 --> 0:20:09.080
<v Speaker 1>all across the country and work with professtorve, directors, artisans, producers,

0:20:09.080 --> 0:20:12.439
<v Speaker 1>so forth and so on. And with that, it taught

0:20:12.520 --> 0:20:15.920
<v Speaker 1>me how to prepare myself in the rehearsal room, how

0:20:15.920 --> 0:20:19.600
<v Speaker 1>to conduct myself backstage, how to treat my fellow cast members,

0:20:19.600 --> 0:20:22.720
<v Speaker 1>how to speak to a director. Grad school gave me

0:20:23.080 --> 0:20:26.680
<v Speaker 1>a plethora of tools to add to my arsenal, the toolbox,

0:20:27.040 --> 0:20:30.800
<v Speaker 1>speaking of severance. A lot of what I learned in

0:20:30.840 --> 0:20:34.680
<v Speaker 1>grad school I utilized in crafting this role, in crafting

0:20:34.680 --> 0:20:38.480
<v Speaker 1>milk check. So I'm I'm sure you t is really

0:20:38.600 --> 0:20:43.960
<v Speaker 1>glad to hear that. Well, I've talked about this before,

0:20:44.000 --> 0:20:45.640
<v Speaker 1>so I'm not gonna I'm not gonna hammer the point,

0:20:45.680 --> 0:20:49.680
<v Speaker 1>but I think that what you're talking about so many

0:20:49.840 --> 0:20:53.320
<v Speaker 1>people don't get. And you're speaking specifically about the theater,

0:20:53.400 --> 0:20:56.000
<v Speaker 1>but obviously it applies to film and television as well

0:20:56.040 --> 0:21:00.639
<v Speaker 1>as that experience, that confidence, that knowing how to behave

0:21:00.880 --> 0:21:05.200
<v Speaker 1>in certain situations. That just breeds confidence with the people

0:21:05.240 --> 0:21:09.439
<v Speaker 1>other people that you're working for or working with, showing

0:21:09.520 --> 0:21:12.040
<v Speaker 1>up on time, knowing how to behave, what your job

0:21:12.240 --> 0:21:16.359
<v Speaker 1>is and what the specific processes you know, for a

0:21:16.440 --> 0:21:20.280
<v Speaker 1>variety of directors. I think that experience. You can't say

0:21:20.400 --> 0:21:24.919
<v Speaker 1>enough about about that. Oh yeah, it strengthens you like

0:21:24.960 --> 0:21:28.080
<v Speaker 1>you're going, like you're leading with Everyone is not the

0:21:28.119 --> 0:21:32.040
<v Speaker 1>same everyone, every process is different. You know, I've been

0:21:32.080 --> 0:21:36.720
<v Speaker 1>on a few sets now and every director operates very differently.

0:21:36.960 --> 0:21:41.480
<v Speaker 1>And being able to manage different energies and and and

0:21:41.600 --> 0:21:45.320
<v Speaker 1>different egos if you will, and different projects within that

0:21:46.080 --> 0:21:48.879
<v Speaker 1>is crucial. Yeah. I have an old friend. I'm not

0:21:48.920 --> 0:21:50.960
<v Speaker 1>going to mention his name in case he would get embarrassed,

0:21:51.000 --> 0:21:53.560
<v Speaker 1>but he called me. He had gotten a cameo in

0:21:53.560 --> 0:21:56.760
<v Speaker 1>a movie, had a few scenes, and he said, do

0:21:56.800 --> 0:21:59.560
<v Speaker 1>you have any tricks for memorizing lines? I mean, this

0:21:59.680 --> 0:22:03.159
<v Speaker 1>is not an actor. And I said, well, first of all,

0:22:03.200 --> 0:22:05.240
<v Speaker 1>you need to know this that you're going to know

0:22:05.359 --> 0:22:07.680
<v Speaker 1>every single word and you're gonna show up and they're

0:22:07.680 --> 0:22:09.880
<v Speaker 1>gonna tell you where to stand and how to move,

0:22:10.040 --> 0:22:11.640
<v Speaker 1>and the camera is going to be there, and you're

0:22:11.640 --> 0:22:14.240
<v Speaker 1>gonna have fourteen people staring at you behind that camera

0:22:14.680 --> 0:22:16.840
<v Speaker 1>and you're not going to remember. So as well as

0:22:16.840 --> 0:22:20.760
<v Speaker 1>you think you know the words, you don't, you don't.

0:22:20.840 --> 0:22:22.920
<v Speaker 1>I gave him a couple of tricks. I don't even

0:22:22.920 --> 0:22:26.120
<v Speaker 1>know if it worked out, but but yeah, that that

0:22:26.240 --> 0:22:31.760
<v Speaker 1>is is so difficult. Um, you you graduate from Tennessee,

0:22:32.119 --> 0:22:34.879
<v Speaker 1>where do you decide your home should be? Well, I

0:22:34.920 --> 0:22:37.639
<v Speaker 1>haven't decided where my home should be at that time,

0:22:37.680 --> 0:22:41.560
<v Speaker 1>but I do go to New York. Okay, okay, in

0:22:41.600 --> 0:22:44.880
<v Speaker 1>New York because at that time I didn't know what

0:22:44.960 --> 0:22:48.760
<v Speaker 1>I should do. You know, the program did not have

0:22:48.800 --> 0:22:51.600
<v Speaker 1>a lot of connections in l A. You know, so

0:22:51.840 --> 0:22:56.200
<v Speaker 1>our showcase was in New York, and the head of acting,

0:22:56.320 --> 0:22:59.359
<v Speaker 1>Jed Diamond at the University of Tennessee, suggested that I

0:22:59.400 --> 0:23:01.400
<v Speaker 1>go to New York. He's like, listen, go to New York.

0:23:01.440 --> 0:23:03.600
<v Speaker 1>Give it five years. If you don't like it, you

0:23:03.600 --> 0:23:05.720
<v Speaker 1>can leave. Five years is a hell of a long

0:23:05.760 --> 0:23:09.360
<v Speaker 1>time to be in a place that you are nervous

0:23:09.400 --> 0:23:12.880
<v Speaker 1>to be in. I was terrified about going to New York.

0:23:13.560 --> 0:23:16.040
<v Speaker 1>I didn't want to have seventeen roommates in a shoe

0:23:16.040 --> 0:23:18.560
<v Speaker 1>box apartment eating Ramen noodles every night. I was like,

0:23:18.600 --> 0:23:21.480
<v Speaker 1>I just did not want to do that, because that

0:23:21.880 --> 0:23:24.879
<v Speaker 1>was what I was told would happen as an actor

0:23:25.000 --> 0:23:27.480
<v Speaker 1>if you go to New York. But when I went

0:23:27.520 --> 0:23:29.879
<v Speaker 1>to showcase and I had a couple of days to

0:23:29.960 --> 0:23:35.080
<v Speaker 1>just absorb the city and watch people navigate these spaces

0:23:35.680 --> 0:23:38.040
<v Speaker 1>and realize that these people are at the same age

0:23:38.080 --> 0:23:41.159
<v Speaker 1>as me or younger than me, and they're doing fine,

0:23:41.440 --> 0:23:44.000
<v Speaker 1>I said, oh, well, I could do this. I can

0:23:44.080 --> 0:23:47.720
<v Speaker 1>make this happen, like, let's go, you know, And it

0:23:47.760 --> 0:23:49.680
<v Speaker 1>worked out. It was one of the best decisions I've

0:23:49.680 --> 0:23:53.280
<v Speaker 1>ever made. Nice by the way, I couldn't do it.

0:23:53.480 --> 0:23:56.600
<v Speaker 1>I found other places. I always would go to New

0:23:56.640 --> 0:23:59.720
<v Speaker 1>York when I had a job, But yeah, that that

0:24:00.040 --> 0:24:03.080
<v Speaker 1>image for me as well. I couldn't get over it.

0:24:03.320 --> 0:24:05.720
<v Speaker 1>I couldn't get over it. So I'm I'm certainly glad

0:24:05.880 --> 0:24:10.080
<v Speaker 1>you did. I mean, it's not for everybody. Um, you

0:24:10.200 --> 0:24:16.440
<v Speaker 1>make your Broadway debut in twenty nineteen in the Great

0:24:16.480 --> 0:24:21.040
<v Speaker 1>Society starring Well. I don't know if living legend is

0:24:21.280 --> 0:24:26.480
<v Speaker 1>too much, but certainly an American and European gem. Brian

0:24:26.600 --> 0:24:30.600
<v Speaker 1>Cox tell me about that experience of landing that role

0:24:30.760 --> 0:24:34.040
<v Speaker 1>and working with him. I was for lower to be

0:24:34.080 --> 0:24:37.440
<v Speaker 1>a part of this production. Was an absolute fan of his,

0:24:38.200 --> 0:24:43.080
<v Speaker 1>especially with Succession. I was a little terrified because he

0:24:43.680 --> 0:24:48.960
<v Speaker 1>holds he does not hold back in succession. But he's

0:24:48.960 --> 0:24:51.480
<v Speaker 1>a he's a delight, he's a teddy bear. He's just

0:24:51.640 --> 0:24:57.600
<v Speaker 1>the sweetest, genuine man that had the pleasure of working

0:24:57.640 --> 0:25:03.080
<v Speaker 1>with and so brave Eve. I think this project. We

0:25:03.119 --> 0:25:06.480
<v Speaker 1>put it up and maybe about three weeks Brian was

0:25:06.560 --> 0:25:10.560
<v Speaker 1>committed to being off book. They were suggesting like maybe

0:25:10.560 --> 0:25:12.680
<v Speaker 1>he should be on book for to play lb J

0:25:12.880 --> 0:25:15.000
<v Speaker 1>but he said, no, I want to be completely off book.

