WEBVTT - Questlove Supreme: Salli Richardson-Whitfield

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<v Speaker 1>Quests.

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<v Speaker 2>Love Supreme is a production of iHeartRadio. Can we start

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<v Speaker 2>the theme? Steve, You're ready?

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<v Speaker 1>Bill? You're ready? Why are you ready?

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<v Speaker 3>I'm ready?

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<v Speaker 1>Let's do it. Oh that's out forward. Yeah for it.

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<v Speaker 4>Supremo Roll came Supremo, Supremo. Role came Supremo, Supremo, Supremat Supremo.

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<v Speaker 2>What love is my name? Yeah, Supreme is the squad

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<v Speaker 2>Yeah region.

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<v Speaker 4>Yeah, suprem Supremo.

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<v Speaker 1>Roll came Supremo Supremo. My name is Fante. Yeah, I'm

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<v Speaker 1>in my prime.

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<v Speaker 2>Yeah.

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<v Speaker 5>Shout out to Sally. Yeah, we need some more winning time.

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<v Speaker 4>So sup.

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<v Speaker 1>Supremo Suprivo roll Call.

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<v Speaker 2>My name is Sugar Yeah, and we and Cali Yeah,

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<v Speaker 2>and I am so glad that rhymes with Sally.

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<v Speaker 1>Rivall.

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<v Speaker 6>I'm unpaid Bill, Yeah, and.

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<v Speaker 1>Hold the phone.

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<v Speaker 7>Yeah.

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<v Speaker 6>Shout out to our guests and her tailbone.

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<v Speaker 4>Suprivo roll suprivavs like.

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<v Speaker 3>Yeah, that's here to teach.

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<v Speaker 7>Yeah if I was damn Yeah, this is a firseprimo roll.

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<v Speaker 6>Sup roll.

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<v Speaker 3>My name is Sally.

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<v Speaker 1>Yeah.

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<v Speaker 3>They call me Mustang yeah because.

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<v Speaker 1>Yeah, you got that thing thing.

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<v Speaker 8>So Supremo Suprema So so somo.

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<v Speaker 1>Don't feel mad. I have done that many times.

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<v Speaker 3>That was over soon, he's done.

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<v Speaker 6>I've done.

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<v Speaker 7>Sally's here to teach.

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<v Speaker 3>I came for class like no, I got class like

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<v Speaker 3>Angela and a mouth like peaches.

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<v Speaker 7>Damn. Yeah, it was like Angela in the mouth.

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<v Speaker 6>Like anyhow.

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<v Speaker 1>Anywhere rhythm and rapping.

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<v Speaker 3>Yeah, we were in trouble.

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<v Speaker 1>I'm all right.

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<v Speaker 2>So this is another uh Los Angeles in person in

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<v Speaker 2>studio quest love Supreme love in person. Yeah, in person,

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<v Speaker 2>it's it's my favorite type of tapings that we do.

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<v Speaker 2>I enjoy it. It's amazing. Anything else.

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<v Speaker 1>I'm looking at you, Bill anyway.

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<v Speaker 6>I'm just having me here.

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<v Speaker 1>We never get to do this. We always do this

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<v Speaker 1>on us in person? Is weird to be? I love?

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<v Speaker 1>I love being in person. No, we're here especially, I

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<v Speaker 1>know you have.

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<v Speaker 3>To ask Afield. I'm sorry. DeAndre gonna go home in trouble.

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<v Speaker 1>We just.

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<v Speaker 2>Decided to call him DeAndre right now, call him Robert Andre.

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<v Speaker 3>Get me in trouble, all right, No, talk us through that.

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<v Speaker 3>He will talks.

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<v Speaker 1>We've been calling him Robert forever.

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<v Speaker 3>Literally, he probably that's worse. That's not as bad as DeAndre.

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<v Speaker 2>People call him Robert still from absolutely absolutely.

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<v Speaker 3>I'm so sorry.

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<v Speaker 7>Andre Andre Andre.

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<v Speaker 1>We're already getting off the shaky start, all right.

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<v Speaker 2>So look, the I would say the order of the

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<v Speaker 2>day for this podcast is we often talk about pivots,

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<v Speaker 2>pivots in terms of where we were creatively at the

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<v Speaker 2>beginning of our career, towards where we've.

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<v Speaker 1>Learned that idiom from LL cool J taking walks to the.

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<v Speaker 2>Light, you know, And so I will say that that's

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<v Speaker 2>a major theme of this program, and of course our

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<v Speaker 2>guest today, I believe in bodies sort of that motion.

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<v Speaker 2>We first fell in love with her as an actress

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<v Speaker 2>and many a classic film a name like Posse Low Down,

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<v Speaker 2>Dirty Shame.

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<v Speaker 1>Uh eureka, right, I have so many questions about that exactly.

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<v Speaker 2>I do want this to be the low down, Dirty

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<v Speaker 2>tribute program. Not to mention, you know, I am legend

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<v Speaker 2>just countless of sitcoms and dramas and whatnot, which basically

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<v Speaker 2>leads to her calling as an executive producer and a director.

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<v Speaker 2>Sitting in that director's chairs, it's mighty a task that

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<v Speaker 2>you know isn't for the faint hearted. And I will

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<v Speaker 2>say that between her directing on Queen Sugar, one of

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<v Speaker 2>my favorite programs, by the way, not to mention scandal

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<v Speaker 2>Luke Cage, I'm so wow, right exactly Blackish, the shy

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<v Speaker 2>not to mention winning time, the story of the classic

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<v Speaker 2>era of the Los Angeles Lakers, and right now we're

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<v Speaker 2>celebrating the guilted age and we're going to talk pivots,

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<v Speaker 2>the art of storytelling, and just her journey creatively.

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<v Speaker 1>And I would.

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<v Speaker 2>Like to welcome to quest Love Supreme without stutterying, Sally Richardson,

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<v Speaker 2>you look at me.

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<v Speaker 3>I gave you that look.

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<v Speaker 2>I know, yeah, like I already felt the pressure, right, yes, no,

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<v Speaker 2>Please welcome Sally Richardson Whitfield to Questions.

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<v Speaker 3>Thank you so much for having me. I'm really excited

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<v Speaker 3>about being here.

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<v Speaker 2>Well for startists, for those that don't know you. Where

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<v Speaker 2>are you from? Where were you born?

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<v Speaker 3>I'm from Chicago, part of Chicago, south side of Chicago.

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<v Speaker 1>Is everyone really from the south side between Detroit and Chicago.

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<v Speaker 3>If you black, you mostly from the south side of Chicago,

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<v Speaker 3>unless maybe the West Side. You're from the west to

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<v Speaker 3>the south side.

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<v Speaker 1>So I'm assuming that the south is the realest.

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<v Speaker 3>End quote, because it is Chicago. As much as I

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<v Speaker 3>love it can be a segregated area. And we didn't

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<v Speaker 3>grow up with you know, we didn't we didn't grow

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<v Speaker 3>up with a lot of money. And you know, so

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<v Speaker 3>you're on the South side of Chicago or the West

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<v Speaker 3>side or the projects.

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<v Speaker 2>So for you, what was your formative years like creatively speaking,

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<v Speaker 2>what was your family situation and growing.

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<v Speaker 3>Up sort of you know, parents divorced. I was very

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<v Speaker 3>lucky that I was able to go Instead of my

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<v Speaker 3>father paying like actual like child support directly, he paid

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<v Speaker 3>for me to go to private school. So I went

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<v Speaker 3>to Lab School, which is part of the University of Chicago.

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<v Speaker 3>So it was sort of this mixture of going to

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<v Speaker 3>going to this fabulous school and then kind of going

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<v Speaker 3>back to, you know, my neighborhood and being able to

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<v Speaker 3>live in both of those worlds, which it has worked

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<v Speaker 3>very well for me now in life. I can kind

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<v Speaker 3>of flow anywhere I need to go. And then my mother,

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<v Speaker 3>both of my parents my father were at University of Chicago.

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<v Speaker 3>My mother at the time, she used to work. I

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<v Speaker 3>think my mom was working at The Defender at some point.

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<v Speaker 3>She which is a black newspaper in Chicago. She worked

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<v Speaker 3>at a recording studio for many years, which is where

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<v Speaker 3>I don't remember the name of it, but that's growing up,

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<v Speaker 3>I was around a lot of music, so I was singing,

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<v Speaker 3>and that's kind of where I met my first manager.

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<v Speaker 3>And I think what sort of sparked me wanting to

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<v Speaker 3>be in the arts because I was not around it

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<v Speaker 3>at all. And then at some point at the Lab School,

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<v Speaker 3>they shot Endless Love there and I yes, and that

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<v Speaker 3>is where I really got the bug because I was

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<v Speaker 3>always a basketball player in school, so if theater, I

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<v Speaker 3>didn't do a lot of because it always came in

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<v Speaker 3>during basketball season. So but they came there and they

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<v Speaker 3>did that movie with Brooks Shields and I saw all

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<v Speaker 3>of that and I was like, oh, I don't know,

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<v Speaker 3>this seems interesting, which is kind of started my path.

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<v Speaker 1>Okay, did you have siblings or.

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<v Speaker 3>I have three brothers who are about fifteen years younger

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<v Speaker 3>than me, so most of my life I was an

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<v Speaker 3>only child.

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<v Speaker 1>So you were older than them.

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<v Speaker 7>Yeah, yes, that's interesting for them to have an older

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<v Speaker 7>sister that was fifteen years old.

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<v Speaker 1>Yeah.

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<v Speaker 2>I was ready for you to be the younger sister

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<v Speaker 2>that they beat up everybody.

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<v Speaker 1>No, I but you were there.

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<v Speaker 3>I'm gonna beat you, but you know, I was the

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<v Speaker 3>I don't know, I don't know have that mixture of

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<v Speaker 3>only child but then having really young ones that me

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<v Speaker 3>and my mom. You know, she was working a lot,

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<v Speaker 3>so me and me and my brother. Yeah, that's my

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<v Speaker 3>that's my baby there.

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<v Speaker 2>Okay, I see that default. Yeah well quasi parents, Yeah,

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<v Speaker 2>I get that now, all right. So here's the thing,

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<v Speaker 2>like a lot of us that are not in the Midwest,

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<v Speaker 2>especially now in this political climate.

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<v Speaker 1>Yeah, hashtag what about Chicago? What about Chicago?

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<v Speaker 2>What is your view or description of your formative years

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<v Speaker 2>in Chicago because oftentimes I feel like, again especially now,

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<v Speaker 2>all you do is hear about the bad side of

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<v Speaker 2>Chicago whatever like is but is there a rosy memory

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<v Speaker 2>of Chicago or is it like I have to get

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<v Speaker 2>out of Chicago.

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<v Speaker 3>So I spent a lot of time in Hyde Park.

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<v Speaker 3>So although I'm like this mixed girl, which can not

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<v Speaker 3>work for you, Well, at times it was a very

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<v Speaker 3>mixed area. There was a lot of white and black

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<v Speaker 3>couple so it was okay for me hung out at

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<v Speaker 3>the point beautiful. Then later on we moved to sixty

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<v Speaker 3>first Street, which we're now moving more and more south.

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<v Speaker 3>Now we're on ninety fifth Street off of Stony Island.

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<v Speaker 3>It's a little it ain't it ain't mixed. No more

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<v Speaker 3>so again, but I never I don't know. My mother

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<v Speaker 3>kept me in a bunch of stuff. I'm going to school.

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<v Speaker 3>I didn't really encounter too much. When I go back

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<v Speaker 3>and see some of the places I walked around in

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<v Speaker 3>I go, I can't believe I was walking down that

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<v Speaker 3>street to the grocery store. You know, I would always

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<v Speaker 3>say around seventy fifth and Saint Lawrence. People from Chicago

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<v Speaker 3>know what I'm saying. That's where you just churches and bars, church, bar, church, bar,

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<v Speaker 3>all everything's behind glass and the grocery store. That's when

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<v Speaker 3>I look back and go, God, I just walked over

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<v Speaker 3>there to the grocery store. Now, I don't think I

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<v Speaker 3>would know how to flow through that area anymore the

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<v Speaker 3>same way. And it's much worse now.

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<v Speaker 2>Okay, So well that was my next question, like has

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<v Speaker 2>your area been gentrified or is it?

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<v Speaker 3>No, No, it's it's probably worse over there now.

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<v Speaker 2>Now you mentioned you mentioned manager. I don't know if

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<v Speaker 2>you were talking about manager then or manager now. But

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<v Speaker 2>when you spoken manager, are you you mean in terms.

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<v Speaker 1>Of acting or like? Did you have aspirations to sing

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<v Speaker 1>at one point?

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<v Speaker 3>I did so when I first started because of the studio.

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<v Speaker 3>I played piano. I used to study opera. Uh so,

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<v Speaker 3>I thought when I first went to LA it was

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<v Speaker 3>sort of acting and singing. I thought I would do both.

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<v Speaker 3>There are a lot of demorels somewhere of me singing.

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<v Speaker 3>And I think I shot a not think I did.

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<v Speaker 3>I shot a video.

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<v Speaker 1>Okay, did you come to La?

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<v Speaker 6>Wow?

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<v Speaker 3>I was twenty five. I don't know, I graduated eighty five.

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<v Speaker 7>Whatever Giddo's real numbers.

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<v Speaker 3>Look, I don't care. I'm old. And uh yeah, I

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<v Speaker 3>thought I was gonna be a singer.

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<v Speaker 1>I kind of you in LA in eighty five, eighty six.

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<v Speaker 3>Yeah, during Pebbles all that time. Yeah, and I could do.

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<v Speaker 1>Hip hop and now you are you fell in the hole? Now.

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<v Speaker 3>It was a perfect time because I didn't really have

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<v Speaker 3>to dance well neither. It was like, this is good.

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<v Speaker 3>I can sing, I have no rhythm, I can't dance.

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<v Speaker 3>And this video, I'm really I haven't looked at in

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<v Speaker 3>a long time because it's in I have like the

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<v Speaker 3>tape of it, you know, it's in a real realm.

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<v Speaker 3>I need to digitize that. I'm a little afraid to

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<v Speaker 3>see that one.

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<v Speaker 6>Nice.

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<v Speaker 1>Yeah, nice?

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<v Speaker 2>What is the spark that prompts your move to Los Angeles,

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<v Speaker 2>as in like okay, in order for me to pursue

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<v Speaker 2>my dream, And what is your dream that makes you

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<v Speaker 2>go to Los Angeles?

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<v Speaker 3>You know? At that time, a lot of things were

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<v Speaker 3>being shot in Chicago, a lot of movies, you know,

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<v Speaker 3>but you so I could get little guest spots, so

0:13:04.559 --> 0:13:07.200
<v Speaker 3>I didn't remember. I did Prelude to a Kiss. I

0:13:07.240 --> 0:13:10.760
<v Speaker 3>played one of Meg Ryan's bridesmaids. You know. So you're

0:13:10.800 --> 0:13:14.199
<v Speaker 3>getting small things like that Rocky Carroll. That's where I

0:13:14.240 --> 0:13:18.439
<v Speaker 3>met Rocky Carroll because he was he was in that movie.

0:13:18.800 --> 0:13:21.040
<v Speaker 3>And so you see that you can get small things,

0:13:21.120 --> 0:13:24.600
<v Speaker 3>but you can't it's it. And then I did a

0:13:24.640 --> 0:13:30.240
<v Speaker 3>screen test for what is that Bill Duke movie? He

0:13:30.280 --> 0:13:39.040
<v Speaker 3>directed with Robin Gibbon. So I screen test for that. Yes,

0:13:39.559 --> 0:13:43.320
<v Speaker 3>so I was there. It was me, Robin and this

0:13:43.720 --> 0:13:48.120
<v Speaker 3>other actress. And I just knew, you know, like I

0:13:48.200 --> 0:13:50.120
<v Speaker 3>did it in the makeup art. This is when don't

0:13:50.160 --> 0:13:51.800
<v Speaker 3>listen to know. But this is when I learned, never

0:13:51.840 --> 0:13:54.400
<v Speaker 3>get too excited. More than likely you didn't get it

0:13:54.520 --> 0:13:58.240
<v Speaker 3>or it's not big. And I just knew I did it,

0:13:58.320 --> 0:14:00.240
<v Speaker 3>and I was cute and I thought I had my

0:14:00.280 --> 0:14:04.640
<v Speaker 3>little southern accent. I was ready and I did not

0:14:04.720 --> 0:14:07.240
<v Speaker 3>get it. Robin, Well, that's when you find out Robin

0:14:07.240 --> 0:14:10.640
<v Speaker 3>Gibbons's sort of popular.

0:14:10.960 --> 0:14:11.520
<v Speaker 1>At the time.

0:14:11.840 --> 0:14:13.960
<v Speaker 2>Like when you are auditioning, and this is the part

0:14:13.960 --> 0:14:16.960
<v Speaker 2>I really want to do, like the audition process. Are

0:14:17.000 --> 0:14:20.800
<v Speaker 2>you in a room collectively with everyone or is it.

0:14:20.720 --> 0:14:23.160
<v Speaker 3>Just like no, No, they did a real screen test.

0:14:23.280 --> 0:14:24.680
<v Speaker 3>They don't do this very often.

0:14:24.720 --> 0:14:24.920
<v Speaker 1>Now.

0:14:25.280 --> 0:14:27.520
<v Speaker 3>I did the same thing for Nutty Professor, which was

0:14:27.640 --> 0:14:30.720
<v Speaker 3>a real screen test. They put you through here and makeup.

0:14:30.720 --> 0:14:31.680
<v Speaker 3>I had on a dress.

0:14:31.760 --> 0:14:33.440
<v Speaker 1>It's dress. Yes.

0:14:34.160 --> 0:14:38.600
<v Speaker 3>In the movie it's with Forrest Whittaker, like it's a

0:14:38.800 --> 0:14:42.280
<v Speaker 3>real screen test. They are on a kind of set

0:14:42.440 --> 0:14:45.280
<v Speaker 3>like it's a thing that's somewhere too. I would love

0:14:45.320 --> 0:14:47.640
<v Speaker 3>to you know, look, I'm like, where is that stuff?

0:14:47.800 --> 0:14:52.560
<v Speaker 3>Now'll find out why I didn't get it. You weren't good.

0:14:52.920 --> 0:14:55.840
<v Speaker 3>So anyway, I'm doing small things like that, and just

0:14:56.080 --> 0:14:58.760
<v Speaker 3>something went. You got to make a decision, you got

0:14:58.800 --> 0:15:03.280
<v Speaker 3>to go to New York or LA And I don't know,

0:15:03.480 --> 0:15:05.680
<v Speaker 3>I mean, I think it was just an accumulation of

0:15:05.720 --> 0:15:08.760
<v Speaker 3>all those little things. And so I was waiting tables too.

0:15:09.520 --> 0:15:12.640
<v Speaker 3>I saved up my money for a year waiting tables.

0:15:13.200 --> 0:15:17.440
<v Speaker 3>Bought this six hundred dollar car. But I am a planner,

0:15:17.880 --> 0:15:21.840
<v Speaker 3>so I flew to la first, got an agent. One

0:15:21.880 --> 0:15:25.040
<v Speaker 3>of my agents in Chicago helped me set up some meetings.

0:15:25.720 --> 0:15:28.280
<v Speaker 3>Somehow or not. I've always been this person. Things kind

0:15:28.280 --> 0:15:30.160
<v Speaker 3>of fall in line for me. So I at the

0:15:30.200 --> 0:15:32.520
<v Speaker 3>time I met with William Morris and another one. I

0:15:32.520 --> 0:15:34.440
<v Speaker 3>have no idea how I got in this meeting. I

0:15:34.480 --> 0:15:37.360
<v Speaker 3>really had no tape, and they're like, do you have tape?

0:15:37.400 --> 0:15:40.400
<v Speaker 2>I'm like, I do not, But so you had to

0:15:40.440 --> 0:15:45.160
<v Speaker 2>have even back then, you had to have real Yeah.

0:15:45.160 --> 0:15:47.120
<v Speaker 3>They were asking they want to see something, and I

0:15:47.160 --> 0:15:49.760
<v Speaker 3>was like, oh, I had done. I had done this movie.

0:15:50.320 --> 0:15:55.880
<v Speaker 3>How you like me? Now? That was my first I

0:15:55.880 --> 0:15:57.280
<v Speaker 3>think that's my first film.

0:15:58.480 --> 0:15:59.400
<v Speaker 1>I see you in this film.

0:16:00.040 --> 0:16:03.920
<v Speaker 3>I got remind I was like, okay, I look crazy

0:16:04.320 --> 0:16:10.160
<v Speaker 3>because Halie Berry had just like hit it. And so

0:16:10.400 --> 0:16:13.120
<v Speaker 3>the guy who was producing it was a white guy

0:16:13.120 --> 0:16:15.360
<v Speaker 3>who was producing it for this black director.

0:16:15.920 --> 0:16:16.560
<v Speaker 1>This movie.

0:16:16.880 --> 0:16:19.960
<v Speaker 3>He decided because my hair is so right now, my

0:16:20.000 --> 0:16:22.400
<v Speaker 3>hair is curly, but my hair is very straight. So

0:16:22.440 --> 0:16:25.360
<v Speaker 3>he decided that I didn't look black enough, and he

0:16:25.400 --> 0:16:29.280
<v Speaker 3>wanted me to wear a short wig with more what

0:16:29.400 --> 0:16:32.840
<v Speaker 3>he considered black hair. And so I'm wearing this wig

0:16:32.960 --> 0:16:37.240
<v Speaker 3>so it looks more halle Berry's shortcut to look more black.

0:16:38.360 --> 0:16:39.200
<v Speaker 3>It's really bad.

0:16:40.760 --> 0:16:43.680
<v Speaker 1>Try that, but you.

0:16:43.640 --> 0:16:45.520
<v Speaker 3>Know, you like, I'm gonna do this movie. I'm gonna

0:16:45.520 --> 0:16:49.120
<v Speaker 3>wear this wig. But yeah, and some days the wig

0:16:49.160 --> 0:16:52.200
<v Speaker 3>look good and some days it did not. It wasn't this.

0:16:52.400 --> 0:16:55.040
<v Speaker 3>It wasn't nowadays where you can get good wigs. You know.

0:16:55.120 --> 0:16:58.120
<v Speaker 1>You just this film, I've seen it. I've seen this,

0:16:58.320 --> 0:16:58.760
<v Speaker 1>I have to.

0:16:59.040 --> 0:17:06.280
<v Speaker 3>It's with Darnell william Oh, yeah, I found the roster Williams. Yeah, baby,

0:17:06.440 --> 0:17:12.280
<v Speaker 3>like I am. I'm like twenty two or something, So

0:17:12.440 --> 0:17:15.280
<v Speaker 3>I think that was. But I have another one. I

0:17:15.359 --> 0:17:18.840
<v Speaker 3>don't know the name of it. It's with Marla Gibbs

0:17:19.240 --> 0:17:20.600
<v Speaker 3>and Stony Jackson.

0:17:20.760 --> 0:17:22.640
<v Speaker 1>Whoa wow.

