1 00:00:10,080 --> 00:00:10,360 Speaker 1: Cold on. 2 00:00:10,720 --> 00:00:16,480 Speaker 2: Let's get to it. R and B Money, Honey. 3 00:00:20,360 --> 00:00:28,920 Speaker 3: Thanks take valoti. We are the authority on R and B. 4 00:00:31,760 --> 00:00:34,360 Speaker 2: Ladies and gentlemen. My name is Tank, said Valentine, and 5 00:00:34,600 --> 00:00:39,320 Speaker 2: this is the R and B Money Podcast, epic moment, 6 00:00:39,400 --> 00:00:43,240 Speaker 2: the authority on all I don't mind gonna scream, but 7 00:00:43,280 --> 00:00:45,800 Speaker 2: they don't have to scream. No, I don't have Today. 8 00:00:45,800 --> 00:00:49,280 Speaker 2: It's a day of elegance. That's not today. You see 9 00:00:49,280 --> 00:00:50,800 Speaker 2: how my shirt is buttoned all the way to the top. 10 00:00:50,840 --> 00:00:53,640 Speaker 2: You see your shirt. Today is the day of we 11 00:00:53,680 --> 00:00:56,760 Speaker 2: are buttoned up today. We are what's happening today is 12 00:00:56,840 --> 00:01:01,280 Speaker 2: just out say you know what what If you ever 13 00:01:01,400 --> 00:01:05,759 Speaker 2: need me, I will be there for you for friends 14 00:01:05,800 --> 00:01:23,320 Speaker 2: of yes, wow, hello, Hello. We call ourselves the authority 15 00:01:24,200 --> 00:01:29,240 Speaker 2: on all things R and B because we've he's he's 16 00:01:29,280 --> 00:01:34,320 Speaker 2: been in it since a child. Yes, but that yeah, 17 00:01:34,800 --> 00:01:38,120 Speaker 2: that long. I go from gospel to you know, to 18 00:01:38,240 --> 00:01:40,680 Speaker 2: the R and B world. But in terms of our 19 00:01:40,720 --> 00:01:43,800 Speaker 2: hands reaching, you know, we can. We've we've been able 20 00:01:43,840 --> 00:01:47,480 Speaker 2: to reach some of the youngest, Yes to the to 21 00:01:47,600 --> 00:01:52,200 Speaker 2: the and and what you are doing for the validation 22 00:01:52,960 --> 00:01:56,000 Speaker 2: of the word authority for us today. 23 00:01:56,760 --> 00:01:59,280 Speaker 1: I don't know about that I really don't even think 24 00:01:59,360 --> 00:02:01,920 Speaker 1: I know everything. I do not know everything. 25 00:02:02,160 --> 00:02:05,200 Speaker 2: It's not what you know, it's what you've done and 26 00:02:05,240 --> 00:02:09,120 Speaker 2: who you are and who you are. Okay, Yes, this 27 00:02:09,200 --> 00:02:11,880 Speaker 2: is this is this is a this is a popular 28 00:02:11,919 --> 00:02:16,560 Speaker 2: collar pod. This is this. This is a moment for 29 00:02:16,600 --> 00:02:19,000 Speaker 2: you to say it how you feel it. You know 30 00:02:19,080 --> 00:02:25,119 Speaker 2: what I'm saying. We are celebrating you today unapologetically. That way. 31 00:02:26,160 --> 00:02:28,120 Speaker 2: I'll take that, so you can do no wrong, hit 32 00:02:33,919 --> 00:02:37,639 Speaker 2: no wrong. I want to. I want to start off 33 00:02:37,639 --> 00:02:41,920 Speaker 2: by saying, wow, what a what a what an amazing 34 00:02:42,000 --> 00:02:47,400 Speaker 2: body of work? Yeah, what an amazing body of work? 35 00:02:47,639 --> 00:02:52,600 Speaker 2: And I mean it goes back to a time where 36 00:02:53,360 --> 00:02:55,880 Speaker 2: I put up one of the videos. It was like 37 00:02:55,880 --> 00:02:58,600 Speaker 2: a tee television video where it's like really in black 38 00:02:58,639 --> 00:03:05,079 Speaker 2: and white, Yeah, like in real black and white, you 39 00:03:05,160 --> 00:03:16,919 Speaker 2: know what I mean to hear? Yeah, and the celebration 40 00:03:17,960 --> 00:03:21,000 Speaker 2: still continues. What does that feel like? 41 00:03:21,760 --> 00:03:30,280 Speaker 1: It is sometimes overwhelming? You know, things that are coming 42 00:03:30,360 --> 00:03:36,200 Speaker 1: to me as rapidly as they're coming, I've always considered 43 00:03:36,240 --> 00:03:37,320 Speaker 1: them blessings. 44 00:03:37,840 --> 00:03:38,080 Speaker 2: You know. 45 00:03:40,160 --> 00:03:45,000 Speaker 1: I don't use the word award. I use the word reward. 46 00:03:46,200 --> 00:03:50,120 Speaker 1: It's for the work that I have done and now 47 00:03:50,160 --> 00:03:57,960 Speaker 1: being recognized for and appreciated for. But it has been 48 00:03:59,520 --> 00:04:04,160 Speaker 1: truly amazing what's going on right now for me? You know, 49 00:04:04,240 --> 00:04:06,960 Speaker 1: one thing right after the other after the other. The 50 00:04:07,000 --> 00:04:09,640 Speaker 1: fact I have looked up and say, hey, I called 51 00:04:09,640 --> 00:04:14,920 Speaker 1: God Charlie, that's my personal friend. 52 00:04:15,040 --> 00:04:22,840 Speaker 4: Can we blow it down, Charlie, not up the job? 53 00:04:25,320 --> 00:04:32,680 Speaker 1: No, no, no, no no no. But you know, it's 54 00:04:32,720 --> 00:04:38,640 Speaker 1: it's truly it's becoming fun. Yeah, I really is. Oh 55 00:04:39,080 --> 00:04:44,560 Speaker 1: another one. You know, it's like, wow, I am truly 56 00:04:44,760 --> 00:04:46,440 Speaker 1: it's just said, I'm blessed. 57 00:04:47,640 --> 00:04:49,320 Speaker 2: A lot of times we love to go like to 58 00:04:49,400 --> 00:04:52,880 Speaker 2: the go back to the very very beginning. And so 59 00:04:52,960 --> 00:04:55,880 Speaker 2: you know, we did some reading where we're students of 60 00:04:55,920 --> 00:05:00,600 Speaker 2: the game. We we we we know it starts in 61 00:05:00,680 --> 00:05:04,880 Speaker 2: the church. We know that we no clear it is 62 00:05:05,000 --> 00:05:11,200 Speaker 2: clearly clear. But you go in the studio and you're 63 00:05:11,279 --> 00:05:19,039 Speaker 2: singing these backgrounds m hm and someone is like her, yeah, 64 00:05:19,200 --> 00:05:22,680 Speaker 2: she's the one. Was that a thing where? Because that 65 00:05:22,760 --> 00:05:24,240 Speaker 2: was that was fair? That was your family? Right? 66 00:05:24,839 --> 00:05:26,599 Speaker 1: Yeah? 67 00:05:29,080 --> 00:05:32,880 Speaker 2: Was that a thing where? Because a lot of times, 68 00:05:33,240 --> 00:05:35,520 Speaker 2: you know, when when groups are on this group mission, 69 00:05:36,360 --> 00:05:39,920 Speaker 2: you know what I mean, it's some the solo ists. 70 00:05:40,080 --> 00:05:45,240 Speaker 2: The solo artist is inevitable, but it's still a heartbreak, 71 00:05:45,960 --> 00:05:47,599 Speaker 2: you know what I mean? Was was that a tough 72 00:05:47,920 --> 00:05:49,599 Speaker 2: moment or tough decision for you to now? 73 00:05:49,640 --> 00:05:53,479 Speaker 1: You know, I wasn't the soul so lead singer. My 74 00:05:53,680 --> 00:06:03,800 Speaker 1: sister was Lee sing I signed tenor and now, as 75 00:06:03,800 --> 00:06:08,400 Speaker 1: it happened, we were doing a background session for the 76 00:06:08,480 --> 00:06:14,240 Speaker 1: Drifters and a song that Very had written with another songwriter, 77 00:06:15,160 --> 00:06:20,919 Speaker 1: Bob Hilliar. I laughingly say, most of the time that 78 00:06:21,200 --> 00:06:24,359 Speaker 1: must have been seen to loud. But as it was, 79 00:06:25,880 --> 00:06:30,120 Speaker 1: you know, I read music, and that was I think 80 00:06:30,120 --> 00:06:33,200 Speaker 1: what caught is I had more than anything else. I 81 00:06:33,240 --> 00:06:37,400 Speaker 1: had the ability to read. Yes, And he approached me 82 00:06:37,520 --> 00:06:41,440 Speaker 1: and asked if I would be interested in doing demonstration 83 00:06:41,560 --> 00:06:44,320 Speaker 1: records of a song, if you'd be writing with Hal David. 84 00:06:45,800 --> 00:06:50,520 Speaker 1: And there was a way to supplement that little scholarship 85 00:06:50,560 --> 00:06:54,120 Speaker 1: I got from New Hope at the Church to go 86 00:06:54,160 --> 00:06:58,440 Speaker 1: to her college. So I was helping my mom and 87 00:06:58,480 --> 00:07:03,880 Speaker 1: my dad keep that money to say in school, yeah yeah, 88 00:07:03,920 --> 00:07:08,359 Speaker 1: and I see yeah, and studied doing demonstration records along 89 00:07:08,400 --> 00:07:09,760 Speaker 1: with more background work. 90 00:07:10,960 --> 00:07:12,520 Speaker 2: When did you learn how to read music? 91 00:07:13,800 --> 00:07:18,640 Speaker 1: I started piano lessons at the age of seven. Okay, 92 00:07:18,920 --> 00:07:24,760 Speaker 1: so I've been reading a long time, a very long time. 93 00:07:25,600 --> 00:07:30,480 Speaker 2: I was supposed to read music, was supposed to I 94 00:07:30,520 --> 00:07:33,800 Speaker 2: was supposed to. My grandmother put me with this, you know, 95 00:07:33,960 --> 00:07:37,880 Speaker 2: with this piano teacher. And I had already been playing 96 00:07:37,880 --> 00:07:43,000 Speaker 2: by ear. Yeah, and so you know, the program was 97 00:07:43,000 --> 00:07:45,280 Speaker 2: the program in terms of where you start at middle 98 00:07:45,320 --> 00:07:48,120 Speaker 2: c with your thumbs and the whole. And I was 99 00:07:48,200 --> 00:07:51,320 Speaker 2: already playing church chords and all this thing, and it 100 00:07:51,440 --> 00:07:55,400 Speaker 2: was taking me so far back, like I felt like 101 00:07:55,520 --> 00:07:57,480 Speaker 2: it was a waste of time, mistake on my part. 102 00:07:58,160 --> 00:08:01,200 Speaker 2: And then in turns of you being able to read 103 00:08:01,360 --> 00:08:03,760 Speaker 2: music like and read those charts in the background, you know, 104 00:08:03,760 --> 00:08:07,280 Speaker 2: seeing those backgrounds in those spaces. I got a scholarship 105 00:08:07,320 --> 00:08:09,800 Speaker 2: to Morgan State from god Rest is old doctor Carter 106 00:08:09,960 --> 00:08:13,640 Speaker 2: an amazing musician, right, and the first day of school, 107 00:08:14,280 --> 00:08:17,240 Speaker 2: you know, walking class and they start handing out you know, 108 00:08:17,280 --> 00:08:19,200 Speaker 2: sheet music. I'm like, okay, we're getting ready to learn 109 00:08:19,240 --> 00:08:23,520 Speaker 2: something like all right, we don't learn and opened my 110 00:08:23,560 --> 00:08:25,360 Speaker 2: little book and sitting next to all the people in 111 00:08:25,400 --> 00:08:27,560 Speaker 2: the choir and doctor Carter comes walking in. He's real 112 00:08:27,640 --> 00:08:31,280 Speaker 2: James Brown with the two afro boots, leather jacket. You 113 00:08:31,360 --> 00:08:33,840 Speaker 2: know what I'm saying, like the thin leather like soup jacket, 114 00:08:33,840 --> 00:08:37,040 Speaker 2: the whole the whole movie. Right, Doctor conways on the 115 00:08:37,040 --> 00:08:39,160 Speaker 2: piano and he goes and he says, all right, I 116 00:08:39,280 --> 00:08:44,679 Speaker 2: started a measure one, and everybody starts saying, wal do 117 00:08:44,800 --> 00:08:58,800 Speaker 2: you here like this? Who's gonna tell me? Y'all