0:25:15.359 --> 0:25:17.879
<v Speaker 1>So he took the charge and he was an absolute

0:25:17.880 --> 0:25:22.760
<v Speaker 1>inspiration for me. And uh, it was a wonderful, trying

0:25:22.800 --> 0:25:27.080
<v Speaker 1>production in the in the context of the story that

0:25:27.160 --> 0:25:29.240
<v Speaker 1>was being told. You know, it was a companion piece

0:25:29.280 --> 0:25:31.560
<v Speaker 1>to All the Way, to Robert Shenkins All the Way,

0:25:31.800 --> 0:25:37.040
<v Speaker 1>and that peace ends in triumph, whereas the Great Society

0:25:37.240 --> 0:25:41.600
<v Speaker 1>ends in tragedy. And what we were watching on stage,

0:25:41.640 --> 0:25:43.639
<v Speaker 1>or what the story we were telling on stage and

0:25:43.720 --> 0:25:47.359
<v Speaker 1>mirrored what was happening in the world in so it

0:25:47.440 --> 0:25:49.560
<v Speaker 1>was hard to take it and it was hard to

0:25:49.600 --> 0:25:52.480
<v Speaker 1>live in as well. But the cast was one. They

0:25:52.480 --> 0:25:55.280
<v Speaker 1>were wonderful. Well. I don't know if you are aware

0:25:55.280 --> 0:25:58.000
<v Speaker 1>of this, this would have been when you were in school,

0:25:58.080 --> 0:26:01.639
<v Speaker 1>But about being off book, I had the opportunity to

0:26:01.640 --> 0:26:04.080
<v Speaker 1>do the American premiere of a Connor McPherson play called

0:26:04.200 --> 0:26:06.879
<v Speaker 1>Rum and Vodka. I loved it. It was one of

0:26:06.920 --> 0:26:11.480
<v Speaker 1>the best experiences in my life. He had the world premiere.

0:26:11.520 --> 0:26:14.240
<v Speaker 1>I'm pretty sure it ended up starting in London and

0:26:14.400 --> 0:26:17.280
<v Speaker 1>came here of another Connor McPherson one man show, which

0:26:17.400 --> 0:26:20.240
<v Speaker 1>was genius if you don't know it, and even longer.

0:26:20.320 --> 0:26:24.639
<v Speaker 1>I think it's full two hours. So doing a scripted

0:26:24.640 --> 0:26:27.119
<v Speaker 1>play for two hours and you're the only one on stage,

0:26:28.119 --> 0:26:32.960
<v Speaker 1>he learning lines must not be him, I guess. I

0:26:33.000 --> 0:26:36.480
<v Speaker 1>guess that's the lesson. Don't don't get in a learning

0:26:36.520 --> 0:26:43.040
<v Speaker 1>line contest with Brian Cox. I think you don't. You don't.

0:26:43.119 --> 0:26:46.560
<v Speaker 1>You don't want that heat at all. So you're working

0:26:46.920 --> 0:26:52.000
<v Speaker 1>at this point, you're doing other productions and you start

0:26:52.400 --> 0:26:55.520
<v Speaker 1>doing some stuff in film and television. Now, how was

0:26:55.600 --> 0:27:00.720
<v Speaker 1>that transition for you? You know, mostly, if not exclusively,

0:27:00.800 --> 0:27:04.560
<v Speaker 1>a theater actor, theater trained actor, and transitioning and beginning

0:27:04.600 --> 0:27:06.800
<v Speaker 1>to work in film and television. How how was that

0:27:06.840 --> 0:27:09.000
<v Speaker 1>transition for you? And it was that something that you

0:27:09.600 --> 0:27:12.600
<v Speaker 1>knew that you wanted to do or ye, talk to

0:27:12.600 --> 0:27:15.600
<v Speaker 1>me a little bit about that. It took a different

0:27:15.640 --> 0:27:19.159
<v Speaker 1>set of skills for film and television because I hadn't

0:27:19.160 --> 0:27:22.280
<v Speaker 1>had a lot of experience with that. My experience was

0:27:22.320 --> 0:27:28.240
<v Speaker 1>the theater. And although I remember watching a lot of television,

0:27:28.280 --> 0:27:31.919
<v Speaker 1>probably too much television and film, uh, and reenacting the

0:27:32.000 --> 0:27:35.680
<v Speaker 1>scenes that I would see there, did you do that?

0:27:35.960 --> 0:27:38.680
<v Speaker 1>Oh god? Yes, Oh my god. Me and my best

0:27:38.720 --> 0:27:42.920
<v Speaker 1>friend in Lago, Maryland, we would re enact scenes all

0:27:43.000 --> 0:27:47.359
<v Speaker 1>the time. That's fascinating. I will just share this with you.

0:27:47.440 --> 0:27:50.879
<v Speaker 1>Greg Daniels, who was the creator of the Office, he

0:27:51.160 --> 0:27:55.120
<v Speaker 1>told me a story about as a writer doing sort

0:27:55.160 --> 0:27:59.720
<v Speaker 1>of the same thing, except he would transcribe the words.

0:28:00.440 --> 0:28:04.960
<v Speaker 1>He would write down the scripted words in television, sort

0:28:05.000 --> 0:28:07.320
<v Speaker 1>of like what you're talking about, for you to begin

0:28:07.400 --> 0:28:09.680
<v Speaker 1>to hear the rhythms and and acting these things down.

0:28:09.960 --> 0:28:11.520
<v Speaker 1>He would do it so that he could see the

0:28:11.560 --> 0:28:14.960
<v Speaker 1>structure and began to study the structure of how scenes

0:28:15.000 --> 0:28:18.000
<v Speaker 1>were put together, how episodes were put together. So I

0:28:18.040 --> 0:28:21.400
<v Speaker 1>find that very interesting. Sorry to interrupt you, but no, no, no, no,

0:28:21.440 --> 0:28:24.520
<v Speaker 1>that's that's fantastic. That's that's amazing. I thought we were

0:28:24.560 --> 0:28:30.080
<v Speaker 1>just being kids, but literally, you know, we're like But

0:28:30.400 --> 0:28:33.720
<v Speaker 1>it was also specific scenes. I remember we would me

0:28:33.760 --> 0:28:37.399
<v Speaker 1>and my friend we would re enact bad Boys. Remember

0:28:37.400 --> 0:28:40.800
<v Speaker 1>that scene where Martin Layres is about to give run

0:28:40.800 --> 0:28:43.760
<v Speaker 1>over and Will Smith comes in the middle of the

0:28:43.800 --> 0:28:45.680
<v Speaker 1>street and picks them up and takes him off to

0:28:45.720 --> 0:28:47.640
<v Speaker 1>the other side, and he said, don't ever say that

0:28:47.640 --> 0:28:50.640
<v Speaker 1>I wasn't there for you. I We would re enact

0:28:50.720 --> 0:28:56.080
<v Speaker 1>that scene constantly, and if anyone is listening, Please don't

0:28:56.120 --> 0:28:58.880
<v Speaker 1>do what we did, because we would actually wait till

0:28:58.920 --> 0:29:02.280
<v Speaker 1>the traffic came up the hill and then trying to

0:29:02.320 --> 0:29:11.200
<v Speaker 1>do it. We do it with live cars. That's not what. No, God,

0:29:12.280 --> 0:29:20.040
<v Speaker 1>don't do don't follow my example. Please follow no at least. Yeah,

0:29:20.080 --> 0:29:22.040
<v Speaker 1>that was a game that I used to play, and

0:29:22.040 --> 0:29:23.440
<v Speaker 1>it was one time I got hit by a car.

0:29:23.520 --> 0:29:26.680
<v Speaker 1>But that's another story. But so don't do don't do

0:29:26.720 --> 0:29:28.880
<v Speaker 1>what I did. Don't do that. Don't do that. What

0:29:29.040 --> 0:29:32.840
<v Speaker 1>was the question I said? I got off topic. We so, yeah,

0:29:33.080 --> 0:29:36.320
<v Speaker 1>it's okay. I took us off the rails. I'm sure

0:29:36.680 --> 0:29:38.800
<v Speaker 1>you know you had so much experience at this point,

0:29:39.440 --> 0:29:43.120
<v Speaker 1>mirroring quite frankly again my experience of theater, and then

0:29:43.160 --> 0:29:45.680
<v Speaker 1>you begin to transition into film and television, and just

0:29:45.760 --> 0:29:49.120
<v Speaker 1>talking about that transition, did you get an agent? Did

0:29:49.160 --> 0:29:52.480
<v Speaker 1>you start working? How was that for you that time?

0:29:52.800 --> 0:29:56.760
<v Speaker 1>So when I moved to New York in while we

0:29:56.760 --> 0:29:59.200
<v Speaker 1>were doing a showcase, I got the attention of an

0:29:59.200 --> 0:30:02.920
<v Speaker 1>agent who wants to with now Jenna Winette of both

0:30:02.960 --> 0:30:05.760
<v Speaker 1>Winette Agency. Yeah, I love Jenna. I loved the team

0:30:06.000 --> 0:30:10.080
<v Speaker 1>there and continue doing theater because I was my wheelhouse.

0:30:10.520 --> 0:30:15.040
<v Speaker 1>But always wanted to dip my toe into television, and

0:30:15.080 --> 0:30:16.720
<v Speaker 1>the only way to get into it, or the only

0:30:16.720 --> 0:30:18.000
<v Speaker 1>way to get good at it, is you have to

0:30:18.000 --> 0:30:20.120
<v Speaker 1>get into it. And then you know, it's kind of

0:30:20.160 --> 0:30:23.120
<v Speaker 1>like this wheel around, you know. You know, they only

0:30:23.120 --> 0:30:24.960
<v Speaker 1>want to hire you unless you got the credit. You know,

0:30:25.040 --> 0:30:27.840
<v Speaker 1>to get credit, you gotta work that kind of thing.

0:30:27.960 --> 0:30:32.920
<v Speaker 1>So but I was able to do a small part

0:30:32.960 --> 0:30:36.280
<v Speaker 1>in Difficult People where I was the good Samaritan, uh

0:30:36.320 --> 0:30:40.120
<v Speaker 1>and that was fun. And then did diet Land and

0:30:40.240 --> 0:30:43.480
<v Speaker 1>Hunters and so with that. Because I didn't have the

0:30:43.520 --> 0:30:49.280
<v Speaker 1>training in television and film, I used my future colleagues

0:30:49.560 --> 0:30:52.800
<v Speaker 1>because I didn't know them at the time, as basically masterclasses.