0:17:23.400 --> 0:17:26.080
<v Speaker 3>No, and we shot it in Chicago. Those are my

0:17:26.160 --> 0:17:30.400
<v Speaker 3>two films that shot before I moved it set up

0:17:30.480 --> 0:17:33.080
<v Speaker 3>against the the wall.

0:17:33.600 --> 0:17:38.359
<v Speaker 5>Yes, this is why we need to be, Yah, Mars,

0:17:38.920 --> 0:17:39.639
<v Speaker 5>we need to be.

0:17:40.600 --> 0:17:43.120
<v Speaker 3>So I'm not really showing that I had just did

0:17:43.720 --> 0:17:46.200
<v Speaker 3>how you Like Me? Now? Now, I didn't have anything

0:17:46.240 --> 0:17:48.800
<v Speaker 3>to show myself. But I just did this film in Chicago.

0:17:48.960 --> 0:17:50.960
<v Speaker 3>So I was just I'm a good talker in a room.

0:17:51.440 --> 0:17:53.560
<v Speaker 3>So I was like, but I'm great, I'm a work

0:17:53.720 --> 0:17:57.439
<v Speaker 3>I'm just met a table full of old men, and

0:17:57.560 --> 0:18:01.800
<v Speaker 3>I'm selling. I'm selling. And I at this agency called

0:18:01.840 --> 0:18:05.159
<v Speaker 3>Triad at the time, which was a big agency then,

0:18:05.359 --> 0:18:08.360
<v Speaker 3>and I went with Tryad And so I went back

0:18:08.400 --> 0:18:12.720
<v Speaker 3>home and packed my car up. I also had found

0:18:12.760 --> 0:18:15.040
<v Speaker 3>a place to live out there, rented from this woman

0:18:15.119 --> 0:18:18.600
<v Speaker 3>in her house, and then I drove up to l A.

0:18:18.800 --> 0:18:20.960
<v Speaker 3>And I saved up enough money and had a little

0:18:21.000 --> 0:18:25.919
<v Speaker 3>help from my then manager who used to run my

0:18:25.960 --> 0:18:30.040
<v Speaker 3>mother's studio, who was helping me, and I didn't have

0:18:30.080 --> 0:18:33.160
<v Speaker 3>to work for a year. And then within that year,

0:18:33.320 --> 0:18:35.879
<v Speaker 3>before my money was just about to run out, I

0:18:35.920 --> 0:18:36.439
<v Speaker 3>got posse.

0:18:37.160 --> 0:18:40.560
<v Speaker 2>Wow, wait the way she told that story, it was

0:18:40.560 --> 0:18:41.399
<v Speaker 2>like a cliffhanger, and.

0:18:46.680 --> 0:18:49.200
<v Speaker 3>Hear everything I know know how to hit the bullet points.

0:18:51.359 --> 0:18:53.840
<v Speaker 1>We are literally rabbit hole city.

0:18:54.000 --> 0:18:55.520
<v Speaker 3>But I mean I had gotten you know, a few

0:18:55.560 --> 0:18:56.680
<v Speaker 3>I think I did a pilot.

0:18:57.480 --> 0:18:59.800
<v Speaker 1>Uh and how many pilots have you done?

0:19:02.400 --> 0:19:04.520
<v Speaker 7>A number of them, didn't I see the rock is

0:19:04.560 --> 0:19:06.159
<v Speaker 7>on your IMDb two do you do an episode of

0:19:06.200 --> 0:19:09.040
<v Speaker 7>a rock Rocky Carrol? So I was like, wondering at

0:19:09.040 --> 0:19:11.800
<v Speaker 7>that translation to the rock it's been a long Yes

0:19:12.240 --> 0:19:13.200
<v Speaker 7>you can't remember.

0:19:13.680 --> 0:19:16.480
<v Speaker 2>Yes you've done, Yeah, yes you.

0:19:16.440 --> 0:19:18.520
<v Speaker 3>Have Okay, Oh I did, Yeah.

0:19:18.400 --> 0:19:18.800
<v Speaker 1>Yes you.

0:19:20.880 --> 0:19:20.960
<v Speaker 7>Have.

0:19:21.240 --> 0:19:23.520
<v Speaker 3>I forgot I did a Jamie Foxx show.

0:19:23.560 --> 0:19:24.040
<v Speaker 6>Yeah you did.

0:19:24.160 --> 0:19:25.359
<v Speaker 3>Yeah, Yes I forgot that.

0:19:25.520 --> 0:19:27.480
<v Speaker 1>Okay. So this is why I'm asking this.

0:19:27.840 --> 0:19:30.800
<v Speaker 2>So there's a friend of mine who was the star

0:19:31.200 --> 0:19:37.159
<v Speaker 2>of her own, uh successful series, and she told me

0:19:37.640 --> 0:19:41.760
<v Speaker 2>that even though they were hit out the box, she

0:19:41.920 --> 0:19:46.679
<v Speaker 2>wanted to wait until season three to buy the house.

0:19:47.119 --> 0:19:49.440
<v Speaker 2>You know, when you're like, hey, I'm on a hit show,

0:19:49.840 --> 0:19:53.440
<v Speaker 2>I've been nominated for a few Emmy's, I'm established, let

0:19:53.480 --> 0:19:57.119
<v Speaker 2>me buy that house. And then out of nowhere, and

0:19:57.160 --> 0:20:00.639
<v Speaker 2>I don't know why, but suddenly the show got canceled.

0:20:01.520 --> 0:20:04.119
<v Speaker 2>And it wasn't like dude to low ratings, Like something happened,

0:20:04.160 --> 0:20:06.440
<v Speaker 2>a freak accident, maybe like one of the executive producers

0:20:06.480 --> 0:20:11.120
<v Speaker 2>died or something. And now she's stuck with this house.

0:20:11.160 --> 0:20:13.280
<v Speaker 2>And the whole point was she told me it took

0:20:13.320 --> 0:20:16.760
<v Speaker 2>her like maybe eight years to finally get this off

0:20:16.760 --> 0:20:18.920
<v Speaker 2>of her hands, like she's been stuck with this house.

0:20:19.320 --> 0:20:22.440
<v Speaker 2>So I always wanted to know on the acting side

0:20:22.440 --> 0:20:25.280
<v Speaker 2>of things, when you're in this city.

0:20:26.720 --> 0:20:28.400
<v Speaker 1>When you get a.

0:20:28.320 --> 0:20:31.920
<v Speaker 2>Guest role on a rock or you know the office

0:20:31.920 --> 0:20:37.600
<v Speaker 2>person number twelve and living single whatever, sustainability wise, how

0:20:37.720 --> 0:20:41.760
<v Speaker 2>safe do you feel like if the imagined grim Reapers

0:20:41.800 --> 0:20:47.720
<v Speaker 2>behind you is a guest spot on a show, a

0:20:47.840 --> 0:20:49.880
<v Speaker 2>jump for you for at least four months of safety

0:20:50.359 --> 0:20:53.159
<v Speaker 2>to breathe before the grim Reaper catches up and then

0:20:53.160 --> 0:20:55.760
<v Speaker 2>you have to get your next series.

0:20:55.440 --> 0:20:58.280
<v Speaker 3>Like how four months? No? No, that's why be born

0:20:58.320 --> 0:21:04.159
<v Speaker 3>strike you. I can't make no. Luckily, I've always lived

0:21:04.200 --> 0:21:08.160
<v Speaker 3>as if whatever this check is, I may not work

0:21:08.240 --> 0:21:10.480
<v Speaker 3>for months. I may not work for a year.

0:21:11.119 --> 0:21:17.639
<v Speaker 2>So even when you have something good, it's never a.

0:21:16.880 --> 0:21:20.479
<v Speaker 3>I haven't felt comfortable and secure in this business, and

0:21:20.520 --> 0:21:24.400
<v Speaker 3>I still have an actor's mindset that at any point

0:21:24.600 --> 0:21:30.360
<v Speaker 3>some shit might change. Until I started directing and really

0:21:31.200 --> 0:21:37.119
<v Speaker 3>started hitting my stride. Have I sat back and relaxed

0:21:37.160 --> 0:21:40.000
<v Speaker 3>for a second. And my husband will tell you there

0:21:40.040 --> 0:21:42.840
<v Speaker 3>have been many flights where he's like, I'm like, it's

0:21:42.880 --> 0:21:45.400
<v Speaker 3>only a four hour flight. We can fly coach. I'm cheap,

0:21:46.960 --> 0:21:50.960
<v Speaker 3>and that's how I live. I live as if I

0:21:51.119 --> 0:21:52.840
<v Speaker 3>may not work for another year.

0:21:53.320 --> 0:22:01.200
<v Speaker 2>But does that also prevent you from dreaming, and I

0:22:01.359 --> 0:22:04.800
<v Speaker 2>not to sound real naive, saved, yes, but it really

0:22:04.920 --> 0:22:08.560
<v Speaker 2>wasn't until like I allowed myself to Like.

0:22:10.000 --> 0:22:13.040
<v Speaker 1>It's almost like you have to tell your body, like, Okay.

0:22:12.800 --> 0:22:14.160
<v Speaker 2>This is what I want and this is my dream

0:22:14.200 --> 0:22:17.840
<v Speaker 2>I'm pursuing hook cook crook or whatever, because I used

0:22:17.880 --> 0:22:20.439
<v Speaker 2>to be the careful smurf like, oh, man, like we're

0:22:20.520 --> 0:22:22.040
<v Speaker 2>never going to d D D D d D, so let.

0:22:21.920 --> 0:22:23.800
<v Speaker 1>Me save up and that sort of thing.

0:22:24.160 --> 0:22:28.600
<v Speaker 2>So how do you ride the line between safety and

0:22:28.800 --> 0:22:29.959
<v Speaker 2>this is the dream that I went?

0:22:30.359 --> 0:22:33.000
<v Speaker 3>Well, I did. But I did do that because by

0:22:33.640 --> 0:22:37.520
<v Speaker 3>really pivoting to directing, I had to take a chance.

0:22:38.160 --> 0:22:40.159
<v Speaker 3>I was working a lot as an actress and that

0:22:40.280 --> 0:22:43.160
<v Speaker 3>was working well for me. And when you first started directing,

0:22:44.240 --> 0:22:47.360
<v Speaker 3>it's a good living. But if I'm on a hit show.

0:22:47.680 --> 0:22:50.159
<v Speaker 3>When I started directing, I could still make more money

0:22:50.200 --> 0:22:52.560
<v Speaker 3>acting as long as I was on a series, because

0:22:52.600 --> 0:22:55.800
<v Speaker 3>I have a you know, my my rate for an

0:22:55.800 --> 0:22:59.880
<v Speaker 3>episode is going to be pretty good compared to the director,

0:23:00.000 --> 0:23:01.920
<v Speaker 3>which takes a little longer to do an episode.

0:23:02.480 --> 0:23:05.240
<v Speaker 1>But oh damn, so I chose the wrong profession again.

0:23:07.040 --> 0:23:07.480
<v Speaker 6>Every time.

0:23:07.880 --> 0:23:11.600
<v Speaker 3>No, But so I had to really make a decision.

0:23:12.640 --> 0:23:14.760
<v Speaker 3>I was looking at the long game. I knew that

0:23:15.119 --> 0:23:18.720
<v Speaker 3>in directing, you know, there's not a lot of and

0:23:18.800 --> 0:23:21.560
<v Speaker 3>I'm just I don't care. I'm fifty five now, I'll

0:23:21.560 --> 0:23:22.960
<v Speaker 3>be fifty six this year.

0:23:23.400 --> 0:23:24.960
<v Speaker 1>They are not awesome.

0:23:25.200 --> 0:23:29.159
<v Speaker 3>There are not a lot of women my age, especially

0:23:29.200 --> 0:23:34.440
<v Speaker 3>people of color, who are big, huge movie stars or

0:23:34.800 --> 0:23:37.720
<v Speaker 3>you know, the lead of a TV series. As you

0:23:37.760 --> 0:23:39.800
<v Speaker 3>get older, things are going to change, so you have

0:23:39.880 --> 0:23:43.480
<v Speaker 3>to make a decision where you're going. And so looking

0:23:43.520 --> 0:23:45.879
<v Speaker 3>at directing, I knew it was going to take me somewhere,

0:23:45.920 --> 0:23:49.640
<v Speaker 3>and I just had faith that. Besides that, I feel

0:23:49.640 --> 0:23:52.320
<v Speaker 3>like it's my calling. I knew that this was going

0:23:52.359 --> 0:23:56.840
<v Speaker 3>to be my longevity and this is where my wealth

0:23:56.960 --> 0:23:57.840
<v Speaker 3>was going to happen.

0:23:58.280 --> 0:24:00.520
<v Speaker 1>When did you realize that directing was you call.

0:24:00.480 --> 0:24:04.919
<v Speaker 3>It honestly the first time I did it, really, which.

0:24:04.680 --> 0:24:08.800
<v Speaker 1>Was the first Eureka, okay.

0:24:09.000 --> 0:24:12.919
<v Speaker 3>I did Ava DuVernay's first film, I will follow.

0:24:13.160 --> 0:24:13.440
<v Speaker 1>Okay.

0:24:13.520 --> 0:24:15.240
<v Speaker 3>She had done some docu she had I think she

0:24:15.280 --> 0:24:19.119
<v Speaker 3>had directed a documentary or two before that, but this

0:24:19.280 --> 0:24:22.520
<v Speaker 3>was her first narrative film. And during that process, I

0:24:22.520 --> 0:24:24.680
<v Speaker 3>always say, I must have been a little one of

0:24:24.720 --> 0:24:27.160
<v Speaker 3>those actresses that was given too much of their opinion,

0:24:27.400 --> 0:24:31.120
<v Speaker 3>because at some point she said to me during that process,

0:24:31.480 --> 0:24:33.560
<v Speaker 3>she said, I think you're a director and you don't

0:24:33.600 --> 0:24:33.920
<v Speaker 3>know it.

0:24:35.200 --> 0:24:36.720
<v Speaker 1>How did you feel when you were told that.

0:24:37.560 --> 0:24:40.359
<v Speaker 3>There's something about when it was you know how someone

0:24:40.600 --> 0:24:43.600
<v Speaker 3>just says something to you and you kind of see

0:24:43.640 --> 0:24:47.400
<v Speaker 3>your life flash and I go like, moment, I had

0:24:47.400 --> 0:24:54.160
<v Speaker 3>a Eureka moment. Thank you. It was like God put

0:24:54.240 --> 0:24:57.919
<v Speaker 3>something in her to give to me and it changed

0:24:57.960 --> 0:25:00.159
<v Speaker 3>my life. And I was on I was I want

0:25:00.200 --> 0:25:03.080
<v Speaker 3>a break from Eureka. At that time, it was like

0:25:03.160 --> 0:25:07.040
<v Speaker 3>you know our hiatus. And Ava said that to me

0:25:07.720 --> 0:25:11.720
<v Speaker 3>and I went, huh, she's doing it. She was a publicist,

0:25:12.080 --> 0:25:16.760
<v Speaker 3>she can do this. And I called this director. I

0:25:16.800 --> 0:25:21.560
<v Speaker 3>knew Eric Laanaville, who does Who's done Black Black? Director

0:25:21.720 --> 0:25:24.400
<v Speaker 3>used to be an actor on I Think Saint Elsewhere

0:25:25.320 --> 0:25:28.959
<v Speaker 3>with Denzel. He came up with him and he started

0:25:28.960 --> 0:25:31.360
<v Speaker 3>directing that show. Anyway, he had directed me on Eureka,

0:25:31.400 --> 0:25:33.879
<v Speaker 3>and I called him. I said, hey, I want to

0:25:33.920 --> 0:25:36.600
<v Speaker 3>ask them about directing. I think I want to do this.

0:25:36.680 --> 0:25:40.159
<v Speaker 3>Can I shadow you? He said absolutely, So went in

0:25:40.400 --> 0:25:43.920
<v Speaker 3>shadowed him on a few like two shows during my break,

0:25:44.760 --> 0:25:48.280
<v Speaker 3>and Ava gave me some tapes I got some books.

0:25:48.760 --> 0:25:53.480
<v Speaker 3>I have many years of you know, learning on the set,

0:25:53.880 --> 0:25:55.640
<v Speaker 3>which you find out how much you really know when

0:25:55.680 --> 0:25:59.200
<v Speaker 3>you do it. And I asked my producer producers, and

0:25:59.520 --> 0:26:03.840
<v Speaker 3>they tried me and gave me an episode. And when

0:26:03.880 --> 0:26:07.359
<v Speaker 3>I did, I still remember when they called me and

0:26:07.400 --> 0:26:10.520
<v Speaker 3>said yes where I was standing, and that moment of

0:26:10.560 --> 0:26:14.400
<v Speaker 3>being excited and then literally the next moment going holy shit,

0:26:15.640 --> 0:26:18.680
<v Speaker 3>now now it's real. Now I have to really do it.

0:26:19.160 --> 0:26:24.000
<v Speaker 3>And after doing that first episode, I went, oh, I

0:26:24.080 --> 0:26:25.840
<v Speaker 3>understand this. I get this.

0:26:26.560 --> 0:26:29.760
<v Speaker 5>This is great and directly for you was something you

0:26:29.880 --> 0:26:31.960
<v Speaker 5>learned strictly just from shadowing other director.

0:26:31.960 --> 0:26:32.720
<v Speaker 1>It's not something like.

0:26:32.640 --> 0:26:35.439
<v Speaker 3>You went to school for Well, I say, I went

0:26:35.480 --> 0:26:38.439
<v Speaker 3>to school because it was like twenty five years of acting,

0:26:38.640 --> 0:26:42.480
<v Speaker 3>so what I realized. So then I did. I did

0:26:42.480 --> 0:26:46.960
<v Speaker 3>the Sony Film program at the studio and then I

0:26:47.000 --> 0:26:50.720
<v Speaker 3>remember during that I'm in this program and I was

0:26:50.720 --> 0:26:54.480
<v Speaker 3>feeling a little intimidated because they had all these students

0:26:54.520 --> 0:26:58.000
<v Speaker 3>who had gone to AFI and Yu and blah blah blah.

0:26:58.000 --> 0:27:00.680
<v Speaker 3>They had done their little films and stuff, but they've

0:27:00.720 --> 0:27:04.159
<v Speaker 3>all been in school and I the more they talked,

0:27:04.560 --> 0:27:07.560
<v Speaker 3>the more panels, I mean, the more like little group

0:27:07.600 --> 0:27:10.760
<v Speaker 3>classes and speakers would come all of a sudden, I

0:27:10.840 --> 0:27:14.359
<v Speaker 3>became part of the speakers because I knew so much

0:27:14.440 --> 0:27:18.680
<v Speaker 3>from being on the set right, so I the mixture

0:27:18.920 --> 0:27:22.840
<v Speaker 3>of doing the work I needed to by really shadowing

0:27:22.920 --> 0:27:25.600
<v Speaker 3>and paying attention. And when I say shadow, because I

0:27:25.640 --> 0:27:29.680
<v Speaker 3>tell people who come to shadow means shadowing means you're

0:27:29.680 --> 0:27:35.600
<v Speaker 3>there through every bit of pre production, every meeting, every

0:27:36.440 --> 0:27:38.639
<v Speaker 3>when I go to set. If I get to work

0:27:38.760 --> 0:27:42.160
<v Speaker 3>an hour before, you should be there an hour, Yeah,

0:27:42.200 --> 0:27:46.160
<v Speaker 3>you're there every minute. When we edited, I was there

0:27:46.280 --> 0:27:49.840
<v Speaker 3>every minute. And so you really that's a different than

0:27:50.040 --> 0:27:53.080
<v Speaker 3>just sitting on a set. I learned a lot. You

0:27:53.760 --> 0:27:57.520
<v Speaker 3>shadow me. It's it's I learned a lot doing that.

0:27:57.640 --> 0:28:00.239
<v Speaker 3>And then but honestly, you don't you don't know if

0:28:00.240 --> 0:28:02.480
<v Speaker 3>you're can be good at it until you do it.

0:28:02.880 --> 0:28:05.800
<v Speaker 2>So now that you're knee deep in it, have you

0:28:06.080 --> 0:28:11.320
<v Speaker 2>accepted that this is your actual calling? Because for me, though,

0:28:12.720 --> 0:28:16.320
<v Speaker 2>they're still it's almost you know, like in Heat where

0:28:16.520 --> 0:28:18.760
<v Speaker 2>you got to walk away in thirty seconds or else,

0:28:19.119 --> 0:28:21.680
<v Speaker 2>And there is that moment sorry to spoiler for those

0:28:21.720 --> 0:28:26.680
<v Speaker 2>that have not seen the movie Heat. Yeah, no, there's

0:28:26.720 --> 0:28:29.640
<v Speaker 2>a moment at the very end where de Niro can

0:28:29.880 --> 0:28:33.720
<v Speaker 2>just he executed it, He got the guy, he can

0:28:33.720 --> 0:28:34.200
<v Speaker 2>walk off.

0:28:34.119 --> 0:28:36.560
<v Speaker 1>With the girl. This is a little itching he has

0:28:36.680 --> 0:28:37.840
<v Speaker 1>to go back and see.

0:28:38.480 --> 0:28:41.960
<v Speaker 2>And of course you know, I won't spoiler what happens,

0:28:42.520 --> 0:28:56.760
<v Speaker 2>but it does. So my whole point is there is

0:28:56.960 --> 0:29:01.440
<v Speaker 2>a part of me as a musician that still feels

0:29:01.480 --> 0:29:04.280
<v Speaker 2>like I didn't scratch that itch yet.

0:29:04.400 --> 0:29:05.800
<v Speaker 1>Yeah, you know, like.

0:29:05.760 --> 0:29:09.360
<v Speaker 2>I've done everything in the music world except arrived at

0:29:09.400 --> 0:29:13.760
<v Speaker 2>this platform on my own without aiding someone getting there

0:29:13.840 --> 0:29:19.040
<v Speaker 2>or that sort of thing. And even though I'm having

0:29:19.320 --> 0:29:21.280
<v Speaker 2>a hell of a life and a hell of a

0:29:21.360 --> 0:29:26.760
<v Speaker 2>journey everywhere else, this part of me that's still like, man,

0:29:26.840 --> 0:29:30.000
<v Speaker 2>none of this like there's an asterisk there, like, none

0:29:30.040 --> 0:29:32.840
<v Speaker 2>of this counts until I can do for music what

0:29:32.920 --> 0:29:35.760
<v Speaker 2>I'm able to do for these other ventures. So for

0:29:35.880 --> 0:29:40.280
<v Speaker 2>you in acting in terms of like that, have you

0:29:40.400 --> 0:29:43.960
<v Speaker 2>resolved that? And just like, hey, if the universe always

0:29:44.000 --> 0:29:46.160
<v Speaker 2>wanted me to tell stories behind the.

