1 00:00:01,120 --> 00:00:12,280 Speaker 1: It's time for the Bobby Bones post show. Here's your host, Bobby. Welcome. 2 00:00:14,280 --> 00:00:18,840 Speaker 1: So we was eleven forty Central Time, and we record 3 00:00:18,880 --> 00:00:22,320 Speaker 1: this and we are on Facebook. Yeah yeah, so We're 4 00:00:22,360 --> 00:00:25,000 Speaker 1: gonna do some posho stuff, but I'm also gonna apparently 5 00:00:25,000 --> 00:00:27,840 Speaker 1: shoot some videos. Four is scoop to see what's the 6 00:00:27,840 --> 00:00:33,120 Speaker 1: scarson for Las Vegas? All right, and what's the situation here? 7 00:00:33,479 --> 00:00:37,680 Speaker 1: So our competitor across the street is no more. Okay, 8 00:00:37,800 --> 00:00:41,920 Speaker 1: the competitors no more. They they quit the flipping stations. 9 00:00:43,400 --> 00:00:47,240 Speaker 1: Is to have these to let that we are also 10 00:00:47,680 --> 00:00:50,000 Speaker 1: morning show in the market. But how will people that 11 00:00:50,120 --> 00:00:52,400 Speaker 1: only listen to that station see these if they don't 12 00:00:52,400 --> 00:00:56,280 Speaker 1: even know we exist. Yes, I mean I'll record it. 13 00:00:56,400 --> 00:00:58,560 Speaker 1: They one. I'm just wondering. So I'm gonna let me 14 00:00:58,560 --> 00:01:00,000 Speaker 1: just do the videos. I have thoughts after because I'm 15 00:01:00,000 --> 00:01:04,080 Speaker 1: any understanding. Can I grab something while he's yeah, that's 16 00:01:04,120 --> 00:01:06,840 Speaker 1: what we do. We try to theorize why, Yeah, I'm 17 00:01:06,840 --> 00:01:08,360 Speaker 1: gonna listening for the you're gonna shot a video. I'm 18 00:01:08,360 --> 00:01:10,840 Speaker 1: happy to shoot whatever videos they want. But it's like, hey, 19 00:01:10,920 --> 00:01:13,560 Speaker 1: everybody that doesn't listen to us, you won't be here 20 00:01:13,600 --> 00:01:17,760 Speaker 1: because you don't listen to us. But we're here, all right, 21 00:01:17,840 --> 00:01:20,000 Speaker 1: I could be totally wrong about what we're doing. All right, 22 00:01:20,000 --> 00:01:23,840 Speaker 1: here we go, good Eddie, Yeah, Hey, Las Vegas, it 23 00:01:24,000 --> 00:01:26,720 Speaker 1: is Bobby Bones from ninety five five The Ball. We 24 00:01:26,840 --> 00:01:28,920 Speaker 1: want to be your morning show. Just a munch of 25 00:01:28,920 --> 00:01:30,880 Speaker 1: friends having a good time bringing you the biggest stars 26 00:01:30,920 --> 00:01:34,000 Speaker 1: in country music. We'd love for you to listen weekday 27 00:01:34,080 --> 00:01:36,480 Speaker 1: mornings on ninety five five The Bull. We will be 28 00:01:36,640 --> 00:01:40,920 Speaker 1: right here. I would maybe if they're paying for Instagram 29 00:01:41,000 --> 00:01:47,920 Speaker 1: ads and it pops up and yeah, why not. Hey, 30 00:01:47,960 --> 00:01:50,840 Speaker 1: it's Bobby Bones from ninety five five The Ball. I'm 31 00:01:50,920 --> 00:01:53,400 Speaker 1: here to show love to Las Vegas and Henderson. If 32 00:01:53,440 --> 00:01:55,640 Speaker 1: you already listen to the show, appreciate that we've been 33 00:01:55,680 --> 00:01:57,560 Speaker 1: here for years. We ain't going anywhere as far as 34 00:01:57,600 --> 00:01:59,600 Speaker 1: I know. Why, what do you know? Well, listen. If 35 00:01:59,640 --> 00:02:02,000 Speaker 1: you look at for a new show, we want to 36 00:02:02,120 --> 00:02:03,840 Speaker 1: be there for you. Give us a shot. We've been 37 00:02:03,880 --> 00:02:06,640 Speaker 1: friends forever, Like we didn't really do radio at all, 38 00:02:07,080 --> 00:02:08,799 Speaker 1: and now we just hang out and we hang out 39 00:02:08,800 --> 00:02:11,400 Speaker 1: with the biggest stars in country music. So start your 40 00:02:11,480 --> 00:02:14,360 Speaker 1: day with the Bobby Bones Show, weekday mornings on ninety 41 00:02:14,400 --> 00:02:16,920 Speaker 1: five five The Bull, Las Vegas is new country leader. 42 00:02:19,200 --> 00:02:25,239 Speaker 1: That's okay, Like anyone ever says that, Um, yeah, ask them, 43 00:02:26,680 --> 00:02:28,840 Speaker 1: I mean yeah, after if they're paying for Instagram as 44 00:02:29,200 --> 00:02:33,799 Speaker 1: in other Vegas, that's that's makes sense. Yeah yeah. If 45 00:02:33,840 --> 00:02:37,280 Speaker 1: we're just putting it on the station's feed. Yeah, it's like, 46 00:02:37,360 --> 00:02:40,119 Speaker 1: now we'll let everybody know that doesn't listen that you're here. Well, 47 00:02:40,200 --> 00:02:43,840 Speaker 1: they don't listen, so all right, thank you? Is that 48 00:02:43,919 --> 00:02:47,959 Speaker 1: it just those two? Sometimes I get a note in 49 00:02:48,040 --> 00:02:51,480 Speaker 1: my calendar that says be camera ready from Scoopa Stevens. 50 00:02:51,480 --> 00:02:53,200 Speaker 1: Then I show up and it's two promo videos. I 51 00:02:53,240 --> 00:02:56,720 Speaker 1: got all pretty to my hair this morning. Two Instagram videos. 52 00:02:56,840 --> 00:03:00,919 Speaker 1: That's that's all pretty well, you see me at times. Well, 53 00:03:01,000 --> 00:03:05,480 Speaker 1: the issue is I will wear Arkansas stuff, and which 54 00:03:05,520 --> 00:03:08,959 Speaker 1: I do most days, which we probably shouldn't put the 55 00:03:09,000 --> 00:03:11,480 Speaker 1: helmet in it. If we're doing other city videos. Well 56 00:03:11,520 --> 00:03:13,840 Speaker 1: that's I just figured the helmets. They're always well, I 57 00:03:13,880 --> 00:03:16,600 Speaker 1: don't wear Arkansas stuff for like before another city's doing promos, 58 00:03:16,840 --> 00:03:20,360 Speaker 1: so just as a note before another city's specific only 59 00:03:20,440 --> 00:03:22,240 Speaker 1: to them, we can pull the helmet for that. Man, 60 00:03:22,320 --> 00:03:24,280 Speaker 1: it's a lot to remember, dude. I just remember the 61 00:03:24,320 --> 00:03:26,400 Speaker 1: water bottle. You saw that which has been in It's 62 00:03:26,440 --> 00:03:30,480 Speaker 1: not just remember it. The water bottle makes. Your job 63 00:03:30,600 --> 00:03:32,200 Speaker 1: is to shoot those and make sure that it looks 64 00:03:32,360 --> 00:03:35,600 Speaker 1: I know, maybe we should redo it. You didn't pull 65 00:03:35,680 --> 00:03:38,640 Speaker 1: this can. The can's not as obvious as the water bottle. 66 00:03:39,040 --> 00:03:44,520 Speaker 1: All right, um, Amy went to the bathroom. You know 67 00:03:44,600 --> 00:03:48,160 Speaker 1: what's weird? Did you go home? No? Uh, you know 68 00:03:48,200 --> 00:03:50,120 Speaker 1: it's weird. I've kind of found this out about me 69 00:03:50,200 --> 00:03:52,160 Speaker 1: in the past couple of months because what I do 70 00:03:53,560 --> 00:03:58,880 Speaker 1: that a gift. Oh what I do is I come 71 00:03:58,920 --> 00:04:00,280 Speaker 1: in here in the morning before the show, when I 72 00:04:00,400 --> 00:04:03,840 Speaker 1: read pages and pages of commercials and station liners that 73 00:04:03,880 --> 00:04:07,880 Speaker 1: they put on local stations, and Scooba will come back 74 00:04:07,920 --> 00:04:09,680 Speaker 1: in halfway through and give me a piece of paper. 75 00:04:09,680 --> 00:04:11,240 Speaker 1: I was like, Hey, read this again. Either you said 76 00:04:11,280 --> 00:04:13,840 Speaker 1: it wrong, you pronounced it wrong, you didn't say this line. 77 00:04:14,080 --> 00:04:17,200 Speaker 1: But what I realized because we turnover so fast and 78 00:04:17,200 --> 00:04:19,280 Speaker 1: Scoob is good at what he does as well. My 79 00:04:19,440 --> 00:04:23,320 Speaker 1: whole life, I've been a super fast reader, like lightning fast. 80 00:04:23,839 --> 00:04:26,440 Speaker 1: But I now know how I was such a fast reader. 