1 00:00:03,279 --> 00:00:05,440 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,720 --> 00:00:19,599 Speaker 1: fifteen minute morning show? I think we should do a 3 00:00:19,600 --> 00:00:23,160 Speaker 1: fifteen minute morning show podcast. What do you say, guys? Well, 4 00:00:23,160 --> 00:00:26,920 Speaker 1: it's all guys except for Danielle. I know. Gandhi has 5 00:00:26,960 --> 00:00:28,840 Speaker 1: a catch her flight because they move the damn thing. 6 00:00:29,240 --> 00:00:32,120 Speaker 1: It's a sausage fest. But out of all of us, 7 00:00:32,159 --> 00:00:35,280 Speaker 1: Danielle has the biggest sausage. So we do. I definitely do. 8 00:00:35,760 --> 00:00:38,320 Speaker 1: So they're scary, and there's Froggy, and there's Danielle, and 9 00:00:38,360 --> 00:00:40,720 Speaker 1: there's Straight and Eate and Scotty b is here and 10 00:00:40,840 --> 00:00:44,400 Speaker 1: Brody and uh yeah, Gandhi had to leave early because 11 00:00:44,400 --> 00:00:48,640 Speaker 1: they kept moving her her departure time on her airplane. Gosh, 12 00:00:48,840 --> 00:00:51,040 Speaker 1: So make sure you check your check your airline before. 13 00:00:51,080 --> 00:00:53,720 Speaker 1: I worry about that because when we fly out, there's 14 00:00:53,880 --> 00:00:57,279 Speaker 1: thirteen of us flying out. Dad's gonna be hard if 15 00:00:57,320 --> 00:00:59,480 Speaker 1: they move that. You know, there is a chance it's 16 00:00:59,480 --> 00:01:03,680 Speaker 1: gonna be fine. There's a chance, let's slim chance anyway 17 00:01:03,760 --> 00:01:07,080 Speaker 1: of us. Yeah, I think Nate owes me a little 18 00:01:07,120 --> 00:01:11,959 Speaker 1: bit of an apology. So yesterday, yesterday I talked about 19 00:01:12,000 --> 00:01:15,080 Speaker 1: a listener who dmped me a picture of a really 20 00:01:15,160 --> 00:01:18,200 Speaker 1: ugly guy and said it's your doppelganger. Yes, and Nate 21 00:01:18,240 --> 00:01:20,560 Speaker 1: Soda was like, yeah, you know, we all take that. 22 00:01:20,600 --> 00:01:23,640 Speaker 1: You all, we all get, you know, criticism. You're overreacting. 23 00:01:23,680 --> 00:01:25,840 Speaker 1: And then when after the podcast, he gave me grief 24 00:01:25,880 --> 00:01:28,240 Speaker 1: and he's like, Brodie, shouldn't get upset. It's just a 25 00:01:28,240 --> 00:01:31,200 Speaker 1: listener that, you know, whatever. But today I think Nate 26 00:01:31,240 --> 00:01:33,399 Speaker 1: owes me an apology. Nay, you want to tell him why? Well, 27 00:01:33,560 --> 00:01:38,520 Speaker 1: I mean, I don't know about that. So here's here. 28 00:01:38,800 --> 00:01:42,160 Speaker 1: So Brodie sent me some screenshots of this person and 29 00:01:42,200 --> 00:01:44,399 Speaker 1: they apparently don't like the way I do horsecopes, which 30 00:01:44,600 --> 00:01:48,680 Speaker 1: we know is very polarizing. You it's it's vile. You 31 00:01:48,720 --> 00:01:50,840 Speaker 1: either love it or you hate it. You Elvis hate it, 32 00:01:51,160 --> 00:01:57,320 Speaker 1: Danielle loves it. Doesn't tell him by looks all you 33 00:01:57,440 --> 00:01:59,480 Speaker 1: like him doing horsecopes for all the wrong reasons. It's 34 00:01:59,520 --> 00:02:01,720 Speaker 1: not because he's good. But I like it because it 35 00:02:01,760 --> 00:02:04,520 Speaker 1: annoys everybody. And I made me laugh, right exactly. That's 36 00:02:05,160 --> 00:02:07,720 Speaker 1: why they like it. They like it because it's irritating anyway. 