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Speaker 1: Welcome to This is Important, a production of I Heart Radio,

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Speaker 1: the show where we only talk about what's obviously most

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Speaker 1: crucially integral to the fabric of our very nature. Today

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Speaker 1: we talk about what do you think Will Smith? Dick

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Speaker 1: looks like my dink game is getting stronger. The belly

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Speaker 1: button is the true come better of the body. Here

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Speaker 1: we go, start your engines ring minging ming ming ming

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Speaker 1: ming ming ming ming ming ming ming ming ming ming

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Speaker 1: ming mink. Oh baby, stop it? Whoa what are you doing?

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Speaker 1: Are your finger slipped? Little of the gate with the

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Speaker 1: naughty you forgot? You forgot where they are? Huh you

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Speaker 1: hit the wrong button? Blake? Is that defense Ella's Holy

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Speaker 1: smokes and it's been a while. Go that person you

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Speaker 1: drop that didn't really get things moving? Okay, Oh you

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Speaker 1: guys haven't seen that video. It's like this little kid

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Speaker 1: and his dad and they're like British and they like

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Speaker 1: run like an at home, like um a d M

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Speaker 1: radio station or something. And the little kid is hi, hilarious,

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Speaker 1: I'm sleeping, like where the socks go towards the mouth

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Speaker 1: and then away they go. Yeah, the big inhale Big.

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Speaker 1: Describing a viral video through audio is never going to

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Speaker 1: be as funny as just watching it. I can't believe

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Speaker 1: you guys haven't seen Why did you even do it?

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Speaker 1: Because that dude's drop is fresh. Yeah, you said they

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Speaker 1: were like British, and that like stopped me because I'm like, what, well,

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Speaker 1: where they like British? Or yes, if you're well, you're British. Hey,

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Speaker 1: if you're joining us now, it's this is important the

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Speaker 1: dumb This podcast brought to you by Welsh's grape Juice. Yeah,

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Speaker 1: Welsh's juice. All right? Should we tell him? Should we

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Speaker 1: tell everybody? What? Two things? Should we tell him? I

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Speaker 1: don't know. We banked all those podcasts you've been listening

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Speaker 1: to like three months ago, and now we're backing. It's

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Speaker 1: a little weird. Is Cats out of the bag? Adams

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Speaker 1: out of the podcast? Adams in Germany. He's still chunking. Yeah,

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Speaker 1: he's still chunking. He said something about starting up Neo No.

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Speaker 1: I don't know what it was, but it sounded wrong

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Speaker 1: and I don't know what he's doing over there, So

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Speaker 1: he's out. No questions asked, he's out. No, it was

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Speaker 1: Neo something, and he's in Germany. I can't remember the

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Speaker 1: rest of it, but yeah, that's his whole life now peace.

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Speaker 1: But he did piece and if he was here, he'd

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Speaker 1: explain more of it. I guess recruit. I guess he's

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Speaker 1: what he's trying to do. Is he ever coming back?

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Speaker 1: What the fuck, dude? I miss him? Just real talk.

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Speaker 1: I miss him, say lost love lost over here. I

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Speaker 1: miss him. I miss him already. That's nice, dude, Kyle.

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Speaker 1: That's actually way to be the bigger man in the situation,

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Speaker 1: because you know when you dipped, he skewed you, bro,

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Speaker 1: Yeah he did. He threw me. He threw me under

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Speaker 1: fifty busses. Yeah, but that's all right. Yeah, he called

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Speaker 1: you bus. You know, I think this is a good

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Speaker 1: uh you know, active character right here, and I am

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Speaker 1: stepping up and I missed the guy. I miss him.

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Speaker 1: I missed a little t that's what do you miss?

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Speaker 1: What do you? Mrs Smile? I missr sunglasses you gotta

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Speaker 1: get from your man? And Mrs Smell on the soundboard,

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Speaker 1: what's that from? From what anchor? Man? We're like sporty

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Speaker 1: sin is like Mr Smell, Oh champ champ rocks that

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Speaker 1: that fed frat dudes for a few years. To just

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Speaker 1: be like I'm Mr smell and me for two decades.

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Speaker 1: It's science and there it is beautiful. Found that drop.

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Speaker 1: Hell yeah, hell yeah, man, we're walking through this so

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Speaker 1: we don't know what we've all been up to. Yeah,

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Speaker 1: Holy ship, Kyle. How's the pickle ball? Oh dude, the

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Speaker 1: pickle ball is constant pickle ball. My dink game is

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Speaker 1: getting stronger. What's a dink? Is that like a volley? Yeah? Yeah,

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Speaker 1: the dink is when you're playing in the kitchen. When

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Speaker 1: you're up toes on the line, you can't step in

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Speaker 1: the kitchen, so it becomes like a very soft game

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Speaker 1: of diagonals and back and forth kitchen. So is that

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Speaker 1: like you're playing the net kitchen in the dank? Well, yeah,

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Speaker 1: there's a box that's in front of the net on

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Speaker 1: either side of it, and you can't step in the kitchen.

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Speaker 1: It's called the kitchen, the kitchen dink, also known as

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Speaker 1: the non volley zone. Okay, I think that's what they're saying, right,

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Speaker 1: So you know, the pickle ball has been consistent. Still

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Speaker 1: love the game. Yeah, you're hanging onto it. Fatter than

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Speaker 1: ever out there, Yeah, I'm stomping around is fatter than ever.

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Speaker 1: I'm not losing weight just playing pickleball. That's the thing

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Speaker 1: that's surprising. What alright, what are you you should what

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Speaker 1: are you doing to your boobs are huge? What are

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Speaker 1: you doing exactly? Like get some muff soul because that's

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Speaker 1: a good cardio to be running around. But before every

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Speaker 1: game or between I don't know how it is, but

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Speaker 1: like before you do games, just do ten push ups.

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Speaker 1: Just drop and do ten. That's a lot to ask

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Speaker 1: me to do. Um. But yeah, ye, way to have

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Speaker 1: mill in your heart. Brother, Yeah, thank you, thank you. No,

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Speaker 1: I know, yeah, you're right, you're right, And you know what,

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Speaker 1: I should come to you more for physical fitness advice

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Speaker 1: because we haven't had a chance to talk about how

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Speaker 1: fucking sexy you are with your shirt off. Gained it

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Speaker 1: all back, baby, Okay, I'm gonna flip it right back

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Speaker 1: on you and magnify your beauty because you sent us

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Speaker 1: a pick I think you posted on I G a

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Speaker 1: while back. Sent did not send it. That would be

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Speaker 1: next level flagrant. I was like, guys, by the way,

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Speaker 1: check on me out. That would be a little weird.

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Speaker 1: If he's like, check out my body, Yeah, maybe I should.

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Speaker 1: That would have been cool, though. I would have taken

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Speaker 1: that I take pics on my button. Your boobs are huge. Yeah,

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Speaker 1: but you're looking good. Yeah. I asked for notes. I

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Speaker 1: just go notes. What are you guys thinking, I'm just

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Speaker 1: trying to be like John I'm based out, heyers, No,

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Speaker 1: John based down, fitness legend. Dude. What was his what

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Speaker 1: was his workout routine? What was his video? I just

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Speaker 1: remember his head didn't look like it was part of

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Speaker 1: his body. It looked like it was clip bart On. Well,

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Speaker 1: that's what your girl said to me. Your girl said

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Speaker 1: to me. She goes and look, wait, what who's girl?

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Speaker 1: You in the d M? What she said to you

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Speaker 1: that in publish? Was I present at your birthday dinner? Dog?

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Speaker 1: That must have been in a side that was when

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Speaker 1: we had a private conversation. Was like, yeah, that's a

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Speaker 1: side alright. Um no, she was like I thought that

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Speaker 1: was photo shops and I'm like, no, I'm gonna have

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Speaker 1: to talk to her about that. Yeah, we did have

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Speaker 1: a pretty glorifying private conversation at Blake's birthday. Now we're

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Speaker 1: bringing into the public guy right like that. But John

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Speaker 1: based out, he wasn't. Uh, who was the dude, Billy Blanks?

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Speaker 1: He did the um the like karate. Yeah, I bow

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Speaker 1: was a game changer. What was John based out? He

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Speaker 1: was just like get like me? Or did he have

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Speaker 1: the rack? Dude, I don't know. I only know Tony

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Speaker 1: Horse is such an atom conversation. Oh, we're missing our guy.

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Speaker 1: We're missing our fluen series. That's the whole we need,

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Speaker 1: our whole field man, Our fourth corner is the fitness.

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Speaker 1: Here's what we're all avoiding. Blake's body is always in shape,

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Speaker 1: and he wears his big T shirts like a kid

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Speaker 1: at a pool, just to hide at all. So let's

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Speaker 1: see it. See it. Look at that. There's nothing, there's

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Speaker 1: no jiggle. Hit it. Hit it with a flex. Let

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Speaker 1: me see the hip flex. See those little gutters, those

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Speaker 1: cum gutters. Look at those things. Okay, we gotta find

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Speaker 1: a new name for that. I liked it better when

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Speaker 1: it was just the usher fair. Let's let's work shopping.

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Speaker 1: I don't think it has to be called cum gutters.

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Speaker 1: Is that what you're referring to when you say cum gutters?

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Speaker 1: It's the usher cut? Yeah, what even part? Because I

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Speaker 1: assumed that the belly button is the true cum gutter

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Speaker 1: of the body. No, that's the com receptacle exactly. It

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Speaker 1: is that's the come garbage disposal. If you're listening to

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Speaker 1: us now in seven seconds to talk about, slide into

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Speaker 1: our d M s and tell us your favorite words

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Speaker 1: for coming. We might read it on the next episode.

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Speaker 1: I will say, as as we have to sit back

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Speaker 1: and listen to like thirty episodes banked and as the

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Speaker 1: world continued on and we I would plug back into

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Speaker 1: our podcast and we're just sitting there riffing on come jokes.

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Speaker 1: I'm like, God, damn, this pot is cool, dude, Yeah,

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Speaker 1: we do. So you've got some perspective, you achieved some

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Speaker 1: global perspective on our pot and there is Are you

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Speaker 1: kidding me? This is all important comes probably the most

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Speaker 1: important thing in fucking life. Bro. That's what gives you life. Come.

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Speaker 1: That's why we're all here. Thank you. You know what

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Speaker 1: I mean? We all started out of sea monkeys than

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Speaker 1: you we did, right, Thank you? Did you guys have

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Speaker 1: sea monkeys as a kid? Sea monkeys like like pets? No?

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Speaker 1: I skipped the pets. I skipped the sea monkeys, did you? Well? Yeah,

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Speaker 1: I mean I wouldn't call them pets, but yeah, you

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Speaker 1: just like you know, somebody gave it to me for

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Speaker 1: my birthday? Were they then? There were they assholes? They

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Speaker 1: were were they were there? They were there until you

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Speaker 1: forgot they were there. But you're not like truly like

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Speaker 1: nurturing these things. But they came into your house. They're

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Speaker 1: animals that are in your house. Those are pets. You

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Speaker 1: at your pets. I don't know what they are. They're

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Speaker 1: like little shrimps, like they were like krill. I think so.

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Speaker 1: And then so the thing has little magnifying glass, like

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Speaker 1: the aquarium that they're in has built in magnifying glasses.

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Speaker 1: So when they swim up to it, you look at

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Speaker 1: them because on the box they have like faces and

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Speaker 1: like have like yeah, they like rock. And then when

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Speaker 1: you gells and you looked throughout the fucking magnifying glass,

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Speaker 1: they just look like a little shrimp and you're like, wait,

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Speaker 1: I thought when you see up close, they're cool. That

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Speaker 1: one that's a ski had hats on. Once you got sunglasses.

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Speaker 1: I thought it was like Pee Herman when he would

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Speaker 1: go look at the like worms and they had their

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Speaker 1: own little life. Yeah, I'm sure. On the box now

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Speaker 1: it says like somebody was like, they don't look like this. Oh.

