WEBVTT - Ashley Campbell

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<v Speaker 1>Carola. She's the queen of talking. He was sown your man.

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<v Speaker 1>She's only is side. She got the snoop on on

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<v Speaker 1>the on side. No one can do with Clie Carola Carola.

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<v Speaker 1>No one can do with quiet Caral This timple Caroline

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<v Speaker 1>Belcome to Hyper, Caroline Hobby. I am your host, Caroline Hobby.

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<v Speaker 1>I know music, I know people, and I know the

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<v Speaker 1>questions do you want to ask? So let's get Hyper

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<v Speaker 1>heads up. These are adults having adult conversations, so there

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<v Speaker 1>could be adult content. This week is Ashley Campbell, and

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<v Speaker 1>I love this little songbird. She is so funny and

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<v Speaker 1>hilarious and beautiful and sweet. She's just an incredible person.

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<v Speaker 1>She's the daughter of the legendary Glenn Campbell. She has

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<v Speaker 1>a record deal and big machine. Her first single out

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<v Speaker 1>was I'll Do the Remembering, which is a tribute to

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<v Speaker 1>her father and all Alzheimer's that he has been struggling with.

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<v Speaker 1>And she just has so much awesome things to talk about,

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<v Speaker 1>and she's such a beautiful soul. So y'all welcome Ashley Campbell.

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<v Speaker 1>Ashley Campbell, Hello, Hello, I'm so happy to be here

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<v Speaker 1>with you. I'm happy to be here with you. On

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<v Speaker 1>this rainy day. Yes, Nashale has been like gloom City.

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<v Speaker 1>Yeah it has. Um. I I missed the snow honestly

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<v Speaker 1>because I'm from Phoenix and so I grew up like

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<v Speaker 1>round cactuses and desert stuff. So I'm just so excited

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<v Speaker 1>by snow still, But what about this mush? Are you

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<v Speaker 1>excited about all this mush? I mean being from the desert,

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<v Speaker 1>I even like rain, Like rain is a good thing,

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<v Speaker 1>so you're not used to it. Yeah, I'm not used

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<v Speaker 1>to it. And when it did rain, it was like, yeah,

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<v Speaker 1>our crops will grow. Yeah, this has been a little much,

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<v Speaker 1>but not complaining because as the best city ever, it

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<v Speaker 1>sure is. Okay, so I want to start off with

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<v Speaker 1>a little game. Okay, so I'm gonna say some words,

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<v Speaker 1>and you say the first word that comes to mind.

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<v Speaker 1>I love these Okay. Frodo Doggie. That's her dog, and

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<v Speaker 1>he's cute. What kind of dog is he? He's a

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<v Speaker 1>miniature Schnailzer and he's staring at us right now. He's

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<v Speaker 1>looking at us, his tails going. He's like, are you

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<v Speaker 1>gonna call me? Gon? I heard my name? Okay, pasta

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<v Speaker 1>pasto banjo badass, You're a badass, bando player. Thank you sushi.

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<v Speaker 1>Absolutely delicious tattoos more you want more? I do? How

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<v Speaker 1>many do you have one? Tell me about your tattoo

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<v Speaker 1>because it's special to you. It is um, it's a

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<v Speaker 1>it's a tattoo of a knife that actually my dad

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<v Speaker 1>has on his um on his arm, um kind of

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<v Speaker 1>on his bicep and um. He did it himself when

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<v Speaker 1>he was little, he was like fourteen. He either did

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<v Speaker 1>it himself or his friend did it, just with like

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<v Speaker 1>a needle and ink. So like, that's pretty awesome that

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<v Speaker 1>he did. Yeah. And there's another line on his forearm

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<v Speaker 1>where he wanted to do another knife that the tips

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<v Speaker 1>of the knives were touching, but it hurt too much

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<v Speaker 1>so he stopped and there's just like half of a

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<v Speaker 1>line there self tattoo again. Yeah, So every tattoo your

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<v Speaker 1>dad has is self tattooed. Yes, and your dad's Glenn

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<v Speaker 1>Campbell Yes, by the way, which is you know, no

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<v Speaker 1>big deal em meeting. Okay, So you replicated that, so

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<v Speaker 1>I got the I got like a cleaner version of it.

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<v Speaker 1>You know, why didn't you have him do it my dad?

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<v Speaker 1>I probably wouldn't have an arm anymore? Okay, sexy mm hmmm,

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<v Speaker 1>I don't know. So many things come to mind. It

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<v Speaker 1>just lured him out. O man, oh man, I can't

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<v Speaker 1>even think of it. It's been a while. Are you

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<v Speaker 1>saying you're single? I am single? Yeah? Okay? Actually Campbell

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<v Speaker 1>on the market to match make you? Yeah, please do,

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<v Speaker 1>I'm here. It would be such a catch. You know what,

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<v Speaker 1>no one, no one can handle you. You're too we

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<v Speaker 1>can't handle me like most people don't make it past

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<v Speaker 1>the first date. Really, yeah, why is that? I get bored?

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<v Speaker 1>I get so bored what it bores you about dating? Um?

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<v Speaker 1>Guys that can't make me laugh? If you can't make

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<v Speaker 1>me laugh, yeah, that's it. It's just over. And you

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<v Speaker 1>have your ship together? Yeah? I do know. You need

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<v Speaker 1>to have your like they need to have the ship together,

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<v Speaker 1>exactly because I do because together. Yeah, I like guys

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<v Speaker 1>that have something going on, that are passionate about something,

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<v Speaker 1>that are totally pursuing that, you know, like confidence and

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<v Speaker 1>passion and knowing where you're going is so important. You know,

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<v Speaker 1>you don't want to you don't want to wander? Yeah, exactly,

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<v Speaker 1>I hear you. So there's it's really hard to find.

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<v Speaker 1>Are you looking for a creative type? Do you like

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<v Speaker 1>the creatives. Definitely like the creatives. But I've always wondered

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<v Speaker 1>what it would be like to date someone that wasn't

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<v Speaker 1>in music, but that had a good taste in music,

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<v Speaker 1>you know, I think that's the most important thing. But like,

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<v Speaker 1>you know, um, like an agent. I mean, yeah, that

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<v Speaker 1>would be cool someone in the music business. But it's

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<v Speaker 1>it's hard to date someone that does exactly what you

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<v Speaker 1>do because you find yourself either judging what they do

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<v Speaker 1>because that's you're kind of qualified to do that, or

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<v Speaker 1>you know. So yeah, it's pretty funny. I know, I

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<v Speaker 1>hear you dating and Nashville, but now that I know

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<v Speaker 1>you're single, I'm gonna work help. Okay, I need to

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<v Speaker 1>get more details after this interview. What we're really looking for? Okay,

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<v Speaker 1>gross mm hmm. Dry skin? Oh yeah right, I hate

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<v Speaker 1>don't have dry skin. Yeah, you gotta moisturize, dry hands,

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<v Speaker 1>driving me bananas. Yeah, I use m aquifer ever since

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<v Speaker 1>I got my tattoo. They tell you to put aquifer

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<v Speaker 1>on it, and I've never used it before, but it's

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<v Speaker 1>like this miraculous stuff that I use his chapstick now

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<v Speaker 1>and I use it as hand cream, Like it's amazing.

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<v Speaker 1>Do you put it on your full body. No, that

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<v Speaker 1>would be pretty greasy. But sometimes coconut oil. Hey, going

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<v Speaker 1>back to sexy, coconut oil, you can use over a

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<v Speaker 1>lot of like a good massage oil, and it smells

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<v Speaker 1>like cooking it and it's healthy and then you can

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<v Speaker 1>just eat it. It's so good. I get a massage

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<v Speaker 1>and then have someone like, you're back exactly because I

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<v Speaker 1>know that's what that is. Sexy. Okay, crush, Oh m hmm.

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<v Speaker 1>I think Sam Hunt's really cute. He's total crushed. Yeah,

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<v Speaker 1>I mean I don't know. Oh yeah, please, I don't

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<v Speaker 1>know him. He can take my time, he can take

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<v Speaker 1>your We know enough people who know him who can

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<v Speaker 1>make this happen. Well, hey, i'll I'll give him a

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<v Speaker 1>first date, right, So what happens after the first date?

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<v Speaker 1>Like you go out with them and then they're born.

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<v Speaker 1>But like someone like Sam Hunt, he wouldn't be boring.

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<v Speaker 1>I don't think he would. I think he would be

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<v Speaker 1>pretty interesting. I think he'd be really interesting. Yeah, do

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<v Speaker 1>you think it'd be hard to date someone who has

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<v Speaker 1>a really big schedule? Because you know, because I do too. Like,

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<v Speaker 1>I think that's ideal that you both have something going on.

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<v Speaker 1>And so one of you is not sitting at home

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<v Speaker 1>twiddling your thumbs, you know, and you don't mind like

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<v Speaker 1>flying cross country to each other for like a day.

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<v Speaker 1>Nah travels, no problem, Yeah exactly. Yeah, keep spicy. Yeah,

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<v Speaker 1>just text me, just text yeah. Okay at music? Mm

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<v Speaker 1>hmm truth Okay, I love that. So you obviously grew

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<v Speaker 1>up in a very musical family, your dad being Glencampbell.

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<v Speaker 1>Did he put an instrument in your hand when you

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<v Speaker 1>were a child or did you just see it happening

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<v Speaker 1>in front of you and you knew you want to

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<v Speaker 1>be apart? How did you get your lad for it? Um?

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<v Speaker 1>My mom and dad put me and my brothers into

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<v Speaker 1>piano lessons when we were very little, Like I started

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<v Speaker 1>in first grade, so I've always been playing an instrument.

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<v Speaker 1>Um My brother Cal started playing drums when he was two,

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<v Speaker 1>and I thought that was really cool. I was like,

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<v Speaker 1>why didn't I start that early? And then I saw

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<v Speaker 1>a video people even walk it to they can drum

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<v Speaker 1>it too, And I saw a video of me playing

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<v Speaker 1>the drum set when I was like too, and I

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<v Speaker 1>was terrible at the drums, but it was really cute.

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<v Speaker 1>I mean, I think I was very basic, but like

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<v Speaker 1>my brother was like he still played the drums. Oh yeah,

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<v Speaker 1>he's one of the best drummers I've ever seen, which

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<v Speaker 1>I want to talk about. You went on tour with

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<v Speaker 1>your dad, Yeah, with you, But before you do that,

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<v Speaker 1>the instrument you picked up was banjo, right, that's right. Yeah,

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<v Speaker 1>you're a finger picking Well, thank you. How did you

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<v Speaker 1>get so good? And you're a female and you're sexy,

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<v Speaker 1>which is like big combination because a lot of badass

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<v Speaker 1>female musicians aren't sexy. You're so hot, thank you, and

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<v Speaker 1>you're so good. Um. Well, I started playing guitar when

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<v Speaker 1>I was fifteen, and I was just kind of okay

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<v Speaker 1>at it. I didn't really work very hard at it

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<v Speaker 1>because I just didn't I didn't have it yet. Um.

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<v Speaker 1>But then, um, when I was in college, I started

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<v Speaker 1>playing banjo for a play that I was in with

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<v Speaker 1>my university theater department, and I just completely fell in

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<v Speaker 1>love with banjo and whatever comes from that and just picking.

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<v Speaker 1>And I started listening to bluegrass and I just got

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<v Speaker 1>really into it and so like something just clicked in me.

