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Speaker 1: What up.

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Speaker 2: It's Eric Andrey and guess what, You're having an acid flashback.

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Speaker 2: That's right, you are flashing back right now to a

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Speaker 2: favorite past episode of bombing. This one's with music producer

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Speaker 2: Benny Blanco, whose new album I Said I Love You

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Speaker 2: First with Selena Govez is out. Now. Make sure you

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Speaker 2: stream that shit because I told him personally I would

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Speaker 2: get it to number one top of the charts. But first,

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Speaker 2: have a nice trip down memory lane and enjoy my

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Speaker 2: conversation with Benny last year about bombing in the music industry.

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Speaker 1: Love you lots, bombing, bombing with Eric Andre.

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Speaker 2: So that is your biggest bomb or some bombing stories.

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Speaker 3: I have so many?

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Speaker 2: Yeah, I know you get You're like auto pilot.

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Speaker 4: Okay, okay, let it roop, Okay, okay, a few one

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Speaker 4: of them. It's like I'm like eighteen years old. We're

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Speaker 4: like on I'm we're like performing for the first time.

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Speaker 4: I'm like getting like free drink. I'm getting blacked out

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Speaker 4: every time because I never had like I've only had

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Speaker 4: like like you drink like out of someone's like your

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Speaker 4: pan Karan's like liquor cabin. It has like a quarter

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Speaker 4: of a bottle of Triple Sex from like six years ago.

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Speaker 3: Yeah, it's like disgusting.

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Speaker 4: You have like you guys Split One Mad Dog, except

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Speaker 4: with like eight people special.

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Speaker 3: It's disgusting, disgusting.

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Speaker 4: So like finally I'm like getting alcohol. I'm playing with

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Speaker 4: spank Rock Amanda Blank, I'm at this like fader thing

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Speaker 4: and it's like this is so yeah.

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Speaker 3: We're like the kid.

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Speaker 2: Did you ever go to college?

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Speaker 5: No?

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Speaker 2: Not a day? No No.

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Speaker 4: I went to an audio engineering school for like four

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Speaker 4: months but dropped out. And I'm the only one of

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Speaker 4: my everyone to college except me and the family.

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Speaker 2: Yeah.

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Speaker 3: So I'm like, so.

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Speaker 4: I remember, I'm I'm at the show and I'm getting

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Speaker 4: like fully blacked out, like like like so drunk, and

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Speaker 4: I remember I start daching and I was like I

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Speaker 4: didn't have like I didn't have money like that, so

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Speaker 4: I literally would bring I didn't have a laptop, so

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Speaker 4: I bring an iMac to the club, like.

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Speaker 3: A big purple plastic like a huge GiMA to the club,

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Speaker 3: and I would like and I was so bad.

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Speaker 4: Yeah, it was crazy, And I was so bad at

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Speaker 4: DJAN And basically I'm with one of my friends and

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Speaker 4: we're like so hyped and we're like dancing and stuff

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Speaker 4: and basically like I accidentally turned the bpm so like

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Speaker 4: for people who don't know what that is, like, I

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Speaker 4: made the song incredibly fast, like like one hundred bpm sward.

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Speaker 4: So it was like so before it was like and

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Speaker 4: then was like and I was like and and I

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Speaker 4: couldn't stop it because my friend spilled a drink all

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Speaker 4: over the keyboard, the laptop or the fucking computer, whatever

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Speaker 4: the fuck it is. The So so I'm sitting there

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Speaker 4: and it's so fast and like name spank rock here

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Speaker 4: is like thinging and they all just went along with

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Speaker 4: it so like and they like did it and nobody

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Speaker 4: even noticed, and they were so mad.

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Speaker 3: You were rapping and Amanda was a game. And then

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Speaker 3: and they were wrapping.

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Speaker 4: And it was like it was during my DJ said,

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Speaker 4: they like came out and like did a special thing.

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Speaker 4: Basically that night, I get so wasted. I get so

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Speaker 4: unbelievably wasted that they kicked me out. Okay, Home, Sweet Home.

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Speaker 4: It's called in New York.

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Speaker 3: You know it's like near Christy Street. Yeah, you have

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Speaker 3: to like go down yeah.

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Speaker 2: Yeah, yeah yeah I remember that spot.

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Speaker 3: Yeah.

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Speaker 4: So we're I'm actually confusing two nights this is one

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Speaker 4: one of whatever who.

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Speaker 3: Gives nobody it's the same.

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Speaker 2: Years ago.

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Speaker 3: It also could be the same night for this story.

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Speaker 3: It'll be the same night.

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Speaker 4: And I remember I I they they actually, you know

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Speaker 4: when someone's like, oh, they threw me out of the bar,

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Speaker 4: They actually picked me up. That I was so belligerent

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Speaker 4: while I was ejing that two men picked me up

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Speaker 4: and they threw me into guard And I remember at

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Speaker 4: the time, I was getting paid three hundred dollars, okay,

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Speaker 4: and it's like the most embarrassing thing. They throw me

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Speaker 4: in the garbage and then the guy takes out not

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Speaker 4: even like three like nights, he crumpled three hundred dollar

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Speaker 4: bills and throws them. So they throw them at me

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Speaker 4: on the ground. I'm black, Did you dude to deserve that?

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Speaker 4: I was probably being an idiot.

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Speaker 2: In what sense?

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Speaker 4: It was probably just so drunk, like spilling stuff, like

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Speaker 4: being an idiot. So I'm out there and I remember

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Speaker 4: like standing up and like looking at my friends and

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Speaker 4: they were out there and I.

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Speaker 3: Was like, I hate you.

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Speaker 4: I was like, fuck you, And I like looked at

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Speaker 4: my I was like I hate you, like and I

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Speaker 4: was just like I was just like I gone off

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Speaker 4: the rails. I went fully, fully off.

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Speaker 3: The rails, eighteen year old Penny.

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Speaker 2: That was like the throw your friends your only out.

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Speaker 3: Yeah, but that's what you do when you're eighteen.

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Speaker 2: Yeah.

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Speaker 3: Oh my god, I have so.

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Speaker 2: Many Okay, tell me some more bombing stories.

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Speaker 3: So okay, so first, this is like the opposite of

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Speaker 3: a bomb.

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Speaker 2: Okay.

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Speaker 4: I'm playing poker one night and like, my friend's mom

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Speaker 4: puts me on her Instagram.

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Speaker 2: Okay.

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Speaker 4: Then she calls me the next day and she's like, yo,

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Speaker 4: my son's best friend. You're his biggest influence in the world.

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Speaker 2: You have to.

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Speaker 4: Let him come like intern for you. I was like,

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Speaker 4: I don't need another intern, and they were.

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Speaker 5: Like please, and I was like all right, fine.

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Speaker 4: So like I meet this kid, this kid's fifteen years old,

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Speaker 4: and he's like, I got a intern for you, and

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Speaker 4: I'm like all right. Like he was just like a

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Speaker 4: sweet kid, and I was like intern for me, and

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Speaker 4: I was like, all right, I'm in New York and

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Speaker 4: I was like, but I'm building a studio in LA.

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Speaker 4: You got to just build the studio and I'll be

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Speaker 4: out in like a few months. And then he was

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Speaker 4: like he was like all right, so did.

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Speaker 2: You give up a budget.

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Speaker 3: Yeah, we did the whole thing.

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Speaker 2: Oh okay, build your own mind chop.

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Speaker 4: So basically his kid starts working for me and then

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Speaker 4: like he eventually like is about to graduate high school

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Speaker 4: and like he's in like his last semester and I'm like, yo,

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Speaker 4: I'm going on the road with Ed Sheeran. Do you

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Speaker 4: want to come and like learn? And he's like yes,

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Speaker 4: And then like eventually I'm like he's in college and

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Speaker 4: I'm like, yo, we're going on tour with this person.

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Speaker 4: Do you want to come, like like see how it's

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Speaker 4: all done?

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Speaker 3: Blah blah blah.

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Speaker 4: And he's like working his way up, never even tells

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Speaker 4: me he makes music, and then one day he like

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Speaker 4: sits me down and he's just like dude. When he's

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Speaker 4: like nineteen, he's like, dude. My therapist said, if I

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Speaker 4: don't play you my music, then like I just like

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Speaker 4: he won't work with me anymore.

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Speaker 3: And I was like, yeah, of course man me, no, no, no, no,

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Speaker 3: he played me his music.

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Speaker 4: Yeah, I'm like, yeah, no, he plays me as music

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Speaker 4: and it's bad. Yeah okay, but like I see something

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Speaker 4: in the kid somehow. Fast forward like a year or two,

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Speaker 4: I sign him and then he's the actual biggest producer

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Speaker 4: in the world right now. He literally just one Song

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Speaker 4: of the Year at the Grammy's. He's like the biggest

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Speaker 4: producer in the world. And he's he've been working with

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Speaker 4: me since Blake.

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Speaker 3: Yeah, Blake. Now, okay, you want to hear a funny

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Speaker 3: Blake story.

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Speaker 2: That's a bomb.

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Speaker 3: Okay, great, this is a bomb of a story.

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Speaker 2: Wait, so you met Blake because your friend's mom was

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Speaker 2: just like, hey, I got to put you on my Instagram.

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Speaker 3: And she just put me on Instagram in a poker

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Speaker 3: game and he was like, who the fuck is it?

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Speaker 2: How do you know?

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Speaker 4: Benny, Like he had no idea and that it was

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Speaker 4: just like a random thing. Whoa, Yeah, it was so random.

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Speaker 4: So okay, So okay, Blake. It's his first day. I'm like,

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Speaker 4: finally in La. He's been working for me for like

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Speaker 4: eight months, hasn't done anything. He's like cleaning toilets. Everything,

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Speaker 4: his life sucks.

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Speaker 2: Okay.

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Speaker 4: He finally walks in I'm in LA and I'm like, yo,

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Speaker 4: we're going to a studio. Okay, We're gonna work with

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Speaker 4: the weekend. And he was just like holy shit, He's

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Speaker 4: like what the fuck. He's like this is what I've

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Speaker 4: been waiting for. He's losing his mind. So the Weekend

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Speaker 4: comes in and I'm like, Blake, like just be cool,

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Speaker 4: and he's like, okay, cool. We're in the session. Literally

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Speaker 4: fifteen minutes into the session. We're in a room like

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Speaker 4: this small, and we're like me in the Weekend, are

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Speaker 4: like going back and forth and we're like singing stuff,

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Speaker 4: we're playing beats, and all of a sudden, he takes

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Speaker 4: his phone out to try to take like a sneak

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Speaker 4: no and it goes like it goes and it flashes,

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Speaker 4: and he literally Blake doesn't know what to do, so

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Speaker 4: he goes like this, He goes and he throws his

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Speaker 4: phone and just like leaves the room and just like

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Speaker 4: doesn't know what to do. Like the weekend doesn't notice,

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Speaker 4: and it's like all good, but he was so embarrassed

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Speaker 4: he left the room and did not come back for

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Speaker 4: the rest of the session.

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Speaker 5: But Blake bomb with Aericdre. With Aericdre, who's the worst,

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Speaker 5: Who's the one?

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Speaker 4: Basically it's like the first time I work with Diddy,

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Speaker 4: and I'm like so excited.

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Speaker 3: I'm like, oh my god, this guy's like my hero.

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Speaker 3: Like it's like he's a full legend, and I get there.

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Speaker 3: He lives up to everything.

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Speaker 4: He's like in the thing he's getting like his haircut,

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Speaker 4: he's directing a music video. He's like someone's like doing

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Speaker 4: stuff with his toes, Like it's like all that stuff

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Speaker 4: for Instagram and stuff is so real.

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Speaker 3: He's like he was like he was like it was crazy.

