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Speaker 1: So digging a tunnel at the park. Yeah, just normal Sunday,

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Speaker 1: I guess every Sunday for uh, six or seven years,

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Speaker 1: just getting in there with uh.

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Speaker 2: You know, a couple of shovels and this and that,

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Speaker 2: and I get.

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Speaker 1: Down, god, I want to say, about six hundred meters, okay,

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Speaker 1: And all of a sudden I start getting.

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Speaker 2: Poked at by these fucking park cops. Have you seen these, Yes,

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Speaker 2: with their little and because they're park cops, they of

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Speaker 2: course carry like sticks, yeah, like a stick, yes, because

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Speaker 2: they like they love like the earth and trees.

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Speaker 1: And frankly, I don't have a problem if they're in

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Speaker 1: uniform and they identify themselves. But some of them are

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Speaker 1: posing as like concerned parents who think their kids are

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Speaker 1: going to fall into this giant hole you know, which,

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Speaker 1: by the way, six hundred meters isn't exactly giant.

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Speaker 2: I would like to see it a lot deeper. And

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Speaker 2: even some of them pose as regular cops. Oh my god,

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Speaker 2: it's like, you're not real cops.

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Speaker 1: This is a park, right, And I start trying to

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Speaker 1: grab their gun to prove that it's a stick, you know,

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Speaker 1: I keep reaching over its, clutching at the hip.

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Speaker 2: But they spin around so fast.

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Speaker 1: Oh my god, the hip movement on these fucking park cops.

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Speaker 1: And they're like, you can't have you can't do a

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Speaker 1: concrete pour in here, Like you can't build a steel

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Speaker 1: staircase at the bottom of your hole. And I'm getting

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Speaker 1: frustrated now, and I start. I grab a stick on

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Speaker 1: my own, I go, how would you like it? Right,

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Speaker 1: I'm swinging the fucking thing around. I hit myself in

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Speaker 1: the ear a couple of times.

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Speaker 2: It's so.

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Speaker 1: Oh my god, that's dark in the hole. It's also

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Speaker 1: dark at the park. It's after midnight.

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Speaker 2: Yeah, sure, you know. And so.

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Speaker 1: Basically they they go, hey, either you fill that thing

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Speaker 1: in or we're gonna fill it. And I go go ahead,

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Speaker 1: and I get at the bottom of the hole. Sure enough,

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Speaker 1: they start pour dirt on top.

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Speaker 2: Of they did they so they they actually attempted to

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Speaker 2: bury you, which is why I'm late. Park justice.

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Speaker 1: Yeah, isn't that the most disgusted thing you've ever heard?

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Speaker 1: Park Justice? They like nature so much they want you

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Speaker 1: to become a part of it, to join the roots

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Speaker 1: of the trees.

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Speaker 2: Hello and welcome to Hollywood. Welcome names. In the red

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Speaker 2: carpet industry, we call show says, what up? What up?

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Speaker 1: We got a really good guest today. It's a corker

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Speaker 1: beyond hi alert. We do have a corker in store

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Speaker 1: calling it now.

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Speaker 2: And people have been saying for years, evy break day, thommas,

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Speaker 2: can you have d Thomas shut up? When I'm fucking ready?

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Speaker 2: When day? Why busy?

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Speaker 1: You don't snap your fingers and Dave just you know,

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Speaker 1: comes right up to your table and does your bidding.

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Speaker 1: What you do is you wait? You you soften the soil.

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Speaker 1: It's like digging a big hole in some ways, in

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Speaker 1: every way. You check the weather report the night before,

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Speaker 1: you say, is Dave going to be primed so that

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Speaker 1: I can dig in and suck his ass on my

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Speaker 1: fucking disgusting little podcast. And the fact to the matter

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Speaker 1: is he finally was You're welcome folks, Dave, say, Hi,

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Speaker 1: tell us a little bit about yourself. What have you

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Speaker 1: been up to lately?

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Speaker 3: Hey, hi boy, talk about a good ass. Second. I

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Speaker 3: feel so relieved. Ah, well, you know I haven't been

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Speaker 3: doing a lot. Yeah, don't just staying at home like

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Speaker 3: anybody else in the country.

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Speaker 2: Yeah, but really like we to sell it, you know, yeah,

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Speaker 2: like we really we need the momentum from this to

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Speaker 2: kind of ride through the whole show, so.

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Speaker 1: You don't have anything else. So like whatever you say

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Speaker 1: here is going to kind of set the tone.

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Speaker 2: We really need you, We really need you to have

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Speaker 2: done all.

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Speaker 3: I'm going to go badly then, I think, is what?

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Speaker 3: Okay here?

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Speaker 2: Okay, we definitely can't have that.

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Speaker 1: Have that again.

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Speaker 2: Our last couple have gone really bad.

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Speaker 1: It's been pretty low energy, so we do need you

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Speaker 1: to kind.

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Speaker 3: Of we can probably start the show over.

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Speaker 2: Or hit it Kevin, hit it, or just end it here.

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Speaker 2: We can't contractual, we cannot end it. Yeah, we won't advertise. Okay,

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Speaker 2: So while the song is going, Dave, you think about

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Speaker 2: it's been how long Kevin's kind of ours?

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Speaker 3: Just eight years?

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Speaker 2: Eight years since you've done this show?

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Speaker 3: Are you kidding?

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Speaker 1: We never did on this show.

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Speaker 3: Yeah, my life is completely changed since May twenty fourteen.

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Speaker 3: Just unbelievable.

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Speaker 2: Okay, Yeah, tell us about stuff.

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Speaker 3: That's happened since yeah fourteen, Yeah, shocking to me.

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Speaker 1: Okay, and wow, any details at all?

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Speaker 3: Well, let's see, I moved out of comedy and went

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Speaker 3: into drama. Oh you probably already.

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Speaker 2: Picked up on that I have noticed.

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Speaker 3: Yeah, yeah, yeah, And I started working on bones in

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Speaker 3: twenty fourteen, okay, and then I went to the Blacklist,

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Speaker 3: and then I wrote a book, Good War. And I

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Speaker 3: haven't thought of a joke or had a funny idea

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Speaker 3: in seven years.

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Speaker 2: Wow.

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Speaker 3: Maybe.

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Speaker 1: Okay, So we got you at the tail end there. Yeah,

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Speaker 1: you had some funny shit on the last episode, and

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Speaker 1: that that's sort of guess recorded funniness.

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Speaker 2: I'm doing a lot of the work, but yeah.

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Speaker 1: There was there.

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Speaker 3: I think you're doing the heavy lifting shown we always did.

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Speaker 1: It ended up coming out. Okay. So you mentioned the book.

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Speaker 1: The book is a quantum thriller. Is that correct?

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Speaker 3: Yeah? Quantum mystery. Man. Everyone's working on these now. They're

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Speaker 3: all the rage and.

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Speaker 2: And it's cybernetic.

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Speaker 3: Is that correct? No, not at all? You know it's uh,

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Speaker 3: it's okay, well, Kevin, it's it's many world.

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Speaker 2: We get these notes from Kevin.

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Speaker 3: It's moving through the many world theory of a prince

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Speaker 3: and physicist named Hugh Everett the third, moving through his

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Speaker 3: concept that life and for every binary choice can go

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Speaker 3: this way or that, but it actually goes both ways.

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Speaker 3: And they proved that now in a lab. That's the

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Speaker 3: beauty of science. It ultimately catches up with itself.

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Speaker 2: Wow, it's I think that's a very boring.

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Speaker 1: Yeah, it sounds like you are interested in it, which

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Speaker 1: I love for you. It sounds a little bit lame

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Speaker 1: and boring. Uh. I know when I spoke with you, you

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Speaker 1: had said you had not recorded an audiobook version of this.

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Speaker 1: We were hoping actually to kind of help you sell

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Speaker 1: the sizzle, but not the steak, which is gonna be

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Speaker 1: hard here. But but put together some excerpt some some

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Speaker 1: you know, excerpts read by the author who is a

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Speaker 1: performer in his own right.

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Speaker 3: Yes, he was a performer in his own right before

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Speaker 3: he retired.

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Speaker 1: But go on, but go on and come on, Bogman

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Speaker 1: himself is here.

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Speaker 3: Man woo, a blast from the past.

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Speaker 1: Of course, people are going to be familiar with your

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Speaker 1: famous Bogman character. And now that now.

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Speaker 3: That we have a lot of requests even today.

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Speaker 1: And so we can you know, we can uh, have

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Speaker 1: you or Bagman or both of you read a couple

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Speaker 1: of pieces of the book and uh, and and use

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Speaker 1: these as marketing tools in order to promote it.

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Speaker 2: Because where are we at with this? Are we are?

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Speaker 2: We like running copies off the assembly line? Like where

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Speaker 2: can this be stopped at this point.

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Speaker 3: No, it's already on Amazon.

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Speaker 2: My guy got the book has come out.

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Speaker 3: Yeah, it looks like this and it's already on Amazon.

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Speaker 2: Okay, okay, there's but you can do all this stuff.

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Speaker 2: First of all Amazon with these like kindles and things.

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Speaker 2: I've been reading books on the kindle and sometimes I

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Speaker 2: can tell that they're like making changes in it while

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Speaker 2: I'm reading it.

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Speaker 1: Yeah, they go oops. Uh. What I hear a lot

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Speaker 1: of them for a bit is the reader will go er,

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Speaker 1: and I'm like.

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Speaker 3: That. Sometimes they write that in the text though he

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Speaker 3: might actually be reading that.

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Speaker 1: It's coming up so much.

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Speaker 2: And it's changing while I like they're deleting stuff. They're

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Speaker 2: typing new things.

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Speaker 3: As an author is one of my favorite things to write.