have rehearsals, rehearsals, No, 118 00:08:59,000 --> 00:09:06,760 Speaker 2: all that play by here that they were reading fresh 119 00:09:06,800 --> 00:09:11,120 Speaker 2: off site. And so like when you when you when 120 00:09:11,160 --> 00:09:13,520 Speaker 2: you're saying that, like, I'm just I'm gathering so many 121 00:09:13,600 --> 00:09:16,880 Speaker 2: pictures of how music was made back then. 122 00:09:17,760 --> 00:09:27,400 Speaker 1: Oh yeah, you know when you have composers. And I really, 123 00:09:28,920 --> 00:09:34,560 Speaker 1: being myself, very fortunate that I felt and still feel 124 00:09:34,640 --> 00:09:37,880 Speaker 1: to this day. I had two of the most prolific yes, 125 00:09:38,360 --> 00:09:45,079 Speaker 1: composer and writer called how David a poet actually to 126 00:09:45,440 --> 00:09:51,040 Speaker 1: come along during that period of time. I am okay, 127 00:09:51,360 --> 00:09:56,679 Speaker 1: I I just we were known in the industry as 128 00:09:56,679 --> 00:10:00,240 Speaker 1: to try and marriage that worked, and that's so we 129 00:10:01,559 --> 00:10:08,839 Speaker 1: became family. We became very different, and we find those 130 00:10:08,960 --> 00:10:14,000 Speaker 1: kinds of people that create the way that they're creating 131 00:10:14,840 --> 00:10:22,680 Speaker 1: and began creating specifically for you. I mean, you become one. 132 00:10:24,400 --> 00:10:31,000 Speaker 2: It's a different kind of magic, right, because it's it's 133 00:10:31,240 --> 00:10:33,760 Speaker 2: it's rare when you find these marriages because a lot 134 00:10:33,800 --> 00:10:38,520 Speaker 2: of times in our music space, it's always searching from 135 00:10:38,600 --> 00:10:42,320 Speaker 2: producer to producer to writer to writer, trying to find 136 00:10:42,360 --> 00:10:46,400 Speaker 2: the hit more so than having your own sound, sitting 137 00:10:46,440 --> 00:10:51,120 Speaker 2: in and finding the magic. Like we talked about Brandy 138 00:10:51,200 --> 00:10:56,319 Speaker 2: dark Child on Na Sean before about some marriages are 139 00:10:56,480 --> 00:11:03,640 Speaker 2: just so timeless that they'll just never be recreated. True, 140 00:11:03,679 --> 00:11:06,880 Speaker 2: that never be recreated. Yeah, and how many. 141 00:11:06,720 --> 00:11:16,040 Speaker 1: Years we were together? About fifteen years when we were 142 00:11:16,120 --> 00:11:22,800 Speaker 1: apart for close to twelve years, and then they got 143 00:11:22,840 --> 00:11:29,400 Speaker 1: back together, so it was never it's a little it's 144 00:11:29,440 --> 00:11:34,120 Speaker 1: a family quarrel. Yeah, And nobody wanted to agree with 145 00:11:34,200 --> 00:11:38,760 Speaker 1: each other. So I say, y'all go, you're aware, and 146 00:11:38,800 --> 00:11:41,240 Speaker 1: I'm gonna go mine, but you're gonna pay me because 147 00:11:42,040 --> 00:11:44,040 Speaker 1: you're supposed to be getting me something that you know 148 00:11:44,679 --> 00:11:48,120 Speaker 1: you're it's saying you're not gonna get me. They owed 149 00:11:48,200 --> 00:11:53,680 Speaker 1: me recordings. I remember like it was yesterday. It was 150 00:11:53,720 --> 00:11:59,640 Speaker 1: with Burner Brothers at the time and more Austin was 151 00:11:59,679 --> 00:12:05,640 Speaker 1: Fred and at the time he said to me, oh, 152 00:12:06,440 --> 00:12:10,320 Speaker 1: now you know you owe us it's some amount of albums. 153 00:12:10,360 --> 00:12:16,040 Speaker 1: I said, yeah, and you know the contract is between 154 00:12:16,120 --> 00:12:21,319 Speaker 1: you backgracking David, I said, yeah, and you know they're 155 00:12:21,320 --> 00:12:25,920 Speaker 1: not talking to each other. Yeah. I said, well, you 156 00:12:26,000 --> 00:12:29,880 Speaker 1: have to get them back together, do the CVS album 157 00:12:30,000 --> 00:12:33,320 Speaker 1: for you, or one brother's gonna have to sue you 158 00:12:33,800 --> 00:12:39,480 Speaker 1: and one present to them. So he says, either that 159 00:12:39,880 --> 00:12:42,800 Speaker 1: or you're gonna have to sue them. I said, that's 160 00:12:42,840 --> 00:12:53,840 Speaker 1: an easy thing to do. There we are and got 161 00:12:53,880 --> 00:12:54,959 Speaker 1: my money. 162 00:12:55,360 --> 00:12:55,680 Speaker 2: Wow. 163 00:12:55,960 --> 00:12:58,800 Speaker 1: Yeah, you know they musually were wrong. 164 00:12:59,400 --> 00:13:02,080 Speaker 4: But they they weren't working together at the time exactly, 165 00:13:03,040 --> 00:13:04,360 Speaker 4: and it affected everything. 166 00:13:04,440 --> 00:13:04,640 Speaker 2: Yeah. 167 00:13:05,240 --> 00:13:11,480 Speaker 1: And I was doing this like hello, you know, because 168 00:13:12,360 --> 00:13:17,320 Speaker 1: they made it perfectly kid. They exclusively were my producer songwriters. Yeah, 169 00:13:17,960 --> 00:13:22,760 Speaker 1: and everybody just wouldn't come near me with songs, so. 170 00:13:22,720 --> 00:13:25,840 Speaker 4: No one would even submit songs because they just knew 171 00:13:26,160 --> 00:13:30,200 Speaker 4: they knew, you know. I mean, And how like compare 172 00:13:30,760 --> 00:13:35,280 Speaker 4: those records to walk on by, Like what do you like? 173 00:13:35,320 --> 00:13:38,640 Speaker 4: What would we even submit if those if you're putting 174 00:13:38,640 --> 00:13:41,400 Speaker 4: off those type of records at that high of a level, 175 00:13:42,360 --> 00:13:43,040 Speaker 4: I get it. 176 00:13:43,240 --> 00:13:46,839 Speaker 1: You know. I. In fact, I made a comment to 177 00:13:47,040 --> 00:13:53,080 Speaker 1: Bert I heard a song that came out of Philadelphia, 178 00:13:54,880 --> 00:13:57,959 Speaker 1: introduced and written by one of my dear dear friends, 179 00:13:59,760 --> 00:14:03,439 Speaker 1: and I made a call. I said, hey, Bert, Hey, 180 00:14:04,360 --> 00:14:11,079 Speaker 1: have you heard a little group called Stylistics? He said yeah. 181 00:14:11,120 --> 00:14:13,640 Speaker 1: I said, well, I'm going to the airport the other 182 00:14:13,679 --> 00:14:15,320 Speaker 1: day and somebody said, I know you have a new 183 00:14:15,400 --> 00:14:21,680 Speaker 1: record out. I said, don't. Oh yeah you do. I said, no, 184 00:14:21,680 --> 00:14:25,120 Speaker 1: I don't. So we heard the other day. I said, no, 185 00:14:25,200 --> 00:14:31,880 Speaker 1: you heard Russell singing, not them tom Bell. And I 186 00:14:31,960 --> 00:14:35,280 Speaker 1: told Bert that day, I said, you know what, you 187 00:14:35,400 --> 00:14:38,280 Speaker 1: better get up on your your gig because this little 188 00:14:38,280 --> 00:14:41,760 Speaker 1: boy out of Philadelphia is on your butt. He is 189 00:14:42,040 --> 00:14:47,760 Speaker 1: on you, and rightfully so bomb as I called him, 190 00:14:47,760 --> 00:14:52,320 Speaker 1: because of the way he spelled this. I used to 191 00:14:52,320 --> 00:14:56,200 Speaker 1: call him bomb. Hey bomb? Yeah, what you doing? He said? Well, 192 00:14:56,240 --> 00:14:59,040 Speaker 1: I want you to have this all but couldn't get 193 00:14:59,040 --> 00:15:04,400 Speaker 1: past that background. Man, Okay, but that's the way it was. 194 00:15:05,640 --> 00:15:10,160 Speaker 2: It was territorial, though, because y'all had a had a streak, 195 00:15:10,400 --> 00:15:10,960 Speaker 2: had a thing. 196 00:15:11,640 --> 00:15:15,640 Speaker 1: Oh yeah, we had and it was a family. Yeah, 197 00:15:15,800 --> 00:15:19,040 Speaker 1: we really were that close. You know. I put my 198 00:15:19,080 --> 00:15:21,080 Speaker 1: feet under the dining room table and they put their 199 00:15:21,120 --> 00:15:24,560 Speaker 1: feet under my mama's dining room table. Yeah, so we 200 00:15:24,560 --> 00:15:25,840 Speaker 1: were basically as one. 201 00:15:26,760 --> 00:15:31,720 Speaker 2: How did it feel too? 202 00:15:31,920 --> 00:15:37,880 Speaker 4: I mean, for lack of a better term to rule decades. Well, 203 00:15:37,920 --> 00:15:40,680 Speaker 4: you just have records. 204 00:15:42,760 --> 00:15:46,720 Speaker 2: Nobody had bigger records. You want to count to his, 205 00:15:46,920 --> 00:15:47,320 Speaker 2: you want. 206 00:15:47,160 --> 00:15:59,120 Speaker 1: To know, you know, it was something I don't really 207 00:15:59,120 --> 00:16:03,960 Speaker 1: think I thought of about it because once I did it, 208 00:16:04,320 --> 00:16:06,800 Speaker 1: and I was on the road as much as I was, 209 00:16:07,400 --> 00:16:14,800 Speaker 1: she had time to think about that and until people 210 00:16:14,840 --> 00:16:19,800 Speaker 1: started pointing it out to me, what, no, come on, 211 00:16:19,880 --> 00:16:22,560 Speaker 1: get out of my face. But that's what was going 212 00:16:22,640 --> 00:16:25,760 Speaker 1: on in my life. And if it's happening so rapidly. 213 00:16:26,800 --> 00:16:29,240 Speaker 2: So you're not even paying attention to the charts exactly. 214 00:16:29,600 --> 00:16:31,240 Speaker 1: Never did, still don't. 215 00:16:32,080 --> 00:16:34,520 Speaker 2: That's when he got so many. You have so many, 216 00:16:34,720 --> 00:16:35,680 Speaker 2: but it's so many hits. 217 00:16:36,320 --> 00:16:38,480 Speaker 4: When you got your one hit, you're like, yeah, you 218 00:16:38,520 --> 00:16:39,720 Speaker 4: know right now it's number five. 219 00:16:43,600 --> 00:16:46,560 Speaker 2: How many times have we had that conversation with somebody? Yeah, 220 00:16:46,640 --> 00:16:49,480 Speaker 2: you know right now, because we never She's like, yeah, 221 00:16:49,520 --> 00:16:53,360 Speaker 2: we number eight with a bubble bubble, you go to bubble, 222 00:16:53,800 --> 00:16:55,240 Speaker 2: we trend it up. I'm trying to tell you the 223 00:16:55,280 --> 00:17:01,040 Speaker 2: research is coming back real good the past twenties. 224 00:17:01,120 --> 00:17:03,920 Speaker 4: Like so when you get your first hit record, you 225 00:17:03,960 --> 00:17:05,320 Speaker 4: go immediately on the road. 226 00:17:06,080 --> 00:17:13,880 Speaker 1: Yeah, exactly, and literally would come in off the road too. 227 00:17:14,920 --> 00:17:17,920 Speaker 1: To do a session if we were doing a project 228 00:17:18,000 --> 00:17:28,240 Speaker 1: at the time. The prime example would see promises session, 229 00:17:30,920 --> 00:17:36,720 Speaker 1: which just a funny story. The producer of the show, 230 00:17:37,240 --> 00:17:39,080 Speaker 1: I can't ever remember his name. I used to call 231 00:17:39,160 --> 00:17:49,840 Speaker 1: him Little Cason. What is his name? Everybody? He he 232 00:17:49,960 --> 00:17:54,560 Speaker 1: brought the cast to my session when I was recording 233 00:17:54,640 --> 00:18:01,560 Speaker 1: promises because they just I mean promises se song to sing. 234 00:18:02,840 --> 00:18:05,480 Speaker 1: And remember Jerry Albrac said to me, how the hell 235 00:18:05,600 --> 00:18:14,280 Speaker 1: do you do that? Very carefully? You know, I think 236 00:18:15,000 --> 00:18:18,480 Speaker 1: if you look at the chart of promises, you say 237 00:18:19,280 --> 00:18:26,280 Speaker 1: meter change every bar, so you literally are reading meters. 