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Speaker 4: There was like somebody he had like a bottle of

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Speaker 4: champagne that he was like deciding whether it was gonna

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Speaker 4: be like the new logo, like so many things are

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Speaker 4: happening at once, and then he's like I get in

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Speaker 4: there and he's like you always like you know, I

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Speaker 4: just got back from fucking Paris, Like I'm in France,

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Speaker 4: I'm in all these different places, like I want to

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Speaker 4: make that like fucking like disco shit, like the record's

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Speaker 4: spinning and there's fucking cocaine and when it comes to

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Speaker 4: your turn, you just got to snort it right up.

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Speaker 4: He's like, I want to make that good shit. And

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Speaker 4: I was like, oh okay, so like uh, like what

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Speaker 4: do you think like something like more like daft punk

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Speaker 4: or like craft work, And he's like looked at me.

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Speaker 4: He was like they shut the fuck up and I

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Speaker 4: was like, and he's like, stop trying to confuse me.

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Speaker 4: And I was like, oh, I was like okay. I

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Speaker 4: was like I'm sorry, and then like and then there

223
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Speaker 4: was like two people. I remember there was these There

224
00:10:00,520 --> 00:10:03,560
Speaker 4: was like his assistant and then someone else's assistant and

225
00:10:03,600 --> 00:10:05,240
Speaker 4: they were like and he was like, I bet you

226
00:10:05,320 --> 00:10:07,640
Speaker 4: my assistants faster than yours to like the other person.

227
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Speaker 4: And then they were like he was there was like

228
00:10:10,240 --> 00:10:11,920
Speaker 4: and you like yeah, and they were like both yelling

229
00:10:11,920 --> 00:10:14,880
Speaker 4: for their assistant and like didesus isn't actually came like

230
00:10:15,440 --> 00:10:17,439
Speaker 4: later and he was like you're fired.

231
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Speaker 1: Just like.

232
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Speaker 3: One time.

233
00:10:22,679 --> 00:10:25,480
Speaker 4: I was like, Kanye used to have this like warehouse. Okay,

234
00:10:25,760 --> 00:10:30,200
Speaker 4: it's like insane warehouse. And we like after church, his

235
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Speaker 4: like uh Sunday services, which actually were like incredible. They

236
00:10:34,240 --> 00:10:36,520
Speaker 4: were so sick, Like did you ever go to one? No,

237
00:10:36,800 --> 00:10:37,840
Speaker 4: they were they were amazing.

238
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Speaker 2: They were like allergic to religion.

239
00:10:40,240 --> 00:10:41,960
Speaker 3: No, it wasn't religion. It was just like sick.

240
00:10:42,000 --> 00:10:44,200
Speaker 4: You're watching like a Kanye show and it's like and

241
00:10:44,280 --> 00:10:46,920
Speaker 4: everything he did was like so amazing, Like he was

242
00:10:46,960 --> 00:10:50,439
Speaker 4: my hero growing up. So like we're like at one

243
00:10:50,480 --> 00:10:53,160
Speaker 4: of his things. I hope we don't lift this. This

244
00:10:53,200 --> 00:10:53,960
Speaker 4: one's so good.

245
00:10:54,280 --> 00:10:55,559
Speaker 2: We were we were.

246
00:10:56,160 --> 00:10:58,439
Speaker 4: We went back to like his like facility. He had

247
00:10:58,480 --> 00:11:01,200
Speaker 4: like a factory, and like you walked in and like

248
00:11:01,320 --> 00:11:04,880
Speaker 4: we were like with one of my friends and we were.

249
00:11:05,920 --> 00:11:08,199
Speaker 3: This story's crazy. We were.

250
00:11:08,240 --> 00:11:11,800
Speaker 4: We're like, okay, So we walk into Kanye's factory and

251
00:11:11,840 --> 00:11:14,880
Speaker 4: we're like walking around and we walk into my friends

252
00:11:14,880 --> 00:11:17,640
Speaker 4: like little studio and we're just like waiting for Kanye

253
00:11:17,679 --> 00:11:18,160
Speaker 4: to show up.

254
00:11:18,360 --> 00:11:20,160
Speaker 3: And I like I walk.

255
00:11:20,000 --> 00:11:23,040
Speaker 4: Into one room and and it's like all of his

256
00:11:23,200 --> 00:11:25,240
Speaker 4: like easy stuff and all the samples, and it all

257
00:11:25,280 --> 00:11:26,360
Speaker 4: like looks so cool.

258
00:11:26,600 --> 00:11:28,120
Speaker 3: It's all like set up in the coolest way.

259
00:11:28,120 --> 00:11:30,560
Speaker 4: There's like mood boards everywhere, and I'm like this is amazing,

260
00:11:30,720 --> 00:11:33,080
Speaker 4: and I'm like touching all the fabrics. And then like

261
00:11:33,200 --> 00:11:36,280
Speaker 4: I walk into another room and it's like the coolest

262
00:11:36,760 --> 00:11:39,319
Speaker 4: room you've ever seen with just like with just like

263
00:11:39,480 --> 00:11:42,679
Speaker 4: shoes and like men in like lab coats like making

264
00:11:42,800 --> 00:11:46,480
Speaker 4: shoes and that are like seventy and I'm like yeah,

265
00:11:46,480 --> 00:11:48,360
Speaker 4: I'm like, I'm like holy shit. And then I go

266
00:11:48,400 --> 00:11:50,120
Speaker 4: into another room and there's like one of those like

267
00:11:50,200 --> 00:11:52,240
Speaker 4: big dry erase boards. And this was a while ago,

268
00:11:52,280 --> 00:11:53,080
Speaker 4: and it says like.

269
00:11:53,240 --> 00:11:55,559
Speaker 3: How to make Kanye West a billionaire?

270
00:11:56,080 --> 00:11:58,200
Speaker 4: And it was and it was like had like allays,

271
00:11:58,280 --> 00:12:01,120
Speaker 4: like a count information, like everything on a thing, and

272
00:12:01,120 --> 00:12:03,320
Speaker 4: I was like, we're definitely not supposed to be in here.

273
00:12:03,400 --> 00:12:05,440
Speaker 4: And they have like like all these different ways to

274
00:12:05,480 --> 00:12:07,400
Speaker 4: make him like a billionaire and I was like, oh shit.

275
00:12:07,600 --> 00:12:09,840
Speaker 4: So then we like walk out and we walk into

276
00:12:09,880 --> 00:12:13,400
Speaker 4: this other room and it's him and he's having like

277
00:12:13,440 --> 00:12:15,800
Speaker 4: a full meeting with like people, and he has a

278
00:12:15,880 --> 00:12:17,360
Speaker 4: screen that's bigger than this room.

279
00:12:17,360 --> 00:12:18,959
Speaker 3: It's like this wrap around screen.

280
00:12:19,000 --> 00:12:21,679
Speaker 4: It's like twenty feet tall with like and it has

281
00:12:21,720 --> 00:12:23,960
Speaker 4: like a computer on it and they're like looking at

282
00:12:24,000 --> 00:12:26,079
Speaker 4: it like a website. And it has this thing where

283
00:12:26,080 --> 00:12:27,959
Speaker 4: you like press the clothes and like drag them and

284
00:12:28,000 --> 00:12:30,320
Speaker 4: then it's like a woman like in the clothes and

285
00:12:30,360 --> 00:12:32,920
Speaker 4: she's moving around and then like a man. And I'm

286
00:12:32,920 --> 00:12:35,920
Speaker 4: there with my girlfriend at the time, and I remember

287
00:12:36,200 --> 00:12:38,000
Speaker 4: I remember like yeah's in there, and we're like it's

288
00:12:38,040 --> 00:12:40,160
Speaker 4: like a few of us, and we're like, oh, I'm sorry,

289
00:12:40,160 --> 00:12:41,360
Speaker 4: we didn't we didn't mean to come in here. And

290
00:12:41,400 --> 00:12:43,280
Speaker 4: he's like, no, no, come in and we're like okay.

291
00:12:43,440 --> 00:12:45,920
Speaker 4: He's like and he's like my girl at the time.

292
00:12:45,960 --> 00:12:47,560
Speaker 4: He's like, he's like, what do you think about these clothes?

293
00:12:47,640 --> 00:12:50,720
Speaker 4: And she's like, uh, She's like they're they're amazing, They're

294
00:12:50,760 --> 00:12:52,680
Speaker 4: so cool. And he's like, go press the button, go

295
00:12:52,760 --> 00:12:54,800
Speaker 4: like try it on, like it like like you can

296
00:12:54,880 --> 00:12:56,480
Speaker 4: press a button and we'll make it all try on

297
00:12:56,760 --> 00:12:58,680
Speaker 4: and she was like okay, oh sick.

298
00:12:58,960 --> 00:13:00,240
Speaker 3: So she like goes up the.

299
00:13:00,559 --> 00:13:06,280
Speaker 4: Screen is like three thirty foot screens, like it's insane,

300
00:13:06,480 --> 00:13:08,720
Speaker 4: and she like goes to like click one and you

301
00:13:08,760 --> 00:13:11,080
Speaker 4: know how like if you like swipe a mouse like

302
00:13:11,280 --> 00:13:13,160
Speaker 4: down to the bottom of the screen, like it like.

303
00:13:13,559 --> 00:13:15,920
Speaker 3: Puts the computer in sleep mode. It literally just goes

304
00:13:15,960 --> 00:13:18,880
Speaker 3: like this goes and like we're.

305
00:13:18,720 --> 00:13:22,120
Speaker 4: In a room full of darkness like with all these

306
00:13:22,120 --> 00:13:24,720
Speaker 4: people and we're like and she's like losing her mind.

307
00:13:24,880 --> 00:13:27,960
Speaker 3: And then like someone's like, hey, do you know the password?

308
00:13:28,200 --> 00:13:31,000
Speaker 4: And like uh, Cone is like, oh, let me try

309
00:13:31,000 --> 00:13:33,439
Speaker 4: and do like types and it's like it's like doesn't work.

310
00:13:33,520 --> 00:13:36,360
Speaker 4: And then he like tries another one it's like and

311
00:13:36,400 --> 00:13:38,440
Speaker 4: it just like doesn't work. And then like finally like

312
00:13:38,480 --> 00:13:40,720
Speaker 4: one of my friends just writes like password in it.

313
00:13:40,720 --> 00:13:41,240
Speaker 1: It's like.

314
00:13:43,080 --> 00:13:46,600
Speaker 2: Everything shines back up and hacked all don't know, and.

315
00:13:46,559 --> 00:13:48,200
Speaker 4: It was like and then he like he goes like

316
00:13:48,240 --> 00:13:50,920
Speaker 4: this she like she like is still standing by the thing,

317
00:13:50,920 --> 00:13:51,320
Speaker 4: and he's.

318
00:13:51,200 --> 00:13:53,800
Speaker 3: Like maybe maybe I'll do the next one. And then

319
00:13:53,840 --> 00:13:56,079
Speaker 3: it's just like she's like a full like walk.

320
00:13:56,760 --> 00:13:58,480
Speaker 2: That's like a moment.

321
00:13:58,800 --> 00:14:02,200
Speaker 3: It's like a bomb that that's a bomb. That's a bomb.

322
00:14:02,280 --> 00:14:02,440
Speaker 1: You know.

323
00:14:02,559 --> 00:14:05,760
Speaker 4: My favorite is when when whenever, like you're with someone

324
00:14:06,120 --> 00:14:08,760
Speaker 4: and like like one time I was, I was with

325
00:14:08,800 --> 00:14:11,160
Speaker 4: my friend and we were like outside of a party

326
00:14:11,240 --> 00:14:13,679
Speaker 4: and we couldn't get into this party, and like do

327
00:14:13,720 --> 00:14:15,080
Speaker 4: you know how you have some of those friends that

328
00:14:15,120 --> 00:14:19,000
Speaker 4: are just like they're shameless, they'll do anything like and

329
00:14:19,040 --> 00:14:21,000
Speaker 4: we were like outside of this party, we weren't getting in.