37 00:02:07,760 --> 00:02:10,359 Speaker 1: But anyway, this person goes, you know, please, have Nate 38 00:02:10,440 --> 00:02:12,720 Speaker 1: stopped doing the horoscopes. I turn it off every time 39 00:02:12,840 --> 00:02:14,840 Speaker 1: very unpleasant. I love you guys so much, but please. 40 00:02:16,720 --> 00:02:19,480 Speaker 1: You know the thing about this is that when Brody 41 00:02:19,639 --> 00:02:24,440 Speaker 1: sent me these these screenshots, he cropped out the person's name, 42 00:02:25,120 --> 00:02:28,000 Speaker 1: so I can't contact them and have them send the 43 00:02:28,040 --> 00:02:32,280 Speaker 1: picture that they thought was Brodie's correct, which is exactly 44 00:02:32,280 --> 00:02:34,200 Speaker 1: what I wanted to do. I wanted to see how 45 00:02:34,280 --> 00:02:37,320 Speaker 1: much of a doppelganger this person was, because you know what, 46 00:02:37,600 --> 00:02:41,800 Speaker 1: we all have somebody that looks exactly like us somewhere 47 00:02:41,840 --> 00:02:44,760 Speaker 1: on this planet. Yeah, but it typically when someone says, hey, 48 00:02:44,800 --> 00:02:47,880 Speaker 1: I found your doppelganger, they're not. Yeah. Every once in 49 00:02:47,919 --> 00:02:49,800 Speaker 1: a while you'll see someone that looks a little like you, 50 00:02:49,960 --> 00:02:52,359 Speaker 1: like like scary as a doppelganger. The guy that lives 51 00:02:52,360 --> 00:02:55,280 Speaker 1: in the Caribbean or whatever. That's right, but in Aruba, 52 00:02:55,320 --> 00:02:57,600 Speaker 1: I do believe. Yeah, he's a waiter at a restaurant. 53 00:02:58,080 --> 00:03:01,239 Speaker 1: Yeah yeah, but but you agree he does look a 54 00:03:01,240 --> 00:03:03,160 Speaker 1: little like you a lot like I have to say, 55 00:03:03,280 --> 00:03:06,440 Speaker 1: I agree he does look like me. Yeah yeah. And 56 00:03:06,560 --> 00:03:12,720 Speaker 1: Randall Emmett the boyfriend Kent forget about it, the spitting 57 00:03:12,760 --> 00:03:16,400 Speaker 1: image of me, I mean, twice my size, but I 58 00:03:16,520 --> 00:03:18,680 Speaker 1: can admit it, you know. Okay, Okay, So back to 59 00:03:19,040 --> 00:03:21,200 Speaker 1: Brodie's doppelgang, or do you just saw him. I just 60 00:03:21,280 --> 00:03:24,760 Speaker 1: saw him, and I will say, looks kind of similar. 61 00:03:27,120 --> 00:03:32,280 Speaker 1: You need to show it. Let's why don't you show 62 00:03:32,280 --> 00:03:33,799 Speaker 1: it to his wife because I don't like what Nate. 63 00:03:33,840 --> 00:03:35,880 Speaker 1: Just listen if I say the guy does looking anything 64 00:03:35,960 --> 00:03:37,640 Speaker 1: like me, he's not attractive, and he goes, he look 65 00:03:37,760 --> 00:03:42,120 Speaker 1: just he didn't say that. Put it this way. If 66 00:03:44,120 --> 00:03:46,600 Speaker 1: you sound like Nate, where's Nate? Let me get Nate flustered. 67 00:03:48,160 --> 00:03:53,520 Speaker 1: No it's not, here's Nate. Okay, you said it sort 68 00:03:53,520 --> 00:03:55,360 Speaker 1: of looks a little like him, he wouldn't say it 69 00:03:55,360 --> 00:03:57,560 Speaker 1: looks exactly like Yeah. Let's put it this way. If 70 00:03:57,560 --> 00:04:00,400 Speaker 1: this guy was in a lineup, and and you know 71 00:04:00,440 --> 00:04:03,600 Speaker 1: it was mistaken for a crime, Brody could be chosen 72 00:04:03,920 --> 00:04:06,400 Speaker 1: and put in the lineup as well. I'm not saying 73 00:04:06,440 --> 00:04:09,880 Speaker 1: that this guy's face. Yeah, I'm not saying that this 74 00:04:09,920 --> 00:04:12,480 Speaker 1: guy's face would unlock Brody's phone when he looks at it. 75 00:04:12,720 --> 00:04:17,160 Speaker 1: But it's pretty pretty similar. I just told you how 76 00:04:17,160 --> 00:04:19,719 Speaker 1: offended I am by this picture, and you're like trying 77 00:04:19,760 --> 00:04:23,800 Speaker 1: to see it. To be frank, I mean, you get 78 00:04:23,839 --> 00:04:26,640 Speaker 1: more offended than all of us at things You don't 79 00:04:26,640 --> 00:04:28,960 Speaker 1: you don't you gotta stop keep being so offended. Yeah, 80 00:04:29,080 --> 00:04:31,680 Speaker 1: like with the time that tattoo Bob tried to draw, 81 00:04:31,839 --> 00:04:33,480 Speaker 1: draw you a picture of it that was terrible, that 82 00:04:33,600 --> 00:04:37,560 Speaker 1: was prepared for all of us, and it's horrible, but 83 00:04:38,720 --> 00:04:40,880 Speaker 1: that he did it. Yeah, it's supposed to love it. 84 00:04:40,880 --> 00:04:42,719 Speaker 1: It's supposed to be horrible. I think if you show 85 00:04:42,760 --> 00:04:45,599 Speaker 1: the picture, we can all vote, and this way we 86 00:04:45,640 --> 00:04:48,520 Speaker 1: can negate Nates. Here's the thing. If this guy watches 87 00:04:48,560 --> 00:04:52,760 Speaker 1: the podcast, he'll be offended by the fact pictures. The 88 00:04:52,800 --> 00:04:55,080 Speaker 1: guy doesn't watch this podcast. He doesn't watch this podcast. 89 00:04:55,120 --> 00:05:00,360 Speaker 1: People that look like you don't watch that, Thank you. 90 00:05:01,080 --> 00:05:05,240 Speaker 1: Shut up, stop trying to find Brad Pitt. Just show 91 00:05:05,279 --> 00:05:07,640 Speaker 1: the picture. The picture I got. I got a zoom 92 00:05:07,640 --> 00:05:09,279 Speaker 1: out so they don't see any names on here. Hold 93 00:05:09,279 --> 00:05:16,880 Speaker 1: on protecting thee that. I don't think it looks like 94 00:05:16,880 --> 00:05:21,400 Speaker 1: you at all. I don't think it looks anything. He 95 00:05:21,440 --> 00:05:24,240 Speaker 1: looks more like a young Willard Scott. Thank you. I 96 00:05:24,240 --> 00:05:28,160 Speaker 1: don't think at all. Thank you, Foggy. I hate to 97 00:05:28,560 --> 00:05:31,400 Speaker 1: do I'm not I'm not saying that to make you 98 00:05:31,440 --> 00:05:33,000 Speaker 1: feel good. I'm telling it because I don't. I don't 99 00:05:33,000 --> 00:05:34,719 Speaker 1: think it looks like you know what. I think they're 100 00:05:34,720 --> 00:05:38,240 Speaker 1: in the family somewhere. It doesn't look like Brody, but 101 00:05:38,279 --> 00:05:41,960 Speaker 1: it has a brody type facial expression that I well, 102 00:05:42,000 --> 00:05:46,800 Speaker 1: that is smiling. No, okay, the facial expression part. If 103 00:05:46,839 --> 00:05:49,520 Speaker 1: I focus in on that, I'm thinking from me again, 104 00:05:49,560 --> 00:05:51,920 Speaker 1: show me one more time. Hold keep talking. If I'm 105 00:05:51,920 --> 00:05:54,560 Speaker 1: scrolling through Instagram and I come across that picture all back, Oh, 106 00:05:54,640 --> 00:06:00,400 Speaker 1: Brody posted a self all you got, but he also smiling, 107 00:06:00,520 --> 00:06:06,599 Speaker 1: so it can't be Brody. Now see what I'm talking about? Okay? Here, 108 00:06:09,240 --> 00:06:13,040 Speaker 1: all right, that's how doppel gangers work. Some people see 109 00:06:13,120 --> 00:06:16,920 Speaker 1: things that other people don't see in doppel gang things. 