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Speaker 1: I hated when they started to do that because that's

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Speaker 1: what kids. Commercials for toys used to be so sick

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Speaker 1: or they would show like the action figures doing things

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Speaker 1: they for sure didn't do, and they definitely got your

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Speaker 1: boy a few times, but they had to start saying like,

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Speaker 1: this is not what the toy does at all. Yeah,

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Speaker 1: that is annoying. I think I I I assigned with you.

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Speaker 1: That's annoying because that was like you were in the

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Speaker 1: perspective of the imagination and then all of a sudden

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Speaker 1: I had to put you in reality and it's like, no, no, no, no, no,

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Speaker 1: give me something to imagine when I'm playing with my toys.

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Speaker 1: They were like, hey, grow up real quick, and now

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Speaker 1: you don't want to play with them exactly. Yeah, it's like, okay,

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Speaker 1: well now I'm too grown for the toys yourself. Remember

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Speaker 1: they would set up like a huge thing for g I.

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Speaker 1: Joe's going down like zip lines and ship and not

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Speaker 1: have to say like, doesn't come with the zip line.

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Speaker 1: You won't have this much fun. It's impossible to have this.

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Speaker 1: Don't even try this. This commercial's professional grown ups, you know. Yeah,

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Speaker 1: this is a camera, these are music. Is the best

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Speaker 1: they're going to be able to do. Is line up

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Speaker 1: all your guys facing each other and just say it's

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Speaker 1: a war, and nothing happens. And by the time everything

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Speaker 1: is set up, your friend has to go home dinner.

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Speaker 1: Time spent the whole goddamn time, goddamn time setting up

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Speaker 1: the war. We haven't even done the war yet. We

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Speaker 1: gotta go right now fucking things. But that's my design.

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Speaker 1: You don't want to fight your friend, that's my design.

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Speaker 1: You know. Wait, do they have to do that for

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Speaker 1: food too, because like whoppers don't look like what they

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Speaker 1: look like in the commercial? Does it have to say

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Speaker 1: do you ever line up like Burger King versus McDonald's.

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Speaker 1: Is that what we're talking here? No, I'm saying, like

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Speaker 1: the whopper looks delicious. It's obviously like those those like

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Speaker 1: food artists who have the coolest job. It's not real man.

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Speaker 1: That's the key right there. Food artist is the name

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Speaker 1: of the person that comes in into commercials and it's

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Speaker 1: like art, let's give them their flowers, let's pull the

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Speaker 1: curtain back because we did some Carl's Junior stuff during workaholics, right, yeah, absolutely,

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Speaker 1: and they like coached us on how to eat. Yes,

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Speaker 1: we had to hold super fucking annoyance. I think if

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Speaker 1: you go back to what episode by the side of it,

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Speaker 1: and I go, you guys are at a bus stop, right,

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Speaker 1: aren't you at a bust bus stop? And when we

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Speaker 1: do a straight up Carl's Junior commercial where it's like

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Speaker 1: there's a girl at the bus stop and she's like

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Speaker 1: nice buns, and we're like, oh, you're talking about her butt, Like, no,

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Speaker 1: you're Carl's Junior. And I remember I had to like

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Speaker 1: hold the burger with like my knuckles to show the

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Speaker 1: whole Yes, you couldn't use the end of your digits.

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Speaker 1: You had to like grip it second knuckle style. You

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Speaker 1: had to hold it like a kung Fu grit, like

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Speaker 1: what is that about? And then you couldn't do a

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Speaker 1: big bite. You had to kind of like just kind

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Speaker 1: of just take a little nibble, just meet the funk off,

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Speaker 1: I'll tell you what. And they were like they were

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Speaker 1: like cold, like I I assumed. I'm like, yo, we're

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Speaker 1: about to get served, by the way fun Carl's Junior

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Speaker 1: right now, but like to get served the greatest Carl's

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Speaker 1: Junior possible, right because you're like, this is them putting

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Speaker 1: their best foot forward. It's not just like Mike flipping

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Speaker 1: burgers and being like this is your ship and they

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Speaker 1: were like cold, Yeah, spray painted. Remember the cheese they

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Speaker 1: put the I know, they spray a glisten on it.

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Speaker 1: They put it glisten on it so it catches the light.

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Speaker 1: You know. They put like that fucking like shine on it.

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Speaker 1: Kind of makes it a little makes a little sweet,

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Speaker 1: like a little sweet burger. It's not real. You say,

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Speaker 1: Carl's Jr. Right now, I'm just gonna come back. That's cool.

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Speaker 1: I'm gonna come back in yang your later. That was

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Speaker 1: my first job. Your first JB was Carl's Junior Green

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Speaker 1: Burrito or Carl What are we talking besides the paper route?

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Speaker 1: Yeah it was. It was Carl's Jr. No, this was

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Speaker 1: before the merger. This is before the Green No. No,

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Speaker 1: was this BMRA Yeah? No to Green Burrito where I

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Speaker 1: was from? Is that a California thing? Only because I

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Speaker 1: can legit say I have never a Green Burrito. I

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Speaker 1: don't think I have either. The Mexican option at Carl's Jr.

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Speaker 1: And you know me, and I know you very you

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Speaker 1: know that I would And I know there's one thing, No,

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Speaker 1: there's one thing that's super sick from Green Burrito. I'm

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Speaker 1: I'm I've done it. I've I've crossed the lines. Are

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Speaker 1: you wait? Are you want us to guess? Or what?

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Speaker 1: Do you love him? No? I mean I'll tell you.

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Speaker 1: It doesn't matter if they're tostatable to go bro Okay, yeah, yeah,

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Speaker 1: I can see. It's like a tostata bowl to go.

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Speaker 1: It's fucking dope. I used to get it all the

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Speaker 1: time at the Hamlin House when we were like pre workaholics. Yeah,

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Speaker 1: tostado's are sick because you think you're healthy, but then

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Speaker 1: you just are like I think I ate Giant Barrio.

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Speaker 1: Oh yeah, because they were frying their toastado over there

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Speaker 1: at Carl's Jr. Green Tostada. It's just the flattened taco.

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Speaker 1: It's just a shell that's flat. No, I'm talking about

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Speaker 1: the bowl. The bowl, and then you put a salad

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Speaker 1: on the inside, and then you can eat the bowl exactly. Salad.

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Speaker 1: That's not a tostada. That's a tostat. People call it tostada.

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Speaker 1: What's wrong with saying toad Tostada is a flat tortilla,

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Speaker 1: like crispy tortillo with everything packed on top. We three

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Speaker 1: Green Goes don't need to go into this, but all

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Speaker 1: I know is that I've ordered a tostada from places

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Speaker 1: and it comes craped up like that. No, that is

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Speaker 1: not a tostada. That is a that is a taco salad.

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Speaker 1: But you can have a taco salad with strips of

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Speaker 1: chips in it. You don't. It's not a bowl. You

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Speaker 1: can have that, right you can. But you some taco

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Speaker 1: salads come in a shell bowl much like a chowder,

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Speaker 1: like a claim. Can we call that a tostada? What

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Speaker 1: do you call it? What are you calling you? He

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Speaker 1: calls it a tope go salad. You're calling the taco

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Speaker 1: salad not a tostada bowl? Why not call it a

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Speaker 1: tostada bowl? What's wrong with that? That's what I said.

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Speaker 1: By the way, well, I'm about out of this. You

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Speaker 1: guys are getting he This is just curious because it's

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Speaker 1: like what the con conquered crime. Like I said, I said,

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Speaker 1: tostada bowl? I did say, as long as you recognize

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Speaker 1: that it isn't a tostada straight up. I love how

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Speaker 1: this dude just put stipulation you have, but you have

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Speaker 1: to recognize do you recognize everything everything, which I already

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Speaker 1: um did. Okay, all right, fair enough. I just it's

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Speaker 1: weird to call it a tostata bowl because it's a

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Speaker 1: taco salad. It's something that already which, by the way,

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Speaker 1: did you guys hear the huge news in Mexican fast food?

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Speaker 1: What's up? Yes? Shall we tell him? Should we tell him? What?

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00:16:50,120 --> 00:16:54,960
Speaker 1: Do you got? What? What? What? What? Mexican pizza is back? Where?

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00:16:55,280 --> 00:16:57,640
Speaker 1: And who is this courtesy of? Because she like announced

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00:16:57,640 --> 00:17:04,880
Speaker 1: it a coaching what that Coachlla doja cat is like

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00:17:05,040 --> 00:17:08,760
Speaker 1: on stage or right before she does rock by the saw?

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Speaker 1: She had stairs. I saw some pictures she had some

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Speaker 1: stairs that she came down. I think he's cool, Like

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Speaker 1: for real stairs on stage. Bro, that's pretty cool, dude.

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Speaker 1: I gotta checked the set. I don't know how much.

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Speaker 1: Maybe Chaco Bell wasn't even pain or maybe she was

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Speaker 1: just so fucking hyped on hearing like through the wire

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Speaker 1: that the pizza is coming back. But she announced Mexican

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Speaker 1: pizzas are back at Taco Bell. Everybody get out there, baby.

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Speaker 1: What a weekend one announcement? This was weekend one. I

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Speaker 1: love so weekend too. Oh my gosh, if the fucking

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Speaker 1: cheesy steak Gordida doesn't come back weekend too is a failure.

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Speaker 1: That's the weekend. One drop is fucking what is it

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Speaker 1: the Mexican pizzas back Mexican Pizzah, my god, that's a

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Speaker 1: that's a boja blast, that's it blast Yeah wait, you

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Speaker 1: just drop Gordita's state Gorditas. Was that your go to

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Speaker 1: because that was my go to in high school? When

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00:18:07,560 --> 00:18:11,080
Speaker 1: the Gordiona dropped, I was like, this is Gordias. Great, dude,

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Speaker 1: this Baja State Gordona. Did it have the lime sauce?

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Speaker 1: It had? Um No, the ba Sta Gordida had like

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00:18:18,080 --> 00:18:22,480
Speaker 1: a cream sort of sauce. But it was what is

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Speaker 1: the what is the good? What is the Gordita wrap?

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00:18:25,560 --> 00:18:28,800
Speaker 1: What is the Gordita wrapped in? It's a disgusting that

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00:18:29,240 --> 00:18:32,240
Speaker 1: the it's like a thick tortilla. It's thicker. It's like

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Speaker 1: a quarter of an inch. Yeah yeah, let me see

333
00:18:37,400 --> 00:18:42,679
Speaker 1: that's about right. Let me yeah, that's about right. Is

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00:18:42,680 --> 00:18:51,399
Speaker 1: that a quarter inch? That's a quarter Wow? Yeah, I

335
00:18:51,400 --> 00:18:53,840
Speaker 1: guess that's probably a quarter Wait that's a quarter inch.

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00:18:54,080 --> 00:18:56,280
Speaker 1: Oh my gosh, my ticket is way smaller than I thought.

337
00:18:56,320 --> 00:18:58,040
Speaker 1: Well I don't know who we've been talking to, but

338
00:18:58,200 --> 00:19:03,159
Speaker 1: my dick is ten quarter in chi along corda, I

339
00:19:03,240 --> 00:19:08,720
Speaker 1: got I got a ten inch dick. I'm not lying.

340
00:19:09,680 --> 00:19:13,280
Speaker 1: You know this thing we're swinging ten quarters. It seems

341
00:19:13,359 --> 00:19:16,040
Speaker 1: like every eight to nine minutes we're talking about dicks,

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00:19:16,040 --> 00:19:20,520
Speaker 1: and nine minutes it's like, I I swear on a

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00:19:20,560 --> 00:19:24,119
Speaker 1: stack of bibles, I got a fourteen quarter inch dude,

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Speaker 1: swear gone, by the way, I'm over here trying to

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Speaker 1: do the math, Like, is that actually still big? Fourteen quarters?