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Speaker 1: Okay, So then you, as the omniscient narrator, are off

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Speaker 1: it saying er and then making a new choice about

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Speaker 1: the language you used or even the the entire premise

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Speaker 1: of the book.

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Speaker 2: Okay, that's really cool.

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Speaker 3: Then, ago, when I was talking about those binary choices

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Speaker 3: of being able to go left and right, you're making

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Speaker 3: fun of me. But now you're embracing it, and that

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Speaker 3: I love. Full circle.

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Speaker 1: You've you've tricked me into being interesting in this incredibly

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Speaker 1: dry topic. So I uh, I do want to share

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Speaker 1: with Hayes. I want to be honest with him that

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Speaker 1: Dave was showing us a little bit of the book

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Speaker 1: before we started recording, and it they got my man,

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Speaker 1: They they hit him with the ant size print. The

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Speaker 1: the print is so small no one printed able to

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Speaker 1: read it too.

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Speaker 2: Teeny Okay, let me just say this is first printing.

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Speaker 2: First printing always sucks. It always like the book is

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Speaker 2: always bad, It always like, it always looks weird.

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Speaker 1: I went first printing first printing as a novelist myself.

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Speaker 1: First printing is just the beginning of a negotiation. That's

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Speaker 1: where you start. Then you start making your demands. Hey,

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Speaker 1: I got to be able to actually read this bitch.

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Speaker 3: I publisher now sure words have never been spoken. Sehn,

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Speaker 3: I'm into it with him.

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Speaker 1: I noticed when you held up the book, there's another

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Speaker 1: name on the front underwritten by So that is that

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Speaker 1: who wrote the book?

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Speaker 3: Or no, no, that's not who wrote the book. That's

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Speaker 3: my co author.

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Speaker 1: Okay, So you're implying.

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Speaker 3: Here that he ghosted it and I didn't write a

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Speaker 3: fucking thing.

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Speaker 1: Right, I'm inferring from you know, what I know of

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Speaker 1: your history of collaboration.

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Speaker 3: Man, oh man, are you specifically talking about my collaboration

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Speaker 3: with you now? Because I can think of a sketch

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Speaker 3: that I wrote for you that you take credit for

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Speaker 3: about a guy that just loved tacos. And it was

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Speaker 3: just a guy that loved tacos. He when all of

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Speaker 3: the world eating tacos.

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Speaker 1: That doesn't that sound like a funny sketch all over

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Speaker 1: the world.

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Speaker 3: It does a taco and then you took credit for it.

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Speaker 3: You stole it from me.

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Speaker 2: I kind of look where it's gotten me.

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Speaker 1: I'm now world famous as the taco sketch guy. I'm

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Speaker 1: dying out every day of the week with all the

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Speaker 1: big players down.

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Speaker 2: You're David, Let's let's try this.

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Speaker 1: Let's get Why don't you just read a little bit

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Speaker 1: of the book and then we'll see if we give

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Speaker 1: you a note some direction, and we'll get something recorded,

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Speaker 1: hopefully that you can use to kind of move these copies,

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Speaker 1: get the first press selling through so we can actually

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Speaker 1: print one people can read.

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Speaker 3: So I'm on Pacific Go's Highway and my Dodge Charger Hellcat.

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Speaker 3: The Hellcat is the fastest street legal production sedan in

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Speaker 3: the world. I got seven hundred and seven supercharged horsepower

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Speaker 3: under my right foot, and all that power is coupled

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Speaker 3: with six hundred and fifty pound feet of torque delivered

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Speaker 3: through a beefed up eight speed transmission. What does all

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Speaker 3: this car talk mean? It means that the three La

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Speaker 3: County Sheriff Crown, Vic, Black and Whites on my tail

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Speaker 3: don't have a hope in hell of catching me. Their

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Speaker 3: top speed is one twenty nine minus twoh four. No

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Speaker 3: contest except okay, things.

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Speaker 2: Okay, go on, okay, okay, I want to hear the

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Speaker 2: two things. I do. Just want to make clear this.

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Speaker 2: I mean, just like sort of knowing this is. I

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Speaker 2: think you might be rid of your diary. I don't

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Speaker 2: I don't know if this is. This is the The

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Speaker 2: book is about a Boston guy, right like this.

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Speaker 1: Yeah, when I've.

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Speaker 3: Sent you know what, You're right, I'm reading the wrong

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Speaker 3: thing here. Fuck that happens.

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Speaker 1: That happens all the time with these audiobook records. We

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Speaker 1: we go through this so much. That's why Hayes pegged

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Speaker 1: it so quickly. And because you did tell us that

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Speaker 1: story immediately before we started recording.

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Speaker 3: Well, so you were tipped off.

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Speaker 1: But you didn't get to the two things.

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Speaker 2: Uh yeah, what were the what were the two what

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Speaker 2: are the two things?

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Speaker 3: Well, I'm not going to tell you that now because

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Speaker 3: that's not my book.

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Speaker 2: Okay, I mean that makes no.

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Speaker 3: Sense that I would say that.

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Speaker 2: Let me uh, let me Yeah, how old is Jimmy? Roughly?

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Speaker 3: It's early thirty. Can we do like in Boston?

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Speaker 2: Okay, here are my suggestions? Yeah, night, Uh, seventeen high

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Speaker 2: school thief? Can we get uh, no, we get Noah

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Speaker 2: Centinao for him?

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Speaker 1: Can we uh do you know?

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Speaker 2: Noah?

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Speaker 1: Can we knock.

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Speaker 2: Down a little bit, back down a little bit?

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Speaker 1: Seventeen is feeling a little long in the tooth for

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Speaker 1: me in terms of something I kind of like, yeah,

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Speaker 1: actually read about.

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Speaker 2: Okay, so what fifteen twelve? I was thinking ten ten? Okay,

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Speaker 2: Jimmy ten ten works? Noah Centennaio can play ten?

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Speaker 1: Uh?

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Speaker 2: Big time thief? Why you know?

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Speaker 3: Big time?

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Speaker 2: Yeah?

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Speaker 1: I wouldn't mind if he drives this dodge hell cat

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Speaker 1: you were just describing. I mean that that's pretty good.

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Speaker 1: You know, let's let's toss that in. I would get

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Speaker 1: great to steal. Right, So whatever you were reading from

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Speaker 1: just now, that's part of it. So this ten year

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Speaker 1: old's driving this dodge hell cat, crazy big thief, no

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Speaker 1: assent to NAO's playing him.

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Speaker 3: And I actually mistakenly read from my second book. I

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Speaker 3: realized what I did now and the first book I

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Speaker 3: could read you a little of because I really like

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Speaker 3: your criticism on that. Okay, you've been really helpful by

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Speaker 3: give me an age range that I think I can

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Speaker 3: work with. What did you end up with? Ten?

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Speaker 2: Ten?

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Speaker 3: Something like that.

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Speaker 2: It's not a range, it's a.

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Speaker 1: Firm number that everybody feels is probably best.

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Speaker 3: So here's how it would go. Then, James P. Layton

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Speaker 3: was ten, a young old pro who could pick a

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Speaker 3: lot climate trellis, probably open a window and silently loot

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Speaker 3: the valuables in a home while the owners slept, never

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Speaker 3: harming anyone in the process, more out of a low,

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Speaker 3: low profile self interest than innate goodness. At five ten

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Speaker 3: and one hundred and fifty pounds, he was big for ten.

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Speaker 3: But the boy is Southy, peep and talked and squeezed,

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Speaker 3: sometimes fought his way out of more than one tight

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Speaker 3: scrape after another. Tonight was different. Tonight he might die.

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Speaker 3: Are you guys on the edge of your seats yet?

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Speaker 2: Wow? I'm kind of kind of scary. Yeah, I'm scary

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Speaker 2: for you, I guess.

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Speaker 1: Then I go to read a book, I don't want

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Speaker 1: to piss my fucking trousers.

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Speaker 2: Dog.

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Speaker 1: You can chill out a little bit.

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Speaker 2: No, no thing, he doesn't anymore. There was definitely a

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Speaker 2: time when you when Sean would go into a book

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Speaker 2: like fully intending to.

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Speaker 1: Well, when I was Jimmy Layton's age, maybe, But these days, uh,

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Speaker 1: you know, older wiser, and I'm kind of looking to relax,

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Speaker 1: do we Hey, do you want stuff?

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Speaker 3: That's page one? This is a three hundred and hold on,

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00:17:07,160 --> 00:17:09,359
Speaker 3: this is a lot of rewriting. You're suggesting that.

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Speaker 1: Are you saying you turned down the heat for the

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00:17:11,680 --> 00:17:16,040
Speaker 1: rest of the book? That page one is all the

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Speaker 1: action and then we kind of get into just, oh

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Speaker 1: it does maybe Jimmy does a puzzle or something.

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Speaker 3: In fact, the last it's out of three hundred and

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Speaker 3: twenty eight pages, the last one hundred and twenty eight

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Speaker 3: pages are blank. That's how relaxed it gets. Was that

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Speaker 3: relaxed enough for you, guys?

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Speaker 1: I'm loving that's very chill.

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Speaker 3: I This was another deal I made with the publisher.

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Speaker 3: Is because we just put notes at the top of

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Speaker 3: that so people can make their own notes if they want, yeah,

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Speaker 3: or they know they could write their own book. They

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Speaker 3: didn't have to read any more of my book. They

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Speaker 3: could or the other guy that I wrote this with

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Speaker 3: man Son and Columns, who actually really wrote it. But

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00:18:04,160 --> 00:18:04,760
Speaker 3: I'm copying it.

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Speaker 1: Okay before you say that, Yeah it was you know,

336
00:18:09,280 --> 00:18:12,000
Speaker 1: it was so fat that we applied no pressure at

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Speaker 1: all to you, and you guys hold it instantly.

