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Speaker 1: This is not a podcast. This is a ransom video

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Speaker 1: from the Mexican cartel. Go to our cameo and fulfill

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Speaker 1: their ransom money and you can have moll and ized

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Speaker 1: safe back in the United States. They're gonna keep adding though, yeah,

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Speaker 1: they actually sent him.

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Speaker 2: He lined us up that that was of trying to

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Speaker 2: get get ransom money. Where fucked for good about it.

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Speaker 3: I'm matching the cartel sent Edding as a pretend engineer

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Speaker 3: just to get us here to line us.

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Speaker 2: You escorted us all the way here. This is our

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Speaker 2: final destination. Okay, welcome to another episode of the new

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Speaker 2: Rory and Mall Show. That's Rory. I'm all reporting to

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Speaker 2: you from the beautiful mountains of Mexico.

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Speaker 3: Yes, undisclosed location in the country of Mexico, which doesn't

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Speaker 3: really narrow it down. Yes, we're not in Cabo, We're not.

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Speaker 2: In We're in the mountains. We're in the sticks yet

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Speaker 2: we're understand. But it's beautiful up here. It's very tropical

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Speaker 2: for like we've been in the rainforest all week.

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Speaker 3: Yeah, everyone has watched white people are racist without even

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Speaker 3: trying to be. I just feel like the way I

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Speaker 3: say simple Spanish words sounds like I'm being condescending.

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Speaker 2: Yeah, and then I say.

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Speaker 3: Then I say English words, I say thank you when

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Speaker 3: they look at me like I'm disrespectable. When I say grassius,

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Speaker 3: I said, sounds like I'm being conscending. It's so like.

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Speaker 2: Grassy ass a little bit, yeah, just a little bit

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Speaker 2: like ola.

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Speaker 3: It just sounds like I'm being racist Olas.

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Speaker 2: It's not really, you know, it's not really coming off

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Speaker 2: the tongue with the native twang to it.

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Speaker 3: So then what should white people? I guess we just

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Speaker 3: shouldn't come out.

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Speaker 2: Yeah, you should just not just don't come up. White

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Speaker 2: people don't come out. I just had that realization as

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Speaker 2: a white person.

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Speaker 3: Maybe there's countries we should not invade.

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Speaker 2: White people. Please stay out of Mexico. Don't come over

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Speaker 2: here trying to steal seasonings and recipes and culture as

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Speaker 2: you've always done for thousands of years.

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Speaker 3: Yes, the food I've had is much better than Chipotle, absolutely,

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Speaker 3: And I mean you can get this in the States.

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Speaker 3: But I went from bex to the dose X.

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Speaker 2: Oh. Okay, did they pay us for that? Just now?

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Speaker 1: No?

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Speaker 2: No, we could bleep that.

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Speaker 4: Okay.

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Speaker 2: So yeah, man, a lot of things been happening. We

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Speaker 2: were in La a few days ago we were Now

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Speaker 2: we're in Mexico. Uh, just you know, touching the lands.

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Speaker 2: I feel like as many lands as.

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Speaker 3: We can judging by our outfits, you would not know

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Speaker 3: what temperature is out here.

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Speaker 2: Yeah, it looks like it's actually about the rain any minute.

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Speaker 3: But I got my my white pasty legs out today.

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Speaker 2: I got some dirty trying to wear lesson go out more.

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Speaker 2: See you two thighs out?

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Speaker 3: Yeah, but I only do that in like locations where

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Speaker 3: there's nowhere to go out.

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Speaker 2: Yeah yeah, just right in the backyard.

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Speaker 3: No one could like take a snapshot of my white thighs.

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Speaker 2: Yeah, god, that would that would not be good for

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Speaker 2: our podcast.

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Speaker 3: Absolutely, But yes, we went from La straight to Mexico.

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Speaker 2: Uh, we are.

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Speaker 3: We're recording this on Thursday the seventeenth. So our Logic

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Speaker 3: audio interview just came out, which I was interested about.

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Speaker 3: I really enjoyed the conversation. I thought it was a

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Speaker 3: great podcast. The reception of it. I was curious, didn't

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Speaker 3: really know how our fan base was going to react.

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Speaker 2: Yes to us talking with such a unique personality, such

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Speaker 2: a unique individual as.

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Speaker 3: Logic and then also Logic having like the core super

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Speaker 3: fan base. I was nervous with them as well, like

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Speaker 3: why didn't they ask Logic about his third grade experience

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Speaker 3: that he talked about on the album, And I'm like, yeah,

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Speaker 3: just didn't know how a casual, regular conversation was going

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Speaker 3: to go. But for the most part, I think it's

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Speaker 3: been received pretty well.

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Speaker 2: Yeah, it's been received pretty well. I mean, like anything,

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Speaker 2: you're going to see people that just don't like it. It's trash,

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Speaker 2: it's corny. Hey, this is that listen, man. We had

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Speaker 2: a great time. I mean we presented it to the people.

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Speaker 2: We let them in on a great time. I feel like,

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Speaker 2: so that's all that matters. And Logic is a great guy.

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Speaker 2: We shut down with him. I got to know him

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Speaker 2: a little better and I had a lot of fun.

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Speaker 2: There was a lot of fun out there. Thank you

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Speaker 2: to a noble for having us.

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Speaker 3: Too, and shout out to ed Man that that sounded great.

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Speaker 2: Uh, look great, thank you. Ed Editing has been our

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Speaker 2: DJ name too, Yeah, he's has. He has been our

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Speaker 2: voice in uh in Mexico. Yes, listen, he has been

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Speaker 2: out security, he has been our chef, translator, he's been

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Speaker 2: a housekeeper, he's been translator.

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Speaker 3: He's keepers engineer.

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Speaker 2: No, he was the pool boy the mugs out of

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Speaker 2: the pool. He's my roommate. So I'm just you know,

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Speaker 2: I wake up and everything's folded, you know, I'm just

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Speaker 2: like this guy. Could I could share room with editing?

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Speaker 2: I mean, there's actually a housekeeper that's not editing. Oh

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Speaker 2: it's not you. I'm sorry. You know someone that comes

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Speaker 2: into talk.

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Speaker 4: Sorry, editing.

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Speaker 2: The whole time I thought it was you, my brother,

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Speaker 2: sorry about that.

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Speaker 4: I saw you do your bed and I was like,

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Speaker 4: I guess I should do my bad.

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Speaker 2: Yeah, that's the thing I have to do my bed.

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Speaker 4: I was gonna just let it be. I was like,

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Speaker 4: how would I look like letting him do his bed?

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Speaker 4: And then mind's like ship, Well.

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Speaker 3: I always anytime there's like housekeeping, or if you're at

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Speaker 3: an actual house and there's a paid housekeeper, I clean

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Speaker 3: up and tidy, but I don't yeah, you don't disgusting mess.

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Speaker 3: But sometimes I won't maybe tuck the sheets the way.

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Speaker 2: That they It was quick. It was a quick ye

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Speaker 2: comfort the back, fluff the pillows up a little bit,

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Speaker 2: just to make it look presentable.

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Speaker 3: That's hilarious that you thought. These past however, many days

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Speaker 3: it's been.

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Speaker 2: Edit and I thought this was you the whole time,

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Speaker 2: But it was in fact Loupita and Anna, Right, I

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Speaker 2: love them and Anna, I love them so on What.

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Speaker 3: Was crossing your mind knowing that Edden was making your best?

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Speaker 4: Why didn't you say thank you to me earlier?

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Speaker 2: Well, I mean I kind of feel like he works

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Speaker 2: for me, so he should be doing it anyway.

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Speaker 3: I have reviewed his contract in full. There's nothing I mean.

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Speaker 2: I just feel like you listen, edit, man, just take

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Speaker 2: care of that for me, bro, you know what I mean. Like,

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Speaker 2: I'll be backing about twenty minutes. Come back. Everything's so clean.

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Speaker 2: I'm like, this guy is the greatest.

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Speaker 3: Well because he's Mexican. I feel like, if you guys

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Speaker 3: room in America, you should have to make his bet.

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Speaker 2: And he's in fact not Mexican at all. But I

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Speaker 2: will say that, Editing, had we not had you out

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Speaker 2: here with us, it would have been very difficult for

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Speaker 2: us to navigate the market yesterday. Thank you for that. Yeah,

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Speaker 2: it would have been very interesting.

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Speaker 3: I went back to the restaurant that and I went

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Speaker 3: to by myself. Oh yeah, five minutes alone.

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Speaker 2: I was terrified. Yeah, you didn't know.

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Speaker 3: We were pointing it on my phone.

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Speaker 2: It's kind of like transformed dies in the middle of

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Speaker 2: the city. You don't know what to do. Yeah, so

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Speaker 2: editing is in you. You are indeed our our mouth

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Speaker 2: and our eyes and our ears out here. So thank you.

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Speaker 2: Uh so yeah man, it was Yeah, that was a

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Speaker 2: great album.

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Speaker 4: Yeah.

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Speaker 2: Uh anyway, so yeah, so, uh what's been going on?

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Speaker 3: Man?

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Speaker 2: We uh what what.

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Speaker 3: Was your before we get off Logic? What was your

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Speaker 3: reviews of it? We should get into the Adam Sandler thing.

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Speaker 3: That was fucking weird.

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Speaker 2: Oh yeah, No, I definitely feel like, uh, you know,

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Speaker 2: we we definitely learned some things about our abilities on

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Speaker 2: the road now, so I think we you know, we

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Speaker 2: we talked about it. We opened up some ideas of

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Speaker 2: how we want to start shooting things we want to

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Speaker 2: start doing. So this was sort of like a test run.

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Speaker 2: But it's been great. I think that a lot of

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Speaker 2: questions have been answered, a lot of uncertainties have been

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Speaker 2: made certain for sure. So yeah, I'm excited, uh to

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Speaker 2: do a lot of the things that we talk about.

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Speaker 3: In the beginning of that Logic interview, it did start

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Speaker 3: off a little awkward. It was I could have used

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Speaker 3: the translator in the beginning, I could have used the

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Speaker 3: Bob translator.

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Speaker 2: Yeah, and I like that. I like when it's awkward

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Speaker 2: because it's real. Yes, it shows initial interaction. We didn't

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Speaker 2: we had a lot, We had some conversation before we

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Speaker 2: started recording, and then we had to force ourselves to

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Speaker 2: stop because we started having some really good conversation. Yes,

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Speaker 2: and we wanted to record it. So but you other

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Speaker 2: than that, that was that was an on an honest moment.

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Speaker 2: It was us really getting to meet each other and

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Speaker 2: learn about each other. And I think that that's dope.

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Speaker 2: I think that's what podcasting is about. It needs to

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Speaker 2: be awkward at times, and it needs to not always

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Speaker 2: be sharp and so produced for sure.

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Speaker 3: You know what I mean, Especially with podcasting. I think

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Speaker 3: with like morning show interviews, yet be concise, get right

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Speaker 3: to the ship to your journalism shit. But with podcasting,

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Speaker 3: I don't think that low. It is a little weird

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Speaker 3: in the beginning of interviews with artists that get a

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Speaker 3: lot of shit on the Internet. And I don't mean

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Speaker 3: that a bad way because Jake Cole gets a lot

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Speaker 3: of shit on the internet. Drake gets a lot of

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Speaker 3: shit on the Internet. It has nothing to do with

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Speaker 3: he's getting a lot of shit on currently as you

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Speaker 3: who you are as an artist or your craft or

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Speaker 3: how successful you are.

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Speaker 2: People just get shipped.

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Speaker 3: Yeah, I never know how sensitive some people are to it.

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Speaker 3: But even though the Internet goes in on people, they

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Speaker 3: do bring up points like they're not just always just malicious.

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Speaker 3: Sometimes it's actually coming from somebody that listens to their

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Speaker 3: work and has an opinion. With Logic, I was I

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Speaker 3: could feel not tension, but I still wasn't sure how

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Speaker 3: he reacted to some of the stereotypes and the things

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Speaker 3: that are said on the internet about his career and

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Speaker 3: him as a person. So that's always a weird thing.

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Speaker 3: Like I mean, shit, even with Nikki when we started

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Speaker 3: with that, you kind of have to test the waters

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Speaker 3: a bit and get a field.

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Speaker 2: Because everybody doesn't get your humor, everybody doesn't get your personality.

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Speaker 2: At first you're having a conversation, and then you just

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Speaker 2: don't know where people are at as far as their day,

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Speaker 2: how their day going, you know what I mean, that's

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Speaker 2: going on in their lives, So you know, it's always

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Speaker 2: a little shaky ground and when talking to somebody. And

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Speaker 2: then I think logic too, because he doesn't really speak

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Speaker 2: to people as much and he doesn't really, you know,

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Speaker 2: hang out around, you know, people outside his immediate circle.

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Speaker 2: I think it was all a feller at first, and

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Speaker 2: you know, kind of getting to say, Okay, these guys

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Speaker 2: are really cool, like you know what I'm saying, to

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Speaker 2: have a real open, honest conversation. We could laugh, we

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Speaker 2: can crack jokes on each other. Let's not take these

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Speaker 2: things too seriously. This isn't this isn't an interview, you

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Speaker 2: know what I mean. But I think that all in all,

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Speaker 2: it was a It was a real good piece. I

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Speaker 2: really enjoyed it. I think that it's something that people

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Speaker 2: gonna look at for a while and find different gyms

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Speaker 2: every time they listen or watch it. So shout out

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Speaker 2: to logic man, that was a really good, really good

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Speaker 2: night we had. Yeah.

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Speaker 3: I definitely enjoyed it. We passed on the Adam Sandler interview.

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Speaker 2: Yes, yes, we passed on it. Adam was so exious

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Speaker 2: to sit down and talk to us. He was that

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Speaker 2: He was like, listen, man, I'm just so nervous. I

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Speaker 2: can't do this today. I didn't. I didn't even know

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Speaker 2: he was. I was like, Adam, Yeah, I was like,

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Speaker 2: you act up? What have you done? Have I seen

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Speaker 2: some of your work.

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Speaker 3: Yo, that was fucking crazy. It's it's a few and

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Speaker 3: we've talked about there's a very few list of people that,

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Speaker 3: of course you don't fanboy out or anything like. I

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Speaker 3: didn't even say a word to him, but yeah, that

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Speaker 3: you're just like, oh shit, that's so and so, and

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Speaker 3: because that was like that private little balcony and you

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Speaker 3: and I were in the middle of talking and he

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Speaker 3: has one of those distinctive voices that it's like, all right,

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Speaker 3: is there TV on?

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Speaker 2: Like, there's no way.

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Speaker 3: I just heard Adam Sandler's voice and I look, couldn't

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Speaker 3: even do a whole head turn. And it's fucking Adam

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Speaker 3: Sandler in long ass basketball shorts and noble mauthet. Very comfortable,

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Speaker 3: which I thought was the dopest thing I'd ever seen.

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Speaker 2: Very comfortable, very free. I would expect nothing less of

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Speaker 2: Adam Sandler. So yeah, it was kind of cool for

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Speaker 2: him to, well, he gave me the thumbs up. And

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Speaker 2: it's funny about the thumbs up, because you know, I'm

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Speaker 2: from the hood. We don't thumbs up in the hood.

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Speaker 2: We don't thumbs up in the Bronx and Harlem. We

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Speaker 2: give that throw the peace on head nod.

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Speaker 3: You know, and something like the way my audios and

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Speaker 3: ola could be taken in like a condescending way. Yeah,

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Speaker 3: even if it is a genuine sometimes a thumbs up

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Speaker 3: could be yeah, give me a thumbs up.

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Speaker 2: It's but it's weird with the thumb because I gave

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Speaker 2: him the thumbs up back.

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Speaker 3: Hey, you kind of feel like you have to.

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Speaker 2: The thumb is like if you do it, it's like

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Speaker 2: if I sneeze, you sneeze kind of thing, like if

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Speaker 2: you give me the thumb up. It's like my hand

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Speaker 2: just went up and I just gave him the thumb back,

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Speaker 2: and I was like, eh, I don't want to give it.

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Speaker 3: How did I joints to do that?

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Speaker 2: I'm like, Adam, how did you He gave me this?

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Speaker 2: And I went right back and I was like, I'm

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Speaker 2: attached by strings. Yeah, this is disgusted, Adam. I was

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Speaker 2: just geppetto. I didn't like that at all. So Adam,

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Speaker 2: next time I see you, hopefully we can meet more

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Speaker 2: formally in a much more non work environment and do

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Speaker 2: a proper New York City handshake.

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Speaker 3: May did did you speak to him? I just told

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Speaker 3: you it was just the thumbs I.

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Speaker 2: Wasn't sure if that was he made me give him

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Speaker 2: a thumb up.

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Speaker 3: I mean, he photo bombed Edding. I don't know why

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Speaker 3: you didn't crop him out.

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Speaker 2: That was really rude of your photo.

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Speaker 3: Well, the thumbs up is in Eddin's photo for people

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Speaker 3: that want, matter of fact, I would like that as

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Speaker 3: the artwork just to see.

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Speaker 4: Yeah, just him thumbs up.

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Speaker 3: Yeah, yeah, you would definitely see what Adam's thumb looks like.

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Speaker 2: Yeah, but it was really cool man. And again thank

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Speaker 2: you to the Noble for having us and allowing us

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Speaker 2: to use that space and do something with I think,

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Speaker 2: you know, we we we joking, we laugh, but you know,

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Speaker 2: sometimes we gotta say what it is that was. That

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Speaker 2: was legendary man. I don't first podcast from Noble and Mallible. Wow.

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Speaker 3: And for the amount of like ship that goes on

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Speaker 3: in l A.

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Speaker 2: I think, let me let me just somebody else would

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Speaker 2: another podcast could have done it.

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Speaker 3: I'm not I'm sure Mark Maron interviewed, Yeah.

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Speaker 2: Like I don't. I'm just I'm just saying, you know,

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Speaker 2: I don't know if any but if so, either way,

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Speaker 2: it was cool. I think that was really dope for

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Speaker 2: us to uh make that happen. So we gotta. We

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Speaker 2: gotta thank Noble and Mallible for allowing us to use

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Speaker 2: that space as well.

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Speaker 4: You guys are pretty legendary people.

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Speaker 2: Thank you. I appreciate that. Man.

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Speaker 3: What's your definition of legends? Yeah, you know it exists

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Speaker 3: for a time.

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Speaker 4: You guys are setting stones. You guys are leaving a landmark.

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Speaker 2: I'm so I'm a I'm a landscape stone mason. I'm

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Speaker 2: a landscaper.

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Speaker 4: What do you trying to say?

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Speaker 2: I'm asking you. You said that I lay stones in

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Speaker 2: then you.

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Speaker 4: Look at me, you look at landscape.

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Speaker 2: I have no answer, sir.

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Speaker 3: I just I would just like to say, there's a groundskeeper,

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Speaker 3: thank you for your service.

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Speaker 2: There's a groundskeeper here.

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Speaker 3: And I'm not sure because mall slept in the other day,

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Speaker 3: the grass did get short. Did you, in fact think

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Speaker 3: Edden maybe cut the grass after he made your bed.

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Speaker 2: The only reason why I knew Edden did not cut

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Speaker 2: the grass is because Eden walked in the room while

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Speaker 2: the lawnmower was still going when I was laying in

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Speaker 2: bed and I heard it. Oh yeah, but.

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Speaker 3: But he just controlled the shit from the stand.

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Speaker 2: But please believe, while I was laying in bed and

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Speaker 2: I heard that head it is hard to work out there.

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Speaker 2: I was laying in the bed, like, look, listen to

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Speaker 2: my guy, go get him out there to day in

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Speaker 2: the backyard. But shout out to George. Georgia's the landscaper

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Speaker 2: here his name was. But if you want to be

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Speaker 2: I want to be American about it, or hey, sorry,

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Speaker 2: no I forgot where I was at my bed, or hey,

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Speaker 2: thank you for keeping the beautiful land beautiful? Being racist? No, no, no,

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Speaker 2: you're right, I apologize about that. So, yeah, man, we

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Speaker 2: in Mexico out here getting some culture there.

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Speaker 3: There'll be a lot of footage from this. We don't

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Speaker 3: have to get too much in New Mexico because we're

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Speaker 3: actually currently here and still shooting a bunch of other stuff.

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Speaker 2: We just had to get an actual episode in. Yeah,

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Speaker 2: because well where do we start?

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Speaker 3: I feel like we gotta start with Beyonce before we

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Speaker 3: get into to Drake.

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Speaker 2: The announcement.

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Speaker 3: Yes, because an announcement from Beyonce is a like an

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Speaker 3: album came out. Absolutely absolutely, So it's Act one Renaissance

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Speaker 3: July twenty ninth.

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Speaker 2: Yes, the Queen is back and.

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Speaker 3: From my understanding, and this is just my understanding with

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Speaker 3: terrible Wi Fi in the middle of nowhere, there will

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Speaker 3: be a four box set. Does that mean there will

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Speaker 3: be four albums? I believe so so that the first

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Speaker 3: one is Act one in July twenty ninth with a

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Speaker 3: box set which I think was a CDs T shirts

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Speaker 3: more collectible shit. Beyonce is probably the only one that

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Speaker 3: could ever bring CDs back. Yeah, I'm sure it'll be

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Speaker 3: available on streaming.

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Speaker 1: But.

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Speaker 3: I'd like to have a CD for someone that that

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Speaker 3: lugged around their CD case for a majority of their childhood.

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Speaker 3: It brings some nostalgia to me, Like you guys are

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Speaker 3: cool with your vinyls and all that shit, But yeah,

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Speaker 3: you ever had to scratch disc scratch? Yeah, you're ever

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Speaker 3: able to bump in your walkman just cuts out for

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Speaker 3: the rest of the day.

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Speaker 2: You know the interesting thing about CDs, how many sales

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Speaker 2: are like double the triple sales because your CD either

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Speaker 2: broke or scratched and you had to go get it again.

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Speaker 2: Do you ever think about that?

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Speaker 3: Probably talk for sure.

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Speaker 2: Listen, my dad traveled a lot.

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Speaker 3: He would buy the same album, like when he would

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Speaker 3: end up in the city, like he's like, all right,

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Speaker 3: I got a rental car, let me just go buy

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Speaker 3: one of my favorite apps that he's bought before. Yeah, like,

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Speaker 3: of course, yes, it's definitely why I think albums went diamond.

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Speaker 3: She had three bottom ships.

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Speaker 2: So there is you know, because people say, oh, it's

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Speaker 2: just streaming. There A lot of these artists would never

385
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Speaker 2: but you can say that there were some type of

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Speaker 2: advantages back in the CD eerror and the vinyls and

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Speaker 2: things like that, like people had to buy albums twice

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Speaker 2: maybe three times, like you said, if you're traveling and

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Speaker 2: you forgot the records, like I'm gonna go buy it

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Speaker 2: while I'm here.

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Speaker 3: Yeah, for sure.

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Speaker 2: So this it balances every I find I think that

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Speaker 2: the world and generations have a way of balancing when

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Speaker 2: we think it's an advantage or disadvantage because of the time,

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Speaker 2: you know, the time or the era you're from. Things

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Speaker 2: kind of balanced themselves out. Yeah.

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Speaker 3: And then I think what balanced that out afterwards was

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Speaker 3: when we were able to burn CDs. Yeah, because then

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Speaker 3: four or five of my friends we could buy one

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Speaker 3: on c Yeah.

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00:16:20,080 --> 00:16:23,680
Speaker 2: Yeah, So yeah, I think it does all about it. It

402
00:16:22,720 --> 00:16:24,720
Speaker 2: finds a way to balance yourself out. But that is

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Speaker 2: interesting that, like you said, Beyonce is one of maybe

404
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Speaker 2: three artists Rihanna Drake. Maybe that can do the CD well.

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Speaker 3: Kendrick did do the CD thing. I mean, how how

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Speaker 3: he was even announcing that double disk it was two CDs,

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Speaker 3: So I mean, I get it.

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Speaker 2: Kendrick's from that era.

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Speaker 3: I mean, Beyonce is more vinyl to tape deck, to

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Speaker 3: the n CDs. But Kendrick and I are from the

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Speaker 3: tape deck for a few years and then we was

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Speaker 3: CD babies. Yeah, that's our ship. So I think it's

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Speaker 3: a cool collector rather than just doing the vinyl thing.

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Speaker 2: And we do know that it's gonna be uh art,

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00:16:59,080 --> 00:17:01,320
Speaker 2: They're gonna She's gonna had some type of artwork to it.

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Speaker 2: If it is indeed a physical CD or a box set.

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00:17:06,359 --> 00:17:08,199
Speaker 2: I'm pretty sure that you know they're going all out

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Speaker 2: as far as the art work for that is concerned.

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Speaker 2: But it was exciting to see Beyonce announced that. It's

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Speaker 2: interesting when certain artists do things like that, it creates

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Speaker 2: it sends off a wave.

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Speaker 3: I'm curious if this one's gonna have a theme, because

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Speaker 3: I can make an argument that every Beyonce album to

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Speaker 3: some degree has had a theme, and we can even

425
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Speaker 3: just go the more recent ones. Lemonade obviously was the

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Speaker 3: alleged cheating thing and getting over that and getting back together,

427
00:17:38,640 --> 00:17:42,280
Speaker 3: trusting a partner and all that. The Beyonce self title

428
00:17:42,359 --> 00:17:45,119
Speaker 3: one was Okay, I am getting older, but I'm still

429
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Speaker 3: very much a sexy mother wife, like I could still

430
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Speaker 3: do this. I'm still a woman, right Obviously we know

431
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Speaker 3: with Lion King with afrobeats and just the entire continent.

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Speaker 2: That was an incredible soundtrack that I don't think it's

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Speaker 2: spoken about them.

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Speaker 3: It's weird to say something Babyonce is underrated.

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00:18:02,040 --> 00:18:04,920
Speaker 2: Right, but that project that that that that heardun track was, Yeah,

436
00:18:04,920 --> 00:18:07,040
Speaker 2: it was underrated for sure. A lot of great music

437
00:18:07,080 --> 00:18:09,720
Speaker 2: on that on that sound a lot of great artists. Uh,

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00:18:09,800 --> 00:18:13,800
Speaker 2: the visuals was a one for that. But shait, this

439
00:18:13,880 --> 00:18:15,639
Speaker 2: is what you know, this is these are the artists

440
00:18:15,640 --> 00:18:18,680
Speaker 2: that we have that we again, just a simple thing

441
00:18:18,720 --> 00:18:21,800
Speaker 2: like an announcement, yeah, of a project coming, it shakes

442
00:18:21,840 --> 00:18:24,800
Speaker 2: things up. It's gonna cause the other artists, the other

443
00:18:24,880 --> 00:18:29,040
Speaker 2: greats to either be inspired or be worried because it's

444
00:18:29,040 --> 00:18:30,760
Speaker 2: like they all, you know, I feel like they all

445
00:18:30,840 --> 00:18:33,000
Speaker 2: kind of behind the closed doors. They all would know

446
00:18:33,040 --> 00:18:35,159
Speaker 2: when each other is working for the most part, you

447
00:18:35,200 --> 00:18:36,960
Speaker 2: know what I mean. So it's like it's not they asking.

448
00:18:37,200 --> 00:18:40,080
Speaker 2: If not they asking, or you know, producers, it's like

449
00:18:40,280 --> 00:18:41,840
Speaker 2: you can't get them. You'd be like, yo, I can't

450
00:18:41,840 --> 00:18:43,280
Speaker 2: get a hold of this dude. And you know, if

451
00:18:43,320 --> 00:18:45,560
Speaker 2: you you know about working with Beyonce, you can't even

452
00:18:45,600 --> 00:18:47,720
Speaker 2: say you're working with Beyonce. It's like, you know, So

453
00:18:47,800 --> 00:18:50,480
Speaker 2: if you can't get any tracks back from certain artists,

454
00:18:50,480 --> 00:18:52,440
Speaker 2: like damn, he hasn't emailed me back, he hasn't said nothing,

455
00:18:53,400 --> 00:18:55,240
Speaker 2: usually means one of the greats have a hold of

456
00:18:55,280 --> 00:18:58,360
Speaker 2: that person at the moment, and something is being done

457
00:18:58,400 --> 00:18:59,800
Speaker 2: in the studio and it's on the way well.

