WEBVTT - RBX Escape From The Row

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<v Speaker 1>Tell you how my nose were bro Like Pio, We're

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<v Speaker 1>gonna tell you the truth and nothing but the truth.

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<v Speaker 1>We like to welcome every one to another episode against

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<v Speaker 1>the Chronicles podcast I'm with my dog man is that?

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<v Speaker 1>And tonight we had one of our I like to

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<v Speaker 1>say a friend of the show, one of the most

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<v Speaker 1>legendary lyricists of our time, the narrator nigger are real

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<v Speaker 1>to the motherfucker's used up? Man, You do know that? So, yeah,

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<v Speaker 1>we're here to support the Homagon. Yeah, yeah, we're kind

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<v Speaker 1>of kicking this off. Man. We probably had the coldest

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<v Speaker 1>motherfucking interview that never came out every dog because the

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<v Speaker 1>sound got funked up and everything over at the Homies creatives.

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<v Speaker 1>They had that with the ambiance, the so called ambiance

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<v Speaker 1>was was right. We had the fire cracking in the

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<v Speaker 1>back worked over the sound and says, you know, but

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<v Speaker 1>you know, the Almighty you don't never make mistakes me

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<v Speaker 1>in it. He said something Bobby about that maybe it

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<v Speaker 1>was a vibe or something that somebody else that would

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<v Speaker 1>a seen it and took it the wrong way. Well maybe,

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<v Speaker 1>and you never know, but All Mighty was like, yeah,

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<v Speaker 1>we don't get the combis on this, y'all gonna tie

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<v Speaker 1>it again. Y'all keep on practice to perfect the craft.

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<v Speaker 1>But I see what you're doing, but not this one.

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<v Speaker 1>The statical Yeah for sure, man, I know you about

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<v Speaker 1>a happy motherfucker right now. Although why because some of

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<v Speaker 1>them classic albums about to start hitting them DSPs pretty soon. Yeah. Bro,

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<v Speaker 1>we don't get all excited cause you know, if you've

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<v Speaker 1>been on the roller coaster ride it I've been through

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<v Speaker 1>from death frow ain't no excitement. I believe it when

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<v Speaker 1>they when they when they go ahead and circles and

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<v Speaker 1>come back down their lands on earth with all ten

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<v Speaker 1>toes on the earth, And that's when it matters. You know.

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<v Speaker 1>It's a lot of here saying objection and speculations and

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<v Speaker 1>YadA yadas and whatnot. Um are you but are you

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<v Speaker 1>waiting for that? Like a lot of us, a lot

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<v Speaker 1>of us. Everybody been hitting you know, I've been. I've

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<v Speaker 1>been getting the emails, you know, from lawyers and everybody

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<v Speaker 1>we can we can send there, you know, the cease

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<v Speaker 1>and desist letters and all that. While they're coming out

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<v Speaker 1>the woodworks, right, they're coming out the woodworks on me too.

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<v Speaker 1>But I have been telling people since a long time ago,

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<v Speaker 1>I was telling casting day win when castors like actually

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<v Speaker 1>change at when I was kind of doing bad, when

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<v Speaker 1>I was putting my CDs on the block, and you

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<v Speaker 1>know Nicks was talking. I mean he was wrong with that.

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<v Speaker 1>Ni Ninka the got over on him. In all honesty,

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<v Speaker 1>they didn't. I didn't sell my publish it. That's why

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<v Speaker 1>I was one of the number one enemies. He said,

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<v Speaker 1>no publishing. They okay, well, we can't eat off the

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<v Speaker 1>X because he didn't give us no did in the publishing,

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<v Speaker 1>So were not put him on this just just din

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<v Speaker 1>that that's would happen. So let's elaborate a little bit, man,

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<v Speaker 1>for those that don't know, we're talking to a lot

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<v Speaker 1>of people that don't know how to music in the

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<v Speaker 1>street really functionous for y'all that don't know, you're publishing

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<v Speaker 1>is your writer's portion of the song. That's your mailbox,

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<v Speaker 1>that's your actual inflection property, that's how you live and

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<v Speaker 1>all that stuff. But when when you want to get groceries,

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<v Speaker 1>you want a hamburger without it is probably gonna come

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<v Speaker 1>out one of those texts that come to the mailbox.

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<v Speaker 1>You know, Um, a lot of cats don't know when

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<v Speaker 1>they get into the game like I didn't know. I

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<v Speaker 1>had a home girl that taught me a few things.

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<v Speaker 1>She was like, don't be giving up this, don't do that,

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<v Speaker 1>don't do that, and don't sign this paperwork. I said, okay,

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<v Speaker 1>so that's what's up in in in in certain situations,

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<v Speaker 1>I think I was more than naive and stubborn than

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<v Speaker 1>than actually knowing what was going on, because I just

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<v Speaker 1>felt in my heart of hearts, like, honey, if I

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<v Speaker 1>make that skateboard and put the wheels on it, that's

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<v Speaker 1>my skateboard. So if you come down you're talking about

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<v Speaker 1>you want to swoopie my hoopie, where you gotta get

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<v Speaker 1>permission from me? I made that skateboard? How many And

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<v Speaker 1>I've had the same thing about the right now? How long?

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<v Speaker 1>Why am I gonna give you all the money for

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<v Speaker 1>the stuff that I wrote? And then when when when

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<v Speaker 1>Cast was giving me their logic on that, it wouldn't

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<v Speaker 1>making sense. Also, it's you know, that's how it's done.

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<v Speaker 1>I'm like, that's how it's done. Where the this Yeah,

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<v Speaker 1>dah dah, this is this is the road. I ain't

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<v Speaker 1>to put nobody I having to say that, but it

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<v Speaker 1>was the role and it was like, yeah, you know

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<v Speaker 1>you got to play the role. You gotta get a

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<v Speaker 1>role you're publishing, and I'm like, well, a lot of

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<v Speaker 1>I never I never agreed to that. I think the

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<v Speaker 1>error from music from day one with labels and artists

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<v Speaker 1>and whatever. Labels always sought after securing your publishing give

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<v Speaker 1>me uh. It was another way for them to ship,

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<v Speaker 1>you know. So uh, I think it was every label's

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<v Speaker 1>approach as far as signing an artist to try to

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<v Speaker 1>secure their publishing because that's that long, withstanding money, and

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<v Speaker 1>you know, I think everybody went through that that. I

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<v Speaker 1>know a lot of a lot of published and never

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<v Speaker 1>it was a thing. Taking your publishing was a thing.

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<v Speaker 1>So did you face a lot of resistance by not

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<v Speaker 1>giving up your publisher? Yeah, I faced a lot of

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<v Speaker 1>resistance because everybody was like X you know when he

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<v Speaker 1>was hearing all the nascy ship about me and you,

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<v Speaker 1>that was done. So um, I wouldn't be out there

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<v Speaker 1>doing my own thing, gloating and flossing in front of

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<v Speaker 1>him with the change that I'm getting off my because

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<v Speaker 1>I don't have to give mind to this this cat

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<v Speaker 1>mm hmm. Be honest with you. When Dre and mad it,

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<v Speaker 1>I would say Dre had just got like I think

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<v Speaker 1>it was like a she wok. Had Win brought up

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<v Speaker 1>two door black joint and Dray had the brown joint,

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<v Speaker 1>yet speakers all down it side of that joint. Stupid.

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<v Speaker 1>I was like, oh, I made a couple of moves.

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<v Speaker 1>I ran, they got me one. This was about years

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<v Speaker 1>before none of the homies were starting to see their money.

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<v Speaker 1>And the only reason I was able to do that

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<v Speaker 1>because I didn't give it up. I was like nine

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<v Speaker 1>not you know, and um, I made told some people

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<v Speaker 1>we can we can speak and they think they was like, well,

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<v Speaker 1>can I get a percentage of it? And then I

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<v Speaker 1>started thinking that might be feasible. But once you start that,

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<v Speaker 1>despite um, it's all bad. Once you get somebody in

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<v Speaker 1>the door, now they're in your house. I ain't giving

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<v Speaker 1>them no publicy because now you gotta wait until they contract,

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<v Speaker 1>until you think, until they think that the terms have

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<v Speaker 1>been uh sufficient, and you go your way and they

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<v Speaker 1>go their way. They're gonna be in your mix for flapping.

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<v Speaker 1>But what's going on with the catalog right now, with

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<v Speaker 1>the whole because this we're talking this specific. You know

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<v Speaker 1>the chronic catalog, man, Well, the chronic right now is

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<v Speaker 1>uh at interscope from what I'm hearing, and um, by

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<v Speaker 1>all accounts, they're striving to get things one huntry with

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<v Speaker 1>all the individuals like they want all the various entities

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<v Speaker 1>about it there. Now you know where it was at.

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<v Speaker 1>It was some people that had their hands in the

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<v Speaker 1>cookie jar. Well when they got pulled down, there was

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<v Speaker 1>no longer were able to and they ain't had the

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<v Speaker 1>power to put it that. They were just some entities,

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<v Speaker 1>you know. I know for a fact when we was

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<v Speaker 1>writing that joint, it was only it was only three,

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<v Speaker 1>it was only three folks in the building, great Snooping myself.

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<v Speaker 1>Then we go look at it and it's time to

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<v Speaker 1>get paid. It's about eight writers on there, and surely

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<v Speaker 1>you're gonna have uh people getting paid or writers for

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<v Speaker 1>the sample m hm, you know what I mean, but

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<v Speaker 1>for the actual writing. And that was me and Snoop

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<v Speaker 1>that they credit you for writing. So you do you

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<v Speaker 1>have do you have songs that's ready to get me right?

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<v Speaker 1>Let me right? So it has anybody contacted you want

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<v Speaker 1>to do stuff about you know that's gonna come up

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<v Speaker 1>to date and what's your ownership percentage and all of that.

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<v Speaker 1>So you wrote twelve, twelve point five twelve. Yeah, I'm all.

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<v Speaker 1>My tenant knows. It's just that it's just that this

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<v Speaker 1>situation has been going on for a while, and you know,

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<v Speaker 1>it's it's like Charlotte's where you're not and when you're

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<v Speaker 1>going into inscribing and make it correct, you can't just

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<v Speaker 1>going there. And I mean, and you got all, like

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<v Speaker 1>I said before, the nefarious entities that but they convoluted

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<v Speaker 1>in weird ways when they was on their way out,

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<v Speaker 1>they put their little combos shones. They're not gonna make

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<v Speaker 1>it easy for nobody coming after them. So the people

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<v Speaker 1>that comes after them, it's not gonna be no five

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<v Speaker 1>or ten people. You're gonna have to get a whole

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<v Speaker 1>crew to come in and and and and administrate this

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<v Speaker 1>whole mess because it's still a real valuable it's the

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<v Speaker 1>West valuable. But you gotta get it right. And I

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<v Speaker 1>think that's what what this is. Dray's baby, So Drey,

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<v Speaker 1>So just so I got this clear, and we know

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<v Speaker 1>out here spreading no false and from Dre has the

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<v Speaker 1>rights to the chronic He brought the rights back. That's

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<v Speaker 1>his album now, right, It's always been at album as

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<v Speaker 1>far as i'm concerned. But yeah, that's the word, you know.

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<v Speaker 1>And the reason I'm saying that it's because because you

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<v Speaker 1>can now pull it up on streets, right, and that

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<v Speaker 1>that's why I'm saying. It couldn't listen my folks, And

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<v Speaker 1>now I'm striving like Spotify or it was, it was gone.

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<v Speaker 1>You could never listen to any of it in My

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<v Speaker 1>bottom line was crushed because of that. Like I'm gonna

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<v Speaker 1>keep it a buck like you know, I go out

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<v Speaker 1>to do my little hustling thing and that's all good.

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<v Speaker 1>But the main state and the bread and the butter

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<v Speaker 1>was was my chronic stuff you did. So he was

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<v Speaker 1>making a nice piece of money off that. Right when

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<v Speaker 1>you get the message with my bread and butter, it's

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<v Speaker 1>a problem. But then I understood why I didn't at first.

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<v Speaker 1>Then one of my cats called me, was like, halm down,

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<v Speaker 1>going to bite the bullet. They had to get everything

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<v Speaker 1>right here to get the ministration right. We strive. We're

0:10:58.360 --> 0:11:01.800
<v Speaker 1>striving to do that now. So it wouldn't believe they

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<v Speaker 1>ain't know. It ain't nothing that my folks did bad.

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<v Speaker 1>It ain't nothing nobody did tideways were usually. It ain't

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<v Speaker 1>something that they usually. It ain't people all the time

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<v Speaker 1>trying to be fine, and sometimes it's just people not

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<v Speaker 1>having to throw understanding of the business of what's going on. Yeah, now,

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<v Speaker 1>it's just not because a lot of us just got

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<v Speaker 1>into the business blind, like a mother a mother to

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<v Speaker 1>be able to just go into the studio or make

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<v Speaker 1>a mother's Remember, the content was popping just to go

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<v Speaker 1>and they were finding that auts like I'm getting fits.

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<v Speaker 1>I mean, really wasn't too knowledgeable back in the day

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<v Speaker 1>and all that show. You know, it was just young

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<v Speaker 1>cats who was trying to look to get in the

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<v Speaker 1>studio and trying to make and out of the motherfucker situation.

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<v Speaker 1>And if my home girl had not said don't give

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<v Speaker 1>it up, who knows what would happen. But she said,

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<v Speaker 1>whatever you do, don't sell nobody you're publishing. I said no,

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<v Speaker 1>she said, now that's your money. You don't need that.

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<v Speaker 1>I said, well, so when Cats came at me in

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<v Speaker 1>a way, twisted kind of way, that really put the

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<v Speaker 1>red flags up, like you know how that go, like

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<v Speaker 1>like okay, nigger, I don't like the way that went

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<v Speaker 1>down there. You definitely ain't getting ship. That's what happened

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<v Speaker 1>because you never after the chronic you wouldn't sign with

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<v Speaker 1>Drey aftermath when he left right and then you left

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<v Speaker 1>Drey and you went on you because I remember you

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<v Speaker 1>was on the attack for a minute. For for a

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<v Speaker 1>little hot second you were throwing some darts. Um, not really.

