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Speaker 1: She don't want you to getting your back, staying your back.

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Speaker 1: She ain't don't want my love. I guess I gotta

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Speaker 1: move on. Yeah, Yeah, she on my love. I guess

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Speaker 1: I gotta move on. Yeah. Welcome to Drink Champs, the

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Speaker 1: production of The Black Effect and I heart Radio. I

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Speaker 1: just drinks mothering podcast. He's a legendary Queen's wrapper, he said, Greed.

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Speaker 1: That's your boy here, no r He's a Miami hippop

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Speaker 1: pioneer up his dj e f N. Together they drinking

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Speaker 1: up with some of the biggest players, I mean, and

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Speaker 1: the most professional unprofessional podcast and number one sort for

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Speaker 1: drunk z T trick up. Would it could be hoping

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Speaker 1: this would shoot me? This is your boy? And what

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Speaker 1: up is d j e f N. And it's gonna

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Speaker 1: take me Drink Champs, motherfucker, yap yawa make some of us.

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Speaker 1: And when you talk about legends of legends, when we

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Speaker 1: talk about groups, you know, sometimes I think of like

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Speaker 1: you know, like that, like the like the I'm not

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Speaker 1: saying this, I mean as far as impact, you know,

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Speaker 1: like the Backstreet Boys and in Sync put together. If

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Speaker 1: they were black mixed with the Jackson five and New Edition,

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Speaker 1: you would get this group that I'm talking about. Hold on,

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Speaker 1: let me let me bring up how many awards, because

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Speaker 1: they got awards hits. Hold up, they ex se me

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Speaker 1: to complicated. They got fewer choice awards, Nickelodeon Kids Award,

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Speaker 1: so training awards, they got all type of wards they

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Speaker 1: were I come out when you talk about boy Man Wall.

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Speaker 1: They got numerous hits and hits. I woke up last name,

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Speaker 1: good for them. My one of my dear friends, Car

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Speaker 1: that hit me to the to the day land, I said,

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Speaker 1: Car that, and I'm going through the list and I

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Speaker 1: just couldn't sleep because I'm listening to this. Just Cam,

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Speaker 1: I remember that. Remember these niggas got hits after hits

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Speaker 1: after hits, and we're gonna show them they respect. We're

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Speaker 1: gonna give them their flowers today. In case you don't

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Speaker 1: know who then we're talking about to my books, little

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Speaker 1: Fish and Raspby be too drink. Now, I ain't gona

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Speaker 1: lie y'all. Niggas got some hits, bro, I was back

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Speaker 1: like WHOA. So um, let's talk. Let's take it from

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Speaker 1: the beginning, because obviously you know the elephant in the

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Speaker 1: room is B two K was a four man group, right,

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Speaker 1: So right now we have Beto K, but it's it's

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Speaker 1: a three man group. Well let's not let's not talk

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Speaker 1: about the breakup or everything or anything like that right now,

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Speaker 1: Let's talk about the beginning. How did y'all actually form together?

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Speaker 1: How did BE two K become? Be took you gotta

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Speaker 1: tell him? And then so I was I was eight

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Speaker 1: years old and moms took me to a Black history

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Speaker 1: expo and they had this group on stage and they

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Speaker 1: reminded me of like Criss Cross. I was hell in

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Speaker 1: the Criss Cross. They have to inside out. No, they

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Speaker 1: just had on big jersey okay, And um I was like, man, Mom,

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Speaker 1: I want to watch him. I want to watch him.

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Speaker 1: And she was like all right. So we sat there,

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Speaker 1: we watched them, and then we left, and when we

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Speaker 1: walked into this hallway, this lady came running up after

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Speaker 1: my mom. She said, excuse me, excuse me, Oh my god,

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Speaker 1: your son is so adorable. What's your name? I'm like Drew.

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Speaker 1: She's like, do you wrap? Her sing? And I was

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Speaker 1: like yeall rap and she was like okay, my mom

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Speaker 1: is looking like you wrap and I'm like yeah. She's

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Speaker 1: like all right, well, um, let's take your info and yeah,

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Speaker 1: this is like so she had me come to this,

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Speaker 1: to this cred like basically audition. Um. And at the

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Speaker 1: time it was two other members. It was Eneko's older

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Speaker 1: brother and this other dude, that random singer, and that

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Speaker 1: was the group for a minute. And we kept going

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Speaker 1: through different members until I was twelve. So four years later,

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Speaker 1: I'm not book Uh so then what happened? Telling us

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Speaker 1: what happened from there? Oh? Yeah, yeah, I was twelve.

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Speaker 1: I was playing football at the time and my mom

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Speaker 1: was babysitting the manager's niece and so I'm coming home

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Speaker 1: from school getting ready for football practice. She picking up

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Speaker 1: the little baby from the daycare, and she liked the

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Speaker 1: same question. She asked him, like can you sing? Yeah?

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Speaker 1: Can you dance? I've been dancing since I was probing. Yeah,

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Speaker 1: Like I wanted your audition for this group. I mean,

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Speaker 1: this the first thing I do when I walked in

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Speaker 1: the road. He walked in the sentence I'm a wrestler fan.

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Speaker 1: I'm like, bro, you wanna watch wrestlers? Looking at me

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Speaker 1: like this it's my group, right, you know what I'm saying.

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Speaker 1: So audition for him? And uh they debated and it

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Speaker 1: was like yeah, yeah, he cood he could be in

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Speaker 1: a group or whatever. And then this comes from Ohio,

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Speaker 1: y'all from l A. Yeah okay. And then he comes

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Speaker 1: from the High he moved you moved to l A. Yeah,

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Speaker 1: well Maca moved me to Cleveland. I was about from Cleveland.

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Speaker 1: I was about eight and a half months. So my

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Speaker 1: cousin's Chris Stokes, who pretty much formed put the group

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Speaker 1: together and I was like the the fifth member to

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Speaker 1: get added to a group that was called Melodic, which

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Speaker 1: is kind of awkward because you go, you know, you

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Speaker 1: got four casts and I'm fifth guy. But you know, uh,

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Speaker 1: my cousin has a relationship to the business. You know

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Speaker 1: what I'm saying, previous success. It was able to give

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Speaker 1: us opportunity opening up the doors for us. That group

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Speaker 1: was called there was melodic. It was he was the

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Speaker 1: fifth member. Okay, you had to start in five Okay,

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Speaker 1: so we've been there. So so then how did y'all

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Speaker 1: how did how did this for him to be too?

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Speaker 1: So we let performed. Were performed for every label you

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Speaker 1: can think of this time. So we performed for every

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Speaker 1: label they closed during our face like we messing with it.

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Speaker 1: We got to Sony to Epic and we performed for

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Speaker 1: them like three times, and he was like to keep performing.

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Speaker 1: Reform was they're gonna sign us, Like, what's up? Who's

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Speaker 1: Who's the head of Epic at that time, David Fierson

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Speaker 1: shout out to Max he was mask goose ran to

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Speaker 1: play though he was he was the one that we're

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Speaker 1: going to play and god damon fishing Man. So we

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Speaker 1: went performed for them for the third time and they

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Speaker 1: told us after the meeting that they were like, Yo,

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Speaker 1: we liked these three, but these two look a little

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Speaker 1: too old to being the group. We have much staster nothing.

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Speaker 1: They already looked like grown men. Who two, they come

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Speaker 1: on Ko's older brother and now she and the other

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Speaker 1: guy actually works for the company. To her, that's that's

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Speaker 1: her manager, so Nick. So they started a whole another

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Speaker 1: group called Final four and it was US three and

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Speaker 1: Chris Stokes found on Marian through through his through his

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Speaker 1: family year, so he came into play. And then we

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Speaker 1: started performing again for every label. Now score y'all, yeah, okay,

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Speaker 1: and yeah still what was it called melodic? It was

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Speaker 1: it was Boys next Door, Boys next Door being dut

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Speaker 1: were performed for every label again. Nobody was rocking with us, um,

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Speaker 1: and then we got to La Face. Baby Face Yeah

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Speaker 1: and l A Read were performed for l A and

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Speaker 1: he was like up in the air body. He didn't

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Speaker 1: really know if he wanted to do it or not.

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Speaker 1: But Little Silas was president at the time, Rest in peace,

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Speaker 1: Little Key that he was fighting for us. He was like, no,

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Speaker 1: I'm gonna get him to sign y'all. So he called

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Speaker 1: one day and was like, Yo, I got the deal done,

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Speaker 1: but y'all need to change your name. And he said

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Speaker 1: and we was like, well, what's what's the name? He

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Speaker 1: was like, y'all should call yourselves be two k Boys

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Speaker 1: of the New Millennium because it was right right now. Well,

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Speaker 1: but I thought there's some call that that's kinda that's

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Speaker 1: kind of crazy. So yeah, so that's how we got

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Speaker 1: the name. And then when Little passed away, our deal

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Speaker 1: was out the table table, so l A Ree was like, no,

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Speaker 1: I'm not I'm not rocking with it. Wow. Um. Every

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Speaker 1: label pretty much felt like we needed a stronger vocalist,

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Speaker 1: so we circled back around to Epic with Max Goose

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Speaker 1: and Keep Mid. We did go around the industry like

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Speaker 1: we did. The same run would be took that we

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Speaker 1: did with Molotty to Motown. We did the same run

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Speaker 1: again with the new group, and then that's what he

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Speaker 1: was saying. They were saying they still felt like we

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Speaker 1: needed a stronger vocals. So I don't know if you

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Speaker 1: remember the R and B group Third Story, third Story,

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Speaker 1: a little bit they had. They had a lead singer's

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Speaker 1: name was Ka Young, a little man, a little they

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Speaker 1: called him little man at the time. So they presented

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Speaker 1: putting him in the group. He got in a group

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Speaker 1: for like my month. Yeah, we recorded a demo and

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Speaker 1: we performed for for epic again and they said, we

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Speaker 1: still don't like it. It was like thing that happened

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Speaker 1: with that is that like a drink, the very hold on.

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Speaker 1: So they funded on you again. It's just the time

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Speaker 1: they're funding on you. Yeah, okay, we need to get here. Yeah.

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Speaker 1: And they asked, like our management at the time asked

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Speaker 1: us like what y'all want to do? You know, like,

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Speaker 1: and we was like, man, we don't want this nigger

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Speaker 1: in our group. He not like that. Like that. B

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Speaker 1: K went from a lot of where we couldn't do

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Speaker 1: what we wanted to do, like as performance, because the

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Speaker 1: other two guys wasn't dancers like that, right, So we

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Speaker 1: got oh in the group and no little Man yet

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Speaker 1: and we are a dynamic performing like literally Destiny Child

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Speaker 1: in the living room at the crib and they were like, yo,

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Speaker 1: y'all are unbelievable. Stop stop the regular ship. You know,

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Speaker 1: we can't move on. Hold on, hold stop right there,

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Speaker 1: Hold on? What the funk? How to get the performing

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Speaker 1: Christ At the time, he um, he was doing business

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Speaker 1: with Destiny Child, you know, the and Mature was producing

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Speaker 1: and they produced a few records on they say my

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Speaker 1: name to be clear for people that don't know. The

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Speaker 1: Immature was to do with the patching the eye, right,

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Speaker 1: that's the group of Like it was like ghetto boys

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Speaker 1: in reverse. This is really okay, let's let's yeah. So

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Speaker 1: when was at the crib and they came Destinitely Child

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Speaker 1: came by and it was like, yo, this is our

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Speaker 1: new group, like we want them to perform for you.

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Speaker 1: So we performed form in the living room. We might

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Speaker 1: have had as much space as this table, and we

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Speaker 1: was in there getting every step back, flipped everything. So

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Speaker 1: so um, yeah, we were four shots lined up like

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Speaker 1: acting like they don't know where we are. That's my

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Speaker 1: regular drink, but I think it's shot too. But the

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Speaker 1: thing was, no drink, got a shout, you a drink.

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Speaker 1: I gotta drink in a shot. That's how getting up

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Speaker 1: going down? Crazy man. You know, can we celebrated speaking,

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Speaker 1: We celebrate your career, kid, we celebrate y'all hit it

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Speaker 1: out before we get this ship started. I watched that

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Speaker 1: Chris Brown ship. Okay, I can't shoot that nigga was

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Speaker 1: shooting them shots like it like that anytime I felt

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Speaker 1: fun out after days the leak, I get it's a

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Speaker 1: crazy bash. So look, it wasn't that little up our group,

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Speaker 1: you know what I'm saying. It's just that he bothered

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Speaker 1: the performance aspect. We couldn't again go as you know,

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Speaker 1: we just couldn't go as far as like the high

202
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Speaker 1: performance because of his limitations in the dance world. You know,

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Speaker 1: like I didn't sing. It wasn't busting back flips no more.

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Speaker 1: Right now exactly, y'all recording music at the same time,

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Speaker 1: the shopping demos was just auditions, the demos, everything, every

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Speaker 1: iteration of the group was recording new music. Yeah, full

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Speaker 1: projects like packaging everything ready to go shop the working man.

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Speaker 1: So um, we we did, We did that last performance.

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Speaker 1: They didn't like it, and Max was like, I'm fighting.

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Speaker 1: I'm gonna telling to just do it with with the four.

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Speaker 1: And we was about to get dropped from our management.

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Speaker 1: There was like, if y'all just don't get the deals over,

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Speaker 1: we're not working no more week. We gave you everything,

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Speaker 1: like yeah, just nah, yeah, because I got I got

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Speaker 1: pulled out of school right when I made the basketball

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Speaker 1: team in high school. I didn't even get to go

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Speaker 1: to the first practice. If I missed too many days,

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Speaker 1: it was gonna kick me out. So I had to

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Speaker 1: check myself out and redo the whole first semester of

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Speaker 1: high school. Anyways, they said he Max said he was

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Speaker 1: gonna fight for just the four. So he goes tossed

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Speaker 1: to Dave Dave Fiercing. He sets up in uh A

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Speaker 1: performance Force in New York for Tommy Mantola and Polly Anthony.

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Speaker 1: So this is it. We like drinking wine. No, no,

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Speaker 1: he came in like like Tony soprano, alright, sounds So

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Speaker 1: we get out there. We go to SR. Student. I

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Speaker 1: noticed I don't like lying, but I we're in the building.

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Speaker 1: A lot of a lot of niggas want to let go,

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Speaker 1: you know. That's right, but let me go. Yes. So

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Speaker 1: we go to sr Studios yesterday and we're like, yo,

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Speaker 1: we this is it, Like we gotta we gotta put

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Speaker 1: on the show of our lifetime, you know. So he

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Speaker 1: come in there, Polly is in there. She's like, we

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Speaker 1: gotta wait on, Tommy. We gotta wait on. Tommy gets

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Speaker 1: in there and we're looking at me like, how are

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Speaker 1: you doing? Nice to meat, She's like, all right, go

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Speaker 1: go perform. So hit up there We we do three songs.

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Speaker 1: Were jumping on speakers, doing back flips, grinding on Polly Anthony,

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Speaker 1: everything we could do. You know. We pulled out and

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Speaker 1: we finished the last song. We were standing there. He

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Speaker 1: said it's done. I'm signing y'all and he walked out

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Speaker 1: and we was like, yo, we gotta deal. We gotta deal.

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Speaker 1: Like we was celebrating after that. We gotta take a

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Speaker 1: shot to that. I ain't gonna lot of yet. I

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Speaker 1: just feel like we got to take right. It's when

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Speaker 1: your guys are so let me tell you myself. Come on,

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Speaker 1: let's go, come on. I just just just stopped drinking,

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Speaker 1: bro It's okay, were celebrating. It's not called drinking. Drinking

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Speaker 1: is a whole nother thing. It's just cool celebrating. Yes, yes,

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Speaker 1: you coming, I'm coming, bro. I guess we all wash

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Speaker 1: some little coop down. Y're good, y'all good, let's us

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Speaker 1: to be quil. Did y'all see the verses? Yeah, of

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Speaker 1: course everybody saw the verses. I thought it was amazing

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Speaker 1: this guy, but stop kidding something, yeah, saying it was entertaining. Okay,

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Speaker 1: so we're getting into the verses. I perform a watermelon

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Speaker 1: before watermelon. No, that went until like the second millennium. Okay, cool,

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Speaker 1: my bad you did you have done this second millennium?

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Speaker 1: Okay we went on? Okay, okay, so y'all think, y'all

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Speaker 1: watch your verses. Let's let's tell U. I don't know.

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Speaker 1: So if you asked them about the verses, we gotta

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Speaker 1: start because we heard about it before. It was happy

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Speaker 1: before the promo. We've been happy before we knew nobody,

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Speaker 1: great jazz, close friends like Pleasure, p pretty Ricky. We

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Speaker 1: fun with all of it. So they like yo versus y'all.

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Speaker 1: Nick is showing up, y'all coming like they're trying to

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Speaker 1: figure out what's up to get They set straight from me.

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Speaker 1: You see, if you're coming out with right, because that'd

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Speaker 1: be a t cold out right coming out. I thought,

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Speaker 1: I thought I saw y'all that's how crazy is so well,

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Speaker 1: I think we came out like your highest game. That

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Speaker 1: was like so we we um. We're like, yeah, yeah,

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Speaker 1: we heard it, we heard about it. Um, you know,

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Speaker 1: I don't know. We don't know what's up yet, right,

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Speaker 1: Like y'all, y'all should come out with me. I'll bring

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Speaker 1: y'all out. That's right, right, I'll bring y'all out. Jump

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Speaker 1: on the line with me really quick. Let's let's go viral.

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Speaker 1: So we're like, it's just waiting to hear here's something

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Speaker 1: you feel me like. If nothing cool, you know, go

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Speaker 1: do your thing. We get a call. I feel like

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Speaker 1: I should call Max Goose right now, call Max Goose,

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Speaker 1: call this now. We believe you because with the story

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Speaker 1: keep going. We get back to him. He has schools

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Speaker 1: calls us and he's like, yo, um, what y'all feel

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Speaker 1: about doing versus? And he was like in the Mari

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Speaker 1: doing versus. He's like, yeah, like what y'all feel about coming?

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Speaker 1: Maybe do a couple of songs with him? Be okay.

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Speaker 1: It was like it's a conversation you know we to

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Speaker 1: talk about the business, right, you know what I mean?

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Speaker 1: It's why not? Now keep in mind, He's like, I'm

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Speaker 1: working on placing Olds new music at a label, and

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Speaker 1: I heard that y'all was talking about possibly doing album

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Speaker 1: as the three. That's what It would be a great

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Speaker 1: moment to show y'all reconssile. He could get the push

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Speaker 1: for his new album. Y'all could get the clarity that

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Speaker 1: y'all doing the albumashs to three, and it would be

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Speaker 1: like a cool little premier for everything, you know what

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Speaker 1: I'm saying. All Right, So he's like, you know, Michelle's

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Speaker 1: food with it, which is Olds manager. Okay, we like

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Speaker 1: work because you know, every time we hear back from her,

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Speaker 1: it's like flat, like who okay, okay, So like you

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Speaker 1: know what we'll get. We'll jump on the car. Let's

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Speaker 1: talk about it. So we get on the car the

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Speaker 1: next day, us three, Max and Michelle. I want to

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Speaker 1: talk to us for some reason. You know, it's been

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Speaker 1: like this now, it's been like this for Sis the

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Speaker 1: group was broken up. It's been like this. Um. So

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Speaker 1: we're all on the phone and Max says the play

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Speaker 1: and she goes, so you want me to go back

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Speaker 1: to Amari and asked him to share his versus stage

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Speaker 1: with B two K to do bump bump bump, and

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Speaker 1: We're like, absolutely not. I had an energet right there

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Speaker 1: and said, who said you got on the phone thinking

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Speaker 1: she was thinking that the whole thing was that we

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Speaker 1: had contacted match, Like, Yo, Max, we heard Oh I

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Speaker 1: was doing the verses? Can we get a piece of that?

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Speaker 1: You know what I'm saying stage, It'll makes sense for him,

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Speaker 1: it makes sense for us. And she likes, so y'all

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Speaker 1: want me to go back and talk to Oh and

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Speaker 1: tell him that y'all want to come and perform with

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Speaker 1: him on his verses. And I'm like, wait, wait, wait,

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Speaker 1: na na, that ship ain't like that. Let me clarify.

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Speaker 1: Max just called us and asked us part with you

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Speaker 1: trying to get done and to give y'all more. Would

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Speaker 1: we be interested? Would we be up to support his

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Speaker 1: battle a James Mario and come out and give him

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Speaker 1: a cheek cold you know what I say? And so

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Speaker 1: we let her know, like when you go talk to him,

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Speaker 1: don't come at it like we're asking him to perform

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Speaker 1: for him. To let him know so hopefully he can

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Speaker 1: perceive it. Properly. You know what I'm saying, that his

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Speaker 1: management came up with this idea. The guy is trying

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Speaker 1: to place his music, came up with this idea for

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Speaker 1: the benefit of him, not us coming and say yo, broken,

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Speaker 1: we get like five minutes out of your verses broke

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Speaker 1: as we're trying to do something that you know what

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Speaker 1: I'm saying. So it was like, in mind you, Max

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Speaker 1: said Michelle's cool with it, meaning that on man when

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Speaker 1: we got on this call. So now it's because clear

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Speaker 1: I wos Max schools Max Okay, Okay, yeah, yeah, people

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Speaker 1: you know, I know people you know he said she

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Speaker 1: was cool with it. She got on the call acting

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Speaker 1: as if she had no idea what the call was about.

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Speaker 1: But it was like, yo, you got on the call.

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Speaker 1: You knew what this was about from the chump. So

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Speaker 1: she goes, well, it's unfortunate that I sound like a

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Speaker 1: broken record, but I can't bring any B two K

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Speaker 1: opportunities to Marie until you got signed them on past business.

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Speaker 1: So we did a whole millennium to it. Right, everybody

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Speaker 1: had cameras, you know, we all had cameras recording backstage

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Speaker 1: and I'm taking a shot taking the show and everything.

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Speaker 1: I'm taking the shot for y'alls is real. Ain't gonna lie.

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Speaker 1: This is real. Like I thought rappers go through it,

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Speaker 1: I had no Yeah, continue, sir. So we all, you know,

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Speaker 1: like I said, got cameras and everything, and we're using

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Speaker 1: our footage and posting it on Instagram, you know, doing

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Speaker 1: little stuff for you too. Because it was discussed, I

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Speaker 1: always gotta go. I'm like, I'm like the lawyer. I'm like,

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00:22:18,520 --> 00:22:21,159
Speaker 1: this ball, isn't it. We discussed that nobody was going

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Speaker 1: to monetize off the footage that we was using, and

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Speaker 1: if we decided to, we was gonna come together collectively

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Speaker 1: and make the decision, you know, for the best of

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Speaker 1: the group, you know what I'm saying. Also, you know,

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Speaker 1: I've been on Love and Hip Hop for eight years now.

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Speaker 1: So on the Scott Scott came in and she, you know,

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Speaker 1: knew about the tour and I was filming at the time.

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Speaker 1: She's like, Yo, we wanna can we you know, try

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Speaker 1: to do something with a documentary for the tour. Let's

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Speaker 1: put something in play on his team come back. We

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Speaker 1: don't want to do anything with MoMA Scott. So there

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Speaker 1: goes that. So we're like, all right, we're not doing

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Speaker 1: right for the two seasons. So we said, all right,

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Speaker 1: well we're not doing a dot everybody just to have

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Speaker 1: their footage. It was discussed that we could use the

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Speaker 1: footage to promote the tour to generate more ticket sales.

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Speaker 1: That's what the footage was, Okay, okay to be used.

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Speaker 1: It was clear to be used for that. You know

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Speaker 1: what I mean? If you want to post something that

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Speaker 1: was live from the show, a moment where fanded some

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Speaker 1: crazy backstage fund moments with other artists on the tour,

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Speaker 1: you know what I'm saying, promo for this? It was

381
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Speaker 1: verbal agreement that we sat down winning we talked about

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Speaker 1: you know what I'm saying, Okay, because I was saving

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Speaker 1: this for later, right, but I just feel like we're

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Speaker 1: did right. It's just really like we're there, right. What

385
00:23:35,720 --> 00:23:38,520
Speaker 1: was that an issue? You know? Because we heard the

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00:23:38,560 --> 00:23:40,600
Speaker 1: beginning that that was the important part, right of us

387
00:23:40,800 --> 00:23:43,280
Speaker 1: just sitting there and talking about the beginning, Howard order Gain,

388
00:23:43,440 --> 00:23:47,359
Speaker 1: What was that an issue of the brock? What was it? All? Right?

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Speaker 1: So so now because I feel like you got was

390
00:23:51,920 --> 00:23:55,800
Speaker 1: that a versus conversation because now we're gonna go fifteen

391
00:23:55,880 --> 00:23:58,800
Speaker 1: years back fifteed. This is alright because so literally so

392
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Speaker 1: people that was under a rock because everyone sees love

393
00:24:02,680 --> 00:24:05,080
Speaker 1: and hip hop and see that you were April and

394
00:24:05,760 --> 00:24:09,240
Speaker 1: initially thinks that that is it, right, that's not it.

395
00:24:09,359 --> 00:24:16,080
Speaker 1: We're saying years right over, blacks were on my seatbelt.

396
00:24:16,119 --> 00:24:20,360
Speaker 1: Let's go, oh, fifteen years prior. We've been uh, we've

397
00:24:20,359 --> 00:24:22,480
Speaker 1: been doing our thing now for three years. It's two

398
00:24:22,560 --> 00:24:26,560
Speaker 1: thousand three and we just finished filming You Got sir. Okay,

399
00:24:26,680 --> 00:24:29,000
Speaker 1: I'm dating Jennifer Freeman at the time, the lead girl

400
00:24:29,080 --> 00:24:31,200
Speaker 1: in the movie. We were supposed to be some noise.

401
00:24:31,240 --> 00:24:38,439
Speaker 1: For that, I feel like continue, continue, so continue, make

402
00:24:38,640 --> 00:24:42,919
Speaker 1: drink strong with you? Oh ship, I forgot I had

403
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Speaker 1: a shot. Okay, Oh you ready for your I'm sorry, homie.

404
00:24:47,680 --> 00:24:49,720
Speaker 1: She she also was a lead girl on our Girlfriend

405
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Speaker 1: video that Will Smith was in. That's Alexander lead. We

406
00:24:55,680 --> 00:25:00,200
Speaker 1: had all the top dogs, right, so you know, she

407
00:25:00,520 --> 00:25:02,920
Speaker 1: coming home at night after the movie like yo, you

408
00:25:02,960 --> 00:25:06,240
Speaker 1: know your boys trying to howl at me type of things,

409
00:25:06,320 --> 00:25:08,560
Speaker 1: like I'm pushing them off, like you know, like yo,

410
00:25:08,680 --> 00:25:12,119
Speaker 1: I'm with I'm with it, you know, So I'm like, yeah, whatever,

411
00:25:12,320 --> 00:25:15,040
Speaker 1: it's nothing. Me and old Ben had going back and

412
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Speaker 1: forth for girls. You know what I'm saying. I was

413
00:25:17,400 --> 00:25:19,399
Speaker 1: it was like, yeah, whatever that's gonna happen. You know,

414
00:25:19,800 --> 00:25:24,200
Speaker 1: did you knock it down? No? Um So, from that

415
00:25:24,320 --> 00:25:26,840
Speaker 1: point we get on tour. We go straight from feeling

416
00:25:26,880 --> 00:25:28,800
Speaker 1: the movie to screen to or three and we're headlining

417
00:25:28,840 --> 00:25:33,920
Speaker 1: this tour Screams for three. Ye arenas already, so your

418
00:25:33,960 --> 00:25:41,520
Speaker 1: poppy going on everywhere. And so we're on tour. It's

419
00:25:41,560 --> 00:25:44,000
Speaker 1: a lot. You know, we're getting word of back home.

420
00:25:44,480 --> 00:25:47,399
Speaker 1: I'm here, my girl is having parties and stuff. You

421
00:25:47,440 --> 00:25:49,920
Speaker 1: feel me. So we all start doing our things on

422
00:25:49,960 --> 00:25:54,160
Speaker 1: the tour. We're having fun. Now management you know, it's like, yo,

423
00:25:54,800 --> 00:25:56,760
Speaker 1: I'll go back to your rooms. You know, the Kobe

424
00:25:56,840 --> 00:25:58,920
Speaker 1: ship just happened. They're trying to keep us safe. You

425
00:25:59,000 --> 00:26:01,080
Speaker 1: feel me, so like, don't be Wally, get back to

426
00:26:01,160 --> 00:26:05,720
Speaker 1: the room, keep your mistique, be a superstar. But you know,

427
00:26:06,000 --> 00:26:08,679
Speaker 1: we still found our way to dancers rooms and ships

428
00:26:08,720 --> 00:26:17,120
Speaker 1: like that. Then uh, I'm talking about r dancing your

429
00:26:17,119 --> 00:26:27,479
Speaker 1: own known in the background. I get it. So. Um

430
00:26:27,840 --> 00:26:30,199
Speaker 1: So we're on the road and you know, we got

431
00:26:30,280 --> 00:26:33,719
Speaker 1: the conversations about the third album Boom, and we're like, yo,

432
00:26:33,840 --> 00:26:36,000
Speaker 1: you know we want jam to Pre to produce Aum,

433
00:26:36,440 --> 00:26:40,080
Speaker 1: we want to work with him, and management is like, nah, nah,

434
00:26:40,160 --> 00:26:43,280
Speaker 1: y'all gotta do something different, and we're like, oh why,

435
00:26:43,280 --> 00:26:45,919
Speaker 1: I like, you know, like what's up. Then they hit

436
00:26:46,000 --> 00:26:50,000
Speaker 1: us and like yeah, Marcus Houston first singles with Jamane

437
00:26:50,040 --> 00:26:55,920
Speaker 1: Dupre's like you just gave him that idea? Yeah, Like

438
00:26:56,080 --> 00:26:59,200
Speaker 1: come on man, then this then this goes to yo,

439
00:26:59,320 --> 00:27:02,120
Speaker 1: So y'all about to finish up the tour, y'all gotta

440
00:27:02,160 --> 00:27:06,760
Speaker 1: do seven more like fair days like festivals. Okay, Um,

441
00:27:06,880 --> 00:27:09,040
Speaker 1: so y'all could bring home some money. You know, y'all

442
00:27:09,040 --> 00:27:10,760
Speaker 1: didn't make no money on this tour. Y'all went into

443
00:27:10,840 --> 00:27:16,920
Speaker 1: y'all guarantee y'all gonna be mad when y'all get home

444
00:27:17,040 --> 00:27:20,680
Speaker 1: because my new billy is gonna be here. I'm sorry,

445
00:27:20,680 --> 00:27:26,040
Speaker 1: who's saying management? Okay? So I'm like, yo, it's it's

446
00:27:26,200 --> 00:27:29,119
Speaker 1: four of us, it's one of him. That's a hundred.

447
00:27:29,240 --> 00:27:34,159
Speaker 1: That's where's our business. I'm taking a shot for your families.

448
00:27:35,160 --> 00:27:39,200
Speaker 1: Where is my basiliny? So, right then and there on

449
00:27:39,359 --> 00:27:48,680
Speaker 1: the bus, us four all speaking in confidence and feel

450
00:27:49,520 --> 00:27:51,320
Speaker 1: we gotta come up with a plan. We gotta leave

451
00:27:51,320 --> 00:27:57,240
Speaker 1: this situation movie. It's Jerry Hello. Did was like, we

452
00:27:57,320 --> 00:27:58,879
Speaker 1: gotta we gotta get out of it, shout I know.

453
00:27:59,080 --> 00:28:02,280
Speaker 1: So when we get to Kellie, we ain't going back

454
00:28:02,320 --> 00:28:04,760
Speaker 1: to the houses that they brought us. We go to

455
00:28:04,840 --> 00:28:10,800
Speaker 1: our parents crib, chill, find a lawyer, figure this ship out. Well.

456
00:28:11,119 --> 00:28:16,840
Speaker 1: We get back to l A and bug hit me.

457
00:28:17,240 --> 00:28:18,719
Speaker 1: He like, bro, I need you to meet me at

458
00:28:18,720 --> 00:28:20,840
Speaker 1: the crib. I need to grab some clothes. I'm running short.

459
00:28:21,400 --> 00:28:24,000
Speaker 1: I'm like, all right, meet him up there, grab his clothes.

460
00:28:24,080 --> 00:28:28,120
Speaker 1: We leave in the house. Old walks in. He's like, yo,

461
00:28:28,200 --> 00:28:30,080
Speaker 1: what you're doing here. He's like, yeah, I'm about to go.

462
00:28:30,440 --> 00:28:32,200
Speaker 1: I'm about to go to the movies with the boys.

463
00:28:32,280 --> 00:28:35,720
Speaker 1: Were like what. He's like, yeah, I'm about to go

464
00:28:35,800 --> 00:28:38,000
Speaker 1: to the movie. We're like, nah, bro, that's not the plan,

465
00:28:38,200 --> 00:28:40,080
Speaker 1: Like what are you doing? He like, man, y'all should

466
00:28:40,120 --> 00:28:42,080
Speaker 1: talk to him. Y'all should just talk to him. And

467
00:28:42,120 --> 00:28:47,400
Speaker 1: we're like nah, man, So we leave. So we read

468
00:28:47,440 --> 00:28:53,360
Speaker 1: that a conversation, you know, y'allreel. So we leave and

469
00:28:53,680 --> 00:28:55,920
Speaker 1: the next night. That night, we get a call from

470
00:28:56,640 --> 00:28:59,280
Speaker 1: the production company telling us we got a meeting at

471
00:29:00,080 --> 00:29:04,280
Speaker 1: the spot called Fat Effects downtown l a for Overseas two.

472
00:29:05,600 --> 00:29:08,120
Speaker 1: Get up the next morning, go down there. They seem

473
00:29:08,160 --> 00:29:11,040
Speaker 1: a little weird and they're like moving fast and funny.

474
00:29:11,080 --> 00:29:13,880
Speaker 1: They're like, yeah, we're gonna meet around the corner. We

475
00:29:14,000 --> 00:29:17,400
Speaker 1: follow them around the corner to like some towyard truck field,

476
00:29:17,560 --> 00:29:20,240
Speaker 1: like it's dirt as a book. Just got the cars

477
00:29:20,280 --> 00:29:21,800
Speaker 1: from Like, bro, don't pull all the way in like

478
00:29:21,920 --> 00:29:24,240
Speaker 1: you just got your ship. Wash. We hopped out this

479
00:29:24,400 --> 00:29:26,720
Speaker 1: hell of weird though. Get out of the car and

480
00:29:26,800 --> 00:29:30,160
Speaker 1: they're like management and old standing right there in like

481
00:29:30,240 --> 00:29:33,120
Speaker 1: a half circle, and they like, you want to start,

482
00:29:33,200 --> 00:29:36,080
Speaker 1: You want to start, And then management like fucking this

483
00:29:36,200 --> 00:29:38,600
Speaker 1: ship is all be two k so so rap that

484
00:29:38,760 --> 00:29:41,520
Speaker 1: nigga right there, he's so low. All y'all wanted to

485
00:29:41,560 --> 00:29:44,880
Speaker 1: do is come film record the rest of these songs.

486
00:29:44,920 --> 00:29:47,040
Speaker 1: But you gotta start the soundtrack and do the videos.

487
00:29:47,080 --> 00:29:49,680
Speaker 1: And that's it. We don't need nothing else from y'all. Okay,

488
00:29:49,720 --> 00:29:54,240
Speaker 1: come on, tell first of all, this is your cousin correct. Yeah, okay, wait,

489
00:29:54,280 --> 00:29:57,560
Speaker 1: time on. Something had to happen. Come on, I'm getting

490
00:29:57,560 --> 00:29:59,680
Speaker 1: to something. You wanted to read it. We wanted to

491
00:29:59,680 --> 00:30:03,840
Speaker 1: read the O shade. We wanted to say, but okay,

492
00:30:03,920 --> 00:30:06,720
Speaker 1: turn the truth. No, listen, we was on up where

493
00:30:06,760 --> 00:30:10,320
Speaker 1: he was on the tour. We had a day, mind

494
00:30:10,360 --> 00:30:14,520
Speaker 1: you week week we on these festivals. Straw broke the

495
00:30:14,560 --> 00:30:17,600
Speaker 1: camel's back. What's the strong at the festival? Out of

496
00:30:17,680 --> 00:30:25,280
Speaker 1: stitching and we get some drinks store shot man, poor

497
00:30:25,360 --> 00:30:38,920
Speaker 1: shot before it together, straw and throw the camel's back.

498
00:30:39,640 --> 00:30:42,400
Speaker 1: I'm searching for the stroke all night. Let's go home, man,

499
00:30:42,480 --> 00:30:50,840
Speaker 1: it's solottle solids, a little solid there you go? Ye say,

500
00:30:52,000 --> 00:30:55,280
Speaker 1: So we get some drinks like we're doing right now.

501
00:30:55,600 --> 00:30:57,440
Speaker 1: We so that and then we go to apple Bee's

502
00:30:58,280 --> 00:31:02,040
Speaker 1: and we get some ward drinks and we're talking about

503
00:31:02,080 --> 00:31:05,239
Speaker 1: the tour. We're just talking about everything that happened. Now.

504
00:31:05,320 --> 00:31:07,600
Speaker 1: Mind we all got a plan to leave. We together,

505
00:31:07,680 --> 00:31:09,680
Speaker 1: We brothers. You feel me Like yeah, we're about to

506
00:31:09,680 --> 00:31:14,080
Speaker 1: go get this bag now. So we're like yeah, nay,

507
00:31:14,160 --> 00:31:16,480
Speaker 1: what was what was happening? I was like, man, I

508
00:31:16,640 --> 00:31:22,440
Speaker 1: was smashing all smashing old girl the whole tour. I

509
00:31:22,560 --> 00:31:27,120
Speaker 1: really liked her. Bro huh. And I'm like, bro, that's

510
00:31:27,160 --> 00:31:30,640
Speaker 1: not your girl. Like what's up? You cool? Yeah man?

511
00:31:31,080 --> 00:31:33,640
Speaker 1: And go to the bathroom, come back like all right,

512
00:31:34,240 --> 00:31:39,400
Speaker 1: I'm talking about oh, grab his stomach, his girl. This

513
00:31:39,600 --> 00:31:45,360
Speaker 1: was a random ship. This was a random chick. It's

514
00:31:45,360 --> 00:31:50,240
Speaker 1: a random that was role with us, somebody on the

515
00:31:50,360 --> 00:31:58,600
Speaker 1: road with us in the room. So so when we

516
00:31:58,720 --> 00:32:01,600
Speaker 1: got back, when we had this meeting in the dirt

517
00:32:01,680 --> 00:32:04,040
Speaker 1: field and they tell us this ship is over, they

518
00:32:04,160 --> 00:32:07,120
Speaker 1: go in to say, we know about y'all wanting to leave.

519
00:32:08,080 --> 00:32:10,520
Speaker 1: We know about y'all wanting to get out of your

520
00:32:10,640 --> 00:32:14,080
Speaker 1: deal and and do your own thing. I know about

521
00:32:14,160 --> 00:32:18,120
Speaker 1: you fucking such and such. I'm like you a bit.

522
00:32:18,280 --> 00:32:21,800
Speaker 1: You ask nigger whom saying that? That's management saying the ship.

523
00:32:21,920 --> 00:32:24,040
Speaker 1: So he didn't went back and told him everything we

524
00:32:24,200 --> 00:32:35,360
Speaker 1: discussed about leaving them out was black. I was. He

525
00:32:35,480 --> 00:32:38,800
Speaker 1: went back and us that the sitch and that's what

526
00:32:38,880 --> 00:32:42,640
Speaker 1: I'm saying. That piece right there, it was like I'm

527
00:32:42,720 --> 00:32:47,920
Speaker 1: telling so that was that. That's how that's how the

528
00:32:47,960 --> 00:32:52,080
Speaker 1: ship originally ended. Right. And then we're still playing our part.

529
00:32:52,160 --> 00:32:54,680
Speaker 1: We're doing our you got served parts in the studio.

530
00:32:54,840 --> 00:32:57,240
Speaker 1: We're going to film the video we do to buy

531
00:32:57,280 --> 00:33:01,440
Speaker 1: the boom video. Because he was right, Yeah, I got wet,

532
00:33:03,360 --> 00:33:09,560
Speaker 1: that's crazy, that's crazy. So um so after after after

533
00:33:09,720 --> 00:33:12,840
Speaker 1: you got served, uh, we did all the video and everything.

534
00:33:13,760 --> 00:33:17,320
Speaker 1: It was nothing else there. They basically a shelfter. We

535
00:33:17,360 --> 00:33:19,440
Speaker 1: couldn't do nothing, but let me ask you. Let me

536
00:33:19,480 --> 00:33:23,080
Speaker 1: ask you for one second, um, and I would like y'all,

537
00:33:23,400 --> 00:33:26,920
Speaker 1: all three of y'all to be honest. Well, y'all really

538
00:33:27,120 --> 00:33:30,120
Speaker 1: friends at one point, I mean, bro, we came. We

539
00:33:30,240 --> 00:33:33,600
Speaker 1: literally each had nothing Like I grew up in the

540
00:33:33,680 --> 00:33:36,760
Speaker 1: house with like eight people in a two bedroom apartment

541
00:33:36,800 --> 00:33:41,760
Speaker 1: on Slawson and Angeles Vista. He grew up on Tim five,

542
00:33:42,040 --> 00:33:45,280
Speaker 1: He grew up in Compton. We literally like I didn't

543
00:33:45,320 --> 00:33:47,120
Speaker 1: meet my dad until I was thirteen. I didn't have

544
00:33:47,240 --> 00:33:49,360
Speaker 1: my dad. His dad was in and out. He didn't

545
00:33:49,400 --> 00:33:51,640
Speaker 1: have his dad, Oh didn't know his dad. We had

546
00:33:51,680 --> 00:33:54,320
Speaker 1: each other, right, you feel me? We was We was

547
00:33:55,040 --> 00:33:58,800
Speaker 1: blowing out this ship to b K was because this

548
00:33:58,840 --> 00:34:00,560
Speaker 1: is what I'm saying, right, all right, That's what I'm saying.