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<v Speaker 1>And then I started playing banjo more and getting better

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<v Speaker 1>at that, and then I went back to guitar and

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<v Speaker 1>started doing a lot of fingerpicking with guitar because I

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<v Speaker 1>kind of figured it out with the banjo, and so

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<v Speaker 1>that kind of opened up a whole new world for me.

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<v Speaker 1>Fingerpicking is really difficult. Do you just sit there for

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<v Speaker 1>hours and go over and over the same like movements

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<v Speaker 1>I did. Yeah, it's always. Fingerpicking has always come really

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<v Speaker 1>easily to me, just like singing harmonies. It's just I

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<v Speaker 1>just kind of hear it. Yeah, my dad that got

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<v Speaker 1>definitely got that from my dad. He always kind of

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<v Speaker 1>pride himself. He's like, my kids can sing harmonies. Yeah,

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<v Speaker 1>they're great. It just happens. Um. So fingerpicking, I definitely

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<v Speaker 1>had to work at it, but I think it came

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<v Speaker 1>pretty easily to me. Yeah. So did you know you

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<v Speaker 1>wanted to do music? Not until I started playing banjo. Yeah,

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<v Speaker 1>I was. I wanted to be an actress and I

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<v Speaker 1>was doing sketch comedy and improv in Hollywood. Yeah crazy Mary. Yeah,

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<v Speaker 1>Yeah so I was. I was in a sketch group.

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<v Speaker 1>What does that mean? So like Saturday Night Live? You know,

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<v Speaker 1>I do sketches that they right that are funny, like

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<v Speaker 1>characters and things like that. I want to do a

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<v Speaker 1>side note though, because you are so stunning, and you

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<v Speaker 1>come from such an amazing family and you're so talented,

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<v Speaker 1>people might be surprised that you're so hilarious. You have

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<v Speaker 1>this really goofy, funny side to you that is your sketch,

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<v Speaker 1>which is amazing. Well, thank you. Yeah. Um, So I

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<v Speaker 1>did this video with my friend who had a couple

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<v Speaker 1>of successful YouTube videos on his page, so it was

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<v Speaker 1>a fake American Idol audition. Um. And I made up

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<v Speaker 1>this character called Crazy Mary, and we used footage from

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<v Speaker 1>another from an actual Crazy Mary video online, so it's

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<v Speaker 1>it's me spliced in with actual footage of Simon Cowell

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<v Speaker 1>and Paula Abduel Um. And I'm just acting nuts in

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<v Speaker 1>front of them and singing. I'm like doing I'm playing this. Yeah,

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<v Speaker 1>I'm playing this crazy character. She's just there's something wrong

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<v Speaker 1>with her and and she's doing a Randy Newman impression.

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<v Speaker 1>That's how she sings. So it's like, you got a

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<v Speaker 1>finding me, you got a fwinding me? Do doop boo

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<v Speaker 1>doo doo doop. Did you get picked on American Idol?

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<v Speaker 1>I did not, Simon said. Simon said no, Simon was

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<v Speaker 1>scared of me. What did he say to you? Um?

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<v Speaker 1>He said, I needed violent music behind me, which is

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<v Speaker 1>what I have now. So he was right. Did it

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<v Speaker 1>get some hits on YouTube? Oh my gosh, yeah, I

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<v Speaker 1>think at one point, Um, we had about thirteen million hits.

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<v Speaker 1>How do you get a video to go viral? It

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<v Speaker 1>just did people, Girl, that's freaking funny, and then they

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<v Speaker 1>pass it on and I was actually starting to get

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<v Speaker 1>recognized on the streets of Hollywood as Crazy Mary. Like

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<v Speaker 1>I was standing in line at a Starbucks and someone

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<v Speaker 1>was like, hey, you're Crazy Mary. So does anything come

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<v Speaker 1>from being a YouTube sensation? Um, nothing's come from this

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<v Speaker 1>except just I got a lot of satisfaction knowing that

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<v Speaker 1>people saw it, and I think I'm so proud of

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<v Speaker 1>being Crazy Mary. Like the first time some I thought

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<v Speaker 1>someone recognized me was actually my friend who actually made

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<v Speaker 1>the video. I was walking down Melrose and he was

0:12:06.720 --> 0:12:08.880
<v Speaker 1>driving past and he saw me and he thought it'd

0:12:08.920 --> 0:12:12.400
<v Speaker 1>be funny. You know, Hey, it's crazy Mary. So I

0:12:12.440 --> 0:12:14.960
<v Speaker 1>was like, hey, I got recognized, and then I found

0:12:14.960 --> 0:12:20.000
<v Speaker 1>out it was him. I'm sure though a lot of people, no,

0:12:20.559 --> 0:12:22.520
<v Speaker 1>Crazy Mary. Yeah, a lot of people have seen It's

0:12:22.520 --> 0:12:26.520
<v Speaker 1>pretty funny, and even recently I was I was at

0:12:26.559 --> 0:12:30.240
<v Speaker 1>some I was at another Starbucks that, um you love Starbucks? Yeah,

0:12:30.280 --> 0:12:37.960
<v Speaker 1>near Gayalax. Um where was that? Gosh? Um man, where

0:12:37.960 --> 0:12:43.400
<v Speaker 1>were we California, Virginia, Virginia traveling you just know the place?

0:12:43.559 --> 0:12:44.960
<v Speaker 1>You're just like, I don't know where on the map.

0:12:45.160 --> 0:12:47.679
<v Speaker 1>But anyway, the guy that worked at the Starbucks, he's like, hey,

0:12:47.720 --> 0:12:50.640
<v Speaker 1>I've seen you on YouTube. I feel like I'm in Galax.

0:12:50.640 --> 0:12:54.000
<v Speaker 1>How do you? Yeah, exactly. Okay, So before you were

0:12:54.000 --> 0:12:57.160
<v Speaker 1>going to do music, you're going to do stand up comedy.

0:12:57.640 --> 0:13:00.760
<v Speaker 1>Not stand up that's sketch comedy. Yeah. I liked I

0:13:00.800 --> 0:13:02.840
<v Speaker 1>liked writing comedy, and I would have loved to have

0:13:02.880 --> 0:13:04.920
<v Speaker 1>been like a writer on a TV show or like

0:13:05.120 --> 0:13:07.360
<v Speaker 1>if I could have written on Saturday Live, that would

0:13:07.360 --> 0:13:10.839
<v Speaker 1>have been great. But yeah, um, I ended up. So

0:13:10.880 --> 0:13:13.040
<v Speaker 1>I was doing this um in prop school called the

0:13:13.080 --> 0:13:16.240
<v Speaker 1>Groundlings in l A, which is like my favorite. They're amazing,

0:13:16.240 --> 0:13:19.679
<v Speaker 1>They're such good training. No I didn't. I moved there

0:13:19.679 --> 0:13:21.360
<v Speaker 1>when I was Yeah, I moved there and when I

0:13:21.400 --> 0:13:23.920
<v Speaker 1>was eighteen. Um, but right when I was taking the

0:13:24.240 --> 0:13:27.800
<v Speaker 1>third level class there, um, my dad was going to

0:13:27.880 --> 0:13:29.680
<v Speaker 1>go on a tour to Australia and New Zealand and

0:13:29.679 --> 0:13:32.839
<v Speaker 1>it was right after I graduated from college, and I said, hey,

0:13:32.880 --> 0:13:34.920
<v Speaker 1>can I go as like a vacation and it sounds

0:13:34.960 --> 0:13:37.160
<v Speaker 1>like a cool place to go, and he said sure,

0:13:37.200 --> 0:13:40.199
<v Speaker 1>but you should play banjo on Jennal on my Mind. Okay,

0:13:40.240 --> 0:13:42.400
<v Speaker 1>so that's kind of a big deal because even though

0:13:42.400 --> 0:13:44.840
<v Speaker 1>he's your dad, Yeah, I loves you, you actually have

0:13:44.960 --> 0:13:49.480
<v Speaker 1>to be good to play in Glenn Campbell's band, Like, yeah, definitely. Yeah.

0:13:49.520 --> 0:13:52.560
<v Speaker 1>I was just like, are you serious really? And then um,

0:13:52.800 --> 0:13:54.160
<v Speaker 1>so he asked you to play. He asked you to

0:13:54.200 --> 0:13:57.200
<v Speaker 1>play banjo on Jennal in my Mind. And then his

0:13:57.920 --> 0:14:02.080
<v Speaker 1>musical director, t J. Kenster, who played piano in his band, Um,

0:14:02.120 --> 0:14:04.440
<v Speaker 1>he said, I've always wanted to have the strings parts

0:14:04.520 --> 0:14:06.400
<v Speaker 1>in our show. Can you play keyboard and do all

0:14:06.400 --> 0:14:08.640
<v Speaker 1>the strings parts on a keyboard? And I was like sure,

0:14:08.720 --> 0:14:12.040
<v Speaker 1>that's that's awesome. So and me like at that point,

0:14:12.600 --> 0:14:15.040
<v Speaker 1>I mean probably at this point too, but like, piano

0:14:15.120 --> 0:14:18.280
<v Speaker 1>wasn't my main instrument, but I had actually just memorized

0:14:18.280 --> 0:14:22.000
<v Speaker 1>an entire musical score because I was a I played

0:14:22.000 --> 0:14:23.880
<v Speaker 1>by ear I played by ear Um. I was an

0:14:23.920 --> 0:14:27.200
<v Speaker 1>understudy for a piano player in um My Friends comedy

0:14:27.280 --> 0:14:29.920
<v Speaker 1>musical based on the Fellowship of the Rings, so you're

0:14:29.960 --> 0:14:34.320
<v Speaker 1>like a musical freak of nature, I might be. Um, Yeah,

0:14:34.440 --> 0:14:36.360
<v Speaker 1>So I learned that whole score just because I wanted to,

0:14:36.400 --> 0:14:38.880
<v Speaker 1>and it was super fun. And right after that, I

0:14:38.920 --> 0:14:40.440
<v Speaker 1>got asked to do all the strings parts for my

0:14:40.520 --> 0:14:43.000
<v Speaker 1>dad's show. So I was pretty like hot on the piano,

0:14:43.240 --> 0:14:45.280
<v Speaker 1>like I felt, but I still had to like go

0:14:45.360 --> 0:14:48.720
<v Speaker 1>through and like I felt like a kindergartener writing out

0:14:48.760 --> 0:14:51.320
<v Speaker 1>the notes in the in the music for my dad's show,

0:14:51.800 --> 0:14:54.920
<v Speaker 1>Like I couldn't just read the notes, so I was like,

0:14:55.520 --> 0:15:00.920
<v Speaker 1>so I wrote like B A A flat, Like what

0:15:01.000 --> 0:15:03.000
<v Speaker 1>was it like playing in his band? Were you nervous?

0:15:03.400 --> 0:15:06.840
<v Speaker 1>Because I was super nervous at first he was gonna

0:15:06.880 --> 0:15:08.320
<v Speaker 1>get mad at you and yell at if you messed up.

0:15:08.560 --> 0:15:10.200
<v Speaker 1>I wasn't scared he was gonna yell at me, Like

0:15:10.280 --> 0:15:12.200
<v Speaker 1>I honestly don't think he would have noticed because it

0:15:12.280 --> 0:15:14.280
<v Speaker 1>was strings parts and they were kind of lone his mix.