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<v Speaker 1>I would just always be in the m C. We

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<v Speaker 1>was always that's the camp we came in. You did. Um,

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<v Speaker 1>you always had to be on toes. But with any MC.

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<v Speaker 1>So if you just felt like it was, it was yeah, yeah,

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<v Speaker 1>it was funny competition. It was like the way things

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<v Speaker 1>like if I paid football, but we were playing football,

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<v Speaker 1>and and I paid for Pittsburgh and you played for

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<v Speaker 1>whoever you played for, and you was running the rock.

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<v Speaker 1>I'm gonna try to knock your face off, Homy. But

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<v Speaker 1>after the game is over, when I see you at

0:13:17.280 --> 0:13:21.280
<v Speaker 1>the club, mind, it's all good. And some people don't

0:13:21.320 --> 0:13:24.880
<v Speaker 1>take it like that. They took when when I went

0:13:25.000 --> 0:13:27.680
<v Speaker 1>Adam or when I was doing my thing, they took

0:13:27.720 --> 0:13:31.480
<v Speaker 1>it all RBX tripping. I really wasn't, But I don't

0:13:31.480 --> 0:13:34.000
<v Speaker 1>really care how they take it no more. And whatever.

0:13:34.559 --> 0:13:40.280
<v Speaker 1>If you you you just feeling like bro, listen, I'm

0:13:40.360 --> 0:13:44.600
<v Speaker 1>thinking like this, bro. If you're doing your thing and

0:13:44.640 --> 0:13:46.920
<v Speaker 1>I'm over there trying to do my thing with you,

0:13:48.559 --> 0:13:50.520
<v Speaker 1>and you ain't got the money to pay me or

0:13:50.559 --> 0:13:52.920
<v Speaker 1>you ain't in a position where you can. But I

0:13:52.960 --> 0:13:55.200
<v Speaker 1>gotta go do this over here. Then I gotta go

0:13:55.600 --> 0:14:01.280
<v Speaker 1>where I can't provide for myself. That's not a uh oh,

0:14:01.320 --> 0:14:03.360
<v Speaker 1>now this naked doing this, I don't think so now

0:14:03.400 --> 0:14:05.240
<v Speaker 1>we better put the boas on this nink And now

0:14:05.280 --> 0:14:11.360
<v Speaker 1>you're in the me up. No, stupid, I ain't got

0:14:11.440 --> 0:14:13.960
<v Speaker 1>number love for you. However, you ain't able to hold

0:14:13.960 --> 0:14:16.000
<v Speaker 1>me down correctly in the way I feel like I

0:14:16.040 --> 0:14:18.560
<v Speaker 1>need to be held down, So you stay right here.

0:14:19.240 --> 0:14:22.440
<v Speaker 1>I'm gonna go over here handle my business so I'm

0:14:22.480 --> 0:14:26.080
<v Speaker 1>able to you know the cum It's that it's that

0:14:26.200 --> 0:14:30.200
<v Speaker 1>scenario of you know, an episode, so now something like

0:14:30.200 --> 0:14:33.960
<v Speaker 1>like like, well, when it's when am I getting you

0:14:34.000 --> 0:14:35.880
<v Speaker 1>know what I'm saying, when it's my turn to get ship?

0:14:35.920 --> 0:14:38.720
<v Speaker 1>I ain't even really I ain't even really tripping on that,

0:14:38.960 --> 0:14:42.080
<v Speaker 1>like okay, I can't eat here. You want a nickel

0:14:42.120 --> 0:14:47.240
<v Speaker 1>and dime a brother. So basically that was what happened. Yeah, yeah,

0:14:47.400 --> 0:14:50.520
<v Speaker 1>without a project, yeah yeah, and I and I don't

0:14:50.560 --> 0:14:53.600
<v Speaker 1>and I like, yeah, put hold the brakes on Oh yeah,

0:14:54.160 --> 0:14:58.080
<v Speaker 1>we're gonna make sure. We're gonna make sure you got

0:14:58.080 --> 0:15:02.080
<v Speaker 1>a bologne sandwich and some potatoes. Ships. But then after

0:15:02.120 --> 0:15:04.320
<v Speaker 1>that you don't get no juice box. You don't get

0:15:04.360 --> 0:15:08.360
<v Speaker 1>no cook Now you've been in jail because they had

0:15:08.360 --> 0:15:11.600
<v Speaker 1>a sound and don't have a juice box. You up

0:15:12.360 --> 0:15:17.160
<v Speaker 1>because you made I need a juice box, my nigger,

0:15:17.760 --> 0:15:20.760
<v Speaker 1>the sward. All that ship is good, but you're gonna

0:15:20.760 --> 0:15:23.080
<v Speaker 1>need your juice box, and you're gonna need your apple

0:15:23.240 --> 0:15:27.080
<v Speaker 1>sup in your oranges bet three o'clock in the morning,

0:15:27.120 --> 0:15:30.400
<v Speaker 1>then ud hydrated. You're gonna wish you had that orange

0:15:31.000 --> 0:15:33.520
<v Speaker 1>or that apple. So that's all I'm saying. Let me

0:15:33.520 --> 0:15:35.560
<v Speaker 1>ask you this ex, do you think by you and

0:15:35.600 --> 0:15:39.600
<v Speaker 1>should playing ball together? Un l V, your relationship was

0:15:39.640 --> 0:15:43.360
<v Speaker 1>a look a bit different because I noticed the other

0:15:43.440 --> 0:15:46.200
<v Speaker 1>cats than can. The other cats didn't tend to give

0:15:46.280 --> 0:15:51.960
<v Speaker 1>him that resistance that you did. I don't know about

0:15:51.960 --> 0:15:55.200
<v Speaker 1>all that. I mean, I don't know. You know, I

0:15:55.280 --> 0:16:00.920
<v Speaker 1>think we probably took ship a little further than and

0:16:01.000 --> 0:16:05.960
<v Speaker 1>then if I had been just a normal artist that

0:16:06.040 --> 0:16:10.440
<v Speaker 1>that didn't have that background, you know, damn me so.

0:16:11.320 --> 0:16:13.760
<v Speaker 1>But he also knew that I knew who he was,

0:16:13.880 --> 0:16:15.840
<v Speaker 1>and he knew who I was, and I wasn't even

0:16:15.920 --> 0:16:20.480
<v Speaker 1>about that light. I ain't never been no superedout weirdo

0:16:20.880 --> 0:16:27.480
<v Speaker 1>like Nia honey. But I was always defensive. If you

0:16:27.560 --> 0:16:29.840
<v Speaker 1>bring it to my yard, then you better be ready

0:16:29.880 --> 0:16:35.360
<v Speaker 1>to You brought that over here, Nick you Yeah, I mean,

0:16:35.440 --> 0:16:37.880
<v Speaker 1>I'm from Long Beach, so you know how to do,

0:16:37.960 --> 0:16:39.800
<v Speaker 1>what you can do? What to do? Let me ask

0:16:39.840 --> 0:16:41.960
<v Speaker 1>you this. Not nobody have asked you before the John

0:16:42.000 --> 0:16:49.680
<v Speaker 1>liver Ts. Yeah, we gottam yeah what think think think

0:16:50.040 --> 0:16:56.080
<v Speaker 1>get these ends for the gag time, wrestle all that kids,

0:16:56.320 --> 0:16:59.400
<v Speaker 1>nigget through helmets. She my whole thing. When I used

0:16:59.400 --> 0:17:04.080
<v Speaker 1>to fight back in the days, and I'm we usually

0:17:04.200 --> 0:17:07.840
<v Speaker 1>was offensive, lineman. The first thing we do, we lie.

0:17:08.000 --> 0:17:11.119
<v Speaker 1>We now we lied, we we we locked again. I

0:17:11.119 --> 0:17:14.320
<v Speaker 1>got him knock locked. I go to kicking the motherfucker

0:17:15.240 --> 0:17:19.960
<v Speaker 1>boom boom boom because we locked boom. I go to

0:17:20.000 --> 0:17:24.000
<v Speaker 1>straight kicking him all bad. Yeah, we don't know. We

0:17:24.000 --> 0:17:28.000
<v Speaker 1>was there all the damn time, bro all the damn time,

0:17:28.040 --> 0:17:34.640
<v Speaker 1>and it wasn't like nothing personal. We'd be like we

0:17:34.640 --> 0:17:37.800
<v Speaker 1>we wey out there balling for real. This was Do

0:17:37.840 --> 0:17:40.919
<v Speaker 1>you think it was his football attitude different than his

0:17:41.080 --> 0:17:47.240
<v Speaker 1>death row attitude. Not really sugar Bear with sugar Bear

0:17:47.520 --> 0:17:50.080
<v Speaker 1>and the reason I gotta say sugar bear because everybody,

0:17:50.200 --> 0:17:54.119
<v Speaker 1>why do you call him sugar bear? Sugar Bear is

0:17:54.119 --> 0:17:58.400
<v Speaker 1>a name that I got from one of my player partners,

0:17:58.800 --> 0:18:06.399
<v Speaker 1>David Hollins. David Hollis Guardeena Denver Lane played the Guardana high.

0:18:06.480 --> 0:18:09.800
<v Speaker 1>He came up to Shug was coming from El Camino.

0:18:10.320 --> 0:18:14.840
<v Speaker 1>Boo boo boo the l a thing. Sugar was out

0:18:14.880 --> 0:18:17.120
<v Speaker 1>there doing this ship and they were talking about how

0:18:17.160 --> 0:18:20.960
<v Speaker 1>sweet should feet was because they was sugar Bear was

0:18:23.119 --> 0:18:24.880
<v Speaker 1>and they couldn't do nothing with him. And that's how

0:18:24.920 --> 0:18:28.440
<v Speaker 1>he got the name sugar Bear. Well, chugar Bear got

0:18:28.520 --> 0:18:31.440
<v Speaker 1>broke down the shugar and then shouldn't I turn into

0:18:31.480 --> 0:18:33.560
<v Speaker 1>something else? Splink star rap when we got to this

0:18:33.720 --> 0:18:36.800
<v Speaker 1>rap thing. But that's how it all came about. So

0:18:36.840 --> 0:18:40.880
<v Speaker 1>it was always all up you dig all my niggas

0:18:40.920 --> 0:18:45.280
<v Speaker 1>from um Um Anthony Blue shout out to him, you

0:18:45.359 --> 0:18:50.960
<v Speaker 1>dig hig dog Uh, Charles Demer these is all catch.

0:18:51.040 --> 0:18:55.800
<v Speaker 1>They went to the key them Cardale, you know Randall

0:18:58.520 --> 0:19:02.880
<v Speaker 1>you did so X. I want to ask you a question, man,

0:19:03.920 --> 0:19:06.919
<v Speaker 1>you know, I mean you have some conversation sometimes offline

0:19:06.920 --> 0:19:10.119
<v Speaker 1>about just the whole spiritual warfare that be going on this,

0:19:10.320 --> 0:19:12.880
<v Speaker 1>you know, just this industry, the little dark stuff. Man.

0:19:14.560 --> 0:19:17.680
<v Speaker 1>Do you think man at the time, especially the nineties,

0:19:17.920 --> 0:19:20.640
<v Speaker 1>especially in that time period that we was in man,

0:19:20.680 --> 0:19:23.480
<v Speaker 1>you know, the late nineties man and early two thousands

0:19:23.520 --> 0:19:26.919
<v Speaker 1>and stuff. Man, do you think it was like a

0:19:26.960 --> 0:19:32.399
<v Speaker 1>Satanic influence going around a little bit? Man? Uh, I

0:19:32.400 --> 0:19:36.720
<v Speaker 1>don't gonna feel if it was. I don't know nothing

0:19:36.720 --> 0:19:40.359
<v Speaker 1>about it, because we was We was rebuking Satan in

0:19:40.520 --> 0:19:45.480
<v Speaker 1>my house, my mom and my aunties, rebuking anything we could,

0:19:46.200 --> 0:19:50.359
<v Speaker 1>I would say more than that. More so now now

0:19:51.040 --> 0:19:57.320
<v Speaker 1>then when we was going on right now fitted away

0:19:57.400 --> 0:19:59.480
<v Speaker 1>out like a lot of the moms and a lot

0:19:59.520 --> 0:20:03.159
<v Speaker 1>of the house holds was really church and fast that

0:20:03.320 --> 0:20:07.040
<v Speaker 1>you wasn't gonna do none of that crazy, Yeah, you

0:20:07.119 --> 0:20:09.120
<v Speaker 1>were crazy. Ship. You would have been able to come

0:20:09.160 --> 0:20:12.359
<v Speaker 1>in with painting nails and you wouldn't and you would

0:20:12.359 --> 0:20:17.760
<v Speaker 1>have got beat damage into an institution painted black. Yeah, like, oh,

0:20:17.840 --> 0:20:21.159
<v Speaker 1>your little cousin me, I had a couple of a

0:20:21.280 --> 0:20:23.520
<v Speaker 1>clue of my little cousins, would have they not my

0:20:23.560 --> 0:20:26.520
<v Speaker 1>little cousins. So my big cousin to pull up and think, yeah,

0:20:26.560 --> 0:20:29.920
<v Speaker 1>because you beat your black nails if you gonna beat

0:20:29.960 --> 0:20:33.159
<v Speaker 1>the breaks up, Yeah, because we can high let you

0:20:33.200 --> 0:20:36.399
<v Speaker 1>go with the whole family. Oh my god, what you

0:20:36.440 --> 0:20:39.919
<v Speaker 1>like what you're into? Could like on the set. I

0:20:39.960 --> 0:20:42.840
<v Speaker 1>don't know about none of that ship because you do, niked,

0:20:43.840 --> 0:20:48.040
<v Speaker 1>you're gonna take that ship up both you are you? Hey?