238 00:18:28,240 --> 00:18:29,920 Speaker 2: People don't even understand what that is. 239 00:18:30,080 --> 00:18:34,120 Speaker 1: Oh every bar. If it's a four to four measure bar, 240 00:18:34,280 --> 00:18:39,000 Speaker 1: it's one two four, and with promises it was one 241 00:18:39,080 --> 00:18:41,840 Speaker 1: two three one two one two three four one two 242 00:18:41,880 --> 00:18:45,200 Speaker 1: one two three four five yeah, every other bar. 243 00:18:46,760 --> 00:18:46,960 Speaker 2: Yeah. 244 00:18:46,920 --> 00:18:50,680 Speaker 1: I was going cry, and I'm saying, you're singing it 245 00:18:50,800 --> 00:18:53,680 Speaker 1: that way. You look at me like I've lost my mind. 246 00:18:54,040 --> 00:18:58,840 Speaker 2: But you have to have so much musical information in 247 00:18:59,119 --> 00:19:04,439 Speaker 2: order to pull that off, because listening to it it 248 00:19:06,560 --> 00:19:08,600 Speaker 2: you make it sound it seems. 249 00:19:08,920 --> 00:19:12,480 Speaker 1: Yeah, yeah, I know that's what everybody's is, but it's 250 00:19:12,560 --> 00:19:17,000 Speaker 1: not it's not easy, and I don't see it. Yes, 251 00:19:17,080 --> 00:19:25,240 Speaker 1: I do understand why, and it's because I think the 252 00:19:25,320 --> 00:19:28,680 Speaker 1: three of us were were glued together, you know that 253 00:19:28,840 --> 00:19:32,600 Speaker 1: there was nothing that In fact, it that's so funny 254 00:19:32,640 --> 00:19:36,679 Speaker 1: between us. I felt that every time I went to 255 00:19:36,720 --> 00:19:40,520 Speaker 1: the studio with Right and said, Okay, let's see if 256 00:19:40,520 --> 00:19:45,600 Speaker 1: you can do this. If you yeah, you know, and 257 00:19:45,680 --> 00:19:48,879 Speaker 1: I felt, you know, that was the challenge, which was wonderful. 258 00:19:49,680 --> 00:19:56,399 Speaker 1: It helped me tremendously in college, tremendously being able to 259 00:19:56,600 --> 00:20:01,120 Speaker 1: read as fast as I could and also playing. So 260 00:20:04,200 --> 00:20:07,320 Speaker 1: I never really gave it a second thought. But I 261 00:20:07,840 --> 00:20:11,920 Speaker 1: yet to hear anybody attempt to sing it in performance. 262 00:20:12,080 --> 00:20:16,080 Speaker 4: Because they definitely sing your songs and that's definitely not. 263 00:20:17,920 --> 00:20:26,240 Speaker 2: Yahoo promises. I don't know about that can walk on? 264 00:20:29,960 --> 00:20:32,639 Speaker 2: What's another one with a crazy time? 265 00:20:34,960 --> 00:20:41,919 Speaker 1: Anyone had heart? The one that and Burton House and 266 00:20:42,000 --> 00:20:45,800 Speaker 1: write this from Now? Andrea and Dorry Prepping wrote Aboullians 267 00:20:45,840 --> 00:20:50,720 Speaker 1: at Alls, which is also one of those you know, 268 00:20:51,200 --> 00:20:53,840 Speaker 1: I think it's going somewhere that that never gets to. 269 00:20:54,800 --> 00:20:57,280 Speaker 1: He was just like, oh wait a minute, she didn't 270 00:20:57,280 --> 00:20:59,520 Speaker 1: sing that note there. You know, I didn't sing that 271 00:20:59,600 --> 00:21:03,080 Speaker 1: note that because they weren't written for that taking care. 272 00:21:03,800 --> 00:21:09,639 Speaker 1: You know, everybody just said to me doing heartbreaking with 273 00:21:09,760 --> 00:21:13,119 Speaker 1: the Good Brothers, they felt, oh yeah, let's give us 274 00:21:13,160 --> 00:21:16,840 Speaker 1: something that goes around the corner three or four times 275 00:21:17,960 --> 00:21:19,520 Speaker 1: to the avenue. 276 00:21:19,440 --> 00:21:22,399 Speaker 4: Yeah, you couldn't do that with the artists now, you 277 00:21:22,440 --> 00:21:24,240 Speaker 4: just couldn't. You couldn't do that. 278 00:21:24,440 --> 00:21:25,359 Speaker 1: No, you can't. 279 00:21:25,600 --> 00:21:30,320 Speaker 2: You know, I'm watching a video of you, and I'm 280 00:21:30,359 --> 00:21:35,520 Speaker 2: watching I'm watching the construction. I'm watching you all sit 281 00:21:35,640 --> 00:21:41,520 Speaker 2: there and and build as as bird's playing and house 282 00:21:41,560 --> 00:21:44,760 Speaker 2: there with just in your and you're singing, all are 283 00:21:44,800 --> 00:21:49,840 Speaker 2: going back. It's like it's like this crazy thing that 284 00:21:49,880 --> 00:21:55,439 Speaker 2: you guys are doing where it's like, okay, there's a 285 00:21:55,520 --> 00:21:59,600 Speaker 2: challenge there, but of course it's like making sure that 286 00:21:59,800 --> 00:22:03,440 Speaker 2: we're in the right place musically, vocally, and lyrically all 287 00:22:03,480 --> 00:22:08,119 Speaker 2: at the same time exactly, which is rare because you know, 288 00:22:08,880 --> 00:22:12,960 Speaker 2: in these days, they just make a record, have somebody 289 00:22:12,960 --> 00:22:17,320 Speaker 2: done with here? Listen to this copy? Just yeah, it's 290 00:22:17,359 --> 00:22:20,960 Speaker 2: never like, hey, sit in here and let's work through 291 00:22:21,000 --> 00:22:25,840 Speaker 2: the progressions of this idea we have and let's make 292 00:22:25,880 --> 00:22:28,520 Speaker 2: sure you land perfectly. 293 00:22:28,800 --> 00:22:34,720 Speaker 1: Within that realm exactly. It's called creativity ultimate creativity. 294 00:22:35,800 --> 00:22:36,480 Speaker 2: That's the magic. 295 00:22:36,600 --> 00:22:39,639 Speaker 4: It ain't no punching, no vocals. We're gonna sing this 296 00:22:39,640 --> 00:22:41,879 Speaker 4: thing through it. We're gonna rehearse it. It's top to bottom, 297 00:22:42,040 --> 00:22:44,080 Speaker 4: top to bottom. It's top to bottom. You were singing 298 00:22:44,080 --> 00:22:47,399 Speaker 4: those songs top to bottom. 299 00:22:48,760 --> 00:22:50,880 Speaker 2: We're gonna go ahead and clap. It's gonna go ahead 300 00:22:50,880 --> 00:22:54,320 Speaker 2: and clap for that. I've only sang one song, talked 301 00:22:54,359 --> 00:23:01,679 Speaker 2: about it my entire career, and I thank god I 302 00:23:01,720 --> 00:23:05,680 Speaker 2: did because when I've had you to perform in life, 303 00:23:05,720 --> 00:23:08,000 Speaker 2: because when I sing these other songs that I punched, 304 00:23:11,440 --> 00:23:13,000 Speaker 2: you don't need to bring that down the whole step. 305 00:23:13,040 --> 00:23:16,000 Speaker 2: If you don't mind, we're not gonna be able to 306 00:23:16,040 --> 00:23:22,240 Speaker 2: cover the end of that if. 307 00:23:16,960 --> 00:23:23,600 Speaker 1: We didn't know anything about that. You know, no, I 308 00:23:23,760 --> 00:23:25,800 Speaker 1: loved straight. 309 00:23:25,440 --> 00:23:28,119 Speaker 2: Out, And you know why I recorded that song like that? 310 00:23:28,160 --> 00:23:30,120 Speaker 2: Maybe I deserve you know why I recorded that song 311 00:23:30,200 --> 00:23:33,439 Speaker 2: like that. I didn't have no more studio time. I 312 00:23:33,520 --> 00:23:36,800 Speaker 2: was probably running low, for sure, but I had done this. 313 00:23:37,000 --> 00:23:41,920 Speaker 2: I did a session We're Gladys Knight, yeah, and we 314 00:23:41,920 --> 00:23:45,320 Speaker 2: were working on her gospel album, and I had I 315 00:23:45,359 --> 00:23:47,560 Speaker 2: had done this. They were like, she needs a really 316 00:23:47,600 --> 00:23:50,520 Speaker 2: cool interlude, something that you know what I mean, you know, 317 00:23:50,600 --> 00:23:54,439 Speaker 2: just start the album, be somewhere cool. And so I 318 00:23:54,480 --> 00:23:59,040 Speaker 2: did this like almost like two minute you know thing, 319 00:23:59,800 --> 00:24:03,320 Speaker 2: just good movements and singing and all like. And so 320 00:24:03,359 --> 00:24:05,440 Speaker 2: I put it together and she comes into the studio 321 00:24:06,280 --> 00:24:09,760 Speaker 2: and and she's like, okay, let me hear it. And 322 00:24:10,000 --> 00:24:11,680 Speaker 2: then I play it and she's like, I like that. Okay, 323 00:24:11,680 --> 00:24:13,920 Speaker 2: I'm gonna just be back here. Just keep playing it. 324 00:24:13,960 --> 00:24:16,520 Speaker 2: And I'm just I'm just you know, we just we 325 00:24:16,680 --> 00:24:21,160 Speaker 2: just waiting, waiting on miss Gladys. It's cool, right right. 326 00:24:21,920 --> 00:24:26,919 Speaker 2: So after about maybe like five or six listens, she says, okay, 327 00:24:26,920 --> 00:24:29,760 Speaker 2: I'm ready to baby. I was like, okay, all right, 328 00:24:29,840 --> 00:24:33,880 Speaker 2: well come on on here, set the mic up, and 329 00:24:33,920 --> 00:24:35,480 Speaker 2: we said we're gonna start you right here at the top. 330 00:24:35,560 --> 00:24:37,639 Speaker 2: She's like, all right, let's get it, and we press 331 00:24:38,240 --> 00:24:44,560 Speaker 2: record and she goes from top bottom two bottom flawlessly 332 00:24:45,520 --> 00:24:52,240 Speaker 2: h an auto tune. These are a DAPs, no no 333 00:24:52,320 --> 00:24:56,240 Speaker 2: extra nothing, And I'm sitting there with the engineer when 334 00:24:56,280 --> 00:25:04,760 Speaker 2: she finishes, and I'm like looking at me, should should 335 00:25:04,760 --> 00:25:08,800 Speaker 2: I again? Should I tell her that it again? I'm 336 00:25:08,800 --> 00:25:10,720 Speaker 2: gonna just tell her to do it again so I 337 00:25:10,720 --> 00:25:14,840 Speaker 2: can feel like I'm doing something. Uh this last night, 338 00:25:14,840 --> 00:25:20,960 Speaker 2: I was absolutely amazing. Maybe on this one, just be amazing. 