0:30:53.400 --> 0:30:57.760
<v Speaker 1>I would study people on screen. I would watch television

0:30:57.800 --> 0:31:00.400
<v Speaker 1>film and just watch how they moved there eyes, how

0:31:00.440 --> 0:31:03.920
<v Speaker 1>they speak, how they hold their heads, intonation, everything, and

0:31:04.160 --> 0:31:07.720
<v Speaker 1>use that as my class when I couldn't afford to

0:31:07.760 --> 0:31:11.280
<v Speaker 1>go to these three classes with some of these top

0:31:11.360 --> 0:31:15.000
<v Speaker 1>casting directors and acting teachers, you know, and being one set,

0:31:15.040 --> 0:31:17.600
<v Speaker 1>having the experience, and you know, I was able to

0:31:17.640 --> 0:31:22.480
<v Speaker 1>get stronger and more confident and understand how to translate

0:31:22.600 --> 0:31:26.440
<v Speaker 1>ideas and emotions on screen that may or may not

0:31:26.520 --> 0:31:29.719
<v Speaker 1>work on stage. Because there are different mediums. Right, Your

0:31:29.760 --> 0:31:34.240
<v Speaker 1>audience in theater maybe three hundred, whereas your audience on

0:31:34.320 --> 0:31:36.840
<v Speaker 1>film maybe one, So you have to kind of translate.

0:31:36.960 --> 0:31:59.000
<v Speaker 1>It's it's all learning. Was all learning from me. How

0:31:59.040 --> 0:32:01.440
<v Speaker 1>did you find out about SAT France? Is this an

0:32:01.440 --> 0:32:04.800
<v Speaker 1>audition that came in from your agent? Oh my gosh, Brian.

0:32:05.480 --> 0:32:09.240
<v Speaker 1>So I was doing The Great Society two thousand nineteen, right,

0:32:09.880 --> 0:32:13.880
<v Speaker 1>we had just got wind that we were going to close.

0:32:14.320 --> 0:32:18.680
<v Speaker 1>We closed early, unfortunately, and I remember going in and

0:32:18.680 --> 0:32:21.680
<v Speaker 1>auditioning for this piece, and I had no idea what

0:32:21.680 --> 0:32:24.520
<v Speaker 1>this was. All I knew is that Ben Stiller was directing,

0:32:24.760 --> 0:32:26.520
<v Speaker 1>and I said, okay, sure, why not, let's give it

0:32:26.560 --> 0:32:30.480
<v Speaker 1>a shot. I went in an audition for it. Fine.

0:32:30.560 --> 0:32:34.720
<v Speaker 1>Didn't really hear back. Probably about two weeks later. I

0:32:35.240 --> 0:32:39.520
<v Speaker 1>think it was right before the holidays. I hear that

0:32:39.600 --> 0:32:42.480
<v Speaker 1>they that I've been selected for a callback to meet

0:32:42.720 --> 0:32:47.520
<v Speaker 1>with Ben Stiller and Dan Rickson, the writer and creative.

0:32:47.600 --> 0:32:50.920
<v Speaker 1>So January comes around, I'm getting ready to go to

0:32:50.960 --> 0:32:56.240
<v Speaker 1>my callback audition, and I am running like hell to

0:32:56.320 --> 0:33:00.760
<v Speaker 1>get there on time. I get on the bus, the

0:33:00.840 --> 0:33:04.160
<v Speaker 1>buses running late. The Google Maps tells me that I

0:33:04.200 --> 0:33:06.200
<v Speaker 1>should wait for another bus, but I don't have time

0:33:06.240 --> 0:33:09.200
<v Speaker 1>to wait for another bus, so I'm running down through

0:33:09.200 --> 0:33:14.240
<v Speaker 1>this industrial neighborhood of the Bronx. There's people driving with

0:33:14.400 --> 0:33:17.640
<v Speaker 1>old refrigerators on carts, passing me, looking at me like

0:33:17.680 --> 0:33:19.920
<v Speaker 1>I'm crazy because I have this fool suit on and

0:33:19.960 --> 0:33:23.200
<v Speaker 1>I'm sweating, you know. I turned the corner and there's

0:33:23.240 --> 0:33:25.840
<v Speaker 1>these group of guys. One guy looks at me and say, hey,

0:33:25.880 --> 0:33:27.560
<v Speaker 1>you want to see me kick this dude's ass. And

0:33:27.560 --> 0:33:29.360
<v Speaker 1>I was like, okay, maybe later when I come back,

0:33:29.400 --> 0:33:32.320
<v Speaker 1>and they laughed. And then I'm across the bridge, running

0:33:32.360 --> 0:33:35.120
<v Speaker 1>across this bridge like trying to get there. I get

0:33:35.160 --> 0:33:38.320
<v Speaker 1>to the lot. The audition happens to be on the

0:33:38.360 --> 0:33:40.520
<v Speaker 1>other side of the lot, which is an acre long,

0:33:40.640 --> 0:33:45.160
<v Speaker 1>so I'm running down down to the other side of

0:33:45.200 --> 0:33:48.400
<v Speaker 1>the studio and I finally get there, and it turns

0:33:48.440 --> 0:33:52.040
<v Speaker 1>out they were running late, so no one knew that

0:33:52.080 --> 0:33:55.280
<v Speaker 1>I was late, so it was fine. And I remember

0:33:55.640 --> 0:33:58.880
<v Speaker 1>doing the audition and making Ben laugh and I said

0:33:58.920 --> 0:34:02.240
<v Speaker 1>that has to be a good sign I made that

0:34:05.520 --> 0:34:09.840
<v Speaker 1>this is huge. And he told me that they have

0:34:09.960 --> 0:34:13.160
<v Speaker 1>to do auditions in l a Um so they'll see

0:34:13.200 --> 0:34:16.320
<v Speaker 1>what happens. And then I don't hear anything for a while,

0:34:16.600 --> 0:34:22.120
<v Speaker 1>I hear nothing, and eventually Rachel Tennor calls my manager

0:34:22.200 --> 0:34:26.399
<v Speaker 1>Tigren and says, oh, you know, Tremille got the role right,

0:34:27.640 --> 0:34:30.560
<v Speaker 1>Like wait, like just like going off, just like yeah,

0:34:30.600 --> 0:34:32.759
<v Speaker 1>you know you got it. You know he booked it right. Yeah,

0:34:32.800 --> 0:34:34.680
<v Speaker 1>he's great. You know he's great. He's great. Yeah, he

0:34:34.719 --> 0:34:37.520
<v Speaker 1>got it. And the deer calls me and I'm like

0:34:37.680 --> 0:34:40.160
<v Speaker 1>jumping up and down or running around at the apartment.

0:34:42.760 --> 0:34:45.400
<v Speaker 1>And then the rest, as I say, is history. Yeah

0:34:45.520 --> 0:34:47.920
<v Speaker 1>that's so. By the way, Rachel Tennor shout out to

0:34:48.000 --> 0:34:52.439
<v Speaker 1>Rachel Tennor, who's one of the best. Yes, fantastic. So

0:34:52.680 --> 0:34:57.560
<v Speaker 1>how much of Severance before you started filming? How many

0:34:57.600 --> 0:35:00.120
<v Speaker 1>episodes were you able to see? Was it U is

0:35:00.200 --> 0:35:03.680
<v Speaker 1>the first one? Like normal? Or or did you know

0:35:04.000 --> 0:35:08.160
<v Speaker 1>the journey? I guess that's a better question. How much

0:35:08.440 --> 0:35:13.040
<v Speaker 1>of his journey did you know before you started filming? Well,

0:35:13.080 --> 0:35:18.160
<v Speaker 1>so this is what's really interesting, because we started right

0:35:18.200 --> 0:35:21.600
<v Speaker 1>before the pandemic was right, So it was like and

0:35:21.719 --> 0:35:26.279
<v Speaker 1>I remember after a fitting getting the note that we

0:35:26.280 --> 0:35:29.200
<v Speaker 1>were shutting down for two weeks, and in the back

0:35:29.200 --> 0:35:30.640
<v Speaker 1>of my mind, I said, this is no way it's

0:35:30.640 --> 0:35:32.480
<v Speaker 1>gonna be two weeks. There's no way it's gonna be

0:35:32.520 --> 0:35:37.200
<v Speaker 1>two weeks. Then six months later we picked back up.

0:35:37.719 --> 0:35:41.919
<v Speaker 1>I start in October. So by that time I got

0:35:41.960 --> 0:35:45.360
<v Speaker 1>the script and I started to understand the premise of

0:35:45.400 --> 0:35:47.560
<v Speaker 1>the show, what was happening, and you know, so forth

0:35:47.600 --> 0:35:50.560
<v Speaker 1>and so on. What was interesting for me, it was

0:35:50.600 --> 0:35:54.359
<v Speaker 1>really key, was really trying to figure out who the

0:35:54.400 --> 0:35:57.680
<v Speaker 1>hell is milk Check in the midst of all of this,

0:35:58.480 --> 0:36:00.960
<v Speaker 1>you know, and how does he feel into this world,

0:36:01.600 --> 0:36:05.279
<v Speaker 1>and what is he gaining from this? And you know,

0:36:05.560 --> 0:36:09.120
<v Speaker 1>what is his motivations behind it? So that was my

0:36:09.200 --> 0:36:12.800
<v Speaker 1>homework to kind of really build a character that makes

0:36:12.920 --> 0:36:15.520
<v Speaker 1>sense in this world, right, you know, in the world

0:36:15.520 --> 0:36:18.239
<v Speaker 1>that doesn't make sense? Right? Yes, though it makes so

0:36:18.320 --> 0:36:21.239
<v Speaker 1>much sense to me. But yeah, so all right, So

0:36:21.320 --> 0:36:24.200
<v Speaker 1>let me ask you this specifically, how much did Dan

0:36:24.600 --> 0:36:28.319
<v Speaker 1>or and or Ben share with you about where your

0:36:28.440 --> 0:36:31.640
<v Speaker 1>character was going or did you just more talk about

0:36:31.840 --> 0:36:35.520
<v Speaker 1>just that first episode At that time, there was definitely

0:36:35.560 --> 0:36:39.839
<v Speaker 1>a conversation between Ben, Dan and I. They did not

0:36:40.239 --> 0:36:45.399
<v Speaker 1>fill me in about where he's going. It was more