549
00:34:00,880 --> 00:34:03,640
Speaker 1: When you look at like stories like with with Moutan Klinton,

550
00:34:03,760 --> 00:34:06,880
Speaker 1: right all right, they this is a norm fact that

551
00:34:07,400 --> 00:34:10,080
Speaker 1: Ray and Ghost at some point had a problem, but

552
00:34:10,160 --> 00:34:13,160
Speaker 1: they had other members who came in and kind of

553
00:34:13,239 --> 00:34:14,960
Speaker 1: like try to fix it or try to do what

554
00:34:15,080 --> 00:34:17,560
Speaker 1: they try to do. My thig is because it sounds

555
00:34:17,560 --> 00:34:19,040
Speaker 1: like I'm just saying that as an outside of looking

556
00:34:19,080 --> 00:34:21,680
Speaker 1: at like he blamed you for like sucking the random

557
00:34:21,760 --> 00:34:25,000
Speaker 1: chick that that he had, right, so, but why would

558
00:34:25,000 --> 00:34:27,359
Speaker 1: he take it out on these two? I could see

559
00:34:27,440 --> 00:34:30,440
Speaker 1: him being mad. I saw I saw the in the details.

560
00:34:30,440 --> 00:34:33,239
Speaker 1: When he was having conversations about leaving management and they

561
00:34:33,400 --> 00:34:37,120
Speaker 1: kept saying, he kept saying, Okay, solo artists make more money.

562
00:34:37,640 --> 00:34:40,960
Speaker 1: Solo artists. Man, he had to Bobby Brown, he was

563
00:34:41,000 --> 00:34:45,200
Speaker 1: always already a solo artist. I mean he said it

564
00:34:45,280 --> 00:34:47,279
Speaker 1: from the job. Hes to tell us like, yo, don't

565
00:34:47,320 --> 00:34:51,719
Speaker 1: tell that nigga nothing. Man, it's still like this. You know,

566
00:34:52,320 --> 00:34:54,680
Speaker 1: oh has some success coming and sent through prior tess. Right,

567
00:34:54,800 --> 00:34:56,600
Speaker 1: So he kind of felt like he always because he

568
00:34:56,680 --> 00:34:59,880
Speaker 1: won't Houston cousin right. No, No, he was like the

569
00:35:00,080 --> 00:35:03,279
Speaker 1: market feel like of of the three of us, you

570
00:35:03,320 --> 00:35:04,879
Speaker 1: know what I'm saying, And I feel like we all

571
00:35:05,040 --> 00:35:07,680
Speaker 1: like locked in. You know, when we put Beach together,

572
00:35:09,360 --> 00:35:10,759
Speaker 1: it was a group then, so it was all four,

573
00:35:10,840 --> 00:35:13,839
Speaker 1: but we never hated on dude. If that was the case,

574
00:35:14,440 --> 00:35:16,280
Speaker 1: we would have went with a little man in the group.

575
00:35:16,560 --> 00:35:18,600
Speaker 1: But you feel me like, no, we was like na

576
00:35:18,840 --> 00:35:20,759
Speaker 1: we wanted to be us for we don't want this

577
00:35:20,840 --> 00:35:24,080
Speaker 1: nig in the group. So nobody ever hated on dude,

578
00:35:24,160 --> 00:35:26,960
Speaker 1: you feel me. It was hard for us for a

579
00:35:27,040 --> 00:35:29,080
Speaker 1: long time to see, like, where is where is all

580
00:35:29,120 --> 00:35:32,840
Speaker 1: the hate coming from? Crazy? He said that then they

581
00:35:32,920 --> 00:35:35,319
Speaker 1: got shelved because then being your kid as a group

582
00:35:35,560 --> 00:35:38,279
Speaker 1: was still signed. Exactly, He's gonna go solo. So now

583
00:35:38,280 --> 00:35:40,799
Speaker 1: you'all gotta wait out the contract. Okay, but but let's

584
00:35:40,840 --> 00:35:44,560
Speaker 1: let's clear crazy. Let's but let's clarify shelf right because

585
00:35:44,760 --> 00:35:48,040
Speaker 1: back then there was no streaming, there was no internet,

586
00:35:48,160 --> 00:35:50,799
Speaker 1: there was no YouTube where people they want a lot

587
00:35:50,840 --> 00:35:53,120
Speaker 1: of people call this on this show, they call it

588
00:35:53,200 --> 00:35:57,000
Speaker 1: black ball. No, no, no, it's a different things, not ball.

589
00:35:58,480 --> 00:36:00,560
Speaker 1: You explained to the people that now this I'm gonna

590
00:36:00,600 --> 00:36:03,040
Speaker 1: tell you it wasn't black balled because after the group

591
00:36:03,120 --> 00:36:05,919
Speaker 1: broke up and we were all out there do low,

592
00:36:07,480 --> 00:36:10,360
Speaker 1: I met could to love and CoA love from up

593
00:36:10,440 --> 00:36:14,960
Speaker 1: above scooed me to the game. That's been my manager

594
00:36:15,120 --> 00:36:20,080
Speaker 1: since then. Right, coulda got all type of relationship. You

595
00:36:20,160 --> 00:36:23,800
Speaker 1: feel me. So I wasn't black balled, but it was

596
00:36:23,880 --> 00:36:29,560
Speaker 1: nothing we could do contractually. Contractually. You know when B

597
00:36:29,680 --> 00:36:33,440
Speaker 1: two K before our first album came out, David Fierson

598
00:36:33,520 --> 00:36:40,440
Speaker 1: gave me a solo deal. Yeah, And so after the

599
00:36:40,520 --> 00:36:42,920
Speaker 1: group was broken up, I still was signed to Sony

600
00:36:43,080 --> 00:36:47,160
Speaker 1: and to TUG So I couldn't Couda couldn't do nothing

601
00:36:47,239 --> 00:36:50,000
Speaker 1: with me until we figured that out, you know. And

602
00:36:50,920 --> 00:36:53,279
Speaker 1: years later then came to release, and then we had

603
00:36:53,360 --> 00:36:56,680
Speaker 1: a situation where we talked to Sony with Lisa Ella.

604
00:36:56,840 --> 00:36:59,120
Speaker 1: She just came in. He dave me Fierson was done.

605
00:37:00,120 --> 00:37:02,319
Speaker 1: It was just a whole obstacle, you know, And then

606
00:37:02,360 --> 00:37:04,040
Speaker 1: it was a whole new game. At that point, they

607
00:37:04,160 --> 00:37:10,480
Speaker 1: wasn't messing with artists behind them. Another thing Homeless Colombia

608
00:37:10,480 --> 00:37:14,000
Speaker 1: and all the people those players had new interests in

609
00:37:14,080 --> 00:37:16,480
Speaker 1: their artists they wanted to be responsible for. They didn't

610
00:37:16,520 --> 00:37:19,120
Speaker 1: want to go like, you know, we incarnate any of

611
00:37:19,200 --> 00:37:26,279
Speaker 1: the artists that they're crazy man. Yeah, yeah, are we

612
00:37:26,360 --> 00:37:29,000
Speaker 1: reading for quick, Thomas Les. Let's get you know what

613
00:37:29,360 --> 00:37:30,960
Speaker 1: You're gonna need you all to know that our show

614
00:37:31,400 --> 00:37:34,000
Speaker 1: it's about giving people their flowers. So many people want

615
00:37:34,000 --> 00:37:35,960
Speaker 1: to say how great you are. Something happened to me

616
00:37:36,239 --> 00:37:37,879
Speaker 1: your cards and I want to say that while y'all

617
00:37:37,960 --> 00:37:40,359
Speaker 1: live healthy And then your face. You know how great

618
00:37:40,440 --> 00:37:42,480
Speaker 1: y'all ave. We appreciate that. We got excited, man, you know,

619
00:37:42,480 --> 00:37:44,719
Speaker 1: I mean my mad car Dad called me. I said, really,

620
00:37:46,680 --> 00:37:48,560
Speaker 1: and we want to get your your flowers personally. Man,

621
00:37:48,600 --> 00:37:58,080
Speaker 1: let's look yeah, yeah, and they we're gonna smoke up

622
00:37:58,080 --> 00:38:06,759
Speaker 1: the worm and this is the other other flowers that. Hey,

623
00:38:07,560 --> 00:38:09,120
Speaker 1: I want to say something too. I want to say

624
00:38:09,160 --> 00:38:12,120
Speaker 1: something too, like, man, this is this is beautiful, you

625
00:38:12,160 --> 00:38:14,400
Speaker 1: know what I'm saying. And I want the people to

626
00:38:14,520 --> 00:38:17,960
Speaker 1: understand this straight up, no matter what's being said on

627
00:38:18,120 --> 00:38:21,920
Speaker 1: this platform right now discussing you know, other group. Remember,

628
00:38:22,360 --> 00:38:25,520
Speaker 1: we're just talking about what happened. I'm saying. It's no

629
00:38:25,640 --> 00:38:29,960
Speaker 1: matter if we come over here a little bit. If

630
00:38:29,960 --> 00:38:32,880
Speaker 1: we're speaking about what happened, then there's gonna be some

631
00:38:33,000 --> 00:38:36,560
Speaker 1: negativity in the story because we're talking and keeping it up. Honey,

632
00:38:36,640 --> 00:38:40,319
Speaker 1: with you coming to present day, even if we fight,

633
00:38:40,440 --> 00:38:43,520
Speaker 1: you feel me like we still love that nigga. You

634
00:38:43,560 --> 00:38:45,200
Speaker 1: know what I'm saying. I'm gonna say that nigger, we

635
00:38:45,280 --> 00:38:48,160
Speaker 1: love you. And this is not for just this is

636
00:38:48,200 --> 00:38:50,000
Speaker 1: not just up through He's just not here right now,

637
00:38:50,120 --> 00:38:51,600
Speaker 1: but this ship is a part of him too. You

638
00:38:51,640 --> 00:38:53,279
Speaker 1: know what I'm saying, I don't want to make sure

639
00:38:53,320 --> 00:38:55,200
Speaker 1: that that's clear because we ain't hear the bash and

640
00:38:55,280 --> 00:39:02,200
Speaker 1: nigga that it's just sad thing. We gotta go through

641
00:39:02,200 --> 00:39:05,879
Speaker 1: this ship in front of everybody, I mean, and as

642
00:39:06,040 --> 00:39:09,520
Speaker 1: outside of looking in and seeing you know, because one

643
00:39:09,600 --> 00:39:14,200
Speaker 1: year y'all came out exactly two THO worked the Red One,

644
00:39:16,680 --> 00:39:20,040
Speaker 1: so I might see you fucking super super older than y'all.

645
00:39:20,040 --> 00:39:22,279
Speaker 1: But I actually came out, which is only two years.

646
00:39:22,480 --> 00:39:24,760
Speaker 1: I mean my solo. I was out for my group

647
00:39:25,200 --> 00:39:27,200
Speaker 1: with my solo, so I got to see y'all like

648
00:39:27,280 --> 00:39:29,560
Speaker 1: I got to see y'all. You remember the first time

649
00:39:29,640 --> 00:39:31,359
Speaker 1: we met you? Goddamn it, No I go. I want

650
00:39:31,400 --> 00:39:36,360
Speaker 1: to sell I know, I know the story. I asked

651
00:39:36,400 --> 00:39:39,920
Speaker 1: Cardi the studios because I don't remember the studio, but

652
00:39:40,040 --> 00:39:43,359
Speaker 1: we were in New York, hit Factory fifty seven streets ahead.

653
00:39:43,719 --> 00:39:45,480
Speaker 1: Let me take the story. So we got off the

654
00:39:45,560 --> 00:39:49,400
Speaker 1: elevator and we started walking down the hall, and you

655
00:39:49,600 --> 00:39:53,040
Speaker 1: was walking down with busting y'all was jeweled up. I

656
00:39:53,160 --> 00:39:55,960
Speaker 1: was just looking at the chain. Oh I did see

657
00:39:56,000 --> 00:40:00,040
Speaker 1: that chain. So we met you there and then we

658
00:40:00,520 --> 00:40:04,400
Speaker 1: was recording uh, our remix, our gots to be remixed

659
00:40:04,440 --> 00:40:08,320
Speaker 1: with DJ Clue, got to be. Next door was Nelly

660
00:40:08,400 --> 00:40:11,520
Speaker 1: and for Real and Cardi was there. We went Cardy

661
00:40:11,640 --> 00:40:14,120
Speaker 1: for the first time and we and they was doing

662
00:40:14,160 --> 00:40:20,160
Speaker 1: hot in here. Let's make some for that guy. So

663
00:40:20,400 --> 00:40:22,799
Speaker 1: get back to my point, my back is that when

664
00:40:22,840 --> 00:40:26,399
Speaker 1: I see y'all as a new group, I've never seen

665
00:40:26,520 --> 00:40:30,160
Speaker 1: no break up. Like I've never seen any like kicking

666
00:40:30,239 --> 00:40:32,120
Speaker 1: the arm. I don't know if y'all were like I

667
00:40:32,160 --> 00:40:34,320
Speaker 1: don't want to say acting, or if this was the

668
00:40:34,480 --> 00:40:37,840
Speaker 1: you know what I mean, But I'll see y'all as brothers,

669
00:40:37,960 --> 00:40:39,279
Speaker 1: like you know what I'm saying, So like was it

670
00:40:39,400 --> 00:40:42,200
Speaker 1: was I? Was I fooled? Or what happened to it?

671
00:40:42,320 --> 00:40:44,799
Speaker 1: It happened at the end. Let me say this, cool.

672
00:40:45,080 --> 00:40:47,719
Speaker 1: You didn't see nothing that was faith. Okay, Yeah, that's

673
00:40:47,719 --> 00:40:49,879
Speaker 1: what I'm saying. That's what there was the funk off

674
00:40:50,160 --> 00:40:54,080
Speaker 1: who was still to this day because that conversation was

675
00:40:54,280 --> 00:40:58,960
Speaker 1: always are set each other straight conversations. It wasn't always

676
00:40:59,040 --> 00:41:01,279
Speaker 1: about just did you smash your chick? It was the

677
00:41:01,360 --> 00:41:04,920
Speaker 1: moment of honesty amongst us for the matter management on

678
00:41:05,000 --> 00:41:07,400
Speaker 1: the outside of parents on the outside. We always had

679
00:41:07,520 --> 00:41:10,040
Speaker 1: this unity of no matter who we lied to, no

680
00:41:10,160 --> 00:41:12,600
Speaker 1: matter who we didn't keep you thrill with, nigga, we

681
00:41:12,719 --> 00:41:15,120
Speaker 1: always came together damn me on the weekly. You know

682
00:41:15,160 --> 00:41:17,040
Speaker 1: what I'm saying, because we lived upon each other, how

683
00:41:17,120 --> 00:41:19,480
Speaker 1: much worker was doing to always be like, Bro, that

684
00:41:19,480 --> 00:41:21,680
Speaker 1: ship you did yesterday, I didn't like that ship that

685
00:41:21,760 --> 00:41:23,880
Speaker 1: she made me want to push you or you know

686
00:41:23,920 --> 00:41:26,000
Speaker 1: what I'm saying, Like, Bro, did you see that chick there?

687
00:41:26,120 --> 00:41:28,200
Speaker 1: Like I hit that? You feel like we was locking

688
00:41:28,280 --> 00:41:31,480
Speaker 1: room talking like so it's like when that moment in

689
00:41:31,560 --> 00:41:34,440
Speaker 1: the in the in the hotel room, the fun that

690
00:41:34,600 --> 00:41:37,160
Speaker 1: let's go right and then catch your favorite quit they

691
00:41:37,200 --> 00:41:41,000
Speaker 1: boxed in the in the hotel, we was doing real brothership.

692
00:41:41,080 --> 00:41:43,360
Speaker 1: It was just so when that moment came, it was

693
00:41:43,480 --> 00:41:46,120
Speaker 1: like one of them proud moments that you accomplished knocking

694
00:41:46,160 --> 00:41:48,640
Speaker 1: her down, and it was like, I gotta tell you, niggas,

695
00:41:48,680 --> 00:41:51,040
Speaker 1: we're having that conversation where you supposed to say that

696
00:41:51,719 --> 00:41:57,960
Speaker 1: and so I said my ship he said it was

697
00:41:58,400 --> 00:42:00,319
Speaker 1: saying that. Then that was fake, at least amongst to us.

698
00:42:02,480 --> 00:42:05,720
Speaker 1: We didn't know that we had had seventeen tho those hawks,

699
00:42:06,640 --> 00:42:09,239
Speaker 1: but that one straw broke the camel's back and we

700
00:42:09,320 --> 00:42:12,000
Speaker 1: didn't see it coming, so you didn't see nothing. We

701
00:42:12,080 --> 00:42:14,920
Speaker 1: had talked about the millions and ships, bro, Like, we

702
00:42:14,960 --> 00:42:16,920
Speaker 1: don't gotta go that far back, but you can tell

703
00:42:16,920 --> 00:42:19,759
Speaker 1: you about when he dated a chick that Heat was

704
00:42:19,840 --> 00:42:27,920
Speaker 1: working with, yeah, like for a year and then we

705
00:42:28,040 --> 00:42:30,239
Speaker 1: did a tour and then he's seen her and then

706
00:42:30,320 --> 00:42:33,759
Speaker 1: he started dating for three years, but he cared, I

707
00:42:33,840 --> 00:42:36,799
Speaker 1: don't care. You know, I'm not with her no more.

708
00:42:37,360 --> 00:42:39,080
Speaker 1: Y'all could be like partners. Y'all could be the ones

709
00:42:39,080 --> 00:42:43,319
Speaker 1: who should have met each other. Look neither here nor

710
00:42:43,360 --> 00:42:45,640
Speaker 1: there nor for real, for real, because I know, like

711
00:42:45,880 --> 00:42:48,640
Speaker 1: we're saying this ship but like the ship with April, Like,

712
00:42:48,719 --> 00:42:50,680
Speaker 1: I made a lot of mistakes that I'm not happy

713
00:42:50,760 --> 00:42:53,400
Speaker 1: with and that's one of them. Feel me so like

714
00:42:54,000 --> 00:42:57,160
Speaker 1: I made amends with it. I apologized publicly. I knew

715
00:42:57,200 --> 00:42:58,920
Speaker 1: I was wrong. I gotta live with that ship. I

716
00:42:59,000 --> 00:43:01,239
Speaker 1: gotta hold that ill you funning. Let me let me

717
00:43:01,280 --> 00:43:04,439
Speaker 1: ask the other two peoples, like, how did you let's

718
00:43:04,480 --> 00:43:06,520
Speaker 1: go skill start with you? How did you feel when

719
00:43:06,600 --> 00:43:14,200
Speaker 1: you see him with April? Um? Wow, i'n'na sit up

720
00:43:14,200 --> 00:43:17,839
Speaker 1: here in cap. I ain't go cap, I ain't go cap.

721
00:43:18,480 --> 00:43:22,480
Speaker 1: I told you that he was scared this morning. I

722
00:43:22,520 --> 00:43:27,720
Speaker 1: don't know what's going on, but do the public dragged?

723
00:43:28,000 --> 00:43:29,960
Speaker 1: You know? I thought, you know, maybe there was some

724
00:43:30,239 --> 00:43:33,399
Speaker 1: some some alice behind or some some some resentment maybe,

725
00:43:33,880 --> 00:43:35,960
Speaker 1: but maybe I thought also they probably really hit it off,

726
00:43:36,800 --> 00:43:39,080
Speaker 1: So you never know, because I know they've always did

727
00:43:39,360 --> 00:43:40,680
Speaker 1: and talked to each other's girls. So I was like,

728
00:43:40,719 --> 00:43:42,600
Speaker 1: outside of looking at in it, so I kind of

729
00:43:43,960 --> 00:43:46,080
Speaker 1: they always dated each other's girls. I mean they like

730
00:43:46,120 --> 00:43:47,799
Speaker 1: they all kind of like dated each other's girls when

731
00:43:47,840 --> 00:43:49,040
Speaker 1: they was younger, you know what I'm saying. So for

732
00:43:49,120 --> 00:43:51,279
Speaker 1: me as an outside dated but I like the same,

733
00:43:51,440 --> 00:43:54,080
Speaker 1: like said right, So as the outside of looking in,

734
00:43:54,719 --> 00:43:56,879
Speaker 1: I wasn't really for sure, but it being his baby

735
00:43:56,920 --> 00:43:59,920
Speaker 1: mother would kind of made you. It made you really look.

736
00:44:00,160 --> 00:44:06,359
Speaker 1: That's also that real close and the other cameras already down.

737
00:44:06,480 --> 00:44:10,080
Speaker 1: It's another that stuff I'm saying like that, like this

738
00:44:10,239 --> 00:44:12,480
Speaker 1: is a whole another camera. Yeah, because that camera already

739
00:44:12,520 --> 00:44:16,560
Speaker 1: got broken. So he got a lot of straw know,

740
00:44:16,680 --> 00:44:20,960
Speaker 1: how did you feel? How do you want to do?

741
00:44:21,080 --> 00:44:26,160
Speaker 1: How you want to how you want? Dook? But Boot's

742
00:44:26,200 --> 00:44:28,680
Speaker 1: been my best friend since the break up, since the

743
00:44:29,320 --> 00:44:32,800
Speaker 1: everything he told how he feels. He told me not

744
00:44:32,960 --> 00:44:35,960
Speaker 1: to do. You know, he was like, he asked me

745
00:44:36,040 --> 00:44:45,040
Speaker 1: if I did. I think I just please you need

746
00:44:45,120 --> 00:44:47,000
Speaker 1: you because because your face, this president says you have

747
00:44:47,080 --> 00:44:51,160
Speaker 1: to talk. Yes, because I came to this nigger bro,

748
00:44:52,480 --> 00:44:55,879
Speaker 1: I said, ain't you gotta keep it a hunting woman.

749
00:44:56,000 --> 00:44:58,160
Speaker 1: N I'm trying to do this too. I'm trying to

750
00:44:58,239 --> 00:45:01,120
Speaker 1: do this ship. I'm just speaking. I'm gonna just shoot

751
00:45:01,120 --> 00:45:03,680
Speaker 1: straight with you. Are you fucking this nigga's baby moment?

752
00:45:04,400 --> 00:45:07,000
Speaker 1: This nigg like, nah, man, we just watched Love of

753
00:45:07,040 --> 00:45:12,080
Speaker 1: Hip Hop too. Okay, that was after the Chad My Bad,

754
00:45:12,120 --> 00:45:14,439
Speaker 1: before cont I was like toys the end of the tour.

755
00:45:14,600 --> 00:45:17,440
Speaker 1: This is this is before. But you know already you

756
00:45:17,520 --> 00:45:20,600
Speaker 1: could smell it in there. I know I already knew. Right,

757
00:45:20,680 --> 00:45:22,560
Speaker 1: I'm just saying that this nick is my name. I'm saying,

758
00:45:22,600 --> 00:45:23,880
Speaker 1: if you got here and keep it real with me, right,

759
00:45:23,920 --> 00:45:27,239
Speaker 1: you don't keep it really we move boom to the tour.

760
00:45:28,080 --> 00:45:30,080
Speaker 1: I know you know what I'm saying. Now, he's keeping

761
00:45:30,120 --> 00:45:32,200
Speaker 1: the storyline because he about his business and ship. This

762
00:45:32,200 --> 00:45:33,680
Speaker 1: is what I found out later. I'm like, Okay, this

763
00:45:33,840 --> 00:45:36,120
Speaker 1: nigga really sitting next to me on the bus, mom,

764
00:45:36,200 --> 00:45:40,560
Speaker 1: and I'm like, Bro again, nigga, are you fucking this nigga?

765
00:45:40,640 --> 00:45:45,880
Speaker 1: Baby Mama? Right, Na, Bro, ain't I ain't suckinghing? Right,

766
00:45:47,440 --> 00:45:50,200
Speaker 1: I find out on the fucking show like everybody else.

767
00:45:50,320 --> 00:45:53,279
Speaker 1: Now I'm steping nigga. I'm like the real nigga. I'm

768
00:45:53,280 --> 00:45:56,279
Speaker 1: hot fucking mad at this nigga. Right, I'm like, bro, real, like,

769
00:45:56,920 --> 00:45:59,800
Speaker 1: I don't care if you're fucking want it, right, But like,

770
00:46:00,320 --> 00:46:04,200
Speaker 1: think about this. Obviously this ship is not like clear

771
00:46:05,000 --> 00:46:08,840
Speaker 1: and accept it and we're back on this bag. I

772
00:46:08,960 --> 00:46:13,560
Speaker 1: think it's not the time to promote that ship, that ship,

773
00:46:13,760 --> 00:46:16,120
Speaker 1: pimp that ship. Is she gonna eat off the back.

774
00:46:16,160 --> 00:46:18,239
Speaker 1: She gotta eat off that back later, once it's done,

775
00:46:18,320 --> 00:46:20,920
Speaker 1: once it's fixed, you know what I'm saying. But right now,

776
00:46:21,160 --> 00:46:23,440
Speaker 1: don't throw that ship in that nigger's face, you know

777
00:46:23,480 --> 00:46:26,160
Speaker 1: what I'm saying. I don't think that's added to the possibilities.

778
00:46:26,520 --> 00:46:29,319
Speaker 1: I think it's like poking at the bear, kind of humiliating,

779
00:46:29,360 --> 00:46:31,520
Speaker 1: you know what I'm saying. And that was my place

780
00:46:31,600 --> 00:46:33,000
Speaker 1: with it, you know what I mean. But up over

781
00:46:33,040 --> 00:46:35,320
Speaker 1: the honesty many that was my place with it. I

782
00:46:35,440 --> 00:46:37,239
Speaker 1: was madding motherfucker. You know what I mean, Because I was,

783
00:46:37,320 --> 00:46:40,040
Speaker 1: like I was saying, overseas ship, I was seeing the Ferrari.

784
00:46:40,239 --> 00:46:43,080
Speaker 1: I wanted, you know what I'm saying, this new branch.

785
00:46:43,160 --> 00:46:56,320
Speaker 1: I was about tole it like that, you know what

786
00:46:56,360 --> 00:47:00,600
Speaker 1: I'm saying. Like I said, I'm proud to actually two

787
00:47:00,640 --> 00:47:05,400
Speaker 1: of you. But how did you feel? Two part questions

788
00:47:06,280 --> 00:47:10,320
Speaker 1: when and then it wasn't working to see what t

789
00:47:10,520 --> 00:47:18,480
Speaker 1: digs outside right now? And my hunkey so look so um,

790
00:47:18,600 --> 00:47:21,480
Speaker 1: what was the first part of the question? How did

791
00:47:21,520 --> 00:47:26,160
Speaker 1: you feel when? Okay, so so going into it, you know,

792
00:47:26,239 --> 00:47:29,120
Speaker 1: there was a lot of resentment there from the past

793
00:47:29,320 --> 00:47:32,760
Speaker 1: because he talk, not not because of that, just because

794
00:47:32,760 --> 00:47:36,279
Speaker 1: of how he did. Like, bro, my whole music career

795
00:47:36,400 --> 00:47:38,600
Speaker 1: was on face for over ten years. You feel me

796
00:47:39,000 --> 00:47:41,800
Speaker 1: like I couldn't move, I couldn't do nothing, being tied

797
00:47:41,880 --> 00:47:44,760
Speaker 1: into that ship all because you went back and snitched

798
00:47:44,760 --> 00:47:47,160
Speaker 1: on niggas. You feel me. So it was a lot

799
00:47:47,200 --> 00:47:49,600
Speaker 1: of resentment there. And now mind you here we came back.

800
00:47:49,760 --> 00:47:51,399
Speaker 1: We was on the first season and love and hip

801
00:47:51,440 --> 00:47:55,000
Speaker 1: hop together. But dude found me out the blue, came

802
00:47:55,080 --> 00:47:57,319
Speaker 1: to a studio session. I'm I'm with Cooter and Max

803
00:47:57,440 --> 00:47:59,640
Speaker 1: at the studio. He's like, where you at. I'm pull

804
00:47:59,760 --> 00:48:03,600
Speaker 1: up on out the blue comes there talking to me like, yeah,

805
00:48:03,719 --> 00:48:07,080
Speaker 1: names I'm about to do leveing hip hop. I'm like, oh,

806
00:48:07,160 --> 00:48:09,440
Speaker 1: that's what's up. He like, yeah, you should get on it.

807
00:48:09,560 --> 00:48:21,600
Speaker 1: And I'm like, no, that ain't so so I'm like,

808
00:48:22,160 --> 00:48:24,520
Speaker 1: you know, now that ain't really my thing, Like you know,

809
00:48:24,680 --> 00:48:27,000
Speaker 1: just think about it, think about it. And Kuda was

810
00:48:27,080 --> 00:48:29,440
Speaker 1: also managing Terra Maria at the time. He was on

811
00:48:29,560 --> 00:48:33,560
Speaker 1: the show so Um and he was like, well, I'll

812
00:48:33,560 --> 00:48:36,640
Speaker 1: see you know what Mona talking about. So he called Mona.

813
00:48:36,680 --> 00:48:38,520
Speaker 1: She's like, yeah, I want to meet him. So I'll

814
00:48:38,560 --> 00:48:41,479
Speaker 1: go sit down with Mona and she telled me like yo, yeah,

815
00:48:41,560 --> 00:48:44,400
Speaker 1: you know, well I love your storyline. Omari told me

816
00:48:44,480 --> 00:48:46,839
Speaker 1: all about it, and you know, like we got rid

817
00:48:46,880 --> 00:48:49,239
Speaker 1: of a lot of people off the show. Joy was

818
00:48:49,320 --> 00:48:51,760
Speaker 1: on their bowels, baby Mama. That kicked her off because

819
00:48:51,800 --> 00:48:54,879
Speaker 1: she didn't have nobody to entertweing her storyline with. Neither

820
00:48:54,960 --> 00:48:57,279
Speaker 1: did on Mark. She was like, you know, I was

821
00:48:57,320 --> 00:48:59,440
Speaker 1: about to get up get rid of She was like,

822
00:48:59,560 --> 00:49:01,520
Speaker 1: he don't have nobody in the twin the storyline way,

823
00:49:01,560 --> 00:49:03,560
Speaker 1: but this is perfect y'all come from the same group.

824
00:49:03,680 --> 00:49:06,319
Speaker 1: Y'all both got baby mamas right now because this girl

825
00:49:06,400 --> 00:49:10,200
Speaker 1: was pregnant at the time. So I was like, you know,

826
00:49:10,880 --> 00:49:14,120
Speaker 1: all right, the back scene, right, you feel me? Cool,

827
00:49:14,200 --> 00:49:19,120
Speaker 1: I'll do it. So we did the show, and towards

828
00:49:19,160 --> 00:49:21,000
Speaker 1: the end of that season, he was talking to me

829
00:49:21,080 --> 00:49:23,759
Speaker 1: about it, about this new project and what he wanted

830
00:49:23,800 --> 00:49:27,120
Speaker 1: to do, and I said, bro, like you should it

831
00:49:27,239 --> 00:49:28,800
Speaker 1: was in the boxing ring or something like that, not

832
00:49:28,920 --> 00:49:32,239
Speaker 1: at all. This was off camera. He was like, he

833
00:49:32,400 --> 00:49:34,440
Speaker 1: was like, bro, like, you know, what should I do

834
00:49:34,520 --> 00:49:36,640
Speaker 1: with my new music? Like what direction should I go?

835
00:49:36,760 --> 00:49:38,560
Speaker 1: And I'm like, yo, you know you come from B

836
00:49:38,719 --> 00:49:41,600
Speaker 1: to K and our biggest hit was Bump Bump Bump.

837
00:49:42,080 --> 00:49:46,560
Speaker 1: Kelly did that, I said, I said, I said, r

838
00:49:46,680 --> 00:49:49,520
Speaker 1: Kelly showed us how he did that song. He wrapped

839
00:49:49,560 --> 00:49:52,160
Speaker 1: it and then put a melody behind it. I said,

840
00:49:52,239 --> 00:49:54,520
Speaker 1: so you're like a rap singer, bro, go get a

841
00:49:54,640 --> 00:49:56,959
Speaker 1: d J muster be throw a rap song on that beach.

842
00:49:57,400 --> 00:50:00,520
Speaker 1: Go crazy. He like, yeah, you think something like good.

843
00:50:01,719 --> 00:50:06,920
Speaker 1: So so like maybe two or three weeks later, he

844
00:50:07,040 --> 00:50:09,680
Speaker 1: come back with a must be in a in a

845
00:50:09,840 --> 00:50:11,759
Speaker 1: verse in the hook and it's supposed to be and

846
00:50:11,840 --> 00:50:14,440
Speaker 1: I'm like, this is hard. Bro supposed to be And

847
00:50:14,560 --> 00:50:17,000
Speaker 1: I'm like, this is hard. He's like, yeah, yeah, I'm

848
00:50:17,239 --> 00:50:19,239
Speaker 1: gonna do something with him. So I'm like all right.

849
00:50:19,880 --> 00:50:22,040
Speaker 1: A couple of weeks later after that, he come back

850
00:50:22,080 --> 00:50:24,719
Speaker 1: and he got brown on it and I'm like, oh,

851
00:50:24,840 --> 00:50:27,200
Speaker 1: this is out of here. Bro, you you what you're doing?

852
00:50:27,440 --> 00:50:29,759
Speaker 1: Drop it? He like yeah, I gotta go through the

853
00:50:29,840 --> 00:50:32,839
Speaker 1: business though, so I'm like I feel it. He called

854
00:50:32,840 --> 00:50:35,640
Speaker 1: me a couple of days later, Hey, bro, you um,

855
00:50:36,040 --> 00:50:38,680
Speaker 1: you'll come with me to brown House. I just gotta,

856
00:50:38,760 --> 00:50:40,880
Speaker 1: you know, handle some business. For the record. You know,

857
00:50:41,000 --> 00:50:43,160
Speaker 1: these niggas be smoking and drinking. I ain't. I ain't

858
00:50:43,200 --> 00:50:45,719
Speaker 1: really on that ship. Like, I'm like, yeah, I'll roll

859
00:50:45,800 --> 00:50:47,640
Speaker 1: with you, nigga, So I'll go up there with him.

860
00:50:48,400 --> 00:50:50,480
Speaker 1: He talked to him, they figure out the business, and

861
00:50:51,160 --> 00:50:53,239
Speaker 1: he got him on supposed to be. Then a week

862
00:50:53,360 --> 00:50:56,200
Speaker 1: later he got your n on it. I'm like, bro,

863
00:50:56,320 --> 00:50:58,200
Speaker 1: this ship is out of here. If you don't drop

864
00:50:58,360 --> 00:51:01,360
Speaker 1: this ship right now. That she eats bodies like grocery,

865
00:51:01,400 --> 00:51:04,120
Speaker 1: you gotta eat the like grocery, all right, that's the fact.

866
00:51:04,200 --> 00:51:08,319
Speaker 1: So we started drink champ he drops the ship it's

867
00:51:08,320 --> 00:51:11,160
Speaker 1: out of here and I don't hear from no more

868
00:51:13,920 --> 00:51:16,680
Speaker 1: you litter come with it in my own and then

869
00:51:16,760 --> 00:51:20,320
Speaker 1: start playing like yeah, I'm I ain't doing love and

870
00:51:20,400 --> 00:51:22,120
Speaker 1: hip hop. You know. That's just like some ship I

871
00:51:22,200 --> 00:51:24,800
Speaker 1: did for like the Platform real quick. That's like that

872
00:51:24,880 --> 00:51:27,600
Speaker 1: ship is like. But then tell me like, yeah, Nick,

873
00:51:27,600 --> 00:51:30,360
Speaker 1: you should do four seasons of this ship. I'm like,

874
00:51:30,920 --> 00:51:32,960
Speaker 1: why are you playing it? Like? It's so like a

875
00:51:33,040 --> 00:51:35,080
Speaker 1: week to be on this ship? You feel me like,

876
00:51:36,760 --> 00:51:39,360
Speaker 1: what's up? Like I'm hitting this nigger up? No no

877
00:51:39,520 --> 00:51:44,480
Speaker 1: response reading red in the DM, no response, Like damn, bro,

878
00:51:44,560 --> 00:51:47,240
Speaker 1: what's up? I'm going on the next season talking about

879
00:51:47,280 --> 00:51:50,640
Speaker 1: the group putting the ship back together. I had a

880
00:51:50,719 --> 00:51:56,040
Speaker 1: conversation with April on that on that scene, yes, because

881
00:51:56,040 --> 00:51:59,759
Speaker 1: I don't have the nigger number. No taking it to

882
00:52:00,040 --> 00:52:03,919
Speaker 1: af bro. It's always been like this, like the dude

883
00:52:03,960 --> 00:52:07,440
Speaker 1: comes got a group chat, the dude comes to group chat, bro,

884
00:52:07,760 --> 00:52:14,440
Speaker 1: the dude comes back for leverage and then goals on

885
00:52:14,560 --> 00:52:17,600
Speaker 1: his own. That's what he does. So it's been a play,

886
00:52:17,680 --> 00:52:23,480
Speaker 1: been running for a long time. So what's the want

887
00:52:23,520 --> 00:52:27,319
Speaker 1: to play? You're saying it's just back then, y'all've never

888
00:52:27,440 --> 00:52:31,320
Speaker 1: had each other's numbers. I've never had one, you know,

889
00:52:31,800 --> 00:52:38,520
Speaker 1: I had it. I just played. I really didn't have

890
00:52:38,600 --> 00:52:41,000
Speaker 1: nobody in my boy heads because we're stuck together through

891
00:52:41,040 --> 00:52:42,840
Speaker 1: everything all the way to this day, so you know

892
00:52:42,840 --> 00:52:45,600
Speaker 1: what I mean. And I really didn't care to like

893
00:52:45,960 --> 00:52:47,880
Speaker 1: have that, you know what I mean. So I never

894
00:52:47,960 --> 00:52:50,040
Speaker 1: really kept up with him like that. He did. They

895
00:52:50,120 --> 00:52:52,120
Speaker 1: lived on a whole other side of California that I

896
00:52:52,200 --> 00:52:55,040
Speaker 1: didn't live on, So it was it was more you know, obvious,

897
00:52:55,160 --> 00:52:56,920
Speaker 1: so reason for them to have each other's number, to

898
00:52:57,000 --> 00:52:58,680
Speaker 1: be kicking it, to be running into each other, you

899
00:52:58,680 --> 00:53:00,480
Speaker 1: know what I'm saying. I live ahole two hours when

900
00:53:00,480 --> 00:53:02,400
Speaker 1: the other saw you know what I mean. I didn't

901
00:53:02,400 --> 00:53:04,480
Speaker 1: really stay involved with the ship like that, you know

902
00:53:04,520 --> 00:53:06,520
Speaker 1: what I mean. So that's why I had a number,

903
00:53:06,640 --> 00:53:09,359
Speaker 1: you know. But him, I had it for the time

904
00:53:09,760 --> 00:53:11,720
Speaker 1: needed me to happen. He didn't get the NU telling

905
00:53:12,719 --> 00:53:14,480
Speaker 1: when he sent out the ship to the new like

906
00:53:14,600 --> 00:53:17,200
Speaker 1: this my new joint y'all the story. He didn't get

907
00:53:17,239 --> 00:53:20,480
Speaker 1: that and he didn't get the message. So literally, I

908
00:53:20,560 --> 00:53:23,520
Speaker 1: hadn't talked to him from that time until one day

909
00:53:23,520 --> 00:53:26,600
Speaker 1: I was at April Prid before the tour event came

910
00:53:26,680 --> 00:53:29,719
Speaker 1: about conversation and he was coming to drop off his

911
00:53:29,880 --> 00:53:32,239
Speaker 1: kids and he's seen me sitting on the couch and

912
00:53:32,320 --> 00:53:34,279
Speaker 1: I was like, what's up and he just turned and

913
00:53:34,360 --> 00:53:37,000
Speaker 1: walked away. Tried to have a conversation with him in

914
00:53:37,719 --> 00:53:46,320
Speaker 1: good come out. You just said it very large, lovely.

915
00:53:46,480 --> 00:53:49,600
Speaker 1: But he's at her crew. But let's just be clear.

916
00:53:50,920 --> 00:53:53,799
Speaker 1: But the average dude is going over to drop off

917
00:53:53,840 --> 00:53:56,840
Speaker 1: his kids and he see his group member chilling on

918
00:53:56,880 --> 00:54:04,680
Speaker 1: the couch cheerios. I'm gonna think baby boy, remember baby

919
00:54:04,680 --> 00:54:09,120
Speaker 1: Boy with sloop called now it's you Snoop or it's

920
00:54:09,120 --> 00:54:13,919
Speaker 1: you Tyres in the situation, I'm not the baby daddy song,

921
00:54:15,040 --> 00:54:20,640
Speaker 1: I'm Jody you Jody Well, No, Joey's the baby daddy. Okay,

922
00:54:27,000 --> 00:54:29,600
Speaker 1: holy ship, this is this a weird ship though? Is

923
00:54:29,600 --> 00:54:32,560
Speaker 1: I'm gonna be because I want you to get back

924
00:54:32,560 --> 00:54:37,320
Speaker 1: to you. Don't let me finish telling you that. On

925
00:54:37,440 --> 00:54:39,000
Speaker 1: that next season when I was trying to put the

926
00:54:39,040 --> 00:54:41,560
Speaker 1: group back together and dude kept avoiding me, I was

927
00:54:42,680 --> 00:54:46,080
Speaker 1: it brought up, brought out old feelings like damn, bro,

928
00:54:46,200 --> 00:54:48,440
Speaker 1: you're doing this again, Like but is you thinking let

929
00:54:48,480 --> 00:54:49,880
Speaker 1: me stop you for one second? Is you thinking that

930
00:54:50,040 --> 00:54:52,719
Speaker 1: love and hip hop is pushing that narrative? Is he thinking?

931
00:54:53,680 --> 00:54:56,279
Speaker 1: This is you push my story? Hi? This is what

932
00:54:56,360 --> 00:55:00,640
Speaker 1: I wanted to talk about. Okay. Um, So he was

933
00:55:01,160 --> 00:55:03,080
Speaker 1: he was in my a. I'm like, yo, what's up? Like,

934
00:55:03,200 --> 00:55:05,239
Speaker 1: what's up with this nigger? So I had a conversation

935
00:55:05,320 --> 00:55:08,640
Speaker 1: with April on that season and they were not together

936
00:55:08,760 --> 00:55:11,000
Speaker 1: at that point, and she like, man, you know how

937
00:55:11,120 --> 00:55:15,640
Speaker 1: dude is? Like we after that continued to cohert because

938
00:55:15,640 --> 00:55:17,759
Speaker 1: I was trying to get due number from her so

939
00:55:17,840 --> 00:55:19,879
Speaker 1: I could talk to him. She like, I'm not giving

940
00:55:19,920 --> 00:55:22,960
Speaker 1: you his number. You feel me. But through all the

941
00:55:23,040 --> 00:55:27,040
Speaker 1: conversation and ship, we just became a lot of We

942
00:55:27,120 --> 00:55:29,320
Speaker 1: had a lot of ship in common because of dude.