81 00:04:26,960 --> 00:04:28,760 Speaker 1: And I only know it because I mess up on stuff. 82 00:04:28,760 --> 00:04:30,159 Speaker 1: When I say it, I don't read the whole word. 83 00:04:30,720 --> 00:04:32,080 Speaker 1: I read the first three letters and move to the 84 00:04:32,160 --> 00:04:34,600 Speaker 1: next one. Yeah, And most times, ninety nine percent of 85 00:04:34,680 --> 00:04:36,760 Speaker 1: the time those first three letters, I'm predicting the words 86 00:04:36,800 --> 00:04:38,000 Speaker 1: and I'm moving to the next and I'm taking it 87 00:04:38,040 --> 00:04:40,560 Speaker 1: all in. But there are times where I'll read something 88 00:04:40,600 --> 00:04:42,440 Speaker 1: and I'll be like, yep, that's the county county fair 89 00:04:42,880 --> 00:04:44,520 Speaker 1: and Scoop was like, no, no, no, that's the country 90 00:04:44,560 --> 00:04:47,120 Speaker 1: line fair and all I read was coun and I 91 00:04:47,200 --> 00:04:51,360 Speaker 1: moved to the next word. That's interesting. And I always 92 00:04:51,440 --> 00:04:53,560 Speaker 1: used to wonder, like, how can people not read as 93 00:04:53,600 --> 00:04:55,880 Speaker 1: fast as me? It's just a kid, because I was 94 00:04:55,880 --> 00:04:58,200 Speaker 1: a great reader fast. I'd be the annoying kid that 95 00:04:58,279 --> 00:05:01,920 Speaker 1: was like done, you know SATs, I didn't take those, 96 00:05:01,960 --> 00:05:04,440 Speaker 1: but acts crushed could read through into all fast. But 97 00:05:04,600 --> 00:05:08,000 Speaker 1: that's why I just now realized that I don't read 98 00:05:08,040 --> 00:05:10,440 Speaker 1: the entire word. I read the first part and then 99 00:05:10,560 --> 00:05:12,880 Speaker 1: just must normally get it right. I think I do. 100 00:05:13,080 --> 00:05:15,840 Speaker 1: I think it's probably upper ninety percentile, But there are 101 00:05:15,920 --> 00:05:18,400 Speaker 1: times where I don't, and I'll be so shocked. When 102 00:05:18,400 --> 00:05:20,960 Speaker 1: Scooba brings in a He's like, hey, cut this to 103 00:05:21,000 --> 00:05:23,599 Speaker 1: get this pickup, and I'm like, I nailed that commercial 104 00:05:23,880 --> 00:05:27,160 Speaker 1: and He's like, no, no, no, you said water. Oh 105 00:05:27,279 --> 00:05:30,080 Speaker 1: what was the word widarticity? Oh crap, I guess I 106 00:05:30,080 --> 00:05:32,400 Speaker 1: didn't read the way at all. Yeah. So is that 107 00:05:32,480 --> 00:05:34,320 Speaker 1: affect that you read a book though, like where you 108 00:05:34,440 --> 00:05:37,040 Speaker 1: don't read the whole page and you're like, I'm sure it. No, 109 00:05:37,200 --> 00:05:39,560 Speaker 1: I read the whole page, but I'm don't read every 110 00:05:39,920 --> 00:05:41,080 Speaker 1: I don't think you heard it all. I just said 111 00:05:41,120 --> 00:05:48,560 Speaker 1: every yeah, probably, and I read the whole page and 112 00:05:48,600 --> 00:05:50,840 Speaker 1: I read every word, right, I don't read the first 113 00:05:50,880 --> 00:05:52,040 Speaker 1: third of the page and then be like, I just 114 00:05:52,080 --> 00:05:54,480 Speaker 1: guess the rest of the page. Is that what you think? 115 00:05:54,520 --> 00:05:56,240 Speaker 1: I know, that's not what I thought. Is just that 116 00:05:56,360 --> 00:05:58,200 Speaker 1: you're missing the first half of a movie and just 117 00:05:58,279 --> 00:06:00,760 Speaker 1: speculate the rest. Hey man, that what you do with movies. 118 00:06:01,400 --> 00:06:02,960 Speaker 1: Because I'll read a whole page and not remember what 119 00:06:03,000 --> 00:06:06,800 Speaker 1: I read. That's different. That's comprehension. That's that's that's you. 120 00:06:07,480 --> 00:06:10,440 Speaker 1: Not only can Bobby read fast and guess the word. 121 00:06:11,839 --> 00:06:15,400 Speaker 1: It's just I have pretty good comprehension. Yeah obviously, No, 122 00:06:15,680 --> 00:06:18,680 Speaker 1: not obviously, I have pretty good. But I'm saying my 123 00:06:18,920 --> 00:06:21,920 Speaker 1: problem is actually a compliment. Why are you getting difer No, No, 124 00:06:22,200 --> 00:06:24,520 Speaker 1: I'm not smart no, No, I don't want to be 125 00:06:24,640 --> 00:06:27,240 Speaker 1: painted as somebody who's just naturally all all the things easy, 126 00:06:27,440 --> 00:06:30,679 Speaker 1: because some things come easier to me and some things don't. 127 00:06:30,960 --> 00:06:34,440 Speaker 1: But I literally felt my comprehensions pretty good. But I'm 128 00:06:34,440 --> 00:06:37,720 Speaker 1: also really good at focusing, and I can read fast, 129 00:06:37,800 --> 00:06:40,120 Speaker 1: and I can focus. My comprehenion is pretty good. Comprehending 130 00:06:40,200 --> 00:06:42,280 Speaker 1: something is understanding it. Yep, Like I just took it 131 00:06:42,320 --> 00:06:43,880 Speaker 1: all in and I understand it, and I'm moving on 132 00:06:43,960 --> 00:06:46,280 Speaker 1: to the next thing. Hard for me, Yeah, it's that 133 00:06:46,480 --> 00:06:48,440 Speaker 1: is a struggle. What's with folks? I'll read a whole 134 00:06:48,560 --> 00:06:50,440 Speaker 1: page of a book and then be likesh, I don't 135 00:06:50,440 --> 00:06:51,720 Speaker 1: know what I just read. I gotta get read a 136 00:06:51,800 --> 00:06:54,080 Speaker 1: book that'll happen. He read the book about the guy 137 00:06:54,160 --> 00:06:57,039 Speaker 1: that first trial, Mercy, Mercy me. I've read Green Lights 138 00:06:57,200 --> 00:06:59,880 Speaker 1: by Matthew McConaughey. I've read The Perfect Storm, which we 139 00:07:00,120 --> 00:07:04,000 Speaker 1: all know the books. Eddie's rash because it's a good 140 00:07:04,080 --> 00:07:06,480 Speaker 1: job Eddie, who did it. I don't think what happens 141 00:07:06,480 --> 00:07:10,119 Speaker 1: to you, Eddie is abnormal. I think it happens to Amy. 142 00:07:10,200 --> 00:07:14,880 Speaker 1: You're in good time, so awesome, I think too. For me, 143 00:07:15,160 --> 00:07:17,160 Speaker 1: I will at time to read something and not remember, 144 00:07:18,160 --> 00:07:21,000 Speaker 1: but it's our brain is going somewhere else. Like if 145 00:07:21,160 --> 00:07:23,440 Speaker 1: I'll be reading. I was reading last night and I 146 00:07:23,600 --> 00:07:25,080 Speaker 1: was reading this page and at the same time, I'm 147 00:07:25,200 --> 00:07:27,600 Speaker 1: I was writing a whole joke from my shows. I 148 00:07:27,720 --> 00:07:29,640 Speaker 1: was coming up with a story and I was like, man, 149 00:07:29,680 --> 00:07:31,480 Speaker 1: I could put this funny beat here. And I finished 150 00:07:31,520 --> 00:07:33,000 Speaker 1: the whole page and I was like, I don't remember that, 151 00:07:33,040 --> 00:07:34,960 Speaker 1: but I had a whole joke in my head. Wow. 152 00:07:35,160 --> 00:07:37,200 Speaker 1: So I went over and it was like ten thirty 153 00:07:37,440 --> 00:07:39,800 Speaker 1: and I got my laptop out and I'm I can't, like, 154 00:07:39,880 --> 00:07:41,920 Speaker 1: what's that, what's happening? Why are you? And I'm like, 155 00:07:42,000 --> 00:07:43,800 Speaker 1: I got it right now. I got after work because 156 00:07:43,800 --> 00:07:45,120 Speaker 1: I have it in my mind, like I have this idea, 157 00:07:45,240 --> 00:07:47,400 Speaker 1: this joke one right, And then I shout my computer 158 00:07:47,440 --> 00:07:48,880 Speaker 1: and I was like, I don't remember that page. So 159 00:07:49,320 --> 00:07:51,320 Speaker 1: to your point, I didn't comprehend it because I was 160 00:07:51,360 --> 00:07:53,640 Speaker 1: doing something else. Got it. That's that's like driving and 161 00:07:53,720 --> 00:07:55,600 Speaker 1: not knowing how you got there kind of thing. Yeah, 162 