0:36:45.520 --> 0:36:50.680
<v Speaker 1>it felt more like improv So what was helpful for

0:36:50.760 --> 0:36:56.000
<v Speaker 1>me was understanding where he came from. That was a

0:36:56.120 --> 0:37:01.080
<v Speaker 1>process in a discussion between myself and and then like

0:37:01.160 --> 0:37:04.360
<v Speaker 1>I had my own backstory, and then they had a backstory,

0:37:04.520 --> 0:37:07.120
<v Speaker 1>and then we kind of, you know, conferred about that,

0:37:07.200 --> 0:37:09.600
<v Speaker 1>and then we went from there, which was really fun

0:37:09.840 --> 0:37:15.120
<v Speaker 1>and how interesting our backstories were very similar, and reading

0:37:15.160 --> 0:37:17.800
<v Speaker 1>it was just you really just kind of you played

0:37:17.840 --> 0:37:20.480
<v Speaker 1>what was on the page. Now. This was also an

0:37:20.480 --> 0:37:27.279
<v Speaker 1>exercise where the character mill Check knew more than Trammel. Yes, right,

0:37:27.560 --> 0:37:30.200
<v Speaker 1>that's right. Tramail has no idea what the doats are

0:37:30.239 --> 0:37:33.520
<v Speaker 1>about where Miss Casey is going. I have no idea,

0:37:33.960 --> 0:37:36.680
<v Speaker 1>but mil Check you know what I mean? You know,

0:37:36.760 --> 0:37:39.000
<v Speaker 1>so it's like all of these things that you know,

0:37:39.080 --> 0:37:41.840
<v Speaker 1>you really have to just dive in and make a

0:37:41.920 --> 0:37:44.440
<v Speaker 1>choice as to what does mil Check no and what

0:37:44.480 --> 0:37:48.600
<v Speaker 1>does he not know? Which makes it fun. It's so fun.

0:37:48.760 --> 0:37:51.879
<v Speaker 1>And I think you said something that is what I

0:37:51.920 --> 0:37:55.120
<v Speaker 1>was really thinking about the second time watching it through,

0:37:55.680 --> 0:38:00.680
<v Speaker 1>which is is your brilliance in the show is you

0:38:00.880 --> 0:38:07.880
<v Speaker 1>are always in the moment and whatever your specific job is,

0:38:09.040 --> 0:38:13.440
<v Speaker 1>you are fully committed to that in the moment. And

0:38:13.560 --> 0:38:20.080
<v Speaker 1>that's what's so disarming about it because nobody is that way, like, right,

0:38:20.200 --> 0:38:23.520
<v Speaker 1>in real life you're always no. But I'm serious, like

0:38:24.080 --> 0:38:29.000
<v Speaker 1>you're always guarded or putting on a facade, or and

0:38:29.080 --> 0:38:31.320
<v Speaker 1>not that mill chick may not be putting on a facade.

0:38:31.920 --> 0:38:36.000
<v Speaker 1>I wrote this down. There is an efficiency to you.

0:38:36.640 --> 0:38:41.480
<v Speaker 1>There is empathy you there you are empathetic and caring

0:38:41.680 --> 0:38:46.880
<v Speaker 1>at times, and you're also a psychopath, like all three

0:38:46.960 --> 0:38:53.080
<v Speaker 1>things simultaneously. At least within most episodes, you can do

0:38:53.160 --> 0:38:56.680
<v Speaker 1>those things. And I was thinking, it's like, I'll be honest,

0:38:56.719 --> 0:38:59.479
<v Speaker 1>I couldn't think of the third part, but it isn't

0:38:59.480 --> 0:39:01.600
<v Speaker 1>a weird way. And I started thinking, like, is this

0:39:01.680 --> 0:39:05.160
<v Speaker 1>why I'm responding so strongly to him? You are in

0:39:05.200 --> 0:39:10.239
<v Speaker 1>a way part Dwight Shrewt Like there is a there

0:39:10.320 --> 0:39:13.920
<v Speaker 1>is a commitment to the job, maybe better than like

0:39:14.000 --> 0:39:20.040
<v Speaker 1>a job efficient Dwight Shrewd slash prison guard. Because I'm

0:39:20.160 --> 0:39:24.920
<v Speaker 1>fascinated by, I'm sorry, just the mind fuck of the

0:39:24.960 --> 0:39:31.560
<v Speaker 1>situation where you are dealing with people who have the

0:39:31.640 --> 0:39:36.120
<v Speaker 1>same intelligence, the same general knowledge that they should have,

0:39:36.640 --> 0:39:40.759
<v Speaker 1>but they have no history except the history with you,

0:39:41.560 --> 0:39:45.720
<v Speaker 1>and you're like all of their mommies and Daddy's rolled

0:39:45.719 --> 0:39:48.200
<v Speaker 1>into one in a way, right, I mean, you know

0:39:48.400 --> 0:39:53.000
<v Speaker 1>you are introducing them and guiding them through this new world.

0:39:53.760 --> 0:39:57.840
<v Speaker 1>It's fascinating the way that everyone responds to you throughout

0:39:57.840 --> 0:40:01.600
<v Speaker 1>the journey of the show and how you interact with them.

0:40:01.640 --> 0:40:05.040
<v Speaker 1>And I think that what you said is so key

0:40:05.360 --> 0:40:08.400
<v Speaker 1>is that you are in the moment, always in the moment,

0:40:08.880 --> 0:40:14.319
<v Speaker 1>and performing the job that you have. Absolutely, were you

0:40:14.320 --> 0:40:17.880
<v Speaker 1>ever surprised about his journey? As you continued, were you

0:40:17.920 --> 0:40:24.239
<v Speaker 1>ever like, wait, that's what it was later on? Um,

0:40:25.520 --> 0:40:28.759
<v Speaker 1>I'm trying to remember what it was like when I

0:40:28.840 --> 0:40:32.960
<v Speaker 1>first got the script versus like the first episode. I

0:40:33.040 --> 0:40:37.560
<v Speaker 1>was absolutely intrigued. And as an actor, you know, we

0:40:37.680 --> 0:40:40.000
<v Speaker 1>do our part to fill in the blax right, because

0:40:40.040 --> 0:40:44.280
<v Speaker 1>we want to create these full dimensional beings, right, because

0:40:44.280 --> 0:40:46.560
<v Speaker 1>that's what makes it fun to play and also fun

0:40:46.640 --> 0:40:51.000
<v Speaker 1>to watch. But as these ideas that I had, or

0:40:51.040 --> 0:40:54.839
<v Speaker 1>these thoughts or ways about mill check, they all kind

0:40:54.840 --> 0:40:58.480
<v Speaker 1>of faded away as I stepped through as I continue

0:40:58.560 --> 0:41:03.759
<v Speaker 1>to go through the season. You know, the music dance experience. Yeah,

0:41:03.760 --> 0:41:05.759
<v Speaker 1>we're going to talk about the music dance experience at

0:41:05.760 --> 0:41:09.880
<v Speaker 1>a second. Don't don't jump that, No, you're not up.

0:41:11.440 --> 0:41:15.320
<v Speaker 1>But there's references to the break room Adam Scott's character

0:41:15.480 --> 0:41:18.279
<v Speaker 1>is sent to the break room, takes over for Helly,

0:41:18.719 --> 0:41:21.680
<v Speaker 1>you know at one moment, and so you see this room,

0:41:21.719 --> 0:41:24.960
<v Speaker 1>but you don't know what happens in there. So until

0:41:25.120 --> 0:41:27.839
<v Speaker 1>you got the script for what happens in the break room,

0:41:28.080 --> 0:41:34.640
<v Speaker 1>you didn't know because the breakroom scene didn't materialize until

0:41:35.120 --> 0:41:39.759
<v Speaker 1>episode was an episode three into four. I believe that's right,

0:41:40.200 --> 0:41:43.400
<v Speaker 1>that's that's exactly, that's exactly what. So if you're reading

0:41:43.719 --> 0:41:47.360
<v Speaker 1>episode one and two, I believe there has made mention

0:41:47.800 --> 0:41:50.719
<v Speaker 1>of the break room, there is or made mention of

0:41:50.960 --> 0:41:53.680
<v Speaker 1>Mr Millichick is not as nice he can you know,

0:41:53.719 --> 0:41:57.520
<v Speaker 1>he's yes, nice all the time. Yes, that's right. So

0:41:57.560 --> 0:42:02.960
<v Speaker 1>I was like, there's those clues that pop up, but oh,

0:42:03.080 --> 0:42:06.080
<v Speaker 1>we don't know how real it is. And so the

0:42:06.360 --> 0:42:08.320
<v Speaker 1>day I'm opened and then you see it, you know,

0:42:08.880 --> 0:42:12.000
<v Speaker 1>you know, it's occurring to me like I'm sounding like

0:42:12.200 --> 0:42:17.200
<v Speaker 1>a rube who's never worked in television before, thinking that

0:42:17.520 --> 0:42:20.440
<v Speaker 1>you had all the scripts before you started. I am

0:42:20.560 --> 0:42:22.759
<v Speaker 1>well aware that that's not normally how it works. The

0:42:23.000 --> 0:42:27.320
<v Speaker 1>world here, though, is so fascinating and confusing. It makes

0:42:27.520 --> 0:42:31.480
<v Speaker 1>me even more impressed with your performance that you were

0:42:31.560 --> 0:42:34.600
<v Speaker 1>not aware of everything at least that was going to

0:42:34.719 --> 0:42:38.680
<v Speaker 1>come in the future. I say empathy, which some people

0:42:38.719 --> 0:42:41.600
<v Speaker 1>could argue with if they've seen the show, because I

0:42:41.760 --> 0:42:46.960
<v Speaker 1>feel like, you know, unlike Cobel, played by the genius

0:42:47.040 --> 0:42:50.200
<v Speaker 1>Patricia Arquette, who is in my favorite underrated I always

0:42:50.200 --> 0:42:52.840
<v Speaker 1>call it my favorite underrated movie of all time true romance,

0:42:53.400 --> 0:42:57.840
<v Speaker 1>Cobell is not nice. There is not anything nice or

0:42:58.680 --> 0:43:03.480
<v Speaker 1>sympathetic about her, including um, without giving any spoilers away,

0:43:03.600 --> 0:43:06.480
<v Speaker 1>how she behaves in the audie world as we call it.