0:29:46.120 --> 0:29:51.360
<v Speaker 3>Camera, no have I. So when I started directing so much,

0:29:51.520 --> 0:29:54.560
<v Speaker 3>I in the beginning I thought that I would be

0:29:54.640 --> 0:29:58.640
<v Speaker 3>doing both. I would I'll direct this part of the

0:29:58.720 --> 0:30:00.320
<v Speaker 3>year and then I'll be on a series use and

0:30:00.360 --> 0:30:02.920
<v Speaker 3>do this part of the year, and then all of

0:30:02.960 --> 0:30:06.160
<v Speaker 3>a sudden, I was getting booked so much that it

0:30:06.240 --> 0:30:09.480
<v Speaker 3>made sense for me to just keep on directing. So

0:30:09.560 --> 0:30:12.920
<v Speaker 3>I always thought I would be acting. I didn't know

0:30:13.000 --> 0:30:16.040
<v Speaker 3>I was quitting at the time. And then you look

0:30:16.120 --> 0:30:19.240
<v Speaker 3>back and it's three years later, and you know, because

0:30:19.280 --> 0:30:22.000
<v Speaker 3>I was still dabbling and doing small little things, or

0:30:22.120 --> 0:30:24.000
<v Speaker 3>more than three I mean, it's been many years now

0:30:24.080 --> 0:30:25.320
<v Speaker 3>that I haven't really acted.

0:30:25.440 --> 0:30:25.600
<v Speaker 1>You know.

0:30:25.600 --> 0:30:27.040
<v Speaker 3>Every once in a while, I've done a show where

0:30:27.080 --> 0:30:30.360
<v Speaker 3>it was directed and they're like, oh, why don't you

0:30:30.400 --> 0:30:32.120
<v Speaker 3>just do this role. I'm like, oh, yeah, I'll do it.

0:30:32.160 --> 0:30:36.640
<v Speaker 3>That'll be fun. So I would never say never. I

0:30:36.680 --> 0:30:41.600
<v Speaker 3>would love to do something that would be truly challenging

0:30:41.800 --> 0:30:46.640
<v Speaker 3>for me. I think at the end of my acting career,

0:30:46.840 --> 0:30:48.920
<v Speaker 3>I was doing a lot of the same kind of role.

0:30:49.000 --> 0:30:52.960
<v Speaker 3>I was like the powerful black woman in the office, attorney,

0:30:53.080 --> 0:30:58.240
<v Speaker 3>head of the company, deag you know, I was just

0:30:58.480 --> 0:31:01.200
<v Speaker 3>the same Yeah, you know, I'm telling everybody what to

0:31:01.240 --> 0:31:02.760
<v Speaker 3>do and then I go back in my office. That

0:31:02.960 --> 0:31:05.680
<v Speaker 3>was becoming a kind of boring and not very challenging.

0:31:06.960 --> 0:31:09.000
<v Speaker 3>And I do think that I never was given the

0:31:09.080 --> 0:31:14.280
<v Speaker 3>opportunity to really show how good I can be and

0:31:14.320 --> 0:31:19.200
<v Speaker 3>to really really do amazing work. And I don't think

0:31:19.240 --> 0:31:22.760
<v Speaker 3>I ever had. Part of the way the reason I

0:31:22.880 --> 0:31:26.880
<v Speaker 3>direct the way I do is that I really push

0:31:26.960 --> 0:31:30.360
<v Speaker 3>people because I felt like I've never had that one

0:31:30.440 --> 0:31:36.560
<v Speaker 3>director who would not accept anything but everything they knew

0:31:36.600 --> 0:31:39.680
<v Speaker 3>they had in me. And so when I work with actors,

0:31:39.880 --> 0:31:44.440
<v Speaker 3>if I know you have more, if I know if

0:31:44.840 --> 0:31:47.480
<v Speaker 3>I'm watching your performance and I know what kind of

0:31:47.520 --> 0:31:51.040
<v Speaker 3>actor you are, too, say you've done three takes and

0:31:51.080 --> 0:31:54.280
<v Speaker 3>it's the same. It's a good performance, but I noticed

0:31:54.320 --> 0:31:57.160
<v Speaker 3>it's the same. Then I know you werehear set at

0:31:57.160 --> 0:32:00.719
<v Speaker 3>home and now and I like it. I'm watching it.

0:32:00.800 --> 0:32:04.440
<v Speaker 3>Other people are impressed. But there's something in my gut

0:32:04.880 --> 0:32:08.040
<v Speaker 3>or in my heart, in my body that I know

0:32:08.320 --> 0:32:12.240
<v Speaker 3>when it's real, and I hope to push you to

0:32:12.320 --> 0:32:16.120
<v Speaker 3>give me that moment where I really feel it and

0:32:16.160 --> 0:32:18.360
<v Speaker 3>then I go, now we have it. And I've never

0:32:18.440 --> 0:32:19.800
<v Speaker 3>had that person do that for me.

0:32:25.200 --> 0:32:27.840
<v Speaker 2>Yeah, I guess in the past ten to fifteen years,

0:32:28.000 --> 0:32:31.640
<v Speaker 2>they come in I won't say shots fired, but there

0:32:31.720 --> 0:32:37.960
<v Speaker 2>have been words from the US brothers in terms of

0:32:38.000 --> 0:32:41.400
<v Speaker 2>their experience with Denzel on.

0:32:43.120 --> 0:32:48.560
<v Speaker 1>It's a book of right, of which I guess you know.

0:32:48.640 --> 0:32:52.800
<v Speaker 2>One of them was joking about like, and I've heard

0:32:52.800 --> 0:32:55.840
<v Speaker 2>this before from other actors, where like Denzel would be like,

0:32:56.280 --> 0:32:58.000
<v Speaker 2>I'm only going to give you two performances, so you

0:32:58.080 --> 0:33:01.160
<v Speaker 2>better capture it now, like I don't have it, And

0:33:01.600 --> 0:33:04.600
<v Speaker 2>established actors I know, like I didn't know that that

0:33:04.680 --> 0:33:07.959
<v Speaker 2>was an option, Like, you've better capture me now. And

0:33:08.400 --> 0:33:10.320
<v Speaker 2>I've heard de Niro stories and all that stuff from

0:33:10.440 --> 0:33:15.800
<v Speaker 2>established actors. How do you know how far to push

0:33:15.800 --> 0:33:19.720
<v Speaker 2>your actors, especially if you're in a situation where like

0:33:21.080 --> 0:33:23.480
<v Speaker 2>time is of the essence. You know, there's always some

0:33:23.560 --> 0:33:28.240
<v Speaker 2>serious micromanaging producer in the background, like Okay, we're losing light,

0:33:28.520 --> 0:33:31.600
<v Speaker 2>or you know, we don't have enough for overtime or whatever.

0:33:32.160 --> 0:33:36.600
<v Speaker 2>How do you know when to press a button, when

0:33:36.640 --> 0:33:38.880
<v Speaker 2>to make someone do a fourth take?

0:33:39.480 --> 0:33:41.680
<v Speaker 1>Yeah, like, how do you know that?

0:33:41.960 --> 0:33:47.000
<v Speaker 3>I think it's everyone's different and you have to take

0:33:47.040 --> 0:33:50.440
<v Speaker 3>cues from the people you're working with. Sometimes I will,

0:33:51.120 --> 0:33:54.920
<v Speaker 3>especially with the bigger actors, I will I have conversations

0:33:54.960 --> 0:33:59.920
<v Speaker 3>with everyone before I shoot, you know, because how far?

0:34:00.320 --> 0:34:02.040
<v Speaker 3>How far can I push you? How far are you

0:34:02.080 --> 0:34:02.719
<v Speaker 3>comfortable with?

0:34:04.560 --> 0:34:05.240
<v Speaker 1>I apologize?

0:34:05.280 --> 0:34:07.160
<v Speaker 2>Guys, this is really going to just be the Sally

0:34:07.280 --> 0:34:10.359
<v Speaker 2>Mirror because morse he's talking.

0:34:10.400 --> 0:34:12.160
<v Speaker 1>The more I'm like, oh god, I didn't think about

0:34:12.160 --> 0:34:12.480
<v Speaker 1>them of this.

0:34:12.520 --> 0:34:15.800
<v Speaker 2>I gotta confront people and talk, and I talk to

0:34:15.800 --> 0:34:18.040
<v Speaker 2>them a lot of my actor friends, and they'll tell me,

0:34:18.160 --> 0:34:21.640
<v Speaker 2>like if a list person's being an asshole on the

0:34:21.719 --> 0:34:23.000
<v Speaker 2>set and that sort of thing.

0:34:23.160 --> 0:34:26.480
<v Speaker 3>There's some people I know that, there are some actors

0:34:26.640 --> 0:34:29.840
<v Speaker 3>I can I can on the side of the camera

0:34:31.160 --> 0:34:33.200
<v Speaker 3>say things that I know that will give you an

0:34:33.200 --> 0:34:37.000
<v Speaker 3>emotional response. I can come whisper in your ear and

0:34:37.080 --> 0:34:40.359
<v Speaker 3>tell you you're a piece of ship and that's why

0:34:40.400 --> 0:34:43.000
<v Speaker 3>you ain't never this. I'll talk crazy in your but

0:34:43.120 --> 0:34:45.080
<v Speaker 3>I know that we have, we've had a conversation.

0:34:45.239 --> 0:34:47.880
<v Speaker 1>Just get excited.

0:34:47.239 --> 0:34:48.920
<v Speaker 3>I see you doing that.

0:34:49.760 --> 0:34:54.520
<v Speaker 1>Actors on the Gilday I just went off the.

0:34:56.480 --> 0:34:57.279
<v Speaker 6>I am a piece of ship.

0:34:58.239 --> 0:34:59.560
<v Speaker 1>I'm like, what do you like?

0:34:59.600 --> 0:35:03.920
<v Speaker 3>What are your bring Christine Baranski's ear. I am not

0:35:04.040 --> 0:35:07.279
<v Speaker 3>saying that, But there are certain people I can go.

0:35:07.400 --> 0:35:10.280
<v Speaker 3>I can look at you and go, I don't believe

0:35:10.320 --> 0:35:10.959
<v Speaker 3>you right now.

0:35:12.360 --> 0:35:17.120
<v Speaker 2>So but should you have to go through Jediah, you

0:35:17.360 --> 0:35:18.840
<v Speaker 2>just have to go through Jedi.

0:35:19.200 --> 0:35:22.600
<v Speaker 3>I have to figure out. I have to figure out

0:35:22.800 --> 0:35:24.960
<v Speaker 3>how to get the best out of you without you

0:35:25.040 --> 0:35:29.480
<v Speaker 3>shutting down. Now, there are some there's some big actors

0:35:29.960 --> 0:35:32.960
<v Speaker 3>who are a little more persnickety, but I also don't

0:35:33.000 --> 0:35:34.840
<v Speaker 3>have to put they they're good people. They know what

0:35:34.880 --> 0:35:37.920
<v Speaker 3>they're doing. So I have to figure out what little

0:35:37.960 --> 0:35:40.959
<v Speaker 3>things I can say to you to get what I want.

0:35:41.080 --> 0:35:45.920
<v Speaker 3>And sometimes it can be uncomfortable for me, but that's

0:35:46.239 --> 0:35:49.960
<v Speaker 3>by earning their respect and not being afraid to give

0:35:50.000 --> 0:35:52.000
<v Speaker 3>them the note even though you know they're gonna give

0:35:52.000 --> 0:35:53.560
<v Speaker 3>you an attitude about it.

0:35:54.400 --> 0:35:57.480
<v Speaker 2>So as a woman, as we you know, and I've

0:35:57.760 --> 0:36:04.240
<v Speaker 2>heard this many times in any professional setting, like women

0:36:04.320 --> 0:36:07.640
<v Speaker 2>often have to fight for to stand their ground as

0:36:07.719 --> 0:36:10.239
<v Speaker 2>leader and to get oursts and it's sort of us

0:36:10.320 --> 0:36:11.960
<v Speaker 2>not look kind of sitting and all those things.

0:36:12.520 --> 0:36:17.120
<v Speaker 1>So how deep is the.

0:36:17.840 --> 0:36:21.359
<v Speaker 2>Mental preparation that you have to do when you know

0:36:21.520 --> 0:36:26.680
<v Speaker 2>that you're dealing with an actor or actress whatever that

0:36:27.640 --> 0:36:31.920
<v Speaker 2>sort of might have closed that won't submit to you.

0:36:32.760 --> 0:36:39.600
<v Speaker 3>I don't there is something about my personality that does

0:36:39.719 --> 0:36:43.680
<v Speaker 3>not give you the feeling that you should not listen

0:36:43.719 --> 0:36:47.680
<v Speaker 3>to what I'm asking you to do. And first of all,

0:36:47.719 --> 0:36:51.200
<v Speaker 3>I'm very prepped and prepared, which is part of them

0:36:51.239 --> 0:36:56.799
<v Speaker 3>starting to respect you, and again, there's not much you

0:36:56.880 --> 0:37:02.919
<v Speaker 3>can do to me that will, at least outwardly, will

0:37:02.960 --> 0:37:03.680
<v Speaker 3>break me down.

0:37:04.719 --> 0:37:06.360
<v Speaker 1>So people attempted.

0:37:07.400 --> 0:37:12.240
<v Speaker 3>I've had. I've had some early on, some volatile people.

0:37:13.520 --> 0:37:18.000
<v Speaker 3>But that's where Chicago comes and in my mind because

0:37:18.040 --> 0:37:21.160
<v Speaker 3>people I've had producers say to me, Okay, other women

0:37:21.200 --> 0:37:23.359
<v Speaker 3>have cried here and this and that, and I'm like,

0:37:23.719 --> 0:37:27.360
<v Speaker 3>ain't nobody gonna see me cry? Like that's just not

0:37:28.120 --> 0:37:31.000
<v Speaker 3>like it's not happening. I don't cry in life. Really,

0:37:31.080 --> 0:37:41.000
<v Speaker 3>it's not a good thing. My husband says, I didn't. No,

0:37:41.080 --> 0:37:48.359
<v Speaker 3>I'm a sad, but you know, I just I come

0:37:48.440 --> 0:37:51.480
<v Speaker 3>from that that, you know, I come from that black

0:37:51.920 --> 0:37:55.160
<v Speaker 3>mother where there is there is like just suck it

0:37:55.280 --> 0:37:59.000
<v Speaker 3>up and move on. So there's times I feel it

0:37:59.360 --> 0:38:05.920
<v Speaker 3>and of course cried in my life. I believe I

0:38:05.960 --> 0:38:08.680
<v Speaker 3>need to learn how to cry. My husband was I

0:38:08.719 --> 0:38:11.000
<v Speaker 3>remember when he goes, if you walk down this aisle

0:38:11.120 --> 0:38:13.600
<v Speaker 3>and I don't see you cry, and the whole time

0:38:13.640 --> 0:38:15.920
<v Speaker 3>going down the aisle, I was like, fuck, figure how

0:38:15.920 --> 0:38:20.919
<v Speaker 3>to cry? Real upset. I didn't cry when I had

0:38:21.320 --> 0:38:25.359
<v Speaker 3>I gave birth to two children with no drugs and yeah,

0:38:25.400 --> 0:38:29.000
<v Speaker 3>but no tears, with no drugs, natural child. I just

0:38:29.080 --> 0:38:32.080
<v Speaker 3>not a crier anyway. So let me tell you you're

0:38:33.040 --> 0:38:37.120
<v Speaker 3>you're not that. I've had, you know, different things in

0:38:37.160 --> 0:38:38.960
<v Speaker 3>my life. I'm not ready to do. I'm not doing

0:38:39.000 --> 0:38:41.719
<v Speaker 3>hotel all I need to be on one. But I've

0:38:41.719 --> 0:38:48.560
<v Speaker 3>had enough trauma that you being a disgruntled actor or

0:38:48.640 --> 0:38:54.640
<v Speaker 3>even cursing in my face and like seeming physically intimidating

0:38:54.680 --> 0:38:57.799
<v Speaker 3>in front of me. In my mind, I'm like, I

0:38:57.840 --> 0:38:58.480
<v Speaker 3>wish you.

0:39:01.000 --> 0:39:01.080
<v Speaker 8>Now.

0:39:01.120 --> 0:39:03.040
<v Speaker 3>I wouldn't say that, but that's the look. I'm like,

0:39:03.080 --> 0:39:08.160
<v Speaker 3>what you got? So so that mixed with what people

0:39:08.280 --> 0:39:11.840
<v Speaker 3>think I look like and how But I also have

0:39:12.080 --> 0:39:16.000
<v Speaker 3>this mom voice that will come what I was. What

0:39:16.040 --> 0:39:19.080
<v Speaker 3>I'm telling you that I need you to do is

0:39:19.160 --> 0:39:23.719
<v Speaker 3>go from there to there. And but then I'm nice

0:39:23.719 --> 0:39:26.200
<v Speaker 3>to you too, like you have to pull everything out.

0:39:26.239 --> 0:39:28.880
<v Speaker 3>I gotta be your mother. I gotta be your girlfriend.

0:39:28.960 --> 0:39:32.760
<v Speaker 3>Sometimes I gotta be your sister. I gotta be your boss,

0:39:32.880 --> 0:39:36.359
<v Speaker 3>I gotta there's a whole uh my job, and what

0:39:36.440 --> 0:39:41.360
<v Speaker 3>I'm very good at is figuring out what you need.

0:39:42.280 --> 0:39:46.279
<v Speaker 3>What does this actor need for me to get the

0:39:46.280 --> 0:39:49.360
<v Speaker 3>best performance. And at the end of the day, they

0:39:49.360 --> 0:39:52.640
<v Speaker 3>most of them, I would I think have left feeling

0:39:53.920 --> 0:39:56.080
<v Speaker 3>like I know what I'm doing and they trusted me

0:39:56.800 --> 0:40:00.200
<v Speaker 3>and and you know, and then some of them want

0:40:00.200 --> 0:40:02.120
<v Speaker 3>to be friends with them. Some I hope I never

0:40:02.160 --> 0:40:04.399
<v Speaker 3>see you again, but but they would never know it.

0:40:05.560 --> 0:40:07.680
<v Speaker 1>But don't you feel that way about the band? Like

0:40:08.280 --> 0:40:11.560
<v Speaker 1>you're a suit me saying this?

0:40:12.040 --> 0:40:17.680
<v Speaker 2>She's saying this now, and I've learned so I learned

0:40:17.760 --> 0:40:24.280
<v Speaker 2>already that when a person worries, you're basically politely praying

0:40:24.800 --> 0:40:27.759
<v Speaker 2>that something bad does happen to you. I hope I

0:40:27.760 --> 0:40:30.160
<v Speaker 2>don't get attacked in this subway. I hope I don't

0:40:30.160 --> 0:40:32.799
<v Speaker 2>get ran over by a car. I hope my wife

0:40:32.840 --> 0:40:41.480
<v Speaker 2>don't catch me, you know, like weird weird one. But

0:40:43.040 --> 0:40:46.680
<v Speaker 2>for the last two years sort of riding the fence

0:40:46.719 --> 0:40:53.120
<v Speaker 2>of why me and why now and what's the catch here?

0:40:53.320 --> 0:40:59.400
<v Speaker 2>And then she's saying this, and I'm realizing, Ah, fucking universe,

0:40:59.480 --> 0:41:03.200
<v Speaker 2>I get this now. The universe knows I hate confrontation.

0:41:03.640 --> 0:41:05.080
<v Speaker 3>I don't like confrontation either.

0:41:05.320 --> 0:41:09.920
<v Speaker 1>I despise. I know I have Richard Nichols for that.

0:41:11.160 --> 0:41:11.960
<v Speaker 1>Don't let that verse go?

0:41:12.160 --> 0:41:18.440
<v Speaker 2>Yeah, you know, but you know now I'm realizing, ah, damn,

0:41:18.560 --> 0:41:18.920
<v Speaker 2>this is.

0:41:19.280 --> 0:41:20.359
<v Speaker 1>God because this thing.

0:41:20.440 --> 0:41:22.680
<v Speaker 2>It's one thing when you're doing documentaries, like for me,

0:41:25.120 --> 0:41:28.680
<v Speaker 2>I will say that what I'm working on now is

0:41:30.040 --> 0:41:32.160
<v Speaker 2>it's not summer of soul, you know what I mean

0:41:32.320 --> 0:41:34.839
<v Speaker 2>in terms of like people talking about a joyous time whatever,

0:41:34.920 --> 0:41:36.240
<v Speaker 2>like because I'm talking about.

0:41:36.000 --> 0:41:36.600
<v Speaker 1>Trauma and shit.

0:41:37.200 --> 0:41:42.560
<v Speaker 2>So getting answers out of my subjects is like, like,

0:41:42.600 --> 0:41:45.319
<v Speaker 2>I feel like I should be a qualified paralegal, like

0:41:45.840 --> 0:41:49.320
<v Speaker 2>the lawyer levels that I'm going to get the answer

0:41:49.360 --> 0:41:51.200
<v Speaker 2>that I need you to give and coax it out

0:41:51.200 --> 0:41:55.319
<v Speaker 2>of you. And it's just like, ah, damn, what if

0:41:55.320 --> 0:41:58.719
<v Speaker 2>this is the universe forcing me in this, like to

0:41:58.800 --> 0:42:01.160
<v Speaker 2>be a people person something.

0:42:00.880 --> 0:42:03.719
<v Speaker 1>That you're from. I hate people, you know.

0:42:06.600 --> 0:42:09.440
<v Speaker 2>But now that you're saying this, and I'm realizing, damn,

0:42:09.680 --> 0:42:13.120
<v Speaker 2>this is what the next six years of my life

0:42:13.200 --> 0:42:13.719
<v Speaker 2>is about to be.

0:42:14.000 --> 0:42:16.959
<v Speaker 1>Like I'm gonna have to talk to people.

0:42:17.239 --> 0:42:22.480
<v Speaker 3>And you'll learn so much about I don't know, I say,

0:42:22.560 --> 0:42:30.920
<v Speaker 3>grace right now, I'm here, But you learned so much

0:42:30.960 --> 0:42:36.440
<v Speaker 3>about communication with people. I mean, Okay, he don't do

0:42:36.719 --> 0:42:40.759
<v Speaker 3>he needs help with it because I have to deal

0:42:40.840 --> 0:42:44.239
<v Speaker 3>with so many different people and as. But really, in

0:42:44.280 --> 0:42:47.600
<v Speaker 3>the position listen, I can't argue I'm not going to

0:42:47.760 --> 0:42:51.600
<v Speaker 3>argue with any actors. I'm not going to argue with

0:42:51.680 --> 0:42:54.839
<v Speaker 3>your stars, not really argue because you could walk off

0:42:54.880 --> 0:42:58.520
<v Speaker 3>the set. Now I can't shoot, so because my job

0:42:58.600 --> 0:43:03.000
<v Speaker 3>is also so let's get this day going. So sometimes

0:43:03.320 --> 0:43:06.960
<v Speaker 3>I'm like, in my mind, you may be talking crazy

0:43:07.000 --> 0:43:09.600
<v Speaker 3>to me. Do I engage?

0:43:09.960 --> 0:43:10.160
<v Speaker 1>No?

0:43:10.480 --> 0:43:12.520
<v Speaker 3>I can't engage because that's an argument.

0:43:12.680 --> 0:43:13.040
<v Speaker 1>Is that what?