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Speaker 1: I got a nine umber quarter? Remember, like, what to

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00:19:38,880 --> 00:19:42,159
Speaker 1: in a quarter to quarter? Dude, I've never been a

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00:19:42,160 --> 00:19:46,080
Speaker 1: measurement guy. I've never been a measurement math guy. Suck

349
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Speaker 1: my nine a quarter quarters? Stick bro bro to in

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00:19:53,200 --> 00:19:56,520
Speaker 1: a quarter? What's up? By the way, Then you gotta

351
00:19:56,560 --> 00:19:58,240
Speaker 1: like coach your girl to also be like and tell

352
00:19:58,320 --> 00:20:01,560
Speaker 1: your friends like you can. You can whisper corner. They

353
00:20:01,560 --> 00:20:04,520
Speaker 1: don't pull it out, And it was a ten quarter?

354
00:20:14,160 --> 00:20:17,959
Speaker 1: Remember the three tenors, the TV show idea we had

355
00:20:18,000 --> 00:20:20,640
Speaker 1: about it's just three guys with ten inch dicks who

356
00:20:20,640 --> 00:20:23,119
Speaker 1: moved to l don't give it away yet because Kevin

357
00:20:23,119 --> 00:20:25,880
Speaker 1: Netton will still write it. Which let's give Kevin Etton

358
00:20:25,920 --> 00:20:28,040
Speaker 1: his flowers right now. Kevin, Yeah, I can call a

359
00:20:28,119 --> 00:20:31,520
Speaker 1: call you Runner. It's one of the funniest guys in

360
00:20:31,560 --> 00:20:34,840
Speaker 1: the freaking world. We had a movie drop that Nick

361
00:20:34,880 --> 00:20:38,600
Speaker 1: Cage movie. What's it called? That called like The Unimaginable

362
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Speaker 1: Weight of Massive Talent, the Unbearable Weight of a massive

363
00:20:42,800 --> 00:20:45,960
Speaker 1: the Unbearable Weight of massive Talent. But I think they're

364
00:20:46,000 --> 00:20:49,440
Speaker 1: just calling it massive talent for sure. But it's Nick

365
00:20:49,440 --> 00:20:53,760
Speaker 1: Cage playing Nick Cage, who is you know, down on

366
00:20:53,840 --> 00:20:57,080
Speaker 1: his luck, needs some money, gets offered millions to go

367
00:20:57,160 --> 00:21:00,720
Speaker 1: to a rich dude's birthday party in Spain, only to

368
00:21:00,760 --> 00:21:03,440
Speaker 1: find out that that guy's like a drugs are gangster dude,

369
00:21:03,880 --> 00:21:07,520
Speaker 1: and then the FBI or whoever, Interpol I don't know,

370
00:21:07,800 --> 00:21:09,800
Speaker 1: is like, we need your help to take him down.

371
00:21:09,800 --> 00:21:13,120
Speaker 1: So like he becomes an actual action star and it's

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Speaker 1: fucking hilarious. I've seen it. It's great, you have. I

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00:21:17,280 --> 00:21:20,359
Speaker 1: did a little writing thing on it that they probably

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00:21:20,359 --> 00:21:23,320
Speaker 1: didn't use. So I haven't seen. I saw a version.

375
00:21:23,440 --> 00:21:26,399
Speaker 1: I haven't seen. They've reshot some stuff. Haven't seen final

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00:21:26,440 --> 00:21:30,760
Speaker 1: cut dropped. Is it out? It's out? Is it in theaters? No?

377
00:21:30,840 --> 00:21:33,160
Speaker 1: Not yet? Not yet? Yeah, yeah, okay, but I think

378
00:21:33,160 --> 00:21:36,200
Speaker 1: it's out. But so Flowers by the way Nick Cage

379
00:21:36,280 --> 00:21:39,840
Speaker 1: is unbelievable like Baron, while it's very funny. Tiffany Hatrish

380
00:21:39,920 --> 00:21:44,840
Speaker 1: is in it. The Mandalorian himself whose name escaped, Escaped,

381
00:21:46,000 --> 00:21:53,119
Speaker 1: Escapes and escapes. Uh, he kills very funny. It's great.

382
00:21:53,400 --> 00:21:58,639
Speaker 1: Neil Patrick Harris castin Barriss when I battle them? Is

383
00:21:58,640 --> 00:22:02,840
Speaker 1: his name Pedro Pascal? Is that his name is Pedro pastor? Okay, great,

384
00:22:03,320 --> 00:22:06,680
Speaker 1: it can be sure sure whatever his name is. Yeah, yeah, yeah,

385
00:22:06,680 --> 00:22:08,959
Speaker 1: he's in. That's so dope, man. I hope Kevin bo

386
00:22:09,040 --> 00:22:11,680
Speaker 1: gets to write more movies after this as well, because

387
00:22:11,800 --> 00:22:15,119
Speaker 1: the reviews have been good. It's on tomato meter or

388
00:22:15,400 --> 00:22:20,000
Speaker 1: whoa boy, tomatoes if you got the tomatoes he keeps.

389
00:22:21,240 --> 00:22:23,160
Speaker 1: Good for him. I can't wait to see it. That's

390
00:22:23,160 --> 00:22:28,960
Speaker 1: gonna get me. Whoa, I know that bite? Oh my gosh,

391
00:22:29,040 --> 00:22:36,560
Speaker 1: dropping again, Wow, dude, because we haven't talked about the

392
00:22:36,640 --> 00:22:42,040
Speaker 1: Super Bowler Bowl, Dude, that we haven't talked about a

393
00:22:42,040 --> 00:22:45,520
Speaker 1: lot of stuff. It was crazy, like being in sort

394
00:22:45,560 --> 00:22:49,160
Speaker 1: of that pod stasis because so much ship happens so

395
00:22:49,280 --> 00:22:53,000
Speaker 1: fast in this goddamn world. It's insane that you don't

396
00:22:53,000 --> 00:22:56,800
Speaker 1: realize the pace of the breakneck speed at which news

397
00:22:56,880 --> 00:22:59,040
Speaker 1: comes at you now and the ship that happens, it's

398
00:22:59,200 --> 00:23:08,760
Speaker 1: breaknecks face got him? Wow, man, I mean we have

399
00:23:08,960 --> 00:23:13,400
Speaker 1: we talked about the We don't talk about the slab.

400
00:23:14,400 --> 00:23:17,800
Speaker 1: That cord is slab. Wow. Was he asked to leave?

401
00:23:18,040 --> 00:23:22,080
Speaker 1: Was he not? I want the details behind the slap,

402
00:23:23,640 --> 00:23:26,760
Speaker 1: and you come here first for your Here's all I'll

403
00:23:26,760 --> 00:23:32,159
Speaker 1: talk about that. Dude was crying important he hit the

404
00:23:32,200 --> 00:23:35,240
Speaker 1: other He hit Chris Rock so hard he started crying.

405
00:23:36,320 --> 00:23:43,800
Speaker 1: That don't okay, dude, okay, man, when you hit somebody

406
00:23:43,920 --> 00:23:49,199
Speaker 1: so hard you cry, Will Smith probably Duke eat his pants.

407
00:23:49,520 --> 00:23:54,080
Speaker 1: He was so shook by himself, Oh my god. And

408
00:23:54,160 --> 00:23:57,120
Speaker 1: nobody was like, maybe get out of here. I don't Yeah,

409
00:23:57,240 --> 00:23:59,520
Speaker 1: maybe just bounce for a second, you know, like get

410
00:23:59,520 --> 00:24:03,600
Speaker 1: off the cameras and stuff. Kicking about is one thing,

411
00:24:03,640 --> 00:24:06,119
Speaker 1: but another thing is like, you look like a fucking

412
00:24:06,240 --> 00:24:08,879
Speaker 1: bitch right now. Dude, you hit him and you're crying.

413
00:24:09,000 --> 00:24:13,440
Speaker 1: Go take a moment, dude, you seem crazy. The commercials

414
00:24:13,440 --> 00:24:15,359
Speaker 1: are back, the commercials are off, come back, sit down,

415
00:24:16,440 --> 00:24:18,200
Speaker 1: just walk off stack. Do you think he was wearing

416
00:24:18,359 --> 00:24:21,600
Speaker 1: one of those cock cages? What's that? Like? Those things

417
00:24:21,680 --> 00:24:25,520
Speaker 1: you put your dick into. They had it on my

418
00:24:25,560 --> 00:24:31,000
Speaker 1: favorite show, Jiggalows of a Cage Showtime Fame. So you like,

419
00:24:31,080 --> 00:24:33,199
Speaker 1: put your dick in this cage if you get a

420
00:24:33,200 --> 00:24:37,000
Speaker 1: bone or it's like, oh, like you give like the

421
00:24:37,119 --> 00:24:39,959
Speaker 1: key to the dominatrix or whatever. Dude, what does that

422
00:24:40,000 --> 00:24:44,240
Speaker 1: train your penis to do? Though? Not stay limbs and

423
00:24:44,359 --> 00:24:47,760
Speaker 1: probably trains are just just stay partial chub. No, I

424
00:24:47,760 --> 00:24:50,160
Speaker 1: think it's it just sucks. And that's the whole thing

425
00:24:50,280 --> 00:24:54,200
Speaker 1: is that. It's like, okay, that's another discussion, but yeah,

426
00:24:55,480 --> 00:24:57,240
Speaker 1: the cave. We're talking about the slab. We need to

427
00:24:57,240 --> 00:25:00,119
Speaker 1: talk about the cave. I think he might have have

428
00:25:00,200 --> 00:25:02,160
Speaker 1: one on and she was like, you want that cage off?

429
00:25:02,280 --> 00:25:05,000
Speaker 1: You want me to put the nick cage on and

430
00:25:05,480 --> 00:25:13,680
Speaker 1: just don't talk about her. It's cage off. By that logic,

431
00:25:13,760 --> 00:25:18,000
Speaker 1: the joke made him fucking hard. Bro oh man, what

432
00:25:18,080 --> 00:25:20,880
Speaker 1: do you think will Smith? Dick looks like, oh, it's nice.

433
00:25:20,880 --> 00:25:25,040
Speaker 1: I don't know. What do you think? I guarantee you

434
00:25:25,080 --> 00:25:29,120
Speaker 1: back in like that ship was dope? What changes? Does

435
00:25:29,160 --> 00:25:32,440
Speaker 1: your dick change over time? I'm sorry, but I'm hoping

436
00:25:32,480 --> 00:25:35,240
Speaker 1: to have the same dick my entire life. The more

437
00:25:35,320 --> 00:25:37,320
Speaker 1: you the longer you live, with your dick. The more

438
00:25:37,359 --> 00:25:41,720
Speaker 1: it looks like you, you're get on the same cycle. Oh,

439
00:25:41,800 --> 00:25:44,800
Speaker 1: it's like Benjamin Button, like, but you your dick starts

440
00:25:44,840 --> 00:25:49,800
Speaker 1: to turn into you. That's not the movie. Uh, I'm saying,

441
00:25:49,800 --> 00:25:52,600
Speaker 1: like you begin to shrink and your dick begins to grow,

442
00:25:52,640 --> 00:25:57,520
Speaker 1: and then soon that's how it's going for me. Yeah,

443
00:25:57,560 --> 00:26:00,480
Speaker 1: I'm getting I'm in taller and it's getting smaller. Summason,

444
00:26:00,520 --> 00:26:03,560
Speaker 1: I don't know what's happened. It's retreating. Mine is definitely retreating.

445
00:26:04,240 --> 00:26:06,440
Speaker 1: Once or twice a month. I go, whoa, he's back,

446
00:26:06,480 --> 00:26:08,399
Speaker 1: and then he's like, no, I was just I was

447
00:26:08,440 --> 00:26:11,240
Speaker 1: just working with you. Yeah, it's like every every every

448
00:26:11,280 --> 00:26:15,040
Speaker 1: Tuesday's February second, it's Groundhogs Day. Well it's it's shadow

449
00:26:15,240 --> 00:26:20,400
Speaker 1: or not on a full moon. I got at least

450
00:26:20,440 --> 00:26:29,000
Speaker 1: eight inches. I love it, like four quarters, four quarters

451
00:26:29,000 --> 00:26:33,840
Speaker 1: make a dollar. Speaking a trippy movies, though, last night

452
00:26:33,880 --> 00:26:37,520
Speaker 1: I went and saw The North Men. Oh dude, that

453
00:26:37,560 --> 00:26:40,720
Speaker 1: movie was made for you. Yeah, and I mean not

454
00:26:40,920 --> 00:26:42,720
Speaker 1: in it for some reason. I think they wanted it

455
00:26:42,760 --> 00:26:46,040
Speaker 1: to be good though. Okay, that's yeah, that makes sense,

456
00:26:47,200 --> 00:26:53,080
Speaker 1: that's correct. It's a crazy Viking saga. It's fucking nuts.