330
00:14:21,040 --> 00:14:22,880
Speaker 4: This was like ten years ago.

331
00:14:23,240 --> 00:14:25,080
Speaker 3: We're probably not gonna be able to use his name,

332
00:14:25,080 --> 00:14:26,000
Speaker 3: but we can use this story.

333
00:14:26,160 --> 00:14:28,240
Speaker 4: So he's like we're like outside of this like New

334
00:14:28,320 --> 00:14:30,240
Speaker 4: Year's party, and we're like there's no way we're getting

335
00:14:30,240 --> 00:14:33,000
Speaker 4: it in. It's like watch them, like Brad Pitt walk in,

336
00:14:33,120 --> 00:14:35,600
Speaker 4: like everyone's walking in, and then we have another good

337
00:14:35,600 --> 00:14:39,360
Speaker 4: story a bomb. So we're watching like Brad Pitt walk

338
00:14:39,400 --> 00:14:44,600
Speaker 4: in and then he literally sees Andy Garcia walking by

339
00:14:45,160 --> 00:14:46,360
Speaker 4: the actor the big actor.

340
00:14:46,440 --> 00:14:46,920
Speaker 2: Yeah, you know.

341
00:14:47,320 --> 00:14:51,280
Speaker 4: So we see like Andy Garcia like, oh, he's like,

342
00:14:51,920 --> 00:14:52,600
Speaker 4: I'm good friends.

343
00:14:52,600 --> 00:14:53,960
Speaker 3: He goes I'm friends with him, and.

344
00:14:53,920 --> 00:14:55,640
Speaker 4: I go with your friends with Andy Garcia and he

345
00:14:55,640 --> 00:14:57,360
Speaker 4: goes yeah, and he goes up to him and he

346
00:14:57,400 --> 00:14:59,280
Speaker 4: goes hey, Andy, and Andy goes like this.

347
00:14:59,360 --> 00:15:01,080
Speaker 3: He's like, he's like remember me.

348
00:15:01,440 --> 00:15:03,480
Speaker 4: And then he's like, I said, first of all, if

349
00:15:03,480 --> 00:15:07,000
Speaker 4: you have to start a sentence, you're not friends with that.

350
00:15:07,640 --> 00:15:10,160
Speaker 4: And then like and then like he literally goes like

351
00:15:10,360 --> 00:15:12,280
Speaker 4: it's like right in front of the bouncer and he's like,

352
00:15:12,320 --> 00:15:14,960
Speaker 4: remember we had like dinner like two weeks ago. And

353
00:15:15,000 --> 00:15:16,680
Speaker 4: then he's like you remember like I was with like

354
00:15:16,880 --> 00:15:19,280
Speaker 4: I was with no one Gary. And then he was

355
00:15:19,320 --> 00:15:22,120
Speaker 4: like yeah, and then he was like could you help

356
00:15:22,200 --> 00:15:24,400
Speaker 4: us get in? And he's like he's like he's like

357
00:15:24,400 --> 00:15:26,080
Speaker 4: a many Garcia, what am I gonna do? You think

358
00:15:26,080 --> 00:15:27,720
Speaker 4: I'm gonna get you in? I'll be able to get

359
00:15:27,760 --> 00:15:27,920
Speaker 4: you in.

360
00:15:28,160 --> 00:15:30,000
Speaker 3: And then he's like he's like, come on, just try

361
00:15:30,240 --> 00:15:32,000
Speaker 3: and then like he just goes to the bouncer. He's like,

362
00:15:32,560 --> 00:15:34,640
Speaker 3: you let these guys in. And then guy's.

363
00:15:34,400 --> 00:15:38,000
Speaker 4: Like but so it wasn't a bomb.

364
00:15:38,000 --> 00:15:39,000
Speaker 3: But it was such a bomb.

365
00:15:40,800 --> 00:15:43,200
Speaker 2: Yeah, it was such a bah.

366
00:15:43,280 --> 00:15:44,800
Speaker 3: Just much more satisfy.

367
00:15:48,000 --> 00:15:48,880
Speaker 1: With Aridre.

368
00:15:58,400 --> 00:16:01,320
Speaker 2: With Aridre, have you ever been beat up before? You've

369
00:16:01,320 --> 00:16:03,040
Speaker 2: ever been in a fight or you have been.

370
00:16:02,960 --> 00:16:03,480
Speaker 3: In so many?

371
00:16:03,840 --> 00:16:04,120
Speaker 1: Really?

372
00:16:04,440 --> 00:16:04,800
Speaker 2: Yeah?

373
00:16:05,160 --> 00:16:06,600
Speaker 3: When that's not a bomb?

374
00:16:07,120 --> 00:16:09,560
Speaker 2: Yeah, it's like about failure. It's not about bombing. It's

375
00:16:09,600 --> 00:16:12,160
Speaker 2: just about fucking the trials and tribulation of life.

376
00:16:12,320 --> 00:16:15,440
Speaker 4: What's what's a when you think of like the biggest failure,

377
00:16:15,560 --> 00:16:16,920
Speaker 4: you try to black those out.

378
00:16:17,080 --> 00:16:19,040
Speaker 2: Yeah, but it makes you likable, it makes you endearing.

379
00:16:19,120 --> 00:16:19,480
Speaker 3: I'm trying.

380
00:16:19,560 --> 00:16:20,840
Speaker 2: I'm trying, it makes you relatable.

381
00:16:21,080 --> 00:16:22,000
Speaker 3: I'm trying to think.

382
00:16:21,880 --> 00:16:23,360
Speaker 2: About like when did you get beat up?

383
00:16:23,520 --> 00:16:23,680
Speaker 1: Oh?

384
00:16:23,680 --> 00:16:24,000
Speaker 5: My god?

385
00:16:24,080 --> 00:16:24,520
Speaker 3: So many?

386
00:16:24,640 --> 00:16:25,160
Speaker 5: Why?

387
00:16:25,440 --> 00:16:27,320
Speaker 2: What what are you talking when? Where?

388
00:16:27,840 --> 00:16:29,760
Speaker 4: What do you I used to go to freestyle battles.

389
00:16:29,800 --> 00:16:31,800
Speaker 4: I would just like win and then they just beat.

390
00:16:31,560 --> 00:16:35,400
Speaker 2: Me up, like I really like a guy like name one,

391
00:16:35,520 --> 00:16:37,000
Speaker 2: like a guy punched you in the face.

392
00:16:37,320 --> 00:16:37,480
Speaker 1: Yeah.

393
00:16:37,520 --> 00:16:39,080
Speaker 4: I used to get beat up all the time. That's

394
00:16:39,120 --> 00:16:41,520
Speaker 4: not even a good bomb. Let me think, is I'm good?

395
00:16:42,440 --> 00:16:44,800
Speaker 3: That's great? What are you talking about? You're sitting on gold.

396
00:16:45,200 --> 00:16:48,760
Speaker 2: You go to freestyle wrap battles and win, You're great

397
00:16:48,760 --> 00:16:49,920
Speaker 2: at freestyle rapping.

398
00:16:50,160 --> 00:16:52,720
Speaker 3: I mean I was. I don't think I'm great anymore.

399
00:16:52,880 --> 00:16:54,360
Speaker 2: Really, what would you rap about?

400
00:16:54,760 --> 00:16:57,520
Speaker 3: I don't I don't know. That was like thirteen, there

401
00:16:57,600 --> 00:16:59,600
Speaker 3: was thirty, it was twenty something years ago.

402
00:16:59,640 --> 00:17:02,120
Speaker 2: And then guys would beat you up when you won.

403
00:17:02,280 --> 00:17:04,399
Speaker 2: So you would go to a rap competition and be

404
00:17:04,400 --> 00:17:06,520
Speaker 2: like rap out a rap, rap rap, and then.

405
00:17:08,240 --> 00:17:11,240
Speaker 4: Just just jump me when I left.

406
00:17:13,680 --> 00:17:14,960
Speaker 3: I don't know the guy's name.

407
00:17:15,160 --> 00:17:18,280
Speaker 2: Why why you couldn't care less? Like because this is

408
00:17:18,320 --> 00:17:19,639
Speaker 2: like grocery food shopping.

409
00:17:19,640 --> 00:17:22,200
Speaker 3: This isn't good. This isn't good. This is a bad bomb.

410
00:17:22,320 --> 00:17:23,320
Speaker 1: This is you.

411
00:17:24,640 --> 00:17:26,320
Speaker 3: No, no, I want like a good failure.

412
00:17:26,359 --> 00:17:27,800
Speaker 2: Let me think of like this is this thing?

413
00:17:28,320 --> 00:17:30,560
Speaker 4: No no, no, like like a like a big one,

414
00:17:30,840 --> 00:17:32,520
Speaker 4: like a a better story. Yeah, let me let me

415
00:17:32,520 --> 00:17:34,600
Speaker 4: think of a big one. Okay, this is how I

416
00:17:34,640 --> 00:17:36,639
Speaker 4: got into that. This is like my first thing to

417
00:17:36,760 --> 00:17:39,600
Speaker 4: get really into the music business. And it's like a

418
00:17:39,640 --> 00:17:41,280
Speaker 4: bomb for like six months.

419
00:17:41,600 --> 00:17:41,919
Speaker 2: Okay.

420
00:17:42,160 --> 00:17:43,600
Speaker 4: I used to do this thing where I would go

421
00:17:43,640 --> 00:17:47,760
Speaker 4: on my Space and I would direct message every single

422
00:17:47,800 --> 00:17:50,520
Speaker 4: person in the world like I could know and like

423
00:17:50,680 --> 00:17:52,879
Speaker 4: just like be relentless. And there was this guy. He

424
00:17:52,960 --> 00:17:55,960
Speaker 4: was one of my favorite producers. His name was Disco

425
00:17:56,040 --> 00:18:00,280
Speaker 4: d Okay, and I messed, what.

426
00:18:00,280 --> 00:18:01,000
Speaker 2: Is he famous for?

427
00:18:01,320 --> 00:18:03,640
Speaker 4: He did, like he created a type of music called

428
00:18:03,680 --> 00:18:07,000
Speaker 4: ghetto tech. It's like Detroit yeah, so he's one of

429
00:18:07,040 --> 00:18:11,679
Speaker 4: the yeah yeah yeah, those are all him so so

430
00:18:11,720 --> 00:18:14,639
Speaker 4: basically it's so crazy. So like he just had like

431
00:18:14,680 --> 00:18:16,320
Speaker 4: a whole ghetto tech. So he was like one of

432
00:18:16,359 --> 00:18:18,720
Speaker 4: the creators of ghetto tech. And then he also produced

433
00:18:18,760 --> 00:18:21,400
Speaker 4: like amazing like some of my favorite like fifty cent songs.

434
00:18:21,400 --> 00:18:23,560
Speaker 4: Like he was like he was the first person I

435
00:18:23,600 --> 00:18:25,720
Speaker 4: ever met. He was the first parton. He introduced me

436
00:18:25,720 --> 00:18:27,480
Speaker 4: to spank Rock. He was working with spank Crock. He

437
00:18:27,520 --> 00:18:30,520
Speaker 4: was working with most deaf he was working with working with.

438
00:18:30,800 --> 00:18:32,600
Speaker 2: He didn't invented ghetto he was.

439
00:18:32,520 --> 00:18:33,560
Speaker 3: One of one of the guys.

440
00:18:33,560 --> 00:18:36,200
Speaker 2: There's like one of the Yeah.