0:15:14.840 --> 0:15:17.840
<v Speaker 1>But like I was just I was nervous because I

0:15:17.880 --> 0:15:20.440
<v Speaker 1>was just a little shaky, you know, And but it

0:15:20.560 --> 0:15:22.480
<v Speaker 1>was great. He was super nurturing. The whole band was

0:15:22.520 --> 0:15:25.760
<v Speaker 1>super nurturing, and um, it was just really cool to

0:15:25.760 --> 0:15:29.640
<v Speaker 1>have that experience with him and another side. Yeah exactly.

0:15:29.680 --> 0:15:31.560
<v Speaker 1>It was definitely a trial by fire and that's kind

0:15:31.560 --> 0:15:33.680
<v Speaker 1>of where I got my my wings as far as

0:15:34.000 --> 0:15:36.360
<v Speaker 1>being on stage, So that that's where you learned how

0:15:36.400 --> 0:15:39.120
<v Speaker 1>to be on stage, was touring with her your dad, Yeah, exactly.

0:15:39.160 --> 0:15:44.160
<v Speaker 1>My first ever professional show was the State Theater in Auckland,

0:15:44.160 --> 0:15:48.280
<v Speaker 1>New Zealand. So it was like thousands of people. Oh

0:15:48.320 --> 0:15:51.040
<v Speaker 1>my god, at least yeah, almost a thousand. Did you

0:15:51.080 --> 0:15:53.600
<v Speaker 1>get the bug then, where you like, I have to perform?

0:15:53.640 --> 0:15:56.840
<v Speaker 1>I was terrified. I was very scared. Um at that point,

0:15:56.840 --> 0:15:58.280
<v Speaker 1>I was just like I gotta get through this tour.

0:15:58.920 --> 0:16:02.600
<v Speaker 1>Like um. So then he asked you to come back

0:16:02.720 --> 0:16:05.560
<v Speaker 1>for his farewell tour and play, and you played the

0:16:05.600 --> 0:16:07.320
<v Speaker 1>whole tour, right, I did. I played for him for

0:16:07.320 --> 0:16:09.680
<v Speaker 1>about three years. So you went on the road with

0:16:09.720 --> 0:16:12.960
<v Speaker 1>your dad and your brothers, both brothers. Yeah. At first,

0:16:13.120 --> 0:16:17.400
<v Speaker 1>um um, we were still a goodbye tour, goodbye tour. Yeah.

0:16:17.720 --> 0:16:20.000
<v Speaker 1>That his final tour, his final tour. Yeah. My brothers

0:16:20.080 --> 0:16:23.000
<v Speaker 1>joined on for the goodbye tour. Um. And that lasted

0:16:23.000 --> 0:16:26.240
<v Speaker 1>about two years, which was longer than we expected. But

0:16:26.280 --> 0:16:27.800
<v Speaker 1>we had so much fun. I got to tour the

0:16:27.880 --> 0:16:32.520
<v Speaker 1>UK twice. Really, where's your favorite places that you went? Mm? Oh, man,

0:16:33.240 --> 0:16:36.680
<v Speaker 1>I had so much fun in Brisbane, Australia. And I

0:16:36.720 --> 0:16:40.240
<v Speaker 1>also just love London and I love going up to

0:16:40.320 --> 0:16:43.920
<v Speaker 1>like smaller towns in in Scotland and Ireland because you

0:16:44.000 --> 0:16:47.520
<v Speaker 1>just get to explore all these really cool villages and stuff.

0:16:47.840 --> 0:16:50.960
<v Speaker 1>I know, it's majestic. Yeah, the architecture is amazing. Did

0:16:50.960 --> 0:16:53.200
<v Speaker 1>you ever get tired of being with your family that much? No?

0:16:53.360 --> 0:16:55.840
<v Speaker 1>Not really. We get along pretty well and you know,

0:16:55.920 --> 0:16:57.920
<v Speaker 1>we had our space, so it was fun. What's the

0:16:58.000 --> 0:17:00.360
<v Speaker 1>dynamic of you and your dad and your brothers and

0:17:00.440 --> 0:17:04.399
<v Speaker 1>your mom? Your family dynamic? And well, my mom bless

0:17:04.400 --> 0:17:08.360
<v Speaker 1>her heart, like she's a she's a rock. Absolutely. Um. So,

0:17:08.600 --> 0:17:10.760
<v Speaker 1>the poor thing, Like even if she wanted to come

0:17:10.800 --> 0:17:12.320
<v Speaker 1>hang out with us, if we were all going out

0:17:12.359 --> 0:17:13.919
<v Speaker 1>to dinner, like if my dad didn't want to go,

0:17:14.000 --> 0:17:16.040
<v Speaker 1>she would have to stay back with him, and because

0:17:16.080 --> 0:17:18.840
<v Speaker 1>he had Alzheimers, so she was basically like with him

0:17:19.600 --> 0:17:23.880
<v Speaker 1>seven um. Like occasionally, like the someone on the tour,

0:17:23.960 --> 0:17:25.680
<v Speaker 1>like all of us would band together and be like, Okay,

0:17:25.680 --> 0:17:27.359
<v Speaker 1>you're gonna watch Glenn and she's gonna go out to

0:17:27.359 --> 0:17:29.280
<v Speaker 1>dinner and have a good fun night off, you know.

0:17:29.880 --> 0:17:31.359
<v Speaker 1>So that was kind of fun. We were just like

0:17:31.400 --> 0:17:35.320
<v Speaker 1>a big family. Um. So it was great and it

0:17:35.400 --> 0:17:38.080
<v Speaker 1>was great to have my brothers with me. We did

0:17:38.160 --> 0:17:40.400
<v Speaker 1>I mean, we'd have a little little fights here and there,

0:17:40.440 --> 0:17:43.120
<v Speaker 1>but overall we we got along. Is it just three

0:17:43.160 --> 0:17:46.280
<v Speaker 1>of you guys? Okay? So all of your are musical,

0:17:46.960 --> 0:17:49.760
<v Speaker 1>even though I know there's serious music and the jeans,

0:17:49.800 --> 0:17:53.600
<v Speaker 1>that's still impressive. They're all what do they play? Cal

0:17:53.760 --> 0:17:55.600
<v Speaker 1>my oldest brother. He plays drums. He's the one that

0:17:55.640 --> 0:17:57.679
<v Speaker 1>started when he was two, so he's amazing. But he

0:17:57.680 --> 0:18:01.440
<v Speaker 1>also plays guitar and piano and he's is really well. Um,

0:18:01.440 --> 0:18:03.600
<v Speaker 1>but he's um. He went to engineering school, so he's

0:18:03.640 --> 0:18:08.399
<v Speaker 1>a produces. He's like a whiz with pro tools. He produces,

0:18:08.440 --> 0:18:11.720
<v Speaker 1>he engineers. He has a studio and a girl Hills, California,

0:18:11.800 --> 0:18:16.040
<v Speaker 1>and he just is a total badass musical genius and

0:18:16.160 --> 0:18:18.439
<v Speaker 1>he does his own thing. And then Um Shannon, my

0:18:18.480 --> 0:18:21.520
<v Speaker 1>middle brother, he plays piano and guitar and he sings

0:18:21.600 --> 0:18:24.439
<v Speaker 1>and um. He lives out here in Nashville and he

0:18:24.480 --> 0:18:26.520
<v Speaker 1>plays with me in my band. And you guys were

0:18:26.600 --> 0:18:29.000
<v Speaker 1>duo for a hot second. We were yeah, yeah, we

0:18:29.080 --> 0:18:31.280
<v Speaker 1>got fun. It was super fun. We well, and that's

0:18:31.280 --> 0:18:34.000
<v Speaker 1>why he's still in my band. Like we we just Um,

0:18:34.040 --> 0:18:35.679
<v Speaker 1>even though I kind of wanted to branch off and

0:18:35.720 --> 0:18:39.040
<v Speaker 1>just do my my songs. Um, we still love singing

0:18:39.080 --> 0:18:41.600
<v Speaker 1>together and playing together, and we still right together, and

0:18:41.640 --> 0:18:43.760
<v Speaker 1>so he's very much a part of my musical life.

0:18:44.480 --> 0:18:47.399
<v Speaker 1>That's awesome. And we lived together, you might as well

0:18:47.680 --> 0:18:50.720
<v Speaker 1>just keep it all together. Yeah. So you mentioned this

0:18:50.800 --> 0:18:54.360
<v Speaker 1>Goodbye tour and your dad had just been diagnosed with Alzheimer's.

0:18:54.400 --> 0:18:58.200
<v Speaker 1>How did that affect your family? Um, it was pretty crazy,

0:18:58.240 --> 0:19:01.000
<v Speaker 1>and it definitely brought us together. I because that was

0:19:01.520 --> 0:19:05.080
<v Speaker 1>especially for me, Like, um, my brothers had already gone

0:19:05.119 --> 0:19:08.200
<v Speaker 1>out and been like doing their own, Like I'm living alone.

0:19:08.240 --> 0:19:10.879
<v Speaker 1>I'm you know, making away from myself and as an adult.

0:19:10.920 --> 0:19:14.000
<v Speaker 1>But I had just graduated from college, and so I

0:19:14.040 --> 0:19:15.680
<v Speaker 1>was kind of that was the time when I should

0:19:15.680 --> 0:19:17.639
<v Speaker 1>have gone out and be like moved somewhere and just

0:19:17.680 --> 0:19:20.480
<v Speaker 1>lived on my own and started, you know, figuring out

0:19:20.480 --> 0:19:22.359
<v Speaker 1>what I'm doing with my life. But I kind of

0:19:22.400 --> 0:19:26.159
<v Speaker 1>just the responsibility and honor and privilege fell on me

0:19:26.240 --> 0:19:29.920
<v Speaker 1>to help my mom take care of my dad. Um,

0:19:30.000 --> 0:19:31.600
<v Speaker 1>so I just kind of said, I'm going to ride

0:19:31.600 --> 0:19:34.480
<v Speaker 1>this out. I'm gonna just because Dad's not gonna be

0:19:34.520 --> 0:19:37.040
<v Speaker 1>around forever. I'm just gonna I can go off and

0:19:37.080 --> 0:19:39.040
<v Speaker 1>be an adult anytime I want, but this is the

0:19:39.040 --> 0:19:40.960
<v Speaker 1>time that I'm going to be a daughter. Sorry. You

0:19:40.960 --> 0:19:44.400
<v Speaker 1>and your dad really close? Yeah? Yeah, absolutely. I lived

0:19:44.400 --> 0:19:46.160
<v Speaker 1>with them. I guess I've lived with them my whole life,

0:19:46.160 --> 0:19:49.359
<v Speaker 1>save like one or two years in college and the

0:19:49.440 --> 0:19:54.040
<v Speaker 1>year I moved to Nashville. But um, I'm just it

0:19:54.160 --> 0:19:57.440
<v Speaker 1>was it's such an honor to know him, and I

0:19:57.520 --> 0:20:01.320
<v Speaker 1>really you like feel the reverence of how impactful your

0:20:01.359 --> 0:20:04.480
<v Speaker 1>father has been. Yeah, definitely, and that that definitely helped

0:20:04.520 --> 0:20:06.399
<v Speaker 1>being on tour and seeing the reaction of the fans

0:20:06.440 --> 0:20:08.919
<v Speaker 1>to him and and how powerful his show was in

0:20:08.960 --> 0:20:12.240
<v Speaker 1>his music. But yeah, as a daughter, it was it

0:20:12.280 --> 0:20:14.119
<v Speaker 1>was really great too. It's a privilege to live with

0:20:14.200 --> 0:20:16.600
<v Speaker 1>him and take care of him. That's a that's a

0:20:16.680 --> 0:20:20.840
<v Speaker 1>beautiful Yeah, thank you. And he's had like nine number

0:20:20.840 --> 0:20:24.280
<v Speaker 1>one albums. Is that it is probably? I'm not sure,

0:20:24.720 --> 0:20:27.480
<v Speaker 1>so many huge songs. He is the Rhinestone cowboy. Yeah,

0:20:27.840 --> 0:20:30.240
<v Speaker 1>it was it ever weird being his daughter? Did you

0:20:30.280 --> 0:20:32.880
<v Speaker 1>ever be like, holy sh it? My dad's like superstar

0:20:33.040 --> 0:20:35.520
<v Speaker 1>legend or was it just it was pretty normal. He

0:20:35.600 --> 0:20:38.040
<v Speaker 1>raised us to be pretty down to earth. Um, Like,

0:20:38.160 --> 0:20:40.480
<v Speaker 1>we grew up in Phoenix, Arizona, so not in Hollywood

0:20:40.480 --> 0:20:42.960
<v Speaker 1>where everyone was going to know and mostly it was

0:20:43.000 --> 0:20:45.760
<v Speaker 1>people's parents that would freak out about him. So like

0:20:45.880 --> 0:20:48.520
<v Speaker 1>my friends in in elementary school and everything, I was

0:20:48.560 --> 0:20:50.959
<v Speaker 1>just Ashley, you know. They were like, who's that? Oh?