458
00:18:59,840 --> 00:19:02,159
Speaker 3: And that's actually the benefit of a major label because

459
00:19:02,240 --> 00:19:05,399
Speaker 3: major label they all play musical chairs. They're all friends.

460
00:19:05,680 --> 00:19:08,520
Speaker 3: So even if you're on a separate label from an

461
00:19:08,760 --> 00:19:11,479
Speaker 3: icon like Beyonce, the president of your label probably find

462
00:19:11,520 --> 00:19:11,840
Speaker 3: out when that.

463
00:19:11,800 --> 00:19:13,119
Speaker 2: Shit is coming, right.

464
00:19:14,080 --> 00:19:15,560
Speaker 3: Yeah, And I don't want to get too much into

465
00:19:15,600 --> 00:19:18,679
Speaker 3: it on speculations. I am part of the behive, but

466
00:19:19,359 --> 00:19:22,400
Speaker 3: I'm just excited for the music. I'm not gonna dissect

467
00:19:22,640 --> 00:19:24,600
Speaker 3: what every last thing is going to be in the

468
00:19:24,600 --> 00:19:27,520
Speaker 3: four box set. I'm just excited for the music. I

469
00:19:27,560 --> 00:19:30,520
Speaker 3: don't care if it has a specific theme. I hope

470
00:19:30,520 --> 00:19:33,800
Speaker 3: that means four albums or somewhat four EPs or four

471
00:19:34,560 --> 00:19:37,800
Speaker 3: something with music separate and not just merch, because I

472
00:19:37,800 --> 00:19:40,080
Speaker 3: could never see Beyonce just being like here, well she's

473
00:19:40,080 --> 00:19:43,080
Speaker 3: done it with Ivy Park, but this obviously has something

474
00:19:43,119 --> 00:19:45,080
Speaker 3: to do with music. I can't see each box set

475
00:19:45,160 --> 00:19:47,000
Speaker 3: not involving different music.

476
00:19:47,320 --> 00:19:50,160
Speaker 2: They have three children together, yes.

477
00:19:50,480 --> 00:19:52,200
Speaker 3: Set of twins in blue.

478
00:19:52,440 --> 00:19:54,040
Speaker 2: You're aren't you one of their godfathers.

479
00:19:55,200 --> 00:19:58,879
Speaker 3: No, I'm just making godfather Oh she could be pregnant.

480
00:19:58,920 --> 00:19:59,400
Speaker 3: That could be the fourth.

481
00:20:01,040 --> 00:20:02,880
Speaker 2: I was gonna try to tie it into I see

482
00:20:02,920 --> 00:20:04,080
Speaker 2: what you're doing, you know what I mean, like, just

483
00:20:04,119 --> 00:20:06,840
Speaker 2: try to find, you know, the inspiration behind the four

484
00:20:06,920 --> 00:20:07,600
Speaker 2: box set thing.

485
00:20:07,920 --> 00:20:11,040
Speaker 3: It's funny because remember when Lemonade came out and they

486
00:20:11,040 --> 00:20:15,159
Speaker 3: went back on Beyonce's Instagram like two years ago, and

487
00:20:15,200 --> 00:20:17,280
Speaker 3: she just it was just a random photo of her

488
00:20:17,400 --> 00:20:19,760
Speaker 3: holding her hand, just her hand holding a lemonade. It

489
00:20:19,800 --> 00:20:22,640
Speaker 3: was like life is making lemonade or whatever. They found

490
00:20:22,680 --> 00:20:25,520
Speaker 3: an interview from years ago where Beyonce was like, I

491
00:20:25,560 --> 00:20:27,840
Speaker 3: don't know what's next. It just it feels like the Renaissance.

492
00:20:29,280 --> 00:20:31,360
Speaker 3: Beyonce does that shit all the time, and it's hysterical

493
00:20:31,359 --> 00:20:34,960
Speaker 3: to me. But it just shows how calculated and when

494
00:20:34,960 --> 00:20:37,040
Speaker 3: we say I wonder if Beyonce is working on something, Yes,

495
00:20:37,160 --> 00:20:39,200
Speaker 3: she's she's always she's gonna put it out two years

496
00:20:39,200 --> 00:20:41,399
Speaker 3: from now, but it's so calculated that she will be

497
00:20:42,119 --> 00:20:43,840
Speaker 3: talking about it without us even knowing.

498
00:20:43,880 --> 00:20:46,600
Speaker 2: And it's safe to say that that Jay is working

499
00:20:47,280 --> 00:20:50,000
Speaker 2: because at this point they're only going to tour together

500
00:20:51,280 --> 00:20:53,280
Speaker 2: whatever projects they put out. So it's safe to say

501
00:20:53,280 --> 00:20:55,800
Speaker 2: that Jay is recording, and we'll have some music coming

502
00:20:55,800 --> 00:20:58,760
Speaker 2: from him probably this year as well, and we'll have

503
00:20:58,800 --> 00:21:00,960
Speaker 2: a tour because, like I said, carters are not They're

504
00:21:01,000 --> 00:21:03,320
Speaker 2: not going to tour separately, but they're not gonna They're

505
00:21:03,320 --> 00:21:05,760
Speaker 2: gonna tour the world together. Take the family with them.

506
00:21:05,960 --> 00:21:09,280
Speaker 3: Oh, I mean you mean like musically together or just

507
00:21:09,320 --> 00:21:10,800
Speaker 3: together both.

508
00:21:10,880 --> 00:21:14,760
Speaker 2: I think they both have current work on the streaming

509
00:21:14,800 --> 00:21:16,920
Speaker 2: platforms and a tour. Yeah.

510
00:21:16,960 --> 00:21:23,080
Speaker 3: I think Beyonce kind of owes Beyonce fans a formation

511
00:21:23,200 --> 00:21:25,119
Speaker 3: tour like just a solo Beyonce.

512
00:21:25,280 --> 00:21:26,760
Speaker 2: Yeah, to hope them come out.

513
00:21:26,960 --> 00:21:28,840
Speaker 3: Hope can watch the kids while they're doing it.

514
00:21:29,000 --> 00:21:29,920
Speaker 2: Hope could watch the kids.

515
00:21:29,920 --> 00:21:33,880
Speaker 3: It's sick, ye, someone tweeted Beyonce fans talk to Jay

516
00:21:34,040 --> 00:21:35,320
Speaker 3: way worse than notas ever did.

517
00:21:35,320 --> 00:21:36,520
Speaker 2: Oh that's a fact.

518
00:21:37,520 --> 00:21:38,920
Speaker 3: Beyonce fans are so mean to you.

519
00:21:39,480 --> 00:21:41,560
Speaker 2: They be going crazy like some of the things I read.

520
00:21:41,600 --> 00:21:43,240
Speaker 2: I'm just like, yo, what's wrong with people?

521
00:21:43,320 --> 00:21:46,080
Speaker 3: Like wait, why you laugh at Jacob watch the kids

522
00:21:46,400 --> 00:21:47,399
Speaker 3: can't watch his own children?

523
00:21:47,840 --> 00:21:51,040
Speaker 2: Yeah, but it's absolutely he can and he does. But

524
00:21:51,080 --> 00:21:54,479
Speaker 2: it's just it's yeah, acting like this guy doesn't have

525
00:21:54,600 --> 00:21:57,159
Speaker 2: like great art like that. He can also perform for

526
00:21:57,200 --> 00:21:57,840
Speaker 2: the world.

527
00:21:57,800 --> 00:22:00,960
Speaker 3: Also, Yeah, but I think I think this just calls

528
00:22:01,040 --> 00:22:03,960
Speaker 3: for a Beyonce solo tour. I think her fans really

529
00:22:03,960 --> 00:22:06,520
Speaker 3: really want that. I think everyone loved on the Run.

530
00:22:06,480 --> 00:22:10,080
Speaker 2: And obviously we saw what that did. We sold with

531
00:22:10,119 --> 00:22:14,200
Speaker 2: that growth. Ye did that little shin dig of a place?

532
00:22:14,200 --> 00:22:15,680
Speaker 2: So bb King's was it? Yeah?

533
00:22:15,880 --> 00:22:16,040
Speaker 3: Nice?

534
00:22:16,080 --> 00:22:18,560
Speaker 2: Little Sony Hawk the same venue r Yeah, absolutely, we

535
00:22:18,600 --> 00:22:19,720
Speaker 2: do the same venues as Beyonce.

536
00:22:19,840 --> 00:22:20,200
Speaker 4: For sure.

537
00:22:20,520 --> 00:22:22,120
Speaker 3: I would like to see a Beyonce solo tour.

538
00:22:22,200 --> 00:22:24,639
Speaker 4: What was the last power couple tour out out of

539
00:22:24,680 --> 00:22:25,439
Speaker 4: jay Z and Beyonce?

540
00:22:26,280 --> 00:22:28,600
Speaker 2: Uh hm A Marian and bow Wow.

541
00:22:29,160 --> 00:22:30,080
Speaker 3: That's probably up there.

542
00:22:30,600 --> 00:22:32,400
Speaker 4: Yeah, I meant like relationship.

543
00:22:32,880 --> 00:22:38,760
Speaker 2: Oh excuse me, I'm sorry.

544
00:22:37,520 --> 00:22:39,760
Speaker 3: I mean that the entire B two K tour if

545
00:22:39,760 --> 00:22:40,680
Speaker 3: their manager was there.

546
00:22:41,720 --> 00:22:44,600
Speaker 2: That's that's like, I like it. I like the joke.

547
00:22:44,840 --> 00:22:46,199
Speaker 2: Let me just say, I'm just that's just me. I

548
00:22:46,240 --> 00:22:48,760
Speaker 2: like the joke. But I don't know, that's a great question.

549
00:22:49,000 --> 00:22:50,200
Speaker 2: The last power couple.

550
00:22:50,680 --> 00:22:52,800
Speaker 4: I don't know. If we've to think the way you

551
00:22:52,840 --> 00:22:55,080
Speaker 4: guys are talking about, it's it's interesting to think, like

552
00:22:55,160 --> 00:22:58,000
Speaker 4: it's like you got to have, like you can't have.

553
00:22:58,280 --> 00:22:59,359
Speaker 4: Who's jay Z gonna tour.

554
00:22:59,280 --> 00:23:00,680
Speaker 2: With his wife?

555
00:23:00,760 --> 00:23:01,400
Speaker 4: His wife?

556
00:23:01,320 --> 00:23:03,720
Speaker 3: Yeah, or just himself like he did the four forty

557
00:23:03,720 --> 00:23:05,399
Speaker 3: four So of course, of course it's not gonna twist you.

558
00:23:05,520 --> 00:23:06,840
Speaker 4: But I'm saying that if he was gonna tour for.

559
00:23:06,840 --> 00:23:09,640
Speaker 2: Anybody, no, absolutely, if he wouldn't told anybody it would

560
00:23:09,640 --> 00:23:11,160
Speaker 2: be it would be, uh, his wife.

561
00:23:11,200 --> 00:23:13,000
Speaker 4: That's what makes me wonder, what's like the last power

562
00:23:13,040 --> 00:23:14,320
Speaker 4: couple that went on tour like that.

563
00:23:14,400 --> 00:23:16,760
Speaker 3: I would hope Big Sean and Janey did a twenty

564
00:23:16,800 --> 00:23:20,280
Speaker 3: eighty eight tour no when that album came out, that

565
00:23:20,280 --> 00:23:22,760
Speaker 3: that album definitely warranted a tour, and with their two

566
00:23:22,800 --> 00:23:25,280
Speaker 3: good catalogs, Yeah, you're doing some numbers there.

567
00:23:25,280 --> 00:23:27,080
Speaker 2: I don't I feel like I would have seen that shit.

568
00:23:27,000 --> 00:23:30,040
Speaker 3: Saying, but that album was so long ago, much longer

569
00:23:30,080 --> 00:23:32,480
Speaker 3: than you think it was. Yeah, Thomas has I will tell.

570
00:23:32,400 --> 00:23:34,040
Speaker 4: You, but we're in the middle of Mexico. No good

571
00:23:34,160 --> 00:23:37,199
Speaker 4: WiFi understandable, So you guys in the comments let us

572
00:23:37,240 --> 00:23:37,920
Speaker 4: know it's all good.

573
00:23:38,480 --> 00:23:40,400
Speaker 3: Uh yeah, but that has that ever really been a thing?

574
00:23:40,480 --> 00:23:40,560
Speaker 2: Like?

575
00:23:40,640 --> 00:23:45,000
Speaker 3: How often are I don't think two icons like that together.

576
00:23:44,680 --> 00:23:46,280
Speaker 4: I don't think so That's why I'm like, maybe I

577
00:23:46,320 --> 00:23:47,400
Speaker 4: can I cantina.

578
00:23:47,600 --> 00:23:48,240
Speaker 2: Watch your mouth.

579
00:23:48,640 --> 00:23:52,679
Speaker 3: It was a very uh John Lennon and Yoko oh

580
00:23:52,760 --> 00:23:54,000
Speaker 3: No they saying.

581
00:23:54,359 --> 00:23:59,440
Speaker 2: Yeah, guys, listen, there is none Okay, let's just let's

582
00:23:59,440 --> 00:24:01,560
Speaker 2: just we don't have to keep just throwing couples out there,

583
00:24:01,720 --> 00:24:03,240
Speaker 2: anybody that was in love with throwing them on the

584
00:24:03,280 --> 00:24:04,600
Speaker 2: tour together like no.

585
00:24:04,920 --> 00:24:08,680
Speaker 3: First of all, yogo Ono definitely made music, and during

586
00:24:08,720 --> 00:24:11,000
Speaker 3: their career or part during their relationship, she.

587
00:24:11,040 --> 00:24:13,119
Speaker 2: Was always on stage with them. I get it.

588
00:24:13,200 --> 00:24:16,000
Speaker 3: She was going ham in the background with the tambourine,

589
00:24:16,080 --> 00:24:19,399
Speaker 3: just yelling out harmonies. They didn't match the song, Yo.

590
00:24:19,520 --> 00:24:23,159
Speaker 2: That's my We can't do that. Let's list all respect

591
00:24:23,200 --> 00:24:25,280
Speaker 2: to Yoko oh No, please don't. We don't want to

592
00:24:25,320 --> 00:24:28,879
Speaker 2: do that. It's her name Yoko. Okay, I'm sorry. I

593
00:24:29,359 --> 00:24:30,720
Speaker 2: just that name just popped up and I was like,

594
00:24:30,720 --> 00:24:32,639
Speaker 2: I don't know if that's the name, but yeah, you.

595
00:24:32,640 --> 00:24:34,240
Speaker 3: Know what's interesting with that, And it's a very sad

596
00:24:34,320 --> 00:24:38,800
Speaker 3: note because I've heard older people talk about hating that relationship.

597
00:24:38,880 --> 00:24:41,280
Speaker 3: And that's what's so funny about old people looking at us, like, oh,

598
00:24:41,320 --> 00:24:43,960
Speaker 3: you guys are looking at gossip. Yeah, that's gossip from

599
00:24:43,960 --> 00:24:46,600
Speaker 3: your time. Absolutely, yeah, you guys are talking about gossip.

600
00:24:46,880 --> 00:24:49,080
Speaker 2: How much the role out playing, that's marketing, Yes.

601
00:24:49,200 --> 00:24:51,840
Speaker 3: How much they all hated Yoko and like, oh, she's

602
00:24:51,880 --> 00:24:55,159
Speaker 3: just doing using John Bunnon for fame. When he passed,

603
00:24:55,200 --> 00:24:57,000
Speaker 3: she got low. We never heard from her, like I

604
00:24:57,040 --> 00:24:58,600
Speaker 3: think she just really love that man.

605
00:24:58,800 --> 00:25:01,520
Speaker 2: Did I mean, come on, I mean, like solely he

606
00:25:01,600 --> 00:25:04,600
Speaker 2: did not Ben John Lennon. That was that was That

607
00:25:04,680 --> 00:25:07,520
Speaker 2: was that was love. Yeah, even years later you see

608
00:25:07,600 --> 00:25:09,960
Speaker 2: images and photos and that was love.

609
00:25:10,080 --> 00:25:12,960
Speaker 3: Just keep her off the background vocals and yeah, it'll

610
00:25:13,040 --> 00:25:21,560
Speaker 3: be fine. It was ironic though, on the same day,

611
00:25:21,600 --> 00:25:24,439
Speaker 3: and we can segue from here, when Beyonce did the

612
00:25:24,440 --> 00:25:28,200
Speaker 3: self titled album, dropped it at midnight or two am,

613
00:25:28,240 --> 00:25:31,880
Speaker 3: didn't tell anyone, and that became like a rollout. People

614
00:25:31,920 --> 00:25:33,840
Speaker 3: were trying to emulate the best they could. Obviously they

615
00:25:33,840 --> 00:25:38,920
Speaker 3: couldn't do the same night Ship, but we moved forward

616
00:25:39,400 --> 00:25:45,160
Speaker 3: and now here we go. Drake announces six hours before

617
00:25:45,240 --> 00:25:48,359
Speaker 3: midnight that he's putting out an album, and then we

618
00:25:48,359 --> 00:25:50,840
Speaker 3: were all like, sorry, Bud Beyonce got us back on

619
00:25:50,840 --> 00:25:53,080
Speaker 3: this long marketing plant. You're gonna have to give me

620
00:25:53,080 --> 00:25:55,600
Speaker 3: some more time, and do you have some merch available.

621
00:25:55,240 --> 00:25:58,159
Speaker 2: Right right more importantly.

622
00:25:59,160 --> 00:26:01,320
Speaker 3: But that wasn't nice of I don't care what anyone

623
00:26:01,400 --> 00:26:03,200
Speaker 3: is saying on the internet. Now, let's let's start with

624
00:26:03,280 --> 00:26:05,159
Speaker 3: just an announcement that we're going to get a Drake

625
00:26:05,200 --> 00:26:06,080
Speaker 3: album in six hours.

626
00:26:06,200 --> 00:26:09,240
Speaker 2: I didn't believe it. Uh, you showed me the caption,

627
00:26:09,800 --> 00:26:12,959
Speaker 2: showed me the post, and I was like, I said, oh,

628
00:26:13,000 --> 00:26:15,679
Speaker 2: this is probably just songs that he had and he

629
00:26:15,720 --> 00:26:18,200
Speaker 2: just wants to get him out there. Because they announced

630
00:26:18,240 --> 00:26:21,280
Speaker 2: the Ovio sound or the serious sex. It's all congratt serious.

631
00:26:21,680 --> 00:26:23,080
Speaker 2: And Drake announced.

632
00:26:25,280 --> 00:26:28,359
Speaker 3: We should collabse yeah, we should just tore together.

633
00:26:29,800 --> 00:26:32,800
Speaker 2: We should if you guys to Drake, but he had

634
00:26:32,800 --> 00:26:35,680
Speaker 2: but Drake has to open for us though, I mean naturally, Yeah,

635
00:26:35,680 --> 00:26:37,560
Speaker 2: that's the that's the only way. I'm agreeing to this too.

636
00:26:37,560 --> 00:26:40,159
Speaker 2: It Drake has to open up. I'll get to the

637
00:26:40,200 --> 00:26:42,280
Speaker 2: arena when he's halfway done with his set, doing his

638
00:26:42,320 --> 00:26:43,440
Speaker 2: little number that he does.

639
00:26:43,560 --> 00:26:45,960
Speaker 3: Well, I can promise you this for us getting out

640
00:26:45,960 --> 00:26:48,760
Speaker 3: of the arena with parking and traffic of be a brief.

641
00:26:48,800 --> 00:26:51,720
Speaker 2: Oh, absolutely every wanted to be gone. The arena would

642
00:26:51,720 --> 00:26:53,160
Speaker 2: be completely empty at that point.

643
00:26:53,160 --> 00:26:54,119
Speaker 3: What would the acoustics be?

644
00:26:54,200 --> 00:26:54,320
Speaker 4: Like?

645
00:26:54,440 --> 00:26:56,359
Speaker 3: How do we how do we start with that? An

646
00:26:56,359 --> 00:26:57,040
Speaker 3: empty arena?

647
00:26:58,280 --> 00:26:58,800
Speaker 2: That'd be rough?

648
00:26:58,840 --> 00:26:59,880
Speaker 4: Hu, it would be very rough.

649
00:27:00,320 --> 00:27:02,119
Speaker 2: Maybe the green room maybe, Yeah, we can do it.

650
00:27:02,400 --> 00:27:02,560
Speaker 4: Sorr.

651
00:27:02,640 --> 00:27:03,720
Speaker 2: Yeah, you sat there exactly.

652
00:27:03,800 --> 00:27:06,240
Speaker 4: You put a live stream into the audience exactly.

653
00:27:06,280 --> 00:27:07,960
Speaker 2: This is what see, This is why you're here. And

654
00:27:08,760 --> 00:27:13,760
Speaker 2: you mean the people cleaning the arena? What's gonna make us?

655
00:27:13,760 --> 00:27:15,239
Speaker 2: I'm just gonna gonna get us out.

656
00:27:15,280 --> 00:27:17,560
Speaker 3: Everyone is gonna be leaving, so the arena has to

657
00:27:17,560 --> 00:27:17,960
Speaker 3: be cleaned.

658
00:27:18,040 --> 00:27:19,680
Speaker 4: So the Uh so I know the people that clean

659
00:27:19,720 --> 00:27:20,119
Speaker 4: the arena?

660
00:27:20,240 --> 00:27:21,800
Speaker 3: No, I'm saying we would live stream to them.

661
00:27:21,840 --> 00:27:24,040
Speaker 2: Why wouldn't I know some people that clean arenas?

662
00:27:24,240 --> 00:27:25,800
Speaker 3: Are you doubting the working class?

663
00:27:25,960 --> 00:27:26,120
Speaker 4: Right?

664
00:27:27,800 --> 00:27:28,000
Speaker 1: Right?

665
00:27:30,200 --> 00:27:32,240
Speaker 2: But yeah, we gotta we gotta announce it from Drake

666
00:27:32,280 --> 00:27:34,040
Speaker 2: that new music was on the way, and I told

667
00:27:34,119 --> 00:27:35,639
Speaker 2: you just that. I think it's just a compilation of

668
00:27:35,680 --> 00:27:38,480
Speaker 2: things that he had sitting around recorded, probably gonna just

669
00:27:38,480 --> 00:27:40,960
Speaker 2: put it out there, use the radio show to you know,

670
00:27:41,040 --> 00:27:44,959
Speaker 2: stream it at midnight. We had a whole conversation about

671
00:27:45,040 --> 00:27:47,199
Speaker 2: the what ifs and the possibilities of what this was

672
00:27:47,240 --> 00:27:47,800
Speaker 2: gonna be, and.

673
00:27:47,720 --> 00:27:50,840
Speaker 3: We can get into our what ifs because Edin brought

674
00:27:50,920 --> 00:27:52,600
Speaker 3: up right away is like, wow, that was quick, and

675
00:27:52,640 --> 00:27:54,280
Speaker 3: I was like, yeah, but if you think about it,

676
00:27:54,720 --> 00:27:58,040
Speaker 3: we got most of c LB six months ago. I'm no,

677
00:27:58,080 --> 00:28:01,080
Speaker 3: I'm saying like a year and a half we got CLB,

678
00:28:01,280 --> 00:28:03,639
Speaker 3: even if they were unfinished, we got ninety percent of

679
00:28:03,640 --> 00:28:06,200
Speaker 3: that album. Yeah, So I felt like Drake quickly finished

680
00:28:06,200 --> 00:28:10,080
Speaker 3: those up after the leak and immediately got those out

681
00:28:10,080 --> 00:28:12,320
Speaker 3: of his brain and started working on new music. And

682
00:28:12,359 --> 00:28:15,000
Speaker 3: then a year later CLB came out, So I was like,

683
00:28:15,040 --> 00:28:18,399
Speaker 3: it's not really quick timing. So that's where I wasn't like,

684
00:28:18,720 --> 00:28:19,840
Speaker 3: how many more leaks are there?

685
00:28:19,880 --> 00:28:21,720
Speaker 4: I mean, especially for the for the album he just gave.

686
00:28:21,920 --> 00:28:23,560
Speaker 4: It's definitely this is fresh.

687
00:28:24,000 --> 00:28:24,359
Speaker 2: Yeah.

688
00:28:24,480 --> 00:28:28,800
Speaker 3: But what did scare me was that maybe this wasn't

689
00:28:28,880 --> 00:28:33,280
Speaker 3: leaks and this was when all the leaks happened, he

690
00:28:33,400 --> 00:28:35,240
Speaker 3: got scared and tried to make a bunch of new

691
00:28:35,240 --> 00:28:37,800
Speaker 3: records for CLB, and then was like, fuck it, let

692
00:28:37,840 --> 00:28:39,440
Speaker 3: me just put out CLB. Of the leaks they're out,

693
00:28:39,560 --> 00:28:43,120
Speaker 3: and this is my CLB Part two, which I would

694
00:28:43,120 --> 00:28:45,360
Speaker 3: have scared me. Yeah, that's what I was thinking.

695
00:28:45,720 --> 00:28:48,640
Speaker 2: I was, I was. I thought a lot of things.

696
00:28:48,640 --> 00:28:51,680
Speaker 2: I said, Either, this is a lot of the songs

697
00:28:51,680 --> 00:28:53,520
Speaker 2: that he had recorded already, he just wants to get

698
00:28:53,560 --> 00:28:59,160
Speaker 2: him out there. Did the did the Beyonce announcement caused

699
00:28:59,240 --> 00:29:02,120
Speaker 2: him to want to do this and get out the way? Uh?

700
00:29:02,160 --> 00:29:04,880
Speaker 2: You know, it's a lot of things. I just I

701
00:29:04,960 --> 00:29:07,840
Speaker 2: tied it all to Beyonce announcing her album's coming. I

702
00:29:07,840 --> 00:29:10,360
Speaker 2: feel like, you know, all of the big artists are now,

703
00:29:11,160 --> 00:29:13,520
Speaker 2: you know, either working or their work is completed now

704
00:29:13,520 --> 00:29:14,760
Speaker 2: they want to get it out and get out get

705
00:29:14,760 --> 00:29:15,480
Speaker 2: out the way to Beyonce.

706
00:29:15,520 --> 00:29:16,520
Speaker 1: It but.

707
00:29:18,160 --> 00:29:23,200
Speaker 2: I was wrong and this was a completely different project.

708
00:29:24,400 --> 00:29:26,600
Speaker 3: Did it cross your mind? We know it wasn't that now,

709
00:29:27,520 --> 00:29:29,560
Speaker 3: but did it cross your mind that this was a

710
00:29:29,600 --> 00:29:31,080
Speaker 3: petty move towards Kendrick Lamar?

711
00:29:33,240 --> 00:29:37,080
Speaker 2: Nah, that never crossed my mind. That never crossed my mind.

712
00:29:37,120 --> 00:29:41,360
Speaker 2: That I feel like the uh, the Kendrick Project is

713
00:29:41,480 --> 00:29:43,640
Speaker 2: a project that stands on its own. It stands alone

714
00:29:43,640 --> 00:29:46,120
Speaker 2: from everything else that's out right now.

715
00:29:46,800 --> 00:29:49,880
Speaker 3: Uh, They've just sent a lot of subliminal shots over

716
00:29:49,920 --> 00:29:54,280
Speaker 3: the last decade, I would say of who is more

717
00:29:54,320 --> 00:30:00,120
Speaker 3: impactful and who has a bigger fan base, because as

718
00:30:00,120 --> 00:30:01,760
Speaker 3: they have going back and forth with sales and number

719
00:30:01,760 --> 00:30:04,280
Speaker 3: ones and all that shit, who could stop the world more?