457
00:26:54,600 --> 00:26:58,680
Speaker 1: It violent, it you know what, it's violent, but and

458
00:26:58,960 --> 00:27:00,600
Speaker 1: this is weird for me to say. I'm like, no,

459
00:27:00,680 --> 00:27:03,840
Speaker 1: it's not that violent because there are some like cutaways,

460
00:27:04,200 --> 00:27:08,400
Speaker 1: but there's like beheadings. But it definitely it's it's more

461
00:27:08,480 --> 00:27:12,480
Speaker 1: shocking in like heavy tone than it is like when

462
00:27:12,520 --> 00:27:15,840
Speaker 1: we saw Braveheart and like you just saw dudes wigs

463
00:27:15,840 --> 00:27:20,840
Speaker 1: getting split by broadswords, right, yeah, yeah, Braveheart was kind

464
00:27:20,880 --> 00:27:24,240
Speaker 1: of intense. I can't remember in the final spoiler alert

465
00:27:24,600 --> 00:27:27,000
Speaker 1: at the end when they like pull his guts through stomach.

466
00:27:27,040 --> 00:27:31,160
Speaker 1: You don't see that, right, we're in Braveheart. Yeah, I've

467
00:27:31,160 --> 00:27:34,920
Speaker 1: never seen it. Yeah, you see his entrails or whatever? Yeah,

468
00:27:35,000 --> 00:27:36,680
Speaker 1: you do. You see all that ship in that movie.

469
00:27:36,680 --> 00:27:38,760
Speaker 1: I remember when his head got split to it was

470
00:27:38,840 --> 00:27:41,679
Speaker 1: like a very very frightening shot for me as a child.

471
00:27:42,680 --> 00:27:45,040
Speaker 1: It's bloods hits the camera at one point, and I

472
00:27:45,080 --> 00:27:51,160
Speaker 1: was like, that's the ship, not in that movie. No, No, Hey,

473
00:27:51,200 --> 00:27:53,639
Speaker 1: everybody who's seen Braveheart, and you know the part where

474
00:27:53,680 --> 00:27:57,120
Speaker 1: the blood hits the camera lens slide in Kyle's d MS.

475
00:27:57,240 --> 00:27:58,800
Speaker 1: Let me know. And also I want to know if

476
00:27:58,840 --> 00:28:04,040
Speaker 1: it it's probably was real. It wasn't like VFX because yeah, okay, no, no, no,

477
00:28:04,119 --> 00:28:05,560
Speaker 1: I think it was real and they were like, let's

478
00:28:05,600 --> 00:28:07,880
Speaker 1: keep it. It like brings the audience into it. Who

479
00:28:07,920 --> 00:28:14,159
Speaker 1: directed that one? Smell? Dude, you know, coming off a

480
00:28:14,200 --> 00:28:16,760
Speaker 1: hot some hot hot Easter takes, because I know everybody's

481
00:28:16,800 --> 00:28:20,359
Speaker 1: coming down. I'm still wearing my Easter past Easter rocks.

482
00:28:20,440 --> 00:28:27,280
Speaker 1: By the way, probably my favorite holiday really between between

483
00:28:27,680 --> 00:28:31,480
Speaker 1: Easter and like Flag Day, same flag. Yeah, flag Day. No,

484
00:28:31,600 --> 00:28:33,879
Speaker 1: I'm not even flag Days, not even in the running,

485
00:28:33,920 --> 00:28:37,160
Speaker 1: you know. I'm just saying, out of all the holidays,

486
00:28:37,520 --> 00:28:39,840
Speaker 1: or out of the two holidays, Eastern Flag Day, you

487
00:28:39,920 --> 00:28:43,760
Speaker 1: like Easter the most. Yeah, I think going up again.

488
00:28:43,840 --> 00:28:47,640
Speaker 1: I love it. I love No, I love it. It's

489
00:28:47,640 --> 00:28:49,880
Speaker 1: not going up, it's going up against every other holiday.

490
00:28:49,920 --> 00:28:52,160
Speaker 1: Like I'm saying, I think it might be my favorite

491
00:28:52,200 --> 00:28:58,000
Speaker 1: holiday time. Yeah, this is weird, dude. What's going on?

492
00:28:58,200 --> 00:29:00,920
Speaker 1: Oh dude, I wish Adam was here. Ohish Adams there

493
00:29:00,960 --> 00:29:06,800
Speaker 1: so bad you would light you up about like Easter somehow,

494
00:29:07,040 --> 00:29:10,480
Speaker 1: like a funny Easter is fucking tight, dude, because you

495
00:29:10,600 --> 00:29:13,360
Speaker 1: gotta hunt, you get to a you get to hunt

496
00:29:13,440 --> 00:29:16,840
Speaker 1: your fucking eggs, dude, and it's like just fun, like

497
00:29:17,080 --> 00:29:19,280
Speaker 1: surviving the games. Just I don't know, what do you mean.

498
00:29:19,320 --> 00:29:22,320
Speaker 1: You hunt the eggs, you're the weather. The weather is nice,

499
00:29:22,400 --> 00:29:25,640
Speaker 1: the weather is nice. Okay, the weather is nice. You

500
00:29:25,680 --> 00:29:28,920
Speaker 1: get to hide the eggs, You get to see the

501
00:29:29,000 --> 00:29:31,600
Speaker 1: kids when they find eggs, You get to hide them

502
00:29:31,600 --> 00:29:35,800
Speaker 1: in hard spots and then like be like just right there.

503
00:29:36,400 --> 00:29:39,600
Speaker 1: You get to make golden eggs. Do you do hotter colder? Yeah,

504
00:29:39,640 --> 00:29:44,200
Speaker 1: you can do hotter, hotter, warmer, warmer. Your hotter colder

505
00:29:44,480 --> 00:29:47,600
Speaker 1: fucking hits at our house. Due. This is weird, this

506
00:29:47,680 --> 00:29:51,560
Speaker 1: is bizarre. You're that into egg hu? Well, I don't.

507
00:29:51,560 --> 00:29:53,400
Speaker 1: I mean I just had we just did Easter and

508
00:29:53,600 --> 00:29:59,200
Speaker 1: it's fresh in my mind. Yeah, whatever, holiday, just happenings.

509
00:29:59,520 --> 00:30:01,920
Speaker 1: Did I say favorite holiday? I meant like the one

510
00:30:01,960 --> 00:30:06,880
Speaker 1: that I can remember the clearest. Hold. Yeah, what was

511
00:30:06,920 --> 00:30:10,520
Speaker 1: your hot Easter take? Buddy? Well, I just like, I

512
00:30:10,520 --> 00:30:12,480
Speaker 1: don't know when the last time you guys tapped in

513
00:30:12,560 --> 00:30:18,480
Speaker 1: with the Passion of the Christ movie. Yeah that it

514
00:30:18,600 --> 00:30:21,400
Speaker 1: was just it's become a tradition that I tap in

515
00:30:21,480 --> 00:30:24,600
Speaker 1: with now. No, I've only seen it once. It's fucking

516
00:30:24,720 --> 00:30:27,280
Speaker 1: it's just super brutal. They played every year on like TNT.

517
00:30:27,400 --> 00:30:30,280
Speaker 1: Now it's the most brutal that's that is a question like, yeah,

518
00:30:30,680 --> 00:30:34,160
Speaker 1: was that like do you think that's historically like how

519
00:30:34,280 --> 00:30:39,320
Speaker 1: brutalized Jesus got? Is that historically correct? Bro? None of

520
00:30:39,320 --> 00:30:41,280
Speaker 1: that ship happened first of all, but yeah that's how

521
00:30:41,280 --> 00:30:49,080
Speaker 1: it went down. Stop he's risen. What then are talking about?

522
00:30:49,120 --> 00:30:53,320
Speaker 1: He moved the rock? Yeah, like we put him in

523
00:30:53,360 --> 00:30:56,080
Speaker 1: this thing. We put like a big rock there. You know,

524
00:30:56,120 --> 00:30:58,560
Speaker 1: the next morning the rock got moved and he was

525
00:30:58,600 --> 00:31:01,760
Speaker 1: alive again. Dude, here's the thing. You get the rock

526
00:31:01,880 --> 00:31:03,920
Speaker 1: to be Jesus in a movie? Is that what it is?

527
00:31:03,960 --> 00:31:05,640
Speaker 1: What is it? Blake? Do you know the story? What

528
00:31:05,800 --> 00:31:07,840
Speaker 1: is it? It's like you never saw Christian Bale in

529
00:31:07,840 --> 00:31:15,960
Speaker 1: that Magic movie. There were twins, dude, the prestige come yeah,

530
00:31:16,120 --> 00:31:19,720
Speaker 1: Christianity was just prestige. Jesus was Christian Bale as the

531
00:31:19,760 --> 00:31:25,000
Speaker 1: prestige prestige. Hey, do we have a Christen Bale hit

532
00:31:25,200 --> 00:31:31,360
Speaker 1: or what I thought? We did? Good for you? Good

533
00:31:31,520 --> 00:31:36,800
Speaker 1: for you? We're done professionally, mate, Danny should it should

534
00:31:36,840 --> 00:31:40,080
Speaker 1: be all bail, all bail all the time. I need

535
00:31:40,120 --> 00:31:43,000
Speaker 1: to get Colin Farrell on here too. From his sex tape.

536
00:31:43,160 --> 00:31:46,840
Speaker 1: Oh yeah, what does he say? Breakfast luncheon? Mate? He

537
00:31:46,920 --> 00:31:50,360
Speaker 1: says he loves like munch in box so much. Yeah,

538
00:31:50,360 --> 00:31:53,480
Speaker 1: that's tight breakfast lunch and he's great. Well, that's another

539
00:31:53,520 --> 00:31:56,760
Speaker 1: thing that happened while we were off Tommy Tommy Lee

540
00:31:56,840 --> 00:32:02,400
Speaker 1: and um Pamela Anderson sex tape show that didn't happen.

541
00:32:02,480 --> 00:32:07,760
Speaker 1: It was just no, it just got me think think

542
00:32:07,800 --> 00:32:11,520
Speaker 1: of the sucking ten quarter pinches. No, bro, that guy's

543
00:32:11,560 --> 00:32:14,960
Speaker 1: ten straight. I know he's trying. He's straight up ten.

544
00:32:15,160 --> 00:32:19,720
Speaker 1: He's a tenor do you guys remember the first time

545
00:32:20,440 --> 00:32:25,680
Speaker 1: you saw that video? Oh yeah, very well? Oh sorry,

546
00:32:25,680 --> 00:32:28,720
Speaker 1: I don't remember. I definitely can, like I can picture

547
00:32:28,760 --> 00:32:31,760
Speaker 1: it now on the boat with like that windy ass

548
00:32:31,960 --> 00:32:36,440
Speaker 1: dry blow job. Right, I don't remember the first time.

549
00:32:37,320 --> 00:32:40,280
Speaker 1: I just remember being a lot of bad audio. Remembers

550
00:32:40,320 --> 00:32:44,280
Speaker 1: the audio. Yeah, there's no way any of that all

551
00:32:44,320 --> 00:32:47,080
Speaker 1: felt good. It was too windy. You know, she got

552
00:32:47,160 --> 00:32:57,000
Speaker 1: chopped up, you know. Yeah, dry blow job. Yeah, like

553
00:32:57,000 --> 00:33:00,160
Speaker 1: like hot hot tub sex. You're like the phenomenon that

554
00:33:00,240 --> 00:33:04,000
Speaker 1: took over the world was a dry, windy blow job.