0:20:48.119 --> 0:20:53.239
<v Speaker 1>You know what it's called freedom of expression. Yeah, they

0:20:53.240 --> 0:20:56.080
<v Speaker 1>didn't have this. They didn't have all them laws and

0:20:56.440 --> 0:20:59.119
<v Speaker 1>non binary and none of that stuff. We was going up,

0:20:59.200 --> 0:21:02.600
<v Speaker 1>n you ain't. You're gonna get your ass beat. Yeah,

0:21:02.960 --> 0:21:09.399
<v Speaker 1>it was crazy crazy right there. Still say yeah the

0:21:09.560 --> 0:21:14.000
<v Speaker 1>fun I think he said we didn't had that of

0:21:14.080 --> 0:21:16.679
<v Speaker 1>that ship and there's a whole bunch of ship and

0:21:16.720 --> 0:21:19.199
<v Speaker 1>that's the ship asked I'm talking about though, man, because

0:21:19.640 --> 0:21:24.520
<v Speaker 1>you hear these stories now, man, people of all the

0:21:24.520 --> 0:21:27.160
<v Speaker 1>the cast that was messing. I guess with the young

0:21:27.240 --> 0:21:29.919
<v Speaker 1>girls and ship back then and they just coming up.

0:21:29.920 --> 0:21:32.639
<v Speaker 1>The stories is coming up now and it's just a

0:21:32.680 --> 0:21:35.080
<v Speaker 1>whole bunch of a messment. But we know what we

0:21:35.280 --> 0:21:39.240
<v Speaker 1>been getting all that. Yeah, I don't know where that

0:21:39.359 --> 0:21:51.119
<v Speaker 1>side came out that the next next you know what

0:21:51.160 --> 0:21:55.720
<v Speaker 1>I'm saying, We were for show Goes somewhere else. Man.

0:21:55.840 --> 0:22:01.320
<v Speaker 1>You know, um during that time, man, you wanted that, right.

0:22:01.400 --> 0:22:03.080
<v Speaker 1>One of the biggest songs that was on that, which

0:22:03.119 --> 0:22:05.320
<v Speaker 1>was Letting Me Ride. That was supposed to be your

0:22:05.359 --> 0:22:09.480
<v Speaker 1>record of first right, Yeah, is it the first nothing

0:22:09.560 --> 0:22:17.280
<v Speaker 1>with your focus on it somewhere. No, I wasn't. I

0:22:17.320 --> 0:22:21.920
<v Speaker 1>mean I probably could have. I my folks broken down

0:22:21.960 --> 0:22:25.480
<v Speaker 1>to me, like, asked you on this you could do. No.

0:22:26.640 --> 0:22:33.399
<v Speaker 1>I really felt that already, That's what I'm saying. So

0:22:33.440 --> 0:22:35.639
<v Speaker 1>what did you do just presented to him? No. I

0:22:35.760 --> 0:22:41.679
<v Speaker 1>actually was talking to Snoop No, and I was you know,

0:22:42.960 --> 0:22:46.520
<v Speaker 1>I always wanted to kind of. I never thought, oh, nick,

0:22:46.560 --> 0:22:48.240
<v Speaker 1>I'm so hard, I could just do some ship and

0:22:48.280 --> 0:22:50.640
<v Speaker 1>I never thought that. I always wanted to defeat them

0:22:50.720 --> 0:22:56.199
<v Speaker 1>off from my loved one. So that's basically what I

0:22:56.280 --> 0:23:02.920
<v Speaker 1>was doing, and it was to be playing. I wasn't

0:23:02.920 --> 0:23:04.960
<v Speaker 1>even I don't think I was actually talking to Drey.

0:23:05.000 --> 0:23:09.959
<v Speaker 1>I was talking to Snoop about um creeping down the

0:23:09.960 --> 0:23:12.920
<v Speaker 1>backstreet on these I got my god cocka nickers want

0:23:12.960 --> 0:23:16.240
<v Speaker 1>the no fun. As I said that that Naked Tray said,

0:23:16.280 --> 0:23:19.920
<v Speaker 1>what is that? I said this when I was thinking

0:23:19.920 --> 0:23:22.359
<v Speaker 1>that prob. He was like, naked. Do you know that

0:23:22.520 --> 0:23:24.840
<v Speaker 1>we are talking? He said, asked you know that if

0:23:24.920 --> 0:23:27.679
<v Speaker 1>I take that and finished the song, y'all finished that

0:23:27.720 --> 0:23:31.919
<v Speaker 1>song that they naked, the album done? You working on

0:23:31.920 --> 0:23:36.440
<v Speaker 1>the Chronic for time? And then here Dr Trace hear

0:23:36.560 --> 0:23:41.480
<v Speaker 1>Dre say the album was done. If you could have

0:23:41.640 --> 0:23:45.960
<v Speaker 1>that so good, we're done. I'm gonna write another one

0:23:46.000 --> 0:23:48.360
<v Speaker 1>from me. Don't even trip, but the honey, won't that

0:23:49.000 --> 0:23:53.000
<v Speaker 1>get Tom? That was a good look get through him?

0:23:53.080 --> 0:23:56.040
<v Speaker 1>That was good to be as big as it did.

0:23:56.160 --> 0:23:59.080
<v Speaker 1>It gets on him. No, I had no idea that

0:23:59.160 --> 0:24:01.120
<v Speaker 1>Chronic was gonna be big as it is. I didn't

0:24:01.119 --> 0:24:05.520
<v Speaker 1>know nothing. I was just being my my nigga. It

0:24:05.680 --> 0:24:08.680
<v Speaker 1>was just doing my nigga, my nigga saying, hey man,

0:24:08.720 --> 0:24:10.760
<v Speaker 1>we need you to come through our bugs, okay, because

0:24:10.800 --> 0:24:14.199
<v Speaker 1>I got you. I wasn't in it my heart, but

0:24:14.200 --> 0:24:16.439
<v Speaker 1>I didn't know nothing about a matter of fact, I

0:24:16.480 --> 0:24:20.960
<v Speaker 1>sat on the that Drey House was in Calabastas and

0:24:21.480 --> 0:24:26.919
<v Speaker 1>me and DFC was talking. O C shake. I just

0:24:27.000 --> 0:24:29.119
<v Speaker 1>listened to the album in its entirety and there's some

0:24:29.280 --> 0:24:32.919
<v Speaker 1>motherfucker you know what I'm saying? And he said, what

0:24:33.000 --> 0:24:36.760
<v Speaker 1>you think is gonna do. I don't know. I said

0:24:36.760 --> 0:24:40.719
<v Speaker 1>it maybe five has a commune, maybe platinum, maybe go

0:24:41.080 --> 0:24:43.600
<v Speaker 1>you know what I'm saying, that's what we strive. You

0:24:43.640 --> 0:24:48.120
<v Speaker 1>know we were I said, we go to platinum. I said,

0:24:48.119 --> 0:24:51.439
<v Speaker 1>it's a good little ditty. I thought it was. But

0:24:51.560 --> 0:24:54.919
<v Speaker 1>I thought for me to say, oh, nigga, we fin

0:24:55.000 --> 0:24:59.159
<v Speaker 1>the beat for me five times platinum would have been

0:24:59.240 --> 0:25:03.120
<v Speaker 1>some bullshit it because I never your mind, wasn't even

0:25:03.119 --> 0:25:06.480
<v Speaker 1>thinking that. I couldn't. I mean, I'm thinking that high.

0:25:06.600 --> 0:25:11.560
<v Speaker 1>But uh, for other artists and the other genres you're there,

0:25:11.600 --> 0:25:13.800
<v Speaker 1>I think it rap, don't do that. I'm thinking more

0:25:13.840 --> 0:25:16.920
<v Speaker 1>like some Whitney type ship, you know what I mean,

0:25:17.080 --> 0:25:21.520
<v Speaker 1>Like you do n That's that's great, and you d

0:25:21.640 --> 0:25:26.320
<v Speaker 1>o C C ship. That's doctor track, nigger. I just

0:25:26.400 --> 0:25:28.520
<v Speaker 1>just to the records. They could have record bank from

0:25:28.560 --> 0:25:31.840
<v Speaker 1>the beginning. Ship. There's gonna be a five six million joints.

0:25:33.359 --> 0:25:35.359
<v Speaker 1>I fell see. You want some bullshit and they can

0:25:35.440 --> 0:25:44.120
<v Speaker 1>hit the weak traffic, they can hit the wheat and

0:25:44.200 --> 0:25:47.959
<v Speaker 1>that ship blew the funk up, niggers, Like, when did

0:25:48.000 --> 0:25:51.080
<v Speaker 1>you realize that there was some ship? Though? When they

0:25:51.160 --> 0:25:53.760
<v Speaker 1>dropped that Tuesday and I went to Vintage Beach with

0:25:53.840 --> 0:25:58.399
<v Speaker 1>the Hume Girl Thursday, and every motherfucking car had the

0:25:58.480 --> 0:26:00.439
<v Speaker 1>chronic that we pulled up when we got off the

0:26:00.480 --> 0:26:03.680
<v Speaker 1>motherfucking freeway. As soon as we got a freeway start

0:26:03.720 --> 0:26:12.199
<v Speaker 1>head towards the beach. Every time we pull up, I said, okay, my,

0:26:12.840 --> 0:26:16.520
<v Speaker 1>like every fucking car, and I'm like, that's kind of

0:26:16.560 --> 0:26:22.160
<v Speaker 1>a like every car, the low Riders, the essays, the Philipinos,

0:26:22.240 --> 0:26:25.760
<v Speaker 1>like everyone pull up with nobody when he was playing Universe, Yeah,

0:26:25.760 --> 0:26:28.480
<v Speaker 1>I did a few times and it was queer because

0:26:28.680 --> 0:26:38.679
<v Speaker 1>we wanted to be like and what what? I had

0:26:38.800 --> 0:26:40.879
<v Speaker 1>never witnessed a blow up like that, and it was

0:26:40.960 --> 0:26:43.320
<v Speaker 1>blowing the funk out. We drove all the way down.

0:26:43.359 --> 0:26:46.239
<v Speaker 1>Everybody was bumping the credit everybody. Then we got to

0:26:46.280 --> 0:26:48.520
<v Speaker 1>the beach. The motherfucker's walking down the board walk with

0:26:48.600 --> 0:26:53.120
<v Speaker 1>the chronicles. Dude, I'm like, what, nobody knows who I am?

0:26:53.200 --> 0:26:57.320
<v Speaker 1>Though nobody knows ship. I've been walking only just being

0:26:57.359 --> 0:27:00.040
<v Speaker 1>a hunkle. We go get something to eat because we

0:27:00.240 --> 0:27:02.320
<v Speaker 1>just get back in the car and driving back and

0:27:02.359 --> 0:27:05.120
<v Speaker 1>it's the same ship because it wasn't like niggas had

0:27:05.119 --> 0:27:08.440
<v Speaker 1>pictures and ship and this is this is r b

0:27:08.800 --> 0:27:10.560
<v Speaker 1>X and this is that you know who I was.

0:27:10.640 --> 0:27:12.679
<v Speaker 1>I was just hearing all this music going on, and

0:27:12.720 --> 0:27:16.640
<v Speaker 1>I'm like, wow, wow, Yeah, we quite wasn't an area

0:27:16.680 --> 0:27:23.120
<v Speaker 1>that we didn't right, Yeah, we had check that we

0:27:23.160 --> 0:27:26.400
<v Speaker 1>hand out of that. And then I think I got

0:27:26.440 --> 0:27:28.639
<v Speaker 1>to the house and we was listening to Kurt Loder

0:27:29.080 --> 0:27:32.479
<v Speaker 1>on MTV and even talk about the Chronic and I'm like,

0:27:34.640 --> 0:27:36.440
<v Speaker 1>and I just took it. I was like, y, yeah, yeah,

0:27:36.440 --> 0:27:38.800
<v Speaker 1>I was on that record. I didn't have no idea

0:27:38.880 --> 0:27:44.040
<v Speaker 1>what it was gonna do, right, No, when did you

0:27:44.080 --> 0:27:46.760
<v Speaker 1>get you when you got your first plaque? What you say?

0:27:47.320 --> 0:27:49.240
<v Speaker 1>I didn't go, kid, you didn't go get it. You see,

0:27:49.280 --> 0:27:52.440
<v Speaker 1>don't got your pleaues axt. You gotta go get those

0:27:52.520 --> 0:27:58.679
<v Speaker 1>my nigga in my life, nigga, I was at the

0:27:58.720 --> 0:28:01.520
<v Speaker 1>back of the camp. That's why me with male tweets

0:28:02.040 --> 0:28:05.879
<v Speaker 1>and and nigked with Daddy V nigked and trying to

0:28:05.960 --> 0:28:08.920
<v Speaker 1>drop off some work because me going up to that

0:28:09.000 --> 0:28:13.520
<v Speaker 1>student to pick up this ship for what it wasn't

0:28:13.560 --> 0:28:15.760
<v Speaker 1>gonna do nothing for me and where no money. It

0:28:15.960 --> 0:28:18.600
<v Speaker 1>wasn't not a dime where no money. They was like,

0:28:18.600 --> 0:28:21.240
<v Speaker 1>you're gonna go get your grabby flag. Now I'm not nigga.