0:20:51.000 --> 0:20:54.240
<v Speaker 1>Your dad was Rocketdoodle that rooster cool? You know. So

0:20:54.960 --> 0:20:59.480
<v Speaker 1>it worked out okay. So then you get to Nashville

0:20:59.520 --> 0:21:02.320
<v Speaker 1>after you go on the Goodbye tour that ends, and

0:21:02.359 --> 0:21:05.280
<v Speaker 1>you moved straight to Nashville. I did, Yeah, did you

0:21:05.280 --> 0:21:08.760
<v Speaker 1>decided to move to Nashville? Well, I had already started

0:21:08.800 --> 0:21:11.720
<v Speaker 1>working with a manager out here, t K kimbrell Um

0:21:11.720 --> 0:21:14.600
<v Speaker 1>with t k O Artist Management, and so he was

0:21:15.119 --> 0:21:18.159
<v Speaker 1>before I moved out here after the Goodbye tour. He

0:21:19.240 --> 0:21:22.439
<v Speaker 1>had started looking around first my brother Shannon and I

0:21:22.480 --> 0:21:25.720
<v Speaker 1>to get a publishing deal with our duo. Um. So

0:21:25.840 --> 0:21:27.919
<v Speaker 1>we we auditioned for a couple of publishing companies and

0:21:28.000 --> 0:21:31.040
<v Speaker 1>ended up getting a deal offer from Warner Chapel, which

0:21:31.040 --> 0:21:34.240
<v Speaker 1>is a big deal because huge deal getting a publishing deal,

0:21:34.280 --> 0:21:36.920
<v Speaker 1>and I've been interviewing a lot of interesting, amazing people.

0:21:37.480 --> 0:21:40.000
<v Speaker 1>It is a really hard thing because that means you

0:21:40.040 --> 0:21:42.399
<v Speaker 1>are a great songwriter. No one's going to sign you

0:21:42.880 --> 0:21:45.200
<v Speaker 1>just because you know, you come from a cool family

0:21:45.240 --> 0:21:47.320
<v Speaker 1>and you play instruments. You actually have to be great

0:21:47.359 --> 0:21:51.080
<v Speaker 1>at writing songs. So that's amazing. You clearly have a talent.

0:21:51.359 --> 0:21:54.160
<v Speaker 1>Thank you. I feel incredibly blessed, especially now that I've

0:21:54.160 --> 0:21:57.320
<v Speaker 1>been in Nashville for almost three years and writing songs

0:21:57.359 --> 0:21:59.760
<v Speaker 1>for Warner Chapel and getting to know their crew and

0:21:59.800 --> 0:22:02.600
<v Speaker 1>like writing with all these other amazing songwriters, because I'm

0:22:02.600 --> 0:22:05.719
<v Speaker 1>still relatively new at songwriting. So even as much as

0:22:05.720 --> 0:22:07.680
<v Speaker 1>I've learned in the last three years, looking back and

0:22:07.760 --> 0:22:11.840
<v Speaker 1>when I auditioned for Warner Chapel, I can't believe they

0:22:11.880 --> 0:22:15.600
<v Speaker 1>signed me. I'm like, wow, I just yeah, like I

0:22:15.680 --> 0:22:17.960
<v Speaker 1>learned so much. I'm like, thanks for signing me, thanks

0:22:17.960 --> 0:22:22.480
<v Speaker 1>for believing in me. That's amazing. About three years okay, yeah,

0:22:22.680 --> 0:22:25.480
<v Speaker 1>and has it felt like a family. Absolutely, They're wonderful.

0:22:25.520 --> 0:22:28.040
<v Speaker 1>I'm just I feel like I'm totally on the A team.

0:22:28.080 --> 0:22:30.320
<v Speaker 1>I just love them so much, so proud of them.

0:22:30.600 --> 0:22:32.480
<v Speaker 1>Like for the last two years they've gotten publisher of

0:22:32.520 --> 0:22:35.960
<v Speaker 1>the Year at the ASKAP Awards, so real, Like, so,

0:22:36.040 --> 0:22:38.160
<v Speaker 1>do you like co writing, because that's a big deal

0:22:38.200 --> 0:22:40.760
<v Speaker 1>in Nashville to co write. I love co writing. Um,

0:22:40.800 --> 0:22:42.439
<v Speaker 1>my favorite way to do it is to start a

0:22:42.480 --> 0:22:45.560
<v Speaker 1>song on my own, like get get the idea that

0:22:45.640 --> 0:22:47.199
<v Speaker 1>I know the direction I want to go in, and

0:22:47.200 --> 0:22:49.560
<v Speaker 1>then when I hit a roadblock, I like to go

0:22:49.600 --> 0:22:51.680
<v Speaker 1>in and present it to a co writer and they

0:22:51.680 --> 0:22:54.840
<v Speaker 1>can often open doors that I wouldn't have seen. Okay,

0:22:54.880 --> 0:22:56.639
<v Speaker 1>so you like to go in with that kind of

0:22:56.640 --> 0:22:59.480
<v Speaker 1>like a melody and lyrical idea or is it generally

0:22:59.560 --> 0:23:01.480
<v Speaker 1>or something you know, It just depends, but that's my

0:23:01.520 --> 0:23:04.159
<v Speaker 1>favorite way. I think. Do you like to see the

0:23:04.200 --> 0:23:06.159
<v Speaker 1>full like do you have to have a concept for

0:23:06.160 --> 0:23:08.480
<v Speaker 1>the song or can you just start chiseling away, Like

0:23:08.520 --> 0:23:09.919
<v Speaker 1>do you need to see the end? Or can you

0:23:10.000 --> 0:23:13.120
<v Speaker 1>start and kind of just walk into the dark wall

0:23:13.160 --> 0:23:15.280
<v Speaker 1>of what the song will be. It's different every time,

0:23:15.560 --> 0:23:18.439
<v Speaker 1>it really is. Like some sometimes you'll be writing a

0:23:18.480 --> 0:23:22.000
<v Speaker 1>song and you'll be stuck on this one part and

0:23:22.040 --> 0:23:25.399
<v Speaker 1>then like say like, okay, we have this awesome pre chorus,

0:23:25.960 --> 0:23:27.359
<v Speaker 1>we don't know what the chorus is going to be,

0:23:27.440 --> 0:23:29.720
<v Speaker 1>and then you work trying to create a course that

0:23:30.040 --> 0:23:32.800
<v Speaker 1>is cooler than the pre chorus, and then you go, well,

0:23:32.800 --> 0:23:35.959
<v Speaker 1>how about the prechorus? Is the chorus? It's crazy? So

0:23:36.000 --> 0:23:37.679
<v Speaker 1>it's it's fun. You just kind of have to be

0:23:37.720 --> 0:23:43.639
<v Speaker 1>open to changing things. So last night we're the Grammys

0:23:44.040 --> 0:23:47.480
<v Speaker 1>and your family is a part of an amazing documentary

0:23:47.480 --> 0:23:52.040
<v Speaker 1>about your dad called Glenn Campbell. I'll be Me And

0:23:52.359 --> 0:23:54.400
<v Speaker 1>I watched the trailer for that. I want to see

0:23:54.480 --> 0:23:57.199
<v Speaker 1>the whole movie. You should definitely watch. It looks incredible.

0:23:58.160 --> 0:23:59.800
<v Speaker 1>So how was that movie and how is being a

0:23:59.800 --> 0:24:02.199
<v Speaker 1>part of it? And he wrote a song which is

0:24:02.560 --> 0:24:05.040
<v Speaker 1>has been a single for you and it's also on

0:24:05.400 --> 0:24:07.960
<v Speaker 1>the soundtrack that Want a Grammy last Night. Yeah, that's

0:24:08.000 --> 0:24:12.359
<v Speaker 1>right about all that. Um So yeah, the documentary follows

0:24:12.480 --> 0:24:15.840
<v Speaker 1>um my dad and us on his Goodbye tour. So

0:24:16.000 --> 0:24:18.560
<v Speaker 1>he was diagnosed with Alzheimer's in two thousand eleven, and

0:24:19.000 --> 0:24:22.560
<v Speaker 1>these amazing filmmakers Jame Keach, James Keach and Trevor albert

0:24:22.960 --> 0:24:25.760
<v Speaker 1>Um wanted to make a documentary following us on the tour,

0:24:25.840 --> 0:24:28.200
<v Speaker 1>and so they started out and they thought it was

0:24:28.240 --> 0:24:30.080
<v Speaker 1>just gonna be like two weeks and it's done, And

0:24:30.080 --> 0:24:33.160
<v Speaker 1>then it turned into this huge thing. Two years later,

0:24:33.200 --> 0:24:36.600
<v Speaker 1>A hundred and fifty one shows. Um, you know, we

0:24:36.680 --> 0:24:39.480
<v Speaker 1>played for Congress in in Washington, d C. I get

0:24:39.520 --> 0:24:42.200
<v Speaker 1>to speak before Congress on behalf of Alzheimer's. What did

0:24:42.200 --> 0:24:44.280
<v Speaker 1>you do when you were speaking before Congress? Like? What

0:24:44.560 --> 0:24:47.840
<v Speaker 1>was that? Scary? I think it was called a testimony.

0:24:47.880 --> 0:24:51.160
<v Speaker 1>So I was kind of just like saying my part

0:24:51.240 --> 0:24:54.480
<v Speaker 1>on why I think Alzheimers Alzheimer's should get more research money.