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Speaker 3: I know you guys are the Woodward and burn Steen

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00:18:19,160 --> 00:18:22,600
Speaker 3: of podcasts. You can just make somebody cave right away,

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00:18:23,160 --> 00:18:23,359
Speaker 3: you know.

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Speaker 2: And I know you said, uh, five ten, Yeah, I'm

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Speaker 2: thinking six six four two fifteen.

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Speaker 3: At the age of ten.

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Speaker 2: Cut the big kid.

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Speaker 1: Yeah, it's like those are rookie numbers. Gotta pump those

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Speaker 1: numbers up.

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Speaker 2: Right, triangle triangle shaped torso, upside down triangle torso.

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Speaker 3: Yeah, you know the trapzoid big traps drafts like those

349
00:18:58,640 --> 00:19:02,280
Speaker 3: sort of the fraud thing where the guy does that, yes,

350
00:19:02,760 --> 00:19:05,840
Speaker 3: muscle pose and the muscles come from just slightly above

351
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Speaker 3: his ears, all the weight to the shoulder caps.

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Speaker 2: Yes, all right, traps lats for lats for weeks.

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00:19:17,800 --> 00:19:22,800
Speaker 1: We're gonna want to get those monvoids. And scalis uh

354
00:19:23,119 --> 00:19:27,959
Speaker 1: popping out. I want to see every single one. I

355
00:19:27,960 --> 00:19:33,920
Speaker 1: wouldn't mind having the intercostal muscles between the ribs have

356
00:19:34,119 --> 00:19:38,119
Speaker 1: each have their own identity within the story.

357
00:19:38,240 --> 00:19:41,080
Speaker 2: They should be sort of a character, like like Southy.

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Speaker 3: Maybe they could be little stories within the story. Is

359
00:19:45,240 --> 00:19:46,800
Speaker 3: that what you're thinking, some kind of a.

360
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Speaker 1: I don't want to write the thing for you, but

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Speaker 1: maybe we follow.

362
00:19:53,480 --> 00:19:59,320
Speaker 3: I could use your help. Hey listen, I'm an undabashed thief.

363
00:20:00,359 --> 00:20:03,199
Speaker 3: I'll take whatever help I can get.

364
00:20:03,720 --> 00:20:06,399
Speaker 1: Well, yeah, we're trying to give it to you. So

365
00:20:06,600 --> 00:20:11,000
Speaker 1: I guess i'd love to hear a little bit of

366
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Speaker 1: this new version of the audio book where the guy

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Speaker 1: is what do we decide on six?

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00:20:16,760 --> 00:20:20,040
Speaker 2: Yeah, two twenty five I think works if it's if

369
00:20:20,040 --> 00:20:22,119
Speaker 2: it's all muscle, it's gonna weigh a lot.

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Speaker 1: And then we just kind of go through his muscle.

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Speaker 1: But same them, thirty and ch waste. Do not want

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Speaker 1: too much waste, So thirty is good. Like you already

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Speaker 1: use the word thirty for his age.

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Speaker 2: You can so keep that, just move that down for

375
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Speaker 2: his his waist.

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Speaker 3: You guys are gonna make big friends with the publisher.

377
00:20:44,200 --> 00:20:49,639
Speaker 3: He's gonna love that that's a cash saving chain. It's brilliant.

378
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Speaker 1: We get an extremely small feet what.

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Speaker 3: Okay, I think I like that, like an animated figure.

380
00:20:57,560 --> 00:21:00,600
Speaker 2: Yeah, and that's how he sneaks in and out of

381
00:21:01,480 --> 00:21:02,600
Speaker 2: when he walks around and goes.

382
00:21:05,240 --> 00:21:07,160
Speaker 1: He actually got awaken. Nobody else he.

383
00:21:07,119 --> 00:21:09,840
Speaker 3: Makes that verbally, that sound verbally when he.

384
00:21:10,359 --> 00:21:13,480
Speaker 2: That's the sound he makes to cover up. Yeah, that's

385
00:21:13,560 --> 00:21:15,320
Speaker 2: that's the rhythm of his So James P.

386
00:21:15,480 --> 00:21:19,840
Speaker 3: Layton was tanned, a young old pro who could pick

387
00:21:19,840 --> 00:21:24,040
Speaker 3: a lot crimatella climatrellis, pry open a window and silently

388
00:21:24,119 --> 00:21:26,440
Speaker 3: loot the valuables in a home while the owners slept.

389
00:21:28,280 --> 00:21:33,000
Speaker 3: Weighing at two hundred and twenty five pounds, looking like

390
00:21:33,040 --> 00:21:38,760
Speaker 3: an inverted triangle, he was a human mass of muscles

391
00:21:39,280 --> 00:21:47,480
Speaker 3: beyond belief, a piece of sculpted flesh that bodybuilders would endy.

392
00:21:48,520 --> 00:21:52,359
Speaker 3: No horrmones drove this man to the perfectly sculpted form

393
00:21:52,440 --> 00:21:56,760
Speaker 3: that he carried around. He was his own master. He

394
00:21:56,800 --> 00:22:01,360
Speaker 3: did it with a diet that was purely plant based.

395
00:22:02,200 --> 00:22:06,600
Speaker 1: I mean, is this this is so good? The plant

396
00:22:06,600 --> 00:22:08,880
Speaker 1: based diet thing we didn't even give you.

397
00:22:08,680 --> 00:22:11,680
Speaker 3: But yes, oh the other guy did.

398
00:22:14,280 --> 00:22:14,520
Speaker 1: Wow.

399
00:22:15,000 --> 00:22:18,040
Speaker 2: So he's there he's continuing to give you. I have

400
00:22:18,200 --> 00:22:19,879
Speaker 2: no idea.

401
00:22:19,920 --> 00:22:25,119
Speaker 3: He's just typing stuff in for me on the screen

402
00:22:25,200 --> 00:22:26,080
Speaker 3: while we're talking.

403
00:22:27,080 --> 00:22:30,600
Speaker 1: That's great. I think I like the new stuff. Some

404
00:22:30,680 --> 00:22:34,239
Speaker 1: of the like climbing the trellis.

405
00:22:35,400 --> 00:22:37,280
Speaker 3: In the lock. I'm a team player.

406
00:22:37,359 --> 00:22:38,479
Speaker 1: The fuck am I reading?

407
00:22:38,840 --> 00:22:41,400
Speaker 3: We can get this ship. First of all, you're not

408
00:22:41,480 --> 00:22:42,119
Speaker 3: reading anything.

409
00:22:42,160 --> 00:22:43,240
Speaker 1: I can't picture it.

410
00:22:43,359 --> 00:22:46,479
Speaker 3: You know. First, you're not reading anything. You're just sitting

411
00:22:46,480 --> 00:22:49,760
Speaker 3: there critiquing you read that's coming to you verbally. So

412
00:22:50,359 --> 00:22:54,919
Speaker 3: in fairness, you're making your suggestions verbally and I'm taking

413
00:22:54,960 --> 00:22:57,800
Speaker 3: them and embracing them.

414
00:22:57,840 --> 00:23:00,400
Speaker 2: By the way, what do you think, Shan, what are

415
00:23:00,440 --> 00:23:04,080
Speaker 2: you picturing? Like with the Sean is really great with

416
00:23:04,119 --> 00:23:07,280
Speaker 2: like physical like movement based.

417
00:23:07,720 --> 00:23:09,679
Speaker 3: I know that he had done that what was it

418
00:23:09,720 --> 00:23:12,920
Speaker 3: a six hundred meter hole at the beginning of the show. Yes,

419
00:23:13,280 --> 00:23:16,520
Speaker 3: to me is an indication of some physical skills.

420
00:23:16,640 --> 00:23:22,240
Speaker 1: Yeah, I just understand space. So I'm thinking we might

421
00:23:22,400 --> 00:23:24,879
Speaker 1: want to put Johnny.

422
00:23:24,920 --> 00:23:27,159
Speaker 2: It's Johnny, right, Jimmy.

423
00:23:27,800 --> 00:23:31,880
Speaker 1: Jimmy might want to make that Johnny, So.

424
00:23:32,520 --> 00:23:35,240
Speaker 3: I could, I could, I could go for that.

425
00:23:35,440 --> 00:23:41,760
Speaker 1: Yeah, let's put Johnny selling different novelty floaties at the beach.

426
00:23:42,720 --> 00:23:46,000
Speaker 1: He's got like a big inflatable guitar that you could

427
00:23:46,080 --> 00:23:53,080
Speaker 1: ride on, could have a dolphin, maybe a white Bengal tiger,

428
00:23:53,920 --> 00:24:02,480
Speaker 1: and uh, let's have him. Uh let's happen in a

429
00:24:02,640 --> 00:24:05,440
Speaker 1: pretty form fitting suit there as well.

430
00:24:09,160 --> 00:24:13,679
Speaker 3: His trunks you're talking, that's right, you'm thinking of speed up.

431
00:24:15,320 --> 00:24:16,920
Speaker 1: Do you don't want to get into brands because I

432
00:24:16,920 --> 00:24:20,040
Speaker 1: don't want to be on the hook with paying them.

433
00:24:20,080 --> 00:24:23,760
Speaker 3: I understand that. So if form fitting you're talking, the

434
00:24:23,800 --> 00:24:28,080
Speaker 3: form of his schlong is going to be.

435
00:24:29,160 --> 00:24:30,160
Speaker 1: Never said complete.

436
00:24:31,240 --> 00:24:36,080
Speaker 3: Yes, it's going to be completely visible. I'm only because

437
00:24:36,119 --> 00:24:39,240
Speaker 3: if this guy's got these traps in this body, not

438
00:24:39,320 --> 00:24:43,119
Speaker 3: to mention intercostals that are small characters that are going

439
00:24:43,200 --> 00:24:46,639
Speaker 3: to play throughout the novel at a later point, it's

440
00:24:46,680 --> 00:24:48,880
Speaker 3: got to be long this kind of personality too. I mean,

441
00:24:48,880 --> 00:24:50,320
Speaker 3: come on, it's fair, it's fair.