0:43:14.080 --> 0:43:17.040
<v Speaker 2>Because whenever I'm on to set, I'm talking about like

0:43:17.120 --> 0:43:21.040
<v Speaker 2>when I was doing videos, whatever, the annoying person, the

0:43:21.560 --> 0:43:24.240
<v Speaker 2>guy that yells and all that stuff. Like I always

0:43:24.320 --> 0:43:26.880
<v Speaker 2>know is that the directors just sits in front of

0:43:26.200 --> 0:43:29.560
<v Speaker 2>the watch the daily's screen and all that stuff and

0:43:29.680 --> 0:43:30.759
<v Speaker 2>really doesn't say much.

0:43:30.920 --> 0:43:34.960
<v Speaker 3>It comes the AD doesn't talk to the actors for me.

0:43:35.600 --> 0:43:39.520
<v Speaker 1>No, you don't allow that for you or in.

0:43:39.400 --> 0:43:42.319
<v Speaker 3>General on it on the kind of shows that I'm doing,

0:43:42.400 --> 0:43:45.680
<v Speaker 3>absolutely not Okay. He can call and tell you it's time,

0:43:45.960 --> 0:43:49.400
<v Speaker 3>you know, it's time to shoot or something, but any

0:43:49.520 --> 0:43:51.840
<v Speaker 3>if to No, it's all me.

0:43:52.120 --> 0:43:54.560
<v Speaker 2>I always thought the job of the AD would sort

0:43:54.600 --> 0:43:57.440
<v Speaker 2>of be the bad cop, so that you don't have

0:43:57.520 --> 0:43:58.320
<v Speaker 2>to that would.

0:43:58.160 --> 0:44:02.839
<v Speaker 3>Be my bad cop. As far as production, let let

0:44:02.880 --> 0:44:06.120
<v Speaker 3>them know this information. This is why we're not shooting

0:44:06.200 --> 0:44:08.240
<v Speaker 3>right now. This is why it's going to take longer.

0:44:08.400 --> 0:44:11.000
<v Speaker 3>I'm sorry we brought you in earlier, but this is

0:44:11.080 --> 0:44:15.160
<v Speaker 3>this happened that kind of thing. But any problems on

0:44:15.200 --> 0:44:18.480
<v Speaker 3>a set when we're talking about the work, what I

0:44:18.520 --> 0:44:20.759
<v Speaker 3>need you to do, what this character is going to do,

0:44:20.840 --> 0:44:23.560
<v Speaker 3>why it's not working, blah blah blah, that's all me.

0:44:24.520 --> 0:44:26.560
<v Speaker 3>So yeah, So.

0:44:26.560 --> 0:44:29.640
<v Speaker 2>When you're doing a series, yeah, and you aren't the

0:44:29.680 --> 0:44:33.399
<v Speaker 2>showrunner of said series, how do you navigate your job

0:44:33.440 --> 0:44:36.880
<v Speaker 2>as a director? Because okay, for instance, there was there

0:44:36.920 --> 0:44:39.960
<v Speaker 2>was an episode of Boardwalking Pyre that I watched that

0:44:41.000 --> 0:44:44.440
<v Speaker 2>Marty Scorsese directed, okay, and I would have had no

0:44:44.640 --> 0:44:47.200
<v Speaker 2>clue that he did it because I didn't see none

0:44:47.239 --> 0:44:49.839
<v Speaker 2>of the film A school marker, like none of his trademark,

0:44:50.040 --> 0:44:54.439
<v Speaker 2>yeah scorsesesms or whatever. And I realized that, oh well,

0:44:54.480 --> 0:44:56.239
<v Speaker 2>he sort of has to fit into the shell of

0:44:56.280 --> 0:44:58.600
<v Speaker 2>what the show is. How do you know when you

0:44:58.600 --> 0:45:03.040
<v Speaker 2>get called for a show, how much leverager leeway are

0:45:03.080 --> 0:45:06.680
<v Speaker 2>you allowed to or are you even one of those

0:45:06.760 --> 0:45:10.520
<v Speaker 2>directors that's thinking of like what your trademark is like

0:45:11.160 --> 0:45:11.600
<v Speaker 2>you know.

0:45:13.040 --> 0:45:17.360
<v Speaker 3>Yeah, so you find a way. And again that's why

0:45:17.760 --> 0:45:21.760
<v Speaker 3>I kind of had a goal of the platform, Like really,

0:45:21.800 --> 0:45:23.960
<v Speaker 3>my end goal was to get to a platform like

0:45:24.200 --> 0:45:27.279
<v Speaker 3>HBO where you have more freedom to be who you

0:45:27.320 --> 0:45:31.640
<v Speaker 3>are as a director. So when you're going on some

0:45:31.680 --> 0:45:35.000
<v Speaker 3>of these earlier shows, absolutely there is a style you

0:45:35.080 --> 0:45:41.040
<v Speaker 3>have to fit into it, but you find a way

0:45:41.120 --> 0:45:46.279
<v Speaker 3>to infuse some of you into their show. Otherwise they

0:45:46.280 --> 0:45:48.680
<v Speaker 3>could hire anyone. So why do they Why do they

0:45:48.760 --> 0:45:53.160
<v Speaker 3>bring you back? So maybe I have a few shots

0:45:53.520 --> 0:45:58.080
<v Speaker 3>that maybe pushing the envelope a little bit, but it's

0:45:58.239 --> 0:46:00.360
<v Speaker 3>definitely what I like to do. I always say I

0:46:00.400 --> 0:46:02.400
<v Speaker 3>like the camera moving a lot, and I love doing

0:46:02.560 --> 0:46:07.919
<v Speaker 3>long runners. So most of the time you'll find that

0:46:08.160 --> 0:46:11.960
<v Speaker 3>in my episode somewhere in there might be a long runner.

0:46:12.080 --> 0:46:13.440
<v Speaker 5>Yeah, I was going to ask what was some of

0:46:13.480 --> 0:46:17.200
<v Speaker 5>your I guess your techniques and winning time that you use.

0:46:17.680 --> 0:46:20.359
<v Speaker 1>That's a good example. That's the show which it has

0:46:20.400 --> 0:46:22.840
<v Speaker 1>to look like vintage, you know.

0:46:23.000 --> 0:46:26.440
<v Speaker 3>Yeah, he came in second season too, Well, I start,

0:46:26.560 --> 0:46:28.839
<v Speaker 3>I did the first season. I did the last two

0:46:28.960 --> 0:46:31.040
<v Speaker 3>episodes of the first season.

0:46:31.760 --> 0:46:36.280
<v Speaker 2>So how much micromanaging does the screenwriter do in terms

0:46:36.280 --> 0:46:39.680
<v Speaker 2>of like, so, what have you decided I don't want

0:46:39.719 --> 0:46:41.440
<v Speaker 2>to use this grain of like are you allowed to

0:46:41.440 --> 0:46:42.520
<v Speaker 2>make a radicus.

0:46:42.200 --> 0:46:46.040
<v Speaker 3>No no, no, no, no, that is established what the look

0:46:46.120 --> 0:46:50.279
<v Speaker 3>is going to be. But I find that particular show

0:46:50.320 --> 0:46:53.640
<v Speaker 3>we're using so many different formats that I really have

0:46:53.680 --> 0:46:57.399
<v Speaker 3>a lot of freedom. So I definitely there's a lot

0:46:57.440 --> 0:47:00.319
<v Speaker 3>of that style in me. I mean, they're is a

0:47:00.360 --> 0:47:03.640
<v Speaker 3>lot of I say, in the action, you'll see a

0:47:03.640 --> 0:47:07.600
<v Speaker 3>lot of pushing and pulling shots that are mine. Again,

0:47:08.120 --> 0:47:10.399
<v Speaker 3>there will be a lot of shots where it's a

0:47:10.480 --> 0:47:17.200
<v Speaker 3>long wonner, where there's a lot of handoffs. That means

0:47:17.719 --> 0:47:22.239
<v Speaker 3>think of a classic uh, good fella shot I love

0:47:24.800 --> 0:47:29.279
<v Speaker 3>at the table, good fellow, the whole restaurant when you

0:47:29.360 --> 0:47:41.400
<v Speaker 3>first I well, I love blocking, and so blocking a

0:47:41.480 --> 0:47:46.320
<v Speaker 3>shot like that with that that takes a lot of prep,

0:47:47.000 --> 0:47:52.400
<v Speaker 3>and that would just everything about that shot is perfect.

0:47:52.440 --> 0:47:54.640
<v Speaker 3>I love that shot. There's a shot in this movie

0:47:54.680 --> 0:47:58.800
<v Speaker 3>called Rush that does about Yes, there's a big long

0:47:58.960 --> 0:48:03.080
<v Speaker 3>shot like that too, love it, love it. So you'd

0:48:03.160 --> 0:48:04.839
<v Speaker 3>see a lot of that in my work. You'll see

0:48:04.840 --> 0:48:08.040
<v Speaker 3>a lot of energy, pushing and pulling. You'll see lower angles,

0:48:08.719 --> 0:48:11.840
<v Speaker 3>You'll see that stuff that comes in really intimately. So

0:48:11.960 --> 0:48:15.040
<v Speaker 3>I could winning time was perfect for that. I could

0:48:15.239 --> 0:48:19.839
<v Speaker 3>pretty much do whatever I wanted to there within even

0:48:19.840 --> 0:48:23.560
<v Speaker 3>though the format of how we shot it was set

0:48:23.600 --> 0:48:27.960
<v Speaker 3>in stone, I could still do most of me in

0:48:28.000 --> 0:48:29.880
<v Speaker 3>there too, which is I think part of the reason

0:48:29.920 --> 0:48:32.279
<v Speaker 3>they brought me back to produce the next season and

0:48:32.320 --> 0:48:35.279
<v Speaker 3>to direct half of it, because they liked what I

0:48:35.320 --> 0:48:37.160
<v Speaker 3>did in the last two episodes. And I feel like

0:48:37.200 --> 0:48:41.480
<v Speaker 3>the show, you know, kind of found its real sweet spot.

0:48:41.800 --> 0:48:43.319
<v Speaker 3>You know, it takes a show a second. You know,

0:48:43.360 --> 0:48:45.919
<v Speaker 3>Adam set up an amazing pilot, but then it takes

0:48:45.960 --> 0:48:49.160
<v Speaker 3>a second for things to really you know, get mixed

0:48:49.200 --> 0:48:53.440
<v Speaker 3>and work, you know, bake, and by the second season,

0:48:53.640 --> 0:48:55.399
<v Speaker 3>you know, we could really get in there and fine

0:48:55.440 --> 0:48:56.160
<v Speaker 3>tune some things.

0:48:56.200 --> 0:48:58.160
<v Speaker 1>Do you question I had to that point.

0:48:58.520 --> 0:49:00.719
<v Speaker 5>So a lot of times with TV, we're talking to

0:49:00.800 --> 0:49:02.560
<v Speaker 5>directors and talking to just a lot of actors. A

0:49:02.600 --> 0:49:06.120
<v Speaker 5>lot of times they'll tell you most television shows don't

0:49:06.160 --> 0:49:09.279
<v Speaker 5>really hit their stride until probably like season three or

0:49:09.320 --> 0:49:12.920
<v Speaker 5>you know, but now shows don't even get that much

0:49:12.920 --> 0:49:16.040
<v Speaker 5>of a chance. How do you, as a director, how

0:49:16.080 --> 0:49:18.520
<v Speaker 5>do you adapt to that this kind of landscape.

0:49:18.080 --> 0:49:20.440
<v Speaker 3>Whit I mean, there's nothing you can do it just

0:49:20.600 --> 0:49:24.439
<v Speaker 3>hope that I don't know, it's so hard. I think

0:49:24.480 --> 0:49:29.520
<v Speaker 3>with you know, Winning Time. It's also a very, very

0:49:29.600 --> 0:49:34.120
<v Speaker 3>expensive show to make, so it's hard to just let

0:49:34.200 --> 0:49:37.280
<v Speaker 3>it hit its stride. Although I felt like this second

0:49:37.320 --> 0:49:42.040
<v Speaker 3>season so you were really falling into a nice spot.

0:49:43.480 --> 0:49:46.960
<v Speaker 3>But you know, the things have changed down here, and

0:49:47.560 --> 0:49:49.480
<v Speaker 3>you know, in the business, who knows. I don't know

0:49:49.600 --> 0:49:51.680
<v Speaker 3>the decision making. I know I did what I was

0:49:51.680 --> 0:49:57.120
<v Speaker 3>supposed to do and people are loving it, and you know,

0:49:57.239 --> 0:49:59.640
<v Speaker 3>I just kind of blow where the wind takes me.

0:50:04.719 --> 0:50:10.560
<v Speaker 2>How do they determine what is a successful series and

0:50:10.640 --> 0:50:15.840
<v Speaker 2>worth investigating as opposed to not nowadays? Because I mean,

0:50:15.880 --> 0:50:18.200
<v Speaker 2>if we're Winning Time, they're not going on or they're

0:50:18.239 --> 0:50:19.320
<v Speaker 2>not sharing.

0:50:20.840 --> 0:50:22.000
<v Speaker 1>Nielsen rating still.

0:50:22.960 --> 0:50:27.799
<v Speaker 3>For network TV, it's different on on those platform I.

0:50:27.800 --> 0:50:30.560
<v Speaker 2>Know, for streaming or whatever, they don't share the numbers.

0:50:30.680 --> 0:50:35.200
<v Speaker 2>You don't know, So I mean to to sort of

0:50:35.280 --> 0:50:39.600
<v Speaker 2>prematurely yank it before it gets its chance to really

0:50:39.640 --> 0:50:41.080
<v Speaker 2>unfurl and reveal itself.

0:50:41.400 --> 0:50:46.560
<v Speaker 3>Like I think, there's so many factors. There's so like

0:50:47.600 --> 0:50:50.080
<v Speaker 3>is it getting is it getting awards? Is it getting

0:50:50.120 --> 0:50:53.480
<v Speaker 3>nominated that maybe even if it wasn't.

0:50:53.239 --> 0:50:57.560
<v Speaker 2>Getting Lovecraft like that got so many that left for

0:50:57.640 --> 0:50:59.560
<v Speaker 2>another reason, right, Like that didn't even have anything to

0:50:59.560 --> 0:51:01.480
<v Speaker 2>do with no that was creative.

0:51:01.719 --> 0:51:05.080
<v Speaker 3>Yeah, I think there were some things going on. Yeah,

0:51:05.920 --> 0:51:09.800
<v Speaker 3>So there's so many there's so I heard Casey Bloyse,

0:51:09.840 --> 0:51:11.919
<v Speaker 3>who's you know they head to HBO. I heard him

0:51:12.040 --> 0:51:15.240
<v Speaker 3>on a podcast talking and there's just so many factors.

0:51:15.280 --> 0:51:21.200
<v Speaker 3>It can be a show that is like artistically fantastic,

0:51:22.320 --> 0:51:25.480
<v Speaker 3>that doesn't cost them a lot and may not be

0:51:25.640 --> 0:51:28.640
<v Speaker 3>getting but is getting all the great reviews, may not

0:51:28.719 --> 0:51:31.919
<v Speaker 3>be getting all the numbers, but maybe that show can

0:51:31.960 --> 0:51:36.640
<v Speaker 3>come back because it's getting some of the artistic things

0:51:36.640 --> 0:51:38.400
<v Speaker 3>they want and doesn't cost that much to make, so

0:51:38.440 --> 0:51:41.600
<v Speaker 3>it works, you know. So there's all these different factors

0:51:41.640 --> 0:51:43.759
<v Speaker 3>he was talking about on this podcast.

0:51:43.840 --> 0:51:47.080
<v Speaker 7>So again, so do you attribute the success of the

0:51:47.120 --> 0:51:48.960
<v Speaker 7>Gilded Age to that?

0:51:49.080 --> 0:51:49.640
<v Speaker 1>To the what you just.

0:51:49.600 --> 0:51:52.799
<v Speaker 7>Said about awards and whatnot, because now there are I.

0:51:52.760 --> 0:51:55.720
<v Speaker 3>Mean, we got things for behind the scenes, but actors

0:51:55.719 --> 0:51:58.160
<v Speaker 3>weren't getting it the show, you know, but we don't

0:51:58.160 --> 0:52:00.120
<v Speaker 3>even know. I mean this is the second scene and

0:52:00.239 --> 0:52:03.479
<v Speaker 3>Gilded we had our second season winning time. I think

0:52:03.600 --> 0:52:06.879
<v Speaker 3>Gilded is going to be you know, and we don't

0:52:06.880 --> 0:52:09.319
<v Speaker 3>know about the season three of Gilded until it's out

0:52:09.360 --> 0:52:12.080
<v Speaker 3>and we see what the numbers are. I think that

0:52:13.000 --> 0:52:16.520
<v Speaker 3>the second season of Gilded is fantastic and fun, you know,

0:52:16.840 --> 0:52:20.080
<v Speaker 3>so who knows? But also about winning time was about

0:52:20.120 --> 0:52:21.239
<v Speaker 3>you know, I don't know right right?

0:52:21.640 --> 0:52:25.720
<v Speaker 2>So okay, when you when you got the Gilded Project,

0:52:26.840 --> 0:52:28.680
<v Speaker 2>what was your please?

0:52:28.920 --> 0:52:29.920
<v Speaker 3>I was like, how did I get this?

0:52:30.040 --> 0:52:31.080
<v Speaker 1>Please? Tell us?

0:52:31.400 --> 0:52:34.480
<v Speaker 2>But yeah, like, what was your knowledge of life in

0:52:34.520 --> 0:52:35.440
<v Speaker 2>the eighteen hundreds?

0:52:35.440 --> 0:52:37.719
<v Speaker 3>At the same knowledge that anybody else has?

0:52:37.800 --> 0:52:38.520
<v Speaker 1>Right fast?

0:52:38.560 --> 0:52:40.560
<v Speaker 3>If you think about it, like had you heard of

0:52:40.560 --> 0:52:45.200
<v Speaker 3>the Gilded Age? Even listen, white, black, blue man, woman,

0:52:45.360 --> 0:52:48.080
<v Speaker 3>nobody who's living in the eighteen hundreds? Most people are

0:52:48.120 --> 0:52:49.800
<v Speaker 3>not historians.

0:52:50.719 --> 0:52:53.799
<v Speaker 1>But there's always some historian like, well, actually they you know.

0:52:54.040 --> 0:52:57.040
<v Speaker 3>We have, But I have you there to fulfill, you know,

0:52:57.120 --> 0:52:59.560
<v Speaker 3>to tell me what that stuff is. I was a

0:52:59.680 --> 0:53:03.040
<v Speaker 3>lover of period pieces. I've always loved them. I had

0:53:03.280 --> 0:53:06.080
<v Speaker 3>watched all of Down to Abbey. I had if you

0:53:06.280 --> 0:53:09.319
<v Speaker 3>say on the list, I would love like Dangerous Liaisons.

0:53:09.760 --> 0:53:12.720
<v Speaker 3>I have to watch that over and over, you know. Anyway,

0:53:12.880 --> 0:53:17.200
<v Speaker 3>So when that opportunity came up to UH to meet

0:53:17.280 --> 0:53:22.880
<v Speaker 3>with them, I was ready and I had done enough.

0:53:23.360 --> 0:53:26.359
<v Speaker 3>I hadn't done a show like that, and they were

0:53:26.360 --> 0:53:29.799
<v Speaker 3>looking for a black woman in particular, I think, to

0:53:29.960 --> 0:53:31.840
<v Speaker 3>fill that role because they knew they were going to

0:53:31.920 --> 0:53:35.239
<v Speaker 3>have this black family in it, and they also knew

0:53:35.239 --> 0:53:37.840
<v Speaker 3>they needed a woman's point of view because of what

0:53:37.960 --> 0:53:40.960
<v Speaker 3>the show was. And so I met and I just

0:53:41.000 --> 0:53:43.120
<v Speaker 3>told them about my love of the show. I'm very

0:53:43.160 --> 0:53:46.640
<v Speaker 3>good with detail. I'm a good student of things. So

0:53:47.760 --> 0:53:50.719
<v Speaker 3>somehow or another I convince them, like I did when

0:53:50.760 --> 0:53:54.200
<v Speaker 3>I moved to LA and convinced William y'all should sign me.

0:53:54.239 --> 0:53:56.080
<v Speaker 3>I ain't got no tape, but I can do it.

0:53:56.920 --> 0:53:59.080
<v Speaker 3>I was, I'm good again, I'm good in to interview.

0:53:59.400 --> 0:54:03.279
<v Speaker 3>I convinced and I can do this, and they said yes,

0:54:04.520 --> 0:54:12.400
<v Speaker 3>and and and then that because of COVID, because initially

0:54:12.440 --> 0:54:15.040
<v Speaker 3>I was only supposed to do two episodes, and then

0:54:15.239 --> 0:54:19.560
<v Speaker 3>COVID happened, and that's part of the thing that launched

0:54:19.600 --> 0:54:25.840
<v Speaker 3>it into me then producing and doing more of the episodes. Uh,

0:54:25.920 --> 0:54:27.960
<v Speaker 3>and grew into this deal at HBO. It was like

0:54:28.000 --> 0:54:30.440
<v Speaker 3>this whole weird thing that I don't even know how it.

0:54:30.400 --> 0:54:31.560
<v Speaker 1>Has all deal.

0:54:31.840 --> 0:54:34.760
<v Speaker 7>You mean you're over me to Sally Richards and Whitfield

0:54:35.200 --> 0:54:38.120
<v Speaker 7>HBO overall deal, which I don't Most people don't even

0:54:38.160 --> 0:54:41.200
<v Speaker 7>understand what that means but congratulations, This.

0:54:41.239 --> 0:54:43.560
<v Speaker 1>Means that you can develop your own projects there.

0:54:43.840 --> 0:54:45.920
<v Speaker 3>Yeah, and they just give me a certain amount of

0:54:45.920 --> 0:54:48.640
<v Speaker 3>money and I'm exclusive to them and everything.

0:54:54.320 --> 0:54:59.480
<v Speaker 1>Yo. Black Dynamite is one of my favorite movies. You

0:54:59.560 --> 0:55:02.440
<v Speaker 1>bodyed it well, Thank you, thank you mother.

0:55:02.840 --> 0:55:06.200
<v Speaker 2>Okay, So I first became aware of you, of posse.

0:55:06.600 --> 0:55:09.880
<v Speaker 2>Could you talk about the process that led to Mario

0:55:10.400 --> 0:55:10.920
<v Speaker 2>hiring you?

0:55:11.640 --> 0:55:11.759
<v Speaker 6>So?

0:55:12.120 --> 0:55:16.759
<v Speaker 3>I think I actually got the audition, I mean through

0:55:16.800 --> 0:55:22.040
<v Speaker 3>my agent. But I had met Blair Underwood somehow in

0:55:22.239 --> 0:55:24.000
<v Speaker 3>La you know, i'd been there a little about it,

0:55:24.320 --> 0:55:27.080
<v Speaker 3>you know that year, right, met him at a party

0:55:27.360 --> 0:55:30.640
<v Speaker 3>and he told Mario. I think he told Mario about

0:55:30.640 --> 0:55:33.399
<v Speaker 3>me and said I'd be perfect for this film. She's

0:55:33.520 --> 0:55:36.960
<v Speaker 3>black and American Indian. Right. So I go in an

0:55:36.960 --> 0:55:42.040
<v Speaker 3>audition with everybody else and I got down to the

0:55:42.120 --> 0:55:45.880
<v Speaker 3>last few. But then they hired someone else. I'll tell

0:55:45.920 --> 0:55:48.680
<v Speaker 3>you who that was in a secondly, because it's okay,

0:55:48.719 --> 0:55:50.120
<v Speaker 3>I can tell you. Wait a minute. Is this a

0:55:50.160 --> 0:55:54.080
<v Speaker 3>thing where they hired someone else and they were shooting

0:55:54.400 --> 0:55:55.120
<v Speaker 3>and they say.

