1
00:00:01,000 --> 00:00:07,440
Speaker 1: Big Bank and DJ Scream bring you Big Facts in

2
00:00:07,480 --> 00:00:08,440
Speaker 1: the street, a.

3
00:00:08,400 --> 00:00:11,520
Speaker 2: Live from Revolt Studios in the at L Big Facts

4
00:00:11,600 --> 00:00:12,440
Speaker 2: is time, Big Bank?

5
00:00:12,520 --> 00:00:12,840
Speaker 1: What up?

6
00:00:12,920 --> 00:00:16,280
Speaker 2: DJ scream, I'm here, the money is here on Big Fat.

7
00:00:18,120 --> 00:00:18,520
Speaker 1: What's up?

8
00:00:18,520 --> 00:00:18,880
Speaker 3: What's up?

9
00:00:18,920 --> 00:00:19,239
Speaker 2: What's up?

10
00:00:19,280 --> 00:00:20,919
Speaker 1: What's up? Due? Everything? Good?

11
00:00:21,360 --> 00:00:23,480
Speaker 2: Happy birthday to you. You know what I'm saying. You

12
00:00:23,520 --> 00:00:27,880
Speaker 2: know made the age of twenty five. Man, congrats to you.

13
00:00:27,880 --> 00:00:29,640
Speaker 2: It's a beautiful thing. Life is a beautiful thing.

14
00:00:29,800 --> 00:00:31,000
Speaker 3: Thank water. Yes.

15
00:00:33,240 --> 00:00:34,239
Speaker 1: So what the money been on?

16
00:00:34,320 --> 00:00:34,479
Speaker 3: Man?

17
00:00:34,520 --> 00:00:37,000
Speaker 2: You know your name been in the headlines for a

18
00:00:37,040 --> 00:00:37,840
Speaker 2: lot of different reasons.

19
00:00:37,880 --> 00:00:39,239
Speaker 1: You know what I'm saying, What the money been on?

20
00:00:39,800 --> 00:00:43,479
Speaker 3: Working? Working, family, Jim, that's it.

21
00:00:43,880 --> 00:00:47,840
Speaker 2: Work family, gym, your father of kids. You got a daughter,

22
00:00:47,880 --> 00:00:49,960
Speaker 2: you got a daughter, tell us a little bit about that.

23
00:00:50,000 --> 00:00:50,680
Speaker 1: How to change you?

24
00:00:52,880 --> 00:00:57,360
Speaker 3: Figuring out where my time should be spent, quality of

25
00:00:57,400 --> 00:01:01,480
Speaker 3: a quantity, knowing that it's bigger than me. It's not

26
00:01:01,520 --> 00:01:05,039
Speaker 3: about me shoes, So it's just a different gear. I

27
00:01:05,080 --> 00:01:05,639
Speaker 3: don't switch.

28
00:01:05,920 --> 00:01:08,760
Speaker 2: I feel like m hm, when the when the baby

29
00:01:08,800 --> 00:01:12,200
Speaker 2: actually comes out, like at the hospital, tell my own experience, like,

30
00:01:12,959 --> 00:01:13,520
Speaker 2: what's what's that?

31
00:01:13,600 --> 00:01:14,880
Speaker 1: What was that feeling like for you?

32
00:01:15,319 --> 00:01:19,200
Speaker 3: I would say hearing the first cry baby come out.

33
00:01:19,200 --> 00:01:20,520
Speaker 3: Hearing the cries like damn, it's.

34
00:01:20,400 --> 00:01:22,600
Speaker 1: Real make you think about life different, right.

35
00:01:22,480 --> 00:01:24,640
Speaker 3: Yeah, that's first thing I thought, like d it was.

36
00:01:24,720 --> 00:01:27,520
Speaker 3: It was an idea at first in my head, like

37
00:01:27,560 --> 00:01:29,039
Speaker 3: you know what I mean, I don't really know how

38
00:01:29,080 --> 00:01:31,280
Speaker 3: it's gonna feel, But damn, she came out and I

39
00:01:31,280 --> 00:01:33,440
Speaker 3: heard that crys like yeah, this is the real deal.

40
00:01:33,959 --> 00:01:35,319
Speaker 3: M m. Yeah.

41
00:01:36,200 --> 00:01:38,240
Speaker 4: How do having a little girl make you just look

42
00:01:38,280 --> 00:01:39,160
Speaker 4: at women in general?

43
00:01:42,160 --> 00:01:44,000
Speaker 3: Yeah, I would say I grew up with sisters, so

44
00:01:44,120 --> 00:01:46,839
Speaker 3: it wasn't much of a much of a change I would,

45
00:01:47,080 --> 00:01:50,000
Speaker 3: I would say, not from a gender perspective, but just

46
00:01:50,120 --> 00:01:55,560
Speaker 3: like a a parent perspective, like me, me knowing what

47
00:01:55,640 --> 00:01:59,840
Speaker 3: I gotta do, and uh me thinking how my parents

48
00:01:59,840 --> 00:02:01,880
Speaker 3: have had to do the same thing, and how then

49
00:02:01,960 --> 00:02:04,320
Speaker 3: had a child around the same age that my parents

50
00:02:04,320 --> 00:02:07,480
Speaker 3: had me. And like I would say, that perspective has

51
00:02:07,560 --> 00:02:10,480
Speaker 3: changed me, but not like a gender role. I feel

52
00:02:10,480 --> 00:02:13,840
Speaker 3: like I've always been understanding and you know what I mean.

53
00:02:13,840 --> 00:02:16,440
Speaker 3: Like I said, I had sisters, so I never would

54
00:02:16,520 --> 00:02:18,720
Speaker 3: want to treat a woman how I would want a

55
00:02:18,800 --> 00:02:20,840
Speaker 3: man treating my women around me?

56
00:02:20,960 --> 00:02:24,720
Speaker 2: You know, in fact, because you like, you know, one

57
00:02:24,760 --> 00:02:27,160
Speaker 2: of the quieter people in the family. I think sometimes

58
00:02:28,320 --> 00:02:32,119
Speaker 2: like when you drop music, people be like, oh, man,

59
00:02:32,160 --> 00:02:33,640
Speaker 2: we didn't know, Like there's a lot of stuff that

60
00:02:33,680 --> 00:02:36,080
Speaker 2: they particularly don't know about you that they might have

61
00:02:36,160 --> 00:02:37,800
Speaker 2: you fucked up on. Like what's some of the things

62
00:02:37,800 --> 00:02:39,760
Speaker 2: outside of the music that you might be like, Man,

63
00:02:39,800 --> 00:02:41,440
Speaker 2: people kind of got me fucked up, Like I can

64
00:02:41,520 --> 00:02:43,960
Speaker 2: do this, I can do this on fire, this on fire, this.

65
00:02:46,680 --> 00:02:49,359
Speaker 3: Man, I don't know. Man. I mean before the music,

66
00:02:49,400 --> 00:02:53,000
Speaker 3: I was into a lot of stuff, Yeah, anything creative,

67
00:02:53,040 --> 00:02:55,440
Speaker 3: hands on, building something. I just wanted to see how

68
00:02:55,440 --> 00:02:58,200
Speaker 3: stuff worked, taking apart stuff. I used to take my

69
00:02:58,280 --> 00:03:03,320
Speaker 3: toys apart, try to build my toys, drawing, painting, stitching,

70
00:03:03,400 --> 00:03:05,720
Speaker 3: cutting up clothes. But I was just doing a bunch

71
00:03:05,760 --> 00:03:08,840
Speaker 3: of stuff, just hands on, like I said, But I

72
00:03:09,040 --> 00:03:12,800
Speaker 3: never spend as much time with something else that I

73
00:03:12,840 --> 00:03:13,520
Speaker 3: have with music.

74
00:03:13,520 --> 00:03:16,079
Speaker 1: With music, when you know you had.

75
00:03:15,960 --> 00:03:18,240
Speaker 3: It, I don't think I got it.

76
00:03:18,360 --> 00:03:19,520
Speaker 1: You don't think you got it.

77
00:03:19,680 --> 00:03:22,000
Speaker 3: Nah, come on, now the money stood it.

78
00:03:22,120 --> 00:03:26,359
Speaker 1: Man, that's good, but you know you get it.

79
00:03:26,360 --> 00:03:29,919
Speaker 3: It's always something, it's a little bit genetic, it's always

80
00:03:29,960 --> 00:03:31,800
Speaker 3: something to learn. It's always something that could be better.

81
00:03:32,560 --> 00:03:34,920
Speaker 3: Good I mean better as possible. Good is not enough.

82
00:03:35,080 --> 00:03:37,080
Speaker 3: I feel like I got it? What else is there

83
00:03:37,080 --> 00:03:38,360
Speaker 3: to do? Got you?

84
00:03:39,400 --> 00:03:41,320
Speaker 2: But you kind of know when you got it though, right,

85
00:03:41,880 --> 00:03:43,920
Speaker 2: you know you got some I don't got that perspective.

86
00:03:44,680 --> 00:03:46,280
Speaker 3: Okay. I respect that.

87
00:03:46,280 --> 00:03:48,480
Speaker 2: That's gonna keep you working, that's gonna keep you grounded,

88
00:03:48,480 --> 00:03:50,080
Speaker 2: that's gonna keep you focused and get you where you

89
00:03:50,080 --> 00:03:50,480
Speaker 2: need to go.

90
00:03:50,840 --> 00:03:53,040
Speaker 3: Yeah, but I'm telling you you got it, just mine,

91
00:03:53,080 --> 00:03:53,640
Speaker 3: Thank you?

92
00:03:53,720 --> 00:04:00,600
Speaker 1: Yeah, you know what I'm saying. Get caught up in

93
00:04:00,600 --> 00:04:01,240
Speaker 1: that mindset?

94
00:04:01,520 --> 00:04:03,800
Speaker 3: Ain't no point? Yeah what is that? That sound like

95
00:04:03,840 --> 00:04:05,080
Speaker 3: the end? Well?

96
00:04:05,560 --> 00:04:08,000
Speaker 1: Yeah, how did you go? Ahead?

97
00:04:08,160 --> 00:04:11,560
Speaker 4: You just feel like as long as you on this earth,

98
00:04:11,560 --> 00:04:12,480
Speaker 4: you're gonna be creating.

99
00:04:13,320 --> 00:04:16,000
Speaker 3: Yeah. Man, I don't want to master nothing. Back to

100
00:04:16,000 --> 00:04:17,880
Speaker 3: what he was saying, I don't want to master nothing, man.

101
00:04:17,960 --> 00:04:20,599
Speaker 3: So mastering it sound like you feel like you reached

102
00:04:20,600 --> 00:04:23,600
Speaker 3: their ceiling, like this is it? Like I know I

103
00:04:23,640 --> 00:04:26,440
Speaker 3: know how this go. And that's when it all just

104
00:04:26,520 --> 00:04:28,760
Speaker 3: switch up and you don't realize you know nothing. You

105
00:04:28,800 --> 00:04:29,359
Speaker 3: know what I'm saying.

106
00:04:29,400 --> 00:04:33,560
Speaker 1: So you shore you do it at five five? No,

107
00:04:33,800 --> 00:04:34,560
Speaker 1: that's really shit.

108
00:04:35,080 --> 00:04:36,760
Speaker 4: So as you mester some shit, then you get a

109
00:04:36,800 --> 00:04:39,360
Speaker 4: gut gut complex about some shit and then you fuck

110
00:04:39,360 --> 00:04:40,960
Speaker 4: around to make a mistake and some shit you thought

111
00:04:40,960 --> 00:04:41,400
Speaker 4: you mestered.

112
00:04:41,720 --> 00:04:45,080
Speaker 3: Right now, you're looking like an idiot. Yes, I don't.

113
00:04:45,240 --> 00:04:46,880
Speaker 3: I honestly don't feel like I got it.

114
00:04:49,279 --> 00:04:51,160
Speaker 4: You feel like you got something special when you get

115
00:04:51,160 --> 00:04:53,920
Speaker 4: on the court, Do you feel like you have something

116
00:04:53,960 --> 00:04:55,320
Speaker 4: special and unique?

117
00:04:56,200 --> 00:04:58,280
Speaker 3: I know I'm gonna put one hundred and ten percent

118
00:04:59,240 --> 00:05:03,480
Speaker 3: every single thing. Yeah, and how people perceive it, how

119
00:05:03,520 --> 00:05:07,320
Speaker 3: it translates to the world, had nothing to do with me, Like, uh,

120
00:05:07,839 --> 00:05:09,480
Speaker 3: that's all I know. I'm put one hundred ten percent

121
00:05:09,480 --> 00:05:12,760
Speaker 3: into it. I know I'm excited about trying new things,

122
00:05:12,760 --> 00:05:17,240
Speaker 3: and I'm excited about music, and I hear what people

123
00:05:17,279 --> 00:05:19,480
Speaker 3: say in their feedback, and that's when I know if

124
00:05:19,480 --> 00:05:22,800
Speaker 3: it's translating and if people paying attention to it as

125
00:05:22,839 --> 00:05:24,480
Speaker 3: much as I've been paying attention to it. You know.

126
00:05:24,839 --> 00:05:28,600
Speaker 2: Yeah, the two records you had to do, we'll just

127
00:05:28,640 --> 00:05:31,520
Speaker 2: call them to protect your family, you know what I'm saying,

128
00:05:31,560 --> 00:05:33,760
Speaker 2: We'll call it them type of records. What was your

129
00:05:33,760 --> 00:05:36,120
Speaker 2: mindset going into the records, Because this side of you

130
00:05:36,279 --> 00:05:36,640
Speaker 2: is like.

131
00:05:37,120 --> 00:05:37,599
Speaker 1: We love it.

132
00:05:37,600 --> 00:05:39,480
Speaker 2: You know, I'm very humble, very grounded. You know, I'm

133
00:05:39,480 --> 00:05:40,920
Speaker 2: saying like I said, that's gonna get you the where

134
00:05:40,920 --> 00:05:43,080
Speaker 2: you got to go. But what clicked in you to

135
00:05:43,160 --> 00:05:46,239
Speaker 2: get in that mold? Because that's a different I feel

136
00:05:46,240 --> 00:05:47,599
Speaker 2: like if we would have talked to you that night,

137
00:05:47,760 --> 00:05:49,560
Speaker 2: you would have been a little.

138
00:05:49,240 --> 00:05:50,440
Speaker 1: Bit in a different character.

139
00:05:51,320 --> 00:05:55,720
Speaker 3: Oh wow, it just moved me, man, It moved it

140
00:05:55,760 --> 00:05:58,120
Speaker 3: moved my It's just real. It moved me, moved my

141
00:05:58,240 --> 00:06:02,120
Speaker 3: pen and I really had them questions and King ended

142
00:06:02,200 --> 00:06:04,440
Speaker 3: up I like to sit in the car and right

143
00:06:04,560 --> 00:06:08,440
Speaker 3: every this whole past maybe three four five years, I've

144
00:06:08,440 --> 00:06:10,840
Speaker 3: been just going in the car writing, even when I'm

145
00:06:10,880 --> 00:06:12,680
Speaker 3: at the studio. I tell him send me to beat.

146
00:06:12,920 --> 00:06:14,560
Speaker 3: I go sit in the car, write and then go

147
00:06:14,640 --> 00:06:19,000
Speaker 3: back and record. So King heard the beat while I

148
00:06:19,040 --> 00:06:20,599
Speaker 3: was playing in the car, came to the car like

149
00:06:20,600 --> 00:06:23,360
Speaker 3: what you doing? Like, shoot, Man, just writing. I ain't

150
00:06:23,360 --> 00:06:27,240
Speaker 3: know what I was writing, but shoot yeah, he just

151
00:06:27,279 --> 00:06:31,360
Speaker 3: smile and they just win the studio. But it just

152
00:06:31,440 --> 00:06:37,240
Speaker 3: moved me, man, I just know. I had started asking

153
00:06:37,240 --> 00:06:39,800
Speaker 3: myself like why you know what I'm saying, why could

154
00:06:39,800 --> 00:06:42,520
Speaker 3: someone do this? And then then I started seeing patterns.

155
00:06:42,560 --> 00:06:45,279
Speaker 3: I'm like, Dan, why wonder like where this came from?

156
00:06:45,279 --> 00:06:48,120
Speaker 3: What could make this person feel like doing this to

157
00:06:48,200 --> 00:06:52,200
Speaker 3: other people like that and taking this route. So I

158
00:06:52,200 --> 00:06:55,040
Speaker 3: guess that's where it came from.

159
00:06:55,040 --> 00:06:57,880
Speaker 4: What you draw inspiration on most though what you draw

160
00:06:57,960 --> 00:07:00,360
Speaker 4: inspiration from most.