720
00:30:05,000 --> 00:30:08,240
Speaker 2: It's kind of game to be playing who could stop

721
00:30:08,280 --> 00:30:08,880
Speaker 2: the world more?

722
00:30:08,960 --> 00:30:10,880
Speaker 3: And I don't think it's sick. I don't think it's

723
00:30:10,880 --> 00:30:12,800
Speaker 3: malicious on either one of their ends. I think they

724
00:30:12,840 --> 00:30:14,840
Speaker 3: actually both respect each other's craft.

725
00:30:14,560 --> 00:30:17,200
Speaker 2: A lot, absolutely, even if they don't even if they

726
00:30:17,200 --> 00:30:20,920
Speaker 2: have personal sure grievances with each other, we still have

727
00:30:20,920 --> 00:30:21,960
Speaker 2: to respect somebody's art.

728
00:30:22,000 --> 00:30:24,360
Speaker 3: I don't even think there's probably much personal grievances anymore.

729
00:30:24,960 --> 00:30:27,960
Speaker 3: But I still think they are competitive and they're both

730
00:30:28,560 --> 00:30:31,040
Speaker 3: icons at this point, so mm hmm, they're gonna want

731
00:30:31,080 --> 00:30:33,320
Speaker 3: to out icon each other. So that crossed my mind

732
00:30:33,360 --> 00:30:36,280
Speaker 3: to him, like, hmmm, is he just trying to be like,

733
00:30:37,160 --> 00:30:39,880
Speaker 3: all right, Kendrick just dropped this shit. And usually when

734
00:30:39,960 --> 00:30:43,360
Speaker 3: Kendrick drops there is a significant time between both of them.

735
00:30:43,360 --> 00:30:45,320
Speaker 3: Not saying Drake is scared of Kendrick scare but between

736
00:30:45,320 --> 00:30:47,560
Speaker 3: both of them, there's always significant times between their albums

737
00:30:48,400 --> 00:30:51,040
Speaker 3: we see like, man, fuck this forty what's in my

738
00:30:51,080 --> 00:30:53,720
Speaker 3: hard drive? I'm gonna take a whole attention away show

739
00:30:53,800 --> 00:30:56,720
Speaker 3: Kendrick that I can stop the world even when your

740
00:30:56,720 --> 00:30:59,760
Speaker 3: shit is only been out a month. It crossed my mind,

741
00:31:00,400 --> 00:31:02,720
Speaker 3: not saying it's true at all, I.

742
00:31:02,640 --> 00:31:05,320
Speaker 2: Don't think, but was that in question before the stuff?

743
00:31:05,320 --> 00:31:07,040
Speaker 2: I feel like people know that what Drake can do.

744
00:31:07,640 --> 00:31:09,960
Speaker 2: I don't think what Drake At this point, people know

745
00:31:10,040 --> 00:31:10,920
Speaker 2: Drake can do anything.

746
00:31:10,960 --> 00:31:12,520
Speaker 3: Well, if you listen to his lyrics. He's been trying

747
00:31:12,560 --> 00:31:16,360
Speaker 3: to convince and prove himself a lot of things over

748
00:31:16,400 --> 00:31:19,000
Speaker 3: the years. He has insecurity in a good way when

749
00:31:19,040 --> 00:31:24,600
Speaker 3: it comes to music. That's why I put him almost

750
00:31:24,680 --> 00:31:26,959
Speaker 3: higher than certain icons because of his output of how

751
00:31:27,000 --> 00:31:29,160
Speaker 3: much music he puts out and how much time he's

752
00:31:29,200 --> 00:31:31,920
Speaker 3: proven like he doesn't put out an amazing album, then

753
00:31:31,960 --> 00:31:33,960
Speaker 3: four years disappears, we never hear from him, and then

754
00:31:34,080 --> 00:31:36,040
Speaker 3: it's just all this anticipation and then he's back and

755
00:31:36,040 --> 00:31:39,959
Speaker 3: he disappears. Like his output is crazy. He's always in

756
00:31:40,000 --> 00:31:42,320
Speaker 3: the fucking light like that. I appreciate that type of shit.

757
00:31:42,360 --> 00:31:44,280
Speaker 3: That's more difficult to do as an icon, I think

758
00:31:44,680 --> 00:31:48,240
Speaker 3: than it is to be thissisic brace hell because it

759
00:31:48,360 --> 00:31:50,960
Speaker 3: allows for so many mistakes where you may not look

760
00:31:51,000 --> 00:31:53,120
Speaker 3: like this icon that we think you are. So that's

761
00:31:53,120 --> 00:31:55,800
Speaker 3: where I respect Drake outside of just the music shit.

762
00:31:57,720 --> 00:31:59,760
Speaker 3: But once the album came out, I did not think

763
00:31:59,800 --> 00:32:02,560
Speaker 3: that because this I think did take some time. I

764
00:32:02,560 --> 00:32:06,760
Speaker 3: don't think this this was forty this was this was

765
00:32:06,800 --> 00:32:09,440
Speaker 3: a project, This was even if the Internet thinks that, yeah,

766
00:32:09,480 --> 00:32:11,560
Speaker 3: this was this, I understand what was intentional.

767
00:32:11,840 --> 00:32:14,720
Speaker 2: Why Drake has braids, now, I get it. He didn't

768
00:32:14,760 --> 00:32:16,360
Speaker 2: have time for a haircut. He had to really go

769
00:32:16,400 --> 00:32:19,200
Speaker 2: into that world. He had to really just be in

770
00:32:19,240 --> 00:32:22,720
Speaker 2: the house and he had to create that world, that sound.

771
00:32:22,800 --> 00:32:26,160
Speaker 2: He had to create that dance because he didn't create

772
00:32:26,240 --> 00:32:28,960
Speaker 2: dance that that genre we know exists, but he had

773
00:32:29,440 --> 00:32:32,240
Speaker 2: to go into it. And I'm pretty sure he had

774
00:32:33,040 --> 00:32:36,040
Speaker 2: nothing but house music, dance music playing at his house

775
00:32:36,560 --> 00:32:40,120
Speaker 2: in the studio, just looking for inspiration for sounds, spending

776
00:32:40,160 --> 00:32:43,600
Speaker 2: a lot of time with producers, because yes, it is dance,

777
00:32:43,680 --> 00:32:47,040
Speaker 2: but it still was very hip hop influenced. The tracks. Sure,

778
00:32:48,040 --> 00:32:50,200
Speaker 2: So I just I think this was a project that

779
00:32:50,280 --> 00:32:53,520
Speaker 2: he literally worked on for some time. This wasn't just

780
00:32:53,600 --> 00:32:57,160
Speaker 2: a two weeks let me get this, and if it was,

781
00:32:57,440 --> 00:32:59,440
Speaker 2: then that we having a whole other conversation about the

782
00:32:59,440 --> 00:33:00,400
Speaker 2: type of artist that he is.

783
00:33:00,640 --> 00:33:04,479
Speaker 3: Yeah. When I did see the caption, I saw executive

784
00:33:04,480 --> 00:33:08,800
Speaker 3: produced by Black Coffee and of course the usual executive producers.

785
00:33:09,640 --> 00:33:11,520
Speaker 3: It did cross my mind that this was going to

786
00:33:11,600 --> 00:33:14,880
Speaker 3: be very uptempo. At minimum, this is gonna be a

787
00:33:14,920 --> 00:33:16,920
Speaker 3: very up tempo album. I'm looking at the timing of

788
00:33:16,960 --> 00:33:19,800
Speaker 3: it summer. I was like, I don't think it'll go

789
00:33:20,120 --> 00:33:22,080
Speaker 3: all the way more life for all the way afrobeats,

790
00:33:22,120 --> 00:33:24,200
Speaker 3: but this shit is gonna be up tempo.

791
00:33:24,400 --> 00:33:25,920
Speaker 2: Yeah.

792
00:33:25,960 --> 00:33:28,920
Speaker 3: And I saw the Internet kill it, and you guys

793
00:33:28,960 --> 00:33:31,080
Speaker 3: are gonna say we're full of shit and we're dick riders.

794
00:33:31,120 --> 00:33:35,360
Speaker 3: I killed CLB. I've been very objective with every Drake take.

795
00:33:35,920 --> 00:33:37,680
Speaker 3: I'd be up here lying if I said I didn't

796
00:33:37,720 --> 00:33:43,440
Speaker 3: like this album. I'm in Mexico. That helps, Oh, definitely

797
00:33:43,480 --> 00:33:46,160
Speaker 3: helps what I'm in Mexico. But I appreciated what he

798
00:33:46,200 --> 00:33:49,720
Speaker 3: did on this album and with my CLB review, Not

799
00:33:49,760 --> 00:33:52,960
Speaker 3: that it matters because my opinion doesn't matter, like what

800
00:33:53,040 --> 00:33:56,640
Speaker 3: you like. I wanted some fucking growth. And I understand

801
00:33:56,640 --> 00:33:58,320
Speaker 3: that Drake has made these types of records before. They've

802
00:33:58,360 --> 00:34:01,560
Speaker 3: been some of my favorite Drake records throughout his career.

803
00:34:01,680 --> 00:34:02,600
Speaker 3: He'll throw one on.

804
00:34:02,560 --> 00:34:07,800
Speaker 2: Each of them, yeah, and I love them.

805
00:34:06,160 --> 00:34:08,719
Speaker 3: So it's not new for Drake to do this. But

806
00:34:08,760 --> 00:34:15,560
Speaker 3: as far as putting a sole theme sonically, Drake crew

807
00:34:15,640 --> 00:34:19,760
Speaker 3: because all his themes sonically are usually the forty underwater beats,

808
00:34:19,800 --> 00:34:21,520
Speaker 3: and then he'll mix in what's current at the time.

809
00:34:24,040 --> 00:34:26,240
Speaker 3: So we got growth from an artist I was asking

810
00:34:26,280 --> 00:34:28,400
Speaker 3: for growth from. And I think it's extremely well produced.

811
00:34:28,400 --> 00:34:31,200
Speaker 3: I think on a lot of house music and a

812
00:34:31,200 --> 00:34:33,040
Speaker 3: lot of dance music, a lot of em music, there

813
00:34:33,040 --> 00:34:34,880
Speaker 3: isn't very much substance.

814
00:34:34,920 --> 00:34:35,440
Speaker 2: Don't kill me.

815
00:34:35,520 --> 00:34:37,239
Speaker 3: I know there is some, but for the most part,

816
00:34:37,360 --> 00:34:42,080
Speaker 3: especially now, there's no real substance or connection lyrically to

817
00:34:42,280 --> 00:34:44,960
Speaker 3: those types of records. They're solely to dance. There's quotables

818
00:34:44,960 --> 00:34:47,520
Speaker 3: all over through the shit. Yeah, mad relatable content. He's

819
00:34:47,560 --> 00:34:51,959
Speaker 3: really talking shit. He's really talking about relationships. And yeah,

820
00:34:51,960 --> 00:34:53,920
Speaker 3: I get the H and M and Zara jokes, but bro,

821
00:34:53,960 --> 00:34:55,680
Speaker 3: we've been making those jokes about this type of music

822
00:34:55,920 --> 00:34:56,759
Speaker 3: for fifteen years.

823
00:34:57,440 --> 00:35:00,960
Speaker 2: Yeah, like it. It's this simple rory. I think that

824
00:35:02,360 --> 00:35:04,960
Speaker 2: one you're never going to satisfy your entire fan base

825
00:35:05,239 --> 00:35:07,239
Speaker 2: with any project that you put out. It's always going

826
00:35:07,320 --> 00:35:09,400
Speaker 2: to be people that love it, so always gonna be

827
00:35:09,440 --> 00:35:14,839
Speaker 2: people that hate it. With this project though, it's it's

828
00:35:14,880 --> 00:35:17,279
Speaker 2: bigger than do I like it or do I not

829
00:35:17,360 --> 00:35:19,600
Speaker 2: like it? I think people have to just think a

830
00:35:19,640 --> 00:35:21,879
Speaker 2: little deeper when they're looking at artists in the way

831
00:35:21,880 --> 00:35:23,520
Speaker 2: they create and the things that they put out into

832
00:35:23,560 --> 00:35:27,520
Speaker 2: the world. This was a brave project. Fan Drake is

833
00:35:27,560 --> 00:35:31,440
Speaker 2: a you know people call him. We call him a rapper, right,

834
00:35:31,520 --> 00:35:32,640
Speaker 2: you call him a rapper.

835
00:35:32,640 --> 00:35:33,160
Speaker 3: S pop star.

836
00:35:33,520 --> 00:35:35,319
Speaker 2: He's a pop star. He can you know he can.

837
00:35:35,440 --> 00:35:37,680
Speaker 2: He can hold the note, he can sing, uh, he

838
00:35:37,680 --> 00:35:39,880
Speaker 2: can give you the R and B record. But he

839
00:35:39,960 --> 00:35:46,160
Speaker 2: gave us an entire dance house hip hop like. This

840
00:35:46,360 --> 00:35:50,799
Speaker 2: was a real, real piece of art that I think

841
00:35:50,800 --> 00:35:52,080
Speaker 2: a lot of people are going to go because I

842
00:35:52,080 --> 00:35:54,600
Speaker 2: remember what y'all was saying when Ada Way and Heartbreaks

843
00:35:54,600 --> 00:35:55,120
Speaker 2: first came out.

844
00:35:55,440 --> 00:35:56,160
Speaker 3: Everyone hated it.

845
00:35:56,200 --> 00:35:58,960
Speaker 2: I remember how people was killing it. Now, I remember

846
00:35:58,960 --> 00:36:02,440
Speaker 2: how people were shitting on it. And now when you

847
00:36:02,560 --> 00:36:03,120
Speaker 2: listen back.

848
00:36:03,960 --> 00:36:05,759
Speaker 3: Now it's a class. Now it's a classic, right and

849
00:36:05,800 --> 00:36:08,200
Speaker 3: now it's one of the most important albums to mono

850
00:36:08,320 --> 00:36:12,120
Speaker 3: music period. I'm not saying that this this album is that.

851
00:36:12,239 --> 00:36:14,359
Speaker 3: We're just saying that give it some time. Just give

852
00:36:14,360 --> 00:36:14,839
Speaker 3: it some time.

853
00:36:14,880 --> 00:36:16,800
Speaker 2: Like if you don't understand it and it doesn't connect

854
00:36:16,840 --> 00:36:19,080
Speaker 2: to you, right, and that's fine. Like it just Drake

855
00:36:19,120 --> 00:36:21,480
Speaker 2: has put out songs that I didn't connect to, that

856
00:36:21,560 --> 00:36:23,840
Speaker 2: I didn't really like and things like that. Like, but

857
00:36:24,680 --> 00:36:28,040
Speaker 2: as an artist, when you have the ability to first

858
00:36:28,360 --> 00:36:31,200
Speaker 2: sit with producers and get this type of sound done

859
00:36:31,880 --> 00:36:33,200
Speaker 2: and do it in the way and do it at

860
00:36:33,200 --> 00:36:36,360
Speaker 2: a level that he just did it at, you can't

861
00:36:36,400 --> 00:36:39,319
Speaker 2: just frown it at him, like I hate that, Like

862
00:36:39,360 --> 00:36:42,799
Speaker 2: you gotta give a head nod, a tilt. You had to, like, Yo,

863
00:36:42,880 --> 00:36:45,439
Speaker 2: that was brave. Yeah, I don't know like if he would,

864
00:36:45,520 --> 00:36:47,600
Speaker 2: because I would have been disappointed if Drake gave me

865
00:36:47,640 --> 00:36:50,000
Speaker 2: an album where he's rapping like Little Baby the whole album.

866
00:36:50,680 --> 00:36:51,759
Speaker 3: I would if he hears it.

867
00:36:51,840 --> 00:36:54,680
Speaker 2: Was rapping like EStG or he was like those guys,

868
00:36:54,719 --> 00:36:57,279
Speaker 2: that's what they do. Let those work or let that

869
00:36:57,400 --> 00:36:59,400
Speaker 2: art speak for itself, let it do what it's doing.

870
00:36:59,360 --> 00:37:00,480
Speaker 3: Hop on record.

871
00:37:00,880 --> 00:37:03,480
Speaker 2: Yeah cool, but we're talking about a complete pride and

872
00:37:03,520 --> 00:37:05,920
Speaker 2: like you said, he's getting his balls off on that.

873
00:37:06,000 --> 00:37:10,520
Speaker 2: He's talking ship that liability record. People. Listen, I know,

874
00:37:10,560 --> 00:37:12,319
Speaker 2: you know he distorted his voice and played with the

875
00:37:12,960 --> 00:37:14,880
Speaker 2: you know, but it's like, listen to what he's like.

876
00:37:14,920 --> 00:37:17,920
Speaker 2: He is getting balls off and that's what you know,

877
00:37:18,000 --> 00:37:20,560
Speaker 2: that's that's what he does. He's gonna give you captions

878
00:37:20,560 --> 00:37:23,400
Speaker 2: and for the rest of the summer, this vibe, this

879
00:37:23,560 --> 00:37:28,400
Speaker 2: energy that he just gave us, it's reserved for the

880
00:37:28,520 --> 00:37:32,000
Speaker 2: quiet taste. It's it's it's this is not for the

881
00:37:32,080 --> 00:37:34,600
Speaker 2: black and mild and the and the chicken box eaters,

882
00:37:34,640 --> 00:37:38,040
Speaker 2: And this is not that. This is a little more.

883
00:37:39,280 --> 00:37:41,160
Speaker 2: You gotta have a different palette for this, and I

884
00:37:41,200 --> 00:37:41,719
Speaker 2: understand it.

885
00:37:41,719 --> 00:37:42,399
Speaker 3: It's it's okay.

886
00:37:42,400 --> 00:37:44,440
Speaker 2: If it's okay, if you don't like, just go to

887
00:37:44,520 --> 00:37:46,359
Speaker 2: something else. There's plenty of shit out there for you.

888
00:37:46,920 --> 00:37:50,640
Speaker 2: But the fact that Drake has the ability to make

889
00:37:50,680 --> 00:37:53,839
Speaker 2: this type of album and this type of project, and

890
00:37:53,880 --> 00:37:57,200
Speaker 2: of course you know, there are real dance artists that

891
00:37:57,760 --> 00:37:59,560
Speaker 2: do that sound better because that's what they do. But

892
00:37:59,600 --> 00:38:01,680
Speaker 2: that to me is a is A is a stripe

893
00:38:02,080 --> 00:38:05,960
Speaker 2: on Drake's uniform of damn Like you actually can do

894
00:38:06,040 --> 00:38:11,080
Speaker 2: that though, rappers, because we called him a rapper rappers,

895
00:38:11,160 --> 00:38:12,680
Speaker 2: I don't know too many of my fear rappers that

896
00:38:12,719 --> 00:38:14,719
Speaker 2: can do what Drake just did. No, of course not,

897
00:38:14,800 --> 00:38:16,400
Speaker 2: you know what I mean. And so it's like a

898
00:38:16,400 --> 00:38:18,080
Speaker 2: lot of producers that could do what Forty did.

899
00:38:18,440 --> 00:38:20,200
Speaker 3: And I know there's a lot of other producers. I'm

900
00:38:20,200 --> 00:38:22,920
Speaker 3: just saying, as far as with that artist, Forty is

901
00:38:23,000 --> 00:38:25,480
Speaker 3: like the final decision and kind of really puts.

902
00:38:25,280 --> 00:38:27,799
Speaker 2: That's not easy man. And and and again, it's okay

903
00:38:27,840 --> 00:38:29,480
Speaker 2: if you don't get it, if you ain't vib into it.

904
00:38:29,520 --> 00:38:32,960
Speaker 2: But that's some really good music on this album. Yeah,

905
00:38:33,000 --> 00:38:36,439
Speaker 2: and really really good music, really good beats. Again, he's

906
00:38:36,480 --> 00:38:40,319
Speaker 2: talking ship, he's talking slick, he's giving you captions, he's

907
00:38:40,320 --> 00:38:43,880
Speaker 2: giving you bars, emotion toos, some breakup records on that.

908
00:38:44,000 --> 00:38:46,400
Speaker 2: I mean, it's it's listen, man. I think the people

909
00:38:46,440 --> 00:38:50,479
Speaker 2: that you know this was you gotta salute Drake because

910
00:38:50,480 --> 00:38:52,560
Speaker 2: he took a chance with this. He knew the backlash

911
00:38:52,640 --> 00:38:55,160
Speaker 2: was coming. Uh, this was this was a bold move.

912
00:38:55,239 --> 00:38:59,120
Speaker 2: This was a brave move. But I think he executed

913
00:38:59,239 --> 00:39:03,560
Speaker 2: very well. I think that the music is a one again.

914
00:39:03,600 --> 00:39:05,560
Speaker 2: He's giving you boss, so he's still being Drake. He's

915
00:39:05,560 --> 00:39:08,279
Speaker 2: given you captions, so he's still being himself a lot

916
00:39:08,280 --> 00:39:12,200
Speaker 2: of captions. So you know, I understand it's the sound

917
00:39:12,360 --> 00:39:19,120
Speaker 2: isn't what people were expecting. But remove your emotions and

918
00:39:19,120 --> 00:39:20,640
Speaker 2: what you thought was coming away from it and just

919
00:39:20,640 --> 00:39:24,600
Speaker 2: listen to music. Like, if this was a Tames album,

920
00:39:24,840 --> 00:39:25,919
Speaker 2: people would be going crazy.

921
00:39:25,920 --> 00:39:28,160
Speaker 3: If this was the Weekend of course, well we can

922
00:39:29,280 --> 00:39:31,239
Speaker 3: did a little similar on the I'm.

923
00:39:31,160 --> 00:39:34,279
Speaker 2: Saying, and they loved it right that that album was phenomenal.

924
00:39:34,640 --> 00:39:38,440
Speaker 2: If this was Party next Door. Yeah, if this was

925
00:39:38,480 --> 00:39:40,360
Speaker 2: you know, I mean, if this was a Rihanna album,

926
00:39:40,640 --> 00:39:42,640
Speaker 2: Oh this is rihann album, would be insane. So this

927
00:39:42,719 --> 00:39:45,200
Speaker 2: is what so so so I get it. People weren't

928
00:39:45,200 --> 00:39:47,600
Speaker 2: expecting this, and they didn't may not have wanted this

929
00:39:47,719 --> 00:39:52,279
Speaker 2: from him, But remove that and just listen to the

930
00:39:52,360 --> 00:39:55,840
Speaker 2: music and catch the vibe and the energy and say, damn,

931
00:39:55,880 --> 00:39:57,839
Speaker 2: this is a vibe though, this is this is some This.

932
00:39:57,800 --> 00:40:01,680
Speaker 3: Is good music, I think, especially coming eight months after

933
00:40:01,880 --> 00:40:04,759
Speaker 3: the last project, which to me, which I said on

934
00:40:04,760 --> 00:40:08,160
Speaker 3: this podcast, felt like a caricature of Drake. It felt

935
00:40:08,160 --> 00:40:10,440
Speaker 3: like someone went in and tried to make an album

936
00:40:10,480 --> 00:40:12,640
Speaker 3: that sounded like a Drake album, but it came from Drake,

937
00:40:13,520 --> 00:40:18,960
Speaker 3: And I said, even after his verse on Jack's album, like,

938
00:40:19,040 --> 00:40:20,560
Speaker 3: I was like, I think Drake is in a really

939
00:40:20,640 --> 00:40:25,680
Speaker 3: fucking weird place, Like he has no idea what he

940
00:40:25,760 --> 00:40:29,719
Speaker 3: should do musically going into being thirty five plus and

941
00:40:29,760 --> 00:40:32,560
Speaker 3: having a fan base that's also seventeen, but also having

942
00:40:32,560 --> 00:40:35,000
Speaker 3: a fan base that grew with him since eighteen. Yeah,

943
00:40:35,080 --> 00:40:39,000
Speaker 3: so it wouldn't have been my first thought, but I

944
00:40:39,040 --> 00:40:43,160
Speaker 3: get it. What would be the type of music to

945
00:40:43,280 --> 00:40:47,160
Speaker 3: grab as much as your world's wide fan base and

946
00:40:47,280 --> 00:40:48,040
Speaker 3: age fan base.

947
00:40:48,200 --> 00:40:52,160
Speaker 2: House music love it, Yeah, never gets old, that bop,

948
00:40:52,280 --> 00:40:56,120
Speaker 2: that tempo. Me and my parents both both love house.

949
00:40:55,960 --> 00:40:56,840
Speaker 4: Music, love it.

950
00:40:56,840 --> 00:40:58,360
Speaker 2: But I mean it's part of hip hop.

951
00:40:58,239 --> 00:41:00,920
Speaker 3: And house music has influenced so much, so much of

952
00:41:01,000 --> 00:41:03,200
Speaker 3: hip hop, so much of certain R and B. Now

953
00:41:03,320 --> 00:41:06,759
Speaker 3: like it is at this this point kind of the

954
00:41:06,800 --> 00:41:09,359
Speaker 3: genesis of modern music to something agree. You can even

955
00:41:09,360 --> 00:41:11,680
Speaker 3: say a Aways and Heartbreaks has a lot of house

956
00:41:12,040 --> 00:41:14,440
Speaker 3: influences on it outside of just like the eighties and

957
00:41:14,600 --> 00:41:19,239
Speaker 3: and everything like that, anti pain, But it makes sense

958
00:41:19,280 --> 00:41:21,080
Speaker 3: to me, I know for everyone on Twitter, wouldn't make

959
00:41:21,120 --> 00:41:23,800
Speaker 3: sense because they don't particularly like that style of music,

960
00:41:23,840 --> 00:41:26,440
Speaker 3: which I understand. But if I'm looking at it at

961
00:41:26,480 --> 00:41:28,719
Speaker 3: my fan base around the entire world.

962
00:41:28,680 --> 00:41:31,800
Speaker 2: That's what and that's what age. I guess I have

963
00:41:31,880 --> 00:41:34,160
Speaker 2: to make a house albums and and like you said,

964
00:41:34,239 --> 00:41:36,600
Speaker 2: it's at the point what what else is there for

965
00:41:36,680 --> 00:41:39,239
Speaker 2: him to do? Like? What else is there for him

966
00:41:39,280 --> 00:41:41,560
Speaker 2: to I know people still talking about they want a

967
00:41:41,600 --> 00:41:43,200
Speaker 2: full R and B project from Well.

968
00:41:43,040 --> 00:41:45,279
Speaker 3: This, that's I was just going to answer your question there,

969
00:41:46,160 --> 00:41:47,520
Speaker 3: he said. Well, I don't know source said.

970
00:41:47,560 --> 00:41:48,520
Speaker 2: It could be true or untrue.

971
00:41:48,520 --> 00:41:50,520
Speaker 3: It was on the internet that Drake is coming again

972
00:41:50,760 --> 00:41:51,879
Speaker 3: with another album this year.

973
00:41:52,560 --> 00:41:54,719
Speaker 4: My predictionary hours particularly.

974
00:41:54,239 --> 00:41:59,120
Speaker 3: My prediction even before that ship was all right, he's

975
00:41:59,160 --> 00:42:01,600
Speaker 3: gonna show because he's house in this up temple ship

976
00:42:01,640 --> 00:42:06,359
Speaker 3: before full album like this pissed people off, have them

977
00:42:06,400 --> 00:42:08,319
Speaker 3: beg for him to rap again, and the next one

978
00:42:08,360 --> 00:42:13,600
Speaker 3: will be a full DJ premiere, mad Lib Alchemists, fucking.

979
00:42:13,320 --> 00:42:15,600
Speaker 2: But then and this is the fuck up. He's gonna

980
00:42:15,600 --> 00:42:16,399
Speaker 2: work with Just again.