0:24:55.280 --> 0:24:58.399
<v Speaker 1>Why did you say that? What was your reason? Well? Um,

0:24:58.480 --> 0:25:04.439
<v Speaker 1>even now, Alzheimer's, um, like brain diseases in general get

0:25:04.760 --> 0:25:08.359
<v Speaker 1>just a fraction of the money that say, like diseases

0:25:08.520 --> 0:25:12.440
<v Speaker 1>like AIDS or cancer get you know, um, and that's

0:25:12.480 --> 0:25:15.760
<v Speaker 1>just the whole thing. So Parkinson's and Alzheimer's and dimension

0:25:15.840 --> 0:25:19.520
<v Speaker 1>anything with the brain, that's just like in the millions

0:25:19.800 --> 0:25:22.679
<v Speaker 1>versus like AIDS and cancer in the billions. You know,

0:25:23.400 --> 0:25:26.000
<v Speaker 1>I don't know, um, And you know, I mean, all

0:25:26.080 --> 0:25:29.280
<v Speaker 1>disease really sucks, but like AIDS is livable, you can

0:25:29.320 --> 0:25:31.880
<v Speaker 1>live with it. It's you know, but so let's let's

0:25:31.880 --> 0:25:36.159
<v Speaker 1>start saving people's lives again with getting rid of Parkinson's

0:25:36.160 --> 0:25:38.400
<v Speaker 1>and Alzheimer's. You know. So I really think the allocation

0:25:38.440 --> 0:25:41.199
<v Speaker 1>of money needs to be seriously thought about. So what

0:25:41.400 --> 0:25:45.440
<v Speaker 1>happens with Alzheimer's. I haven't really, like, known very much

0:25:45.440 --> 0:25:47.720
<v Speaker 1>about it. Yeah, and that's what the documentary. That's the

0:25:47.760 --> 0:25:50.000
<v Speaker 1>great thing about the documentary, UM, is that even though

0:25:50.000 --> 0:25:53.119
<v Speaker 1>it's so sad and that it's following someone with Alzheimer's, UM,

0:25:53.160 --> 0:25:55.639
<v Speaker 1>it opens up the world of Alzheimer's to a lot

0:25:55.680 --> 0:25:58.000
<v Speaker 1>of people who otherwise wouldn't have known anything about it.

0:25:58.040 --> 0:26:00.800
<v Speaker 1>Like before my dad got Alzheimers, I didn't anything about it.

0:26:01.080 --> 0:26:03.440
<v Speaker 1>I mean, you've seen movies where like The Notebook where

0:26:03.800 --> 0:26:06.359
<v Speaker 1>she's just this nice old lady and she doesn't remember stuff,

0:26:06.400 --> 0:26:08.360
<v Speaker 1>and then he tells her story and she's totally back

0:26:08.400 --> 0:26:10.000
<v Speaker 1>to normal for a couple of minutes, and then she's

0:26:10.040 --> 0:26:14.040
<v Speaker 1>back to not really you know, but the real, dirty,

0:26:14.200 --> 0:26:18.280
<v Speaker 1>grungy truth about Alzheimer's people don't know about. So UM,

0:26:19.080 --> 0:26:23.640
<v Speaker 1>you ask, what is the truth? Um? Alzheimer's takes away

0:26:23.640 --> 0:26:25.720
<v Speaker 1>more than your memory. It takes away your ability to

0:26:25.720 --> 0:26:29.880
<v Speaker 1>function of the human beings. So UM, you don't just oh,

0:26:29.920 --> 0:26:32.320
<v Speaker 1>you're my best friend. I forget who you are, but

0:26:32.440 --> 0:26:35.960
<v Speaker 1>I can still make my coffee and brush my teeth.

0:26:36.200 --> 0:26:38.800
<v Speaker 1>You forget how Eventually, if you live with Alzheimer's long enough,

0:26:38.840 --> 0:26:41.200
<v Speaker 1>you forget how to breathe, you forget how to swallow,

0:26:41.440 --> 0:26:44.440
<v Speaker 1>and that's how you die from Alzheimer's. But um, your

0:26:45.160 --> 0:26:48.359
<v Speaker 1>brain doesn't naturally do that. You can't dress yourself, you

0:26:48.400 --> 0:26:52.800
<v Speaker 1>can't do anything, you can't use the bathroom. Um, so

0:26:52.880 --> 0:26:55.000
<v Speaker 1>it just it gets super hard. And a lot of

0:26:55.000 --> 0:26:57.600
<v Speaker 1>the times, the real victims are the people caring for

0:26:57.640 --> 0:27:01.120
<v Speaker 1>people with Alzheimer's, and that's another big issue. So this

0:27:01.200 --> 0:27:03.719
<v Speaker 1>is kind of an incredible platform. Not only is your

0:27:03.800 --> 0:27:07.240
<v Speaker 1>dad an incredible musician who's touched the world with his music,

0:27:07.280 --> 0:27:11.600
<v Speaker 1>he's also bringing huge awareness to all Alzheimer's. Absolutely, and

0:27:11.720 --> 0:27:14.160
<v Speaker 1>um see one of the first big stars to publicly

0:27:14.560 --> 0:27:18.160
<v Speaker 1>fight this battle. I think he is. Yeah, you feel

0:27:18.359 --> 0:27:20.560
<v Speaker 1>kind of proud that this is part of his legacy.

0:27:21.160 --> 0:27:24.159
<v Speaker 1>I mean, I wish it wasn't, but um, you know,

0:27:24.400 --> 0:27:26.119
<v Speaker 1>it is what it is, and I'm super proud that

0:27:26.160 --> 0:27:28.239
<v Speaker 1>he decided to be a pioneer for the cause. And

0:27:28.520 --> 0:27:30.639
<v Speaker 1>because a lot of people there have been, you know,

0:27:30.760 --> 0:27:32.960
<v Speaker 1>famous people that have gotten Alzheimer's, but they kind of

0:27:33.000 --> 0:27:36.440
<v Speaker 1>just chose to disappear and keep it private, which is

0:27:36.480 --> 0:27:39.200
<v Speaker 1>totally their prerogative, you know. Um, and there's no shame

0:27:39.200 --> 0:27:41.919
<v Speaker 1>in that either. But a lot of people really need

0:27:42.119 --> 0:27:45.719
<v Speaker 1>their voices heard. Um. So my dad really stepped up

0:27:45.720 --> 0:27:48.479
<v Speaker 1>there and showed the world what people were going through.

0:27:48.520 --> 0:27:50.560
<v Speaker 1>And a lot of people who saw the film who

0:27:50.960 --> 0:27:54.040
<v Speaker 1>are going through Alzheimer's with a loved one or have Alzheimer's,

0:27:54.119 --> 0:27:58.240
<v Speaker 1>they were like, thank you so much for sharing my story.

0:27:58.280 --> 0:28:01.560
<v Speaker 1>Because my dad's story is means of people's stories you

0:28:01.600 --> 0:28:04.359
<v Speaker 1>know that wasn't told before. So it's really really an

0:28:04.359 --> 0:28:05.720
<v Speaker 1>honor to be a part of that and help my

0:28:05.800 --> 0:28:08.920
<v Speaker 1>dad with them. Did he make a conscious decision? Liked it.

0:28:09.080 --> 0:28:10.680
<v Speaker 1>Was there a point where he was like, Okay, I'm

0:28:10.720 --> 0:28:14.120
<v Speaker 1>going for this, I'm gonna just talk about it. He did. Yeah,

0:28:14.160 --> 0:28:16.680
<v Speaker 1>He's just very honest and he wanted to it all.

0:28:16.720 --> 0:28:19.080
<v Speaker 1>I think it all started with he he got the

0:28:19.119 --> 0:28:22.760
<v Speaker 1>diagnosis and he wanted to keep touring. He he felt

0:28:22.800 --> 0:28:24.880
<v Speaker 1>totally fine. He didn't want to stop touring just because

0:28:24.880 --> 0:28:27.480
<v Speaker 1>he got diagnosed with Alzheimer's. So he's just like, I'm

0:28:27.480 --> 0:28:30.280
<v Speaker 1>just gonna be honest with my fans and everyone and

0:28:30.280 --> 0:28:32.040
<v Speaker 1>and just do my thing, you know, and if I

0:28:32.080 --> 0:28:36.040
<v Speaker 1>mess up, they'll forgive me and he want a Grammy.

0:28:36.600 --> 0:28:38.480
<v Speaker 1>Right when this all happened, didn't he do a song

0:28:38.640 --> 0:28:40.640
<v Speaker 1>or was it the band Period that covered his song?

0:28:40.800 --> 0:28:43.320
<v Speaker 1>Or he the band Period covered his song Gental on

0:28:43.360 --> 0:28:46.600
<v Speaker 1>my Mind they want to Grammy with it. And then

0:28:47.160 --> 0:28:50.480
<v Speaker 1>he and his producer Julian Raymond Um, who did the

0:28:50.520 --> 0:28:54.360
<v Speaker 1>soundtrack album for I'll Be Me Um, they wrote a

0:28:54.360 --> 0:28:57.760
<v Speaker 1>song together Um, which was really Julian taking things that

0:28:57.800 --> 0:29:01.040
<v Speaker 1>my dad had said and like putting together the lyrics

0:29:01.040 --> 0:29:03.080
<v Speaker 1>and then showing them to my dad and you know,

0:29:03.160 --> 0:29:05.000
<v Speaker 1>getting his okay, and like, how do you like this

0:29:05.080 --> 0:29:09.160
<v Speaker 1>core progression because my dad he wrote, he helped Julian

0:29:09.200 --> 0:29:13.080
<v Speaker 1>write a Grammy winning song with full blown Alzheimer's. Like

0:29:13.600 --> 0:29:17.040
<v Speaker 1>that's talent, you know. So that's pretty cool. So he

0:29:17.040 --> 0:29:19.200
<v Speaker 1>wanted Grammy last year for that and a couple In

0:29:19.200 --> 0:29:21.680
<v Speaker 1>two thousand twelve, he was given the Lifetime Achievement Award

0:29:22.200 --> 0:29:24.560
<v Speaker 1>Grammy and we got to perform on the Grammys in

0:29:24.560 --> 0:29:26.800
<v Speaker 1>two thousand and twelve, and that was that one of

0:29:26.800 --> 0:29:29.360
<v Speaker 1>the best experiences of my life. So, yeah, I was

0:29:29.400 --> 0:29:35.360
<v Speaker 1>in the band. I just played banjo. Oh photo you

0:29:35.400 --> 0:29:40.320
<v Speaker 1>want to say, he's quiet, rubbed my ear sesus. Yeah, Um,

0:29:40.360 --> 0:29:42.080
<v Speaker 1>so I was in the band, and um. It was

0:29:42.120 --> 0:29:44.360
<v Speaker 1>really cool because it was kind of like a little

0:29:44.400 --> 0:29:48.880
<v Speaker 1>compilation medley. So we had Blake Shelton singing Southern Nights

0:29:48.920 --> 0:29:52.360
<v Speaker 1>and the band Perry singing General in my Mind. Um,

0:29:52.440 --> 0:29:54.480
<v Speaker 1>and then my dad came out and sing rhyin Stone

0:29:54.480 --> 0:29:58.320
<v Speaker 1>Cowboy and remember that. It was so much fun. And

0:29:58.360 --> 0:30:00.720
<v Speaker 1>it was also for those of us in my dad's

0:30:00.760 --> 0:30:02.720
<v Speaker 1>band and not just the people that were hired for

0:30:02.760 --> 0:30:05.120
<v Speaker 1>the Grammys. We were just like, oh my god, what's

0:30:05.120 --> 0:30:07.800
<v Speaker 1>he gonna do, you know, because he's not used to

0:30:07.800 --> 0:30:10.480
<v Speaker 1>sing the teleprompter way out there in the middle of

0:30:10.480 --> 0:30:12.120
<v Speaker 1>the crowd, which is how it is at the Grammys,

0:30:12.320 --> 0:30:14.760
<v Speaker 1>because he needed a teleprompter, And so we were like,