161
00:07:00,240 --> 00:07:03,359
Speaker 3: Really ain't no telling, man, I ain't dove into it

162
00:07:03,480 --> 00:07:05,840
Speaker 3: enough to ask myself. But it could be anything. This

163
00:07:05,880 --> 00:07:09,040
Speaker 3: conversation could be a food I ate honestly, could be

164
00:07:09,240 --> 00:07:11,760
Speaker 3: me thinking how many people came in this room? How

165
00:07:11,760 --> 00:07:14,840
Speaker 3: many what? What has these four whiles seeing? You know

166
00:07:14,840 --> 00:07:18,920
Speaker 3: what I'm saying, like, get creative. That's why I was saying,

167
00:07:18,960 --> 00:07:22,280
Speaker 3: like that's where the excitement comes from with the music,

168
00:07:22,360 --> 00:07:24,800
Speaker 3: Like it's so many different ways to attack it and

169
00:07:24,880 --> 00:07:28,760
Speaker 3: to express myself. Could never feel like I got it

170
00:07:28,880 --> 00:07:30,960
Speaker 3: or I'm done or I'm mastering something. You know what

171
00:07:30,960 --> 00:07:33,680
Speaker 3: I'm saying, It's always an angle for me to look

172
00:07:33,720 --> 00:07:35,840
Speaker 3: at it and try it a different way.

173
00:07:37,280 --> 00:07:40,000
Speaker 2: You feel like you and King balance each other out

174
00:07:40,160 --> 00:07:42,200
Speaker 2: because y'all like kind of like polar opposites.

175
00:07:42,440 --> 00:07:44,200
Speaker 3: Yeah, we say the yeah and yang.

176
00:07:45,200 --> 00:07:48,600
Speaker 2: Just sometimes when you tell him like bro, all on chill,

177
00:07:48,720 --> 00:07:50,600
Speaker 2: or sometimes he might tell you like bro, come on,

178
00:07:50,720 --> 00:07:51,280
Speaker 2: fuck this ship.

179
00:07:51,400 --> 00:07:55,960
Speaker 3: Like that's all the time, every day. That's always saying

180
00:07:55,960 --> 00:08:01,280
Speaker 3: it to each other. But we we like we've grown

181
00:08:01,360 --> 00:08:03,920
Speaker 3: to accept each other, and now we've seen that we

182
00:08:04,080 --> 00:08:08,119
Speaker 3: kind of we're confident that we know how to handle

183
00:08:08,160 --> 00:08:09,880
Speaker 3: each other, you know what I'm saying, We know how

184
00:08:09,880 --> 00:08:14,559
Speaker 3: to handle ourselves in certain situations, Like King don't feel

185
00:08:14,600 --> 00:08:18,520
Speaker 3: like I won't stand up or speak for myself. You don't.

186
00:08:18,520 --> 00:08:20,640
Speaker 3: He don't feel like that no more. I don't feel

187
00:08:20,680 --> 00:08:23,680
Speaker 3: like King would wouldn't be able to peep the room

188
00:08:23,880 --> 00:08:26,520
Speaker 3: and realize, you know, it's not worth it. I don't

189
00:08:26,520 --> 00:08:28,200
Speaker 3: feel like that about him no more. He don't feel

190
00:08:28,200 --> 00:08:30,239
Speaker 3: like that about me no more.

191
00:08:30,040 --> 00:08:34,880
Speaker 4: So how important it is to like separate your identity

192
00:08:35,240 --> 00:08:36,800
Speaker 4: like to the world like far us what you do

193
00:08:36,840 --> 00:08:37,400
Speaker 4: and what he do?

194
00:08:39,200 --> 00:08:44,680
Speaker 3: Mm hmm. I used to think that was everything. I

195
00:08:44,720 --> 00:08:47,680
Speaker 3: used to think that was everything. Now I don't really

196
00:08:48,240 --> 00:08:50,400
Speaker 3: I don't look at it like that no more for real.

197
00:08:50,320 --> 00:08:52,120
Speaker 4: For like they can see it, they can just see it,

198
00:08:52,240 --> 00:08:53,000
Speaker 4: see it as it go.

199
00:08:53,160 --> 00:08:53,360
Speaker 1: Right.

200
00:08:53,679 --> 00:08:55,839
Speaker 4: Yeah, But you thought at first, like I have to

201
00:08:55,920 --> 00:08:57,640
Speaker 4: I gotta let people know, like I'm not my dad,

202
00:08:57,679 --> 00:08:59,640
Speaker 4: I'm not my brother, I'm not my you know what

203
00:08:59,640 --> 00:08:59,960
Speaker 4: I'm saying.

204
00:09:00,080 --> 00:09:02,920
Speaker 3: From me to the point where I need to get

205
00:09:02,960 --> 00:09:04,040
Speaker 3: away from them.

206
00:09:03,920 --> 00:09:05,520
Speaker 1: Yeah, Oh that's what you thought at first.

207
00:09:05,840 --> 00:09:08,160
Speaker 3: Yeah, I need to get away from them. I need

208
00:09:08,160 --> 00:09:12,440
Speaker 3: to shoot. If we're going to an event, I ain't

209
00:09:12,480 --> 00:09:15,760
Speaker 3: gonna go. I'm in the studio. I'm locked in. I

210
00:09:15,800 --> 00:09:18,800
Speaker 3: don't know if we all walking together, we're gonna be

211
00:09:18,800 --> 00:09:20,960
Speaker 3: in the back. Pop's gonna be in the front. These

212
00:09:21,040 --> 00:09:23,120
Speaker 3: his kids, you know what I'm saying. That's Tip and

213
00:09:23,160 --> 00:09:25,160
Speaker 3: that's his kids. You know what I'm saying. I felt

214
00:09:25,160 --> 00:09:28,440
Speaker 3: like it was very important for me to be uh

215
00:09:29,200 --> 00:09:33,240
Speaker 3: the money before his kids, or at least know the name.

216
00:09:35,840 --> 00:09:39,400
Speaker 3: They'd be like kid, which one who's like, you.

217
00:09:39,400 --> 00:09:40,920
Speaker 1: Didn't want to get lost? No, you didn't want to

218
00:09:40,920 --> 00:09:41,480
Speaker 1: get lost in that?

219
00:09:41,640 --> 00:09:42,200
Speaker 3: No, for sure?

220
00:09:42,360 --> 00:09:45,680
Speaker 4: Yeah no, because even though you know y'all got the

221
00:09:45,720 --> 00:09:48,240
Speaker 4: same morals and the same feminine origin, you could tell

222
00:09:48,280 --> 00:09:49,880
Speaker 4: that everybody had their own identity.

223
00:09:50,160 --> 00:09:51,600
Speaker 1: But that's what makes it make.

224
00:09:51,559 --> 00:09:54,280
Speaker 3: Sense, right. I feel like I done got to a

225
00:09:54,280 --> 00:09:57,640
Speaker 3: point where it's like I don't explain that people understand

226
00:09:58,400 --> 00:10:00,520
Speaker 3: that I didn't want that to happen what I really

227
00:10:00,559 --> 00:10:03,480
Speaker 3: wanted to happen. And now it's like, man, I'm just

228
00:10:04,200 --> 00:10:06,880
Speaker 3: enjoying it. I'm glad I don't feel that way. I'm

229
00:10:06,880 --> 00:10:08,680
Speaker 3: glad I don't got that cloud over you no more,

230
00:10:09,520 --> 00:10:13,280
Speaker 3: and we're starting to see what that looks like for

231
00:10:13,400 --> 00:10:15,760
Speaker 3: the money to really just be himself.

232
00:10:17,400 --> 00:10:19,400
Speaker 4: I feel to know like you walking New York, but

233
00:10:20,360 --> 00:10:22,679
Speaker 4: I don't know what it rang right.

234
00:10:24,240 --> 00:10:29,240
Speaker 1: Thing? Hey, let me uh what I just said?

235
00:10:29,520 --> 00:10:33,400
Speaker 3: I feel authentic path? What you saying ship, I don't know.

236
00:10:33,960 --> 00:10:35,880
Speaker 1: I just do my train out.

237
00:10:36,720 --> 00:10:39,120
Speaker 4: I feel I feel to know you on your path

238
00:10:39,280 --> 00:10:42,199
Speaker 4: or yeah, something like that my path.

239
00:10:43,000 --> 00:10:44,360
Speaker 1: I hear people.

240
00:10:44,480 --> 00:10:47,600
Speaker 3: I hear people tell me like, yo, don't change nothing,

241
00:10:47,679 --> 00:10:50,240
Speaker 3: keep doing what you're doing. And I hear that, Like

242
00:10:50,320 --> 00:10:53,160
Speaker 3: I said, I don't really switch perspectives, try to look

243
00:10:53,200 --> 00:10:55,240
Speaker 3: at it from the outside. I don't. I don't do that.

244
00:10:55,600 --> 00:10:58,120
Speaker 3: I don't see no real value in that. I gotta

245
00:10:58,160 --> 00:11:00,240
Speaker 3: stay in the game, you know what I'm saying. So

246
00:11:01,400 --> 00:11:05,200
Speaker 3: it feels good knowing that it's translating properly, knowing that

247
00:11:05,760 --> 00:11:09,560
Speaker 3: I'm helping people, me expressing myself as giving other people

248
00:11:10,200 --> 00:11:12,720
Speaker 3: or the confidence they express themselves. Or maybe I'm saying

249
00:11:12,720 --> 00:11:14,559
Speaker 3: something that they always wanted to say. You never felt

250
00:11:14,600 --> 00:11:16,880
Speaker 3: like saying it, you never never thought they could say

251
00:11:16,920 --> 00:11:20,240
Speaker 3: it here I am. So that always feels good.

252
00:11:21,920 --> 00:11:25,200
Speaker 4: What about like being yourself is basically being different because

253
00:11:25,240 --> 00:11:28,480
Speaker 4: everybody's trying to be the same in this world living

254
00:11:28,520 --> 00:11:31,520
Speaker 4: in Right, we all agree on that, Like most people

255
00:11:31,559 --> 00:11:33,480
Speaker 4: want to be the same, like want to fit in

256
00:11:33,559 --> 00:11:36,680
Speaker 4: and be like you know what I'm saying. Yeah, so

257
00:11:36,720 --> 00:11:39,679
Speaker 4: that comes with a lot of disagreement with different people. Right,

258
00:11:40,920 --> 00:11:42,800
Speaker 4: how do you handle like those comfort You let people

259
00:11:42,840 --> 00:11:44,560
Speaker 4: have their perspective do it, or you try to god

260
00:11:44,640 --> 00:11:46,520
Speaker 4: damn getting them to see your point, or you just.

261
00:11:46,559 --> 00:11:49,480
Speaker 3: Let it be right. If I have a real debate

262
00:11:49,520 --> 00:11:52,720
Speaker 3: with somebody, it's like I really rock with them, because

263
00:11:53,720 --> 00:11:56,640
Speaker 3: if I'm having if someone else saying something I really

264
00:11:56,679 --> 00:11:59,240
Speaker 3: don't agree with, then I don't really rock with them.

265
00:11:59,320 --> 00:12:02,480
Speaker 3: Or it's like I don't feel like it's worth explaining

266
00:12:02,600 --> 00:12:05,080
Speaker 3: my perspective because you already believe what you believe you're

267
00:12:05,080 --> 00:12:08,040
Speaker 3: gonna I'm not, Finnah, trying to alter your thinking. Already

268
00:12:08,240 --> 00:12:10,560
Speaker 3: said what I said, and I gave you enough to

269
00:12:10,640 --> 00:12:13,319
Speaker 3: spark the idea for you to do your own research.

270
00:12:14,080 --> 00:12:18,240
Speaker 3: Other than that you got it. So I just I

271
00:12:18,400 --> 00:12:20,160
Speaker 3: just be trying to wig how much it's worth it.

272
00:12:20,200 --> 00:12:22,000
Speaker 3: You know what I'm saying, I'm wasting my time? Am

273
00:12:22,000 --> 00:12:25,079
Speaker 3: I Am I saying something you really listening? Or am

274
00:12:25,080 --> 00:12:26,440
Speaker 3: I just talking in there? Yeah?

275
00:12:26,520 --> 00:12:28,920
Speaker 1: Right, So, but if it's somebody you care.

276
00:12:28,760 --> 00:12:31,120
Speaker 4: About, you want them to see at least see your perspective,

277
00:12:31,160 --> 00:12:32,240
Speaker 4: like bro, just hit me out.

278
00:12:32,600 --> 00:12:36,839
Speaker 3: Yeah, I be real passionate, a real passionate about people

279
00:12:36,840 --> 00:12:38,560
Speaker 3: that I care about, trying to explain if I feel

280
00:12:38,600 --> 00:12:41,319
Speaker 3: like they doing something the wrong way, like talking about

281
00:12:41,360 --> 00:12:46,560
Speaker 3: content content, or just how how artists be thinking like

282
00:12:47,679 --> 00:12:50,520
Speaker 3: we be. We be so engulfed in the music and

283
00:12:50,559 --> 00:12:53,319
Speaker 3: we realized until we realize that jump really not all

284
00:12:53,360 --> 00:12:57,440
Speaker 3: about the music. Music. Probably music is a plus honestly

285
00:12:58,160 --> 00:12:59,600
Speaker 3: everything else. If you're trying to be in the music

286
00:12:59,679 --> 00:13:03,120
Speaker 3: business and how this john support your family and in

287
00:13:03,200 --> 00:13:06,040
Speaker 3: generation down the line, you gotta put different hats on.

288
00:13:06,280 --> 00:13:09,199
Speaker 3: You can't just just be creative, you know what I'm saying.

289
00:13:09,679 --> 00:13:11,640
Speaker 3: So I'll be passionate about stuff like that.

290
00:13:12,679 --> 00:13:15,720
Speaker 2: What you feel like is your most precious asset obviously

291
00:13:15,800 --> 00:13:19,200
Speaker 2: like not nothing material, but like what's your most precious asset?

292
00:13:19,760 --> 00:13:26,760
Speaker 3: Mm hm uh. I would say being able to fill

293
00:13:26,840 --> 00:13:29,920
Speaker 3: the room, being able to feel like the.

294
00:13:29,960 --> 00:13:31,440
Speaker 1: Vibes of people, like discernment.

295
00:13:32,480 --> 00:13:38,480
Speaker 3: Yeah, could relate understanding shooting, how to uh, explain that,

296
00:13:39,120 --> 00:13:42,040
Speaker 3: how to how to paint pictures, and ways to explain

297
00:13:42,120 --> 00:13:43,079
Speaker 3: things to other people?

298
00:13:44,360 --> 00:13:49,240
Speaker 4: What's the pros and posing pros and cons for growing

299
00:13:49,360 --> 00:13:52,040
Speaker 4: up growing up in the spotlight?

300
00:13:53,800 --> 00:13:58,560
Speaker 3: Hey, pros and cons. Pros you're not starting from ground one.

301
00:13:58,679 --> 00:14:02,680
Speaker 3: You're not starting from ground zero. H. Even if it's

302
00:14:02,840 --> 00:14:04,559
Speaker 3: people knowing you for the reason you don't want to

303
00:14:04,559 --> 00:14:07,719
Speaker 3: be known for, they know you're not starting for.

304
00:14:07,960 --> 00:14:08,120
Speaker 4: Yeah.

305
00:14:08,400 --> 00:14:14,160
Speaker 3: Yeah, you could change the narrative. So that's a pro con.

306
00:14:15,840 --> 00:14:15,880
Speaker 2: H.

307
00:14:16,600 --> 00:14:18,760
Speaker 3: Same thing. If you don't know how to change the narrative,

308
00:14:18,880 --> 00:14:21,920
Speaker 3: you're stuck. If if you want to change it, you

309
00:14:21,920 --> 00:14:24,680
Speaker 3: could be stuck if you don't know how to change it. Cons.

310
00:14:26,080 --> 00:14:31,600
Speaker 3: People don't like damn, let me see. People don't like

311
00:14:31,720 --> 00:14:34,920
Speaker 3: realizing what they thought is not actually what it is.

312
00:14:35,440 --> 00:14:41,280
Speaker 3: You know what I'm saying. So eyeballs always on you?

313
00:14:42,320 --> 00:14:43,960
Speaker 3: All of these things now I'm think about it could

314
00:14:44,000 --> 00:14:45,720
Speaker 3: be just everything that I'm saying. It could be a

315
00:14:45,720 --> 00:14:49,000
Speaker 3: pro or a con because you could.

316
00:14:48,840 --> 00:14:50,440
Speaker 1: Want all eyeballs on you.

317
00:14:50,440 --> 00:14:53,720
Speaker 3: You couldnt want all eyeballs on you. Yeah, So shoot,

318
00:14:54,360 --> 00:14:55,040
Speaker 3: now you're right.

319
00:14:55,320 --> 00:14:56,400
Speaker 1: Hey, have you ever.