943
00:55:29,640 --> 00:55:33,640
Speaker 1: You feel me hurt people hurt people exactly. So it's

944
00:55:33,719 --> 00:55:40,759
Speaker 1: like but it's like it's almost like you can't even

945
00:55:40,840 --> 00:55:46,160
Speaker 1: really like it was no, it was no, it was

946
00:55:46,239 --> 00:55:49,440
Speaker 1: no malice like it was no, no, no, uh what

947
00:55:49,600 --> 00:55:57,600
Speaker 1: you call that? It was no? What's no what's his name? No? Yeah, no,

948
00:55:57,800 --> 00:56:00,600
Speaker 1: no bad intention behind it? You feel me. It happened

949
00:56:01,719 --> 00:56:04,239
Speaker 1: his face right, But I wasn't even trying to come

950
00:56:04,280 --> 00:56:06,560
Speaker 1: at her like that. You feel me, But let me

951
00:56:06,640 --> 00:56:08,719
Speaker 1: just be the definitely advocate. Looking from the outside looking

952
00:56:08,760 --> 00:56:11,000
Speaker 1: at maybe that was her. Not not not to say

953
00:56:11,000 --> 00:56:13,680
Speaker 1: anything bad about her, but she knows her female knows

954
00:56:14,120 --> 00:56:17,560
Speaker 1: you mess with one of the guys because the ultimusic

955
00:56:17,560 --> 00:56:19,879
Speaker 1: getting lost in the sauce, and you can understand where

956
00:56:20,280 --> 00:56:23,279
Speaker 1: he's not gonna feel that. Yeah, you wouldn't feel it

957
00:56:23,320 --> 00:56:28,440
Speaker 1: either someone dating your baby, Mom's that baby. It's a

958
00:56:28,480 --> 00:56:32,480
Speaker 1: different situation with me, all right, No, but see, I

959
00:56:33,160 --> 00:56:35,480
Speaker 1: know I watched the show like with rich dollars and

960
00:56:35,520 --> 00:56:39,400
Speaker 1: all that whatever. Right, um, but that's different because this

961
00:56:39,600 --> 00:56:42,280
Speaker 1: this is your brother's y'all. Y'all to me, y'r mafia

962
00:56:42,400 --> 00:56:45,040
Speaker 1: to me, y'all sat in the building somewhere and cut

963
00:56:45,320 --> 00:56:47,839
Speaker 1: each other's thumbs. But I put it together and said,

964
00:56:47,880 --> 00:56:51,160
Speaker 1: be like, you know what I'm saying. And then my point,

965
00:56:51,560 --> 00:56:56,680
Speaker 1: don't trying to talk to do Like at that point

966
00:56:57,440 --> 00:56:59,359
Speaker 1: when he's seen me on the couch, was nothing going

967
00:56:59,440 --> 00:57:02,520
Speaker 1: on between me in April. I was the homie over

968
00:57:02,560 --> 00:57:05,360
Speaker 1: there and he just happened to be coming by. Bro.

969
00:57:05,480 --> 00:57:07,319
Speaker 1: I tried to talk to you. I'm like, Yo, what's up? Oh,

970
00:57:08,360 --> 00:57:13,560
Speaker 1: turn and walk away like yo, what's up? Like what

971
00:57:13,680 --> 00:57:20,439
Speaker 1: did you have? One on the couch. Same time. I'm

972
00:57:20,480 --> 00:57:26,680
Speaker 1: trying to put this wasn't like the afternoon. You're just

973
00:57:26,760 --> 00:57:41,840
Speaker 1: gonna You're gonna never Okay, Okay, damn bro, this is crazy.

974
00:57:41,880 --> 00:57:44,640
Speaker 1: But sheok a free tough and if she got played

975
00:57:44,640 --> 00:57:49,040
Speaker 1: so because quick time you know what I'm you know,

976
00:57:49,080 --> 00:57:55,160
Speaker 1: I'm let me go to the bath. This is good.

977
00:57:55,280 --> 00:57:57,080
Speaker 1: Then y'are giving it up? Man, you'll give it up.

978
00:57:57,120 --> 00:58:09,000
Speaker 1: I love it, Holy moly, only I'm ready trading cards

979
00:58:09,040 --> 00:58:28,080
Speaker 1: like n f T trading cards. Yeah, man, yeah it's

980
00:58:28,080 --> 00:58:31,240
Speaker 1: French or everybody. Yeah, you had to give it like

981
00:58:31,280 --> 00:58:33,920
Speaker 1: he liked. Damn there slum Dog billionaire because it's somehow

982
00:58:34,440 --> 00:58:44,120
Speaker 1: this nigger knows everybody. Everybody alright, cool, Look, this is

983
00:58:44,160 --> 00:58:49,160
Speaker 1: a game we play play with every guest, actually have

984
00:58:49,280 --> 00:58:51,080
Speaker 1: multiple I don't want to do it with the three

985
00:58:51,080 --> 00:58:53,120
Speaker 1: of us. We did it with the group a certain

986
00:58:53,160 --> 00:59:00,080
Speaker 1: way last time. Okay, did we give him? Just do

987
00:59:00,280 --> 00:59:03,520
Speaker 1: let's do ramm alright, let's rock to do ram. So

988
00:59:03,680 --> 00:59:05,480
Speaker 1: I'm gonna ask you a question. Ask you a question

989
00:59:05,600 --> 00:59:08,720
Speaker 1: as if you people lively correct and say both, you

990
00:59:08,760 --> 00:59:12,840
Speaker 1: gotta take a shot. If you say neither, you gotta

991
00:59:12,840 --> 00:59:16,040
Speaker 1: take a shot. But then if you like straight up

992
00:59:16,080 --> 00:59:20,520
Speaker 1: like an then you go. But if you take a shot,

993
00:59:20,600 --> 00:59:22,320
Speaker 1: we take a shot, which we don't leave you out. Yea,

994
00:59:22,400 --> 00:59:27,400
Speaker 1: we drinking, We don't ve We got your bed. Sounds

995
00:59:27,640 --> 00:59:32,920
Speaker 1: sounds like I'm gonna take a shot, set it off,

996
00:59:33,960 --> 00:59:40,960
Speaker 1: So I'm gonna go with you, Nelly or Luda Luda, Okay,

997
00:59:44,640 --> 00:59:51,520
Speaker 1: Chris Brown or Austa. Why you asked me that it

998
00:59:51,640 --> 00:59:57,120
Speaker 1: was random? It was to take a shot. Take a shot.

999
00:59:59,040 --> 01:00:01,120
Speaker 1: When I was a kid, I wanted to be Mike,

1000
01:00:01,280 --> 01:00:03,439
Speaker 1: and then I became a teenager, I wanted to be Usher.

1001
01:00:03,560 --> 01:00:05,800
Speaker 1: Then I became an adult, I wanted to beat Chris Brown.

1002
01:00:06,960 --> 01:00:08,439
Speaker 1: It sounds like a shot. That sounds like a shot.

1003
01:00:08,520 --> 01:00:11,360
Speaker 1: To be around, you have to take a shot to

1004
01:00:14,440 --> 01:00:31,920
Speaker 1: one that's gotta under he can't bring up again. I'm

1005
01:00:31,960 --> 01:00:34,800
Speaker 1: not to get my glasses out of Okay, here's a

1006
01:00:34,840 --> 01:00:39,400
Speaker 1: good one, all right, This is a good one. Calm perfect,

1007
01:00:40,040 --> 01:00:46,800
Speaker 1: perfect for you. Um tupaco, this hustle you're gonna rob

1008
01:00:46,960 --> 01:00:51,360
Speaker 1: with you, gonna come on. That's whatever practerial. You don't

1009
01:00:51,360 --> 01:00:54,600
Speaker 1: gotta be whatever parterial you want because you don't want

1010
01:00:54,600 --> 01:00:57,120
Speaker 1: to take this job. Whatever question, I gotta go for

1011
01:00:57,280 --> 01:01:10,160
Speaker 1: both shot us all say, because you know what I'm saying. Godamn,

1012
01:01:10,200 --> 01:01:14,200
Speaker 1: you're you're gonna do that? No, goddamn you can do

1013
01:01:14,680 --> 01:01:19,520
Speaker 1: small shots. So I look, it's one shot together. Ah,

1014
01:01:21,680 --> 01:01:24,840
Speaker 1: starting off fire. I got this one. Let's go ready,

1015
01:01:25,480 --> 01:01:30,520
Speaker 1: who pick random? Random? De's these child with TLC ship

1016
01:01:32,760 --> 01:01:36,000
Speaker 1: that's in Chad. Okay, they've performed with Destiny Show, went

1017
01:01:36,040 --> 01:01:41,320
Speaker 1: on tour with him. Now you Yeah. Beyonce took us

1018
01:01:41,320 --> 01:01:45,560
Speaker 1: to dinner and then they Caviard for the first time. Yeah.

1019
01:01:45,600 --> 01:01:48,120
Speaker 1: She said no, she said you need to said, she said,

1020
01:01:48,120 --> 01:01:50,440
Speaker 1: you need to run your horizons. She said. The people

1021
01:01:50,440 --> 01:01:53,360
Speaker 1: you're gonna meet, they're not all gonna be from the States.

1022
01:01:54,120 --> 01:01:58,000
Speaker 1: So in order to, you know, make them feel comfortable,

1023
01:01:58,160 --> 01:02:00,840
Speaker 1: you don't turn down that tradition, you know, So be

1024
01:02:00,960 --> 01:02:02,880
Speaker 1: ready to eat some ship that you're not ready for.

1025
01:02:03,160 --> 01:02:11,280
Speaker 1: Let's go ahead and eat this cap yard. Uh, where

1026
01:02:11,320 --> 01:02:18,240
Speaker 1: are y'all at oversee to what the group that's in

1027
01:02:18,240 --> 01:02:22,320
Speaker 1: the cho They took us to Noble Together, Noble and London. Yeah,

1028
01:02:22,800 --> 01:02:25,400
Speaker 1: and they had to capy y'all y'all come out. Yeah,

1029
01:02:25,760 --> 01:02:27,960
Speaker 1: y'all had no idea what that walk. Now. I was

1030
01:02:28,000 --> 01:02:31,440
Speaker 1: looking at that shop and the queen said, she said,

1031
01:02:32,080 --> 01:02:38,680
Speaker 1: get your palot correct voice for the queen. That was

1032
01:02:40,440 --> 01:02:45,200
Speaker 1: seeming my cool every day. Look at this right the

1033
01:02:45,280 --> 01:02:48,800
Speaker 1: west moving put your ways out of here. I was.

1034
01:02:49,000 --> 01:02:51,560
Speaker 1: I was in the room looking like Michael Max like

1035
01:02:52,280 --> 01:02:55,560
Speaker 1: you we can't be here, slide, we gotta go. He

1036
01:02:55,640 --> 01:03:03,800
Speaker 1: didn't know how to move. Okay, I love Yeah, Ran

1037
01:03:05,160 --> 01:03:10,439
Speaker 1: Brandy or Monica waste no time. That's what I'm talking about.

1038
01:03:10,440 --> 01:03:14,280
Speaker 1: My boys. You don't need Monica's They both calle but

1039
01:03:14,760 --> 01:03:19,160
Speaker 1: I grew up on. Brandy says she got the age

1040
01:03:19,200 --> 01:03:40,520
Speaker 1: window case. I mean, yeah, Marian it out we compare

1041
01:03:40,640 --> 01:03:46,640
Speaker 1: that moves her votes. That's not y'all. You gotta say. Oh,

1042
01:03:47,800 --> 01:03:54,920
Speaker 1: I'm gonna say there right, I'm gonna be honest with

1043
01:03:55,120 --> 01:04:00,440
Speaker 1: You'll have to go to Mario if you want to

1044
01:04:00,480 --> 01:04:03,400
Speaker 1: talk about what the funk I played? Yeah, like you

1045
01:04:03,480 --> 01:04:05,160
Speaker 1: gotta actually have a group members come and take a

1046
01:04:05,160 --> 01:04:12,240
Speaker 1: shot for this. Alvario, Alvario, what what about? What? What

1047
01:04:12,360 --> 01:04:15,000
Speaker 1: would you pick? Saying the name? Yeah, what would I do?

1048
01:04:15,080 --> 01:04:17,440
Speaker 1: You said? What would I pick? Like like like in

1049
01:04:17,560 --> 01:04:28,000
Speaker 1: my radio? Yeah, already what you got of You don't

1050
01:04:28,000 --> 01:04:44,600
Speaker 1: have to pay a shot, Like, Yeah, I'm I'm a ship.

1051
01:04:45,120 --> 01:04:52,400
Speaker 1: I'm gonna drink Okay, drink Chorious for next week. Yeah. Yeah,

1052
01:04:54,280 --> 01:05:12,320
Speaker 1: it's alott relaxing next way. Uh Jeremiah or jeh uh Jeremiah.

1053
01:05:12,320 --> 01:05:15,600
Speaker 1: I like. I like Jeremiah. I like Jeremia. I like Jeremiaz. Yeah,

1054
01:05:15,640 --> 01:05:21,000
Speaker 1: I like Jeremiac. That's my man, James. All three of y'all,

1055
01:05:21,080 --> 01:05:24,160
Speaker 1: I gotta I gotta poltize. I need to hit all

1056
01:05:24,200 --> 01:05:36,320
Speaker 1: three of you. Okayo or Romeo? Oh my, I'm going back.

1057
01:05:39,000 --> 01:05:42,400
Speaker 1: That's anonymous now. Gave us an opportunity, like he let

1058
01:05:42,520 --> 01:05:45,000
Speaker 1: us open up for the first screen talk. I told

1059
01:05:45,600 --> 01:05:48,400
Speaker 1: first about like what very first screen? Can you pick

1060
01:05:48,520 --> 01:05:50,520
Speaker 1: one and you lose one? That's what you're gonna be

1061
01:05:50,600 --> 01:05:54,160
Speaker 1: listening to. That's what it's whatever, whatever your purpose is.

1062
01:05:54,400 --> 01:05:59,919
Speaker 1: That's first screak. This first the first screen tour about

1063
01:05:59,920 --> 01:06:03,800
Speaker 1: the how how how what age of y'all? And we

1064
01:06:03,960 --> 01:06:09,840
Speaker 1: were thirteen yeah, thirteen? Yeah about the older woman. It

1065
01:06:10,000 --> 01:06:13,240
Speaker 1: was he was copy you about he had bouncing me out.

1066
01:06:13,840 --> 01:06:16,720
Speaker 1: He did. He went to went to d C and

1067
01:06:16,880 --> 01:06:21,120
Speaker 1: performed for Jermaine. Yeah, we performed at some club he

1068
01:06:21,240 --> 01:06:24,400
Speaker 1: was hosting that night, so that we could he could

1069
01:06:24,480 --> 01:06:27,479
Speaker 1: give his approval, and he was like, yeah, they're dope.

1070
01:06:27,600 --> 01:06:31,400
Speaker 1: So one thing about them niggas, Bro, we talked about

1071
01:06:32,040 --> 01:06:36,920
Speaker 1: Jermaine dem Niggas is with the business. Bro. They not

1072
01:06:37,160 --> 01:06:40,160
Speaker 1: know haters. Dem niggus is flying on time. You know

1073
01:06:40,200 --> 01:06:42,000
Speaker 1: what I'm saying, You an't gotta worry about that ship.

1074
01:06:42,080 --> 01:06:43,680
Speaker 1: You know what I mean. For one thing that I

1075
01:06:43,880 --> 01:06:47,080
Speaker 1: always watched about them is they was really about the business.

1076
01:06:47,200 --> 01:06:49,400
Speaker 1: And you know what I'm saying, like bowing scared of

1077
01:06:49,440 --> 01:06:52,720
Speaker 1: no money, like he get the ship straight with it,

1078
01:06:52,840 --> 01:06:55,040
Speaker 1: whatever it is, the in the in between, you know

1079
01:06:55,080 --> 01:06:57,440
Speaker 1: what I'm saying, Like if it's anything to get to

1080
01:06:57,560 --> 01:07:05,720
Speaker 1: the money, dem Niggas is with the business to say

1081
01:07:05,800 --> 01:07:09,000
Speaker 1: that if if be too, k could have a little

1082
01:07:09,040 --> 01:07:12,960
Speaker 1: bit of that in our business. And that other dude,

1083
01:07:13,560 --> 01:07:16,520
Speaker 1: our other brother could handle this ship the way that

1084
01:07:16,640 --> 01:07:19,040
Speaker 1: they handled their ship, like bring it to the table, nigger.

1085
01:07:19,120 --> 01:07:21,880
Speaker 1: What's the issue was the what's the question why we

1086
01:07:22,000 --> 01:07:24,480
Speaker 1: can't give the culture what they want? You know what

1087
01:07:24,480 --> 01:07:26,280
Speaker 1: I'm saying, we got to do a service like we

1088
01:07:26,520 --> 01:07:28,800
Speaker 1: was the instinct of the black community. You know what

1089
01:07:28,800 --> 01:07:32,600
Speaker 1: I mean, It's not about money, it's not about you know, accolades.

1090
01:07:32,720 --> 01:07:36,840
Speaker 1: It's like it's we left them hanging, Bro, We left

1091
01:07:36,920 --> 01:07:39,360
Speaker 1: him hanging. What if Jay left us hanging? What if?

1092
01:07:39,920 --> 01:07:41,760
Speaker 1: What if you left us hanging? What if you get

1093
01:07:41,760 --> 01:07:46,360
Speaker 1: what if drinking champs? Just leave us hanging? We love

1094
01:07:46,440 --> 01:07:48,480
Speaker 1: what and y'all just left us. That's what we did.

1095
01:07:49,120 --> 01:07:51,320
Speaker 1: We did a lot in two years, bro, But we

1096
01:07:51,360 --> 01:07:53,880
Speaker 1: were supposed to give him like ten even if it

1097
01:07:54,000 --> 01:07:56,120
Speaker 1: was solo careers in between like B when it did,

1098
01:07:56,200 --> 01:07:58,000
Speaker 1: and then it came back just for maybe one B

1099
01:07:58,120 --> 01:08:01,000
Speaker 1: too calm to be to cows, It's not about the money.

1100
01:08:01,280 --> 01:08:04,320
Speaker 1: It's about we really set up these kids to believe

1101
01:08:04,680 --> 01:08:06,480
Speaker 1: that they had something that they was gonna get the

1102
01:08:06,600 --> 01:08:12,680
Speaker 1: rock with. Just your favorite rapper, whoever it is, whoever

1103
01:08:12,760 --> 01:08:15,360
Speaker 1: they were. You look forward to the fact that they

1104
01:08:15,440 --> 01:08:18,439
Speaker 1: was putting out another album after this one? Right, how

1105
01:08:18,479 --> 01:08:21,559
Speaker 1: many officials we two k albums all ship If you're

1106
01:08:21,560 --> 01:08:24,080
Speaker 1: talking about like real studio albums, it was like seven

1107
01:08:24,120 --> 01:08:29,000
Speaker 1: of them. Yeah, it was to B two K album

1108
01:08:29,080 --> 01:08:33,280
Speaker 1: and we had a Christmas album the soundtrack for you

1109
01:08:33,360 --> 01:08:37,000
Speaker 1: got the all original studio album songs. It's not like

1110
01:08:37,160 --> 01:08:40,120
Speaker 1: remixes and scratched over or nothing like that with the

1111
01:08:40,439 --> 01:08:43,599
Speaker 1: girl albums. Like he wasn't in the studio, he was dancing,

1112
01:08:44,800 --> 01:08:47,800
Speaker 1: wasn't dancing was on the broad for me. So that's

1113
01:08:47,840 --> 01:08:49,720
Speaker 1: why we never That's why we really pressed. It's not

1114
01:08:49,840 --> 01:08:51,960
Speaker 1: to be on bump like that, like Omar, are you

1115
01:08:52,080 --> 01:08:54,719
Speaker 1: so greatest? Like bro, we leave it and work undone

1116
01:08:55,000 --> 01:08:56,920
Speaker 1: Like you know what I mean. I might not want

1117
01:08:56,960 --> 01:08:59,519
Speaker 1: to pursue a solo career like that because I come

1118
01:08:59,560 --> 01:09:01,920
Speaker 1: from a come from a team aspect, like like with

1119
01:09:02,120 --> 01:09:05,519
Speaker 1: Ray K, I'm joining the cast and Uya had like

1120
01:09:05,560 --> 01:09:08,519
Speaker 1: a B two K point oh I love my hip hop.

1121
01:09:08,640 --> 01:09:13,200
Speaker 1: Ray like that. You was like no because it's like

1122
01:09:13,320 --> 01:09:19,679
Speaker 1: the last time I said, yeah, yeah, no Ray Okay.

1123
01:09:20,240 --> 01:09:22,360
Speaker 1: Now but you know, like and you you go fart

1124
01:09:22,360 --> 01:09:24,320
Speaker 1: of people. It's like you told Ray, you said, you said,

1125
01:09:24,720 --> 01:09:29,160
Speaker 1: do you know who we did? Do you think? I'm sorry?

1126
01:09:29,160 --> 01:09:32,519
Speaker 1: I'm sorry that because thinking about it after, like you know,

1127
01:09:32,680 --> 01:09:36,759
Speaker 1: knowing it, I'm booking, y'all, I'm going through your disgraphy.

1128
01:09:36,800 --> 01:09:40,760
Speaker 1: I'm like, damn, I didn't understand you then, so I'm

1129
01:09:40,800 --> 01:09:43,400
Speaker 1: like you just get the bag. But now I'm looking

1130
01:09:43,439 --> 01:09:46,800
Speaker 1: back and I'm saying I understood exactly what you were

1131
01:09:46,880 --> 01:09:50,519
Speaker 1: saying back then, So continue, I'm sorry, yeah, really so Ship,

1132
01:09:50,640 --> 01:09:56,360
Speaker 1: I don't even remember, I say, you don't remember? All right,

1133
01:09:56,439 --> 01:10:00,360
Speaker 1: but let let's move on. Hold on last Street Boys,

1134
01:10:00,439 --> 01:10:08,200
Speaker 1: the Man Ship Black Street That was the first tape

1135
01:10:08,520 --> 01:10:12,479
Speaker 1: I bought as a kid. Take take did it pop

1136
01:10:12,520 --> 01:10:15,560
Speaker 1: on you? No? I actually put clean X in the

1137
01:10:15,600 --> 01:10:23,400
Speaker 1: side and recording myself. That's okay, okay, okay, alright, move

1138
01:10:23,800 --> 01:10:30,120
Speaker 1: okay in sinc or Black Street Boarder Backstreet Boys, because

1139
01:10:30,479 --> 01:10:38,120
Speaker 1: in sync and sink and Nigga loved and sings that

1140
01:10:39,240 --> 01:10:42,160
Speaker 1: I did back staying together. They wouldn't got that that

1141
01:10:42,320 --> 01:10:50,200
Speaker 1: that that that bag when that fucking by bye bye.

1142
01:10:50,280 --> 01:10:53,599
Speaker 1: So so we thing got a big gass head right

1143
01:10:55,640 --> 01:11:00,920
Speaker 1: what we talked about each other because you know, nig like,

1144
01:11:01,200 --> 01:11:07,320
Speaker 1: you know, get me nervous because man, you know, to

1145
01:11:07,400 --> 01:11:11,519
Speaker 1: get to that fun taking that they're gonna breaking sick

1146
01:11:11,560 --> 01:11:15,200
Speaker 1: then want to come out with breaking neck. Nigga, Man,

1147
01:11:15,800 --> 01:11:21,200
Speaker 1: that nervous a lot. I've just sucking. We love music,

1148
01:11:21,280 --> 01:11:22,880
Speaker 1: we love music, but this ain't for me for sure.

1149
01:11:23,120 --> 01:11:28,640
Speaker 1: Actually actually fire too though. Yeah, escape oh s w B,

1150
01:11:29,280 --> 01:11:33,439
Speaker 1: why do you keep getting so right? You I gotta

1151
01:11:33,479 --> 01:11:48,920
Speaker 1: go back, say o Mario this first off, Yeah, because

1152
01:11:48,920 --> 01:11:50,720
Speaker 1: you're doing the right day because we want to be

1153
01:11:50,800 --> 01:11:54,320
Speaker 1: two k back together. Goddamn it, goddamnit, sucking up. No, okay,

1154
01:11:54,400 --> 01:12:04,439
Speaker 1: so escape damn both. I had to because I love

1155
01:12:04,520 --> 01:12:21,080
Speaker 1: both of them. This good one, really Lenny Kravis or Maxwell? Whoa,

1156
01:12:21,520 --> 01:12:25,479
Speaker 1: it's like you didn't like both your cousins. I usually

1157
01:12:25,520 --> 01:12:29,599
Speaker 1: hear the barge the bar and hey man, all right,

1158
01:12:29,680 --> 01:12:37,880
Speaker 1: all right Maxwell, more like a light skin. Then I'm

1159
01:12:37,880 --> 01:12:42,439
Speaker 1: gonna go Max Live. He's in a light skin crew. Max.

1160
01:12:42,600 --> 01:12:45,519
Speaker 1: I want to apologize or whatever I finished you back

1161
01:12:45,560 --> 01:12:47,960
Speaker 1: in the days and I found out you're making in

1162
01:12:48,040 --> 01:12:52,760
Speaker 1: Puerto Rican. I fucking her. Yeah, I lost my mom

1163
01:12:52,960 --> 01:12:55,559
Speaker 1: so offended that I offended him. I forgot what I said,

1164
01:12:56,240 --> 01:12:59,720
Speaker 1: but I apologize wherever you're at, out of there, both

1165
01:12:59,760 --> 01:13:02,479
Speaker 1: of them legend. All right, you're gonna go to this one, Yeah,

1166
01:13:03,720 --> 01:13:08,360
Speaker 1: Joe to see Jacket. That didn't come to me, boy,

1167
01:13:08,800 --> 01:13:12,000
Speaker 1: I love I grew up on Jo to see. Okay,

1168
01:13:12,040 --> 01:13:17,479
Speaker 1: then we gotta give it to you, Joe to see

1169
01:13:17,720 --> 01:13:20,840
Speaker 1: or you want just want you want to do? I

1170
01:13:20,960 --> 01:13:25,840
Speaker 1: want to see. We wanted to be jokes. We did

1171
01:13:26,040 --> 01:13:30,760
Speaker 1: like that was you we look because if they both

1172
01:13:30,800 --> 01:13:33,160
Speaker 1: going to Joda, see, you don't go y'are still drinking, y'all, y'all.

1173
01:13:33,200 --> 01:13:41,000
Speaker 1: But hell, now, okay, so you want to do as

1174
01:13:41,040 --> 01:13:46,160
Speaker 1: a teams player, get in and then he got a

1175
01:13:46,160 --> 01:13:56,320
Speaker 1: reason for Jacket that I promise right. I pro was

1176
01:13:56,360 --> 01:14:00,360
Speaker 1: a young ster, but I was a pumpster with Jack

1177
01:14:00,439 --> 01:14:04,960
Speaker 1: at the edge, lumpster, humpster youngster with Joe to see.

1178
01:14:04,960 --> 01:14:06,760
Speaker 1: I couldn't do my moves with Joe to see, but

1179
01:14:06,800 --> 01:14:11,240
Speaker 1: I know the songs. Yeah, yeah, you can do, but

1180
01:14:11,479 --> 01:14:15,160
Speaker 1: I was old at that time. I'm to go, Jacket Edge.

1181
01:14:15,720 --> 01:14:17,200
Speaker 1: We gotta take a shot. I mean, we're gonna say

1182
01:14:17,200 --> 01:14:19,439
Speaker 1: I got here. It's not it's not just amariya. Now

1183
01:14:19,520 --> 01:14:28,479
Speaker 1: we're figuring out real cool. I just don't want to

1184
01:14:28,520 --> 01:14:35,240
Speaker 1: find the light skin, you know. Solo, So solo, solo,

1185
01:14:39,760 --> 01:14:42,360
Speaker 1: next one to drink to. Okay, it's a drink already there,

1186
01:14:42,400 --> 01:14:45,200
Speaker 1: all right, so we can change it. Okay, Oh yeah, yeah, right, No, no, no, no,

1187
01:14:46,120 --> 01:14:48,439
Speaker 1: We're gonna get a couple of yeases. This is before

1188
01:14:48,479 --> 01:14:50,160
Speaker 1: all three of Y'all'm sorry, some of this is gonna

1189
01:14:50,160 --> 01:14:52,120
Speaker 1: be for one of y'all, but this one is for

1190
01:14:52,200 --> 01:15:00,599
Speaker 1: all three of y'all. Michael Jackson or Price. I'm going

1191
01:15:00,640 --> 01:15:07,000
Speaker 1: to Mike. Mike just to go good choice. I don't

1192
01:15:07,000 --> 01:15:08,400
Speaker 1: say I wanted to go to Mike. I just wanted

1193
01:15:08,439 --> 01:15:11,680
Speaker 1: your blood, Prince. Prince is amazing. If Mike is just Mike,

1194
01:15:12,520 --> 01:15:16,439
Speaker 1: you know, I gotta thank this motherfucker right here for me.

1195
01:15:16,720 --> 01:15:22,200
Speaker 1: Never ever meeting Michael Jackson again, I never. I never

1196
01:15:22,280 --> 01:15:29,639
Speaker 1: got to meet Mike because of him. So so Ronny

1197
01:15:29,720 --> 01:15:35,439
Speaker 1: Jerkins was at the World What I Do, and I

1198
01:15:35,640 --> 01:15:37,240
Speaker 1: was sleeping, was like four in the morning, but they

1199
01:15:37,320 --> 01:15:41,400
Speaker 1: got the call that Mike was at the video and

1200
01:15:41,880 --> 01:15:44,200
Speaker 1: we can go up there and meet him. Well, they

1201
01:15:44,320 --> 01:15:46,040
Speaker 1: just got up left and it just didn't even wake

1202
01:15:46,120 --> 01:15:49,360
Speaker 1: me up. I'm at the grid. I'm at the apartment downstairs.

1203
01:15:49,400 --> 01:15:55,760
Speaker 1: They didn't even come kidding like a few times. Yeah

1204
01:15:55,880 --> 01:15:58,120
Speaker 1: if you say, I'm sorry. Yeah, So I'm in the

1205
01:15:58,160 --> 01:16:01,800
Speaker 1: apartment downstairs. They go him and oh go he no

1206
01:16:01,880 --> 01:16:04,640
Speaker 1: abody he like, oh, well, they said Mike gonna be

1207
01:16:04,720 --> 01:16:06,719
Speaker 1: here for two weeks. We're gonna run up on him again.

1208
01:16:07,240 --> 01:16:12,519
Speaker 1: So he don't even get up like brow like bro,

1209
01:16:12,760 --> 01:16:15,400
Speaker 1: what like this is Mike? Bro? Like I would have

1210
01:16:15,479 --> 01:16:17,559
Speaker 1: jumped up just I wouldn't even brush my teeth, bro,

1211
01:16:17,800 --> 01:16:20,760
Speaker 1: Like this is Mike. We're talking about, so for as

1212
01:16:20,880 --> 01:16:26,880
Speaker 1: you can't defend yourself, I just got up, don't. I'm

1213
01:16:26,920 --> 01:16:30,960
Speaker 1: pretty sure they was like, you know what he told me.

1214
01:16:31,040 --> 01:16:33,479
Speaker 1: I'm gonna tell you what he told. Bro, you're jay

1215
01:16:33,600 --> 01:16:37,439
Speaker 1: Z thing you love jay Z. I'm like, Bro, this

1216
01:16:37,600 --> 01:16:40,519
Speaker 1: is Michael Jackson. Bro, even jay Z love Michael Jackson.

1217
01:16:40,960 --> 01:16:44,040
Speaker 1: What are you talking about? Like? You can't? I gotta

1218
01:16:44,080 --> 01:16:49,960
Speaker 1: s he was he was nervous to meet jay Z.

1219
01:16:50,240 --> 01:16:53,080
Speaker 1: So you know what was two thousand and two BT Awards.

1220
01:16:53,400 --> 01:16:56,040
Speaker 1: So I said, let's go meet two thousand and one man,

1221
01:16:56,120 --> 01:16:58,240
Speaker 1: so you know, shout out to shout, shout the whole

1222
01:16:58,320 --> 01:17:05,960
Speaker 1: man shot. Okay, I'm saying she got real boys in

1223
01:17:06,000 --> 01:17:07,720
Speaker 1: the hood of in society, and you're start with the

1224
01:17:07,840 --> 01:17:15,599
Speaker 1: la guys should get skipped it on purpose. Yeah yeah,

1225
01:17:16,880 --> 01:17:19,040
Speaker 1: just like everybody or here. We're gonna start with him

1226
01:17:19,040 --> 01:17:21,400
Speaker 1: and you start with you. Let go ahead, starting on you.

1227
01:17:22,400 --> 01:17:25,880
Speaker 1: That's a question. Yeah, that's your skid. No, No, don't,

1228
01:17:26,520 --> 01:17:39,400
Speaker 1: don't society ship. I gotta go both. Okay, wait, right, yes,

1229
01:17:40,120 --> 01:17:47,960
Speaker 1: I'm looking damn myself. Don't okay, don't society going in.

1230
01:17:48,000 --> 01:17:54,000
Speaker 1: It's the society that's all three minutes society. He said both.

1231
01:17:54,479 --> 01:17:58,400
Speaker 1: He said both society. You're tie breaking both boys and him?

1232
01:17:58,600 --> 01:18:09,559
Speaker 1: All right, say yeah that's right on day alright, alright, cool,

1233
01:18:11,000 --> 01:18:16,040
Speaker 1: right there we're going with you going back, right, I'll

1234
01:18:16,040 --> 01:18:20,639
Speaker 1: be sure or Bobby Brown, Bobby, Yeah, you am sure,

1235
01:18:20,640 --> 01:18:25,400
Speaker 1: a little brother. I don't even know. I'll be songs

1236
01:18:25,479 --> 01:18:28,479
Speaker 1: like that to be honest. Yeah, don't want I can't come.

1237
01:18:29,760 --> 01:18:34,200
Speaker 1: Oh day night day night. Right, Yeah, and that's the

1238
01:18:34,280 --> 01:18:36,800
Speaker 1: one I know. Yeah, we don't go by his singing now.

1239
01:18:37,040 --> 01:18:39,080
Speaker 1: I know Quincy more than I know. I'll be sure.

1240
01:18:39,920 --> 01:18:46,360
Speaker 1: We love them both, Go ahead, right, Shi looking at

1241
01:18:47,800 --> 01:19:02,639
Speaker 1: damn d I love at leash it though, Yes, trade

1242
01:19:02,680 --> 01:19:11,320
Speaker 1: songs or Tory Lanes, take shot, yeah, the fast shot.

1243
01:19:12,640 --> 01:19:19,120
Speaker 1: Everybody gotta take a job again. So one for all,

1244
01:19:19,760 --> 01:19:28,320
Speaker 1: all for one, brand new being. What is this solo? Okay,

1245
01:19:28,680 --> 01:19:33,160
Speaker 1: you got the next one? Yeah? Yeah? Yeah? Ready, yeah

1246
01:19:33,760 --> 01:19:41,760
Speaker 1: the weekend or Bruno Mars Bronos the same one, yeah, no,

1247
01:19:41,840 --> 01:19:44,960
Speaker 1: the next one after that? Wait, I'm back to all

1248
01:19:45,000 --> 01:19:49,360
Speaker 1: three of y'all. I'm sorry, I got a three years.

1249
01:19:49,400 --> 01:19:51,840
Speaker 1: I didn't realize question here, I didn't realize what this

1250
01:19:52,000 --> 01:19:58,840
Speaker 1: question is. This is Jackson five or new audition Chase five,

1251
01:20:04,000 --> 01:20:11,000
Speaker 1: really thinking about I'm not gonna Taxi five. Whoa, it's crazy.

1252
01:20:11,560 --> 01:20:20,559
Speaker 1: Don't do that for real? Right? I mean you said

1253
01:20:20,640 --> 01:20:23,760
Speaker 1: you was a team player. He didn't really care pack

1254
01:20:23,840 --> 01:20:31,920
Speaker 1: it out with a really if he's saying, now a bro,

1255
01:20:32,120 --> 01:20:37,120
Speaker 1: we was always the the new New the Jackson five

1256
01:20:37,880 --> 01:20:41,479
Speaker 1: mixed with new addition on wind he said, both is

1257
01:20:41,520 --> 01:20:48,000
Speaker 1: the road. We performed in the same room that we

1258
01:20:48,120 --> 01:20:52,960
Speaker 1: performed with Destiny's Child for a member of New Edition.

1259
01:20:54,320 --> 01:21:07,000
Speaker 1: What Rolph Trevor, No, the Browns didn't do job. It

1260
01:21:07,120 --> 01:21:10,519
Speaker 1: was a rick named Nick, Ricky Bell, Michael body Bar.

1261
01:21:11,160 --> 01:21:14,360
Speaker 1: That's Ricky. That's what it was. That's what it was.

1262
01:21:14,479 --> 01:21:17,400
Speaker 1: We're performed for Ricky Bell. That's all in the same

1263
01:21:18,840 --> 01:21:22,080
Speaker 1: Oh man, Alice, you know what I'm playing with it

1264
01:21:22,200 --> 01:21:36,720
Speaker 1: like smo both Yeah, take a shot. That listens heard

1265
01:21:36,840 --> 01:21:46,240
Speaker 1: that before? Oh right there? You know threat right there?

1266
01:21:46,720 --> 01:21:50,200
Speaker 1: What I'm saying, what I'm saying, Okay, I'm like where

1267
01:21:50,200 --> 01:21:56,920
Speaker 1: we at? Oh this is a good one. It's also

1268
01:21:57,000 --> 01:22:00,639
Speaker 1: to your three you made the pre you on pump

1269
01:22:00,720 --> 01:22:03,479
Speaker 1: that and the way you've been talking, I feel like,

1270
01:22:04,280 --> 01:22:06,240
Speaker 1: can y'all just take a moment to just tell him

1271
01:22:06,280 --> 01:22:09,760
Speaker 1: to keep it real, all right, We'll take a moment

1272
01:22:10,160 --> 01:22:17,640
Speaker 1: to keep it real. Take a moment. According to my

1273
01:22:17,760 --> 01:22:21,960
Speaker 1: man books, I wanted y'all to keep it record what

1274
01:22:22,160 --> 01:22:32,320
Speaker 1: y'all seems like? Who ham was? Take that? Take that,

1275
01:22:32,520 --> 01:22:36,479
Speaker 1: Take that Daddy was down early. I love Puffles on

1276
01:22:36,560 --> 01:22:41,320
Speaker 1: bum Bum bum Bum. Jamaine worked on our first album.

1277
01:22:44,240 --> 01:22:47,720
Speaker 1: He did uh, he did a boyfriend, spent a lot

1278
01:22:47,760 --> 01:22:50,559
Speaker 1: of time last boy spent the last time with Jamaine too.

1279
01:22:50,560 --> 01:22:53,000
Speaker 1: Spent a lot of time with Jamaine at his studio

1280
01:22:53,400 --> 01:22:55,559
Speaker 1: that Nika made us stay there for like two weeks

1281
01:22:55,600 --> 01:22:57,840
Speaker 1: and just play basketball before we even I did. I

1282
01:22:57,920 --> 01:23:01,120
Speaker 1: did he last for me all one of our songs

1283
01:23:01,720 --> 01:23:04,479
Speaker 1: and I recorded it back in l A. He was like, no,

1284
01:23:04,560 --> 01:23:07,160
Speaker 1: I don't like it. He flew me back, just me

1285
01:23:07,520 --> 01:23:10,360
Speaker 1: back to Atlanta to re record it and he was

1286
01:23:10,439 --> 01:23:12,040
Speaker 1: just me and him in the studio. He was like, no,

1287
01:23:12,200 --> 01:23:14,080
Speaker 1: you gotta do it like this and it came out crazy.

1288
01:23:14,080 --> 01:23:15,519
Speaker 1: All right, So let's let's let's keep it real for

1289
01:23:15,640 --> 01:23:19,280
Speaker 1: let's what a week ticking? I got more history what

1290
01:23:19,439 --> 01:23:30,040
Speaker 1: you may's okay? Jermaine had a lot to do it

1291
01:23:30,160 --> 01:23:33,000
Speaker 1: give me my start, you know, so I'm have to

1292
01:23:33,040 --> 01:23:36,720
Speaker 1: go with your Maine. Love didn't though, did you take

1293
01:23:36,840 --> 01:23:44,240
Speaker 1: to level? Got what you wanted to relegate? Let like, yes,

1294
01:23:44,360 --> 01:23:50,800
Speaker 1: what about you man? Yeah okay you yeah, I'm gonna

1295
01:23:50,800 --> 01:23:55,120
Speaker 1: do what you make okay, yeah, yeah yeah yeah makes

1296
01:23:55,479 --> 01:24:01,040
Speaker 1: for the team player. Okay, it's gonna get This is

1297
01:24:01,120 --> 01:24:03,280
Speaker 1: where we'll get to know what thing right here? I

1298
01:24:03,400 --> 01:24:06,200
Speaker 1: like this. I'm gonna start with you Mariah or Janet

1299
01:24:07,800 --> 01:24:17,280
Speaker 1: right now. Now, now you under impression I'm gonna have

1300
01:24:17,280 --> 01:24:24,800
Speaker 1: to go with Mariah table a little bit. You see, bored,

1301
01:24:25,520 --> 01:24:28,720
Speaker 1: I would say, I'm definitely gonna say like Janet was

1302
01:24:28,800 --> 01:24:31,360
Speaker 1: on one of our whole screen tours. She was dan

1303
01:24:31,479 --> 01:24:38,200
Speaker 1: Germaine at the time. She can't love this song shot.

1304
01:24:40,280 --> 01:24:45,000
Speaker 1: You don't have to take away answer Motola signist. That

1305
01:24:45,120 --> 01:24:47,120
Speaker 1: was his wife. We admired. I loved Janet. You know

1306
01:24:47,120 --> 01:24:49,479
Speaker 1: what I'm saying. She's a partner of Michael family. I

1307
01:24:49,520 --> 01:24:56,519
Speaker 1: got left Michael. Yeah, you know right, Okay, I love it.

1308
01:24:56,600 --> 01:25:09,439
Speaker 1: Bore mhm m w w old, damn what got you where?