110 00:06:17,360 --> 00:06:19,360 Speaker 1: So I don't know. I don't think it looks like you, 111 00:06:19,640 --> 00:06:22,240 Speaker 1: thank you, but someone else may see some expression that 112 00:06:23,040 --> 00:06:25,000 Speaker 1: you share with him. I don't see it. I see 113 00:06:25,040 --> 00:06:30,159 Speaker 1: the thing. Similarity. Okay, similar she said doppelganger, which means 114 00:06:30,200 --> 00:06:33,159 Speaker 1: twin identical right exactly, it does, and it does not 115 00:06:33,200 --> 00:06:35,760 Speaker 1: look like you. Thank you? Everyone but name Okay, does 116 00:06:35,800 --> 00:06:39,320 Speaker 1: this guy look like me? It's blurry, scared. He's much 117 00:06:39,360 --> 00:06:42,400 Speaker 1: better looking than you. He got to zooma hold on, 118 00:06:42,640 --> 00:06:46,520 Speaker 1: this is here. We've seen this before. We've seen this no, 119 00:06:46,600 --> 00:06:48,680 Speaker 1: it does look just like you. Yes it does. Here 120 00:06:48,720 --> 00:06:50,320 Speaker 1: shows show it, show it up on the thing, show 121 00:06:50,360 --> 00:06:52,279 Speaker 1: it up. I can't get out here here. This guy, 122 00:06:52,400 --> 00:06:55,440 Speaker 1: I mean well can't get it up. There is he? 123 00:06:59,800 --> 00:07:03,360 Speaker 1: That's like overtime scary? That guy doesn't look anything like you. 124 00:07:03,360 --> 00:07:06,520 Speaker 1: You don't look any want to There's another guy. There's 125 00:07:06,520 --> 00:07:08,760 Speaker 1: another guy from a Ruba looks just like Oh yeah, 126 00:07:08,760 --> 00:07:11,360 Speaker 1: I have on favorite. This one looks yeah. And the 127 00:07:11,400 --> 00:07:14,040 Speaker 1: guy who works in the restaurant and a Hoboken that 128 00:07:14,040 --> 00:07:15,760 Speaker 1: guy looks just like the guy I have a lot 129 00:07:15,760 --> 00:07:17,640 Speaker 1: of doppelgangers at what's the last name of a car 130 00:07:17,720 --> 00:07:20,920 Speaker 1: name ya something like that? Up, all right, I'm gonna 131 00:07:20,920 --> 00:07:23,080 Speaker 1: show you my doppel gang or hang on one second. 132 00:07:23,400 --> 00:07:25,360 Speaker 1: It's probably a picture of himself in the mirror. Are 133 00:07:25,400 --> 00:07:31,920 Speaker 1: you gonna do it right there? Who is that does 134 00:07:31,960 --> 00:07:34,640 Speaker 1: look like you? Oh yeah, let's put a picture of 135 00:07:34,640 --> 00:07:43,800 Speaker 1: a good looking guy wait from the rub tilted scary? 136 00:07:43,960 --> 00:07:48,000 Speaker 1: That is you? Yeah, that's that's what a doppel ganger 137 00:07:48,040 --> 00:07:52,160 Speaker 1: looks like. That is crazy, scary, that crazy. Somebody says, 138 00:07:52,200 --> 00:07:53,920 Speaker 1: the cake boss looks a little bit like me too. 139 00:07:53,960 --> 00:07:56,360 Speaker 1: He does. And everybody says this guy from calling me 140 00:07:56,400 --> 00:08:05,800 Speaker 1: bad in the nineties, looks like me. What, No, Danielle, 141 00:08:06,120 --> 00:08:10,080 Speaker 1: that looks nothing like you. Yeah, I don't see that. 142 00:08:10,240 --> 00:08:13,520 Speaker 1: I don't, daniel Do you ever have people people used 143 00:08:13,560 --> 00:08:16,240 Speaker 1: to say you look like Debbie Gibson like this is 144 00:08:16,320 --> 00:08:19,360 Speaker 1: back in the day, or as Sandra Bullock, which I 145 00:08:19,360 --> 00:08:23,680 