441
00:18:36,200 --> 00:18:39,240
Speaker 4: So basically I used to d M him every day

442
00:18:39,440 --> 00:18:41,800
Speaker 4: and he would never answer. And then I saw that

443
00:18:41,920 --> 00:18:47,240
Speaker 4: he had a studio time available, and I said, how

444
00:18:47,240 --> 00:18:49,440
Speaker 4: did you figure that out? I just saw he had

445
00:18:49,440 --> 00:18:53,159
Speaker 4: an ad on on his MySpace for studio time and

446
00:18:53,200 --> 00:18:56,960
Speaker 4: I was like, hey, I want to book out the

447
00:18:56,960 --> 00:18:59,720
Speaker 4: studio for a day, and he was like, for sure,

448
00:18:59,800 --> 00:19:03,159
Speaker 4: come up here. So I came up, and when I

449
00:19:03,200 --> 00:19:06,239
Speaker 4: got to New York, I was living in Virginia at

450
00:19:06,240 --> 00:19:08,359
Speaker 4: the time I drove up. When I got to New York,

451
00:19:09,359 --> 00:19:11,280
Speaker 4: I didn't drive. Me and my friends, which dude, we

452
00:19:11,320 --> 00:19:14,399
Speaker 4: would do the craziest things. I didn't have anywhere to stay,

453
00:19:14,600 --> 00:19:17,040
Speaker 4: so we would go. I would go up for meetings.

454
00:19:17,480 --> 00:19:19,480
Speaker 4: These are yeah, this is the bomb shit. I would

455
00:19:19,520 --> 00:19:22,440
Speaker 4: go up for meetings every single weekend. And I would

456
00:19:22,480 --> 00:19:24,240
Speaker 4: go on a Friday, and I would skip some of

457
00:19:24,240 --> 00:19:26,280
Speaker 4: school so I could get there in time for like

458
00:19:26,359 --> 00:19:30,000
Speaker 4: the last meeting. And after that, we didn't have anywhere

459
00:19:30,040 --> 00:19:31,800
Speaker 4: to stay. We didn't have any money, So me and

460
00:19:31,840 --> 00:19:35,600
Speaker 4: all my friends we would sleep in the McDonald's in

461
00:19:35,760 --> 00:19:38,119
Speaker 4: Times Square and we would take turns sleeping, and like

462
00:19:38,119 --> 00:19:40,520
Speaker 4: one person would stay awake and then one person would sleep. Yeah,

463
00:19:40,520 --> 00:19:43,560
Speaker 4: and we used to just like we to dude, we

464
00:19:43,640 --> 00:19:47,040
Speaker 4: used to sleep. We used to sleep in Hoboken Station

465
00:19:47,240 --> 00:19:49,960
Speaker 4: because like the cops wouldn't come there, and like we

466
00:19:49,960 --> 00:19:52,439
Speaker 4: would all we'd sleep in a car and like one

467
00:19:52,440 --> 00:19:53,960
Speaker 4: person would stay awake and we would do all the

468
00:19:54,000 --> 00:19:55,359
Speaker 4: ship and it was me and like a few of

469
00:19:55,400 --> 00:19:59,159
Speaker 4: my friends, and sometimes like you'd go, I'd go like

470
00:19:59,200 --> 00:20:01,480
Speaker 4: all the way there and and like the meeting, they'd

471
00:20:01,520 --> 00:20:04,880
Speaker 4: be like, ah, sorry, can't make it like and I'd

472
00:20:04,920 --> 00:20:06,560
Speaker 4: be like, fuck, I drove all the way here.

473
00:20:06,600 --> 00:20:08,280
Speaker 3: So we'd have to like try to figure out something

474
00:20:08,280 --> 00:20:08,639
Speaker 3: we could do.

475
00:20:08,720 --> 00:20:11,080
Speaker 4: But basically one of the times, I like go in

476
00:20:11,680 --> 00:20:14,600
Speaker 4: with Disco Deep and I get there and I'm like, dude,

477
00:20:15,520 --> 00:20:16,680
Speaker 4: I don't want studio time.

478
00:20:16,960 --> 00:20:18,320
Speaker 3: I had to get through to you.

479
00:20:18,920 --> 00:20:21,360
Speaker 4: I really think I could be like the best producer

480
00:20:21,400 --> 00:20:23,560
Speaker 4: in the world. I think like you could help me,

481
00:20:23,920 --> 00:20:26,000
Speaker 4: I think. And he was so angry. He was like,

482
00:20:26,040 --> 00:20:28,920
Speaker 4: you're wasting my fucking time. And I was like, dude, please,

483
00:20:28,960 --> 00:20:31,280
Speaker 4: I'll do anything. And he said okay. He said, I

484
00:20:31,359 --> 00:20:35,959
Speaker 4: literally am leaving tomorrow. I'm gone for two days. If

485
00:20:36,040 --> 00:20:39,040
Speaker 4: you can book my studio for the two days you

486
00:20:39,119 --> 00:20:42,600
Speaker 4: have a job, you can be my intern. And I said, yeah,

487
00:20:42,600 --> 00:20:45,520
Speaker 4: of course I can book the studio. It was like no, dude,

488
00:20:45,520 --> 00:20:48,320
Speaker 4: it was like six hundred dollars a day, so I

489
00:20:48,520 --> 00:20:51,119
Speaker 4: and we didn't have money. I called every person I

490
00:20:51,200 --> 00:20:54,080
Speaker 4: know and I was like, please, I'll pay you back.

491
00:20:54,280 --> 00:20:57,399
Speaker 4: I'll do anything, like and I had. I got it

492
00:20:57,440 --> 00:21:00,200
Speaker 4: booked somehow. I booked the studio the whole time, and

493
00:21:00,240 --> 00:21:01,879
Speaker 4: I put in, I put in there was like a

494
00:21:01,880 --> 00:21:03,600
Speaker 4: few extra hours, and I put in two hundred of

495
00:21:03,640 --> 00:21:05,439
Speaker 4: my own dollars and I had no money. Yeah, like

496
00:21:05,960 --> 00:21:08,320
Speaker 4: and he was like, all right, you did it. He

497
00:21:08,400 --> 00:21:09,400
Speaker 4: was like, I'll see you next week.

498
00:21:09,520 --> 00:21:11,240
Speaker 2: How did you Who did you book? How did you get?

499
00:21:11,320 --> 00:21:12,400
Speaker 3: Just any person I knew?

500
00:21:12,720 --> 00:21:12,840
Speaker 1: Who?

501
00:21:13,080 --> 00:21:13,560
Speaker 2: Who?

502
00:21:13,640 --> 00:21:15,240
Speaker 4: I knew a few people in New York I knew

503
00:21:15,240 --> 00:21:18,680
Speaker 4: like these like bad local rappers, and I would be like, Okay,

504
00:21:18,680 --> 00:21:20,840
Speaker 4: you come for two hours and then like I'd be like, dude,

505
00:21:20,840 --> 00:21:22,600
Speaker 4: I'll give you a deal, and I'd like and I

506
00:21:22,720 --> 00:21:26,240
Speaker 4: just was like I finagled. Like it was like I

507
00:21:26,320 --> 00:21:29,919
Speaker 4: made like I got like eleven hundred dollars or something

508
00:21:30,040 --> 00:21:32,480
Speaker 4: in two days. And I like I did it by

509
00:21:32,520 --> 00:21:34,560
Speaker 4: like everyone I knew and like a few of my

510
00:21:34,560 --> 00:21:37,560
Speaker 4: friends from Virginia. I was like, dude, please, just like

511
00:21:38,040 --> 00:21:39,960
Speaker 4: I'll find a way to get you back, like and

512
00:21:40,000 --> 00:21:40,920
Speaker 4: I just made it happen.

513
00:21:41,520 --> 00:21:43,320
Speaker 2: Was he like renting? I don't really understand. It was

514
00:21:43,320 --> 00:21:45,200
Speaker 2: just like it was just like your rent studio time,

515
00:21:45,280 --> 00:21:47,480
Speaker 2: like you can out of his studio, like you can

516
00:21:47,560 --> 00:21:49,160
Speaker 2: rent a really, have.

517
00:21:49,119 --> 00:21:50,040
Speaker 3: You ever been to a studio?

518
00:21:50,320 --> 00:21:50,399
Speaker 1: No?

519
00:21:50,960 --> 00:21:52,040
Speaker 3: Oh, you've never been to recordings.

520
00:21:52,119 --> 00:21:52,480
Speaker 1: I don't.

521
00:21:52,560 --> 00:21:53,560
Speaker 2: I'm not in music.

522
00:21:53,600 --> 00:21:56,480
Speaker 4: Oh okay, so so like so quit when I graduate

523
00:21:56,520 --> 00:22:01,800
Speaker 4: when I was twenty so basically playing classical music. Recording

524
00:22:01,920 --> 00:22:06,200
Speaker 4: studios ye are are rented hourly or by the day,

525
00:22:06,760 --> 00:22:08,600
Speaker 4: and and it's just like a rate. It's like a

526
00:22:08,600 --> 00:22:10,199
Speaker 4: fixed rate. And he had a studio and when he

527
00:22:10,280 --> 00:22:13,320
Speaker 4: wasn't using it, he would rent it out, okay, And

528
00:22:13,760 --> 00:22:15,600
Speaker 4: I rented it the whole time. And he was like, great,

529
00:22:15,640 --> 00:22:17,280
Speaker 4: come back next weekend. And I was like, I have

530
00:22:17,320 --> 00:22:18,879
Speaker 4: no money. How am I going to get back? And

531
00:22:18,920 --> 00:22:20,520
Speaker 4: then he was like you can stay. He was like,

532
00:22:20,600 --> 00:22:22,320
Speaker 4: every time you're in New York, you can stay at

533
00:22:22,320 --> 00:22:24,240
Speaker 4: my place. And I was like, okay, so at least

534
00:22:24,240 --> 00:22:26,840
Speaker 4: I have a place to stay now. The time I

535
00:22:26,880 --> 00:22:30,399
Speaker 4: started doing that, sixteen, I sixteen about I started doing it.

536
00:22:30,440 --> 00:22:32,280
Speaker 4: I would travel back and forth every weekend.

537
00:22:32,320 --> 00:22:36,400
Speaker 3: Sixteen long of a drive was four and a half hours.

538
00:22:36,400 --> 00:22:36,680
Speaker 1: You tried.

539
00:22:37,440 --> 00:22:40,320
Speaker 3: I used to take the funk Wa bus y. Yeah, yeah, dude.

540
00:22:40,359 --> 00:22:42,400
Speaker 3: It used to be twenty dollars round trade.

541
00:22:42,440 --> 00:22:44,560
Speaker 2: It was like, oh, take it at three thirty am,

542
00:22:44,640 --> 00:22:47,159
Speaker 2: and it was like it was like four bucks it was.

543
00:22:47,280 --> 00:22:49,639
Speaker 2: And they had like shrimp on the bottom of it

544
00:22:49,720 --> 00:22:50,280
Speaker 2: broke down.

545
00:22:50,920 --> 00:22:54,440
Speaker 3: Oh my god. Yeah, I was on it was insane.

546
00:22:54,720 --> 00:22:57,640
Speaker 4: It's it would like it would like sometimes it would

547
00:22:57,640 --> 00:23:00,639
Speaker 4: just smell like trash the time, but it was like

548
00:23:00,720 --> 00:23:01,679
Speaker 4: it was like heaven to me.

549
00:23:01,760 --> 00:23:03,600
Speaker 3: I loved it and I would get back like just

550
00:23:03,640 --> 00:23:04,200
Speaker 3: in time for.

551
00:23:04,240 --> 00:23:07,000
Speaker 2: You were just close enough to New York City to

552
00:23:07,200 --> 00:23:10,080
Speaker 2: like really start you get to see it start entertainment,

553
00:23:10,080 --> 00:23:11,440
Speaker 2: I start. Yeah, I think like I was.

554
00:23:13,080 --> 00:23:14,800
Speaker 3: In Jersey and New York City.

555
00:23:14,880 --> 00:23:17,400
Speaker 2: That's smart that you were like in the proximity.