555
00:33:05,680 --> 00:33:07,160
Speaker 1: But then they go back to the crib, They go

556
00:33:07,200 --> 00:33:10,480
Speaker 1: back to the crib right. I remembered the boat one

557
00:33:10,520 --> 00:33:13,240
Speaker 1: as well. That was the real standout. That's all I remember.

558
00:33:13,280 --> 00:33:16,240
Speaker 1: I don't remember anything else besides the boat. I am

559
00:33:16,240 --> 00:33:20,840
Speaker 1: starting to like conflate the rayge A tape. Now, yeah, dude,

560
00:33:20,840 --> 00:33:23,480
Speaker 1: there's a few out there. There's a few legendary sex

561
00:33:23,520 --> 00:33:28,320
Speaker 1: tapes on the market. It's fucking dope. It's when you

562
00:33:28,400 --> 00:33:33,880
Speaker 1: invent the camp quarter. Are you like, I'm changing everything? Oh?

563
00:33:33,920 --> 00:33:36,680
Speaker 1: I mean like that movie, the movie I I constantly

564
00:33:36,680 --> 00:33:39,720
Speaker 1: talked about on this podcast Auto Focus. We're like Willem

565
00:33:39,760 --> 00:33:42,560
Speaker 1: Dafoe's characters to Greg and You're like, it's called a

566
00:33:42,640 --> 00:33:45,280
Speaker 1: cam quarter. You can film at home. And he's like,

567
00:33:45,600 --> 00:33:49,680
Speaker 1: what are you filming? He's fucking I filmed sex, that's

568
00:33:49,800 --> 00:33:53,720
Speaker 1: of course. He's like, oh meat. And then fucking Rita

569
00:33:53,760 --> 00:33:58,600
Speaker 1: Wilson's in the garage and finds like seven hundred videos. Perfect.

570
00:33:59,600 --> 00:34:01,880
Speaker 1: I need to I need to revisit that. That movie.

571
00:34:01,920 --> 00:34:04,440
Speaker 1: I feel like it's one that's so good. Shout out

572
00:34:04,480 --> 00:34:08,440
Speaker 1: Paul Schrader, just a fucking genius who makes the best,

573
00:34:08,680 --> 00:34:12,440
Speaker 1: funniest movies. Can you give me another Paul Schrader? What

574
00:34:12,520 --> 00:34:15,359
Speaker 1: else we got? Give me another one? All right, Paul

575
00:34:15,360 --> 00:34:21,479
Speaker 1: Schrader did American Jiggalow. He wrote Taxi Driver. I thought

576
00:34:21,480 --> 00:34:24,400
Speaker 1: he was associated with Taxi Driver. He wrote Mosquito Coast,

577
00:34:24,480 --> 00:34:28,759
Speaker 1: he wrote, he write, he writes movies about men that

578
00:34:28,800 --> 00:34:31,080
Speaker 1: are their own worst enemy, right right. They can't get

579
00:34:31,080 --> 00:34:34,799
Speaker 1: out of their own way. And it's always good affliction

580
00:34:35,120 --> 00:34:38,719
Speaker 1: with Nick Nolty, which one's affliction? Fashion is about like

581
00:34:38,719 --> 00:34:44,120
Speaker 1: a fucking wear sit clothes. Yeah, it's about an m

582
00:34:44,239 --> 00:34:48,880
Speaker 1: M A fighter. Wow, who is a fashion mogul pivots

583
00:34:48,880 --> 00:34:52,400
Speaker 1: to design? Yeah? Sorry, he's got the sickest come aboutters.

584
00:34:52,960 --> 00:34:56,320
Speaker 1: It's like Nick nick Nolty is like a crosswalk cop

585
00:34:56,840 --> 00:35:00,400
Speaker 1: who's whose dad like embarrasses him in public and stuff,

586
00:35:00,880 --> 00:35:04,640
Speaker 1: what I'm in, I'm in, It's no, it's so. And

587
00:35:04,719 --> 00:35:07,080
Speaker 1: his dad is James Coburn, who I think won the

588
00:35:07,120 --> 00:35:10,600
Speaker 1: Oscar for that role. He says he just like ships

589
00:35:10,640 --> 00:35:13,840
Speaker 1: on his son. And he's a crosswalk cop. He's like,

590
00:35:14,080 --> 00:35:16,560
Speaker 1: watch kids back and forth on the street. I'm I

591
00:35:16,600 --> 00:35:18,680
Speaker 1: haven't seen it in twenty years, but yeah, and his

592
00:35:18,840 --> 00:35:22,600
Speaker 1: dad is like, your ain't your loser? And the dad's

593
00:35:22,640 --> 00:35:25,360
Speaker 1: like dying and he hates him, but he's got to

594
00:35:25,360 --> 00:35:28,799
Speaker 1: get that closure. He's like, it's heavy, and then he

595
00:35:28,880 --> 00:35:30,600
Speaker 1: just did that movie with Ethan Hawk where he was

596
00:35:30,600 --> 00:35:33,279
Speaker 1: a priest and Hawks my favorite a couple of years ago.

597
00:35:33,440 --> 00:35:37,239
Speaker 1: This movie is fucking dope. It's called like Revelation or something.

598
00:35:37,280 --> 00:35:40,160
Speaker 1: It's darning on me. I don't know any of this

599
00:35:40,280 --> 00:35:43,000
Speaker 1: guy's work except for fucking taxi driver, like I need

600
00:35:43,000 --> 00:35:45,239
Speaker 1: to go on a straight You've seen Auto Focus, though,

601
00:35:45,440 --> 00:35:47,719
Speaker 1: I have, I have. Okay, yeah, that's in too right, right,

602
00:35:47,760 --> 00:35:52,080
Speaker 1: it's dope and Mosquito Coast the movie is awesome. It's

603
00:35:52,120 --> 00:35:55,719
Speaker 1: just definitely Harrison Ford. He's dragging his family to like

604
00:35:56,160 --> 00:35:58,480
Speaker 1: the Jungle because he's like, I'm sick of society. Let's

605
00:35:58,480 --> 00:36:00,439
Speaker 1: just go out here. I was gonna like and then

606
00:36:00,480 --> 00:36:03,480
Speaker 1: he like starts society and then he's like, now we

607
00:36:03,560 --> 00:36:05,760
Speaker 1: got to go deeper in the jungle and they're like, Dad,

608
00:36:06,200 --> 00:36:09,400
Speaker 1: it's River Phoenix as the kid It's it's that's tope.

609
00:36:09,800 --> 00:36:12,880
Speaker 1: I'm gonna watch. And that was this week's Honors. Is

610
00:36:12,920 --> 00:36:25,560
Speaker 1: still talking about movies with no one else talking. I

611
00:36:25,680 --> 00:36:28,040
Speaker 1: love your movies, and you always put me onto fucking

612
00:36:28,120 --> 00:36:29,960
Speaker 1: sick gass flicks, like when you put me on a

613
00:36:30,040 --> 00:36:32,719
Speaker 1: Darrell bro Daryl, like, I never would have seen Darrel

614
00:36:32,760 --> 00:36:35,200
Speaker 1: if it wasn't for you. And I love that movie,

615
00:36:35,360 --> 00:36:38,520
Speaker 1: Michael mckeens, And and Darryl's Where do you come back to?

616
00:36:38,719 --> 00:36:42,040
Speaker 1: Darryl's your one? Darryl was fucking I never ever would

617
00:36:42,040 --> 00:36:44,319
Speaker 1: have seen that movie if it wasn't for Hoers, and

618
00:36:44,360 --> 00:36:46,400
Speaker 1: so I'm just like, and I fucking that movie is

619
00:36:46,400 --> 00:36:49,560
Speaker 1: so sick. Yeah, Darryl's sick. Yeah. I mean it gets

620
00:36:49,560 --> 00:36:53,440
Speaker 1: a pretty legendary shout out in your wedding episode of Workaholics,

621
00:36:53,520 --> 00:36:55,880
Speaker 1: So there was some truth to that. Huh. It's a

622
00:36:55,880 --> 00:36:59,560
Speaker 1: gorgeous film. Gorgeous film. It's just beautiful. I wonder who

623
00:36:59,560 --> 00:37:03,920
Speaker 1: made that. I know Lars Vontraire. That was first it was.

624
00:37:06,160 --> 00:37:08,560
Speaker 1: That was his jump off point. That's weird, Like, that's

625
00:37:08,600 --> 00:37:10,799
Speaker 1: another That's another director who I could just watch all

626
00:37:10,880 --> 00:37:13,000
Speaker 1: his movies and just be like, God, damn it. I

627
00:37:13,000 --> 00:37:15,120
Speaker 1: watched Anti Christ the other day for the first time.

628
00:37:15,440 --> 00:37:19,959
Speaker 1: Oh that's the one. Just Shyla buff in that that's nymph. Yeah,

629
00:37:20,520 --> 00:37:22,239
Speaker 1: we whipped it out. That guy's got at least nine

630
00:37:22,280 --> 00:37:27,480
Speaker 1: quarter inches. They do show like full I think it's

631
00:37:27,480 --> 00:37:32,399
Speaker 1: like c g I penetration in that movie. Really, they

632
00:37:32,400 --> 00:37:35,319
Speaker 1: didn't actually do it. They did the visual effects penetration.

633
00:37:35,680 --> 00:37:37,960
Speaker 1: I think they have like real people fucking and then

634
00:37:38,000 --> 00:37:41,200
Speaker 1: they see g I his face kind of in the background.

635
00:37:41,239 --> 00:37:43,800
Speaker 1: It's like a sack cam and like through the body

636
00:37:43,840 --> 00:37:47,680
Speaker 1: as you see. Oh yeah, no, that fucking shot is unreal.

637
00:37:47,800 --> 00:37:51,040
Speaker 1: I know we've we've watched that. Watch that shot. It's

638
00:37:51,160 --> 00:37:55,480
Speaker 1: behind his It's the Tommy and Pam shot. So I

639
00:37:55,520 --> 00:37:57,239
Speaker 1: was watching on one of our podcasts of the day.

640
00:37:57,280 --> 00:37:59,040
Speaker 1: I'd be like, what were we talking about? And we

641
00:37:59,040 --> 00:38:01,400
Speaker 1: were talking about opening the up top and having porno

642
00:38:01,480 --> 00:38:03,799
Speaker 1: onto the school next time to be like, sorry, it's

643
00:38:03,800 --> 00:38:08,439
Speaker 1: a large movie. Uh you see that? Oh my man,

644
00:38:09,320 --> 00:38:14,520
Speaker 1: Criteriaby large Tree is wild. Though. I don't know if

645
00:38:14,520 --> 00:38:16,960
Speaker 1: the listeners are familiar with his movies, but they are

646
00:38:17,239 --> 00:38:20,160
Speaker 1: fucking mind fuck get familiar. I think I know like

647
00:38:20,239 --> 00:38:23,320
Speaker 1: what the dude stands for more than like his movies,

648
00:38:23,440 --> 00:38:26,520
Speaker 1: Like he himself is more of like an essence of

649
00:38:26,640 --> 00:38:32,399
Speaker 1: fucking like purity, like film purity, right Like, but he's

650
00:38:32,400 --> 00:38:34,440
Speaker 1: a troublemaker because he's the guy who came up with

651
00:38:34,600 --> 00:38:37,920
Speaker 1: Dogma right where he's like, we don't use lights makeup,

652
00:38:37,920 --> 00:38:40,239
Speaker 1: it's all real we're gonna film on cam quarters now

653
00:38:40,480 --> 00:38:43,640
Speaker 1: and everyone's like, yes, exactly cool. And then in his

654
00:38:43,760 --> 00:38:46,000
Speaker 1: next movie he did like Hella c g I and

655
00:38:46,040 --> 00:38:47,920
Speaker 1: people were like what and he goes He's like, I'm

656
00:38:47,920 --> 00:38:50,080
Speaker 1: going the other way. Cares Well, he was just trying

657
00:38:50,120 --> 00:38:54,000
Speaker 1: to me. I heard him what's his name Vinterberg talk

658
00:38:54,040 --> 00:38:58,839
Speaker 1: about that, Thomas Vinterberg. Oh, that's known Dogma who did Vinterberg?