0:43:07.000 --> 0:43:11.000
<v Speaker 1>But I find I find a humanity within you at

0:43:11.120 --> 0:43:15.319
<v Speaker 1>times that is that's heartbreaking for me, and I think

0:43:16.200 --> 0:43:19.719
<v Speaker 1>makes it even more terrifying. I want to ask you this,

0:43:20.560 --> 0:43:25.640
<v Speaker 1>how many employees do you think are severed at luman

0:43:26.000 --> 0:43:31.640
<v Speaker 1>Oh my gosh, you're gonna get me in trouble. No, like,

0:43:32.040 --> 0:43:34.480
<v Speaker 1>how many do you think there are? It's so hard

0:43:34.520 --> 0:43:38.279
<v Speaker 1>for me to answer that question because this world is

0:43:38.400 --> 0:43:42.960
<v Speaker 1>so unexpected. And wait a minute, so you know, but

0:43:43.080 --> 0:43:45.879
<v Speaker 1>you can't tell. Is that what you're saying. I can't

0:43:45.920 --> 0:43:50.239
<v Speaker 1>even answer that likes it's like, you know, it's like,

0:43:50.480 --> 0:43:53.560
<v Speaker 1>it's it's so bizarre, I will say, I will say,

0:43:53.640 --> 0:43:57.280
<v Speaker 1>and this is what I've actually loved about reading, listening,

0:43:57.960 --> 0:44:02.239
<v Speaker 1>and experiencing people's theories at this show. Usually whatever we

0:44:02.440 --> 0:44:07.280
<v Speaker 1>think is happening is not happening. Yeah, that's a bullshit

0:44:07.320 --> 0:44:10.280
<v Speaker 1>answer that. Listen, that's a bull don't You can't bullshit

0:44:10.360 --> 0:44:13.440
<v Speaker 1>answer me. I'm not a reporter. I'm not a reporter

0:44:14.080 --> 0:44:16.839
<v Speaker 1>that you can give a bullshit answer to Listen. If

0:44:16.920 --> 0:44:20.239
<v Speaker 1>anyone understands I can't answer that question, I'll accept that.

0:44:21.239 --> 0:44:22.800
<v Speaker 1>Let me let me, let me, let me ask this

0:44:22.920 --> 0:44:25.600
<v Speaker 1>in another way. And I'm trying to think about things

0:44:25.640 --> 0:44:28.719
<v Speaker 1>that Cobell said, like do you think that this is

0:44:28.960 --> 0:44:32.879
<v Speaker 1>your group because you're around a lot, But again, who knows?

0:44:33.040 --> 0:44:36.759
<v Speaker 1>You're right? Maybe you've got seventy people you're dealing with.

0:44:36.920 --> 0:44:38.719
<v Speaker 1>You're sure, you sure spend a lot of time with

0:44:38.840 --> 0:44:41.920
<v Speaker 1>macro data refinement. Well you also got to remember you

0:44:42.000 --> 0:44:44.920
<v Speaker 1>also got to remember this O and D. No, of course, no, no, no,

0:44:45.040 --> 0:44:47.960
<v Speaker 1>of course, I know there's not just four. I apologize, yes,

0:44:48.040 --> 0:44:50.920
<v Speaker 1>of course, but it doesn't seem like you are with

0:44:51.160 --> 0:44:54.880
<v Speaker 1>them in the same way. So maybe you are. I

0:44:55.000 --> 0:44:58.440
<v Speaker 1>don't know. I mean, it's it can be misleading because

0:44:58.480 --> 0:45:02.000
<v Speaker 1>we only focus on m DR. You know what I mean, right,

0:45:02.560 --> 0:45:04.600
<v Speaker 1>And there there's a lot of time they're working that

0:45:04.680 --> 0:45:06.719
<v Speaker 1>we don't see. By the way, I was involved for

0:45:06.800 --> 0:45:09.239
<v Speaker 1>ten years in the television show where we saw us

0:45:09.320 --> 0:45:12.040
<v Speaker 1>do work exactly zero percent of the time. So I

0:45:12.280 --> 0:45:18.040
<v Speaker 1>get I get that, Like when was paper actually sold?

0:45:18.520 --> 0:45:23.760
<v Speaker 1>I'm not sure we only see the moments in severance

0:45:23.760 --> 0:45:27.200
<v Speaker 1>where they're not actually taking the numbers. All right, I'll

0:45:27.239 --> 0:45:31.520
<v Speaker 1>bail on that. M d E. The music dance experience, Uh,

0:45:31.719 --> 0:45:34.839
<v Speaker 1>the most talked about seeing look at you right now,

0:45:34.920 --> 0:45:38.600
<v Speaker 1>he's dancing right in front of me in a similarly

0:45:38.800 --> 0:45:43.360
<v Speaker 1>creepy way than he danced. Is that your go to?

0:45:43.600 --> 0:45:46.719
<v Speaker 1>Are those your go to moves? Or where they improvised?

0:45:46.840 --> 0:45:49.839
<v Speaker 1>In the moment, it was totally improvised, So that means

0:45:49.920 --> 0:45:52.960
<v Speaker 1>that was your Those are your go to moves, Those

0:45:53.040 --> 0:45:57.200
<v Speaker 1>are mill checks go to moves. You know that's not

0:45:57.719 --> 0:46:00.400
<v Speaker 1>That's not you know what I'm saying. I'm more of

0:46:00.440 --> 0:46:03.080
<v Speaker 1>a hip guy. Yes, this was more of a this

0:46:03.239 --> 0:46:06.359
<v Speaker 1>was more of a shoulder chicken. I was thinking, it's

0:46:06.400 --> 0:46:11.640
<v Speaker 1>a little chicken e. But someone you have, you have

0:46:11.880 --> 0:46:16.360
<v Speaker 1>seen him behave in such a horrifying and that is

0:46:16.440 --> 0:46:20.520
<v Speaker 1>what is unsettling about your performance. And in some regards

0:46:20.560 --> 0:46:23.839
<v Speaker 1>to show. You have seen him behave in such an

0:46:23.960 --> 0:46:27.960
<v Speaker 1>unsettling way towards these people, and yet in this moment,

0:46:28.400 --> 0:46:33.399
<v Speaker 1>everyone has five minutes to just dance and have fun.

0:46:34.160 --> 0:46:37.120
<v Speaker 1>A little frivolity goes a long way. I want to

0:46:37.160 --> 0:46:41.120
<v Speaker 1>ask you about the turtleneck that suddenly appears. Is that

0:46:41.360 --> 0:46:44.920
<v Speaker 1>is that mil Chick's relaxed look? You know, I think

0:46:44.960 --> 0:46:48.360
<v Speaker 1>the music dance experience brings a different flavor, so he

0:46:48.480 --> 0:46:50.440
<v Speaker 1>wants to, you know, dress it down a little bit.

0:46:51.000 --> 0:46:54.200
<v Speaker 1>Like you also got to remember, like, dude, yes, mill

0:46:54.280 --> 0:46:58.080
<v Speaker 1>Chick has been doing some very questionable things and in

0:46:58.640 --> 0:47:01.600
<v Speaker 1>a moral things, but he's under a lot of pressure too.

0:47:02.080 --> 0:47:05.560
<v Speaker 1>You know, things went south once Helly came along and

0:47:05.680 --> 0:47:09.399
<v Speaker 1>Pete disappeared, and he's had to kind of he's had

0:47:09.480 --> 0:47:12.280
<v Speaker 1>to basically fix it. He had to be the fixer.

0:47:13.080 --> 0:47:17.040
<v Speaker 1>And every every episode things just get worse and worse

0:47:17.120 --> 0:47:21.320
<v Speaker 1>and worse and worse. So this music dance experience is

0:47:21.719 --> 0:47:23.920
<v Speaker 1>just as much for him as it is for them.

0:47:24.560 --> 0:47:26.320
<v Speaker 1>So I think it's like I need to let my

0:47:26.440 --> 0:47:28.520
<v Speaker 1>hair down a little bit, I need to let loose.

0:47:29.000 --> 0:47:31.399
<v Speaker 1>I'm gonna take my tie off and I'm gonna put

0:47:31.440 --> 0:47:33.759
<v Speaker 1>on this turtleneck because I like this turtleneck. I look

0:47:33.760 --> 0:47:36.439
<v Speaker 1>good in this turtleneck. It helps me move, it helps

0:47:36.480 --> 0:47:39.560
<v Speaker 1>you move, obviously, and he let's go, yeah, it's a

0:47:39.719 --> 0:47:45.640
<v Speaker 1>it's a stretchable fabric. But I have this, uh, this

0:47:45.920 --> 0:47:51.560
<v Speaker 1>water cup. It's basically a classic clear plastic. It is

0:47:51.680 --> 0:47:56.920
<v Speaker 1>the most utilitarian water glass in the world. It's just

0:47:57.239 --> 0:47:59.800
<v Speaker 1>that there. It is. It's clear, there's nothing about it.

0:48:00.520 --> 0:48:03.799
<v Speaker 1>And yet if you push the bottom of the water

0:48:03.960 --> 0:48:10.880
<v Speaker 1>glass there are flashing lights show up and make the

0:48:11.040 --> 0:48:16.480
<v Speaker 1>water turn like red and green and purple. This was

0:48:16.560 --> 0:48:18.879
<v Speaker 1>given to one of my children. I don't know why

0:48:19.040 --> 0:48:22.360
<v Speaker 1>we have this water glass, but I was thinking about

0:48:22.640 --> 0:48:26.200
<v Speaker 1>the music dance experience, and in some ways, Lumen in

0:48:26.360 --> 0:48:32.480
<v Speaker 1>that way, it's everything is so clean, lines utilitarian, and

0:48:32.880 --> 0:48:36.279
<v Speaker 1>ben still are by the way, like he emphasizes this

0:48:36.400 --> 0:48:41.120
<v Speaker 1>in his direction, so well, everything is that old, like

0:48:42.080 --> 0:48:47.200
<v Speaker 1>big chunky sixties seventies. I don't even know everything plugs in.