1309
01:25:09,439 --> 01:25:16,160
Speaker 1: You're taking the shot? But don't turn like booting. Yeah

1310
01:25:16,200 --> 01:25:20,639
Speaker 1: you fits you in on this. I can't think. Yeah,

1311
01:25:24,400 --> 01:25:28,679
Speaker 1: both of them stories are are crazy. I can relate

1312
01:25:29,200 --> 01:25:31,479
Speaker 1: being in a group, I can relate to both stories,

1313
01:25:32,400 --> 01:25:37,240
Speaker 1: you know, and both of them went through the trenches together,

1314
01:25:37,479 --> 01:25:41,680
Speaker 1: you know, like, um, that's really hard. I'm out to

1315
01:25:41,720 --> 01:25:45,439
Speaker 1: say both. I gotta say both. You get your shot ready, Yeah,

1316
01:25:49,840 --> 01:25:53,519
Speaker 1: every here in America that spell shots, sir, I got

1317
01:25:53,560 --> 01:26:00,360
Speaker 1: my where everybody you'd pay you pick. I see the East,

1318
01:26:00,520 --> 01:26:02,040
Speaker 1: I've seen the easy eat jump right out of you

1319
01:26:02,120 --> 01:26:15,880
Speaker 1: with yours? Anything else? Radio or podcast? Oh, I'm on

1320
01:26:16,080 --> 01:26:21,080
Speaker 1: the podcast on the podcast radio suck. Yeah. I feel

1321
01:26:21,080 --> 01:26:24,519
Speaker 1: like he did that just to let's make a noise rasp.

1322
01:26:26,720 --> 01:26:31,040
Speaker 1: Everybody individually were in the game. I love it. Radio

1323
01:26:31,160 --> 01:26:38,400
Speaker 1: still popping. The next one is y'all really felt this? Yeah? Yeah, yeah,

1324
01:26:38,600 --> 01:26:41,639
Speaker 1: I don't think this day. Have some dance mother. Let's

1325
01:26:41,680 --> 01:26:48,760
Speaker 1: see B Street or Breaking, y'all take it breaking. It's

1326
01:26:48,840 --> 01:26:52,960
Speaker 1: more of our childhood, are you match? Yeah? B Street

1327
01:26:53,040 --> 01:26:55,360
Speaker 1: was way before, like before we were born. It's real

1328
01:26:55,479 --> 01:26:57,920
Speaker 1: talk because even both of those is our childhood, so

1329
01:26:58,000 --> 01:27:01,720
Speaker 1: it must have been right after all? Right? All right?

1330
01:27:01,800 --> 01:27:08,320
Speaker 1: So this is this MTV or be each one? Wow,

1331
01:27:09,240 --> 01:27:12,320
Speaker 1: bonus kid not in TV. I mean it's all I

1332
01:27:12,439 --> 01:27:18,559
Speaker 1: got you accent, that's all the same. Good one, MCV.

1333
01:27:20,920 --> 01:27:24,519
Speaker 1: You gotta ask you just you just threw yourself in up.

1334
01:27:24,600 --> 01:27:30,920
Speaker 1: He was like, you MTV U. There's contracts in place,

1335
01:27:31,000 --> 01:27:38,599
Speaker 1: so I can't talk all day. It's all the same company.

1336
01:27:38,640 --> 01:27:43,840
Speaker 1: It really don't matter. Just gett answered TV from TV

1337
01:27:50,200 --> 01:27:56,040
Speaker 1: the locks or run DMC M doesn't make sense a lots.

1338
01:27:57,040 --> 01:27:58,719
Speaker 1: This is Mr Lead by the way, he's the locks.

1339
01:27:58,800 --> 01:28:05,400
Speaker 1: Friends start keep hearing us, we've changed. Don't play on

1340
01:28:05,439 --> 01:28:07,920
Speaker 1: the spot and give it another somebody else against the locks?

1341
01:28:08,040 --> 01:28:11,599
Speaker 1: Is that possible? Somebody goes against the locks? What you want?

1342
01:28:11,680 --> 01:28:16,000
Speaker 1: That don't work? Three niggas that there's three niggas LEAs

1343
01:28:16,040 --> 01:28:23,560
Speaker 1: broke up certain But then you know, like like like

1344
01:28:23,840 --> 01:28:26,439
Speaker 1: how we were some big camp fans like I love

1345
01:28:29,160 --> 01:28:31,439
Speaker 1: I was always Cam's little brother, That's what they always

1346
01:28:31,479 --> 01:28:33,479
Speaker 1: said me. And can't look the light of a camp.

1347
01:28:33,600 --> 01:28:35,560
Speaker 1: So I was like, I was caming. Did you have

1348
01:28:35,680 --> 01:28:39,040
Speaker 1: the pick phone? No? But we had the big gass area.

1349
01:28:39,360 --> 01:28:44,920
Speaker 1: We was wearing those because the kid obviously established established ones.

1350
01:28:45,120 --> 01:28:48,600
Speaker 1: Do you know what I'm saying? Yeah, especially if you

1351
01:28:48,720 --> 01:28:55,880
Speaker 1: say that shit because it's not Jada, it's the locks.

1352
01:28:56,200 --> 01:28:58,519
Speaker 1: A lot of sucking locks. But do you know who

1353
01:28:58,560 --> 01:29:02,240
Speaker 1: one DMC is? Though? I can't. I can't say that

1354
01:29:02,320 --> 01:29:07,400
Speaker 1: I was rocking it. It could be generation generation I respected. Yeah,

1355
01:29:07,800 --> 01:29:12,679
Speaker 1: who ship M. I might have to go both M. Shot,

1356
01:29:14,000 --> 01:29:22,519
Speaker 1: they're all gonna both. I'm gonna run DMC, ring DMC

1357
01:29:22,800 --> 01:29:28,799
Speaker 1: right now, Run DMC right now. I cann. It's very simple.

1358
01:29:29,040 --> 01:29:31,360
Speaker 1: It's very simple. It's very simple. I'm gonna tell you.

1359
01:29:31,400 --> 01:29:33,839
Speaker 1: I'm gonna tell you how you like for the new generation,

1360
01:29:34,240 --> 01:29:38,519
Speaker 1: run DMC. Very simple. It's two words, Andrew Simmons. It's

1361
01:29:38,520 --> 01:29:45,679
Speaker 1: front DMC. We love and that's the new generation DNC

1362
01:29:45,840 --> 01:29:53,160
Speaker 1: and Simmonson. I forgot that part too. Shot you just say,

1363
01:29:53,840 --> 01:30:03,960
Speaker 1: oh man, I mean just say both anyway. Yeah, I

1364
01:30:04,080 --> 01:30:07,040
Speaker 1: did a photo shoot with Angela for World Up. Remember

1365
01:30:07,040 --> 01:30:10,200
Speaker 1: word Up, World Up. Damn y'all, yo, Yo, let me

1366
01:30:10,240 --> 01:30:11,760
Speaker 1: just tell y'all something. Let me take a shot for y'all.

1367
01:30:11,800 --> 01:30:13,680
Speaker 1: Let me just tell y'all something in case anybody never

1368
01:30:13,760 --> 01:30:21,920
Speaker 1: told y'all. Y'all officially legends, thank y'all, officially old geez y'all,

1369
01:30:21,960 --> 01:30:34,479
Speaker 1: officially kind of old school. Yeah, I'm hanging out with

1370
01:30:34,560 --> 01:30:38,280
Speaker 1: bust that In fact, Joe one day, right, swear to God,

1371
01:30:40,360 --> 01:30:42,639
Speaker 1: and they both get the same offer that I had

1372
01:30:42,680 --> 01:30:45,920
Speaker 1: already took from the go off me some joels I

1373
01:30:45,960 --> 01:30:50,200
Speaker 1: got thinking I had no idea. So Buster, in fact,

1374
01:30:50,320 --> 01:30:52,920
Speaker 1: your bocus the same call, and they're like, all right, cool,

1375
01:30:53,439 --> 01:30:55,880
Speaker 1: the money sounds good, so they're gonna say, yes, guys,

1376
01:30:56,360 --> 01:30:58,320
Speaker 1: no one knows that all three of us are together.

1377
01:30:59,560 --> 01:31:03,320
Speaker 1: Oh what's it? Calls back in ten minutes, we got

1378
01:31:03,400 --> 01:31:07,439
Speaker 1: a dead damn show. But he didn't called me he

1379
01:31:07,479 --> 01:31:09,640
Speaker 1: goes fat job because I didn't tell what's the or

1380
01:31:09,720 --> 01:31:11,760
Speaker 1: fat joke that I was already in on it. I

1381
01:31:11,840 --> 01:31:14,080
Speaker 1: was like the first person to cut the back. They

1382
01:31:14,120 --> 01:31:17,080
Speaker 1: called back and they said, we don't do old school shows.

1383
01:31:19,120 --> 01:31:22,160
Speaker 1: And at first I was just like, I'm like old

1384
01:31:22,200 --> 01:31:26,679
Speaker 1: school money, Like I don't give what they called me old.

1385
01:31:28,560 --> 01:31:31,200
Speaker 1: But it was something that it was. It was it was,

1386
01:31:31,400 --> 01:31:33,600
Speaker 1: it was It was a integrity because these are my

1387
01:31:33,960 --> 01:31:37,800
Speaker 1: older older states man. You know how many years I

1388
01:31:37,840 --> 01:31:40,360
Speaker 1: got in the game. They have more, no godless of what.

1389
01:31:40,920 --> 01:31:42,200
Speaker 1: But I just looked at it like a bag as

1390
01:31:42,240 --> 01:31:44,920
Speaker 1: a bag. And they had taught me at that very

1391
01:31:45,040 --> 01:31:49,400
Speaker 1: moment like we're never old like we are O g s.

1392
01:31:49,560 --> 01:31:54,360
Speaker 1: We're never old school. So they turned down a bad

1393
01:31:55,240 --> 01:31:58,120
Speaker 1: and they gave it back forcing me to car bus back.

1394
01:32:00,000 --> 01:32:02,160
Speaker 1: I was. But what I'm trying to say is they

1395
01:32:02,240 --> 01:32:06,400
Speaker 1: taught me integrity. Because you're only as old as your feeling.

1396
01:32:07,640 --> 01:32:11,040
Speaker 1: So if you feel ninety five, you're gonna act nineties.

1397
01:32:12,240 --> 01:32:20,120
Speaker 1: I've never felt older than yeah. Yeah, yeah. Got my

1398
01:32:20,200 --> 01:32:23,760
Speaker 1: knees hurt because I'm sitting around like trying to keep up.

1399
01:32:23,880 --> 01:32:27,200
Speaker 1: But listen, no, no, not for real. Um, So I

1400
01:32:27,280 --> 01:32:30,639
Speaker 1: want to give that advice to y'all. It's because they're

1401
01:32:30,640 --> 01:32:33,040
Speaker 1: gonna talk for the rest of your life. God bless

1402
01:32:33,120 --> 01:32:36,760
Speaker 1: you know. You know your situation. Everyone is in the

1403
01:32:36,800 --> 01:32:39,960
Speaker 1: group has had a breakup, had the same one on

1404
01:32:40,040 --> 01:32:42,880
Speaker 1: one fight that you're talking about. Everyone in the group

1405
01:32:42,960 --> 01:32:46,040
Speaker 1: was someone the two Man Too, Wootangs or nine Man Grouple,

1406
01:32:46,360 --> 01:32:49,760
Speaker 1: so whatever, Um, we've all been through the same ship.

1407
01:32:50,400 --> 01:32:53,960
Speaker 1: The thing is for us to live forever, not just

1408
01:32:54,160 --> 01:32:58,320
Speaker 1: music wise, but live forever in our own hearts. And

1409
01:32:58,880 --> 01:33:06,080
Speaker 1: I have I have not one callous like. There's people

1410
01:33:06,080 --> 01:33:08,960
Speaker 1: who shake my hand sometimes, but they could be worker

1411
01:33:09,040 --> 01:33:19,760
Speaker 1: day in your life and they have no idea. We differently, man,

1412
01:33:20,040 --> 01:33:23,360
Speaker 1: I don't know. No, come on, let me finish. But

1413
01:33:23,520 --> 01:33:25,439
Speaker 1: what I'm trying to say is we live a beautiful black.

1414
01:33:26,280 --> 01:33:28,479
Speaker 1: It's one of our most dangerous life because we could

1415
01:33:28,479 --> 01:33:31,519
Speaker 1: never take our face off. You can leave right now.

1416
01:33:32,200 --> 01:33:33,760
Speaker 1: You can leave right now, and you leave right now.

1417
01:33:33,800 --> 01:33:35,240
Speaker 1: You can leave right now. I can leave right now.

1418
01:33:35,680 --> 01:33:42,400
Speaker 1: And there's somebody's gonna say, motherfucker, we just can't have peace. No,

1419
01:33:42,520 --> 01:33:44,559
Speaker 1: it's true, you're laughing because you you don't only think

1420
01:33:44,560 --> 01:33:51,599
Speaker 1: you're not favors here. That's funked up. Did you make sense?

1421
01:33:53,640 --> 01:33:56,680
Speaker 1: And us we might not have peace? There's more going

1422
01:33:56,680 --> 01:33:59,160
Speaker 1: to the plan against and try to get you know,

1423
01:33:59,360 --> 01:34:08,439
Speaker 1: dolphin us and they're gonna say, you're gonna go to

1424
01:34:08,880 --> 01:34:16,920
Speaker 1: you know, crustaceans, that's gonna be an Asian girl. They're like, man,

1425
01:34:17,960 --> 01:34:28,000
Speaker 1: you'd be saving us where. I don't know where this

1426
01:34:28,200 --> 01:34:37,720
Speaker 1: started going. I don't lost the whole SAME's trying to

1427
01:34:37,800 --> 01:34:43,320
Speaker 1: make sense of something that doesn't going upside. Yeah, I

1428
01:34:43,400 --> 01:34:49,679
Speaker 1: got mad a crust dolphin. Yeah, we got dolphin fingers.

1429
01:34:50,080 --> 01:34:52,680
Speaker 1: Never heard of dolphin fingers. Ain't gonna first it's not

1430
01:34:52,760 --> 01:34:56,960
Speaker 1: a dolphin. I don't know what's what? What's the dolphin

1431
01:34:57,000 --> 01:34:59,640
Speaker 1: that anybody now to snap? I don't even flip at

1432
01:34:59,680 --> 01:35:13,120
Speaker 1: first when I came on. Yeah, yeah, but by the

1433
01:35:13,160 --> 01:35:15,800
Speaker 1: way I eat all the time. All right, all right,

1434
01:35:16,240 --> 01:35:21,960
Speaker 1: all right, I'm not gonna actually actually boys against that disc.

1435
01:35:29,640 --> 01:35:31,360
Speaker 1: I am gonna actually it is the last question we

1436
01:35:31,400 --> 01:35:34,560
Speaker 1: asked every guest on not not not The interview is

1437
01:35:34,600 --> 01:35:37,200
Speaker 1: done for quick time and stops just a curtain segment.

1438
01:35:37,640 --> 01:35:41,799
Speaker 1: We asked every guest, is start with you rasp gyalty

1439
01:35:42,000 --> 01:36:01,040
Speaker 1: or respect loyalty? Yes, I'm gonna go with loves damn.

1440
01:36:01,640 --> 01:36:06,040
Speaker 1: I mean, if someone's loyal, they're gonna respect you respected.

1441
01:36:06,360 --> 01:36:09,120
Speaker 1: It comes that comes together the influence on you can

1442
01:36:09,240 --> 01:36:17,240
Speaker 1: respect somebody, be loyal good one. You can respect somebody

1443
01:36:17,240 --> 01:36:20,080
Speaker 1: and not be loyds just to cover both sides through

1444
01:36:20,800 --> 01:36:22,679
Speaker 1: until they decided that they don't need to be loyal

1445
01:36:23,400 --> 01:36:25,240
Speaker 1: because they feel like they got a reason no longer

1446
01:36:25,240 --> 01:36:34,360
Speaker 1: to respect you. So it is you are ship wrong.

1447
01:36:34,439 --> 01:36:41,719
Speaker 1: More guys like go loyalty fantastic. I think I could

1448
01:36:41,720 --> 01:36:43,559
Speaker 1: touch the loyal to a little bit more than respect,

1449
01:36:43,600 --> 01:36:45,880
Speaker 1: because you feel when people get emotional a lot about

1450
01:36:46,000 --> 01:36:48,519
Speaker 1: small things and that test a little to you a lot,

1451
01:36:48,640 --> 01:36:51,360
Speaker 1: you know what I mean? But why not both? I

1452
01:36:51,400 --> 01:36:53,320
Speaker 1: would love to go both. I didn't get the option,

1453
01:36:53,400 --> 01:36:55,840
Speaker 1: you know what I'm oh, I didn't know that was

1454
01:36:55,920 --> 01:37:03,720
Speaker 1: a both questions. That was both questions. Take you be

1455
01:37:03,760 --> 01:37:15,320
Speaker 1: yourself up. We all listen to the side. Got that

1456
01:37:16,439 --> 01:37:18,599
Speaker 1: with a little So let me ask I'll call him

1457
01:37:18,600 --> 01:37:23,240
Speaker 1: to have to take the shot because this is a

1458
01:37:23,280 --> 01:37:26,240
Speaker 1: song that you got what girls want right and at

1459
01:37:26,280 --> 01:37:29,080
Speaker 1: the end of the song, you're all shoting out your soul?

1460
01:37:29,200 --> 01:37:38,000
Speaker 1: Yeah sign why uh all right? So I want to

1461
01:37:38,920 --> 01:37:42,920
Speaker 1: I mean you want to keep it a buck? Keep

1462
01:37:42,960 --> 01:37:46,760
Speaker 1: it about when Cal sent the song and the demo said,

1463
01:37:48,680 --> 01:37:57,080
Speaker 1: like when you say cal, Mr Robert Kelly, Yes, did

1464
01:37:57,120 --> 01:38:03,519
Speaker 1: you definitely basketball games? Nah? Okay, no, we did. We

1465
01:38:03,840 --> 01:38:05,640
Speaker 1: went to the spot in Chicago, the Who. But there

1466
01:38:05,680 --> 01:38:07,439
Speaker 1: was a couple of celebrity games that we played in

1467
01:38:07,560 --> 01:38:11,000
Speaker 1: and he was playing into Yeah. But yeah. So when

1468
01:38:11,240 --> 01:38:13,840
Speaker 1: A Kelly sent in the demo, at the end of

1469
01:38:13,880 --> 01:38:17,880
Speaker 1: the record, he said, I'm Jay Bub and I'm gonna live.

1470
01:38:20,840 --> 01:38:30,679
Speaker 1: He knew, y'allay he went, he went, that's my son. Yeah,

1471
01:38:30,800 --> 01:38:34,639
Speaker 1: bro had a copy of that Honest Brother record tain

1472
01:38:35,280 --> 01:38:50,479
Speaker 1: like that cats, I promised kill Kill, but but I'm

1473
01:38:50,520 --> 01:38:56,280
Speaker 1: sag back. I forgot the name of the group. What's

1474
01:38:56,320 --> 01:38:59,760
Speaker 1: your No? They did the same, like my name is

1475
01:38:59,800 --> 01:39:03,519
Speaker 1: mal open and I'm a Capricorn and then and I'm

1476
01:39:04,479 --> 01:39:07,200
Speaker 1: you know, you know what I'm talking about the Slights.

1477
01:39:08,439 --> 01:39:13,120
Speaker 1: Wasn't the Slights one of those somebody who's that was

1478
01:39:13,200 --> 01:39:17,400
Speaker 1: the thing always in records of people. What's your Yeah?

1479
01:39:17,520 --> 01:39:20,640
Speaker 1: The millennium, Yeah in two thousand, So I was like,

1480
01:39:20,800 --> 01:39:25,559
Speaker 1: what that? But what's crazy that there? So that's that's

1481
01:39:25,560 --> 01:39:29,679
Speaker 1: what I'm saying, Like Google y'all already he did Court

1482
01:39:29,720 --> 01:39:32,479
Speaker 1: and Us. It was like he got on a board

1483
01:39:33,000 --> 01:39:38,040
Speaker 1: and it was like there there here there. He did

1484
01:39:38,160 --> 01:39:42,000
Speaker 1: every single one on second album, Man, Clean Flush, bro

1485
01:39:42,160 --> 01:39:45,400
Speaker 1: and the Remiss and took all the publish That's what

1486
01:39:46,200 --> 01:39:50,479
Speaker 1: I want to ask that. But I was a little Yeah,

1487
01:39:50,760 --> 01:39:55,200
Speaker 1: that was that he got He broke sauce from Michael

1488
01:39:55,240 --> 01:39:58,679
Speaker 1: Jackie was like, I don't care if I wrote twelve

1489
01:39:58,760 --> 01:40:01,200
Speaker 1: bars yet, Mark Kelly about that. That wasn't gift to us.

1490
01:40:01,240 --> 01:40:03,320
Speaker 1: You know what I'm saying? That changed our lives, man,

1491
01:40:03,600 --> 01:40:05,280
Speaker 1: that that that gave us our first I don't want

1492
01:40:05,280 --> 01:40:08,000
Speaker 1: to single our first major feature. You know what I'm saying,

1493
01:40:08,000 --> 01:40:09,880
Speaker 1: Shout out to Puff because that NIGN touched the record

1494
01:40:09,920 --> 01:40:13,519
Speaker 1: when Next Scared, because that's a whole other story. That

1495
01:40:13,800 --> 01:40:17,760
Speaker 1: record went the Nellie first, I gotta in my nose

1496
01:40:19,320 --> 01:40:25,880
Speaker 1: to Nellie first. He's lit came out. It went to

1497
01:40:26,000 --> 01:40:31,760
Speaker 1: Nellie first bum bum, actual original record and Nellie has

1498
01:40:31,840 --> 01:40:35,200
Speaker 1: the record. Country and Grandma what they didn't. No, he didn't.

1499
01:40:35,200 --> 01:40:37,120
Speaker 1: He didn't want to do it because calin calling through

1500
01:40:37,160 --> 01:40:40,400
Speaker 1: the stuff currently at that time fresh this is some

1501
01:40:40,560 --> 01:40:51,680
Speaker 1: other step he was going through. This couple want to

1502
01:40:51,800 --> 01:41:05,320
Speaker 1: questioned girl, girl, you're going north like we all right,

1503
01:41:11,120 --> 01:41:15,599
Speaker 1: I'm taking I'm thinking that gets the record right, then

1504
01:41:15,760 --> 01:41:18,040
Speaker 1: get the record right and there's no shade to Nellie.

1505
01:41:18,080 --> 01:41:19,640
Speaker 1: But his team just felt like, you know, we're not

1506
01:41:19,720 --> 01:41:21,600
Speaker 1: touching that right now. He hot hiss fun you know

1507
01:41:21,640 --> 01:41:23,439
Speaker 1: what I mean. Nellie is on top. So it just

1508
01:41:23,560 --> 01:41:25,880
Speaker 1: like you don't want to get caught up with any possibility.

1509
01:41:25,960 --> 01:41:27,439
Speaker 1: So there was like, now I's gonna pass on it.

1510
01:41:27,720 --> 01:41:30,800
Speaker 1: Puff Kebic gangster like you know, I had a record

1511
01:41:30,840 --> 01:41:34,040
Speaker 1: back to y'all what nigga like what maybe forty eight

1512
01:41:34,080 --> 01:41:36,360
Speaker 1: hours at the Max nigger with all that ship done,

1513
01:41:41,840 --> 01:41:43,640
Speaker 1: focus like man, I ain't well about that ship. I

1514
01:41:43,720 --> 01:41:45,720
Speaker 1: love him little niggas and you know what I'm saying,

1515
01:41:45,720 --> 01:41:48,000
Speaker 1: This opportunity for us to bridge these fan bases. You

1516
01:41:48,000 --> 01:41:49,720
Speaker 1: know what I mean, Like, let's do it. You know

1517
01:41:49,720 --> 01:41:52,680
Speaker 1: what I mean? And we fun remember that when he

1518
01:41:52,720 --> 01:41:56,000
Speaker 1: got on the set Bro Classic Moments. Man, one of

1519
01:41:56,040 --> 01:41:59,280
Speaker 1: the greatest dudes that we met. That just like when

1520
01:41:59,280 --> 01:42:03,960
Speaker 1: you get around them, you feel an energy of like

1521
01:42:06,080 --> 01:42:08,519
Speaker 1: you can do it. You know what I'm saying, Like

1522
01:42:08,760 --> 01:42:11,040
Speaker 1: you can do it, you can do it. I don't

1523
01:42:11,160 --> 01:42:13,479
Speaker 1: I never did any business with Puff contract with me,

1524
01:42:13,520 --> 01:42:15,200
Speaker 1: so I don't get into all of that, but just

1525
01:42:15,320 --> 01:42:17,680
Speaker 1: the energy of being around a nigger and just being

1526
01:42:17,720 --> 01:42:23,240
Speaker 1: around a successful person that like he got the energy of, like, right, man,

1527
01:42:23,320 --> 01:42:25,920
Speaker 1: I want this nigga's life. You do know what I'm saying,

1528
01:42:25,960 --> 01:42:28,800
Speaker 1: Like when I leave, I'm Nigga. I'm about to go

1529
01:42:28,960 --> 01:42:32,559
Speaker 1: be the new fucking public. Leaving that place. Nigga had

1530
01:42:32,640 --> 01:42:35,320
Speaker 1: us on fire. It made us want to go kill

1531
01:42:35,479 --> 01:42:38,160
Speaker 1: some ship, like because he had a ship so together,

1532
01:42:38,280 --> 01:42:41,160
Speaker 1: he had his assistance. Right he pulled up right, It's

1533
01:42:41,240 --> 01:42:44,320
Speaker 1: guards was like put up in a military to put

1534
01:42:44,400 --> 01:42:46,720
Speaker 1: the drip on us. It was like, Nigga gets your

1535
01:42:46,800 --> 01:42:50,000
Speaker 1: game up. Your niggas is little niggas. Bro put my

1536
01:42:50,120 --> 01:42:53,160
Speaker 1: fucking ship on for me. Fucking biggers got the assistant

1537
01:42:53,200 --> 01:42:58,479
Speaker 1: bringing out the box with watch this. We don't got nothing.

1538
01:42:58,520 --> 01:43:05,080
Speaker 1: We got dance moves. He's just out there like for

1539
01:43:05,240 --> 01:43:10,439
Speaker 1: my shot. Ye like he's doing this mail getting done

1540
01:43:10,720 --> 01:43:17,840
Speaker 1: token a shot. I'm like, shot, I ain't gonnat are good?

1541
01:43:18,120 --> 01:43:26,960
Speaker 1: Anybody is right now, so be too careful. That experience

1542
01:43:27,080 --> 01:43:30,439
Speaker 1: was crazy. Another shot looking at your sut as. Listen, man,

1543
01:43:30,520 --> 01:43:32,760
Speaker 1: me and you will be all our level come a

1544
01:43:32,800 --> 01:43:35,600
Speaker 1: long way. Hell listen, listen. Come on, come on, you

1545
01:43:35,640 --> 01:43:38,240
Speaker 1: can't let me go out like this. Come on, what

1546
01:43:42,280 --> 01:43:48,320
Speaker 1: is all that's ray? Shot out? Just said with your chests, Shott,

1547
01:43:48,360 --> 01:43:50,240
Speaker 1: the kid of my mom my wife is a lot

1548
01:43:50,280 --> 01:43:53,280
Speaker 1: of great Jeffer one of my best friendidents. So can

1549
01:43:53,360 --> 01:43:56,439
Speaker 1: I tell y'all we gotta tell another story with another

1550
01:43:56,840 --> 01:43:59,479
Speaker 1: Neigo star blessed us my nigga. Okay, you gotta tell

1551
01:43:59,479 --> 01:44:06,200
Speaker 1: you hold on this nigga came in on puff times

1552
01:44:06,400 --> 01:44:12,439
Speaker 1: three and an eighteen Willard home. Uh life fucking thing

1553
01:44:12,600 --> 01:44:17,479
Speaker 1: that nigga gspact to anybody in this stuff. Come on, man,

1554
01:44:19,360 --> 01:44:31,760
Speaker 1: I'm saying you nick all right, So Ris gotta talk

1555
01:44:31,760 --> 01:44:33,360
Speaker 1: about this ship all right? So we're about to get

1556
01:44:33,439 --> 01:44:38,040
Speaker 1: rid no, because people get it funked up with k

1557
01:44:38,240 --> 01:44:42,240
Speaker 1: when they don't understand why we're special. Bro, special niggas

1558
01:44:42,280 --> 01:44:47,080
Speaker 1: don't get this sho great the reason the special You

1559
01:44:47,240 --> 01:44:49,759
Speaker 1: see it? You look at us right then we noticed

1560
01:44:50,160 --> 01:44:54,560
Speaker 1: oh is he's He's a flower that has the possibility

1561
01:44:54,680 --> 01:44:57,920
Speaker 1: to turn into anything in the force. Right, he could

1562
01:44:57,920 --> 01:44:59,800
Speaker 1: start off as a literally and turn into a rose

1563
01:45:00,120 --> 01:45:02,760
Speaker 1: from the rolls or to whatever. You get what I'm saying,

1564
01:45:02,800 --> 01:45:06,639
Speaker 1: Like he has class right what I'm saying, I'll skip

1565
01:45:06,840 --> 01:45:13,200
Speaker 1: that one. I'm like the nigga that manicures the forest

1566
01:45:13,280 --> 01:45:14,920
Speaker 1: and keeps uping with it. I know everything in there.

1567
01:45:15,080 --> 01:45:19,000
Speaker 1: You know what I'm saying. Fish, he's that beautiful fucking

1568
01:45:19,080 --> 01:45:21,720
Speaker 1: bird that's very manicured. And the nigga you know what

1569
01:45:21,760 --> 01:45:24,880
Speaker 1: I'm saying, Like he flies funk, that's what he about.

1570
01:45:24,920 --> 01:45:27,000
Speaker 1: You know what I'm saying, he'd keep he he paints

1571
01:45:27,040 --> 01:45:29,920
Speaker 1: the forest beautifully, you know what I'm saying. And Ras,

1572
01:45:30,439 --> 01:45:32,439
Speaker 1: Ras is the nigga who's seen where all that ship

1573
01:45:32,560 --> 01:45:34,639
Speaker 1: was supposed to be, planning how that ship was supposed

1574
01:45:34,680 --> 01:45:36,639
Speaker 1: to go there and how you get what I'm saying,

1575
01:45:36,640 --> 01:45:38,880
Speaker 1: Like Ras is a full director. When you talk about

1576
01:45:38,960 --> 01:45:42,240
Speaker 1: him putting that scream towards two together himself. Niggas don't

1577
01:45:42,240 --> 01:45:44,599
Speaker 1: want to talk about that. What do you want to say? Background,

1578
01:45:44,680 --> 01:45:46,320
Speaker 1: Dennis is when you want to say this and that

1579
01:45:46,439 --> 01:45:51,639
Speaker 1: I was responsible for this is nigh like I won't

1580
01:45:51,840 --> 01:45:54,599
Speaker 1: put some respect on the whole process. So good how

1581
01:45:54,720 --> 01:45:57,200
Speaker 1: all of this ship was special for everybody who didn't

1582
01:45:57,240 --> 01:45:59,920
Speaker 1: know why they like this together because I'm in there

1583
01:46:00,000 --> 01:46:03,040
Speaker 1: cracking the whip, like Nigga, this ship messy, Oh Mike,

1584
01:46:03,120 --> 01:46:07,519
Speaker 1: that ship, that ship off Nigga's supposed to be Um, Nigga.

1585
01:46:17,880 --> 01:46:22,400
Speaker 1: It feels is like the pass too tight, you know

1586
01:46:22,439 --> 01:46:23,960
Speaker 1: what I'm saying, Like we can't wear that. That ship

1587
01:46:24,040 --> 01:46:28,760
Speaker 1: gonna look wrong, Like don't do this. You know, we

1588
01:46:28,840 --> 01:46:30,960
Speaker 1: had the morning. We had a morning power this morning

1589
01:46:31,200 --> 01:46:33,720
Speaker 1: we had a little talk about some different like assessories

1590
01:46:33,760 --> 01:46:36,640
Speaker 1: and ship. I'm like, Yo, it's cool, but wait to

1591
01:46:36,720 --> 01:46:38,760
Speaker 1: fish get back. Let's all talk about to see how

1592
01:46:38,800 --> 01:46:40,639
Speaker 1: you feel about it. We talked about it. We made

1593
01:46:40,680 --> 01:46:44,040
Speaker 1: the decision. It worked out the right way. People don't understand.

1594
01:46:44,040 --> 01:46:47,720
Speaker 1: That's how Youtuk always won, but Nigga won. Nigga trying

1595
01:46:47,760 --> 01:46:51,160
Speaker 1: to make all the decisions, it's like it don't work

1596
01:46:51,240 --> 01:46:53,559
Speaker 1: because there's so many flavors out there in the world

1597
01:46:53,640 --> 01:46:56,360
Speaker 1: that has to be accomplished, and they got to be satisfied,

1598
01:46:56,479 --> 01:46:58,360
Speaker 1: you know what I mean. And that's how we did it.

1599
01:46:58,640 --> 01:47:02,800
Speaker 1: We all brought a different flavor of the Candians could

1600
01:47:02,800 --> 01:47:05,040
Speaker 1: beach out and ranchers, but I could be strawberry great

1601
01:47:05,600 --> 01:47:07,800
Speaker 1: and then see like you might your favorite might be

1602
01:47:09,040 --> 01:47:16,439
Speaker 1: your favorite, but look, you might like the great man,

1603
01:47:16,520 --> 01:47:18,840
Speaker 1: you might like And just think about this. There's a

1604
01:47:18,960 --> 01:47:22,479
Speaker 1: party where all the flavors there, everybody who favors is

1605
01:47:23,320 --> 01:47:25,519
Speaker 1: But what if they only had the yellows? What if

1606
01:47:25,520 --> 01:47:27,080
Speaker 1: they don't have the other one? And it was like

1607
01:47:27,160 --> 01:47:28,800
Speaker 1: we only see them in yellow one and night. Are

1608
01:47:28,840 --> 01:47:31,640
Speaker 1: you really about to break your neck to get that? No,

1609
01:47:31,920 --> 01:47:34,360
Speaker 1: you're not right. So when you see fifteen So when

1610
01:47:34,400 --> 01:47:37,840
Speaker 1: you see fifteen thousand streaming fans in there, it was

1611
01:47:37,920 --> 01:47:43,400
Speaker 1: because five five, five, five different favorite flavors came together

1612
01:47:43,600 --> 01:47:46,760
Speaker 1: to fill that whole stadium. Because we all had a

1613
01:47:46,840 --> 01:47:50,559
Speaker 1: reason why those people was in there. We all drew

1614
01:47:50,600 --> 01:47:53,080
Speaker 1: a different crowd. We will when we would get to

1615
01:47:53,120 --> 01:47:55,320
Speaker 1: the then't be the mean greets, the big girls. To

1616
01:47:56,120 --> 01:47:59,439
Speaker 1: Jake book, I had all the big girls, all of them,

1617
01:48:00,000 --> 01:48:02,640
Speaker 1: Little guy, I was twenty pounds and then they loved it.

1618
01:48:02,920 --> 01:48:08,840
Speaker 1: I was like a TwixT you girls all that baby,

1619
01:48:09,120 --> 01:48:11,559
Speaker 1: But I love the big girls. I hugged them, they

1620
01:48:11,640 --> 01:48:20,920
Speaker 1: picked me up sometimes put it there love this past tense.

1621
01:48:21,040 --> 01:48:32,559
Speaker 1: No I say love, I'm saying, show you better wress. Listen.

1622
01:48:32,800 --> 01:48:34,880
Speaker 1: I don't discriminate because at the end of the day

1623
01:48:35,320 --> 01:48:38,160
Speaker 1: on some real n ain't coming. I see the person,

1624
01:48:38,720 --> 01:48:40,559
Speaker 1: you know what I'm saying, Like, I see the person

1625
01:48:41,080 --> 01:48:43,840
Speaker 1: who and when they get there, they more lit up,

1626
01:48:43,960 --> 01:48:46,519
Speaker 1: an appreciative of what I'm doing for him. Then the

1627
01:48:46,560 --> 01:48:48,680
Speaker 1: girl that thinks she looked good with the eyelashes and

1628
01:48:48,720 --> 01:48:50,960
Speaker 1: all that she's trying to get chose for me. I

1629
01:48:51,040 --> 01:48:53,599
Speaker 1: came to do my show and get with my real rockets,

1630
01:48:53,680 --> 01:48:55,799
Speaker 1: not the one that's trying to capitalize off my success.

1631
01:48:56,080 --> 01:48:57,920
Speaker 1: So if these are ones that's really rocking with me,

1632
01:48:57,960 --> 01:49:00,360
Speaker 1: I sit in their eyes. They're excited about me, they crying.

1633
01:49:00,439 --> 01:49:04,200
Speaker 1: I'm like, that's my nigga right now. I'm trying to

1634
01:49:04,320 --> 01:49:06,720
Speaker 1: beat like, that's my nigga right there. That's the one

1635
01:49:06,760 --> 01:49:08,960
Speaker 1: I can rock with, maybe start the fan club with,

1636
01:49:09,280 --> 01:49:11,400
Speaker 1: she can maybe work with us, do some merchandise, like

1637
01:49:11,439 --> 01:49:14,040
Speaker 1: because they're really my supporters. That's what I'm there for.

1638
01:49:14,640 --> 01:49:17,240
Speaker 1: So the big girls they eat me up and they

1639
01:49:17,320 --> 01:49:21,920
Speaker 1: tell me, I eat you Jake, And I'd be like,

1640
01:49:22,439 --> 01:49:28,479
Speaker 1: if you eat eating catch your I'm gone. You don't

1641
01:49:28,520 --> 01:49:32,040
Speaker 1: eat as Come on, bro, you do? He said, yes,

1642
01:49:33,479 --> 01:49:36,920
Speaker 1: I'm rick out. You gotta eat everything. Come on, man,

1643
01:49:37,000 --> 01:49:42,200
Speaker 1: you slipping overhead listen if you're not what you're doing. Wait,

1644
01:49:42,320 --> 01:49:45,519
Speaker 1: so we sent to me this is clear as this boat.

1645
01:49:46,160 --> 01:49:49,679
Speaker 1: Everybody co signing we eat booty g I'm like, eat

1646
01:49:49,760 --> 01:49:55,400
Speaker 1: the whole ass, friend, eat your no, bet your head up,

1647
01:49:55,840 --> 01:50:08,720
Speaker 1: no kissing specie game. He didn't laminate his cardia. This

1648
01:50:08,840 --> 01:50:25,160
Speaker 1: praise me a little chill ship. Yeah, listen, trick down,

1649
01:50:25,240 --> 01:50:28,600
Speaker 1: he say, my girl, you know what I'm saying. My

1650
01:50:28,680 --> 01:50:32,320
Speaker 1: tongue makes love to slide down there. Okay, so let

1651
01:50:32,400 --> 01:50:36,080
Speaker 1: me curage. What is it about tree day? This trick

1652
01:50:36,160 --> 01:50:38,720
Speaker 1: daddy had it? He said, I said, you guys keeps

1653
01:50:38,720 --> 01:50:42,760
Speaker 1: sat in the same chick. You get your asking. Wait

1654
01:50:42,840 --> 01:50:53,280
Speaker 1: he gets his ask question that was not the questions.

1655
01:50:53,280 --> 01:50:57,320
Speaker 1: Why hold to say that? What I'm trying to say,

1656
01:50:58,160 --> 01:51:07,759
Speaker 1: see this different in this world? A six ship is crazy?

1657
01:51:08,160 --> 01:51:19,559
Speaker 1: A hold on you never said on your face out

1658
01:51:19,600 --> 01:51:30,960
Speaker 1: bound me. Okay, we asked me broke the group? But

1659
01:51:31,720 --> 01:51:35,960
Speaker 1: I talked about did we talk about that about that?

1660
01:51:36,120 --> 01:51:39,680
Speaker 1: The remix? Yeah? What about it? Did we talk about that? No?

1661
01:51:39,840 --> 01:51:44,040
Speaker 1: Our Kelly did the remix? Ou too. Kelly did all

1662
01:51:44,080 --> 01:51:47,519
Speaker 1: the songs the second album. He was he was our goats.

1663
01:51:48,400 --> 01:51:52,479
Speaker 1: To be clear, was there a sign y'all hang Kelly

1664
01:51:52,640 --> 01:51:55,400
Speaker 1: and this thing is crazy? We don't even hanging with

1665
01:51:55,479 --> 01:51:58,600
Speaker 1: him never? Because that's true that This is what I

1666
01:51:58,640 --> 01:52:01,200
Speaker 1: would saying. This is when I was like, ro it

1667
01:52:01,320 --> 01:52:05,559
Speaker 1: was weird. Oh what not like that? Not like that, bro,

1668
01:52:06,120 --> 01:52:08,880
Speaker 1: but it was we were like we went to it.

1669
01:52:09,080 --> 01:52:13,920
Speaker 1: We went to his crib for the shot for I

1670
01:52:13,960 --> 01:52:18,040
Speaker 1: don't know, I'm not taking a shot. It wasn't It

1671
01:52:19,760 --> 01:52:22,840
Speaker 1: wasn't like that. It wasn't like it. It wasn't like

1672
01:52:23,840 --> 01:52:27,720
Speaker 1: the table he was there, It wasn't like that. I

1673
01:52:27,880 --> 01:52:32,000
Speaker 1: was it. Look. So we finished the overseas tour and

1674
01:52:32,360 --> 01:52:34,679
Speaker 1: it was his daughter's birthday to day we were coming back.

1675
01:52:35,000 --> 01:52:39,000
Speaker 1: We see his mar Kelly staughter's birthday here and she

1676
01:52:39,600 --> 01:52:42,600
Speaker 1: was a fan of ours, so he requested if we

1677
01:52:42,680 --> 01:52:45,400
Speaker 1: can come by and seeing Happy birthday to it right

1678
01:52:45,439 --> 01:52:52,000
Speaker 1: there this mixtape overseas before y'all go home to Chicago,

1679
01:52:52,760 --> 01:52:56,760
Speaker 1: come sing happy birthday to my daughter because he was

1680
01:52:56,800 --> 01:53:05,960
Speaker 1: a mixtape off. I'm just talking to the pool. We

1681
01:53:06,120 --> 01:53:07,920
Speaker 1: was on tour for like a month and a half

1682
01:53:08,160 --> 01:53:09,960
Speaker 1: and before we could go home, we had to stay

1683
01:53:09,960 --> 01:53:12,600
Speaker 1: in Chicago to see that people. It was not your choice, No,

1684
01:53:12,720 --> 01:53:14,920
Speaker 1: it wasn't. That's why I said that level of the pool.