0:30:14.840 --> 0:30:16.440
<v Speaker 1>is he going to go out there and see all

0:30:16.520 --> 0:30:20.240
<v Speaker 1>these thousands of people and just totally get sidetracked, and

0:30:20.320 --> 0:30:23.680
<v Speaker 1>because it could, because he might, Yeah, exactly. But it

0:30:23.720 --> 0:30:25.640
<v Speaker 1>was so amazing. He just went out there and he

0:30:25.840 --> 0:30:28.640
<v Speaker 1>sang the song and played to the crowd like any

0:30:28.640 --> 0:30:32.360
<v Speaker 1>other show. It was amazing. But that's brave too on

0:30:32.400 --> 0:30:33.800
<v Speaker 1>his part, just to go out there and be like,

0:30:33.800 --> 0:30:35.840
<v Speaker 1>like you said, if I mess up, people forgive me,

0:30:35.880 --> 0:30:39.400
<v Speaker 1>because yeah, you know. And then it's funny in the

0:30:39.440 --> 0:30:42.440
<v Speaker 1>in the documentary, his friend Dante, who takes him golfing

0:30:42.440 --> 0:30:46.200
<v Speaker 1>all the time. Um, was the day after the Grammys,

0:30:46.200 --> 0:30:48.360
<v Speaker 1>I think, taking him golfing, and there's footage of him

0:30:48.400 --> 0:30:51.440
<v Speaker 1>in the car and his friends like, Hey, congratulations on

0:30:51.480 --> 0:30:55.000
<v Speaker 1>winning your Grammy yesterday, and he's like, what it's like,

0:30:55.080 --> 0:30:58.200
<v Speaker 1>you want a Grammy yesterday? Oh yeah, I guess I did.

0:30:59.520 --> 0:31:02.560
<v Speaker 1>That's all. Yeah, so, and that's all in the documentary

0:31:02.600 --> 0:31:06.120
<v Speaker 1>it is yeah, okay, So Julian who wrote the song

0:31:06.160 --> 0:31:08.120
<v Speaker 1>that won the Grammy. What was that song called. It's

0:31:08.160 --> 0:31:10.600
<v Speaker 1>called I'm Not going to Miss You? I'm not what's

0:31:10.640 --> 0:31:14.560
<v Speaker 1>that about? I think, Um, that's cool and powerful song. Yeah,

0:31:15.440 --> 0:31:18.480
<v Speaker 1>it kind of brings brings me into my song, and

0:31:18.600 --> 0:31:20.440
<v Speaker 1>I want to ask you about how it relates because

0:31:20.480 --> 0:31:23.440
<v Speaker 1>it's kind of the opposite of my song, but they

0:31:23.480 --> 0:31:25.640
<v Speaker 1>kind of go together like a puzzle piece show the

0:31:26.320 --> 0:31:28.520
<v Speaker 1>two sides of the songs. Okay, So, my dad's song

0:31:28.640 --> 0:31:31.040
<v Speaker 1>I'm Not going to Miss You is basically from the

0:31:31.040 --> 0:31:36.120
<v Speaker 1>perspective of someone with Alzheimer's saying, Um, you know, I

0:31:36.160 --> 0:31:39.040
<v Speaker 1>don't I'm losing memory. I don't remember you. So I

0:31:39.040 --> 0:31:41.960
<v Speaker 1>don't miss you, but know that I'm okay and I

0:31:42.000 --> 0:31:45.800
<v Speaker 1>want you to be okay and that makes you feel Yeah, exactly.

0:31:45.880 --> 0:31:49.040
<v Speaker 1>And then my song which is called Remembering, which is

0:31:49.080 --> 0:31:52.080
<v Speaker 1>kind of the opposite saying like you don't remember anymore,

0:31:52.160 --> 0:31:53.760
<v Speaker 1>so I'm going to take care of you and I'm

0:31:53.760 --> 0:31:57.880
<v Speaker 1>going to do the remembering for you. Wow. Yeah, And

0:31:57.880 --> 0:32:01.520
<v Speaker 1>we didn't even plan that. That's really that's a really

0:32:01.640 --> 0:32:07.720
<v Speaker 1>big powerful moment. Yeah, definitely. And you I said, I

0:32:07.800 --> 0:32:11.240
<v Speaker 1>read that you said that with this song. It took

0:32:11.240 --> 0:32:13.440
<v Speaker 1>you several rounds to write this song and like a

0:32:13.480 --> 0:32:16.280
<v Speaker 1>while because like you knew it was something special. You

0:32:16.360 --> 0:32:18.160
<v Speaker 1>knew you had something, and you wanted to make sure

0:32:18.200 --> 0:32:21.360
<v Speaker 1>it's perfect. Definitely. Um, this was This is an example

0:32:21.400 --> 0:32:24.400
<v Speaker 1>of song my type of songwriting where I have just

0:32:24.480 --> 0:32:27.360
<v Speaker 1>kind of a general idea. I didn't even know what

0:32:27.400 --> 0:32:29.040
<v Speaker 1>I wanted to say at first, but I knew this

0:32:29.080 --> 0:32:30.800
<v Speaker 1>song was going to be about my dad and that

0:32:31.520 --> 0:32:33.760
<v Speaker 1>I really wanted to get it right. So I started

0:32:33.800 --> 0:32:37.080
<v Speaker 1>writing like right after the tour got over. Um, and

0:32:37.120 --> 0:32:39.280
<v Speaker 1>I was still at my parents house in Malibu, and

0:32:39.320 --> 0:32:42.120
<v Speaker 1>I started playing this initial guitar riff, which is like

0:32:42.160 --> 0:32:46.600
<v Speaker 1>a descending sea riff and the first line popped into

0:32:46.640 --> 0:32:48.680
<v Speaker 1>my head four years old, running up the stairs to

0:32:48.720 --> 0:32:52.600
<v Speaker 1>your bed, and I was like, Okay, this is cool.

0:32:53.040 --> 0:32:55.680
<v Speaker 1>So where does this story go? And I just, you know,

0:32:55.840 --> 0:32:57.360
<v Speaker 1>kind of played with it a little bit and I

0:32:57.440 --> 0:32:59.840
<v Speaker 1>just decided to record it into my phone and hold

0:32:59.840 --> 0:33:02.160
<v Speaker 1>it for another day and think about it, because like

0:33:02.920 --> 0:33:04.600
<v Speaker 1>I do a lot of writing in my car. Sometimes

0:33:04.720 --> 0:33:06.400
<v Speaker 1>I'll record something and i'll play it and I'll just

0:33:06.680 --> 0:33:09.640
<v Speaker 1>sing while I'm driving. Um. But so I just like

0:33:09.680 --> 0:33:11.240
<v Speaker 1>lived with it for a little while, and then I

0:33:11.280 --> 0:33:14.240
<v Speaker 1>moved to Nashville a couple of months later, and I

0:33:14.280 --> 0:33:17.000
<v Speaker 1>went into write with my good friend Ky Welch, and

0:33:17.040 --> 0:33:18.920
<v Speaker 1>I said, hey, I've got this song. And he's he's

0:33:18.920 --> 0:33:21.280
<v Speaker 1>such a brilliant lyricist and he's got such a good

0:33:21.360 --> 0:33:25.680
<v Speaker 1>musical sensibility. Um, we just it just happened that day.

0:33:25.720 --> 0:33:27.720
<v Speaker 1>We just got together and I was like, this song

0:33:27.840 --> 0:33:32.360
<v Speaker 1>and we just wrote it and went to lunch. So

0:33:32.400 --> 0:33:34.200
<v Speaker 1>it came out fast, it did. Yeah, did you feel

0:33:34.200 --> 0:33:35.920
<v Speaker 1>like it was like a gift, like it was meant

0:33:35.960 --> 0:33:39.880
<v Speaker 1>to be written? I think so, yeah, And exactly, yeah, exactly.

0:33:39.960 --> 0:33:42.520
<v Speaker 1>I just I wasn't even thinking like, oh I can't

0:33:42.600 --> 0:33:44.400
<v Speaker 1>got to get a song on the radio, blah blah blah.

0:33:44.400 --> 0:33:45.760
<v Speaker 1>I was just like, I'm gonna write this song. This

0:33:45.760 --> 0:33:49.800
<v Speaker 1>song needs to be written. Um So, and that was

0:33:49.840 --> 0:33:52.160
<v Speaker 1>your first single. It was Yeah, I never would have

0:33:52.280 --> 0:33:55.760
<v Speaker 1>dreamed that you, which leads you to you signed a

0:33:55.800 --> 0:33:59.000
<v Speaker 1>freaking major label record deal with Dig Machine. You're on

0:33:59.360 --> 0:34:03.160
<v Speaker 1>Dot Record. Big Machine is Taylor Swift's label, so it's

0:34:03.440 --> 0:34:07.600
<v Speaker 1>prime time badass label. How did that make you feel?

0:34:07.640 --> 0:34:11.440
<v Speaker 1>And how did that happen? That's a huge accomplishment. Man. Um.

0:34:11.520 --> 0:34:14.600
<v Speaker 1>I was kind of doing my own thing and writing

0:34:14.640 --> 0:34:20.040
<v Speaker 1>and things like that, and um gosh, um, I guess.

0:34:20.160 --> 0:34:23.200
<v Speaker 1>Um So, Scott Borchetta was going to do put up this. Yes,

0:34:23.239 --> 0:34:25.480
<v Speaker 1>Scott Borshetta runs Big Machine, and he was going to

0:34:25.560 --> 0:34:30.040
<v Speaker 1>put out the soundtrack for the documentary and so I think, um,

0:34:30.080 --> 0:34:32.880
<v Speaker 1>and my song Remembering was going to be on the soundtrack.

0:34:32.920 --> 0:34:34.200
<v Speaker 1>I think it was already in the movie. So I

0:34:34.280 --> 0:34:36.520
<v Speaker 1>think that's kind of how he So he kind of

0:34:36.520 --> 0:34:39.520
<v Speaker 1>found you, he kind of noticed me. Yeah. But before that,

0:34:39.560 --> 0:34:41.319
<v Speaker 1>I had worked with Big Machine a little bit. I

0:34:41.360 --> 0:34:44.480
<v Speaker 1>was the banjo player in the Rascal Flats music video Banjo.

0:34:45.560 --> 0:34:48.640
<v Speaker 1>How did that happen? Facebook message. I got a Facebook

0:34:48.640 --> 0:34:52.120
<v Speaker 1>message from some UM agent scout and they were like, Hey,

0:34:52.120 --> 0:34:55.040
<v Speaker 1>we're looking for female banjo players for Rascal Flats music video.

0:34:55.040 --> 0:34:56.680
<v Speaker 1>Do you have any footage? And I sent him a

0:34:56.760 --> 0:34:59.880
<v Speaker 1>video of me playing duing banjo's with my dad and

0:35:00.000 --> 0:35:01.800
<v Speaker 1>and I got a message back, like a couple of

0:35:01.840 --> 0:35:05.160
<v Speaker 1>hours later, like you got it. Yeah, so your dad

0:35:05.160 --> 0:35:08.640
<v Speaker 1>plays banjo too? Um no, no, no no, he he did guitar,

0:35:09.440 --> 0:35:11.359
<v Speaker 1>but he actually did play banjo back in the day.

0:35:11.719 --> 0:35:14.080
<v Speaker 1>He was pretty badass. Okay, So you had been on

0:35:14.160 --> 0:35:17.759
<v Speaker 1>a Rascal Flats music video. Is the hot banjo player? Yes?