442
00:24:50,720 --> 00:24:55,000
Speaker 1: Well, I don't I don't disagree with the fundamental storytelling

443
00:24:55,080 --> 00:24:59,440
Speaker 1: concept you're bringing up. I think in the current climate

444
00:24:59,520 --> 00:25:03,720
Speaker 1: we live in, yeah, this ten year old, we're probably

445
00:25:03,760 --> 00:25:07,800
Speaker 1: gonna want to focus just on the muscles and not

446
00:25:08,119 --> 00:25:08,960
Speaker 1: get into like.

447
00:25:10,480 --> 00:25:11,080
Speaker 2: The schlong.

448
00:25:12,440 --> 00:25:15,560
Speaker 1: May that's so delicately put it ploy clean?

449
00:25:15,600 --> 00:25:16,720
Speaker 3: Correct, you think a little bit.

450
00:25:16,760 --> 00:25:21,320
Speaker 2: Maybe it'll come back around. It's yeah, this is a specyclical.

451
00:25:21,480 --> 00:25:24,840
Speaker 1: I'm not saying, hey, when we write, when we write, uh,

452
00:25:24,960 --> 00:25:29,920
Speaker 1: you know, Johnny, Johnny Quantum two. I think we could

453
00:25:29,960 --> 00:25:32,040
Speaker 1: definitely get into the schwank and he'll have he'll have

454
00:25:32,080 --> 00:25:33,200
Speaker 1: grown up a little bit too.

455
00:25:33,880 --> 00:25:36,439
Speaker 3: So we're changing his last name too. It's not Lanta

456
00:25:36,560 --> 00:25:39,639
Speaker 3: and Lighton anymore. It's Quantum, Johnny Quantum.

457
00:25:41,080 --> 00:25:43,120
Speaker 2: Well then you say it's a quantum mystery.

458
00:25:44,720 --> 00:25:49,320
Speaker 3: Yeah, oh, so like what we should be his name?

459
00:25:49,400 --> 00:25:52,560
Speaker 3: I didn't get I didn't make that connection. That's brilliant.

460
00:25:52,800 --> 00:25:56,040
Speaker 3: So if it's a quantum mystery, the guy's name should

461
00:25:56,119 --> 00:25:58,920
Speaker 3: be Quantum, I would think.

462
00:25:58,840 --> 00:26:02,399
Speaker 1: Yeah, because it's not a mystery, right, Like it's not

463
00:26:02,440 --> 00:26:03,360
Speaker 1: a latent mystery.

464
00:26:03,960 --> 00:26:07,760
Speaker 3: Mm hmm, yeah, no, it's not not at all.

465
00:26:08,359 --> 00:26:13,040
Speaker 1: Yeah, so you know, let's actually tell people what they're buying.

466
00:26:13,080 --> 00:26:16,760
Speaker 3: Man, I forgot on the.

467
00:26:16,080 --> 00:26:17,640
Speaker 1: What's going on? I get a phone call? You could

468
00:26:17,640 --> 00:26:18,000
Speaker 1: take it.

469
00:26:18,400 --> 00:26:20,400
Speaker 3: I got to start the whole interview over.

470
00:26:20,800 --> 00:26:22,400
Speaker 1: Sorry, Oh no, can we.

471
00:26:22,320 --> 00:26:26,600
Speaker 3: Go back to that six hundred meter hole? Is that too?

472
00:26:27,119 --> 00:26:28,400
Speaker 3: Is that too far back for you guys?

473
00:26:28,480 --> 00:26:31,439
Speaker 2: Maybe we could like come up with some better stuff

474
00:26:31,440 --> 00:26:32,280
Speaker 2: that you were doing.

475
00:26:33,080 --> 00:26:36,000
Speaker 1: Like, that's really where I think it's fell.

476
00:26:36,240 --> 00:26:37,560
Speaker 2: Since we lasted the show.

477
00:26:37,920 --> 00:26:40,240
Speaker 1: The whole stuff we have, you weren't doing anything.

478
00:26:40,320 --> 00:26:43,639
Speaker 3: So it's yeah, I could take a break while you

479
00:26:43,760 --> 00:26:46,440
Speaker 3: do that, and then once you've done the front part

480
00:26:46,440 --> 00:26:48,920
Speaker 3: of what I did over and made me look good,

481
00:26:49,359 --> 00:26:52,040
Speaker 3: I'll come in and take credit for it.

482
00:26:52,960 --> 00:26:56,399
Speaker 2: Ken Kevin can be like Kevin. Actually we always have

483
00:26:56,520 --> 00:26:58,679
Speaker 2: Kevin ready to kind of like jump in and be

484
00:26:58,760 --> 00:27:03,520
Speaker 2: an understudy for a guest who's flailing, and so we

485
00:27:03,920 --> 00:27:06,240
Speaker 2: Kevin can we can start the show. Kevin can talk

486
00:27:06,280 --> 00:27:10,760
Speaker 2: about what you what what you Dave have done over

487
00:27:10,800 --> 00:27:13,840
Speaker 2: the last eight years as Dave, and you can actually

488
00:27:13,840 --> 00:27:16,960
Speaker 2: give notes on that. He's Kevin is great at at

489
00:27:17,040 --> 00:27:21,560
Speaker 2: getting notes, and so then we can get back into

490
00:27:21,560 --> 00:27:25,600
Speaker 2: some of the book stuff if that like does that work? Okay?

491
00:27:25,800 --> 00:27:28,080
Speaker 3: Kevin need to be there to listen to that or

492
00:27:28,119 --> 00:27:29,440
Speaker 3: can I come back in later?

493
00:27:31,040 --> 00:27:39,560
Speaker 2: Uh? I guess, like, yeah, Kevin, why you're asking? You know? Yeah,

494
00:27:39,760 --> 00:27:46,240
Speaker 2: it's not lost on me. Kevin without an audience, I

495
00:27:46,280 --> 00:27:48,920
Speaker 2: don't know. I'm just a little Yeah. And also because

496
00:27:48,960 --> 00:27:52,600
Speaker 2: I might want to leave, Like so if you're leaving,

497
00:27:52,680 --> 00:27:55,720
Speaker 2: and then I also believe I'm going to go as well. Yeah, yeah,

498
00:27:55,960 --> 00:27:59,600
Speaker 2: and so like I think it's probably safer if you're here,

499
00:27:59,800 --> 00:28:00,920
Speaker 2: so that I just.

500
00:28:00,880 --> 00:28:03,760
Speaker 1: So even know Kevin really does it, Yeah exactly.

501
00:28:03,760 --> 00:28:05,760
Speaker 3: So it's just me and Kevin, then you two will

502
00:28:05,800 --> 00:28:06,200
Speaker 3: be gone.

503
00:28:06,640 --> 00:28:08,800
Speaker 2: I might stay. I definitely might stay.

504
00:28:10,840 --> 00:28:14,520
Speaker 3: Okay, Kevin, do you think he should stay?

505
00:28:15,680 --> 00:28:20,200
Speaker 4: No, he doesn't have to stay. It's up to him, honestly.

506
00:28:20,280 --> 00:28:22,240
Speaker 2: See now I think I actually am going to say

507
00:28:22,240 --> 00:28:25,320
Speaker 2: because I know that like once I'm out of the room,

508
00:28:25,640 --> 00:28:30,720
Speaker 2: he'll start like pulling his shirt like off the shoulder

509
00:28:30,920 --> 00:28:33,000
Speaker 2: kind of like he does. He's kind of like, I

510
00:28:33,040 --> 00:28:36,680
Speaker 2: don't know. It's like we're recording this on video. I'll

511
00:28:36,680 --> 00:28:40,920
Speaker 2: go back, Yeah exactly, that's exactly right. So we're doing

512
00:28:40,960 --> 00:28:43,640
Speaker 2: this record on videos. Sometimes I'll go back and watch

513
00:28:43,800 --> 00:28:46,040
Speaker 2: when if I leave during an episode, and Kevin will

514
00:28:46,080 --> 00:28:50,400
Speaker 2: become very coquettish as soon as as soon as he's

515
00:28:50,440 --> 00:28:53,520
Speaker 2: left alone. So Ken hit the song this stuff.

516
00:28:53,640 --> 00:28:57,920
Speaker 3: Yes, here's something I brought for this show. If all

517
00:28:57,960 --> 00:29:01,200
Speaker 3: your guests do it, this is called a hand and

518
00:29:01,240 --> 00:29:06,000
Speaker 3: I brought this case. I had an allergic reaction. What

519
00:29:06,040 --> 00:29:10,840
Speaker 3: was going on that I could just to the off

520
00:29:11,640 --> 00:29:15,960
Speaker 3: under the seal and then jam it into my dieh,

521
00:29:16,680 --> 00:29:19,360
Speaker 3: so that I don't end up being in a situation

522
00:29:19,400 --> 00:29:23,760
Speaker 3: where my throat closes and I can't talk anymore.

523
00:29:23,920 --> 00:29:28,040
Speaker 2: Yeah, some people are allergic to the truth, and so

524
00:29:28,720 --> 00:29:32,960
Speaker 2: they will bring an EpiPen when when they do this show.