659
00:38:59,600 --> 00:39:02,880
Speaker 1: He did The Hunt, which is the movie that I

660
00:39:02,920 --> 00:39:06,560
Speaker 1: know that he did, and I think he did Celebration right,

661
00:39:06,600 --> 00:39:10,279
Speaker 1: that was the Dogman movie that he did. But that

662
00:39:10,400 --> 00:39:13,080
Speaker 1: was just them trying to They formed this Alliance for

663
00:39:13,120 --> 00:39:16,000
Speaker 1: the Purity of Cinema, and then they tried to get directors,

664
00:39:16,040 --> 00:39:20,200
Speaker 1: like American directors to join them. And what happened. The

665
00:39:20,280 --> 00:39:24,000
Speaker 1: directors were like, no, it's all good, We're not going

666
00:39:24,040 --> 00:39:27,600
Speaker 1: to do all the other directors but like film school kids, no,

667
00:39:27,680 --> 00:39:32,080
Speaker 1: no harmony. Kareem did one, but like but nobody else.

668
00:39:32,160 --> 00:39:34,439
Speaker 1: Like they tried to get Scorsese, they tried to get

669
00:39:34,600 --> 00:39:37,880
Speaker 1: Silbert to do these things to pause, to get the

670
00:39:38,160 --> 00:39:40,680
Speaker 1: attention drawn to them. And so I think that that

671
00:39:40,760 --> 00:39:44,560
Speaker 1: part of their mission, which is kind of backhanded. Well,

672
00:39:44,600 --> 00:39:46,520
Speaker 1: if he had another movie that has Hella c g.

673
00:39:46,680 --> 00:39:48,759
Speaker 1: I like he's getting a budget, so maybe it was

674
00:39:48,840 --> 00:39:51,239
Speaker 1: a backwards way to get some money. You know. It's

675
00:39:51,280 --> 00:39:55,000
Speaker 1: like they're just kids. We need the large Marvel movie, dude,

676
00:39:55,200 --> 00:39:57,080
Speaker 1: we need large to do his take on I was

677
00:39:57,120 --> 00:40:00,600
Speaker 1: thinking about that with The Northman. But like he always

678
00:40:00,640 --> 00:40:04,880
Speaker 1: he's he is so good at getting at capturing things

679
00:40:04,920 --> 00:40:08,120
Speaker 1: that are will emotionally connect and fuck you up and

680
00:40:08,160 --> 00:40:09,600
Speaker 1: put you through the ringer and make you think and

681
00:40:09,640 --> 00:40:11,880
Speaker 1: all that. But at the same time, he also crosses

682
00:40:11,920 --> 00:40:14,920
Speaker 1: the line that makes you go, dude, what'll maybe watch

683
00:40:14,960 --> 00:40:18,400
Speaker 1: that like an anti christ fucking William Fogets like his

684
00:40:18,520 --> 00:40:20,719
Speaker 1: he cuts his own dick off or she cuts it off,

685
00:40:20,719 --> 00:40:24,400
Speaker 1: I can't remember. But the beginning of the movie is

686
00:40:24,520 --> 00:40:28,920
Speaker 1: unbelievable and gripping, and you watch like there it's like

687
00:40:28,960 --> 00:40:33,200
Speaker 1: a couple going at like that, fucking and then their

688
00:40:33,360 --> 00:40:37,040
Speaker 1: kid in another room gets out of its crib, goes

689
00:40:37,080 --> 00:40:42,439
Speaker 1: to the window, falls out the window and dies while

690
00:40:42,480 --> 00:40:44,880
Speaker 1: they're fucking. And then the rest of the movie is

691
00:40:44,920 --> 00:40:48,880
Speaker 1: the family like coping, I'm and then there's a sick

692
00:40:48,960 --> 00:40:54,600
Speaker 1: reveal at the end. Um, but it's it's fucking yeah, yeah,

693
00:40:54,719 --> 00:40:56,680
Speaker 1: that's wild. So he just hooks you with like this

694
00:40:56,719 --> 00:41:00,279
Speaker 1: funny little romantic comedy. And then three quarter us through

695
00:41:00,320 --> 00:41:02,239
Speaker 1: the movie, it's a fucking scene where a kid falls

696
00:41:02,280 --> 00:41:03,960
Speaker 1: out of window. No no, no, no, it's like a

697
00:41:04,040 --> 00:41:07,000
Speaker 1: passionate This is the opening like three minutes where you're like,

698
00:41:07,280 --> 00:41:11,719
Speaker 1: oh wow, this couple is like and that's the starting point. Yes,

699
00:41:11,960 --> 00:41:16,680
Speaker 1: start there. It's intercutting between like a couple jamming passionately

700
00:41:17,120 --> 00:41:19,960
Speaker 1: and intercutting with a kiss and jam. It's a passion

701
00:41:20,040 --> 00:41:25,440
Speaker 1: jam there, like kissing a lot of like soft bites

702
00:41:25,480 --> 00:41:28,959
Speaker 1: on the neck. And it intercuts with just like the kid,

703
00:41:29,080 --> 00:41:32,080
Speaker 1: like piece by piece like oh I opened like the crib,

704
00:41:32,160 --> 00:41:34,239
Speaker 1: like oh I climbed over, like hey, I moved the

705
00:41:34,360 --> 00:41:36,960
Speaker 1: chair over the window. Now I've gone to the window.

706
00:41:37,360 --> 00:41:39,640
Speaker 1: Now I'm like putting my hand up trying to catch snow.

707
00:41:39,719 --> 00:41:42,839
Speaker 1: And then it's just like, isn't it doesn't that happen

708
00:41:42,840 --> 00:41:46,919
Speaker 1: in Ghostbusters too? Doesn't the baby Ghostbusters too? Or also

709
00:41:47,200 --> 00:41:51,120
Speaker 1: susters to a Ghoststers two. Also the baby walk across

710
00:41:51,200 --> 00:41:54,080
Speaker 1: like outside on like the building on you you're talking

711
00:41:54,080 --> 00:41:59,120
Speaker 1: about Oscar Oscar Oscar Yano comes up as a ghost.

712
00:41:59,719 --> 00:42:01,400
Speaker 1: That the part where I was so confused. I'm like,

713
00:42:01,640 --> 00:42:05,520
Speaker 1: why is that we talk about y'all know we don't

714
00:42:05,640 --> 00:42:09,600
Speaker 1: talk about yah no? Uh? Why was he dressed up

715
00:42:09,640 --> 00:42:15,120
Speaker 1: as a woman a carriage? Dude? I didn't need This

716
00:42:15,200 --> 00:42:16,920
Speaker 1: is like a really specific thing. You got it. They

717
00:42:17,000 --> 00:42:19,399
Speaker 1: must have cut a scene or something took me from

718
00:42:19,680 --> 00:42:23,360
Speaker 1: what what is this the Ghostbusters to Also? Yeah, alright,

719
00:42:23,480 --> 00:42:27,680
Speaker 1: what Ghostbusters too? Ghostbusters too? You remember the dude who

720
00:42:27,719 --> 00:42:32,680
Speaker 1: like worships the painting? Yeah, Peter McNicol, Peter mcniol talking

721
00:42:32,680 --> 00:42:37,200
Speaker 1: about Peter McNichol. Okay, good, the key keeper or whatever

722
00:42:37,239 --> 00:42:41,399
Speaker 1: you used the garden? What is he the key key man? No?

723
00:42:41,400 --> 00:42:43,160
Speaker 1: No, no no, no, no, that the key Masters from the

724
00:42:43,160 --> 00:42:46,920
Speaker 1: first the Scourge of Carpathi. Yeah, the second one is

725
00:42:47,000 --> 00:42:52,560
Speaker 1: like nothing, you don't go to the painting. You must leave, Kyle,

726
00:42:52,640 --> 00:42:56,080
Speaker 1: let him keep going? What is yeah? I don't remember

727
00:42:56,080 --> 00:43:01,360
Speaker 1: that more kind of do nothing? No? What the graph?

728
00:43:01,640 --> 00:43:06,040
Speaker 1: He has the best accent in movie history. It's flawless.

729
00:43:06,080 --> 00:43:07,799
Speaker 1: When he's like, where are you from? Pal, and it's

730
00:43:07,800 --> 00:43:11,480
Speaker 1: like west Side and as a kid, I'm like, I

731
00:43:11,480 --> 00:43:13,000
Speaker 1: don't know because I don't know what the upper west

732
00:43:13,040 --> 00:43:15,640
Speaker 1: Side is his kid, and I'm like, what's the Opera

733
00:43:15,760 --> 00:43:20,520
Speaker 1: vest Side. He's so creepy in that movie because he's

734
00:43:20,680 --> 00:43:22,839
Speaker 1: kind of trying to run game with the girl too,

735
00:43:22,880 --> 00:43:28,520
Speaker 1: and he's like, baby, Yeah. They must have been like, dude,

736
00:43:28,880 --> 00:43:32,320
Speaker 1: you're going to be a star after this movie, because

737
00:43:32,320 --> 00:43:34,839
Speaker 1: he was to me and I know he's he's had

738
00:43:34,880 --> 00:43:37,560
Speaker 1: like a fucking I know his name, Bro Peter McNichol,

739
00:43:37,800 --> 00:43:40,840
Speaker 1: Like that's a great pool. That's a great pool. But anyway,

740
00:43:40,880 --> 00:43:43,160
Speaker 1: there's a moment in the movie where there's like this

741
00:43:43,239 --> 00:43:46,880
Speaker 1: ghost outside the window where the baby's like like sees

742
00:43:46,920 --> 00:43:49,120
Speaker 1: the ghost. It's like a woman with a carriage. And

743
00:43:49,160 --> 00:43:51,120
Speaker 1: I didn't even know until I looked up on like

744
00:43:51,160 --> 00:43:54,840
Speaker 1: the fun facts on IMDb or whatever, that he plays

745
00:43:54,880 --> 00:43:56,840
Speaker 1: the woman. You can't really even tell it's him. She

746
00:43:56,920 --> 00:44:00,479
Speaker 1: says it's him. She goes, no, it was oh shit,

747
00:44:00,880 --> 00:44:04,440
Speaker 1: And you're like what. There must have been a scene

748
00:44:04,480 --> 00:44:10,160
Speaker 1: where like he trans transitions. He he turns into this

749
00:44:10,200 --> 00:44:13,359
Speaker 1: woman the new cut, right, and then they cut that

750
00:44:13,440 --> 00:44:15,879
Speaker 1: for time, and then when he showed up, they're like, yeah,

751
00:44:15,920 --> 00:44:19,279
Speaker 1: she says, it's Janos, But I'm still like, but why

752
00:44:19,320 --> 00:44:20,880
Speaker 1: did he have to dress up as a woman with

753
00:44:20,920 --> 00:44:24,120
Speaker 1: a baby carriage? It must I don't know. By the way,

754
00:44:24,120 --> 00:44:27,359
Speaker 1: the opening of Ghostbusters too, we're like the carriage goes

755
00:44:27,360 --> 00:44:30,760
Speaker 1: to the slime and then remote controls through the traffic

756
00:44:30,800 --> 00:44:34,040
Speaker 1: of New York City and Sigourney Weavers just like like

757
00:44:34,760 --> 00:44:42,840
Speaker 1: Bobby Brown soundtrack, you Got You Got You gott that

758
00:44:43,080 --> 00:44:46,000
Speaker 1: is a all time jammer. I can't believe that's a

759
00:44:46,400 --> 00:44:48,520
Speaker 1: Can I get one those tome backs from my kids brother?

760
00:44:48,640 --> 00:44:52,560
Speaker 1: And he makes the cameo during his own song, Yes,

761
00:44:52,880 --> 00:44:54,920
Speaker 1: what a good dude? Did you guys ever watch the

762
00:44:54,920 --> 00:45:00,239
Speaker 1: Bobby Brown Bobby Brown? What what you good dude think?