0:28:21.520 --> 0:28:24.240
<v Speaker 1>I gotta eat. Yeah, I said, I'm out here on

0:28:24.280 --> 0:28:25.800
<v Speaker 1>these streets and ship. I said, when I get to

0:28:25.880 --> 0:28:28.760
<v Speaker 1>Hollywood and one day now I think I talked to

0:28:28.840 --> 0:28:30.800
<v Speaker 1>him and they was like, well, you gotta do this

0:28:30.840 --> 0:28:33.520
<v Speaker 1>and you gotta show improve you then we can give

0:28:33.560 --> 0:28:36.040
<v Speaker 1>you the flacktail. We got to we we got we

0:28:36.080 --> 0:28:38.960
<v Speaker 1>got one with a teen and I thought, well, I'm

0:28:39.000 --> 0:28:42.560
<v Speaker 1>taking care of my grandmama right there. I'm gonna do

0:28:42.600 --> 0:28:45.800
<v Speaker 1>with all this ship. Ain't no money, ain't no mone

0:28:45.800 --> 0:28:49.640
<v Speaker 1>I need. I can't put this. And then I gotta

0:28:49.760 --> 0:28:52.160
<v Speaker 1>I gotta store this ship. This is a whole bunch

0:28:52.160 --> 0:28:56.720
<v Speaker 1>of ship. When we set this ship, I get this

0:28:56.760 --> 0:28:59.840
<v Speaker 1>ship later. I'll probably get a letter one day. I

0:29:00.000 --> 0:29:02.080
<v Speaker 1>haven't fixed me ship ship when I get my career,

0:29:02.120 --> 0:29:04.600
<v Speaker 1>and I think, motherfucker, look up and like all these

0:29:04.600 --> 0:29:08.120
<v Speaker 1>accolades of ship. Yeah, when I want. When I posted up,

0:29:08.120 --> 0:29:10.800
<v Speaker 1>but I was getting, I was getting seven cents. I

0:29:10.920 --> 0:29:14.720
<v Speaker 1>was loving the groove. Yeah, that ship wasn't it wasn't.

0:29:15.840 --> 0:29:18.200
<v Speaker 1>It wasn't for me. I mean I got the war

0:29:18.360 --> 0:29:23.160
<v Speaker 1>to not show enough. I appreciated everything you did. It

0:29:23.320 --> 0:29:27.719
<v Speaker 1>just did I gotta go get it later. You know what,

0:29:27.760 --> 0:29:30.280
<v Speaker 1>though y'all have some dope as moments over there. Dog,

0:29:30.760 --> 0:29:32.920
<v Speaker 1>do you remember that you was at the source of

0:29:33.000 --> 0:29:35.640
<v Speaker 1>wards that year. That's the year that that that Quick

0:29:35.760 --> 0:29:39.120
<v Speaker 1>was up on stage when the bullshit came bullshit. That

0:29:39.200 --> 0:29:41.680
<v Speaker 1>Ship must have been a motherfucker that year, Dog, pressure

0:29:41.680 --> 0:29:46.520
<v Speaker 1>cooker that year. How many niggs was you win the audience? Ey,

0:29:47.000 --> 0:29:49.760
<v Speaker 1>I know you probably had all about dude, you probably

0:29:49.800 --> 0:29:52.360
<v Speaker 1>had the whole hood of that. I flew about ten

0:29:52.520 --> 0:29:57.560
<v Speaker 1>dudes out there. Um, it was just tension time because

0:29:57.640 --> 0:30:00.360
<v Speaker 1>not even I don't know, It wasn't even for the

0:30:00.400 --> 0:30:04.560
<v Speaker 1>fact of of you know, Quick and death Row and

0:30:04.600 --> 0:30:09.240
<v Speaker 1>all that. It was New York, you give me. It

0:30:09.400 --> 0:30:13.000
<v Speaker 1>was just being in New York. Man, just was just

0:30:15.080 --> 0:30:17.880
<v Speaker 1>I never you know, I got along with a lot

0:30:17.960 --> 0:30:21.240
<v Speaker 1>of motherfucker's in New York To this day, Man, New

0:30:21.320 --> 0:30:26.760
<v Speaker 1>York motherfucker's is like, I've had so much respect from

0:30:26.800 --> 0:30:29.240
<v Speaker 1>niggas in New York and dudes I've worked with and

0:30:29.320 --> 0:30:33.200
<v Speaker 1>all that, But it was tension around men, you know

0:30:33.280 --> 0:30:36.920
<v Speaker 1>what I'm saying. And then we were some gang banging.

0:30:36.960 --> 0:30:43.640
<v Speaker 1>Asked niggas and Ship and where you feel like I

0:30:43.640 --> 0:30:46.840
<v Speaker 1>always felt like New York was like they looked at

0:30:46.960 --> 0:30:50.560
<v Speaker 1>us a little differently because how we represented hip hop,

0:30:51.040 --> 0:30:53.440
<v Speaker 1>you know what I'm saying. And even though we had

0:30:53.560 --> 0:30:57.080
<v Speaker 1>our rap rappers, you know what I'm saying, we had

0:30:57.200 --> 0:31:02.320
<v Speaker 1>young mc s and we had mother fucking hieroglyphics and

0:31:02.720 --> 0:31:08.200
<v Speaker 1>you know, we had Souls of Mischief and Hope Homo Sapien,

0:31:08.640 --> 0:31:14.320
<v Speaker 1>and we had you know, we had Ciper's Hill, and

0:31:14.360 --> 0:31:20.000
<v Speaker 1>we had you know, we had shipped outside cast, we

0:31:20.120 --> 0:31:26.600
<v Speaker 1>had shipped outside of whatever. There was a lot of

0:31:26.640 --> 0:31:30.600
<v Speaker 1>periody on the West Coast. Yeah, we still have a period. Definitely.

0:31:30.880 --> 0:31:34.960
<v Speaker 1>We we had diversity on the West Coast. But our

0:31:35.040 --> 0:31:39.320
<v Speaker 1>standout was our ship. You give me. Our standout was

0:31:39.400 --> 0:31:43.600
<v Speaker 1>that struggle neighborhood rap you get me so, and that's

0:31:43.600 --> 0:31:46.880
<v Speaker 1>what I checked to. Going to New York was always

0:31:47.000 --> 0:31:50.560
<v Speaker 1>tension because we always felt like we were looked upon

0:31:50.880 --> 0:31:54.880
<v Speaker 1>like slightly dang bangers and we were just you know,

0:31:54.960 --> 0:31:56.880
<v Speaker 1>and like I said, I to go to New York

0:31:56.920 --> 0:31:59.520
<v Speaker 1>all the time. It was hard niggas in New York

0:32:00.000 --> 0:32:03.240
<v Speaker 1>to show this. Did anybody out there disappoint y'all? Like,

0:32:03.400 --> 0:32:05.440
<v Speaker 1>because you know I heard it was motherfucker's out there

0:32:05.480 --> 0:32:08.360
<v Speaker 1>booing niggas and all kind of ship. Wasn't anybody in

0:32:08.400 --> 0:32:11.040
<v Speaker 1>particular that y'all saw tripping the kind of disappointed y'all

0:32:13.600 --> 0:32:19.280
<v Speaker 1>you're talking about as far as a man at that time.

0:32:20.600 --> 0:32:23.200
<v Speaker 1>It was just a lot of tension in the audience.

0:32:23.440 --> 0:32:25.880
<v Speaker 1>Like I said, that was my second source of war.

0:32:26.040 --> 0:32:28.360
<v Speaker 1>I don't even think there was no industry ship, dog,

0:32:28.440 --> 0:32:30.360
<v Speaker 1>I don't think that. I think that was like more

0:32:30.400 --> 0:32:33.840
<v Speaker 1>of the media kind of propelled that ship though about

0:32:33.960 --> 0:32:37.080
<v Speaker 1>you know about the the tension, but the East Coast

0:32:37.160 --> 0:32:39.040
<v Speaker 1>West Coast ship and all that ship, I don't think

0:32:39.080 --> 0:32:43.800
<v Speaker 1>that ship was about. No, I'm on mine. That never

0:32:43.840 --> 0:32:46.680
<v Speaker 1>bothered me. The East Coast That's why I mean, Chris

0:32:46.760 --> 0:32:48.880
<v Speaker 1>did the East Coast West Coast color. That's what we

0:32:48.880 --> 0:32:52.280
<v Speaker 1>were talking about. That ship never bothered me. More over

0:32:52.760 --> 0:32:57.800
<v Speaker 1>than than that situation. I think when I was moving

0:32:57.840 --> 0:33:03.320
<v Speaker 1>my CDs on the block and had to encourtain and

0:33:03.680 --> 0:33:06.120
<v Speaker 1>be running the certain cats, and you thought David was

0:33:06.120 --> 0:33:08.600
<v Speaker 1>gonna have love for you and respect the fact that

0:33:08.680 --> 0:33:10.920
<v Speaker 1>you're on the block pushing your line, and they don't.

0:33:11.400 --> 0:33:18.560
<v Speaker 1>I evil eat, I'm pushing my line. I'm a creased

0:33:18.640 --> 0:33:22.280
<v Speaker 1>I'm at the barbershop. Whoo wow, I'll run out of

0:33:22.320 --> 0:33:28.040
<v Speaker 1>c d s. Hurt my heart. Everybody, it's they's ten cats.

0:33:28.080 --> 0:33:30.440
<v Speaker 1>Don't see these. I only got like four, so I

0:33:30.520 --> 0:33:32.280
<v Speaker 1>dropped the fourth. I said, I'm gonna go to the

0:33:32.360 --> 0:33:36.640
<v Speaker 1>choreographs some more. I come back evil. He think I'm

0:33:36.800 --> 0:33:40.880
<v Speaker 1>he think I leave. He was like, man, that that's RBS. Man,

0:33:40.920 --> 0:33:43.040
<v Speaker 1>he just fell a very long way from great. He

0:33:43.040 --> 0:33:45.760
<v Speaker 1>ain't a better ship right now. I ain't here selling

0:33:45.760 --> 0:33:49.640
<v Speaker 1>the c d s. M hm yeah, And I was,

0:33:50.240 --> 0:33:54.280
<v Speaker 1>you didn't. I didn't have time to explain to him, Oh, bro,

0:33:55.120 --> 0:33:57.880
<v Speaker 1>this is me. I ain't know. Bro, I got Kate.

0:33:58.880 --> 0:34:01.560
<v Speaker 1>I don't see that being on our side. Think that's

0:34:01.600 --> 0:34:04.480
<v Speaker 1>that's my ship, we I said, but this is the

0:34:04.480 --> 0:34:10.000
<v Speaker 1>way that I can go get my money, do my

0:34:10.200 --> 0:34:13.080
<v Speaker 1>music the way I want to do my music without

0:34:13.520 --> 0:34:15.960
<v Speaker 1>some white and R They don't know nothing about us

0:34:16.040 --> 0:34:21.720
<v Speaker 1>or our music in our ship. And I can push

0:34:21.880 --> 0:34:26.279
<v Speaker 1>a thousand units today or if I gotta build, I

0:34:26.280 --> 0:34:29.400
<v Speaker 1>can push three. It's whenever I want. And I like

0:34:30.080 --> 0:34:36.560
<v Speaker 1>the deals, yeah that you have like Atlantis or Epics. Folks.

0:34:36.680 --> 0:34:38.680
<v Speaker 1>Was like, X, you could come over here and you

0:34:38.719 --> 0:34:44.719
<v Speaker 1>have a situation. However, every situation had their little strings,

0:34:46.120 --> 0:34:48.719
<v Speaker 1>and you're gonna dance over here, or they was trying

0:34:48.719 --> 0:34:50.600
<v Speaker 1>to get at me because they was trying to get

0:34:50.600 --> 0:34:53.920
<v Speaker 1>at some of my folks, or they needed my couple

0:34:53.920 --> 0:34:57.160
<v Speaker 1>of my folks on the album to make it something

0:34:57.160 --> 0:35:07.680
<v Speaker 1>like you if you can get it, or or if

0:35:07.719 --> 0:35:10.200
<v Speaker 1>you get the disrespecting this right here, or if you

0:35:10.280 --> 0:35:16.040
<v Speaker 1>stay on your death your death row discord. Well, what

0:35:16.080 --> 0:35:19.920
<v Speaker 1>if I want to do something like this? Okay, well

0:35:19.920 --> 0:35:21.840
<v Speaker 1>we're not gonna work because I'm not gonna have you

0:35:21.960 --> 0:35:25.600
<v Speaker 1>telling me if I'm on the streets. I'm on the

0:35:25.640 --> 0:35:28.120
<v Speaker 1>block every day. I listened to my cast every day.

0:35:28.160 --> 0:35:31.680
<v Speaker 1>And that's not what you're talking about. That's not conducive.

0:35:33.719 --> 0:35:39.200
<v Speaker 1>I don't know. Was there any deals that was presented

0:35:39.239 --> 0:35:41.560
<v Speaker 1>to you that you felt like you should now that

0:35:41.680 --> 0:35:44.279
<v Speaker 1>you look back on it, is there any deals that

0:35:44.360 --> 0:35:51.520
<v Speaker 1>you felt like I should have took that? Yeah? So

0:35:51.640 --> 0:35:54.839
<v Speaker 1>there was no record deals from any labels. You know,

0:35:55.520 --> 0:35:57.960
<v Speaker 1>we got a million dollars or we got to fifty

0:35:58.080 --> 0:36:01.239
<v Speaker 1>for you, or we got you know, you didn't feel like, man,

0:36:01.320 --> 0:36:03.680
<v Speaker 1>let me take this check and gonna do these three

0:36:03.800 --> 0:36:10.279
<v Speaker 1>four albums. And I mean we was gonna we was

0:36:10.520 --> 0:36:14.200
<v Speaker 1>we was gonna do something rest in peace. My brother

0:36:14.320 --> 0:36:22.200
<v Speaker 1>Cpo the heavyweights hard in the yard. They couldn't get

0:36:22.239 --> 0:36:25.440
<v Speaker 1>the business right. That was that was gonna go through

0:36:25.480 --> 0:36:28.200
<v Speaker 1>Snoop's labor right. They couldn't get the business right. I

0:36:28.239 --> 0:36:30.480
<v Speaker 1>think it was E one or something. I'm not exactly

0:36:30.560 --> 0:36:33.439
<v Speaker 1>on what really happened, but they couldn't get the business right,

0:36:35.960 --> 0:36:42.719
<v Speaker 1>and they I think Vince was having health issues definitely,

0:36:43.719 --> 0:36:48.200
<v Speaker 1>And I was willing to walk with my dog. I

0:36:48.400 --> 0:36:52.120
<v Speaker 1>could get in my walker, I'll push that my and well,

0:36:52.160 --> 0:36:54.520
<v Speaker 1>whatever the funk we gotta do. But I don't think

0:36:54.560 --> 0:36:56.880
<v Speaker 1>everybody of some of the people that were supposed to

0:36:56.880 --> 0:37:00.080
<v Speaker 1>be helping us push this product was all with that.