320
00:14:59,280 --> 00:15:01,160
Speaker 4: You know like how your daddy can teach you a

321
00:15:01,280 --> 00:15:04,160
Speaker 4: lesson or give you some advice on something and then

322
00:15:04,240 --> 00:15:05,880
Speaker 4: laid on down the line. You have to give him

323
00:15:05,880 --> 00:15:08,080
Speaker 4: that same advice, Like, Bro, you remember you told me this,

324
00:15:08,600 --> 00:15:10,120
Speaker 4: cause my son do that to me all the time.

325
00:15:10,800 --> 00:15:12,680
Speaker 4: Come on being y ain't sticking to what you told

326
00:15:12,720 --> 00:15:13,960
Speaker 4: me because you said it did before.

327
00:15:14,160 --> 00:15:17,120
Speaker 1: Have you ever had to do that with tip man?

328
00:15:18,840 --> 00:15:21,960
Speaker 3: Man, that's a good question. I'm pretty sure I have.

329
00:15:22,720 --> 00:15:25,400
Speaker 3: But if I did, I wouldn't want to let it.

330
00:15:25,440 --> 00:15:27,280
Speaker 3: I wouldn't want to tell it to him like that.

331
00:15:27,800 --> 00:15:29,880
Speaker 3: You know what I'm saying, because record he got such

332
00:15:29,920 --> 00:15:30,600
Speaker 3: an ego, but.

333
00:15:32,400 --> 00:15:34,480
Speaker 1: He'll he'll clean it to remix it.

334
00:15:34,640 --> 00:15:38,320
Speaker 3: Yeah, I try to remix it, but he'll even though

335
00:15:38,320 --> 00:15:42,040
Speaker 3: he got such a big ego, he'll clean it up

336
00:15:42,080 --> 00:15:45,080
Speaker 3: around us and make and be more like receptive man,

337
00:15:45,200 --> 00:15:48,160
Speaker 3: because I mean we were family. We can with me

338
00:15:48,320 --> 00:15:50,720
Speaker 3: just keeping that in mind. I don't want to tamper

339
00:15:50,840 --> 00:15:51,360
Speaker 3: with that.

340
00:15:51,800 --> 00:15:55,480
Speaker 4: My all, Like come on there, you said it like

341
00:15:55,560 --> 00:15:57,640
Speaker 4: I do some ship inn that ship I told him,

342
00:15:57,680 --> 00:15:59,720
Speaker 4: but the Internet ship LIKEE and I go do something

343
00:16:00,160 --> 00:16:03,320
Speaker 4: the other day like yeah, just be saying anything trolling whatever.

344
00:16:03,720 --> 00:16:07,040
Speaker 3: That's King, that's Kim and King. But that's their relationship.

345
00:16:08,640 --> 00:16:12,360
Speaker 3: Sometimes King would say something junk before me or too

346
00:16:12,440 --> 00:16:13,560
Speaker 3: much you know what I'm.

347
00:16:13,400 --> 00:16:15,840
Speaker 1: Saying, Or too much.

348
00:16:15,640 --> 00:16:18,240
Speaker 3: I'll be handed down like hey this pops man, like like,

349
00:16:18,960 --> 00:16:22,720
Speaker 3: come on King, nah man. But it's different though, can

350
00:16:24,320 --> 00:16:25,120
Speaker 3: he'll do that?

351
00:16:25,240 --> 00:16:25,840
Speaker 1: Yeah?

352
00:16:25,960 --> 00:16:28,600
Speaker 4: Hey, did you did you ever get slip ice even

353
00:16:28,640 --> 00:16:31,200
Speaker 4: from your mom or your dad that you couldn't see

354
00:16:31,200 --> 00:16:32,400
Speaker 4: as a kid, that you can see now?

355
00:16:36,640 --> 00:16:40,600
Speaker 3: Dang, man, you that's a deep question. I just came

356
00:16:40,600 --> 00:16:48,600
Speaker 3: from laughing. Damn, I can't think of uh shooting, I can't.

357
00:16:48,680 --> 00:16:50,000
Speaker 3: I don't got nothing for you right now.

358
00:16:50,680 --> 00:16:51,600
Speaker 1: But you know what I'm saying.

359
00:16:51,720 --> 00:16:53,280
Speaker 4: You know how like when you're young, they might say

360
00:16:53,440 --> 00:16:55,160
Speaker 4: everybody ain't your friend or this or that, and you

361
00:16:55,200 --> 00:16:57,040
Speaker 4: couldn't see that, like man, these people love me. And

362
00:16:57,040 --> 00:16:59,080
Speaker 4: then you get grown to be like, damn, everybody ain't

363
00:16:59,120 --> 00:16:59,480
Speaker 4: my friend?

364
00:17:00,240 --> 00:17:03,120
Speaker 1: Really everything man, just everything.

365
00:17:05,440 --> 00:17:08,960
Speaker 3: Everything is my mom my, pops. Everything. They don't say.

366
00:17:09,000 --> 00:17:11,240
Speaker 3: It's just like, how when am I gonna see it?

367
00:17:11,280 --> 00:17:13,720
Speaker 3: You know what I'm saying. I can't pinpoint what have

368
00:17:13,800 --> 00:17:16,879
Speaker 3: I seen so far right now, but it's just about

369
00:17:16,880 --> 00:17:19,440
Speaker 3: it's a matter of time. It's always gonna be like dang,

370
00:17:20,040 --> 00:17:21,040
Speaker 3: that's what they were talking.

371
00:17:20,840 --> 00:17:24,000
Speaker 4: About what about the music injury, like something that you

372
00:17:24,080 --> 00:17:25,800
Speaker 4: might have been warned about the music injury that you

373
00:17:25,840 --> 00:17:27,840
Speaker 4: couldn't see and you end up seeing it.

374
00:17:28,280 --> 00:17:32,800
Speaker 1: It don't have to be from them, just appear anybody.

375
00:17:33,040 --> 00:17:37,480
Speaker 3: All money not good money. Uh, some people be weird,

376
00:17:38,240 --> 00:17:47,040
Speaker 3: people do be weird. Uh, every some stuff could be

377
00:17:47,080 --> 00:17:54,240
Speaker 3: too good to be true. Shoot, and everybody, everybody not

378
00:17:54,359 --> 00:17:56,639
Speaker 3: your friend, like you said, but everybody gonna talk a

379
00:17:56,680 --> 00:17:59,560
Speaker 3: good game, you know what I'm saying. That's that's their job.

380
00:18:00,480 --> 00:18:02,720
Speaker 3: And everybody, Oh, they gonna try.

381
00:18:03,400 --> 00:18:08,160
Speaker 5: They don't try, they gonna try.

382
00:18:08,200 --> 00:18:10,840
Speaker 3: They gotta try. So that's just up to you about

383
00:18:10,880 --> 00:18:12,520
Speaker 3: how you deal with it. But don't be upset when

384
00:18:12,600 --> 00:18:13,200
Speaker 3: they gonna.

385
00:18:12,960 --> 00:18:14,919
Speaker 4: Try it, you know how you navigating weed through the

386
00:18:14,920 --> 00:18:15,440
Speaker 4: weird ship?

387
00:18:17,080 --> 00:18:22,520
Speaker 3: Stay focused man, Stay focused. Hm, it don't mean too

388
00:18:22,560 --> 00:18:27,359
Speaker 3: much to me, like because I don't expect much. I

389
00:18:27,400 --> 00:18:31,560
Speaker 3: don't expect the utmost respect from people or just for

390
00:18:31,640 --> 00:18:33,760
Speaker 3: people to just be like me. I don't know. I

391
00:18:33,760 --> 00:18:37,159
Speaker 3: don't expect that, So I don't get too upset or

392
00:18:37,320 --> 00:18:39,480
Speaker 3: devastated hopes up about stuff.

393
00:18:39,160 --> 00:18:44,280
Speaker 2: Like that when you get into like the music ship,

394
00:18:44,320 --> 00:18:48,680
Speaker 2: Like did you get in with like certain particular goals

395
00:18:48,760 --> 00:18:50,560
Speaker 2: or did you just jump in on something like, Man,

396
00:18:50,680 --> 00:18:52,480
Speaker 2: this is just how I'm feeling nothing to get into

397
00:18:52,480 --> 00:18:55,320
Speaker 2: the music and and start creating as a way to

398
00:18:55,320 --> 00:18:56,400
Speaker 2: just express myself.

399
00:18:56,680 --> 00:18:58,280
Speaker 3: Yeah, I got into it as a kid, so I

400
00:18:58,280 --> 00:19:00,480
Speaker 3: didn't know none of I wasn't thinking about, no, honey.

401
00:19:01,240 --> 00:19:05,440
Speaker 3: I knew what it looked like to be a celebrity

402
00:19:05,600 --> 00:19:09,959
Speaker 3: or a rich artist or just famous, but the actual

403
00:19:10,040 --> 00:19:12,199
Speaker 3: money I wasn't thinking about none of that.

404
00:19:13,840 --> 00:19:16,720
Speaker 1: Thinking about him more now the business.

405
00:19:16,359 --> 00:19:20,240
Speaker 3: Because I got a family, got a family, and just

406
00:19:20,320 --> 00:19:22,320
Speaker 3: because like I would do it for free, but.

407
00:19:23,840 --> 00:19:24,480
Speaker 1: You don't have to.

408
00:19:25,040 --> 00:19:26,720
Speaker 3: I'm gonna do it for free, you know what I'm saying.

409
00:19:27,000 --> 00:19:31,560
Speaker 3: So it's like and then it's bigger than me. Man,

410
00:19:31,640 --> 00:19:34,760
Speaker 3: It's it's bigger than me. And shoot, they gonna get paid.

411
00:19:35,200 --> 00:19:38,320
Speaker 3: So it's like, why you're not getting get paid? Was

412
00:19:38,320 --> 00:19:39,240
Speaker 3: gonna get paid from me?

413
00:19:39,680 --> 00:19:41,440
Speaker 1: Was gonna make money and some music being put out?

414
00:19:41,440 --> 00:19:46,760
Speaker 2: You right, somebody gonna make some money when I get.

415
00:19:49,720 --> 00:19:53,760
Speaker 4: And what make you take like the grind route instead

416
00:19:53,800 --> 00:19:58,520
Speaker 4: of ship you favors of my family name.

417
00:20:01,080 --> 00:20:04,719
Speaker 3: I was so young making them decisions. I'd be asking myself.

418
00:20:04,720 --> 00:20:11,200
Speaker 3: I'd be sometimes myself the same thing, but I would

419
00:20:11,200 --> 00:20:13,960
Speaker 3: guess maybe it didn't feel real or it didn't feel

420
00:20:14,000 --> 00:20:17,879
Speaker 3: like you would have been the uncompassingent, like, yeah, it

421
00:20:17,960 --> 00:20:19,960
Speaker 3: didn't feel right, Like I wanted to be able to,

422
00:20:21,119 --> 00:20:23,600
Speaker 3: uh do it. You know what I'm saying. I wanted

423
00:20:23,600 --> 00:20:24,880
Speaker 3: to be able to do it, and I knew if

424
00:20:24,920 --> 00:20:26,720
Speaker 3: I did it, it's gonna be me. You know what

425
00:20:26,720 --> 00:20:28,240
Speaker 3: I'm saying, It's gonna be one hundred percent of meat

426
00:20:28,240 --> 00:20:31,200
Speaker 3: because this is how I did it. I knew it

427
00:20:31,760 --> 00:20:35,119
Speaker 3: wasn't gonna be respected, but even bigger than that, it

428
00:20:35,200 --> 00:20:38,600
Speaker 3: wasn't me. I wanted it to be me, And I

429
00:20:38,600 --> 00:20:42,000
Speaker 3: guess maybe that comes from years of me feeling like

430
00:20:42,080 --> 00:20:47,320
Speaker 3: people didn't see me or didn't know me. Mm hmmm hm.

431
00:20:48,200 --> 00:20:52,159
Speaker 2: What's like just coming up and listening and obviously you

432
00:20:52,200 --> 00:20:54,520
Speaker 2: heard a lot of your pops music like What's What's

433
00:20:54,640 --> 00:20:56,960
Speaker 2: What's one of the records of mixed tastes of albums

434
00:20:57,000 --> 00:20:59,119
Speaker 2: we here like Man Pops Snap and it kind of

435
00:20:59,119 --> 00:21:00,800
Speaker 2: motivated probably Man King.

436
00:21:01,960 --> 00:21:04,640
Speaker 3: Urban Leisure, Urban Leisure paper trail.

437
00:21:08,480 --> 00:21:11,159
Speaker 2: Do you tell your stuff d Do y'all have that

438
00:21:11,240 --> 00:21:14,639
Speaker 2: open relationship where like, if something ain't it, y'all express

439
00:21:14,720 --> 00:21:17,280
Speaker 2: that to each other, y'all ain't a fan of it, Like, well,

440
00:21:17,280 --> 00:21:18,680
Speaker 2: he tell you like, I don't know you can go

441
00:21:18,760 --> 00:21:20,360
Speaker 2: harder than that when you tell him the same, y'all

442
00:21:20,359 --> 00:21:21,720
Speaker 2: got that type of relationship.

443
00:21:21,359 --> 00:21:24,480
Speaker 4: The hardest in the house out of everybody. What I'm saying,

444
00:21:24,480 --> 00:21:26,560
Speaker 4: like who the hardest? Who the family favor? Okay, we

445
00:21:26,640 --> 00:21:28,639
Speaker 4: know Tip got the bigger name of the rapper, but

446
00:21:28,640 --> 00:21:29,639
Speaker 4: who the hardest rapper?

447
00:21:29,720 --> 00:21:34,480
Speaker 3: Like heat the hardest? We got different stuff here you go.

448
00:21:34,640 --> 00:21:37,959
Speaker 3: I'm just saying somewhere it's like you got the spoon

449
00:21:38,160 --> 00:21:43,680
Speaker 3: knife for it? Like who how it?

450
00:21:43,840 --> 00:21:44,000
Speaker 1: Right?

451
00:21:45,840 --> 00:21:47,320
Speaker 4: But if y'all want to get on the song to yell,

452
00:21:47,359 --> 00:21:49,080
Speaker 4: who's gonna kill it the most?

453
00:21:49,160 --> 00:21:54,439
Speaker 3: Thanksgiving? Man? We got we got all uten Everything you

454
00:21:54,520 --> 00:21:59,080
Speaker 3: need is right there in front of you with that,

455
00:21:59,080 --> 00:22:00,639
Speaker 3: that's all it is, big feast.

456
00:22:01,320 --> 00:22:07,040
Speaker 4: Yeah, And you feel like, what generation, even though you

457
00:22:07,080 --> 00:22:09,680
Speaker 4: fit in this generation perfect, what generation do you think

458
00:22:10,280 --> 00:22:12,439
Speaker 4: your style would have fit in the most if you

459
00:22:12,480 --> 00:22:13,560
Speaker 4: can go to a generation?

460
00:22:16,280 --> 00:22:22,440
Speaker 3: I think I'm dope, bro, no dope any like anyone. Yeah,

461
00:22:22,640 --> 00:22:25,040
Speaker 3: just because I'm gonna put one hundred and temper cent

462
00:22:25,119 --> 00:22:28,640
Speaker 3: into something. So it's like it's just about how bad

463
00:22:28,680 --> 00:22:33,040
Speaker 3: somebody want it so, and it's about translating. You gotta

464
00:22:33,200 --> 00:22:36,719
Speaker 3: speak like I look at that like speaking that generation's language,

465
00:22:37,160 --> 00:22:41,480
Speaker 3: or because you can't, you can't. We it's two totally

466
00:22:41,480 --> 00:22:45,480
Speaker 3: different generations. Like what they understood, we may not understand

467
00:22:45,520 --> 00:22:49,480
Speaker 3: now and vice versa. So it's just about, Man, I

468
00:22:49,480 --> 00:22:51,720
Speaker 3: feel like I want it bad enough to where I'm

469
00:22:51,720 --> 00:22:54,639
Speaker 3: gonna make sure it's translating. Like if we have the

470
00:22:54,720 --> 00:22:59,160
Speaker 3: conversation and let's say you speak a slightly different language

471
00:22:59,480 --> 00:23:01,159
Speaker 3: and I still don't want to get this message to you,

472
00:23:01,280 --> 00:23:03,760
Speaker 3: I'm gonna make sure I get this message across the ship.

473
00:23:04,000 --> 00:23:04,199
Speaker 3: You know.