525
00:29:33,560 --> 00:29:38,760
Speaker 3: I'm allergic to being exposed as the fraud that I am,

526
00:29:38,880 --> 00:29:43,800
Speaker 3: and that in itself is a it's it's a throat

527
00:29:43,880 --> 00:29:49,320
Speaker 3: closing experience. So I'll be at a point where pretty

528
00:29:49,320 --> 00:29:51,920
Speaker 3: soon I'm going to have to use this EpiPen and

529
00:29:51,960 --> 00:29:53,520
Speaker 3: then I'm going to be fucked. They'll be out of

530
00:29:53,560 --> 00:29:55,160
Speaker 3: it for a little I'd be honest with you.

531
00:29:55,600 --> 00:29:57,560
Speaker 2: Oh do you trip out on that?

532
00:29:57,680 --> 00:30:02,200
Speaker 1: So you've used You've used these recreationally use EpiPens as.

533
00:30:02,120 --> 00:30:06,680
Speaker 3: Well, I don't learning hold on. First of all, I

534
00:30:06,800 --> 00:30:08,880
Speaker 3: take some hydra codone.

535
00:30:09,520 --> 00:30:17,480
Speaker 2: Oh man cocktail that that rattle the old rattlesnakes here.

536
00:30:18,240 --> 00:30:22,640
Speaker 3: Ah, that's how you trip out. You don't just get there.

537
00:30:23,000 --> 00:30:25,840
Speaker 3: You don't just get there with the epipan. You have

538
00:30:25,920 --> 00:30:29,280
Speaker 3: to take the hydra codon first and be in that

539
00:30:29,440 --> 00:30:32,480
Speaker 3: sort of like what the fuck is this state?

540
00:30:33,000 --> 00:30:34,880
Speaker 2: Then the lights.

541
00:30:37,160 --> 00:30:40,200
Speaker 3: He goes in there and I look down, and all

542
00:30:40,200 --> 00:30:43,920
Speaker 3: of a sudden, my feet get tiny, my body starts

543
00:30:43,960 --> 00:30:46,320
Speaker 3: to take a triangular shape, and I think to myself,

544
00:30:47,200 --> 00:30:50,520
Speaker 3: I'm that guy they were describing. I'm the muscle guy

545
00:30:50,560 --> 00:30:52,560
Speaker 3: with the intercostals to talk to each other.

546
00:30:52,800 --> 00:30:58,880
Speaker 1: I've become Johnny Quantum.

547
00:30:56,440 --> 00:31:01,800
Speaker 3: A new superhero that can't do it anything, take credit

548
00:31:01,800 --> 00:31:05,760
Speaker 3: for the people's stuff, and then overdose as.

549
00:31:07,480 --> 00:31:07,720
Speaker 2: See.

550
00:31:07,760 --> 00:31:10,480
Speaker 1: I love this, this, this honesty that I think we've

551
00:31:10,600 --> 00:31:12,680
Speaker 1: wrung out of you because we do a's and I

552
00:31:12,720 --> 00:31:16,360
Speaker 1: suffer from an affliction. It's it's like your allergy to

553
00:31:16,400 --> 00:31:22,880
Speaker 1: being exposed. We're actually we're physically incapable of sugarcoating it

554
00:31:23,600 --> 00:31:26,600
Speaker 1: and give we give you in the audience the straight dope.

555
00:31:26,640 --> 00:31:28,400
Speaker 1: Oh yeah, it'll be.

556
00:31:28,640 --> 00:31:30,640
Speaker 2: It kills me since.

557
00:31:30,360 --> 00:31:35,360
Speaker 3: That at the beginning, because very few, very much comedians,

558
00:31:36,040 --> 00:31:38,280
Speaker 3: there's a metaphor in comedy that you're digging a hole

559
00:31:38,280 --> 00:31:42,440
Speaker 3: for yourself. Very few comedians will open a show by

560
00:31:42,520 --> 00:31:47,480
Speaker 3: digging a hole for themselves and putting them and their

561
00:31:47,640 --> 00:31:51,800
Speaker 3: guests in that hole. That's an That's that tipped me

562
00:31:51,840 --> 00:31:55,040
Speaker 3: off right away that I was screwed that you were

563
00:31:55,080 --> 00:31:59,200
Speaker 3: basically digging a hole not just for me, but for

564
00:31:59,280 --> 00:32:02,120
Speaker 3: this whole show, and then we were all gonna go

565
00:32:02,240 --> 00:32:03,720
Speaker 3: down the shitter together.

566
00:32:04,440 --> 00:32:08,880
Speaker 2: And very few comedians really just one. Sean and I

567
00:32:08,960 --> 00:32:15,520
Speaker 2: technically career wise, are combined one comedian, just like.

568
00:32:15,480 --> 00:32:18,640
Speaker 1: We're the only one that does this. We open the

569
00:32:18,680 --> 00:32:20,800
Speaker 1: show by digging a hole, then we climb in the hole.

570
00:32:20,920 --> 00:32:24,000
Speaker 1: Then we bury ourselves in the guest.

571
00:32:24,480 --> 00:32:28,360
Speaker 3: I'll forget that. You bury yourself with the guests, and

572
00:32:28,440 --> 00:32:33,520
Speaker 3: this guest, I gotta say, walk into that hole willingly

573
00:32:34,120 --> 00:32:37,720
Speaker 3: and knowingly and accept it. The face, Well, you.

574
00:32:37,760 --> 00:32:42,080
Speaker 1: Just seem so fucking tired. Yeah, like the idea of

575
00:32:42,160 --> 00:32:43,959
Speaker 1: just laying down in that old hole.

576
00:32:44,080 --> 00:32:47,240
Speaker 3: Man, I'll tell you some kind.

577
00:32:47,040 --> 00:32:47,800
Speaker 1: Of freedom there.

578
00:32:48,080 --> 00:32:48,800
Speaker 2: That's so bad.

579
00:32:49,000 --> 00:32:51,760
Speaker 3: Here it's a vertical grave. And I was happy to

580
00:32:51,800 --> 00:32:56,960
Speaker 3: embrace it, you know. And and at the same time

581
00:32:57,080 --> 00:33:01,680
Speaker 3: to be able to get the relief of finally telling

582
00:33:01,720 --> 00:33:04,760
Speaker 3: the truth that I an't write this book or anything

583
00:33:05,040 --> 00:33:05,800
Speaker 3: for that matter.

584
00:33:06,320 --> 00:33:11,640
Speaker 1: Well, you're fucking shut up on hydra codo and an EpiPen.

585
00:33:13,080 --> 00:33:17,320
Speaker 1: Well you're speedballing with those two all day every day.

586
00:33:17,440 --> 00:33:18,920
Speaker 1: It's like, you're not going to write a book.

587
00:33:21,000 --> 00:33:28,080
Speaker 3: I have a I have a backup pill case in

588
00:33:28,280 --> 00:33:31,960
Speaker 3: case something happens to because who knows. I mean, you know,

589
00:33:32,000 --> 00:33:34,600
Speaker 3: people come in here all the time and steal my ship.

590
00:33:34,720 --> 00:33:37,480
Speaker 3: I'm not okay, I'm not paranoid, but I'll tell you something.

591
00:33:37,600 --> 00:33:40,320
Speaker 3: People come in here all the time and steal my ship.

592
00:33:40,360 --> 00:33:42,080
Speaker 3: And I got a lot of valuable stuff in here.

593
00:33:42,320 --> 00:33:45,880
Speaker 3: I got EpiPens, I got like massive amounts of hydro code,

594
00:33:46,560 --> 00:33:52,479
Speaker 3: and I basically I'm vulnerable. And when I do something

595
00:33:52,520 --> 00:33:56,719
Speaker 3: like this where I'm on the air being exposed like this,

596
00:33:56,720 --> 00:34:00,600
Speaker 3: this is well, it's a frightening thing. Let me tell you, guys,

597
00:34:00,920 --> 00:34:04,600
Speaker 3: I can't begin to tell you how frightening it is. Well,

598
00:34:04,640 --> 00:34:04,920
Speaker 3: this is.

599
00:34:04,880 --> 00:34:07,480
Speaker 1: Exactly why we're saying, I don't know why you're writing

600
00:34:07,520 --> 00:34:10,120
Speaker 1: a book about somebody who's breaking in and stealing stuff

601
00:34:10,160 --> 00:34:13,839
Speaker 1: when it's obviously terrifying to you. It's actually happening to you.

602
00:34:14,200 --> 00:34:16,560
Speaker 3: Hey, it was a metaphor in me. It was a

603
00:34:16,600 --> 00:34:20,719
Speaker 3: metaphor for me. Man, I don't my character breaks into

604
00:34:20,760 --> 00:34:23,760
Speaker 3: people's houses and steal stuff, and I break into people's

605
00:34:23,800 --> 00:34:27,880
Speaker 3: minds and steal their ideas. Guess what that guy is me,

606
00:34:28,480 --> 00:34:33,480
Speaker 3: Johnny Quantam, is this guy? Dave Thomas Dave and there

607
00:34:33,480 --> 00:34:36,120
Speaker 3: words of Bob Hope Dave never had a good idea

608
00:34:36,120 --> 00:34:41,360
Speaker 3: in his life. Thomas, Wow, talk about confession and you

609
00:34:41,400 --> 00:34:45,160
Speaker 3: guys run it out of me as only you two

610
00:34:45,280 --> 00:34:45,680
Speaker 3: can do.

611
00:34:46,000 --> 00:34:47,839
Speaker 2: But you got the last laugh in the end with

612
00:34:47,920 --> 00:34:49,240
Speaker 2: Bob huh wait.

613
00:34:49,360 --> 00:34:52,880
Speaker 3: I mean you know, no, it was an ancient reference

614
00:34:52,920 --> 00:34:54,719
Speaker 3: that none of your viewers will need to know who

615
00:34:54,800 --> 00:34:58,160
Speaker 3: he is or listeners. I get to say viewers too,

616
00:34:58,239 --> 00:35:01,520
Speaker 3: because you're videotaping. I don't know why you decide to

617
00:35:01,560 --> 00:35:04,319
Speaker 3: do that, but you know, you guys have your own

618
00:35:04,360 --> 00:35:05,880
Speaker 3: mysterious way of doing things.