763
00:45:00,239 --> 00:45:02,880
Speaker 1: He's kind of notoriously a little whild No, didn't you

764
00:45:02,880 --> 00:45:05,520
Speaker 1: ever watch the Bobby Brown Whitney Houston Show. Yeah? It

765
00:45:05,560 --> 00:45:08,680
Speaker 1: was incredible. Yeah, but he was always the good dude.

766
00:45:08,680 --> 00:45:10,600
Speaker 1: It was like, yeah, I'll take a picture with you guys. Sure,

767
00:45:10,680 --> 00:45:13,960
Speaker 1: Like and Whitney get over here, like what don't talk

768
00:45:13,960 --> 00:45:15,960
Speaker 1: to them? And you're like, yeah, I thought he was

769
00:45:16,000 --> 00:45:21,480
Speaker 1: a ski scuzard dude. He always came across as a nicer,

770
00:45:22,360 --> 00:45:28,719
Speaker 1: less damaged person, I guess in okay, but but come on, though,

771
00:45:28,719 --> 00:45:31,120
Speaker 1: Whitney was the one who was like, you never ate

772
00:45:31,160 --> 00:45:34,000
Speaker 1: the doodoo out of somebody's sucking dingle berries or whatever,

773
00:45:34,040 --> 00:45:35,960
Speaker 1: and you're like, what was that? That was love? She

774
00:45:36,040 --> 00:45:40,920
Speaker 1: was explaining a lot. You could, You'll do anything, do

775
00:45:40,920 --> 00:45:42,960
Speaker 1: anything for love. That was a that would be a

776
00:45:43,000 --> 00:45:45,239
Speaker 1: good revisit show. It might it might be a little sad.

777
00:45:45,280 --> 00:45:48,640
Speaker 1: Now Whitney was so good. No did she? She lived? Uh?

778
00:45:48,840 --> 00:45:51,000
Speaker 1: She She was a game changer, greatest, one of the

779
00:45:51,000 --> 00:45:54,720
Speaker 1: greatest artists of all time. Absolutely all of her um

780
00:45:55,200 --> 00:45:57,400
Speaker 1: like singing like the national anthem? Which one was that?

781
00:45:57,480 --> 00:45:59,360
Speaker 1: Was that a super Bowl? Oh my god? That ship

782
00:45:59,400 --> 00:46:02,560
Speaker 1: is fine? Super Bowl, Olympics or some show. Yeah, she

783
00:46:02,960 --> 00:46:06,839
Speaker 1: killed in the wind suit? Where's that? Where's that wind suit? Now?

784
00:46:07,000 --> 00:46:11,000
Speaker 1: The Whitney wins Smiths Rock Hotel in Las Vegas? I

785
00:46:11,000 --> 00:46:13,080
Speaker 1: would hope you hard rocks. Are they still they still

786
00:46:13,120 --> 00:46:16,040
Speaker 1: got memorabile you? That was my favorite part about those things.

787
00:46:17,080 --> 00:46:19,560
Speaker 1: That and like fucking planet Hollywood, come sit down, we

788
00:46:19,560 --> 00:46:22,640
Speaker 1: gotta eat mom. I'm looking at the memorable blah loved

789
00:46:22,680 --> 00:46:27,239
Speaker 1: that ship. This guitar. Check out this, This is when

790
00:46:27,320 --> 00:46:31,359
Speaker 1: Prince wore. Look at this this exact jumpsuit. Whoa we

791
00:46:31,360 --> 00:46:33,480
Speaker 1: we are talking to the guy who bought the Christina

792
00:46:33,560 --> 00:46:37,759
Speaker 1: Aguilera signed drumhead which is today. That's right. I do

793
00:46:37,880 --> 00:46:42,520
Speaker 1: have a Christina Aguilera signed drumhead off eBay. She doesn't

794
00:46:42,520 --> 00:46:46,080
Speaker 1: play the drums, but you know, just sign anything. It's

795
00:46:46,120 --> 00:46:48,080
Speaker 1: the thing. It went with me everywhere, bro, That went

796
00:46:48,160 --> 00:46:51,759
Speaker 1: from like my childhood bedroom to every bedroom. My hat.

797
00:46:51,960 --> 00:46:54,720
Speaker 1: You bought that because I got it as a gift.

798
00:46:54,840 --> 00:46:56,759
Speaker 1: My parents got it for me for one of my

799
00:46:56,800 --> 00:46:59,719
Speaker 1: birthdays because because they thought you liked her, or you

800
00:46:59,760 --> 00:47:02,239
Speaker 1: did it, or the thought I did. I did. Like

801
00:47:02,360 --> 00:47:04,520
Speaker 1: when she came out with Genie in a bottle like

802
00:47:04,600 --> 00:47:07,440
Speaker 1: that first album, I really dug her. I thought she

803
00:47:07,520 --> 00:47:11,799
Speaker 1: was fucking awesome, bro. And I'm not talking on her

804
00:47:11,840 --> 00:47:14,360
Speaker 1: now because she's just she's she's great. She can do

805
00:47:14,440 --> 00:47:23,799
Speaker 1: no wrong in in my mind. Okay, yeah, happy, she

806
00:47:23,840 --> 00:47:25,839
Speaker 1: can sing her ass off. I mean, I don't want

807
00:47:25,840 --> 00:47:28,480
Speaker 1: to get too deep into Mulan Rouge and what that

808
00:47:28,520 --> 00:47:30,920
Speaker 1: did to me as a young man, but that the

809
00:47:31,000 --> 00:47:36,920
Speaker 1: cover of Mulan Rouge with Maya Little Kim and Christina Aguilera,

810
00:47:37,280 --> 00:47:42,120
Speaker 1: that video cuch mosah. You know what I mean? Lady Marmola,

811
00:47:42,480 --> 00:47:44,319
Speaker 1: you said you could say more than that. Again, I

812
00:47:44,320 --> 00:47:51,239
Speaker 1: can say that was a hot, hot video and Little Kim.

813
00:47:51,280 --> 00:47:53,759
Speaker 1: I think Little Kim was my one. Really, I was

814
00:47:53,800 --> 00:47:56,960
Speaker 1: a Maya guy, Maya child, as a child of Maya.

815
00:47:57,239 --> 00:47:59,239
Speaker 1: I thought she was such a babe. I still think

816
00:47:59,280 --> 00:48:04,360
Speaker 1: she's a babe. She's so cool. Uh yeah, Look, we

817
00:48:04,400 --> 00:48:07,640
Speaker 1: could have gone on like a date with all of them. Adam,

818
00:48:07,800 --> 00:48:09,799
Speaker 1: is there four? Because I'm oh, dude, do you think

819
00:48:09,840 --> 00:48:12,560
Speaker 1: we coincidentally pick there are four? Do you think we

820
00:48:12,560 --> 00:48:15,520
Speaker 1: couldn't coincidentally all pick a different one? Kyle, you're a pink,

821
00:48:15,600 --> 00:48:19,920
Speaker 1: you go pink. I'm Christina Aguilra. I'm Aguilara already pink. Oh,

822
00:48:20,040 --> 00:48:24,840
Speaker 1: Adam does like pink. Dude. Right, I can see Adam

823
00:48:24,920 --> 00:48:28,319
Speaker 1: climbing up on the cloth. You know how Pink is

824
00:48:28,320 --> 00:48:31,560
Speaker 1: always like, Hey, if I'm performing, I'm dangling on some

825
00:48:31,560 --> 00:48:35,759
Speaker 1: some some silks, right, Adam gona get up on those

826
00:48:35,760 --> 00:48:39,000
Speaker 1: silks dropping in from the silks. Yeah, that's where he's

827
00:48:39,000 --> 00:48:40,719
Speaker 1: got the respect. That's where he's like, you see what

828
00:48:40,760 --> 00:48:45,400
Speaker 1: she does right there, that's amazing. That's actually hard. Adam

829
00:48:45,600 --> 00:48:50,040
Speaker 1: never says that about any other performer, respect that. Those

830
00:48:50,160 --> 00:48:53,239
Speaker 1: those silk ribbons, those do look very difficult. That ship

831
00:48:53,400 --> 00:48:55,560
Speaker 1: scares me watching that show when they dropped down from

832
00:48:55,600 --> 00:48:59,400
Speaker 1: the ceiling line, right, they're like spindling down. Dude, that

833
00:48:59,600 --> 00:49:03,480
Speaker 1: is not good. So possibly if Adam picks Pink, the

834
00:49:03,520 --> 00:49:05,959
Speaker 1: four of us fit like a glove to the lady

835
00:49:06,000 --> 00:49:10,240
Speaker 1: Marmon I reboot. That's crazy. By the way he gets

836
00:49:10,239 --> 00:49:13,279
Speaker 1: he gets Pink. He's relegated to Pink because he's not here, right,

837
00:49:13,360 --> 00:49:18,960
Speaker 1: That's what happens. That's what happens. When you are we

838
00:49:19,040 --> 00:49:21,719
Speaker 1: saying that we're dating them or that we're remaking the

839
00:49:21,800 --> 00:49:24,480
Speaker 1: song Mary, what we're saying. No, we're saying marrying. Yeah,

840
00:49:24,480 --> 00:49:27,360
Speaker 1: we're marrying them eventually. But we're saying that we're gonna

841
00:49:27,440 --> 00:49:30,120
Speaker 1: go on a four golf a four date, A four

842
00:49:30,200 --> 00:49:32,560
Speaker 1: date to golf. What is it? It's not double, it's

843
00:49:32,600 --> 00:49:35,239
Speaker 1: a quadrum. You imagine the four way wedding that we

844
00:49:35,280 --> 00:49:43,279
Speaker 1: would do with the Rulan Rudge girls. Dad, you would

845
00:49:43,280 --> 00:49:46,080
Speaker 1: play the bass for Christina. I would love to just

846
00:49:46,120 --> 00:49:49,080
Speaker 1: play the bass while she rocks on. M hmm. That's

847
00:49:49,120 --> 00:49:55,680
Speaker 1: it said, I'm done. You guys seen a Supreme has

848
00:49:55,719 --> 00:49:58,440
Speaker 1: a like a T shirt drop. That's just that picture

849
00:49:58,640 --> 00:50:04,120
Speaker 1: of little Kim like rouched down in her panties. Wild. Yeah,

850
00:50:05,080 --> 00:50:08,759
Speaker 1: that's a timeless image. Wild Little Little Kim did a lot,

851
00:50:09,239 --> 00:50:13,360
Speaker 1: a lot for for for the entire not just musically,

852
00:50:13,840 --> 00:50:16,200
Speaker 1: but just as like a visual artist. A Little Kim

853
00:50:16,280 --> 00:50:21,279
Speaker 1: is the ship. Keep going, let's go. I mean when

854
00:50:21,280 --> 00:50:23,319
Speaker 1: she said I can make a sprite can disappear in

855
00:50:23,320 --> 00:50:24,960
Speaker 1: my mouth, I was like, I don't even need it.

856
00:50:27,600 --> 00:50:30,600
Speaker 1: I was like, I don't even need that. That was cool.

857
00:50:32,160 --> 00:50:34,600
Speaker 1: I mean, how many inches is can? Yeah? Just put

858
00:50:34,640 --> 00:50:38,719
Speaker 1: my seventeen inches back corner of your mouth. All right,

859
00:50:39,000 --> 00:50:42,440
Speaker 1: we're talking. What's seventeen quarter inches? Is that? But that's

860
00:50:42,440 --> 00:50:46,040
Speaker 1: the biggest one we've done so far, seventeen divided by four.