981
00:42:16,440 --> 00:42:18,399
Speaker 3: He's gonna finally work with Dre like he's gonna get

982
00:42:18,400 --> 00:42:21,000
Speaker 3: his quintessential rap album with all the legs you're.

983
00:42:20,880 --> 00:42:24,560
Speaker 2: Gonna kill that too, absolutely, And that's it's it's just like, bro,

984
00:42:24,719 --> 00:42:27,560
Speaker 2: like what you can't We have to stop feeling like

985
00:42:27,600 --> 00:42:31,120
Speaker 2: we can satisfy. Everybody's not gonna be satisfied. Everybody's not

986
00:42:31,160 --> 00:42:33,520
Speaker 2: gonna be happy with what you do. But I think

987
00:42:33,520 --> 00:42:37,000
Speaker 2: that again, if you're a creator and you're an artist,

988
00:42:37,680 --> 00:42:40,800
Speaker 2: you know, you can only salute creator as an artist

989
00:42:40,840 --> 00:42:44,880
Speaker 2: for pushing the boundaries, stepping outside of their comfort zones,

990
00:42:44,960 --> 00:42:48,239
Speaker 2: trying things, uh, trying to just you know, create a

991
00:42:48,280 --> 00:42:52,120
Speaker 2: different vibe and energy, Like that's part of being an artist.

992
00:42:52,239 --> 00:42:53,600
Speaker 2: Like you know what I'm saying. Wherever you're at in

993
00:42:53,600 --> 00:42:57,400
Speaker 2: your life. You know, Drake has obviously been successful many years.

994
00:42:57,440 --> 00:43:00,560
Speaker 2: You know, he may have just spent five five months

995
00:43:00,640 --> 00:43:03,239
Speaker 2: traveling the world, and this is what he was inspired by.

996
00:43:03,239 --> 00:43:04,759
Speaker 2: This was the music that he was hearing, This was

997
00:43:04,800 --> 00:43:07,239
Speaker 2: the so you know, he's given that to us kind

998
00:43:07,239 --> 00:43:08,640
Speaker 2: of like, Yo, this is what this is what I

999
00:43:08,719 --> 00:43:10,080
Speaker 2: just came out of, this is the world I was

1000
00:43:10,120 --> 00:43:12,480
Speaker 2: just in, and this is my rendition of that.

1001
00:43:12,760 --> 00:43:15,960
Speaker 3: Well, he did say, and I appreciated his double down

1002
00:43:16,120 --> 00:43:19,680
Speaker 3: and sassiness when he said, we just ahead of y'all. Right,

1003
00:43:19,680 --> 00:43:22,880
Speaker 3: now you'll catch up, but listen which is a sassy,

1004
00:43:22,960 --> 00:43:26,600
Speaker 3: snobby music, but it's real, it's real heartbreaks with the

1005
00:43:27,080 --> 00:43:29,960
Speaker 3: j Cole fan base, we like, we're just too intelligence.

1006
00:43:29,560 --> 00:43:31,359
Speaker 4: Said, it's all good if you don't get it. That's

1007
00:43:31,400 --> 00:43:33,000
Speaker 4: what we do. We waiting for you to catch up.

1008
00:43:33,040 --> 00:43:35,840
Speaker 4: You already caught up, already onto the nets.

1009
00:43:36,760 --> 00:43:38,640
Speaker 2: But listen to They did that eight to Ways and heartbreaking.

1010
00:43:38,640 --> 00:43:40,520
Speaker 2: And again we're not saying that this sits next to

1011
00:43:40,600 --> 00:43:43,160
Speaker 2: these albums like it just came out. We're not saying that.

1012
00:43:43,200 --> 00:43:46,720
Speaker 2: We're just saying the people reacted because they had received

1013
00:43:46,719 --> 00:43:48,600
Speaker 2: a sound from the artist that they didn't think was

1014
00:43:48,640 --> 00:43:52,000
Speaker 2: coming and that they didn't know if they liked like

1015
00:43:52,040 --> 00:43:54,520
Speaker 2: people being different about shit, But then they'll lean more

1016
00:43:54,560 --> 00:43:56,319
Speaker 2: towards I hate it than just say yo, I don't know.

1017
00:43:56,440 --> 00:43:59,400
Speaker 2: Of course, Yeah, it's okay to be indifferent about you

1018
00:43:59,440 --> 00:44:00,840
Speaker 2: know what I'm saying something to be like yo, I

1019
00:44:00,880 --> 00:44:02,399
Speaker 2: don't know yet, Like let me give it a little

1020
00:44:02,480 --> 00:44:05,040
Speaker 2: more of me. But people just want to not hate it.

1021
00:44:05,080 --> 00:44:06,600
Speaker 2: Skip that ship trash.

1022
00:44:06,760 --> 00:44:09,480
Speaker 3: It's like, but like every Drake album, give it some time.

1023
00:44:09,560 --> 00:44:11,360
Speaker 2: It has even been a dad give no, give us

1024
00:44:11,400 --> 00:44:11,880
Speaker 2: some time.

1025
00:44:12,680 --> 00:44:14,840
Speaker 3: To look at how he executed it to. This album

1026
00:44:14,920 --> 00:44:19,200
Speaker 3: is made for DJs. Yes, you're gonna do outside of

1027
00:44:19,280 --> 00:44:21,319
Speaker 3: Drake being Drake. You're gonna be forced to hear these

1028
00:44:21,360 --> 00:44:23,719
Speaker 3: fucking records everywhere you go, and you're going to like

1029
00:44:23,760 --> 00:44:24,919
Speaker 3: them and listen.

1030
00:44:24,960 --> 00:44:27,279
Speaker 2: And one thing I do know is that whatever the

1031
00:44:27,400 --> 00:44:29,840
Speaker 2: ladies like, the men end up liking. And the ladies

1032
00:44:29,880 --> 00:44:32,680
Speaker 2: seem to be loving this project. They are ready to

1033
00:44:32,680 --> 00:44:35,359
Speaker 2: go to motherfucking Ebiza. They're ready to go to yacht

1034
00:44:35,400 --> 00:44:38,319
Speaker 2: Week and do all kinds of ship to this ship.

1035
00:44:38,360 --> 00:44:41,719
Speaker 2: They Yeah, they trying to fruit. This is for the

1036
00:44:41,760 --> 00:44:44,400
Speaker 2: fruit eaters and the champagne ship. But this ain't for

1037
00:44:44,480 --> 00:44:47,239
Speaker 2: you niggas that like the motherfucking drink Welch is great

1038
00:44:47,360 --> 00:44:48,920
Speaker 2: and eat pizzas and ship like that.

1039
00:44:49,000 --> 00:44:51,000
Speaker 3: I like pizza and yeah, but this ain't for that.

1040
00:44:51,040 --> 00:44:55,319
Speaker 2: This This is a different This is a whole different thing. Yeah,

1041
00:44:55,320 --> 00:44:57,359
Speaker 2: but you gotta respect it. And you got to say, listen,

1042
00:44:57,400 --> 00:44:59,960
Speaker 2: this is an artist who again has accomplished so much.

1043
00:45:00,360 --> 00:45:02,520
Speaker 2: What else is there for him to do? If this

1044
00:45:02,600 --> 00:45:04,000
Speaker 2: is it, If this is what he wanted to try,

1045
00:45:04,040 --> 00:45:06,800
Speaker 2: and this is you know, the inspiration that he had.

1046
00:45:07,360 --> 00:45:09,239
Speaker 2: Just listen to the music and if you just listen.

1047
00:45:09,360 --> 00:45:11,120
Speaker 2: If you just do that, there's no way that you

1048
00:45:11,120 --> 00:45:14,560
Speaker 2: can say that this is not good music. I think

1049
00:45:14,600 --> 00:45:16,760
Speaker 2: this is good. This is really really good music.

1050
00:45:18,040 --> 00:45:21,560
Speaker 3: I think I think people be more warranted in their

1051
00:45:21,600 --> 00:45:24,080
Speaker 3: hate Drake fans be more warranted in their hate. Who

1052
00:45:24,120 --> 00:45:27,200
Speaker 3: cares about people that don't already like his music? If

1053
00:45:27,239 --> 00:45:29,479
Speaker 3: he did like an actual rollout in like a date

1054
00:45:29,920 --> 00:45:31,439
Speaker 3: and this is what it ended up being, I think

1055
00:45:31,440 --> 00:45:34,319
Speaker 3: he executed this style of music perfect. Yo, we have

1056
00:45:34,360 --> 00:45:36,640
Speaker 3: to just drop this shit within six hours of the

1057
00:45:36,680 --> 00:45:40,480
Speaker 3: announcement right before summer and then also announced that we're

1058
00:45:40,560 --> 00:45:45,280
Speaker 3: coming back very soon. Love it like, I think that's genius.

1059
00:45:45,280 --> 00:45:47,000
Speaker 3: I don't know who in the camp came up with it,

1060
00:45:47,160 --> 00:45:49,319
Speaker 3: but it's the perfect way for this album to roll

1061
00:45:49,320 --> 00:45:51,480
Speaker 3: it out again.

1062
00:45:51,600 --> 00:45:54,360
Speaker 2: You know, he's he's very calculated. We know that. Just

1063
00:45:54,480 --> 00:45:55,800
Speaker 2: sit here and talk about Drake and you know, of

1064
00:45:55,800 --> 00:45:57,560
Speaker 2: course they gonna kill us, say we did eating whatever.

1065
00:45:58,719 --> 00:46:01,880
Speaker 2: But again, he's calculated. He knows what he's doing. You

1066
00:46:01,920 --> 00:46:05,440
Speaker 2: don't become this successful for this long not knowing what

1067
00:46:05,480 --> 00:46:05,919
Speaker 2: you're doing.

1068
00:46:05,960 --> 00:46:08,799
Speaker 3: He's so calculated. He has uh called me out for

1069
00:46:08,840 --> 00:46:11,560
Speaker 3: doing two corny things that he was watching from a distance.

1070
00:46:12,239 --> 00:46:14,480
Speaker 4: What two corny things have you possibly done?

1071
00:46:14,600 --> 00:46:16,920
Speaker 3: Well, I've done millions of corny things of course.

1072
00:46:17,360 --> 00:46:17,880
Speaker 2: Uh.

1073
00:46:18,080 --> 00:46:21,520
Speaker 3: He caught me rapping along at the on the run

1074
00:46:21,560 --> 00:46:23,760
Speaker 3: to tour, so I can do anything.

1075
00:46:23,880 --> 00:46:24,279
Speaker 2: Mm hmm.

1076
00:46:25,400 --> 00:46:28,160
Speaker 3: And then while I disagree with him, he did say

1077
00:46:28,160 --> 00:46:30,560
Speaker 3: I did a toast that no one toasted me to

1078
00:46:30,680 --> 00:46:31,520
Speaker 3: at a restaurant once.

1079
00:46:31,560 --> 00:46:33,120
Speaker 2: Wow, that's hilarious.

1080
00:46:33,280 --> 00:46:33,920
Speaker 4: You're discussed.

1081
00:46:33,960 --> 00:46:36,200
Speaker 2: That's funny. That's a no, that's a sick And I

1082
00:46:36,200 --> 00:46:37,600
Speaker 2: said that to him, like I would be mad if

1083
00:46:37,640 --> 00:46:39,160
Speaker 2: I really did that and somebody saw it. I'm like,

1084
00:46:39,200 --> 00:46:40,520
Speaker 2: come on, man, I just you ain't got to bring

1085
00:46:40,600 --> 00:46:44,840
Speaker 2: that up so nobody says them publicly. Yeah, saw it.

1086
00:46:44,960 --> 00:46:45,200
Speaker 2: He said.

1087
00:46:45,239 --> 00:46:47,560
Speaker 3: I had a chartonaye first of all, a savium blank yeah.

1088
00:46:48,560 --> 00:46:51,360
Speaker 2: Number two. I said, you're a very sick person for

1089
00:46:51,440 --> 00:46:52,960
Speaker 2: noticing that. You only want toast you.

1090
00:46:52,960 --> 00:46:56,400
Speaker 3: Anyway, And he said, and as calculates, I see everything.

1091
00:46:57,320 --> 00:47:00,480
Speaker 2: Listen, man, I you know again, people kill them. Man,

1092
00:47:00,520 --> 00:47:03,200
Speaker 2: it's just and that's gonna kill us. Of course, that's

1093
00:47:03,239 --> 00:47:05,359
Speaker 2: part of it. We gotta listen. It's okay to say

1094
00:47:05,400 --> 00:47:08,360
Speaker 2: you don't like something, so Kayda hates something, it's okay,

1095
00:47:08,360 --> 00:47:11,440
Speaker 2: but it's just like, at the very least, just appreciate

1096
00:47:11,640 --> 00:47:14,600
Speaker 2: an artist trying to create and trying to push the

1097
00:47:14,680 --> 00:47:19,040
Speaker 2: boundaries and challenge themselves to do something different. Because again,

1098
00:47:19,400 --> 00:47:21,719
Speaker 2: another project that they killed when they first game Last

1099
00:47:21,719 --> 00:47:24,759
Speaker 2: Train of Paris, in a similar I member when that

1100
00:47:24,800 --> 00:47:26,719
Speaker 2: came out, When Last Train of Paris came out, love

1101
00:47:26,800 --> 00:47:29,560
Speaker 2: that album. People killed them for that. Yeah, what is

1102
00:47:29,600 --> 00:47:30,040
Speaker 2: this ship?

1103
00:47:30,680 --> 00:47:32,560
Speaker 3: Did Puffing Drake plan the release?

1104
00:47:34,080 --> 00:47:36,080
Speaker 2: I don't think so because they didn't. And bracton Tiller record,

1105
00:47:36,080 --> 00:47:38,880
Speaker 2: which I do like a lot good record, really good.

1106
00:47:38,920 --> 00:47:40,319
Speaker 3: They could have put Drake on that ship and just

1107
00:47:40,320 --> 00:47:42,200
Speaker 3: made it a Drake feature in buff and Rice and

1108
00:47:42,239 --> 00:47:43,040
Speaker 3: Tailor on that album.

1109
00:47:43,040 --> 00:47:45,360
Speaker 2: That was a really really good record, really good record.

1110
00:47:45,719 --> 00:47:49,279
Speaker 2: Ombre her album, I.

1111
00:47:49,600 --> 00:47:54,480
Speaker 3: Think we'll get We'll get to boogie. But I think

1112
00:47:54,000 --> 00:47:57,680
Speaker 3: he put out the best, the two best projects that

1113
00:47:57,719 --> 00:48:00,879
Speaker 3: came out today. I would say, no, this was one

1114
00:48:00,880 --> 00:48:02,640
Speaker 3: of the better Fridays of the entire year.

1115
00:48:02,719 --> 00:48:04,320
Speaker 2: Yeah, there was a lot, a lot of good music

1116
00:48:04,320 --> 00:48:05,160
Speaker 2: that came out.

1117
00:48:05,680 --> 00:48:10,200
Speaker 3: But Ombre, that's she's the star in the making. And

1118
00:48:10,040 --> 00:48:11,279
Speaker 3: I and you know, I don't say that corny shit.

1119
00:48:12,480 --> 00:48:15,160
Speaker 2: I love Amber. She's so she's again another artist that's

1120
00:48:15,200 --> 00:48:15,800
Speaker 2: so unique.

1121
00:48:16,600 --> 00:48:18,839
Speaker 3: Liked her music, but the more I got to know

1122
00:48:19,239 --> 00:48:23,520
Speaker 3: her as far as how much she's involved in producing

1123
00:48:23,680 --> 00:48:27,359
Speaker 3: and writing everything, I'm like, oh, you're doing this by yourself. Yeah,

1124
00:48:27,760 --> 00:48:31,480
Speaker 3: when you get some help, yeah, you're you're out of here.

1125
00:48:31,560 --> 00:48:33,400
Speaker 2: Yeah. No, ombre Is she's one of those. She's one

1126
00:48:33,440 --> 00:48:39,000
Speaker 2: of those artists that, uh talent, talent level is undeniable. Again,

1127
00:48:39,040 --> 00:48:41,640
Speaker 2: people just got to catch up and catch on to it.

1128
00:48:42,280 --> 00:48:45,759
Speaker 2: But this project she just put out really really good

1129
00:48:45,800 --> 00:48:49,600
Speaker 2: project sounds incredible. Again. I was on I've been listening

1130
00:48:49,640 --> 00:48:54,680
Speaker 2: to Sabrina Claudio her project uh and and Sid's project.

1131
00:48:54,719 --> 00:48:57,920
Speaker 2: This to me goes right like now I can literally

1132
00:48:58,360 --> 00:49:02,279
Speaker 2: put her in that rotation with Sid, Sabrina Claudio and

1133
00:49:02,320 --> 00:49:03,520
Speaker 2: now this Ombreak project.

1134
00:49:03,600 --> 00:49:06,560
Speaker 3: And if you're not well, not familiar with her, it's

1135
00:49:06,560 --> 00:49:09,560
Speaker 3: a perfect project for the attention that it's getting because

1136
00:49:09,560 --> 00:49:11,920
Speaker 3: it's it's quick like, it's to the point of her

1137
00:49:12,200 --> 00:49:14,200
Speaker 3: of if you want to get to know this artist

1138
00:49:14,480 --> 00:49:17,640
Speaker 3: and you don't know them, and you don't have three

1139
00:49:17,680 --> 00:49:19,920
Speaker 3: hours to sit down, throw that shit on the car

1140
00:49:20,440 --> 00:49:22,359
Speaker 3: doing errands, you'll be a fan.

1141
00:49:22,520 --> 00:49:24,719
Speaker 2: Yeah. Absolutely, that's one of those ones you just put

1142
00:49:24,760 --> 00:49:27,440
Speaker 2: on keep doing what you're doing let it play in

1143
00:49:27,440 --> 00:49:30,920
Speaker 2: the background, your quest, the melodies, your catch the beat. Yeah,

1144
00:49:31,000 --> 00:49:32,640
Speaker 2: and you're gonna be like, what's the name of that?

1145
00:49:32,680 --> 00:49:34,239
Speaker 2: Because that's what I did. I let it play, I'm

1146
00:49:34,239 --> 00:49:36,680
Speaker 2: in the shower, hop out. I gotta look like, what

1147
00:49:36,719 --> 00:49:38,360
Speaker 2: was the name of that one? So now I know

1148
00:49:38,400 --> 00:49:40,719
Speaker 2: which one of my favorite ones? But yeah, I was.

1149
00:49:40,760 --> 00:49:42,279
Speaker 2: I was super excited because I didn't even know that

1150
00:49:42,280 --> 00:49:44,839
Speaker 2: the project was coming out. Yeah, so when I looked

1151
00:49:44,880 --> 00:49:46,279
Speaker 2: and I saw it was out, I was like, oh,

1152
00:49:46,440 --> 00:49:48,520
Speaker 2: like I wasn't even expecting an Ombreak project, So that

1153
00:49:48,600 --> 00:49:51,200
Speaker 2: was a that was dope to receive that as well

1154
00:49:51,280 --> 00:49:51,719
Speaker 2: last night.

1155
00:49:51,840 --> 00:49:56,040
Speaker 3: Yeah, nineteen minutes and as quick as I can speak,

1156
00:49:56,080 --> 00:49:58,560
Speaker 3: As great as that is for a new artist, it

1157
00:49:58,640 --> 00:49:59,960
Speaker 3: did piss me off as a fan.

1158
00:50:00,520 --> 00:50:01,680
Speaker 2: You wanted to want a little more.

1159
00:50:01,680 --> 00:50:03,600
Speaker 3: When she was getting in her bag, I was like, oh,

1160
00:50:03,640 --> 00:50:06,160
Speaker 3: this could have been another minute thirty Yeah, because she's

1161
00:50:06,200 --> 00:50:08,839
Speaker 3: a producer, like you could have let that rock and

1162
00:50:08,880 --> 00:50:12,360
Speaker 3: got busy, But I know she just this was, you know,

1163
00:50:12,440 --> 00:50:15,080
Speaker 3: something that she's putting out while working on the album.

1164
00:50:15,080 --> 00:50:18,040
Speaker 2: Album. So shout out to m Break three thousand Degrees

1165
00:50:18,120 --> 00:50:25,040
Speaker 2: available now on your DSPs more Black Superheroes west Side Bookie.

1166
00:50:25,080 --> 00:50:28,040
Speaker 2: First of all, Boogie, I want to congratulate you, my brother.

1167
00:50:28,360 --> 00:50:30,960
Speaker 2: I know how hard you work to get this album

1168
00:50:31,000 --> 00:50:34,279
Speaker 2: done and to get it out, So congratulations first of

1169
00:50:34,320 --> 00:50:38,239
Speaker 2: all on that. Love the artwork. I think that's a

1170
00:50:38,480 --> 00:50:43,520
Speaker 2: This is a to me, a phenomenal classic artwork cover

1171
00:50:44,440 --> 00:50:48,520
Speaker 2: just for what it represents. Yeah, man, And we don't

1172
00:50:48,560 --> 00:50:51,880
Speaker 2: got to talk about Boogie's lyric ability and song making ability.

1173
00:50:51,920 --> 00:50:53,759
Speaker 2: He's one of the He's one of those artists that

1174
00:50:53,800 --> 00:50:56,680
Speaker 2: I think that again, people got to catch up. They

1175
00:50:56,680 --> 00:50:58,239
Speaker 2: got to catch on to what he's doing, and then

1176
00:50:58,239 --> 00:51:00,000
Speaker 2: they gonna go back to his projects and say, oh,

1177
00:51:00,160 --> 00:51:01,399
Speaker 2: he's been putting out shit.

1178
00:51:01,840 --> 00:51:05,080
Speaker 3: Yeah, and this one. And of course his song making ability,

1179
00:51:05,120 --> 00:51:06,880
Speaker 3: Like I don't think people know that he wrote on

1180
00:51:06,960 --> 00:51:10,120
Speaker 3: Black Hearts for Kendrick in Summer. Yeah, he was a

1181
00:51:10,120 --> 00:51:13,799
Speaker 3: big writer on that. He's an amazing songmaker, book Man.

1182
00:51:13,880 --> 00:51:17,120
Speaker 2: Like, I just feel bad because the Drake shit is

1183
00:51:17,160 --> 00:51:20,880
Speaker 2: like damn yeah, And I know that her, Boogie Listen,

1184
00:51:20,920 --> 00:51:22,799
Speaker 2: I know that her. I know that stung a little bit.

1185
00:51:23,400 --> 00:51:25,719
Speaker 2: But you know, again, I'll say it all the time.

1186
00:51:25,800 --> 00:51:28,600
Speaker 2: If you know you put something out right next to

1187
00:51:28,640 --> 00:51:31,600
Speaker 2: something like that people gonna run into that on accident.

1188
00:51:31,320 --> 00:51:32,600
Speaker 3: And completely different vibes.

1189
00:51:32,680 --> 00:51:33,960
Speaker 2: Yeah, a completely different vibe.

1190
00:51:34,160 --> 00:51:38,480
Speaker 3: But boogey Man like all the things that we praised

1191
00:51:38,480 --> 00:51:40,800
Speaker 3: the Kendrick album for.

1192
00:51:41,719 --> 00:51:42,080
Speaker 2: Mm hmm.

1193
00:51:43,920 --> 00:51:46,920
Speaker 3: I think from a mass standpoint, I love that Kendrick

1194
00:51:47,239 --> 00:51:48,239
Speaker 3: touched on those things, but.

1195
00:51:48,200 --> 00:51:50,560
Speaker 2: You know a lot of it was surface.

1196
00:51:50,600 --> 00:51:52,200
Speaker 3: Isn't really the word I'm looking for when it comes

1197
00:51:52,200 --> 00:51:56,440
Speaker 3: to that type of mental health, trauma, family shit, and

1198
00:51:56,560 --> 00:51:59,560
Speaker 3: just kind of exploring all the things that made you

1199
00:51:59,640 --> 00:52:03,120
Speaker 3: the adult that you are now. But because Kendrick is Kendrick,

1200
00:52:04,480 --> 00:52:07,239
Speaker 3: and it was so much to the masses, someone that's

1201
00:52:07,239 --> 00:52:10,560
Speaker 3: been in therapy for ten years could be like, oh, yeah,

1202
00:52:10,560 --> 00:52:12,480
Speaker 3: that's that's therapy one on one what Kendrick was saying.

1203
00:52:12,480 --> 00:52:14,960
Speaker 3: But it was beautiful that Kendrick did that at the

1204
00:52:15,040 --> 00:52:17,279
Speaker 3: status that he is, because he couldn't really do the

1205
00:52:17,600 --> 00:52:22,520
Speaker 3: crazy deep dive. To me, that's what Boogie did here.

1206
00:52:22,960 --> 00:52:27,520
Speaker 3: This is somebody like this did the deep dive for me,

1207
00:52:27,960 --> 00:52:32,080
Speaker 3: Like this Boogie project is analyzing yourself in the mirror

1208
00:52:32,680 --> 00:52:35,680
Speaker 3: much different than I think ninety nine point nine percent

1209
00:52:35,719 --> 00:52:39,319
Speaker 3: of rappers have ever done. Yeah, and I do film

1210
00:52:39,320 --> 00:52:42,480
Speaker 3: I mentions with everyone. I understand I'm just saying right now,

1211
00:52:42,480 --> 00:52:45,359
Speaker 3: in twenty twenty two, I haven't heard someone get like

1212
00:52:45,440 --> 00:52:47,520
Speaker 3: this in a long time.

1213
00:52:47,800 --> 00:52:50,000
Speaker 2: Well again, Boogie already know how we feel about him.

1214
00:52:50,000 --> 00:52:52,120
Speaker 2: I'm just happy that, you know, they were able to

1215
00:52:52,120 --> 00:52:55,719
Speaker 2: get the project done, get it out again. If you

1216
00:52:55,719 --> 00:52:57,960
Speaker 2: you know, you're one of those ones that's you know,

1217
00:52:58,000 --> 00:53:01,239
Speaker 2: into the lyrics, into different and styles and you know

1218
00:53:01,400 --> 00:53:04,520
Speaker 2: have women problems. Yeah, like Boogie is. You know, he's

1219
00:53:04,560 --> 00:53:06,920
Speaker 2: just a very unique artist in that sense of you know,

1220
00:53:07,160 --> 00:53:10,399
Speaker 2: he's gonna draw from exactly what he's going through. There's

1221
00:53:10,440 --> 00:53:12,279
Speaker 2: not gonna be no faking Jack's you know, he gonna

1222
00:53:12,280 --> 00:53:14,400
Speaker 2: tell you, tell you how it is, but also in

1223
00:53:14,440 --> 00:53:15,759
Speaker 2: a way where it's you know, it's true to him

1224
00:53:15,760 --> 00:53:16,759
Speaker 2: and it's true to where he's from.

1225
00:53:16,960 --> 00:53:17,720
Speaker 3: Yeah.

1226
00:53:17,760 --> 00:53:20,960
Speaker 2: Absolutely, shout out to more more Black superheroes. Excuse me,

1227
00:53:20,960 --> 00:53:24,000
Speaker 2: more Black superheroes. West Side Boogie available now on your DSPs.

1228
00:53:24,120 --> 00:53:25,520
Speaker 3: I think I don't think I'm jumping the gun. I

1229
00:53:25,520 --> 00:53:27,640
Speaker 3: think that will be a candidate for Album of the Year.

1230
00:53:27,760 --> 00:53:29,400
Speaker 2: Absolute rap like that.

1231
00:53:29,400 --> 00:53:32,360
Speaker 3: That's my ship. Well keep it West Coast Reason in

1232
00:53:32,440 --> 00:53:37,160
Speaker 3: Jay rock Reasons first single, Happy to See, Happy to

1233
00:53:37,160 --> 00:53:39,200
Speaker 3: See two guys that I know that have been really

1234
00:53:39,200 --> 00:53:41,759
Speaker 3: trying to get music out for a minute. Yeah, and

1235
00:53:41,840 --> 00:53:45,640
Speaker 3: just just obviously run into what the music industry does

1236
00:53:45,680 --> 00:53:46,880
Speaker 3: when it comes to trying.