00:07:55,640 --> 00:07:58,200 Speaker 1: But I feel like your brain, No, that's not saying 163 00:07:58,520 --> 00:08:01,320 Speaker 1: your brain. I feel like you're like, Okay, I'm I'm 164 00:08:01,880 --> 00:08:05,440 Speaker 1: pretty good at comprehension, but it's stored in there because 165 00:08:05,520 --> 00:08:08,840 Speaker 1: sometimes you just like weeks later, might bust it out, 166 00:08:09,440 --> 00:08:11,680 Speaker 1: like and you're like, I don't even know how I 167 00:08:11,760 --> 00:08:13,560 Speaker 1: did that or where I came from, And it's because 168 00:08:13,720 --> 00:08:17,240 Speaker 1: you comprehended I stored it sub I just read sometimes 169 00:08:17,280 --> 00:08:19,000 Speaker 1: and I'm like, oh, I don't remember that because I'd 170 00:08:19,040 --> 00:08:21,480 Speaker 1: moved on to something else. Now, driving is you're subconscious 171 00:08:22,120 --> 00:08:26,280 Speaker 1: and working more than you are reading something you don't 172 00:08:26,280 --> 00:08:29,560 Speaker 1: remember because you are reading it, but then you get 173 00:08:29,560 --> 00:08:31,480 Speaker 1: distracted by something else when you're driving. You've just done 174 00:08:31,480 --> 00:08:33,559 Speaker 1: it so many times you don't have to focus on 175 00:08:33,679 --> 00:08:36,360 Speaker 1: doing it. You're just there. That's crazy. That's crazy too, 176 00:08:36,800 --> 00:08:39,080 Speaker 1: so scary, Like I can't believe I just made it home. 177 00:08:39,080 --> 00:08:40,400 Speaker 1: I don't remember how I got it. Yeah, Like, how 178 00:08:40,400 --> 00:08:42,400 Speaker 1: the world did I get naked with the cows? Ever? 179 00:08:42,520 --> 00:08:47,360 Speaker 1: Did that? No? Not that one? Oh god? Hey, speaking 180 00:08:47,400 --> 00:08:51,880 Speaker 1: of horses, I'll mention this about tomorrow. Ali Colleen, who 181 00:08:52,080 --> 00:08:54,160 Speaker 1: was on the show a couple of weeks ago, Big 182 00:08:54,240 --> 00:08:59,480 Speaker 1: Horse Lover, Garth Brooks's daughter. She came and did our show, 183 00:08:59,559 --> 00:09:03,800 Speaker 1: and I'm very sensitive to that. She doesn't want to 184 00:09:04,000 --> 00:09:06,520 Speaker 1: just be Garth brooks daughters. Obviously Garth Brooks daughter is 185 00:09:06,600 --> 00:09:08,560 Speaker 1: proud of that, but she doesn't want Hey it's Garth 186 00:09:08,600 --> 00:09:10,839 Speaker 1: Brooks daughter. Hey Garth Brooks daughter. We think about Garth Brooks. 187 00:09:13,000 --> 00:09:16,079 Speaker 1: I completely get it. I have other friends who have 188 00:09:16,960 --> 00:09:19,520 Speaker 1: There's only nobody as famous as Garth, but like Hillary 189 00:09:19,559 --> 00:09:22,480 Speaker 1: Scott from Lady A, Oh yeah, her mom famous thing, 190 00:09:22,559 --> 00:09:24,319 Speaker 1: or love her mom Linda by the way, Davis, But 191 00:09:24,400 --> 00:09:27,439 Speaker 1: there's a lot of brothers and sisters or moms. And 192 00:09:27,520 --> 00:09:29,439 Speaker 1: I'm always sensitive to make sure I focus on the 193 00:09:29,559 --> 00:09:33,120 Speaker 1: artist that's here, and if it's relevant, I'm able to 194 00:09:33,120 --> 00:09:36,000 Speaker 1: bring that up. Now. Ali came into a Bobby Cast 195 00:09:36,480 --> 00:09:40,720 Speaker 1: and in those it's very let's talk about your origin story. 196 00:09:41,520 --> 00:09:43,640 Speaker 1: And so we started the whole Bobby Cast, which will 197 00:09:43,640 --> 00:09:46,800 Speaker 1: be up tomorrow, and I was like, hey, I respect 198 00:09:46,880 --> 00:09:50,080 Speaker 1: it fully, but also want to treat you like everybody else. 199 00:09:50,640 --> 00:09:52,400 Speaker 1: And I talk to people about their parents on this 200 00:09:52,520 --> 00:09:55,439 Speaker 1: thing and how they're and she was like great, and 201 00:09:55,600 --> 00:09:59,560 Speaker 1: so there was a good amount of that. Really interesting 202 00:09:59,600 --> 00:10:03,840 Speaker 1: because she definitely has a perspective as a songwriter that's 203 00:10:05,040 --> 00:10:07,880 Speaker 1: different than most. She has seen a lot of things 204 00:10:08,120 --> 00:10:11,080 Speaker 1: differently than we have, but she's also lived at times 205 00:10:11,120 --> 00:10:14,240 Speaker 1: a very normal, normal life like we have too. The 206 00:10:15,240 --> 00:10:17,720 Speaker 1: you know, kind of juxtaposition of being a normal person 207 00:10:17,800 --> 00:10:20,199 Speaker 1: and also being somebody who's the kid of the most 208 00:10:20,240 --> 00:10:22,839 Speaker 1: famous one of the most famous artists of all time. Weird. 209 00:10:22,960 --> 00:10:24,839 Speaker 1: They're right, I mean, they're right beside each other, her 210 00:10:24,880 --> 00:10:29,679 Speaker 1: doing both and just the good things and the struggles. 211 00:10:30,200 --> 00:10:32,160 Speaker 1: And I'll mention one of the struggles she talked about, 212 00:10:32,160 --> 00:10:33,480 Speaker 1: and I'll be brief because I want you to listen 213 00:10:33,480 --> 00:10:34,960 Speaker 1: tomorrow because I want you to learn about her as 214 00:10:34,960 --> 00:10:36,640 Speaker 1: an artist, and if it takes this story to get 215 00:10:36,679 --> 00:10:39,520 Speaker 1: you there, awesome. But she talks about how when she 216 00:10:39,640 --> 00:10:42,560 Speaker 1: was a kid, she didn't have many friends because everybody 217 00:10:42,559 --> 00:10:44,040 Speaker 1: want to hang out with it because she was Guard's daughter, 218 00:10:44,160 --> 00:10:49,199 Speaker 1: not because she was Ali and that after she kind 219 00:10:49,200 --> 00:10:51,079 Speaker 1: of realized that and she's seen it or heard, you know, 220 00:10:51,200 --> 00:10:53,599 Speaker 1: stuff she shouldn't hear, she was like, nobody wants to 221 00:10:53,600 --> 00:10:55,240 Speaker 1: hang out with me. For me, it's always they want 222 00:10:55,240 --> 00:10:58,360 Speaker 1: to hang out with her to be with Guard's daughter 223 00:10:58,440 --> 00:11:01,679 Speaker 1: or get closer to Garth. And so she's kind of 224 00:11:01,720 --> 00:11:07,840 Speaker 1: developed love for animals. And it's just a different look 225 00:11:07,920 --> 00:11:11,120 Speaker 1: at that life because me, I go, dang, you're Gowneth 226 00:11:11,160 --> 00:11:13,600 Speaker 1: Paltrow's son. You must be rich living a high life. 227 00:11:13,600 --> 00:11:18,000 Speaker 1: Everything's awesome. It doesn't really matter what and who and when. 228 00:11:18,360 --> 00:11:21,839 Speaker 1: Like human beings have human being feelings and situations, and 229 00:11:21,920 --> 00:11:23,800 Speaker 1: just because they come from a place that you feel 230 00:11:23,840 --> 00:11:27,480 Speaker 1: like is fancy free and footloose, is it ain't. And 231 00:11:27,679 --> 00:11:30,720 Speaker 1: she had real life struggles. She also had a lot 232 00:11:30,760 --> 00:11:34,160 Speaker 1: of advantages. But it's a really cool story. I think 233 00:11:34,160 --> 00:11:38,000 Speaker 1: you're gonna like her in that environment a lot, because 234 00:11:38,040 --> 00:11:40,320 Speaker 1: we had an hour to really sit down. It's tomorrow, 235 00:11:40,720 --> 00:11:43,480 Speaker 1: Ali Colleen. She's great as a person, and you know, 236 00:11:43,559 --> 00:11:45,760 Speaker 1: we also had the weird dynamic of weird in a 237 00:11:45,960 --> 00:11:47,600 Speaker 1: good way and weird in a not so good way 238 00:11:48,040 --> 00:11:51,480 Speaker 1: of I know her. Ray and Bay are very very 239 00:11:51,520 --> 00:11:54,839 Speaker 1: close with her. My wife has been over there and 240 00:11:54,920 --> 00:11:56,920 Speaker 1: road hoard, you know, so we have a relationship and 241 00:11:56,960 --> 