339 00:25:20,960 --> 00:25:24,800 Speaker 2: Here we go one more time from top to bottom, 340 00:25:26,320 --> 00:25:30,040 Speaker 2: and I said, thank you for coming. You may go home. 341 00:25:32,160 --> 00:25:35,000 Speaker 2: And that made me to have to at least try it. 342 00:25:36,320 --> 00:25:38,440 Speaker 2: I have to at least try it. And that's how 343 00:25:38,480 --> 00:25:41,000 Speaker 2: I say, maybe I deserve topped about him. But you 344 00:25:41,080 --> 00:25:43,480 Speaker 2: hear on that song is just what I had left 345 00:25:44,160 --> 00:25:45,840 Speaker 2: by the end of that song. And I can sing 346 00:25:45,880 --> 00:25:49,480 Speaker 2: that song live every night because of that. 347 00:25:52,119 --> 00:25:54,320 Speaker 1: Why would you not wanted it that way? 348 00:25:55,440 --> 00:26:02,160 Speaker 2: Because we lazy? Yes, yes, yes, I'm gonna be honest 349 00:26:02,200 --> 00:26:02,679 Speaker 2: with you. 350 00:26:02,720 --> 00:26:07,880 Speaker 1: No, I understand because I can remember, like yesterday, our babies, 351 00:26:07,920 --> 00:26:12,040 Speaker 1: and that's what I call them. We'll block a studio 352 00:26:12,200 --> 00:26:16,720 Speaker 1: for a year and they'll come in maybe once every 353 00:26:16,840 --> 00:26:20,719 Speaker 1: three weeks to sing one note and leave. But they 354 00:26:20,840 --> 00:26:23,200 Speaker 1: blocked the studio out for a year, and nobody can 355 00:26:23,240 --> 00:26:26,440 Speaker 1: do anything in a studio for a year. But that's 356 00:26:26,440 --> 00:26:28,320 Speaker 1: how they do it, one note at a time. 357 00:26:29,320 --> 00:26:29,680 Speaker 2: Mm hmm. 358 00:26:29,720 --> 00:26:37,359 Speaker 1: It's crazy. Yeah, uh, senselessly wasting money and people's. 359 00:26:49,920 --> 00:26:50,800 Speaker 2: Don't make me over. 360 00:26:51,960 --> 00:26:56,880 Speaker 4: Yes, that's your first hit, very first recording, So that's 361 00:26:56,920 --> 00:27:00,640 Speaker 4: your very first recording as well. So the first song 362 00:27:00,680 --> 00:27:04,399 Speaker 4: ever that you recorded for you was a hit record 363 00:27:04,440 --> 00:27:04,800 Speaker 4: as well. 364 00:27:05,200 --> 00:27:11,200 Speaker 2: Yeah, okay, yeah, so so me, you know, I think 365 00:27:11,240 --> 00:27:15,280 Speaker 2: I know a lot of what you've done. And I 366 00:27:15,320 --> 00:27:18,400 Speaker 2: remember a young lady by the name of Sibyl Yeah 367 00:27:18,920 --> 00:27:22,679 Speaker 2: singing this song called Don't Make Me Over, and it 368 00:27:22,800 --> 00:27:29,480 Speaker 2: was one of my favorite songs. And I was two 369 00:27:29,640 --> 00:27:36,440 Speaker 2: days years old to today knowing that that was your song. 370 00:27:36,840 --> 00:27:47,960 Speaker 1: Yeah, nineteen sixty two, Siper boy even thought. 371 00:27:47,760 --> 00:27:54,040 Speaker 2: Of and your and your time signature was crazy in 372 00:27:54,080 --> 00:27:58,399 Speaker 2: that one. So me, he imagine me like knowing thinking 373 00:27:58,440 --> 00:28:00,439 Speaker 2: all this time that don't Make Me Over this song 374 00:28:00,480 --> 00:28:05,680 Speaker 2: I'm from, and then I go back and hear the original. 375 00:28:05,760 --> 00:28:09,680 Speaker 2: Mind blowing. 376 00:28:10,440 --> 00:28:11,679 Speaker 1: You know. I'll tell you something. 377 00:28:12,080 --> 00:28:13,000 Speaker 2: Uh. 378 00:28:13,359 --> 00:28:18,680 Speaker 1: She came over and she's from England. She came over 379 00:28:18,840 --> 00:28:22,000 Speaker 1: to do my show, my friends and me, and that's 380 00:28:22,000 --> 00:28:24,879 Speaker 1: the first thing she said, No, I've recorded your song. Yeah, no, 381 00:28:25,000 --> 00:28:27,680 Speaker 1: you recorded my song. It is wonderful, thank you very much. 382 00:28:27,840 --> 00:28:29,080 Speaker 2: Yeah yeah yeah, And. 383 00:28:30,760 --> 00:28:33,760 Speaker 1: She said, well what did you think? And before I 384 00:28:33,760 --> 00:28:37,240 Speaker 1: could think, you know, I have a very bad habit 385 00:28:37,840 --> 00:28:42,080 Speaker 1: my mouth sometimes my foot that's plopped right in my mouth. 386 00:28:43,160 --> 00:28:46,440 Speaker 1: But I said, you know what, the only thing about it. 387 00:28:47,680 --> 00:28:49,800 Speaker 1: The first note you sing on the song is not 388 00:28:49,920 --> 00:28:54,000 Speaker 1: the right note. She said it is. I said, no, 389 00:28:54,240 --> 00:28:58,640 Speaker 1: it isn't. She said, oh, lots of go and listen 390 00:28:58,640 --> 00:29:01,320 Speaker 1: to your record again. I sing that song. I did, 391 00:29:01,920 --> 00:29:07,040 Speaker 1: But she sings two notes wrong on the first two notes. 392 00:29:08,480 --> 00:29:10,440 Speaker 2: So if you remake. 393 00:29:11,720 --> 00:29:14,760 Speaker 4: Any of her music, put out the discrimon, she's going 394 00:29:14,840 --> 00:29:24,280 Speaker 4: to call you out. Listen here, baby, say right, I'll 395 00:29:24,280 --> 00:29:27,440 Speaker 4: see what she was going for. I see what she 396 00:29:27,520 --> 00:29:28,040 Speaker 4: was going. 397 00:29:27,880 --> 00:29:35,280 Speaker 1: For because she decided or produced this whoever it was, 398 00:29:35,360 --> 00:29:38,920 Speaker 1: and decided to re record the song to make it 399 00:29:39,160 --> 00:29:44,600 Speaker 1: another genre of music. So it gave her liberty to 400 00:29:44,640 --> 00:29:45,680 Speaker 1: do what she wants to do. 401 00:29:46,880 --> 00:29:51,920 Speaker 2: Speaking of but speaking of genre, I feel. 402 00:29:53,920 --> 00:29:55,760 Speaker 4: You know, I'm one of I'm one of those people 403 00:29:55,760 --> 00:29:58,360 Speaker 4: who feel like I want to hold everybody to R 404 00:29:58,400 --> 00:29:58,600 Speaker 4: and B. 405 00:29:58,800 --> 00:29:59,920 Speaker 2: I believe everybody's in R and B. 406 00:30:01,560 --> 00:30:04,160 Speaker 4: But when I look over your career and I studied 407 00:30:04,200 --> 00:30:09,440 Speaker 4: your career, it felt as if it wasn't a genre 408 00:30:09,560 --> 00:30:11,040 Speaker 4: at all when it came to your music. 409 00:30:11,800 --> 00:30:18,800 Speaker 1: Absolutely, thank you so much for saying that. Everybody all interviews, well, 410 00:30:18,800 --> 00:30:21,560 Speaker 1: how do you categorize? I said, that's the beauty of me. 411 00:30:21,680 --> 00:30:23,680 Speaker 1: I cannot be categorized. 412 00:30:24,000 --> 00:30:27,800 Speaker 2: No, you know, I mean that. 413 00:30:28,000 --> 00:30:33,479 Speaker 1: There's so many instances where and I tell people, I 414 00:30:33,520 --> 00:30:36,800 Speaker 1: am whatever the listening your decides I am. You think 415 00:30:36,800 --> 00:30:38,680 Speaker 1: I'm lost full It's what I am, rock and roll, 416 00:30:39,560 --> 00:30:43,080 Speaker 1: ron B, pop, whatever it is. Don't put me in 417 00:30:43,160 --> 00:30:45,720 Speaker 1: a box. You can't put me there. You never know 418 00:30:45,800 --> 00:30:49,480 Speaker 1: where I'm gonna be musically. Yeah, And they said, well, 419 00:30:49,520 --> 00:30:52,800 Speaker 1: what would you say, let me it's kids. I said that, 420 00:30:53,000 --> 00:30:55,400 Speaker 1: you just said it our music. 421 00:30:55,480 --> 00:30:56,000 Speaker 2: Your music. 422 00:30:56,840 --> 00:30:57,280 Speaker 1: That's all. 423 00:30:58,240 --> 00:31:00,960 Speaker 4: No, because when you listen to the songs, yeah, it's 424 00:31:01,000 --> 00:31:05,080 Speaker 4: it's it's just it's just great music. It's just great music. 425 00:31:05,120 --> 00:31:06,040 Speaker 4: It's great listening. 426 00:31:06,520 --> 00:31:08,360 Speaker 1: Yeah, I love it. I do. 427 00:31:08,800 --> 00:31:11,760 Speaker 4: And even just all the people who sampled are covered, 428 00:31:12,160 --> 00:31:13,680 Speaker 4: you know, because he said we were gonna go down 429 00:31:13,680 --> 00:31:15,640 Speaker 4: the songs and of songs that you know, that's that's 430 00:31:15,640 --> 00:31:16,480 Speaker 4: stuck out for us. 431 00:31:17,240 --> 00:31:22,200 Speaker 2: Most people don't know. Yeah, a house is not a home. 432 00:31:22,560 --> 00:31:30,120 Speaker 1: I know, it's your songs. Funny Luca, Oh yeah, you know, 433 00:31:30,480 --> 00:31:34,640 Speaker 1: well listen what's my heart? I miss him so terribly. 434 00:31:35,040 --> 00:31:39,680 Speaker 1: We talked every day, but I was the first one 435 00:31:39,720 --> 00:31:43,960 Speaker 1: to hear his recording of it. He decided he wanted 436 00:31:44,000 --> 00:31:48,440 Speaker 1: to record the songs that damn Wood have recorded Houses 437 00:31:48,480 --> 00:31:51,440 Speaker 1: not a Home? Isn't the only one anyone who had 438 00:31:51,440 --> 00:31:57,200 Speaker 1: a heart, that's the only Thus, yeah, he just I 439 00:31:57,240 --> 00:32:00,600 Speaker 1: think you wanted to do my entire catalog, you know, 440 00:32:01,120 --> 00:32:05,000 Speaker 1: I mean, yeah, you know. And he called me and 441 00:32:05,000 --> 00:32:10,920 Speaker 1: he said, listen, I just recorded one of your songs. 442 00:32:11,360 --> 00:32:13,880 Speaker 1: I want you to hear it and tell me what 443 00:32:13,960 --> 00:32:18,160 Speaker 1: you think. And over the telephone is the way I 444 00:32:18,200 --> 00:32:23,000 Speaker 1: heard A House is Not a Home. And at the 445 00:32:23,240 --> 00:32:25,760 Speaker 1: end of that song, I said, you know what, Liza, 446 00:32:26,360 --> 00:32:33,560 Speaker 1: I hate you. I hate you. He said, no, you 447 00:32:33,640 --> 00:32:35,960 Speaker 1: can't het me. I said, yes, I do. I said, 448 00:32:35,960 --> 00:32:37,680 Speaker 1: I'm gonna call you back because I have to make 449 00:32:37,720 --> 00:32:42,040 Speaker 1: a phone call. And I called both bird and I 450 00:32:42,080 --> 00:32:45,280 Speaker 1: called how and I let them know. I said, you know, 451 00:32:45,360 --> 00:32:49,400 Speaker 1: I just heard something that both of you should know, 452 00:32:50,360 --> 00:32:53,960 Speaker 1: the definitive version of a song called a House is 453 00:32:54,000 --> 00:32:57,160 Speaker 1: Not a Home and recorded by Lida van Druss and 454 00:32:57,240 --> 00:33:01,680 Speaker 1: believed me. As far as I am concerned, I feel 455 00:33:01,800 --> 00:33:03,680 Speaker 1: it is the definitive version. 456 00:33:04,520 --> 00:33:05,000 Speaker 2: Wow. 457 00:33:05,160 --> 00:33:11,680 Speaker 1: You know, although he says, just whatever you record, I 458 00:33:11,680 --> 00:33:14,600 Speaker 1: don't want to record it too. That was his whole attitude. 459 00:33:14,960 --> 00:33:19,520 Speaker 1: But I mean, he took the song to another level 460 00:33:20,800 --> 00:33:22,400 Speaker 1: totally another level. 461 00:33:23,840 --> 00:33:27,560 Speaker 4: No, I didn't know until I was older. Yeah, I 462 00:33:27,600 --> 00:33:31,520 Speaker 4: didn't know as a kid of course, sleuth vandas song Yeah, 463 00:33:31,800 --> 00:33:35,720 Speaker 4: I probably fought you as much as I could have 464 00:33:35,800 --> 00:33:37,160 Speaker 4: been all the way wrong. 465 00:33:37,920 --> 00:33:38,120 Speaker 2: Yeah. 466 00:33:38,920 --> 00:33:42,120 Speaker 1: Well the first first version to record that was broke Benton. 467 00:33:42,880 --> 00:33:46,360 Speaker 2: Oh, so you didn't record it first? You know what? 468 00:33:46,400 --> 00:33:50,520 Speaker 2: That's another question I have because there was one song 469 00:33:50,560 --> 00:33:54,600 Speaker 2: where you were like the seventy fifth person that record. 470 00:33:54,600 --> 00:33:55,640 Speaker 2: I can't remember what song that. 471 00:33:55,720 --> 00:33:58,120 Speaker 1: Was sound called healthy Outfie. 