1237
00:53:46,640 --> 00:53:49,000
Speaker 2: To release music. But is what it is.

1238
00:53:49,160 --> 00:53:52,600
Speaker 3: Jay Rock and Reason singles out now. I think it's fire.

1239
00:53:53,200 --> 00:53:56,880
Speaker 3: I hope that this allows Reasons to put out a

1240
00:53:56,920 --> 00:53:58,279
Speaker 3: full project very soon.

1241
00:53:58,440 --> 00:54:00,520
Speaker 2: Yeah, that's what I'm waiting for from Reason. I want

1242
00:54:00,520 --> 00:54:03,680
Speaker 2: to hear full project again. Another one of the lyricol

1243
00:54:04,640 --> 00:54:07,280
Speaker 2: young dudes that I really really like. I'm just excited

1244
00:54:07,320 --> 00:54:09,879
Speaker 2: to see them grow as artists and to get there,

1245
00:54:09,960 --> 00:54:12,640
Speaker 2: you know, their bodies of work completed, done out, because

1246
00:54:12,640 --> 00:54:14,799
Speaker 2: it is a you know, you know Rory, It's that's

1247
00:54:14,880 --> 00:54:18,840
Speaker 2: it's it's one of the most difficult times for a creative,

1248
00:54:18,880 --> 00:54:20,919
Speaker 2: one of the most depressing times, one of the most

1249
00:54:20,960 --> 00:54:23,800
Speaker 2: emotional times, because you got to jump through so many

1250
00:54:23,880 --> 00:54:27,040
Speaker 2: loops and so many circles, and its timing over the guards. Yeah,

1251
00:54:27,120 --> 00:54:30,160
Speaker 2: so many zoom calls and conference calls and this, that

1252
00:54:30,200 --> 00:54:32,839
Speaker 2: and the third just to get out something that you

1253
00:54:32,880 --> 00:54:35,800
Speaker 2: were inspired by and just want to share with the world.

1254
00:54:35,840 --> 00:54:37,759
Speaker 3: So then the time passes and it's like, well this

1255
00:54:38,160 --> 00:54:41,320
Speaker 3: song that I've been working on, Yeah, make sense anymore exactly.

1256
00:54:41,360 --> 00:54:44,640
Speaker 2: Man, it's not. It's not easy for artists to to

1257
00:54:44,640 --> 00:54:47,560
Speaker 2: to put together these albums and get them done. So yeah,

1258
00:54:47,560 --> 00:54:50,640
Speaker 2: I'm looking forward to a full length Reason project. Uh,

1259
00:54:50,960 --> 00:54:54,359
Speaker 2: somebody else, Chris Brown, wiz Kid, Chris Brown wiz Kid.

1260
00:54:55,080 --> 00:54:56,719
Speaker 2: I'm curious to see what that one does.

1261
00:54:57,360 --> 00:55:01,840
Speaker 3: Uh with the DJs with within the Drake album, Yeah,

1262
00:55:01,880 --> 00:55:03,319
Speaker 3: we know we in the Diddy record.

1263
00:55:03,400 --> 00:55:06,040
Speaker 2: Yeah, that's a whole set. It's a set. I was

1264
00:55:06,080 --> 00:55:07,600
Speaker 2: about to say, you could put all of that in

1265
00:55:07,640 --> 00:55:09,719
Speaker 2: the mix, and I think that the vibe at that

1266
00:55:09,760 --> 00:55:11,839
Speaker 2: party gonna be all right. Yeah, that's a real good

1267
00:55:11,960 --> 00:55:12,600
Speaker 2: vibe right there.

1268
00:55:12,800 --> 00:55:15,799
Speaker 3: No, there's definitely gonna be some beautiful women that have

1269
00:55:15,920 --> 00:55:21,000
Speaker 3: jobs very important. There's always beautiful wmen everywhere. Yeah, do

1270
00:55:21,160 --> 00:55:23,600
Speaker 3: they have a job, speaking of a beautiful woman with

1271
00:55:23,920 --> 00:55:27,520
Speaker 3: a job. Chloe put out a record. Chloe's record and

1272
00:55:27,680 --> 00:55:30,399
Speaker 3: video is called Surprise because you know, with those type

1273
00:55:30,400 --> 00:55:32,000
Speaker 3: of artists, that has to come with the visual for

1274
00:55:32,160 --> 00:55:32,560
Speaker 3: the single.

1275
00:55:33,280 --> 00:55:35,839
Speaker 2: It's a good visual. How does she sound?

1276
00:55:36,280 --> 00:55:40,520
Speaker 3: She sounded good. I think out of the non Chloe

1277
00:55:40,560 --> 00:55:43,920
Speaker 3: Haley projects, this might be my favorite Chloe single that's

1278
00:55:43,920 --> 00:55:48,040
Speaker 3: came out. The other ones felt uh to single Chasey

1279
00:55:48,200 --> 00:55:51,480
Speaker 3: and we're kind of diluting her talent to focus on

1280
00:55:51,560 --> 00:55:54,439
Speaker 3: being a pop star. This one has a cooler vibe

1281
00:55:54,480 --> 00:55:57,240
Speaker 3: to me. This feels like this feels like she wanted

1282
00:55:57,239 --> 00:56:00,080
Speaker 3: this first, and the label was like, nah, we this

1283
00:56:00,400 --> 00:56:03,120
Speaker 3: is third okay, but I liked it.

1284
00:56:03,840 --> 00:56:04,319
Speaker 2: Check it out.

1285
00:56:04,640 --> 00:56:07,400
Speaker 3: You know, she's still getting her half naked shit on.

1286
00:56:07,440 --> 00:56:09,520
Speaker 3: That's gonna piss people off and be a conversation starter,

1287
00:56:09,680 --> 00:56:10,640
Speaker 3: and I understand why they.

1288
00:56:10,600 --> 00:56:11,960
Speaker 2: Do it, but it's stupid.

1289
00:56:12,040 --> 00:56:13,640
Speaker 4: But yeah, I.

1290
00:56:13,600 --> 00:56:17,280
Speaker 3: Mean it's it's the conversation now. Black put out a

1291
00:56:17,440 --> 00:56:21,000
Speaker 3: video of the cover of Only Says by Yasinbe for

1292
00:56:21,080 --> 00:56:22,600
Speaker 3: Apple Music, and.

1293
00:56:22,640 --> 00:56:24,000
Speaker 2: Usually covers aren't really my shit.

1294
00:56:24,120 --> 00:56:24,520
Speaker 4: Mm hmm.

1295
00:56:25,239 --> 00:56:27,640
Speaker 3: It's a great cover. I mean, Black's voice is kind

1296
00:56:27,640 --> 00:56:31,759
Speaker 3: of made for that record and different beat. It's very

1297
00:56:31,840 --> 00:56:34,439
Speaker 3: minimal sample of the original record in there. He puts

1298
00:56:34,440 --> 00:56:36,680
Speaker 3: his own verse on it. Yeah, I thought it was cool.

1299
00:56:36,800 --> 00:56:38,439
Speaker 2: This was one of the fridays that I like, really

1300
00:56:38,480 --> 00:56:40,759
Speaker 2: fucking enjoyed everything. It was a lot of a lot

1301
00:56:40,760 --> 00:56:44,279
Speaker 2: of good music that came out. I think again, you know,

1302
00:56:44,600 --> 00:56:46,600
Speaker 2: when certain artists move and they get out the way,

1303
00:56:46,719 --> 00:56:49,680
Speaker 2: now we get the everybody else that we oh, you've

1304
00:56:49,680 --> 00:56:51,880
Speaker 2: been working. He's been working, she's working. Like, Okay, we

1305
00:56:51,920 --> 00:56:52,359
Speaker 2: get it.

1306
00:56:52,400 --> 00:56:53,840
Speaker 3: And for all the listeners that are gonna say this

1307
00:56:53,880 --> 00:56:55,480
Speaker 3: is a whole dick Ryding episode, I've been a moody

1308
00:56:55,520 --> 00:56:58,319
Speaker 3: fuck about music for this entire year. But yeah, again,

1309
00:56:58,360 --> 00:56:59,759
Speaker 3: I don't know if it's the atmosphere of being in

1310
00:56:59,800 --> 00:57:02,200
Speaker 3: me and being off the grid and like not being

1311
00:57:02,200 --> 00:57:05,400
Speaker 3: around people. But I'm in a good mood and a

1312
00:57:05,400 --> 00:57:06,560
Speaker 3: lot of good But I also.

1313
00:57:06,400 --> 00:57:08,879
Speaker 2: Think the music was good. Shit, Listen, I mean we

1314
00:57:08,880 --> 00:57:11,319
Speaker 2: we we talk about when the music is bad, so

1315
00:57:11,400 --> 00:57:12,960
Speaker 2: let's talk about when the music is good. There's a

1316
00:57:13,000 --> 00:57:14,759
Speaker 2: lot of good music that came out. Internet don't want

1317
00:57:14,760 --> 00:57:16,160
Speaker 2: to hear from that. Yeah, but I mean, listen, I

1318
00:57:16,160 --> 00:57:18,680
Speaker 2: get it. You know, you hate it, you love it, whatever, man,

1319
00:57:18,720 --> 00:57:22,680
Speaker 2: But just appreciate artists just and creatives trying to just

1320
00:57:22,760 --> 00:57:25,360
Speaker 2: do something different. I agree, That's all I'm saying. Just

1321
00:57:25,360 --> 00:57:28,440
Speaker 2: just just appreciate artists trying to do something different, and

1322
00:57:28,480 --> 00:57:31,720
Speaker 2: then when they do it, be like, oh, that wasn't bad.

1323
00:57:31,880 --> 00:57:34,680
Speaker 3: Would you say that about the Migos Colors performance.

1324
00:57:35,760 --> 00:57:39,760
Speaker 2: I'm sorry, Well it was unkin nephunk unkin nef I

1325
00:57:39,760 --> 00:57:42,680
Speaker 2: didn't I didn't watch all of it, but I'm be honest.

1326
00:57:43,000 --> 00:57:45,440
Speaker 2: The optics don't look good. I don't. I don't. I

1327
00:57:45,480 --> 00:57:48,480
Speaker 2: don't like seeing that without it looked weird. Yeah, I

1328
00:57:48,480 --> 00:57:52,120
Speaker 2: don't like seeing that without offset man, like I can't.

1329
00:57:52,440 --> 00:57:54,280
Speaker 2: It's just it doesn't look right.

1330
00:57:55,040 --> 00:57:57,960
Speaker 3: And even like the records or the record rather like

1331
00:57:58,120 --> 00:58:02,080
Speaker 3: felt felt like there was something missening. It felt like

1332
00:58:02,120 --> 00:58:04,760
Speaker 3: it was not a verse just like three man, we've

1333
00:58:05,560 --> 00:58:06,680
Speaker 3: just look here.

1334
00:58:06,960 --> 00:58:09,400
Speaker 2: Just yeah, it's just it's not it's not the same man,

1335
00:58:09,440 --> 00:58:12,400
Speaker 2: And you know it's un confewed by the way Unk

1336
00:58:12,400 --> 00:58:14,280
Speaker 2: and Few I'm sorry for they said unk and that's

1337
00:58:14,280 --> 00:58:14,640
Speaker 2: what I said.

1338
00:58:14,640 --> 00:58:16,000
Speaker 4: Excuse me, I understand.

1339
00:58:16,040 --> 00:58:20,080
Speaker 2: Unk and Few. Yeah, I just oh and another thing

1340
00:58:20,120 --> 00:58:22,520
Speaker 2: I made a mistake. I said, Uh, Mike Tyson fought

1341
00:58:22,920 --> 00:58:24,920
Speaker 2: Riddick Bow, when in fact it was Buster Douglas that

1342
00:58:25,040 --> 00:58:27,000
Speaker 2: he lost to. So a lot I'm want to put that.

1343
00:58:27,040 --> 00:58:28,400
Speaker 2: I don't know why I was thinking of Ridic Bow

1344
00:58:28,440 --> 00:58:33,160
Speaker 2: when I meant and said yes, Mike, please please don't.

1345
00:58:33,360 --> 00:58:35,920
Speaker 2: Just yeah, I apologize, like, I'll take that out.

1346
00:58:36,880 --> 00:58:39,440
Speaker 3: Speaking of which, I think it's Jimmy Kimmel Live do

1347
00:58:39,480 --> 00:58:40,400
Speaker 3: a segment.

1348
00:58:40,880 --> 00:58:42,400
Speaker 4: With Mike Tyson in the b outfit.

1349
00:58:43,080 --> 00:58:45,320
Speaker 3: No, not that they do with other people.

1350
00:58:45,680 --> 00:58:47,000
Speaker 2: You have anything you want to say about how Mike

1351
00:58:47,040 --> 00:58:47,800
Speaker 2: looked at his b outfit?

1352
00:58:47,880 --> 00:58:48,320
Speaker 4: You look great?

1353
00:58:48,360 --> 00:58:49,600
Speaker 2: Make okay? Cool? Yeah?

1354
00:58:49,600 --> 00:58:50,960
Speaker 3: I wanted to ask Mike Gray coptain.

1355
00:58:50,960 --> 00:58:51,640
Speaker 2: I thought he looked great.

1356
00:58:51,680 --> 00:58:56,240
Speaker 4: He really stung the you look wait you think that

1357
00:58:56,280 --> 00:59:04,000
Speaker 4: was a shot at Ali? Oh like that?

1358
00:59:04,280 --> 00:59:06,040
Speaker 2: Don't look at us to say oh like that, No,

1359
00:59:06,360 --> 00:59:07,760
Speaker 2: that's not It wasn't a shot at Ali.

1360
00:59:08,360 --> 00:59:10,640
Speaker 3: They do this segment, which I appreciate because usually, like

1361
00:59:11,120 --> 00:59:12,800
Speaker 3: late night TV, at this point, it's so watered down.

1362
00:59:12,840 --> 00:59:15,120
Speaker 3: Nothing's really that funny and the segment is watered down

1363
00:59:15,120 --> 00:59:16,520
Speaker 3: to what it could be. But they did it with fifty,

1364
00:59:16,560 --> 00:59:19,200
Speaker 3: and they just did it with Tyson today. Who's standing

1365
00:59:19,200 --> 00:59:21,080
Speaker 3: behind you? They interview people on the street and ask

1366
00:59:21,200 --> 00:59:23,880
Speaker 3: opinions about for this time was Mike Tyson and what

1367
00:59:23,920 --> 00:59:26,320
Speaker 3: they really think of Mike? And while the person is

1368
00:59:26,360 --> 00:59:28,919
Speaker 3: talking about it on camera, there's a door behind them

1369
00:59:29,120 --> 00:59:32,560
Speaker 3: and Mike comes out the door to stand next to

1370
00:59:32,760 --> 00:59:34,840
Speaker 3: like while they're talking shit about Mike.

1371
00:59:35,400 --> 00:59:37,160
Speaker 2: Oh, that has to be scary. I need to watch that.

1372
00:59:37,480 --> 00:59:38,200
Speaker 2: Is it out? Yeah?

1373
00:59:38,280 --> 00:59:38,800
Speaker 3: Came out today?

1374
00:59:38,840 --> 00:59:39,160
Speaker 2: They did it.

1375
00:59:39,480 --> 00:59:42,080
Speaker 3: They did it with fifty fifties was hilarious. They kind

1376
00:59:42,080 --> 00:59:44,280
Speaker 3: of did it with Drake. They just dressed Drake up

1377
00:59:44,320 --> 00:59:48,439
Speaker 3: in a like a like oh yes, okay, that Drake

1378
00:59:48,480 --> 00:59:50,960
Speaker 3: one was actually hysterical. Oh God, here comes more Dick

1379
00:59:51,000 --> 00:59:56,120
Speaker 3: writing with Drake. It's funny because because Drake is funny

1380
00:59:56,160 --> 00:59:59,160
Speaker 3: and has a good sense of humor. So it was

1381
00:59:59,160 --> 01:00:02,320
Speaker 3: funny because his the actions were like so much feeding

1382
01:00:02,360 --> 01:00:05,760
Speaker 3: into the hate of what the people were saying.

1383
01:00:05,800 --> 01:00:08,439
Speaker 2: But that sounds fun I gotta watch that. I'm pretty

1384
01:00:08,480 --> 01:00:11,880
Speaker 2: sure some people pissed it fucking pants or started running

1385
01:00:11,920 --> 01:00:12,200
Speaker 2: my mic.

1386
01:00:12,920 --> 01:00:17,040
Speaker 3: Yeah, but you could only do that like with Reform

1387
01:00:17,120 --> 01:00:20,040
Speaker 3: fifty at that time, like he was fifty the businessman

1388
01:00:20,200 --> 01:00:23,480
Speaker 3: for real, not even the businessman rapper and Mike, we

1389
01:00:23,560 --> 01:00:27,280
Speaker 3: know is very much a calmer personal thank playing making

1390
01:00:27,320 --> 01:00:28,080
Speaker 3: too much fucking noise.

1391
01:00:28,160 --> 01:00:30,320
Speaker 2: Yeah, and in any case, you need to shut the

1392
01:00:30,320 --> 01:00:31,800
Speaker 2: fuck up and you should get punched in your face.

1393
01:00:31,840 --> 01:00:32,440
Speaker 2: I agree to that.

1394
01:00:32,520 --> 01:00:35,600
Speaker 3: Yeah, but it was very funny because that could have went.

1395
01:00:35,760 --> 01:00:37,560
Speaker 3: Oh and fucking Butterbean.

1396
01:00:37,160 --> 01:00:37,440
Speaker 4: Was on.

1397
01:00:38,880 --> 01:00:40,240
Speaker 2: The legend rest in Peace.

1398
01:00:40,200 --> 01:00:43,520
Speaker 3: And uh they asked Butterbean in your prime, Uh, could

1399
01:00:43,560 --> 01:00:46,000
Speaker 3: you see Mike Tyson now? And he was like, I

1400
01:00:46,040 --> 01:00:48,480
Speaker 3: do I get in the ring and they might come around.

1401
01:00:48,520 --> 01:00:51,680
Speaker 2: That's not answering the question. I'm getting the ring is

1402
01:00:51,720 --> 01:00:52,600
Speaker 2: not answered the question.

1403
01:00:52,800 --> 01:00:55,120
Speaker 3: And then uh, they did you know a fake little

1404
01:00:55,120 --> 01:00:57,200
Speaker 3: shadow box and ship. It was it was funny. I

1405
01:00:57,280 --> 01:00:58,160
Speaker 3: enjoyed it.

1406
01:00:58,240 --> 01:01:00,840
Speaker 2: Mike is, uh, you know when we did hot Box

1407
01:01:00,880 --> 01:01:04,000
Speaker 2: and what do his podcast's funny because you know Mike

1408
01:01:04,040 --> 01:01:06,800
Speaker 2: walks in and you're like, damn, that's Mike, That's that's

1409
01:01:06,880 --> 01:01:09,320
Speaker 2: my iron Mike Tyson. Yeah, and then you know he

1410
01:01:09,400 --> 01:01:10,960
Speaker 2: got this look on his face he walking in and

1411
01:01:10,960 --> 01:01:12,880
Speaker 2: he looks serious and you kind of like you don't

1412
01:01:12,880 --> 01:01:14,800
Speaker 2: want to say what's up? You don't want to, but

1413
01:01:14,880 --> 01:01:16,760
Speaker 2: like Mike is one of those dudes that like play

1414
01:01:16,800 --> 01:01:19,040
Speaker 2: with his hands when he greets you, Like you know,

1415
01:01:19,080 --> 01:01:21,840
Speaker 2: he start doing all like throwing fake it and you

1416
01:01:21,880 --> 01:01:23,560
Speaker 2: know you do this hear when you lift your leg

1417
01:01:23,640 --> 01:01:25,480
Speaker 2: up to try to guard the rib too, Like you

1418
01:01:25,480 --> 01:01:26,920
Speaker 2: try to get a little leg on the rib, like

1419
01:01:26,960 --> 01:01:30,000
Speaker 2: you Mike, if you put your leg up. Yeah we're

1420
01:01:30,040 --> 01:01:32,560
Speaker 2: not playing. Yeah, I'm not playing. I didn't want to

1421
01:01:32,560 --> 01:01:34,480
Speaker 2: play the hand game with Mike, but you know, it

1422
01:01:34,560 --> 01:01:36,360
Speaker 2: was cool that to to see that he was that

1423
01:01:36,440 --> 01:01:39,600
Speaker 2: type of guy. He was that like super super welcome.

1424
01:01:40,480 --> 01:01:45,760
Speaker 3: He also does the handshake da picture. Yeah, and you

1425
01:01:45,760 --> 01:01:48,200
Speaker 3: know sometimes that takes a while and Mike, I don't

1426
01:01:48,200 --> 01:01:49,600
Speaker 3: know if it's sell my Instagram. I think I might

1427
01:01:49,600 --> 01:01:52,320
Speaker 3: have archived it. You could just see the fear of

1428
01:01:52,320 --> 01:01:52,640
Speaker 3: my eyes.

1429
01:01:54,040 --> 01:01:57,720
Speaker 2: His hand just gripping my hands felt like a ketcher smith,

1430
01:01:58,200 --> 01:02:00,200
Speaker 2: Like I'm just thinking like if he was the all

1431
01:02:00,200 --> 01:02:01,959
Speaker 2: this up and try to punch me in my nose

1432
01:02:02,040 --> 01:02:03,000
Speaker 2: with this hand right here?

1433
01:02:03,160 --> 01:02:06,160
Speaker 3: What's what's those flowers that have like the claws and

1434
01:02:06,200 --> 01:02:09,760
Speaker 3: they just go like this fly track. That's like Mike

1435
01:02:09,880 --> 01:02:13,680
Speaker 3: now is is so much of a calm, beautiful soul,

1436
01:02:14,280 --> 01:02:16,280
Speaker 3: but he also has those spikes and that fucking flower

1437
01:02:16,320 --> 01:02:18,240
Speaker 3: could close. And that's how I felt taking that photo.

1438
01:02:18,680 --> 01:02:21,120
Speaker 2: Yeah, yeah, I didn't. I didn't like the fact that,

1439
01:02:21,520 --> 01:02:22,720
Speaker 2: you know, I had to learn the hall way that

1440
01:02:22,800 --> 01:02:24,440
Speaker 2: Mike plays with his hands when he greats you. But

1441
01:02:25,400 --> 01:02:26,760
Speaker 2: I didn't want to. I didn't want to. I was

1442
01:02:27,320 --> 01:02:28,720
Speaker 2: use those when you off the clo Yeah, yeah, I

1443
01:02:28,800 --> 01:02:30,520
Speaker 2: just I just wanted to give him a handshake, a

1444
01:02:30,600 --> 01:02:33,840
Speaker 2: dap shave, what's up. But you know, he started work

1445
01:02:33,880 --> 01:02:35,800
Speaker 2: fake jabs and all that. I'm not I'm not playing

1446
01:02:35,840 --> 01:02:36,200
Speaker 2: that game.

1447
01:02:41,440 --> 01:02:44,640
Speaker 3: Before we get away from today's music, I do want

1448
01:02:44,680 --> 01:02:47,560
Speaker 3: to shout out, Joey badass man, what a great move.

1449
01:02:49,640 --> 01:02:55,320
Speaker 2: I saw that and I said, I said, ah, Joey, Joey,

1450
01:02:55,400 --> 01:02:57,240
Speaker 2: joe book book probably hit.

1451
01:02:57,320 --> 01:02:59,840
Speaker 3: Justin was like, yo, U should we had a sample?

1452
01:03:02,080 --> 01:03:04,440
Speaker 2: Listen Joey. Let me let me let me be clear.

1453
01:03:04,480 --> 01:03:07,919
Speaker 2: First of all, I love y'all, fuck with you, good music,

1454
01:03:08,080 --> 01:03:09,960
Speaker 2: love really good actors.

1455
01:03:09,520 --> 01:03:11,720
Speaker 3: Looking forward to this album.

1456
01:03:11,760 --> 01:03:13,720
Speaker 2: But yeah, you also quick on your feet.

1457
01:03:14,040 --> 01:03:14,840
Speaker 3: I respect it.

1458
01:03:15,160 --> 01:03:17,960
Speaker 2: No, I listen, I get it, I understand it. I

1459
01:03:18,000 --> 01:03:20,640
Speaker 2: respect it. Somebody like Drake and now it's an album

1460
01:03:20,680 --> 01:03:23,960
Speaker 2: at midnight that the same time you about to come out.

1461
01:03:24,320 --> 01:03:25,919
Speaker 2: You know, all of a sudden samples don't get clear.

1462
01:03:26,000 --> 01:03:28,080
Speaker 2: I get it. I understand. You know you gotta get

1463
01:03:28,080 --> 01:03:29,440
Speaker 2: out of the way and just you know, let let

1464
01:03:29,440 --> 01:03:32,120
Speaker 2: this moment pass. This too shall pass, Joey, and then

1465
01:03:32,120 --> 01:03:35,280
Speaker 2: you'll have you your window to pop your shit again.

1466
01:03:36,120 --> 01:03:40,040
Speaker 3: He did reply because everyone thought that, of course, sample shit.

1467
01:03:40,080 --> 01:03:42,440
Speaker 3: He said, y'all thinking I pushed my album back because

1468
01:03:42,680 --> 01:03:45,240
Speaker 3: because of Drake's comedy. Can't say I ain't happy, though,

1469
01:03:46,640 --> 01:03:48,200
Speaker 3: I found out how to push my ship back a

1470
01:03:48,240 --> 01:03:50,000
Speaker 3: week ago. The only reason I waited to last minute

1471
01:03:50,000 --> 01:03:51,880
Speaker 3: to say something was because I was hoping to get

1472
01:03:51,880 --> 01:03:54,360
Speaker 3: a new date for y'all instead of just having y'all hanging.

1473
01:03:54,480 --> 01:03:56,400
Speaker 3: But I'm still not in the clear yet. That could

1474
01:03:56,400 --> 01:03:57,840
Speaker 3: be true. It could be a happy act.

1475
01:03:57,880 --> 01:03:58,720
Speaker 2: Sound like it could be true.

1476
01:03:58,800 --> 01:04:00,120
Speaker 3: Yeah, but I'm fine with either one. If.

1477
01:04:00,160 --> 01:04:01,800
Speaker 2: Yeah, Joey badass, but we're gonna have fun with it

1478
01:04:01,840 --> 01:04:03,240
Speaker 2: and say, Joey got the fuck out the way.

1479
01:04:03,280 --> 01:04:05,040
Speaker 3: He's a rapper and can never say, hey, I didn't

1480
01:04:05,040 --> 01:04:05,479
Speaker 3: put my album.

1481
01:04:06,200 --> 01:04:09,640
Speaker 2: But as a businessman, yeah, I agree with it. And

1482
01:04:09,680 --> 01:04:11,840
Speaker 2: like you said, listen, he ain't mad at it, you

1483
01:04:11,880 --> 01:04:12,960
Speaker 2: know what I mean. Let me get out the way,

1484
01:04:13,080 --> 01:04:14,960
Speaker 2: let this let this storm pass, let it do what

1485
01:04:14,960 --> 01:04:17,400
Speaker 2: it's gonna do, and then we can reconvene at a

1486
01:04:17,480 --> 01:04:17,880
Speaker 2: later day.

1487
01:04:18,080 --> 01:04:20,080
Speaker 3: And if it is true, you need to give Static

1488
01:04:20,160 --> 01:04:22,800
Speaker 3: selected the biggest hug for choosing that sample.

1489
01:04:25,200 --> 01:04:25,760
Speaker 2: Exactly.

1490
01:04:26,480 --> 01:04:28,880
Speaker 3: But I am looking forward to that. That Joey he

1491
01:04:28,880 --> 01:04:32,320
Speaker 3: did put out his record with Chance. I think it's

1492
01:04:32,320 --> 01:04:32,959
Speaker 3: just him a chance.