1685
01:53:14,960 --> 01:53:20,320
Speaker 1: I just wanted to. So we go to the crib

1686
01:53:20,920 --> 01:53:23,680
Speaker 1: saying happy birthday, and he give us a tour of

1687
01:53:23,720 --> 01:53:26,200
Speaker 1: the crib, you see everything, and then he go to

1688
01:53:26,320 --> 01:53:29,360
Speaker 1: his garage under the garage, just like a six car garage.

1689
01:53:29,400 --> 01:53:32,240
Speaker 1: I'm like, damn, they've got some toys in here, you

1690
01:53:32,280 --> 01:53:33,800
Speaker 1: know what I'm saying. So we go up in there

1691
01:53:34,160 --> 01:53:37,680
Speaker 1: and it's a whole workout facility from boxing, the one

1692
01:53:37,760 --> 01:53:40,000
Speaker 1: from that video you're shotting the Red, White, and Blue,

1693
01:53:40,880 --> 01:53:45,160
Speaker 1: the World's Greatest. So we're like, damn, this is crazy, Like,

1694
01:53:45,400 --> 01:53:47,960
Speaker 1: wasn't expected us. So he get up in the box room.

1695
01:53:48,000 --> 01:53:51,559
Speaker 1: He said, y'all stay down here. He's in the middle

1696
01:53:51,560 --> 01:53:55,800
Speaker 1: of the box from he said, y'all next show, y'all

1697
01:53:55,840 --> 01:54:01,880
Speaker 1: need to come out and staying still, don't move, And

1698
01:54:01,960 --> 01:54:06,320
Speaker 1: then one spins to the rock. He did it. Yeah,

1699
01:54:06,360 --> 01:54:10,160
Speaker 1: he spent, and then he said, then the next spencer left,

1700
01:54:14,000 --> 01:54:16,479
Speaker 1: and then he did the next two spinning the rice

1701
01:54:16,479 --> 01:54:19,080
Speaker 1: spinning the left and he sat there and then he

1702
01:54:19,240 --> 01:54:23,400
Speaker 1: was like and then just stand there then like Mike

1703
01:54:24,400 --> 01:54:31,439
Speaker 1: taking glasses on and look at the crop. It was

1704
01:54:31,560 --> 01:54:33,760
Speaker 1: like bars. But at the same time, I was like,

1705
01:54:33,920 --> 01:54:41,080
Speaker 1: Cousin's weird. That was a cow the studio, right, I

1706
01:54:41,280 --> 01:54:46,120
Speaker 1: just said, we went to this to the world wakes up. Bro,

1707
01:54:46,800 --> 01:54:50,640
Speaker 1: know it's crazy about that shire. We did that ship

1708
01:54:52,040 --> 01:55:00,560
Speaker 1: and it's good. Oh you did when he sa we didn't,

1709
01:55:00,920 --> 01:55:09,920
Speaker 1: they still work crazy crazy. He's doing that in jail

1710
01:55:10,040 --> 01:55:17,360
Speaker 1: right there. Anybody going crazy, Yeah, pishing, you're doing that.

1711
01:55:18,680 --> 01:55:23,280
Speaker 1: And our Kelly gave us some bars. Though he gave

1712
01:55:23,360 --> 01:55:26,280
Speaker 1: us some bars. It was weird. But on the publishing tip,

1713
01:55:26,600 --> 01:55:28,440
Speaker 1: he did most of the singles right, so he got

1714
01:55:28,480 --> 01:55:33,200
Speaker 1: all the publishers. So what a publishing that y'all did?

1715
01:55:33,360 --> 01:55:38,280
Speaker 1: Right though? My wraps nothing else, nothing, nothing. But you

1716
01:55:38,320 --> 01:55:41,280
Speaker 1: don't even get that because he was that They say

1717
01:55:41,400 --> 01:55:43,440
Speaker 1: songs over with raps done, but I'm saying you got

1718
01:55:43,480 --> 01:55:46,800
Speaker 1: publishing from other songs y'all wrote. He was he wrote

1719
01:55:47,120 --> 01:55:49,120
Speaker 1: he wrote his raps, but he would sit, it's over

1720
01:55:49,160 --> 01:55:51,480
Speaker 1: with with wrap. That's like the rap is done if

1721
01:55:51,480 --> 01:55:53,920
Speaker 1: you want to use this rap because what you initially

1722
01:55:54,080 --> 01:55:58,400
Speaker 1: always the rapper out of Yeah, okay, you never saw

1723
01:55:59,400 --> 01:56:02,680
Speaker 1: I told you the same tacohol and you can hear

1724
01:56:02,720 --> 01:56:12,600
Speaker 1: the knuckoholder. Note, I'm not gonna actually ship. This is

1725
01:56:12,680 --> 01:56:15,840
Speaker 1: some ship, but this is the thing that I'm trying

1726
01:56:15,840 --> 01:56:18,360
Speaker 1: to get to a deep y'all Road Records or no,

1727
01:56:19,840 --> 01:56:22,360
Speaker 1: the second album. We had seven teen songs on the

1728
01:56:22,400 --> 01:56:25,200
Speaker 1: second album, we wrote ten of them because those ten

1729
01:56:25,280 --> 01:56:29,600
Speaker 1: were actually produced by our managers producers, so it was

1730
01:56:29,640 --> 01:56:31,840
Speaker 1: like an in house play. So we really didn't get

1731
01:56:31,920 --> 01:56:34,040
Speaker 1: the pub were supposed to get off of that. You know,

1732
01:56:34,200 --> 01:56:39,800
Speaker 1: we got like a quarter percent of a percent. It's

1733
01:56:39,840 --> 01:56:42,960
Speaker 1: like the smallest amount you could get on published, you know,

1734
01:56:43,360 --> 01:56:46,320
Speaker 1: but that's treat y'all three or spoo to y'all four. No,

1735
01:56:46,560 --> 01:56:51,200
Speaker 1: like we each guy point to five, like the smallest

1736
01:56:51,200 --> 01:56:54,920
Speaker 1: amount you could get because because because that's how I

1737
01:56:54,960 --> 01:56:57,520
Speaker 1: production and everybody else, that's how it was set in

1738
01:56:57,600 --> 01:57:00,960
Speaker 1: the day. You know, like I wanna teest about like

1739
01:57:01,080 --> 01:57:03,920
Speaker 1: yeah you got you got. You gotta really like you

1740
01:57:04,000 --> 01:57:06,360
Speaker 1: gotta really watch what you do when you're getting to

1741
01:57:06,400 --> 01:57:10,120
Speaker 1: them contract your agreements, because I tell everybody, like the

1742
01:57:10,160 --> 01:57:12,640
Speaker 1: new artists, the first deal you're gonna get, it's gonna

1743
01:57:12,640 --> 01:57:15,320
Speaker 1: be the fucking worst deal every just they just wanted

1744
01:57:15,360 --> 01:57:18,400
Speaker 1: to be if you paying attention. I got into working

1745
01:57:18,520 --> 01:57:21,440
Speaker 1: actually with the same management that we left, you know

1746
01:57:21,480 --> 01:57:23,800
Speaker 1: what I'm saying, on some film ship like as of

1747
01:57:23,840 --> 01:57:25,760
Speaker 1: a current, like as of today still you know what

1748
01:57:25,800 --> 01:57:28,160
Speaker 1: I mean, and getting on the other side of the

1749
01:57:28,280 --> 01:57:30,840
Speaker 1: desk seeing how they was doing deals Like I get

1750
01:57:30,920 --> 01:57:32,560
Speaker 1: what they was doing when they was sucking with us,

1751
01:57:32,600 --> 01:57:35,720
Speaker 1: you know what I'm saying. But it's business and you

1752
01:57:35,760 --> 01:57:37,560
Speaker 1: can't get that funked up, you know what I'm saying.

1753
01:57:37,840 --> 01:57:40,920
Speaker 1: So when we send contracts out, you're gonna get the

1754
01:57:41,000 --> 01:57:43,840
Speaker 1: first base contract. It's up to you to do yogi

1755
01:57:44,640 --> 01:57:47,800
Speaker 1: and get a counter counter. You know what I'm saying.

1756
01:57:47,880 --> 01:57:50,680
Speaker 1: Red line that my fucking and get back. He said.

1757
01:57:51,040 --> 01:57:53,960
Speaker 1: Pearents didn't really know. We was excited about your seeing

1758
01:57:54,000 --> 01:57:56,280
Speaker 1: them much that was gonna come in your filming, and

1759
01:57:56,600 --> 01:57:58,840
Speaker 1: we got in the ship that was not supposed to

1760
01:57:58,920 --> 01:58:01,440
Speaker 1: get into, know what I'm saying. So message to the

1761
01:58:01,600 --> 01:58:04,640
Speaker 1: artists out there to day like, hold, don't vote you

1762
01:58:04,680 --> 01:58:06,960
Speaker 1: know what I mean, really read your ship, you know

1763
01:58:07,000 --> 01:58:09,560
Speaker 1: what I mean? The first contract is the worst contract.

1764
01:58:10,240 --> 01:58:12,880
Speaker 1: The final contract is based off of you reading that

1765
01:58:13,040 --> 01:58:15,840
Speaker 1: first one and saying, look, if y'all can't rock with

1766
01:58:15,960 --> 01:58:18,760
Speaker 1: us like this, then we can't do it. And then

1767
01:58:18,920 --> 01:58:22,240
Speaker 1: if you do get into and stop finding about that,

1768
01:58:22,360 --> 01:58:25,160
Speaker 1: know that you're betting on yourself at that point at

1769
01:58:25,200 --> 01:58:28,360
Speaker 1: least know what you know? You know what I'm saying.

1770
01:58:28,440 --> 01:58:30,160
Speaker 1: The game was like you sit back and you look

1771
01:58:30,200 --> 01:58:33,920
Speaker 1: at it like damn everybody working like that. So this

1772
01:58:34,040 --> 01:58:35,560
Speaker 1: is a question that we didn't ask in the game

1773
01:58:37,360 --> 01:58:39,520
Speaker 1: and what we usually do if you had a chance

1774
01:58:39,560 --> 01:58:43,440
Speaker 1: to start growlble what y'all do independent of major? I

1775
01:58:43,520 --> 01:58:46,800
Speaker 1: mean I never was in a position to be able

1776
01:58:46,840 --> 01:58:49,960
Speaker 1: to do the initial deal with the major, so I

1777
01:58:50,080 --> 01:58:55,200
Speaker 1: can't really say. So it's the only way you can,

1778
01:58:55,400 --> 01:58:57,360
Speaker 1: That's what I'm saying. Cause look, you you go back

1779
01:58:57,400 --> 01:58:59,520
Speaker 1: and you talk to earth right, how you do the

1780
01:58:59,560 --> 01:59:01,360
Speaker 1: research on or if he was talking about when he

1781
01:59:01,440 --> 01:59:03,400
Speaker 1: was over there and they was giving him nigga like

1782
01:59:03,800 --> 01:59:07,120
Speaker 1: crazy amounts of money. You know what I'm saying, Yeah,

1783
01:59:07,200 --> 01:59:18,720
Speaker 1: because they had uh life, You just see like with

1784
01:59:18,840 --> 01:59:20,640
Speaker 1: the way that they had their deals organized. You know

1785
01:59:20,680 --> 01:59:22,920
Speaker 1: what I'm saying, go over to cash money, Go over

1786
01:59:23,000 --> 01:59:26,120
Speaker 1: to the ones that actually really was getting the numbers

1787
01:59:26,160 --> 01:59:27,880
Speaker 1: coming into their accounts. You know what I'm saying. It

1788
01:59:28,000 --> 01:59:31,080
Speaker 1: was per how they did they deal. So the way

1789
01:59:31,160 --> 01:59:33,760
Speaker 1: our ship was done, I can't tell how the niggas

1790
01:59:33,960 --> 01:59:36,320
Speaker 1: like winning. They're really got their right deal. They might

1791
01:59:36,400 --> 01:59:37,840
Speaker 1: have just wanted to take whatever deal was. You know what,

1792
01:59:37,840 --> 01:59:43,480
Speaker 1: I'm an available different everybody. Maybe would I probably agree

1793
01:59:43,480 --> 01:59:45,920
Speaker 1: with him. I would have took a major deal. If

1794
01:59:45,920 --> 01:59:48,400
Speaker 1: they're gonna give me a full production deal, full whatever,

1795
01:59:48,440 --> 01:59:49,840
Speaker 1: you know what I'm saying, joint venture over that at

1796
01:59:49,880 --> 01:59:52,240
Speaker 1: that time, I would probably take that major deal with

1797
01:59:52,440 --> 01:59:56,160
Speaker 1: the right numbers, with the right ship as closest possible

1798
01:59:56,160 --> 01:59:58,880
Speaker 1: for the time frame. The thing would have been shorten

1799
01:59:58,920 --> 02:00:01,080
Speaker 1: the time frame, so you earned the business. You're going

1800
02:00:01,160 --> 02:00:04,040
Speaker 1: there and we're not scrapping the time. You come out learning,

1801
02:00:04,120 --> 02:00:09,120
Speaker 1: and then you renegotiate, keep going, keep going, keep no.

1802
02:00:09,480 --> 02:00:10,680
Speaker 1: There's the thing that I want to ask about, this

1803
02:00:10,760 --> 02:00:17,240
Speaker 1: R Killer thing about him writing the record I'll kill

1804
02:00:17,320 --> 02:00:21,360
Speaker 1: You'll not It's not like it's not would y'all done

1805
02:00:21,400 --> 02:00:23,520
Speaker 1: it again, Like, would you go back and have him

1806
02:00:23,560 --> 02:00:26,360
Speaker 1: write those records again? Did you feel that you got

1807
02:00:26,520 --> 02:00:28,960
Speaker 1: what you needed out of How did someone take the

1808
02:00:29,000 --> 02:00:32,280
Speaker 1: publishing write this record? Wouldn't I wouldn't take anything back

1809
02:00:32,400 --> 02:00:37,600
Speaker 1: on what we did, other than the conversation we had

1810
02:00:37,800 --> 02:00:43,080
Speaker 1: confidentiality about leaving management. Okay, That's the only thing I

1811
02:00:43,120 --> 02:00:46,760
Speaker 1: would take back, because other than that, y'all might still

1812
02:00:46,880 --> 02:00:50,720
Speaker 1: have the k as afford here today. It's supposed to

1813
02:00:50,720 --> 02:00:56,240
Speaker 1: be an empty chair right there, feel me? Because without that,

1814
02:00:57,080 --> 02:01:00,400
Speaker 1: what would management have to go off? He fuck that girl?

1815
02:01:00,760 --> 02:01:03,960
Speaker 1: Like that's not enough to to stop and take one

1816
02:01:04,040 --> 02:01:07,000
Speaker 1: person solo, you know what I mean? So other than that,

1817
02:01:07,280 --> 02:01:10,560
Speaker 1: like R Kelly added to the success of bats Okay,

1818
02:01:10,920 --> 02:01:13,800
Speaker 1: you know what I mean. He gave us our first

1819
02:01:14,000 --> 02:01:16,840
Speaker 1: number one record, and because of that record, our album

1820
02:01:16,880 --> 02:01:19,360
Speaker 1: stay at number one for like four or five weeks.

1821
02:01:20,440 --> 02:01:25,240
Speaker 1: People every kay Bro before r Kelly, my nigga, they

1822
02:01:25,840 --> 02:01:29,800
Speaker 1: they brought our ship out at nine eleven when the

1823
02:01:29,880 --> 02:01:33,680
Speaker 1: town's got hit literally all. Our video premiered on one

1824
02:01:33,800 --> 02:01:35,520
Speaker 1: or six in part one nine the Last You See

1825
02:01:35,520 --> 02:01:38,840
Speaker 1: how people in Him, Our first sight La Stadiums in

1826
02:01:38,960 --> 02:01:42,400
Speaker 1: one or six and part the set right, it's right.

1827
02:01:42,440 --> 02:01:44,080
Speaker 1: So remember when it was just Free and Agent and

1828
02:01:44,120 --> 02:01:46,200
Speaker 1: it was all so it was all down the life

1829
02:01:46,240 --> 02:01:47,920
Speaker 1: with them that had nobody in the audience and they

1830
02:01:47,960 --> 02:01:49,840
Speaker 1: weren't doing them but just running the videos. And our

1831
02:01:49,920 --> 02:01:52,320
Speaker 1: new joint got pamire like that. We weren't able to

1832
02:01:52,400 --> 02:01:55,040
Speaker 1: go on to Charaka Fellers. None of that Ship right

1833
02:01:55,120 --> 02:01:59,200
Speaker 1: was still Zoom back then record on record at the time,

1834
02:02:00,160 --> 02:02:02,400
Speaker 1: and my opinion was before it's time and they didn't

1835
02:02:02,440 --> 02:02:04,680
Speaker 1: know how to work it. Tricky Stewart and then did

1836
02:02:04,960 --> 02:02:07,720
Speaker 1: a dopass record on hun for Us right Bank and Ship.

1837
02:02:08,720 --> 02:02:11,800
Speaker 1: But but the record wasn't researching the way that we

1838
02:02:11,920 --> 02:02:16,040
Speaker 1: expected to research, right, So we're having problems at radio.

1839
02:02:16,560 --> 02:02:18,800
Speaker 1: We came promote the way we want all of our

1840
02:02:18,840 --> 02:02:21,120
Speaker 1: world premieres from mt V, t r L, t V

1841
02:02:21,320 --> 02:02:23,600
Speaker 1: T one or six. In part it's fucked up because

1842
02:02:23,640 --> 02:02:26,160
Speaker 1: the No. Eleven ship got everything shut down, you know

1843
02:02:26,200 --> 02:02:29,000
Speaker 1: what I'm saying, And so like we teetering on not

1844
02:02:29,120 --> 02:02:31,400
Speaker 1: even getting the second chance at a second video or

1845
02:02:31,480 --> 02:02:34,480
Speaker 1: second single within the label. If you know about the contracts,

1846
02:02:34,520 --> 02:02:37,200
Speaker 1: how that oh, you gotta first guarantee a possible second

1847
02:02:37,280 --> 02:02:39,360
Speaker 1: you know what I'm saying, like our possible second is

1848
02:02:39,360 --> 02:02:41,960
Speaker 1: looking shaky as funk right now because the first record

1849
02:02:42,040 --> 02:02:44,120
Speaker 1: is reading our researching in this and the economy is

1850
02:02:44,120 --> 02:02:47,880
Speaker 1: sucked up because No. Eleven just hire. So we struggling.

1851
02:02:47,960 --> 02:02:50,960
Speaker 1: Nigga Gusta Be comes, you know what I'm saying, and

1852
02:02:51,040 --> 02:02:53,360
Speaker 1: it starts to do well at radio, but it's still

1853
02:02:53,440 --> 02:02:55,800
Speaker 1: not a number one record. It's still not a top

1854
02:02:55,920 --> 02:02:58,600
Speaker 1: for the top twenty on the Top one hunter. It's

1855
02:02:58,640 --> 02:03:01,120
Speaker 1: like it's struggling. It's doing well maybe at R and B,

1856
02:03:01,520 --> 02:03:03,760
Speaker 1: you know what I mean, but overall, like it's not

1857
02:03:03,880 --> 02:03:06,840
Speaker 1: a total success. We're more of a visual group. But

1858
02:03:07,280 --> 02:03:10,200
Speaker 1: what happened is they allowed us to do another new

1859
02:03:10,320 --> 02:03:12,360
Speaker 1: joint when they're all the smoke clear, you know what

1860
02:03:12,400 --> 02:03:14,920
Speaker 1: I'm saying, and one on six and Parking shot to

1861
02:03:15,000 --> 02:03:18,880
Speaker 1: bt uplifted enough, you know what I'm saying, to put

1862
02:03:19,000 --> 02:03:21,360
Speaker 1: us in a place where the label got behind us

1863
02:03:21,400 --> 02:03:23,680
Speaker 1: and was like all right, this shit. It's something, you

1864
02:03:23,720 --> 02:03:25,800
Speaker 1: know what I'm saying, Because at first the devil was

1865
02:03:25,840 --> 02:03:28,320
Speaker 1: in the details. It's like, Yo, this ain't working and

1866
02:03:28,640 --> 02:03:30,280
Speaker 1: we ain't getting a fair shot, you know what I mean.

1867
02:03:30,440 --> 02:03:34,320
Speaker 1: We we're talking about Sony Epic right so to speak

1868
02:03:34,360 --> 02:03:37,200
Speaker 1: on Cails while we can't say shit about Cares because

1869
02:03:37,680 --> 02:03:41,400
Speaker 1: they brought in a slow producers to write records for

1870
02:03:41,560 --> 02:03:45,320
Speaker 1: us that everybody thought was the motherfucker's right. First album

1871
02:03:45,360 --> 02:03:48,200
Speaker 1: we worked with every we worked with everybody wasn't no slouches,

1872
02:03:48,360 --> 02:03:51,960
Speaker 1: you know what I'm saying. Uh, it was some motherfucker's

1873
02:03:52,000 --> 02:03:54,760
Speaker 1: on that track and d a clue nigga like it

1874
02:03:54,880 --> 02:03:58,240
Speaker 1: was some niggas on that right. Yeah, Jamaine Dupre was

1875
02:03:58,280 --> 02:04:02,080
Speaker 1: on the first album. Uh. Brian McCanny Burrs wrote on

1876
02:04:02,120 --> 02:04:12,520
Speaker 1: the first No, but but we got kissed enough, you

1877
02:04:12,560 --> 02:04:15,840
Speaker 1: know what I'm saying for them to be like, all right,

1878
02:04:16,640 --> 02:04:21,760
Speaker 1: our Kelly is gonna work on the second album. And

1879
02:04:22,400 --> 02:04:25,800
Speaker 1: the passion that he put behind it was the details

1880
02:04:25,880 --> 02:04:28,640
Speaker 1: of him going to find out what days our birthdays

1881
02:04:28,680 --> 02:04:31,400
Speaker 1: was on by maybe even calling the label, calling the

1882
02:04:31,480 --> 02:04:34,120
Speaker 1: label and saying, I got an idea. I need to

1883
02:04:34,200 --> 02:04:36,760
Speaker 1: know what day those boys birthdays is on. It could

1884
02:04:36,760 --> 02:04:40,800
Speaker 1: be creepy, but it could be the latest. Could look

1885
02:04:41,680 --> 02:04:44,200
Speaker 1: first broke Remember when we went and met with Kims.

1886
02:04:44,440 --> 02:04:47,080
Speaker 1: We went to the studio, right he broke out a guitar.

1887
02:04:47,320 --> 02:04:49,240
Speaker 1: He went to the big As podium right in the

1888
02:04:49,280 --> 02:04:52,560
Speaker 1: midhorder the boys at and for like what would you say?

1889
02:04:52,560 --> 02:04:56,520
Speaker 1: An hours? So he went into so many different characters,

1890
02:04:56,600 --> 02:04:59,240
Speaker 1: from a country guide to a church pastor. Made us

1891
02:04:59,320 --> 02:05:01,840
Speaker 1: come up there do different things like as far as

1892
02:05:01,880 --> 02:05:04,440
Speaker 1: like tepping into different characters and playing along in the

1893
02:05:04,560 --> 02:05:08,240
Speaker 1: choir and saying this, no, no, he did the videos

1894
02:05:08,280 --> 02:05:10,600
Speaker 1: that he was a different I thought you'd come out

1895
02:05:10,600 --> 02:05:19,680
Speaker 1: with the girl kiss let the passion that I'm told about.

1896
02:05:19,680 --> 02:05:21,920
Speaker 1: It is like he made us. He made us come

1897
02:05:21,960 --> 02:05:25,960
Speaker 1: to the studio and literally show our personalities. You you

1898
02:05:26,040 --> 02:05:28,400
Speaker 1: know what I'm saying. And you think the different characters,

1899
02:05:28,440 --> 02:05:29,840
Speaker 1: he was an exercise that he was trying to get.

1900
02:05:30,440 --> 02:05:32,280
Speaker 1: What he was getting to know us. He was reading this,

1901
02:05:32,680 --> 02:05:35,240
Speaker 1: he was finding the cool guy, the crazy guy, the

1902
02:05:35,320 --> 02:05:37,600
Speaker 1: funny guy. All he was fighting all of that ship

1903
02:05:37,720 --> 02:05:40,240
Speaker 1: and now with the genius work. When he returned with

1904
02:05:40,400 --> 02:05:44,040
Speaker 1: the records, Bro, they came one after another and it

1905
02:05:44,200 --> 02:05:46,760
Speaker 1: fitted so perfect. You know what I'm saying. He cater

1906
02:05:46,920 --> 02:05:50,200
Speaker 1: these records perfectly perfectly for us. It wasn't something this catalog.

1907
02:05:50,880 --> 02:05:52,280
Speaker 1: And when we went and met with him, when we

1908
02:05:52,360 --> 02:05:55,800
Speaker 1: came from up for tour, he told us he showed

1909
02:05:55,880 --> 02:05:59,200
Speaker 1: us exactly I had. He was like, and I'm never

1910
02:05:59,240 --> 02:06:01,720
Speaker 1: gonna make you guy, it's the same song twice. I

1911
02:06:01,880 --> 02:06:04,480
Speaker 1: don't do that, So don't ask me for another bump

1912
02:06:04,520 --> 02:06:06,800
Speaker 1: bump bump. When I give you this next record, don't

1913
02:06:06,800 --> 02:06:09,080
Speaker 1: ask me for another one of these, because every time

1914
02:06:09,120 --> 02:06:11,040
Speaker 1: I get your record, it's gonna be a new one.

1915
02:06:11,520 --> 02:06:15,920
Speaker 1: You never do the same record twice. Wow. Wow. So

1916
02:06:16,400 --> 02:06:19,280
Speaker 1: so when everything starts happening, how do y'all feel? Like?

1917
02:06:19,440 --> 02:06:24,080
Speaker 1: How conflicted are y'all with? Man? And and then and

1918
02:06:24,160 --> 02:06:27,960
Speaker 1: then the business of of what you've done with you know,

1919
02:06:28,120 --> 02:06:33,240
Speaker 1: we were we were kids, man, So like seeing it,

1920
02:06:33,360 --> 02:06:38,440
Speaker 1: it was like, damn, like this is really, this is

1921
02:06:38,520 --> 02:06:44,760
Speaker 1: really happening, you know. And it was like we didn't

1922
02:06:44,760 --> 02:06:46,760
Speaker 1: see that side of him, you know what I mean,

1923
02:06:46,880 --> 02:06:51,280
Speaker 1: We've seen a whole different person record, Bro, you be lost,

1924
02:06:52,240 --> 02:06:57,240
Speaker 1: I don't be lost. Welcome to your champig. So so

1925
02:06:57,440 --> 02:07:03,360
Speaker 1: it was like we just had a different respect for him,

1926
02:07:03,520 --> 02:07:09,440
Speaker 1: you know, because that wasn't the r Kelly wenew was

1927
02:07:09,520 --> 02:07:15,560
Speaker 1: like we had right. So it was like in a

1928
02:07:15,680 --> 02:07:18,880
Speaker 1: sense like even what they say about Mike Watton, you know,

1929
02:07:19,000 --> 02:07:21,960
Speaker 1: they say the allegations they got against Mike, but we

1930
02:07:22,120 --> 02:07:25,240
Speaker 1: never seen nothing. So me as a Mike fan, I

1931
02:07:25,280 --> 02:07:28,600
Speaker 1: don't believe that ship you feel me, But Kelly and

1932
02:07:28,720 --> 02:07:33,760
Speaker 1: seeing it, it's like it's like whoa you know, but

1933
02:07:34,000 --> 02:07:37,920
Speaker 1: I can base this man really off of what I

1934
02:07:38,040 --> 02:07:41,360
Speaker 1: know and who I met as a kid. You feel me.

1935
02:07:41,400 --> 02:07:44,080
Speaker 1: I'm not trying to decipher the two, like because you're

1936
02:07:44,120 --> 02:07:50,000
Speaker 1: how older you know? So it's just like it's just

1937
02:07:50,640 --> 02:07:57,960
Speaker 1: shock value. Me personally, I saw the success take off

1938
02:07:58,240 --> 02:08:05,640
Speaker 1: when like they put the record out and immediately like

1939
02:08:07,720 --> 02:08:10,200
Speaker 1: everybody came back from ready if you understood, like how

1940
02:08:10,240 --> 02:08:12,160
Speaker 1: ready or we're back back there. You have the whole

1941
02:08:12,200 --> 02:08:14,480
Speaker 1: lot of power out, go back tomorrow, the record research

1942
02:08:14,520 --> 02:08:17,600
Speaker 1: and all that way right, and they're like they're going

1943
02:08:18,080 --> 02:08:22,040
Speaker 1: crazy over this record right now. You know records We

1944
02:08:22,080 --> 02:08:25,560
Speaker 1: took us about my mom and like Physics said, like

1945
02:08:27,120 --> 02:08:30,200
Speaker 1: we're not tied into his personal life, like we don't know.

1946
02:08:30,920 --> 02:08:34,600
Speaker 1: As the record is going number one, it's perfect, Okay,

1947
02:08:35,400 --> 02:08:37,760
Speaker 1: So we gotta make a decision how we support them,

1948
02:08:38,360 --> 02:08:39,840
Speaker 1: how we you know what I'm saying, how do you

1949
02:08:39,920 --> 02:08:41,560
Speaker 1: even it's not even up to you to support them

1950
02:08:41,640 --> 02:08:44,960
Speaker 1: or not? Well, it is because it's like it is

1951
02:08:45,080 --> 02:08:48,280
Speaker 1: because it's like we we spent time with him as

1952
02:08:48,360 --> 02:08:50,200
Speaker 1: a friend before all of this ship hit the fan,

1953
02:08:51,360 --> 02:08:54,240
Speaker 1: so that taking out Damon Pherson gave us a lot

1954
02:08:54,320 --> 02:08:59,520
Speaker 1: of uh, a lot of individual inputs. So he gave

1955
02:08:59,640 --> 02:09:04,040
Speaker 1: us the option after that second single to his girlfriend

1956
02:09:04,440 --> 02:09:07,360
Speaker 1: to continue, you know, getting reckons from Kels, Like, y'all,

1957
02:09:07,720 --> 02:09:09,880
Speaker 1: I was gonna still continue to work with him because

1958
02:09:09,960 --> 02:09:14,160
Speaker 1: Dave mac was actually managing Kels at the time. So

1959
02:09:16,080 --> 02:09:18,920
Speaker 1: it was like, well, I mean, this is how we winning,

1960
02:09:19,840 --> 02:09:22,480
Speaker 1: you know, like, why would we go against how we winning?

1961
02:09:22,600 --> 02:09:25,760
Speaker 1: Right now? Do you think this is a little crazy?

1962
02:09:25,840 --> 02:09:31,120
Speaker 1: But do you think the industry is so they're so

1963
02:09:31,280 --> 02:09:33,080
Speaker 1: happy to just make money that they will turn a

1964
02:09:33,160 --> 02:09:36,200
Speaker 1: blind diving what's going on with the individual. I think

1965
02:09:36,280 --> 02:09:39,240
Speaker 1: at that time it was just so fresh man and

1966
02:09:39,400 --> 02:09:43,680
Speaker 1: nobody knew where it was going. It could be false allegations.

1967
02:09:44,520 --> 02:09:48,560
Speaker 1: That's why I said, we can't That's why that's but

1968
02:09:50,040 --> 02:09:53,000
Speaker 1: but that's why we we can't get caught up and

1969
02:09:53,200 --> 02:09:57,600
Speaker 1: trying to be on the side. I mean with the tape,

1970
02:09:57,600 --> 02:10:01,040
Speaker 1: I think people can still someone can still say that's

1971
02:10:01,040 --> 02:10:02,800
Speaker 1: false allegation, can say you don't know the age of

1972
02:10:02,840 --> 02:10:05,040
Speaker 1: the girl in it. Oh yeah, that's what I'm saying,

1973
02:10:05,040 --> 02:10:08,160
Speaker 1: in that time frame, but then as things progressed, people

1974
02:10:08,240 --> 02:10:11,280
Speaker 1: came out, and then you saw as things progressed, we

1975
02:10:11,400 --> 02:10:13,480
Speaker 1: were no longer in that period when we had to

1976
02:10:13,560 --> 02:10:15,680
Speaker 1: deal with it, you know what I'm saying. When things

1977
02:10:15,760 --> 02:10:18,360
Speaker 1: were like current and fresh, when the records were out,

1978
02:10:18,480 --> 02:10:21,160
Speaker 1: it was all still fresh allocations. They weren't even like

1979
02:10:21,240 --> 02:10:24,160
Speaker 1: full tapes out and ship like that. It was conversation.

1980
02:10:24,320 --> 02:10:26,600
Speaker 1: Then the tape started to come out and all that,

1981
02:10:27,640 --> 02:10:41,560
Speaker 1: you know, first thing, but the thing was just noting.

1982
02:10:42,160 --> 02:10:46,760
Speaker 1: We decided to look, if it's not our situation, it's

1983
02:10:46,800 --> 02:10:49,080
Speaker 1: not a place to pick aside. You know what I'm saying.

1984
02:10:49,080 --> 02:10:50,680
Speaker 1: It's not our place to speak on it. You know

1985
02:10:50,720 --> 02:10:54,000
Speaker 1: what I'm saying, that's that man's business. Everybody got, they got,

1986
02:10:54,040 --> 02:10:56,600
Speaker 1: everybody had their life aside from when we come out

1987
02:10:56,640 --> 02:10:59,360
Speaker 1: as these superstars. We don't go home to at night. North.

1988
02:10:59,720 --> 02:11:01,520
Speaker 1: We don't know what you really. We don't know your kids,

1989
02:11:01,560 --> 02:11:03,400
Speaker 1: we don't know your wife, we don't know what they

1990
02:11:03,680 --> 02:11:06,280
Speaker 1: you know, I don't know. So it's like, let us

1991
02:11:06,360 --> 02:11:08,160
Speaker 1: just take a step back and say, hey, we be

1992
02:11:08,320 --> 02:11:13,440
Speaker 1: too Kate, you respect especially, That's what I'm saying. Instagram

1993
02:11:13,480 --> 02:11:16,800
Speaker 1: because now everybody knew on Twitter and Instagram and Facebook

1994
02:11:16,800 --> 02:11:19,680
Speaker 1: everyone your whole your whole life. But this before that,

1995
02:11:20,240 --> 02:11:23,560
Speaker 1: so it's like, wow, all those face was. Don't ask

1996
02:11:23,680 --> 02:11:25,960
Speaker 1: us to to say how we feel about it or

1997
02:11:26,240 --> 02:11:29,040
Speaker 1: should we should we work with rapping that work around.

1998
02:11:29,280 --> 02:11:31,000
Speaker 1: Rob was our friend before he started going through what

1999
02:11:31,080 --> 02:11:33,680
Speaker 1: he was going through. If you're a real nigga and

2000
02:11:33,880 --> 02:11:36,600
Speaker 1: you really with your nigga, even if he's wrong, you

2001
02:11:36,680 --> 02:11:39,280
Speaker 1: don't fail on him. If he got to get locked

2002
02:11:39,360 --> 02:11:42,800
Speaker 1: up before what he did he get locked up did,

2003
02:11:43,400 --> 02:11:46,880
Speaker 1: but you don't bail on your nigga. That just gave

2004
02:11:47,000 --> 02:11:50,920
Speaker 1: you life. He just gave us, Like, yeah, he might

2005
02:11:50,960 --> 02:11:53,360
Speaker 1: be fucked up. Yeah, he might have did some ship

2006
02:11:53,480 --> 02:11:55,200
Speaker 1: that we don't agree with, some ship that I might

2007
02:11:55,280 --> 02:11:57,160
Speaker 1: not have did. You might have did, he might have did.

2008
02:11:57,880 --> 02:12:00,400
Speaker 1: You don't built on that nigga. You go through the

2009
02:12:00,480 --> 02:12:03,600
Speaker 1: water with him. You feel me when he's wrong, you're wrong,

2010
02:12:03,800 --> 02:12:06,160
Speaker 1: right if he killed that nigg he killed that niggagnore,

2011
02:12:07,880 --> 02:12:12,000
Speaker 1: still your nigga. Oh sometimes no no no no no

2012
02:12:12,120 --> 02:12:15,200
Speaker 1: no no no no no no not you get what

2013
02:12:15,240 --> 02:12:19,240
Speaker 1: I'm saying. Not I'm saying, like, regardless of what my

2014
02:12:19,400 --> 02:12:22,560
Speaker 1: family go through, you feel me. I'm not gonna agree

2015
02:12:22,640 --> 02:12:25,040
Speaker 1: with all of the decisions that they made. You get

2016
02:12:25,080 --> 02:12:27,880
Speaker 1: what I'm saying. But one thing about me, bro, I'm

2017
02:12:27,960 --> 02:12:33,000
Speaker 1: not turning my back on you. I'll chew your ass out,

2018
02:12:33,040 --> 02:12:34,960
Speaker 1: i might beat you to funk up for what you did,

2019
02:12:35,760 --> 02:12:38,400
Speaker 1: but I'm not gonna turn my back on you, bro,

2020
02:12:38,800 --> 02:12:41,720
Speaker 1: because at the end of the day, we're gonna be

2021
02:12:41,840 --> 02:12:45,040
Speaker 1: family forever, feel me, and I'm gonna need you to

2022
02:12:45,120 --> 02:12:46,840
Speaker 1: catch me and be there for me and my moments

2023
02:12:46,880 --> 02:12:48,640
Speaker 1: when I suck up. If they ain't know, I can

2024
02:12:48,720 --> 02:12:51,440
Speaker 1: sitt that's higher than the other. How are you gonna

2025
02:12:51,480 --> 02:12:54,240
Speaker 1: turn your back on your brother, nigga? You feel me?

2026
02:12:54,840 --> 02:12:56,480
Speaker 1: That's just That's just how I look at it. You

2027
02:12:56,520 --> 02:12:58,520
Speaker 1: know what I'm saying. And I'm not gonna sucking sucking

2028
02:12:58,560 --> 02:13:00,840
Speaker 1: the little kids with you. I'm not gonna do none

2029
02:13:00,880 --> 02:13:02,960
Speaker 1: of that. Ship if I'm just saying, like, if that's just,

2030
02:13:03,080 --> 02:13:06,000
Speaker 1: if that's what's going on, I'm not gonna go do

2031
02:13:06,160 --> 02:13:08,640
Speaker 1: that with you. Blood. At the same time, you know

2032
02:13:08,640 --> 02:13:11,040
Speaker 1: what I'm saying, I'm not gonna turn my back on you.

2033
02:13:11,120 --> 02:13:13,400
Speaker 1: I'll sweet what I'm saying in the sense of like,

2034
02:13:13,760 --> 02:13:16,520
Speaker 1: if we gonna go out and do rob records. It's

2035
02:13:16,520 --> 02:13:18,400
Speaker 1: a situation where it's like, oh, we're not gonna performing

2036
02:13:18,440 --> 02:13:21,160
Speaker 1: records no more, I'm gonna performing records. What was that that?

2037
02:13:21,640 --> 02:13:24,880
Speaker 1: So sometimes you gotta sometimes basically gotta separate the artist

2038
02:13:25,480 --> 02:13:31,400
Speaker 1: from the actual art exactly exactly. No, I know, I'm no,

2039
02:13:31,480 --> 02:13:33,760
Speaker 1: I'm not saying that. I'm just like Bill Cosmy, Like

2040
02:13:34,040 --> 02:13:35,880
Speaker 1: like Bill Cosby is some fund up ship when you

2041
02:13:35,960 --> 02:13:38,840
Speaker 1: look at it. Ever seen the Bill Cosby documentary somehow?

2042
02:13:40,200 --> 02:13:43,320
Speaker 1: But it doesn't take away from the hustbles. What's the

2043
02:13:43,360 --> 02:13:50,600
Speaker 1: fun phenomenal family? Yeah, anyone's a genius when the cat

2044
02:13:50,600 --> 02:13:58,400
Speaker 1: a separate Listen, I know it's a beautiful family. Don't

2045
02:13:58,400 --> 02:14:01,600
Speaker 1: work from the person. You gotta look just like Copies

2046
02:14:01,960 --> 02:14:05,800
Speaker 1: was a little horrible. Yeah, I was just like all right,

2047
02:14:05,840 --> 02:14:08,080
Speaker 1: so if because it could have just came off like

2048
02:14:08,160 --> 02:14:11,000
Speaker 1: it was very raw. It's like this, Bro, I don't

2049
02:14:11,040 --> 02:14:14,800
Speaker 1: agree with you're going what you did right, and I

2050
02:14:14,920 --> 02:14:18,800
Speaker 1: won't involve myself with those antics. You feel me, put

2051
02:14:18,840 --> 02:14:20,920
Speaker 1: you my nigga, And if you're about to go do

2052
02:14:21,080 --> 02:14:24,320
Speaker 1: that bed for thirty years, bro, this redemption for everybody,

2053
02:14:24,560 --> 02:14:28,120
Speaker 1: I'm gonna still except your goal. Bro, what's something my nigga?

2054
02:14:28,480 --> 02:14:31,600
Speaker 1: How are you feeling, bro? You're getting your head together. Man,

2055
02:14:31,880 --> 02:14:33,520
Speaker 1: I'm mad you did that ship, but I see you

2056
02:14:33,560 --> 02:14:35,560
Speaker 1: trying to get your head together. You feel me because

2057
02:14:35,600 --> 02:14:37,960
Speaker 1: you gotta still live the rest of his life. You

2058
02:14:38,040 --> 02:14:45,040
Speaker 1: feel me, like, straight up forgive me because I'm passionate

2059
02:14:45,120 --> 02:14:47,800
Speaker 1: about the forgiveness. You feel me because I need somebody

2060
02:14:47,840 --> 02:14:58,640
Speaker 1: to forgive me. Sometimes. That's how does y'all make that wrecking? Man?

2061
02:15:02,680 --> 02:15:07,840
Speaker 1: I don't know that funny story. Yeah, at the time,

2062
02:15:07,960 --> 02:15:12,320
Speaker 1: the producers plan of status, which was our manager's producers

2063
02:15:12,400 --> 02:15:15,320
Speaker 1: at the time, they were trying to come up. So

2064
02:15:15,760 --> 02:15:18,040
Speaker 1: you know, at that time we were still working on reels.