619
00:35:05,920 --> 00:35:08,480
Speaker 1: So I gotta see that you have two computer.

620
00:35:09,280 --> 00:35:09,840
Speaker 2: They want to know.

621
00:35:09,880 --> 00:35:11,760
Speaker 1: They want to see you on a screen, but behind

622
00:35:11,800 --> 00:35:13,880
Speaker 1: you see another computer that you could be on.

623
00:35:14,640 --> 00:35:16,120
Speaker 3: We tell you what they want to see, and I

624
00:35:16,239 --> 00:35:19,720
Speaker 3: know this, Yeah, yeah, that's what they want to see.

625
00:35:20,160 --> 00:35:26,160
Speaker 3: That's what they all want to see. Job what they want.

626
00:35:26,800 --> 00:35:28,759
Speaker 3: They look at that and they go, if I could

627
00:35:28,760 --> 00:35:31,440
Speaker 3: just get that combo, that sweet combo.

628
00:35:31,880 --> 00:35:40,560
Speaker 2: Mm hmmm, do we wanna Kevin? Do you want to

629
00:35:40,600 --> 00:35:45,880
Speaker 2: like get the beginning again? And yeah, you can do

630
00:35:46,120 --> 00:35:50,160
Speaker 2: your your Dave opening for him and then Dave can

631
00:35:50,200 --> 00:35:52,520
Speaker 2: launch in on that or Dave can give his notes

632
00:35:52,600 --> 00:35:54,279
Speaker 2: like whatever, does that sound good?

633
00:36:00,680 --> 00:36:01,480
Speaker 1: Okay, Sean's gone.

634
00:36:01,520 --> 00:36:02,799
Speaker 3: Sean is completely quit.

635
00:36:03,080 --> 00:36:06,719
Speaker 2: He did say he was maybe gonna leave them.

636
00:36:07,080 --> 00:36:12,480
Speaker 4: So it's me and Mickey Mouse, and Mickey's asking me

637
00:36:12,680 --> 00:36:19,520
Speaker 4: about post nut clarity, and I'm like, Mickey, we're at Disneyland.

638
00:36:20,080 --> 00:36:23,120
Speaker 4: You can't not ask questions like that.

639
00:36:24,080 --> 00:36:28,160
Speaker 1: I'm back. He's back because I just liked the I

640
00:36:28,239 --> 00:36:29,279
Speaker 1: liked the area.

641
00:36:30,160 --> 00:36:30,719
Speaker 2: But Dave did.

642
00:36:30,880 --> 00:36:32,920
Speaker 1: Just Dave took off.

643
00:36:34,719 --> 00:36:37,879
Speaker 2: Is that all? That's? Maybe? Good? Yeah, that's what you

644
00:36:38,080 --> 00:36:38,680
Speaker 2: that's what you have?

645
00:36:38,840 --> 00:36:39,960
Speaker 1: Is it thinking the book?

646
00:36:40,000 --> 00:36:45,279
Speaker 3: He was like, well, yeah, yeah, I just pretended to

647
00:36:45,320 --> 00:36:47,360
Speaker 3: take out so I can hear what you really thought.

648
00:36:48,120 --> 00:36:52,320
Speaker 3: Oh yeah, Sean clements I have exposed.

649
00:36:51,640 --> 00:36:53,880
Speaker 1: To used by full Dave Dave Thomas.

650
00:36:55,440 --> 00:36:57,880
Speaker 3: Why is that something you don't do on this show?

651
00:36:59,000 --> 00:37:02,239
Speaker 1: It's just the way you said it. Yeah, we're all

652
00:37:02,320 --> 00:37:02,960
Speaker 1: friends here.

653
00:37:03,480 --> 00:37:07,040
Speaker 3: Hey, I see you've got exercise equipment behind you, and

654
00:37:07,080 --> 00:37:10,280
Speaker 3: that must explain why you're just ripped as shit? What's

655
00:37:10,320 --> 00:37:12,680
Speaker 3: going on? Man? You didn't used to be like that.

656
00:37:14,120 --> 00:37:17,480
Speaker 1: Yeah, I just I decided I wanted to make a change.

657
00:37:17,520 --> 00:37:21,280
Speaker 1: I decided I wanted to, you know, be the Johnny

658
00:37:21,360 --> 00:37:24,840
Speaker 1: Quantum that I'd always imagined I could be. I guess

659
00:37:24,840 --> 00:37:26,840
Speaker 1: that's a big part of why I had those notes.

660
00:37:26,880 --> 00:37:29,360
Speaker 1: Now that you tell me, you know, your version of

661
00:37:29,400 --> 00:37:31,800
Speaker 1: the book is a confession of you breaking into people's

662
00:37:31,840 --> 00:37:34,880
Speaker 1: minds and stealing it. Mine is a confession of like,

663
00:37:35,200 --> 00:37:38,680
Speaker 1: each of my intercostal muscles has become like a child

664
00:37:38,760 --> 00:37:42,279
Speaker 1: to me, more so even than my own children, and

665
00:37:42,360 --> 00:37:43,760
Speaker 1: they do have their own per may.

666
00:37:44,040 --> 00:37:48,280
Speaker 2: Tell you stories. Holy smokes, do you have any notes

667
00:37:48,280 --> 00:37:52,200
Speaker 2: on Kevin's that version of your story that you were

668
00:37:52,200 --> 00:37:55,560
Speaker 2: at Disneyland with Mickey Mouse and he asked you about

669
00:37:56,520 --> 00:38:00,600
Speaker 2: post not clarity. I think that was that was that's

670
00:38:00,640 --> 00:38:01,920
Speaker 2: not that basically.

671
00:38:03,360 --> 00:38:08,839
Speaker 3: Way better than anything I said. Okay, So if you

672
00:38:08,880 --> 00:38:14,120
Speaker 3: guys want a really good show, you're gonna have Kevin,

673
00:38:14,160 --> 00:38:15,560
Speaker 3: as you guessed, not me.

674
00:38:16,360 --> 00:38:16,840
Speaker 2: Okay.

675
00:38:17,800 --> 00:38:21,600
Speaker 3: We I could tell from the way you said okay

676
00:38:21,600 --> 00:38:24,040
Speaker 3: there that you kind of agree with that that's good.

677
00:38:25,239 --> 00:38:28,120
Speaker 2: We can't agree with some of it. I think I

678
00:38:28,160 --> 00:38:30,040
Speaker 2: don't know if it was brilliant, I agree that it

679
00:38:30,080 --> 00:38:34,319
Speaker 2: was better. So like like we are in agreement on

680
00:38:34,360 --> 00:38:37,959
Speaker 2: some of this stuff. Just the just the location being

681
00:38:38,000 --> 00:38:43,799
Speaker 2: like Disneyland, the Southey thing is like this is not

682
00:38:45,320 --> 00:38:47,560
Speaker 2: you know, if you don't want to drive through it.

683
00:38:48,760 --> 00:38:52,600
Speaker 2: I like you, why would I want to experience it

684
00:38:52,600 --> 00:38:57,800
Speaker 2: in a book? You know, Disneyland, Disneylander maybe.

685
00:38:58,040 --> 00:39:00,000
Speaker 3: I mean, hey, I got news for you.

686
00:39:00,120 --> 00:39:00,440
Speaker 2: Hm hm.

687
00:39:01,880 --> 00:39:05,279
Speaker 3: I use Saudi as a springboard, as a kind of

688
00:39:05,280 --> 00:39:11,000
Speaker 3: a diving board to dive off to another location. It's

689
00:39:11,000 --> 00:39:13,400
Speaker 3: the sort of thing that you know, people like to

690
00:39:13,480 --> 00:39:14,040
Speaker 3: go into.

691
00:39:13,960 --> 00:39:15,680
Speaker 1: An empty pool, you know what I mean.

692
00:39:17,560 --> 00:39:20,960
Speaker 3: Well, some people would say that, but other people would think. Cambridge,

693
00:39:21,000 --> 00:39:23,560
Speaker 3: Massachusetts is a brilliant place with a lot of break

694
00:39:23,640 --> 00:39:26,640
Speaker 3: kids and wandering around just trying to make up their

695
00:39:26,680 --> 00:39:28,880
Speaker 3: minds whether they're going to be an already part of

696
00:39:29,120 --> 00:39:33,240
Speaker 3: Harvard or a Teck wizard. Mit. Yes, and I think.

697
00:39:33,160 --> 00:39:35,479
Speaker 2: Talk about that. I mean, like, you know, Sean spent

698
00:39:35,560 --> 00:39:38,080
Speaker 2: a couple of rowdy years there.

699
00:39:38,560 --> 00:39:42,320
Speaker 3: That's where he breaks in. Yeah, he breaks into a

700
00:39:42,400 --> 00:39:47,239
Speaker 3: house in Cambridge, not in Sudea. So fairness, fair I've

701
00:39:47,360 --> 00:39:51,120
Speaker 3: never been to Southeast I wrote about it, but since

702
00:39:51,360 --> 00:39:54,840
Speaker 3: we've already established the number fraud, of course I would

703
00:39:54,920 --> 00:39:55,560
Speaker 3: rack about it.

704
00:39:55,719 --> 00:39:56,760
Speaker 2: Max grew up there.

705
00:39:57,320 --> 00:40:01,800
Speaker 3: No, Max didn't either. I tricked him into writing about Salvi,

706
00:40:02,000 --> 00:40:06,720
Speaker 3: pretending that I've lived there, but in fact, now because

707
00:40:06,760 --> 00:40:08,759
Speaker 3: you guys are so good at bringing the truth out

708
00:40:08,800 --> 00:40:12,920
Speaker 3: of me. I'm still my guts. Yeah, I lie about

709
00:40:12,920 --> 00:40:13,719
Speaker 3: the entire thing.