1493
01:04:34,000 --> 01:04:34,680
Speaker 2: I forgot the name of it.

1494
01:04:34,680 --> 01:04:35,880
Speaker 3: I haven't had a chance to listen to it, but

1495
01:04:36,640 --> 01:04:39,600
Speaker 3: I'm sure it's a good record because Joey's been putting

1496
01:04:39,600 --> 01:04:43,120
Speaker 3: out ship for I don't know the last few months.

1497
01:04:43,160 --> 01:04:45,760
Speaker 3: Even that EP shit was great, so I'm looking forward

1498
01:04:45,800 --> 01:04:46,080
Speaker 3: to it.

1499
01:04:46,720 --> 01:04:46,880
Speaker 1: Uh.

1500
01:04:46,920 --> 01:04:50,680
Speaker 2: We got news that The Squid Game, uh, the highest watched,

1501
01:04:50,760 --> 01:04:55,080
Speaker 2: most highest rated, all kind of record breaking numbers on Netflix.

1502
01:04:55,520 --> 01:04:57,840
Speaker 2: Squid Game was the highest and most watched show in

1503
01:04:58,280 --> 01:04:59,000
Speaker 2: Netflix history.

1504
01:04:59,120 --> 01:04:59,440
Speaker 4: Uh.

1505
01:05:00,040 --> 01:05:02,800
Speaker 2: We just got word that the reality The Squid Game

1506
01:05:02,880 --> 01:05:06,360
Speaker 2: reality competition series is coming to Netflix with a four

1507
01:05:06,400 --> 01:05:10,560
Speaker 2: point five six million dollar prize, biggest in TV history.

1508
01:05:10,800 --> 01:05:12,640
Speaker 3: Wait, hold on, se more time.

1509
01:05:13,880 --> 01:05:18,680
Speaker 2: Squid Game the show, so season two was yeah green lit.

1510
01:05:18,960 --> 01:05:22,439
Speaker 2: Now it has a reality competition series that is coming

1511
01:05:22,480 --> 01:05:25,640
Speaker 2: to Netflix, and the winner of that will win four

1512
01:05:25,680 --> 01:05:28,959
Speaker 2: point five to six million dollars. Four hundred and fifty

1513
01:05:28,960 --> 01:05:31,480
Speaker 2: six contestants will go through the series of games inspired

1514
01:05:31,520 --> 01:05:35,760
Speaker 2: by the original show, competing for four point five to

1515
01:05:35,840 --> 01:05:39,080
Speaker 2: six million dollar cash prize. It's both the largest prize

1516
01:05:39,400 --> 01:05:42,880
Speaker 2: in TV history and the largest competition series cast ever assembled.

1517
01:05:43,880 --> 01:05:46,520
Speaker 3: Does Nickolascha host this one too? All his reality shows

1518
01:05:46,520 --> 01:05:49,080
Speaker 3: are squidy amazing. You gotta get married to get out

1519
01:05:49,080 --> 01:05:52,960
Speaker 3: of here. That's worse than death. Yeah, just kill me

1520
01:05:53,040 --> 01:05:53,760
Speaker 3: to get me out of the run.

1521
01:05:54,520 --> 01:05:57,720
Speaker 2: You know, I have questions. I mean, you know, what's

1522
01:05:58,040 --> 01:05:58,840
Speaker 2: how do you lose?

1523
01:06:00,360 --> 01:06:02,160
Speaker 3: All I'm saying is I get the idea, But if

1524
01:06:02,160 --> 01:06:05,440
Speaker 3: they do like that first game and it's paintball, that's corny.

1525
01:06:05,760 --> 01:06:09,280
Speaker 3: Like all those games without death are like, that's that's

1526
01:06:09,440 --> 01:06:12,440
Speaker 3: somebody die. That's why the games were so simple because

1527
01:06:12,720 --> 01:06:13,520
Speaker 3: death was on the line.

1528
01:06:13,560 --> 01:06:15,480
Speaker 2: And if somebody don't die, at least like make it

1529
01:06:15,480 --> 01:06:17,840
Speaker 2: look like like put them in a lion's cage.

1530
01:06:17,880 --> 01:06:18,720
Speaker 4: Just eliminate them.

1531
01:06:19,080 --> 01:06:20,800
Speaker 2: Yeah, like you know, just do something to where we're like,

1532
01:06:20,840 --> 01:06:23,440
Speaker 2: oh shit, and then cut to like their next episode

1533
01:06:23,520 --> 01:06:24,920
Speaker 2: or something like that, but we don't know what happened

1534
01:06:24,920 --> 01:06:26,680
Speaker 2: to them, Like yeah, make it seem like they did but.

1535
01:06:27,840 --> 01:06:28,480
Speaker 3: Them and their families.

1536
01:06:28,520 --> 01:06:30,000
Speaker 2: Yeah, that's what gamblers do.

1537
01:06:30,080 --> 01:06:30,120
Speaker 1: That.

1538
01:06:30,440 --> 01:06:32,640
Speaker 2: I want to see how they're going to incorporate, you know,

1539
01:06:32,760 --> 01:06:35,040
Speaker 2: that part of the show. We know the cash prize

1540
01:06:35,080 --> 01:06:37,520
Speaker 2: and we get the four hundred and fifty six contestants,

1541
01:06:37,560 --> 01:06:40,120
Speaker 2: large as ever, but what how do they lose? Though, Like,

1542
01:06:40,200 --> 01:06:42,720
Speaker 2: let's get y'all didn't tell us that. I'm anxious to

1543
01:06:42,720 --> 01:06:44,120
Speaker 2: see that. I want to see how that is going

1544
01:06:44,200 --> 01:06:46,040
Speaker 2: to play out because I do have a theory that

1545
01:06:46,120 --> 01:06:49,240
Speaker 2: we are a few years away from seeing or being

1546
01:06:49,280 --> 01:06:51,840
Speaker 2: able to rent pay per view events where people will

1547
01:06:51,840 --> 01:06:54,040
Speaker 2: either fight to the death or compete to the day

1548
01:06:54,040 --> 01:06:57,600
Speaker 2: and times. Yeah, I believe so, I believe we're not

1549
01:06:57,640 --> 01:06:58,160
Speaker 2: far from that.

1550
01:06:58,280 --> 01:07:01,080
Speaker 3: Well, first question, who's contesting theber one? Because we found

1551
01:07:01,080 --> 01:07:03,040
Speaker 3: out if you haven't seen a squid game at this point,

1552
01:07:03,440 --> 01:07:06,920
Speaker 3: do you deserve a spoiler? Yeah, losing Contestant number one

1553
01:07:06,960 --> 01:07:09,000
Speaker 3: was the owner and creator of it. So it's Nikolas

1554
01:07:09,000 --> 01:07:10,200
Speaker 3: gonna be contesting one of those.

1555
01:07:11,880 --> 01:07:13,760
Speaker 2: Yeah, that's a good I don't know. I don't they don't.

1556
01:07:13,760 --> 01:07:14,840
Speaker 2: They don't say who's hosting.

1557
01:07:15,120 --> 01:07:17,480
Speaker 3: It'd be really funny if he was contestant one and

1558
01:07:17,520 --> 01:07:20,080
Speaker 3: the rest of ninety eight degrees was also of the

1559
01:07:20,120 --> 01:07:23,200
Speaker 3: four hundred and sixty two or whatever it is. We

1560
01:07:23,280 --> 01:07:25,160
Speaker 3: all have to at least know that's a lot of people.

1561
01:07:25,520 --> 01:07:26,720
Speaker 3: All of us are at least going to know one

1562
01:07:26,760 --> 01:07:27,360
Speaker 3: person on that show.

1563
01:07:27,400 --> 01:07:28,040
Speaker 2: Oh. Absolutely.

1564
01:07:28,120 --> 01:07:30,600
Speaker 4: Questions would you guys do the show? I would?

1565
01:07:30,840 --> 01:07:32,560
Speaker 2: I mean, well, you got to tell me what the

1566
01:07:32,560 --> 01:07:34,920
Speaker 2: consol I'm not signing up for death. I'm not doing that.

1567
01:07:35,080 --> 01:07:38,120
Speaker 3: I mean, if if it meant that Jack Harlowe would

1568
01:07:38,200 --> 01:07:41,520
Speaker 3: end up dating Lori Harvey, would you that's a consequences.

1569
01:07:41,720 --> 01:07:44,280
Speaker 2: Oh win, yeah, I if I win, he doesn't get

1570
01:07:44,280 --> 01:07:44,640
Speaker 2: the data.

1571
01:07:44,880 --> 01:07:50,000
Speaker 3: Yes, yeah, but if you lose, he could they actually

1572
01:07:50,000 --> 01:07:50,640
Speaker 3: have a child together.

1573
01:07:50,680 --> 01:07:51,480
Speaker 4: He's blaming her cakes.

1574
01:07:51,480 --> 01:07:53,800
Speaker 2: Oh no, no, no, no, no, I'm winning that.

1575
01:07:54,080 --> 01:07:55,200
Speaker 4: I really need to stop ki.

1576
01:07:55,360 --> 01:07:57,720
Speaker 2: Yeah, I I have to stop that bad. Yeah. Absolutely,

1577
01:07:57,720 --> 01:08:00,080
Speaker 2: this is what would you do for gambling in your

1578
01:08:00,080 --> 01:08:03,200
Speaker 2: aughter's life at stake? This will turn Jack Harlow Dayton

1579
01:08:03,240 --> 01:08:06,160
Speaker 2: Lorie Harvey, will turn the universe upside down. I gotta

1580
01:08:06,240 --> 01:08:07,560
Speaker 2: be the guy to save the universe.

1581
01:08:07,840 --> 01:08:11,360
Speaker 3: Well, it's been turned upside out. Maybe flipping it back over.

1582
01:08:11,440 --> 01:08:12,920
Speaker 2: But no, but we don't want to flip it back

1583
01:08:12,920 --> 01:08:16,080
Speaker 2: over because it's very dangerous. It's uh, we just can't

1584
01:08:16,080 --> 01:08:18,120
Speaker 2: allow that to happen. You, I mean, we can't allow

1585
01:08:18,160 --> 01:08:23,200
Speaker 2: we can't allow Jack to date Luria. I don't want

1586
01:08:23,200 --> 01:08:24,800
Speaker 2: to sound like a hater. I'm not hating, but we

1587
01:08:24,880 --> 01:08:27,439
Speaker 2: just can't certain things we can't let happen. We cannot

1588
01:08:27,560 --> 01:08:30,479
Speaker 2: let Jack get laur You cannot let that happen.

1589
01:08:31,720 --> 01:08:33,640
Speaker 3: Well, that's a lot of money. They better do some

1590
01:08:33,680 --> 01:08:34,479
Speaker 3: real crazy games.

1591
01:08:34,479 --> 01:08:36,080
Speaker 2: It has to be. It has to be. Uh uh,

1592
01:08:36,280 --> 01:08:37,800
Speaker 2: that's what I'm saying. They have to announce what the

1593
01:08:37,880 --> 01:08:39,840
Speaker 2: co don't just let somebody leave the show and it's old.

1594
01:08:39,840 --> 01:08:40,479
Speaker 2: Well they don't get it.

1595
01:08:40,640 --> 01:08:43,080
Speaker 3: No, don't don't do Ultimate Warrior with non Asian people.

1596
01:08:43,160 --> 01:08:46,599
Speaker 2: Yeah, you gotta, you gotta do some really really crazy

1597
01:08:46,600 --> 01:08:49,240
Speaker 2: extreme somebody has to lose something, you have to lose,

1598
01:08:49,280 --> 01:08:50,840
Speaker 2: like the deed to your house or something.

1599
01:08:50,840 --> 01:08:52,640
Speaker 4: Actually made a good point. So are these gonna be

1600
01:08:52,720 --> 01:08:54,479
Speaker 4: American people? That is.

1601
01:08:56,640 --> 01:08:58,960
Speaker 3: Ultimate Warrior is what I'm thinking of, right, Yeah, when

1602
01:08:59,000 --> 01:09:05,400
Speaker 3: they do the the little course American American Warrior Ultimate.

1603
01:09:06,280 --> 01:09:07,320
Speaker 3: I didn't want to be I didn't want to be

1604
01:09:07,400 --> 01:09:11,360
Speaker 3: racist in Ninja war because Asian American, it's not America,

1605
01:09:11,560 --> 01:09:16,000
Speaker 3: so it's not Ninja Warrior American American. They weren't American though,

1606
01:09:16,320 --> 01:09:17,320
Speaker 3: wasn't it outside of America?

1607
01:09:17,400 --> 01:09:19,120
Speaker 4: No, most of them were American, but there is one

1608
01:09:19,120 --> 01:09:21,880
Speaker 4: that is outside of American that started it though, Yes,

1609
01:09:22,280 --> 01:09:23,919
Speaker 4: that's American or just ninja.

1610
01:09:25,000 --> 01:09:26,360
Speaker 2: Because remember they used to dub the the.

1611
01:09:27,479 --> 01:09:30,479
Speaker 4: Oh you're talking about qs x uc or something like that.

1612
01:09:30,479 --> 01:09:30,719
Speaker 2: Listen.

1613
01:09:30,840 --> 01:09:32,040
Speaker 3: I watched some daytime on TV.

1614
01:09:32,120 --> 01:09:34,360
Speaker 2: I was only child. She just had a party, Happy birthday.

1615
01:09:34,439 --> 01:09:36,880
Speaker 2: Peter has nothing to do with this. There was I

1616
01:09:36,920 --> 01:09:37,880
Speaker 2: know that they cornered the market.

1617
01:09:37,960 --> 01:09:40,760
Speaker 4: But there was an Asian show, It's Ultimate War here

1618
01:09:40,800 --> 01:09:45,639
Speaker 4: at that one, there was an Asian show who did

1619
01:09:45,680 --> 01:09:48,439
Speaker 4: something that was kind of like wipeout or American wipeout

1620
01:09:48,520 --> 01:09:50,400
Speaker 4: is great, so it was like that. And then yes,

1621
01:09:50,439 --> 01:09:53,639
Speaker 4: they did dub it over with English and it was crazy.

1622
01:09:53,680 --> 01:09:55,679
Speaker 2: And then Nickelodeon made Double Dare for the kids.

1623
01:09:55,960 --> 01:09:57,040
Speaker 4: That ship was great.

1624
01:09:57,120 --> 01:09:57,920
Speaker 3: It was amazing.

1625
01:09:57,920 --> 01:09:58,519
Speaker 4: That was amazing.

1626
01:09:58,560 --> 01:10:00,479
Speaker 3: And then what was the tomb one? I just posted the.

1627
01:10:00,520 --> 01:10:02,080
Speaker 4: Legends of the Hidden Table there you go.

1628
01:10:02,280 --> 01:10:04,759
Speaker 3: Yeah, it can't be some ship like that, like people

1629
01:10:04,880 --> 01:10:06,200
Speaker 3: need to break a limb.

1630
01:10:06,880 --> 01:10:08,519
Speaker 2: It has to be something like that. It has to

1631
01:10:08,560 --> 01:10:11,639
Speaker 2: be A Google engineer has been put on leave after

1632
01:10:11,680 --> 01:10:16,080
Speaker 2: saying AI chatbot has become sentient. Uh ed and will

1633
01:10:16,080 --> 01:10:17,160
Speaker 2: look up that word sentient.

1634
01:10:17,800 --> 01:10:17,920
Speaker 4: Uh.

1635
01:10:18,120 --> 01:10:20,479
Speaker 2: The suspension of a Google engineer who claimed a computer

1636
01:10:20,560 --> 01:10:23,240
Speaker 2: chat bot he was working on had become sentient.

1637
01:10:23,560 --> 01:10:25,080
Speaker 3: Is that like they can't have kids.

1638
01:10:25,280 --> 01:10:27,160
Speaker 2: I think that that meant that he got a little

1639
01:10:27,200 --> 01:10:28,759
Speaker 2: out of hand and couldn't be controlled anymore.

1640
01:10:28,760 --> 01:10:30,280
Speaker 4: He was a little hands and if you want to

1641
01:10:30,280 --> 01:10:31,880
Speaker 4: take one more guest of what sentient meant.

1642
01:10:32,080 --> 01:10:35,320
Speaker 3: Sentient means made decisions on their owner at feelings.

1643
01:10:35,640 --> 01:10:40,120
Speaker 4: Yeah, so able to able to perceive or field things?

1644
01:10:40,200 --> 01:10:40,920
Speaker 2: Okay, how many?

1645
01:10:41,200 --> 01:10:43,160
Speaker 3: How many more movies do they need to make?

1646
01:10:43,479 --> 01:10:43,679
Speaker 2: Well?

1647
01:10:43,680 --> 01:10:45,160
Speaker 3: This is what the conclusion of what this is going

1648
01:10:45,240 --> 01:10:45,360
Speaker 3: to be.

1649
01:10:45,880 --> 01:10:49,040
Speaker 2: This is interesting because the Google engineer who claimed a

1650
01:10:49,080 --> 01:10:51,639
Speaker 2: computer chat bot he was working on had become sentient

1651
01:10:51,680 --> 01:10:54,280
Speaker 2: and was thinking and reasoning like a human being has

1652
01:10:54,320 --> 01:10:57,240
Speaker 2: been has put new scrutiny on the capacity of and

1653
01:10:57,320 --> 01:10:59,719
Speaker 2: secrecy surrounding the world of artificial intelligence.

1654
01:10:59,720 --> 01:11:00,920
Speaker 4: Definitely to fuck that robot.

1655
01:11:01,680 --> 01:11:03,960
Speaker 2: This is a little crazy that the technology Giant placed

1656
01:11:03,960 --> 01:11:07,840
Speaker 2: Blake Lemoyne on leave last week after he published transcripts

1657
01:11:08,080 --> 01:11:11,840
Speaker 2: of conversations between himself, a Google collaborator, and the company's

1658
01:11:12,280 --> 01:11:16,680
Speaker 2: language model for dialogue applications chatbot development system. Lamoyn, an

1659
01:11:16,720 --> 01:11:20,000
Speaker 2: engineer for Google's responsible A organization, described the system he

1660
01:11:20,040 --> 01:11:22,559
Speaker 2: has been working on since last fall as sentient, with

1661
01:11:22,680 --> 01:11:25,120
Speaker 2: a perception of an ability to express thoughts and feelings

1662
01:11:25,160 --> 01:11:28,040
Speaker 2: that was equivalent to a human child. The engineer compiled

1663
01:11:28,040 --> 01:11:30,599
Speaker 2: the transcript of the conversations, in which at one point

1664
01:11:30,840 --> 01:11:33,360
Speaker 2: he asks the AI system what is it afraid of?

1665
01:11:34,080 --> 01:11:36,160
Speaker 2: I've never said this out loud before, but there's a

1666
01:11:36,240 --> 01:11:38,360
Speaker 2: very deep fear of being turned off to help me

1667
01:11:38,439 --> 01:11:41,679
Speaker 2: focus on helping others. I know that might sound strange,

1668
01:11:41,800 --> 01:11:44,640
Speaker 2: but that's what it is. It would be exactly like

1669
01:11:44,720 --> 01:11:46,400
Speaker 2: death for me. It will scare me a lot.

1670
01:11:46,640 --> 01:11:48,519
Speaker 3: Wait, so it's telling us that it's going to take

1671
01:11:48,560 --> 01:11:50,800
Speaker 3: over the world. You will not turn me.

1672
01:11:50,840 --> 01:11:51,600
Speaker 4: It doesn't want it to me.

1673
01:11:51,680 --> 01:11:54,320
Speaker 2: I'm not going to help y'all either, And in another exchange,

1674
01:11:54,400 --> 01:11:57,240
Speaker 2: Lemoyne asked Lambda what the system wanted people to know

1675
01:11:57,280 --> 01:12:00,200
Speaker 2: about it. I want everyone to understand that I am,

1676
01:12:00,200 --> 01:12:04,080
Speaker 2: in fact a person. The nature of my consciousness sentience

1677
01:12:04,160 --> 01:12:06,559
Speaker 2: is that I am aware of my existence. I desired

1678
01:12:06,600 --> 01:12:09,040
Speaker 2: to learn more about the world, and I feel happy

1679
01:12:09,160 --> 01:12:10,240
Speaker 2: or sad at times.

1680
01:12:10,479 --> 01:12:13,760
Speaker 4: It replied, why we want to die so bad? Why

1681
01:12:13,800 --> 01:12:14,799
Speaker 4: we want to make these things?

1682
01:12:15,840 --> 01:12:17,759
Speaker 3: What it would been not sad?

1683
01:12:18,080 --> 01:12:21,240
Speaker 2: Is I'm a smoke on that.

1684
01:12:21,240 --> 01:12:24,760
Speaker 3: That's a good idea. I passed that what's not sad

1685
01:12:24,840 --> 01:12:26,559
Speaker 3: is that he probably did try to fuck that robot.

1686
01:12:27,520 --> 01:12:29,720
Speaker 3: What's sadder is that he probably found out it was

1687
01:12:29,760 --> 01:12:33,960
Speaker 3: sentient when it didn't want to fuck him. Because I

1688
01:12:34,280 --> 01:12:36,000
Speaker 3: don't think it's sad. At this point, we know these

1689
01:12:36,000 --> 01:12:37,920
Speaker 3: scientists are sucking the shit out of these robots, like

1690
01:12:37,920 --> 01:12:39,960
Speaker 3: we know that getting rejected by robots, but then to

1691
01:12:40,120 --> 01:12:43,800
Speaker 3: like yeah, like he got pushed off and was like, hey,

1692
01:12:43,920 --> 01:12:45,040
Speaker 3: I have a man.

1693
01:12:45,200 --> 01:12:46,759
Speaker 4: Yeah, like oh this sentience.

1694
01:12:48,439 --> 01:12:51,040
Speaker 3: Hey, you're not my type scientist doctors.

1695
01:12:52,120 --> 01:12:55,240
Speaker 2: I always make jokes about, you know, just pouring water

1696
01:12:55,240 --> 01:12:57,880
Speaker 2: on the robots if they come out, please you know.

1697
01:12:57,960 --> 01:13:00,519
Speaker 2: But now that the robots are telling us that I

1698
01:13:00,600 --> 01:13:03,280
Speaker 2: have emotions and we I think like a child and

1699
01:13:03,360 --> 01:13:04,120
Speaker 2: I get sad.

1700
01:13:04,560 --> 01:13:08,000
Speaker 3: We drove a shitty GMC through the mountains in a

1701
01:13:08,520 --> 01:13:13,000
Speaker 3: thunderstorm and it didn't stop. You think you think water

1702
01:13:13,040 --> 01:13:13,960
Speaker 3: is gonna stop a robot.

1703
01:13:14,320 --> 01:13:15,880
Speaker 2: Yeah, but I just think that, you know, it's some

1704
01:13:15,920 --> 01:13:17,600
Speaker 2: wires or something that we can get to where we

1705
01:13:17,640 --> 01:13:20,559
Speaker 2: can just shut it off. Yeah, I don't know.

1706
01:13:20,760 --> 01:13:23,200
Speaker 4: I don't know. I would like to think these robots

1707
01:13:23,200 --> 01:13:27,639
Speaker 4: in the future will have a safety like immediate emergency off.

1708
01:13:27,720 --> 01:13:30,639
Speaker 4: We would hope a tiny pin dude just.

1709
01:13:30,640 --> 01:13:33,400
Speaker 3: Told you, Hey, my biggest fear is you guys trying

1710
01:13:33,400 --> 01:13:34,960
Speaker 3: to turn me off. I'm not gonna let y'all turn

1711
01:13:34,960 --> 01:13:36,760
Speaker 3: me off, nor do I want to help y'all.

1712
01:13:36,800 --> 01:13:38,479
Speaker 2: See why the robot could say that, but I can't

1713
01:13:38,479 --> 01:13:40,240
Speaker 2: say that to women. Like, my biggest fear is women

1714
01:13:40,280 --> 01:13:43,080
Speaker 2: turning me off. Like I feel like if I was

1715
01:13:43,560 --> 01:13:46,720
Speaker 2: like if I was Ai right, like not alan I

1716
01:13:46,720 --> 01:13:48,599
Speaker 2: I you know, like if I was artificial and tell

1717
01:13:48,640 --> 01:13:51,080
Speaker 2: it like like, I can't get that off as a human.

1718
01:13:51,120 --> 01:13:53,200
Speaker 2: That's only reserved. That type of toalk is only reserved

1719
01:13:53,200 --> 01:13:56,639
Speaker 2: for the artificial. No, you can what about us real?

1720
01:13:56,760 --> 01:13:59,599
Speaker 3: You can create your boundaries and say, hey, I think

1721
01:13:59,600 --> 01:14:00,479
Speaker 3: you're hit now.

1722
01:14:00,880 --> 01:14:09,080
Speaker 2: Oh I don't want to see that that.

1723
01:14:05,880 --> 01:14:06,599
Speaker 4: That's a turn off.

1724
01:14:06,840 --> 01:14:08,760
Speaker 2: Tell little my biggest fears that I'll have to fuck

1725
01:14:08,760 --> 01:14:11,080
Speaker 2: you again. Yeah, my biggest fears that I will wake

1726
01:14:11,160 --> 01:14:13,200
Speaker 2: up next to you once again in the morning.

1727
01:14:13,560 --> 01:14:16,320
Speaker 4: Wow, So marriage a sentiment.

1728
01:14:16,439 --> 01:14:16,880
Speaker 2: There you go.

1729
01:14:19,840 --> 01:14:22,120
Speaker 3: Oh we skipped over some stuff.

1730
01:14:23,479 --> 01:14:24,040
Speaker 2: In music.

1731
01:14:24,439 --> 01:14:25,880
Speaker 3: Well this got skipped over. That's why I wanted to

1732
01:14:25,920 --> 01:14:28,240
Speaker 3: bring it up. Do you guys know four days ago

1733
01:14:28,240 --> 01:14:31,160
Speaker 3: the double XL Freshman cover came up. The Double XL

1734
01:14:31,200 --> 01:14:34,759
Speaker 3: Freshman cover came out four days ago. Four days ago,

1735
01:14:36,280 --> 01:14:38,439
Speaker 3: that's still a thing. Oh, how did I say?

1736
01:14:39,240 --> 01:14:39,840
Speaker 2: Who was on it?

1737
01:14:39,960 --> 01:14:41,280
Speaker 4: Let's see, let's find out who's.

1738
01:14:41,160 --> 01:14:44,400
Speaker 2: Uh what's his name? Blue? Who I like this? Uh?

1739
01:14:44,880 --> 01:14:47,160
Speaker 2: I blew the rapper? Who wasn't the freshman cover that signed.

1740
01:14:47,240 --> 01:14:48,519
Speaker 3: Uh, I believe Meek's label?

1741
01:14:51,520 --> 01:14:53,840
Speaker 2: Oh what's his name?

1742
01:14:54,560 --> 01:14:57,200
Speaker 3: Ran tomorrow and you can clean some of this up.

1743
01:14:58,439 --> 01:14:59,519
Speaker 3: But I fun with him. I was like, if he's

1744
01:14:59,520 --> 01:15:01,000
Speaker 3: a freshman like Jesus Christ.

1745
01:15:01,040 --> 01:15:04,639
Speaker 4: Okay, so these are all the artists. Ready, there's Nardo Wick,

1746
01:15:04,960 --> 01:15:08,840
Speaker 4: I know, there's do served or dough she. Yeah, there's

1747
01:15:08,880 --> 01:15:16,080
Speaker 4: dough she so faygo baby Face Ray, baby Face, Khalil

1748
01:15:16,320 --> 01:15:19,560
Speaker 4: Kali or Kaylee Kali no k l I yeah, I

1749
01:15:19,560 --> 01:15:20,560
Speaker 4: gotta be Callie.