0:37:00.239 --> 0:37:02.960
<v Speaker 1>We get a couple of joints gangs for no fund.

0:37:03.719 --> 0:37:10.080
<v Speaker 1>But I don't know, bro Jack crazy, Yeah, you think

0:37:10.080 --> 0:37:12.040
<v Speaker 1>what his health ishues? You think they kind of turned

0:37:12.080 --> 0:37:15.840
<v Speaker 1>some of the people off with the label kinda Yeah, definitely,

0:37:15.880 --> 0:37:21.600
<v Speaker 1>because they ain't this industry, don't give no fuss about you, honey,

0:37:21.880 --> 0:37:24.279
<v Speaker 1>and if you're gonna be needy and no, they didn't

0:37:24.280 --> 0:37:27.879
<v Speaker 1>give a fund. We they just want to own the stage,

0:37:27.960 --> 0:37:30.480
<v Speaker 1>make the money. Will we're getting the money if anything

0:37:30.640 --> 0:37:34.200
<v Speaker 1>kind of love and any kind of bad that that's

0:37:34.280 --> 0:37:38.120
<v Speaker 1>you know, that's not what the industry though, that's not

0:37:38.239 --> 0:37:40.880
<v Speaker 1>what the industry do. Rest in pe CPO one of

0:37:40.960 --> 0:37:43.000
<v Speaker 1>the that's not what the industry do. It's one of

0:37:43.040 --> 0:37:46.359
<v Speaker 1>our better lyricists from marta dog, that's my nigger. One

0:37:46.360 --> 0:37:49.600
<v Speaker 1>of our better lyricist. CPO was tighter. That's my guy.

0:37:50.960 --> 0:37:55.320
<v Speaker 1>CPO was real type man. Yeah, that's crazy. Like you said,

0:37:56.760 --> 0:37:58.880
<v Speaker 1>I bet you a lot of people don't think about

0:37:59.200 --> 0:38:01.520
<v Speaker 1>you know, because I don't know when people look at celebrities,

0:38:01.520 --> 0:38:04.880
<v Speaker 1>they think celebrities or what invincible or some ship like that.

0:38:05.200 --> 0:38:08.399
<v Speaker 1>Like I'm pretty sure doing your career, you don't got

0:38:08.400 --> 0:38:10.280
<v Speaker 1>sick because the motherfucker had to go to the doctor

0:38:10.800 --> 0:38:14.120
<v Speaker 1>to have you have How do you feel about you

0:38:14.160 --> 0:38:16.200
<v Speaker 1>what I'm saying making all this money for labels and

0:38:16.239 --> 0:38:19.319
<v Speaker 1>all that ship. Motherfucker's don't have proper health insurance, they

0:38:19.360 --> 0:38:26.600
<v Speaker 1>don't have no do you think like motherfucker's signing to

0:38:26.800 --> 0:38:30.400
<v Speaker 1>labels and ship because I'm pretty sure motherfucker who work upstairs,

0:38:30.440 --> 0:38:33.960
<v Speaker 1>who who working on the computer, and who you know

0:38:34.080 --> 0:38:38.400
<v Speaker 1>getting your posters and your program and ship together in

0:38:39.400 --> 0:38:44.040
<v Speaker 1>exactly what you're making a label. Motherfucking tends. I mean,

0:38:44.200 --> 0:38:48.040
<v Speaker 1>and and I think, I think why you don't think

0:38:48.120 --> 0:38:51.800
<v Speaker 1>labels offer that to artists when they sign them? That

0:38:51.880 --> 0:38:54.520
<v Speaker 1>should be putting I'll be I'm like, why shouldn't that

0:38:54.560 --> 0:38:57.120
<v Speaker 1>be putting the contract as part of your contract, you're

0:38:57.120 --> 0:38:59.280
<v Speaker 1>gonna pay for me some health insurance? If it's sure

0:38:59.320 --> 0:39:02.640
<v Speaker 1>be this ship? For sure it would. It would be

0:39:03.120 --> 0:39:06.880
<v Speaker 1>if cass was was enlightened to the fact. You know,

0:39:07.080 --> 0:39:13.759
<v Speaker 1>I wasn't either. I wasn't either. But now they got contracts.

0:39:14.560 --> 0:39:21.640
<v Speaker 1>Now that they are, they got contracts, they're gonna put that.

0:39:21.680 --> 0:39:25.080
<v Speaker 1>They're gonna put an insurance on your life. Nick, Oh yeah,

0:39:25.120 --> 0:39:29.120
<v Speaker 1>they put um they sure getting insurance on whatever. And

0:39:29.440 --> 0:39:32.680
<v Speaker 1>I mean, you think about it, it really sounds foul.

0:39:33.360 --> 0:39:40.320
<v Speaker 1>It really does. However, business it's foul. Ain't nothing loving

0:39:40.640 --> 0:39:46.439
<v Speaker 1>in business. So it's a business ploy a move. If

0:39:46.480 --> 0:39:53.360
<v Speaker 1>you're spending two million on a situation and that you

0:39:53.440 --> 0:39:57.080
<v Speaker 1>just want to give your money away, that's usually investment.

0:39:59.160 --> 0:40:04.240
<v Speaker 1>The two million you're striving to get four million back

0:40:04.520 --> 0:40:09.480
<v Speaker 1>to you put in til you get back. So if

0:40:09.520 --> 0:40:13.640
<v Speaker 1>you got a situation now then that you invest in,

0:40:13.800 --> 0:40:18.000
<v Speaker 1>they go crazy and get the wilder out they cause

0:40:18.040 --> 0:40:20.279
<v Speaker 1>they're looking out for their entries, like this nigga, don't

0:40:20.280 --> 0:40:22.160
<v Speaker 1>flipped out. You don't put a gun on this nigga.

0:40:22.200 --> 0:40:23.960
<v Speaker 1>That nigga, and that they're gonna try to knock your

0:40:24.000 --> 0:40:27.040
<v Speaker 1>head off out of't invested two millions. I think you're punk,

0:40:27.080 --> 0:40:29.319
<v Speaker 1>head man. I got to get some insurance because if

0:40:29.360 --> 0:40:32.800
<v Speaker 1>they knocked it ther head off, that's how they thinking.

0:40:33.080 --> 0:40:36.000
<v Speaker 1>They're not from the hood, so they're not thinking hood.

0:40:36.360 --> 0:40:39.360
<v Speaker 1>They're probably never gonna think hood. So that's what the

0:40:39.400 --> 0:40:44.719
<v Speaker 1>fund's going on. That's crazy. That's crazy to see all that.

0:40:44.840 --> 0:40:47.040
<v Speaker 1>You say that, man, And we got a whole bunch

0:40:47.080 --> 0:40:50.279
<v Speaker 1>of young brothers losing their life now, man, Like you know,

0:40:50.360 --> 0:40:52.440
<v Speaker 1>you just had the little homie from the Meagles lost

0:40:52.560 --> 0:40:55.440
<v Speaker 1>life right oh, the dumb ship, dumb ship. And you

0:40:55.480 --> 0:40:57.799
<v Speaker 1>know you had the young boy that came out here

0:40:57.800 --> 0:41:01.040
<v Speaker 1>from philipp and b Rock lost his life. Real recipes,

0:41:01.120 --> 0:41:04.279
<v Speaker 1>both of those kids, and they you know, kids kids though,

0:41:05.239 --> 0:41:10.280
<v Speaker 1>I'm thinking, Dan, I've seen brother screen brother, and sometimes

0:41:10.320 --> 0:41:13.279
<v Speaker 1>I wish I could just hit my little roller Dex

0:41:13.360 --> 0:41:15.359
<v Speaker 1>and let me keep that nig number real quick. Hey,

0:41:15.360 --> 0:41:18.920
<v Speaker 1>how are you talking real whackness? You in l A.

0:41:19.120 --> 0:41:23.359
<v Speaker 1>I don't care how hard you are the rules out

0:41:23.440 --> 0:41:25.759
<v Speaker 1>here and the last thing you want to do is

0:41:25.840 --> 0:41:28.239
<v Speaker 1>be on the thing he got. Ain't nigger, don't they

0:41:28.239 --> 0:41:32.080
<v Speaker 1>ain't they ain't hard enough? Then somebody hard enough in

0:41:32.320 --> 0:41:40.000
<v Speaker 1>l A. The error you come from. Do you feel responsible? No,

0:41:40.120 --> 0:41:42.080
<v Speaker 1>I don't. Really, I don't. I don't feel but you

0:41:42.080 --> 0:41:45.759
<v Speaker 1>don't feel responsible for the music that was created in

0:41:45.800 --> 0:41:50.839
<v Speaker 1>our era. As far as what the youth are doing today.

0:41:51.040 --> 0:41:55.319
<v Speaker 1>Do you feel responsible for how that happened? No, I

0:41:55.360 --> 0:41:59.040
<v Speaker 1>don't because because a lot of people push the narrative

0:41:59.280 --> 0:42:04.560
<v Speaker 1>and say that it's because of our musical influence on

0:42:04.800 --> 0:42:09.000
<v Speaker 1>those youths back in the days. It's why ship is

0:42:09.000 --> 0:42:13.600
<v Speaker 1>so fucked up nowadays. Because mc A talked about the

0:42:13.680 --> 0:42:18.040
<v Speaker 1>Hood took him under or drive by Ms Daisy. Yeah,

0:42:18.360 --> 0:42:21.200
<v Speaker 1>if I listened to that ship, the Hood that took

0:42:21.239 --> 0:42:23.839
<v Speaker 1>me at the chair n I heard you. I see

0:42:24.000 --> 0:42:28.600
<v Speaker 1>all that ship then n asks my ship? Who gives that?

0:42:33.719 --> 0:42:38.880
<v Speaker 1>But no, in all honesty, we gotta police ourselves and

0:42:38.960 --> 0:42:42.399
<v Speaker 1>trying to find a skategold and employed it was him?

0:42:42.440 --> 0:42:45.400
<v Speaker 1>It was him, No, it wasn't. That era that we

0:42:45.560 --> 0:42:50.480
<v Speaker 1>talked about. Was the Rodney King era, And we really

0:42:50.640 --> 0:42:54.680
<v Speaker 1>wasn't talking about splattening our homies. We was really splattening

0:42:56.120 --> 0:42:59.600
<v Speaker 1>the time. I'm gonna keep it the buck because they

0:42:59.680 --> 0:43:01.560
<v Speaker 1>was doing us, beating us in front of them. So

0:43:01.680 --> 0:43:04.520
<v Speaker 1>these are the ones we was really That's where a

0:43:04.520 --> 0:43:06.839
<v Speaker 1>lot of the tension come from. It's not a lot

0:43:06.880 --> 0:43:11.520
<v Speaker 1>of uh songs that we was making that we was like,

0:43:11.560 --> 0:43:13.600
<v Speaker 1>go get on to go out and kill people that

0:43:13.600 --> 0:43:18.160
<v Speaker 1>look like you. That's not that wasn't That wasn't the sentiment.

0:43:18.239 --> 0:43:20.560
<v Speaker 1>The sentiment was We're gonna be hard in your because

0:43:20.560 --> 0:43:25.400
<v Speaker 1>they're trying to knock us, damn And we never it

0:43:25.560 --> 0:43:30.440
<v Speaker 1>was never. It was think people get it confused because

0:43:30.520 --> 0:43:34.799
<v Speaker 1>they're not from here. People get it confused because you know,

0:43:35.640 --> 0:43:38.480
<v Speaker 1>if you would take example of of of songs that

0:43:38.560 --> 0:43:42.280
<v Speaker 1>I made, uh Nigga struggling growing up in the hood,

0:43:43.040 --> 0:43:46.479
<v Speaker 1>like the hood took me under. I think people get

0:43:46.480 --> 0:43:50.960
<v Speaker 1>it confused because of the tales we told about the

0:43:51.080 --> 0:43:55.120
<v Speaker 1>situations of our era. You know, when I made songs

0:43:55.239 --> 0:44:00.040
<v Speaker 1>like that, I basically wanted to describe anyone in in

0:44:00.120 --> 0:44:06.440
<v Speaker 1>a row who grew up like I l a that

0:44:06.560 --> 0:44:10.359
<v Speaker 1>ship I I I when I talked about you know,

0:44:11.000 --> 0:44:14.160
<v Speaker 1>niggas jumped in the sixth trade and rolled around the

0:44:14.239 --> 0:44:18.800
<v Speaker 1>corner and and got into a drive by. It's because

0:44:18.920 --> 0:44:26.280
<v Speaker 1>I'm telling you the scenario of what's happening in my neighborhood.

0:44:26.920 --> 0:44:32.279
<v Speaker 1>What happens when dudes retaliate. I'm reporting giving you. I

0:44:32.360 --> 0:44:36.040
<v Speaker 1>didn't I didn't, you know. I didn't make songs where

0:44:36.760 --> 0:44:41.920
<v Speaker 1>I said, go to x y Z hood and then

0:44:43.080 --> 0:44:46.920
<v Speaker 1>look for Little Doo Doo and then still little Doo Doo.