861
00:50:46,080 --> 00:50:50,200
Speaker 1: It's foreign chain, which sounds so much bigger. Yeah, that's

862
00:50:50,200 --> 00:50:53,040
Speaker 1: the whole point. I get it now. Yeah, I had

863
00:50:53,080 --> 00:50:55,040
Speaker 1: to try out. I had to try it. Do you

864
00:50:55,080 --> 00:50:58,520
Speaker 1: guys want to do take backs? Yeah? Yeah? Or who

865
00:50:58,640 --> 00:51:01,799
Speaker 1: is it? What's it? I don't even remember sliding our

866
00:51:01,840 --> 00:51:03,520
Speaker 1: d M s and remind us how to do this

867
00:51:03,600 --> 00:51:09,120
Speaker 1: goddamn podcast. It's uh, slapjacks, takebacks and dead ringers. Do

868
00:51:09,160 --> 00:51:14,200
Speaker 1: you any giveaways? Any poems? Like a freestyle freestyle wraps

869
00:51:15,040 --> 00:51:20,520
Speaker 1: style wraps? I showed you my closet the other day. Um,

870
00:51:20,520 --> 00:51:24,120
Speaker 1: where I have all those workaholic relics, we should just

871
00:51:24,120 --> 00:51:27,480
Speaker 1: start giving those away on this podcast. I mean, well,

872
00:51:27,719 --> 00:51:30,680
Speaker 1: yeah you can. If you say that, you're gonna excite people. Yeah.

873
00:51:30,719 --> 00:51:33,239
Speaker 1: I want to have a lot. Also unders like a

874
00:51:33,320 --> 00:51:35,319
Speaker 1: ton of ship. That is just like, do you guys

875
00:51:35,360 --> 00:51:38,080
Speaker 1: have doubles of stuff? Um? Because I don't want you

876
00:51:38,080 --> 00:51:40,600
Speaker 1: guys to give away. No, I just don't have room

877
00:51:40,719 --> 00:51:44,719
Speaker 1: for it anymore. Like I I have four DR's outfits

878
00:51:44,719 --> 00:51:47,040
Speaker 1: like office outfits. I have one of each color. Oh

879
00:51:47,080 --> 00:51:50,640
Speaker 1: really yeah? Okay, Um, I actually wear I like stole

880
00:51:50,760 --> 00:51:52,800
Speaker 1: one of the shirts like at this the blue Oxford,

881
00:51:52,880 --> 00:51:55,120
Speaker 1: just to like rock out cool. But I have like

882
00:51:55,160 --> 00:52:01,480
Speaker 1: two pairs of Rawwegian jeans. Oh damn. And if you know, um,

883
00:52:01,640 --> 00:52:04,840
Speaker 1: I got like they didn't wear that to the movie

884
00:52:04,880 --> 00:52:07,200
Speaker 1: you just went to. I should have just showed up

885
00:52:07,200 --> 00:52:09,319
Speaker 1: in the Northman. They would have been like, you can leave,

886
00:52:09,520 --> 00:52:14,360
Speaker 1: you can go, And that's when you say no, I

887
00:52:14,360 --> 00:52:16,359
Speaker 1: think I'll sit right here, thank you. And I think

888
00:52:16,360 --> 00:52:22,640
Speaker 1: I'll sit right here on Hollywood Boulevard. I'm that's super tight.

889
00:52:24,200 --> 00:52:27,080
Speaker 1: But I got a grip of ship. I mean, blaze,

890
00:52:27,160 --> 00:52:30,080
Speaker 1: you have the bear quote barcoat. I do have the

891
00:52:30,080 --> 00:52:32,560
Speaker 1: bear coat. I'm I have to. I don't have to.

892
00:52:32,960 --> 00:52:35,200
Speaker 1: I have the honor of throwing out the first pitch

893
00:52:35,239 --> 00:52:38,600
Speaker 1: at the Oakland A's game. This what And I'm wondering

894
00:52:38,640 --> 00:52:41,200
Speaker 1: if I should where the bear coat doing it. But

895
00:52:41,239 --> 00:52:43,680
Speaker 1: I'm just a little concerned at just throwing the ball normally.

896
00:52:43,840 --> 00:52:48,480
Speaker 1: So everybody at home, as Blake describes as Kyle's face,

897
00:52:49,120 --> 00:52:54,600
Speaker 1: is what happy. Kyle's just like this fucking nun baseball

898
00:52:54,680 --> 00:52:58,440
Speaker 1: throwing bitch first days. Because Kyle, you were a pitcher,

899
00:52:59,600 --> 00:53:01,719
Speaker 1: played all but but Blake and I, Blake and I

900
00:53:01,719 --> 00:53:04,080
Speaker 1: play ball together. It's fine. We would play softball all

901
00:53:04,120 --> 00:53:06,480
Speaker 1: the time. It's okay. I'm more like worried. I was

902
00:53:06,520 --> 00:53:09,239
Speaker 1: more thinking about what he was saying in actuality, and

903
00:53:09,280 --> 00:53:12,439
Speaker 1: I agree, don't wear don't wear the code. Guys at home,

904
00:53:12,560 --> 00:53:14,640
Speaker 1: when you watch this on YouTube, if you watch on YouTube,

905
00:53:14,640 --> 00:53:16,640
Speaker 1: because we're on YouTube, now, watch his face. It just

906
00:53:16,680 --> 00:53:19,200
Speaker 1: goes to a zone where he's listening and it's like

907
00:53:19,360 --> 00:53:22,880
Speaker 1: it's the ben affleck. Yes, yes, he goes to a

908
00:53:22,880 --> 00:53:27,400
Speaker 1: place where's like I can believe this ship. Oh and

909
00:53:27,560 --> 00:53:31,680
Speaker 1: you cut that would be a dream, a dream that's

910
00:53:31,719 --> 00:53:35,040
Speaker 1: sucking dope though, dude. Yeah, I'm hyped. I'm really Also,

911
00:53:35,080 --> 00:53:36,839
Speaker 1: I'm going on there, so I'm gonna go to the game.

912
00:53:36,840 --> 00:53:38,600
Speaker 1: I'm going to support him. I'll be in the staying

913
00:53:39,160 --> 00:53:43,839
Speaker 1: nobody as shut up. Let me know if you want

914
00:53:43,880 --> 00:53:47,520
Speaker 1: some raw agents, Yeah, I'll give it. Yeah, I'll give

915
00:53:47,520 --> 00:53:50,480
Speaker 1: a special shout out, well one to the A's thanks

916
00:53:50,480 --> 00:53:52,640
Speaker 1: for having me. Hopefully it's a success. By the time

917
00:53:52,640 --> 00:53:55,280
Speaker 1: you guys listen to this, I will have thrown the pitch,

918
00:53:55,360 --> 00:53:57,080
Speaker 1: so I hope it went well. Is it gonna be

919
00:53:57,080 --> 00:54:00,160
Speaker 1: a legit throw or goofy fund? I'm trying to all

920
00:54:00,200 --> 00:54:03,200
Speaker 1: it fast and down the pipe. Maybe really that's your approach?

921
00:54:04,000 --> 00:54:11,439
Speaker 1: What what man to throw it perfectly? Okay, you gotta

922
00:54:11,440 --> 00:54:14,279
Speaker 1: get headlines like Bill Murray who just like threw it

923
00:54:14,320 --> 00:54:16,920
Speaker 1: over third base on like a wild throat. Well, if

924
00:54:16,920 --> 00:54:18,719
Speaker 1: I wear the bear coat, I'm gonna get a couple

925
00:54:18,719 --> 00:54:23,080
Speaker 1: of headlines. But you should suck it up. Well, but

926
00:54:23,160 --> 00:54:25,319
Speaker 1: it's tough. It's a tough. It's a tough because it's

927
00:54:25,360 --> 00:54:28,120
Speaker 1: something funny. Bro, you're a funny guy. Who was it?

928
00:54:28,320 --> 00:54:31,640
Speaker 1: Carl who's like the greatest Olympian of all time, who

929
00:54:31,760 --> 00:54:35,160
Speaker 1: essentially threw it like straight to the ground and then

930
00:54:35,239 --> 00:54:39,000
Speaker 1: did this with his hand. He was like, remember that

931
00:54:39,520 --> 00:54:43,000
Speaker 1: some people are really bad, like fifty cent was really bad,

932
00:54:43,440 --> 00:54:45,680
Speaker 1: Like not on purpose? What did you do? That's what

933
00:54:45,719 --> 00:54:47,560
Speaker 1: I'm saying. You're running the risk of being bad not

934
00:54:47,640 --> 00:54:50,759
Speaker 1: on purpose. If you're not bad on purpose, we'll see.

935
00:54:50,760 --> 00:54:53,000
Speaker 1: But that that gives me a padding where I can

936
00:54:53,040 --> 00:54:55,239
Speaker 1: be like I was joking. It was a joking bit.

937
00:54:55,320 --> 00:54:57,880
Speaker 1: But but you're gonna know, You're gonna know, we're gonna know,

938
00:54:58,360 --> 00:55:01,440
Speaker 1: We're gonna know. No, you won't. You don't know, dude,

939
00:55:01,520 --> 00:55:04,040
Speaker 1: I'll leak that ship. Bro. I'll pin you here until

940
00:55:04,080 --> 00:55:06,719
Speaker 1: you say it was a fucking until you say it

941
00:55:06,760 --> 00:55:11,760
Speaker 1: wasn't a bit, hey Blake. If you think Kyle's going

942
00:55:12,239 --> 00:55:14,520
Speaker 1: just in the off chance that they'll be like, why

943
00:55:14,560 --> 00:55:17,600
Speaker 1: don't you also go out there? Yeah, dude, if they

944
00:55:17,600 --> 00:55:20,040
Speaker 1: asked me for a catcher, let's see what he can do.

945
00:55:20,520 --> 00:55:23,000
Speaker 1: You've been there, huh. I'll do the funny stuff as

946
00:55:23,000 --> 00:55:26,880
Speaker 1: a catcher, all right. I mean, by the way, if Kyle,

947
00:55:26,960 --> 00:55:28,560
Speaker 1: if you see this is where we need to you

948
00:55:28,560 --> 00:55:32,160
Speaker 1: gotta pitch this to the athletics. Kyle, you go and

949
00:55:32,200 --> 00:55:35,360
Speaker 1: put on back backstage in the dugout whatever, getting full

950
00:55:35,440 --> 00:55:40,839
Speaker 1: catcher regalia backstage, and then you go out and then

951
00:55:40,960 --> 00:55:44,799
Speaker 1: Blake you throw it right down the pipe as you say,

952
00:55:45,000 --> 00:55:47,719
Speaker 1: and then Kyle you catch it, and then you pull

953
00:55:47,800 --> 00:55:50,680
Speaker 1: the mask off to reveal it's you. Then you guys

954
00:55:51,000 --> 00:55:54,279
Speaker 1: right there in the field. Well, I'll take my face

955
00:55:54,360 --> 00:55:56,360
Speaker 1: cage off and then pull down my pants and reveal

956
00:55:56,480 --> 00:56:05,400
Speaker 1: my dick cage. Yeah, I think that cage, dicklas cage. Okay, Well,

957
00:56:05,480 --> 00:56:08,200
Speaker 1: my final shout out will go to everybody watch Woke

958
00:56:08,760 --> 00:56:12,960
Speaker 1: season two now on Hulu. Baby. Oh yeah, I've watched

959
00:56:12,960 --> 00:56:14,759
Speaker 1: the season. I'm I love it, man. I thought it

960
00:56:14,800 --> 00:56:16,799
Speaker 1: turned out really really good and I would love for

961
00:56:16,840 --> 00:56:22,960
Speaker 1: everybody to go view that He's bad. We're back. They

962
00:56:23,040 --> 00:56:25,160
Speaker 1: probably already don't have us on the front page, but

963
00:56:25,280 --> 00:56:31,160
Speaker 1: Hulu had us. You were on that front page screenshots. Yeah, baby,

964
00:56:32,160 --> 00:56:35,520
Speaker 1: you love the dream? Was this another episode of Yeah,

965
00:56:35,520 --> 00:56:38,400
Speaker 1: thanks for putting me on a straighter dude, deep dive

966
00:56:38,480 --> 00:56:41,000
Speaker 1: And next week let's circle back and talk about it.

967
00:56:41,080 --> 00:56:45,600
Speaker 1: Let's do a little another power our. It's another episode

968
00:56:45,680 --> 00:56:55,800
Speaker 1: of Damn Wow, Dude,