0:55:55.000 --> 0:55:56.920
<v Speaker 1>No, no, no, And then it comes down to you.

0:55:57.520 --> 0:56:01.319
<v Speaker 3>They were shooting and they were like I got a call. Okay,

0:56:01.360 --> 0:56:05.719
<v Speaker 3>So I don't get it. I'm sad because I was like,

0:56:06.239 --> 0:56:09.359
<v Speaker 3>who else can be? But at that time, my hair

0:56:09.520 --> 0:56:15.800
<v Speaker 3>legit was down here, dead straight. I'm like, my mama

0:56:15.840 --> 0:56:20.520
<v Speaker 3>has always told me we got charity, and I am American,

0:56:20.600 --> 0:56:27.759
<v Speaker 3>and I got a picture of my great grandmother and

0:56:27.800 --> 0:56:30.960
<v Speaker 3>she is two braids, and I'm pretty sure my mama

0:56:30.960 --> 0:56:35.839
<v Speaker 3>ain't lying anyway, So I don't get it. And then

0:56:35.920 --> 0:56:41.680
<v Speaker 3>one day I get a call on it Saturday and

0:56:41.719 --> 0:56:46.440
<v Speaker 3>they're like, oh, they have fire the actress. Can you

0:56:46.560 --> 0:56:52.680
<v Speaker 3>be here later on tonight? You're shooting Monday. That person

0:56:53.080 --> 0:57:03.360
<v Speaker 3>is stay and I think she got there and whatever.

0:57:03.520 --> 0:57:05.520
<v Speaker 3>I don't know. I heard there was some you know,

0:57:05.560 --> 0:57:10.000
<v Speaker 3>it wasn't going well, difficult anyway. I don't know I

0:57:10.040 --> 0:57:12.880
<v Speaker 3>went there. But all I know is I got a

0:57:12.920 --> 0:57:15.680
<v Speaker 3>call Saturday and Monday I was shooting.

0:57:15.800 --> 0:57:19.000
<v Speaker 1>How did you feel when you got I.

0:57:19.040 --> 0:57:21.680
<v Speaker 3>Still remember where I was. I was at some guy's house.

0:57:21.720 --> 0:57:30.320
<v Speaker 3>I was dating, and I don't even know if I

0:57:30.320 --> 0:57:33.240
<v Speaker 3>had time to think, you know, I was just like, oh,

0:57:33.600 --> 0:57:34.840
<v Speaker 3>I got it.

0:57:34.840 --> 0:57:36.680
<v Speaker 1>Was just Saturday, and you start on Monday.

0:57:37.560 --> 0:57:39.600
<v Speaker 3>Well, I don't know if I started now. I started

0:57:39.600 --> 0:57:42.240
<v Speaker 3>that week. I was there. Whatever hair they had got

0:57:42.240 --> 0:57:45.080
<v Speaker 3>for her track. They put that in my head and

0:57:45.160 --> 0:57:45.680
<v Speaker 3>put that.

0:57:45.560 --> 0:57:46.200
<v Speaker 6>Happened on me.

0:57:46.320 --> 0:57:50.880
<v Speaker 1>I was, how much preparation did you have to to do?

0:57:51.720 --> 0:57:53.360
<v Speaker 3>I don't know. I just started. I don't you know.

0:57:53.400 --> 0:57:55.240
<v Speaker 3>It's been a while, but it's not like I had

0:57:55.280 --> 0:57:58.720
<v Speaker 3>that many deep lines. I already wrote. I knew how

0:57:58.720 --> 0:58:03.520
<v Speaker 3>to ride and stuff. So getting ready for another movie audition,

0:58:03.600 --> 0:58:05.960
<v Speaker 3>I had learned, you know, Glenn Turman has a ranch.

0:58:06.600 --> 0:58:08.640
<v Speaker 3>So I had met some people who took me to

0:58:08.680 --> 0:58:11.480
<v Speaker 3>Glenn Turman's ranch and Glenn taught me how to like

0:58:11.600 --> 0:58:14.720
<v Speaker 3>really ride. So I was ready. I was like, I

0:58:14.840 --> 0:58:19.080
<v Speaker 3>got there. I had a young brain. I could memorize anything.

0:58:19.200 --> 0:58:21.280
<v Speaker 3>Now I'd be like, well, I need two weeks to

0:58:21.320 --> 0:58:25.920
<v Speaker 3>memorize this. And I was there and I was shooting,

0:58:26.080 --> 0:58:29.480
<v Speaker 3>and I'm there with Tone Loak and Big Daddy Kane

0:58:30.040 --> 0:58:35.880
<v Speaker 3>and yes At Melvin and Mario and and Pam Greer

0:58:36.640 --> 0:58:38.720
<v Speaker 3>and I mean, we had all sorts of people there.

0:58:38.880 --> 0:58:41.640
<v Speaker 3>It was a it was a dream. It like it's

0:58:41.680 --> 0:58:45.920
<v Speaker 3>a blur in my mind. We used to play during

0:58:45.920 --> 0:58:48.960
<v Speaker 3>our breaks, like on the weekend, we would play basketball.

0:58:50.080 --> 0:58:54.040
<v Speaker 3>I remember tiny I was still good in basketball then.

0:58:54.080 --> 0:58:56.080
<v Speaker 3>I could still because when I first was out here,

0:58:56.160 --> 0:58:58.040
<v Speaker 3>I would do that. That's when they used to do

0:58:58.440 --> 0:59:02.160
<v Speaker 3>celebrity basketball tournaments, So I used to play in all

0:59:02.200 --> 0:59:05.440
<v Speaker 3>of those games. I was still I was still pretty decent.

0:59:05.480 --> 0:59:06.520
<v Speaker 3>Then what's your position?

0:59:11.200 --> 0:59:17.640
<v Speaker 6>Lists this entire tablets.

0:59:15.840 --> 0:59:18.120
<v Speaker 7>Played center on my boys and Girls club basketball team.

0:59:18.600 --> 0:59:23.240
<v Speaker 1>I played the sports here we go. No you have

0:59:24.480 --> 0:59:26.080
<v Speaker 1>you got it, bron, I don't know nothing much for it.

0:59:26.400 --> 0:59:29.160
<v Speaker 3>Yeah, so yeah, it was. We had the best time

0:59:29.360 --> 0:59:30.000
<v Speaker 3>on that movie.

0:59:30.040 --> 0:59:33.560
<v Speaker 5>I mean, I wanted to ask you about low down,

0:59:33.560 --> 0:59:37.360
<v Speaker 5>dirty Shane, which is probably my favorite role of yours, right,

0:59:37.440 --> 0:59:39.800
<v Speaker 5>like straight up and down. And I was thinking about

0:59:39.840 --> 0:59:42.520
<v Speaker 5>what you were saying earlier about how directors it is

0:59:42.600 --> 0:59:45.200
<v Speaker 5>read that you were pushed in some ways. I think

0:59:45.240 --> 0:59:47.800
<v Speaker 5>the reason why I really liked that role is because

0:59:47.840 --> 0:59:49.480
<v Speaker 5>that was the first time that I remember kind of

0:59:49.480 --> 0:59:51.680
<v Speaker 5>seeing you as a villain, and I just thought, I

0:59:52.360 --> 0:59:54.120
<v Speaker 5>was like, yo, I want to see more. Sally is

0:59:54.160 --> 0:59:56.360
<v Speaker 5>like the villain, like just straight up, you know, just

0:59:56.400 --> 0:59:56.600
<v Speaker 5>you know.

0:59:56.760 --> 0:59:59.320
<v Speaker 3>So unfortunately, you know, also, I came up at a

0:59:59.360 --> 1:00:03.400
<v Speaker 3>time where there wasn't that many it wasn't that many

1:00:03.480 --> 1:00:07.040
<v Speaker 3>jobs we were It was really all of us, Me Jada,

1:00:07.600 --> 1:00:12.280
<v Speaker 3>h Nia, Everybody's going for the same thing, and Jada

1:00:12.520 --> 1:00:16.120
<v Speaker 3>nia few people kind of they were already there. Honestly,

1:00:16.160 --> 1:00:17.840
<v Speaker 3>they had started a little sooner than me. You know,

1:00:17.880 --> 1:00:20.240
<v Speaker 3>people start taking off and there's just not a lot

1:00:20.280 --> 1:00:25.040
<v Speaker 3>of spots for you. But also when I talk about

1:00:25.840 --> 1:00:28.320
<v Speaker 3>not being pushed there, I also have been given that

1:00:28.400 --> 1:00:31.560
<v Speaker 3>many roles where there was an opportunity to push me

1:00:31.680 --> 1:00:33.480
<v Speaker 3>to do something that different.

1:00:33.720 --> 1:00:36.040
<v Speaker 5>You know, what would be an example of something now,

1:00:36.080 --> 1:00:37.480
<v Speaker 5>a role now that you would.

1:00:37.560 --> 1:00:40.720
<v Speaker 1>Or a role that you went after that close but

1:00:40.840 --> 1:00:42.200
<v Speaker 1>no cigar moment.

1:00:42.880 --> 1:00:46.760
<v Speaker 3>Oh, those are so many. I mean probably every every

1:00:46.800 --> 1:00:49.800
<v Speaker 3>movie you've seen another black actress the lead in, we

1:00:49.840 --> 1:00:51.440
<v Speaker 3>all knew. We all went out for the same thing.

1:00:51.640 --> 1:00:55.680
<v Speaker 3>Remember I said I screen test me. I think Tisha

1:00:55.720 --> 1:01:00.080
<v Speaker 3>Campbell was there too, and then Jada for Nuttie Professor

1:01:00.120 --> 1:01:03.120
<v Speaker 3>and they gave it to Jada. Yeah, I think it

1:01:03.160 --> 1:01:04.440
<v Speaker 3>was the three of us testing.

1:01:04.760 --> 1:01:07.800
<v Speaker 2>So, Okay, when you talk about testing, what is the

1:01:07.920 --> 1:01:14.240
<v Speaker 2>process of testing, because I've heard like, okay, he's coming recold.

1:01:13.880 --> 1:01:18.360
<v Speaker 3>For those are auditions. Those are like the yes's.

1:01:17.720 --> 1:01:21.520
<v Speaker 2>Testing, like a chemistry test to see chemistry, character gets along.

1:01:21.520 --> 1:01:24.919
<v Speaker 3>And when I say a screen test, that's a whole

1:01:24.960 --> 1:01:28.400
<v Speaker 3>different thing. So when I said rage and Harlem, I

1:01:28.480 --> 1:01:33.640
<v Speaker 3>read with Forrest on a set in full hair, makeup, costume,

1:01:33.800 --> 1:01:36.800
<v Speaker 3>him and costume. We're doing a scene from the movie

1:01:36.920 --> 1:01:41.560
<v Speaker 3>being filmed on the cameras. That's like, it looks like

1:01:41.760 --> 1:01:42.640
<v Speaker 3>the movie almost.

1:01:42.720 --> 1:01:46.960
<v Speaker 1>How often does that process happen now? Still or not?

1:01:47.240 --> 1:01:52.760
<v Speaker 3>I don't think as much, Nutti Professor, same thing. Eddie

1:01:52.880 --> 1:01:57.760
<v Speaker 3>came out in full on makeup. I'm their hair makeup

1:01:57.920 --> 1:02:00.120
<v Speaker 3>you're in. I think we were in a lab or

1:02:00.120 --> 1:02:02.440
<v Speaker 3>something and we did a scene from the movie and

1:02:02.480 --> 1:02:07.000
<v Speaker 3>they filmed this same data. Got what's funny is that?

1:02:07.720 --> 1:02:10.120
<v Speaker 3>What's funny is that's what my hair looks like this?

1:02:10.640 --> 1:02:14.280
<v Speaker 3>And then I saw the movie and it was a yeah,

1:02:15.080 --> 1:02:18.680
<v Speaker 3>Jada's wig, so my hair was just like that. And

1:02:18.680 --> 1:02:20.640
<v Speaker 3>then they did the movie. I said, they put my

1:02:20.760 --> 1:02:26.280
<v Speaker 3>hair on. That's what I decided, because you know, she

1:02:26.320 --> 1:02:29.840
<v Speaker 3>had really short hair. I said, what is this in.

1:02:29.800 --> 1:02:31.080
<v Speaker 1>Your in your acting fees?

1:02:31.480 --> 1:02:36.400
<v Speaker 2>Like for you, are movies the the ultimate goal or

1:02:36.440 --> 1:02:38.440
<v Speaker 2>the security of a series?

1:02:39.720 --> 1:02:43.200
<v Speaker 3>Well, as an actress, you want the security of you know,

1:02:43.240 --> 1:02:46.880
<v Speaker 3>if you could get a scandal, listen, you move because

1:02:46.920 --> 1:02:49.160
<v Speaker 3>most of the time, unless you are the big A

1:02:49.280 --> 1:02:53.280
<v Speaker 3>list actor, you're not making that much to do a film,

1:02:54.960 --> 1:03:01.160
<v Speaker 3>you know, maybe you know, maybe a few hundred thousand

1:03:01.200 --> 1:03:04.280
<v Speaker 3>dollars which will last you for a little while, you.

1:03:04.280 --> 1:03:09.439
<v Speaker 2>Know, back to my original analogy. So a small role

1:03:10.400 --> 1:03:13.840
<v Speaker 2>as the girlfriend or whatever, any movie that's just enough

1:03:13.880 --> 1:03:17.560
<v Speaker 2>for maybe if you're two months three months out here.

1:03:18.560 --> 1:03:20.640
<v Speaker 3>A small role or what are you talking about? Like

1:03:21.000 --> 1:03:25.240
<v Speaker 3>my role in Low Down? Yes, probably that was my

1:03:25.360 --> 1:03:30.160
<v Speaker 3>biggest paycheck, main character in that one. Yeah, so that

1:03:30.240 --> 1:03:33.200
<v Speaker 3>gave me enough money to live on for a little while.

1:03:33.480 --> 1:03:36.560
<v Speaker 3>And again I'm going, in my mind, I think that

1:03:36.800 --> 1:03:39.720
<v Speaker 3>the people need to have more of this mindset. I

1:03:39.840 --> 1:03:44.760
<v Speaker 3>go because everyone else is mine. They're like, oh you well,

1:03:44.800 --> 1:03:47.040
<v Speaker 3>because people are telling you that, ooh you about to

1:03:47.120 --> 1:03:50.440
<v Speaker 3>take off, right, it's about to be it. In my mind,

1:03:50.640 --> 1:03:57.000
<v Speaker 3>I already knew at that point. Yeah, I'm not trusting it.

1:03:57.520 --> 1:04:00.760
<v Speaker 2>Do you book a project at a time or do you?

1:04:02.480 --> 1:04:03.560
<v Speaker 2>Are you allowed to stack?

1:04:04.400 --> 1:04:08.320
<v Speaker 3>Of course if you can. Again, at that time, there

1:04:08.440 --> 1:04:11.800
<v Speaker 3>wasn't a lot of too stack. I don't know what

1:04:11.960 --> 1:04:13.880
<v Speaker 3>I did. I don't know what I did after that.

1:04:15.240 --> 1:04:16.360
<v Speaker 3>So are you frugal enough?

1:04:16.360 --> 1:04:17.240
<v Speaker 7>They're doing Low Down?

1:04:17.280 --> 1:04:17.920
<v Speaker 3>Dirty shame?

1:04:18.120 --> 1:04:20.640
<v Speaker 7>After that, you were still in your one bedroom or

1:04:20.680 --> 1:04:22.439
<v Speaker 7>did you go i'most step it up and get two.

1:04:23.240 --> 1:04:27.240
<v Speaker 3>Listen when we were when we were shooting, when we

1:04:27.240 --> 1:04:29.960
<v Speaker 3>were shooting low down, dirty shame. I and I had

1:04:30.000 --> 1:04:33.200
<v Speaker 3>done Posse and some other small things. I still had

1:04:33.240 --> 1:04:34.640
<v Speaker 3>that six hundred dollar car.

1:04:35.000 --> 1:04:36.240
<v Speaker 7>Wowkauy of that.

1:04:36.480 --> 1:04:42.240
<v Speaker 3>I drove to La n and Jada and Keenan. They

1:04:42.240 --> 1:04:47.280
<v Speaker 3>were like, listen, you have got to get a new car.

1:04:47.360 --> 1:04:50.760
<v Speaker 3>And I did remember. I remember pulling up on the

1:04:50.920 --> 1:04:52.960
<v Speaker 3>set and they all, you know, Jada had been on

1:04:53.200 --> 1:04:56.680
<v Speaker 3>some series and they got nice cars. I would meet

1:04:56.720 --> 1:05:00.040
<v Speaker 3>people at parties and at restaurants and I would not vow.

1:05:00.440 --> 1:05:03.120
<v Speaker 1>Because that's what I was going to ask. And I

1:05:03.400 --> 1:05:03.680
<v Speaker 1>know that.

1:05:03.680 --> 1:05:07.240
<v Speaker 3>Well, at some point, like I couldn't put my window down.

1:05:07.280 --> 1:05:10.480
<v Speaker 3>It was you know, it looked good. You know. Again,

1:05:10.760 --> 1:05:15.960
<v Speaker 3>I was like, so I finally like, least a truck

1:05:17.600 --> 1:05:22.000
<v Speaker 3>did at least ah, well, you know everybody has an SGUV.

1:05:22.160 --> 1:05:22.360
<v Speaker 1>Yes.

1:05:22.600 --> 1:05:23.880
<v Speaker 7>I didn't know if he was going how she'd be

1:05:23.880 --> 1:05:25.200
<v Speaker 7>we I was gonna be a rabnet.

1:05:25.280 --> 1:05:27.360
<v Speaker 3>I was like, no, no, no, I leased a car.

1:05:27.600 --> 1:05:29.840
<v Speaker 3>I don't know, but I was afraid, you know, I

1:05:29.920 --> 1:05:32.919
<v Speaker 3>was just afraid. I was afraid of being broke. I'm

1:05:32.960 --> 1:05:37.320
<v Speaker 3>in I didn't have I have lovely parents, I have

1:05:37.360 --> 1:05:41.080
<v Speaker 3>a very supportive family, but there wasn't an wasn't a

1:05:41.080 --> 1:05:43.880
<v Speaker 3>bunch of money to be sending to help me, and

1:05:44.480 --> 1:05:47.520
<v Speaker 3>nor did I ever ask. So I moved to l A.

1:05:47.880 --> 1:05:51.480
<v Speaker 3>This was my choice. I have to make. I'm out

1:05:51.480 --> 1:05:54.600
<v Speaker 3>here on my own and not not to say I

1:05:54.600 --> 1:05:56.640
<v Speaker 3>couldn't have gone back to Chicago and had a place

1:05:56.680 --> 1:05:59.120
<v Speaker 3>to go. Like again, I love my family that would

1:05:59.160 --> 1:06:01.200
<v Speaker 3>have done anything for me. But I never had to

1:06:01.320 --> 1:06:02.400
<v Speaker 3>ask for anything.

1:06:02.640 --> 1:06:03.920
<v Speaker 1>And was there a.

1:06:03.880 --> 1:06:08.600
<v Speaker 2>Moment where you're just like, I'm out here like no,

1:06:09.400 --> 1:06:11.400
<v Speaker 2>so you just never no matter how not.

1:06:11.400 --> 1:06:15.960
<v Speaker 3>That I wasn't at home weeping and crying and when

1:06:16.000 --> 1:06:18.320
<v Speaker 3>am I going to work? And just I did weep

1:06:18.360 --> 1:06:22.320
<v Speaker 3>and cry about that stuff. I was like, that's not

1:06:22.360 --> 1:06:26.400
<v Speaker 3>in front of people, that's by myself. You know, you

1:06:26.440 --> 1:06:28.880
<v Speaker 3>know you have that depression. I haven't worked in three,

1:06:29.000 --> 1:06:31.880
<v Speaker 3>four or five months? Is what's the next thing going

1:06:31.960 --> 1:06:38.520
<v Speaker 3>to be? But I always worked enough to keep going.

1:06:38.640 --> 1:06:43.360
<v Speaker 3>I never and I never spent beyond my means. I

1:06:43.440 --> 1:06:46.560
<v Speaker 3>never I was always because I just didn't. You know,

1:06:46.600 --> 1:06:49.280
<v Speaker 3>when you come from not having everything you want, you

1:06:49.720 --> 1:06:53.080
<v Speaker 3>should be conservative. I think you're on both sides, or

1:06:53.120 --> 1:06:54.560
<v Speaker 3>you just start spending all your money.

1:06:55.480 --> 1:06:57.480
<v Speaker 7>So are you the person now that like, since we're

1:06:57.560 --> 1:07:01.600
<v Speaker 7>going through this long asst right, people are now calling like, Sally,

1:07:01.640 --> 1:07:03.640
<v Speaker 7>how did you do it? Like, Sally, help me get

1:07:03.640 --> 1:07:06.240
<v Speaker 7>through it? Like you just seem maybe in that way

1:07:06.320 --> 1:07:07.280
<v Speaker 7>because people.

1:07:07.080 --> 1:07:10.200
<v Speaker 3>I've been telling I've been telling everyone listen, I don't

1:07:10.240 --> 1:07:14.720
<v Speaker 3>know how Like my assistant, I kept going, Hey, we

1:07:14.800 --> 1:07:16.640
<v Speaker 3>don't know how long the strike is going to be.

1:07:17.440 --> 1:07:21.400
<v Speaker 3>Right now, I'm still getting my money and everything they haven't,

1:07:21.880 --> 1:07:25.080
<v Speaker 3>which means I can still pay you. But anything could happen,

1:07:25.600 --> 1:07:31.160
<v Speaker 3>So don't get comfortable. I know everybody must be jealous

1:07:31.160 --> 1:07:32.800
<v Speaker 3>of that, because if you ain't, if they ain't paying me,

1:07:32.880 --> 1:07:35.000
<v Speaker 3>you ain't get paid because I don't have I don't

1:07:35.000 --> 1:07:38.400
<v Speaker 3>have it like that, you know. So I've been with her.

1:07:38.520 --> 1:07:41.000
<v Speaker 3>I see people. I judge people all the time. During

1:07:41.000 --> 1:07:44.360
<v Speaker 3>this time, I've been seeing some of my friends or

1:07:44.440 --> 1:07:46.880
<v Speaker 3>some of the people in my director's group going on

1:07:47.040 --> 1:07:50.120
<v Speaker 3>trips and stuff, and I'm knowing that they don't work

1:07:50.560 --> 1:07:52.440
<v Speaker 3>as much as I do, you know, like you know

1:07:52.480 --> 1:07:56.160
<v Speaker 3>where I'm like, I'm like, uh, why they on that

1:07:56.240 --> 1:08:00.000
<v Speaker 3>trip I'm like, they got something going on. I don't know,

1:08:00.200 --> 1:08:03.080
<v Speaker 3>but I'm like, okay, I'm glad.