0:44:47.800 --> 0:44:51.880
<v Speaker 1>I didn't make songs like you know, mind that, like

0:44:52.000 --> 0:44:57.240
<v Speaker 1>a lot of the songs nowadays, are you go straight

0:44:57.320 --> 0:45:01.280
<v Speaker 1>and the Walmart? I'm telling off. I'm from eight Street,

0:45:01.760 --> 0:45:07.319
<v Speaker 1>you know, And we don't like niggas from anything. Yeah,

0:45:07.400 --> 0:45:11.800
<v Speaker 1>we don't like niggas from four Street. And then there's Juju,

0:45:12.360 --> 0:45:15.960
<v Speaker 1>and then there's Little Pooky and then there's Little Do

0:45:15.960 --> 0:45:21.880
<v Speaker 1>Do and they got we smoked Little Dodo, and girl,

0:45:24.120 --> 0:45:26.800
<v Speaker 1>we I never died, you know what I'm saying. And

0:45:27.760 --> 0:45:33.200
<v Speaker 1>as niggas who claim neighborhoods, you've always had beef, you

0:45:33.280 --> 0:45:35.200
<v Speaker 1>give me. I don't give a funk. We had beef

0:45:35.200 --> 0:45:37.239
<v Speaker 1>with the niggas over there, and you had beef with

0:45:37.320 --> 0:45:43.080
<v Speaker 1>this neighborhood. Neighborhood. But my songs weren't like a niggas

0:45:43.080 --> 0:45:46.120
<v Speaker 1>in my hood. Let's go to that hood over there,

0:45:46.520 --> 0:45:49.880
<v Speaker 1>and let's smoke Little Joe Joe and little Woompy woomb

0:45:50.040 --> 0:45:52.759
<v Speaker 1>Then we're gonna run back to the studio and then

0:45:52.760 --> 0:45:55.680
<v Speaker 1>I'm gonna get on radio and then I'm talking about

0:45:56.000 --> 0:45:59.839
<v Speaker 1>Little KK smoke Little Dodo, and then we over here

0:46:00.080 --> 0:46:04.080
<v Speaker 1>and we're smoking on little Doodoo packs. Right now, it's

0:46:04.120 --> 0:46:10.000
<v Speaker 1>just so aggressive, so aggressive, it's it's I think the

0:46:10.040 --> 0:46:14.200
<v Speaker 1>aggression is just lost. It's just they don't they don't

0:46:14.239 --> 0:46:17.360
<v Speaker 1>know what. Have you had it? Have you had what

0:46:17.520 --> 0:46:20.600
<v Speaker 1>it is? Little? You know you probably doesn't had it.

0:46:20.840 --> 0:46:24.280
<v Speaker 1>You probably doesn't had it. Like the aggression that people

0:46:24.360 --> 0:46:27.319
<v Speaker 1>have on social media. Now they're coming your d M

0:46:27.400 --> 0:46:36.160
<v Speaker 1>s and they'll be like, nigga, fuck you still being

0:46:36.200 --> 0:46:41.279
<v Speaker 1>looking from Alaska. Nigga, you come to Alaska. Nigga, sold

0:46:41.360 --> 0:46:45.279
<v Speaker 1>you come down? You know what, nigga, God bless you.

0:46:47.320 --> 0:46:52.600
<v Speaker 1>I forgot what why why they're so angry? It was

0:46:52.680 --> 0:46:57.440
<v Speaker 1>some minor ship. The motherfucker called me and told me, oh,

0:46:57.960 --> 0:47:02.160
<v Speaker 1>you you hating on Tupac And I said, no, I'm

0:47:02.200 --> 0:47:07.719
<v Speaker 1>not hating. No. Oh the fans and I'm trying to

0:47:07.760 --> 0:47:10.719
<v Speaker 1>get me real aggressive nowadays, just like you say, just

0:47:10.800 --> 0:47:13.280
<v Speaker 1>like they say when you go to a basketball game

0:47:13.440 --> 0:47:16.239
<v Speaker 1>or whatever, and the fans just be like they'd be

0:47:16.280 --> 0:47:23.600
<v Speaker 1>ready to fight you. Level of what the level of

0:47:23.640 --> 0:47:28.880
<v Speaker 1>what fans go through nowadays is like crazy, because like

0:47:28.960 --> 0:47:32.000
<v Speaker 1>you said, it just be motherfucker's just be willing to

0:47:32.040 --> 0:47:35.160
<v Speaker 1>take it to that you think about it, For the

0:47:35.239 --> 0:47:39.720
<v Speaker 1>first time in history, a person at home is actually

0:47:39.760 --> 0:47:43.480
<v Speaker 1>able to reach out and get at any access to

0:47:43.560 --> 0:47:46.040
<v Speaker 1>you in your life and what you got going on,

0:47:47.440 --> 0:47:50.279
<v Speaker 1>and no time, whether it's through your Instagram channel where,

0:47:51.680 --> 0:47:55.240
<v Speaker 1>whether it's to your Twitter. Did you follow your phone?

0:47:55.320 --> 0:47:58.080
<v Speaker 1>You imagine? Can you imagine what the motherfucker could have

0:47:58.120 --> 0:47:59.920
<v Speaker 1>did back in the days if they could have just

0:48:00.080 --> 0:48:06.600
<v Speaker 1>picked up the phone man called Michael or remember this,

0:48:07.960 --> 0:48:10.000
<v Speaker 1>Remember when you leave your house and you had a

0:48:10.000 --> 0:48:12.960
<v Speaker 1>phone call, you wouldn't know you got back home. Oh yeah,

0:48:13.200 --> 0:48:15.480
<v Speaker 1>I want to tell you the funny thing about nowadays too.

0:48:17.120 --> 0:48:21.200
<v Speaker 1>Before the voicemail was a step up. But the nigga

0:48:21.200 --> 0:48:23.520
<v Speaker 1>would tell you today they will actually get mad if

0:48:23.520 --> 0:48:26.160
<v Speaker 1>they can't get in touch with you. People have so

0:48:26.360 --> 0:48:31.040
<v Speaker 1>much access to so much. People have too much spoil

0:48:31.280 --> 0:48:33.000
<v Speaker 1>to where they get mad because I had a dude

0:48:33.040 --> 0:48:35.920
<v Speaker 1>tell me one day, I've been busy. I've been running

0:48:35.920 --> 0:48:40.000
<v Speaker 1>a lot of stuff going on, like almost like upset, Like, man,

0:48:40.040 --> 0:48:43.160
<v Speaker 1>I called you five times, Why didn't you like to

0:48:43.160 --> 0:48:45.279
<v Speaker 1>call you back? I don't have to call ship if

0:48:45.280 --> 0:48:47.680
<v Speaker 1>I don't want to. I loved how it was back

0:48:47.680 --> 0:48:49.440
<v Speaker 1>in the day because the motherfucker just caught you when

0:48:49.440 --> 0:48:54.080
<v Speaker 1>they could no pages then. But that was the best

0:48:54.080 --> 0:48:58.279
<v Speaker 1>ship ever. Beat me. Remember that he can't beat me.

0:48:59.160 --> 0:49:01.080
<v Speaker 1>Then you ain't gotta take your phone up. You turn

0:49:01.120 --> 0:49:04.759
<v Speaker 1>that motherfucker up E D D D. Hell Now let's

0:49:05.040 --> 0:49:09.480
<v Speaker 1>he faced upside down that buck that I call it me.

0:49:10.880 --> 0:49:13.440
<v Speaker 1>Then you can get out of motherfucker ate Joe Parroga.

0:49:13.520 --> 0:49:17.040
<v Speaker 1>People got too much access, right and see, I'm gonna

0:49:17.080 --> 0:49:19.560
<v Speaker 1>tell you, and that's Joe father nocud. You let because

0:49:19.600 --> 0:49:23.719
<v Speaker 1>you let the motherfucker all in your yard. Check this

0:49:23.880 --> 0:49:29.680
<v Speaker 1>shout that motherfucker already through the star smoking. You can

0:49:29.680 --> 0:49:34.560
<v Speaker 1>know what it is though, ay too. These fans really

0:49:34.600 --> 0:49:37.960
<v Speaker 1>feel like motherfucker's they're friends like it's some people really

0:49:37.960 --> 0:49:41.960
<v Speaker 1>feel like tupockets. They homeboy like they ryan for him.

0:49:42.120 --> 0:49:46.480
<v Speaker 1>It's motherfucker's somewhere right now like rv XC. This is

0:49:46.760 --> 0:49:49.839
<v Speaker 1>Tupocket fun. Still he said, yeah, you know they take

0:49:49.920 --> 0:49:53.879
<v Speaker 1>they like two pockets. They friend Dog like as they homeboy,

0:49:54.000 --> 0:49:56.439
<v Speaker 1>and they know everything about him. They probably don't wrote

0:49:56.440 --> 0:49:59.640
<v Speaker 1>his mama letters. I went out and visited the house.

0:50:00.040 --> 0:50:03.239
<v Speaker 1>The cousins. They support everything, so they really feel like

0:50:03.520 --> 0:50:06.400
<v Speaker 1>when Glasses did that ship, that Tupac Must Die ship,

0:50:06.680 --> 0:50:08.560
<v Speaker 1>we was up at three or four o'clock, and we

0:50:08.640 --> 0:50:10.200
<v Speaker 1>was up to three or four o'clock in the morning,

0:50:10.200 --> 0:50:12.040
<v Speaker 1>and my crib talking about that. I was like, man,

0:50:12.080 --> 0:50:14.000
<v Speaker 1>you cannot put this record. You can't put this rigor

0:50:14.080 --> 0:50:16.560
<v Speaker 1>out with that title on there. I thought somebody was

0:50:16.560 --> 0:50:20.960
<v Speaker 1>gonna do something. Glasses though, because fans get ir Yeah,

0:50:21.120 --> 0:50:24.160
<v Speaker 1>people get we. We got crazy emails like people talking

0:50:24.160 --> 0:50:26.680
<v Speaker 1>about I'm gonna fuck him up when I see him,

0:50:26.680 --> 0:50:29.799
<v Speaker 1>and I don't cut him into pieces. Just crazy ship

0:50:29.880 --> 0:50:34.120
<v Speaker 1>Dog fans be really ira. We give you to give

0:50:34.160 --> 0:50:38.560
<v Speaker 1>you an example of high fanatic. It kind of scared me,

0:50:40.080 --> 0:50:44.440
<v Speaker 1>but I'm built like that. I'm West. When that situation

0:50:44.520 --> 0:50:47.160
<v Speaker 1>with brother from the from Inglewood, when he went to

0:50:47.960 --> 0:50:50.720
<v Speaker 1>and he was talking all them Inglewood niggas is weirdos.

0:50:50.800 --> 0:50:54.520
<v Speaker 1>He got to the concert and they hit him. I

0:50:54.640 --> 0:50:58.799
<v Speaker 1>was like, that goes back to that glasship stance that

0:50:58.880 --> 0:51:01.560
<v Speaker 1>we spoke on back in the days we was coming up,

0:51:01.600 --> 0:51:03.880
<v Speaker 1>we were talking to aggressive, were talking that ship and

0:51:03.880 --> 0:51:07.520
<v Speaker 1>sh used to pop. But right now with the with

0:51:07.600 --> 0:51:11.279
<v Speaker 1>the advent of the social media, it's just you could

0:51:11.320 --> 0:51:13.880
<v Speaker 1>be a real time with Joe in the meg Niggade

0:51:13.960 --> 0:51:20.640
<v Speaker 1>outside with but come on the ends you'll meet the fun. Yeah,

0:51:20.680 --> 0:51:23.840
<v Speaker 1>well what situation was that? I don't remember. Well, it's

0:51:23.640 --> 0:51:27.239
<v Speaker 1>it's it's just like you said, fans and people look

0:51:27.280 --> 0:51:30.480
<v Speaker 1>at you in different lights, and then you have to

0:51:30.560 --> 0:51:34.680
<v Speaker 1>learn how to avoid a lot of confrontational bullshit. A

0:51:34.719 --> 0:51:37.799
<v Speaker 1>lot of us, you know, grew up to where you know,

0:51:38.000 --> 0:51:41.560
<v Speaker 1>we felt invincible or nobody could whatever. But but now

0:51:41.600 --> 0:51:44.680
<v Speaker 1>we're older. Yeah, you have to learn how to you know,

0:51:44.800 --> 0:51:48.480
<v Speaker 1>avoid conflict, escalate, and you have to learn how to

0:51:48.560 --> 0:51:52.160
<v Speaker 1>avoid situations that might put you or your people in

0:51:52.280 --> 0:51:54.840
<v Speaker 1>harms way because like you said, there's a lot of

0:51:54.880 --> 0:51:59.760
<v Speaker 1>ira people you know who you know like your enemy

0:52:00.320 --> 0:52:04.600
<v Speaker 1>you know, or or I love Tupac. There's nothing you

0:52:04.600 --> 0:52:08.080
<v Speaker 1>can say about Tupac. You know, there's are you know,

0:52:08.600 --> 0:52:13.520
<v Speaker 1>SAMs killed stam skills celebrities all day for now, John Lenny,

0:52:13.640 --> 0:52:16.640
<v Speaker 1>don't give John Lenny and the dude they shot him

0:52:16.640 --> 0:52:20.360
<v Speaker 1>and said he loved you. So that's the position you

0:52:20.400 --> 0:52:23.440
<v Speaker 1>put yourself in. That's as far as far as far

0:52:23.480 --> 0:52:26.400
<v Speaker 1>as being or becoming a celebrity, you did. He's shotty.

0:52:27.840 --> 0:52:34.399
<v Speaker 1>I love John Lenny. You know crazy sometime to see

0:52:34.600 --> 0:52:38.759
<v Speaker 1>see it's a lot of motherfucker's be thinking, celebrities be

0:52:38.880 --> 0:52:44.200
<v Speaker 1>on some bullshit. Like me, Bro, I don't even I

0:52:44.280 --> 0:52:46.439
<v Speaker 1>don't even think people recognize me who I am. Most

0:52:46.440 --> 0:52:49.360
<v Speaker 1>times I'll be the stated brothers Lucky's roped. I'll just

0:52:49.520 --> 0:52:52.319
<v Speaker 1>moving move, people staring at me every now and then

0:52:53.160 --> 0:52:55.960
<v Speaker 1>I'm moving too fast to stop and cow town to

0:52:56.040 --> 0:52:59.320
<v Speaker 1>the bullshit. But at the same time, I got to

0:52:59.480 --> 0:53:04.839
<v Speaker 1>keep my eyes because like, what's the weirdest ship when

0:53:04.880 --> 0:53:07.320
<v Speaker 1>a motherfucker know who you are but you don't know

0:53:07.400 --> 0:53:09.960
<v Speaker 1>who they are. Yeah, you know, Lebron just broke the

0:53:10.000 --> 0:53:14.040
<v Speaker 1>scorning record. Yeah he did. It took Ohio nigger to

0:53:14.080 --> 0:53:17.160
<v Speaker 1>come out here for the Lakers, Ohio nigga to come

0:53:17.200 --> 0:53:19.560
<v Speaker 1>out here for the Lakers to break the na scorn.