556
00:23:17,520 --> 00:23:19,840
Speaker 4: Yeah, it was like it was just close enough and

557
00:23:19,920 --> 00:23:21,360
Speaker 4: like so then when I would go, I.

558
00:23:21,280 --> 00:23:23,240
Speaker 2: Think that's half the battle, just being in the place

559
00:23:23,280 --> 00:23:24,440
Speaker 2: where it's happening, dude.

560
00:23:24,480 --> 00:23:28,960
Speaker 4: So it's so I remember one time I'm there, okay,

561
00:23:29,160 --> 00:23:32,280
Speaker 4: I'm I'm eighteen now, and he's like, yo, I got

562
00:23:32,359 --> 00:23:36,040
Speaker 4: some important sessions coming through. It was like t I

563
00:23:36,200 --> 00:23:38,760
Speaker 4: was there first and then afterwards it was it was

564
00:23:39,200 --> 00:23:42,920
Speaker 4: it was spank rock and he was like, I got

565
00:23:42,960 --> 00:23:46,600
Speaker 4: this guy coming in. He was like, whatever he wants.

566
00:23:46,680 --> 00:23:49,240
Speaker 4: You're his studio assistant, you're his bitch, you do whatever

567
00:23:49,280 --> 00:23:51,480
Speaker 4: he wants. I was like, okay, So like it's in

568
00:23:51,520 --> 00:23:54,320
Speaker 4: Williamsburg the studio and it's like two thousand and six

569
00:23:55,200 --> 00:23:59,560
Speaker 4: and he walks in and he's like, oh, I'm kind

570
00:23:59,560 --> 00:24:01,399
Speaker 4: of hungry, and he was like, can you order me

571
00:24:01,560 --> 00:24:03,040
Speaker 4: this thing? So I ordered him this thing from this

572
00:24:03,080 --> 00:24:05,720
Speaker 4: place called any Time. It's not even there anymore. So

573
00:24:05,800 --> 00:24:08,840
Speaker 4: like I'm in the session and I like bring him

574
00:24:08,840 --> 00:24:11,480
Speaker 4: his food and he's like, hey, what do you think

575
00:24:11,520 --> 00:24:13,320
Speaker 4: about this? And he like wraps a thing to me,

576
00:24:13,480 --> 00:24:16,200
Speaker 4: this bankrack, and I'm like, oh man, that's so good.

577
00:24:16,520 --> 00:24:18,440
Speaker 4: And then like I'm working with him the next day.

578
00:24:18,480 --> 00:24:20,160
Speaker 4: The next day, same thing, bring him in his food

579
00:24:20,359 --> 00:24:23,480
Speaker 4: and he's like he's like, hey, he's like what rhymes

580
00:24:23,520 --> 00:24:27,359
Speaker 4: with like telephone or something. And I was like, oh, maybe,

581
00:24:27,640 --> 00:24:33,639
Speaker 4: well maybe telephone. I was like, beellphone. I was like telephone, telephone.

582
00:24:33,680 --> 00:24:37,000
Speaker 3: Telephone is such a hard one. So so I.

583
00:24:37,040 --> 00:24:40,080
Speaker 4: Like he like takes the line and then we start

584
00:24:40,160 --> 00:24:42,520
Speaker 4: like talking and like developing this like report.

585
00:24:42,760 --> 00:24:46,879
Speaker 2: But he was new too. He was like he was cool.

586
00:24:46,920 --> 00:24:48,879
Speaker 3: He was like very cool, and it was like and

587
00:24:48,960 --> 00:24:49,480
Speaker 3: I didn't care.

588
00:24:49,560 --> 00:24:51,159
Speaker 4: I only cared about cool shit because I was like

589
00:24:51,200 --> 00:24:53,840
Speaker 4: living in Williamsburg at the time, and it's like, you know,

590
00:24:53,960 --> 00:24:56,239
Speaker 4: this was like before Santi was even a thing, like

591
00:24:56,280 --> 00:24:59,639
Speaker 4: we put her on her first, like her first collaboration

592
00:24:59,760 --> 00:25:03,560
Speaker 4: was with us, and I remember like one night they

593
00:25:03,560 --> 00:25:05,560
Speaker 4: were like, Yo, we're gonna go back to the studio.

594
00:25:05,600 --> 00:25:07,880
Speaker 4: I need you to prepare the studio. So I took

595
00:25:07,960 --> 00:25:10,760
Speaker 4: the train, and the way that it worked back then

596
00:25:11,000 --> 00:25:12,520
Speaker 4: is like from where I lived, I had to go

597
00:25:12,600 --> 00:25:14,120
Speaker 4: all the way in the city, then all the way

598
00:25:14,160 --> 00:25:16,040
Speaker 4: back to brook because I lived in Brooklyn too. There

599
00:25:16,080 --> 00:25:18,320
Speaker 4: was no like connector because the L train used to

600
00:25:18,359 --> 00:25:21,120
Speaker 4: like not connect to anything. So like I like went

601
00:25:21,200 --> 00:25:22,399
Speaker 4: all the way in the city, all the way to

602
00:25:22,440 --> 00:25:24,200
Speaker 4: his thing, and then he was like, actually, I need

603
00:25:24,240 --> 00:25:26,840
Speaker 4: you to bring this demo CD to me. He's like,

604
00:25:26,880 --> 00:25:29,359
Speaker 4: I'm actually gonna be with Diddy, and I was like fuck.

605
00:25:29,640 --> 00:25:31,720
Speaker 4: So I had to go all the way back then

606
00:25:31,880 --> 00:25:33,560
Speaker 4: all the way there and he's like and then he

607
00:25:33,680 --> 00:25:35,320
Speaker 4: was like, we left, We're at the next place. You

608
00:25:35,320 --> 00:25:36,919
Speaker 4: got to meet us in the next place. So I'm like,

609
00:25:37,040 --> 00:25:39,639
Speaker 4: the fuck this is this is this is disco d

610
00:25:40,119 --> 00:25:42,360
Speaker 4: He's like, and I'm like fuck. So I like go

611
00:25:42,400 --> 00:25:44,239
Speaker 4: to the next place and then he's like gone from

612
00:25:44,280 --> 00:25:46,240
Speaker 4: the next place and he's like, dude, He's like meet

613
00:25:46,320 --> 00:25:47,840
Speaker 4: us to the next place, and I'm running in the

614
00:25:47,960 --> 00:25:50,200
Speaker 4: rain with the CD and I'm like and I I

615
00:25:50,359 --> 00:25:53,440
Speaker 4: finally get there and I'm like and he's like, dude,

616
00:25:53,800 --> 00:25:54,760
Speaker 4: we went to another place.

617
00:25:54,920 --> 00:25:58,240
Speaker 3: Just meet us back at the studio. I'm crushed.

618
00:25:58,320 --> 00:26:00,320
Speaker 2: Why is with you or no?

619
00:26:00,400 --> 00:26:03,320
Speaker 4: It's just like I'm too so and I'm like too

620
00:26:03,359 --> 00:26:04,879
Speaker 4: slow because I didn't have any money, so I was

621
00:26:04,920 --> 00:26:05,879
Speaker 4: like fuck it.

622
00:26:05,359 --> 00:26:06,679
Speaker 2: Yeah, I was like, I got it.

623
00:26:06,680 --> 00:26:08,479
Speaker 4: I'm just gonna take a taxi for this last thing

624
00:26:08,520 --> 00:26:10,320
Speaker 4: and I'll just like eat less the next day.

625
00:26:10,600 --> 00:26:11,720
Speaker 3: So I like take the taxi.

626
00:26:11,760 --> 00:26:14,120
Speaker 4: I get back, I'm like covered in rain and it's

627
00:26:14,160 --> 00:26:15,520
Speaker 4: like everyone's there.

628
00:26:15,800 --> 00:26:17,480
Speaker 3: It's like most death is there.

629
00:26:18,119 --> 00:26:22,360
Speaker 4: You're locking every single person. Everything is a race. Everything

630
00:26:22,440 --> 00:26:25,400
Speaker 4: is a race. I'm sitting there and there's like models

631
00:26:25,400 --> 00:26:28,560
Speaker 4: and artists and it's like it's crazy. It's like this

632
00:26:28,760 --> 00:26:30,600
Speaker 4: was like the first time where I like saw like

633
00:26:30,720 --> 00:26:35,000
Speaker 4: I'm like whoa yeah, and I'm sitting there and I

634
00:26:35,040 --> 00:26:38,120
Speaker 4: remember all the girls and everyone were just like, oh

635
00:26:38,160 --> 00:26:40,840
Speaker 4: my god, you're so wet, like like dry off and

636
00:26:41,040 --> 00:26:44,000
Speaker 4: and and spank Craft was like, oh man, it's good

637
00:26:44,040 --> 00:26:46,000
Speaker 4: to see you, like blah blah, and I'm like in

638
00:26:46,080 --> 00:26:50,280
Speaker 4: heaven and then like the guy just humiliates me that

639
00:26:50,400 --> 00:26:56,600
Speaker 4: disco deep, just like full humiliate amilia. First he was like,

640
00:26:56,640 --> 00:26:59,080
Speaker 4: go get us, go get us snacks. Okay, So I

641
00:26:59,160 --> 00:27:01,479
Speaker 4: go downstairs. I bring him back and it was like

642
00:27:01,600 --> 00:27:04,320
Speaker 4: he was like, that's the wrong one. And he opens

643
00:27:04,400 --> 00:27:07,399
Speaker 4: up a bottle of a bag of potato chips and

644
00:27:07,600 --> 00:27:12,280
Speaker 4: pours him on my U in front of everyone. And

645
00:27:12,280 --> 00:27:15,280
Speaker 4: then like and then I'm like and he was like

646
00:27:15,320 --> 00:27:18,320
Speaker 4: and he was like and I like finally like walk

647
00:27:18,400 --> 00:27:21,640
Speaker 4: into the room and stuff, and he's like, no, you're

648
00:27:21,680 --> 00:27:22,680
Speaker 4: not allowed in right now.

649
00:27:22,800 --> 00:27:24,399
Speaker 3: He's like, you can't come in the room. And I'm like,

650
00:27:24,480 --> 00:27:25,440
Speaker 3: there's this little.

651
00:27:27,680 --> 00:27:28,480
Speaker 2: Samurai dude.

652
00:27:28,480 --> 00:27:30,960
Speaker 4: There's this little window and I just can look in

653
00:27:31,040 --> 00:27:34,720
Speaker 4: the studio and I see everyone in there, like and.

654
00:27:34,680 --> 00:27:35,720
Speaker 3: I'm like sitting outside.

655
00:27:35,960 --> 00:27:38,960
Speaker 4: And then I remember the next day I saw he

656
00:27:39,040 --> 00:27:40,439
Speaker 4: was the best, but he was but he was he

657
00:27:40,520 --> 00:27:43,639
Speaker 4: was trouble. And the next day I came in and

658
00:27:43,720 --> 00:27:45,840
Speaker 4: I remember he was like, all right, play me your

659
00:27:45,840 --> 00:27:48,119
Speaker 4: beats because I think he felt bad. He was like

660
00:27:48,160 --> 00:27:51,000
Speaker 4: playing your beats and like playing my beats and he

661
00:27:51,119 --> 00:27:55,880
Speaker 4: literally takes all the files and deletes them at least

662
00:27:55,920 --> 00:27:58,640
Speaker 4: my whole hard drive and he's like these suck and.

663
00:27:58,600 --> 00:28:01,040
Speaker 3: He was like start again as a monster. And he

664
00:28:01,080 --> 00:28:02,920
Speaker 3: goes start again, Oh my god.