1:08:02.880 --> 1:08:04.680
<v Speaker 1>I'm not the only person. And things like that, like

1:08:04.720 --> 1:08:07.200
<v Speaker 1>I'll see somebody like I'm.

1:08:07.160 --> 1:08:09.560
<v Speaker 3>Judging people well, and I'm judging your money. I don't

1:08:09.560 --> 1:08:12.040
<v Speaker 3>know what you got all the time.

1:08:16.960 --> 1:08:21.400
<v Speaker 2>How did you maintain your sanity in a straight but

1:08:21.479 --> 1:08:27.719
<v Speaker 2>also your creativity? And really was the rule that you're

1:08:27.880 --> 1:08:30.680
<v Speaker 2>not supposed to do any work whatsoever?

1:08:31.760 --> 1:08:34.559
<v Speaker 3>Well, I can do stuff on like me and my

1:08:34.680 --> 1:08:38.680
<v Speaker 3>manager can talk about stuff. You know. I have projects

1:08:38.720 --> 1:08:41.240
<v Speaker 3>that I've been developing for a while that I can

1:08:41.280 --> 1:08:43.479
<v Speaker 3>do stuff on my own. I'm sitting there. I have

1:08:43.520 --> 1:08:46.560
<v Speaker 3>to make like my pitch decks. I have a documentary

1:08:46.600 --> 1:08:50.000
<v Speaker 3>that I'm working on in which I can do so

1:08:50.120 --> 1:08:53.679
<v Speaker 3>I've been working on this like sizzle. I've been able

1:08:53.720 --> 1:08:57.840
<v Speaker 3>to pitch some of my documentary stuff. So, you know,

1:08:57.960 --> 1:09:00.240
<v Speaker 3>So I've been able to do some things. And and

1:09:00.280 --> 1:09:03.240
<v Speaker 3>then I've you know, drove my husband a little crazy

1:09:03.360 --> 1:09:05.960
<v Speaker 3>because probably everything in our every drawer in our house

1:09:06.000 --> 1:09:11.280
<v Speaker 3>has been reorganized. We're we're onto the garage. I'm not

1:09:12.360 --> 1:09:17.040
<v Speaker 3>like right now, I was audience. I have a back injury.

1:09:17.560 --> 1:09:21.840
<v Speaker 3>I am not good I can't not do. I'm a doer.

1:09:22.360 --> 1:09:23.240
<v Speaker 1>You can't relax.

1:09:23.800 --> 1:09:26.720
<v Speaker 3>I'm a twenty fource. And maybe one day and then

1:09:26.800 --> 1:09:30.760
<v Speaker 3>after that, I'm like, I'm being real irresponsible. Right now

1:09:30.880 --> 1:09:33.080
<v Speaker 3>I need to get up. I'm gonna I just have

1:09:33.160 --> 1:09:37.000
<v Speaker 3>to do something. So I'm like, well, I got nothing

1:09:37.000 --> 1:09:39.479
<v Speaker 3>else to do. We're gonna reorganize the house. We're gonna

1:09:39.479 --> 1:09:42.559
<v Speaker 3>do this. I've been needing to get this done because.

1:09:42.360 --> 1:09:44.880
<v Speaker 1>I wanted you to be silent, and I have.

1:09:45.040 --> 1:09:47.000
<v Speaker 3>I found that's why I got COVID and then I

1:09:47.080 --> 1:09:47.599
<v Speaker 3>got hurt.

1:09:47.600 --> 1:09:50.280
<v Speaker 7>My back set you down, literally.

1:09:50.760 --> 1:09:53.800
<v Speaker 3>But but I've been watching stuff on the on my

1:09:53.960 --> 1:09:55.840
<v Speaker 3>side as I lay in the bed on my side.

1:09:58.040 --> 1:10:00.880
<v Speaker 3>But I've learned that if you're sitting aroun not doing,

1:10:01.320 --> 1:10:06.320
<v Speaker 3>things get done not they don't get done, and things

1:10:06.439 --> 1:10:10.240
<v Speaker 3>move ahead because there's other people doing this last year.

1:10:11.320 --> 1:10:11.439
<v Speaker 7>Uh.

1:10:11.600 --> 1:10:14.200
<v Speaker 3>And a lot of that is through having this HBO

1:10:14.360 --> 1:10:18.680
<v Speaker 3>deal and kind of coming into my own enough that

1:10:19.360 --> 1:10:24.799
<v Speaker 3>I go, I'm not getting this work because I'm a woman.

1:10:25.360 --> 1:10:28.920
<v Speaker 3>I'm not getting this work because I'm black. I'm getting

1:10:29.000 --> 1:10:33.599
<v Speaker 3>these jobs now because I really am the best person

1:10:33.680 --> 1:10:38.920
<v Speaker 3>for this job. And luckily and now they can also

1:10:39.000 --> 1:10:41.799
<v Speaker 3>check these boxes off. You know, it's like some added

1:10:41.840 --> 1:10:45.240
<v Speaker 3>little thing. So I think somewhere in that confidence has

1:10:45.320 --> 1:10:47.640
<v Speaker 3>made me go, you can relax a little bit. We like,

1:10:47.840 --> 1:10:49.600
<v Speaker 3>we had a big group trip. We all went to

1:10:49.720 --> 1:10:54.400
<v Speaker 3>South Africa together, which was not a cheap trip trip.

1:10:54.360 --> 1:10:59.680
<v Speaker 1>With like that.

1:11:00.439 --> 1:11:04.760
<v Speaker 3>I have some fancy friends, Jeff and Nicole Friday from ABFF.

1:11:05.439 --> 1:11:08.479
<v Speaker 3>Jeff and Nicole liked I'm shouting them out. They like

1:11:08.560 --> 1:11:11.840
<v Speaker 3>to travel nicely, so they forced me out of my

1:11:11.920 --> 1:11:16.200
<v Speaker 3>comfort zone. And my husband's very happy because you know,

1:11:16.240 --> 1:11:18.240
<v Speaker 3>he could just kind of let me be who I

1:11:18.280 --> 1:11:21.680
<v Speaker 3>am and just shakes his head. But we had a

1:11:21.680 --> 1:11:25.280
<v Speaker 3>fabulous trip, so I was like, Okay, we're gonna go

1:11:25.320 --> 1:11:28.080
<v Speaker 3>take this once in a lifetime trip with my children.

1:11:28.600 --> 1:11:30.360
<v Speaker 3>And my daughter and I took a trip before she

1:11:30.439 --> 1:11:33.760
<v Speaker 3>went to college. So I've been able to relax a

1:11:33.760 --> 1:11:36.920
<v Speaker 3>little bit. And then I come back and then I

1:11:37.160 --> 1:11:39.200
<v Speaker 3>get a moment of being afraid or we spend too

1:11:39.280 --> 1:11:41.920
<v Speaker 3>much money, But you know, you have to enjoy this stuff.

1:11:41.960 --> 1:11:44.800
<v Speaker 5>I want to ask you about Dondre. I've had a

1:11:44.880 --> 1:11:46.880
<v Speaker 5>chance to meet him. This has been a couple of years.

1:11:46.880 --> 1:11:51.480
<v Speaker 5>Back on Queen Sugar Good Buddy my Omar that plays Hollywood.

1:11:52.120 --> 1:11:54.400
<v Speaker 5>We hung out in New York one night and he

1:11:54.600 --> 1:11:56.760
<v Speaker 5>was coolest dude. You know what I'm saying. I don't

1:11:56.800 --> 1:11:57.839
<v Speaker 5>know how he is at home.

1:11:57.720 --> 1:12:01.320
<v Speaker 3>But with us, it's been twenty we've been together twenty

1:12:01.320 --> 1:12:01.840
<v Speaker 3>six years.

1:12:03.080 --> 1:12:05.240
<v Speaker 1>Question, how do y'all? Because I think I think it's.

1:12:05.040 --> 1:12:07.920
<v Speaker 5>Like y'all and like Courtney and Angela Bassett, like.

1:12:07.960 --> 1:12:09.240
<v Speaker 1>Y'all, like one of the only.

1:12:10.760 --> 1:12:13.920
<v Speaker 3>Surviving no pressure, no pressure now now because now now

1:12:13.960 --> 1:12:17.759
<v Speaker 3>you just jinxes. That's like watching golf. He's been making

1:12:17.760 --> 1:12:21.080
<v Speaker 3>this but all you got to miss it now, Okay.

1:12:20.840 --> 1:12:23.360
<v Speaker 1>Go ahead, How did all survive for so long? What?

1:12:23.360 --> 1:12:24.160
<v Speaker 1>What you know?

1:12:24.240 --> 1:12:27.519
<v Speaker 5>It's specifically and not just in a mess, but just

1:12:27.920 --> 1:12:29.880
<v Speaker 5>I mean too creative as professionals.

1:12:29.920 --> 1:12:31.360
<v Speaker 1>Yeah, like that's a lie.

1:12:31.479 --> 1:12:32.320
<v Speaker 7>You directed him?

1:12:32.720 --> 1:12:38.360
<v Speaker 3>You know what? I don't know? Andre and I obviously

1:12:38.400 --> 1:12:42.200
<v Speaker 3>we we love each other very much. We have two

1:12:42.600 --> 1:12:44.720
<v Speaker 3>very I think a lot of it. We have two

1:12:44.840 --> 1:12:50.040
<v Speaker 3>very happy children. And once you're you know, my my

1:12:50.040 --> 1:12:52.720
<v Speaker 3>son's going into heigh it just is a freshman this year,

1:12:52.840 --> 1:12:58.240
<v Speaker 3>and my uh, my daughter is. It's film and pure.

1:13:00.160 --> 1:13:09.720
<v Speaker 3>So you look at your children and but you know,

1:13:09.800 --> 1:13:12.720
<v Speaker 3>you look at your children, and that's also a motivating

1:13:12.800 --> 1:13:15.120
<v Speaker 3>factor of that, no matter what our issues are, we

1:13:15.160 --> 1:13:17.040
<v Speaker 3>need to figure this out. We got happy, We got

1:13:17.040 --> 1:13:20.360
<v Speaker 3>a happy little family here, and there's a you know,

1:13:20.400 --> 1:13:23.800
<v Speaker 3>there's a mutual respect there and I don't know, we're

1:13:23.800 --> 1:13:27.120
<v Speaker 3>both very competitive and that competitive nature of Oh no,

1:13:27.160 --> 1:13:31.000
<v Speaker 3>we're gonna stay together. We committed to this. They're gonna

1:13:31.000 --> 1:13:36.200
<v Speaker 3>figure this out. Also, somehow, I think we both know

1:13:36.400 --> 1:13:40.720
<v Speaker 3>if you look out here, ain't nothing. There's nothing out

1:13:40.800 --> 1:13:49.080
<v Speaker 3>here in the street. And I mean, honestly, I mean

1:13:49.120 --> 1:13:51.840
<v Speaker 3>for me, like what we're come on, you get to

1:13:51.880 --> 1:13:55.479
<v Speaker 3>a certain age? What what? What? Who I'm on? Meet now?

1:13:56.080 --> 1:13:58.439
<v Speaker 3>And who's gonna treat me like my husband treats me?

1:14:00.240 --> 1:14:06.160
<v Speaker 1>Oh because I put out the fat. Yeah, Steve is

1:14:06.160 --> 1:14:09.080
<v Speaker 1>in mare for him right now. Shoot, the silence are good.

1:14:09.560 --> 1:14:12.200
<v Speaker 3>But my husband treats he really does treat me like

1:14:12.240 --> 1:14:14.960
<v Speaker 3>a queen. He takes care of me almost every morning.

1:14:15.000 --> 1:14:17.519
<v Speaker 3>He knows my coffee I want if I'm still, if

1:14:17.520 --> 1:14:20.400
<v Speaker 3>I happen to sleep late, he is bringing that coffee

1:14:20.479 --> 1:14:21.280
<v Speaker 3>up there for me.

1:14:21.640 --> 1:14:25.479
<v Speaker 1>That's my question. Yeah, what is your morning routine? What

1:14:26.120 --> 1:14:26.920
<v Speaker 1>what do you one?

1:14:27.120 --> 1:14:29.400
<v Speaker 2>What time do you automatically wake up without the clock

1:14:29.439 --> 1:14:31.760
<v Speaker 2>waking you up, and what's the first thing you do

1:14:31.800 --> 1:14:33.360
<v Speaker 2>in the first half hour of your day?

1:14:34.240 --> 1:14:34.439
<v Speaker 3>Uh?

1:14:35.280 --> 1:14:36.800
<v Speaker 1>If we're a habitual right.

1:14:36.960 --> 1:14:40.760
<v Speaker 3>Fact, most of the time, my eyes will open at

1:14:40.840 --> 1:14:44.120
<v Speaker 3>six thirty in the morning. Unfortunately, I don't care. My

1:14:44.360 --> 1:14:47.919
<v Speaker 3>eyes just open. Probably we have three dogs. They probably

1:14:47.960 --> 1:14:51.519
<v Speaker 3>made some noise in the room. Uh. Three. We have

1:14:51.560 --> 1:14:56.000
<v Speaker 3>a Rottweiler, a golden Doodle and a crazy Frenchy.

1:14:56.200 --> 1:14:57.120
<v Speaker 1>Do they like each other?

1:14:58.240 --> 1:15:01.320
<v Speaker 3>Yes, they do, although our Frenchie and are Roddy are

1:15:01.360 --> 1:15:07.680
<v Speaker 3>both males who are not fixed and are starting They

1:15:07.800 --> 1:15:11.439
<v Speaker 3>starting to well, they grew up together because they're only

1:15:11.479 --> 1:15:15.080
<v Speaker 3>about they're both like three, three and a half ish,

1:15:15.479 --> 1:15:20.519
<v Speaker 3>and they've just that that loving friendship has changed and

1:15:20.560 --> 1:15:28.160
<v Speaker 3>it's mostly the Frenchie is cool. He's like, if you

1:15:28.160 --> 1:15:30.439
<v Speaker 3>don't mess with me, we good. He gets along with

1:15:30.479 --> 1:15:34.040
<v Speaker 3>other dogs. But that Frenchie is insane anyway. So I

1:15:34.120 --> 1:15:37.599
<v Speaker 3>let the dogs out if if I happen to, you know,

1:15:37.720 --> 1:15:39.559
<v Speaker 3>sleep later, I'll have my coffee, go down and have

1:15:39.600 --> 1:15:43.040
<v Speaker 3>my coffee, and usually I get up. I take the

1:15:43.080 --> 1:15:46.000
<v Speaker 3>dogs on a hike, which is how I hurt my

1:15:46.040 --> 1:15:49.800
<v Speaker 3>back because I slipped, and I take them out separately.

1:15:50.120 --> 1:15:53.160
<v Speaker 3>I take the frenchie by himself for a short walk

1:15:53.200 --> 1:15:54.880
<v Speaker 3>real quick, and then I come back for the other

1:15:54.920 --> 1:15:56.920
<v Speaker 3>two because they can go on a long walk with me.

1:15:57.560 --> 1:16:00.080
<v Speaker 3>So that sort of get my day going. And and

1:16:00.120 --> 1:16:03.200
<v Speaker 3>then you know, nowadays it would be now I have

1:16:03.320 --> 1:16:07.320
<v Speaker 3>maybe these three zoom calls during you know, zoom meetings

1:16:07.520 --> 1:16:10.559
<v Speaker 3>or something, but it's usually and I don't eat till

1:16:10.680 --> 1:16:14.719
<v Speaker 3>probably about twelve thirty one. I'll have a protein shake

1:16:14.920 --> 1:16:16.840
<v Speaker 3>or something.

1:16:16.960 --> 1:16:17.160
<v Speaker 1>Yeah.

1:16:17.200 --> 1:16:21.760
<v Speaker 3>I don't eat in the morning, and that's if I'm

1:16:21.800 --> 1:16:27.840
<v Speaker 3>not working. Okay, you know working, you know, set four.

1:16:28.000 --> 1:16:31.919
<v Speaker 1>In the morning. Whatever. Okay, what what is your secret

1:16:32.000 --> 1:16:36.800
<v Speaker 1>talent that you're allowed to say? Right right right?

1:16:40.000 --> 1:16:42.600
<v Speaker 3>I don't know, I always say I mean I do

1:16:42.720 --> 1:16:44.840
<v Speaker 3>a lot of things. I mean, I'm a golfer. I'm

1:16:44.880 --> 1:16:47.280
<v Speaker 3>a I don't know if that's so secret, but I.

1:16:47.200 --> 1:16:47.760
<v Speaker 1>Think I know.

1:16:48.160 --> 1:16:50.640
<v Speaker 7>Are you a part of the squad? So no, like

1:16:50.680 --> 1:16:53.160
<v Speaker 7>that whole black female squad that goes down well.

1:16:53.600 --> 1:16:56.440
<v Speaker 3>No, I used to do a lot of the celebrity

1:16:56.439 --> 1:16:58.960
<v Speaker 3>golf tournaments and stuff. I used to be actually very good.

1:16:59.000 --> 1:17:00.759
<v Speaker 3>My son is a he's in golfer.

1:17:00.880 --> 1:17:03.679
<v Speaker 1>He's what is it about golfing?

1:17:03.720 --> 1:17:07.360
<v Speaker 2>Because a lot of my friends especially my black friends

1:17:07.360 --> 1:17:10.840
<v Speaker 2>who are professionals. Yeah, like, is there a memo that

1:17:10.880 --> 1:17:13.479
<v Speaker 2>I haven't gotten yet? Like everyone turns forty five and

1:17:13.640 --> 1:17:14.559
<v Speaker 2>suddenly like.

1:17:14.680 --> 1:17:19.719
<v Speaker 3>Well, I've been playing for like least twenty five years.

1:17:19.720 --> 1:17:22.080
<v Speaker 3>I had started playing because Andre played when we met.

1:17:22.400 --> 1:17:25.559
<v Speaker 2>Is it fun or did you start at like golf

1:17:25.560 --> 1:17:26.200
<v Speaker 2>and then top golf?

1:17:26.360 --> 1:17:29.599
<v Speaker 3>Oh no, no, no, no, I started playing golf. Richard Rowntree

1:17:29.640 --> 1:17:32.679
<v Speaker 3>is one of the first people to help me play golf,

1:17:32.760 --> 1:17:36.320
<v Speaker 3>Richard Rowntree and Richard Laws and I've had amazing people

1:17:36.360 --> 1:17:38.400
<v Speaker 3>who have helped me play golf in the beginning, and

1:17:38.479 --> 1:17:42.880
<v Speaker 3>then obviously my husband. I don't if you listen, I'm

1:17:42.880 --> 1:17:45.800
<v Speaker 3>not gonna be doing any more pickup games of basketball

1:17:45.880 --> 1:17:47.680
<v Speaker 3>and stuff like that. I think what it is is

1:17:47.720 --> 1:17:50.320
<v Speaker 3>that golf is something Golf is something you can do

1:17:50.360 --> 1:17:54.320
<v Speaker 3>by yourself, you can do in a group. It's highly therapeutic.

1:17:54.439 --> 1:17:58.800
<v Speaker 3>You can take and smoke, it's highly competitive. It's a

1:17:58.840 --> 1:18:02.760
<v Speaker 3>way for me to compete. I love to I love

1:18:02.840 --> 1:18:05.760
<v Speaker 3>to compete, okay, and it's a way for me to

1:18:05.800 --> 1:18:08.479
<v Speaker 3>do that. And it's it's a hard game. It will

1:18:08.560 --> 1:18:09.840
<v Speaker 3>challenge you, like.

1:18:09.800 --> 1:18:11.679
<v Speaker 2>How long did it take you to learn it? Because

1:18:11.720 --> 1:18:13.840
<v Speaker 2>I feel like, now I'm gonna have to.

1:18:14.120 --> 1:18:15.120
<v Speaker 3>No one has.

1:18:16.760 --> 1:18:20.639
<v Speaker 1>One. Sorry, no. But the thing is is like, all right,

1:18:20.720 --> 1:18:27.599
<v Speaker 1>for instance, uh, our friend Zara, who is no, but she's.

1:18:27.400 --> 1:18:31.719
<v Speaker 2>Stuck in her uh kind of, she's stuck in her mood.

1:18:32.640 --> 1:18:36.760
<v Speaker 2>She's stuck in her mood where like she loves chain restaurants,

1:18:37.240 --> 1:18:43.400
<v Speaker 2>and I'm like, yeah, exactly, oh no you mentioned Chipotle.

1:18:43.600 --> 1:18:47.280
<v Speaker 2>She'll like, she'll just die on the spot. However, you know,

1:18:47.320 --> 1:18:50.679
<v Speaker 2>I'm telling her like, Okay, we're ramping up our games now,

1:18:50.840 --> 1:18:52.920
<v Speaker 2>and you live in Los Angeles and we're doing these

1:18:53.000 --> 1:18:53.960
<v Speaker 2>high powered meetings.

1:18:54.600 --> 1:18:56.080
<v Speaker 1>You might have to learn.

1:18:55.920 --> 1:19:01.240
<v Speaker 2>How to acclamant or adjust yourself to eating sushi. When

1:19:01.320 --> 1:19:04.200
<v Speaker 2>she's her first response, yeah, I hate sushi. Whatever, I'm like, no,

1:19:04.280 --> 1:19:06.240
<v Speaker 2>but like a lot of you know.

1:19:06.520 --> 1:19:07.519
<v Speaker 1>People are gonna be running in.

1:19:07.720 --> 1:19:09.920
<v Speaker 2>That's exactly You're gonna have to. We're gonna have to

1:19:09.960 --> 1:19:14.240
<v Speaker 2>start adulting. And I feel like, for some reason, a

1:19:14.320 --> 1:19:19.000
<v Speaker 2>lot of the high caliber power people that I'm running in.

1:19:18.920 --> 1:19:20.040
<v Speaker 3>It's an expensive sport.

1:19:20.200 --> 1:19:22.559
<v Speaker 7>So that's one thing too, right, Why it's not a

1:19:22.640 --> 1:19:26.120
<v Speaker 7>brokeman's game. It's very expensive to play, right, So I

1:19:26.120 --> 1:19:27.400
<v Speaker 7>mean that's why, Yeah.

1:19:28.439 --> 1:19:31.760
<v Speaker 5>I hole so it's like you're walking from what I've

1:19:31.800 --> 1:19:34.600
<v Speaker 5>heard is a lot of people to use it for networking,

1:19:34.720 --> 1:19:38.000
<v Speaker 5>like because it's I mean it's eighteen, so you walk

1:19:38.000 --> 1:19:38.719
<v Speaker 5>in you talking.

1:19:39.520 --> 1:19:43.840
<v Speaker 3>There's definitely been like on sets on the weekend I'm

1:19:43.960 --> 1:19:46.559
<v Speaker 3>on location, the producers like we're playing off. I'm like,

1:19:46.680 --> 1:19:48.759
<v Speaker 3>I brought my clubs. I played, They're like, you play.

1:19:49.760 --> 1:19:53.400
<v Speaker 3>It is something I've met a lot of people through golf,

1:19:53.520 --> 1:19:56.759
<v Speaker 3>but I don't use it just for that. I love golf.