474
00:23:04,480 --> 00:23:08,280
Speaker 2: Yeah, Man, I'm gonna get told for this, but I

475
00:23:08,280 --> 00:23:09,600
Speaker 2: got to go ahead and put it out there. So

476
00:23:09,600 --> 00:23:12,320
Speaker 2: I'm in the barbershop right in my homies noticed in

477
00:23:12,359 --> 00:23:16,480
Speaker 2: the group chat my debate is that, And I know

478
00:23:16,520 --> 00:23:18,840
Speaker 2: you ain't gonna say too much about it, man, I'll

479
00:23:18,880 --> 00:23:21,040
Speaker 2: be like, Man, the Money harder than J Cole to me,

480
00:23:21,160 --> 00:23:23,040
Speaker 2: I listened to more the Money and J Cole that's

481
00:23:23,080 --> 00:23:24,840
Speaker 2: just me personally, you know what I'm saying. And that

482
00:23:24,920 --> 00:23:27,240
Speaker 2: just came up because of styles of music and vibes

483
00:23:27,280 --> 00:23:34,159
Speaker 2: and music and stuff like that. In your respect, how

484
00:23:34,200 --> 00:23:35,960
Speaker 2: would you What would be your reply to that? If

485
00:23:36,000 --> 00:23:37,840
Speaker 2: I text you something like that, I said, bro, we

486
00:23:37,840 --> 00:23:40,320
Speaker 2: was in the barbershop, because it's a true story, actually happened.

487
00:23:40,359 --> 00:23:41,439
Speaker 1: What would be your response to that.

488
00:23:42,640 --> 00:23:47,199
Speaker 3: I appreciate it.

489
00:23:46,320 --> 00:23:50,120
Speaker 1: I already knew what it was I received that.

490
00:23:50,240 --> 00:23:54,720
Speaker 3: I don't take that lightly. That cool. I just had

491
00:23:54,800 --> 00:23:56,360
Speaker 3: to put it out there because I know the homies

492
00:23:56,359 --> 00:23:57,360
Speaker 3: was they was on my neck.

493
00:23:57,560 --> 00:24:00,760
Speaker 2: Two of us agreed, though two of us adamantly like agreed,

494
00:24:00,920 --> 00:24:03,320
Speaker 2: like nah, we agree. But the rest of them, you know,

495
00:24:03,880 --> 00:24:05,359
Speaker 2: they feel like you got a little more work to

496
00:24:05,400 --> 00:24:07,840
Speaker 2: put in before that particular place.

497
00:24:07,880 --> 00:24:12,920
Speaker 3: But you know, well that's dope right there, the barbershop conversations.

498
00:24:13,000 --> 00:24:14,879
Speaker 3: I feel like we all want to be in the

499
00:24:14,880 --> 00:24:19,080
Speaker 3: barber for auto accolades and the charts and the man.

500
00:24:19,400 --> 00:24:21,800
Speaker 1: You would be in the mix of your people right exactly.

501
00:24:22,440 --> 00:24:23,160
Speaker 3: So that's dope.

502
00:24:23,320 --> 00:24:27,520
Speaker 4: Yeah, Hey, did anything, He'll stick with you, like like

503
00:24:27,720 --> 00:24:30,159
Speaker 4: just a surprising support, you know, like somebody can hit you,

504
00:24:30,359 --> 00:24:31,680
Speaker 4: like somebody hit you with something like that. If you

505
00:24:31,800 --> 00:24:34,240
Speaker 4: hit you with that, tics like what's the most memorable

506
00:24:35,680 --> 00:24:38,760
Speaker 4: message or support that you don't got, Like damn that ship?

507
00:24:38,840 --> 00:24:40,280
Speaker 1: That makes me feel different right there?

508
00:24:42,160 --> 00:24:48,800
Speaker 3: Uh, man, Kendrick Andre just just letting me know that

509
00:24:48,880 --> 00:24:51,040
Speaker 3: I'm on the right path like that John was dope. Yeah,

510
00:24:51,440 --> 00:24:53,600
Speaker 3: so simple stuff like that.

511
00:24:53,440 --> 00:24:55,480
Speaker 1: Man, the type of energy that give you though.

512
00:24:57,080 --> 00:25:00,360
Speaker 3: Confirmation. Yeah, like let you know, like you know what

513
00:25:01,040 --> 00:25:05,440
Speaker 3: I'm doing it. Yeah, and I got it. Yeah, I

514
00:25:05,680 --> 00:25:07,959
Speaker 3: guess you you. I would I move a little bit

515
00:25:07,960 --> 00:25:11,320
Speaker 3: different knowing that anyone would move a little bit like you.

516
00:25:11,840 --> 00:25:15,800
Speaker 3: It's no longer when it's my time, I'm gonna kill it. No, yes,

517
00:25:17,200 --> 00:25:19,680
Speaker 3: kill it there, yes your time. You on stage right now?

518
00:25:20,680 --> 00:25:23,360
Speaker 1: What you do the elements is for a classical album.

519
00:25:23,800 --> 00:25:24,200
Speaker 2: Mm hmm.

520
00:25:26,560 --> 00:25:36,960
Speaker 3: Thank I will say. That's a good question. Man. It

521
00:25:37,040 --> 00:25:41,600
Speaker 3: gotta be today. It gotta be today, meaning I'm thinking

522
00:25:41,600 --> 00:25:45,159
Speaker 3: about that the generation question we were talking about. You

523
00:25:45,200 --> 00:25:47,320
Speaker 3: gotta speak the language of the day that you're in.

524
00:25:50,640 --> 00:25:54,600
Speaker 3: You gotta bring people together, multiple generations, gotta bridge some

525
00:25:54,720 --> 00:25:58,960
Speaker 3: gaps mm hmm. It gotta you gotta tell a story

526
00:25:59,000 --> 00:26:02,920
Speaker 3: that probably hasn't been told before. Different perspective, paint a

527
00:26:02,960 --> 00:26:05,480
Speaker 3: different picture that we probably dang like, I didn't think

528
00:26:05,480 --> 00:26:07,879
Speaker 3: about that, you know, I didn't know about that. But

529
00:26:07,960 --> 00:26:12,080
Speaker 3: at the same time, we can still enjoy it while

530
00:26:12,119 --> 00:26:14,400
Speaker 3: we're making memories, you know what I mean, Like it's

531
00:26:14,440 --> 00:26:17,040
Speaker 3: a part of our memories. You play it if you

532
00:26:17,080 --> 00:26:19,840
Speaker 3: had a function, you at the club, you play it

533
00:26:19,840 --> 00:26:21,520
Speaker 3: in the car. You can play it with a vibe,

534
00:26:21,960 --> 00:26:23,960
Speaker 3: you know what I'm saying. And that's how you make

535
00:26:24,000 --> 00:26:27,840
Speaker 3: it a part of people's lives, all the all them things.

536
00:26:28,000 --> 00:26:29,920
Speaker 1: Like people will go back and say, like.

537
00:26:31,640 --> 00:26:33,520
Speaker 2: You talking about two thousand and five, and oh, that's

538
00:26:33,520 --> 00:26:35,399
Speaker 2: when that was out, you know what I'm saying, or

539
00:26:35,640 --> 00:26:37,639
Speaker 2: twenty or that's when that was out. That's what I

540
00:26:37,640 --> 00:26:39,320
Speaker 2: feel like it is when it's kind of like you say,

541
00:26:39,359 --> 00:26:42,199
Speaker 2: like a bookmark for the time in history that you

542
00:26:42,240 --> 00:26:43,680
Speaker 2: know is classic, you know what I'm saying.

543
00:26:43,960 --> 00:26:46,520
Speaker 3: Then that's when you know how you get older, you

544
00:26:46,600 --> 00:26:47,879
Speaker 3: be like, man, you don't know nothing about this. You

545
00:26:47,880 --> 00:26:51,960
Speaker 3: don't even know what was going on? Did this from that? Yeah,

546
00:26:52,119 --> 00:26:54,199
Speaker 3: you were able to say stuff like that. Yeah, that's

547
00:26:54,240 --> 00:26:55,440
Speaker 3: when you know there's timeless.

548
00:26:55,680 --> 00:26:58,560
Speaker 4: Yeah, you major major made that project a part of

549
00:26:58,560 --> 00:27:01,760
Speaker 4: the coaches Like even if you just like the twenty

550
00:27:01,800 --> 00:27:06,760
Speaker 4: sixteen challenge came, Yeah, everybody started posting the race triminems.

551
00:27:07,320 --> 00:27:09,199
Speaker 3: Yeah, because that is that.

552
00:27:09,400 --> 00:27:13,000
Speaker 4: Was that took over twenty six Yeah, what is called

553
00:27:13,080 --> 00:27:13,800
Speaker 4: a mallein talent.

554
00:27:13,880 --> 00:27:17,280
Speaker 3: Yeah, yeah, ah, stuff like that. Man, if someone is

555
00:27:17,320 --> 00:27:20,040
Speaker 3: able to say that, man, you know, if you were

556
00:27:20,080 --> 00:27:22,280
Speaker 3: there at this time, you knew what was going on.

557
00:27:23,560 --> 00:27:25,200
Speaker 3: Yeah it is yeah man.

558
00:27:25,280 --> 00:27:29,000
Speaker 2: Since since twenty twenty, though, do you feel like them

559
00:27:29,080 --> 00:27:31,960
Speaker 2: years missed them projects? Because now I'm thinking about it,

560
00:27:32,000 --> 00:27:34,160
Speaker 2: like what was what? Twenty twenty was honestually fucked up?

561
00:27:34,480 --> 00:27:39,320
Speaker 2: But you feel like some of them years missed them projects? Well,

562
00:27:39,359 --> 00:27:41,520
Speaker 2: not just because of COVID. I like we talking about

563
00:27:41,520 --> 00:27:43,479
Speaker 2: twenty sixteen. I can think of twenty all the way

564
00:27:43,560 --> 00:27:46,080
Speaker 2: up to wind Nip Passed. I could think of like

565
00:27:46,119 --> 00:27:48,879
Speaker 2: the album that kind of like represented that year, and

566
00:27:48,920 --> 00:27:51,600
Speaker 2: then Baby had his album that one year, and you

567
00:27:51,600 --> 00:27:53,920
Speaker 2: know he was going crazy and shit. But like twenty twenty, twenty,

568
00:27:53,920 --> 00:27:56,240
Speaker 2: twenty one, twenty two, I don't really have an album

569
00:27:56,240 --> 00:28:01,680
Speaker 2: that I associate with them years me personally, that's a

570
00:28:01,720 --> 00:28:02,080
Speaker 2: good one.

571
00:28:02,119 --> 00:28:05,119
Speaker 3: I mean I feel like you said the baby a

572
00:28:05,160 --> 00:28:08,480
Speaker 3: little baby. Let's see, uh.

573
00:28:08,920 --> 00:28:11,960
Speaker 1: Colorilla Gloria go crazy that yeah.

574
00:28:12,200 --> 00:28:16,879
Speaker 2: Females yeah, Travis, Yeah, Okay that we.

575
00:28:16,960 --> 00:28:20,160
Speaker 4: Literally in right now y'all think gonna live like right again,

576
00:28:20,640 --> 00:28:22,920
Speaker 4: what what does happened like in twenty twenty six, that

577
00:28:23,000 --> 00:28:25,080
Speaker 4: y'all think of live l like they'll be talking about

578
00:28:25,119 --> 00:28:25,640
Speaker 4: for thirty.

579
00:28:25,480 --> 00:28:34,120
Speaker 2: Years musically, just period shout as warship, whoa the war

580
00:28:34,160 --> 00:28:36,639
Speaker 2: that's going on and oh.

581
00:28:36,200 --> 00:28:38,320
Speaker 1: Yeah they're gonna talk about that for that history. Yeah,

582
00:28:38,360 --> 00:28:38,880
Speaker 1: that's history.

583
00:28:38,920 --> 00:28:39,800
Speaker 3: I was thinking of music.

584
00:28:40,040 --> 00:28:41,200
Speaker 1: Yeah, music, I'm just.

585
00:28:41,160 --> 00:28:44,360
Speaker 4: Saying it was in general, but yeah, the cultural anything,

586
00:28:44,600 --> 00:28:45,800
Speaker 4: the cultural music.

587
00:28:46,120 --> 00:28:54,040
Speaker 3: The war. I don't say, God damn me thinking music.

588
00:28:54,080 --> 00:28:58,320
Speaker 2: Man, Drake and Kendrick, Oh yeah yeah yeah yeah that's

589
00:28:58,360 --> 00:29:01,440
Speaker 2: twenty four though, right, But I feel this time just

590
00:29:01,480 --> 00:29:03,840
Speaker 2: in the time period, yeah, Drake and Kendrick for sure.

591
00:29:04,160 --> 00:29:05,680
Speaker 3: Yeah.

592
00:29:06,200 --> 00:29:09,560
Speaker 1: Yeah, ain't a lot of ship been going on? Man,

593
00:29:09,760 --> 00:29:10,880
Speaker 1: That's what I was just saying.

594
00:29:11,080 --> 00:29:13,760
Speaker 3: That's what I'm doing in the Centers movie.

595
00:29:14,360 --> 00:29:18,520
Speaker 2: Yeah, I see try wow yeah watch your trial for sure.

596
00:29:18,680 --> 00:29:23,320
Speaker 2: That's history, the Puff trial. Yeah yeah, Puffy, yep, it's

597
00:29:23,360 --> 00:29:24,920
Speaker 2: gonna be feel yeah.

598
00:29:24,720 --> 00:29:27,920
Speaker 4: Yeah man, and all these sense of his murders and

599
00:29:28,080 --> 00:29:31,000
Speaker 4: ship like that last level and niggas just pantsing away.

600
00:29:32,600 --> 00:29:33,000
Speaker 1: Yeah.

601
00:29:33,520 --> 00:29:33,960
Speaker 3: Yeah.

602
00:29:34,280 --> 00:29:36,280
Speaker 1: What youall think? How you think twenty twenty six is

603
00:29:36,320 --> 00:29:36,920
Speaker 1: gonna play out?

604
00:29:38,920 --> 00:29:39,719
Speaker 3: What's your thoughts?

605
00:29:39,920 --> 00:29:40,880
Speaker 1: How I feel so far?

606
00:29:42,520 --> 00:29:43,880
Speaker 3: Man? For a while, I don't feeling like this the

607
00:29:43,880 --> 00:29:48,040
Speaker 3: wild wild West right now. So it's like we it's

608
00:29:48,120 --> 00:29:50,920
Speaker 3: not so cookie cut it like compared to how I

609
00:29:50,960 --> 00:29:57,480
Speaker 3: think it was, uh fifteen twenty years ago. We all realizing,

610
00:29:58,240 --> 00:30:00,520
Speaker 3: I mean, because we don't in all switch social media

611
00:30:00,560 --> 00:30:03,240
Speaker 3: with the algorithm. It's like your followers don't matter as much.

612
00:30:03,880 --> 00:30:06,760
Speaker 3: It's like you gotta put out some dope stuff. You gotta,

613
00:30:06,800 --> 00:30:09,720
Speaker 3: you gotta people gotta say this is dope in order

614
00:30:09,720 --> 00:30:14,080
Speaker 3: for it to really travel. So I think the tables

615
00:30:14,080 --> 00:30:16,560
Speaker 3: have turned, and like people see that and they know, like,

616
00:30:16,640 --> 00:30:18,920
Speaker 3: you know what, I gotta come on my a game.

617
00:30:20,600 --> 00:30:23,560
Speaker 2: Even with AI and all this ship that people actually got. Yeah,

618
00:30:23,760 --> 00:30:26,800
Speaker 2: people actually got to work harder. Though that's kind of

619
00:30:26,800 --> 00:30:27,640
Speaker 2: what I was saying.

620
00:30:27,480 --> 00:30:28,480
Speaker 3: Too much competition.

621
00:30:28,760 --> 00:30:30,040
Speaker 1: They got work harder with AI.

622
00:30:30,640 --> 00:30:33,520
Speaker 4: Yeah, but it makes it seem like you don't a

623
00:30:33,520 --> 00:30:35,080
Speaker 4: lot of people trying to make it seem like a

624
00:30:35,280 --> 00:30:36,840
Speaker 4: I can think for you them.

625
00:30:36,800 --> 00:30:39,440
Speaker 1: Then it can. But what's gonna separate you from the

626
00:30:39,480 --> 00:30:40,040
Speaker 1: next person?

627
00:30:41,280 --> 00:30:43,880
Speaker 3: If you competing with AI, you're probably gonna go harder

628
00:30:43,920 --> 00:30:49,040
Speaker 3: than if you before. You said so if you're competing

629
00:30:49,040 --> 00:30:51,479
Speaker 3: with if you're an artist, whether you you painting them,

630
00:30:51,600 --> 00:30:55,600
Speaker 3: you do photography, photos, you do film, or you do music,

631
00:30:55,960 --> 00:30:57,960
Speaker 3: and you know you got AI out here and you

632
00:30:58,000 --> 00:31:01,360
Speaker 3: compete with AI. Don'te else to just use AI, or

633
00:31:01,400 --> 00:31:02,360
Speaker 3: they could choose to use you.