710
00:40:14,200 --> 00:40:16,920
Speaker 1: I do wonder you had such a positive reaction at

711
00:40:17,000 --> 00:40:19,719
Speaker 1: Kevin's post nut clarity story. Do we want to call

712
00:40:19,719 --> 00:40:20,640
Speaker 1: it Cumbridge?

713
00:40:23,040 --> 00:40:23,279
Speaker 3: Yeah?

714
00:40:23,400 --> 00:40:28,640
Speaker 2: We could, Yeah, Cumbridge, Blassachusetts.

715
00:40:29,040 --> 00:40:33,520
Speaker 3: Yeah, a place where you're gonna chap post nut clarity.

716
00:40:35,680 --> 00:40:39,719
Speaker 3: Send your kids to Combridge. No need to take out

717
00:40:39,719 --> 00:40:41,520
Speaker 3: a big student long there and that.

718
00:40:41,640 --> 00:40:44,400
Speaker 1: As we're doing this sliding doors thing, maybe what we

719
00:40:44,600 --> 00:40:48,160
Speaker 1: have is, you know, we have one scenario that goes

720
00:40:48,600 --> 00:40:51,440
Speaker 1: pretty poorly, where someone makes a series of mistakes. Then

721
00:40:51,480 --> 00:40:54,560
Speaker 1: we walk through that exact same scenario if they had

722
00:40:54,760 --> 00:40:57,759
Speaker 1: had post nut clarity, and we see how they are

723
00:40:57,840 --> 00:41:02,480
Speaker 1: able to sort of deftly maneuver through all the complicated,

724
00:41:02,560 --> 00:41:06,120
Speaker 1: you know, social situations we land them in. So we

725
00:41:06,239 --> 00:41:10,680
Speaker 1: got one sort of mister Bean type figure right keeps

726
00:41:10,920 --> 00:41:14,200
Speaker 1: keeps stumbling, getting in his own way. And then we've

727
00:41:14,200 --> 00:41:18,520
Speaker 1: got mister Coole a ka post Nut Mickey Mouse, and

728
00:41:18,520 --> 00:41:21,840
Speaker 1: and this guy he's like he's in a mento sad

729
00:41:21,960 --> 00:41:24,319
Speaker 1: you know, it's like every everything that comes up, he's

730
00:41:24,360 --> 00:41:27,440
Speaker 1: somehow able to whatever just slide right through the limo

731
00:41:27,560 --> 00:41:29,840
Speaker 1: on his own, or lie down on the bench and

732
00:41:29,880 --> 00:41:32,799
Speaker 1: make a suit, pinstripe or whatever else he needs to do.

733
00:41:34,719 --> 00:41:37,040
Speaker 3: I'm sorry, could you just repeat that last part?

734
00:41:38,560 --> 00:41:39,759
Speaker 1: Whatever else he needs to do?

735
00:41:41,080 --> 00:41:44,759
Speaker 3: Not that part a part from beginning at our guest

736
00:41:44,800 --> 00:41:48,920
Speaker 3: today's Dave Thomas, that part from there. From there, from.

737
00:41:48,680 --> 00:41:51,280
Speaker 2: That point, I hit the Yeah, I hit the thing again,

738
00:41:52,680 --> 00:41:55,120
Speaker 2: and maybe like a different story of this time is

739
00:41:55,200 --> 00:41:59,200
Speaker 2: to like kind of reset us, Kevin, Dave straight your Dave.

740
00:42:01,120 --> 00:42:07,359
Speaker 4: So it's me and Mini Mouse and she's asking, what's

741
00:42:07,400 --> 00:42:09,720
Speaker 4: the kind of stuff that goes around in your.

742
00:42:09,600 --> 00:42:17,279
Speaker 2: Head all day? He comes it is just doing me. Okay,

743
00:42:17,360 --> 00:42:22,439
Speaker 2: Dave is clearly still there. Okay, yeah, he was there

744
00:42:22,480 --> 00:42:23,000
Speaker 2: the whole time.

745
00:42:24,080 --> 00:42:25,959
Speaker 3: Every time you go off, Sean, I'm going off.

746
00:42:27,120 --> 00:42:29,080
Speaker 1: I'm just going go off, king.

747
00:42:29,560 --> 00:42:32,920
Speaker 3: You know why, because it was your idea to go off,

748
00:42:33,200 --> 00:42:34,560
Speaker 3: and I copied.

749
00:42:34,120 --> 00:42:39,880
Speaker 1: It, wow, putting it into motion. Just what he threatened

750
00:42:39,880 --> 00:42:40,200
Speaker 1: me with.

751
00:42:40,960 --> 00:42:44,080
Speaker 3: That's right, it's a fact.

752
00:42:44,440 --> 00:42:46,680
Speaker 2: And what's the end of this story, Minie Mouse, is

753
00:42:46,719 --> 00:42:50,160
Speaker 2: what's going on in your head all day? Mm hmm, yeah,

754
00:42:50,880 --> 00:42:53,960
Speaker 2: what happened? What happens after that? Kevin?

755
00:42:54,719 --> 00:42:58,920
Speaker 4: And I say, you don't want to know. Let's not

756
00:42:59,000 --> 00:43:00,000
Speaker 4: get into the details.

757
00:43:00,040 --> 00:43:01,839
Speaker 3: Else I like it.

758
00:43:02,120 --> 00:43:08,680
Speaker 2: Okay, okay, toneffhanger, Yeah, that's like I did like the tone.

759
00:43:09,080 --> 00:43:11,920
Speaker 1: The delivery is great. I wonder if that's going to

760
00:43:12,000 --> 00:43:16,359
Speaker 1: play in the book. Well, if we're really talking about

761
00:43:16,440 --> 00:43:18,120
Speaker 1: still is Dave's book.

762
00:43:19,160 --> 00:43:21,160
Speaker 3: Well, you can always spruce it up with her.

763
00:43:22,160 --> 00:43:23,600
Speaker 1: That's true, you know.

764
00:43:26,239 --> 00:43:30,200
Speaker 4: You don't want to know, or let's not get into

765
00:43:30,239 --> 00:43:31,720
Speaker 4: the details now you're talking.

766
00:43:33,000 --> 00:43:35,719
Speaker 2: Yeah, that could play on the page.

767
00:43:36,080 --> 00:43:41,200
Speaker 3: Uh huh. Yeah, talk about collaboration, Kevin, I think you

768
00:43:41,280 --> 00:43:43,720
Speaker 3: and I ought to write a book, and I gotta

769
00:43:43,960 --> 00:43:47,040
Speaker 3: be give you a little warning up front. You're going

770
00:43:47,120 --> 00:43:48,640
Speaker 3: to be shouldering most of the work.

771
00:43:50,239 --> 00:43:53,879
Speaker 2: That his name goes first, even though my name goes

772
00:43:54,040 --> 00:43:55,880
Speaker 2: clearly alphabetically second.

773
00:43:56,800 --> 00:43:59,879
Speaker 3: Yeah, my name will go first, Kevin, your name will

774
00:43:59,880 --> 00:44:02,640
Speaker 3: go second. You will do all the work and I

775
00:44:02,680 --> 00:44:05,480
Speaker 3: will take all the credit, and I'll get on some

776
00:44:05,520 --> 00:44:11,640
Speaker 3: of my friends podcasts and thank you for collaborating if

777
00:44:11,680 --> 00:44:12,400
Speaker 3: I feel like it.

778
00:44:13,880 --> 00:44:18,960
Speaker 2: So I've got this. I've got the the Amazon preview open.

779
00:44:19,680 --> 00:44:22,480
Speaker 2: Oh no, they're just giving this stuff away. I don't

780
00:44:22,480 --> 00:44:25,479
Speaker 2: know if you're aware of this. Yeah, basically the entire

781
00:44:25,520 --> 00:44:30,239
Speaker 2: book ism here, and it continues after you know, you

782
00:44:30,280 --> 00:44:33,320
Speaker 2: have the line tonight he might die, really scary. I

783
00:44:33,320 --> 00:44:35,239
Speaker 2: would actually just cut that line entirely.

784
00:44:36,480 --> 00:44:38,279
Speaker 1: Or just maybe say tonight he won't die.

785
00:44:38,640 --> 00:44:43,239
Speaker 2: Yes, yes, that's right. Yeah, And then it goes the

786
00:44:43,280 --> 00:44:49,000
Speaker 2: owner of the Little Grill, Patrick Donovan, was working behind

787
00:44:49,040 --> 00:44:52,200
Speaker 2: the bar, five years older than his friend Jimmy. Redheaded.

788
00:44:52,239 --> 00:44:55,400
Speaker 2: Pat was tall, trimly bearded, and blue eyed, a paunch

789
00:44:55,520 --> 00:44:56,480
Speaker 2: moving in on him.

790
00:44:57,000 --> 00:44:57,680
Speaker 3: I remember that.

791
00:44:57,880 --> 00:45:01,800
Speaker 2: I remember writing that, Yeah, instead of the little grill,

792
00:45:03,480 --> 00:45:07,000
Speaker 2: could it be like a Romano's macaroni grill? Mm hmmm,

793
00:45:07,960 --> 00:45:11,000
Speaker 2: have you ever been to Romano's Macaroni gril? Thought? Yeah?

794
00:45:11,120 --> 00:45:13,720
Speaker 1: Do we make it Romano's macaroni grill instead?

795
00:45:14,040 --> 00:45:15,920
Speaker 2: How do they get the macaroni to stay on? There

796
00:45:16,000 --> 00:45:16,640
Speaker 2: is my question?