472 00:33:59,400 --> 00:34:02,440 Speaker 2: How does that because it wasn't like it was a 473 00:34:02,480 --> 00:34:03,959 Speaker 2: lot of generations apart? 474 00:34:04,480 --> 00:34:09,400 Speaker 1: No, you know, how did that work? Where Burton Now 475 00:34:09,520 --> 00:34:13,960 Speaker 1: were commissioned to write the theme for the film, and 476 00:34:14,239 --> 00:34:20,360 Speaker 1: being that it was financed by British money, they decided 477 00:34:20,360 --> 00:34:23,359 Speaker 1: to do one of the British artists to record it 478 00:34:23,719 --> 00:34:29,920 Speaker 1: and Gallon Sila Black did the title song for the film, 479 00:34:30,239 --> 00:34:33,279 Speaker 1: so she was the first person to record it and 480 00:34:33,360 --> 00:34:37,920 Speaker 1: it has been recorded. I was a forty third person 481 00:34:39,080 --> 00:34:43,040 Speaker 1: actually recorded and did not want to record it then. 482 00:34:42,960 --> 00:34:45,840 Speaker 2: Like it had been out forty two times. 483 00:34:45,560 --> 00:34:48,040 Speaker 1: Already twenty three. Yes, they had been half forty two 484 00:34:48,080 --> 00:34:48,840 Speaker 1: times already. 485 00:34:49,440 --> 00:34:50,560 Speaker 2: That is crazy. 486 00:34:50,560 --> 00:34:56,200 Speaker 4: It was running that publishing what. 487 00:34:55,080 --> 00:35:01,480 Speaker 1: Yeah, it was recorded. Ironically, when the films are distributed 488 00:35:01,560 --> 00:35:08,920 Speaker 1: by different companies, United Artists distributed it here in the States. 489 00:35:08,960 --> 00:35:14,680 Speaker 1: Suddenly Share recorded the title mm hmmm, Sonny Rylands retarded 490 00:35:14,760 --> 00:35:18,440 Speaker 1: it when it was released in US trade, and it 491 00:35:18,560 --> 00:35:22,200 Speaker 1: just looped yourself around around. 492 00:35:22,480 --> 00:35:24,680 Speaker 4: That is a copyright, that's a but that is a 493 00:35:24,800 --> 00:35:28,680 Speaker 4: thing that that doesn't exist any there, noose. I'm gonna 494 00:35:28,680 --> 00:35:30,279 Speaker 4: listen to the radio the day I'm see what it 495 00:35:30,320 --> 00:35:35,319 Speaker 4: would sound good. Don't change the word. 496 00:35:37,080 --> 00:35:38,479 Speaker 2: Hey man, you think you can see me that same 497 00:35:38,560 --> 00:35:39,000 Speaker 2: track go? 498 00:35:39,280 --> 00:35:39,759 Speaker 1: You just did. 499 00:35:40,520 --> 00:35:42,880 Speaker 2: Because I never understood how that works. I knew that 500 00:35:43,080 --> 00:35:45,680 Speaker 2: they would take a song and then one artist will 501 00:35:45,680 --> 00:35:47,520 Speaker 2: be recording it, and then they would take the same 502 00:35:47,600 --> 00:35:49,839 Speaker 2: song and then give it to another artist, and then 503 00:35:49,840 --> 00:35:52,480 Speaker 2: they will recorded, and then they would give it to 504 00:35:52,560 --> 00:35:54,799 Speaker 2: this artist and they recorded, and then finally by the 505 00:35:54,800 --> 00:35:56,799 Speaker 2: fourth or fifth artist, then it was a hit song. 506 00:35:56,880 --> 00:36:00,799 Speaker 4: Yeah, somehow or another. They're like, listen, this might not work, 507 00:36:00,840 --> 00:36:01,800 Speaker 4: but this song works. 508 00:36:02,120 --> 00:36:05,560 Speaker 2: But the song wouldn't be a hit. But until it 509 00:36:05,680 --> 00:36:09,480 Speaker 2: got to the right artist and they would keep trying 510 00:36:09,520 --> 00:36:15,640 Speaker 2: their shot with that song. Publishers allow us to keep 511 00:36:15,680 --> 00:36:20,560 Speaker 2: moving this song because it's not the song. It's probably 512 00:36:20,640 --> 00:36:23,400 Speaker 2: the artist by your week artist, probably a week artist. 513 00:36:23,480 --> 00:36:23,680 Speaker 1: Man. 514 00:36:25,480 --> 00:36:30,239 Speaker 2: You know what I'm saying. We can help you make 515 00:36:30,320 --> 00:36:32,839 Speaker 2: more money if you let us move these songs around all. 516 00:36:37,320 --> 00:36:40,719 Speaker 2: I got another one that I was that I was 517 00:36:40,760 --> 00:36:47,480 Speaker 2: a little lost on say a little prayer. I thought 518 00:36:47,480 --> 00:36:48,479 Speaker 2: it was to read the song. 519 00:36:52,520 --> 00:36:53,520 Speaker 1: I can say it was. 520 00:36:56,280 --> 00:37:06,520 Speaker 2: That song. Yes it was, and still and so I 521 00:37:06,600 --> 00:37:09,480 Speaker 2: go see. You know, I love the movies. I love 522 00:37:09,520 --> 00:37:11,719 Speaker 2: them to death. Did you see the movie when they 523 00:37:11,760 --> 00:37:13,360 Speaker 2: when they when they put that. 524 00:37:17,520 --> 00:37:24,919 Speaker 1: I sat right behind Julia when the scene came up, 525 00:37:26,080 --> 00:37:29,480 Speaker 1: and they're all sitting at the table scene every since 526 00:37:29,480 --> 00:37:31,560 Speaker 1: she just turned around and said, what do you think? 527 00:37:32,360 --> 00:37:38,040 Speaker 1: Turn about you? And the lovely thing about it is 528 00:37:38,160 --> 00:37:41,440 Speaker 1: that Okay, I said a little prayer, which was the 529 00:37:41,480 --> 00:37:45,680 Speaker 1: fun part for me. I loved it, but I didn't 530 00:37:45,719 --> 00:37:49,560 Speaker 1: realize that I had another one. Imagine recordings in that movie. 531 00:37:51,640 --> 00:37:53,560 Speaker 1: I just don't know what to do with myself. 532 00:37:58,040 --> 00:38:02,080 Speaker 2: You got too many songs, You got too many songs. 533 00:38:04,200 --> 00:38:06,560 Speaker 1: That was a surprise to me because everybody was talking 534 00:38:06,560 --> 00:38:07,560 Speaker 1: about the little. 535 00:38:09,080 --> 00:38:10,400 Speaker 2: And they didn't even realize it. 536 00:38:12,160 --> 00:38:15,840 Speaker 1: Oh, I guess it did. When it came on screen, 537 00:38:15,920 --> 00:38:17,759 Speaker 1: I said, oh my goodness, I didn't know I had 538 00:38:17,800 --> 00:38:18,600 Speaker 1: two songs in this. 539 00:38:18,640 --> 00:38:25,719 Speaker 2: Film another one another another one. You definitely need to 540 00:38:25,840 --> 00:38:37,040 Speaker 2: DJ call at the premiere like something like that is 541 00:38:37,080 --> 00:38:46,400 Speaker 2: like it's just a testament again to just great music. 542 00:38:46,920 --> 00:38:47,320 Speaker 1: Agreed. 543 00:38:47,960 --> 00:38:52,640 Speaker 2: I mean, great music is just absolutely timeless. We were 544 00:38:52,680 --> 00:38:58,839 Speaker 2: talking earlier just about just about the compositions, and I 545 00:38:58,920 --> 00:39:04,240 Speaker 2: was like, musically it was like it was like maybe 546 00:39:04,360 --> 00:39:10,280 Speaker 2: a piano band version of of like Stevie Wonder changes 547 00:39:10,440 --> 00:39:14,600 Speaker 2: that would just be and then but you would be 548 00:39:15,000 --> 00:39:19,000 Speaker 2: super clean and elegant and straightforward on top of it, 549 00:39:19,080 --> 00:39:22,440 Speaker 2: to where the difficulty of really what was going on 550 00:39:22,640 --> 00:39:23,799 Speaker 2: you masked it. 551 00:39:25,200 --> 00:39:29,520 Speaker 1: Yeah, the making it sound easy. You could sing this too. 552 00:39:29,880 --> 00:39:33,960 Speaker 2: Yeah, you like you were half stepping in and like 553 00:39:34,440 --> 00:39:37,640 Speaker 2: the chords and the street like it was nuts. 554 00:39:38,120 --> 00:39:43,920 Speaker 1: Tell me about it. I mean was times literally I 555 00:39:43,960 --> 00:39:46,520 Speaker 1: would come off the road and directly into the studio 556 00:39:47,120 --> 00:39:48,680 Speaker 1: and have sat right off of what. 557 00:39:51,000 --> 00:39:55,399 Speaker 2: I feel like you could have only accomplished that by 558 00:39:55,440 --> 00:39:59,400 Speaker 2: being able to do that at there's no way that 559 00:39:59,480 --> 00:40:02,240 Speaker 2: you could have you that you could have said okay 560 00:40:02,239 --> 00:40:06,279 Speaker 2: play it for me, or and gone from one two 561 00:40:06,280 --> 00:40:09,160 Speaker 2: three four one two one two three one two three 562 00:40:09,160 --> 00:40:14,880 Speaker 2: for there's no way. I should learn how to read music. 563 00:40:16,880 --> 00:40:20,000 Speaker 1: Take the time and do that. It won't hurt you. 564 00:40:20,840 --> 00:40:22,720 Speaker 1: These kids real healthy. 565 00:40:22,840 --> 00:40:27,200 Speaker 2: These kids miss take a lot of my time. Make 566 00:40:27,239 --> 00:40:28,799 Speaker 2: him learn how to read the music with you. My 567 00:40:28,840 --> 00:40:31,480 Speaker 2: wife be wanting to do date night, My wife be 568 00:40:31,560 --> 00:40:35,480 Speaker 2: wanting to do day night. You gonna blame date night. 569 00:40:35,800 --> 00:40:44,160 Speaker 2: Read read music sometimes my wife saw somehow. You know, 570 00:40:44,800 --> 00:40:51,000 Speaker 2: she always makes up my fault. Let's go ahead and 571 00:40:51,200 --> 00:40:55,200 Speaker 2: tell what you got for me, Walk on by. I 572 00:40:55,239 --> 00:40:55,719 Speaker 2: feel like. 573 00:40:57,320 --> 00:40:59,840 Speaker 4: That was the first song that as I got older, 574 00:40:59,840 --> 00:41:03,440 Speaker 4: I realize you were pretty much telling people mind your business, 575 00:41:04,800 --> 00:41:05,680 Speaker 4: mind your business. 576 00:41:06,280 --> 00:41:09,920 Speaker 2: If you see me, just. 577 00:41:10,120 --> 00:41:14,840 Speaker 4: Just keep on going, keep it listen, stay out of 578 00:41:14,880 --> 00:41:17,040 Speaker 4: my business. Just keep on you know what I mean? 579 00:41:17,280 --> 00:41:18,640 Speaker 1: Just flat out to see you? Bye? 580 00:41:19,480 --> 00:41:21,880 Speaker 2: Was was that? Was you talking to somebody? You know? How? 581 00:41:22,080 --> 00:41:26,400 Speaker 2: You know the kids do now? In the comments? 582 00:41:26,760 --> 00:41:36,160 Speaker 1: Yeah, yeah, yep. I didn't write the song, but it 583 00:41:36,200 --> 00:41:38,000 Speaker 1: was a timely time to sing it. 584 00:41:38,480 --> 00:41:47,080 Speaker 4: Mm yeah, purpose gone. So how did you feel when 585 00:41:47,120 --> 00:41:48,520 Speaker 4: you heard Isaac Hayes's. 586 00:41:48,200 --> 00:41:55,360 Speaker 1: Version Love Love Today Love It? I that man just 587 00:41:55,440 --> 00:42:02,040 Speaker 1: took it to a completely mother round. Yeah, Like I said, 588 00:42:02,080 --> 00:42:05,319 Speaker 1: what is your problem? Why are you doing this to me? 589 00:42:08,760 --> 00:42:08,800 Speaker 2: You. 590 00:42:09,880 --> 00:42:13,359 Speaker 1: Oh, I loved it, loved it. 591 00:42:13,440 --> 00:42:16,879 Speaker 4: Do you feel as if like like these songs because 592 00:42:16,920 --> 00:42:20,279 Speaker 4: you have so many, so many records that artists were 593 00:42:20,280 --> 00:42:22,600 Speaker 4: covering of yours, not just because at this point there's 594 00:42:22,600 --> 00:42:24,120 Speaker 4: no it's not they're not sampling it. 595 00:42:24,160 --> 00:42:25,320 Speaker 1: They're covering the songs. 