0:48:47.600 --> 0:48:51.480
<v Speaker 1>It's all so utilitarian. And then it's like Lumens, like,

0:48:52.000 --> 0:48:54.920
<v Speaker 1>you know, we want everything like this because nobody has

0:48:54.960 --> 0:48:57.480
<v Speaker 1>a history. We are just living here in the moment.

0:48:57.760 --> 0:49:00.680
<v Speaker 1>But just every once in a while, let's turn on

0:49:00.800 --> 0:49:04.800
<v Speaker 1>the light on the bottom of the water glass and

0:49:05.000 --> 0:49:09.719
<v Speaker 1>let it get a little funky. For no reason. I

0:49:09.880 --> 0:49:32.120
<v Speaker 1>love that idea. I just I love it talking about

0:49:32.160 --> 0:49:37.239
<v Speaker 1>being severed. The show is political. It is fascinating to me.

0:49:37.960 --> 0:49:43.440
<v Speaker 1>We talk all the time about work life separation or

0:49:43.560 --> 0:49:48.840
<v Speaker 1>integration or the balance between work and your home life.

0:49:49.200 --> 0:49:51.800
<v Speaker 1>Talk to me a little bit about your thinking about

0:49:52.239 --> 0:49:56.080
<v Speaker 1>Severed and the ramifications of that, or the positives of that,

0:49:56.480 --> 0:50:00.440
<v Speaker 1>or why you think that Dan chose that. You know,

0:50:00.719 --> 0:50:02.880
<v Speaker 1>I get the question a lot of whether or not

0:50:03.000 --> 0:50:07.720
<v Speaker 1>I would go through the severed procedure, and I enthusiastically

0:50:07.880 --> 0:50:11.160
<v Speaker 1>say no, no, of course it's not for me, But

0:50:11.400 --> 0:50:15.160
<v Speaker 1>there is there's an understanding behind it, like I get it.

0:50:15.360 --> 0:50:19.120
<v Speaker 1>Does that empathy we use that word before, where people

0:50:19.320 --> 0:50:23.640
<v Speaker 1>we're going through so much pain or turmoil, frustration, or

0:50:24.320 --> 0:50:27.000
<v Speaker 1>where we need a little relief and we don't want

0:50:27.000 --> 0:50:32.080
<v Speaker 1>to take that turmoil into work, as we see with Mark,

0:50:32.719 --> 0:50:36.919
<v Speaker 1>you know, he's grieving. So with that, I can understand

0:50:37.600 --> 0:50:40.000
<v Speaker 1>why people need to just that we need to just

0:50:40.160 --> 0:50:44.360
<v Speaker 1>put it away. Myself as an actor and how I

0:50:44.640 --> 0:50:47.440
<v Speaker 1>pull so much of my own history, my own personal

0:50:47.560 --> 0:50:51.400
<v Speaker 1>experiences into my work, I wouldn't be able to do

0:50:51.600 --> 0:50:55.000
<v Speaker 1>that if I was severed and informs so much of

0:50:55.080 --> 0:50:57.920
<v Speaker 1>what we do. I don't know of any actor who

0:50:57.960 --> 0:51:01.319
<v Speaker 1>would be able to do that, you know, a effectively. Now,

0:51:01.400 --> 0:51:04.320
<v Speaker 1>if I was an accountant, you know, maybe you know,

0:51:04.440 --> 0:51:08.080
<v Speaker 1>it's you know, all different story that that will hope,

0:51:08.080 --> 0:51:10.440
<v Speaker 1>that that richness, you know, all of that, you know,

0:51:10.560 --> 0:51:13.440
<v Speaker 1>the good, the bad, the ugly, the in between, the uncertainty,

0:51:14.160 --> 0:51:16.680
<v Speaker 1>all of that. It feeds so much of who we are,

0:51:17.200 --> 0:51:21.959
<v Speaker 1>and it influences our decisions. I wouldn't want to take

0:51:22.040 --> 0:51:25.360
<v Speaker 1>that away, but I if there were family members and

0:51:25.480 --> 0:51:29.000
<v Speaker 1>friends who wanted to do that, you know, of course

0:51:29.120 --> 0:51:32.400
<v Speaker 1>I would be supportive of their decisions, but it's not

0:51:32.520 --> 0:51:36.480
<v Speaker 1>for me. Yeah, there's something that you just said that

0:51:36.680 --> 0:51:39.200
<v Speaker 1>triggered this thought, and I'm at least going to share

0:51:39.239 --> 0:51:41.240
<v Speaker 1>it with you. I don't know that it fully applies,

0:51:41.400 --> 0:51:45.239
<v Speaker 1>but you know, in life, kind of what I talked

0:51:45.280 --> 0:51:50.759
<v Speaker 1>about before, there's always a facade, or not always. There's

0:51:50.840 --> 0:51:55.080
<v Speaker 1>often a facade, or you behave differently around different groups

0:51:55.120 --> 0:51:58.719
<v Speaker 1>of people. When you're interacting with someone, your objectives may

0:51:58.760 --> 0:52:01.600
<v Speaker 1>be quite different from that person's objectives, even though you're

0:52:01.640 --> 0:52:05.359
<v Speaker 1>both pretending at the same time. That you both want

0:52:05.440 --> 0:52:07.880
<v Speaker 1>the same things, Like right, this is a part of life,

0:52:08.000 --> 0:52:12.040
<v Speaker 1>this negotiating moments. And I don't know if it fully relates,

0:52:12.160 --> 0:52:15.360
<v Speaker 1>but I just had a conversation with Jenna Elfman. She

0:52:15.520 --> 0:52:21.040
<v Speaker 1>talked about she loves the moment on set when someone

0:52:21.440 --> 0:52:25.520
<v Speaker 1>calls action because it's it's only in that moment. It's

0:52:25.560 --> 0:52:29.000
<v Speaker 1>the only time she feels like in life where you

0:52:29.120 --> 0:52:34.280
<v Speaker 1>have a hundred hundreds of people who are all everyone

0:52:34.400 --> 0:52:39.040
<v Speaker 1>agrees on what the objective is until someone says cut.

0:52:40.440 --> 0:52:45.879
<v Speaker 1>Everyone is working toward getting the shot, about playing your

0:52:45.960 --> 0:52:50.719
<v Speaker 1>specific role. You know what you're playing. The wardrobe people

0:52:50.880 --> 0:52:54.480
<v Speaker 1>knows the look, the makeup people knows whether there's sweat

0:52:54.520 --> 0:52:57.920
<v Speaker 1>on the brow or not. Like the lighting, everyone is

0:52:58.000 --> 0:53:00.359
<v Speaker 1>looking for the greatest angle. And it's all of these

0:53:00.440 --> 0:53:06.680
<v Speaker 1>people working together with no outside objectives happening in that moment,

0:53:06.960 --> 0:53:08.560
<v Speaker 1>and it's one of the only times in life that

0:53:08.719 --> 0:53:11.080
<v Speaker 1>everybody is sort of on the same page. And she

0:53:11.239 --> 0:53:13.320
<v Speaker 1>loves that. And I told her I would never forget it.

0:53:13.880 --> 0:53:17.719
<v Speaker 1>And I'm thinking about it somehow now, thinking about the

0:53:17.880 --> 0:53:21.600
<v Speaker 1>severed world and and separating those two things, and it

0:53:21.800 --> 0:53:25.080
<v Speaker 1>seems to me that that's what you know, the Egans

0:53:25.520 --> 0:53:28.439
<v Speaker 1>and Lumen are are sort of going for anyway, Let's

0:53:28.480 --> 0:53:32.399
<v Speaker 1>try to create an environment where there is no other

0:53:32.600 --> 0:53:36.200
<v Speaker 1>history outside of it, so that for these eight hours,

0:53:36.760 --> 0:53:39.480
<v Speaker 1>everyone is working to do just one thing because they

0:53:39.520 --> 0:53:42.520
<v Speaker 1>don't know of anything else, right, which is such a

0:53:42.800 --> 0:53:46.960
<v Speaker 1>sick way to achieve that goal. But it seems to

0:53:47.040 --> 0:53:50.279
<v Speaker 1>me that there's something in it there, right, like, let's

0:53:50.320 --> 0:53:58.560
<v Speaker 1>eliminate all history, all opinion, all politics, all religion, all everything,

0:53:58.680 --> 0:54:00.560
<v Speaker 1>and just put these people there and have them do

0:54:00.680 --> 0:54:04.960
<v Speaker 1>a job. That's a very idealistic way of looking at

0:54:05.040 --> 0:54:10.279
<v Speaker 1>it that I think that would be true if there

0:54:10.480 --> 0:54:15.400
<v Speaker 1>wasn't the Egan philosophies. You know, there's so many of

0:54:15.480 --> 0:54:19.480
<v Speaker 1>these images and these sayings. And of course that's that's

0:54:19.520 --> 0:54:24.080
<v Speaker 1>where the threat of the book from Mark's brother in law. Yes,

0:54:24.520 --> 0:54:28.320
<v Speaker 1>that's the threat of when Ricken's book shows up, because

0:54:28.400 --> 0:54:31.040
<v Speaker 1>now these are new ideas and these are new concepts,

0:54:31.160 --> 0:54:35.720
<v Speaker 1>and we can't have outside philosophies. There's that idealistic idea,

0:54:35.920 --> 0:54:40.000
<v Speaker 1>But with the whole I guess mind bending, mind control,

0:54:40.440 --> 0:54:43.560
<v Speaker 1>it kind of has a different edge to it. Yeah,

0:54:43.920 --> 0:54:47.480
<v Speaker 1>for sure. And part of the missive email that I

0:54:47.560 --> 0:54:50.560
<v Speaker 1>wrote from thirty five thousand feet after finishing your show,

0:54:51.840 --> 0:54:58.360
<v Speaker 1>I I really said, this is the new The Office

0:54:58.560 --> 0:55:01.960
<v Speaker 1>in a way. I mean obvious, Lee, It's totally different.

0:55:02.520 --> 0:55:06.000
<v Speaker 1>The tone is totally different, the style is totally different.