00:11:59,439 Speaker 1: I really try to not let that affect this. I 242 00:11:59,559 --> 00:12:01,079 Speaker 1: have friends that I don't even bring up on the 243 00:12:01,120 --> 00:12:03,120 Speaker 1: show sometimes, like, yeah, I got a new project, don't 244 00:12:03,160 --> 00:12:06,120 Speaker 1: go through me, go through scuba. If we're super close, 245 00:12:07,360 --> 00:12:10,199 Speaker 1: we're super close, that's easy. If we're medium close in 246 00:12:10,280 --> 00:12:13,800 Speaker 1: real life, that's always a little itchy, And I'm like, 247 00:12:13,800 --> 00:12:15,319 Speaker 1: I don't want to bring in just a couple of friends, 248 00:12:15,360 --> 00:12:16,640 Speaker 1: so let's make sure you've got something to go on. 249 00:12:16,720 --> 00:12:18,840 Speaker 1: So sometimes I'll hold people back longer if they're a friend, 250 00:12:20,480 --> 00:12:23,160 Speaker 1: Like if it's Jake, can come in whatever anytime. I 251 00:12:23,200 --> 00:12:24,400 Speaker 1: got a couple of friends that are just like, come 252 00:12:24,440 --> 00:12:25,719 Speaker 1: in whenever you want, you know, to telling me you're 253 00:12:25,720 --> 00:12:26,920 Speaker 1: coming up. You can just drive up here. They got 254 00:12:26,920 --> 00:12:29,199 Speaker 1: the VIP pack. Yeah, it's just like, because I know 255 00:12:29,760 --> 00:12:31,199 Speaker 1: that even they can come in, it's just gonna be 256 00:12:31,320 --> 00:12:35,400 Speaker 1: entertaining because I know him well enough. Like Jordan Davis 257 00:12:35,679 --> 00:12:37,439 Speaker 1: an example of somebody that I do hang out with 258 00:12:37,800 --> 00:12:39,760 Speaker 1: outside of the show. We hung out a couple weeks ago, 259 00:12:39,760 --> 00:12:43,520 Speaker 1: play golf together, and so you know he was in. 260 00:12:43,640 --> 00:12:46,680 Speaker 1: And it's easy to do it with those folks because 261 00:12:46,679 --> 00:12:49,080 Speaker 1: I just know what buttons I can push. It's also 262 00:12:49,080 --> 00:12:50,920 Speaker 1: a little difficult times when you know stuff not about 263 00:12:50,960 --> 00:12:53,120 Speaker 1: Jordan and you're like, oh, I shouldn't go there because 264 00:12:54,559 --> 00:12:57,240 Speaker 1: you know that could be a little touchy. But you'll 265 00:12:57,280 --> 00:12:59,080 Speaker 1: like the thing with Ali. It's really good. It comes 266 00:12:59,120 --> 00:13:02,679 Speaker 1: out tomorrow and check out the Bobbycast search for it. Hey, 267 00:13:02,760 --> 00:13:04,360 Speaker 1: do we need to do a Jordan Teas ray for 268 00:13:04,440 --> 00:13:06,000 Speaker 1: his interview. Jordan was just up here. We did an 269 00:13:06,000 --> 00:13:09,640 Speaker 1: interview for Tuesday. Let's do it here. I don't care. 270 00:13:09,679 --> 00:13:12,679 Speaker 1: I mean, we even talk with Jordan on tomorrow's Early Thing. 271 00:13:12,720 --> 00:13:14,800 Speaker 1: We're like, hey, we recorded in an interview. Listen and 272 00:13:14,880 --> 00:13:17,160 Speaker 1: if you listen to this post show, you know we 273 00:13:17,400 --> 00:13:21,600 Speaker 1: record eighty five percent of our interviews if they're in person, 274 00:13:21,640 --> 00:13:23,120 Speaker 1: because I don't want to make anybody come up here 275 00:13:23,160 --> 00:13:26,520 Speaker 1: and perform or seeing at five thirty in the morning, 276 00:13:26,520 --> 00:13:29,800 Speaker 1: because I ain't good for their voice. So we'll just 277 00:13:29,960 --> 00:13:33,559 Speaker 1: lie to the people who listen live, right, but tell 278 00:13:33,640 --> 00:13:36,720 Speaker 1: them here. Yeah, people that listen to this part are 279 00:13:37,559 --> 00:13:40,839 Speaker 1: far more advanced in technology and knowing how this crap works. 280 00:13:41,960 --> 00:13:44,240 Speaker 1: And I would rather do a good interview than have 281 00:13:44,400 --> 00:13:46,120 Speaker 1: to do a live one where they're half asleep and 282 00:13:46,120 --> 00:13:48,640 Speaker 1: it ain't that good. So I got no problem with that. 283 00:13:48,760 --> 00:13:52,000 Speaker 1: And on this even on the podcast part of the show, 284 00:13:52,000 --> 00:13:53,719 Speaker 1: we should put up the whole interview and not the 285 00:13:53,880 --> 00:13:57,480 Speaker 1: edited one that goes on the radio. So what did 286 00:13:57,559 --> 00:14:01,800 Speaker 1: we talk about in that second prestigious award what is 287 00:14:01,840 --> 00:14:07,440 Speaker 1: it award? Yeah, touring with Brooks and dun the huge 288 00:14:07,480 --> 00:14:12,840 Speaker 1: act he's opening for m Okay Okay, that's good enough. 289 00:14:13,160 --> 00:14:16,760 Speaker 1: How do we end that? Don't we talk about environmental science? 290 00:14:17,480 --> 00:14:20,040 Speaker 1: The job? Is that job part in the second one? Yeah? Okay, 291 00:14:20,040 --> 00:14:23,280 Speaker 1: I'll do those three. Go ahead, all right? Regular rejoin? 292 00:14:23,400 --> 00:14:25,000 Speaker 1: Or can we save it? Can we record this and 293 00:14:25,080 --> 00:14:30,240 Speaker 1: save it? He's gonna be good. Yeah, just do regular aby, 294 00:14:30,800 --> 00:14:33,400 Speaker 1: So all right? Coming back with Jordan Davis. You know 295 00:14:33,480 --> 00:14:35,280 Speaker 1: he had a real life, smart guy job before he 296 00:14:35,320 --> 00:14:38,360 Speaker 1: got into music. We'll talk about that. He's also out 297 00:14:38,560 --> 00:14:41,280 Speaker 1: and even though he has four number ones, he's out 298 00:14:41,400 --> 00:14:45,040 Speaker 1: opening for a massive country music act. And I would 299 00:14:45,040 --> 00:14:46,640 Speaker 1: just be nervous that people will be like, you saw 300 00:14:46,640 --> 00:14:48,240 Speaker 1: a good off stage. And I say that because I 301 00:14:48,360 --> 00:14:50,040 Speaker 1: was nervous when Eddie and I performed in front of 302 00:14:50,080 --> 00:14:51,840 Speaker 1: Garth and they were like, you saw a good off stage. 303 00:14:52,560 --> 00:14:54,320 Speaker 1: I know what that feels like. I just got a 304 00:14:54,360 --> 00:14:56,200 Speaker 1: big award too. So we're back in a second with 305 00:14:56,400 --> 00:15:02,640 Speaker 1: Jordan Davis here on the Bobby Bones Show. Can you 306 00:15:02,680 --> 00:15:05,720 Speaker 1: say that though while we're still recording this? Yeah? Okay, 307 00:15:05,840 --> 00:15:11,600 Speaker 1: all um, okay, we did that this after the posture. 308 00:15:11,600 --> 00:15:15,160 Speaker 1: That's it, right, Mike, We're completely caught up. All right, Um, 309 00:15:15,440 --> 00:15:18,040 Speaker 1: I'm wearing all black today now here's the reason why 310 00:15:18,040 --> 00:15:21,760 Speaker 1: I'm man in black. Well, no, huh, man in black, 311 00:15:22,240 --> 00:15:25,480 Speaker 1: Johnny Cash, Oh, the man in black. I was thinking 312 00:15:25,560 --> 00:15:29,240 Speaker 1: men in black. No. So I'm wearing all black because 313 00:15:29,280 --> 00:15:31,960 Speaker 1: I can't match in the dark. I can't matchine the 314 00:15:32,120 --> 00:15:34,720 Speaker 1: light because I'm really color blind. But I also can't 315 00:15:34,760 --> 00:15:37,360 Speaker 1: really match in the dark. And if my wife is asleep, 316 00:15:38,160 --> 00:15:41,400 Speaker 1: I will go into the closet and keep every light off, 317 00:15:41,520 --> 00:15:43,840 Speaker 1: including my phone, just to make sure she doesn't wake up, 318 00:15:44,200 --> 00:15:47,560 Speaker 1: and then I'll grab you easy clothes. These are easy clothes, 319 00:15:47,640 --> 00:15:52,640 Speaker 1: all black. So I yesterday I had to go pick 320 00:15:52,720 --> 00:15:55,960 Speaker 1: up some stuff and I had some brown pants and 321 00:15:56,680 --> 00:15:58,600 Speaker 1: like a dark green shirt and she's like, hey, what 322 00:15:58,720 --> 00:16:01,440 Speaker 1: color color in there? And I was like, it's all brown. 