596 00:42:25,760 --> 00:42:28,720 Speaker 4: Do you feel like they were making the songs bigger 597 00:42:28,920 --> 00:42:30,960 Speaker 4: even when you will go and perform them now to 598 00:42:31,760 --> 00:42:32,480 Speaker 4: over the years. 599 00:42:32,600 --> 00:42:36,279 Speaker 1: They're keeping them alive. They keeping music alive, which is 600 00:42:36,320 --> 00:42:44,359 Speaker 1: so exciting for me. You know this. My granddaughter called me, Grammy, Yeah, 601 00:42:46,120 --> 00:42:58,759 Speaker 1: have you heard what's idea? 602 00:42:58,920 --> 00:43:04,040 Speaker 2: Can you get one of dog send me one of 603 00:43:04,080 --> 00:43:06,839 Speaker 2: those guts And. 604 00:43:06,960 --> 00:43:09,719 Speaker 1: She explained to me who she was and what he 605 00:43:09,800 --> 00:43:11,000 Speaker 1: had recorded. I had no. 606 00:43:11,040 --> 00:43:15,879 Speaker 4: Idea and one of the biggest. 607 00:43:15,640 --> 00:43:19,720 Speaker 1: Artists that I'll tell you. That's what's going on, Bunnie. 608 00:43:21,520 --> 00:43:26,600 Speaker 1: These babies are finally thing. Oh that's music. 609 00:43:27,280 --> 00:43:27,680 Speaker 2: Mm hmm. 610 00:43:27,960 --> 00:43:30,920 Speaker 1: I want to be a part of that, which is 611 00:43:31,360 --> 00:43:35,239 Speaker 1: very exciting to me. And what they've done is they 612 00:43:35,480 --> 00:43:42,200 Speaker 1: just it just hit rejuvenating deond Warwick, which is lovely. Yeah. 613 00:43:42,960 --> 00:43:45,960 Speaker 1: And I get nice calls from them, you know. 614 00:43:46,800 --> 00:43:56,520 Speaker 2: It's nice to hear the new generation even desire that 615 00:43:59,080 --> 00:44:01,800 Speaker 2: to want to to want to understand it, like, because 616 00:44:01,800 --> 00:44:05,479 Speaker 2: what happens is is that when this Doja Cat song 617 00:44:05,600 --> 00:44:09,080 Speaker 2: comes out, these kids are so smart and so resourceful, 618 00:44:09,640 --> 00:44:12,680 Speaker 2: like they're going down the rabbit hole to find the 619 00:44:12,800 --> 00:44:16,960 Speaker 2: original music and they are loving it. They're getting smack 620 00:44:17,040 --> 00:44:22,359 Speaker 2: on it because there's nothing else like it. One is. 621 00:44:22,600 --> 00:44:26,640 Speaker 2: No one is even trying to venture and and dare 622 00:44:26,680 --> 00:44:30,359 Speaker 2: I say I can't? 623 00:44:30,880 --> 00:44:31,880 Speaker 1: No, I don't say that. 624 00:44:32,120 --> 00:44:36,560 Speaker 2: Well, they haven't. They haven't. They haven't studied to learn 625 00:44:36,640 --> 00:44:40,719 Speaker 2: how to get to that place, like that place is 626 00:44:40,800 --> 00:44:43,080 Speaker 2: not a it's not a place you loock up on. 627 00:44:44,480 --> 00:44:51,120 Speaker 1: No, that has to stop and think. Every single song 628 00:44:51,640 --> 00:44:58,640 Speaker 1: or whatever these babies are doing, they're all sound exactly 629 00:44:58,880 --> 00:45:04,120 Speaker 1: the same. And that's only because it's allous now once 630 00:45:04,160 --> 00:45:13,919 Speaker 1: they so hearing me hear yeah, jake ye, they said, 631 00:45:14,000 --> 00:45:18,680 Speaker 1: oh I don't want to try that. Yeah, And that's 632 00:45:18,719 --> 00:45:19,719 Speaker 1: what's going on now. 633 00:45:19,880 --> 00:45:22,120 Speaker 2: And I'm hoping that's what's going on because I'm starting 634 00:45:22,160 --> 00:45:28,000 Speaker 2: to hear producers now finally be a lot more musical 635 00:45:28,080 --> 00:45:31,600 Speaker 2: and not locked into eight bars, not locked into sixteen bars. 636 00:45:31,600 --> 00:45:37,360 Speaker 2: I'm hearing. I'm hearing real pianists play for progressions and 637 00:45:37,400 --> 00:45:39,640 Speaker 2: things like I'm starting to hear that and people are 638 00:45:39,640 --> 00:45:43,040 Speaker 2: doing what's new and now on top of that. But 639 00:45:43,160 --> 00:45:46,920 Speaker 2: the musical bed, it's like, did you hear yeah? Exactly 640 00:45:47,680 --> 00:45:52,759 Speaker 2: so again harsh saying they can't but they're they're they're 641 00:45:52,800 --> 00:45:54,600 Speaker 2: not programmed to just yet. 642 00:45:55,400 --> 00:45:56,719 Speaker 1: Well they're on the road. 643 00:45:56,760 --> 00:45:59,520 Speaker 2: They're on the road, yes, as they keep digging in 644 00:45:59,560 --> 00:46:01,800 Speaker 2: the grate and there's. 645 00:46:01,560 --> 00:46:04,040 Speaker 1: Nothing wrong with that. I am so happy about it. 646 00:46:04,080 --> 00:46:10,120 Speaker 1: I am. It's exciting that they are discovering the real deal. 647 00:46:10,800 --> 00:46:17,120 Speaker 2: I'm gonna talk about yourself. The real deal says here 648 00:46:17,239 --> 00:46:22,640 Speaker 2: uh induction to the Rock and Roll Hall of Fame, child, 649 00:46:23,719 --> 00:46:29,120 Speaker 2: that's chill handsome. If you only knew any. 650 00:46:31,040 --> 00:46:32,480 Speaker 1: You know, I gots say. 651 00:46:35,120 --> 00:46:35,400 Speaker 2: I was. 652 00:46:37,320 --> 00:46:39,200 Speaker 1: First of all, I didn't even know I would have 653 00:46:39,200 --> 00:46:44,839 Speaker 1: been nominated at first song and somebody, you know, they 654 00:46:45,400 --> 00:46:48,440 Speaker 1: you had to be nominated for Rocohlolfer. I said, okay, 655 00:46:49,000 --> 00:46:54,120 Speaker 1: I am how nice is that? But very wonderful, And 656 00:46:54,520 --> 00:46:58,960 Speaker 1: of course I didn't make it. And yet they nominated 657 00:46:59,040 --> 00:47:07,880 Speaker 1: me the second time and didn't make it, and then 658 00:47:08,000 --> 00:47:10,880 Speaker 1: they called and said, we are putting you in the 659 00:47:11,000 --> 00:47:14,239 Speaker 1: Rock and Roll Hall of thing. You don't have to 660 00:47:14,360 --> 00:47:18,160 Speaker 1: be voted on, so who was the hater? Who knows? 661 00:47:20,280 --> 00:47:24,200 Speaker 1: I didn't care I was there or not. I am 662 00:47:24,280 --> 00:47:25,520 Speaker 1: not a rock. 663 00:47:26,960 --> 00:47:29,560 Speaker 2: Oh yeah, you know. 664 00:47:29,840 --> 00:47:33,560 Speaker 1: I just feel if they are going to put DIONN. 665 00:47:33,719 --> 00:47:37,600 Speaker 1: Wallick into the Rock and Roll Hall of Things, they're 666 00:47:37,640 --> 00:47:40,960 Speaker 1: gonna put a dollary party into the rock and Roll 667 00:47:41,080 --> 00:47:43,320 Speaker 1: Hall of Thing. Then they got it, took goes and 668 00:47:43,520 --> 00:47:47,160 Speaker 1: change it to the music Hall of Thing because you're 669 00:47:47,239 --> 00:47:51,120 Speaker 1: covering every genre. Now, not what you created that for. 670 00:47:53,080 --> 00:47:56,319 Speaker 1: Mm hmm to call it the music Hall of Thing? 671 00:47:57,000 --> 00:47:59,960 Speaker 2: Yeah, why is it called the rock and roll Hall created? 672 00:48:00,080 --> 00:48:00,239 Speaker 1: Yeah? 673 00:48:02,040 --> 00:48:05,359 Speaker 2: I get it, but put that stamp on it. They 674 00:48:05,400 --> 00:48:08,080 Speaker 2: want to put their stamp on it. We're to get 675 00:48:08,080 --> 00:48:11,760 Speaker 2: too deep. So how many Grammys? 676 00:48:13,200 --> 00:48:14,319 Speaker 1: I six six? 677 00:48:16,320 --> 00:48:17,320 Speaker 2: I have a certificate? 678 00:48:21,239 --> 00:48:22,600 Speaker 1: Did you get to Plock to Hang on you? 679 00:48:31,880 --> 00:48:33,839 Speaker 2: Jennifer Hudson one R and B Album of the Year? 680 00:48:33,960 --> 00:48:36,600 Speaker 2: I produced and roll on that album and send me 681 00:48:36,640 --> 00:48:40,480 Speaker 2: a piece of paper after she won, And I just said, 682 00:48:40,480 --> 00:48:45,399 Speaker 2: I just don't think it's right. So every time somebody says, 683 00:48:45,520 --> 00:48:47,680 Speaker 2: do you have a Grammy? I say, yes, it's just 684 00:48:47,800 --> 00:48:52,000 Speaker 2: in paper form, so you should. 685 00:48:51,719 --> 00:48:55,359 Speaker 1: Have gotten They should have sent you one as well. 686 00:48:56,239 --> 00:48:58,080 Speaker 2: I'm gonna let you say it I'm gonnahow run up 687 00:48:58,080 --> 00:49:00,239 Speaker 2: in there and say it's din. Warwick said, you don't 688 00:49:00,280 --> 00:49:03,600 Speaker 2: give me my grammy, it's gonna be some problems in here. Yeah. 689 00:49:04,200 --> 00:49:06,920 Speaker 2: And if you don't give me my grammy, when you 690 00:49:07,000 --> 00:49:12,719 Speaker 2: see me walk on by, you see me in the street, 691 00:49:13,440 --> 00:49:37,360 Speaker 2: walk home by you, you'll never get well. Listen, you 692 00:49:37,440 --> 00:49:41,160 Speaker 2: know we don't. I'm gonna keep you along. We just 693 00:49:41,200 --> 00:49:46,719 Speaker 2: want to make sure you play them right now. Player, 694 00:49:58,040 --> 00:50:02,279 Speaker 2: we we we know you know a lot of me music. Yeah, 695 00:50:02,760 --> 00:50:07,400 Speaker 2: you have sang and written and recorded and orchestrated moments 696 00:50:08,960 --> 00:50:15,440 Speaker 2: go down in history. But what the people want to know, 697 00:50:16,120 --> 00:50:18,320 Speaker 2: what people want to know, what they want to know 698 00:50:21,280 --> 00:50:27,040 Speaker 2: is the music that means the most to you. And 699 00:50:27,200 --> 00:50:32,880 Speaker 2: we call that your what is it called top five? 700 00:50:35,880 --> 00:50:36,960 Speaker 2: Your top five? 701 00:50:39,520 --> 00:50:40,880 Speaker 1: Top five? 702 00:50:43,800 --> 00:50:50,160 Speaker 2: You're top five R and Basingers you are. And the 703 00:50:50,480 --> 00:50:57,680 Speaker 2: songs we got to know before you go here are 704 00:50:57,840 --> 00:51:15,040 Speaker 2: the show your Yes, yeah, top give us one name 705 00:51:16,120 --> 00:51:40,200 Speaker 2: you five, mister An Warwick, Yes, your top five, R 706 00:51:40,320 --> 00:51:41,480 Speaker 2: and B. We're gonna song. 707 00:51:42,960 --> 00:51:49,240 Speaker 1: Okay, little diddicl. Neither one of us be the first 708 00:51:49,360 --> 00:51:53,040 Speaker 1: to say good bye gladys to night. 709 00:51:53,680 --> 00:51:54,040 Speaker 2: Hm hm. 710 00:51:56,680 --> 00:52:03,440 Speaker 1: Oh here and now huh a little Diddy. 