665
00:28:03,119 --> 00:28:05,639
Speaker 4: And then like and then another time another time he

666
00:28:05,680 --> 00:28:07,960
Speaker 4: took my hard drive and he threw it out the window,

667
00:28:08,440 --> 00:28:12,040
Speaker 4: and and and and and I was like crushed all

668
00:28:12,040 --> 00:28:16,480
Speaker 4: these because Psycho, I was crushed. And he would be

669
00:28:16,520 --> 00:28:18,639
Speaker 4: like but he would always tell me something. He'd be like, Okay,

670
00:28:19,280 --> 00:28:20,840
Speaker 4: this is why I deleted it all him. He was like,

671
00:28:20,840 --> 00:28:22,439
Speaker 4: I want you to watch me make a bet. And

672
00:28:22,480 --> 00:28:24,439
Speaker 4: I was like studying him because I was obsessed with

673
00:28:24,600 --> 00:28:26,520
Speaker 4: this guy was so far ahead of his time, and

674
00:28:26,560 --> 00:28:28,680
Speaker 4: he was so good at dealing with artists and so

675
00:28:28,720 --> 00:28:29,080
Speaker 4: good at it.

676
00:28:29,480 --> 00:28:33,720
Speaker 2: He actually I learned everything.

677
00:28:33,880 --> 00:28:36,879
Speaker 4: I would never be who I am without knowing what

678
00:28:36,960 --> 00:28:39,320
Speaker 4: he did. Like really, if he was around for like

679
00:28:39,440 --> 00:28:41,760
Speaker 4: a little bit longer, he would have been like one

680
00:28:41,760 --> 00:28:45,000
Speaker 4: of the biggest producers. He was just like suicide. He

681
00:28:45,040 --> 00:28:46,920
Speaker 4: was he was he was like, was too far ahead

682
00:28:46,920 --> 00:28:49,280
Speaker 4: of his time, but like and he like he like

683
00:28:49,400 --> 00:28:51,960
Speaker 4: it was. It was really like karate kidship, but he

684
00:28:52,000 --> 00:28:54,840
Speaker 4: would like torture me like it was dude.

685
00:28:54,920 --> 00:28:57,560
Speaker 2: One time, was he getting off on it or was.

686
00:28:57,720 --> 00:28:59,240
Speaker 3: I think he was just crazy. One time.

687
00:28:59,400 --> 00:29:01,959
Speaker 4: One time, I was literally they had like a session

688
00:29:01,960 --> 00:29:03,920
Speaker 4: coming and he wanted to have like a really big

689
00:29:03,960 --> 00:29:07,120
Speaker 4: screen TV for the session, like for the as the computer.

690
00:29:07,440 --> 00:29:09,320
Speaker 4: And I remember I was setting it up and he

691
00:29:09,400 --> 00:29:12,360
Speaker 4: was like faster and he had a bamboo stick and

692
00:29:12,400 --> 00:29:12,680
Speaker 4: he was.

693
00:29:12,800 --> 00:29:17,120
Speaker 3: Hitting me with it and I was like, you're putting

694
00:29:17,280 --> 00:29:22,000
Speaker 3: it out. I was like, I wanted bombs. Here's my bombs.

695
00:29:22,120 --> 00:29:24,520
Speaker 4: And I was like and like I was just like crushed,

696
00:29:24,560 --> 00:29:26,760
Speaker 4: but like he would just give me these like nuggets

697
00:29:26,760 --> 00:29:30,959
Speaker 4: of gold like at all times, and like, honestly, like

698
00:29:31,040 --> 00:29:33,160
Speaker 4: a lot of the people that I work with today

699
00:29:33,520 --> 00:29:35,720
Speaker 4: are people that I met through those times. So it's

700
00:29:35,760 --> 00:29:38,240
Speaker 4: like so it's like I don't know if this is

701
00:29:38,280 --> 00:29:40,040
Speaker 4: supposed to be one of those things, but it's like

702
00:29:40,160 --> 00:29:43,520
Speaker 4: all the shit you're taking and all the stuff you're

703
00:29:43,560 --> 00:29:47,120
Speaker 4: doing to build up your career and you think it's

704
00:29:47,120 --> 00:29:49,400
Speaker 4: not worth it, like that stuff comes back, like I'm

705
00:29:49,440 --> 00:29:52,480
Speaker 4: working with these people. I'm working with people I literally

706
00:29:52,600 --> 00:29:57,360
Speaker 4: met seventeen years ago, right seventeen eighteen years ago, and

707
00:29:57,400 --> 00:29:59,320
Speaker 4: I went through some shit and it's like, dude, I

708
00:29:59,400 --> 00:30:01,120
Speaker 4: went through so much much shit, you know how many times,

709
00:30:01,120 --> 00:30:03,920
Speaker 4: like I didn't get credit, Like I like made a

710
00:30:03,920 --> 00:30:04,880
Speaker 4: whole song and got.

711
00:30:04,720 --> 00:30:06,960
Speaker 2: No credit stolen from you.

712
00:30:07,120 --> 00:30:09,680
Speaker 3: Oh my god, are you kidding me? Dude?

713
00:30:10,840 --> 00:30:11,720
Speaker 2: Horrendous dude.

714
00:30:11,720 --> 00:30:14,200
Speaker 4: One time I had a number one song stolen from

715
00:30:14,320 --> 00:30:17,920
Speaker 4: no credit, one song, no credit, And I remember I

716
00:30:18,000 --> 00:30:20,560
Speaker 4: like went in I went into the manager of that

717
00:30:20,640 --> 00:30:24,160
Speaker 4: person's thing office and I was like and I was like,

718
00:30:24,560 --> 00:30:27,040
Speaker 4: they stole my song, and he was like, no, they didn't.

719
00:30:27,240 --> 00:30:29,080
Speaker 4: And then I opened up a laptop and I played

720
00:30:29,240 --> 00:30:31,440
Speaker 4: my version with a date stamp that was like before

721
00:30:31,440 --> 00:30:34,040
Speaker 4: the one they created. And then I remember like the

722
00:30:34,080 --> 00:30:36,680
Speaker 4: manager was like hold on. He like closed the door

723
00:30:36,760 --> 00:30:39,280
Speaker 4: and he was like, let's just talk about this. And

724
00:30:39,320 --> 00:30:41,200
Speaker 4: then and then I remember I called the person who

725
00:30:41,240 --> 00:30:42,880
Speaker 4: stole it from me and I was like, hey man,

726
00:30:43,040 --> 00:30:45,800
Speaker 4: you you stole that thing like that was mine. I

727
00:30:45,880 --> 00:30:49,400
Speaker 4: did that like I did that, and he said, what

728
00:30:49,440 --> 00:30:51,520
Speaker 4: are you gonna do about it? And then he was

729
00:30:51,560 --> 00:30:54,440
Speaker 4: like he was like, he goes, I'll bury you in

730
00:30:54,560 --> 00:30:56,480
Speaker 4: legal fees. He goes, you don't have any money to

731
00:30:56,520 --> 00:30:59,800
Speaker 4: fight this. He goes, just just take this one. Just

732
00:30:59,800 --> 00:31:02,840
Speaker 4: just just like gave me like a virtual pad on

733
00:31:02,880 --> 00:31:04,560
Speaker 4: the back. He was like, you just take this one,

734
00:31:04,600 --> 00:31:08,360
Speaker 4: You'll get the next one. Like, oh my god, do

735
00:31:08,360 --> 00:31:11,520
Speaker 4: you know how many Do you know how many times?

736
00:31:11,800 --> 00:31:12,000
Speaker 2: Yeah?

737
00:31:12,080 --> 00:31:14,719
Speaker 4: Yeah, but like but but all of those moments, like

738
00:31:14,760 --> 00:31:16,640
Speaker 4: that's why I like when I sign kids like it

739
00:31:16,800 --> 00:31:19,479
Speaker 4: makes it gives me like so much pleasure to like

740
00:31:19,760 --> 00:31:22,080
Speaker 4: to like give these guys like fair deals and like

741
00:31:22,240 --> 00:31:23,800
Speaker 4: and like to.

742
00:31:23,880 --> 00:31:25,240
Speaker 2: Put potato chips in their hair.

743
00:31:25,880 --> 00:31:28,240
Speaker 4: No, no, but to like watch these dudes, Like I

744
00:31:28,240 --> 00:31:30,960
Speaker 4: have so many people that I signed that I watch them, like, dude,

745
00:31:31,000 --> 00:31:31,880
Speaker 4: I have like, well.

746
00:31:31,760 --> 00:31:34,160
Speaker 2: You're like you're like an abused child that gets to

747
00:31:34,240 --> 00:31:35,240
Speaker 2: like raise and.

748
00:31:35,200 --> 00:31:38,719
Speaker 4: I didn't, yeah, and I didn't, like I didn't do that,

749
00:31:38,760 --> 00:31:41,000
Speaker 4: I like paid it forward. And it's like it's so

750
00:31:41,160 --> 00:31:43,120
Speaker 4: cool to like see that. So it's like all these

751
00:31:43,160 --> 00:31:46,160
Speaker 4: things that you have like when you're growing up, they

752
00:31:46,280 --> 00:31:48,080
Speaker 4: make you who you.

753
00:31:47,960 --> 00:31:51,600
Speaker 2: Are, right, Okay, but oh my god, you have to

754
00:31:51,800 --> 00:31:52,800
Speaker 2: you have to process that.

755
00:31:53,240 --> 00:31:53,480
Speaker 3: Kidding.

756
00:31:53,600 --> 00:31:58,960
Speaker 4: I have so much trauma, like this thing could Yeah.

757
00:31:57,600 --> 00:31:57,760
Speaker 2: Yeah.

758
00:31:59,080 --> 00:32:02,160
Speaker 4: When when I was I honestly like one when when

759
00:32:02,240 --> 00:32:05,560
Speaker 4: I was like twenty something and I like start like

760
00:32:05,600 --> 00:32:08,000
Speaker 4: twenty one and I started getting like so much success

761
00:32:08,000 --> 00:32:09,920
Speaker 4: to started making money for the first time. I didn't

762
00:32:09,920 --> 00:32:12,800
Speaker 4: know what to do. I lost my mind. I lost

763
00:32:12,840 --> 00:32:15,840
Speaker 4: my crazy. I lost my mind. I like didn't leave

764
00:32:15,840 --> 00:32:18,160
Speaker 4: the house for like six months. I was like gore phobic,

765
00:32:18,440 --> 00:32:22,760
Speaker 4: Like I like, dude, I literally lost my mind eggs

766
00:32:22,800 --> 00:32:24,880
Speaker 4: and I and I had to see. I had to see,

767
00:32:24,920 --> 00:32:27,560
Speaker 4: Like I saw a therapist like three times a week,

768
00:32:27,600 --> 00:32:29,760
Speaker 4: and he like built me back and then like and

769
00:32:29,800 --> 00:32:31,560
Speaker 4: then I came back like better than ever.

770
00:32:31,560 --> 00:32:34,080
Speaker 2: Lost your mind doing drugs or lost line And just.

771
00:32:33,960 --> 00:32:36,320
Speaker 4: Like it was all too much. There was too much pressure,

772
00:32:36,360 --> 00:32:38,840
Speaker 4: too much, drivers much money, too much. Like I just

773
00:32:38,880 --> 00:32:41,840
Speaker 4: like didn't I didn't understand, Like I wasn't built like that.

774
00:32:41,920 --> 00:32:43,480
Speaker 3: I'd never seen any of this shit.

775
00:32:43,760 --> 00:32:46,800
Speaker 2: Yeah, I didn't know song stealing was so yeah, it

776
00:32:46,840 --> 00:32:49,160
Speaker 2: goes right all that shit that's fucked up. Yeah, And

777
00:32:49,200 --> 00:32:52,920
Speaker 2: like because like joke thievery and comedy is so taboo

778
00:32:52,960 --> 00:32:55,080
Speaker 2: and all comics will snitch on you if you steal

779
00:32:55,120 --> 00:32:57,080
Speaker 2: a joke, Like comics are looking out for each other

780
00:32:57,560 --> 00:33:00,520
Speaker 2: with joke thievery. Comics are looking out for.