323 00:16:02,160 --> 00:16:05,480 Speaker 1: It's like, no, that's green. Oh I'm so color blind 324 00:16:05,520 --> 00:16:07,800 Speaker 1: that if I don't have help. And so if I'm 325 00:16:07,840 --> 00:16:10,440 Speaker 1: an all black, that's the easy pile. You should start 326 00:16:10,520 --> 00:16:13,200 Speaker 1: laying your clothes out the day before. Yeah, I should before. 327 00:16:13,320 --> 00:16:15,040 Speaker 1: I should also mill prep and I should there's a 328 00:16:15,080 --> 00:16:17,480 Speaker 1: lot of should I should uh go to sleep with 329 00:16:17,520 --> 00:16:21,640 Speaker 1: that podcast on or a TV on? Even sugar, let's 330 00:16:21,680 --> 00:16:25,680 Speaker 1: keep going here. No, a haircut for Caitlin to be 331 00:16:25,760 --> 00:16:28,360 Speaker 1: awake and approve, like, Okay, here, honey, I like it 332 00:16:29,640 --> 00:16:33,040 Speaker 1: tomorrow rain you know. Scooba sent me an email that said, 333 00:16:33,040 --> 00:16:37,560 Speaker 1: get camera ready, and then I cut a nine second promo. 334 00:16:38,800 --> 00:16:40,280 Speaker 1: I wi would be camera ready for this craw. I 335 00:16:40,320 --> 00:16:42,600 Speaker 1: have to shave in the morning. Yeah, that must be 336 00:16:42,720 --> 00:16:45,200 Speaker 1: tough shaving every day. Camera ready. I thought I was 337 00:16:45,320 --> 00:16:49,280 Speaker 1: doing the Grammys or something. You're doing two thirty second 338 00:16:49,360 --> 00:16:56,800 Speaker 1: promos for Vegas. Okay, let's see, so let me see 339 00:16:56,840 --> 00:17:00,760 Speaker 1: if anything else I need to get too. Um, you 340 00:17:00,840 --> 00:17:02,160 Speaker 1: know what we should do. I don't want to do 341 00:17:02,240 --> 00:17:06,359 Speaker 1: it in this but I'll just do a little tease 342 00:17:06,400 --> 00:17:10,640 Speaker 1: here where Lunchbox did a bit and they're now telling 343 00:17:10,720 --> 00:17:14,800 Speaker 1: him he cannot use the audio of the bit. So 344 00:17:14,920 --> 00:17:16,239 Speaker 1: he sent me a second my last night. I say, 345 00:17:16,280 --> 00:17:19,640 Speaker 1: I want to do this. Cool, he does it. It's 346 00:17:19,800 --> 00:17:22,439 Speaker 1: he said, it's awesome, And then I get a note 347 00:17:22,480 --> 00:17:24,600 Speaker 1: from Scuba going, well, I ain't awesome anymore because they 348 00:17:24,600 --> 00:17:28,720 Speaker 1: won't let him use it. So it's interesting but we can't, 349 00:17:28,920 --> 00:17:30,840 Speaker 1: but it's good. We're still gonna do it under the 350 00:17:31,440 --> 00:17:34,439 Speaker 1: tent of they told him not to use this audio, 351 00:17:34,520 --> 00:17:36,280 Speaker 1: but we won't play the audio. We should do re 352 00:17:36,400 --> 00:17:40,760 Speaker 1: enactments like it's all mystery, right whatever. You yeah, like 353 00:17:40,920 --> 00:17:43,120 Speaker 1: you listen to it in your ears? Yeah, yeah, say 354 00:17:43,160 --> 00:17:47,399 Speaker 1: it back. Funny. Um, A stranger went up to Amy 355 00:17:47,440 --> 00:17:49,919 Speaker 1: at Starbucks and was it a listener? Just a stranger? 356 00:17:50,040 --> 00:17:52,320 Speaker 1: Don't know? She didn't clarify, and I wish I could know, 357 00:17:52,600 --> 00:17:54,560 Speaker 1: because if she was a listener, it would make a 358 00:17:54,680 --> 00:17:57,440 Speaker 1: lot more sense. But I don't know if she was 359 00:17:57,480 --> 00:17:59,639 Speaker 1: a listener that kind of knows me on error, or 360 00:17:59,640 --> 00:18:02,320 Speaker 1: if she was just a gift from the lord. Well, 361 00:18:02,400 --> 00:18:04,480 Speaker 1: she said, hey, I need some money because I'm trying 362 00:18:04,520 --> 00:18:10,520 Speaker 1: to no, no, stop it again, she didn't. I typed 363 00:18:10,560 --> 00:18:13,880 Speaker 1: up immediately. What like after, I'm just saying, you get 364 00:18:14,160 --> 00:18:16,800 Speaker 1: scammed a lot. This wasn't a scam. I tell them 365 00:18:16,840 --> 00:18:18,879 Speaker 1: what happened. She just came up to me and said, 366 00:18:20,080 --> 00:18:23,119 Speaker 1: my paraphrase version of what happened. I'm sorry to bother you. 367 00:18:23,359 --> 00:18:25,520 Speaker 1: I just feel like this keeps coming to mind as 368 00:18:25,560 --> 00:18:27,960 Speaker 1: we stand in line, and I can't not say something. 369 00:18:28,440 --> 00:18:30,560 Speaker 1: You need to stop worrying about what people think of you. 370 00:18:30,760 --> 00:18:33,200 Speaker 1: It's holding you back. And then she said again, I'm 371 00:18:33,240 --> 00:18:35,639 Speaker 1: sorry to bother you. And then she she said, I 372 00:18:35,800 --> 00:18:38,680 Speaker 1: hope this makes sense to you. When she walked away, wow, 373 00:18:39,200 --> 00:18:40,720 Speaker 1: and then Amy looks. She walked back behind her, and 374 00:18:40,720 --> 00:18:43,280 Speaker 1: Amy looked around. There was nobody there. Stop it. That 375 00:18:43,359 --> 00:18:45,159 Speaker 1: part of it out. But that's weird that she wouldn't say, hey, 376 00:18:45,160 --> 00:18:47,159 Speaker 1: I listen to the show? No, and then I but 377 00:18:47,240 --> 00:18:48,680 Speaker 1: I was so caught off guard and we were in 378 00:18:48,800 --> 00:18:50,520 Speaker 1: line that I wasn't And then I don't want to 379 00:18:50,560 --> 00:18:52,600 Speaker 1: ever assume. I mean, that's what I'm like, Wait, do 380 00:18:52,680 --> 00:18:55,040 Speaker 1: you listen to the Bobby Bone Show? And then she's like, what, 381 00:18:55,280 --> 00:18:57,080 Speaker 1: who are? I have no idea what you're talking about. 382 00:18:57,359 --> 00:19:00,920 Speaker 1: So I would never ask that anyway. And I thought, well, 383 00:19:00,920 --> 00:19:03,359 Speaker 1: if maybe she's picked up on some insecurities on the 384 00:19:03,440 --> 00:19:05,200 Speaker 1: air or something and she felt like she needed to 385 00:19:05,240 --> 00:19:08,080 Speaker 1: say that, or she was just standing in line and 386 00:19:08,720 --> 00:19:10,960 Speaker 1: felt the need to tell me that. I don't think 387 00:19:11,080 --> 00:19:13,600 Speaker 1: she's a fan. What if she sensed it, That's what 388 00:19:13,640 --> 00:19:16,880 Speaker 1: I'm saying, just sensed it, like she's a listener really, 389 00:19:17,080 --> 00:19:19,360 Speaker 1: Or you don't go up to Amy, some random will 390 00:19:19,359 --> 00:19:22,280 Speaker 1: be like, hey, I know you don't love yourself right now, 391 00:19:23,240 --> 00:19:25,680 Speaker 1: but you should. That's how weird that is, though, Yeah, 392 00:19:25,760 --> 00:19:28,240 Speaker 1: she's just a cuckoo lady that tells people this and 393 00:19:28,320 --> 00:19:29,639 Speaker 1: I would tell her. So you think it's just a 394 00:19:29,720 --> 00:19:32,040 Speaker 1: random I'm just thinking some cuckoo lady thinking, oh I'm 395 00:19:32,040 --> 00:19:33,920 Speaker 1: gonna spread the word like you need to believe, and 396 00:19:34,000 --> 00:19:37,040 Speaker 1: you're get out of here. A stupid woman. Woman. Well, 397 00:19:37,080 --> 00:19:38,880 Speaker 1: I don't know, why would that be if I'm waiting 398 00:19:38,920 --> 00:19:42,120 Speaker 1: in line and some woman start sprouting off, But it wasn't. 399 00:19:42,119 --> 00:19:43,720 Speaker 1: I think I think she's a listener if I'm guess, 400 00:19:43,760 --> 00:19:45,520 Speaker 1: But I will say if I was next to lunchbox 401 00:19:45,600 --> 00:19:48,320 Speaker 1: for like five minutes in line just you need to 402 00:19:48,359 --> 00:19:53,080 Speaker 1: shout acknowledge yes, and just observed him, I'd be like, 403 00:19:53,440 --> 00:19:55,320 Speaker 1: hey man, you don't have to be so mad at things. 