711 00:52:03,760 --> 00:52:09,480 Speaker 2: Yeah. By the way, come on, tell me, I know 712 00:52:09,520 --> 00:52:10,200 Speaker 2: where you're going with it. 713 00:52:10,440 --> 00:52:11,600 Speaker 1: Written by my son. 714 00:52:19,360 --> 00:52:21,480 Speaker 2: Oh yeah, we port Champagne believe it. 715 00:52:23,680 --> 00:52:27,000 Speaker 1: Song Stevie wanted to record it called my Love. 716 00:52:28,600 --> 00:52:32,000 Speaker 2: M hmm, yeah, I don't know my Love. 717 00:52:33,080 --> 00:52:38,799 Speaker 1: We we in the incredible song. As Stevie is right, 718 00:52:41,040 --> 00:52:46,399 Speaker 1: we have homework, very spiritual song and it's the kind 719 00:52:46,440 --> 00:52:51,759 Speaker 1: of song in fact that can be or could be 720 00:52:52,000 --> 00:53:04,680 Speaker 1: used as his friends same thing. Yeah, oh thing called 721 00:53:04,840 --> 00:53:07,759 Speaker 1: bad huh yo. 722 00:53:07,800 --> 00:53:13,800 Speaker 2: Man, Michael Jackson, that that came out of nowhere. 723 00:53:17,360 --> 00:53:22,279 Speaker 1: Another one of my favorites. Oh, let me think he 724 00:53:23,239 --> 00:53:26,040 Speaker 1: you know, I had to stop and thinking about it, 725 00:53:26,080 --> 00:53:28,160 Speaker 1: I'd be talking about Oldish Redding and I'd be talking 726 00:53:28,200 --> 00:53:36,280 Speaker 1: about James Brown with with so anyway, those is fine 727 00:53:36,480 --> 00:53:46,239 Speaker 1: me too. I think it's called turner off the lights off. Yes, 728 00:53:46,600 --> 00:53:47,879 Speaker 1: that's theater. Yeah. 729 00:53:52,400 --> 00:53:57,200 Speaker 2: So would you say your favorite songs and or top 730 00:53:57,320 --> 00:53:59,880 Speaker 2: five songs and top five singers are going to be different? 731 00:54:02,200 --> 00:54:04,480 Speaker 2: You just did songs, but you also named the artists. 732 00:54:04,600 --> 00:54:06,360 Speaker 2: So is that like like a combo platter? 733 00:54:07,880 --> 00:54:11,000 Speaker 1: Yeah? I know anything they saying, that's. 734 00:54:10,880 --> 00:54:14,560 Speaker 2: The first combo platter we've ever had on the R 735 00:54:14,600 --> 00:54:19,160 Speaker 2: and B Money podcast, and because it is miss Dion Warwick, 736 00:54:19,800 --> 00:54:26,640 Speaker 2: we accept it absolutely. Oh absolutely absolutely, you do what 737 00:54:26,719 --> 00:54:32,799 Speaker 2: you want. Okay. So we're gonna make what's called a voltron, right, 738 00:54:32,920 --> 00:54:36,480 Speaker 2: and a voltron is like your super R and B artists. 739 00:54:37,080 --> 00:54:40,799 Speaker 2: So we want to know what person would you get 740 00:54:40,880 --> 00:54:44,400 Speaker 2: the vocal from? What person would you get the performance 741 00:54:44,480 --> 00:54:48,200 Speaker 2: style from? What person would you get the styling from? 742 00:54:48,960 --> 00:54:52,560 Speaker 2: And which person would you get the passion from? So 743 00:54:52,680 --> 00:54:55,120 Speaker 2: let's start with the vocal. What artists of all the 744 00:54:55,280 --> 00:54:57,880 Speaker 2: artists you know that you love, would you get the 745 00:54:58,000 --> 00:55:00,840 Speaker 2: one vocal from to build your super R n B artists? 746 00:55:02,920 --> 00:55:05,239 Speaker 2: One vocal? Oh? 747 00:55:06,000 --> 00:55:17,040 Speaker 1: God, matthis Jennie mash matthis? 748 00:55:18,120 --> 00:55:22,759 Speaker 2: Yeah, yeah, San Francisco. Okay, all right, you flex that 749 00:55:27,160 --> 00:55:29,000 Speaker 2: performance style on stage? 750 00:55:29,480 --> 00:55:32,880 Speaker 1: Oh performance Sammy Davis Jr. 751 00:55:34,200 --> 00:55:35,600 Speaker 2: The Ultimate entertainer. 752 00:55:36,840 --> 00:55:43,279 Speaker 1: Absolutely yeah, that's mean. 753 00:55:45,040 --> 00:55:48,799 Speaker 2: The styling, the drip styling. 754 00:55:50,360 --> 00:55:50,600 Speaker 1: Are you. 755 00:55:53,120 --> 00:56:00,840 Speaker 2: Thank Carol mm hmm elegant classic? Yeah, thank you. 756 00:56:01,480 --> 00:56:08,200 Speaker 1: She's one of my mentors. Wow, Lena Horn, Elfus Gerald, Sara, 757 00:56:08,960 --> 00:56:13,920 Speaker 1: these ladies I made me their own. 758 00:56:14,480 --> 00:56:19,319 Speaker 2: Do you think that we can I think we can 759 00:56:19,480 --> 00:56:22,680 Speaker 2: get that now. Someone just has to do it. I 760 00:56:22,880 --> 00:56:24,640 Speaker 2: just have to do it. I'm talking to my daughter, 761 00:56:24,760 --> 00:56:25,600 Speaker 2: talking to Jordan, and I. 762 00:56:26,239 --> 00:56:31,480 Speaker 1: Can answer that because unfortunately, and I don't know what 763 00:56:31,680 --> 00:56:37,799 Speaker 1: it puts us into their little brains. And but then 764 00:56:37,880 --> 00:56:40,680 Speaker 1: they do own the industry at this point in our time, 765 00:56:42,000 --> 00:56:46,319 Speaker 1: but they feel they invented show business. Nobody can tell 766 00:56:46,400 --> 00:56:52,680 Speaker 1: them anything, nobody and they have so much to learn, 767 00:56:54,400 --> 00:56:57,040 Speaker 1: but it's their business. 768 00:56:57,120 --> 00:57:03,680 Speaker 2: Sound I'm preaching to my daughter, elegance. Elegance, it's so needed, 769 00:57:05,120 --> 00:57:08,280 Speaker 2: so needed. Okay. Last one, the passion of the artist, 770 00:57:08,400 --> 00:57:10,520 Speaker 2: like the heart of the artists. Who who have you 771 00:57:10,640 --> 00:57:12,520 Speaker 2: heard it really means it? Who have you seen it 772 00:57:12,719 --> 00:57:13,480 Speaker 2: really means it? 773 00:57:14,440 --> 00:57:16,120 Speaker 1: Who immediately comes to mind? 774 00:57:16,680 --> 00:57:24,040 Speaker 2: James to shake that church up? 775 00:57:24,600 --> 00:57:29,720 Speaker 4: Tell me about its Grandmama had me own that. 776 00:57:31,640 --> 00:57:34,040 Speaker 2: Couldn't listen to nothing else. Don't you turn down, James, 777 00:57:34,480 --> 00:57:38,320 Speaker 2: don't you turn him down and turn that boof turn 778 00:57:38,360 --> 00:57:45,520 Speaker 2: that turn off that boom boom you go there to me? 779 00:57:46,520 --> 00:57:54,400 Speaker 4: I have to ask, is there anything over time, like 780 00:57:54,480 --> 00:57:58,760 Speaker 4: what's the wildest thing that you bought? All those years, well, 781 00:57:58,800 --> 00:58:01,240 Speaker 4: all those all those years of getting to the money, 782 00:58:01,280 --> 00:58:04,040 Speaker 4: getting to the money, first hit records, your first record? 783 00:58:04,160 --> 00:58:05,400 Speaker 2: You do? You go on tour? 784 00:58:06,000 --> 00:58:08,720 Speaker 4: You do? You were doing million dollar deals when no 785 00:58:08,800 --> 00:58:14,920 Speaker 4: one else worth assuming people, he's getting your money, He's 786 00:58:14,960 --> 00:58:15,680 Speaker 4: getting to the money. 787 00:58:17,160 --> 00:58:20,120 Speaker 2: What is the craziest or wildest thing you bought that 788 00:58:20,280 --> 00:58:23,160 Speaker 2: you just look back and like, why that? Why the world? 789 00:58:24,240 --> 00:58:38,280 Speaker 1: My first car? I saw a car in the window. 790 00:58:40,400 --> 00:58:45,280 Speaker 1: I want that car, and I had the money deny it. 791 00:58:47,320 --> 00:58:50,800 Speaker 1: And I was not looking my best that day when 792 00:58:50,840 --> 00:58:56,520 Speaker 1: I walked into the dealship and I said, how much 793 00:58:56,520 --> 00:59:02,680 Speaker 1: your that car? And they told me. I said, okay, 794 00:59:02,800 --> 00:59:09,520 Speaker 1: can can I drive it out of here? If you're 795 00:59:09,560 --> 00:59:11,960 Speaker 1: gonna pay for it? I said, yeah, I'm gonna pay 796 00:59:12,000 --> 00:59:17,640 Speaker 1: for it. This should You're gonna pay for it? I said, yes, 797 00:59:17,760 --> 00:59:21,400 Speaker 1: I'm gonna pay for it. And he said, how are 798 00:59:21,400 --> 00:59:23,440 Speaker 1: you gonna pay for it? Then me give you a 799 00:59:23,520 --> 00:59:29,240 Speaker 1: check right now? Oh, well, we have to verify so 800 00:59:29,480 --> 00:59:32,080 Speaker 1: we can call the bank. Then lets you know I 801 00:59:32,160 --> 00:59:35,000 Speaker 1: got some money to pay for it. Can I drive 802 00:59:35,080 --> 00:59:40,320 Speaker 1: it out of here? Sure? He can't. They called the bank. 803 00:59:41,840 --> 00:59:44,160 Speaker 1: Let's say give her four causes. 804 00:59:48,880 --> 00:59:50,360 Speaker 2: Y'all, y'all to. 805 00:59:57,280 --> 00:59:58,360 Speaker 1: My first cab. 806 00:59:59,000 --> 01:00:01,640 Speaker 2: Oh had the rider. 807 01:00:03,840 --> 01:00:07,439 Speaker 1: It's a green car. I called her the green hornets. Yeah, 808 01:00:08,240 --> 01:00:09,360 Speaker 1: that was the craziest thing. 809 01:00:10,600 --> 01:00:12,440 Speaker 2: Did you did you pull up on him, though, I 810 01:00:12,560 --> 01:00:15,040 Speaker 2: did you pull drove there in it? Did you? Did 811 01:00:15,080 --> 01:00:17,440 Speaker 2: you pull up on some friends? You see me? 812 01:00:18,520 --> 01:00:22,480 Speaker 1: You see me? You want to ride up? 813 01:00:24,200 --> 01:00:25,320 Speaker 2: Not in the green hornets. 814 01:00:27,920 --> 01:00:29,520 Speaker 1: Yeah, that was proudly. 815 01:00:30,800 --> 01:00:34,480 Speaker 4: The craziest Yeah, and that was off the first record 816 01:00:34,840 --> 01:00:36,680 Speaker 4: or that you had. Yeah, a couple of records by 817 01:00:36,720 --> 01:00:38,840 Speaker 4: the time. Yeah, yeah, a couple by the time. Okay, 818 01:00:39,960 --> 01:00:45,680 Speaker 4: she had whole dealership. She can buy forty Yeah, give 819 01:00:45,720 --> 01:00:47,760 Speaker 4: her four. We'd like to also show you the Blue 820 01:00:47,800 --> 01:00:51,680 Speaker 4: One if you want to want Jesse, you want to. 821 01:00:51,640 --> 01:00:52,000 Speaker 1: Blue l. 822 01:00:54,440 --> 01:00:58,040 Speaker 2: One. We got one more see one more segment for you. 823 01:01:02,360 --> 01:01:05,439 Speaker 2: I ain't saying no nick. Hey, I ain't saying no names. Yeah, 824 01:01:05,520 --> 01:01:08,200 Speaker 2: I ain't saying no names. I ain't saying no names. 825 01:01:08,240 --> 01:01:16,760 Speaker 2: Where you was, what you did? Don't see. I ain't 826 01:01:16,800 --> 01:01:17,960 Speaker 2: saying no names. 827 01:01:25,600 --> 01:01:31,320 Speaker 1: That get no names? 828 01:01:32,720 --> 01:01:36,640 Speaker 2: Uh? So ms Dion, Can I cuss before I say 829 01:01:37,040 --> 01:01:40,640 Speaker 2: what I got? You know, because even on this show, 830 01:01:40,720 --> 01:01:41,120 Speaker 2: I've been. 831 01:01:41,080 --> 01:01:46,240 Speaker 1: Known, I've had a couple of customers. 832 01:01:47,120 --> 01:01:48,960 Speaker 2: Yeah, but I'm gonna be very respectful. 