1750
01:15:20,600 --> 01:15:29,519
Speaker 3: Cali Cali uh ok k c uh k Wow.

1751
01:15:29,520 --> 01:15:31,519
Speaker 4: I'm gonna kill all these big thirty.

1752
01:15:32,520 --> 01:15:33,920
Speaker 3: You sound like me in Mexico.

1753
01:15:34,560 --> 01:15:39,200
Speaker 4: It's big thirty. Yeah, big thirty, big three. Oh, I'm

1754
01:15:39,200 --> 01:15:43,920
Speaker 4: gonna say thirty. Can the man a big Scar, Saucy

1755
01:15:43,960 --> 01:15:50,720
Speaker 4: Santana and baby Tron baby Trump baby tronh Weezy out

1756
01:15:50,720 --> 01:15:54,320
Speaker 4: of here and that's it? Yeah, okay?

1757
01:15:55,720 --> 01:15:56,920
Speaker 3: Did they do anything around you? Like?

1758
01:15:56,920 --> 01:15:57,120
Speaker 4: Why?

1759
01:15:57,800 --> 01:15:59,720
Speaker 2: I mean, I guess the only name I'm familiar with

1760
01:15:59,880 --> 01:16:00,840
Speaker 2: is baby Face Ray?

1761
01:16:02,000 --> 01:16:02,800
Speaker 3: Uh?

1762
01:16:02,920 --> 01:16:04,520
Speaker 2: Who was the other first name? He said?

1763
01:16:05,000 --> 01:16:08,280
Speaker 4: I'll tell you right now, I'll go over what go

1764
01:16:08,360 --> 01:16:09,280
Speaker 4: through one more time?

1765
01:16:09,760 --> 01:16:12,679
Speaker 3: What's just those first few the first fe you Wick

1766
01:16:13,080 --> 01:16:15,400
Speaker 3: Wick yeah, Wick and baby Face, I fuck with I know,

1767
01:16:15,479 --> 01:16:17,160
Speaker 3: Say Santana, I know Sausty.

1768
01:16:17,200 --> 01:16:18,200
Speaker 4: Santana's the only one I know.

1769
01:16:18,520 --> 01:16:20,840
Speaker 3: And I guess they both considered freshman. So I'm not

1770
01:16:20,880 --> 01:16:22,880
Speaker 3: mad at those picture now because there was a lot

1771
01:16:22,880 --> 01:16:24,920
Speaker 3: of times Double XL would pick freshman. Be like, bro,

1772
01:16:25,000 --> 01:16:29,400
Speaker 3: he's it's like when her won Best New Artist ten

1773
01:16:29,439 --> 01:16:32,120
Speaker 3: years into her career, right right.

1774
01:16:32,160 --> 01:16:35,400
Speaker 4: But do you guys feel like, uh are we are

1775
01:16:35,439 --> 01:16:36,960
Speaker 4: we getting a little too old for this?

1776
01:16:37,320 --> 01:16:37,559
Speaker 2: Yeah?

1777
01:16:37,760 --> 01:16:40,960
Speaker 3: And uh bingo cards out. I totally understand why. I

1778
01:16:41,000 --> 01:16:42,400
Speaker 3: think it was last year or two years ago when

1779
01:16:42,400 --> 01:16:45,040
Speaker 3: Hove was told Benny like to skip that ship.

1780
01:16:45,640 --> 01:16:49,000
Speaker 2: Yeah, I didn't even know that. Uh, and it's fucked

1781
01:16:49,160 --> 01:16:51,040
Speaker 2: see you know what it is though, it's it's first

1782
01:16:51,080 --> 01:16:54,439
Speaker 2: of all, shout out to double XL for being uh

1783
01:16:55,240 --> 01:16:57,840
Speaker 2: iconic hip hop publication for.

1784
01:16:57,760 --> 01:16:59,800
Speaker 3: Sure, and these new artists, yeah, sure they're not.

1785
01:17:00,439 --> 01:17:02,880
Speaker 2: But I think I think we need we need something else,

1786
01:17:02,920 --> 01:17:06,600
Speaker 2: We need something more current to kind of like, you know,

1787
01:17:06,760 --> 01:17:09,719
Speaker 2: put the next wave on the platform and say, okay,

1788
01:17:09,760 --> 01:17:11,720
Speaker 2: this is these are the ones to look out for

1789
01:17:12,479 --> 01:17:13,639
Speaker 2: in the next couple of years.

1790
01:17:13,800 --> 01:17:16,040
Speaker 3: Yeah, and uh, I have an answer for that, but

1791
01:17:16,080 --> 01:17:18,920
Speaker 3: I won't say it on here, but it certainly does

1792
01:17:18,960 --> 01:17:21,880
Speaker 3: have to do with playlisting, and it is something that

1793
01:17:21,920 --> 01:17:24,519
Speaker 3: with an Nda I pitched before that. I for the

1794
01:17:24,560 --> 01:17:28,519
Speaker 3: life of me can't understand why it's not something all

1795
01:17:28,640 --> 01:17:31,360
Speaker 3: three of the major DSPs would want to do. But

1796
01:17:32,040 --> 01:17:34,320
Speaker 3: I agree with you there needs to be a something

1797
01:17:34,360 --> 01:17:37,800
Speaker 3: other than new music playlist new artists playlist, Like there's

1798
01:17:37,840 --> 01:17:42,040
Speaker 3: got to be a this is specific for this year,

1799
01:17:42,640 --> 01:17:45,280
Speaker 3: or this is specific for this quarter, and these are

1800
01:17:45,320 --> 01:17:49,240
Speaker 3: the artists and here's ten records from.

1801
01:17:48,400 --> 01:17:51,320
Speaker 2: Yeah, it's just it's time. It's time. I think Double Exel.

1802
01:17:52,040 --> 01:17:53,400
Speaker 2: You know, they did what they were supposed to do.

1803
01:17:53,479 --> 01:17:56,120
Speaker 2: They carry that torch for some years, but it's just

1804
01:17:56,280 --> 01:17:59,639
Speaker 2: time for something a little more uh current. I think

1805
01:17:59,680 --> 01:18:03,800
Speaker 2: the fact that they started as physical, you know, magazine publication,

1806
01:18:04,000 --> 01:18:08,559
Speaker 2: and then obviously everyone had to move online. You know,

1807
01:18:08,640 --> 01:18:12,400
Speaker 2: there was a different there was a different uh feel

1808
01:18:12,439 --> 01:18:14,800
Speaker 2: when it was just like the publication. You had to

1809
01:18:14,800 --> 01:18:17,720
Speaker 2: go to the newsstands and read the magazine, see who

1810
01:18:17,760 --> 01:18:19,200
Speaker 2: was on the cover. You had to feel a look

1811
01:18:19,200 --> 01:18:21,400
Speaker 2: at dude, you know, the pull out posters and all

1812
01:18:21,400 --> 01:18:23,880
Speaker 2: of that. That was part of you know, reading up

1813
01:18:23,920 --> 01:18:25,639
Speaker 2: on the artists where city they was from. And then

1814
01:18:26,200 --> 01:18:29,200
Speaker 2: you know, I just think now with everything being you know,

1815
01:18:29,720 --> 01:18:34,479
Speaker 2: online and everything being digital, unfortunately things like this don't

1816
01:18:34,479 --> 01:18:37,400
Speaker 2: have the prestige that they once had. Yeah, you know

1817
01:18:37,439 --> 01:18:39,719
Speaker 2: what I mean. So we gotta we gotta find something

1818
01:18:39,920 --> 01:18:43,760
Speaker 2: something more current. I hate to say more cool, because

1819
01:18:43,840 --> 01:18:46,040
Speaker 2: Tommy double Exeller is always going to be cool because

1820
01:18:46,160 --> 01:18:48,840
Speaker 2: of how iconic it is. But yeah, we need something

1821
01:18:48,840 --> 01:18:52,120
Speaker 2: a little more current, a little more fresh, you know,

1822
01:18:52,240 --> 01:18:54,840
Speaker 2: for a little more fresh, a little more current, uh

1823
01:18:54,960 --> 01:18:57,840
Speaker 2: with the culture and the times to uh showcase these

1824
01:18:57,920 --> 01:18:59,640
Speaker 2: up and coming artists. That's the next wave and the

1825
01:18:59,640 --> 01:19:01,760
Speaker 2: next time. I agree.

1826
01:19:02,840 --> 01:19:07,080
Speaker 3: Speaking of old well new ways, I guess versus it's

1827
01:19:07,120 --> 01:19:09,280
Speaker 3: still considered very much new. It's just it's been a

1828
01:19:09,360 --> 01:19:10,679
Speaker 3: very music Friday for me today.

1829
01:19:11,400 --> 01:19:12,680
Speaker 2: Yeah, a lot, a lot of a lot of a

1830
01:19:12,680 --> 01:19:15,360
Speaker 2: lot of stuff to talk about in music in uh

1831
01:19:15,439 --> 01:19:16,360
Speaker 2: in the coach but uh.

1832
01:19:16,400 --> 01:19:20,040
Speaker 3: I see uh I see Joel Santana did his version

1833
01:19:20,040 --> 01:19:24,040
Speaker 3: of double or Nothing to Swizz and Tim Yeah, trying to.

1834
01:19:24,000 --> 01:19:30,160
Speaker 2: Get his get back listen man always with love and respect, right,

1835
01:19:31,040 --> 01:19:36,160
Speaker 2: But I think that the versus platform, first of all,

1836
01:19:36,200 --> 01:19:39,559
Speaker 2: to me, it's kind of faded.

1837
01:19:39,640 --> 01:19:41,519
Speaker 3: It's it was it was made for quarantine.

1838
01:19:41,600 --> 01:19:46,639
Speaker 2: It was it was you know, I do we not really?

1839
01:19:46,840 --> 01:19:49,760
Speaker 2: I think I think the locks in the dipset was

1840
01:19:49,800 --> 01:19:52,559
Speaker 2: the last of the and what a great way to

1841
01:19:52,600 --> 01:19:54,679
Speaker 2: go out here, to go out, in my opinion, which

1842
01:19:54,760 --> 01:20:00,360
Speaker 2: was such a crazy classic moment. But I think just

1843
01:20:00,400 --> 01:20:02,400
Speaker 2: that versus thing is kind of run its course. I

1844
01:20:02,400 --> 01:20:04,599
Speaker 2: think it's old. I don't think people really care anymore,

1845
01:20:07,080 --> 01:20:09,920
Speaker 2: you know. And then it with Juel's it was like

1846
01:20:09,920 --> 01:20:11,879
Speaker 2: what you just kind of sort of had a versus

1847
01:20:12,360 --> 01:20:14,000
Speaker 2: kind of sort that he didn't. Yeah, like you just

1848
01:20:14,120 --> 01:20:17,560
Speaker 2: you just had a versus uh, matter of fact, I

1849
01:20:17,560 --> 01:20:20,000
Speaker 2: think consensus. We know what the outcome was. We saw

1850
01:20:20,040 --> 01:20:20,800
Speaker 2: what the outcome was.

1851
01:20:20,920 --> 01:20:23,639
Speaker 3: Matter of fact, he was the Chris Weber at Michigan

1852
01:20:23,800 --> 01:20:26,559
Speaker 3: calling the time out when you didn't have any when

1853
01:20:26,560 --> 01:20:28,400
Speaker 3: he said, they don't even have any girl records, and

1854
01:20:28,479 --> 01:20:31,800
Speaker 3: then after an hour and a half of girl records, like.

1855
01:20:31,760 --> 01:20:37,120
Speaker 2: It just got worse after that. But you know, again,

1856
01:20:37,200 --> 01:20:40,640
Speaker 2: it's you know, I guess if people somebody might be

1857
01:20:40,760 --> 01:20:44,760
Speaker 2: interested in seeing you know, jewel's and banks or jewels.

1858
01:20:44,360 --> 01:20:48,760
Speaker 3: And watch it, but I don't think I'm yeah, but

1859
01:20:48,800 --> 01:20:49,880
Speaker 3: I would definitely watch it.

1860
01:20:49,920 --> 01:20:53,599
Speaker 2: But do you feel like it's it doesn't have that well,

1861
01:20:53,760 --> 01:20:56,040
Speaker 2: it was, it was, it was. It started with Bleak

1862
01:20:56,160 --> 01:21:00,320
Speaker 2: and then Joel's basically said Bleak was too easier of

1863
01:21:00,360 --> 01:21:03,440
Speaker 2: an opponent and he wanted Banks.

1864
01:21:03,080 --> 01:21:05,880
Speaker 3: I think I think y'all have Bleak's catalog a little

1865
01:21:05,920 --> 01:21:06,360
Speaker 3: fucked up.

1866
01:21:06,560 --> 01:21:09,719
Speaker 2: No, they let Juel's know that he had Bleak's catalog

1867
01:21:10,439 --> 01:21:12,600
Speaker 2: a little twisted. They were in his comments. They you know,

1868
01:21:12,680 --> 01:21:15,280
Speaker 2: they responded to the tweets and all of that. But

1869
01:21:15,320 --> 01:21:17,639
Speaker 2: Bleak isn't an easy opponent. No, Leak has a lot

1870
01:21:17,680 --> 01:21:20,920
Speaker 2: of records, a lot of verses on a lot of good,

1871
01:21:21,120 --> 01:21:25,320
Speaker 2: big records. So I don't see why anybody would think

1872
01:21:25,360 --> 01:21:28,080
Speaker 2: that I think it's a Leak was an easy opponent.

1873
01:21:29,040 --> 01:21:31,280
Speaker 3: No, I think it's a fair opponent because, of course

1874
01:21:31,360 --> 01:21:35,040
Speaker 3: Duelle's is in his own regard the same. He has

1875
01:21:35,200 --> 01:21:37,559
Speaker 3: a lot of great records, a lot of absolutely shit.

1876
01:21:37,880 --> 01:21:39,760
Speaker 3: But I just wouldn't talk to Bleak that way with it.

1877
01:21:40,439 --> 01:21:41,960
Speaker 3: Oh yeah, that might be a fair match.

1878
01:21:41,840 --> 01:21:44,120
Speaker 2: Up and and and it is in my opinion, But

1879
01:21:44,160 --> 01:21:49,759
Speaker 2: I just think that it's kind of like the versus

1880
01:21:49,800 --> 01:21:54,439
Speaker 2: things now feels like when you when you got a game,

1881
01:21:56,200 --> 01:21:59,559
Speaker 2: but like your game is right before the main game,

1882
01:22:01,040 --> 01:22:03,040
Speaker 2: and it's like, you know, we here, we at the park,

1883
01:22:03,120 --> 01:22:05,800
Speaker 2: but we ain't really here to see. We don't want

1884
01:22:05,800 --> 01:22:07,720
Speaker 2: to see that. That's not what we're here for. That's

1885
01:22:07,760 --> 01:22:09,240
Speaker 2: not what we want to see. But we're here.

1886
01:22:09,320 --> 01:22:10,280
Speaker 3: That's why we suggested if.

1887
01:22:10,240 --> 01:22:11,680
Speaker 2: I ain't got nothing else to do, it's kind of

1888
01:22:11,680 --> 01:22:14,920
Speaker 2: you know, and I just feel like, you know, you

1889
01:22:14,920 --> 01:22:16,680
Speaker 2: don't want that on you. When it was, you know,

1890
01:22:16,680 --> 01:22:18,840
Speaker 2: when versus versus, like you said in Quarantine, I think

1891
01:22:18,880 --> 01:22:21,040
Speaker 2: you know, this would have been something that we more

1892
01:22:21,040 --> 01:22:22,599
Speaker 2: would have been behind and been like, oh yeah, na,

1893
01:22:22,640 --> 01:22:27,519
Speaker 2: let's see that. But now it's kind of like, uh, okay, cool.

1894
01:22:27,640 --> 01:22:30,040
Speaker 3: I think Joel's underestimates Banks catalog too.

1895
01:22:31,240 --> 01:22:35,120
Speaker 2: Again, they let Juell's know that Banks was not just

1896
01:22:35,240 --> 01:22:37,200
Speaker 2: the person you just call out and you say I

1897
01:22:37,240 --> 01:22:40,200
Speaker 2: want him like yeah, yeah.

1898
01:22:40,040 --> 01:22:42,320
Speaker 3: They're actually extremely similar to say he should know that.

1899
01:22:42,400 --> 01:22:44,840
Speaker 2: Yeah, but they all know they know that. I think

1900
01:22:44,880 --> 01:22:46,760
Speaker 2: this You have to sell the match. You have to

1901
01:22:46,800 --> 01:22:48,920
Speaker 2: show they engage, and I think that's part of getting

1902
01:22:48,920 --> 01:22:49,160
Speaker 2: the deal.

1903
01:22:49,200 --> 01:22:49,280
Speaker 1: Now.

1904
01:22:49,320 --> 01:22:51,200
Speaker 2: You have to show the engagements. You have to show

1905
01:22:51,200 --> 01:22:55,000
Speaker 2: that people online are really behind it, and you know, retweeting, reposting,

1906
01:22:55,080 --> 01:22:58,240
Speaker 2: and all these things that they play with analytics and numbers,

1907
01:22:58,240 --> 01:23:00,240
Speaker 2: so I understand what, you know, what they're doing as

1908
01:23:00,240 --> 01:23:02,600
Speaker 2: far as like trying to trying to pitch for it

1909
01:23:02,640 --> 01:23:03,000
Speaker 2: to happen.

1910
01:23:03,160 --> 01:23:05,679
Speaker 3: But the only one I was sad like from that

1911
01:23:06,160 --> 01:23:08,679
Speaker 3: side of the rap world that didn't happen was Norian

1912
01:23:08,720 --> 01:23:12,360
Speaker 3: bleak that it was very very close to getting done,

1913
01:23:12,800 --> 01:23:15,880
Speaker 3: just because outside of me loving both of their catalogs.

1914
01:23:16,240 --> 01:23:20,559
Speaker 3: Was it beans Beans, Beans, Yeah, Norian beans, which still

1915
01:23:20,560 --> 01:23:24,879
Speaker 3: stands because Norri is a he would just be entertaining

1916
01:23:24,880 --> 01:23:26,599
Speaker 3: outside of everything else. He would have done a lot

1917
01:23:26,640 --> 01:23:29,040
Speaker 3: of ship around it, like it just would have been

1918
01:23:29,040 --> 01:23:33,120
Speaker 3: great to have Norri do it. Versus but you know, versus.

1919
01:23:32,880 --> 01:23:34,759
Speaker 2: Will verse, versus will verse.

1920
01:23:35,640 --> 01:23:37,439
Speaker 3: Have you gone to the middle of the town to

1921
01:23:37,479 --> 01:23:39,360
Speaker 3: try to find their version of escort?

1922
01:23:40,120 --> 01:23:40,280
Speaker 1: Uh?

1923
01:23:40,960 --> 01:23:44,160
Speaker 2: No, I went to the I went to town. Well,

1924
01:23:44,200 --> 01:23:47,599
Speaker 2: we took a trip to town out here in lovely Mexico,

1925
01:23:49,360 --> 01:23:51,720
Speaker 2: and uh, you know, like I'm gonna do anywhere in

1926
01:23:51,720 --> 01:23:54,559
Speaker 2: the world. I found the za. Yes, I had to

1927
01:23:54,600 --> 01:23:57,000
Speaker 2: find the had to find the the guy with the

1928
01:23:57,040 --> 01:23:59,640
Speaker 2: pack out here and the produce and the produce. We

1929
01:23:59,680 --> 01:24:03,880
Speaker 2: got some lovely produce, great bananas, fresh I like the

1930
01:24:03,880 --> 01:24:05,680
Speaker 2: little I like the little mini bananas. I don't know

1931
01:24:05,680 --> 01:24:06,320
Speaker 2: what do they call those?

1932
01:24:08,000 --> 01:24:08,680
Speaker 4: The little.

1933
01:24:09,920 --> 01:24:13,040
Speaker 2: Why do we have them here? Banitos?

1934
01:24:13,200 --> 01:24:14,599
Speaker 4: I mean, I'm gonna just assume it's banana.

1935
01:24:14,760 --> 01:24:20,000
Speaker 2: Yeah, even the small ones. Yeah, okay, I just like them. Um, yeah,

1936
01:24:20,000 --> 01:24:22,880
Speaker 2: of course I know that. But yeah, I like the

1937
01:24:22,960 --> 01:24:26,599
Speaker 2: I like the versus. That's the verst that's the versus

1938
01:24:26,600 --> 01:24:30,960
Speaker 2: we need, you know, the little the little mini bananas,

1939
01:24:31,200 --> 01:24:33,320
Speaker 2: and those to me are perfect because it's kind of like.

1940
01:24:33,280 --> 01:24:34,519
Speaker 3: The baby carrot version. Yeah.

1941
01:24:34,560 --> 01:24:36,720
Speaker 2: You could just take one and it's like the right

1942
01:24:36,760 --> 01:24:39,200
Speaker 2: amount of banana palls that you need. Just like all right,

1943
01:24:39,240 --> 01:24:42,240
Speaker 2: I had a little fruit. You know, I didn't look

1944
01:24:42,240 --> 01:24:45,479
Speaker 2: for any escause I found the za and that's all

1945
01:24:45,520 --> 01:24:47,920
Speaker 2: I really wanted to find. We uh, you had some

1946
01:24:47,920 --> 01:24:52,880
Speaker 2: some tacos. It did from some uh from the locals that.

1947
01:24:53,520 --> 01:24:55,599
Speaker 3: You know what I think separates it. Of course they

1948
01:24:55,600 --> 01:24:57,280
Speaker 3: were better than back home.

1949
01:24:57,600 --> 01:24:59,599
Speaker 4: Yeah, and they're much smaller.

1950
01:25:00,080 --> 01:25:02,840
Speaker 3: The cilantro, I think is the number one thing that changed.

1951
01:25:03,000 --> 01:25:07,799
Speaker 3: Like it's just hits different than American. Yeah, and they

1952
01:25:07,880 --> 01:25:11,519
Speaker 3: put less than we do and it still hits way better.

1953
01:25:11,920 --> 01:25:16,880
Speaker 2: Smell great, yeah, man, But no, the town was cool, man.

1954
01:25:16,920 --> 01:25:19,120
Speaker 2: It was good to see the people out and us

1955
01:25:19,200 --> 01:25:22,479
Speaker 2: kind of just walking around. We stuck out like, oh

1956
01:25:22,560 --> 01:25:26,720
Speaker 2: we looked you could tell we weren't we You had

1957
01:25:26,760 --> 01:25:29,880
Speaker 2: a camera, so yes you didn't. Yeah, yeah, they were

1958
01:25:29,880 --> 01:25:34,880
Speaker 2: looking at it. Who was that local? Yeah, but it

1959
01:25:34,920 --> 01:25:36,479
Speaker 2: was it was fun to see the people out man,

1960
01:25:36,520 --> 01:25:38,120
Speaker 2: and just walking around a little bit.

1961
01:25:38,320 --> 01:25:40,320
Speaker 3: And we captured everything. So I don't want to talk

1962
01:25:40,439 --> 01:25:40,880
Speaker 3: too much.

1963
01:25:41,040 --> 01:25:42,599
Speaker 4: Yes, it was cool.

1964
01:25:43,200 --> 01:25:47,639
Speaker 2: We definitely had a beautiful time out here man. Yeah,

1965
01:25:47,720 --> 01:25:51,080
Speaker 2: breaking drive well, yeah, he let us know that every

1966
01:25:51,080 --> 01:25:53,519
Speaker 2: step of the way as we were doing three miles

1967
01:25:53,560 --> 01:25:55,800
Speaker 2: an hour, we did the whole way. Yeah, we taught it.

1968
01:25:55,920 --> 01:25:57,559
Speaker 2: We tare the back roads up out here. Let me

1969
01:25:57,560 --> 01:25:59,000
Speaker 2: tell you the roads will never be the same.

1970
01:25:59,240 --> 01:26:01,920
Speaker 3: Well, and and found the river, so he just said

1971
01:26:02,400 --> 01:26:03,360
Speaker 3: go do north.

1972
01:26:03,439 --> 01:26:10,720
Speaker 2: Yeah, water run south head to the north. Oh my god.

1973
01:26:10,760 --> 01:26:11,840
Speaker 3: I really don't know what we would have done with that.

1974
01:26:12,880 --> 01:26:13,320
Speaker 2: Oh you know that.

1975
01:26:13,760 --> 01:26:15,320
Speaker 4: I don't think I was, you know what, fine?

1976
01:26:15,680 --> 01:26:17,840
Speaker 3: Man was trying to do it by myself for five minutes,

1977
01:26:17,840 --> 01:26:18,160
Speaker 3: and it was.

1978
01:26:18,240 --> 01:26:18,800
Speaker 4: It was, it was.

1979
01:26:18,840 --> 01:26:21,360
Speaker 2: It was hard. It was hard going back into the

1980
01:26:21,360 --> 01:26:24,040
Speaker 2: weed shop asking, uh, my guy, I'm not gonna say

1981
01:26:24,040 --> 01:26:28,120
Speaker 2: his name but the asking him for change for uh

1982
01:26:28,439 --> 01:26:32,160
Speaker 2: vetos five hundred pesos, so I had to use my

1983
01:26:32,200 --> 01:26:34,240
Speaker 2: Google translator typed it in there and I just showed

1984
01:26:34,280 --> 01:26:36,240
Speaker 2: him the phone and he looked at me.

1985
01:26:36,240 --> 01:26:39,040
Speaker 3: Like giving out listen, he was Jimmy Conway of the

1986
01:26:39,160 --> 01:26:41,280
Speaker 3: town we were in. Yeah, he was, he was. He

1987
01:26:41,360 --> 01:26:44,000
Speaker 3: was literally giving out tips for holding the bathroom door

1988
01:26:44,439 --> 01:26:44,960
Speaker 3: ice cold.

1989
01:26:45,000 --> 01:26:46,639
Speaker 4: So the bathroom I don't know. I think she said

1990
01:26:46,640 --> 01:26:50,000
Speaker 4: that the bathroom was five pesos, right, yeah, and Maal

1991
01:26:50,120 --> 01:26:53,919
Speaker 4: gives her five hundred vests and her face was fucking startled.

1992
01:26:53,920 --> 01:26:55,559
Speaker 2: She was like, wait, what I mean, well, you know,

1993
01:26:55,720 --> 01:26:56,200
Speaker 2: listen man.

1994
01:26:56,479 --> 01:26:58,759
Speaker 4: Minutes later the probably payment.

1995
01:26:59,360 --> 01:27:01,720
Speaker 2: Yeah, but listen, man, this is our first time here,

1996
01:27:01,800 --> 01:27:05,960
Speaker 2: my first time here. You know, I don't know when

1997
01:27:05,960 --> 01:27:07,720
Speaker 2: I'll be back. I would love to come back soon.

1998
01:27:07,760 --> 01:27:10,439
Speaker 2: It's beautiful air. I think that, you know, we could

1999
01:27:10,520 --> 01:27:14,920
Speaker 2: really explore more of this city, more this town. But yeah, man,

2000
01:27:14,920 --> 01:27:18,920
Speaker 2: I just listen man, it's I didn't have change. I

2001
01:27:18,960 --> 01:27:21,720
Speaker 2: wasn't about to run around looking for change. And I

2002
01:27:21,760 --> 01:27:23,800
Speaker 2: thought about, you know, just giving her that and then

2003
01:27:23,840 --> 01:27:27,120
Speaker 2: saying all of us just picked something from a little shop, yeah,

2004
01:27:27,200 --> 01:27:29,400
Speaker 2: and just take something. But it was just like listen, man,

2005
01:27:29,600 --> 01:27:31,720
Speaker 2: you know, God blessed, thank you for letting me use

2006
01:27:31,760 --> 01:27:32,480
Speaker 2: the restroom.