404 00:19:55,359 --> 00:19:57,160 Speaker 1: It's all right. Or you'd be like, hey man, it's 405 00:19:57,200 --> 00:20:00,160 Speaker 1: okay to he's a little sip of wine. Y don't 406 00:20:00,200 --> 00:20:02,520 Speaker 1: don't don't hate the cleanliness. Yeah, I hope this makes 407 00:20:02,560 --> 00:20:05,520 Speaker 1: sense to you. Yeah, obviously it does. And that's just 408 00:20:05,640 --> 00:20:07,960 Speaker 1: five minutes of just looking at the dude. Okay, Well, 409 00:20:08,119 --> 00:20:09,800 Speaker 1: I don't know. I guess I was in line, like 410 00:20:10,240 --> 00:20:12,359 Speaker 1: worried about what people think of me. Did you have 411 00:20:12,440 --> 00:20:14,040 Speaker 1: a mirror looking at yourself the whole time? And what 412 00:20:14,040 --> 00:20:15,879 Speaker 1: are you sad? Were you asking people, Hey, what are 413 00:20:15,880 --> 00:20:17,399 Speaker 1: you think of me? What are you looking at a mirror? Going, 414 00:20:17,440 --> 00:20:19,600 Speaker 1: I'm so sad. I wish I liked myself, going, No, 415 00:20:19,720 --> 00:20:22,680 Speaker 1: you just were teeing it up. Nope, ray Lyoda died. 416 00:20:23,080 --> 00:20:25,320 Speaker 1: He did. Yeah, and you know what, I would have 417 00:20:25,320 --> 00:20:29,399 Speaker 1: had trouble knowing who that was. But now you like 418 00:20:29,560 --> 00:20:32,760 Speaker 1: mobster stuff? Yes, I don't love it. Yeah, he was 419 00:20:32,800 --> 00:20:36,119 Speaker 1: shoeless Joe Jackson and Philo Dreams. You don't have to 420 00:20:36,119 --> 00:20:39,439 Speaker 1: convince me. I I'm known right. Then play that Good Fellows, 421 00:20:39,480 --> 00:20:44,439 Speaker 1: I mean seen. Ray Leoda, the actor known for groundbreaking 422 00:20:44,600 --> 00:20:47,240 Speaker 1: roles such as Good Fellas Filled to Dreams, died in 423 00:20:47,280 --> 00:20:49,400 Speaker 1: a sleep while felling a moving the Dominican Republic. Why 424 00:20:50,200 --> 00:20:53,080 Speaker 1: that's so terrible. Yeah, that's a probably way to go. 425 00:20:53,320 --> 00:20:55,760 Speaker 1: The way to go though, huh. And your sleep absolutely 426 00:20:56,600 --> 00:21:00,760 Speaker 1: better than hurting, you think, Yeah, I don't hurt. Yeah, 427 00:21:01,320 --> 00:21:04,720 Speaker 1: unless I can hurt and then beat it. Okay, yeah, okay? 428 00:21:06,160 --> 00:21:08,720 Speaker 1: Like what well, Like I was stubbed my toe and 429 00:21:08,720 --> 00:21:10,320 Speaker 1: I want to immediately, I want to build a pain. 430 00:21:10,640 --> 00:21:12,680 Speaker 1: I want to fight back from it and then grind 431 00:21:12,720 --> 00:21:14,040 Speaker 1: or repeat, baby, and then I want to feel good. 432 00:21:14,040 --> 00:21:15,760 Speaker 1: The next day. Do not want to hurt. I bit 433 00:21:15,880 --> 00:21:17,880 Speaker 1: my tongue this morning and that was who I've done 434 00:21:17,920 --> 00:21:20,600 Speaker 1: that enough. I'll bet in your cheek is so terrible too. 435 00:21:21,080 --> 00:21:23,240 Speaker 1: I did that two days ago. That hurts so bad 436 00:21:23,320 --> 00:21:28,000 Speaker 1: and then it suh. Yeah when you or you get 437 00:21:28,200 --> 00:21:30,520 Speaker 1: like a ulcer on your lip or some sort of 438 00:21:30,600 --> 00:21:32,360 Speaker 1: cut and it sticks out a little more than normal, 439 00:21:32,400 --> 00:21:35,480 Speaker 1: because it's weird the how close we are to biting 440 00:21:35,480 --> 00:21:37,200 Speaker 1: our lips all the time, and any little thing makes 441 00:21:37,240 --> 00:21:38,919 Speaker 1: it different. So you get a little none your lip 442 00:21:39,000 --> 00:21:41,960 Speaker 1: and you're like yeah, and then you do it again 443 00:21:42,040 --> 00:21:44,200 Speaker 1: like a minute later, and then you can't stop licking it. 444 00:21:44,720 --> 00:21:46,120 Speaker 1: The next thing you know, your neck with a cow. 445 00:21:48,320 --> 00:21:52,359 Speaker 1: I don't know. I had too much to drink, And 446 00:21:52,800 --> 00:21:57,200 Speaker 1: next thing you know, um, okay, I think we're done 447 00:21:57,480 --> 00:22:00,800 Speaker 1: a little money and that church. Let me do this 448 00:22:00,840 --> 00:22:03,600 Speaker 1: story and then we'll be done. Try these gas saving 449 00:22:03,640 --> 00:22:05,480 Speaker 1: tips before you have to row this Memorial Day weekend. 450 00:22:05,720 --> 00:22:08,679 Speaker 1: Fuel up midweek. Beat the crowd saved by filling up 451 00:22:08,680 --> 00:22:12,160 Speaker 1: sooner rather than later, gas costs will climb. You're better 452 00:22:12,240 --> 00:22:14,360 Speaker 1: off getting gas now anyway, ahead of the rush. Okay, 453 00:22:14,400 --> 00:22:17,639 Speaker 1: so I gotta go to date, Sure, get a tune up. 454 00:22:18,160 --> 00:22:19,880 Speaker 1: But if you're saving money on gas and you pay, 455 00:22:19,920 --> 00:22:22,359 Speaker 1: it's too late for the tune up. We're not gonna 456 00:22:22,359 --> 00:22:24,440 Speaker 1: get a tunup before the weekend. I don't know. I 457 00:22:24,480 --> 00:22:26,159 Speaker 1: don't even know a tunup means. I mean, I know, 458 00:22:26,240 --> 00:22:27,680 Speaker 1: I know an old change and a specific thing. I 459 00:22:27,680 --> 00:22:30,760 Speaker 1: gonna get your tires rotated. I don't know. I don't 460 00:22:30,760 --> 00:22:33,000 Speaker 1: know what that is. Maybe maybe is that generic, like 461 00:22:33,160 --> 00:22:36,800 Speaker 1: get in shape? But what does that mean? Get hell's 462 00:22:36,800 --> 00:22:39,320 Speaker 1: out some spark plugs, you know, some belts. I think 463 00:22:39,320 --> 00:22:41,000 Speaker 1: they just check it out. It's like a checkup at 464 00:22:41,000 --> 00:22:45,520 Speaker 1: the doctor. Track gas prices, pay with cash, sign up 465 00:22:45,560 --> 00:22:48,560 Speaker 1: for loyalty programs. That's how you get on email lists, dude. 466 00:22:48,560 --> 00:22:52,080 Speaker 1: But some of those are like thirty cents off stay 467 00:22:52,119 --> 00:22:56,080 Speaker 1: closer to home. Okay, that's one spending money on drive 468 00:22:56,160 --> 00:22:59,720 Speaker 1: so far? Yeah, I lunchbox. Someone asked this morning on 469 00:23:00,080 --> 00:23:02,440 Speaker 1: the phone. I didn't get to it because we were 470 00:23:02,920 --> 00:23:04,840 Speaker 1: in the middle of a commercial. If you're still riding 471 00:23:04,880 --> 00:23:06,560 Speaker 1: your bike, and how how long you plan to do this. 472 00:23:06,880 --> 00:23:08,480 Speaker 1: I've not been riding my bike this week. It's been 473 00:23:08,560 --> 00:23:11,520 Speaker 1: raining every single day. Can't ride the rain. Hey, you 474 00:23:11,560 --> 00:23:14,280 Speaker 1: gotta fight the elements. Sorry, I'm not a dedicated cyclist. 475 00:23:14,320 --> 00:23:16,480 Speaker 1: I don't have the proper gear yet to ride in 476 00:23:16,480 --> 00:23:20,760 Speaker 1: the rudding you need, I need r What galoshes? I 477 00:23:20,760 --> 00:23:22,440 Speaker 1: don't know what that means? Yeah? What does that sound 478 00:23:22,480 --> 00:23:27,280 Speaker 1: like a sausage with a that's what that islash? You're thinking? No, no, no, 479 00:23:27,680 --> 00:23:33,920 Speaker 1: that's what I thought that Yeah galosh okay, Oh, I 480 00:23:33,920 --> 00:23:42,399 Speaker 1: don't know what's happenings. But what's bubba? That's like eggplant smush? 