833 01:01:50,120 --> 01:01:54,000 Speaker 4: Okay, So this segment of the show, it's important, it's 834 01:01:54,040 --> 01:01:56,640 Speaker 4: called uh, I ain't saying no names. And he tells 835 01:01:56,680 --> 01:02:00,280 Speaker 4: the story funny and fucked up our funny amp fucked 836 01:02:00,360 --> 01:02:06,520 Speaker 4: up in your time in this music business. Things you've said, 837 01:02:06,720 --> 01:02:09,640 Speaker 4: something you've dealt with. But the only rule to this 838 01:02:09,800 --> 01:02:12,800 Speaker 4: game you just can't say the names. You can say, well, 839 01:02:12,840 --> 01:02:15,800 Speaker 4: you've been whatever, all of that. You just can't say 840 01:02:15,840 --> 01:02:16,280 Speaker 4: who's there? 841 01:02:17,080 --> 01:02:20,680 Speaker 1: Okay? Oh golly. 842 01:02:22,960 --> 01:02:27,360 Speaker 2: Mm hm hm hm. 843 01:02:30,560 --> 01:02:35,680 Speaker 1: I was at still Apollo Theater and the young lady 844 01:02:35,760 --> 01:02:42,280 Speaker 1: that was dressed me. It was in the dressing room 845 01:02:43,240 --> 01:02:46,680 Speaker 1: and this woman walked into the dressing room and just 846 01:02:47,640 --> 01:02:55,840 Speaker 1: shot down and uh an Least said, can I help you? Oh, 847 01:02:55,880 --> 01:03:02,640 Speaker 1: I'm here? You there? Yeah, okay, do you know her? Yeah? 848 01:03:02,680 --> 01:03:07,800 Speaker 1: I know her. I'm related to her. Oh okay, how 849 01:03:07,960 --> 01:03:11,680 Speaker 1: are you? She and my cousin? Okay, cousin so here, 850 01:03:11,760 --> 01:03:14,840 Speaker 1: I come booking, you booking your bulley And she's dressed him. 851 01:03:16,600 --> 01:03:21,320 Speaker 1: And I walked by this woman and I said, hey, dahnay, 852 01:03:21,640 --> 01:03:22,360 Speaker 1: who who is that? 853 01:03:24,400 --> 01:03:24,760 Speaker 2: She said? 854 01:03:24,960 --> 01:03:30,480 Speaker 1: She said, I said, oh really? So I walked down 855 01:03:30,520 --> 01:03:39,280 Speaker 1: and I said hello, Hi, I said, and what's your name? 856 01:03:40,280 --> 01:03:43,520 Speaker 1: And she gave me her name. I said, and why 857 01:03:43,560 --> 01:03:44,080 Speaker 1: are you here? 858 01:03:45,560 --> 01:03:45,680 Speaker 2: Yo? 859 01:03:45,680 --> 01:03:50,400 Speaker 1: Well, that's none of your business, I said, Oh I yeah, 860 01:03:50,400 --> 01:03:53,400 Speaker 1: I think it is. She said, no, no, it's none 861 01:03:53,400 --> 01:03:55,960 Speaker 1: of your's. I'm here to see my cousin. I said, well, 862 01:03:55,960 --> 01:04:00,680 Speaker 1: who is your cousin, Dionne Warwick? I said she should cousin? 863 01:04:01,040 --> 01:04:07,960 Speaker 1: Really who who? Who's your mother? Who's your father? It 864 01:04:08,160 --> 01:04:12,240 Speaker 1: was just one of those on on on. I said, 865 01:04:12,280 --> 01:04:16,760 Speaker 1: so you're here to see Dr Warwick. She said yes, 866 01:04:17,120 --> 01:04:19,920 Speaker 1: if that's any of your business. I said, well, as 867 01:04:19,960 --> 01:04:23,600 Speaker 1: it turns out it is. And what makes it your business? 868 01:04:24,840 --> 01:04:31,400 Speaker 1: I said, cause I'm dion Warwick. And she literally after 869 01:04:31,480 --> 01:04:36,200 Speaker 1: she's gonna pass out because she got caught in this wagmire. 870 01:04:36,600 --> 01:04:39,520 Speaker 1: If she had built up her own I said, woman, 871 01:04:39,680 --> 01:04:45,120 Speaker 1: get out of my dressing room now, please, Well, I 872 01:04:45,560 --> 01:04:51,680 Speaker 1: want I know now out. She gonna look at it 873 01:04:51,800 --> 01:04:53,520 Speaker 1: in my face and told me she's here just t 874 01:04:53,760 --> 01:04:54,440 Speaker 1: me and don't know. 875 01:04:54,600 --> 01:04:58,120 Speaker 2: No, get your attitude are okay? 876 01:04:58,200 --> 01:04:59,680 Speaker 1: It gave me attitude. 877 01:05:00,280 --> 01:05:06,240 Speaker 2: She's crazy. I ain't here for you, my cousin, my cousin, 878 01:05:07,160 --> 01:05:07,720 Speaker 2: my cousin. 879 01:05:08,400 --> 01:05:15,640 Speaker 1: Yeah. You know, people are crazy. That's very interesting, the 880 01:05:15,680 --> 01:05:21,200 Speaker 1: word crazy. He's crazy. They're very interesting. M They come 881 01:05:21,320 --> 01:05:27,440 Speaker 1: up with some of the weirdest things. And I don't know, 882 01:05:29,520 --> 01:05:37,800 Speaker 1: I've been in situations where they become possessive, you know. 883 01:05:39,200 --> 01:05:41,320 Speaker 1: And some of my friends have done that to me 884 01:05:41,440 --> 01:05:45,280 Speaker 1: and I've had to calm them down. Oh yeah, it 885 01:05:45,360 --> 01:05:49,440 Speaker 1: went just one day. I'm in the here. Uh no, 886 01:05:49,640 --> 01:05:50,280 Speaker 1: you don't do that. 887 01:05:51,520 --> 01:05:51,680 Speaker 2: You know. 888 01:05:52,480 --> 01:05:56,560 Speaker 1: I've been your friend since kindergarten. I will always be 889 01:05:56,720 --> 01:05:59,680 Speaker 1: your friend. But you do not own me. 890 01:06:00,560 --> 01:06:00,960 Speaker 2: Mm hmm. 891 01:06:01,520 --> 01:06:05,240 Speaker 1: Yeah, don't even come on with that craziness. Yeah, you're 892 01:06:05,320 --> 01:06:08,000 Speaker 1: jealous of each other, I'm thinking, and somebody else's company. 893 01:06:08,840 --> 01:06:10,800 Speaker 1: But you didn't come see me. No, I didn't come 894 01:06:10,840 --> 01:06:15,000 Speaker 1: see you. You're right, I didn't, and the I has 895 01:06:15,080 --> 01:06:19,880 Speaker 1: not changed each all, never will. I don't see any 896 01:06:19,920 --> 01:06:23,480 Speaker 1: reason for it. I like me, I do. 897 01:06:23,840 --> 01:06:24,600 Speaker 2: I like me. 898 01:06:25,320 --> 01:06:30,520 Speaker 4: We like you too, We love you, And you just 899 01:06:30,640 --> 01:06:34,520 Speaker 4: summed up for aspiring artists and for and for current 900 01:06:34,640 --> 01:06:38,040 Speaker 4: artists and successful artists how to deal. 901 01:06:37,880 --> 01:06:41,920 Speaker 2: With it, Like you said, just be you and you 902 01:06:42,080 --> 01:06:44,160 Speaker 2: have to like you. You know. 903 01:06:45,080 --> 01:06:48,360 Speaker 1: You know my grandfather told me that ages and ages, 904 01:06:48,680 --> 01:06:51,520 Speaker 1: I was a little bitty thing. He said, why would 905 01:06:51,600 --> 01:06:58,760 Speaker 1: you want to be anybody other than you? Why? Very special? 906 01:06:58,920 --> 01:07:02,440 Speaker 1: He was God made you, You only made one of you. 907 01:07:04,080 --> 01:07:08,000 Speaker 1: Might want to be somebody else? Yeah, yeah, that's why 908 01:07:08,000 --> 01:07:11,520 Speaker 1: I laugh. But some of my friends who have gone 909 01:07:11,600 --> 01:07:18,600 Speaker 1: that Madden New line of getting done yeah and done, 910 01:07:18,800 --> 01:07:24,360 Speaker 1: yeah done here and done yeah yeah everywhere he could 911 01:07:24,360 --> 01:07:27,800 Speaker 1: finally do. And I tell him all the time, what 912 01:07:28,200 --> 01:07:30,440 Speaker 1: in the world you try to do? You can't improve 913 01:07:30,560 --> 01:07:36,480 Speaker 1: upon perfection God made that. I can't improve That's a perfection. 914 01:07:38,000 --> 01:07:41,960 Speaker 1: Cannot improve on it. And our grandfather also told me 915 01:07:42,080 --> 01:07:44,520 Speaker 1: my grandpa was one of the wise men in the world, 916 01:07:45,880 --> 01:07:50,560 Speaker 1: second only to Jesus. Okay, but he told me a 917 01:07:50,640 --> 01:07:55,560 Speaker 1: long time I was in how fussing like crazy about nothing, 918 01:07:56,480 --> 01:08:03,440 Speaker 1: just got about. He said, baby girls, don't you said nothing? 919 01:08:04,200 --> 01:08:06,280 Speaker 1: It is something must be wrong with you in there, 920 01:08:07,120 --> 01:08:10,400 Speaker 1: going on and on and on. I said, I don't 921 01:08:10,400 --> 01:08:12,560 Speaker 1: even know how I'm done with Grandpa. I really don't. 922 01:08:13,880 --> 01:08:15,920 Speaker 1: He said, let me tell you something. Don't you ever 923 01:08:16,000 --> 01:08:19,760 Speaker 1: forget this? He said, you're in there frowning and counting on. 924 01:08:19,920 --> 01:08:26,320 Speaker 1: You know, frownally gives your wrinkles, smiling, doesn't. I haven't 925 01:08:26,360 --> 01:08:30,320 Speaker 1: such smile since that day. I refuse, I'm not gonna 926 01:08:30,360 --> 01:08:33,040 Speaker 1: have a wrinkle. I'm just not gonna do it. 927 01:08:36,040 --> 01:08:36,439 Speaker 2: I get it. 928 01:08:37,439 --> 01:08:45,880 Speaker 4: I get this little botox. It's called brotox act. It 929 01:08:46,080 --> 01:08:51,479 Speaker 4: is not score botox. Man, stop doing it. Stop she said, 930 01:08:52,520 --> 01:08:55,519 Speaker 4: you can't improve perfection. Man's right, chill out. 931 01:08:56,600 --> 01:08:59,200 Speaker 2: I'm not trying to improve it, just want the last 932 01:08:59,240 --> 01:09:03,320 Speaker 2: longer smile. 933 01:09:04,720 --> 01:09:05,080 Speaker 1: Here you go. 934 01:09:07,120 --> 01:09:12,560 Speaker 2: Well, miss Dione Warwick. First of all, we want to 935 01:09:12,600 --> 01:09:15,600 Speaker 2: say thank you, thank you for paving a hell of 936 01:09:15,680 --> 01:09:17,120 Speaker 2: a way for us. 937 01:09:17,479 --> 01:09:23,160 Speaker 1: You kidding. It's been a joy to me and for me. 938 01:09:24,720 --> 01:09:24,880 Speaker 2: Yeah. 939 01:09:25,200 --> 01:09:32,040 Speaker 1: Music is a healer and I've seen it work. Yeah, 940 01:09:32,880 --> 01:09:34,360 Speaker 1: and I thrilled to be a part of it. 941 01:09:35,000 --> 01:09:37,400 Speaker 2: Yeah, I really well, we feel it. 942 01:09:38,120 --> 01:09:39,000 Speaker 1: Thank you, and. 943 01:09:41,720 --> 01:09:45,400 Speaker 2: It will that feeling will linger on through the animal 944 01:09:45,520 --> 01:09:48,360 Speaker 2: of time. Oh so sure? Oh yeah it is. 945 01:09:49,800 --> 01:09:52,240 Speaker 1: It is the sound safety smiling. 946 01:09:52,800 --> 01:10:02,880 Speaker 2: Hey, okay, funny is Tank Jave Valentine And this is 947 01:10:02,960 --> 01:10:06,719 Speaker 2: the R and Mondy podcast, the authority on all things 948 01:10:07,360 --> 01:10:12,840 Speaker 2: R and B. And this has been the elegant, the timeless, 949 01:10:13,560 --> 01:10:23,719 Speaker 2: the absolute amazing Mistiaple R and B Money. 950 01:10:24,880 --> 01:10:26,639 Speaker 4: R and B Money is a production of the Black 951 01:10:26,680 --> 01:10:31,439 Speaker 4: Effect podcast Network. For more podcasts from iHeartRadio, visit the 952 01:10:31,600 --> 01:10:35,400 Speaker 4: iHeartRadio app, Apple Podcasts, or wherever you listen to your 953 01:10:35,439 --> 01:10:39,320 Speaker 4: favorite shows. Don't forget to subscribe to and rate our show, 954 01:10:39,680 --> 01:10:42,240 Speaker 4: and you can connect with us on social media at 955 01:10:42,360 --> 01:10:46,560 Speaker 4: Jy Valentine and at the Real Tank. For the extended episode, 956 01:10:46,680 --> 01:10:50,880 Speaker 4: subscribe to YouTube dot com or slash r and B 957 01:10:51,000 --> 01:10:51,280 Speaker 4: money