634
00:31:02,600 --> 00:31:04,040
Speaker 4: You're gonna get, you know how, the bad ship because

635
00:31:04,040 --> 00:31:04,840
Speaker 4: you're coming from your thought.

636
00:31:04,960 --> 00:31:07,200
Speaker 3: Yeah you're finnah, turn up, you're finish. Try to make

637
00:31:07,280 --> 00:31:10,760
Speaker 3: something that their computer can't make, you know, yeah, or

638
00:31:10,840 --> 00:31:14,160
Speaker 3: even just knowing that these kids, it's kids out here

639
00:31:14,200 --> 00:31:17,080
Speaker 3: with no budget, no nothing, blowing up getting the opportunities

640
00:31:17,080 --> 00:31:20,040
Speaker 3: that I want. I gotta go crazy. They just doing

641
00:31:20,040 --> 00:31:22,840
Speaker 3: this off of a phone. Yeah, I gotta go crazy.

642
00:31:22,960 --> 00:31:23,400
Speaker 3: I got this.

643
00:31:24,200 --> 00:31:28,960
Speaker 4: I got no excuses, no real crazy though. I don't

644
00:31:28,960 --> 00:31:32,280
Speaker 4: think I don't start seeing music videos and stuff with

645
00:31:32,320 --> 00:31:33,760
Speaker 4: the AI the ship looking at.

646
00:31:33,680 --> 00:31:35,880
Speaker 1: Her, little man.

647
00:31:36,440 --> 00:31:37,640
Speaker 3: It ain't ain't got me yet.

648
00:31:37,720 --> 00:31:41,080
Speaker 1: It ain't got me yet, But I'm just saying it'll work. Work.

649
00:31:41,960 --> 00:31:44,160
Speaker 3: You still feel like it's a out of like you

650
00:31:44,680 --> 00:31:48,640
Speaker 3: just AI. That kind of disconnect me just a little bit.

651
00:31:49,000 --> 00:31:51,640
Speaker 3: But it's cool that I'm watching something, but it's like

652
00:31:51,840 --> 00:31:52,400
Speaker 3: it's AI.

653
00:31:52,840 --> 00:31:54,640
Speaker 4: You think the world going into the y'all think it's

654
00:31:54,640 --> 00:31:57,480
Speaker 4: gonna go to that though. You think the raw shit

655
00:31:57,520 --> 00:31:59,560
Speaker 4: gonna start looking weird and that she's gonna start looking

656
00:31:59,560 --> 00:32:06,840
Speaker 4: on them. Not, of course not because it's you gotta

657
00:32:06,880 --> 00:32:11,360
Speaker 4: think CDs looked like CD before when tapes came out,

658
00:32:11,400 --> 00:32:14,040
Speaker 4: CDs looked like niggas didn't.

659
00:32:13,840 --> 00:32:16,520
Speaker 1: Want to I'm keeping Mone out in the iPod. She

660
00:32:16,600 --> 00:32:17,440
Speaker 1: don't got on your phone.

661
00:32:17,440 --> 00:32:19,560
Speaker 4: People saying that, like, Bro, I'm sticking to the COLDE.

662
00:32:19,560 --> 00:32:22,680
Speaker 4: I'm gonna keep my CD and you start seeing moke Van.

663
00:32:22,800 --> 00:32:25,320
Speaker 1: So's that ship gonna be the new normal?

664
00:32:25,400 --> 00:32:28,600
Speaker 3: Yeah? Ai is gonna be there for sure in that respect,

665
00:32:29,360 --> 00:32:32,000
Speaker 3: even though we could still say I think it's gonna

666
00:32:32,040 --> 00:32:33,360
Speaker 3: get the point where we don't we ain't gonna be

667
00:32:33,360 --> 00:32:35,560
Speaker 3: able to tell whether aar or not. But even if

668
00:32:35,600 --> 00:32:38,360
Speaker 3: we do tell like, we're gonna be more like some

669
00:32:38,480 --> 00:32:41,200
Speaker 3: what is Ai? It's cool.

670
00:32:41,200 --> 00:32:43,680
Speaker 1: It's just how she just changes.

671
00:32:43,920 --> 00:32:46,040
Speaker 2: I think the best knowledgy I heard is that man

672
00:32:46,120 --> 00:32:48,320
Speaker 2: Ai is the slave and it still need a slave driver.

673
00:32:50,240 --> 00:32:51,720
Speaker 3: Somebody still got to tell her what to do.

674
00:32:53,080 --> 00:32:58,840
Speaker 4: Ship different, Bro, Like the more you typing everything, you're

675
00:32:58,840 --> 00:33:03,880
Speaker 4: putting personality inside of the computers. Every second, everything you do,

676
00:33:04,040 --> 00:33:06,720
Speaker 4: where you're talking, you moving, whatever you're doing, these content

677
00:33:06,760 --> 00:33:08,240
Speaker 4: you putting personality inside.

678
00:33:08,680 --> 00:33:09,240
Speaker 3: Hey, I just.

679
00:33:09,240 --> 00:33:13,480
Speaker 4: Building more personality than a kid, than anybody, because it's

680
00:33:13,520 --> 00:33:16,600
Speaker 4: down everybody in the world is feeding into this ship

681
00:33:16,920 --> 00:33:19,960
Speaker 4: just by typing and living and walking in front of

682
00:33:19,960 --> 00:33:20,680
Speaker 4: the cameras and ship.

683
00:33:20,720 --> 00:33:23,400
Speaker 1: You giving this ship personality. Get this ship. Show you

684
00:33:23,440 --> 00:33:24,720
Speaker 1: how to walk through everything?

685
00:33:25,680 --> 00:33:26,680
Speaker 3: You like this conversation?

686
00:33:27,400 --> 00:33:32,000
Speaker 1: Yeah, I do like I do that.

687
00:33:32,120 --> 00:33:33,840
Speaker 3: I like a like.

688
00:33:34,400 --> 00:33:35,880
Speaker 1: No, I don't know how to use it. I want

689
00:33:35,880 --> 00:33:37,960
Speaker 1: to learn slave driver.

690
00:33:38,520 --> 00:33:40,560
Speaker 4: No, but I'm telling you, bro, you can type. I

691
00:33:40,560 --> 00:33:42,640
Speaker 4: don'et type ship in there before and they ship.

692
00:33:42,440 --> 00:33:44,400
Speaker 1: Tell you no for sure?

693
00:33:44,680 --> 00:33:47,040
Speaker 3: What do you mean? Like like knowing facts and stuff.

694
00:33:47,200 --> 00:33:50,720
Speaker 1: Just like SAFENSI don't even really need no lawyer.

695
00:33:50,760 --> 00:33:53,320
Speaker 4: No more do these little country I don't stick the

696
00:33:53,320 --> 00:33:58,440
Speaker 4: countries and the Hey put it in a rebublal. They

697
00:33:58,480 --> 00:34:01,160
Speaker 4: said that ship right back to the far like man say,

698
00:34:01,400 --> 00:34:04,280
Speaker 4: I just paid my lawyer two and twenty five hundred

699
00:34:04,400 --> 00:34:05,280
Speaker 4: drop drift U the pay.

700
00:34:05,360 --> 00:34:08,880
Speaker 3: I just did it right, that's real. Yeah, it's a

701
00:34:08,920 --> 00:34:13,160
Speaker 3: tool for sure fulk But knowing that a lawyer may

702
00:34:13,200 --> 00:34:14,719
Speaker 3: feel like, you know what I gotta I gotta come

703
00:34:14,760 --> 00:34:16,200
Speaker 3: with something. I gotta bring something a little bit different.

704
00:34:18,160 --> 00:34:20,000
Speaker 1: What can you bring in that situation.

705
00:34:20,400 --> 00:34:22,279
Speaker 4: Now, fight for me and I can't get a out

706
00:34:22,320 --> 00:34:23,840
Speaker 4: of walking there if I got a speeding ticket to

707
00:34:23,960 --> 00:34:24,320
Speaker 4: fight for me.

708
00:34:24,440 --> 00:34:26,160
Speaker 1: No, But but if you.

709
00:34:26,239 --> 00:34:28,440
Speaker 3: Study enough, you may have more relationships.

710
00:34:30,000 --> 00:34:33,000
Speaker 4: But I'm saying, I'm like a contract, Like right now,

711
00:34:33,520 --> 00:34:36,240
Speaker 4: I'm trying to sign the money to god damn.

712
00:34:36,520 --> 00:34:37,560
Speaker 1: To do to write for me.

713
00:34:38,400 --> 00:34:40,200
Speaker 4: I can send you a proposer that I don't need

714
00:34:40,239 --> 00:34:42,160
Speaker 4: to pay my lawyer to do right now through AI

715
00:34:42,560 --> 00:34:43,640
Speaker 4: easy through check.

716
00:34:45,040 --> 00:34:48,040
Speaker 1: And it'll be legit. So how can they compete with that?

717
00:34:48,960 --> 00:34:49,760
Speaker 3: Relationships?

718
00:34:49,760 --> 00:34:49,920
Speaker 2: Man?

719
00:34:49,960 --> 00:34:50,960
Speaker 3: Relationship everything?

720
00:34:52,440 --> 00:34:54,359
Speaker 4: We already got relationship, me and you? What the fuck

721
00:34:54,400 --> 00:34:56,120
Speaker 4: will need talk for me and you?

722
00:34:56,520 --> 00:34:58,120
Speaker 2: I think wouldn't I think would have come to maybe

723
00:34:58,200 --> 00:34:58,640
Speaker 2: let's say you.

724
00:34:58,680 --> 00:35:01,239
Speaker 1: Doing money negotiations. The lawyer might be able to lean

725
00:35:01,320 --> 00:35:02,200
Speaker 1: and have that.

726
00:35:02,520 --> 00:35:04,000
Speaker 3: I know what I want, all right?

727
00:35:05,880 --> 00:35:06,560
Speaker 1: What I want?

728
00:35:08,360 --> 00:35:08,560
Speaker 3: Oh?

729
00:35:08,680 --> 00:35:12,880
Speaker 1: No, no, no, no, I feel what you said. It works.

730
00:35:13,000 --> 00:35:17,960
Speaker 2: No, it works, it works for sure, no question about it.

731
00:35:18,000 --> 00:35:21,240
Speaker 2: But still even though they got no way more cars

732
00:35:21,320 --> 00:35:25,480
Speaker 2: driving around the ships fuck up sometime and run over.

733
00:35:25,400 --> 00:35:27,480
Speaker 4: Dolls, fuck up sometimes and run over doll.

734
00:35:33,760 --> 00:35:36,399
Speaker 1: It's more regular people than that car.

735
00:35:36,920 --> 00:35:38,280
Speaker 3: Well, the way more just started.

736
00:35:40,440 --> 00:35:43,160
Speaker 1: It's been long enough go ahead.

737
00:35:43,920 --> 00:35:46,880
Speaker 3: The whole reason Uber created Like well I heard like

738
00:35:47,320 --> 00:35:50,000
Speaker 3: someone told me the company Uber don't really profit or

739
00:35:50,040 --> 00:35:52,360
Speaker 3: make too much money because they give it all to

740
00:35:52,400 --> 00:35:55,960
Speaker 3: the drivers. They waiting on the self driving cars. And

741
00:35:55,960 --> 00:35:57,160
Speaker 3: then that's when they're gonna get all.

742
00:35:57,120 --> 00:35:58,959
Speaker 2: The or the world trying to cut out the middle

743
00:35:59,000 --> 00:36:02,200
Speaker 2: man on everything. That's gonna be. That's gonna be the

744
00:36:02,200 --> 00:36:02,719
Speaker 2: way of the world.

745
00:36:02,760 --> 00:36:05,759
Speaker 4: It's gonna come affect because would you ready to get

746
00:36:05,800 --> 00:36:06,480
Speaker 4: in the cold the nigga?

747
00:36:06,520 --> 00:36:09,560
Speaker 1: You on know, a car just keeping a break. Get

748
00:36:10,400 --> 00:36:14,000
Speaker 1: you don't know, this is just a car. Once they

749
00:36:14,040 --> 00:36:15,759
Speaker 1: make bigger way modes, I'm getting in them right now.

750
00:36:15,800 --> 00:36:18,200
Speaker 3: They're just too small, bag and forth with no computer though,

751
00:36:18,520 --> 00:36:20,440
Speaker 3: Like if it's a dude in the car and he

752
00:36:20,520 --> 00:36:23,400
Speaker 3: may want some ill attention, you know, it's like a

753
00:36:23,480 --> 00:36:25,520
Speaker 3: possibility you could probably talk to him. Wait a minute,

754
00:36:25,520 --> 00:36:27,799
Speaker 3: hey man, what's going on? Like how much? What's going on?

755
00:36:28,160 --> 00:36:30,080
Speaker 3: I got what you need? You can't stop.

756
00:36:30,719 --> 00:36:34,280
Speaker 5: You can negotiate, brother, brother, here you go, I got kids,

757
00:36:34,600 --> 00:36:36,880
Speaker 5: call your heff and take you where you are.

758
00:36:36,920 --> 00:36:41,080
Speaker 3: The button is already pressed. That's that's a perspective.

759
00:36:41,320 --> 00:36:44,160
Speaker 4: Yeah, he look at it like that ship. I take

760
00:36:44,200 --> 00:36:46,879
Speaker 4: my chance with their car with the computer. Shoot one

761
00:36:46,960 --> 00:36:51,560
Speaker 4: is out there now. But I'm just saying the new

762
00:36:51,600 --> 00:36:56,440
Speaker 4: normal is is among us for sure, and we you.

763
00:36:56,400 --> 00:37:00,160
Speaker 1: Could be stuck in old times if you want to.

764
00:37:00,280 --> 00:37:01,319
Speaker 1: That ain't gonna work for you.

765
00:37:01,400 --> 00:37:03,719
Speaker 4: Break so many niggas that feel like they sticking to

766
00:37:03,760 --> 00:37:10,080
Speaker 4: the cold that would never prosper because that mindset won't

767
00:37:10,080 --> 00:37:11,120
Speaker 4: work in these times.

768
00:37:11,680 --> 00:37:14,759
Speaker 1: I almost been one of them niggas, like feeling like

769
00:37:14,840 --> 00:37:15,359
Speaker 1: I could just.

770
00:37:17,280 --> 00:37:19,640
Speaker 4: Be stuck on an old ass cold that don't exist

771
00:37:19,680 --> 00:37:26,320
Speaker 4: no more, it don't even exist, especially not in the world.

772
00:37:26,120 --> 00:37:26,680
Speaker 1: That we're trying to be.

773
00:37:26,880 --> 00:37:29,840
Speaker 4: Enough I was in the streets, it probably would because

774
00:37:29,840 --> 00:37:31,880
Speaker 4: you know what I'm saying, that that code just automatically

775
00:37:31,880 --> 00:37:34,160
Speaker 4: what it is. I'm saying, been in the industry and

776
00:37:34,400 --> 00:37:36,359
Speaker 4: in front of cameras and how the fuck I'm going

777
00:37:36,360 --> 00:37:38,600
Speaker 4: to be a street nigga and sitting in him doing

778
00:37:38,600 --> 00:37:42,319
Speaker 4: the podcast that don't even make sense? How the fuck

779
00:37:42,320 --> 00:37:45,040
Speaker 4: I'm going to be a street nigga and a podcast.

780
00:37:45,920 --> 00:37:47,960
Speaker 3: Yeah, seem like in some street ship.

781
00:37:48,040 --> 00:37:49,840
Speaker 4: And I still gotta come to work now that niggas

782
00:37:49,840 --> 00:37:51,960
Speaker 4: put my business out because I'm a street nigga that

783
00:37:51,960 --> 00:37:53,279
Speaker 4: don't even make sense.

784
00:37:57,280 --> 00:37:58,080
Speaker 1: That don't make.

785
00:37:57,920 --> 00:38:01,600
Speaker 2: Sense, we said, saying, like we always said, the game,

786
00:38:01,680 --> 00:38:02,920
Speaker 2: the rule book is different.

787
00:38:03,560 --> 00:38:05,640
Speaker 4: You have to when the game you get in, you

788
00:38:05,680 --> 00:38:07,640
Speaker 4: may have to start at the bottom and figure that

789
00:38:07,680 --> 00:38:10,000
Speaker 4: game out and build that up. I know how to do.

790
00:38:10,160 --> 00:38:11,920
Speaker 4: I know how to leave this ship right now and

791
00:38:11,960 --> 00:38:14,120
Speaker 4: go stand on the block and everything, what to do,

792
00:38:15,960 --> 00:38:17,960
Speaker 4: how to peak? Who are police rub me? I know

793
00:38:17,960 --> 00:38:22,040
Speaker 4: how everything I mastered that we keeping the break. I

794
00:38:22,040 --> 00:38:24,800
Speaker 4: know how to slimb gime whatever. I know how to

795
00:38:24,840 --> 00:38:26,520
Speaker 4: do whatever to give me someone out the streets.