2065
02:15:18,240 --> 02:15:24,440
Speaker 1: There was no proteolsta listen, listen, listen. You know about

2066
02:15:24,440 --> 02:15:35,360
Speaker 1: reading reading, we're talking about working. Hey, I don't remember

2067
02:15:35,400 --> 02:15:52,400
Speaker 1: seeing loads songs. Ye, fishing old started with dads. I

2068
02:15:52,480 --> 02:16:05,960
Speaker 1: was very like a little North. When we would get

2069
02:16:06,040 --> 02:16:12,000
Speaker 1: these records, are managers would have the producers mixed the songs,

2070
02:16:12,680 --> 02:16:15,600
Speaker 1: so they would get the reels of all the instruments

2071
02:16:15,680 --> 02:16:18,760
Speaker 1: they use, and then they would sample and then they

2072
02:16:18,920 --> 02:16:22,520
Speaker 1: now they would have the sounds, so they had all

2073
02:16:22,600 --> 02:16:25,560
Speaker 1: the sounds to the R Kelly records. So when they

2074
02:16:25,680 --> 02:16:29,040
Speaker 1: made they made by the Boom, they tried to sample

2075
02:16:29,320 --> 02:16:32,720
Speaker 1: our Kelly songs and so the writers went in there

2076
02:16:32,760 --> 02:16:36,680
Speaker 1: and tried to make our Kelly type record, and then

2077
02:16:37,440 --> 02:16:39,320
Speaker 1: we thought it was dope. So we used it for

2078
02:16:39,480 --> 02:16:42,879
Speaker 1: the You Gotta Serve soundtrack and actually and he jumped

2079
02:16:42,920 --> 02:16:47,280
Speaker 1: on it and Fab jumped on it. Cheese. No, let

2080
02:16:47,360 --> 02:16:50,480
Speaker 1: me just say something. That's I'm going through y'all the

2081
02:16:50,520 --> 02:16:57,720
Speaker 1: songs for this one thing that pops up beside Chris

2082
02:16:58,080 --> 02:17:05,000
Speaker 1: is deep it back. That's the same person. So what

2083
02:17:05,560 --> 02:17:10,760
Speaker 1: is exactly broke messed him earlier? But what what what? What?

2084
02:17:11,240 --> 02:17:13,920
Speaker 1: That's that's just so people that's sleeping under the rock,

2085
02:17:14,040 --> 02:17:17,520
Speaker 1: that's just what's that roll. Damian Ferson was the president

2086
02:17:17,560 --> 02:17:21,360
Speaker 1: of Sony Evlick at the time, So when pop Daddy

2087
02:17:21,680 --> 02:17:24,959
Speaker 1: is on the record, he shot out, Dave Mac that's

2088
02:17:25,000 --> 02:17:32,000
Speaker 1: what he's told. Yeah, yeah. Was then became Lisa Ellis Spot,

2089
02:17:32,240 --> 02:17:35,960
Speaker 1: and then became Donnie Einer Spot. You know that spot

2090
02:17:36,080 --> 02:17:39,320
Speaker 1: keeps getting taken. You know that was kind of sie

2091
02:17:39,440 --> 02:17:43,440
Speaker 1: wrong spot, right, is it's not a universe? That's kind

2092
02:17:43,440 --> 02:17:46,440
Speaker 1: of how like that's kind of like that that's kind

2093
02:17:46,480 --> 02:17:48,040
Speaker 1: of how like all the solo projects and all of

2094
02:17:48,080 --> 02:17:49,560
Speaker 1: the stuff that was going on with B t k

2095
02:17:49,760 --> 02:17:53,280
Speaker 1: as only at their time got put on Hope because

2096
02:17:53,320 --> 02:18:04,960
Speaker 1: they sweeped out everybody be my yeah, least universal about

2097
02:18:04,959 --> 02:18:07,280
Speaker 1: everything at that point, Remember like death jam everything he

2098
02:18:07,360 --> 02:18:11,360
Speaker 1: got four or four four usually text hole this time,

2099
02:18:12,120 --> 02:18:14,120
Speaker 1: what do you say that to say? Four or four

2100
02:18:14,200 --> 02:18:21,560
Speaker 1: four word shouts out home? But another name that kept

2101
02:18:21,600 --> 02:18:24,760
Speaker 1: popping up and you mentioned him Earl, and you say

2102
02:18:24,800 --> 02:18:29,440
Speaker 1: he's your cousin, and you all mentioned him. Man, we'll wait.

2103
02:18:29,640 --> 02:18:37,119
Speaker 1: Shape forms like that just quit. So it was crazy

2104
02:18:37,160 --> 02:18:40,240
Speaker 1: because one thing I didn't want to do was Google

2105
02:18:40,360 --> 02:18:44,440
Speaker 1: y'all and based my information of a gossip all right,

2106
02:18:45,000 --> 02:18:47,440
Speaker 1: So when I Google, the first thing that popped up

2107
02:18:47,600 --> 02:18:50,840
Speaker 1: was there, and I was like, I don't want that.

2108
02:18:51,400 --> 02:18:54,119
Speaker 1: So I was like, yo, I went and dug into

2109
02:18:54,200 --> 02:18:57,400
Speaker 1: your music, and I'd rather come from that approach. But

2110
02:18:57,560 --> 02:19:01,000
Speaker 1: then the music led me back to there because at

2111
02:19:01,080 --> 02:19:05,240
Speaker 1: some point it was like Chris talks bro Jos. You

2112
02:19:05,280 --> 02:19:08,240
Speaker 1: know what I'm saying, room, So I don't know who

2113
02:19:08,320 --> 02:19:10,880
Speaker 1: wants to start a league. I guess I guess it's

2114
02:19:10,879 --> 02:19:13,840
Speaker 1: gotta be you, right, every everybody that's to my cousin. Yes,

2115
02:19:15,120 --> 02:19:18,000
Speaker 1: so so so let me let me set up my

2116
02:19:18,120 --> 02:19:23,120
Speaker 1: question so you could answer correctly. Is me looking at nowadays?

2117
02:19:23,200 --> 02:19:25,880
Speaker 1: Me looking at you now? And then me looking at

2118
02:19:26,200 --> 02:19:29,160
Speaker 1: I mean, listening to the records, look, watching the videos

2119
02:19:29,440 --> 02:19:33,320
Speaker 1: come back in and see all good? Then when I google,

2120
02:19:33,720 --> 02:19:39,320
Speaker 1: because I have to, and that's the first thing to

2121
02:19:39,480 --> 02:19:42,680
Speaker 1: drop up, popped up, you know, Chris stoves to dispute

2122
02:19:42,720 --> 02:19:45,960
Speaker 1: with the B two K and all this crazy ship more, more,

2123
02:19:46,040 --> 02:19:51,800
Speaker 1: more and without you know what I mean, like because

2124
02:19:51,920 --> 02:19:55,960
Speaker 1: you know, I'm familiar, but I'm like, I was living

2125
02:19:55,959 --> 02:19:58,560
Speaker 1: in my own world. I was also platinum, so I

2126
02:19:58,720 --> 02:20:05,080
Speaker 1: then expl you know, I'm like, I'm such a good

2127
02:20:05,120 --> 02:20:09,680
Speaker 1: place mentally. You know, I think it's really important, you

2128
02:20:09,800 --> 02:20:14,720
Speaker 1: know that me and my cousin get opportunity to to

2129
02:20:14,840 --> 02:20:18,000
Speaker 1: wreck us out and you know, talk things out because

2130
02:20:18,080 --> 02:20:22,400
Speaker 1: family matters should be taken care of privately, because a

2131
02:20:22,480 --> 02:20:26,600
Speaker 1: lot of people, you know, do a little too much.

2132
02:20:27,040 --> 02:20:28,760
Speaker 1: Even when I was a kid, I did too, a

2133
02:20:28,800 --> 02:20:33,680
Speaker 1: little too much. So you know, I don't wanna say

2134
02:20:33,720 --> 02:20:36,440
Speaker 1: too much about that. But okay, now that's the culture

2135
02:20:36,600 --> 02:20:38,080
Speaker 1: is ready to talk about, you know, I mean the

2136
02:20:38,120 --> 02:20:40,440
Speaker 1: culture is I mean because you know, what it is.

2137
02:20:40,600 --> 02:20:42,440
Speaker 1: I mean, whether we wanted to talk about it or not.

2138
02:20:42,600 --> 02:20:44,320
Speaker 1: That's when you re google y'all. It's the first thing

2139
02:20:44,360 --> 02:20:48,040
Speaker 1: that you know, what I'm saying is your descripancy with Crystal.

2140
02:20:48,200 --> 02:20:50,080
Speaker 1: So maybe you're not ready to talking. I don't want

2141
02:20:50,120 --> 02:20:53,240
Speaker 1: you to if you're not what I mean, but you know, um,

2142
02:20:53,480 --> 02:20:56,680
Speaker 1: this is management. We're not talking about anything else because

2143
02:20:57,040 --> 02:21:00,920
Speaker 1: and I heard you alluded to it earlier, like you know,

2144
02:21:01,000 --> 02:21:03,000
Speaker 1: we all went through it, you know, so what was

2145
02:21:03,160 --> 02:21:07,120
Speaker 1: what was your descripancys? False management? Ghost? I felt like

2146
02:21:08,320 --> 02:21:12,039
Speaker 1: we were in a space where we were starting to research,

2147
02:21:12,520 --> 02:21:15,240
Speaker 1: you know, because it was conversations my new Bentley's gonna

2148
02:21:15,280 --> 02:21:18,120
Speaker 1: be here, you know, and it was just like, oh, well,

2149
02:21:18,720 --> 02:21:21,080
Speaker 1: where's our bread that you know, what what are we

2150
02:21:21,200 --> 02:21:27,039
Speaker 1: working for? Right? And you know, shouts out to one

2151
02:21:27,120 --> 02:21:30,879
Speaker 1: of my cousins. Man. She she gave me. She gave

2152
02:21:30,920 --> 02:21:34,560
Speaker 1: me a book called This Business and Music, And I

2153
02:21:34,680 --> 02:21:36,960
Speaker 1: started to dip into it a little bit and I

2154
02:21:37,120 --> 02:21:39,720
Speaker 1: was I was seeing how, you know, the structure was

2155
02:21:39,760 --> 02:21:42,800
Speaker 1: set up and how the artists get paid, and I'm like,

2156
02:21:42,879 --> 02:21:46,080
Speaker 1: we're not getting our bread. So that was where the

2157
02:21:46,160 --> 02:21:49,320
Speaker 1: discripancy came in, you know, and what aises you when

2158
02:21:49,360 --> 02:21:54,200
Speaker 1: you realize that this is at the media takes my

2159
02:21:54,360 --> 02:22:00,959
Speaker 1: personal family things. We would say, I think put him

2160
02:22:01,000 --> 02:22:04,440
Speaker 1: in and it just it's all bad business, bro, It's

2161
02:22:04,480 --> 02:22:11,040
Speaker 1: all bad business. But yeah, that's where the the screpancy developed.

2162
02:22:11,200 --> 02:22:14,440
Speaker 1: You know this book you understanding, and you know we

2163
02:22:14,560 --> 02:22:16,480
Speaker 1: were kids at that time, so we didn't really know

2164
02:22:16,600 --> 02:22:21,320
Speaker 1: how to go about it, um. But when it was,

2165
02:22:21,520 --> 02:22:24,880
Speaker 1: it was it was a Christmas tour. It was a

2166
02:22:24,959 --> 02:22:28,520
Speaker 1: Christmas tour we did, and in the middle of it,

2167
02:22:29,320 --> 02:22:32,160
Speaker 1: it was it was New Year's New Year's Eve. They

2168
02:22:32,240 --> 02:22:34,480
Speaker 1: told us we can't go on with the tour because

2169
02:22:34,520 --> 02:22:37,520
Speaker 1: Amary was sick and he was coughing up blood at

2170
02:22:37,560 --> 02:22:40,840
Speaker 1: the time, which was a cat They knew they had

2171
02:22:40,879 --> 02:22:43,840
Speaker 1: all we already had the conversation about us breaking up.

2172
02:22:44,040 --> 02:22:46,760
Speaker 1: We were just finishing out the business that we had

2173
02:22:47,080 --> 02:22:52,120
Speaker 1: already signed up for, so I guess they figured this

2174
02:22:52,280 --> 02:22:55,800
Speaker 1: was the time to end it. So we go back

2175
02:22:55,879 --> 02:23:00,520
Speaker 1: home and we end up going to Vegas. Rats had

2176
02:23:00,600 --> 02:23:03,200
Speaker 1: messing friends out there that was tied to this big

2177
02:23:03,280 --> 02:23:07,480
Speaker 1: company um before in the middle of us going on

2178
02:23:07,600 --> 02:23:11,880
Speaker 1: that tour prior to that, and they were like, yeah,

2179
02:23:11,920 --> 02:23:13,920
Speaker 1: come out to Vegas. You know, it's New Year's Eve.

2180
02:23:14,400 --> 02:23:16,520
Speaker 1: We'll take care of y'all. So they flew us out

2181
02:23:17,280 --> 02:23:19,960
Speaker 1: or no, we drove out there. They got as limo

2182
02:23:20,040 --> 02:23:22,160
Speaker 1: out there, and then we flew back on a private jet.

2183
02:23:23,480 --> 02:23:27,080
Speaker 1: On our way back, we were at the ClearPort and

2184
02:23:27,240 --> 02:23:29,760
Speaker 1: they had the big screen TV and the little libby area.

2185
02:23:29,840 --> 02:23:32,400
Speaker 1: So we're sitting there and seeing then it's on. No cat,

2186
02:23:32,560 --> 02:23:35,560
Speaker 1: this is like a movie. We're all sitting there and

2187
02:23:35,640 --> 02:23:37,600
Speaker 1: we just happened to be just looking at seeing it

2188
02:23:37,959 --> 02:23:40,000
Speaker 1: and at the bottom of the screen it rose by

2189
02:23:40,120 --> 02:23:45,680
Speaker 1: it says hit Group B two K breaks up. We're like, yo,

2190
02:23:45,800 --> 02:23:50,920
Speaker 1: did you see that? We're like yo, no, yeah, and

2191
02:23:51,000 --> 02:23:56,720
Speaker 1: wehere else right, We like pressure what So when we

2192
02:23:56,800 --> 02:24:01,640
Speaker 1: get back home, when we get at home, big boy,

2193
02:24:02,800 --> 02:24:05,440
Speaker 1: it's like, yo, y'all come to the radio. Is this true?

2194
02:24:05,800 --> 02:24:07,280
Speaker 1: So we go up there and we're like, no, are

2195
02:24:07,320 --> 02:24:09,960
Speaker 1: we together? Like, you know, we had this plan to

2196
02:24:10,040 --> 02:24:14,920
Speaker 1: leave management and you know, um oh boy kind of

2197
02:24:15,080 --> 02:24:17,880
Speaker 1: like didn't leave with us. We didn't give the whole

2198
02:24:17,920 --> 02:24:20,200
Speaker 1: story then. You know, we were kind of confused at

2199
02:24:20,240 --> 02:24:23,960
Speaker 1: the time, like how did this come out? Um? So

2200
02:24:27,400 --> 02:24:30,840
Speaker 1: when that whole thing started, it was the discrepancy of

2201
02:24:31,680 --> 02:24:35,720
Speaker 1: all right, now it's war because you're trying to tear

2202
02:24:35,800 --> 02:24:38,360
Speaker 1: us apart, like you're trying to divide and conquer. You

2203
02:24:38,440 --> 02:24:41,720
Speaker 1: feel me, like you didn't the broadest snitched. Now you

2204
02:24:41,840 --> 02:24:43,560
Speaker 1: got him on your side, and now you're trying to

2205
02:24:43,640 --> 02:24:46,959
Speaker 1: make it look like we did this and put him

2206
02:24:47,000 --> 02:24:50,960
Speaker 1: near you feel me. That's when the shelf happened and

2207
02:24:51,879 --> 02:24:57,160
Speaker 1: he came out solo. So that was used to be

2208
02:24:59,720 --> 02:25:02,880
Speaker 1: kill but but you know, looking at looking back that

2209
02:25:03,879 --> 02:25:07,400
Speaker 1: I was mad when the ship came out because I

2210
02:25:07,560 --> 02:25:15,560
Speaker 1: liked the fucking song Ice I was. I'm like, keeps

2211
02:25:15,600 --> 02:25:25,240
Speaker 1: seeing but oh, they're like going back on it, and

2212
02:25:25,520 --> 02:25:31,280
Speaker 1: inside it's like man thirty six years old, like Chris

2213
02:25:31,480 --> 02:25:34,560
Speaker 1: was thirty three at the time. I'm like, if I

2214
02:25:34,720 --> 02:25:37,800
Speaker 1: had an artist or a group and not one of

2215
02:25:37,840 --> 02:25:41,040
Speaker 1: the lead singers came back and told me we planned

2216
02:25:41,080 --> 02:25:43,960
Speaker 1: on leaving, y'all, And I'm like, well, ship, what am

2217
02:25:44,000 --> 02:25:46,760
Speaker 1: I gonna do? From a business standpoint, you know, and

2218
02:25:46,840 --> 02:25:49,600
Speaker 1: this is my group shop, I might have done the

2219
02:25:49,680 --> 02:25:53,720
Speaker 1: same thing because we were in that contractually never really

2220
02:25:53,800 --> 02:25:57,880
Speaker 1: did anything wrong. Contraction, you know, we just signed what

2221
02:25:58,160 --> 02:26:00,560
Speaker 1: we didn't know. You don't know what you don't know

2222
02:26:01,040 --> 02:26:03,000
Speaker 1: you felt me. That was my point was saying, working

2223
02:26:03,040 --> 02:26:04,840
Speaker 1: on the other side of the business. Now, I see,

2224
02:26:04,879 --> 02:26:07,280
Speaker 1: I've been our companies do business. You know what I'm saying.

2225
02:26:07,320 --> 02:26:14,039
Speaker 1: So it's like excepting, you capitalize your ignorance. So in hindsight,

2226
02:26:14,120 --> 02:26:18,120
Speaker 1: every man, there was nothing wrong there. But if I

2227
02:26:18,240 --> 02:26:30,480
Speaker 1: regret something that you take something back, I mean, what's up? Okay,

2228
02:26:30,520 --> 02:26:33,360
Speaker 1: So let's just be clear. Let's be clear right now,

2229
02:26:34,440 --> 02:26:39,080
Speaker 1: Swiss beats Timberland. Niggas turned the new leaf. Oh y'all,

2230
02:26:39,959 --> 02:26:50,199
Speaker 1: let's say we want small one twelve versus versus pretty ricky,

2231
02:26:50,760 --> 02:27:00,520
Speaker 1: pretty ricky, pretty nigga, right, won't Oh the smoke would

2232
02:27:00,520 --> 02:27:03,920
Speaker 1: beat u? K. Yeah, they stole our whole show on

2233
02:27:03,959 --> 02:27:07,680
Speaker 1: the second tour. Like the second tour we went when

2234
02:27:07,720 --> 02:27:10,360
Speaker 1: I made the apology, We went to the first show

2235
02:27:10,440 --> 02:27:12,879
Speaker 1: which was in that letter apology as he was. Now,

2236
02:27:12,959 --> 02:27:18,120
Speaker 1: see this is the cool one yourself. It's a cool

2237
02:27:18,160 --> 02:27:21,120
Speaker 1: parter of my north. Take a cool just a cool parter.

2238
02:27:24,440 --> 02:27:27,280
Speaker 1: This is a cool part of these niggers right here

2239
02:27:27,720 --> 02:27:32,120
Speaker 1: is so much of our niggas that what we're about

2240
02:27:32,120 --> 02:27:34,880
Speaker 1: to say it's only gonna make them. Niggas want to

2241
02:27:34,920 --> 02:27:37,320
Speaker 1: do this versus more decents our niggas. So it's like,

2242
02:27:38,560 --> 02:27:43,400
Speaker 1: oh hill, all the smoke, bro. They talked to us

2243
02:27:43,440 --> 02:27:46,240
Speaker 1: every day, nigga via FaceTime, nigging like, so it's on.

2244
02:27:46,560 --> 02:27:49,280
Speaker 1: So we went to the first show. These niggas stole

2245
02:27:49,320 --> 02:27:52,600
Speaker 1: our whole show. They literally came out how it came out,

2246
02:27:52,720 --> 02:27:56,279
Speaker 1: Nigga circled up, how he circled up. Then they dance moves.

2247
02:27:56,440 --> 02:28:00,600
Speaker 1: Damn their award outfits that I got. Damn could you

2248
02:28:00,680 --> 02:28:05,640
Speaker 1: be creative? You feel me? But it was, it was,

2249
02:28:07,120 --> 02:28:14,120
Speaker 1: it was honorable. I love you. Drinker to yo yo,

2250
02:28:14,400 --> 02:28:20,640
Speaker 1: No listen, that's with me, throw the same quarter and

2251
02:28:20,760 --> 02:28:23,640
Speaker 1: then broke from me. You want to talk about the

2252
02:28:23,760 --> 02:28:27,400
Speaker 1: versus nigger, right, you were talking about the versus, right, Mariot,

2253
02:28:27,800 --> 02:28:32,080
Speaker 1: hold on, no conversation. You gotta pick up versus from

2254
02:28:32,080 --> 02:28:35,600
Speaker 1: where we left off. Okay, let me tell this before versus,

2255
02:28:36,120 --> 02:28:39,840
Speaker 1: before versus on tour the first streak, I mean the

2256
02:28:39,879 --> 02:28:43,080
Speaker 1: first Millennium tour, right, it was Betu K the whole group,

2257
02:28:43,320 --> 02:28:48,520
Speaker 1: pretty Riggy, Mario in Twins, Chicky Uh and Lloyd right,

2258
02:28:50,000 --> 02:28:55,680
Speaker 1: pleasure got into it. Oh for being on some Hollywood

2259
02:28:55,720 --> 02:28:58,600
Speaker 1: shake it we going. You would look not for you,

2260
02:28:58,640 --> 02:29:00,440
Speaker 1: because we would always be I'm are we here? What

2261
02:29:00,520 --> 02:29:03,160
Speaker 1: are you talking to right? Already said that's my nigga ship.

2262
02:29:04,320 --> 02:29:07,480
Speaker 1: So we all hang out. We all chilled do our

2263
02:29:07,720 --> 02:29:11,560
Speaker 1: thing like like NA is doing tour, like I love it.

2264
02:29:11,640 --> 02:29:13,520
Speaker 1: On tour, you might leave before me, after me if

2265
02:29:13,560 --> 02:29:15,680
Speaker 1: you were headline or whatever. I'm getting with you later,

2266
02:29:15,760 --> 02:29:18,960
Speaker 1: like we're gonna around. We're gonna have fun on tour.

2267
02:29:19,160 --> 02:29:21,240
Speaker 1: They can never come hang out nothing so pleasure like

2268
02:29:21,520 --> 02:29:23,240
Speaker 1: what damn you don't come out and hang out in

2269
02:29:23,280 --> 02:29:24,960
Speaker 1: the court yard like you're gonna with this, like we

2270
02:29:25,080 --> 02:29:27,880
Speaker 1: all hanging out. It's on sound checking, sucking with each other,

2271
02:29:27,959 --> 02:29:32,400
Speaker 1: doing video. What's nigga got a security like well Mario, yeah,

2272
02:29:33,280 --> 02:29:35,640
Speaker 1: pleasure ready to get down with the security guard, like, man,

2273
02:29:36,000 --> 02:29:38,200
Speaker 1: tell the nigga come out the day. So pleasures start

2274
02:29:38,320 --> 02:29:43,360
Speaker 1: the versus beef before versus ever started. Nia started going out.

2275
02:29:43,879 --> 02:29:47,880
Speaker 1: Don't not sound just like my records, don't shot every

2276
02:29:48,600 --> 02:29:52,600
Speaker 1: show smashing, don't not sound like my records. Don't not

2277
02:29:52,680 --> 02:29:54,680
Speaker 1: sound just like Okay, let me stop you right now

2278
02:29:54,720 --> 02:29:57,320
Speaker 1: because I know you're gonna because I've read the comments.

2279
02:29:57,520 --> 02:30:01,200
Speaker 1: Ship was crazy for comments. It was that's why I

2280
02:30:01,320 --> 02:30:04,800
Speaker 1: said Marion versus Mario and he's saying, this is a

2281
02:30:04,879 --> 02:30:08,360
Speaker 1: real what you're talking about? You know what I'm saying.

2282
02:30:08,760 --> 02:30:16,240
Speaker 1: You say that, Mario just want to say he's talking

2283
02:30:16,280 --> 02:30:21,760
Speaker 1: about before that, before all that, something was pre verses,

2284
02:30:21,879 --> 02:30:31,879
Speaker 1: before vers I'm there, sir, You're to pick up because

2285
02:30:31,920 --> 02:30:33,880
Speaker 1: Mari going in the verses to pick up where we

2286
02:30:34,000 --> 02:30:37,920
Speaker 1: left off on the versus conversations there they wanted us

2287
02:30:37,920 --> 02:30:42,080
Speaker 1: to sign off on our like who for a documentary

2288
02:30:42,600 --> 02:30:44,960
Speaker 1: in order for her to have a conversation with him,

2289
02:30:45,000 --> 02:30:48,240
Speaker 1: Mari about us doing versus with him. This is Michelle

2290
02:30:48,320 --> 02:30:51,120
Speaker 1: to say yes, okay man. So she should be fin

2291
02:30:51,360 --> 02:31:00,320
Speaker 1: like this this nigger like she should be firing, said

2292
02:31:00,320 --> 02:31:02,840
Speaker 1: each your own bro. So there's a lot of people.

2293
02:31:03,840 --> 02:31:14,440
Speaker 1: So before this, you know, before this out of nowhere,

2294
02:31:15,320 --> 02:31:18,360
Speaker 1: before this, before this out of nowhere, a documentary came

2295
02:31:18,400 --> 02:31:24,560
Speaker 1: out from Marian with the Zeus Network and NEK and

2296
02:31:24,840 --> 02:31:28,039
Speaker 1: they were like, Yo, they reached out to my team

2297
02:31:28,160 --> 02:31:31,680
Speaker 1: Koda and was like, yo, we got yea you know

2298
02:31:32,320 --> 02:31:34,960
Speaker 1: fits in this documentary. You know, but we don't have

2299
02:31:35,080 --> 02:31:38,119
Speaker 1: any signatures, like you don't have his likeness signed off

2300
02:31:38,200 --> 02:31:41,360
Speaker 1: for So they're like, you know, we'll we'll pay him

2301
02:31:41,360 --> 02:31:43,400
Speaker 1: a fee to use like a minute and a half

2302
02:31:43,520 --> 02:31:50,040
Speaker 1: of his footage. So they did that, but on this

2303
02:31:50,280 --> 02:31:55,039
Speaker 1: dot they still needed paperwork signed. You know, they're using

2304
02:31:55,760 --> 02:31:59,119
Speaker 1: hours of footage of all of us, the performance and everything.

2305
02:31:59,800 --> 02:32:02,280
Speaker 1: So we're like, yo, you know we're signed off, but

2306
02:32:02,840 --> 02:32:05,000
Speaker 1: where's the bag. You know what I'm saying, I'm not

2307
02:32:05,280 --> 02:32:08,000
Speaker 1: signing off for nothing, even zeus paid for a minute

2308
02:32:08,040 --> 02:32:10,520
Speaker 1: and a half, you feel me, So what's up? Like,

2309
02:32:11,320 --> 02:32:13,240
Speaker 1: there's no bag, we just need you to sign off.

2310
02:32:13,640 --> 02:32:16,680
Speaker 1: We're not signing it. So when she said that, it

2311
02:32:16,879 --> 02:32:20,000
Speaker 1: was like, are you trying to use this conversation like

2312
02:32:20,120 --> 02:32:23,119
Speaker 1: we need a versus for leverage to get this sign

2313
02:32:23,400 --> 02:32:26,480
Speaker 1: and we're like, we're not signing that. So sorry, Max,

2314
02:32:26,560 --> 02:32:29,320
Speaker 1: to waste your time on this conversation, you know, because

2315
02:32:29,360 --> 02:32:32,040
Speaker 1: this is not where we've seen this going. But we

2316
02:32:32,120 --> 02:32:35,160
Speaker 1: don't have to respectfully decline and we should all the

2317
02:32:35,240 --> 02:32:40,160
Speaker 1: best of luck. So then when the verses promos start

2318
02:32:40,240 --> 02:32:45,320
Speaker 1: coming out their shots taking at us. There are shots

2319
02:32:45,520 --> 02:32:48,480
Speaker 1: subliminals that we would know because we were on the

2320
02:32:48,560 --> 02:32:52,320
Speaker 1: backside of everything. So there were shots taking like the

2321
02:32:52,360 --> 02:32:56,440
Speaker 1: background singers like before that, there were shots taking like

2322
02:32:58,600 --> 02:33:03,200
Speaker 1: before the promo for the I'm gonna I see I

2323
02:33:03,280 --> 02:33:06,080
Speaker 1: see a video come out. They're promoting like, oh, yeah,

2324
02:33:06,480 --> 02:33:09,720
Speaker 1: well Mario said this, Oh said this that the Q

2325
02:33:10,080 --> 02:33:15,440
Speaker 1: came out right with d Ray And then Mario puts

2326
02:33:15,480 --> 02:33:17,600
Speaker 1: out a video that he recorded on his phone and

2327
02:33:17,760 --> 02:33:20,160
Speaker 1: was like, you're gonna bring the guys out, right, you

2328
02:33:20,240 --> 02:33:23,320
Speaker 1: know you need the guys. He was looking kind of

2329
02:33:23,400 --> 02:33:26,560
Speaker 1: dumb in the face, like huh huh, and he was

2330
02:33:26,640 --> 02:33:32,000
Speaker 1: like are you ready? Are you ready? And he was like, bro,

2331
02:33:32,840 --> 02:33:35,960
Speaker 1: you better bring the guys out, like you know you

2332
02:33:36,040 --> 02:33:38,400
Speaker 1: need him, he was like, and then he cut the

2333
02:33:38,480 --> 02:33:41,879
Speaker 1: video off right. Then the next day another promo comes

2334
02:33:41,920 --> 02:33:44,000
Speaker 1: out and it's just Oh and d Ray in the

2335
02:33:44,080 --> 02:33:47,720
Speaker 1: studio and drays like, yeah, so you know, Mario said

2336
02:33:47,720 --> 02:33:49,400
Speaker 1: he could bring the guys out because it's fun with

2337
02:33:49,480 --> 02:33:51,440
Speaker 1: him more than they fun with you, and he like

2338
02:33:51,560 --> 02:33:57,199
Speaker 1: I could believe that. It was like, oh really, Like okay,

2339
02:33:57,280 --> 02:33:59,560
Speaker 1: so you're setting up to come out and do these

2340
02:33:59,560 --> 02:34:02,520
Speaker 1: beautube hey records by yourself. You're trying to make it

2341
02:34:02,560 --> 02:34:04,680
Speaker 1: seem like we don't funk with you, but it's like

2342
02:34:05,040 --> 02:34:06,959
Speaker 1: we was willing to have a conversation. You didn't even

2343
02:34:07,000 --> 02:34:09,880
Speaker 1: want to jump on the phone. I can't be deal.

2344
02:34:10,000 --> 02:34:15,320
Speaker 1: Was was like, I've been come on, nigger, I'm gonna

2345
02:34:15,360 --> 02:34:18,560
Speaker 1: be honest. It seems like it's all me y all,

2346
02:34:18,760 --> 02:34:24,040
Speaker 1: beat y'all. This is from the outside looking at you.

2347
02:34:25,080 --> 02:34:31,200
Speaker 1: He said, ye are you like because because he got it,

2348
02:34:31,280 --> 02:34:36,680
Speaker 1: so be a first, fucking me up. I was making

2349
02:34:36,720 --> 02:34:40,680
Speaker 1: a point, he said that, but I don't say much.

2350
02:34:40,800 --> 02:34:47,680
Speaker 1: Now let's listen because I'm trying to understand. That's probably

2351
02:34:47,760 --> 02:35:00,280
Speaker 1: because of rebuttal for it. You're just yea yeah, all right,

2352
02:35:00,320 --> 02:35:03,280
Speaker 1: So let's just be clear. Were talking about masks, you said,

2353
02:35:03,560 --> 02:35:07,119
Speaker 1: because I wanted to hear this. You said, you feel

2354
02:35:07,200 --> 02:35:11,000
Speaker 1: like the beef is here. It's not here. I feel

2355
02:35:11,040 --> 02:35:17,400
Speaker 1: like it's right. Yeah. I feel like, um, you had

2356
02:35:17,440 --> 02:35:21,880
Speaker 1: a light skin contest, but he's not a light skin. Yeah,

2357
02:35:21,959 --> 02:35:26,080
Speaker 1: but he feels like light skinned. You can't you can't

2358
02:35:26,120 --> 02:35:28,600
Speaker 1: be in a light skule, not lin. But he feels

2359
02:35:28,600 --> 02:35:30,120
Speaker 1: like Turk and Cagos. You know what I'm saying, What

2360
02:35:30,240 --> 02:35:34,039
Speaker 1: the fun comes? Yeah, you don't know what he's not here.

2361
02:35:34,320 --> 02:35:36,320
Speaker 1: I feel like, y'all, because what I feel like, you

2362
02:35:36,600 --> 02:35:39,320
Speaker 1: feel like I'm outside looking at I have no idea,

2363
02:35:40,080 --> 02:35:43,440
Speaker 1: but I feel like yeah, our relationship term or with

2364
02:35:43,560 --> 02:35:46,640
Speaker 1: theirs and what I mean by that. And I'm not

2365
02:35:46,720 --> 02:35:52,000
Speaker 1: outside looking that. You can also say you're bugging so

2366
02:35:52,120 --> 02:35:55,360
Speaker 1: let me just all right, yeah, let me just tell

2367
02:35:55,360 --> 02:36:04,320
Speaker 1: your something. Yeah, smooth. But this is what I felt like.

2368
02:36:04,440 --> 02:36:07,480
Speaker 1: I felt like, um, yeah, I was in competition with

2369
02:36:07,560 --> 02:36:12,720
Speaker 1: each other. Y'all too, you and you are all And

2370
02:36:12,879 --> 02:36:16,520
Speaker 1: at some point he felt like competition was old because

2371
02:36:16,600 --> 02:36:19,560
Speaker 1: he became that guy. And when he became that guy,

2372
02:36:19,920 --> 02:36:25,160
Speaker 1: he felt like, you should stop competing with and maybe

2373
02:36:25,200 --> 02:36:27,440
Speaker 1: you should have. Maybe you shouldn't have. Let me just

2374
02:36:27,520 --> 02:36:30,520
Speaker 1: finish my statement. Maybe you should have, and maybe you shouldn't,

2375
02:36:30,520 --> 02:36:34,360
Speaker 1: because sometimes the little, the little dude becomes the man.

2376
02:36:35,120 --> 02:36:37,320
Speaker 1: Like one of one of the illest things about the

2377
02:36:37,400 --> 02:36:40,240
Speaker 1: hood is, you know, remember the guy his name is

2378
02:36:40,280 --> 02:36:43,640
Speaker 1: little pee or that little pe name is old dog,

2379
02:36:44,720 --> 02:36:47,200
Speaker 1: and now you keep calling him a little pee, but

2380
02:36:47,320 --> 02:36:50,320
Speaker 1: little Pea is old dog. Little peas gonna smoke you.

2381
02:36:51,480 --> 02:36:54,119
Speaker 1: But you're looking at him like little pee or whoever

2382
02:36:54,560 --> 02:36:57,080
Speaker 1: whatever it is. So what I feel like, at the

2383
02:36:57,160 --> 02:36:59,360
Speaker 1: end of the day, I feel like what happened was

2384
02:36:59,440 --> 02:37:01,320
Speaker 1: I feel like I had a you know, like a

2385
02:37:01,440 --> 02:37:05,640
Speaker 1: girl measuring contest in the beginning and then after it

2386
02:37:05,840 --> 02:37:10,520
Speaker 1: became that to that level, he felt like like I'm

2387
02:37:10,600 --> 02:37:16,000
Speaker 1: the guy, I'm I'm Beyonce, Like, please do not come

2388
02:37:16,040 --> 02:37:18,600
Speaker 1: in my dressing room. And not only you went to

2389
02:37:18,680 --> 02:37:34,400
Speaker 1: his dressing room. Here you go, figure pop. Now to disagree, okay,

2390
02:37:34,560 --> 02:37:38,320
Speaker 1: only because one I was never in competition with him.

2391
02:37:38,360 --> 02:37:40,920
Speaker 1: I never sang a song, and they mean it that way.

2392
02:37:40,959 --> 02:37:43,720
Speaker 1: I positive before you rebottled it. What I'm trying to

2393
02:37:43,840 --> 02:37:47,800
Speaker 1: tell you is in our minds, we're all artists, right,

2394
02:37:48,200 --> 02:37:50,600
Speaker 1: I mean this, this, This might separate a lot of

2395
02:37:50,720 --> 02:37:53,120
Speaker 1: us from here in our in our mind and that's

2396
02:37:53,200 --> 02:37:55,160
Speaker 1: to be an artist, we have to think we're better

2397
02:37:55,200 --> 02:37:59,280
Speaker 1: than everyone here. To be a great artist, great discuss

2398
02:37:59,800 --> 02:38:09,920
Speaker 1: every idn't. This is what I think I can agree with.

2399
02:38:10,240 --> 02:38:14,760
Speaker 1: You play the role in damage in it. I own

2400
02:38:14,840 --> 02:38:16,520
Speaker 1: that and like I said, I'm not proud of that.

2401
02:38:17,200 --> 02:38:21,560
Speaker 1: I respect that, and I apologize for publicly because I

2402
02:38:21,680 --> 02:38:25,040
Speaker 1: really did mean it. You know now in that moment

2403
02:38:25,240 --> 02:38:28,640
Speaker 1: I resented. Man, you feel me, which doesn't which doesn't

2404
02:38:28,680 --> 02:38:30,800
Speaker 1: make it right. Yeah, it makes it worse, it makes

2405
02:38:30,840 --> 02:38:37,640
Speaker 1: it worse. But in any way, shape or form, I

2406
02:38:37,800 --> 02:38:40,879
Speaker 1: never felt the competition in anybody and that's no disrespect

2407
02:38:40,920 --> 02:38:44,120
Speaker 1: to them. But coming out the gate, he was the

2408
02:38:44,200 --> 02:38:45,840
Speaker 1: first one to say it to me, Finn, you know

2409
02:38:45,920 --> 02:38:48,720
Speaker 1: you're the most famous in the group, right, And I'm like, oh,

2410
02:38:49,120 --> 02:38:53,000
Speaker 1: that's great. I never but I never. I never cared

2411
02:38:53,000 --> 02:38:55,880
Speaker 1: about that, norder. You could ask my best friend. Right here,

2412
02:38:56,640 --> 02:39:00,440
Speaker 1: we was working to show to that let's get to

2413
02:39:00,480 --> 02:39:03,520
Speaker 1: the mall, let's get fresh, And you're like, I wasn't

2414
02:39:03,560 --> 02:39:06,320
Speaker 1: thinking about who don't see me on stage? I need

2415
02:39:06,440 --> 02:39:09,840
Speaker 1: my moment ship. We was on stage making pranks with

2416
02:39:09,920 --> 02:39:12,200
Speaker 1: each other, putting water in each other's shoes that you

2417
02:39:12,280 --> 02:39:13,800
Speaker 1: knew he was gonna have to put on on the

2418
02:39:13,879 --> 02:39:16,000
Speaker 1: next segment of the show, Like wat should I need

2419
02:39:16,040 --> 02:39:18,120
Speaker 1: to get out there and be splashing all over the places?

2420
02:39:18,600 --> 02:39:20,920
Speaker 1: Like that's the type of shoot nobody was thinking. Like

2421
02:39:21,840 --> 02:39:23,640
Speaker 1: then I gotta be on point to be the most

2422
02:39:23,760 --> 02:39:26,000
Speaker 1: like I'm the most famous. Nobody thought about that. So

2423
02:39:26,120 --> 02:39:29,000
Speaker 1: I wasn't in competition with anybody. I was just out

2424
02:39:29,040 --> 02:39:31,000
Speaker 1: there having fun. I was a kid, you feel me.

2425
02:39:31,040 --> 02:39:34,200
Speaker 1: I was enjoying the moment and I wasn't in the

2426
02:39:34,280 --> 02:39:36,160
Speaker 1: moment like I felt like I should have been. But

2427
02:39:36,320 --> 02:39:38,840
Speaker 1: I was a boy. The way did you should say

2428
02:39:38,840 --> 02:39:43,680
Speaker 1: you something in hip hop. God could be a brother.

2429
02:39:43,879 --> 02:39:48,000
Speaker 1: This is no big, this is the best STORYS and

2430
02:39:48,080 --> 02:39:51,480
Speaker 1: Big had no ideas because the world impeared them to

2431
02:39:51,560 --> 02:39:55,160
Speaker 1: each other. They were actually real good friends. If this

2432
02:39:55,560 --> 02:39:58,960
Speaker 1: just of ns and bigs hood, this picture is a

2433
02:39:59,040 --> 02:40:02,920
Speaker 1: bigg outside, they were actually real, real friends. But what

2434
02:40:03,040 --> 02:40:06,800
Speaker 1: happens is the world doesn't want them when you're the best.

2435
02:40:08,640 --> 02:40:11,760
Speaker 1: And I agree, like I said, I agree to disagree,

2436
02:40:12,080 --> 02:40:14,840
Speaker 1: but I gave my ricks on why I disagree because

2437
02:40:15,040 --> 02:40:17,840
Speaker 1: mentally I wasn't there, but you feel me. But I

2438
02:40:17,959 --> 02:40:20,560
Speaker 1: can see how you see it on the outside looking in.

2439
02:40:21,640 --> 02:40:25,400
Speaker 1: So that's just where it's at, like, because I mean,

2440
02:40:25,480 --> 02:40:29,840
Speaker 1: I can't agree with his tactics and especially like me

2441
02:40:30,000 --> 02:40:33,160
Speaker 1: hearing you guys, hearing you guys out like I'm gonna

2442
02:40:33,200 --> 02:40:34,800
Speaker 1: be honest, I'm so sorry. I'm gonna tell you guys,

2443
02:40:36,000 --> 02:40:38,320
Speaker 1: I feel like I feel like I feel like his beavers.