1:19:56.840 --> 1:20:00.000
<v Speaker 3>It's fun. I watch it. Just stretch before you do it,

1:20:00.040 --> 1:20:03.240
<v Speaker 3>mirror ever, just.

1:20:03.200 --> 1:20:07.240
<v Speaker 1>Despite you, I'll tell you, I'll go with you. Matter

1:20:07.280 --> 1:20:08.720
<v Speaker 1>of fact, why don't we all.

1:20:10.200 --> 1:20:13.479
<v Speaker 2>Next game night, I'm taking everybody to the Top Golf.

1:20:13.560 --> 1:20:16.080
<v Speaker 3>I'm going let's get let's start you there, get a lesson,

1:20:16.120 --> 1:20:17.000
<v Speaker 3>he says, top Golf.

1:20:17.000 --> 1:20:17.240
<v Speaker 1>Okay.

1:20:17.240 --> 1:20:18.400
<v Speaker 7>I was like, that's not the same.

1:20:18.720 --> 1:20:20.880
<v Speaker 1>No, I want to get you could get some.

1:20:21.040 --> 1:20:23.559
<v Speaker 3>You know, you could get some swings in and not

1:20:24.479 --> 1:20:25.640
<v Speaker 3>a physical.

1:20:25.240 --> 1:20:28.240
<v Speaker 2>Game and you you cannot play right now in your

1:20:28.360 --> 1:20:29.160
<v Speaker 2>current condition.

1:20:29.439 --> 1:20:34.280
<v Speaker 3>Absolutely not not because your back is ye stance. That

1:20:34.840 --> 1:20:37.839
<v Speaker 3>would not be a good choice, this injury.

1:20:38.640 --> 1:20:42.599
<v Speaker 2>Can you name me all the non professional jobs that

1:20:42.680 --> 1:20:46.879
<v Speaker 2>you used to have okay, always non industry related.

1:20:47.560 --> 1:20:51.479
<v Speaker 3>So growing up, my grandmother had owned the dry cleaners,

1:20:51.720 --> 1:20:53.760
<v Speaker 3>and that's some at one point at two to three

1:20:53.840 --> 1:20:56.400
<v Speaker 3>of them, like you know. And so in Chicago, a

1:20:56.439 --> 1:20:58.680
<v Speaker 3>lot of times in the high rises you have a

1:20:59.520 --> 1:21:02.680
<v Speaker 3>uh they have a dry cleaner in the building. So

1:21:02.680 --> 1:21:06.000
<v Speaker 3>so I used to work there every weekend in the summer,

1:21:06.040 --> 1:21:12.160
<v Speaker 3>every day for my grandmother. So dry cleaners, copy store, okay,

1:21:12.640 --> 1:21:18.519
<v Speaker 3>pizza place, taking orders and waiting tables at this Italian restaurant.

1:21:18.720 --> 1:21:20.920
<v Speaker 3>And then I used to stuff envelopes for my mother

1:21:21.000 --> 1:21:24.960
<v Speaker 3>at the at Chicago State University during a certain time

1:21:25.040 --> 1:21:27.400
<v Speaker 3>during the year, you'd have she had to pay somebody,

1:21:27.439 --> 1:21:29.240
<v Speaker 3>and I did it. I always had a little job.

1:21:30.320 --> 1:21:32.160
<v Speaker 1>Cereal of choice.

1:21:33.360 --> 1:21:40.000
<v Speaker 3>And then you're not fun in the morning, Okay. Back

1:21:40.040 --> 1:21:44.080
<v Speaker 3>in the day, it would have been, uh, the frosted wheaties.

1:21:44.080 --> 1:21:50.960
<v Speaker 3>Frosted wheaties. I love those things many I love those.

1:21:51.080 --> 1:21:52.400
<v Speaker 3>I could eat those out the box.

1:21:52.560 --> 1:21:57.640
<v Speaker 1>That's my top ten. I like that number six. Yeah,

1:21:57.439 --> 1:21:58.479
<v Speaker 1>oh man, you scared me.

1:22:00.160 --> 1:22:02.519
<v Speaker 3>Because I don't like it gets I have to when

1:22:02.560 --> 1:22:05.519
<v Speaker 3>I would eat it, like I don't like Mike to

1:22:05.520 --> 1:22:07.559
<v Speaker 3>get soggy, so I would have to, like put the

1:22:07.600 --> 1:22:09.280
<v Speaker 3>milk in and eat it real quick while it was

1:22:09.320 --> 1:22:11.639
<v Speaker 3>still crunchy. It gets all mushy and it's gross.

1:22:11.760 --> 1:22:14.519
<v Speaker 2>And okay, I mean, what's your top, dude, I'm peanut,

1:22:14.560 --> 1:22:17.040
<v Speaker 2>but a Captain crunch all day.

1:22:18.120 --> 1:22:18.960
<v Speaker 7>No crunchberries.

1:22:18.960 --> 1:22:20.479
<v Speaker 3>If you're gonna do a Captain crunch, you better do

1:22:20.479 --> 1:22:21.719
<v Speaker 3>a cruncher. I don't know what You're.

1:22:21.960 --> 1:22:23.920
<v Speaker 1>Better eat them with a mouth guard. They're gonna cut

1:22:23.960 --> 1:22:24.479
<v Speaker 1>up the top of the.

1:22:26.200 --> 1:22:28.160
<v Speaker 3>Guys. No, the sugar puff, what is it?

1:22:28.280 --> 1:22:28.840
<v Speaker 7>The what is it?

1:22:28.920 --> 1:22:31.240
<v Speaker 3>The puff with the sugar.

1:22:31.280 --> 1:22:36.840
<v Speaker 2>Tops, kicks, sugar corn pops? No golden crips? What's what's

1:22:36.840 --> 1:22:39.120
<v Speaker 2>the name of the It was like.

1:22:42.240 --> 1:22:45.680
<v Speaker 3>Toaster not No, I don't like that.

1:22:47.560 --> 1:22:50.599
<v Speaker 1>No, I was not a Simon cookie.

1:22:52.400 --> 1:22:54.639
<v Speaker 3>It's like I would get lucky charms. But just eat

1:22:54.680 --> 1:22:54.960
<v Speaker 3>all the.

1:22:57.120 --> 1:23:00.559
<v Speaker 1>You did last night. I got so Now they've made

1:23:00.600 --> 1:23:02.200
<v Speaker 1>fruity pebbles with marshmallows.

1:23:02.240 --> 1:23:04.800
<v Speaker 7>Now, none of that stuff tastes the same as kids like.

1:23:05.120 --> 1:23:05.880
<v Speaker 3>So much sugar.

1:23:06.760 --> 1:23:10.400
<v Speaker 1>It's not the same. I'm still part of the fruit loops.

1:23:10.439 --> 1:23:11.200
<v Speaker 1>I think fruit loops.

1:23:11.640 --> 1:23:13.880
<v Speaker 3>Yeah, okay, apple.

1:23:13.680 --> 1:23:15.000
<v Speaker 6>Jackson of the day.

1:23:15.080 --> 1:23:17.919
<v Speaker 3>If you're asking me now, I'm gonna give you answers

1:23:17.960 --> 1:23:21.120
<v Speaker 3>from back in the day because my eating habits have changed.

1:23:21.200 --> 1:23:23.360
<v Speaker 3>I don't eat here. I'm not gonna have a big

1:23:23.400 --> 1:23:26.320
<v Speaker 3>sugar bomb in the morning. Yeah, that is not a

1:23:26.400 --> 1:23:27.960
<v Speaker 3>good choice to start your day off.

1:23:28.520 --> 1:23:29.479
<v Speaker 1>Yeah, now she's giving.

1:23:31.240 --> 1:23:37.720
<v Speaker 3>PCTAR mushrooms ended this morning. That's what I had. Mushrooms

1:23:37.760 --> 1:23:38.639
<v Speaker 3>are the thing right now.

1:23:38.720 --> 1:23:46.799
<v Speaker 1>There are you in the mushroom like drug mushrooms not drugs, drugs.

1:23:47.840 --> 1:23:53.160
<v Speaker 1>Magic ushrooms are just a little bit different than heroin. Yeah.

1:23:53.200 --> 1:23:55.680
<v Speaker 1>I never with that. Yeah, let's do it.

1:23:55.840 --> 1:23:58.640
<v Speaker 3>But at this point in my life, of course, not

1:23:59.240 --> 1:23:59.680
<v Speaker 3>really what.

1:24:01.280 --> 1:24:04.360
<v Speaker 1>Yes, but been there done that sounds it'll help your tailbow.

1:24:08.080 --> 1:24:10.080
<v Speaker 3>I'm one of those people at this point I would

1:24:10.120 --> 1:24:12.800
<v Speaker 3>not like some of the chances I took as a

1:24:13.080 --> 1:24:13.799
<v Speaker 3>young person.

1:24:14.439 --> 1:24:16.120
<v Speaker 1>You're not changing horses midstream.

1:24:16.760 --> 1:24:16.920
<v Speaker 8>Now.

1:24:17.000 --> 1:24:19.960
<v Speaker 3>I'm like, I could, I could get that one crazy high,

1:24:20.160 --> 1:24:22.559
<v Speaker 3>like something weird that changes my life, and I got

1:24:22.640 --> 1:24:26.880
<v Speaker 3>responsibilities and kids. There's nothing, there is nothing, There is

1:24:27.000 --> 1:24:30.320
<v Speaker 3>no high that I'm chasing. I look back at my

1:24:30.479 --> 1:24:34.200
<v Speaker 3>life and I go, I'm very lucky that nothing crazy happened.

1:24:34.640 --> 1:24:38.760
<v Speaker 3>So I'm a wrapping up and keep moving. A little

1:24:38.840 --> 1:24:46.840
<v Speaker 3>wine and maybe a gummy or something. You started with mushrooms,

1:24:47.040 --> 1:24:50.639
<v Speaker 3>but that's a psychedelic kind.

1:24:50.479 --> 1:24:52.360
<v Speaker 1>Of it's a psychodap. But we talked about drugs.

1:24:52.360 --> 1:24:54.479
<v Speaker 5>I'm talking about like the hard ship, like the White Ship,

1:24:54.760 --> 1:24:57.360
<v Speaker 5>like scheduled to narcotics.

1:24:57.080 --> 1:24:59.960
<v Speaker 1>You know what I mean, like any anything. It's like

1:25:01.320 --> 1:25:03.080
<v Speaker 1>use that as a party drug.

1:25:03.760 --> 1:25:07.760
<v Speaker 3>So it's yeah, like what yeah, but I'm not going

1:25:07.800 --> 1:25:09.680
<v Speaker 3>to no more park we're talking about I'm doing.

1:25:10.080 --> 1:25:12.840
<v Speaker 1>Yeah, No, it's not happening. I don't consider mushrooms a

1:25:12.960 --> 1:25:13.400
<v Speaker 1>party joke.

1:25:13.520 --> 1:25:16.680
<v Speaker 3>And my husband's very straight. He's like, no drugs. He

1:25:16.840 --> 1:25:17.759
<v Speaker 3>barely drinks.

1:25:17.840 --> 1:25:19.280
<v Speaker 6>So busy cleaning the garage.

1:25:21.240 --> 1:25:29.320
<v Speaker 1>I would be there. I'm the organize twenty seventeen coffee.

1:25:29.360 --> 1:25:30.479
<v Speaker 1>How do you how you do your coffee?

1:25:30.680 --> 1:25:31.000
<v Speaker 3>How do you know?

1:25:31.000 --> 1:25:32.599
<v Speaker 1>I was going to ask that question because he knows

1:25:33.200 --> 1:25:35.720
<v Speaker 1>where is your order at Starbucks? What's your Starbucks order?

1:25:37.360 --> 1:25:38.280
<v Speaker 6>She doesn't go to Starbucks?

1:25:38.360 --> 1:25:40.439
<v Speaker 1>Make your home. It's just my god.

1:25:43.720 --> 1:25:46.000
<v Speaker 3>If I'm on the set and they say we're going

1:25:46.040 --> 1:25:48.360
<v Speaker 3>to Starbucks, I will ask for two things. I will

1:25:48.439 --> 1:25:53.240
<v Speaker 3>either say I want Americano with one cream, one sugar,

1:25:53.880 --> 1:25:57.120
<v Speaker 3>or I will go, oh, today, I'm going to have

1:25:57.200 --> 1:26:01.400
<v Speaker 3>a little dessert thing. Give me a I mocha half

1:26:01.560 --> 1:26:05.360
<v Speaker 3>chocolate soy milk, and that would be no whip cream

1:26:05.479 --> 1:26:10.680
<v Speaker 3>that was at home at home. So he has this

1:26:10.880 --> 1:26:14.600
<v Speaker 3>mushroom coffee. I'm into the mushrooms, but I love but

1:26:14.840 --> 1:26:21.120
<v Speaker 3>I love coffee, so I'm not saying you asked me

1:26:21.200 --> 1:26:25.240
<v Speaker 3>about coffee. So I have my coffee. Listen, try this

1:26:25.560 --> 1:26:28.240
<v Speaker 3>because in the morning, this thing will have you moving

1:26:28.400 --> 1:26:31.040
<v Speaker 3>through your day. So I have my regular big cup

1:26:31.080 --> 1:26:35.479
<v Speaker 3>of coffee ten ounces, and I put a tablespoon of

1:26:35.640 --> 1:26:41.000
<v Speaker 3>the instant mushroom coffee in my coffee. And then, by

1:26:41.040 --> 1:26:45.000
<v Speaker 3>the way, done this, and then I use a butter

1:26:45.120 --> 1:26:48.439
<v Speaker 3>bomb in there that has the coconut oil and the

1:26:48.560 --> 1:26:52.320
<v Speaker 3>d butter mixture thing. And that's why I don't eat

1:26:52.360 --> 1:26:54.160
<v Speaker 3>till one because that kind of carries me.

1:26:55.439 --> 1:26:58.360
<v Speaker 2>Puts a dab of coconut butter inside of his coffee,

1:26:59.240 --> 1:27:01.599
<v Speaker 2>and what does that do something?

1:27:02.120 --> 1:27:07.360
<v Speaker 3>It's really good. It's it's really good for your mental

1:27:07.840 --> 1:27:13.360
<v Speaker 3>capacity energy that mixed with the mushroom stuff with like

1:27:13.520 --> 1:27:15.679
<v Speaker 3>I'm so wait, what kind of butter was that again?

1:27:15.720 --> 1:27:17.240
<v Speaker 6>And just butter bomb?

1:27:17.560 --> 1:27:19.160
<v Speaker 1>Butter bomb or a coconut.

1:27:18.840 --> 1:27:22.800
<v Speaker 3>That's a tight I'm asking, But it's a mixture of butter,

1:27:23.200 --> 1:27:25.759
<v Speaker 3>coconut and this other something.

1:27:26.320 --> 1:27:30.240
<v Speaker 1>But I can, I can vouch for this to put

1:27:30.280 --> 1:27:32.720
<v Speaker 1>us onto it. I did it. It actually is.

1:27:32.840 --> 1:27:35.280
<v Speaker 3>But this whole mixture with the mushroom in it is

1:27:35.520 --> 1:27:38.479
<v Speaker 3>my I think is my It's my thing. I made

1:27:38.520 --> 1:27:41.920
<v Speaker 3>it up because I don't want mushroom coffee. I want coffee,

1:27:42.640 --> 1:27:44.120
<v Speaker 3>and so I was like, I could put it all

1:27:44.120 --> 1:27:44.719
<v Speaker 3>on Wenesday.

1:27:45.120 --> 1:27:46.160
<v Speaker 1>What it is coffee?

1:27:46.200 --> 1:27:50.759
<v Speaker 3>And the yeah, are you coming at you don't drink coffee?

1:27:51.000 --> 1:27:52.040
<v Speaker 7>Oh so you think he don't know?

1:27:52.160 --> 1:27:55.160
<v Speaker 3>Okay, No, No, the mushroom because it's a mushroom coffee.

1:27:55.280 --> 1:27:59.040
<v Speaker 3>I add the mushroom coffee powder into my regular coffee

1:27:59.240 --> 1:28:01.080
<v Speaker 3>with the butter thing and no sugar.

1:28:01.800 --> 1:28:04.639
<v Speaker 2>If coffee was really my jam, I'm one of these people.

1:28:04.680 --> 1:28:06.960
<v Speaker 2>I'm not Wow, we're talking about coffee, Steve. If you

1:28:07.000 --> 1:28:09.920
<v Speaker 2>have not waiting yet, I'm thinking about snorting rice. Chrispis

1:28:12.280 --> 1:28:15.280
<v Speaker 2>as much when I think of Starbucks, Like my Christmas

1:28:15.320 --> 1:28:17.960
<v Speaker 2>gift to Steve is always like you probably ran out.

1:28:17.880 --> 1:28:24.160
<v Speaker 1>Already gold Starbucks card or something. It's like a lifetime supply.

1:28:25.160 --> 1:28:28.599
<v Speaker 1>All right, for Halloween? What is your costume?

1:28:28.800 --> 1:28:31.200
<v Speaker 6>Wait, we're already office all right, shit, Okay, we're still

1:28:31.200 --> 1:28:34.639
<v Speaker 6>talking about No, I'm obsessed, but let's talk about Halloween.

1:28:34.920 --> 1:28:39.720
<v Speaker 3>Okay. The last Halloween that we went to was a

1:28:40.320 --> 1:28:44.160
<v Speaker 3>dress up as your because they were people were performing

1:28:44.320 --> 1:28:47.200
<v Speaker 3>on stage two and doing a thing. So I went

1:28:47.479 --> 1:28:48.200
<v Speaker 3>as Vanity.

1:28:49.000 --> 1:28:50.679
<v Speaker 1>Wow, yes you did.

1:28:50.920 --> 1:28:53.439
<v Speaker 3>I went as Vanity. I wore her little outfit, you know,

1:28:54.800 --> 1:28:57.519
<v Speaker 3>but what I was going to and then I chickened down.

1:28:58.400 --> 1:29:03.880
<v Speaker 3>Wait which Vanity from the actual movie. Vanity opened the video,

1:29:04.520 --> 1:29:08.200
<v Speaker 3>and so I had I got. I rented a tuxedo jacket,

1:29:08.320 --> 1:29:11.360
<v Speaker 3>and I had hotelingerie and the heels I went.

1:29:11.800 --> 1:29:12.080
<v Speaker 6>I went.

1:29:12.720 --> 1:29:13.360
<v Speaker 3>That's how I went.

1:29:14.600 --> 1:29:18.960
<v Speaker 1>Nice. Do you do you go karaoke? Like at all? No,

1:29:20.720 --> 1:29:22.240
<v Speaker 1>you started out as a singer.

1:29:22.160 --> 1:29:24.960
<v Speaker 3>But I don't like karaoke. It's not my thing. Okay,

1:29:25.160 --> 1:29:27.360
<v Speaker 3>because you go and then it's not in the key

1:29:27.520 --> 1:29:30.160
<v Speaker 3>you need to be I'm judging, it's like it's too no.

1:29:30.680 --> 1:29:32.360
<v Speaker 6>No, those songs are always higher than.

1:29:32.320 --> 1:29:34.600
<v Speaker 3>You think, they're always highed like.

1:29:34.680 --> 1:29:35.639
<v Speaker 1>Any bon jovie song.

1:29:35.680 --> 1:29:38.280
<v Speaker 6>Ever, you're like, I got this ship, and then and

1:29:38.320 --> 1:29:39.560
<v Speaker 6>then you get to the chorus of Blaze of the

1:29:39.560 --> 1:29:41.000
<v Speaker 6>Glory and you're like, I don't gotten this ship.

1:29:42.960 --> 1:29:44.920
<v Speaker 3>And then they give me this book like this, I

1:29:45.040 --> 1:29:45.519
<v Speaker 3>can't make it.

1:29:46.320 --> 1:29:54.759
<v Speaker 1>It's like it's a lot judging.

1:29:55.160 --> 1:29:58.479
<v Speaker 2>Okay, For me, I discovered that I have to go

1:29:58.720 --> 1:30:02.240
<v Speaker 2>back to me as a nine, ten, eleven year old

1:30:02.920 --> 1:30:07.920
<v Speaker 2>and discover fun for that person. For you, what is

1:30:08.040 --> 1:30:13.240
<v Speaker 2>your one Do you allow yourself to ever become an

1:30:13.240 --> 1:30:15.479
<v Speaker 2>eleven year old at this stage in your life? And

1:30:15.800 --> 1:30:19.680
<v Speaker 2>what is it that you do for fun? Do you

1:30:20.880 --> 1:30:24.320
<v Speaker 2>play Monopoly when no one's watching? Do you watch Tom

1:30:24.360 --> 1:30:26.960
<v Speaker 2>and Jerry play spades? Am I really making you uncomfortable

1:30:27.040 --> 1:30:27.360
<v Speaker 2>right now?

1:30:27.640 --> 1:30:30.639
<v Speaker 3>Well, because I'm thinking of my whole life is going.

1:30:30.760 --> 1:30:33.439
<v Speaker 3>I'm going maybe I'm not doing enough things for fun.

1:30:33.840 --> 1:30:36.559
<v Speaker 3>We do play spades. I don't know if I'm doing

1:30:36.640 --> 1:30:38.920
<v Speaker 3>that all the time. But we used to a lot

1:30:39.000 --> 1:30:41.160
<v Speaker 3>of things. I used to do like Donder and I

1:30:41.280 --> 1:30:43.280
<v Speaker 3>used to be on a in a bowling league. We

1:30:43.439 --> 1:30:46.120
<v Speaker 3>used to bowl a lot, okay, and golf more than

1:30:46.160 --> 1:30:48.840
<v Speaker 3>he would say, I'm not playing much golf anymore. I

1:30:48.920 --> 1:30:53.479
<v Speaker 3>start getting too into work, so I might h you

1:30:53.640 --> 1:30:55.760
<v Speaker 3>may be telling me I need to have more fun

1:30:56.720 --> 1:30:58.000
<v Speaker 3>because usually no.

1:30:58.120 --> 1:30:59.679
<v Speaker 1>No, these are just random questions.

1:30:59.840 --> 1:31:01.760
<v Speaker 3>You're or not. This is a hard question for me

1:31:01.840 --> 1:31:04.200
<v Speaker 3>to answer. It would usually be getting together. We have

1:31:04.320 --> 1:31:06.679
<v Speaker 3>sort of a couple's group. We all go out to dinner,

1:31:07.360 --> 1:31:10.240
<v Speaker 3>and it's really hanging out with them and going to dinner.

1:31:10.560 --> 1:31:14.360
<v Speaker 3>But that doesn't sound like that much fun. We're vacationing together,

1:31:14.600 --> 1:31:16.120
<v Speaker 3>but it doesn't sound that exciting.

1:31:16.160 --> 1:31:18.719
<v Speaker 1>You know, something I discovered the joys of silence.

1:31:19.479 --> 1:31:22.120
<v Speaker 3>You know, I'm kind of you know how they say

1:31:23.240 --> 1:31:25.760
<v Speaker 3>I would rather be at home. Sitting up in my

1:31:26.320 --> 1:31:29.320
<v Speaker 3>house is comfortable. We have a nice little area outside.