796
00:38:27,120 --> 00:38:28,399
Speaker 1: But that ain't the same ship.

797
00:38:30,160 --> 00:38:33,040
Speaker 2: So that's that, like he was kind of saying earlier,

798
00:38:33,200 --> 00:38:35,000
Speaker 2: since you know you mastered that, it's not that light

799
00:38:35,120 --> 00:38:36,799
Speaker 2: not even give you the thriller of even think about

800
00:38:36,840 --> 00:38:37,160
Speaker 2: that ship.

801
00:38:37,160 --> 00:38:39,360
Speaker 4: And this gives you because this gives you more a

802
00:38:39,400 --> 00:38:41,560
Speaker 4: thrillin That's why I play golf, because I normally hit.

803
00:38:41,640 --> 00:38:43,719
Speaker 4: I'm gonna hit way more bad shot and good shot.

804
00:38:44,200 --> 00:38:47,680
Speaker 4: But I'm challenging myself this ship here, this a podcast game.

805
00:38:47,719 --> 00:38:49,640
Speaker 1: Here here they leave us off all the lists.

806
00:38:50,800 --> 00:38:52,360
Speaker 4: You know what I'm saying, like we don't even exist,

807
00:38:52,360 --> 00:38:54,360
Speaker 4: big fat, But that ship give me a drive because

808
00:38:54,400 --> 00:38:55,359
Speaker 4: I did start right here.

809
00:38:55,360 --> 00:38:56,279
Speaker 1: I don't know, nark.

810
00:38:56,360 --> 00:38:57,200
Speaker 4: I came out the streets.

811
00:38:58,320 --> 00:39:00,360
Speaker 1: So for me to even be able to have money

812
00:39:00,360 --> 00:39:02,959
Speaker 1: on my ship, no me, No, let me know I'm

813
00:39:02,960 --> 00:39:06,680
Speaker 1: doing something right. I can get there because I got there.

814
00:39:09,160 --> 00:39:11,000
Speaker 4: You feel what I'm saying. Then when we do that,

815
00:39:11,520 --> 00:39:12,360
Speaker 4: what's the next ship?

816
00:39:12,520 --> 00:39:12,960
Speaker 3: You feel?

817
00:39:13,920 --> 00:39:14,680
Speaker 1: I could be driven?

818
00:39:14,760 --> 00:39:20,480
Speaker 3: But so what's some confirmations like oppose, like outside of

819
00:39:20,520 --> 00:39:22,879
Speaker 3: having different guests, because you could just have a good

820
00:39:22,920 --> 00:39:27,279
Speaker 3: relationship with with twenty one with me, Like, what's some

821
00:39:27,320 --> 00:39:31,160
Speaker 3: confirmations that let you know like yesterday's price is not

822
00:39:31,200 --> 00:39:33,000
Speaker 3: today's price? Like you you really moving?

823
00:39:34,080 --> 00:39:38,360
Speaker 4: Uh, the more comfortable I get at doing it, it

824
00:39:38,400 --> 00:39:39,960
Speaker 4: ain't got nothing to do with the money, none of

825
00:39:39,960 --> 00:39:41,959
Speaker 4: that ship or or who I can get on because

826
00:39:42,000 --> 00:39:44,000
Speaker 4: I got I call any of these niggas, they'll come

827
00:39:44,080 --> 00:39:45,960
Speaker 4: get on the podcast. I just wait till they call me.

828
00:39:46,000 --> 00:39:48,120
Speaker 4: I call any niggas and won't take no for us.

829
00:39:48,200 --> 00:39:52,400
Speaker 1: Like damn, yeah, damn easy to do that. These are

830
00:39:52,400 --> 00:39:53,040
Speaker 1: my friends.

831
00:39:54,120 --> 00:39:56,480
Speaker 4: But the confirmation is just the more comfortable I get

832
00:39:56,520 --> 00:39:59,359
Speaker 4: at doing it, year by year, month by month, more

833
00:39:59,400 --> 00:40:03,839
Speaker 4: comfortable get the more I don't feel like I don't

834
00:40:03,880 --> 00:40:05,960
Speaker 4: give a fuck. Basically, like I don't give a fuck

835
00:40:06,120 --> 00:40:08,399
Speaker 4: it if y'all know I can't really speak and talk

836
00:40:08,480 --> 00:40:11,920
Speaker 4: and pronounce my words like that this bank. So the

837
00:40:11,920 --> 00:40:15,160
Speaker 4: more comfortable I get with me being me, that's my confirmation.

838
00:40:16,120 --> 00:40:22,440
Speaker 3: That's dope. Is there an amount of money? Is there

839
00:40:22,440 --> 00:40:24,919
Speaker 3: an amount of money that like like you're saying this bank,

840
00:40:25,000 --> 00:40:26,799
Speaker 3: this you like you comfortable, you say whatever you want

841
00:40:26,800 --> 00:40:29,360
Speaker 3: to say? Is there an amount of money that you

842
00:40:29,400 --> 00:40:31,839
Speaker 3: would take? Be like, you know what, I ain't gonna

843
00:40:31,880 --> 00:40:34,080
Speaker 3: say that. I ain't gonna say I'm gonna dial it back.

844
00:40:34,160 --> 00:40:38,399
Speaker 3: I'm gonna keep it money. Yes, yeah, yeah, I ain't Kanye.

845
00:40:38,480 --> 00:40:42,680
Speaker 4: Okay, because you ain't gonna say, Hey, they ain't paying

846
00:40:42,680 --> 00:40:43,719
Speaker 4: me the ship the fuck up?

847
00:40:44,440 --> 00:40:47,440
Speaker 1: Don't wait, No, I'm gonna talk to the ship the

848
00:40:47,480 --> 00:40:48,000
Speaker 1: fuck up.

849
00:40:50,360 --> 00:40:52,080
Speaker 4: Yeah, it's amount of money. Ain't the amount of money

850
00:40:52,120 --> 00:40:55,799
Speaker 4: they can get for me to not be me? But

851
00:40:55,920 --> 00:40:58,480
Speaker 4: I die back because sometimes I say ship and I

852
00:40:58,560 --> 00:41:01,040
Speaker 4: be craying, like damn, I shouldn't probaly see myself.

853
00:41:01,200 --> 00:41:02,239
Speaker 3: Sure, so here here.

854
00:41:02,160 --> 00:41:03,560
Speaker 1: They could pay me to not sation shit. I know

855
00:41:03,560 --> 00:41:04,360
Speaker 1: I shouldn't take.

856
00:41:05,920 --> 00:41:08,640
Speaker 3: That's real shit.

857
00:41:10,520 --> 00:41:14,440
Speaker 2: Talk about that project man forever lasted the tape. How

858
00:41:14,480 --> 00:41:16,279
Speaker 2: I come together, how you feel about it? What's been

859
00:41:16,280 --> 00:41:17,319
Speaker 2: the response? All that type of.

860
00:41:17,280 --> 00:41:23,480
Speaker 3: Shit came together because people like the song forever Lasting

861
00:41:23,560 --> 00:41:27,680
Speaker 3: me DC on fly set, the Hindreds. People like that.

862
00:41:27,719 --> 00:41:30,560
Speaker 3: They said they wanted a longer version, more versus, they

863
00:41:30,560 --> 00:41:32,719
Speaker 3: wanted more people on it. And then I've been hearing

864
00:41:32,719 --> 00:41:34,319
Speaker 3: people say, you know what, you give me a whole

865
00:41:34,320 --> 00:41:37,600
Speaker 3: project with that vibe. And then I started listening. I said,

866
00:41:37,640 --> 00:41:40,160
Speaker 3: you know what, there actually is more to the story.

867
00:41:40,920 --> 00:41:45,040
Speaker 3: So I made a part two of Forever Lasting, and

868
00:41:45,080 --> 00:41:51,479
Speaker 3: then I told a fuller story of Forever Lasting, which

869
00:41:51,520 --> 00:41:56,200
Speaker 3: turned out to be the tape, and she got like

870
00:41:56,200 --> 00:41:57,920
Speaker 3: an international feel on it.

871
00:41:57,960 --> 00:42:07,800
Speaker 4: That's good, Yeah, would you like more recording? The recording

872
00:42:07,800 --> 00:42:09,440
Speaker 4: process of getting in front of the fan.

873
00:42:12,360 --> 00:42:16,239
Speaker 3: Hmm, getting in front of the fans for sure, getting it,

874
00:42:16,360 --> 00:42:19,839
Speaker 3: getting in front because man, ain't nothing like seeing an

875
00:42:19,920 --> 00:42:23,640
Speaker 3: idea turn to reality and see how it's translating. Uh,

876
00:42:24,440 --> 00:42:26,640
Speaker 3: that ain't nothing like that for real, for real, because

877
00:42:26,680 --> 00:42:29,040
Speaker 3: you you knowing in your head, damn, I just thought

878
00:42:29,040 --> 00:42:31,120
Speaker 3: of this stuff, said this is just how I felt.

879
00:42:31,280 --> 00:42:33,440
Speaker 3: Were just having a good time and started in the studio.

880
00:42:33,800 --> 00:42:37,000
Speaker 3: Three people in the room, now thousands of people out

881
00:42:37,000 --> 00:42:40,359
Speaker 3: here screaming the words. So ain't nothing like that.

882
00:42:40,840 --> 00:42:43,680
Speaker 4: You just didn't came out to it with k Camp.

883
00:42:43,840 --> 00:42:45,839
Speaker 4: What's the shit you learned on on the tour on

884
00:42:45,880 --> 00:42:48,160
Speaker 4: this tour that you never just learned just by doing

885
00:42:48,200 --> 00:42:49,160
Speaker 4: shows on y'all.

886
00:42:49,080 --> 00:42:52,320
Speaker 3: Too and ship me and Camp cool. So he allowed

887
00:42:52,360 --> 00:42:56,440
Speaker 3: me to see like, uh more of the back end

888
00:42:56,520 --> 00:42:58,879
Speaker 3: on the on the tour and like how to move

889
00:42:58,960 --> 00:43:03,040
Speaker 3: in pieces work. Uh shoot, man, this junk costs this.

890
00:43:03,280 --> 00:43:05,480
Speaker 3: This you happened this, I was doing this like this

891
00:43:05,560 --> 00:43:08,080
Speaker 3: before I did this. These people helped me do it.

892
00:43:08,120 --> 00:43:10,759
Speaker 3: Like he he really showed me some stuff like that

893
00:43:10,920 --> 00:43:14,719
Speaker 3: because we already had a relationship and and he's just

894
00:43:14,760 --> 00:43:18,640
Speaker 3: that type of guy. I would say that's the difference

895
00:43:18,680 --> 00:43:21,680
Speaker 3: in just seeing seeing the type of crowd he could

896
00:43:21,680 --> 00:43:24,760
Speaker 3: bring together like he got he got a good energy

897
00:43:24,960 --> 00:43:26,319
Speaker 3: in the venue every single night.

898
00:43:27,360 --> 00:43:32,520
Speaker 4: Yeah, yeah sold that co Yeah, just get their hometown love.

899
00:43:32,640 --> 00:43:35,400
Speaker 4: Just see people just fuck with you also like right

900
00:43:35,520 --> 00:43:37,520
Speaker 4: here for me too, man.

901
00:43:37,560 --> 00:43:41,200
Speaker 3: That was felt amazing. Man. But you know, I always

902
00:43:41,239 --> 00:43:43,200
Speaker 3: know at the end of the day, I feel like

903
00:43:43,680 --> 00:43:46,759
Speaker 3: there's more work to be done. Man. But but that's

904
00:43:46,800 --> 00:43:49,759
Speaker 3: when I rode out my candles and they was going

905
00:43:49,800 --> 00:43:50,760
Speaker 3: crazy about the candles.

906
00:43:51,040 --> 00:43:53,520
Speaker 1: Bring candles either, man, you see we got candles on

907
00:43:53,560 --> 00:43:53,920
Speaker 1: the table.

908
00:43:54,000 --> 00:44:01,359
Speaker 3: The mind dang get us right, I'm gonna get y'all one.

909
00:44:01,400 --> 00:44:06,120
Speaker 3: But that show probably like the last last week of

910
00:44:06,200 --> 00:44:10,640
Speaker 3: the tour, candles just going crazy. And then Atlanta showed

911
00:44:10,640 --> 00:44:13,239
Speaker 3: me like, okay, these folks they not even talking about

912
00:44:13,239 --> 00:44:15,799
Speaker 3: none now, they just saying where the candles? Where the candles?

913
00:44:16,120 --> 00:44:19,840
Speaker 3: I like the show, but you got some cans like god, damn, okay,

914
00:44:19,880 --> 00:44:21,680
Speaker 3: look at that you put them up on the site.

915
00:44:21,800 --> 00:44:24,319
Speaker 3: Damn the site right now, the cannon's been going crazy.

916
00:44:24,000 --> 00:44:25,360
Speaker 1: Man booming.

917
00:44:25,640 --> 00:44:28,640
Speaker 4: Yeah, hey, so you gave your phone number the fans

918
00:44:28,680 --> 00:44:29,719
Speaker 4: whatever about?

919
00:44:30,719 --> 00:44:33,120
Speaker 3: Yeah? So that was just a conversation. Man. You know

920
00:44:33,120 --> 00:44:35,759
Speaker 3: how you're talking to a girl and you're all right,

921
00:44:36,440 --> 00:44:38,399
Speaker 3: that's the same information. Take my nuther, let me get

922
00:44:38,400 --> 00:44:41,200
Speaker 3: your number. What we're doing. It was a conversation. I

923
00:44:41,239 --> 00:44:45,520
Speaker 3: didn't think too much about it. I ain't know it

924
00:44:45,560 --> 00:44:48,120
Speaker 3: was gonna go as crazy as it went, but it was.

925
00:44:48,160 --> 00:44:50,719
Speaker 3: It was just as simple as that. A lot of

926
00:44:50,719 --> 00:44:54,520
Speaker 3: my songs be conversations. I just said my number.

927
00:44:56,600 --> 00:44:58,680
Speaker 4: Did you get did you get any text that stuck

928
00:44:58,680 --> 00:45:00,080
Speaker 4: with you?

929
00:45:00,480 --> 00:45:08,160
Speaker 3: Plenty? Text messages and plenty of voice messages cause good vibes.

930
00:45:09,160 --> 00:45:12,360
Speaker 3: And that's another way people ask me, do I regret it?

931
00:45:12,520 --> 00:45:16,400
Speaker 3: I don't regret it. It's not too much. That's a

932
00:45:16,440 --> 00:45:18,920
Speaker 3: way where I can know in real time how stuff

933
00:45:18,960 --> 00:45:22,239
Speaker 3: is translating, because people gonna call me, they gonna tell me.

934
00:45:23,200 --> 00:45:25,279
Speaker 3: You know, I feel like the relationship I got with

935
00:45:25,320 --> 00:45:28,080
Speaker 3: my fans, with my people, they know that, you know

936
00:45:28,080 --> 00:45:30,200
Speaker 3: what I mean. I could be real with them. Sometimes

937
00:45:30,200 --> 00:45:32,880
Speaker 3: they'd be like, you know what, I like your stuff.

938
00:45:32,920 --> 00:45:34,920
Speaker 3: I don't know about that one. I gotta see where

939
00:45:34,920 --> 00:45:36,560
Speaker 3: you're going through. You know what I'm saying.

940
00:45:36,600 --> 00:45:41,480
Speaker 4: But yeah, hey, do you like to send records for

941
00:45:41,520 --> 00:45:43,440
Speaker 4: people to jump on and get create the vibe together?

942
00:45:44,800 --> 00:45:47,680
Speaker 3: Whatever is necessary. However, we need to get it done

943
00:45:49,680 --> 00:45:52,879
Speaker 3: right now. Yeah, we can get in right now for sure,

944
00:45:53,000 --> 00:45:55,759
Speaker 3: so we know in real time what we need to do.

945
00:45:55,760 --> 00:45:57,440
Speaker 3: Do we need to pivot? Do we need to change it?

946
00:45:57,440 --> 00:45:59,120
Speaker 3: What you want to do? I can let you know, yeah,

947
00:45:59,120 --> 00:46:02,200
Speaker 3: you got or range, you got, you got full creativity,

948
00:46:02,280 --> 00:46:03,880
Speaker 3: do what you want. A lot of time, when I

949
00:46:03,920 --> 00:46:06,880
Speaker 3: send records or when people send records to me, we

950
00:46:06,960 --> 00:46:09,439
Speaker 3: don't know like it. It's a lot of unknown things.