0:53:19.680 --> 0:53:23.320
<v Speaker 1>Don't matter way from me, your brother ship that nigd

0:53:23.600 --> 0:53:30.239
<v Speaker 1>and he represented. Let's still say he tried. He tried,

0:53:31.320 --> 0:53:41.200
<v Speaker 1>I tried. Yeah, you try to cut exactly. Lakers had

0:53:41.239 --> 0:53:45.840
<v Speaker 1>been the chef liers. I'm still proud for the brother know,

0:53:45.960 --> 0:53:49.399
<v Speaker 1>I'm happy. I like Brown Brown be out there trying

0:53:49.400 --> 0:53:54.759
<v Speaker 1>to do his day for Sean. He ain't Bush. Yeah, man,

0:53:54.880 --> 0:53:57.279
<v Speaker 1>shout out. Don't get caught up and shout out to

0:53:57.360 --> 0:54:01.160
<v Speaker 1>Brian Breeze learned how to avoid bullshit. I think he.

0:54:02.120 --> 0:54:06.520
<v Speaker 1>I'm trying to be that type of motherfucking ride boy confrontation.

0:54:06.600 --> 0:54:10.640
<v Speaker 1>Don't get caught up in Niga mentioned your name, it's

0:54:10.680 --> 0:54:15.360
<v Speaker 1>always it's crazy on a whole another level. When the

0:54:15.440 --> 0:54:18.960
<v Speaker 1>nigga mentor your name, it's always and it's always positive.

0:54:18.960 --> 0:54:22.480
<v Speaker 1>And if you speak my boy talk about the floating

0:54:22.600 --> 0:54:25.920
<v Speaker 1>pool to go around the house when you get into

0:54:25.960 --> 0:54:28.200
<v Speaker 1>wood Wild Whoop and you're floating and then you just

0:54:28.360 --> 0:54:31.400
<v Speaker 1>put the button and it just floats. Yeah, it's what

0:54:31.560 --> 0:54:41.839
<v Speaker 1>they talking about the way when they got his all

0:54:41.960 --> 0:54:46.080
<v Speaker 1>that that's that old language. My nigga said. When you

0:54:46.320 --> 0:54:52.799
<v Speaker 1>in the Wink Wink, you know what I always that's

0:54:52.920 --> 0:54:59.680
<v Speaker 1>that's dry s Mitchell Productions. You knew what I always

0:54:59.719 --> 0:55:02.680
<v Speaker 1>want to ashoo dog. How many times was you signed

0:55:02.719 --> 0:55:08.320
<v Speaker 1>the Drake Drake? Yeah? Once, just the one time. So

0:55:08.520 --> 0:55:13.560
<v Speaker 1>after you left, when you left death Row right, and

0:55:14.440 --> 0:55:17.160
<v Speaker 1>then I never signed it. So you never signed the

0:55:17.200 --> 0:55:22.480
<v Speaker 1>death Row now, so so Drake went straight. He was

0:55:22.560 --> 0:55:25.719
<v Speaker 1>in need everything. That's I'm sorry, So I'm not gonna

0:55:26.080 --> 0:55:38.840
<v Speaker 1>do it. Nay signed with Snoop signed. So you wanted

0:55:38.920 --> 0:55:41.880
<v Speaker 1>to sign. He wanted to. He wanted to. I been

0:55:41.960 --> 0:55:45.080
<v Speaker 1>wanting to. Why you didn't want to because I didn't

0:55:45.080 --> 0:55:48.279
<v Speaker 1>like the way she was handling ship at first. He

0:55:48.440 --> 0:55:50.800
<v Speaker 1>got my thing when we was all family. We was

0:55:50.880 --> 0:55:53.279
<v Speaker 1>all family. When you get to the point where you're

0:55:53.280 --> 0:55:55.680
<v Speaker 1>talking to like, okay, well i'm gonna have my orders

0:55:55.760 --> 0:56:00.160
<v Speaker 1>come down, they're gonna have more no artists. How mean

0:56:00.239 --> 0:56:03.239
<v Speaker 1>I'm not your artists, bron We've just found me a

0:56:03.320 --> 0:56:05.759
<v Speaker 1>minute ago. Now you want to talk that and the

0:56:05.960 --> 0:56:13.080
<v Speaker 1>tone became condescendingate you with little in me, like did

0:56:13.160 --> 0:56:15.640
<v Speaker 1>you see the attitude? Yeah, I've seen that attitude change.

0:56:15.680 --> 0:56:18.160
<v Speaker 1>That's why I act like I acted. But I staid

0:56:18.280 --> 0:56:22.680
<v Speaker 1>I'm here to support my cousin Snoop. That's all nick already.

0:56:22.840 --> 0:56:25.719
<v Speaker 1>They probably said that you was like cancerus to the

0:56:25.760 --> 0:56:27.640
<v Speaker 1>six weeks. They said that dare I was all that,

0:56:27.920 --> 0:56:31.239
<v Speaker 1>my nigga, I don't care. I was striving for righteousness

0:56:31.280 --> 0:56:35.480
<v Speaker 1>and sometimes it ain't always comfortable. Because if I've seen

0:56:35.520 --> 0:56:37.799
<v Speaker 1>you Fi running to my motherfucking house is burdie. I'm

0:56:37.800 --> 0:56:39.839
<v Speaker 1>gonna tell you, nigga, you might not want to put

0:56:39.920 --> 0:56:42.880
<v Speaker 1>the gas lean pants on. Did you tell Sloop not

0:56:43.000 --> 0:56:46.359
<v Speaker 1>to say? Yeah? I told everybody nigger, I can say

0:56:46.400 --> 0:56:54.280
<v Speaker 1>that right here. I say, hey, right now, we're pushing

0:56:54.320 --> 0:56:56.760
<v Speaker 1>the line. We're the writers in the in the artist.

0:56:56.880 --> 0:57:00.239
<v Speaker 1>I said, we're gonna hold right down. That's gonna say

0:57:00.280 --> 0:57:02.960
<v Speaker 1>what ship and they can't do what they're doing. When

0:57:03.000 --> 0:57:05.520
<v Speaker 1>they give you that paperwork, you're supposed to be able

0:57:05.560 --> 0:57:08.120
<v Speaker 1>to have your lawyer look over to make sure that

0:57:08.280 --> 0:57:14.320
<v Speaker 1>the thing is correct. It was here signed now, nigked,

0:57:14.719 --> 0:57:17.720
<v Speaker 1>and my niggas was taking naked checking up in the paper.

0:57:17.880 --> 0:57:24.840
<v Speaker 1>Red can reach some dough. I din't say good, wasn't

0:57:24.880 --> 0:57:27.160
<v Speaker 1>the chicken text of the contract was in the checking

0:57:27.240 --> 0:57:30.520
<v Speaker 1>text of the contract. Think it wasn't no check nigger,

0:57:30.560 --> 0:57:35.440
<v Speaker 1>that was it was a pile of motherfucking hunteds. Yeah, Nigked,

0:57:35.560 --> 0:57:38.720
<v Speaker 1>come over here, signed this paperwork and get you to

0:57:40.040 --> 0:57:45.919
<v Speaker 1>nigger was getting signed that paperworking that one two three,

0:57:47.240 --> 0:57:51.160
<v Speaker 1>So they giving some big money. It wasn't no big money.

0:57:51.160 --> 0:57:52.760
<v Speaker 1>It wasn't no big money. I had that in my

0:57:52.920 --> 0:57:56.080
<v Speaker 1>car so you can see it a new one. And

0:57:56.160 --> 0:57:58.120
<v Speaker 1>everybody looked at you and said, man, he's just trying

0:57:58.160 --> 0:58:01.000
<v Speaker 1>to funk up everything. Are we as you an asshole?

0:58:01.560 --> 0:58:03.960
<v Speaker 1>They can take this, they can take this five, and

0:58:04.080 --> 0:58:12.160
<v Speaker 1>then they take this month fucking said for when the

0:58:12.560 --> 0:58:18.000
<v Speaker 1>thing don't before you want kind of kids. Yeah, you're

0:58:18.000 --> 0:58:22.200
<v Speaker 1>about to be large, and they take this photios pack

0:58:22.280 --> 0:58:28.320
<v Speaker 1>of newports, and then we got trying for forty nigger

0:58:28.760 --> 0:58:33.560
<v Speaker 1>and they got got the hookup boy, and thinking said

0:58:34.480 --> 0:58:37.080
<v Speaker 1>the lawyer, what did they say to you when you

0:58:37.160 --> 0:58:45.440
<v Speaker 1>say no, no, you won't take a Yeah, there's some

0:58:46.080 --> 0:58:48.160
<v Speaker 1>if you're the only nigga going against the grand and

0:58:48.240 --> 0:58:50.520
<v Speaker 1>the family nig it's a family, nik, it's the death

0:58:50.600 --> 0:58:52.840
<v Speaker 1>row family nig Everybody moving and grew up in the

0:58:52.960 --> 0:58:55.920
<v Speaker 1>same kind of way. And while you acting like that, okay,

0:58:55.960 --> 0:58:58.680
<v Speaker 1>that's what's saying. I don't go a funk with everybody doing.

0:58:59.320 --> 0:59:02.120
<v Speaker 1>Was you there in the aguning What happened to the

0:59:02.240 --> 0:59:07.960
<v Speaker 1>situation with three Big Mike Nick, they was on what

0:59:08.160 --> 0:59:12.800
<v Speaker 1>happened Well, through all the ship that we was going through,

0:59:13.480 --> 0:59:18.600
<v Speaker 1>we was broke to right. Everybody was broke bro they

0:59:18.760 --> 0:59:22.320
<v Speaker 1>was out here right right right, and um it was

0:59:22.440 --> 0:59:24.520
<v Speaker 1>Bobby about a week before them, about a week and

0:59:24.560 --> 0:59:26.640
<v Speaker 1>a half afore the money, because they was to jump

0:59:26.720 --> 0:59:29.400
<v Speaker 1>off Big Mike and three Tam was supposed to be

0:59:29.480 --> 0:59:33.320
<v Speaker 1>to jump off for death row right before the money.

0:59:33.440 --> 0:59:37.760
<v Speaker 1>Pop Lord three two got kind of wrestlers. Big Mike

0:59:37.840 --> 0:59:39.760
<v Speaker 1>kind of wanted to hand going for a nothing week.

0:59:39.840 --> 0:59:42.040
<v Speaker 1>He was like, man, we're doing Lord were like, man,

0:59:42.280 --> 0:59:55.400
<v Speaker 1>fun this. I'm not a big that's my that's big baby,

0:59:56.160 --> 1:00:01.560
<v Speaker 1>big baby baby, My did you big baby? I love

1:00:01.560 --> 1:00:03.240
<v Speaker 1>you to that big baby. But I got to going

1:00:03.320 --> 1:00:05.000
<v Speaker 1>back to the age town Big David. He's thinking it

1:00:05.000 --> 1:00:07.320
<v Speaker 1>ain't trying to play it, and I'm like, I know,

1:00:07.560 --> 1:00:11.120
<v Speaker 1>my nigger. We was. We was barely making it. You know.

1:00:11.200 --> 1:00:14.040
<v Speaker 1>I was going up to the studio on the sixties

1:00:14.720 --> 1:00:20.040
<v Speaker 1>long people about how the park woo woo, we slide through.

1:00:20.440 --> 1:00:27.840
<v Speaker 1>Then I had to slide through boulevard, you know, green

1:00:27.960 --> 1:00:31.840
<v Speaker 1>leaf green leave right here. Yet that apartment ain't like

1:00:32.000 --> 1:00:34.760
<v Speaker 1>in Saint suswies. Well, they knew it was. I was

1:00:34.800 --> 1:00:37.720
<v Speaker 1>on that bus. That bus, but that got disassembled, and

1:00:37.840 --> 1:00:39.760
<v Speaker 1>I rode over there a couple of times, nigging to

1:00:39.840 --> 1:00:44.280
<v Speaker 1>be gang about fifteen sixties, sevent C C C riders,

1:00:44.720 --> 1:00:50.640
<v Speaker 1>maybe ten old hoods. Oh, it's about forty niggers over there,

1:00:50.720 --> 1:00:53.320
<v Speaker 1>and I'm from the East Side in the wrong air.

1:00:54.520 --> 1:00:58.480
<v Speaker 1>Every day I had to get woo woo and be

1:00:58.680 --> 1:01:02.200
<v Speaker 1>up there putting the chrunic. You know, niggas laughing at me,

1:01:02.400 --> 1:01:07.920
<v Speaker 1>thinking it was never gonna work. For some strange reason,

1:01:10.080 --> 1:01:12.840
<v Speaker 1>I said, we're gonna make it. I didn't know we

1:01:12.960 --> 1:01:15.280
<v Speaker 1>was gonna make it or not. I just knew that

1:01:15.520 --> 1:01:18.480
<v Speaker 1>was something to do other than just hanging out. Going

1:01:18.560 --> 1:01:23.040
<v Speaker 1>to hang out with the Yeah, I thought that was better,

1:01:24.080 --> 1:01:26.919
<v Speaker 1>better than just hanging out your kids the same ship.

1:01:27.040 --> 1:01:29.640
<v Speaker 1>With me, everything was the hood. Everything was the Hood.

1:01:29.960 --> 1:01:32.000
<v Speaker 1>Everything I'm talking about. From the time you wake up

1:01:32.040 --> 1:01:34.640
<v Speaker 1>in the morning, you go to the Hood, you're hanging

1:01:34.680 --> 1:01:44.120
<v Speaker 1>out of half chicken cut that's gonna half on the

1:01:44.200 --> 1:01:47.720
<v Speaker 1>five piece. You really be feeling like this is life,

1:01:47.920 --> 1:01:52.160
<v Speaker 1>Like like this is life. You know what I'm saying.