481 00:23:42,520 --> 00:23:48,479 Speaker 1: What about what about tim nabla? Who's that? Oh? Yeah? Uh? 482 00:23:49,240 --> 00:23:54,400 Speaker 1: Galoshes or rubber shoes basically, remember, I have a raincoat 483 00:23:54,440 --> 00:23:56,880 Speaker 1: you can borrow. I don't know if it's a trash bag, 484 00:23:56,960 --> 00:23:58,800 Speaker 1: but no, no, I need a bike er friendly one 485 00:23:58,840 --> 00:24:01,800 Speaker 1: that that breathes. No, it's friend lady bikers, Well say 486 00:24:01,800 --> 00:24:03,600 Speaker 1: anything mean to you. But yeah, that's the problem. So 487 00:24:03,720 --> 00:24:05,600 Speaker 1: this week it's been rain, rain, rain, I haven't been 488 00:24:05,600 --> 00:24:09,760 Speaker 1: on the Ryne. It's been very frustrating. We put well, 489 00:24:09,800 --> 00:24:14,080 Speaker 1: I mean I put out a few tickets yesterday to 490 00:24:14,200 --> 00:24:15,920 Speaker 1: my shows are coming up on the seventeenth and eighteenth 491 00:24:15,960 --> 00:24:18,040 Speaker 1: the next month, like fourth row seats. We put it 492 00:24:18,119 --> 00:24:20,520 Speaker 1: like ten seats each night because and they sold that 493 00:24:21,440 --> 00:24:24,600 Speaker 1: almost immediately, but we're gonna do it again, I think 494 00:24:24,680 --> 00:24:28,560 Speaker 1: next week. Because what we have our holds and comps, 495 00:24:29,119 --> 00:24:31,160 Speaker 1: So like if someone doesn't show any artists as a show, 496 00:24:31,240 --> 00:24:34,399 Speaker 1: they'll hold back twenty tickets or so in case the 497 00:24:34,560 --> 00:24:36,959 Speaker 1: label or somebody else says, hey, we need these tickets. 498 00:24:37,560 --> 00:24:39,440 Speaker 1: So after a certain point you put the holds back on, 499 00:24:39,960 --> 00:24:42,080 Speaker 1: and then the comps are tickets that they just they 500 00:24:42,080 --> 00:24:44,439 Speaker 1: are like, hey, the artist gets these comps. It means 501 00:24:44,480 --> 00:24:47,040 Speaker 1: they're complimentary tickets that you give your people. And if 502 00:24:47,080 --> 00:24:48,719 Speaker 1: I don't need all mine, which I won't, we'll put 503 00:24:48,760 --> 00:24:50,680 Speaker 1: them up for sales. Well they'll be good seats. But 504 00:24:50,840 --> 00:24:52,800 Speaker 1: my point is if you want to come to these shows, 505 00:24:53,440 --> 00:24:57,680 Speaker 1: those tickets will probably go up. I not let you 506 00:24:57,760 --> 00:24:59,760 Speaker 1: know on Instagram or Twitter if you want to come 507 00:25:00,720 --> 00:25:04,880 Speaker 1: the Saturday show is I mean, ain't nothing to come 508 00:25:04,920 --> 00:25:08,399 Speaker 1: to that show. The Friday show, same way, except there 509 00:25:08,480 --> 00:25:11,639 Speaker 1: are some seats in the very very top of the balcony. 510 00:25:11,880 --> 00:25:15,040 Speaker 1: Let me check, and some of them say partial view, 511 00:25:15,080 --> 00:25:19,360 Speaker 1: but there's no partial you can see everything. Let's see. Oh, 512 00:25:19,520 --> 00:25:27,200 Speaker 1: there's really nothing. One pair, two pair, there's like total 513 00:25:27,359 --> 00:25:30,960 Speaker 1: three pair of tickets in the whole Theater. Go to 514 00:25:31,040 --> 00:25:33,440 Speaker 1: CMA Theater dot com if you want to get tickets 515 00:25:33,480 --> 00:25:35,760 Speaker 1: to the shows. But my point is people are asking 516 00:25:35,800 --> 00:25:37,520 Speaker 1: for tickets, and we will put some more good ones up, 517 00:25:37,520 --> 00:25:39,280 Speaker 1: probably next week or so. But it's like six a 518 00:25:39,400 --> 00:25:41,720 Speaker 1: night or like eight a night, So there is that. 519 00:25:43,280 --> 00:25:45,439 Speaker 1: I'm bummed because now I'm going. Well, I'm not bummed. 520 00:25:45,600 --> 00:25:47,760 Speaker 1: I'm bummed because I can't go. I won't be able 521 00:25:47,800 --> 00:25:49,640 Speaker 1: to go to that. But I'm excited because I'm gonna 522 00:25:49,640 --> 00:25:52,639 Speaker 1: go to North Carolina and I might figure out my 523 00:25:52,760 --> 00:25:56,120 Speaker 1: ring situation home there. I'm going to see a friend, 524 00:25:56,840 --> 00:25:58,560 Speaker 1: so you can give her comps away, you can sell 525 00:25:58,600 --> 00:26:00,639 Speaker 1: the Compson. I don't even know if I had comps, 526 00:26:00,720 --> 00:26:03,720 Speaker 1: but I obviously thought about going. But then now that's 527 00:26:03,760 --> 00:26:05,679 Speaker 1: like the one week and I can go to Southern Pines. 528 00:26:06,720 --> 00:26:08,840 Speaker 1: Yeah you should do. I mean, you get to I 529 00:26:08,920 --> 00:26:10,760 Speaker 1: get the I know, I get the I get yeah, 530 00:26:10,760 --> 00:26:12,320 Speaker 1: I know, I get you five days a week because 531 00:26:12,320 --> 00:26:14,560 Speaker 1: the show every day. This one's a little different though, 532 00:26:14,760 --> 00:26:18,119 Speaker 1: so you get versions out. Yeah, I do have to 533 00:26:18,160 --> 00:26:21,679 Speaker 1: show on pig Latin. So oh, oh really, what if 534 00:26:21,680 --> 00:26:23,280 Speaker 1: I did that Andy Coffin style? I came out and 535 00:26:23,280 --> 00:26:25,239 Speaker 1: just did the whole show, every part, and I never 536 00:26:25,400 --> 00:26:27,760 Speaker 1: I never even made a reference to I knew I 537 00:26:27,800 --> 00:26:30,240 Speaker 1: was doing something different. I came out committed to it. 538 00:26:31,200 --> 00:26:37,280 Speaker 1: I way as I lay it's lay oo day is stay, 539 00:26:39,359 --> 00:26:41,920 Speaker 1: It'd be like what yeah, what I said there was 540 00:26:41,920 --> 00:26:43,359 Speaker 1: I'd be like, hey, let's do this. Wait was that 541 00:26:43,440 --> 00:26:47,240 Speaker 1: real pig Latin? Yeah? Yeah, I minor didn't. But I 542 00:26:47,320 --> 00:26:51,840 Speaker 1: have things I'm talking about like I've never talked about before. Um, 543 00:26:53,480 --> 00:26:56,040 Speaker 1: like the I'm gonna do a whole segment, a whole 544 00:26:56,040 --> 00:26:58,120 Speaker 1: part because I'm doing this show right now in segments, 545 00:26:58,680 --> 00:27:00,880 Speaker 1: meaning the first segment is a lot last second seconds, 546 00:27:00,920 --> 00:27:02,480 Speaker 1: la la la, I got things in the middle, and 547 00:27:02,560 --> 00:27:07,520 Speaker 1: I'm doing a whole segment on stories. You haven't heard 548 00:27:07,600 --> 00:27:11,040 Speaker 1: the whole story too. That'sn't really it's called I got 549 00:27:11,119 --> 00:27:13,160 Speaker 1: written nothing like that, but it's like, I got here's 550 00:27:13,200 --> 00:27:15,000 Speaker 1: the story, but you haven't actually heard the whole thing 551 00:27:15,520 --> 00:27:20,080 Speaker 1: for whatever reason. Um. And then there's that stories. There's 552 00:27:20,080 --> 00:27:22,360 Speaker 1: also some funny stuff in there. But one of them 553 00:27:22,600 --> 00:27:26,560 Speaker 1: is about how I want m I just don't want 554 00:27:26,560 --> 00:27:30,920 Speaker 1: to run it, how you h I don't I don't 555 00:27:30,920 --> 00:27:33,560 Speaker 1: want to spoil it. But one of them is I 556 00:27:33,680 --> 00:27:36,720 Speaker 1: went on a talk show once and on the fly 557 00:27:37,640 --> 00:27:38,800 Speaker 1: they were like, hey, can you do this? And I 558 00:27:38,880 --> 00:27:40,720 Speaker 1: was like, yeah, I couldn't. I couldn't do it, so 559 00:27:40,760 --> 00:27:43,719 Speaker 1: I just ficked it. It's a whole thing, Okay, stories 560 00:27:43,760 --> 00:27:47,000 Speaker 1: like that that I've never told. I've never lied about it. 561 00:27:47,000 --> 00:27:48,960 Speaker 1: I just never told certain things like we're like really 562 00:27:49,000 --> 00:27:51,560 Speaker 1: inside stuff. Um. Also the time that I thought Reba 563 00:27:51,680 --> 00:27:53,720 Speaker 1: was invited me to be a remember of the grandel Opery, 564 00:27:53,920 --> 00:27:58,720 Speaker 1: I never really told that story. She wasn't. Oh, she 565 00:27:58,800 --> 00:28:01,800 Speaker 1: asked me. It's to the show. Sorry, Amy, you'll be 566 00:28:01,800 --> 00:28:04,160 Speaker 1: in North Carolina. Wait, what's weekend? The show I really 567 00:28:04,160 --> 00:28:06,120 Speaker 1: talked about I talk I can find a million Bucks? 