2444
02:40:40,400 --> 02:40:43,200
Speaker 1: But which makes it real is because he took it

2445
02:40:43,280 --> 02:40:47,280
Speaker 1: out on these two and it's like and it's like

2446
02:40:47,400 --> 02:40:51,240
Speaker 1: that's something, that's something, that's that's where the crazy ship is.

2447
02:40:51,360 --> 02:40:54,279
Speaker 1: You know what I'm saying. But oh no, I'm bugging.

2448
02:40:58,200 --> 02:41:05,440
Speaker 1: I don't don't how about a group, but how about

2449
02:41:05,440 --> 02:41:10,840
Speaker 1: we pauses like like I gave you examples like with

2450
02:41:11,000 --> 02:41:14,360
Speaker 1: the post to be ship with I never I never

2451
02:41:14,520 --> 02:41:16,720
Speaker 1: hated on again to bring up your film like I

2452
02:41:16,800 --> 02:41:19,280
Speaker 1: never tried to like bring up here, come out and

2453
02:41:19,360 --> 02:41:21,840
Speaker 1: throw a dish record. I remember on my first album,

2454
02:41:24,240 --> 02:41:31,000
Speaker 1: come on right here, got the right now, I'm right here.

2455
02:41:31,840 --> 02:41:34,680
Speaker 1: Oh yeah, that's yeah, that's what we got right now

2456
02:41:35,000 --> 02:41:40,040
Speaker 1: that we got big right now, let me let me

2457
02:41:40,080 --> 02:41:42,760
Speaker 1: act you sign it. Because him being a member of BOK,

2458
02:41:43,240 --> 02:41:45,880
Speaker 1: has he ever had the discrepancy of y'all using b

2459
02:41:46,000 --> 02:41:50,400
Speaker 1: to K without him? We've never done that, and that's

2460
02:41:50,600 --> 02:41:53,240
Speaker 1: that's been one of the discrepancies. Bro was selling T

2461
02:41:53,400 --> 02:41:56,080
Speaker 1: shirts with our faces on them. BRO was putting out

2462
02:41:56,240 --> 02:41:59,160
Speaker 1: documentaries with our likeliness without a signing off on it.

2463
02:41:59,640 --> 02:42:05,040
Speaker 1: Bros doing a lot without our consent, you feel me?

2464
02:42:05,160 --> 02:42:09,000
Speaker 1: So it's like, damn, Bro, are you in the group?

2465
02:42:09,040 --> 02:42:10,879
Speaker 1: Where you out the group because you you don't even

2466
02:42:10,920 --> 02:42:12,720
Speaker 1: want to talk to us, but you want to leverage

2467
02:42:12,760 --> 02:42:16,480
Speaker 1: everything you're doing off the name on one piece of advice,

2468
02:42:16,720 --> 02:42:20,680
Speaker 1: all three of y'all, not one of y'all said Mario's name.

2469
02:42:21,680 --> 02:42:26,560
Speaker 1: Y'all keep saying, bro and the and the homeblood, we

2470
02:42:26,680 --> 02:42:30,360
Speaker 1: respect that, be honest with you. And I feel like

2471
02:42:30,440 --> 02:42:35,920
Speaker 1: this was regularly and Compone keep saying, because you know

2472
02:42:36,040 --> 02:42:39,360
Speaker 1: the homie and you know that, y'all, I'm gonna be

2473
02:42:39,560 --> 02:42:43,160
Speaker 1: mad and ship save my name in my name Definitely,

2474
02:42:44,160 --> 02:42:48,440
Speaker 1: he's likings, gonna watch this, gonna watch this, and he's

2475
02:42:48,520 --> 02:42:54,039
Speaker 1: knowing we're talking to him. It's not that I'm mad

2476
02:42:54,120 --> 02:42:57,320
Speaker 1: about people that I'm mad about I say too. I

2477
02:42:57,440 --> 02:43:00,360
Speaker 1: feel like, if y'all not mad, just say you'd like

2478
02:43:00,600 --> 02:43:04,320
Speaker 1: because when you say the bro and B, that's how

2479
02:43:04,360 --> 02:43:11,880
Speaker 1: you're addressed you when you got to understand, he's gotta understand.

2480
02:43:11,959 --> 02:43:16,280
Speaker 1: That's gotta understand. You gotta understand when you're getting things.

2481
02:43:16,879 --> 02:43:19,000
Speaker 1: Because she didn't even let us finish the story about

2482
02:43:19,040 --> 02:43:24,680
Speaker 1: the verses. Totally forgot I'll be quiet when the shots

2483
02:43:24,760 --> 02:43:28,039
Speaker 1: from and then you're in the middle of the verse

2484
02:43:28,120 --> 02:43:32,880
Speaker 1: and getting demolished, and then is writing your obituary in

2485
02:43:33,000 --> 02:43:38,840
Speaker 1: front of you, and you say, he said, you know

2486
02:43:38,920 --> 02:43:41,080
Speaker 1: you're supposed to bring the guys out. You can't do that.

2487
02:43:41,760 --> 02:43:46,119
Speaker 1: He said, I sang all these songs when you know them,

2488
02:43:46,280 --> 02:43:48,960
Speaker 1: is all my vocals. When you know the work we

2489
02:43:49,120 --> 02:43:52,120
Speaker 1: put in, when you know we know the process, when

2490
02:43:52,160 --> 02:43:55,480
Speaker 1: you know we know the real I didn't understand that, Okay,

2491
02:43:56,040 --> 02:43:58,920
Speaker 1: you feel me? And then it's like, damn, bro, you

2492
02:43:59,040 --> 02:44:01,880
Speaker 1: still you still doing this, You're still coming out like

2493
02:44:02,160 --> 02:44:05,720
Speaker 1: why Mario called him out on the person, like like,

2494
02:44:06,000 --> 02:44:09,080
Speaker 1: who's really hating here? You feel me? Like, don't do that?

2495
02:44:09,280 --> 02:44:11,920
Speaker 1: Come on, dog, don't do that. Don't So so then

2496
02:44:12,040 --> 02:44:14,600
Speaker 1: after and all humor, I mean he I was the

2497
02:44:14,640 --> 02:44:17,680
Speaker 1: real least we find a Temptations clip that we put

2498
02:44:17,800 --> 02:44:20,279
Speaker 1: up and we tagged him and say you got served,

2499
02:44:20,400 --> 02:44:22,720
Speaker 1: just a joke, and it's all fun and games, like bro,

2500
02:44:22,959 --> 02:44:25,440
Speaker 1: you know you took the hill like them. You feel me?

2501
02:44:26,120 --> 02:44:28,920
Speaker 1: I laugh about him? You come back and then you

2502
02:44:29,000 --> 02:44:31,640
Speaker 1: want to say, oh till my backup dances. It's like,

2503
02:44:31,800 --> 02:44:34,640
Speaker 1: come on, bro, now now you're being disrespectful. What about

2504
02:44:34,640 --> 02:44:40,800
Speaker 1: the treat you said that goes that goes into this

2505
02:44:41,040 --> 02:44:44,920
Speaker 1: after this, So I'm telling you right now, it's like, wow,

2506
02:44:45,280 --> 02:44:47,959
Speaker 1: now you're taking real shots, like you really you really

2507
02:44:48,040 --> 02:44:51,400
Speaker 1: saying like we helped with nothing, like you're trying to

2508
02:44:51,480 --> 02:44:54,440
Speaker 1: make create this narrative to the world that we hate

2509
02:44:54,480 --> 02:44:59,520
Speaker 1: on you and and we we we did nothing. The

2510
02:44:59,640 --> 02:45:03,520
Speaker 1: backup game my opportunity. But it's like it's like, really,

2511
02:45:03,640 --> 02:45:06,160
Speaker 1: is that what it really is? So that ship really

2512
02:45:06,240 --> 02:45:09,120
Speaker 1: resonated with book. It was like wow, bro, like this

2513
02:45:09,320 --> 02:45:12,279
Speaker 1: is a real shot, Like this is off the ultimate disrespect.

2514
02:45:13,120 --> 02:45:16,680
Speaker 1: You feel me because we're having fun. We made light

2515
02:45:16,760 --> 02:45:19,440
Speaker 1: of the ship. You know, we threw up a movie clip, bro,

2516
02:45:19,600 --> 02:45:23,160
Speaker 1: taking how you want it. You know, but the world

2517
02:45:23,280 --> 02:45:26,560
Speaker 1: is saying, oh, he's done the boys just there. This

2518
02:45:26,640 --> 02:45:29,320
Speaker 1: is a new beef for the marion Na. It wasn't

2519
02:45:29,400 --> 02:45:32,520
Speaker 1: that it was fun in games like Yo, hold your hell, bro,

2520
02:45:32,600 --> 02:45:34,400
Speaker 1: you knew you should have called this. You knew you

2521
02:45:34,440 --> 02:45:36,360
Speaker 1: should have had got on that phone call and not

2522
02:45:36,560 --> 02:45:40,400
Speaker 1: having a shell talking to whatever their tweekers ago. So

2523
02:45:40,760 --> 02:45:43,680
Speaker 1: he went into detail on it. Broke me. You really

2524
02:45:43,720 --> 02:45:48,680
Speaker 1: want this smoke? You feel me because the show Let's

2525
02:45:48,720 --> 02:45:50,440
Speaker 1: keep that ship all the way thought I'm making how

2526
02:45:50,480 --> 02:45:55,560
Speaker 1: we handled that ship. We kept some real respect on

2527
02:45:55,640 --> 02:45:58,480
Speaker 1: the game North. I mean we saw a little ship.

2528
02:45:58,959 --> 02:46:03,280
Speaker 1: When the fan responded to the promotion for the verses

2529
02:46:04,080 --> 02:46:07,039
Speaker 1: and was like yo, because it was like a promote

2530
02:46:07,560 --> 02:46:13,480
Speaker 1: saying Mario verse, Mario, y'all thoughts up? You know that

2531
02:46:14,160 --> 02:46:18,720
Speaker 1: room the share room verses this person against that person.

2532
02:46:18,920 --> 02:46:21,320
Speaker 1: I thought, so you're already for this. Whatever they say

2533
02:46:21,520 --> 02:46:27,520
Speaker 1: right in the comments, nigging it goes. One of the

2534
02:46:27,600 --> 02:46:32,040
Speaker 1: fans say, hey, our beat UK gonna be out there

2535
02:46:32,160 --> 02:46:37,400
Speaker 1: with you singing the songs. Right, he did take he

2536
02:46:37,440 --> 02:46:40,120
Speaker 1: takes it up on himself. Oh yeah, I got that

2537
02:46:40,160 --> 02:46:42,120
Speaker 1: ship right here for you, baby. He takes it up

2538
02:46:42,160 --> 02:46:45,720
Speaker 1: on himself. Hold on, my eyes sucked up on. Niggas

2539
02:46:45,760 --> 02:46:51,720
Speaker 1: want to smoke, I'm a smoke fun out here. Yeah, yeah,

2540
02:46:52,240 --> 02:46:56,000
Speaker 1: you see it, nigga kid, that's what he said. This

2541
02:46:56,280 --> 02:46:59,880
Speaker 1: is for the verses days before the birl, I said,

2542
02:47:00,040 --> 02:47:04,080
Speaker 1: nigga to read it. Put that read the circle be

2543
02:47:04,240 --> 02:47:07,320
Speaker 1: two k nigga, you want to show it to the children.

2544
02:47:07,400 --> 02:47:09,640
Speaker 1: I can't see y'all passed that. Sit around the room

2545
02:47:10,160 --> 02:47:12,520
Speaker 1: to see that ship. Bro, you want to see this

2546
02:47:12,640 --> 02:47:19,000
Speaker 1: right there? It's right, you say, he let me just

2547
02:47:19,120 --> 02:47:21,800
Speaker 1: put it. Let's see it. They just said he bet

2548
02:47:21,959 --> 02:47:29,320
Speaker 1: it what he said it better. So I want to say, yeah, exactly,

2549
02:47:30,560 --> 02:47:32,280
Speaker 1: check it out. Check it out. Check it out. You

2550
02:47:32,320 --> 02:47:33,920
Speaker 1: want to talk about if you want to talk about

2551
02:47:33,920 --> 02:47:35,600
Speaker 1: some ship, right, you wanna talk about some some some

2552
02:47:35,720 --> 02:47:38,920
Speaker 1: RELs respect on the brand type ship. Right. So look,

2553
02:47:40,080 --> 02:47:44,480
Speaker 1: the next thing is my message to heard the blue

2554
02:47:44,800 --> 02:47:48,600
Speaker 1: read it out loud, read it out. I listened to

2555
02:47:49,520 --> 02:47:53,320
Speaker 1: Nigga the message, the blue message right there, No get them?

2556
02:47:54,320 --> 02:47:58,560
Speaker 1: You know this, how y'all want to play? And then

2557
02:47:58,640 --> 02:48:04,280
Speaker 1: she said, huh yeah, ship, we can call me this person.

2558
02:48:04,840 --> 02:48:07,720
Speaker 1: This is going to be fun if y'all want to play.

2559
02:48:09,959 --> 02:48:12,440
Speaker 1: That's what I said to her in our group chat

2560
02:48:12,480 --> 02:48:14,760
Speaker 1: because we had talked about it, like, Yo, we don't

2561
02:48:14,800 --> 02:48:16,640
Speaker 1: even want to go in off this little ass comment.

2562
02:48:16,720 --> 02:48:19,040
Speaker 1: You feel me? We want to see that one. We

2563
02:48:19,160 --> 02:48:22,960
Speaker 1: want to send them a message respectfully saying we see

2564
02:48:23,000 --> 02:48:27,160
Speaker 1: what you're doing. Ge stun. We don't want this ship

2565
02:48:27,360 --> 02:48:30,120
Speaker 1: to go the route that it's going. But if y'all

2566
02:48:30,160 --> 02:48:33,760
Speaker 1: do you want to play games, we could do that ship.

2567
02:48:34,120 --> 02:48:37,920
Speaker 1: So the ship progressed from the comment before the verses

2568
02:48:38,120 --> 02:48:44,160
Speaker 1: to the comment in the verses about and sing no no, no,

2569
02:48:44,240 --> 02:48:47,320
Speaker 1: no no, just saying that he did all the vocals.

2570
02:48:47,440 --> 02:48:49,640
Speaker 1: He was the one who saw all the songs or whatever,

2571
02:48:49,760 --> 02:48:52,880
Speaker 1: right right. So the next day we got on the

2572
02:48:52,959 --> 02:48:55,920
Speaker 1: phone and that's when the video clip came out. We

2573
02:48:55,959 --> 02:48:59,680
Speaker 1: want to talk about the video clip. The the clip

2574
02:48:59,720 --> 02:49:02,560
Speaker 1: of the Temptations because we had already sent him a

2575
02:49:02,640 --> 02:49:05,880
Speaker 1: message saying stop, bro, Like that was a message to

2576
02:49:05,959 --> 02:49:08,039
Speaker 1: his management, like get your guy, tell him to stop.

2577
02:49:08,080 --> 02:49:10,680
Speaker 1: We don't want this to happen, Michelle. It was a menage,

2578
02:49:10,720 --> 02:49:12,400
Speaker 1: so we don't want this to happen. Stop. But if

2579
02:49:12,480 --> 02:49:14,160
Speaker 1: y'all keep on, I don't want to keep poking the bear.

2580
02:49:14,240 --> 02:49:15,920
Speaker 1: The bear gonna wake up, you know what I'm saying.

2581
02:49:16,000 --> 02:49:19,400
Speaker 1: So after that, he goes on the verses and proceeds

2582
02:49:19,480 --> 02:49:22,840
Speaker 1: to keep going with it and make that comment about

2583
02:49:23,440 --> 02:49:25,520
Speaker 1: he is the Vocals and he did all the work

2584
02:49:25,600 --> 02:49:27,200
Speaker 1: or whatever, and Mario shut him down, like, you know

2585
02:49:27,280 --> 02:49:29,280
Speaker 1: you didn't do all that whatever. And at that point

2586
02:49:29,320 --> 02:49:31,240
Speaker 1: we feel like we told you to stop. So we

2587
02:49:31,320 --> 02:49:33,440
Speaker 1: made light of it, like you're fired, you kicked out

2588
02:49:33,480 --> 02:49:35,720
Speaker 1: the group, because that's what David Roller was doing in

2589
02:49:35,800 --> 02:49:39,040
Speaker 1: the Temptations, right. It was joking, like all right, you

2590
02:49:39,120 --> 02:49:41,040
Speaker 1: want to disrespect is the people don't know that we

2591
02:49:41,400 --> 02:49:43,800
Speaker 1: told y'all to don't do it behind the scenes, and

2592
02:49:43,879 --> 02:49:46,040
Speaker 1: you decided to continue to do it in front of

2593
02:49:46,120 --> 02:49:49,120
Speaker 1: the world. So here goes our shot at you, nigger.

2594
02:49:49,520 --> 02:49:51,680
Speaker 1: You did two shots at us for our one shot

2595
02:49:52,520 --> 02:49:56,680
Speaker 1: comes back with an emotional towel about calling us background dancers.

2596
02:49:57,080 --> 02:49:59,119
Speaker 1: At that point, you're taking a shot at the career.

2597
02:49:59,160 --> 02:50:02,040
Speaker 1: You're taking a shot at the ellectually craft as far

2598
02:50:02,080 --> 02:50:09,360
Speaker 1: as like how the brand was really most second, but

2599
02:50:09,520 --> 02:50:12,720
Speaker 1: y'all y'all took I took that job's funny. But you

2600
02:50:12,840 --> 02:50:14,720
Speaker 1: see that Joe is being funny. Why y'all can't take

2601
02:50:14,760 --> 02:50:16,800
Speaker 1: his job back as being funny. I'm sad to be

2602
02:50:18,480 --> 02:50:21,920
Speaker 1: because it was the narrative created around it first started

2603
02:50:21,959 --> 02:50:26,119
Speaker 1: to said when he first started the message, he said,

2604
02:50:26,680 --> 02:50:31,879
Speaker 1: until my three backup dancers, I'm not surprised. Y'all always

2605
02:50:31,959 --> 02:50:37,440
Speaker 1: been this way hating on hate no oh, rand from

2606
02:50:37,480 --> 02:50:39,640
Speaker 1: my damn ran from my damn fall, like all the

2607
02:50:39,680 --> 02:50:43,360
Speaker 1: way UPS is hiring. Yeah, I think it's time y'all

2608
02:50:43,400 --> 02:50:46,720
Speaker 1: to find a real job. And it's like, like that's emotional,

2609
02:50:46,800 --> 02:50:48,840
Speaker 1: my nig, Like wait a minute, bro, when did we

2610
02:50:48,920 --> 02:50:50,880
Speaker 1: hate on you? Bro? Now you don't see that he

2611
02:50:51,040 --> 02:50:58,280
Speaker 1: said he saw ups is. Yeah, actually just ran into

2612
02:50:58,320 --> 02:51:01,160
Speaker 1: two p ups workers on this little dat I had

2613
02:51:01,520 --> 02:51:03,840
Speaker 1: and I wanted to take a picture with him. Yeah,

2614
02:51:03,879 --> 02:51:10,880
Speaker 1: I just got all amazon like Yeah. It was like

2615
02:51:11,080 --> 02:51:12,960
Speaker 1: it was like that's how you're getting on. You're telling me,

2616
02:51:13,040 --> 02:51:19,320
Speaker 1: you're telling me that Amorrio said that about y'all think. Yeah,

2617
02:51:19,360 --> 02:51:22,400
Speaker 1: he's trying to create this narrative like we we dislike

2618
02:51:22,520 --> 02:51:25,560
Speaker 1: him or something like we're hating on him. Like I

2619
02:51:25,959 --> 02:51:29,040
Speaker 1: explained to everything to you from the time that we

2620
02:51:29,160 --> 02:51:32,960
Speaker 1: had a remembered that time. You can't take constructive criticism.

2621
02:51:33,040 --> 02:51:35,160
Speaker 1: It's what that really is. And I think through over

2622
02:51:35,240 --> 02:51:38,000
Speaker 1: the years, we as brothers want to make each other better,

2623
02:51:38,080 --> 02:51:40,680
Speaker 1: so we would say certain things to any certain things

2624
02:51:40,720 --> 02:51:43,680
Speaker 1: he just can't take right. He's still doing the things

2625
02:51:43,760 --> 02:51:45,680
Speaker 1: that we did when we were fifteen and when I

2626
02:51:45,760 --> 02:51:48,080
Speaker 1: hate on him, and I don't have much to say

2627
02:51:48,080 --> 02:51:52,360
Speaker 1: about him, but I think, you know, overall back in

2628
02:51:52,400 --> 02:51:54,160
Speaker 1: the day, to get back to to what we were

2629
02:51:54,200 --> 02:51:57,640
Speaker 1: talking about, as far as the comment being disrespectful and

2630
02:51:57,760 --> 02:51:59,880
Speaker 1: paying no respect on the crame new respect on them.

2631
02:52:00,040 --> 02:52:02,760
Speaker 1: I says, it's like we always there when when the

2632
02:52:02,840 --> 02:52:06,000
Speaker 1: music is being made, when you're in the studio north

2633
02:52:06,560 --> 02:52:08,680
Speaker 1: you got your niggas with you, you might invite like

2634
02:52:09,120 --> 02:52:13,040
Speaker 1: everybody and tell everybody say it's not we all we

2635
02:52:13,160 --> 02:52:18,840
Speaker 1: all worked on that. You know, I'm just saying you

2636
02:52:18,959 --> 02:52:20,760
Speaker 1: might do that card, you know, what I'm talking about,

2637
02:52:20,800 --> 02:52:22,879
Speaker 1: Like you might do that ship, It might be somebody

2638
02:52:22,920 --> 02:52:25,119
Speaker 1: in the studio that I can sing a high note

2639
02:52:25,800 --> 02:52:28,040
Speaker 1: just for the record detection, you know what I'm saying, Like, Yo,

2640
02:52:28,120 --> 02:52:29,720
Speaker 1: go put that on there for me real quick. Like

2641
02:52:29,840 --> 02:52:32,480
Speaker 1: the process of making hit music is not always gonna

2642
02:52:32,480 --> 02:52:34,880
Speaker 1: be the actual person who put the music out. If

2643
02:52:34,920 --> 02:52:36,800
Speaker 1: you look at the process back in the day, there

2644
02:52:36,879 --> 02:52:39,360
Speaker 1: was always a bunch of people working on a song

2645
02:52:39,480 --> 02:52:40,920
Speaker 1: to make it a hit, you know what I'm saying.

2646
02:52:41,120 --> 02:52:43,119
Speaker 1: So the fact that he wanted to take credit from

2647
02:52:43,160 --> 02:52:46,279
Speaker 1: everybody who may have put maybe ten percent on the record,

2648
02:52:47,200 --> 02:52:49,680
Speaker 1: on the record, five percent on maybe one record, It's

2649
02:52:49,720 --> 02:52:52,640
Speaker 1: like you can't go and take credit for everybody and

2650
02:52:52,760 --> 02:52:54,880
Speaker 1: say that I'm the one that did all of this,

2651
02:52:55,040 --> 02:52:58,000
Speaker 1: because me personally, I did a lot of work on

2652
02:52:58,080 --> 02:53:00,160
Speaker 1: those albums, you know what I'm saying, Even if was

2653
02:53:00,240 --> 02:53:03,240
Speaker 1: just the sact. I was the first hook on Bump

2654
02:53:03,320 --> 02:53:05,760
Speaker 1: on Book. Troy sent the record back to R. Kelly

2655
02:53:05,800 --> 02:53:07,560
Speaker 1: and he was like, dash the nigger that got the

2656
02:53:07,840 --> 02:53:11,000
Speaker 1: detection for the record for the hooks, right, And that's

2657
02:53:11,040 --> 02:53:15,800
Speaker 1: how on the second single, Girlfriend, I sung that hook

2658
02:53:15,959 --> 02:53:18,840
Speaker 1: and Troy was like staying there. I want you to

2659
02:53:18,959 --> 02:53:22,440
Speaker 1: do the first first, and she got Hella shippy at

2660
02:53:22,480 --> 02:53:25,120
Speaker 1: that point because if nobody had ever had a lead

2661
02:53:25,240 --> 02:53:28,440
Speaker 1: for a single aside from him, Nigga and all of

2662
02:53:28,480 --> 02:53:34,120
Speaker 1: our five seasons, because in the beginning was always the

2663
02:53:34,200 --> 02:53:37,040
Speaker 1: least the whole tunnel. It sounds like I was telling

2664
02:53:37,080 --> 02:53:39,840
Speaker 1: you right now, no, this is what was fucked up.

2665
02:53:39,920 --> 02:53:42,640
Speaker 1: That really, this is what really fucked up. We all

2666
02:53:42,720 --> 02:53:45,760
Speaker 1: were famous, but I'll just keeping a hunt like him,

2667
02:53:45,840 --> 02:53:48,760
Speaker 1: battle back and forth with like a fan know who

2668
02:53:48,879 --> 02:53:50,480
Speaker 1: was a fan favorite, because we had a lot of

2669
02:53:50,520 --> 02:53:53,240
Speaker 1: different ways to be famous. It wasn't just about the vocal.

2670
02:53:53,320 --> 02:53:56,200
Speaker 1: We had the word with the fanzine ship. We had

2671
02:53:56,240 --> 02:53:58,320
Speaker 1: the video ship where they could time in and just say,

2672
02:53:58,400 --> 02:54:00,440
Speaker 1: like who the funk they funk with or whatever. So

2673
02:54:00,560 --> 02:54:03,040
Speaker 1: it's like he would always want to be more famous

2674
02:54:03,080 --> 02:54:04,840
Speaker 1: than all three of us, you know what I'm saying,

2675
02:54:04,879 --> 02:54:06,800
Speaker 1: Because he sung the record. You know what I'm saying,

2676
02:54:06,800 --> 02:54:08,440
Speaker 1: He was the one in the front, and he was

2677
02:54:08,520 --> 02:54:10,640
Speaker 1: battle from who was the most famous or whatever. So

2678
02:54:10,720 --> 02:54:13,800
Speaker 1: it's kind of like embarking on your territory that you

2679
02:54:14,000 --> 02:54:16,120
Speaker 1: only hold. You know what I'm saying, You don't hold

2680
02:54:16,160 --> 02:54:18,280
Speaker 1: the most famous. You don't hold the most likeable you know,

2681
02:54:18,720 --> 02:54:20,840
Speaker 1: you hold the only the only thing you hold is

2682
02:54:20,920 --> 02:54:23,080
Speaker 1: that you sing all the leads. You know what I'm saying.

2683
02:54:23,080 --> 02:54:26,400
Speaker 1: So now they're talking about oh on everything, Grass is

2684
02:54:26,400 --> 02:54:30,240
Speaker 1: about to sing the second verse ship ship starting to

2685
02:54:30,280 --> 02:54:32,680
Speaker 1: get broke up on what I hold? You get what

2686
02:54:32,760 --> 02:54:35,040
Speaker 1: I'm saying. All right now you're about to sing a

2687
02:54:35,160 --> 02:54:37,560
Speaker 1: part of the first verse with him. You're gonna split

2688
02:54:37,640 --> 02:54:39,880
Speaker 1: the ship. It's gonna be the second single, right now.

2689
02:54:40,280 --> 02:54:43,360
Speaker 1: You got you you get You get what I'm saying.

2690
02:54:43,400 --> 02:54:46,320
Speaker 1: You're starting to lose. You're starting to lose the grip

2691
02:54:46,440 --> 02:54:49,720
Speaker 1: on the one thing that you really held because you

2692
02:54:49,760 --> 02:54:51,960
Speaker 1: didn't hold all the other things that you really wanted.

2693
02:54:52,720 --> 02:54:55,600
Speaker 1: So you get what I'm saying. When you start looking

2694
02:54:55,640 --> 02:54:58,200
Speaker 1: at it like fuck, I'm losing the game that I

2695
02:54:58,280 --> 02:55:01,080
Speaker 1: want to play. The only thing for Nigga to do

2696
02:55:01,320 --> 02:55:06,040
Speaker 1: is break off. And at that point, I said it

2697
02:55:06,080 --> 02:55:10,160
Speaker 1: in a statement, whether it's five people or a thousand people,

2698
02:55:10,680 --> 02:55:13,760
Speaker 1: when we're not there, he knows all of the motherfucker's

2699
02:55:14,120 --> 02:55:16,560
Speaker 1: is there to see, you know what I'm saying. And

2700
02:55:16,720 --> 02:55:19,760
Speaker 1: that was the biggest problem. That was the biggest problem

2701
02:55:19,840 --> 02:55:22,680
Speaker 1: because we went through it No, I'm talking about why

2702
02:55:22,920 --> 02:55:26,000
Speaker 1: all of that ship was cat, why it wasn't why

2703
02:55:26,040 --> 02:55:29,760
Speaker 1: it wasn't right, Why it wasn't why, why like it

2704
02:55:29,879 --> 02:55:32,040
Speaker 1: wasn't cool to say that was background dances, you know

2705
02:55:32,200 --> 02:55:36,920
Speaker 1: what I'm saying. And the recent background, the background background dances,

2706
02:55:37,000 --> 02:55:41,240
Speaker 1: not it was background dances, Bro, background dances. And the

2707
02:55:41,280 --> 02:55:43,800
Speaker 1: reason why he was skating the funk office because niggas

2708
02:55:43,879 --> 02:55:47,119
Speaker 1: was actually taking leaves. Now ship was about to change.

2709
02:55:47,360 --> 02:55:49,120
Speaker 1: One of the niggas that was the nigga. I was

2710
02:55:49,160 --> 02:55:53,120
Speaker 1: the um what nig nigga? That was me. That was

2711
02:55:53,280 --> 02:55:55,560
Speaker 1: all I got. Niggad some backgrounds that I didn't getting

2712
02:55:55,560 --> 02:55:58,680
Speaker 1: no credit for, but I was famous and some motherfucking

2713
02:55:58,720 --> 02:56:03,800
Speaker 1: and ladies love nigga nigga. The ladies love Jake bug

2714
02:56:03,840 --> 02:56:09,320
Speaker 1: I'm sorry, Bro, give it up. Problem what they did

2715
02:56:09,400 --> 02:56:11,600
Speaker 1: and how I knew? How I knew this because I wasn't.

2716
02:56:12,080 --> 02:56:13,680
Speaker 1: I never was a nigger that I was in my ego.

2717
02:56:13,760 --> 02:56:15,640
Speaker 1: I just knew because I did numbers. I was at

2718
02:56:15,720 --> 02:56:18,480
Speaker 1: my meeting Greeks, nigger. I saw how many teddy bears

2719
02:56:18,520 --> 02:56:21,240
Speaker 1: I left opposed to you. I saw how many girls

2720
02:56:24,400 --> 02:56:27,520
Speaker 1: second read the articles on our second album, on our

2721
02:56:27,600 --> 02:56:31,280
Speaker 1: second album, the label found a way to sell more albums.

2722
02:56:31,800 --> 02:56:34,360
Speaker 1: So what they did was not only did we have

2723
02:56:34,480 --> 02:56:37,640
Speaker 1: a group cover on the album, we each other cover

2724
02:56:37,800 --> 02:56:42,080
Speaker 1: on the album. And during the first week they did

2725
02:56:42,200 --> 02:56:48,879
Speaker 1: the numbers to see whose album was selling the most. Yes, yeah,

2726
02:56:49,520 --> 02:56:52,280
Speaker 1: we don't have to get into the numbers, get into it.

2727
02:56:54,560 --> 02:56:59,920
Speaker 1: That was the point too before. Yeah, that's how the

2728
02:57:00,200 --> 02:57:03,640
Speaker 1: if you really want to be honest, Yes, so now

2729
02:57:03,840 --> 02:57:07,200
Speaker 1: Mr what he's already losing to the rapper. What it

2730
02:57:07,240 --> 02:57:12,520
Speaker 1: is about to get what numbers is what that was sound?

2731
02:57:13,400 --> 02:57:17,119
Speaker 1: I've never I've never seen that. I'm just you're not here.

2732
02:57:19,080 --> 02:57:24,360
Speaker 1: He's not close, but I did. So how do we

2733
02:57:24,480 --> 02:57:30,760
Speaker 1: fix this? Do we fix this? But you you've never

2734
02:57:30,879 --> 02:57:36,440
Speaker 1: seen what okay project? Right, like you haven't seen the record.

2735
02:57:36,520 --> 02:57:39,360
Speaker 1: But but you know there's a reason for that. You're

2736
02:57:39,360 --> 02:57:42,800
Speaker 1: not co siding this. You're not you're not you're not

2737
02:57:43,000 --> 02:57:46,840
Speaker 1: seeing just the three these says. The individual albums were

2738
02:57:46,879 --> 02:57:52,200
Speaker 1: sold with individual faces the same album. Say I'm saying no,

2739
02:57:52,560 --> 02:57:59,160
Speaker 1: you can't saying you co sign said, that didn't happen.

2740
02:58:00,080 --> 02:58:06,959
Speaker 1: We smoked this ship put the shot because his fother happened.

2741
02:58:08,840 --> 02:58:12,120
Speaker 1: That didn't happen. That does not happen. Are you just

2742
02:58:12,240 --> 02:58:16,400
Speaker 1: credit my what I just said. I'm gonna remember because

2743
02:58:16,440 --> 02:58:18,680
Speaker 1: I said one, two or three and four. I want

2744
02:58:18,680 --> 02:58:24,400
Speaker 1: to remember, of course, definitely. But that's what we're talking about.

2745
02:58:24,440 --> 02:58:27,200
Speaker 1: You just said he was going deeper. No no, no, no,

2746
02:58:27,280 --> 02:58:30,000
Speaker 1: no no, no, you don't remember it. It was you

2747
02:58:30,080 --> 02:58:33,600
Speaker 1: don't remember them telling us the sales for each individual person.

2748
02:58:34,320 --> 02:58:39,160
Speaker 1: Oh no, I never read that one. Okay, but you

2749
02:58:39,200 --> 02:58:41,800
Speaker 1: don't remember. I respect it if you don't remember. It

2750
02:58:42,000 --> 02:58:56,600
Speaker 1: was like that your three take a shot, three take

2751
02:58:56,640 --> 02:59:03,840
Speaker 1: a shot, and four's not here. Broix, I want to

2752
02:59:03,920 --> 02:59:07,840
Speaker 1: fix it. How do you fix this list? I honestly,

2753
02:59:07,920 --> 02:59:11,000
Speaker 1: I'm gonna be honest. I'm gonna be a hunderd percent,

2754
02:59:11,040 --> 02:59:17,440
Speaker 1: which is very simple. Come to the table. We why

2755
02:59:17,600 --> 02:59:19,840
Speaker 1: why why do I have to talk right here? Bro

2756
02:59:20,720 --> 02:59:22,760
Speaker 1: You could pick up the phone. You could call me.

2757
02:59:23,080 --> 02:59:26,440
Speaker 1: You can call rash, you can call book listen. Before

2758
02:59:26,560 --> 02:59:31,600
Speaker 1: we were aligned, like over almost two years. Now, I

2759
02:59:31,760 --> 02:59:35,400
Speaker 1: call Book, I call RAS, I said, YO, pull up

2760
02:59:35,440 --> 02:59:39,320
Speaker 1: to my house. I said, let's just talk. I said, nigga,

2761
02:59:39,440 --> 02:59:41,200
Speaker 1: if it's smoke, you know, nig just want to get

2762
02:59:41,200 --> 02:59:43,520
Speaker 1: down in the living room. We could do that, I said,

2763
02:59:43,560 --> 02:59:46,800
Speaker 1: but it's just gonna be us, just us three let's talk.

2764
02:59:48,000 --> 02:59:50,440
Speaker 1: And they did that. They showed up and we power

2765
02:59:50,520 --> 02:59:53,200
Speaker 1: out right there in the living room. You feel me,

2766
02:59:54,040 --> 02:59:57,040
Speaker 1: you could do that. He could, Oh, Marion can do that.

2767
02:59:57,760 --> 02:59:59,840
Speaker 1: He could call us and be like, yo, let's talk.

2768
03:00:00,879 --> 03:00:03,680
Speaker 1: You know nice here. There's there's no, there's no, there's

2769
03:00:03,720 --> 03:00:06,160
Speaker 1: never been. There's never been a time and you didn't

2770
03:00:06,160 --> 03:00:08,959
Speaker 1: sit down and have a conversation. But it's like, why

2771
03:00:09,040 --> 03:00:12,439
Speaker 1: can't why can't we you can't go on play foodsball?

2772
03:00:13,879 --> 03:00:16,200
Speaker 1: I just think it's it's it's just about building the

2773
03:00:16,360 --> 03:00:22,280
Speaker 1: narrative that he wants. I won't play foosball. They no

2774
03:00:22,360 --> 03:00:37,280
Speaker 1: bess Man or paball Maria, you're gonna fail that you're

2775
03:00:37,320 --> 03:00:41,720
Speaker 1: in a microphone. I was conty, guys. That was because

2776
03:00:41,760 --> 03:00:45,240
Speaker 1: that was a no, no, no, it wasn't. Actually it

2777
03:00:45,440 --> 03:00:49,720
Speaker 1: actually wasn't because when we before, before we even did

2778
03:00:49,840 --> 03:00:52,840
Speaker 1: the first Millennium tour, we didn't know we all had

2779
03:00:52,920 --> 03:00:57,560
Speaker 1: individual contracts. Later finding out from the promoter, Gary Gentry

2780
03:00:57,640 --> 03:01:01,120
Speaker 1: that put the tool on, said that A Marion's first

2781
03:01:01,200 --> 03:01:04,680
Speaker 1: contract had a close in at that if after this

2782
03:01:04,879 --> 03:01:07,480
Speaker 1: first tour and if it was successful, he got a

2783
03:01:07,520 --> 03:01:15,879
Speaker 1: guarantee always contract. So he put together, you know, when

2784
03:01:15,920 --> 03:01:18,160
Speaker 1: we first signed up to do the first Millennium tour,

2785
03:01:18,280 --> 03:01:21,560
Speaker 1: like he had in his contract a guarantee second solo tour.

2786
03:01:22,560 --> 03:01:24,760
Speaker 1: And then mind you, the whole un bother ship, like

2787
03:01:25,200 --> 03:01:29,920
Speaker 1: I don't want to really say it put together called

2788
03:01:29,959 --> 03:01:33,440
Speaker 1: the un So when the whole when the whole April

2789
03:01:33,440 --> 03:01:36,560
Speaker 1: Ship came out, I put out a post and I

2790
03:01:36,760 --> 03:01:40,360
Speaker 1: tagged the lawn Unbother Club and then we went on

2791
03:01:40,480 --> 03:01:42,880
Speaker 1: the show we had on by the club shirts or whatever,

2792
03:01:43,440 --> 03:01:52,000
Speaker 1: and then after that Mr ton Bather was created. Just

2793
03:01:52,120 --> 03:01:55,320
Speaker 1: bessing you feel me. It's just like it's like a

2794
03:01:55,360 --> 03:01:57,960
Speaker 1: lot of it's just a lot of like it's a

2795
03:01:58,040 --> 03:02:00,200
Speaker 1: lot of games played, and it's like, bro, it ain't

2796
03:02:00,200 --> 03:02:02,760
Speaker 1: even that you know, like just come to the table,

2797
03:02:02,879 --> 03:02:06,720
Speaker 1: have a talk. I mean, overall, man, we really are

2798
03:02:06,840 --> 03:02:11,640
Speaker 1: for kings man that that we stand on what we

2799
03:02:11,879 --> 03:02:14,080
Speaker 1: what we what we brought to the table, you know

2800
03:02:14,120 --> 03:02:17,920
Speaker 1: what I mean. And I think the real problem is

2801
03:02:19,400 --> 03:02:22,840
Speaker 1: he dealing with his brother's friend. And you know how

2802
03:02:22,879 --> 03:02:26,000
Speaker 1: I want the nigga go away and he want to

2803
03:02:26,080 --> 03:02:27,920
Speaker 1: come back, but he don't really want to deal with

2804
03:02:28,040 --> 03:02:30,840
Speaker 1: the niggas that really keep it real like at least, oh, y'all,

2805
03:02:31,400 --> 03:02:33,800
Speaker 1: I might be yes man to him, y'all might treat

2806
03:02:33,879 --> 03:02:37,960
Speaker 1: him with some formum like level, not literally just understand

2807
03:02:38,000 --> 03:02:40,520
Speaker 1: like you because you don't know him like that. You

2808
03:02:40,600 --> 03:02:42,960
Speaker 1: ain't got the grind with him like that. And at

2809
03:02:43,000 --> 03:02:46,560
Speaker 1: the same time, no matter how big he gets, I've

2810
03:02:46,600 --> 03:02:50,160
Speaker 1: been that big. You feel me, understand that big. If

2811
03:02:50,200 --> 03:02:52,440
Speaker 1: you come stand next to me today, I'm just as

2812
03:02:52,520 --> 03:02:56,360
Speaker 1: big as you. You know what I'm saying. It's back right, reborn,

2813
03:02:56,760 --> 03:02:59,440
Speaker 1: It's back special again. When we unite, it ain't about

2814
03:02:59,520 --> 03:03:02,320
Speaker 1: how much he did something. They're amazed to see us together.

2815
03:03:02,920 --> 03:03:05,440
Speaker 1: So when we do come together and we talked this

2816
03:03:05,640 --> 03:03:07,560
Speaker 1: dude ain't never about to give me no pass on

2817
03:03:07,600 --> 03:03:09,440
Speaker 1: no bullshit. He ain't never about to give me no

2818
03:03:09,520 --> 03:03:14,720
Speaker 1: pass no bullshit. So that's the conversation that's afraid to

2819
03:03:14,760 --> 03:03:19,720
Speaker 1: happen because we're talking about from wounds. Look check see

2820
03:03:19,760 --> 03:03:24,240
Speaker 1: what I'm saying. Look, look, look, that's the conversation that

2821
03:03:24,400 --> 03:03:28,400
Speaker 1: we haven't since we do it. Bro, you know, let

2822
03:03:28,440 --> 03:03:30,880
Speaker 1: me finish, Let me finish. That's the conversation that we

2823
03:03:31,000 --> 03:03:36,160
Speaker 1: haven't had since we was eighteen years old and the

2824
03:03:36,280 --> 03:03:39,400
Speaker 1: group broke up, we came back and did the tour.

2825
03:03:39,800 --> 03:03:44,080
Speaker 1: If you listen to the conversation on this documentary, I said, bro,

2826
03:03:44,640 --> 03:03:47,120
Speaker 1: we need to come together and we need to talk

2827
03:03:47,200 --> 03:03:50,240
Speaker 1: before we go on this tour because we have not

2828
03:03:50,480 --> 03:03:54,280
Speaker 1: talked to each other in fifteen years and since then.