0:35:17.920 --> 0:35:20.360
<v Speaker 1>And that was with Big Machines, So I I UM,

0:35:20.400 --> 0:35:23.040
<v Speaker 1>I met Sandy Borschetta, which is who was Scott's wife

0:35:23.600 --> 0:35:25.880
<v Speaker 1>UM on that project, and so that was kind of

0:35:25.880 --> 0:35:27.719
<v Speaker 1>my first introduction to Big Machine. I was just so

0:35:27.760 --> 0:35:31.600
<v Speaker 1>excited to be a part of it. And then um

0:35:31.680 --> 0:35:33.200
<v Speaker 1>and then yeah, so my my song was going to

0:35:33.239 --> 0:35:36.319
<v Speaker 1>be on the soundtrack, and so Scott Borchetta called me

0:35:36.320 --> 0:35:38.080
<v Speaker 1>in to play a couple of songs for him in

0:35:38.080 --> 0:35:39.799
<v Speaker 1>the office, and then he came and saw a show

0:35:39.840 --> 0:35:42.680
<v Speaker 1>that my brother Shannon and I were doing. And then

0:35:42.880 --> 0:35:45.120
<v Speaker 1>shortly after that, Um, I was offered a record deal

0:35:45.160 --> 0:35:48.719
<v Speaker 1>with his new um label, Branch Dot Records. I have

0:35:48.760 --> 0:35:50.960
<v Speaker 1>to say Steven Tyler's on the label. Steven Tyler is

0:35:50.960 --> 0:35:54.200
<v Speaker 1>my label mate. I have met him and he has

0:35:54.400 --> 0:35:58.640
<v Speaker 1>given me a long, deep neck hug. I guess my

0:35:58.640 --> 0:36:02.080
<v Speaker 1>hair smelled good. So have you played some shows with

0:36:02.160 --> 0:36:06.400
<v Speaker 1>some cool people? Yeah? Absolutely, Um, just a couple of

0:36:06.480 --> 0:36:08.160
<v Speaker 1>couple of weeks ago, I got to open a show

0:36:08.200 --> 0:36:11.280
<v Speaker 1>for Maddie and Tay. Who are these super talented, sweet

0:36:11.280 --> 0:36:14.279
<v Speaker 1>girls with some awesome songs. Don't you feel like it's

0:36:14.320 --> 0:36:16.080
<v Speaker 1>kind of the rise of the female right now in

0:36:16.080 --> 0:36:18.719
<v Speaker 1>country music. I feel like there's this rumble happening or

0:36:18.719 --> 0:36:22.239
<v Speaker 1>it's like everyone wants females back on the radio. I

0:36:22.280 --> 0:36:25.520
<v Speaker 1>definitely hope so um, Yeah there's part of this movement. Yeah,

0:36:25.520 --> 0:36:28.800
<v Speaker 1>I hope so um. There's a lot of badass chicks

0:36:28.800 --> 0:36:31.799
<v Speaker 1>out there, um, with all different kinds of styles and

0:36:31.840 --> 0:36:34.520
<v Speaker 1>things like that. Like it's just really cool to see,

0:36:34.680 --> 0:36:37.759
<v Speaker 1>you know, Like there's the badass chick, there's the sweet chick,

0:36:37.880 --> 0:36:40.799
<v Speaker 1>there's the like vocal powerhouse chick coming up, and like

0:36:41.280 --> 0:36:44.160
<v Speaker 1>then there's me all weird in the corner. Oh my god,

0:36:44.520 --> 0:36:47.000
<v Speaker 1>how okay? You're not weird in the corner. How would

0:36:47.000 --> 0:36:51.319
<v Speaker 1>you describe yourself musically? Um, I'm about to go in

0:36:51.360 --> 0:36:55.840
<v Speaker 1>and record some more songs, so um, I would describe, Um,

0:36:55.960 --> 0:36:58.520
<v Speaker 1>my songwriting and what I want my my sound to

0:36:58.600 --> 0:37:04.200
<v Speaker 1>eventually be is kind of like uh, edgy roots cie vibe,

0:37:04.280 --> 0:37:09.879
<v Speaker 1>you know, with um some grit. Okay, if you had,

0:37:09.960 --> 0:37:12.759
<v Speaker 1>like to say, a few musical icons that you look

0:37:12.840 --> 0:37:15.600
<v Speaker 1>up to, who would be musically like that you wouldn't

0:37:15.600 --> 0:37:18.040
<v Speaker 1>want to emulate, but that you like respect and you

0:37:18.080 --> 0:37:22.160
<v Speaker 1>love their vibe absolutely. Um, it would be like, um,

0:37:22.440 --> 0:37:26.759
<v Speaker 1>Stevie Nicks, She's awesome, Dolly parton and mixed in with

0:37:26.800 --> 0:37:30.240
<v Speaker 1>a little bit of l King. Yeah, I'm on board

0:37:30.239 --> 0:37:33.840
<v Speaker 1>with that and I love that. So you just recently

0:37:33.840 --> 0:37:36.160
<v Speaker 1>played the Grand Old Operty. I did, yes for the

0:37:36.239 --> 0:37:39.840
<v Speaker 1>second time. That's a big deal. I'm so excited to

0:37:39.840 --> 0:37:42.160
<v Speaker 1>be a part of that because that's the mother church

0:37:42.200 --> 0:37:44.640
<v Speaker 1>of country music. Like, I feel like when you get

0:37:44.680 --> 0:37:46.600
<v Speaker 1>the invitation to play the Grand Old Operate, it's like

0:37:47.040 --> 0:37:50.319
<v Speaker 1>you're legit. You have you know you you are, like

0:37:50.480 --> 0:37:52.239
<v Speaker 1>you're in the club. Yeah, you have to work hard,

0:37:52.239 --> 0:37:54.520
<v Speaker 1>but like to get an invitation means you're not just

0:37:54.560 --> 0:37:57.520
<v Speaker 1>like doing it for fun. It was really cool and um,

0:37:57.719 --> 0:38:00.840
<v Speaker 1>the awesome thing about coming back and playing a second

0:38:00.840 --> 0:38:03.040
<v Speaker 1>time was that, you know, it's all the same people

0:38:03.080 --> 0:38:05.080
<v Speaker 1>in the same crew, and so you all you honestly

0:38:05.120 --> 0:38:07.600
<v Speaker 1>just feel like a family member coming back. They're like, hey, Ashley,

0:38:07.640 --> 0:38:09.560
<v Speaker 1>what's up? Oh you like this and this with your

0:38:09.760 --> 0:38:12.440
<v Speaker 1>stage setup and blah blah blah. So it's really cool,

0:38:12.640 --> 0:38:15.480
<v Speaker 1>that's awesome. Which songs did you play so for this time?

0:38:15.600 --> 0:38:19.280
<v Speaker 1>I played? Um, I played some new songs. I played

0:38:20.080 --> 0:38:21.920
<v Speaker 1>a song called had a Few, which is like a

0:38:21.960 --> 0:38:26.040
<v Speaker 1>really fun, drinking, sexy song. What's your favorite drink of choice? Oh,

0:38:26.080 --> 0:38:28.759
<v Speaker 1>my goodness, I think when I'm really thrown down, it's

0:38:28.840 --> 0:38:31.920
<v Speaker 1>just straight whiskey. Yeah. I don't like to mix it

0:38:31.960 --> 0:38:33.840
<v Speaker 1>with anything. I like to taste what I'm drinking and

0:38:33.880 --> 0:38:36.279
<v Speaker 1>know exactly how it's gonna make me feel. How does

0:38:36.320 --> 0:38:41.960
<v Speaker 1>whiskey make you feel? Um? Badass, strong and badass. I'm

0:38:41.960 --> 0:38:43.560
<v Speaker 1>gonna come up and talk to you and pull you

0:38:43.640 --> 0:38:47.520
<v Speaker 1>unto the dance floor, heal you, and I'm gonna rub

0:38:47.520 --> 0:38:50.239
<v Speaker 1>coconut oil all over you. Okay, so no too self.

0:38:50.280 --> 0:38:51.839
<v Speaker 1>Who ever goes on a date would actually get her

0:38:51.880 --> 0:38:55.160
<v Speaker 1>some whiskey. You have to make me laugh first, Yeah,

0:38:55.200 --> 0:38:57.320
<v Speaker 1>if you want the coconut oil and not the nervous laughter,

0:38:57.840 --> 0:39:03.440
<v Speaker 1>not that it's funny, like fake yeah, that fake nervous laughter. Okay, okay, okay.

0:39:03.440 --> 0:39:05.359
<v Speaker 1>So you played that I had a Few. It's called

0:39:05.400 --> 0:39:07.360
<v Speaker 1>had a Few, Had a Few, and then I played

0:39:07.400 --> 0:39:11.799
<v Speaker 1>Remembering Love, and then I played a new song that

0:39:11.840 --> 0:39:15.520
<v Speaker 1>I wrote called Cry, which is like, I think that's

0:39:15.600 --> 0:39:19.239
<v Speaker 1>my like boom song, Like, hey, this is actually Campbell. Okay,

0:39:19.239 --> 0:39:22.280
<v Speaker 1>tell me about Cry. So this is like introducing Ashley Campbell,

0:39:22.320 --> 0:39:24.359
<v Speaker 1>I think, so, yes, break it down for me, girl,

0:39:24.360 --> 0:39:27.879
<v Speaker 1>all right. So Cry is a song, um about like

0:39:28.160 --> 0:39:30.000
<v Speaker 1>when you get broken up with and you don't want

0:39:30.040 --> 0:39:32.000
<v Speaker 1>to be broken up with and so you're really sad

0:39:32.640 --> 0:39:36.560
<v Speaker 1>and the other the guy seems totally fine and you're

0:39:36.600 --> 0:39:39.319
<v Speaker 1>just like, didn't I mean anything to you? And so

0:39:39.400 --> 0:39:42.879
<v Speaker 1>the song, like the lyrics is, um, I hope you're

0:39:42.880 --> 0:39:44.680
<v Speaker 1>crying in your bedroom. I hope you're just putting on

0:39:44.719 --> 0:39:47.239
<v Speaker 1>a show. So it's like cry cry for me. I

0:39:47.280 --> 0:39:50.480
<v Speaker 1>want to see you bleed. You just kind of want

0:39:50.480 --> 0:39:52.000
<v Speaker 1>to see them in a little bit of pain so

0:39:52.040 --> 0:39:54.640
<v Speaker 1>that you know that your pain is legitimate. You know, yes,

0:39:55.160 --> 0:39:57.319
<v Speaker 1>is this based on a true story? It might be

0:39:58.200 --> 0:40:02.560
<v Speaker 1>someone would break your heart a little bit. Yeah, I

0:40:02.600 --> 0:40:08.279
<v Speaker 1>cannot even believe that. Yeah it happens. No, No, okay,

0:40:08.320 --> 0:40:10.120
<v Speaker 1>we haven't met you the right guy yet, because girl,

0:40:10.360 --> 0:40:13.040
<v Speaker 1>you are the whole package. He must not have been

0:40:13.040 --> 0:40:15.279
<v Speaker 1>a man yet. Maybe not he was. He was just

0:40:15.320 --> 0:40:17.880
<v Speaker 1>a boy. He was just a boy. There's just a

0:40:17.880 --> 0:40:22.120
<v Speaker 1>Peter Pan exactly. There's a lot of those in Nashville. Yeah, definitely.