1:31:29.360 --> 1:31:33.560
<v Speaker 3>I can watch TV outside and sit there and be

1:31:33.760 --> 1:31:37.320
<v Speaker 3>with my husband and with my dogs and chill.

1:31:38.000 --> 1:31:41.400
<v Speaker 5>Okay, you know you have a guilty pleasure in terms

1:31:41.400 --> 1:31:44.080
<v Speaker 5>of food or like we talked about all the healthy stuff.

1:31:44.200 --> 1:31:44.560
<v Speaker 1>Yeah, you do.

1:31:45.040 --> 1:31:47.080
<v Speaker 5>What's like your you know when you just want to

1:31:47.080 --> 1:31:49.280
<v Speaker 5>go to the abyss, Like what's the worst thing you eat?

1:31:49.680 --> 1:31:52.040
<v Speaker 5>Like you just you buzzed down a quarter pounds like.

1:31:57.240 --> 1:31:57.439
<v Speaker 7>Burger.

1:31:57.560 --> 1:31:58.960
<v Speaker 1>Let's let's ratchet Sally riches.

1:31:59.520 --> 1:32:00.040
<v Speaker 4>I think.

1:32:02.560 --> 1:32:05.400
<v Speaker 3>Because so for many for a long time, I was

1:32:05.600 --> 1:32:11.479
<v Speaker 3>like a vegan vegetarian. I've just started eating some meat

1:32:11.560 --> 1:32:14.960
<v Speaker 3>sometimes now, so I think it would be some pizza

1:32:15.080 --> 1:32:18.639
<v Speaker 3>and wings something like that. No, No, I want spicy.

1:32:19.960 --> 1:32:23.599
<v Speaker 3>I went hot. Yeah, I've been enjoying some girls.

1:32:24.920 --> 1:32:25.640
<v Speaker 1>Let's talk about it.

1:32:26.200 --> 1:32:26.719
<v Speaker 7>And which.

1:32:33.960 --> 1:32:34.080
<v Speaker 3>Right.

1:32:34.280 --> 1:32:36.719
<v Speaker 1>She was like, god, she thought about the mouse sauce.

1:32:36.760 --> 1:32:39.680
<v Speaker 1>She was like, holy ship, what.

1:32:39.880 --> 1:32:41.320
<v Speaker 6>I'm sorry, Delian the truth.

1:32:41.400 --> 1:32:42.599
<v Speaker 1>We're a very silly show.

1:32:43.200 --> 1:32:48.240
<v Speaker 6>No, very serious about mushrooms, and we're a very silly show.

1:32:48.400 --> 1:32:51.240
<v Speaker 3>You're asking me, serious ship, what you want. I'm giving

1:32:51.280 --> 1:32:56.240
<v Speaker 3>you serious answers. Okay, but what's your Okay, my haralds

1:32:56.280 --> 1:32:59.760
<v Speaker 3>it's been a long time, but my Harold's order would

1:32:59.840 --> 1:33:02.360
<v Speaker 3>be say it like you at the counter, because okay,

1:33:02.360 --> 1:33:03.639
<v Speaker 3>well I got to think about it because.

1:33:03.439 --> 1:33:08.120
<v Speaker 1>I remember, is my chicken heaven in Chicago?

1:33:08.439 --> 1:33:10.679
<v Speaker 3>So you would get it's like a fried chicken plate

1:33:10.920 --> 1:33:13.720
<v Speaker 3>and then there's French fries on it and some white bread,

1:33:14.280 --> 1:33:17.200
<v Speaker 3>and so I always get, you know, like what is

1:33:17.240 --> 1:33:19.200
<v Speaker 3>that like half a chicken or so I don't remember what,

1:33:19.880 --> 1:33:22.360
<v Speaker 3>but I like the barbecue sauce and the hot sauce

1:33:22.720 --> 1:33:26.240
<v Speaker 3>all over it, and I yeah, yeah, so like yeah,

1:33:26.360 --> 1:33:28.280
<v Speaker 3>half Chad.

1:33:29.160 --> 1:33:31.840
<v Speaker 1>Yes, it has to be white bread. It has to

1:33:31.880 --> 1:33:33.240
<v Speaker 1>be in Chicago.

1:33:33.920 --> 1:33:38.960
<v Speaker 3>Rib tips, yes, sir, Yes, Chicago south Side. That is

1:33:39.280 --> 1:33:44.400
<v Speaker 3>the city of rib tips, rib tips and white white

1:33:44.479 --> 1:33:46.080
<v Speaker 3>wonderbread and some French fries.

1:33:46.479 --> 1:33:48.439
<v Speaker 2>I'm so glad you're here because it's been a while

1:33:48.520 --> 1:33:50.040
<v Speaker 2>since we had a Chicago guest.

1:33:49.920 --> 1:33:52.240
<v Speaker 1>On the show. You got to explain some things to me. Okay,

1:33:52.600 --> 1:33:55.880
<v Speaker 1>Number one, here we go. What's up with y'all? And

1:33:56.600 --> 1:33:59.360
<v Speaker 1>this anti ketchup on hot dog thing?

1:34:00.160 --> 1:34:03.240
<v Speaker 3>That's you know what? I like ketchup on my hot dogs.

1:34:03.800 --> 1:34:06.600
<v Speaker 3>But yeah, because you get when you go get a

1:34:06.680 --> 1:34:11.480
<v Speaker 3>Chicago hot dog, it's a pickle, these peppers and mustard.

1:34:11.840 --> 1:34:14.880
<v Speaker 1>Out the restaurant. Sometimes if you put ketchup on it, or.

1:34:16.040 --> 1:34:20.320
<v Speaker 3>Or if you ordered a Chicago dogs insult to them. Yeah, yeah,

1:34:20.560 --> 1:34:23.760
<v Speaker 3>I like ketchup. I think that's more of a white thing.

1:34:24.120 --> 1:34:25.840
<v Speaker 1>Okay, defend your pizza.

1:34:27.000 --> 1:34:31.640
<v Speaker 3>It's fantastic talking about Oh my god, the way she was.

1:34:31.800 --> 1:34:34.040
<v Speaker 3>I used to work at a pizza place. I used

1:34:34.080 --> 1:34:37.719
<v Speaker 3>to work at Eduardo's, which is like really thick pizza.

1:34:39.600 --> 1:34:43.360
<v Speaker 2>Well, not not to totally alienate an entire part of

1:34:43.439 --> 1:34:44.840
<v Speaker 2>our listenership, I.

1:34:44.920 --> 1:34:46.760
<v Speaker 3>Will just let me tell you.

1:34:46.800 --> 1:34:53.080
<v Speaker 1>Could you recommend good, better spots in Chicago?

1:34:53.600 --> 1:34:57.639
<v Speaker 3>Okay, so honestly on the what I do not remember

1:34:57.680 --> 1:35:00.719
<v Speaker 3>the name of this. There's a place on like really

1:35:00.880 --> 1:35:03.680
<v Speaker 3>south Side because my mom lives out like in the South.

1:35:05.360 --> 1:35:10.920
<v Speaker 3>I'm good, no, because he's because she lives out like

1:35:11.000 --> 1:35:11.959
<v Speaker 3>in the South suburbs.

1:35:12.040 --> 1:35:12.160
<v Speaker 8>Now.

1:35:12.920 --> 1:35:16.000
<v Speaker 3>But it's a thinner pizza that they have, But there

1:35:16.120 --> 1:35:20.799
<v Speaker 3>is a different taste to the sauce and the pizza

1:35:21.720 --> 1:35:22.560
<v Speaker 3>in Chicago.

1:35:23.439 --> 1:35:26.080
<v Speaker 1>Oh god, I wish I as opposed to it.

1:35:27.360 --> 1:35:29.720
<v Speaker 3>No, no, because yours is super thin. Okay, right, The

1:35:29.760 --> 1:35:32.800
<v Speaker 3>New York pizza is its own thing. It's fantastic. But

1:35:32.920 --> 1:35:36.880
<v Speaker 3>there is a thinner crust pizza in Chicago that has

1:35:37.640 --> 1:35:42.640
<v Speaker 3>like the sausage pizza with the grease in it, and

1:35:42.800 --> 1:35:46.760
<v Speaker 3>the taste of that sauce is I think maybe it's

1:35:46.840 --> 1:35:50.080
<v Speaker 3>neighborhood pizza or something. It is a you would love

1:35:50.160 --> 1:35:52.760
<v Speaker 3>that pizza. If you don't like thick crust, fine, but

1:35:52.880 --> 1:35:54.960
<v Speaker 3>you would love that pizza. I would put that pizza.

1:35:57.800 --> 1:36:00.559
<v Speaker 3>I'm I'm gonna text my mother before I leave here

1:36:01.000 --> 1:36:03.960
<v Speaker 3>and find out the name of this pizza place. I

1:36:04.000 --> 1:36:06.439
<v Speaker 3>would put that against a slice of New York pizza.

1:36:08.360 --> 1:36:08.960
<v Speaker 1>I don't have any.

1:36:09.280 --> 1:36:10.000
<v Speaker 3>You don't have any.

1:36:11.840 --> 1:36:16.680
<v Speaker 1>I live in New York. But okay, but you know

1:36:16.720 --> 1:36:18.600
<v Speaker 1>I'm testing out their pizzas.

1:36:18.280 --> 1:36:20.200
<v Speaker 7>But that you know what?

1:36:20.280 --> 1:36:25.760
<v Speaker 3>Okay, So now, besides Harold's that pizza in Chicago, that

1:36:26.000 --> 1:36:28.280
<v Speaker 3>kind of thin crust one with that grease and that

1:36:28.720 --> 1:36:38.000
<v Speaker 3>Italian sausage. That and Chicago Chinese food is because they

1:36:38.040 --> 1:36:42.840
<v Speaker 3>don't Chicago Chinese food is well, obviously that's what I

1:36:42.880 --> 1:36:45.280
<v Speaker 3>grew up on, but like some egg food young from

1:36:45.600 --> 1:36:48.200
<v Speaker 3>some it's a whole different Chinese.

1:36:48.280 --> 1:36:50.080
<v Speaker 1>I came out of Chinese place. We went to there

1:36:50.120 --> 1:36:53.599
<v Speaker 1>one night, David Yo, I tried David Wan's last night.

1:36:55.560 --> 1:36:58.519
<v Speaker 6>I was losing hope changed my life as a Jew

1:36:58.680 --> 1:37:02.080
<v Speaker 6>who loves Chinese food. Well, for whatever reason, that moment

1:37:02.479 --> 1:37:07.519
<v Speaker 6>at that night, fancy Chinese or like, it's not.

1:37:07.640 --> 1:37:11.760
<v Speaker 2>Hood, it's not hood, it's but it's not fancy, but

1:37:11.800 --> 1:37:15.719
<v Speaker 2>it's not hood. But they've mastered the art of salt

1:37:15.760 --> 1:37:16.920
<v Speaker 2>and pepper chicken wings.

1:37:17.520 --> 1:37:18.720
<v Speaker 1>Oh okay, And.

1:37:20.439 --> 1:37:22.920
<v Speaker 3>Yes, my test is always egg foo young and shrimp

1:37:22.960 --> 1:37:25.360
<v Speaker 3>with lobster sauce. If it tastes a certain way, If

1:37:25.400 --> 1:37:27.680
<v Speaker 3>it's not right, then your restaurant ain't right.

1:37:27.760 --> 1:37:30.080
<v Speaker 1>Philadelphia is a salt pepper chicken.

1:37:31.600 --> 1:37:33.320
<v Speaker 6>It's like two dishes of what is probably like a

1:37:33.439 --> 1:37:35.840
<v Speaker 6>thousand dishes, but for those two are.

1:37:35.800 --> 1:37:39.439
<v Speaker 3>Big staples in a in a Chicago Chinese restaurant. We

1:37:39.439 --> 1:37:41.160
<v Speaker 3>should be able to make egg food young.

1:37:41.720 --> 1:37:44.320
<v Speaker 6>And I feel like you're about to fight.

1:37:44.880 --> 1:37:45.679
<v Speaker 3>I'm just saying.

1:37:47.560 --> 1:37:48.080
<v Speaker 1>The Chicago.

1:37:49.280 --> 1:37:51.840
<v Speaker 3>I'm a random dinner. I said you should have you

1:37:51.880 --> 1:37:53.760
<v Speaker 3>should have had some alcohol here. I might have been

1:37:53.800 --> 1:37:54.519
<v Speaker 3>a different person.

1:37:55.479 --> 1:37:57.880
<v Speaker 1>Less to meet back here tomorrow.

1:37:59.160 --> 1:37:59.840
<v Speaker 6>Sad time.

1:38:04.720 --> 1:38:07.080
<v Speaker 1>We're going up a bit. But I have a few

1:38:07.120 --> 1:38:07.960
<v Speaker 1>more random questions.

1:38:08.000 --> 1:38:10.040
<v Speaker 3>If asked me about Gilded real quick, so I can

1:38:10.120 --> 1:38:13.360
<v Speaker 3>tell you about Okay, you kind of did. It's a

1:38:13.439 --> 1:38:14.920
<v Speaker 3>great season. It'll be fantastic.

1:38:15.120 --> 1:38:16.800
<v Speaker 1>Now what more would you like to be going?

1:38:17.200 --> 1:38:19.120
<v Speaker 3>I just want people it's about to come out, and

1:38:19.600 --> 1:38:24.280
<v Speaker 3>you know, I want to tell for for my black audience,

1:38:24.840 --> 1:38:27.080
<v Speaker 3>because we want all I want to say, who were

1:38:27.200 --> 1:38:31.559
<v Speaker 3>hungry for more of Peggy Yes, and the black elite.

1:38:31.640 --> 1:38:33.120
<v Speaker 7>She's not going to get hurt when she goes to

1:38:33.200 --> 1:38:33.559
<v Speaker 7>the South.

1:38:33.800 --> 1:38:40.680
<v Speaker 3>I'm not telling yeah, cool, But but she does go

1:38:40.920 --> 1:38:43.840
<v Speaker 3>but I can't say that she goes to meet booker

1:38:43.880 --> 1:38:47.360
<v Speaker 3>t Washington. So she does go to Tuskegee. So but

1:38:47.479 --> 1:38:50.800
<v Speaker 3>you get to see more of that because people were

1:38:50.880 --> 1:38:52.640
<v Speaker 3>hungry for it, because it was just the taste of

1:38:52.680 --> 1:38:54.840
<v Speaker 3>Obviously the show's not about that, but so I just

1:38:54.880 --> 1:38:57.200
<v Speaker 3>wanted to say that because people have been everywhere I go,

1:38:57.280 --> 1:38:59.160
<v Speaker 3>people are like, when's it coming back? Are we going

1:38:59.200 --> 1:39:01.280
<v Speaker 3>to see more Peggy? Yes, you are, and it's gonna

1:39:01.280 --> 1:39:01.519
<v Speaker 3>be great.

1:39:01.880 --> 1:39:04.240
<v Speaker 1>It's kind of great. Well, they're just totally paled my

1:39:04.439 --> 1:39:04.960
<v Speaker 1>next question.

1:39:09.240 --> 1:39:12.360
<v Speaker 3>I just wanted to get people keep asking me someone

1:39:12.439 --> 1:39:13.920
<v Speaker 3>to tell them, go ahead, do y'all put.

1:39:13.760 --> 1:39:16.080
<v Speaker 7>A little extra extra funky on those clothes on the

1:39:16.120 --> 1:39:17.000
<v Speaker 7>wardrobe and gilded.

1:39:17.960 --> 1:39:19.519
<v Speaker 3>They spent a lot of money on those because they

1:39:19.720 --> 1:39:27.120
<v Speaker 3>it seems, I mean, it's is brilliant. She is friend,

1:39:27.200 --> 1:39:30.400
<v Speaker 3>this French woman, she is brilliant. They are all handmade,

1:39:30.600 --> 1:39:33.240
<v Speaker 3>but you know, obviously the ones for the actors, for

1:39:33.360 --> 1:39:36.439
<v Speaker 3>the main actors, they're all handmade for each of them.

1:39:36.560 --> 1:39:40.000
<v Speaker 3>They are made with the most beautiful fabric. The hats

1:39:40.040 --> 1:39:41.479
<v Speaker 3>are It's all about the hats.

1:39:41.560 --> 1:39:43.400
<v Speaker 7>This year I saw that.

1:39:45.960 --> 1:39:50.400
<v Speaker 3>It's just that's what I enjoyed so much in directing.

1:39:50.479 --> 1:39:53.120
<v Speaker 3>It was like, oh, if I if you show if

1:39:53.160 --> 1:39:55.559
<v Speaker 3>she showed me a special piece, I'm like, don't worry, baby,

1:39:55.560 --> 1:39:59.360
<v Speaker 3>we see you again. Yeah, yeah, come, I asked you

1:39:59.400 --> 1:40:00.880
<v Speaker 3>a shallow QUI Wow.

1:40:05.520 --> 1:40:06.880
<v Speaker 1>It's like Jerry's.

1:40:07.960 --> 1:40:13.599
<v Speaker 6>Sally at seven on the look the funk out because

1:40:13.760 --> 1:40:14.240
<v Speaker 6>I kind of.

1:40:14.240 --> 1:40:20.920
<v Speaker 2>Wanted to ended on on rather apropoke question, what would

1:40:21.040 --> 1:40:25.439
<v Speaker 2>you tell, oh lord, your seven year old self right now,

1:40:26.200 --> 1:40:26.960
<v Speaker 2>shallow ship?

1:40:31.760 --> 1:40:33.719
<v Speaker 1>See, they should have warned you about this show.

1:40:35.040 --> 1:40:37.439
<v Speaker 2>No, no, no, And some some guests are are a

1:40:37.600 --> 1:40:39.680
<v Speaker 2>little thrown off because yeah, I mean, we could do

1:40:39.760 --> 1:40:41.439
<v Speaker 2>the normal thing, like hey, what do you pluck? But

1:40:41.600 --> 1:40:44.600
<v Speaker 2>I want to get to the deep person, you know,

1:40:44.960 --> 1:40:47.920
<v Speaker 2>behind the project. What would you tell your seven year

1:40:47.920 --> 1:40:53.320
<v Speaker 2>old self right now? Like you're given two minutes to

1:40:54.280 --> 1:40:57.320
<v Speaker 2>time travel back to you at the age of seven,

1:40:57.600 --> 1:40:59.920
<v Speaker 2>and opinion your parents did?

1:41:00.320 --> 1:41:02.760
<v Speaker 3>I think it's I think it really is one of

1:41:02.800 --> 1:41:06.599
<v Speaker 3>those like you will make it through this. You will

1:41:06.640 --> 1:41:10.439
<v Speaker 3>make it through this, and and I always say, and

1:41:10.520 --> 1:41:14.080
<v Speaker 3>it's gonna be okay, like, uh, it's really you're gonna

1:41:14.080 --> 1:41:18.640
<v Speaker 3>make it through this. You're gonna make it through this. Yes,

1:41:18.640 --> 1:41:20.880
<v Speaker 3>it's great. What is it like to direct?

1:41:21.840 --> 1:41:24.800
<v Speaker 7>Now? I'm sorry my last question, Gilda question, What is

1:41:24.800 --> 1:41:26.080
<v Speaker 7>it like? I'm gonna say it one more time to

1:41:26.160 --> 1:41:27.520
<v Speaker 7>direct Audrey McDon.

1:41:28.439 --> 1:41:30.880
<v Speaker 3>She's she's one of those people there's not much to

1:41:30.960 --> 1:41:34.519
<v Speaker 3>do because she's brilliant, and she's kind and nice and

1:41:34.800 --> 1:41:38.839
<v Speaker 3>easy and everything you would hope from someone who's that talented,

1:41:39.080 --> 1:41:42.320
<v Speaker 3>like there's no issues and if I didn't, you know,

1:41:42.600 --> 1:41:44.560
<v Speaker 3>if I if that wasn't true, then I would have

1:41:44.640 --> 1:41:46.120
<v Speaker 3>given you a quick, easy answer.

1:41:46.680 --> 1:41:47.040
<v Speaker 1>It's good.

1:41:47.280 --> 1:41:48.040
<v Speaker 3>Thank you a good lady.

1:41:48.800 --> 1:41:50.920
<v Speaker 1>Well, my future mentor.

1:41:51.320 --> 1:41:56.800
<v Speaker 3>Sally, are you coming and shadowing? You ready? And then

1:41:56.840 --> 1:41:59.040
<v Speaker 3>I'll come and talk to you about documentary work.

1:42:00.560 --> 1:42:01.679
<v Speaker 6>Who's like a round table?

1:42:04.120 --> 1:42:07.120
<v Speaker 1>Come on now? Well, I thank you for coming on

1:42:07.200 --> 1:42:07.479
<v Speaker 1>the show.

1:42:07.560 --> 1:42:10.240
<v Speaker 3>Thank you, thank you so much for having me excited

1:42:10.280 --> 1:42:12.360
<v Speaker 3>when you guys call, thank you, thank you for putting

1:42:12.400 --> 1:42:13.599
<v Speaker 3>your touch on my favorite show.

1:42:16.240 --> 1:42:19.360
<v Speaker 2>And uh yeah when we haveing Font Digelo and m Paid,

1:42:19.360 --> 1:42:22.679
<v Speaker 2>Bill and Sugar, Steve and Layah this Quest Love.

1:42:23.120 --> 1:42:25.360
<v Speaker 1>Thank you a Salarbry you said Woodville for coming on

1:42:25.400 --> 1:42:26.800
<v Speaker 1>the show. And we'll see you on the next go round.

1:42:26.840 --> 1:42:27.799
<v Speaker 1>The Quest Love SUPREMEO.

1:42:28.160 --> 1:42:33.160
<v Speaker 2>All right, thank you for listening to your Quest Love

1:42:33.200 --> 1:42:37.920
<v Speaker 2>Supreme Hosted by Amir Quest Love Thompson, Why You, Saint

1:42:37.960 --> 1:42:42.520
<v Speaker 2>Clair Sponte, Cole Sugar, Steve Mandel.

1:42:42.760 --> 1:42:44.200
<v Speaker 1>An Unpaid, Bill Sherman.

1:42:45.280 --> 1:42:49.720
<v Speaker 2>Executive producers are a Mere Quest Love Thompson, Sean g

1:42:50.960 --> 1:42:56.880
<v Speaker 2>and Brian Calhoun. Produced by Brittany Benjamin cousin jig pay

1:42:57.960 --> 1:43:03.759
<v Speaker 2>Liah Saint Clair, edited by Alex Conroy, Produced by iHeart

1:43:03.880 --> 1:43:08.800
<v Speaker 2>by Noel Brown and Mike Johnson, Audio engineering by Graham

1:43:08.800 --> 1:43:15.040
<v Speaker 2>Gibson and iHeart and last, What's Love Supreme is a

1:43:15.080 --> 1:43:23.000
<v Speaker 2>production of Iheartened Radio. For more podcasts from iHeartRadio, visit

1:43:23.040 --> 1:43:26.640
<v Speaker 2>the iHeartRadio app, Apple Podcasts, or wherever you listen to

1:43:26.680 --> 1:43:27.479
<v Speaker 2>your favorite shows.