Speaker 1: don't see at all, or Emma Stone, which is me 146 00:08:23,800 --> 00:08:30,040 Speaker 1: right there. Somebody sent me this last night. He said, 147 00:08:30,080 --> 00:08:38,520 Speaker 1: this is your doppelganger, Brody Pitty Brad Pitt's mouth and down. 148 00:08:39,040 --> 00:08:45,440 Speaker 1: That's it anyway, all right, So there's that so soon. 149 00:08:45,880 --> 00:08:49,880 Speaker 1: I'm sorry, Brody, just like anybody not doppelganger. I think 150 00:08:49,920 --> 00:08:52,840 Speaker 1: there could be some similarity if somebody had their glasses 151 00:08:52,880 --> 00:08:56,800 Speaker 1: off or one contact out good, look somewhat like you. Right. 152 00:08:56,920 --> 00:09:00,920 Speaker 1: Someone wanted and they want to know vacation plan because 153 00:09:00,960 --> 00:09:03,960 Speaker 1: we're not gonna we're having a podcast tomorrow. Oh that's right, Yeah, 154 00:09:05,320 --> 00:09:10,640 Speaker 1: we're going on top secret vacation. Yeah. Oh here we go. 155 00:09:11,520 --> 00:09:15,080 Speaker 1: What I didn't say anything? Yeah you did the July 156 00:09:15,120 --> 00:09:17,240 Speaker 1: Scottie will miss you, Thank you, Bunny. You don't get 157 00:09:17,240 --> 00:09:19,560 Speaker 1: the same vacation at all. It's it's another story for 158 00:09:19,600 --> 00:09:23,040 Speaker 1: another time. Okay, Well, does that one involved poop. Also, 159 00:09:23,080 --> 00:09:24,880 Speaker 1: we're having a meeting about that after the show. It's 160 00:09:24,960 --> 00:09:28,880 Speaker 1: very exciting. Okay, we are. It's a group meeting. Oh 161 00:09:29,120 --> 00:09:33,440 Speaker 1: we are. It's a citywide, it's a stationwide meeting. It is. 162 00:09:33,760 --> 00:09:36,080 Speaker 1: It's a it's a union meets union. I was. I 163 00:09:36,160 --> 00:09:37,880 Speaker 1: wasn't invited. Oh, yes you were. Oh you're on that. 164 00:09:37,960 --> 00:09:42,400 Speaker 1: Emma check your spam. Yeah you block that. Yeah, I'll 165 00:09:42,400 --> 00:09:45,200 Speaker 1: tell you. I'll tell them. He said, Hi, zoom links 166 00:09:45,240 --> 00:09:50,400 Speaker 1: go to the trash can that you can always say that, 167 00:09:50,600 --> 00:09:52,560 Speaker 1: Oh you know what, what's a junk because there's how 168 00:09:52,559 --> 00:09:55,480 Speaker 1: a link attached to it? Junk? Yeah, true, zoom links. 169 00:09:55,600 --> 00:09:57,600 Speaker 1: I don't. I don't check email. I don't check voicemail. 170 00:09:57,640 --> 00:09:59,679 Speaker 1: I don't check any of it. I don't do you 171 00:10:00,280 --> 00:10:02,520 Speaker 1: want to live alife where you're always connected to people? 172 00:10:03,880 --> 00:10:08,360 Speaker 1: Show like if you wanted to make a call now, 173 00:10:08,600 --> 00:10:10,439 Speaker 1: you'd have to go find a pay phone. You'd have 174 00:10:10,520 --> 00:10:13,200 Speaker 1: to check in with people, like like Elvis, did you 175 00:10:13,240 --> 00:10:16,280 Speaker 1: ever go to a restaurant and say, hey, I might 176 00:10:16,320 --> 00:10:18,880 Speaker 1: be expecting a call here, Like did that ever happen? 