0:40:22.200 --> 0:40:25.360
<v Speaker 1>They just haven't quite grown everywhere. They're everywhere, they are everywhere.

0:40:25.840 --> 0:40:28.799
<v Speaker 1>What do you what is a Peter Pan exactly? Oh? Man,

0:40:29.200 --> 0:40:32.239
<v Speaker 1>just someone who just doesn't know what they want. They

0:40:32.320 --> 0:40:34.080
<v Speaker 1>just don't want to settle down. And I'm not saying

0:40:34.120 --> 0:40:36.239
<v Speaker 1>I want to settle down right now, but someone who's

0:40:36.239 --> 0:40:38.920
<v Speaker 1>afraid to make a commitment, right Yeah, Peter Pan just

0:40:38.960 --> 0:40:43.800
<v Speaker 1>flies away. Yeah nope. So tell me about your fashion

0:40:43.880 --> 0:40:47.319
<v Speaker 1>style because you always look hands sound fabulous. What do

0:40:47.360 --> 0:40:50.640
<v Speaker 1>you what's your go to vibe? Well? Um, my go

0:40:50.760 --> 0:40:54.040
<v Speaker 1>to pieces are like some skin tight skinny jeans. You

0:40:54.120 --> 0:40:57.239
<v Speaker 1>got those legs, thank you those legs. Bow Days, skin

0:40:57.280 --> 0:41:01.160
<v Speaker 1>tight skinny jeans, a comfy T shirt and a black

0:41:01.239 --> 0:41:05.560
<v Speaker 1>leather jacket. Okay, some ankle boots. Yeah, like badass entering

0:41:05.600 --> 0:41:09.600
<v Speaker 1>the room. Yeah, that's my go to pieces. And what

0:41:09.640 --> 0:41:15.520
<v Speaker 1>are you most excited about for mm hmmm. I'm excited

0:41:15.520 --> 0:41:18.880
<v Speaker 1>about making an album. Okay, do you have an idea

0:41:18.880 --> 0:41:20.879
<v Speaker 1>of the songs you want on the album? I do

0:41:21.239 --> 0:41:23.839
<v Speaker 1>all of them, all all the maybe one. So I'm

0:41:23.880 --> 0:41:27.760
<v Speaker 1>super excited and I'm I'm writing my album. I'm writing

0:41:27.800 --> 0:41:30.759
<v Speaker 1>every song. So what is the range of the songs, Like,

0:41:30.800 --> 0:41:35.319
<v Speaker 1>what do they span from? It spans from everything to

0:41:35.480 --> 0:41:39.879
<v Speaker 1>just from fun like drinking too like super serious, like

0:41:40.160 --> 0:41:42.440
<v Speaker 1>my heart's broken and I'm watching you walk away with

0:41:42.480 --> 0:41:48.000
<v Speaker 1>her into the sunset with her. Yeah, so I get

0:41:48.000 --> 0:41:51.399
<v Speaker 1>pretty deep in in there. But um, yeah, it's good.

0:41:51.440 --> 0:41:53.879
<v Speaker 1>It's just an honest album and it's a lot of

0:41:54.160 --> 0:41:57.400
<v Speaker 1>autobiographical stuff. Okay, so every song has a little shred

0:41:57.400 --> 0:41:59.520
<v Speaker 1>of truth in it. Yeah, definitely. I love that. I

0:41:59.560 --> 0:42:01.799
<v Speaker 1>love off centic songs like that you really feel like

0:42:01.840 --> 0:42:05.480
<v Speaker 1>the person singing means Yeah, exactly. Like I figured when

0:42:05.480 --> 0:42:08.000
<v Speaker 1>I'm writing a song, like if I write about something

0:42:08.080 --> 0:42:10.080
<v Speaker 1>that happened to me, the odds are it's happened to

0:42:10.120 --> 0:42:13.080
<v Speaker 1>someone else because we're all kind of living within the

0:42:13.120 --> 0:42:15.120
<v Speaker 1>same realm. We're all in this thing together, in the

0:42:15.160 --> 0:42:17.759
<v Speaker 1>same realm of heartbreak. Yeah. Is it scary to put

0:42:17.800 --> 0:42:19.600
<v Speaker 1>yourself out there in a song and be vulnerable and

0:42:19.680 --> 0:42:24.439
<v Speaker 1>kind of like say that out loud sometimes? Yeah? Um,

0:42:24.560 --> 0:42:27.640
<v Speaker 1>I'm just hoping that the person that I wrote them

0:42:27.640 --> 0:42:33.960
<v Speaker 1>about doesn't feel too bad or feels terrible. Yeah. Okay, Well,

0:42:33.960 --> 0:42:36.640
<v Speaker 1>actually I want to wrap up. Thank you so much

0:42:36.760 --> 0:42:38.400
<v Speaker 1>for being on my show. Thank you for having me.

0:42:38.440 --> 0:42:41.360
<v Speaker 1>It's always fun chatting with you, it is, and we

0:42:41.400 --> 0:42:44.120
<v Speaker 1>still have had a girl's night absolutely dinner. But I

0:42:44.200 --> 0:42:47.320
<v Speaker 1>like to end my interviews with a little thing called

0:42:48.120 --> 0:42:52.359
<v Speaker 1>leave your Light. So basically what that means is leave

0:42:52.440 --> 0:42:55.759
<v Speaker 1>me some inspiration, something that inspires you, something that you

0:42:55.800 --> 0:43:01.360
<v Speaker 1>want to inspire people with, some sort of inspiration. Okay, Um,

0:43:01.440 --> 0:43:03.759
<v Speaker 1>so I go. I've been going by this motto for

0:43:03.800 --> 0:43:06.839
<v Speaker 1>the last year because a very close friend of mine

0:43:07.200 --> 0:43:09.719
<v Speaker 1>who was like another father father figure, he passed away

0:43:09.800 --> 0:43:13.480
<v Speaker 1>last year from pancretit cancer and um. But right before

0:43:13.520 --> 0:43:16.120
<v Speaker 1>he went, when he was staying with us, he was

0:43:16.440 --> 0:43:19.120
<v Speaker 1>a chef and we would always leave dirty dishes in

0:43:19.160 --> 0:43:22.040
<v Speaker 1>the kitchen and stuff, and he'd get really annoyed, and

0:43:22.080 --> 0:43:25.800
<v Speaker 1>so he put up this cardboard heart on the fridge

0:43:25.880 --> 0:43:28.560
<v Speaker 1>and he wrote in sharpie, leave everything better than you

0:43:28.600 --> 0:43:33.160
<v Speaker 1>found it. And so after he passed away, I kind

0:43:33.160 --> 0:43:36.320
<v Speaker 1>of kept that heart and I've been applying it towards

0:43:36.320 --> 0:43:38.960
<v Speaker 1>everything I do in life. So like, even from from

0:43:39.000 --> 0:43:41.440
<v Speaker 1>like oh there's piece of trash on the ground, pick

0:43:41.520 --> 0:43:43.920
<v Speaker 1>it up, pick it up, or all the way to like,

0:43:44.160 --> 0:43:46.080
<v Speaker 1>oh you're not feeling so great today, How can I

0:43:46.160 --> 0:43:48.400
<v Speaker 1>leave you better than I found you? You know? Actually,

0:43:48.520 --> 0:43:51.080
<v Speaker 1>so that's kind of my inspiration right now. So you

0:43:51.360 --> 0:43:53.280
<v Speaker 1>are going out of your way to do a little

0:43:53.320 --> 0:43:56.120
<v Speaker 1>more good. Yeah, exactly. Like when I get a selfish

0:43:56.120 --> 0:43:58.000
<v Speaker 1>thought like well I don't want to hang with you

0:43:58.080 --> 0:43:59.400
<v Speaker 1>and make you feel better, I want to go in

0:43:59.440 --> 0:44:01.480
<v Speaker 1>my room and watch Netflix, I'll say, you know what,

0:44:01.640 --> 0:44:04.560
<v Speaker 1>that's that's not going to help anyone. So just little

0:44:04.600 --> 0:44:06.919
<v Speaker 1>things like that all the way to big big things,

0:44:07.000 --> 0:44:09.040
<v Speaker 1>you know, just anything you do, you kind of just

0:44:09.160 --> 0:44:12.480
<v Speaker 1>use that motto as a mantra. Okay, So not only

0:44:12.520 --> 0:44:17.319
<v Speaker 1>are you amazingly talented incredible, you have a sweetheart too.

0:44:17.680 --> 0:44:19.839
<v Speaker 1>On top of it, I mean, are you real I'm

0:44:19.880 --> 0:44:25.960
<v Speaker 1>gonna pinch you? Yeah, there you are. Thank you so

0:44:26.040 --> 0:44:34.680
<v Speaker 1>much for eating. Thank you girl, Carala, She's a queen

0:44:34.800 --> 0:44:40.440
<v Speaker 1>of talking. She's on the inside. She got the stoop

0:44:40.480 --> 0:44:53.640
<v Speaker 1>on no one can do with Caral Carala. I hope

0:44:53.640 --> 0:44:55.960
<v Speaker 1>you guys loved hearing from Ashley Campbell. She is such

0:44:56.000 --> 0:44:59.080
<v Speaker 1>a little angel and Ray of Sunshine next week is

0:44:59.120 --> 0:45:02.280
<v Speaker 1>an incredible episode because I have a world famous, world

0:45:02.320 --> 0:45:05.680
<v Speaker 1>renowned producer, Tony Brown. This dude has produced over a

0:45:05.719 --> 0:45:08.600
<v Speaker 1>hundred number one songs. He has over a hundred million

0:45:08.719 --> 0:45:12.560
<v Speaker 1>album sales. All the artists that he has produced combined

0:45:12.600 --> 0:45:16.320
<v Speaker 1>have sold over a hundred million album of sales. That's insane.

0:45:16.360 --> 0:45:19.720
<v Speaker 1>He's produced Reba, Vince Gale, George Straight Brooks, and Dunne,

0:45:19.719 --> 0:45:22.720
<v Speaker 1>Tricia Yearwood, Rodney Crowd to name a few. He also

0:45:22.800 --> 0:45:25.560
<v Speaker 1>did Lionel Ritchie's album that had all those duets with

0:45:25.640 --> 0:45:28.560
<v Speaker 1>Blake Shelton, Jason Audene, Darius Drugger to McGraw. The list

0:45:28.600 --> 0:45:32.200
<v Speaker 1>goes on. He's won a Grammy. He ran a record label,

0:45:32.320 --> 0:45:36.239
<v Speaker 1>m c A Records, and he signed artists like He

0:45:36.280 --> 0:45:39.560
<v Speaker 1>signed some of the coolest artists ever, like Lyle Lovett,

0:45:39.640 --> 0:45:44.839
<v Speaker 1>Kelly Willis, Alison Moore, Rodney kraw Uh, the Mavericks. He's

0:45:44.880 --> 0:45:48.040
<v Speaker 1>called the founding father of alternative Americana country music, and

0:45:48.120 --> 0:45:51.120
<v Speaker 1>he played freaking piano with Elvis Presley and Emmy Lou Harris.

0:45:51.160 --> 0:45:52.560
<v Speaker 1>Are you kidding me? You are not gonna want to

0:45:52.600 --> 0:45:55.200
<v Speaker 1>miss Tony Brown, So y'all tune in next week and

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<v Speaker 1>make sure to subscribe on iTunes by y'all, end und