568 00:28:06,119 --> 00:28:08,960 Speaker 1: And that really like the Weeds, we really haven't been 569 00:28:08,960 --> 00:28:11,200 Speaker 1: able to discuss there. There's also all jokes and stuff. 570 00:28:11,240 --> 00:28:12,879 Speaker 1: But I'm I get a whole segment like the stories 571 00:28:12,880 --> 00:28:15,840 Speaker 1: you haven't fully heard yet, the seventeenth and eighteenth. Yeah, 572 00:28:16,160 --> 00:28:18,919 Speaker 1: there's only need to come. I already I already am 573 00:28:18,960 --> 00:28:21,119 Speaker 1: going to go to Southern Pines. Hey, don't worry about it, 574 00:28:21,160 --> 00:28:24,680 Speaker 1: don't cancel your show. Your show. It's a trip, your trip. 575 00:28:24,880 --> 00:28:28,399 Speaker 1: But what we should be now, I gotta know what 576 00:28:28,840 --> 00:28:31,159 Speaker 1: happened with Riva at a thousand people each night. We'll 577 00:28:31,200 --> 00:28:33,240 Speaker 1: probably do some more. I' gona residence throughout the summer. 578 00:28:33,520 --> 00:28:38,840 Speaker 1: A thousand people. Good, Thank you pretty much sold out? 579 00:28:39,120 --> 00:28:41,360 Speaker 1: Pretty good man, you could do that. I didn't know 580 00:28:41,400 --> 00:28:43,840 Speaker 1: what that theater held or was the same in my theater? Yeah, 581 00:28:44,680 --> 00:28:47,280 Speaker 1: and it's here in town. I know that's smaller. I know. 582 00:28:47,360 --> 00:28:51,840 Speaker 1: I don't leave. Okay, we're done, we gotta go anything else, Amy, 583 00:28:52,080 --> 00:28:55,200 Speaker 1: you have four things up today? I do. And it's 584 00:28:55,200 --> 00:28:58,360 Speaker 1: an expert in breath work. Breath work like how you 585 00:28:58,680 --> 00:29:04,120 Speaker 1: get on listen. She does lead us through something and 586 00:29:04,160 --> 00:29:09,040 Speaker 1: I was like, well, this sounds awkward, it's very immature 587 00:29:09,080 --> 00:29:12,560 Speaker 1: of me, but it actually was really good. Like she's 588 00:29:12,680 --> 00:29:15,440 Speaker 1: been doing it for like thirteen years, and she says 589 00:29:15,480 --> 00:29:18,440 Speaker 1: it's now gaining popularity, like and it's going to surpass 590 00:29:18,680 --> 00:29:21,440 Speaker 1: yoga and meditation. And there was a time where we 591 00:29:21,480 --> 00:29:22,840 Speaker 1: were all like what the heck is yoga and what 592 00:29:22,920 --> 00:29:24,440 Speaker 1: the heck is meditation? And now we're kind of like, 593 00:29:24,520 --> 00:29:26,400 Speaker 1: what the heck is bret work. But eventually it'll be 594 00:29:26,480 --> 00:29:29,000 Speaker 1: more mainstream and it'll be like a quote unquote what 595 00:29:29,200 --> 00:29:31,560 Speaker 1: you do as your workout. One day you just may 596 00:29:31,680 --> 00:29:35,760 Speaker 1: take time to breathe in a very specific way. Give 597 00:29:35,840 --> 00:29:37,959 Speaker 1: us an example, like you did that sound back thing, 598 00:29:39,080 --> 00:29:49,800 Speaker 1: I I can't okay, no, well, only in your nose, 599 00:29:49,960 --> 00:29:57,600 Speaker 1: so like actually, it's like somebody taking advantage of you 600 00:29:57,680 --> 00:29:59,560 Speaker 1: and just want to watch you do something stupid. No, 601 00:29:59,720 --> 00:30:03,280 Speaker 1: it's not don't do it. You do it, But Bobby, 602 00:30:03,360 --> 00:30:05,240 Speaker 1: you did it? That sound bad? It's similar to that. 603 00:30:05,360 --> 00:30:09,080 Speaker 1: There's like sound and breathing and exactly I just fell asleep. 604 00:30:09,720 --> 00:30:13,000 Speaker 1: So what is it. It's called breath work. Let me 605 00:30:13,240 --> 00:30:19,880 Speaker 1: hear in two times. Only the nose, no mouth. Oh, 606 00:30:19,960 --> 00:30:27,120 Speaker 1: got your book, don't stop, bloody your norm bitch out 607 00:30:27,600 --> 00:30:30,240 Speaker 1: on the streets, gonna be go the what someday you 608 00:30:30,400 --> 00:30:33,920 Speaker 1: got mud on your face, your big disgrace, kicking the 609 00:30:34,120 --> 00:30:40,480 Speaker 1: can all over the player singing. That particular type of 610 00:30:40,560 --> 00:30:45,200 Speaker 1: breathing is like equivalent to coffee. Eddie passes out. I'm 611 00:30:45,280 --> 00:30:49,200 Speaker 1: so dizzy right now, Eddie has reached ravana. Wow. There's 612 00:30:49,400 --> 00:30:52,000 Speaker 1: other things that are more relaxing, like if you if 613 00:30:52,040 --> 00:30:54,360 Speaker 1: you have stress and anxiety and like it's been a 614 00:30:54,400 --> 00:30:58,360 Speaker 1: heavy week, take it from the top, all right, it 615 00:30:58,520 --> 00:31:01,880 Speaker 1: might be something you slow down. I paid my dudes 616 00:31:03,360 --> 00:31:07,280 Speaker 1: were the Champions because that song does that right, Okay, 617 00:31:07,480 --> 00:31:11,120 Speaker 1: haters four things with Amy Brown, you should do a 618 00:31:11,240 --> 00:31:13,720 Speaker 1: song about that. You should do a song a podcast 619 00:31:13,840 --> 00:31:14,960 Speaker 1: because I know you do a lot of the body 620 00:31:15,000 --> 00:31:18,760 Speaker 1: stuff with someone about the digestive system and be mature, 621 00:31:18,840 --> 00:31:23,240 Speaker 1: but call it gassing pass and talk about that gassing 622 00:31:23,440 --> 00:31:26,960 Speaker 1: pass like passing gas. Yeah, and you have to. It's 623 00:31:27,000 --> 00:31:29,240 Speaker 1: called gassing pass with Amy and you bring in people 624 00:31:29,320 --> 00:31:32,160 Speaker 1: talk about the stomach, the digestive track and I have 625 00:31:32,320 --> 00:31:34,840 Speaker 1: an episode on that, but it's not called gas on, farting, 626 00:31:35,120 --> 00:31:45,680 Speaker 1: nosing pass that one. Everything they do sounds like we 627 00:31:45,720 --> 00:31:51,960 Speaker 1: will rock you every sound they make from every Yeah, 628 00:31:52,320 --> 00:31:54,920 Speaker 1: I mean I'm open to a brainstorming session. I just 629 00:31:55,040 --> 00:32:00,880 Speaker 1: had one passing gassing pass. Okay, yeah, well I will 630 00:32:00,920 --> 00:32:03,360 Speaker 1: add it to my list. I have a running chart. 631 00:32:03,600 --> 00:32:06,360 Speaker 1: We're done. Thank you all for being a part of 632 00:32:06,400 --> 00:32:08,080 Speaker 1: the show. We tried to give you some post shows. 633 00:32:08,720 --> 00:32:13,920 Speaker 1: By the way, a tune up is the basic uh, 634 00:32:14,400 --> 00:32:16,720 Speaker 1: like you said, check up or they change out or 635 00:32:16,880 --> 00:32:19,200 Speaker 1: see what is wrong with the car. It's everything from 636 00:32:19,240 --> 00:32:23,680 Speaker 1: combustion to the engine for parts, cleaning, fixing, replacing, filter, 637 00:32:23,800 --> 00:32:27,400 Speaker 1: spark plugs, belts, hoses, fluids, road it's everything. It's going 638 00:32:27,440 --> 00:32:31,680 Speaker 1: in and getting physical. Okay, that's basically that. So good. 639 00:32:32,400 --> 00:32:33,880 Speaker 1: If you want to save money on gas, go and 640 00:32:33,960 --> 00:32:37,080 Speaker 1: spend forty bucks on it, well I think it's for 641 00:32:37,160 --> 00:32:39,720 Speaker 1: your road trip. It's just what they said, save money 642 00:32:39,760 --> 00:32:44,760 Speaker 1: on gas. Well no, all right, I gotta go. You guys, 643 00:32:44,800 --> 00:32:45,959 Speaker 1: have a good date by everybody, right,