177 00:10:19,040 --> 00:10:21,920 Speaker 1: And they bring the phone to the table. Yes, I 178 00:10:22,040 --> 00:10:23,800 Speaker 1: saw that. The movies, I don't know it never happened 179 00:10:23,800 --> 00:10:26,960 Speaker 1: to me. Yeah. No, it's like I can't even imagine 180 00:10:26,960 --> 00:10:30,160 Speaker 1: that world. Now. If you watch Seinfeld, almost every episode 181 00:10:30,240 --> 00:10:32,760 Speaker 1: couldn't happen if they had cell phones exactly. Yeah. My 182 00:10:32,760 --> 00:10:34,240 Speaker 1: mom used to call me on the pay phone in 183 00:10:34,240 --> 00:10:36,560 Speaker 1: the store that I worked in. That's all, that's all 184 00:10:36,600 --> 00:10:40,079 Speaker 1: she could do. Wow. Yeah, I don't like. I don't 185 00:10:40,160 --> 00:10:42,920 Speaker 1: like people have any access, do you? I mean, don't 186 00:10:42,920 --> 00:10:45,320 Speaker 1: you like? Yeah, people don't like. You need to jump 187 00:10:45,320 --> 00:10:47,080 Speaker 1: through fiery hoops if you really need to talk to me. 188 00:10:48,080 --> 00:10:50,319 Speaker 1: And I know that sounds egotistical, but you got to 189 00:10:50,400 --> 00:10:53,199 Speaker 1: value your time a little more. I find my time 190 00:10:53,320 --> 00:10:56,080 Speaker 1: very valuable. I do nothing. See. I think it's good 191 00:10:56,200 --> 00:10:59,720 Speaker 1: for emergency situations like with especially if you have children. 192 00:11:00,040 --> 00:11:03,400 Speaker 1: Actually helps out. But but you know, normally there are 193 00:11:03,440 --> 00:11:07,400 Speaker 1: some people I wish would not find me. So on 194 00:11:07,480 --> 00:11:09,600 Speaker 1: that note tells will you be attending the meeting? I 195 00:11:09,600 --> 00:11:11,640 Speaker 1: don't even know what meeting you're talking about, and don't 196 00:11:11,679 --> 00:11:20,120 Speaker 1: tell them plausible deniability meeting getting I have something going 197 00:11:20,160 --> 00:11:22,960 Speaker 1: on after this, after we finished this. Yeah, I have 198 00:11:23,000 --> 00:11:28,520 Speaker 1: to go find ways to hide. It's pretty pretty simple. 199 00:11:29,880 --> 00:11:34,280 Speaker 1: There's that I missed Gondhi. Yeah, I think we're done. 200 00:11:34,320 --> 00:11:36,960 Speaker 1: I think I think we're we're tapped out. Yeah, we've 201 00:11:36,960 --> 00:11:41,760 Speaker 1: been over. We've been over yesterday we weren't. Oh were 202 00:11:42,800 --> 00:11:49,800 Speaker 1: how many minutes short? Are we? Three? We three minutes? 203 00:11:49,840 --> 00:11:51,839 Speaker 1: The pails. In comparison to the two week vacation, we're 204 00:11:51,840 --> 00:11:57,320 Speaker 1: about to go on two weeks there is that. Hey, okay, 205 00:11:57,360 --> 00:12:01,480 Speaker 1: it's three. Tomorrow's show is act Yeah. Yeah, you've got 206 00:12:01,520 --> 00:12:04,240 Speaker 1: Basil Rman and Mark Ronson. Mark Ronson has a song 207 00:12:04,320 --> 00:12:06,960 Speaker 1: coming out on the Elvis soundtrack. They're gonna be here 208 00:12:06,960 --> 00:12:09,120 Speaker 1: to talk about that. Also, Jake Milder has a new 209 00:12:09,160 --> 00:12:12,360 Speaker 1: song he wants to play. We're gonna play that tomorrow. Also, Oh, 210 00:12:12,520 --> 00:12:18,520 Speaker 1: the Pooth Meister, Yeah, char Poth, Charles Pooth. He's staying 211 00:12:18,559 --> 00:12:20,319 Speaker 1: in a hotel right down the street. Maybe we'll actually 212 00:12:20,360 --> 00:12:22,520 Speaker 1: trip in and come see us tomorrow. So yeah, busy, 213 00:12:22,559 --> 00:12:24,760 Speaker 1: busy day tomorrow, So new music tomorrow. It's gonna be 214 00:12:24,760 --> 00:12:26,240 Speaker 1: a great day. All right, we gotta get out of here. 215 00:12:26,360 --> 00:12:29,079 Speaker 1: Have a beautiful day and heavy vacations by