797
00:45:18,080 --> 00:45:23,640
Speaker 3: Macaroni grill? Yeah, I'm gonna get that. Some thought. It's

798
00:45:23,680 --> 00:45:25,640
Speaker 3: not something I can embrace right off.

799
00:45:25,520 --> 00:45:30,680
Speaker 2: The Okay, the one suggestion, the one suggestion you don't

800
00:45:30,719 --> 00:45:38,319
Speaker 2: like is a chain with dozens of locations across the

801
00:45:38,480 --> 00:45:42,480
Speaker 2: United States, putting using that instead of the little grill,

802
00:45:44,239 --> 00:45:45,960
Speaker 2: I don't want to go to this tiny grill.

803
00:45:48,280 --> 00:45:52,279
Speaker 1: Maybe instead of this guy's trim red beard, yeah, which

804
00:45:52,280 --> 00:45:54,000
Speaker 1: I don't even know if we're gonna get to what

805
00:45:54,040 --> 00:45:56,320
Speaker 1: we describe are his massive calves.

806
00:45:58,719 --> 00:46:01,640
Speaker 3: You don't working that theme that the big buff guys?

807
00:46:02,000 --> 00:46:05,640
Speaker 2: Yeah, which hals, you could rest a little, uh espresso

808
00:46:05,880 --> 00:46:06,319
Speaker 2: cop on.

809
00:46:07,440 --> 00:46:10,160
Speaker 1: I want somebody to identify with in the story, you

810
00:46:10,160 --> 00:46:12,080
Speaker 1: know what I mean. I need to see myself in there.

811
00:46:12,920 --> 00:46:16,360
Speaker 3: I I would love to see your caps, because I

812
00:46:16,440 --> 00:46:19,960
Speaker 3: got a feeling from what I see behind you that

813
00:46:20,040 --> 00:46:21,880
Speaker 3: they are gigantic.

814
00:46:22,760 --> 00:46:26,000
Speaker 1: Buddy, you better believe I'm burning them out. I don't

815
00:46:26,000 --> 00:46:30,240
Speaker 1: know where the spleeniest starts in the gas tract Nemius heads.

816
00:46:32,000 --> 00:46:36,080
Speaker 1: Just a fucking wall of calf down there, I believe it,

817
00:46:36,560 --> 00:46:41,000
Speaker 1: and I we call Veo palm. I'm scared for my shoes.

818
00:46:42,320 --> 00:46:45,399
Speaker 1: My calf evercides to pop out and jump down onto

819
00:46:45,440 --> 00:46:46,919
Speaker 1: my foot. That's it, man.

820
00:46:47,200 --> 00:46:52,600
Speaker 3: Your tiny feet, Yeah, they're so small. Well, there's no

821
00:46:52,960 --> 00:46:56,720
Speaker 3: there's no room for big feet when you got calfs

822
00:46:56,719 --> 00:46:58,279
Speaker 3: that large. They're just done.

823
00:46:58,560 --> 00:47:00,759
Speaker 1: That's the fact they I think they ate up a

824
00:47:00,800 --> 00:47:04,640
Speaker 1: lot of the foot tissue. They just sort of sucked

825
00:47:04,640 --> 00:47:07,960
Speaker 1: it on up in there, which I didn't know that's

826
00:47:08,080 --> 00:47:11,920
Speaker 1: exactly how bodies work, but I'm finding out now.

827
00:47:14,920 --> 00:47:19,920
Speaker 2: Red hatted Pat was tall, trimly bearded, and blue eyed.

828
00:47:19,960 --> 00:47:29,759
Speaker 2: What about huge uh, huge caffid pat mm hmm was

829
00:47:31,680 --> 00:47:34,239
Speaker 2: smoking trimly shredded.

830
00:47:34,160 --> 00:47:35,400
Speaker 3: Huge caffid pat.

831
00:47:35,640 --> 00:47:43,720
Speaker 2: Right, yeah, huge Cain was smoking trimly shredded and steel hewn.

832
00:47:44,520 --> 00:47:50,799
Speaker 1: Maybe instead of Pat, it's Pratt, like primp Pratt. You

833
00:47:50,840 --> 00:47:53,080
Speaker 1: know what I mean, m just in terms of like

834
00:47:53,120 --> 00:47:55,279
Speaker 1: that doesn't look like you're writing it down. Looks like

835
00:47:55,320 --> 00:47:57,920
Speaker 1: you were getting it, okay, getting some pills?

836
00:47:58,280 --> 00:48:03,800
Speaker 3: Yeah, okay, because I now know that I should have

837
00:48:03,880 --> 00:48:07,680
Speaker 3: had one during the big hole digging opening.

838
00:48:08,360 --> 00:48:09,520
Speaker 2: That there was time.

839
00:48:10,840 --> 00:48:12,080
Speaker 3: I should have had my pill.

840
00:48:12,360 --> 00:48:14,719
Speaker 1: The whole time, you're thinking, God, I had time to

841
00:48:14,760 --> 00:48:16,239
Speaker 1: take another pill, and.

842
00:48:16,239 --> 00:48:18,640
Speaker 2: You're watching the ship leave the dock.

843
00:48:19,080 --> 00:48:22,960
Speaker 3: Fifty four minutes ago. I should have had this pill,

844
00:48:23,040 --> 00:48:26,879
Speaker 3: and I would be just in great shape by now.

845
00:48:27,239 --> 00:48:29,160
Speaker 2: You'd be feeling instead of.

846
00:48:29,160 --> 00:48:36,360
Speaker 3: Suffering thinking about a huge caffid path Pratt. Pratt you

847
00:48:36,480 --> 00:48:37,560
Speaker 3: changed his name to Pratt?

848
00:48:37,960 --> 00:48:42,640
Speaker 2: Yes, yeah, that was while you were that you're taking around. Oh,

849
00:48:42,760 --> 00:48:45,080
Speaker 2: I was looking through the old medicine chest.

850
00:48:45,239 --> 00:48:49,400
Speaker 1: Yeah, well you know when I run.

851
00:48:49,280 --> 00:48:54,200
Speaker 3: Out of those, that's it. No, there's other ones here

852
00:48:54,280 --> 00:49:01,719
Speaker 3: that are just way better. These ones are pretty good.

853
00:49:02,080 --> 00:49:05,799
Speaker 1: Oh mama, wow, piece of writing in life advice that

854
00:49:05,840 --> 00:49:09,640
Speaker 1: you gave me, which was always eat your strongest pill first.

855
00:49:10,120 --> 00:49:12,600
Speaker 1: That would always be eating your strongest pill.

856
00:49:13,560 --> 00:49:17,960
Speaker 3: That's right. So I run out of stuff.

857
00:49:18,840 --> 00:49:22,359
Speaker 2: Yeah wait, we're absolutely done.

858
00:49:22,400 --> 00:49:23,120
Speaker 3: I can't steal.

859
00:49:24,440 --> 00:49:26,719
Speaker 2: Yeah, no, we're totally done. We got to get out

860
00:49:26,719 --> 00:49:30,120
Speaker 2: of here right now. The books on books on how

861
00:49:30,200 --> 00:49:32,280
Speaker 2: what what kind of purchase you make the most money

862
00:49:32,280 --> 00:49:33,840
Speaker 2: off of Amazon? You're gone?

863
00:49:34,040 --> 00:49:35,280
Speaker 1: How do you make the most money?

864
00:49:35,760 --> 00:49:36,680
Speaker 2: I'll come back for that.

865
00:49:36,920 --> 00:49:40,080
Speaker 1: How should our how should our four listeners buy it?

866
00:49:40,600 --> 00:49:42,759
Speaker 3: They should go on Amazon and buy it, and they

867
00:49:42,800 --> 00:49:45,520
Speaker 3: should buy the paper bank version because it's more expensive

868
00:49:45,560 --> 00:49:48,880
Speaker 3: than the Kindle. Another big fan of Kindle.

869
00:49:49,560 --> 00:49:52,919
Speaker 1: Be honest, right up front, neither change the book while

870
00:49:52,920 --> 00:49:57,880
Speaker 1: you're reading it. Yeah that's a premise, but it's actually

871
00:49:59,320 --> 00:50:02,160
Speaker 1: actually just the you'll be reading and someone will type in, like,

872
00:50:02,200 --> 00:50:02,920
Speaker 1: what's up, bitch?

873
00:50:04,360 --> 00:50:07,480
Speaker 3: What's up? What up? Bitch? Said huge capid pratt.

874
00:50:08,360 --> 00:50:11,799
Speaker 1: You like books, bitch? Sure seems like you do.

875
00:50:12,040 --> 00:50:12,920
Speaker 2: What's up? Mrd.

876
00:50:14,480 --> 00:50:16,640
Speaker 1: Hey, everybody get a load of this guy. He's reading

877
00:50:16,680 --> 00:50:19,800
Speaker 1: a book. I'm like, what the fuck?

878
00:50:21,200 --> 00:50:22,960
Speaker 3: Yeah, I know, I know.

879
00:50:24,920 --> 00:50:26,680
Speaker 1: Well bye.

880
00:50:28,840 --> 00:50:32,680
Speaker 4: This week on the Patreon, Carl and Asan discussed government conspiracies,

881
00:50:32,960 --> 00:50:35,560
Speaker 4: The Boys discuss the deal memo of the Big My

882
00:50:35,640 --> 00:50:39,360
Speaker 4: Favorite Murder acquisition, and The Flagrant Ones talk to Jaquise

883
00:50:39,400 --> 00:50:43,680
Speaker 4: Neil about mostly all things basketball. Check out these bonus

884
00:50:43,680 --> 00:50:47,160
Speaker 4: podcasts and videos of the full episodes, including today's with

885
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Speaker 4: Dave at patreon dot com Slash the Flagrant Ones