781
00:33:00,480 --> 00:33:02,000
Speaker 3: Each other with that you ever steal a joke?

782
00:33:02,600 --> 00:33:07,120
Speaker 2: Never, no, never, I have like one type of comedy.

783
00:33:07,480 --> 00:33:14,040
Speaker 2: My comedic creative choices are so idiosyncratic. And specific if

784
00:33:14,080 --> 00:33:16,240
Speaker 2: I even if I stole a joke, it wouldn't work.

785
00:33:16,640 --> 00:33:19,120
Speaker 2: I have like one I sing one song, and I

786
00:33:19,160 --> 00:33:22,480
Speaker 2: singing it well like there's only there's only one tempo,

787
00:33:22,640 --> 00:33:26,920
Speaker 2: one speed, one volume. You know, I only can do

788
00:33:27,000 --> 00:33:29,320
Speaker 2: one thing. So and even if like I had a

789
00:33:29,440 --> 00:33:32,080
Speaker 2: joke that was like similar to somebody else's joke, and

790
00:33:32,120 --> 00:33:35,720
Speaker 2: like it was written from my it was purely written

791
00:33:35,760 --> 00:33:38,120
Speaker 2: for it never went on TV or anything, but just

792
00:33:38,160 --> 00:33:40,880
Speaker 2: somebody like suggested like, oh no, Lucy kas a joke

793
00:33:40,920 --> 00:33:43,560
Speaker 2: like that. I never did it. Yeah, and I never

794
00:33:43,640 --> 00:33:45,360
Speaker 2: put it on Netflix. I never went on TV. Just

795
00:33:45,360 --> 00:33:47,520
Speaker 2: I like I did it at the Laugh Factory and

796
00:33:47,560 --> 00:33:50,680
Speaker 2: like they would put comics on their website. Sometimes somebody

797
00:33:50,880 --> 00:33:52,760
Speaker 2: was like in the comments, was like, that reminds me

798
00:33:52,800 --> 00:33:54,400
Speaker 2: of this joke, and I was like, just the fact

799
00:33:54,400 --> 00:33:57,680
Speaker 2: that it reminds you of that joke, it's gone. It's

800
00:33:57,720 --> 00:33:58,560
Speaker 2: out of the repertoire.

801
00:33:58,960 --> 00:34:02,440
Speaker 4: Yeah, no, it's just like it's like but getting crushed

802
00:34:02,520 --> 00:34:04,080
Speaker 4: is like part of it.

803
00:34:04,080 --> 00:34:06,320
Speaker 3: It's like it's all it's all like I don't.

804
00:34:06,160 --> 00:34:07,560
Speaker 2: Know, I just don't. I've known you for a while,

805
00:34:07,560 --> 00:34:09,720
Speaker 2: I didn't know any of that shit happened. It's crazy.

806
00:34:09,800 --> 00:34:12,120
Speaker 3: Oh my god, I have so many where I'm just

807
00:34:12,160 --> 00:34:13,240
Speaker 3: like crushed.

808
00:34:13,280 --> 00:34:14,800
Speaker 2: The chips on the head is shitty.

809
00:34:15,120 --> 00:34:17,880
Speaker 4: Oh my god, I got, I got. When you're coming up,

810
00:34:17,880 --> 00:34:19,040
Speaker 4: you really get crushed.

811
00:34:19,080 --> 00:34:21,000
Speaker 2: Like the people that are successful are the people are

812
00:34:21,000 --> 00:34:23,200
Speaker 2: just willing to put up with all that crushing and

813
00:34:23,239 --> 00:34:25,920
Speaker 2: they don't get discouraged enough to quit. Dude, you just

814
00:34:25,960 --> 00:34:27,560
Speaker 2: can't give up, du you keep going.

815
00:34:27,800 --> 00:34:31,080
Speaker 4: We would we would stay in the studio for like

816
00:34:31,239 --> 00:34:33,960
Speaker 4: a week at a time. I would fall asleep. I

817
00:34:33,960 --> 00:34:37,280
Speaker 4: remember I was I was falling asleep at the computer

818
00:34:37,600 --> 00:34:40,400
Speaker 4: and and and like and like they were throwing it

819
00:34:40,560 --> 00:34:42,600
Speaker 4: at me and they were like, dude, wake up. They're like,

820
00:34:42,600 --> 00:34:46,239
Speaker 4: we gotta keep going. And I was like I was like, like, dude,

821
00:34:46,280 --> 00:34:49,200
Speaker 4: one time I had to go to the hospital. I

822
00:34:49,280 --> 00:34:51,440
Speaker 4: was so sick and exhausted.

823
00:34:51,440 --> 00:34:54,400
Speaker 3: And exhaustion like the medical term, you know.

824
00:34:54,440 --> 00:34:58,879
Speaker 4: I had actual I had like actual fatigue. And they had, dude,

825
00:34:58,960 --> 00:35:01,799
Speaker 4: they had to. Like the people I was working with,

826
00:35:02,080 --> 00:35:05,160
Speaker 4: they had me on a on like a schedule and

827
00:35:05,200 --> 00:35:06,680
Speaker 4: like a thing that would ring, and it would be

828
00:35:06,719 --> 00:35:08,360
Speaker 4: like you gotta go to bed now, Benny, like to

829
00:35:08,360 --> 00:35:12,000
Speaker 4: get me like back to like life, like dude, we

830
00:35:12,000 --> 00:35:15,280
Speaker 4: were working like I was working like like sixty hours straight.

831
00:35:15,440 --> 00:35:17,680
Speaker 4: But like that shit like makes you.

832
00:35:17,840 --> 00:35:22,040
Speaker 2: That ship made totally, totally absolutely. I was so broke

833
00:35:22,160 --> 00:35:24,279
Speaker 2: when I started doing comedy, I was homeless. I would

834
00:35:24,280 --> 00:35:26,719
Speaker 2: sleep in the park. There's this little park called Saint

835
00:35:26,760 --> 00:35:28,920
Speaker 2: Barton's Park. I would ask I go on stage at

836
00:35:28,920 --> 00:35:31,759
Speaker 2: open mics, do my set, try to make everybody laugh,

837
00:35:31,960 --> 00:35:34,560
Speaker 2: and then ask audience members if I could sleep over

838
00:35:34,600 --> 00:35:37,279
Speaker 2: their house? Did they say yeah? Sometimes I would. I

839
00:35:37,280 --> 00:35:39,080
Speaker 2: would add like tooth brushes all over the city. I

840
00:35:39,120 --> 00:35:41,760
Speaker 2: would like crash at different people's houses. I would sleep

841
00:35:41,800 --> 00:35:45,840
Speaker 2: outside crazy. I would eat like one dollar microwave Indian

842
00:35:45,880 --> 00:35:47,920
Speaker 2: food for breakfast, lunch, and dinner because there was the

843
00:35:48,040 --> 00:35:54,640
Speaker 2: cheapest thing in the order. When this is like this

844
00:35:54,680 --> 00:35:56,279
Speaker 2: is like just just.

845
00:35:56,360 --> 00:35:59,040
Speaker 3: After you're just like taking it off.

846
00:35:59,560 --> 00:36:00,600
Speaker 2: I had like patch work.

847
00:36:02,120 --> 00:36:04,320
Speaker 3: Yeah no, dude, it's.

848
00:36:04,200 --> 00:36:06,920
Speaker 4: Like, dude, we're bombing, like like everyone's bombing.

849
00:36:07,080 --> 00:36:07,279
Speaker 1: First.

850
00:36:07,480 --> 00:36:10,680
Speaker 2: It doesn't end. Bombing doesn't really constantly, it doesn't end. Yeah,

851
00:36:10,920 --> 00:36:12,480
Speaker 2: your failures will never end, you.

852
00:36:12,480 --> 00:36:14,880
Speaker 4: Know how often? Like I feel like but nobody knows,

853
00:36:14,920 --> 00:36:17,120
Speaker 4: like everyone's just like, dude, you make like every big

854
00:36:17,160 --> 00:36:18,719
Speaker 4: song wor you know, how many songs I have to

855
00:36:18,880 --> 00:36:19,640
Speaker 4: just like completely.

856
00:36:19,640 --> 00:36:22,080
Speaker 3: And the crazy thing is I'll be like I'll be.

857
00:36:22,040 --> 00:36:24,000
Speaker 4: Like this shit's gonna be the fucking best ever, and

858
00:36:24,000 --> 00:36:25,920
Speaker 4: that just like fails and I'm like, oh well, yeah.

859
00:36:25,719 --> 00:36:26,800
Speaker 3: I'm like storrty again.

860
00:36:28,800 --> 00:36:30,920
Speaker 4: And I just like I just like, won't I refuse

861
00:36:30,960 --> 00:36:33,520
Speaker 4: to quit? Yeah, I don't give a fuck. I'll fail

862
00:36:33,600 --> 00:36:36,440
Speaker 4: every day. I don't give two ships that I care successful.

863
00:36:36,480 --> 00:36:38,920
Speaker 4: I'm like, I'm shameless than that, Like I don't care

864
00:36:38,920 --> 00:36:41,360
Speaker 4: about failure at all. Yeah, Like it's like, do you

865
00:36:41,400 --> 00:36:43,000
Speaker 4: care about failure? Does it crush you?

866
00:36:43,120 --> 00:36:46,359
Speaker 2: I've had it crush me before? Does it when I

867
00:36:46,440 --> 00:36:48,560
Speaker 2: go up? I bombed on stage the other night doing

868
00:36:48,600 --> 00:36:51,319
Speaker 2: stand up, not last night, but last week, and it

869
00:36:51,480 --> 00:36:55,439
Speaker 2: used to crush me. And now I just look at

870
00:36:55,480 --> 00:36:59,920
Speaker 2: my jokes like totally objectively. I'll just be like all right,

871
00:37:00,040 --> 00:37:01,680
Speaker 2: I'm gonna do this, this, this, this. And I went

872
00:37:01,760 --> 00:37:03,480
Speaker 2: up on stage and I had my notes with me

873
00:37:03,560 --> 00:37:04,960
Speaker 2: and I was just like, but da da da dah.

874
00:37:04,960 --> 00:37:06,760
Speaker 2: I did one joke it went well. Then I was like, great,

875
00:37:06,800 --> 00:37:08,759
Speaker 2: that joke works. And then I was like blah blahuh

876
00:37:08,760 --> 00:37:12,080
Speaker 2: crickets And I was like that joke mads work, and

877
00:37:12,120 --> 00:37:14,160
Speaker 2: then I was like, but da da da, Okay, that

878
00:37:14,280 --> 00:37:16,920
Speaker 2: joke still got some fucking gas in it. Now it's

879
00:37:16,960 --> 00:37:19,040
Speaker 2: like just objective, like I don't take it personally. I'm

880
00:37:19,080 --> 00:37:21,120
Speaker 2: just like uh huhh. And then I'll go back and

881
00:37:21,160 --> 00:37:23,279
Speaker 2: I'll listen to the voice memo and I'll be like, oh, yeah,

882
00:37:23,280 --> 00:37:25,279
Speaker 2: I stuttered over that word, and I was like, Oh,

883
00:37:25,280 --> 00:37:28,000
Speaker 2: that's too harsh for the audience's ears. I should reorder that.

884
00:37:28,239 --> 00:37:29,920
Speaker 2: I just look at it completely objectively.

885
00:37:30,000 --> 00:37:31,880
Speaker 4: What if you make like a movie and it just bombed,

886
00:37:32,520 --> 00:37:34,640
Speaker 4: soul crushing show soul crushing.

887
00:37:35,040 --> 00:37:37,040
Speaker 2: I've only made one movie and it did well, but

888
00:37:37,080 --> 00:37:39,080
Speaker 2: it didn't make any money. So I did it? Did

889
00:37:39,200 --> 00:37:41,280
Speaker 2: it bombed and did well simultaneously?