0:55:06.200 --> 0:55:09.239
<v Speaker 1>It's not it's very funny to me, but it's not

0:55:09.360 --> 0:55:13.480
<v Speaker 1>a comedy at all, but in a weird way. The

0:55:13.600 --> 0:55:16.959
<v Speaker 1>central character of Michael Scott on The Office, his entire

0:55:17.160 --> 0:55:21.160
<v Speaker 1>journey was about finding work life balance, like that is

0:55:21.719 --> 0:55:25.600
<v Speaker 1>what it was for him, and that the Office existed

0:55:26.360 --> 0:55:29.640
<v Speaker 1>as his personal life. He had nothing else outside of it.

0:55:30.360 --> 0:55:35.440
<v Speaker 1>There's echoes, there's similar things sort of happening as our

0:55:35.480 --> 0:55:39.279
<v Speaker 1>favorite employees at at Lumen and Macro Data Refinement began

0:55:39.400 --> 0:55:42.520
<v Speaker 1>to search for for other things. I find that interesting.

0:55:42.920 --> 0:55:47.080
<v Speaker 1>Obviously I'm not the only one who is enjoying severance.

0:55:47.160 --> 0:55:50.560
<v Speaker 1>It's gotten a lot of critical acclaim. How has that

0:55:50.640 --> 0:55:56.719
<v Speaker 1>impacted you? I've been blown away how people have embraced

0:55:56.800 --> 0:56:00.120
<v Speaker 1>this show. You've been in television, you know, there's no

0:56:00.640 --> 0:56:03.239
<v Speaker 1>specific formula. We never know if a show is gonna

0:56:03.280 --> 0:56:05.799
<v Speaker 1>work or if it's going to be successful. I knew

0:56:05.880 --> 0:56:07.560
<v Speaker 1>that I wanted to be a part of it because

0:56:07.600 --> 0:56:11.040
<v Speaker 1>it was different. It's a new idea. There's so many

0:56:11.160 --> 0:56:15.560
<v Speaker 1>elements to it. There's comedy, there's there's a romance, there's thriller,

0:56:15.719 --> 0:56:19.759
<v Speaker 1>there's psychological elements to it. It's it's fantastic, but to

0:56:19.880 --> 0:56:22.520
<v Speaker 1>see how many people have flocked to it and have

0:56:22.640 --> 0:56:26.920
<v Speaker 1>found themselves implicated and it is really rewarding. And also

0:56:27.160 --> 0:56:29.520
<v Speaker 1>like the top pieces that have surfaced. You know, New

0:56:29.640 --> 0:56:32.360
<v Speaker 1>York Times wrote an article about it, The l A Times,

0:56:32.440 --> 0:56:35.719
<v Speaker 1>you know, all of these local newspapers have talked about

0:56:35.840 --> 0:56:39.440
<v Speaker 1>blogs have gone about severance and what it has meant

0:56:39.480 --> 0:56:42.080
<v Speaker 1>to them, and it's a part of a national conversation

0:56:42.239 --> 0:56:47.360
<v Speaker 1>and even international as well. I didn't realize how it

0:56:47.560 --> 0:56:51.640
<v Speaker 1>impacted me individually until I was in l A at

0:56:52.000 --> 0:56:55.759
<v Speaker 1>a f y C event and I remember getting out

0:56:55.800 --> 0:56:59.040
<v Speaker 1>of the car. We had Harmony Gold, and I remember

0:56:59.080 --> 0:57:00.960
<v Speaker 1>getting out of the car, by the way, that's for

0:57:01.160 --> 0:57:04.239
<v Speaker 1>your consideration, that's a for your consideration, and I'm I'm

0:57:04.320 --> 0:57:07.600
<v Speaker 1>letting everyone knows, yes, we're talking MS here now, which

0:57:07.640 --> 0:57:10.680
<v Speaker 1>I've promised to get trammel one by the way. So

0:57:13.840 --> 0:57:16.360
<v Speaker 1>so I remember getting out of the car and seeing

0:57:16.680 --> 0:57:19.960
<v Speaker 1>a group of people behind the gate standing with what

0:57:20.160 --> 0:57:23.360
<v Speaker 1>looked like to me signs. So immediately in my mind.

0:57:23.400 --> 0:57:26.640
<v Speaker 1>I'm thinking this is a protest. They're protesting. Oh gosh,

0:57:26.720 --> 0:57:31.560
<v Speaker 1>what's go I was. I was like, okay, alright, it's

0:57:31.560 --> 0:57:37.680
<v Speaker 1>a revolution, let's go, let's raise our I walk. I

0:57:37.840 --> 0:57:42.560
<v Speaker 1>walk into the venue in this like grassy area that

0:57:43.200 --> 0:57:45.840
<v Speaker 1>has a bar and all these tables, and the people

0:57:45.880 --> 0:57:49.080
<v Speaker 1>are standing outside the gate and they're screaming our names.

0:57:49.840 --> 0:57:52.800
<v Speaker 1>They're screaming our names. And immediately I go into shock

0:57:53.080 --> 0:57:55.760
<v Speaker 1>because I'm thinking, what is going on? What's happening? What

0:57:56.040 --> 0:57:57.880
<v Speaker 1>you know? They're calling my name? And I was like,

0:57:57.920 --> 0:58:00.320
<v Speaker 1>do I owe somebody money? Like somebody coming get me?

0:58:00.480 --> 0:58:04.960
<v Speaker 1>Like what is having it like? And my manager calls

0:58:05.080 --> 0:58:07.720
<v Speaker 1>me and he says, hey, can you come get me.

0:58:07.760 --> 0:58:09.200
<v Speaker 1>I'm on the other side of the gate. So I

0:58:09.720 --> 0:58:11.920
<v Speaker 1>go get him and I look in his eyes and

0:58:11.960 --> 0:58:14.040
<v Speaker 1>he's like, Tromel, are you okay? You like you look

0:58:14.120 --> 0:58:15.880
<v Speaker 1>like your friends with And I was like, you know,

0:58:16.000 --> 0:58:17.520
<v Speaker 1>come on in. So I talked to him. I was like,

0:58:17.600 --> 0:58:19.680
<v Speaker 1>this is intense. They started screaming my name and I'm

0:58:19.720 --> 0:58:20.840
<v Speaker 1>like I don't know what to do. And it's like

0:58:21.120 --> 0:58:25.560
<v Speaker 1>and he says, Tramel, they're fans. They're fans of you,

0:58:25.960 --> 0:58:29.600
<v Speaker 1>and they're of the show that they love your autographed

0:58:30.080 --> 0:58:35.880
<v Speaker 1>and I'm like, wait what and so totally over my head,

0:58:35.960 --> 0:58:39.560
<v Speaker 1>I'm like thinking, this is the upheaval and you know,

0:58:39.920 --> 0:58:46.040
<v Speaker 1>social unrest. So I eventually calmed down and I go

0:58:46.240 --> 0:58:50.200
<v Speaker 1>over and I signed and and take pictures behind the gate.

0:58:50.480 --> 0:58:52.919
<v Speaker 1>And it was wonderful. There was sweet everyone was great,

0:58:53.160 --> 0:58:54.800
<v Speaker 1>and it had nothing to do with them. It was

0:58:54.880 --> 0:58:57.600
<v Speaker 1>just me, you know, responding to it. But you know,

0:58:57.760 --> 0:59:01.960
<v Speaker 1>here I was in this space of enjoying the animmity

0:59:02.360 --> 0:59:05.120
<v Speaker 1>and now you're walking around in the streets of l

0:59:05.200 --> 0:59:09.240
<v Speaker 1>A and people recognize you if they recognize you, because

0:59:09.280 --> 0:59:11.720
<v Speaker 1>I'm a little fortunate here because I can. I have

0:59:11.840 --> 0:59:13.440
<v Speaker 1>a mask one so you can't see if I have

0:59:13.560 --> 0:59:16.800
<v Speaker 1>my mustache, and my hair is different and my energy

0:59:17.000 --> 0:59:19.720
<v Speaker 1>as milk Check is different than Tramil, so I can

0:59:19.800 --> 0:59:23.280
<v Speaker 1>kind of blend in a little bit. Yeah, yeah, good luck,

0:59:23.440 --> 0:59:25.959
<v Speaker 1>good luck with that. Although I guess you're a little

0:59:26.000 --> 0:59:28.960
<v Speaker 1>better than I am. Here's my one piece of advice

0:59:29.040 --> 0:59:30.680
<v Speaker 1>for you, because you're going to get this a lot. Yes,

0:59:30.840 --> 0:59:33.600
<v Speaker 1>you can thank me later when someone comes up to

0:59:33.680 --> 0:59:37.120
<v Speaker 1>you and says, are you milk Check? Do me a favor.

0:59:37.200 --> 0:59:42.040
<v Speaker 1>I'm starting a revolution just answer sometimes that's all you

0:59:42.120 --> 0:59:46.400
<v Speaker 1>need to say is sometimes because it's the most awkward

0:59:46.520 --> 0:59:50.200
<v Speaker 1>question in the world, because I all, I struggle with

0:59:50.280 --> 0:59:53.200
<v Speaker 1>this still to this day. It's like, well, yes, I

0:59:53.320 --> 0:59:57.760
<v Speaker 1>am hello. They're like, it's so like weird saying no.

0:59:58.200 --> 1:00:02.040
<v Speaker 1>It's accurate, but still the rude. So I say, I

1:00:02.160 --> 1:00:07.320
<v Speaker 1>say sometimes you talked earlier about studying your future colleagues

1:00:07.880 --> 1:00:10.400
<v Speaker 1>to try to hone your craft in film and television.

1:00:10.560 --> 1:00:14.640
<v Speaker 1>I mean, you're working alongside well, some of my heroes

1:00:14.800 --> 1:00:19.600
<v Speaker 1>in the business as well, Christopher Walkin, Patricia Arquette, John Tuturo,

1:00:20.080 --> 1:00:24.120
<v Speaker 1>just to name three out of a whole slew. How

1:00:24.200 --> 1:00:27.240
<v Speaker 1>has that been for you working with those people that

1:00:27.360 --> 1:00:31.000
<v Speaker 1>you used to watch every day to get better. It's humbling.