951
00:46:09,440 --> 00:46:12,800
Speaker 3: We don't know how much they want me to do. Uh,

952
00:46:13,120 --> 00:46:15,440
Speaker 3: Can I do less bars? More bars? Can I be

953
00:46:15,520 --> 00:46:18,000
Speaker 3: more creative? You know what I'm saying? Then you don't

954
00:46:18,000 --> 00:46:19,640
Speaker 3: want to step on Nobody told me like, I don't

955
00:46:19,640 --> 00:46:22,680
Speaker 3: want to go too crazy, and then they don't use it.

956
00:46:22,920 --> 00:46:26,640
Speaker 3: So it's like sometimes when you in the room, all

957
00:46:26,680 --> 00:46:28,719
Speaker 3: of them things could be answered in real time and

958
00:46:28,800 --> 00:46:31,200
Speaker 3: you can figure out more and y'all can feed off

959
00:46:31,200 --> 00:46:33,880
Speaker 3: of each other and make each other go crazier. So

960
00:46:33,920 --> 00:46:36,040
Speaker 3: it's just really about whatever's needed. If I got to

961
00:46:36,120 --> 00:46:38,160
Speaker 3: send it, I'm gonna send it and let you know, X,

962
00:46:38,280 --> 00:46:40,640
Speaker 3: Y and Z whatever's needed. Man.

963
00:46:40,960 --> 00:46:44,640
Speaker 4: On the Dreaming record that you and getting in the studio, y'all, yeah.

964
00:46:44,600 --> 00:46:47,600
Speaker 3: We was in there with the vibe. That was one

965
00:46:47,640 --> 00:46:52,240
Speaker 3: of the best sessions man, because it was so unpredictable

966
00:46:52,440 --> 00:46:54,520
Speaker 3: just last minute. I an't even know we I ain't

967
00:46:54,520 --> 00:46:59,080
Speaker 3: know that was gonna happen. So I be I got

968
00:46:59,080 --> 00:47:01,600
Speaker 3: my pops page because he it was a time where

969
00:47:01,600 --> 00:47:02,960
Speaker 3: he didn't want to be on Instagram, he didn't want

970
00:47:03,000 --> 00:47:05,200
Speaker 3: to be on his phone. The only person he trusted

971
00:47:05,360 --> 00:47:08,040
Speaker 3: was me, so he was like, shoot, you got my page?

972
00:47:08,040 --> 00:47:11,480
Speaker 3: You know the content junk. You got it. So I

973
00:47:11,560 --> 00:47:14,520
Speaker 3: said Key Glott had reached out, So I said, I

974
00:47:14,600 --> 00:47:16,359
Speaker 3: let him know. I said, yeah, key Clot reached out.

975
00:47:16,360 --> 00:47:18,239
Speaker 3: He said, yeah, talk to him. So I'm talking to

976
00:47:18,320 --> 00:47:21,399
Speaker 3: Key Clock as at like I'm Pops, what's going on?

977
00:47:23,360 --> 00:47:27,080
Speaker 3: Like yeah, he said, he said he had a show.

978
00:47:27,680 --> 00:47:30,160
Speaker 3: He wanted Pops to come out. I said, all right, bet,

979
00:47:30,239 --> 00:47:32,239
Speaker 3: I told Pats, you gotta go to the show. He

980
00:47:32,280 --> 00:47:35,120
Speaker 3: wants you to come out. It went to the show,

981
00:47:35,280 --> 00:47:38,200
Speaker 3: he performed, and then he told Key Glott pull up

982
00:47:38,200 --> 00:47:41,080
Speaker 3: to the studio, but he'd like double booked himself. He

983
00:47:41,120 --> 00:47:43,399
Speaker 3: forgot he had to be somewhere else. So when Key

984
00:47:43,440 --> 00:47:45,840
Speaker 3: Glock got to the studio, io told me to go

985
00:47:45,880 --> 00:47:47,880
Speaker 3: to the studio make sure he was straight because he

986
00:47:48,000 --> 00:47:50,479
Speaker 3: wasn't able to pull up at the time. All right, bet,

987
00:47:50,719 --> 00:47:53,000
Speaker 3: So we got there, we started talking. I did make

988
00:47:53,080 --> 00:47:54,960
Speaker 3: sure he's straight, and then it was a point where

989
00:47:55,000 --> 00:47:57,400
Speaker 3: I was like, shoot, it's working on You got to

990
00:47:57,400 --> 00:48:00,480
Speaker 3: his like you're gonna do something. He said, yeah, we

991
00:48:00,560 --> 00:48:01,280
Speaker 3: made that song.

992
00:48:01,680 --> 00:48:05,880
Speaker 4: That's hard again. Memphis in Atlanta. What you think connected

993
00:48:05,880 --> 00:48:08,280
Speaker 4: with both of y'all? What y'all think connected like Memphis

994
00:48:08,320 --> 00:48:10,200
Speaker 4: in Atlanta Ortis is how they just connect like.

995
00:48:10,160 --> 00:48:13,480
Speaker 1: That sound that based at eight o eight. You know

996
00:48:13,480 --> 00:48:13,959
Speaker 1: what I'm saying.

997
00:48:13,960 --> 00:48:17,000
Speaker 2: We all came up on like three six Tommy Wright,

998
00:48:17,080 --> 00:48:17,920
Speaker 2: all that type of ship.

999
00:48:18,000 --> 00:48:18,640
Speaker 1: You know what I'm saying.

1000
00:48:19,200 --> 00:48:20,560
Speaker 2: I mean we really like, you know, they be having

1001
00:48:20,600 --> 00:48:23,440
Speaker 2: a little crunk and whatever. The name of that ship

1002
00:48:23,560 --> 00:48:25,880
Speaker 2: was debate back and forth, but it's always like respecting

1003
00:48:25,920 --> 00:48:26,839
Speaker 2: love at the end of the day.

1004
00:48:27,280 --> 00:48:29,720
Speaker 3: Yeah, I'm be real, I'm not familiar. I'm not familiar.

1005
00:48:29,719 --> 00:48:31,720
Speaker 1: Who like three six?

1006
00:48:32,080 --> 00:48:34,800
Speaker 3: Uh yeah, yeah, little John.

1007
00:48:34,840 --> 00:48:35,439
Speaker 1: You know what I'm saying.

1008
00:48:35,480 --> 00:48:39,960
Speaker 2: The sound of that basically, yeah, that whole debate John

1009
00:48:40,000 --> 00:48:41,960
Speaker 2: from Atlanta, Well, John from Atlanta.

1010
00:48:42,000 --> 00:48:44,880
Speaker 1: But they had this ship called get Buck in Memphis.

1011
00:48:45,120 --> 00:48:49,920
Speaker 4: Really did start in memphid did because what's the name

1012
00:48:50,000 --> 00:48:51,600
Speaker 4: that they were doing three season?

1013
00:48:52,880 --> 00:48:55,280
Speaker 1: Oh no, I can't say, because we'll bring some people

1014
00:48:55,320 --> 00:48:57,480
Speaker 1: in here. We're gonna bring some mephitis. Oh Jesus to

1015
00:48:57,880 --> 00:49:00,239
Speaker 1: let us know about this ship. But we were on

1016
00:49:00,239 --> 00:49:02,719
Speaker 1: booty shape musically, Yeah, that's what we.

1017
00:49:02,760 --> 00:49:04,800
Speaker 2: Was on, so we gotta But then it kind of

1018
00:49:04,840 --> 00:49:06,960
Speaker 2: started adapting to that, like if you go back to

1019
00:49:07,040 --> 00:49:08,919
Speaker 2: like the five five nine to Gate all that type

1020
00:49:08,920 --> 00:49:11,000
Speaker 2: of shit. That was the sound in there, Ball and

1021
00:49:11,080 --> 00:49:13,160
Speaker 2: g you know what I'm saying, all that type of shit.

1022
00:49:13,280 --> 00:49:17,960
Speaker 2: So Significent in Atlanta is like locked in and all

1023
00:49:18,000 --> 00:49:18,520
Speaker 2: the songs.

1024
00:49:18,360 --> 00:49:20,719
Speaker 4: On the project, which one like tell your story the most?

1025
00:49:22,440 --> 00:49:27,880
Speaker 3: Waiting so Long? Because that's about me, uh, trying to

1026
00:49:27,960 --> 00:49:32,120
Speaker 3: balance being gone to chase my dreams and provide and

1027
00:49:33,560 --> 00:49:37,800
Speaker 3: create that stability, trying to balance that life with being

1028
00:49:37,880 --> 00:49:40,600
Speaker 3: there and being at the house, being a father, being

1029
00:49:40,640 --> 00:49:43,719
Speaker 3: a partner, being a good a good man. So I'm

1030
00:49:43,719 --> 00:49:46,600
Speaker 3: trying to balance them things at the same time. And

1031
00:49:46,680 --> 00:49:49,560
Speaker 3: I feel like that's relatable with just all men, Like

1032
00:49:49,600 --> 00:49:51,560
Speaker 3: we all got to figure out that balance, Like we

1033
00:49:51,600 --> 00:49:55,640
Speaker 3: hate leaving, but we know we gotta leave. Shoot. So

1034
00:49:55,960 --> 00:49:59,919
Speaker 3: I would say Waiting so Long, that's that's the one.

1035
00:50:01,040 --> 00:50:03,600
Speaker 4: What's your struggles right now to this day? Like listen,

1036
00:50:03,600 --> 00:50:05,480
Speaker 4: shit you struggle with the world might not know.

1037
00:50:06,680 --> 00:50:15,000
Speaker 3: I gotta read more books, shoot, prioritizing my time more.

1038
00:50:15,960 --> 00:50:22,120
Speaker 3: Let's see being more? Ah, what is it? Not even

1039
00:50:22,239 --> 00:50:27,240
Speaker 3: not more emotional, but knowing because sometimes it takes, sometimes

1040
00:50:27,280 --> 00:50:29,480
Speaker 3: it takes for me to leave a situation, for me

1041
00:50:29,520 --> 00:50:31,400
Speaker 3: to think about it in my head and play it

1042
00:50:31,440 --> 00:50:33,920
Speaker 3: over in my head, for me to realize what happened

1043
00:50:34,320 --> 00:50:36,960
Speaker 3: or what was really what that person was really saying,

1044
00:50:37,000 --> 00:50:41,400
Speaker 3: what was really going on? I was saying being there emotionally.

1045
00:50:41,400 --> 00:50:44,000
Speaker 4: You're saying being able to process things quickly in the moment.

1046
00:50:44,160 --> 00:50:46,080
Speaker 3: In the moment, yeah for sure.

1047
00:50:45,960 --> 00:50:48,000
Speaker 4: Like I want to be the processes right now because

1048
00:50:48,160 --> 00:50:51,440
Speaker 4: emotional Yeah, because people are taking away feeling like you

1049
00:50:51,440 --> 00:50:53,360
Speaker 4: don't give a fuck, but then you go home with

1050
00:50:53,440 --> 00:50:55,960
Speaker 4: process and then you give a fuck to really give.

1051
00:50:55,800 --> 00:50:57,799
Speaker 3: A fuck, and I didn't know that that's what was

1052
00:50:57,800 --> 00:50:58,120
Speaker 3: going on.

1053
00:50:58,440 --> 00:51:01,160
Speaker 4: Yeah, yeah, that's a good right there a lot of

1054
00:51:01,160 --> 00:51:02,960
Speaker 4: people where do you think they come from though?

1055
00:51:04,280 --> 00:51:07,040
Speaker 3: Just being so down then? And then I would say,

1056
00:51:07,360 --> 00:51:10,439
Speaker 3: sometimes I feel like I gotta be or it's best

1057
00:51:10,480 --> 00:51:14,680
Speaker 3: for me to be the man, like unphased, like so

1058
00:51:14,719 --> 00:51:17,200
Speaker 3: they're so they'll feel comfortable to tell me some stuff

1059
00:51:17,239 --> 00:51:20,200
Speaker 3: like that time I just get a little too unfazed

1060
00:51:20,640 --> 00:51:23,040
Speaker 3: where I really don't feel it. It's really like I'm

1061
00:51:23,080 --> 00:51:25,279
Speaker 3: not feeling it. I feel like I want you to

1062
00:51:25,320 --> 00:51:28,520
Speaker 3: be comfortable to express yourself. And if I'm feeling it

1063
00:51:28,560 --> 00:51:30,320
Speaker 3: in real time with you, you might feel like that

1064
00:51:30,440 --> 00:51:32,480
Speaker 3: I should have told him that that just affected him

1065
00:51:32,480 --> 00:51:38,400
Speaker 3: a little bit too much. So probably that, but but

1066
00:51:38,560 --> 00:51:41,000
Speaker 3: being too diwed in for sure. But I want people

1067
00:51:41,040 --> 00:51:43,640
Speaker 3: to feel comfortable telling me stuff, so I don't want

1068
00:51:43,680 --> 00:51:46,279
Speaker 3: them seeing it affected me. So I'm trying to figure

1069
00:51:46,280 --> 00:51:48,600
Speaker 3: out how to express that. But not you know what

1070
00:51:48,600 --> 00:51:48,879
Speaker 3: I mean?

1071
00:51:49,680 --> 00:51:52,440
Speaker 2: It was just this comes from a documentary I was

1072
00:51:52,440 --> 00:51:55,200
Speaker 2: watching on YouTube, just talking about like how artists maybe

1073
00:51:55,200 --> 00:51:58,080
Speaker 2: you can get too big, like you might have disrupted

1074
00:51:58,080 --> 00:52:00,920
Speaker 2: the well being a Michael Jackson not being normal printing

1075
00:52:01,160 --> 00:52:02,439
Speaker 2: justin Bieber's and all these other people.

1076
00:52:02,480 --> 00:52:04,200
Speaker 1: Do you think the artist can get too big?

1077
00:52:05,840 --> 00:52:09,279
Speaker 3: I think it's all intentional for the most work. Now

1078
00:52:09,320 --> 00:52:11,440
Speaker 3: you could you could, you could aim for that. I

1079
00:52:11,480 --> 00:52:15,000
Speaker 3: believe Michael Jackson he aimed for that. You wanted. He

1080
00:52:15,040 --> 00:52:17,680
Speaker 3: didn't probably know what it, what it really meant and

1081
00:52:17,680 --> 00:52:21,160
Speaker 3: what that, but he probably said I want to be

1082
00:52:21,200 --> 00:52:24,840
Speaker 3: the most famous person in the whole wide world. He

1083
00:52:24,960 --> 00:52:26,319
Speaker 3: aimed for that, you think.

1084
00:52:26,440 --> 00:52:28,239
Speaker 2: But do you think if he could do it all

1085
00:52:28,239 --> 00:52:30,919
Speaker 2: over again, rest his soul, would he do that? Because

1086
00:52:30,920 --> 00:52:32,840
Speaker 2: that ultimately lead to his demise.

1087
00:52:36,520 --> 00:52:38,880
Speaker 3: I think Mike wanted to be the best man. I

1088
00:52:38,920 --> 00:52:43,759
Speaker 3: think he will probably want to handle it different, but

1089
00:52:44,320 --> 00:52:45,960
Speaker 3: he wanted to be the best.

1090
00:52:46,440 --> 00:52:49,400
Speaker 4: I don't know, man, what's your aim? Like, what's success

1091
00:52:49,520 --> 00:52:49,840
Speaker 4: meaning to you?

1092
00:52:51,800 --> 00:52:55,200
Speaker 3: Okay, she says, doing the stuff that I love to do.

1093
00:52:56,160 --> 00:52:58,120
Speaker 3: I have said this before too, so that's why I

1094
00:52:58,160 --> 00:53:00,600
Speaker 3: sound like this. Doing the stuff that I love to do.

1095
00:53:00,719 --> 00:53:05,000
Speaker 3: Have that jump fund my lifestyle and make it the

1096
00:53:05,040 --> 00:53:07,120
Speaker 3: word I'm able to tell the people that I love. Yes,

1097
00:53:07,400 --> 00:53:09,120
Speaker 3: I want to be like, yeah, mom says she want

1098
00:53:09,160 --> 00:53:11,000
Speaker 3: to go and do this. Yeah, we could do that.

1099
00:53:11,280 --> 00:53:14,719
Speaker 3: We can do that because I'm working, But it don't

1100
00:53:14,719 --> 00:53:16,279
Speaker 3: feel like I'm working because I'm doing what I love

1101
00:53:16,320 --> 00:53:20,440
Speaker 3: to do. Shoot that success but at the same time,

1102
00:53:21,680 --> 00:53:25,120
Speaker 3: not having to be away, not having to be with,

1103
00:53:25,320 --> 00:53:27,839
Speaker 3: not having to be away from home. Okay yeah, yeah,

1104
00:53:28,040 --> 00:53:29,880
Speaker 3: choosing to do what I need to do, what I

1105
00:53:29,880 --> 00:53:34,479
Speaker 3: want to do. That success, man, being able to work

1106
00:53:34,560 --> 00:53:37,279
Speaker 3: without realizing I'm working because what I love to do,

1107
00:53:37,640 --> 00:53:41,000
Speaker 3: and it's putting me in a position to provide and

1108
00:53:41,280 --> 00:53:42,719
Speaker 3: say yes to the people. I love it.