890
00:37:41,320 --> 00:37:42,320
Speaker 3: Do you read like reviews?

891
00:37:42,320 --> 00:37:44,440
Speaker 4: Like if somebody said, like a bad review about the

892
00:37:44,680 --> 00:37:46,200
Speaker 4: Eric Andre Show, are you crushed?

893
00:37:46,600 --> 00:37:49,000
Speaker 2: What we did for Netflix? We took all the bad

894
00:37:49,040 --> 00:37:50,840
Speaker 2: reviews and we put it as part of the marketing.

895
00:37:51,000 --> 00:37:53,759
Speaker 2: So it's like, this movie's disgusting New York Times. Yeah,

896
00:37:53,920 --> 00:37:56,799
Speaker 2: this movie's fucking written by children New York But whatever,

897
00:37:56,840 --> 00:38:00,319
Speaker 2: you know what I mean? Sometimes yes, sometimes no. Sometimes

898
00:38:00,320 --> 00:38:02,320
Speaker 2: I'll tell my publicists like, don't send me the bad reviews.

899
00:38:02,320 --> 00:38:03,000
Speaker 2: I'm not I'm not in.

900
00:38:03,320 --> 00:38:05,800
Speaker 3: Would your public send you the bad review all the time,

901
00:38:06,120 --> 00:38:07,000
Speaker 3: that's crazy.

902
00:38:07,560 --> 00:38:09,359
Speaker 2: He'll go, he'll go, and he has him in order.

903
00:38:09,400 --> 00:38:17,120
Speaker 2: It'll be like great, overwhelmingly great, good, medium, mixed, unfavorable, brutal.

904
00:38:17,680 --> 00:38:18,920
Speaker 2: They'll have them online and you go.

905
00:38:19,120 --> 00:38:20,359
Speaker 3: You go right for the brute.

906
00:38:20,400 --> 00:38:22,320
Speaker 2: You used to go right for the brutal. Now I

907
00:38:22,360 --> 00:38:24,760
Speaker 2: started protecting myself against that stuff early on. It depends.

908
00:38:24,760 --> 00:38:27,319
Speaker 2: It depends like when the when something first comes out,

909
00:38:28,280 --> 00:38:30,560
Speaker 2: that's when you're the most sensitive. And then with time

910
00:38:30,640 --> 00:38:32,360
Speaker 2: you can stomach the bad reviews. But some of the

911
00:38:32,360 --> 00:38:34,560
Speaker 2: bad reviews are good for you. You want to look

912
00:38:34,560 --> 00:38:37,959
Speaker 2: at like all the negative feedback and see where there's

913
00:38:37,960 --> 00:38:40,640
Speaker 2: commonalities and take that as a note, be like, you

914
00:38:40,640 --> 00:38:43,120
Speaker 2: know what, we shouldn't do a scene like that again. Yeah,

915
00:38:43,960 --> 00:38:46,239
Speaker 2: so it's not all about it's not all a bit.

916
00:38:47,040 --> 00:38:49,640
Speaker 2: The best. The best was the New York Times reviewer

917
00:38:50,400 --> 00:38:52,920
Speaker 2: rips us a new asshole. That's tough because the Times

918
00:38:52,960 --> 00:38:54,919
Speaker 2: you want the Times for it's good for bad trip.

919
00:38:55,440 --> 00:38:59,440
Speaker 2: Then the New York Times Sunday section came back for

920
00:38:59,560 --> 00:39:02,319
Speaker 2: like whatever lifestyle or whatever and gave us like the

921
00:39:02,320 --> 00:39:05,520
Speaker 2: best review. Ever, so it was like, oh, there's inner

922
00:39:05,560 --> 00:39:07,600
Speaker 2: New York Times turmoil. And it was like such a

923
00:39:07,680 --> 00:39:11,239
Speaker 2: victory because it's like the Sunday section they don't need

924
00:39:11,280 --> 00:39:13,200
Speaker 2: to report on. It wasn't like a movie reviewer. It

925
00:39:13,280 --> 00:39:16,400
Speaker 2: was like just like lifestyle and whatever the fuck and

926
00:39:16,480 --> 00:39:18,920
Speaker 2: he gave us a fucking awesome review and it was

927
00:39:19,000 --> 00:39:20,240
Speaker 2: such a fucking victory.

928
00:39:20,239 --> 00:39:23,080
Speaker 3: It was like, hell, yes, yet, like.

929
00:39:23,000 --> 00:39:24,759
Speaker 2: The New York Times, I don't even want that shit.

930
00:39:24,840 --> 00:39:26,239
Speaker 2: That's a shit your printing frame, you know.

931
00:39:26,600 --> 00:39:31,040
Speaker 4: Of course, my mom, like my mom actually thinks I'm thought.

932
00:39:31,040 --> 00:39:33,759
Speaker 4: I was like nothing until I was like a backup

933
00:39:33,800 --> 00:39:38,800
Speaker 4: on sn now. One time she's like, dude, one time, Oh, actually,

934
00:39:38,840 --> 00:39:42,360
Speaker 4: I have a good one. One time I'm playing a

935
00:39:42,440 --> 00:39:47,120
Speaker 4: show and uh, we're on stage and it's front of

936
00:39:47,160 --> 00:39:51,320
Speaker 4: like twenty thousand people, okay, and it's with the band

937
00:39:51,360 --> 00:39:54,680
Speaker 4: and I'm they're all playing and I'm controlling all of

938
00:39:54,680 --> 00:39:56,960
Speaker 4: the music. So like so like you know, how like

939
00:39:57,000 --> 00:39:59,960
Speaker 4: people played a track and like and I I mean

940
00:40:00,040 --> 00:40:04,279
Speaker 4: controlling the entire thing. And I have like a real

941
00:40:04,360 --> 00:40:08,319
Speaker 4: computer that's like it's like plugg dan and stuff. And

942
00:40:08,360 --> 00:40:11,920
Speaker 4: this guy is like playing a guitar. He's so fucked up,

943
00:40:12,040 --> 00:40:16,840
Speaker 4: and he's like and he's like and then knocks out

944
00:40:17,480 --> 00:40:20,120
Speaker 4: my plug and the computer shuts out, and they're like

945
00:40:20,360 --> 00:40:23,719
Speaker 4: just like because there's no track. And then I'm like

946
00:40:24,200 --> 00:40:27,759
Speaker 4: fuck and it's like we're completely empty. And then I

947
00:40:27,840 --> 00:40:29,800
Speaker 4: go to plug it back in and we're at like

948
00:40:29,840 --> 00:40:32,440
Speaker 4: a vestival and it literally when the computer turns on.

949
00:40:32,480 --> 00:40:36,520
Speaker 2: It was like it was.

950
00:40:43,040 --> 00:40:46,680
Speaker 4: So sick when it happened, but it was like, but yeah,

951
00:40:46,719 --> 00:40:50,840
Speaker 4: it's like three oh three at the time, it was

952
00:40:51,120 --> 00:40:53,239
Speaker 4: at Warped tour headline.

953
00:40:53,280 --> 00:40:55,520
Speaker 3: Like just like fucked we just fucked it off.

954
00:40:55,960 --> 00:40:57,960
Speaker 4: Like it's just like, yeah, I'm just like, dude, we're

955
00:40:58,000 --> 00:41:01,719
Speaker 4: getting like crushed every day. Every his crush every day

956
00:41:01,840 --> 00:41:05,560
Speaker 4: is just like a full, a full like just melt down,

957
00:41:06,520 --> 00:41:09,080
Speaker 4: just like I'm I'm like melting down and having the

958
00:41:09,120 --> 00:41:12,200
Speaker 4: time of my life at all time. Like you know,

959
00:41:12,200 --> 00:41:14,360
Speaker 4: when you look at like in music.

960
00:41:14,320 --> 00:41:15,560
Speaker 2: What you got to lose, you gotta do it, You

961
00:41:15,600 --> 00:41:16,799
Speaker 2: gotta try try and.

962
00:41:16,800 --> 00:41:20,680
Speaker 4: Fail comedies like this, Like but like I can, depending

963
00:41:20,719 --> 00:41:22,279
Speaker 4: on like a day, like I can like look at

964
00:41:22,280 --> 00:41:24,800
Speaker 4: myself and just be like, dude, this is the best

965
00:41:25,040 --> 00:41:27,600
Speaker 4: album like I've ever made. And then like the next day,

966
00:41:27,640 --> 00:41:29,439
Speaker 4: I can just be like this drash, like my career

967
00:41:29,480 --> 00:41:29,640
Speaker 4: is so.

968
00:41:29,760 --> 00:41:31,720
Speaker 3: Totally like and it's just like I'll write a joke.

969
00:41:31,560 --> 00:41:33,800
Speaker 2: And I'll be like, I'm a fucking genius. Yeah, I

970
00:41:33,840 --> 00:41:36,439
Speaker 2: wrote the best joke in the world, and then I

971
00:41:36,520 --> 00:41:39,160
Speaker 2: will say it on stage and it will bomb horribly.

972
00:41:39,239 --> 00:41:43,359
Speaker 2: I'm like, I'm a fucking asshole. I'm a loser. This joke.

973
00:41:43,880 --> 00:41:45,120
Speaker 3: Fuck this joke?

974
00:41:45,520 --> 00:41:47,000
Speaker 2: Did I say as a genius? I met up a

975
00:41:47,040 --> 00:41:47,800
Speaker 2: fucking loser.

976
00:41:47,880 --> 00:41:49,600
Speaker 3: Yeah? What's your biggest bomb? Have you said it on

977
00:41:49,640 --> 00:41:51,000
Speaker 3: the pod a million times?

978
00:41:51,080 --> 00:41:51,279
Speaker 1: Yeah?

979
00:41:51,360 --> 00:41:53,640
Speaker 2: I like bombed opening up for Chris Rock. You know what,

980
00:41:53,719 --> 00:41:55,960
Speaker 2: there's so many bombs in the beginning, That's what I'm

981
00:41:55,960 --> 00:41:58,120
Speaker 2: saying that. It's like, it's kind of like when you

982
00:41:58,120 --> 00:41:59,360
Speaker 2: were like, yeah, yeah, I got beat up at a

983
00:41:59,360 --> 00:42:01,520
Speaker 2: freestyle wrap. It's like, yeah, yeah, I got a bottle

984
00:42:01,520 --> 00:42:03,040
Speaker 2: thrown at me and a knife full out of him.

985
00:42:03,040 --> 00:42:05,239
Speaker 2: I'm like, it's kind of all the blur to me.

986
00:42:05,320 --> 00:42:08,600
Speaker 2: It's like, yeah, it's like another day at the office.

987
00:42:07,480 --> 00:42:11,520
Speaker 2: So you're just bombing at all times, Ladies and gentlemen.

988
00:42:11,760 --> 00:42:19,000
Speaker 2: Benny Blanco, Bye.

989
00:42:16,560 --> 00:42:17,480
Speaker 1: With eric Andre.

990
00:42:17,920 --> 00:42:19,759
Speaker 2: Bombing with Eric Andre is brought to you by Will

991
00:42:19,760 --> 00:42:23,000
Speaker 2: Ferrell's Big Money Players Network and iHeart Podcasts. Our executive

992
00:42:23,000 --> 00:42:26,799
Speaker 2: producer is Olivia Aguilar. Our producer is Bei Wang. Our

993
00:42:26,840 --> 00:42:30,000
Speaker 2: research assistant is David Carliner. Our editor and sound designers

994
00:42:30,040 --> 00:42:32,600
Speaker 2: Andy Harris, and our art is by Dylan Vanderberg. Go

995
00:42:32,719 --> 00:42:34,640
Speaker 2: rate us five stars and drop a review on your

996
00:42:34,680 --> 00:42:36,160
Speaker 2: podcast app A choice