1:00:31.240 --> 1:00:34.040
<v Speaker 1>There are moments where I am completely awestruck that this

1:00:34.200 --> 1:00:37.120
<v Speaker 1>is happening, you know. And what's so beautiful is that

1:00:37.280 --> 1:00:41.680
<v Speaker 1>each of those persons that you named and everyone else

1:00:41.800 --> 1:00:44.320
<v Speaker 1>the part of this cast has been an absolute delight

1:00:44.680 --> 1:00:49.400
<v Speaker 1>And they don't have to be you know, there's just kind, genuine, warm,

1:00:50.160 --> 1:00:53.760
<v Speaker 1>loving people and I am so grateful to not just

1:00:53.880 --> 1:00:55.880
<v Speaker 1>be a part of this show, but to also just

1:00:56.040 --> 1:01:00.920
<v Speaker 1>share space with these beings. Just sit, stand back and

1:01:01.360 --> 1:01:04.600
<v Speaker 1>sit and watch them play. Some of my favorite scenes

1:01:04.720 --> 1:01:08.000
<v Speaker 1>on set is when I say nothing and I'm watching

1:01:08.080 --> 1:01:12.480
<v Speaker 1>them work. It's fantastic. One that's awesome, and too, that's

1:01:13.280 --> 1:01:16.240
<v Speaker 1>so great to hear. I know you do a lot

1:01:16.280 --> 1:01:18.760
<v Speaker 1>of advocacy work. Talk to me a little bit about

1:01:18.800 --> 1:01:21.800
<v Speaker 1>what the arts has done for you and why it's

1:01:21.840 --> 1:01:24.040
<v Speaker 1>so important for you and the work that you do.

1:01:24.600 --> 1:01:27.440
<v Speaker 1>The arts saved my life. Man. It gave me a

1:01:27.560 --> 1:01:30.440
<v Speaker 1>voice when I felt I didn't have a voice. It

1:01:30.920 --> 1:01:33.760
<v Speaker 1>gave me a sense of empathy and compassion for other

1:01:33.840 --> 1:01:37.680
<v Speaker 1>people's situations. It taught me to listen. The arts taught

1:01:37.720 --> 1:01:41.760
<v Speaker 1>me to listen to people, how to listen. I dealt with,

1:01:42.080 --> 1:01:45.760
<v Speaker 1>and I still deal with, depression and anxiety and PTSD,

1:01:46.040 --> 1:01:49.520
<v Speaker 1>and the arts gives me a footing, a grounding, a

1:01:49.600 --> 1:01:51.800
<v Speaker 1>way to connect with people in a way that I

1:01:52.240 --> 1:01:55.280
<v Speaker 1>don't think I would have had. I remember when I

1:01:55.400 --> 1:01:58.040
<v Speaker 1>was doing a Christmas Carol at the Clarence Brown Theater.

1:01:58.360 --> 1:02:01.000
<v Speaker 1>It was the same time as the Sandy Hook shooting.

1:02:01.280 --> 1:02:04.600
<v Speaker 1>I was playing Bob Pratchett and I will never forget

1:02:04.680 --> 1:02:08.880
<v Speaker 1>the scene of Christmas Yet to Come where Tiny Tim

1:02:08.960 --> 1:02:13.800
<v Speaker 1>dies And before that show I remember looking at CNN

1:02:14.040 --> 1:02:18.840
<v Speaker 1>and watching this massacre and watching these children being carted away,

1:02:19.320 --> 1:02:23.320
<v Speaker 1>and the absolute anguish of the faces of the teachers

1:02:23.400 --> 1:02:26.920
<v Speaker 1>and the parents, and I wept in my dressing room

1:02:26.960 --> 1:02:29.360
<v Speaker 1>for twenty minutes before I did that show, and when

1:02:29.440 --> 1:02:31.760
<v Speaker 1>we did Christmas Yet to Come, when that scene came up,

1:02:31.840 --> 1:02:37.120
<v Speaker 1>I kept thinking about those stretchers and those bodies, and

1:02:37.200 --> 1:02:40.560
<v Speaker 1>those families that would never get to hug their children again.

1:02:40.960 --> 1:02:45.040
<v Speaker 1>And I walked on stage and immediately I was filled

1:02:45.640 --> 1:02:50.200
<v Speaker 1>with grief and a pain that I wasn't really too

1:02:50.280 --> 1:02:54.840
<v Speaker 1>familiar with. And in that audience, it was as if

1:02:55.360 --> 1:02:58.920
<v Speaker 1>we had never experienced this moment in Christmas Carol before.

1:02:59.160 --> 1:03:01.520
<v Speaker 1>I mean Christmas Care as a show that people come

1:03:01.600 --> 1:03:04.080
<v Speaker 1>with their families and they watch it all the time

1:03:04.160 --> 1:03:06.040
<v Speaker 1>and they know what's coming. But it was in this

1:03:06.320 --> 1:03:10.560
<v Speaker 1>moment where I felt that we all breathed together as

1:03:10.600 --> 1:03:14.920
<v Speaker 1>a community and mourned the loss of those children and

1:03:15.080 --> 1:03:18.320
<v Speaker 1>those teachers, right there on that stage, and no one

1:03:18.440 --> 1:03:21.840
<v Speaker 1>said a word, no one had to authenticate the moment.

1:03:21.960 --> 1:03:23.840
<v Speaker 1>It was just right there. And I remember at the

1:03:23.920 --> 1:03:27.760
<v Speaker 1>corner of my eye the gentleman playing Scrooge, David Cordmaier

1:03:28.240 --> 1:03:31.440
<v Speaker 1>was weeping in a way I've never seen David Cortermyer

1:03:31.520 --> 1:03:34.280
<v Speaker 1>week And at the end he came up to me

1:03:34.440 --> 1:03:37.160
<v Speaker 1>and he said, Christmas yet to come, and I nodded

1:03:37.360 --> 1:03:39.919
<v Speaker 1>and he nodded, and we never said anything else about

1:03:39.960 --> 1:03:42.160
<v Speaker 1>it from there, And it was that moment that I

1:03:42.280 --> 1:03:48.240
<v Speaker 1>realized the transformative power of theater of storytelling, of how

1:03:48.360 --> 1:03:52.520
<v Speaker 1>it connects all of us and unites people of many

1:03:52.640 --> 1:03:59.840
<v Speaker 1>different generations. Social economic status is racial identities, sexual identities, orientations,

1:04:00.280 --> 1:04:04.000
<v Speaker 1>It connects us. And my hope is that with my

1:04:04.160 --> 1:04:08.760
<v Speaker 1>continuation in the arts, that we will establish a platform

1:04:08.960 --> 1:04:13.680
<v Speaker 1>for people to have conversations much like Severance incorporations, and

1:04:14.320 --> 1:04:18.720
<v Speaker 1>conversations about well being and mental health and gun control

1:04:18.880 --> 1:04:24.520
<v Speaker 1>and abortion and LGBT rights and educational equity, all of that.

1:04:25.040 --> 1:04:27.280
<v Speaker 1>That's why I do what I do, and I love it,

1:04:27.720 --> 1:04:30.080
<v Speaker 1>and I believe in the power of what it can do.

1:04:30.800 --> 1:04:34.080
<v Speaker 1>That's awesome well for what it's worth me too, So

1:04:34.640 --> 1:04:38.440
<v Speaker 1>thank you for that and that story. I wish you

1:04:39.200 --> 1:04:43.240
<v Speaker 1>nothing but the best in your future in your continuing

1:04:43.400 --> 1:04:50.560
<v Speaker 1>role on Severance. Your performance is genius. You are a chameleon,

1:04:51.040 --> 1:04:56.000
<v Speaker 1>but a delightful chameleon that it makes it impossible for

1:04:56.400 --> 1:04:58.760
<v Speaker 1>me at least to keep my eyes off you. So

1:04:58.840 --> 1:05:02.800
<v Speaker 1>I wish you all of the best in your upcoming

1:05:03.680 --> 1:05:09.480
<v Speaker 1>f y see events. It's it's my new favorite show

1:05:09.520 --> 1:05:12.880
<v Speaker 1>on television and you are a huge part of that.

1:05:13.240 --> 1:05:16.440
<v Speaker 1>So thank you so much, thank you for joining me,

1:05:16.680 --> 1:05:19.560
<v Speaker 1>and good luck to you and uh, I can't wait.

1:05:19.560 --> 1:05:22.160
<v Speaker 1>I can't wait for new episodes. Yeah, me too, looking

1:05:22.200 --> 1:05:37.520
<v Speaker 1>forward to it. Thank you so much, Brian, Thanks T Dramel.

1:05:38.400 --> 1:05:41.200
<v Speaker 1>It was such a pleasure talking to you today, meeting

1:05:41.280 --> 1:05:45.680
<v Speaker 1>you and of course hearing about severance. Trust me when

1:05:45.720 --> 1:05:50.040
<v Speaker 1>I say that I will be rewatching this show until

1:05:50.120 --> 1:05:52.680
<v Speaker 1>season two comes out. I can't get enough, and I

1:05:52.800 --> 1:05:57.960
<v Speaker 1>swear I noticed something new every single time. Listeners, I

1:05:58.120 --> 1:06:02.000
<v Speaker 1>cannot recommend seven rints to you more, so make sure

1:06:02.080 --> 1:06:05.040
<v Speaker 1>to check it out if you haven't already. And as always,

1:06:05.480 --> 1:06:08.640
<v Speaker 1>thank you for joining me today on Off the Beat.

1:06:08.800 --> 1:06:13.240
<v Speaker 1>I will see you soon for another conversation, same time,

1:06:13.800 --> 1:06:25.920
<v Speaker 1>same place, next week. Can't wait. Off the Beat is

1:06:26.000 --> 1:06:30.200
<v Speaker 1>hosted an executive produced by me Brian Baumgartner, alongside our

1:06:30.240 --> 1:06:35.120
<v Speaker 1>executive producer Langley. Our producers are Diego Tapia, Liz Hayes,

1:06:35.280 --> 1:06:39.320
<v Speaker 1>Emily Carr and Hannah Harris. Our talent producer is Ryan

1:06:39.520 --> 1:06:43.880
<v Speaker 1>Papa Zachary. Our theme song Bubble and Squeak performed by

1:06:43.960 --> 1:06:47.720
<v Speaker 1>my great friend Creed Bratton, and the episode was mixed

1:06:47.880 --> 1:06:49.080
<v Speaker 1>by seth Olandski