2829
03:03:54,480 --> 03:03:57,360
Speaker 1: There was some ship. Bro, come on, you're gonna be differs. Fact.

2830
03:03:57,400 --> 03:04:00,400
Speaker 1: For one, they're gonna talking like damn, all right, say

2831
03:04:00,400 --> 03:04:02,800
Speaker 1: what's gonna say because I don't do that ship? Rock

2832
03:04:02,879 --> 03:04:05,080
Speaker 1: this ship? I said it was weird, all right, but

2833
03:04:05,160 --> 03:04:12,520
Speaker 1: I'm like talking to this legacy feeling come on, no ship, Like,

2834
03:04:12,800 --> 03:04:16,200
Speaker 1: just do your ship. If you're gonna talk, it's okay.

2835
03:04:16,480 --> 03:04:23,280
Speaker 1: Comment came out too loud, say this is Ras, like Ras,

2836
03:04:25,000 --> 03:04:30,200
Speaker 1: I don't even weird, like like, oh it was weird

2837
03:04:30,320 --> 03:04:33,000
Speaker 1: sometimes like he's weird, and he was. He was actually

2838
03:04:33,040 --> 03:04:36,320
Speaker 1: going into detail least, but at one point they were saying,

2839
03:04:36,320 --> 03:04:38,360
Speaker 1: you was weird, rad Okay, we were talking about that.

2840
03:04:39,720 --> 03:04:43,240
Speaker 1: That's going crazy. How so you know what, I was

2841
03:04:43,320 --> 03:04:49,120
Speaker 1: just young and I had misguidance and I had a

2842
03:04:49,200 --> 03:04:51,240
Speaker 1: great life and still do have a great life because

2843
03:04:51,240 --> 03:04:53,120
Speaker 1: I got my brothers behind me, and they still make

2844
03:04:53,160 --> 03:04:56,960
Speaker 1: sure because they love you and but what happens like

2845
03:04:57,080 --> 03:04:59,680
Speaker 1: at one point you was just off what they called it,

2846
03:04:59,760 --> 03:05:03,280
Speaker 1: off the grid. Yeah, he went to China. How long

2847
03:05:04,080 --> 03:05:06,760
Speaker 1: he was in China? Like that? Seven years? My boy

2848
03:05:06,840 --> 03:05:10,240
Speaker 1: had banners up though, like Rasby in the middle of

2849
03:05:10,360 --> 03:05:13,960
Speaker 1: Tom Square in China, like you ain't and I want

2850
03:05:14,000 --> 03:05:17,280
Speaker 1: step on mark Uri, No, tell us about China, Bro,

2851
03:05:17,520 --> 03:05:19,360
Speaker 1: tell us about trying to what's the real question you

2852
03:05:19,400 --> 03:05:23,840
Speaker 1: want to ask China? He said he went off the grid?

2853
03:05:25,600 --> 03:05:29,000
Speaker 1: Why and then what happened in China? Well, last I checked,

2854
03:05:29,040 --> 03:05:32,640
Speaker 1: I read people were saying uh was being a criminal

2855
03:05:32,760 --> 03:05:38,280
Speaker 1: in China. No, he was like ja ja Pelle and Chine.

2856
03:05:38,400 --> 03:05:41,640
Speaker 1: Not because he wants to be criminal China, Bro, this

2857
03:05:41,840 --> 03:05:45,120
Speaker 1: drink champ So afterl like I read, I read all

2858
03:05:45,160 --> 03:05:49,920
Speaker 1: the ship and said I was a criminal, And I'm like,

2859
03:05:51,320 --> 03:05:53,000
Speaker 1: why don't you going to China? Now? We're not trying

2860
03:05:53,000 --> 03:05:55,200
Speaker 1: to highlight any anything like that. Let's just what was

2861
03:05:55,320 --> 03:05:59,720
Speaker 1: tell us what business that much? I was definitely easy

2862
03:05:59,800 --> 03:06:03,240
Speaker 1: this Yeah, Asian business or Asian That's what I said.

2863
03:06:04,240 --> 03:06:07,080
Speaker 1: It was definitely having a good time and dry myself

2864
03:06:07,120 --> 03:06:10,400
Speaker 1: for Asian woman in line them up. You know, business

2865
03:06:10,520 --> 03:06:13,480
Speaker 1: is great. You know what I'm saying, what point of

2866
03:06:13,560 --> 03:06:19,880
Speaker 1: trying to Shai Shai? My point I went to Shanghai

2867
03:06:20,000 --> 03:06:22,120
Speaker 1: because I went to but I didn't seem while I

2868
03:06:22,200 --> 03:06:31,800
Speaker 1: was out, Yeah you got a criminal. You were not

2869
03:06:33,520 --> 03:06:36,400
Speaker 1: really as I was actually really out there for that.

2870
03:06:38,720 --> 03:06:42,240
Speaker 1: I thought I was for several years and doing music

2871
03:06:42,280 --> 03:06:45,520
Speaker 1: out there. I was partially he was keeping the B

2872
03:06:45,640 --> 03:06:51,280
Speaker 1: two K legacy. Yeah yeah, listen, I was B t

2873
03:06:51,400 --> 03:06:56,320
Speaker 1: K Award shows. He was performing a bro still know

2874
03:06:56,480 --> 03:07:04,920
Speaker 1: all the routine, three other Chinese. I say something, this

2875
03:07:05,080 --> 03:07:08,600
Speaker 1: dude right here, this dude right here. Bro, people don't

2876
03:07:08,680 --> 03:07:14,000
Speaker 1: know this guy has been damned near everywhere in the world,

2877
03:07:14,520 --> 03:07:19,360
Speaker 1: in the world bro, and knows every body. Rass Be.

2878
03:07:19,680 --> 03:07:27,280
Speaker 1: It's like, probably don't about don't about this channel right

2879
03:07:27,400 --> 03:07:31,880
Speaker 1: right the mics. Listen, rass Be is probably like the

2880
03:07:32,040 --> 03:07:38,800
Speaker 1: most in our generation unknown, like connected to like billionaires,

2881
03:07:39,000 --> 03:07:43,360
Speaker 1: millionaires companies that's going to rise ship that's like in

2882
03:07:43,440 --> 03:07:47,080
Speaker 1: the next ten years. Y'all brought this network, No, he

2883
03:07:47,160 --> 03:07:48,680
Speaker 1: brings it to us. Ever. Know what I'm saying to

2884
03:07:49,240 --> 03:07:52,039
Speaker 1: every day to keep it moving every day every day.

2885
03:07:52,400 --> 03:08:01,320
Speaker 1: Niggas don't even know that they really knows. It's very true.

2886
03:08:01,760 --> 03:08:04,920
Speaker 1: I don't want to accept that flower. That's definitely a

2887
03:08:06,560 --> 03:08:08,520
Speaker 1: come on. You were talking about being in China, and

2888
03:08:08,600 --> 03:08:10,520
Speaker 1: it's like he went out there and created a whole life,

2889
03:08:11,640 --> 03:08:14,160
Speaker 1: Like you know what I'm saying about you and and

2890
03:08:14,320 --> 03:08:19,160
Speaker 1: and got he got bro to do connects crazy. It's

2891
03:08:19,160 --> 03:08:22,400
Speaker 1: just humble, feel me. Is it something you learned about

2892
03:08:22,440 --> 03:08:25,720
Speaker 1: being out there to change your mind about coming to

2893
03:08:25,800 --> 03:08:31,200
Speaker 1: the business out here? He's gonna learned to grow up? Broca,

2894
03:08:31,400 --> 03:08:33,680
Speaker 1: you felt like you grew up in China. I feel

2895
03:08:33,720 --> 03:08:36,360
Speaker 1: like I grew up in China. China. Really when I

2896
03:08:36,680 --> 03:08:41,800
Speaker 1: came back, I grew in China. He created a hope

2897
03:08:41,840 --> 03:08:51,760
Speaker 1: another business man, the most suspecial sketches you ever see.

2898
03:08:52,920 --> 03:08:58,920
Speaker 1: We're turning about growing up and said, I'm not he

2899
03:08:59,000 --> 03:09:08,480
Speaker 1: said out there because you left right up? What I

2900
03:09:08,560 --> 03:09:10,680
Speaker 1: mean that I'm in. We don't give a funk. We

2901
03:09:11,560 --> 03:09:16,000
Speaker 1: go back to it. I'm in. Good you what the

2902
03:09:16,080 --> 03:09:20,600
Speaker 1: Internet you allowed? Nig nigga? Looking ahead, I'm trying to

2903
03:09:20,680 --> 03:09:26,560
Speaker 1: tell the story you're calling man. I'm like, wait a minute.

2904
03:09:26,800 --> 03:09:32,480
Speaker 1: I said you had a lot of money. What you're saying,

2905
03:09:32,480 --> 03:09:41,120
Speaker 1: I'm sorry saying whatever that's that is? That is the

2906
03:09:41,480 --> 03:09:43,280
Speaker 1: Harden stone to be tick. That's the hard of fun.

2907
03:09:43,560 --> 03:09:45,560
Speaker 1: Then how famous we all think we was? We was

2908
03:09:45,640 --> 03:09:47,960
Speaker 1: the favorite all that ship nigger the heart, nigga and

2909
03:09:48,040 --> 03:09:52,000
Speaker 1: the soul and use the plug and was about the

2910
03:09:52,160 --> 03:09:56,160
Speaker 1: next level. Ain't ship? Ain't she be content? Not being complacent?

2911
03:09:56,280 --> 03:10:12,400
Speaker 1: Like I ain't got nobody? How come every day every day, Hey,

2912
03:10:12,520 --> 03:10:14,600
Speaker 1: you winning? I can't keep up. Bro in my name,

2913
03:10:16,360 --> 03:10:19,920
Speaker 1: I'm not gonna lie to you as me how everybody

2914
03:10:20,040 --> 03:10:24,680
Speaker 1: do say? Bottle you drinking? You're drinking the phone. I

2915
03:10:24,720 --> 03:10:27,120
Speaker 1: mean I'm in. Let's just see if you can keep going.

2916
03:10:27,280 --> 03:10:30,240
Speaker 1: Let's just see, let's see, let's go. Come on, don't

2917
03:10:30,320 --> 03:10:34,760
Speaker 1: let's go, come on, musty little musty community. Like I'm

2918
03:10:35,280 --> 03:10:40,039
Speaker 1: I'm the awesome. I got your b bro, I carry

2919
03:10:40,080 --> 03:10:43,800
Speaker 1: you out of that. You gonna carry nobody out ship? Well,

2920
03:10:43,879 --> 03:10:46,879
Speaker 1: I'm gonna carry that. I had one to minie drinks

2921
03:10:49,360 --> 03:10:54,520
Speaker 1: O ship, motherfucking carus. I'm not you got a testam, No,

2922
03:10:54,640 --> 03:11:01,800
Speaker 1: I got the wagon and all the ship. So yeah,

2923
03:11:02,080 --> 03:11:04,840
Speaker 1: so where's the after party? Where's it? The ivy ship?

2924
03:11:10,920 --> 03:11:14,760
Speaker 1: But I'm sorry, I mean I'm in, I'm in the ago.

2925
03:11:15,040 --> 03:11:17,440
Speaker 1: I'm sorry, but I felt like we poured the shot.

2926
03:11:17,600 --> 03:11:19,600
Speaker 1: So I felt like, let's just came. We handle that

2927
03:11:19,680 --> 03:11:23,040
Speaker 1: business part first. Poor the shot, right, you didn't do it?

2928
03:11:23,160 --> 03:11:27,600
Speaker 1: He didn't hear it? Well, listen, we'll pulling on the

2929
03:11:27,680 --> 03:11:33,280
Speaker 1: one out there. Yeah, you're not ready for that. Hey man,

2930
03:11:34,080 --> 03:11:39,840
Speaker 1: my manager, it's sunny manage. You know, it's very deep that.

2931
03:11:39,959 --> 03:11:45,240
Speaker 1: Lets em Boris is your manager and Mr Lee is

2932
03:11:45,280 --> 03:11:55,480
Speaker 1: your card. Oh you don't really have a job. I

2933
03:11:55,520 --> 03:11:59,040
Speaker 1: don't get in. They do a good job. I love

2934
03:11:59,120 --> 03:12:01,640
Speaker 1: the heat that yeah, so little come on, come on,

2935
03:12:02,600 --> 03:12:07,600
Speaker 1: you look at my shot. Communit yours Dina? Remember that.

2936
03:12:08,080 --> 03:12:10,720
Speaker 1: I don't remember. I was turning. You was out there drunk?

2937
03:12:11,320 --> 03:12:13,240
Speaker 1: What was it? Me? Drunk? No? He was O g

2938
03:12:13,840 --> 03:12:16,120
Speaker 1: Yeah that's okay. I mean you already said he said

2939
03:12:16,160 --> 03:12:19,280
Speaker 1: you paid for his meal? Right I did? Goddamn? But

2940
03:12:19,320 --> 03:12:25,920
Speaker 1: I was come on, so I was excited. Yeah, come

2941
03:12:26,120 --> 03:12:28,840
Speaker 1: we brk my staff. Now, yeah, I did that. I'll

2942
03:12:28,879 --> 03:12:38,680
Speaker 1: do that nine year at the barry. You have I

2943
03:12:38,840 --> 03:12:43,440
Speaker 1: seen your shot? Yeah, I'm shop. Can I get some water? Yeah?

2944
03:12:43,480 --> 03:12:46,600
Speaker 1: You listen. I'll be honest, y'all. Drink the most water

2945
03:12:46,920 --> 03:12:50,360
Speaker 1: any guests if it ever great, and drink not you.

2946
03:12:50,560 --> 03:12:54,240
Speaker 1: I ain't gonna lie I'm watching each other because you

2947
03:12:54,360 --> 03:12:56,480
Speaker 1: own enough to your sick. But let me just be honest.

2948
03:12:59,720 --> 03:13:02,240
Speaker 1: Oh want a baby? I thought she was pulling me

2949
03:13:02,320 --> 03:13:10,600
Speaker 1: out some water. All that works a little bit. I

2950
03:13:10,720 --> 03:13:13,800
Speaker 1: was getting cold because I'm not calling you a little fish,

2951
03:13:18,480 --> 03:13:21,000
Speaker 1: and I'm gonna be honest with you. I'll be honest

2952
03:13:21,040 --> 03:13:27,920
Speaker 1: with you. And said you drink the old shot. I'll

2953
03:13:27,959 --> 03:13:30,360
Speaker 1: be honest. I didn't drink this. I want to be

2954
03:13:30,480 --> 03:13:33,640
Speaker 1: honest because I was, and I wanted. I want to.

2955
03:13:33,760 --> 03:13:35,400
Speaker 1: I want to, but you know I want to. I

2956
03:13:35,480 --> 03:13:41,440
Speaker 1: want to be bending with the lesson you learned. I

2957
03:13:41,600 --> 03:13:45,440
Speaker 1: learned a long time. One of my friends were my

2958
03:13:45,520 --> 03:13:49,640
Speaker 1: closest friends to me, and I just became flat, like

2959
03:13:49,760 --> 03:13:51,959
Speaker 1: I just went from gold to platinum. But gold didn't

2960
03:13:52,000 --> 03:13:56,520
Speaker 1: mean that. At one point, Gold was like, okay, you

2961
03:13:56,760 --> 03:13:59,360
Speaker 1: you moved to you move five blocks away? That's what

2962
03:13:59,480 --> 03:14:08,080
Speaker 1: gold man that? Yeah, Gold me like, you move five blocks.

2963
03:14:10,600 --> 03:14:14,040
Speaker 1: So eventually I kept getting money, keeping money. And one

2964
03:14:14,080 --> 03:14:18,960
Speaker 1: of my friends, there's a Chicken Delaware. I'm being honest.

2965
03:14:20,560 --> 03:14:22,520
Speaker 1: It's just Chicken Delaware. This is real ship. Next is

2966
03:14:23,920 --> 03:14:28,520
Speaker 1: I'm being honest Chicken Dellaway. And this is my man's girl.

2967
03:14:28,800 --> 03:14:32,400
Speaker 1: But he wasn't this girl. So I asked him. I said,

2968
03:14:32,520 --> 03:14:36,560
Speaker 1: say your girl, I don't know, and I was like,

2969
03:14:36,680 --> 03:14:41,040
Speaker 1: all right, cool. So I came back Delaware and I

2970
03:14:41,200 --> 03:14:43,480
Speaker 1: never did. And in the third time I came back,

2971
03:14:44,840 --> 03:14:48,400
Speaker 1: I realized that this is what he's saying. He doesn't

2972
03:14:48,400 --> 03:14:53,640
Speaker 1: give so seems about the like the security guy. So

2973
03:14:53,720 --> 03:14:55,520
Speaker 1: I was like, I mean, let me let me do

2974
03:14:56,000 --> 03:15:00,920
Speaker 1: do a little better. I'm nottter for the security guar. Yeah.

2975
03:15:01,560 --> 03:15:07,880
Speaker 1: So it was at that moment a little better. It

2976
03:15:08,000 --> 03:15:10,520
Speaker 1: was at that moment just giving y'all example. It was

2977
03:15:10,560 --> 03:15:12,840
Speaker 1: at that moment when sometimes people say I don't do

2978
03:15:12,920 --> 03:15:17,720
Speaker 1: a funk about her, that's whatever, whatever, whatever, that's a lie.

2979
03:15:18,200 --> 03:15:24,560
Speaker 1: What's it's a lie because our masculinity's she says that

2980
03:15:24,920 --> 03:15:28,760
Speaker 1: I don't care like me personally. Let me personally knowing

2981
03:15:28,879 --> 03:15:34,600
Speaker 1: what I know now, Like even when Goody said Goody's like, yo,

2982
03:15:35,640 --> 03:15:38,160
Speaker 1: I didn't like that. I've seen the shouts with Nelly.

2983
03:15:38,480 --> 03:15:44,920
Speaker 1: Neighbor's like thinking, he's like, so what you know what

2984
03:15:44,959 --> 03:15:50,320
Speaker 1: I'm saying, I probably somebody get it all about you

2985
03:15:50,480 --> 03:15:54,760
Speaker 1: right now, I'm listening. But when I did see it,

2986
03:15:54,920 --> 03:15:59,039
Speaker 1: because I met all of y'all, how do we wish

2987
03:15:59,280 --> 03:16:01,200
Speaker 1: let him finish? No? No, But when I when I

2988
03:16:01,320 --> 03:16:04,920
Speaker 1: saw this, I was like, bach k would never be again,

2989
03:16:05,160 --> 03:16:10,160
Speaker 1: ever again because you didn't even hear what I'm saying.

2990
03:16:10,640 --> 03:16:19,680
Speaker 1: Oh I got on shot? What what? What? How old

2991
03:16:19,840 --> 03:16:23,120
Speaker 1: was you at that time when when you cooked up

2992
03:16:23,160 --> 03:16:29,480
Speaker 1: with uh right dirty two? Yeah? You you had no

2993
03:16:29,640 --> 03:16:36,000
Speaker 1: idea of what you was diving into. Because I think

2994
03:16:36,040 --> 03:16:38,440
Speaker 1: it's something called I think Will Smith said it I

2995
03:16:38,560 --> 03:16:46,680
Speaker 1: reperle and what it means. At least I got good face.

2996
03:16:47,760 --> 03:16:53,199
Speaker 1: I think at that moment you had entered the world

2997
03:16:53,320 --> 03:16:58,360
Speaker 1: of irreparable. But no, don't let me feel it's because

2998
03:16:58,360 --> 03:17:01,000
Speaker 1: it's still this question we got to be coming back

2999
03:17:01,000 --> 03:17:06,560
Speaker 1: to you. But you went on stage and apologize. When

3000
03:17:06,600 --> 03:17:08,840
Speaker 1: you went on stage and apologize, did you feel like

3001
03:17:09,959 --> 03:17:13,480
Speaker 1: all was forgiven? What? What was your mind state at

3002
03:17:13,520 --> 03:17:20,560
Speaker 1: that moment? My mind stayed was, um, I needed to

3003
03:17:20,680 --> 03:17:26,200
Speaker 1: make amends for my actions perspect that that and you know,

3004
03:17:26,280 --> 03:17:29,680
Speaker 1: I'm raising a little boy and I can't. I can't

3005
03:17:29,760 --> 03:17:32,960
Speaker 1: let that live on, you know, and not make amends

3006
03:17:33,040 --> 03:17:35,600
Speaker 1: with that in front of him and into the world

3007
03:17:36,280 --> 03:17:39,119
Speaker 1: and let him know, like yo, that that wasn't right, Pops,

3008
03:17:39,240 --> 03:17:42,520
Speaker 1: wasn't right for that you feel me. So I'm a

3009
03:17:42,600 --> 03:17:45,040
Speaker 1: I'm a man. I'm gonna on that in front of you,

3010
03:17:45,240 --> 03:17:48,160
Speaker 1: in front of the world and live with the aim.

3011
03:17:48,640 --> 03:17:53,080
Speaker 1: That's just what it is. It take forward, moving forward.

3012
03:17:53,280 --> 03:17:56,200
Speaker 1: If if if if someone came to you and said, yo,

3013
03:17:56,760 --> 03:18:03,760
Speaker 1: fast open leaves you talking about drink champion when you

3014
03:18:03,840 --> 03:18:06,440
Speaker 1: said the dream chance, what would you do moving forward

3015
03:18:06,480 --> 03:18:09,560
Speaker 1: to make it right if you wanted to. If you

3016
03:18:09,600 --> 03:18:11,280
Speaker 1: don't want to, you don't have to answer this question

3017
03:18:11,320 --> 03:18:15,240
Speaker 1: saying what's said woman? Okay, so let's fs oh see

3018
03:18:15,280 --> 03:18:17,480
Speaker 1: this because y'all keep calling him the home because I'm

3019
03:18:17,560 --> 03:18:22,879
Speaker 1: saying I'm saying this is me right. So let's say, o, Mario,

3020
03:18:22,920 --> 03:18:25,200
Speaker 1: I see this, and you say, because I believe that

3021
03:18:25,320 --> 03:18:28,080
Speaker 1: you your your apologetic I believe you didn't do that.

3022
03:18:28,200 --> 03:18:31,280
Speaker 1: I believe you got caught for that moment. But let's

3023
03:18:31,360 --> 03:18:34,920
Speaker 1: say to moving forward, would you've been willing to move

3024
03:18:35,040 --> 03:18:38,680
Speaker 1: forward and say, let me make amends for all of

3025
03:18:38,760 --> 03:18:41,280
Speaker 1: our brothers so we could go and feed our children. Well,

3026
03:18:41,320 --> 03:18:44,160
Speaker 1: I felt like I did that. I did that in

3027
03:18:44,200 --> 03:18:46,840
Speaker 1: front of the world. Yeah, but but but but but

3028
03:18:47,879 --> 03:18:53,280
Speaker 1: but the world is stupid, right, that's not that's because

3029
03:18:53,480 --> 03:18:55,280
Speaker 1: you thought that you did it in from the world.

3030
03:18:55,320 --> 03:18:58,000
Speaker 1: The world is stupid. So now we're moving forward. If

3031
03:18:58,120 --> 03:19:01,880
Speaker 1: there's a situation where you can help move forward, what

3032
03:19:02,080 --> 03:19:05,320
Speaker 1: you do? Why not? The band is bringing in all

3033
03:19:05,360 --> 03:19:09,440
Speaker 1: of us. I love individually, you know what. I for

3034
03:19:09,560 --> 03:19:11,920
Speaker 1: the culture, I definitely would, you know, I would never

3035
03:19:12,040 --> 03:19:14,840
Speaker 1: turn it down. I was the original member of the crew,

3036
03:19:15,200 --> 03:19:19,000
Speaker 1: you know, like and this brass, the one who kept

3037
03:19:19,040 --> 03:19:21,280
Speaker 1: it a love all these years, you know, like kept

3038
03:19:21,280 --> 03:19:22,960
Speaker 1: it in front of us and let us know, like, bro,

3039
03:19:23,240 --> 03:19:25,640
Speaker 1: this is nobody never hears me. This is what this

3040
03:19:25,800 --> 03:19:28,000
Speaker 1: is what it is, this is what's bigger, you know.

3041
03:19:29,000 --> 03:19:32,520
Speaker 1: And I realized it at a point like yeah, like

3042
03:19:32,760 --> 03:19:37,200
Speaker 1: I'm tripping, like this is what I'm supposed to be doing.

3043
03:19:37,480 --> 03:19:41,400
Speaker 1: He feeling. I believe. I think that's the whole thing

3044
03:19:41,560 --> 03:19:45,040
Speaker 1: is that we can't not to make it all about

3045
03:19:45,360 --> 03:19:49,200
Speaker 1: you know. Oh, it's just that we all play a

3046
03:19:49,280 --> 03:19:54,920
Speaker 1: significant role in this ship. The biggest problem that's missing

3047
03:19:56,320 --> 03:19:59,800
Speaker 1: is that we can't have the conversation that we have

3048
03:20:00,120 --> 03:20:05,039
Speaker 1: with you right now, nor with him in the same

3049
03:20:05,160 --> 03:20:08,920
Speaker 1: set without all these people, without the camels, without all

3050
03:20:09,160 --> 03:20:18,400
Speaker 1: of you know what I'm saying that conversation, No, no, no, no, no, no,

3051
03:20:18,480 --> 03:20:22,240
Speaker 1: talk talk talk, you know. I'm just saying like, it's

3052
03:20:22,280 --> 03:20:27,480
Speaker 1: just it's just like for us to do it, all

3053
03:20:27,560 --> 03:20:31,480
Speaker 1: of this that you're talking about, it's necessary for that

3054
03:20:31,640 --> 03:20:34,879
Speaker 1: conversation to be had. But let me ask something. Let

3055
03:20:34,920 --> 03:20:36,800
Speaker 1: me ask something. And I'm gonna start with you, Bras

3056
03:20:36,840 --> 03:20:39,800
Speaker 1: because you said you ain't say ship right. What do

3057
03:20:39,920 --> 03:20:42,840
Speaker 1: you think it takes to repair this relationship to make

3058
03:20:42,959 --> 03:20:46,520
Speaker 1: be two K? Be too? Motherfucker? I was trying to

3059
03:20:48,440 --> 03:20:50,280
Speaker 1: you don't have to create a whole of a special

3060
03:20:50,400 --> 03:20:54,080
Speaker 1: just for the bj K excitement. So talk to your partners.

3061
03:20:54,760 --> 03:20:58,360
Speaker 1: We gotta we gotta, like spring brain b K. Some

3062
03:20:58,480 --> 03:21:01,840
Speaker 1: ship is it's just an aura. It's not happening. I

3063
03:21:02,000 --> 03:21:08,360
Speaker 1: think I think that's faking, Marian. Whatever you gotta do

3064
03:21:08,440 --> 03:21:11,840
Speaker 1: with the stoking ego, going to the tables and just

3065
03:21:12,240 --> 03:21:17,280
Speaker 1: presus no godless. Let me let me just say something.

3066
03:21:18,160 --> 03:21:23,360
Speaker 1: Hold on, rasp bro Raspby, be a lifeline, bro Rasby,

3067
03:21:23,480 --> 03:21:25,680
Speaker 1: Let me just say something. Hold on, hold on, rats brass.

3068
03:21:25,760 --> 03:21:29,280
Speaker 1: Let me let me just say something. Hold on, hold on, brother, brother, brother, brother,

3069
03:21:29,560 --> 03:21:32,880
Speaker 1: Can he look at me, your brother, brother? Let me

3070
03:21:32,920 --> 03:21:36,360
Speaker 1: just say something because the other day I've witnessed that

3071
03:21:37,080 --> 03:21:42,760
Speaker 1: having for marm d had discrepancies, hold On had discrepacy.

3072
03:21:42,879 --> 03:21:48,680
Speaker 1: Was his manager named Storm Storm supposedly did whatever whatever,

3073
03:21:49,120 --> 03:21:56,440
Speaker 1: but years later having still has Storm representing him. Is

3074
03:21:56,520 --> 03:21:59,000
Speaker 1: that a situation that you're talking to them about. Is

3075
03:21:59,080 --> 03:22:01,920
Speaker 1: this is a situation that group forgive Christos to come

3076
03:22:02,000 --> 03:22:05,160
Speaker 1: back in. I'm asking listen, I don't know, I'm the

3077
03:22:05,240 --> 03:22:10,680
Speaker 1: y'all on the y'all, But that's never That's never been night.

3078
03:22:11,360 --> 03:22:14,840
Speaker 1: It's never been about Chris because we didn't a millenium

3079
03:22:14,920 --> 03:22:19,600
Speaker 1: tour with three separate managers, with four separate managers problem,

3080
03:22:19,800 --> 03:22:22,120
Speaker 1: It's never been that. It's always been the fact that

3081
03:22:22,320 --> 03:22:27,400
Speaker 1: we just can't come it say the biggest problems that

3082
03:22:27,480 --> 03:22:33,240
Speaker 1: we liked go go goddamnit? Are you dropped? Because about

3083
03:22:33,280 --> 03:22:36,360
Speaker 1: time it's about let me keep my shot ready to

3084
03:22:36,360 --> 03:22:41,840
Speaker 1: go ahead? Right, I've learned a lot. I realized I

3085
03:22:41,959 --> 03:22:45,640
Speaker 1: really don't have there's a way to deal with things

3086
03:22:47,600 --> 03:22:54,680
Speaker 1: in this think with Cold there's a way to deal

3087
03:22:54,720 --> 03:23:03,640
Speaker 1: with things. So I'm just I'm I'm gonna talk. Do

3088
03:23:03,720 --> 03:23:09,199
Speaker 1: you make noise for that's no noise? No noise little

3089
03:23:09,280 --> 03:23:13,879
Speaker 1: because we're gonna know what the dool cold you gotta

3090
03:23:13,920 --> 03:23:16,240
Speaker 1: be cold, a little brass, a little but were what

3091
03:23:16,440 --> 03:23:18,840
Speaker 1: you We're gonna make noise if you don't make sense.

3092
03:23:20,920 --> 03:23:27,600
Speaker 1: If you think we got let's go yo, Bro, I

3093
03:23:27,720 --> 03:23:32,000
Speaker 1: like because they just got me like this makes the

3094
03:23:32,040 --> 03:23:41,200
Speaker 1: moise for me. Yos, we love you by I want

3095
03:23:41,240 --> 03:23:43,960
Speaker 1: to say this and so we love Brads. We a

3096
03:23:44,040 --> 03:23:48,240
Speaker 1: sept rights for everything, every r everything got a hold

3097
03:23:48,280 --> 03:23:56,960
Speaker 1: dB ras. Yeah, Bro, you just hella random you but

3098
03:23:57,320 --> 03:24:00,920
Speaker 1: but it works. Man, I don't know what JE call.

3099
03:24:04,280 --> 03:24:09,520
Speaker 1: Sometimes you gotta set me in the data being the drilla.

3100
03:24:09,840 --> 03:24:12,520
Speaker 1: I'm not saying you're old v Bro. I don't think people.

3101
03:24:12,560 --> 03:24:20,199
Speaker 1: Wasn't Tucock, wasn't Jim and I bro for the kids

3102
03:24:20,280 --> 03:24:27,400
Speaker 1: to do it. That's some ship. He was a kiddy.

3103
03:24:27,520 --> 03:24:29,880
Speaker 1: Never got once. You're saying when I'm around him like,

3104
03:24:30,040 --> 03:24:32,720
Speaker 1: I like, I was no grass and be honest when

3105
03:24:32,760 --> 03:24:36,200
Speaker 1: I google you, grass is a lot of say all

3106
03:24:36,240 --> 03:24:39,320
Speaker 1: right when I work because I wasn't. I wasn't talked wrong.

3107
03:24:39,600 --> 03:24:41,879
Speaker 1: I was talked on and okay, no one never taught

3108
03:24:41,920 --> 03:24:46,240
Speaker 1: me right because you went to Bro. He paints my

3109
03:24:46,360 --> 03:24:49,080
Speaker 1: meal when I was a kid to be my friend.

3110
03:24:49,440 --> 03:24:56,640
Speaker 1: I'm delay, so I came down there you're great up,

3111
03:24:56,760 --> 03:25:03,920
Speaker 1: But no, I say that like he was hot, you

3112
03:25:04,040 --> 03:25:18,760
Speaker 1: know I struck. Yeah, so that's remember that you remember

3113
03:25:18,800 --> 03:25:22,960
Speaker 1: that he wasn't him. But I don't got too much

3114
03:25:23,000 --> 03:25:26,520
Speaker 1: to say. It's your real name. After my time, I

3115
03:25:26,600 --> 03:25:30,040
Speaker 1: shut But let me let me just say something. You know,

3116
03:25:30,800 --> 03:25:35,840
Speaker 1: M B. T. K all three of y'all, um you

3117
03:25:36,280 --> 03:25:43,280
Speaker 1: you you celebrated people childhood. You are dominated the whole decade.

3118
03:25:44,879 --> 03:25:47,520
Speaker 1: Your dudes did what you have to do, we're supposed

3119
03:25:47,520 --> 03:25:50,040
Speaker 1: to do and how he supposed to did it and

3120
03:25:50,200 --> 03:25:54,560
Speaker 1: you did it. And I was excited with my friend,

3121
03:25:55,240 --> 03:25:58,879
Speaker 1: you know, car Dan, the PRR car Dan, because I'm

3122
03:25:58,879 --> 03:26:02,760
Speaker 1: old your mom nigga car Then he said I got

3123
03:26:02,879 --> 03:26:07,640
Speaker 1: be to K. I said, there's no way because what

3124
03:26:07,840 --> 03:26:09,640
Speaker 1: you mean to the coaching, which I did to the

3125
03:26:09,720 --> 03:26:13,240
Speaker 1: coaching needs to be saluted, needs to be having flowers.

3126
03:26:14,560 --> 03:26:22,760
Speaker 1: Y'all need to understand that you changed the trajectory. Other

3127
03:26:22,840 --> 03:26:28,320
Speaker 1: than a new auditions and the Jackson fucking five, I've

3128
03:26:28,440 --> 03:26:38,000
Speaker 1: never seen so many daughters getting fucked. I I mean,

3129
03:26:38,040 --> 03:26:40,640
Speaker 1: I've never seen so many people like I kid you

3130
03:26:40,760 --> 03:26:42,200
Speaker 1: not like because you know what I mean. I've been

3131
03:26:42,200 --> 03:26:44,040
Speaker 1: in the industry. I'm so deep in the industry at

3132
03:26:44,080 --> 03:26:47,760
Speaker 1: this time. Everybody's like, y'all need fucking b K And

3133
03:26:47,840 --> 03:26:50,160
Speaker 1: I'm like, who the funk? What the And they're like,

3134
03:26:50,280 --> 03:26:54,040
Speaker 1: oh Ship, I'm like ship, and I was like, oh,

3135
03:26:54,280 --> 03:26:58,400
Speaker 1: Ship is a real deal. This is the new new addition.

3136
03:26:59,720 --> 03:27:03,120
Speaker 1: Can't we recognize? Can we understand it? And then the

3137
03:27:03,200 --> 03:27:06,400
Speaker 1: whole that's the reason why basic was not the new addition,

3138
03:27:07,560 --> 03:27:11,880
Speaker 1: Like you took it on the shot, I'll drink me

3139
03:27:11,959 --> 03:27:14,520
Speaker 1: on my shold. It's not the way to work. I'm

3140
03:27:14,600 --> 03:27:19,320
Speaker 1: drinking too, Like, no, y'all want a new addition to

3141
03:27:19,400 --> 03:27:28,440
Speaker 1: the new addition? Yeah you god listen this hoiw we

3142
03:27:28,560 --> 03:27:30,920
Speaker 1: saw I'm outside of looking in and I'm like, that's

3143
03:27:30,959 --> 03:27:34,240
Speaker 1: the only people I see since new adition that had

3144
03:27:34,320 --> 03:27:37,760
Speaker 1: the girls coming in fluence or talent wise. It sounds

3145
03:27:38,000 --> 03:27:42,040
Speaker 1: I'm saying visually, facts fact. Come on a group like

3146
03:27:42,080 --> 03:27:44,520
Speaker 1: sound bag yourself. Why you don't want to take your

3147
03:27:44,560 --> 03:27:49,200
Speaker 1: own problem? If you take your own flowers back, I

3148
03:27:49,240 --> 03:27:53,960
Speaker 1: don't like it. Come on, flowers is talking about this?

3149
03:27:54,120 --> 03:27:59,560
Speaker 1: Is this? I don't flowers like, give me a trophy.

3150
03:27:59,720 --> 03:28:07,200
Speaker 1: That is a trophy. It loves to die. Take your shot,

3151
03:28:09,560 --> 03:28:14,000
Speaker 1: Take your shot. You just accept you got it yourself.

3152
03:28:14,560 --> 03:28:20,920
Speaker 1: Got appreciate like sash sprash at the point, I appreciate yourself. Hello, Brad, Yeah,

3153
03:28:22,879 --> 03:28:26,560
Speaker 1: tell you you can tell your camera that you want

3154
03:28:26,600 --> 03:28:30,360
Speaker 1: to know. I can fetch my point. Go ahead, people

3155
03:28:34,560 --> 03:28:38,600
Speaker 1: you like that. No, let's say a shot solid. We

3156
03:28:38,800 --> 03:28:45,440
Speaker 1: were expecting you what you are. You can take you

3157
03:28:45,520 --> 03:28:52,359
Speaker 1: to side, Jake at some point like the going directly.

3158
03:28:52,520 --> 03:28:56,280
Speaker 1: You gotta appreciate that. Man, you gotta be like, yo, damn,

3159
03:28:56,320 --> 03:28:58,400
Speaker 1: we know we did something special. Man, Now you did

3160
03:28:58,440 --> 03:29:03,640
Speaker 1: something special. Bro, y'all don't know. And I just want

3161
03:29:03,720 --> 03:29:05,920
Speaker 1: you to know. Man, Chell mean to the coaches, which

3162
03:29:05,920 --> 03:29:09,840
Speaker 1: you mean the people be two K was really anomaly

3163
03:29:10,280 --> 03:29:12,480
Speaker 1: that really came out there monkey foot and doing the

3164
03:29:12,840 --> 03:29:16,160
Speaker 1: y'all how to do. We don't really care about the

3165
03:29:16,240 --> 03:29:19,440
Speaker 1: break up. We care about y'all, you know, maintaining and

3166
03:29:20,959 --> 03:29:25,160
Speaker 1: keeping that carribie together. And we want to salute y'all.

3167
03:29:25,400 --> 03:29:28,080
Speaker 1: That's why we gave you flowers, and we want y'all

3168
03:29:28,120 --> 03:29:31,199
Speaker 1: to know that y'all appreciate it. Bro, you know overhere

3169
03:29:31,640 --> 03:29:33,120
Speaker 1: you know what I mean, and drink champs and we

3170
03:29:33,240 --> 03:29:39,800
Speaker 1: love y'all. Man, we keep rolling if y'all can't. We

3171
03:29:39,920 --> 03:29:43,360
Speaker 1: were still rolling. Yeah, I want to say right back,

3172
03:29:43,800 --> 03:29:47,960
Speaker 1: you know what I'm saying, Like, we appreciate Shaw for

3173
03:29:48,160 --> 03:29:54,400
Speaker 1: even allowing us. No, no, no, for real, no, I

3174
03:29:54,560 --> 03:29:58,520
Speaker 1: just told us to except our flowers, you know, except

3175
03:29:58,640 --> 03:30:02,720
Speaker 1: except shorts. Y'all have created something for the culture, for

3176
03:30:02,959 --> 03:30:05,480
Speaker 1: us to be able to come on here and clear

3177
03:30:05,560 --> 03:30:08,600
Speaker 1: our name, to be able to come on here and speak.

3178
03:30:09,240 --> 03:30:13,959
Speaker 1: You want to check it out any time you want

3179
03:30:13,959 --> 03:30:15,800
Speaker 1: to clear it. This is your platform, what you did

3180
03:30:15,959 --> 03:30:19,920
Speaker 1: for us. It's what you know others are trying to

3181
03:30:19,959 --> 03:30:24,800
Speaker 1: accomplish with doing documentaries, the numbers that y'all did, the

3182
03:30:24,920 --> 03:30:27,560
Speaker 1: numbers that y'all do. You just allowed us to just

3183
03:30:27,840 --> 03:30:30,760
Speaker 1: you know, clear our name on a major level through

3184
03:30:30,879 --> 03:30:33,760
Speaker 1: your platform, bro, And that's love, you know what I mean,

3185
03:30:33,840 --> 03:30:36,160
Speaker 1: Because now we got this, you know, our voices getting

3186
03:30:36,200 --> 03:30:37,840
Speaker 1: heard do this, you know what I mean in a

3187
03:30:37,920 --> 03:30:41,520
Speaker 1: place where last week we couldn't speak, nowhere to get

3188
03:30:41,600 --> 03:30:43,440
Speaker 1: our voices hurt like this, you know what I'm saying.

3189
03:30:43,760 --> 03:30:46,520
Speaker 1: So y'all, y'all made that vessel for us, bro. But

3190
03:30:46,640 --> 03:30:54,800
Speaker 1: that's always speaking. We got Let's go. Thanks for joining

3191
03:30:54,920 --> 03:30:57,320
Speaker 1: us for another episode of Drink Chance, hosted by Yours

3192
03:30:57,360 --> 03:30:59,600
Speaker 1: truly d J. E f F and n R E.

3193
03:31:00,120 --> 03:31:02,160
Speaker 1: Please make sure to follow us on all our socials.

3194
03:31:02,400 --> 03:31:05,560
Speaker 1: Let's add Drink Champs across all platforms at the real

3195
03:31:05,640 --> 03:31:09,480
Speaker 1: Noriegan I g at Noriega on Twitter, mine is at

3196
03:31:09,560 --> 03:31:12,560
Speaker 1: Who's Crazy on I g at d J E f

3197
03:31:12,680 --> 03:31:15,119
Speaker 1: N on Twitter, and most importantly, stay up to date

3198
03:31:15,160 --> 03:31:18,320
Speaker 1: with the latest releases, news and merge by going to

3199
03:31:18,400 --> 03:31:26,480
Speaker 1: drink champs dot com. For more podcasts from my heart Radio,

3200
03:31:26,879 --> 03:31:30,560
Speaker 1: visit the iHeart Radio app, Apple Podcast, or wherever you

3201
03:31:30,680 --> 03:31:31,880
Speaker 1: listen to your favorite shows.