1:01:52.320 --> 1:01:55.160
<v Speaker 1>Nigga's gonna sell a couple of little crack pieces. We're

1:01:55.200 --> 1:01:59.560
<v Speaker 1>gonna piece. We're gonna paying. You're gonna always get us

1:01:59.560 --> 1:02:01.880
<v Speaker 1>some four these and ship they gonna always get a

1:02:01.960 --> 1:02:06.120
<v Speaker 1>devil up two hundred and you when you like the

1:02:06.280 --> 1:02:08.880
<v Speaker 1>same ship happened for me when I meant slipping them

1:02:09.680 --> 1:02:13.320
<v Speaker 1>and I got introduced to the studio and nig I

1:02:13.400 --> 1:02:16.040
<v Speaker 1>would go over there, Nigga's get the turning on ship

1:02:16.160 --> 1:02:19.080
<v Speaker 1>and hitting buttons and there's the microphone and there's the

1:02:19.200 --> 1:02:24.280
<v Speaker 1>beats going. It was just something that just like you tried,

1:02:24.440 --> 1:02:27.480
<v Speaker 1>like I tried to like hood hood hood, but it

1:02:27.640 --> 1:02:31.600
<v Speaker 1>just got the turning because I'm like, man's over here

1:02:31.640 --> 1:02:37.440
<v Speaker 1>and doing nothing there. We weat of us on the block.

1:02:38.120 --> 1:02:42.440
<v Speaker 1>We all got packs and ain't but one car coming

1:02:42.520 --> 1:02:45.200
<v Speaker 1>at a time, so we're all trying to hit the

1:02:45.360 --> 1:02:51.680
<v Speaker 1>car ran once and look at my ship, my ship.

1:02:51.760 --> 1:02:53.720
<v Speaker 1>Let me tell you where that went down? The worst

1:02:55.440 --> 1:02:59.880
<v Speaker 1>stay on satur Fay, back by them back post me.

1:03:00.040 --> 1:03:02.919
<v Speaker 1>It's the post off nickers are coming through the hole

1:03:03.640 --> 1:03:14.160
<v Speaker 1>stowing your card. No color. No, I mean was we was,

1:03:14.880 --> 1:03:17.880
<v Speaker 1>but like I said, it was what we had worls.

1:03:18.120 --> 1:03:21.480
<v Speaker 1>It's a moral. We had morals because a lot of

1:03:21.640 --> 1:03:25.280
<v Speaker 1>us have Mama stilling it was morals. You weren't doing it.

1:03:25.760 --> 1:03:29.640
<v Speaker 1>We had like I tell, motherfucker's you had no hope

1:03:29.680 --> 1:03:33.560
<v Speaker 1>of nothing else. This is it right here, this is

1:03:33.640 --> 1:03:38.560
<v Speaker 1>it right So when you latched onto that, I think

1:03:38.600 --> 1:03:41.600
<v Speaker 1>it's at the studio. You go to that motherfucker once

1:03:41.880 --> 1:03:45.040
<v Speaker 1>and that bug catch you and then you get you know,

1:03:45.520 --> 1:03:49.920
<v Speaker 1>you're doing one check and you get one real. I

1:03:49.960 --> 1:03:53.280
<v Speaker 1>didn't get no check. I was I was just fastening

1:03:53.840 --> 1:03:58.040
<v Speaker 1>check coming from the block. I was fascinated to go

1:03:58.320 --> 1:04:02.320
<v Speaker 1>to the studio and see the ship developed like like

1:04:02.480 --> 1:04:07.240
<v Speaker 1>you said, it was another interest from the block to dame.

1:04:08.920 --> 1:04:13.320
<v Speaker 1>Why that was the routine. I was like, I'm going

1:04:13.400 --> 1:04:17.120
<v Speaker 1>a sliphouse, this nigga my turn tables and he DJ

1:04:17.400 --> 1:04:21.280
<v Speaker 1>in and nigga and then and then he knew rappers.

1:04:21.640 --> 1:04:24.600
<v Speaker 1>You get me. So I'm coming over a little banged

1:04:24.600 --> 1:04:28.280
<v Speaker 1>out nigga trying to see what's and nigga's actual rappers

1:04:28.440 --> 1:04:32.000
<v Speaker 1>walking in and they're making songs and getting on the mic,

1:04:32.120 --> 1:04:35.200
<v Speaker 1>and I'm sitting there interested like it was another interest.

1:04:35.280 --> 1:04:37.640
<v Speaker 1>And that's what termed you know what I'm saying. And

1:04:38.320 --> 1:04:41.280
<v Speaker 1>you had good niggas like I started showing up to

1:04:41.360 --> 1:04:44.720
<v Speaker 1>the hood. Usually it was trag New Park sweatshirts and

1:04:45.120 --> 1:04:47.960
<v Speaker 1>and then now you know, I'm wearing Comfidence Most Wanted

1:04:48.040 --> 1:04:57.800
<v Speaker 1>ship and like that ship, I'm branding nobody mw on

1:04:57.960 --> 1:04:59.840
<v Speaker 1>your shirt. Why you ain't got tracked New on your

1:05:00.040 --> 1:05:04.560
<v Speaker 1>But then listen, I remember that, And then all of

1:05:04.600 --> 1:05:07.920
<v Speaker 1>a sudden, didn't see a motherfucking movie. Come on? Then

1:05:08.040 --> 1:05:13.280
<v Speaker 1>see eight? They here eight songs like don't nobody say yeah,

1:05:13.360 --> 1:05:20.080
<v Speaker 1>like Chier that's eight. Oh, let's just start happening. Then

1:05:20.160 --> 1:05:25.720
<v Speaker 1>you start transforming the streets at the track News and

1:05:25.760 --> 1:05:28.520
<v Speaker 1>the wood who component one like this Nikes from the

1:05:28.600 --> 1:05:32.240
<v Speaker 1>branch yourself because it's get big. I remember, I remember

1:05:32.240 --> 1:05:36.400
<v Speaker 1>when you were funking with with with with Cut. I'm like, okay,

1:05:36.480 --> 1:05:43.160
<v Speaker 1>they funking black tone. My niked quick, my niked you

1:05:43.360 --> 1:05:46.800
<v Speaker 1>was my Nick? Remember every contras said right through complicated,

1:05:46.840 --> 1:05:50.640
<v Speaker 1>every rapper except eight. I said, this is back in

1:05:50.720 --> 1:05:55.240
<v Speaker 1>the day. Did I get I get to I'm at

1:05:55.360 --> 1:06:00.880
<v Speaker 1>all Star, get some dating fixing? Something all was said

1:06:00.960 --> 1:06:05.880
<v Speaker 1>like your rolled down on by like eight niggas for what? Yeah? Nick,

1:06:06.520 --> 1:06:11.680
<v Speaker 1>ain't you that nigga with Nick? The nigga RBS uh

1:06:12.640 --> 1:06:16.800
<v Speaker 1>yeah on RBS. Then he said, you you smashedhippy whopper

1:06:16.920 --> 1:06:20.160
<v Speaker 1>in Compton except eighteen and what's what you said about watching?

1:06:20.840 --> 1:06:23.760
<v Speaker 1>I said, nigga, man, Nigga. I told the hole nigga,

1:06:24.200 --> 1:06:28.320
<v Speaker 1>it was a wrap birds homie person. I said, it

1:06:28.440 --> 1:06:30.760
<v Speaker 1>was a wrap birds homie. We're in the street. Now,

1:06:30.880 --> 1:06:38.560
<v Speaker 1>what's happen when central man like bro and we was

1:06:38.640 --> 1:06:41.800
<v Speaker 1>on the block. Nigga, watch naked. Who wouldn't just so happen?

1:06:41.840 --> 1:06:43.960
<v Speaker 1>A couple of the watch niggers like the way I

1:06:44.240 --> 1:06:47.960
<v Speaker 1>held myself. They just don't give a funk about what

1:06:48.120 --> 1:06:51.280
<v Speaker 1>you're saying. It's how you hold yourselves. If you run,

1:06:51.400 --> 1:06:54.360
<v Speaker 1>if you tuck kills tail and get the aching, then

1:06:54.400 --> 1:06:56.800
<v Speaker 1>you're probably gonna get to a ship dick with these niggers.

1:06:57.360 --> 1:06:59.720
<v Speaker 1>But I stood up. Nigga, nigga, it was a rat

1:06:59.800 --> 1:07:02.240
<v Speaker 1>nick I was talking about for rat ship, my nigga

1:07:02.400 --> 1:07:06.120
<v Speaker 1>for East Long Beach. They said that a tripping like

1:07:06.240 --> 1:07:09.520
<v Speaker 1>that be that nigg But that's how it really was.

1:07:10.240 --> 1:07:13.240
<v Speaker 1>But that's when that's why it's good to have morals

1:07:13.280 --> 1:07:19.160
<v Speaker 1>and backbones in Inglewood. Cause a bloody bash that smoke

1:07:19.280 --> 1:07:27.840
<v Speaker 1>like I remember that, I said, damn said, flash every legend,

1:07:28.160 --> 1:07:31.280
<v Speaker 1>and that's all I knew. That was just me being me.

1:07:31.480 --> 1:07:33.720
<v Speaker 1>That's that nigg that you had to ride the motherfucking

1:07:34.200 --> 1:07:39.280
<v Speaker 1>safety to to to Hollywood every day, and that was

1:07:39.320 --> 1:07:42.720
<v Speaker 1>really off the battle of niggas from every neighborhood didn't

1:07:42.720 --> 1:07:45.640
<v Speaker 1>have to Yeah, I didn't have to. Get had to

1:07:45.720 --> 1:07:49.760
<v Speaker 1>make sure when I'm in the studio that I got.

1:07:49.920 --> 1:07:54.040
<v Speaker 1>I gotta watch the clock because at twelve forty is

1:07:54.120 --> 1:07:56.880
<v Speaker 1>the last bus going my way. So I gotta be

1:07:57.000 --> 1:07:59.800
<v Speaker 1>on that last bus leaving Hollywood going downtown l A.

1:08:00.920 --> 1:08:03.080
<v Speaker 1>And if I missed that, and I'm walking from downtown

1:08:03.160 --> 1:08:07.439
<v Speaker 1>at l A the Long Beach. Oh you see my hand.

1:08:09.200 --> 1:08:14.480
<v Speaker 1>I went downtown in l A couple a year, right.

1:08:14.560 --> 1:08:17.160
<v Speaker 1>So Nick is always talking about this rap shit. I mean,

1:08:17.240 --> 1:08:19.080
<v Speaker 1>it might be sweet for some other niggas, but it

1:08:19.200 --> 1:08:23.639
<v Speaker 1>was really rough. We was really young, really good cutting

1:08:23.760 --> 1:08:29.240
<v Speaker 1>shot and ship. So it so when you see me

1:08:29.360 --> 1:08:31.720
<v Speaker 1>push up in the may back of something, don't think

1:08:31.760 --> 1:08:34.559
<v Speaker 1>how that Nike lucky because his folks looked out nigga.

1:08:34.600 --> 1:08:37.080
<v Speaker 1>My folks they looked out for ship. Nick. I pushed

1:08:37.160 --> 1:08:40.320
<v Speaker 1>my line on the block. Nick, you better find out, man.

1:08:40.360 --> 1:08:45.960
<v Speaker 1>We appreciate your good good man. It was fun coming

1:08:46.000 --> 1:08:49.439
<v Speaker 1>through my Nicholas she did. Next time it's gonna be

1:08:49.520 --> 1:08:52.320
<v Speaker 1>a feat. I'm gonna have to have you called my agent.

1:08:52.400 --> 1:08:59.720
<v Speaker 1>We find to go Hollywood, so we're gonna niggas get

1:08:59.760 --> 1:09:08.840
<v Speaker 1>at my I'm trying to fees. Next time. I'll know

1:09:09.000 --> 1:09:10.800
<v Speaker 1>what the I know what it is, I'll know what

1:09:10.880 --> 1:09:13.120
<v Speaker 1>it do, and y'all know what to do out there. Man.

1:09:13.240 --> 1:09:16.680
<v Speaker 1>Make sure y'all smashed that like button man plus subscribe

1:09:16.760 --> 1:09:20.000
<v Speaker 1>or whatever the fucks on. Man. We appreciate you. We

1:09:20.080 --> 1:09:22.439
<v Speaker 1>aut here. We'll see you next week. We are Chi

1:09:22.920 --> 1:09:27.799
<v Speaker 1>Jim Well. That concludes another episode of Against the Chronicles podcast.

1:09:27.920 --> 1:09:30.120
<v Speaker 1>Be sure to download the I Heart app and subscribe

1:09:30.160 --> 1:09:33.160
<v Speaker 1>to The Gangster Chronicles podcast. For Apple users, find a

1:09:33.200 --> 1:09:35.200
<v Speaker 1>purple mica on the front of your screen, subscribe to

1:09:35.240 --> 1:09:38.040
<v Speaker 1>the show, leave a comment and rating. Executive producers for

1:09:38.120 --> 1:09:41.519
<v Speaker 1>The Gangster Chronicles podcast of Norman Steve, James mcdownald errand

1:09:41.600 --> 1:09:44.360
<v Speaker 1>m c A. Tyler. Our visual media director is Brian

1:09:44.439 --> 1:09:47.599
<v Speaker 1>White and our audio editors Taylor Hayes. The Gangster Chronicles

1:09:47.680 --> 1:09:49.640
<v Speaker 1>is a production of Our Heart Media Network in the

1:09:49.720 --> 1:09:53.320
<v Speaker 1>Black Effect Podcast Network. For more podcast my Heart Radio

1:09:53.439 --> 1:09:56.479
<v Speaker 1>visited our heart Radio app, Apple Podcast, wherever you're listen

1:09:56.520 --> 1:09:57.360
<v Speaker 1>to your podcasts,