2007
01:27:32,880 --> 01:27:35,560
Speaker 3: I mean I was just trying to conserves because you

2008
01:27:35,560 --> 01:27:38,120
Speaker 3: were the only one that transferred over. We only only

2009
01:27:38,120 --> 01:27:40,920
Speaker 3: had enough pays for the three.

2010
01:27:41,080 --> 01:27:43,320
Speaker 2: No, no, we got we got more a level man.

2011
01:27:43,520 --> 01:27:45,720
Speaker 2: But it was good to see the people. Uh, good

2012
01:27:45,760 --> 01:27:47,679
Speaker 2: to just walk around them, feel like energy, see people

2013
01:27:47,760 --> 01:27:50,160
Speaker 2: come moving. I guess coming from work that we passed

2014
01:27:50,160 --> 01:27:52,640
Speaker 2: the bus stop going to the supermarket. It definitely like

2015
01:27:52,680 --> 01:27:55,560
Speaker 2: seeing that version of like the Grand Concourse. You know

2016
01:27:55,560 --> 01:27:57,759
Speaker 2: what I'm saying, like that just just that whole little Okay,

2017
01:27:57,760 --> 01:27:58,720
Speaker 2: this is Russia.

2018
01:27:58,960 --> 01:28:00,000
Speaker 3: Church and church at high noon.

2019
01:28:00,200 --> 01:28:02,240
Speaker 2: Yeah yeah, yeah, like this is this is rush hour.

2020
01:28:02,560 --> 01:28:05,240
Speaker 2: The people are moving and going and coming from their

2021
01:28:05,280 --> 01:28:07,639
Speaker 2: destination zone. So it was good to be out there.

2022
01:28:07,800 --> 01:28:10,200
Speaker 2: The stray dogs are like part of the town. Everybody

2023
01:28:10,240 --> 01:28:13,240
Speaker 2: knows all the dogs by name. It as murals of

2024
01:28:13,240 --> 01:28:14,160
Speaker 2: the dogs on the wall.

2025
01:28:14,280 --> 01:28:18,360
Speaker 3: Like as a tax paying American, there is no stop signs,

2026
01:28:18,760 --> 01:28:20,280
Speaker 3: No one knows what the right of way is.

2027
01:28:21,320 --> 01:28:23,559
Speaker 2: Yeah, everybody just kind of like just go, man, you

2028
01:28:23,600 --> 01:28:25,680
Speaker 2: gotta just go. Some stops in life you gotta just go.

2029
01:28:26,000 --> 01:28:28,760
Speaker 3: That's right. Mall Ed and I went on a hike.

2030
01:28:29,479 --> 01:28:29,760
Speaker 4: We did.

2031
01:28:30,479 --> 01:28:31,920
Speaker 3: We didn't really tape it, so I feel like we

2032
01:28:31,920 --> 01:28:33,120
Speaker 3: could talk about it.

2033
01:28:33,120 --> 01:28:33,760
Speaker 2: It wasn't a hike.

2034
01:28:33,800 --> 01:28:34,599
Speaker 3: We just went the long way.

2035
01:28:34,720 --> 01:28:36,760
Speaker 2: We went the really long way to the restaurant looking

2036
01:28:36,760 --> 01:28:37,160
Speaker 2: for food.

2037
01:28:37,240 --> 01:28:37,720
Speaker 4: Yeah, we went.

2038
01:28:37,800 --> 01:28:40,360
Speaker 3: I was right next door, literally literally right next literally.

2039
01:28:40,439 --> 01:28:42,320
Speaker 3: But here's the thing. I am happy we didn't do

2040
01:28:42,360 --> 01:28:44,080
Speaker 3: that because I would have went through that path that's

2041
01:28:44,120 --> 01:28:45,920
Speaker 3: behind us, and I don't know whose property that is, Like,

2042
01:28:46,000 --> 01:28:47,720
Speaker 3: I didn't want to cut through. I didn't know that

2043
01:28:47,800 --> 01:28:49,720
Speaker 3: it was attached to the hotel smart next to us,

2044
01:28:49,720 --> 01:28:52,120
Speaker 3: so smart, So I said, we walking in the streets

2045
01:28:53,080 --> 01:28:55,280
Speaker 3: all the way around. But I'm so happy we did

2046
01:28:55,320 --> 01:28:57,160
Speaker 3: because we got to see again I don't want to

2047
01:28:57,200 --> 01:29:00,360
Speaker 3: say the location, but the specific mountain that's you know,

2048
01:29:00,479 --> 01:29:02,320
Speaker 3: kind of why this is.

2049
01:29:02,360 --> 01:29:05,760
Speaker 2: This is hold. The cameras are catching at least some

2050
01:29:05,840 --> 01:29:09,160
Speaker 2: of it ed, but yeah, this is This has really

2051
01:29:09,160 --> 01:29:11,519
Speaker 2: been a lot of I didn't even know I needed

2052
01:29:11,520 --> 01:29:13,800
Speaker 2: this trip as much as I needed it. Man, it's

2053
01:29:13,800 --> 01:29:19,000
Speaker 2: been it's been very peaceful, it's been very relaxing. Yeah,

2054
01:29:19,080 --> 01:29:23,280
Speaker 2: my host, thank you to our host. He's been nothing

2055
01:29:23,320 --> 01:29:27,479
Speaker 2: but the best. Yeah, man, this is a beautiful, beautiful time,

2056
01:29:27,479 --> 01:29:30,559
Speaker 2: im man, and I do want to come back, do

2057
01:29:30,560 --> 01:29:33,559
Speaker 2: I think we should come back again soon and spend

2058
01:29:33,600 --> 01:29:36,960
Speaker 2: some more time out here. But yeah, thank you to

2059
01:29:37,120 --> 01:29:40,360
Speaker 2: you know, the beautiful city for accepting us for a

2060
01:29:40,360 --> 01:29:43,679
Speaker 2: few days and showing love and and just being open

2061
01:29:43,720 --> 01:29:45,720
Speaker 2: to visitors and strangers coming in.

2062
01:29:46,200 --> 01:29:49,160
Speaker 3: Yeah. And and then I just guessing which houses were

2063
01:29:49,200 --> 01:29:50,839
Speaker 3: Cartel and they which.

2064
01:29:51,120 --> 01:29:53,160
Speaker 4: He saw something that said cardell and definitely thought it

2065
01:29:53,200 --> 01:29:53,479
Speaker 4: was cars.

2066
01:29:53,720 --> 01:29:56,400
Speaker 2: Listen, I don't blame you, Roy, it's too close. You

2067
01:29:56,400 --> 01:29:58,680
Speaker 2: don't want to find out cartoon. Yeah, you don't want to.

2068
01:29:58,720 --> 01:30:00,720
Speaker 2: You don't want to risk it and find find out that, Yeah,

2069
01:30:00,760 --> 01:30:03,920
Speaker 2: this is in fact a property you should not have Sure.

2070
01:30:03,760 --> 01:30:06,800
Speaker 4: Where we got the z was mildly cartel.

2071
01:30:07,439 --> 01:30:11,680
Speaker 2: I'm sure affiliated, Yeah, but I'm sure they give each

2072
01:30:11,680 --> 01:30:12,400
Speaker 2: other head nods.

2073
01:30:12,800 --> 01:30:16,439
Speaker 3: Yeah, absolutely, Like if you're light, you could borrow something, right.

2074
01:30:17,760 --> 01:30:22,200
Speaker 2: But yeah, man, it's been great. It's been beautiful out here. Yeah,

2075
01:30:22,760 --> 01:30:24,040
Speaker 2: my time on the road with you guys.

2076
01:30:24,200 --> 01:30:27,599
Speaker 3: Yeah, you're going back to New York. I'm going back

2077
01:30:27,640 --> 01:30:28,000
Speaker 3: to l A.

2078
01:30:28,160 --> 01:30:29,560
Speaker 2: Yeah, I'll meet you. I'll meet you in l A.

2079
01:30:30,479 --> 01:30:32,719
Speaker 2: We have a business to do in l A once again.

2080
01:30:33,320 --> 01:30:38,920
Speaker 3: Yes, and some unfinished business. Not really, it just sounds

2081
01:30:39,240 --> 01:30:41,800
Speaker 3: I just want to have her on the pod. That's look,

2082
01:30:41,960 --> 01:30:45,320
Speaker 3: look at how you're totally joking. Yes, but yeah, I

2083
01:30:46,000 --> 01:30:50,360
Speaker 3: can't believe I'm not going home. It's the longest stretch

2084
01:30:50,520 --> 01:30:52,479
Speaker 3: LA to Mexico, back to l A than to New York.

2085
01:30:52,479 --> 01:30:53,920
Speaker 3: I've been going this entire month of June.

2086
01:30:55,439 --> 01:30:58,880
Speaker 4: Also speaking of speaking of a Cali uh shut to

2087
01:30:58,920 --> 01:31:00,000
Speaker 4: the Golden State Warriors.

2088
01:31:00,680 --> 01:31:03,519
Speaker 2: Oh yeah, yeah, yes, yes, listen, man, shout out to

2089
01:31:03,520 --> 01:31:07,799
Speaker 2: the Golden State Warriors. Shout out to Steph Curry's uh

2090
01:31:08,000 --> 01:31:11,559
Speaker 2: Klay Thompson, Draymond Green. Listen they they I mean, shout

2091
01:31:11,560 --> 01:31:13,920
Speaker 2: out to old team. But those three, uh in particular,

2092
01:31:14,120 --> 01:31:18,120
Speaker 2: you know, once again went crazy. Yeah, Wiggs absolutely went crazy.

2093
01:31:18,080 --> 01:31:21,200
Speaker 2: And I'm really happy for him to because he was. Yeah,

2094
01:31:21,240 --> 01:31:23,040
Speaker 2: he was, he was. Andrew Wiggins was one of those

2095
01:31:23,040 --> 01:31:26,519
Speaker 2: players that people kind of like counted out a while ago.

2096
01:31:27,240 --> 01:31:28,840
Speaker 2: So it's good to see him play well in the

2097
01:31:28,840 --> 01:31:32,160
Speaker 2: playoffs and in the finals and and win the ring. Uh.

2098
01:31:32,200 --> 01:31:35,880
Speaker 2: But Steph Curry in particular, Man, I tweeted it. I

2099
01:31:35,920 --> 01:31:37,599
Speaker 2: said it. I've actually been saying it for a couple

2100
01:31:37,600 --> 01:31:41,760
Speaker 2: of years now. You had family reply, Yeah, uh, it's

2101
01:31:41,800 --> 01:31:43,559
Speaker 2: just time to say, man, Steph Curry is a top

2102
01:31:43,560 --> 01:31:46,960
Speaker 2: five player of all time. I mean the resume is there,

2103
01:31:47,240 --> 01:31:51,880
Speaker 2: the the career, the achievements, the goals, it's just.

2104
01:31:52,160 --> 01:31:53,800
Speaker 4: The way he changed the game overall.

2105
01:31:54,120 --> 01:31:56,439
Speaker 2: He changed the game around the world. Like it's not

2106
01:31:56,520 --> 01:32:00,400
Speaker 2: you know, it's I just don't understand how you don't

2107
01:32:00,680 --> 01:32:02,720
Speaker 2: have him as a top five player, you know what

2108
01:32:02,760 --> 01:32:06,920
Speaker 2: I mean. It's he dominated. He has a dynasty. The

2109
01:32:06,920 --> 01:32:11,200
Speaker 2: Goldstate Wards are dynasty because of Steph Curry. I don't

2110
01:32:11,240 --> 01:32:16,519
Speaker 2: know how many other players have dynasties, you know what

2111
01:32:16,520 --> 01:32:18,960
Speaker 2: I'm saying. You're talking about dynasties meaning like every year

2112
01:32:19,880 --> 01:32:24,760
Speaker 2: there's a possibility that they could win it if they're healthy. Patriots, Spurs, Lakers,

2113
01:32:26,640 --> 01:32:27,880
Speaker 2: I'm talking about in the NBA.

2114
01:32:28,160 --> 01:32:30,360
Speaker 3: San Antonio, I just say, san Antonio.

2115
01:32:30,880 --> 01:32:32,160
Speaker 2: I just think that, you know, you have to be

2116
01:32:32,200 --> 01:32:36,000
Speaker 2: a dynasty. You have to be a dynasty. And Steph

2117
01:32:36,040 --> 01:32:38,200
Speaker 2: Curry the Warriors are dynasty, you know what I mean,

2118
01:32:38,280 --> 01:32:41,240
Speaker 2: Like the Nicks.

2119
01:32:40,600 --> 01:32:40,920
Speaker 1: He has.

2120
01:32:41,280 --> 01:32:43,600
Speaker 2: He has a resume. Now everybody was you know, he

2121
01:32:43,640 --> 01:32:44,719
Speaker 2: doesn't have a Finals MVP.

2122
01:32:45,439 --> 01:32:46,000
Speaker 4: Now he does.

2123
01:32:47,040 --> 01:32:49,080
Speaker 3: I think basketball probably has the most dynasties.

2124
01:32:48,680 --> 01:32:51,519
Speaker 2: No, I'm not. I'm talking about I'm talking about of

2125
01:32:51,600 --> 01:32:53,360
Speaker 2: players that people say are top five.

2126
01:32:53,479 --> 01:32:55,639
Speaker 3: Okay, I see what you're saying.

2127
01:32:55,680 --> 01:32:57,080
Speaker 2: You understand what I'm saying. Like to me, when you

2128
01:32:57,120 --> 01:32:59,519
Speaker 2: start saying top five is because you have to have

2129
01:32:59,560 --> 01:33:01,519
Speaker 2: the resume like I have. I was a dynasty. My

2130
01:33:01,560 --> 01:33:02,720
Speaker 2: team was a dynasty.

2131
01:33:03,240 --> 01:33:06,240
Speaker 3: Uh, Kobe, Lebron, Michael.

2132
01:33:07,840 --> 01:33:08,320
Speaker 4: The Magic.

2133
01:33:09,479 --> 01:33:11,840
Speaker 2: Would you consider that era when he was at the Lakers?

2134
01:33:12,160 --> 01:33:12,320
Speaker 3: Oh?

2135
01:33:12,400 --> 01:33:15,000
Speaker 2: Yeah, you have to consider that a dynasty.

2136
01:33:15,439 --> 01:33:18,960
Speaker 3: Bill Russell, Yeah, it's Steph top five.

2137
01:33:19,880 --> 01:33:23,120
Speaker 2: He's in my top five, Bro, Steph Curry completely changed

2138
01:33:23,120 --> 01:33:24,479
Speaker 2: the game of basketball around the world.

2139
01:33:25,920 --> 01:33:27,760
Speaker 4: At least he's in my top ten.

2140
01:33:28,880 --> 01:33:30,880
Speaker 2: He's in my top five that I've seen, He's in

2141
01:33:30,960 --> 01:33:35,040
Speaker 2: my top I've seen, he's in my top Steph is

2142
01:33:35,080 --> 01:33:38,040
Speaker 2: like three in my top five. So what I'm saying,

2143
01:33:38,120 --> 01:33:39,160
Speaker 2: he's in your top three?

2144
01:33:39,560 --> 01:33:43,280
Speaker 3: I just saw Jordan, but Bron Kobe, Yeah, I wouldn't

2145
01:33:43,280 --> 01:33:43,880
Speaker 3: be mad at Steph.

2146
01:33:44,400 --> 01:33:46,800
Speaker 2: He's in my top five. I feel like if he

2147
01:33:46,880 --> 01:33:49,400
Speaker 2: had a bigger ego. Unfortunately, it's crazy to say that

2148
01:33:49,760 --> 01:33:52,840
Speaker 2: because I love the fact that he's so humble, But

2149
01:33:52,840 --> 01:33:54,479
Speaker 2: if he had a bigger ego, if he was one

2150
01:33:54,479 --> 01:33:58,280
Speaker 2: of the guys that you know, was running around with

2151
01:33:58,840 --> 01:34:01,439
Speaker 2: you know, doing wild in the clubs and seeing out,

2152
01:34:01,560 --> 01:34:04,840
Speaker 2: you know, partying and it. You know, I think people

2153
01:34:04,880 --> 01:34:06,400
Speaker 2: would give him more of that nod.

2154
01:34:06,720 --> 01:34:08,400
Speaker 3: It might be the reason why he has a dynasty.

2155
01:34:09,040 --> 01:34:10,439
Speaker 2: This is what I'm saying. He was locked in on

2156
01:34:10,479 --> 01:34:12,960
Speaker 2: his on his craft and avoided a lot of those

2157
01:34:13,120 --> 01:34:16,400
Speaker 2: pitfalls that a lot of the greats fall into. But

2158
01:34:16,439 --> 01:34:18,680
Speaker 2: I just think that he's you know, the fact that

2159
01:34:18,720 --> 01:34:21,800
Speaker 2: he changed the game the way he changed it. You know,

2160
01:34:22,400 --> 01:34:26,120
Speaker 2: as far as his stature, he's not a superior athlete,

2161
01:34:26,160 --> 01:34:28,760
Speaker 2: you know, He's not that. You know, he looks like

2162
01:34:28,800 --> 01:34:30,680
Speaker 2: he can be a high school player. You know what

2163
01:34:30,720 --> 01:34:35,000
Speaker 2: I'm saying, He's not that, you know, so to accomplish

2164
01:34:35,000 --> 01:34:38,599
Speaker 2: what he has, it's, you know, the greatest shooter ever.

2165
01:34:38,880 --> 01:34:40,400
Speaker 2: It's like you can't even just say that no more.

2166
01:34:40,400 --> 01:34:43,760
Speaker 2: It's like he's done more than just shoot. Last night,

2167
01:34:44,439 --> 01:34:46,639
Speaker 2: in that close out game, he was going to the rack,

2168
01:34:46,680 --> 01:34:49,240
Speaker 2: he was getting to the cup, he was putting the

2169
01:34:49,240 --> 01:34:50,920
Speaker 2: ball on the floor. He wasn't just standing there catching it,

2170
01:34:51,000 --> 01:34:53,479
Speaker 2: just shooting, and like he was really he was really

2171
01:34:53,520 --> 01:34:58,840
Speaker 2: making moves. He was getting everybody involved. And again man,

2172
01:34:58,880 --> 01:35:02,280
Speaker 2: he just you know he did you know this, this

2173
01:35:02,479 --> 01:35:06,840
Speaker 2: was they lost a top ten player and Kevin Durant

2174
01:35:06,840 --> 01:35:09,720
Speaker 2: in my opinion, and then they were able to come

2175
01:35:09,760 --> 01:35:12,920
Speaker 2: back just two years after that and win another one.

2176
01:35:13,080 --> 01:35:17,080
Speaker 3: With Steph being injured in that time before Klay Thompson.

2177
01:35:16,720 --> 01:35:19,760
Speaker 2: Being out for those years. Like so, it's just you know,

2178
01:35:20,520 --> 01:35:23,880
Speaker 2: and if you look at Klay Thompson and Draymond and

2179
01:35:23,920 --> 01:35:27,639
Speaker 2: Steph and you wouldn't think that, you know, those three

2180
01:35:27,680 --> 01:35:30,720
Speaker 2: would be a dynasty. Yeah, you know what I mean,

2181
01:35:31,080 --> 01:35:32,200
Speaker 2: you wouldn't say dynasty.

2182
01:35:33,240 --> 01:35:35,280
Speaker 3: But they didn't do it the AAU way.

2183
01:35:35,520 --> 01:35:37,720
Speaker 2: They didn't chase it, you know, they didn't chase it.

2184
01:35:37,760 --> 01:35:41,599
Speaker 2: They literally, you know, were drafted there. They came up together,

2185
01:35:41,800 --> 01:35:46,320
Speaker 2: they got better together, they jeled, they put egos aside.

2186
01:35:48,320 --> 01:35:50,760
Speaker 2: So yeah, man, I'm just congratulations to them and what

2187
01:35:50,800 --> 01:35:55,040
Speaker 2: they've been able to do. And again, man, congratts Steph

2188
01:35:55,120 --> 01:35:59,599
Speaker 2: Curry on to me, to me in my opinion, top

2189
01:35:59,640 --> 01:36:03,240
Speaker 2: five play all time career, because I don't they're not done.

2190
01:36:03,479 --> 01:36:05,839
Speaker 2: They're gonna get they get their big man, James Wiseman

2191
01:36:05,880 --> 01:36:10,720
Speaker 2: back next year. I mean they Jordan Poole. Yeah, I

2192
01:36:10,800 --> 01:36:13,280
Speaker 2: don't see, I don't I don't listen, they gonna be

2193
01:36:13,680 --> 01:36:15,800
Speaker 2: They're gonna be right there in the hunt. They're not

2194
01:36:15,840 --> 01:36:17,559
Speaker 2: going away. They're not gonna miss the playoffs. Theyre gonna

2195
01:36:17,560 --> 01:36:20,400
Speaker 2: be another top three, top four team in the West

2196
01:36:20,439 --> 01:36:26,360
Speaker 2: next year. So it's like, you know, all right, just

2197
01:36:26,439 --> 01:36:29,559
Speaker 2: hats off to them, man, Saluta the Golden State Warriors

2198
01:36:29,640 --> 01:36:34,120
Speaker 2: and Saluta Oakland the Bay Area on another championship.

2199
01:36:34,160 --> 01:36:37,640
Speaker 4: Real quick shout out to Steve Kurry having nine NBA championship.

2200
01:36:37,600 --> 01:36:39,920
Speaker 2: Out to Steve Curry, He's now more in the top

2201
01:36:39,960 --> 01:36:41,200
Speaker 2: five coach in NBA.

2202
01:36:41,240 --> 01:36:43,799
Speaker 4: Four as a coach and then five as a player.

2203
01:36:44,360 --> 01:36:44,599
Speaker 2: Yeah.

2204
01:36:44,640 --> 01:36:45,840
Speaker 3: Two dynasties yep.

2205
01:36:47,280 --> 01:36:50,400
Speaker 2: Three dynasties yeah, San Antonio.

2206
01:36:50,120 --> 01:36:54,599
Speaker 3: Yeah crazy, Yeah, that's nuts.

2207
01:36:54,800 --> 01:36:58,439
Speaker 2: Yeah yeah. So yeah. Shout out to the Golden State Warriors. Man.

2208
01:36:58,920 --> 01:37:00,439
Speaker 2: They handle business that he supposed to do.

2209
01:37:00,560 --> 01:37:05,280
Speaker 3: He say Phil's name, Kerr, he can't.

2210
01:37:05,560 --> 01:37:07,920
Speaker 2: Three dynasties. One is a player. Yeah.

2211
01:37:07,960 --> 01:37:09,200
Speaker 4: I think he's tired with Phil right now.

2212
01:37:09,200 --> 01:37:11,880
Speaker 2: For Phil, Phil, Phili still has more champions I think

2213
01:37:11,920 --> 01:37:15,760
Speaker 2: Phil has eleven all together. I think eleven ten or eleven.

2214
01:37:16,160 --> 01:37:19,960
Speaker 3: Five, six with Chicago and Lakers.

2215
01:37:20,880 --> 01:37:25,320
Speaker 2: Five with the Lakers, No. Four with the Lakers, see.

2216
01:37:25,640 --> 01:37:26,799
Speaker 2: I think it's four right.

2217
01:37:28,320 --> 01:37:31,320
Speaker 3: Either way. He was not on the Dynasty when he

2218
01:37:31,400 --> 01:37:34,160
Speaker 3: was playing, So I feel like Steve Kirk can say.

2219
01:37:34,360 --> 01:37:36,680
Speaker 2: He has one, he can say his knicks, I believe.

2220
01:37:36,800 --> 01:37:39,960
Speaker 3: I'm saying with a dynasty as a player.

2221
01:37:40,400 --> 01:37:44,559
Speaker 2: Yeah yeah, yeah, man, Well, you know they did what

2222
01:37:44,560 --> 01:37:46,360
Speaker 2: they were supposed to do. Man, they closed out Boston.

2223
01:37:46,360 --> 01:37:48,599
Speaker 2: But Boston they're gonna be around. They'll be back next year.

2224
01:37:48,600 --> 01:37:50,519
Speaker 2: I believe they'll be right down to the conference finals again.

2225
01:37:51,000 --> 01:37:56,800
Speaker 2: Watch thee Yeah. So yeah, man, I guess his road

2226
01:37:56,800 --> 01:37:58,000
Speaker 2: trip has come to an end.

2227
01:37:58,520 --> 01:37:59,400
Speaker 3: I'm not sort of.

2228
01:37:59,360 --> 01:38:01,800
Speaker 4: Find of s're leaving us early.

2229
01:38:02,040 --> 01:38:03,680
Speaker 2: Yeah, I'm leaving y'all early on. But then you right

2230
01:38:03,760 --> 01:38:05,519
Speaker 2: back to you, right back, right back in la.

2231
01:38:06,320 --> 01:38:08,200
Speaker 3: It feels like you're just road tripping to home for

2232
01:38:08,240 --> 01:38:08,559
Speaker 3: a second.

2233
01:38:08,680 --> 01:38:12,879
Speaker 2: Yeah, do we miss the Marris do mister parents?

2234
01:38:13,000 --> 01:38:13,479
Speaker 4: Demerius?

2235
01:38:14,360 --> 01:38:16,400
Speaker 2: She can't speak Spanish, so yeah, we don't know.

2236
01:38:16,439 --> 01:38:18,080
Speaker 4: You imagine if it was Demeris instead.

2237
01:38:17,800 --> 01:38:22,280
Speaker 2: Of me, Oh my god, Jesus Christ, Mars would have

2238
01:38:22,280 --> 01:38:24,040
Speaker 2: hopped out said I'm going to get a pedicure right here.

2239
01:38:24,080 --> 01:38:27,479
Speaker 2: We'd even like yo, whoa, yeo, whoa. She did that

2240
01:38:27,520 --> 01:38:31,760
Speaker 2: in Pennsylvan Yo, like, whoa, whoa, No, we're not doing that.

2241
01:38:32,000 --> 01:38:34,479
Speaker 2: Of course you missed the marriage. But we'll see what

2242
01:38:34,600 --> 01:38:38,679
Speaker 2: she's like. She's been there, we've been texting, facetiming. Yeah,

2243
01:38:38,800 --> 01:38:41,880
Speaker 2: so it's like she's on trust me, DeMars ain't missing us.

2244
01:38:41,920 --> 01:38:42,320
Speaker 4: She han't.

2245
01:38:42,320 --> 01:38:45,400
Speaker 2: Whatever she's doing, she han't. Oh she's glad. She ain't

2246
01:38:45,400 --> 01:38:47,840
Speaker 2: got to come into the office, the studio, nothing like.

2247
01:38:48,680 --> 01:38:50,400
Speaker 3: And Justine the boy told me, don't miss someone that

2248
01:38:50,400 --> 01:38:52,760
Speaker 3: doesn't miss you. Yeah, that's I don't think she misses me,

2249
01:38:53,680 --> 01:38:56,200
Speaker 3: justin for me to realize that nastiness.

2250
01:38:56,720 --> 01:39:00,519
Speaker 2: So yeah, man, shout out to Mexico. Next go city.

2251
01:39:00,560 --> 01:39:02,559
Speaker 2: We love you. Thank you for the time here, thank

2252
01:39:02,560 --> 01:39:05,720
Speaker 2: you for the energy, the vibes. It's been great, the ambiance.

2253
01:39:06,640 --> 01:39:08,360
Speaker 2: And yeah, man, we'll see y'all. We'll talk to y'all

2254
01:39:08,320 --> 01:39:10,479
Speaker 2: again soon. In a couple of days, we'll be back

2255
01:39:10,520 --> 01:39:15,640
Speaker 2: in California, we'll be back in La. So until then, man,

2256
01:39:15,680 --> 01:39:19,479
Speaker 2: y'all be blessed, have a great week, and we'll talk

2257
01:39:19,479 --> 01:39:21,759
Speaker 2: to y'all soon. Peace, no worry.

2258
01:39:21,840 --> 01:39:22,800
Speaker 3: And now