1109
00:53:42,880 --> 00:53:45,640
Speaker 4: You know, what's some accolades that you want? Do you

1110
00:53:45,640 --> 00:53:48,040
Speaker 4: know what I'm saying that the music came like, grandman,

1111
00:53:48,360 --> 00:53:49,440
Speaker 4: what kind of accolades you want?

1112
00:53:49,560 --> 00:53:51,960
Speaker 3: I just want to be able to make music with

1113
00:53:52,040 --> 00:53:53,600
Speaker 3: the people I want to make music with. I don't

1114
00:53:53,600 --> 00:53:55,920
Speaker 3: want to feel like someone else feel like it's not

1115
00:53:56,000 --> 00:53:58,040
Speaker 3: worth it. You know what I'm saying. Ah, Man, he's not.

1116
00:53:58,600 --> 00:53:59,520
Speaker 3: It's not gonna be worth it.

1117
00:54:00,400 --> 00:54:01,600
Speaker 1: You don't need validation basic.

1118
00:54:01,920 --> 00:54:05,440
Speaker 3: Yeah. I just like, if I feel like dang, Kendrick

1119
00:54:05,480 --> 00:54:07,640
Speaker 3: gonna sound dope on this, I want him to want

1120
00:54:07,680 --> 00:54:09,680
Speaker 3: to do it too. I want him to be like, yeah,

1121
00:54:09,719 --> 00:54:11,520
Speaker 3: I want to get on that. I don't want him

1122
00:54:11,520 --> 00:54:14,359
Speaker 3: to feel like or no one feel like dang, bro,

1123
00:54:14,400 --> 00:54:16,000
Speaker 3: you gotta work a little bit harder, like you can't

1124
00:54:16,040 --> 00:54:18,879
Speaker 3: just unlock me. Yeah. So I want to be able

1125
00:54:18,920 --> 00:54:21,760
Speaker 3: to use all the tools and work with all the people.

1126
00:54:22,200 --> 00:54:25,000
Speaker 2: What's your process of doing the feature for somebody else,

1127
00:54:25,040 --> 00:54:26,680
Speaker 2: because now that you got fans, some of those fans

1128
00:54:26,680 --> 00:54:28,160
Speaker 2: are obviously gonna be a artists too late.

1129
00:54:28,600 --> 00:54:29,640
Speaker 1: How do you pick and choose?

1130
00:54:31,640 --> 00:54:34,719
Speaker 3: Damn, I just dope stuff. I just whatever resonates with me.

1131
00:54:35,280 --> 00:54:37,759
Speaker 3: It maybe sometimes when I'm not there, like I'm not

1132
00:54:37,840 --> 00:54:39,640
Speaker 3: there in life, like I don't feel like I could

1133
00:54:39,640 --> 00:54:43,440
Speaker 3: get at with what I think it deserves. I'm not

1134
00:54:43,520 --> 00:54:45,719
Speaker 3: in that space and it be like that that's real.

1135
00:54:46,160 --> 00:54:49,160
Speaker 3: So I just want to be able to complete the mission. Man,

1136
00:54:49,239 --> 00:54:51,360
Speaker 3: give it what the song. Give the song what I

1137
00:54:51,360 --> 00:54:55,920
Speaker 3: feel like it deserves for sure the money.

1138
00:54:56,200 --> 00:55:05,600
Speaker 4: Hey do you feel like did you see yourself get better?

1139
00:55:05,640 --> 00:55:06,160
Speaker 4: You know what I'm saying?

1140
00:55:06,200 --> 00:55:07,080
Speaker 3: You know how you like? Damn?

1141
00:55:07,120 --> 00:55:09,640
Speaker 1: Sometimes I can see like, damn, I just killed that shit.

1142
00:55:09,880 --> 00:55:10,920
Speaker 1: How often that happened?

1143
00:55:11,920 --> 00:55:16,120
Speaker 3: Seeing myself get better? Yep? I see for the most

1144
00:55:16,120 --> 00:55:19,120
Speaker 3: part today is me seeing me balance get better with

1145
00:55:19,239 --> 00:55:22,520
Speaker 3: balancing some stuff like I'm not leaning too much over there.

1146
00:55:22,560 --> 00:55:24,880
Speaker 3: It's not too lyrical, but not a song at the

1147
00:55:24,920 --> 00:55:27,600
Speaker 3: same time, because sometimes you could be barred up. But

1148
00:55:27,640 --> 00:55:29,880
Speaker 3: it's like they really want a song, you know what

1149
00:55:29,880 --> 00:55:35,680
Speaker 3: I'm saying. So balancing that, balancing, working with people. Shoot,

1150
00:55:36,520 --> 00:55:40,680
Speaker 3: then it's a lot of political stuff like balancing, balancing

1151
00:55:40,680 --> 00:55:44,240
Speaker 3: that if you and it's like guitar Hero, like guitar

1152
00:55:44,280 --> 00:55:46,560
Speaker 3: Hero and you hit the right buttons at the right

1153
00:55:46,560 --> 00:55:49,040
Speaker 3: time and they say perfect, perfect, multiple things at the

1154
00:55:49,120 --> 00:55:53,920
Speaker 3: same time. Like if I want to make a song

1155
00:55:54,040 --> 00:55:58,120
Speaker 3: with the producer being from Atlanta, the feature being from Atlanta,

1156
00:55:58,160 --> 00:56:01,960
Speaker 3: the sample from Atlanta, all them things lined up and

1157
00:56:02,000 --> 00:56:04,200
Speaker 3: it's a dope song and I still got bars and

1158
00:56:04,280 --> 00:56:07,920
Speaker 3: it's you know what I'm saying, Like I'm getting I

1159
00:56:08,000 --> 00:56:10,440
Speaker 3: see myself getting better with balance and stuff like that,

1160
00:56:11,280 --> 00:56:14,200
Speaker 3: being more accurate. That's what I would say.

1161
00:56:14,640 --> 00:56:16,879
Speaker 4: Do you do you did you ever recorded a song

1162
00:56:16,960 --> 00:56:19,359
Speaker 4: that exceeded the expectation of the song you was trying

1163
00:56:19,360 --> 00:56:22,239
Speaker 4: to record, like damn crt.

1164
00:56:25,080 --> 00:56:27,640
Speaker 3: Hmm, okay, so the best I don't know how to

1165
00:56:27,640 --> 00:56:29,600
Speaker 3: answer that, but I'm gonna say the best the stuff

1166
00:56:29,640 --> 00:56:33,160
Speaker 3: that did with some stuff that I didn't think was like.

1167
00:56:33,239 --> 00:56:35,560
Speaker 4: Yes, this is what I'm saying, like this shill shock you,

1168
00:56:35,680 --> 00:56:39,120
Speaker 4: like this is what they want that I ain't even putting,

1169
00:56:39,120 --> 00:56:40,600
Speaker 4: no really no effort into this ship.

1170
00:56:40,600 --> 00:56:43,440
Speaker 3: And that could be confusing because because that was forever,

1171
00:56:43,560 --> 00:56:47,040
Speaker 3: last time, forever lasting. We was genuinely just having a

1172
00:56:47,080 --> 00:56:49,200
Speaker 3: good time. We didn't know what was going just you

1173
00:56:49,200 --> 00:56:51,000
Speaker 3: pull up, all right, let's.

1174
00:56:50,800 --> 00:56:54,520
Speaker 1: Do it, magic ship magic.

1175
00:56:54,560 --> 00:56:56,319
Speaker 3: But then that could make you feel like this, how

1176
00:56:56,360 --> 00:56:57,200
Speaker 3: need to treat everything?

1177
00:56:57,280 --> 00:57:00,640
Speaker 4: No, no, no, no, no, you can't because it's your music,

1178
00:57:00,680 --> 00:57:03,040
Speaker 4: really is your your journal and your diary. Like you're

1179
00:57:03,040 --> 00:57:05,319
Speaker 4: still letting us in and let us get to know you.

1180
00:57:05,360 --> 00:57:08,080
Speaker 4: But okay, cool, it's gonna come the magic moments. It's

1181
00:57:08,080 --> 00:57:08,920
Speaker 4: gonna keep happening.

1182
00:57:09,040 --> 00:57:11,239
Speaker 1: Yeah, it's just how they're gonna keep happening as you

1183
00:57:11,320 --> 00:57:12,120
Speaker 1: keep doing what you do.

1184
00:57:13,000 --> 00:57:15,400
Speaker 3: Yeah, but artists could get confused because it's like the

1185
00:57:15,440 --> 00:57:19,880
Speaker 3: stuff that they probably the best versus the best double

1186
00:57:19,920 --> 00:57:23,280
Speaker 3: line times like triple people don't even care about it,

1187
00:57:23,320 --> 00:57:25,840
Speaker 3: people not listening to it. But then this right here,

1188
00:57:26,680 --> 00:57:30,040
Speaker 3: so people could be confused. Yeah, that's why I choose

1189
00:57:30,080 --> 00:57:32,600
Speaker 3: not to get into it like that. It don't it's

1190
00:57:32,600 --> 00:57:34,959
Speaker 3: not helpful for me to look at it in that way.

1191
00:57:35,200 --> 00:57:38,560
Speaker 4: Then you start chasing that and lose yourself lose Yeah, yeah,

1192
00:57:38,680 --> 00:57:40,360
Speaker 4: there it is lost.

1193
00:57:41,200 --> 00:57:45,280
Speaker 1: So you don't. Yeah, the artists expression.

1194
00:57:45,320 --> 00:57:47,439
Speaker 2: Man, as long as you're expressing yourself and being true

1195
00:57:47,440 --> 00:57:49,320
Speaker 2: to yourself, then you're on you're on the right path.

1196
00:57:49,840 --> 00:57:52,040
Speaker 2: That's how I look at it. It's when people start

1197
00:57:52,080 --> 00:57:57,240
Speaker 2: trying to express other people's whatever live stories, journeys or

1198
00:57:57,240 --> 00:57:59,040
Speaker 2: whatever the case is, that's when it gets flawed.

1199
00:57:59,080 --> 00:58:02,240
Speaker 4: But it's hard not to He's god damn success when

1200
00:58:02,240 --> 00:58:04,440
Speaker 4: you see you can do it, okay, ship, then you

1201
00:58:04,480 --> 00:58:05,920
Speaker 4: go to things with that what they want from me?

1202
00:58:06,000 --> 00:58:07,960
Speaker 4: I mean telling you heard nigga say that, But this

1203
00:58:08,040 --> 00:58:08,600
Speaker 4: is what they.

1204
00:58:08,440 --> 00:58:10,600
Speaker 1: Want from me, bro for sure, Like tell you no

1205
00:58:10,800 --> 00:58:12,080
Speaker 1: stick up brother? Fuck that?

1206
00:58:12,840 --> 00:58:15,600
Speaker 4: Then what they want from me this ship working, you

1207
00:58:15,640 --> 00:58:17,360
Speaker 4: go to chasing it, you go down a rabbit hole

1208
00:58:17,360 --> 00:58:18,600
Speaker 4: and then you get stuck in character.

1209
00:58:19,880 --> 00:58:20,480
Speaker 1: True story.

1210
00:58:20,560 --> 00:58:22,000
Speaker 3: That's why I feel like I don't got it, bro,

1211
00:58:25,560 --> 00:58:28,280
Speaker 3: I don't think I'm good. You mean like I'm always

1212
00:58:28,400 --> 00:58:29,640
Speaker 3: willing to learn something.

1213
00:58:29,440 --> 00:58:30,200
Speaker 1: That that dope?

1214
00:58:30,920 --> 00:58:36,040
Speaker 2: Yeah, yeah, that's real, that's real. I respect that got

1215
00:58:36,040 --> 00:58:38,680
Speaker 2: it is. What I'm saying is got it is you

1216
00:58:38,840 --> 00:58:42,000
Speaker 2: on the court, you're hooping and you know you got something.

1217
00:58:42,080 --> 00:58:43,600
Speaker 2: You know what I'm saying, Like I belong here, You

1218
00:58:43,640 --> 00:58:48,439
Speaker 2: feel like you belong in that studio. Do Yeah, for sure?

1219
00:58:48,520 --> 00:58:49,640
Speaker 3: Anybody got something?

1220
00:58:49,920 --> 00:58:53,160
Speaker 1: You know, everybody got everybody on the don't put me

1221
00:58:53,200 --> 00:58:54,880
Speaker 1: on the court. I ain't got nothing you can make.

1222
00:58:55,120 --> 00:58:56,680
Speaker 3: You're gonna make a shot at the right time, the

1223
00:58:56,760 --> 00:58:57,880
Speaker 3: right person looking and be.

1224
00:58:57,840 --> 00:59:01,000
Speaker 1: Like hey luck, I got luck.

1225
00:59:02,000 --> 00:59:03,400
Speaker 3: Yeah enough luck.

1226
00:59:03,440 --> 00:59:05,600
Speaker 2: Though, I feel like it's the same thing how you

1227
00:59:05,640 --> 00:59:08,240
Speaker 2: feel it, how you feel about the Golffe. There's confidence,

1228
00:59:08,280 --> 00:59:11,040
Speaker 2: but there's like humility and the same respect, like right

1229
00:59:11,640 --> 00:59:12,440
Speaker 2: and y'all like that.

1230
00:59:12,520 --> 00:59:15,000
Speaker 3: You respect for life though you know any time table

1231
00:59:15,040 --> 00:59:15,680
Speaker 3: could turn.

1232
00:59:16,240 --> 00:59:20,200
Speaker 4: Yeah eleven eleven year old the money looking at the

1233
00:59:20,280 --> 00:59:23,520
Speaker 4: money now, want to know how you get to be you,

1234
00:59:23,840 --> 00:59:24,560
Speaker 4: what would you tell me?

1235
00:59:25,840 --> 00:59:28,400
Speaker 3: Follow your spirit, man, follow your heart one hundred percent,

1236
00:59:28,560 --> 00:59:33,120
Speaker 3: because that's literally everything that I done. Win against some

1237
00:59:33,200 --> 00:59:36,640
Speaker 3: people what they say, they think I should do, what

1238
00:59:36,680 --> 00:59:40,320
Speaker 3: they what the industry said we should do. I did

1239
00:59:40,360 --> 00:59:42,760
Speaker 3: some stuff that I probably don't like. I don't know

1240
00:59:42,760 --> 00:59:46,200
Speaker 3: what what made me do that, but following my spirit,

1241
00:59:46,280 --> 00:59:49,200
Speaker 3: following my heart manner. I don't got to tell my

1242
00:59:49,240 --> 00:59:51,800
Speaker 3: young self nothing because I'm so hard hited. I'm finna

1243
00:59:51,840 --> 00:59:54,960
Speaker 3: do that. I'm finna do it. So what, man, We're finished?

1244
00:59:54,960 --> 00:59:56,800
Speaker 3: See this due, Let's see what happened you see?

1245
00:59:57,480 --> 01:00:02,160
Speaker 4: So yeah, I think you done. Congratulations on the project too, bro.

1246
01:00:02,120 --> 01:00:05,840
Speaker 2: Thank you, appreciate to your open door anytime. Man, any

1247
01:00:05,880 --> 01:00:06,880
Speaker 2: find words of the people.

1248
01:00:08,800 --> 01:00:10,919
Speaker 3: Keep doing what y'all doing, Man, I ain't got y'all

1249
01:00:11,000 --> 01:00:13,960
Speaker 3: hurt everything. Honestly, it's really all that main stuff. You

1250
01:00:13,960 --> 01:00:16,080
Speaker 3: can do anything you put your mind to. Read some books,

1251
01:00:16,120 --> 01:00:16,720
Speaker 3: drink water.

1252
01:00:18,960 --> 01:00:19,600
Speaker 1: Keep it simple.

1253
01:00:20,440 --> 01:00:23,920
Speaker 3: The simple stuff is real junk. We just think it

1254
01:00:24,000 --> 01:00:27,840
Speaker 3: something else, trying to complicate it. Catch the Big Facts

1255
01:00:27,880 --> 01:00:32,320
Speaker 3: audio experience on Ihearts Black Effect on Tuesdays, revote on Wednesdays,

1256
01:00:32,400 --> 01:00:35,720
Speaker 3: and revote YouTube channel on Thursdays, Visit our website now

1257
01:00:36,040 --> 01:00:38,960
Speaker 3: Bigfatspod dot com